UPC · Release
Chopin
Last verified:
The UPC for “Complete Edition” by Chopin is 028947784456. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2009-01-01. Label: Deutsche Grammophon. This release contains 258 tracks, each with its own ISRC. Tracks include DEF059903211, DEF059903212, DEF059903213.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso | Krystian Zimerman, Polish Festival Orchestra | T-309.554.584-5 | |
| 2 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance: Larghetto | Krystian Zimerman, Polish Festival Orchestra | T-800.132.125-2 | |
| 3 | Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo: Vivace | Krystian Zimerman, Polish Festival Orchestra | — | |
| 4 | Concerto for Piano and Orchestra no. 2 in F minor, op. 21: I. Maestoso | Krystian Zimerman, Polish Festival Orchestra | — | |
| 5 | Concerto for Piano and Orchestra no. 2 in F minor, op. 21: II. Larghetto | Krystian Zimerman, Polish Festival Orchestra | — | |
| 6 | Concerto for Piano and Orchestra no. 2 in F minor, op. 21: III. Allegro vivace | Krystian Zimerman, Polish Festival Orchestra | T-902.804.388-1 | |
| 2-1 | Variations on "Là ci darem la mano" (from Mozart's "Don Giovanni") in B flat major, Op. 2 | Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal | — | |
| 2-2 | Fantasia on Polish Airs in A major, op. 13 | Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal | — | |
| 2-3 | Krakowiak - Concerto Rondo in F, op. 14: Introduction - Rondeau | Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal | — | |
| 2-4 | Andante spianato in G major and Grande Polonaise brillante in E-flat major, op. 22 | Claudio Arrau, London Philharmonic Orchestra, Eliahu Inbal | — | |
| 3-1 | Ballade no. 1 in G minor, op. 23 | Krystian Zimerman | T-917.141.447-4 | |
| 3-2 | Ballade no. 2 in F major, op. 38 | Krystian Zimerman | — | |
| 3-3 | Ballade no. 3 in A‐flat major, op. 47 | Krystian Zimerman | T-913.821.070-5 | |
| 3-4 | Ballade no. 4 in F minor, op. 52 | Krystian Zimerman | — | |
| 3-5 | Fantaisie in F minor, op. 49 | Krystian Zimerman | — | |
| 3-6 | Nouvelle étude in F minor, B. 130 no. 1 | Anatol Ugorski | — | |
| 3-7 | Etude in A flat, Op. posth. “ Méthode des méthodes “ | Frédéric Chopin | — | |
| 3-8 | Nouvelle étude in D‐flat major, B. 130 no. 3 | Anatol Ugorski | — | |
| 3-9 | Funeral March in C minor, op. 72 no. 2 | Anatol Ugorski | — | |
| 3-10 | Ecossaise no. 1 in D major, op. 72 no. 3a | Anatol Ugorski | — | |
| 3-11 | Ecossaise no. 2 in G major, op. 72 no. 3b | Anatol Ugorski | — | |
| 3-12 | Ecossaise no. 3 in D‐flat major, op. 72 no. 3c | Anatol Ugorski | T-913.821.070-5 | |
| 4-1 | Études op. 10: No. 1 in C major: Allegro | Maurizio Pollini | T-329.456.966-3 | |
| 4-2 | Études op. 10: No. 2 in A minor “Chromatique”: Allegro | Maurizio Pollini | T-329.458.384-5 | |
| 4-3 | Études op. 10: No. 3 in E major “Tristesse”: Lento, ma non troppo | Maurizio Pollini | T-329.459.340-7 | |
| 4-4 | Études op. 10: No. 4 in C‐sharp minor: Presto | Maurizio Pollini | T-915.981.383-9 | |
| 4-5 | Études op. 10: No. 5 in G‐flat major “Black Keys”: Vivace | Maurizio Pollini | T-329.453.534-1 | |
| 4-6 | Études op. 10: No. 6 in E‐flat minor: Andante | Maurizio Pollini | T-329.458.108-7 | |
| 4-7 | Études op. 10: No. 7 in C major: Vivace | Maurizio Pollini | T-329.457.242-8 | |
| 4-8 | Études op. 10: No. 8 in F major: Allegro | Maurizio Pollini | T-329.458.487-1 | |
| 4-9 | Études op. 10: No. 9 in F minor: Allegro, molto agitato | Maurizio Pollini | T-329.456.945-8 | |
| 4-10 | Études op. 10: No. 10 in A‐flat major: Vivace assai | Maurizio Pollini | T-329.454.326-9 | |
| 4-11 | Études, op. 10: No. 11 in E‐flat major: Allegretto | Maurizio Pollini | T-329.456.687-9 | |
| 4-12 | Études, op. 10: No. 12 in C minor “Revolutionary”: Allegro con fuoco | Maurizio Pollini | T-915.981.383-9 | |
| 4-13 | 12 Études, Op. 25: No. 1 in A‐Flat Major “Harp Study” | Maurizio Pollini | — | |
| 4-14 | Études, op. 25: No. 2 in F minor: Presto | Maurizio Pollini | T-329.456.945-8 | |
| 4-15 | Études, op. 25: No. 3 in F major: Allegro | Maurizio Pollini | T-329.456.945-8 | |
| 4-16 | Études, op. 25: No. 4 in A minor: Agitato | Maurizio Pollini | T-329.457.500-7 | |
| 4-17 | Études, op. 25: No. 5 in E minor: Vivace | Maurizio Pollini | T-329.458.108-7 | |
| 4-18 | Études, op. 25: No. 6 in G sharp minor: Allegro | Maurizio Pollini | T-915.981.383-9 | |
| 4-19 | Etude no. 19 in C‐sharp minor, op. 25 no. 7 | Maurizio Pollini | T-915.981.383-9 | |
| 4-20 | Études, op. 25: No. 8 in D flat major: Vivace | Maurizio Pollini | — | |
| 4-21 | 12 Études, Op. 25: No. 9 in G‐Flat Major “Butterfly Wings” | Maurizio Pollini | — | |
| 4-22 | 12 Études, Op. 25: No. 10 in B Minor “Octave” | Maurizio Pollini | T-308.384.655-9 | |
| 4-23 | 12 Études, Op. 25: No. 11 in A Minor “Winter Wind” | Maurizio Pollini | T-308.381.369-4 | |
| 4-24 | 12 Études, Op. 25: No. 12 in C Minor “Ocean” | Maurizio Pollini | T-310.766.142-3 | |
| 4-25 | Barcarolle in F-sharp major, Op. 60 | Maurizio Pollini | T-905.382.146-8 | |
| 4-26 | Berceuse in D flat, Op. 57 | Maurizio Pollini | — | |
| 5-1 | Mazurka no. 1 in F-sharp minor, op. 6 no. 1 | Vladimir Ashkenazy | T-918.063.801-1 | |
| 5-2 | Mazurka no. 2 in C-sharp minor, op. 6 no. 2 | Vladimir Ashkenazy | T-922.054.556-2 | |
| 5-3 | Mazurka no. 3 in E major, op. 6 no. 3 | Vladimir Ashkenazy | T-918.063.801-1 | |
| 5-4 | Mazurka no. 4 in E-flat minor, op. 6 no. 4 | Vladimir Ashkenazy | T-329.453.978-5 | |
| 5-5 | Mazurka no. 5 in B-flat major, op. 7 no. 1 | Vladimir Ashkenazy | T-900.154.054-1 | |
| 5-6 | Mazurka no. 6 in A minor, op. 7 no. 2 | Vladimir Ashkenazy | — | |
| 5-7 | Mazurka no. 7 in F minor, op. 7 no. 3 | Vladimir Ashkenazy | T-918.063.801-1 | |
| 5-8 | Mazurka no. 8 in A-flat major, op. 7 no. 4 | Vladimir Ashkenazy | T-329.459.363-4 | |
| 5-9 | Mazurka no. 9 in C major, op. 7 no. 5 | Vladimir Ashkenazy | — | |
| 5-10 | Mazurka no. 10 in B-flat major, op. 17 no. 1 | Vladimir Ashkenazy | — | |
| 5-11 | Mazurka no. 11 in E minor, op. 17 no. 2 | Vladimir Ashkenazy | — | |
| 5-12 | Mazurka no. 12 in A-flat major, op. 17 no. 3 | Vladimir Ashkenazy | — | |
| 5-13 | Mazurka no. 13 in A minor, op. 17 no. 4 | Vladimir Ashkenazy | — | |
| 5-14 | Mazurka no. 14 in G minor, op. 24 no. 1 | Vladimir Ashkenazy | T-917.141.447-4 | |
| 5-15 | Mazurka no. 15 in C major, op. 24 no. 2 | Vladimir Ashkenazy | — | |
| 5-16 | Mazurka no. 16 in A-flat major, op. 24 no. 3 | Vladimir Ashkenazy | — | |
| 5-17 | Mazurka no. 17 in B-flat minor, op. 24 no. 4 | Vladimir Ashkenazy | — | |
| 5-18 | Mazurka no. 18 in C minor, op. 30 no. 1 | Vladimir Ashkenazy | — | |
| 5-19 | Mazurka no. 19 in B minor, op. 30 no. 2 | Vladimir Ashkenazy | — | |
| 5-20 | Mazurka no. 20 in D-flat major, op. 30 no. 3 | Vladimir Ashkenazy | — | |
| 5-21 | Mazurka no. 21 in C-sharp minor, op. 30 no. 4 | Vladimir Ashkenazy | T-918.063.801-1 | |
| 5-22 | Mazurka no. 22 in G-sharp minor, op. 33 no. 1 | Vladimir Ashkenazy | — | |
| 5-23 | Mazurka no. 23 in D major, op. 33 no. 2 | Vladimir Ashkenazy | — | |
| 5-24 | Mazurka no. 24 in C major, op. 33 no. 3 | Vladimir Ashkenazy | — | |
| 5-25 | Mazurka no. 25 in B minor, op. 33 no. 4 | Vladimir Ashkenazy | T-924.335.667-4 | |
| 5-26 | Mazurka no. 26 in C-sharp minor, op. 41 no. 1 | Vladimir Ashkenazy | — | |
| 5-27 | Mazurka no. 27 in E minor, op. 41 no. 2 | Vladimir Ashkenazy | — | |
| 5-28 | Mazurka no. 28 in B major, op. 41 no. 3 | Vladimir Ashkenazy | — | |
| 5-29 | Mazurka no. 29 in A-flat major, op. 41 no. 4 | Vladimir Ashkenazy | T-329.459.363-4 | |
| 6-1 | Mazurka no. 30 in G major, op. 50 no. 1 | Vladimir Ashkenazy | — | |
| 6-2 | Mazurka no. 31 in A-flat major, op. 50 no. 2 | Vladimir Ashkenazy | — | |
| 6-3 | Mazurka no. 32 in C-sharp minor, op. 50 no. 3 | Vladimir Ashkenazy | T-918.063.801-1 | |
| 6-4 | Mazurka no. 33 in B major, op. 56 no. 1 | Vladimir Ashkenazy | — | |
| 6-5 | Mazurka no. 34 in C major, op. 56 no. 2 | Vladimir Ashkenazy | — | |
| 6-6 | Mazurka no. 35 in C minor, op. 56 no. 3 | Vladimir Ashkenazy | — | |
| 6-7 | Mazurka no. 36 in A minor, op. 59 no. 1 | Vladimir Ashkenazy | — | |
| 6-8 | Mazurka no. 37 in A-flat major, op. 59 no. 2 | Vladimir Ashkenazy | — | |
| 6-9 | Mazurka no. 38 in F-sharp minor, op. 59 no. 3 | Vladimir Ashkenazy | T-918.063.801-1 | |
| 6-10 | Mazurka no. 39 in B major, op. 63 no. 1 | Vladimir Ashkenazy | — | |
| 6-11 | Mazurka no. 40 in F minor, op. 63 no. 2 | Vladimir Ashkenazy | — | |
| 6-12 | Mazurka, op. 63 no. 3 | Vladimir Ashkenazy | T-918.063.801-1 | |
| 6-13 | Mazurka no. 42 in G major, op. 67 no. 1 | Vladimir Ashkenazy | — | |
| 6-14 | Mazurka no. 43 in G minor, op. 67 no. 2 | Vladimir Ashkenazy | — | |
| 6-15 | Mazurka no. 44 in C major, op. 67 no. 3 | Vladimir Ashkenazy | — | |
| 6-16 | Mazurka no. 45 in A minor, op. 67 no. 4 | Vladimir Ashkenazy | — | |
| 6-17 | Mazurka no. 46 in C major, op. 68 no. 1 | Vladimir Ashkenazy | — | |
| 6-18 | Mazurka no. 47 in A minor, op. 68 no. 2 | Vladimir Ashkenazy | — | |
| 6-19 | Mazurka No. 50 in F Major, Op. 68 No. 3 | Frédéric Chopin | T-918.063.801-1 | |
| 6-20 | Mazurka no. 49 in F minor, op. 68 no. 4 | Vladimir Ashkenazy | T-061.409.365-0 | |
| 6-21 | Mazurka in A minor, B. 140 "À Émile Gaillard" | Vladimir Ashkenazy | — | |
| 6-22 | Mazurka in A minor, B. 134 "Notre temps" | Vladimir Ashkenazy | — | |
| 6-23 | Mazurka in B-flat major, B. 16 no. 2 | Vladimir Ashkenazy | T-918.019.319-5 | |
| 6-24 | Mazurka in G major, B. 16 no. 1 "Prague" | Vladimir Ashkenazy | T-918.019.319-5 | |
| 6-25 | Mazurka in A-flat major, B. 85 "Szymanowska" | Vladimir Ashkenazy | T-913.821.070-5 | |
| 6-26 | Mazurka in C major, B. 82 | Vladimir Ashkenazy | — | |
| 6-27 | Mazurka in B-flat major, B. 73 "À Alexandra Wolowska" | Vladimir Ashkenazy | — | |
| 6-28 | Mazurka in D major, B. 71 | Vladimir Ashkenazy | — | |
| 6-29 | Mazurka in D major, B. 4 "Mazurek" | Vladimir Ashkenazy | — | |
| 7-1 | Nocturne no. 1 in B-flat minor, op. 9 no. 1: Larghetto | Maria João Pires | T-321.286.786-8 | |
| 7-2 | Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante | Maria João Pires | T-316.578.060-5 | |
| 7-3 | Nocturne No. 3 in B major, Op. 9 No. 3: Allegretto | Maria João Pires | — | |
| 7-4 | Nocturne no. 4 in F major, op. 15 no. 1: Andante cantabile | Maria João Pires | T-306.230.833-8 | |
| 7-5 | Nocturne no. 5 in F-sharp major, op. 15 no. 2: Larghetto | Maria João Pires | T-306.230.833-8 | |
| 7-6 | Nocturne No. 6 in G minor, Op. 15 No. 3: Lento | Maria João Pires | — | |
| 7-7 | Nocturne no. 7 in C-sharp minor, op. 27 no. 1: Larghetto | Maria João Pires | — | |
| 7-8 | Nocturne no. 8 in D-flat major, op. 27 no. 2: Lento sostenuto | Maria João Pires | T-306.230.835-0 | |
| 7-9 | Nocturne No. 9 in B major, Op. 32 No. 1: Andante sostenuto | Maria João Pires | T-900.129.617-9 | |
| 7-10 | Nocturne no. 10 in A-flat major, op. 32 no. 2: Lento | Maria João Pires | — | |
| 8-1 | Nocturne no. 11 in G minor, op. 37 no. 1: Andante sostenuto | Maria João Pires | — | |
| 8-2 | Nocturne No. 12 in G major, Op. 37 No. 2: Andantino | Maria João Pires | T-906.148.797-6 | |
| 8-3 | Nocturne no. 13 in C minor, op. 48 no. 1: Lento | Maria João Pires | — | |
| 8-4 | Nocturne No. 14 in F-sharp minor, Op. 48 No. 2: Andantino | Maria João Pires | T-306.230.833-8 | |
| 8-5 | Nocturne no. 15 in F minor, op. 55 no. 1: Andante | Maria João Pires | T-321.286.787-9 | |
| 8-6 | Nocturne No. 16 in E-flat major, Op. 55 No. 2: Lento sostenuto | Maria João Pires | — | |
| 8-7 | Nocturne No. 17 in B major, Op. 62 No. 1: Andante | Maria João Pires | — | |
| 8-8 | Nocturne no. 18 in E major, op. 62 no. 2: Lento | Maria João Pires | — | |
| 8-9 | Nocturne No. 19 in E minor, Op. post. 72 No. 1: Andante | Maria João Pires | — | |
| 8-10 | Nocturne no. 20 in C-sharp minor, op. post: Lento con gran espressione | Maria João Pires | T-928.543.689-7 | |
| 8-11 | Nocturne No. 21 in C minor, Op. post. | Maria João Pires | — | |
| 9-1 | Polonaise no. 1 in C‐sharp minor, op. 26 no. 1: Allegro appassionato | Maurizio Pollini | — | |
| 9-2 | Polonaise no. 2 in E-flat minor, op. 26 no. 2: Maestoso | Maurizio Pollini | — | |
| 9-3 | Polonaise no. 3 in A major, op. 40 no. 1 "Military": Allegro con brio | Maurizio Pollini | — | |
| 9-4 | Polonaise no. 4 in C minor, op. 40 no. 2: Allegro maestoso | Maurizio Pollini | T-922.054.556-2 | |
| 9-5 | Polonaise no. 5 in F-sharp minor, op. 44: Tempo di polacca - doppio movimento, tempo di Mazurka - Tempo I | Maurizio Pollini | T-918.019.319-5 | |
| 9-6 | Polonaise no. 6 in A-flat major, op. 53 "Heroic": Maestoso | Maurizio Pollini | T-060.274.630-4 | |
| 9-7 | Polonaise-Fantaisie no. 7 in A-flat major, op. 61: Allegro maestoso | Maurizio Pollini | — | |
| 10-1 | Andante Spianato and Grande Polonaise, Op. 22: I. Andante spianato: Tranquillo | Martha Argerich | — | |
| 10-2 | Andante spianato et Grande polonaise brillante in E-flat Major, op. 22: Polonaise. Allegro molto | Martha Argerich | T-902.781.050-0 | |
| 10-3 | Polonaise No. 8 in D minor, Op. 71 No. 1 | Anatol Ugorski | — | |
| 10-4 | Polonaise No. 9 in B flat major, Op. 71 No. 2 | Anatol Ugorski | — | |
| 10-5 | Polonaise No. 10 in F minor, Op. 71 No. 3 | Anatol Ugorski | — | |
| 10-6 | Polonaise in B flat minor, B. 13 | Anatol Ugorski | — | |
| 10-7 | Polonaise in G flat major, B. 36 | Anatol Ugorski | — | |
| 10-8 | Polonaise in G minor, B. 1 | Anatol Ugorski | T-106.634.516-0 | |
| 10-9 | Polonaise in B flat major, B. 3 | Anatol Ugorski | T-918.019.319-5 | |
| 10-10 | Polonaise in A flat major, B. 5 | Anatol Ugorski | T-060.274.630-4 | |
| 10-11 | Polonaise in G sharp minor, B. 6 | Anatol Ugorski | — | |
| 10-12 | Bourrée in G minor, B. 160 No. 1 | Anatol Ugorski | T-917.141.447-4 | |
| 10-13 | 2 Bourrees, B160b: No. 2 In A Major | Frédéric Chopin | — | |
| 10-14 | Galop in A flat major "Marquis", KK IV/c13 | Anatol Ugorski | — | |
| 10-15 | Moderato in E major "Albumleaf", B. 151 | Anatol Ugorski | T-902.781.050-0 | |
| 10-16 | Cantabile in B flat major, B. 84 | Anatol Ugorski | — | |
| 10-17 | Fugue in A minor, B. 144 | Anatol Ugorski | — | |
| 10-18 | Largo in E flat major, B. 109 | Anatol Ugorski | T-106.670.526-6 | |
| 11-1 | 24 Préludes, op. 28: No. 1 in C major: Agitato | Rafał Blechacz | — | |
| 11-2 | 24 Préludes, op. 28: No. 2 in A minor: Lento | Rafał Blechacz | T-922.054.556-2 | |
| 11-3 | 24 Préludes, op. 28: No. 3 in G major: Vivace | Rafał Blechacz | T-913.706.053-8 | |
| 11-4 | 24 Préludes, op. 28: No. 4 in E minor: Largo | Rafał Blechacz | T-921.530.967-4 | |
| 11-5 | 24 Préludes, op. 28: No. 5 in D major: Molto allegro | Rafał Blechacz | — | |
| 11-6 | 24 Préludes, op. 28: No. 6 in B minor: Lento assai | Rafał Blechacz | T-308.384.655-9 | |
| 11-7 | 24 Préludes, op. 28: No. 7 in A major: Andantino | Rafał Blechacz | T-915.710.750-1 | |
| 11-8 | 24 Préludes, op. 28: No. 8 in F-sharp minor: Molto agitato | Rafał Blechacz | T-918.063.801-1 | |
| 11-9 | 24 Préludes, op. 28: No. 9 in E major: Largo | Rafał Blechacz | T-906.148.797-6 | |
| 11-10 | 24 Préludes, op. 28: No. 10 in C-sharp minor: Molto allegro | Rafał Blechacz | T-922.054.556-2 | |
| 11-11 | 24 Préludes, op. 28: No. 11 in B major: Vivace | Rafał Blechacz | — | |
| 11-12 | 24 Préludes, op. 28: No. 12 in G-sharp minor: Presto | Rafał Blechacz | T-702.884.109-2 | |
| 11-13 | 24 Préludes, op. 28: No. 13 in F-sharp major: Lento | Rafał Blechacz | — | |
| 11-14 | 24 Préludes, op. 28: No. 14 in E-flat minor: Allegro | Rafał Blechacz | — | |
| 11-15 | 24 Préludes, op. 28: No. 15 in D-flat major: Sostenuto | Rafał Blechacz | — | |
| 11-16 | 24 Préludes, op. 28: No. 16 in B-flat minor: Presto con fuoco | Rafał Blechacz | — | |
| 11-17 | 24 Préludes, op. 28: No. 17 in A-flat major: Allegretto | Rafał Blechacz | T-903.060.250-7 | |
| 11-18 | 24 Préludes, op. 28: No. 18 in F minor: Molto allegro | Rafał Blechacz | T-918.063.801-1 | |
| 11-19 | 24 Préludes, op. 28: No. 19 in E-flat major: Vivace | Rafał Blechacz | T-329.455.345-6 | |
| 11-20 | 24 Préludes, op. 28: No. 20 in C minor: Largo | Rafał Blechacz | T-922.054.556-2 | |
| 11-21 | 24 Préludes, op. 28: No. 21 in B-flat major: Cantabile | Rafał Blechacz | — | |
| 11-22 | 24 Préludes, op. 28: No. 22 in G minor: Molto agitato | Rafał Blechacz | T-917.141.447-4 | |
| 11-23 | 24 Préludes, op. 28: No. 23 in F major: Moderato | Rafał Blechacz | — | |
| 11-24 | 24 Préludes, op. 28: No. 24 in D minor: Allegro appassionato | Rafał Blechacz | T-902.876.200-7 | |
| 11-25 | Prélude in A-flat major, op. Posth: Presto, con leggierezza | Rafał Blechacz | — | |
| 11-26 | Prélude in C-sharp minor, op. 45: Sostenuto | Rafał Blechacz | T-922.054.556-2 | |
| 11-27 | Impromptu No. 1 in A-flat major, Op. 29 | 李云迪 | — | |
| 11-28 | Impromptu No. 2 in F-sharp major, Op. 36 | 李云迪 | T-306.230.833-8 | |
| 11-29 | Impromptu No. 3 in G-flat major, Op. 51 | 李云迪 | — | |
| 11-30 | Impromptu no. 4 in C-sharp minor, op. Posth. 66 | Li Yundi | T-304.253.199-3 | |
| 12-1 | Scherzo no. 1 in B minor, op. 20 | Maurizio Pollini | T-308.384.655-9 | |
| 12-2 | Scherzo no. 2 in B‐flat minor, op. 31 | Maurizio Pollini | — | |
| 12-3 | Scherzo no. 3 in C‐sharp minor, op. 39 | Maurizio Pollini | T-918.063.801-1 | |
| 12-4 | Scherzo no. 4 in E major, op. 54 | Maurizio Pollini | — | |
| 12-5 | Rondo in C minor, Op. 1 | Lilya Zilberstein | T-106.648.488-4 | |
| 12-6 | Rondo à la Mazur in F major, Op. 5 | Lilya Zilberstein | T-106.648.493-1 | |
| 12-7 | Introduction in C minor and Rondo in E flat major, Op. 16 | Михаил Васильевич Плетнёв | — | |
| 12-8 | Rondo in C major, Op. 73 | Kurt Bauer, Heidi Bung | — | |
| 13-1 | Piano Sonata no. 1 in C minor, op. 4: I. Allegro maestoso | Lilya Zilberstein | — | |
| 13-2 | Piano Sonata no. 1 in C minor, op. 4: II. Menuetto: Allegretto | Lilya Zilberstein | — | |
| 13-3 | Piano Sonata no. 1 in C minor, op. 4: III. Larghetto | Lilya Zilberstein | — | |
| 13-4 | Piano Sonata no. 1 in C minor, op. 4: IV. Finale: Presto | Lilya Zilberstein | T-309.554.578-7 | |
| 13-5 | Piano Sonata No. 2 in B flat minor, Op. 35: I. Grave - Doppio movimento | Maurizio Pollini | — | |
| 13-6 | Piano Sonata No. 2 in B flat minor, Op. 35: II. Scherzo | Maurizio Pollini | — | |
| 13-7 | Piano Sonata No. 2 in B flat minor, Op. 35: III. Marche funèbre. Lento - attacca: | Maurizio Pollini | T-915.712.196-5 | |
| 13-8 | Piano Sonata no. 2 in B-flat minor, op. 35: IV. Finale. Presto | Maurizio Pollini | T-309.554.578-7 | |
| 13-9 | Piano Sonata No. 3, Op. 58: I. Allegro maestoso | Maurizio Pollini | T-911.517.582-1 | |
| 13-10 | Piano Sonata No. 3, Op. 58: II. Scherzo. Molto vivace | Maurizio Pollini | T-911.517.582-1 | |
| 13-11 | Piano Sonata No. 3, Op. 58: III. Largo | Maurizio Pollini | T-911.517.582-1 | |
| 13-12 | Piano Sonata No. 3, Op. 58: IV. Finale. Presto ma non tanto | Maurizio Pollini | T-309.554.578-7 | |
| 14-1 | Introduction and Variations on a German Air "Der Schweizerbub" in E major, B. 14 | Vladimir Ashkenazy | — | |
| 14-2 | "Souvenir de Paganini" Variations in A major, Op. posth. | Vladimir Ashkenazy | T-918.019.319-5 | |
| 14-3 | Variations brillantes on "Je vends des scapulaires" from the Opera "Ludovic" by F. Hérold and F. Halévy in B-flat major, Op. 12 | Frédéric Chopin | — | |
| 14-4 | Variations on a Theme of Moore in D major, B. 12a | Vladimir Ashkenazy, Vovka Ashkenazy | — | |
| 14-5 | Hexaméron: Variation no. 6 in E major | Vladimir Ashkenazy | — | |
| 14-6 | Allegro de Concert in A major, op. 46 | Vladimir Ashkenazy | — | |
| 14-7 | Bolero in C major, Op. 19 | Frédéric Chopin | — | |
| 14-8 | Tarantelle in A-flat major, op. 43 | Vladimir Ashkenazy | T-913.821.070-5 | |
| 15-1 | Waltz no. 1 in E-flat major, op. 18 “Grande Valse brillante” | Vladimir Ashkenazy | T-905.968.612-3 | |
| 15-2 | Grande Valse Brillante No. 2 in A-flat major, Op. 34 No. 1 | Vladimir Ashkenazy | — | |
| 15-3 | Waltz no. 3 in A minor, op. 34 no. 2 | Vladimir Ashkenazy | T-922.054.556-2 | |
| 15-4 | Grande Valse Brillante No. 4 in F major, Op. 34 No. 3 | Vladimir Ashkenazy | — | |
| 15-5 | Waltz no. 5 in A-flat major, op. 42 "Grande Valse" | Vladimir Ashkenazy | T-106.648.493-1 | |
| 15-6 | Waltz in D‐flat major, op. 64 no. 1 “Minute” | Vladimir Ashkenazy | — | |
| 15-7 | Waltz in C‐sharp minor, op. 64 no. 2 | Vladimir Ashkenazy | T-321.873.365-0 | |
| 15-8 | Waltz no. 8 in A-flat major, op. 64 no. 3 | Vladimir Ashkenazy | T-913.821.070-5 | |
| 15-9 | Waltz no. 9 in A-flat major, op. 69 no. 1 "L'adieu" | Vladimir Ashkenazy | T-306.229.926-3 | |
| 15-10 | Waltz no. 10 in B minor, op. 69 no. 2 | Vladimir Ashkenazy | T-913.274.588-1 | |
| 15-11 | Valse, op. 70 no. 1 | Vladimir Ashkenazy | — | |
| 15-12 | Waltz No. 12 in F minor, Op. 70 No. 2 | Vladimir Ashkenazy | T-922.054.556-2 | |
| 15-13 | Waltz No. 13 in D-flat major, Op. 70 No. 3 | Vladimir Ashkenazy | — | |
| 15-14 | Waltz No. 14 in E minor, B. 56 | Vladimir Ashkenazy | — | |
| 15-15 | Waltz No. 15 in E major, B. 44 | Vladimir Ashkenazy | — | |
| 15-16 | Waltz in A minor, B. 150 | Vladimir Ashkenazy | T-310.208.314-3 | |
| 15-17 | Waltz No. 16 in A-flat major, B. 21 | Vladimir Ashkenazy | T-918.019.319-5 | |
| 15-18 | Waltz in E-flat major "Sostenuto", B. 133 | Vladimir Ashkenazy | — | |
| 15-19 | Waltz No. 17 in E-flat major, B. 46 | Vladimir Ashkenazy | T-918.019.319-5 | |
| 16-1 | Piano Trio in G minor, Op. 8: I. Allegro con fuoco | Beaux Arts Trio | — | |
| 16-2 | Piano Trio in G minor, Op. 8: II. Scherzo: Con moto ma non troppo | Beaux Arts Trio | — | |
| 16-3 | Piano Trio in G minor, Op. 8: III. Adagio sostenuto | Beaux Arts Trio | — | |
| 16-4 | Piano Trio in G minor, Op. 8: IV. Allegretto | Beaux Arts Trio | T-318.676.528-2 | |
| 16-5 | Introduction and Polonaise brillante in C major, op. 3 | Martha Argerich, Mstislav Rostropovich | — | |
| 16-6 | Grand Duo Concertant in E major on Themes from "Robert le Diable", B. 70 | Frédéric Chopin | — | |
| 16-7 | Sonata for Piano and Violoncello in G minor, op. 65: I. Allegro moderato | Martha Argerich, Mstislav Rostropovich | T-902.781.050-0 | |
| 16-8 | Sonata for Piano and Violoncello in G minor, op. 65: II. Scherzo. Allegro con brio | Martha Argerich, Mstislav Rostropovich | — | |
| 16-9 | Sonata for Piano and Violoncello in G minor, op. 65: III. Largo | Martha Argerich, Mstislav Rostropovich | — | |
| 16-10 | Sonata for Piano and Violoncello in G minor, op. 65: IV. Finale. Allegro | Martha Argerich, Mstislav Rostropovich | T-318.676.528-2 | |
| 17-1 | Życzenie, Op. 74 No. 1 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-2 | Wiosna, Op. 74 No. 2 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-3 | Smutna rzeka, Op. 74 No. 3 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-4 | Hulanka, Op. 74 No. 4 | Elzbieta Szmytka, Malcolm Martineau | T-932.644.323-6 | |
| 17-5 | Gdzie lubi, Op. 74 No. 5 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-6 | Precz z moich oczu, Op. 74 No. 6 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-7 | Poseł, Op. 74 No. 7 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-8 | Śliczny chłopiec, Op. 74 No. 8 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-9 | Melodia, Op. 74 No. 9 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-10 | Wojak, Op. 74 No. 10 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-11 | Dwojaki koniec, Op. 74 No. 11 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-12 | Moja pieszczotka, Op. 74 No. 12 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-13 | Nie ma czego trzeba, Op. 74 No. 13 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-14 | Pierścień, Op. 74 No. 14 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-15 | Narzeczony, Op. 74 No. 15 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-16 | Piosnka litewska, Op. 74 No. 16 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-17 | Śpiew z mogiły, Op. 74 No. 17 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-18 | Czary, B. 51 | Elzbieta Szmytka, Malcolm Martineau | — | |
| 17-19 | Dumka, B. 132 | Elzbieta Szmytka, Malcolm Martineau | — |
Identifier Graph
028947784456 is a Universal Product Code (UPC) assigned to Complete Edition by Chopin. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 258 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Mazurka no. 49 in F minor, op. 68 no. 4 | Vladimir Ashkenazy | — |
Songwriters/Publishers (IPI)
The UPC for “Complete Edition” by Chopin is 028947784456. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2009-01-01. Label: Deutsche Grammophon. This release contains 258 tracks, each with its own ISRC. Tracks include DEF059903211, DEF059903212, DEF059903213.
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Mazurka no. 49 in F minor, op. 68 no. 4 | Vladimir Ashkenazy | — |
