UPC · Release
Gustav Mahler
Last verified:
The UPC for “The People’s Edition” by Gustav Mahler is 028947792604. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2010-01-01. Label: Deutsche Grammophon. This release contains 81 tracks, each with its own ISRC. Tracks include DEF056700990, GBF077510001, GBF077510002.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphonie no. 1 D-dur: IV. Stürmisch bewegt | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | T-900.953.062-5 |
| 2-1 | Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck | Wiener Philharmoniker, Zubin Mehta | — |
| 2-2 | Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich | Wiener Philharmoniker, Zubin Mehta | — |
| 2-3 | Symphony no. 2 in C minor “Resurrection”: III. Scherzo. In ruhig fliessender Bewegung | Wiener Philharmoniker, Zubin Mehta | — |
| 2-4 | Symphony no. 2 in C minor “Resurrection”: IV. “O Röschen Rot! Der Mensch liegt in grösster Not!” (Sehr feierlich aber Schlicht) | Christa Ludwig, Wiener Philharmoniker, Zubin Mehta | — |
| 2-5 | Symphony no. 2 in C minor “Resurrection”: V (a). Im Tempo des Scherzos. Wild Herausfahrend — | Wiener Philharmoniker, Zubin Mehta | — |
| 2-6 | Symphony no. 2 in C minor “Resurrection”: V (b). Maestoso. Sehr zurückhaltend – Wieder zurückhaltend — | Wiener Philharmoniker, Zubin Mehta | — |
| 2-7 | Symphony no. 2 in C minor “Resurrection”: V (c). Sehr langsam und gedehnt — | Wiener Philharmoniker, Zubin Mehta | — |
| 2-8 | Symphony no. 2 in C minor “Resurrection”: V (d). “Aufersteh'n, ja aufersteh'n wirst du” (Langsam. Misterioso) | Ileana Cotrubaş, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Zubin Mehta | — |
| 2-9 | Symphony No. 2 in C minor “Resurrection”: V (e). “O glaube, Mein Herz, O glaube” (Etwas bewegter) | Ileana Cotrubaş, Christa Ludwig, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Zubin Mehta | — |
| 3-1 | Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: I. Kraftig. Entschieden | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 3-2 | Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: II. Immer das gleiche Tempo | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 3-3 | Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: III. Tempo I | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 3-4 | Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: IV. Zeit lassen | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 3-5 | Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: V. Zeit lassen | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 3-6 | Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: VI. Immer dasselbe Tempo (Marsch) | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 3-7 | Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: VII. Im alten Marschtempo (Allegro moderato): 3 Takte nach | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 3-8 | Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: VIII. Tempo I | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-1 | Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto. Sehr mäßig | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-2 | Symphony no. 3 in D minor, Part II: II. L’istesso tempo (3) | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-3 | Symphony no. 3 in D minor, Part II: II. A tempo (Wie im Anfang) | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-4 | Symphony no. 3 in D minor, Part II: II. Ganz Plötzlig gemächlich. Tempo di Menuetto (14) | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-5 | Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando. Ohne Hast | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-6 | Symphony no. 3 in D minor, Part II: III. Wieder sehr gemächlich, wie zu Anfang (6) | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-7 | Symphony no. 3 in D minor, Part II: III. Etwas Zurückhaltend: 6 Takte vor/before/avant (14) | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-8 | Symphony no. 3 in D minor, Part II: III. Tempo I: 2 Takte vor (17) | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-9 | Symphony no. 3 in D minor, Part II: III. Wieder sehr gemächlich, beinahe langsam (27) | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-10 | Symphony no. 3 in D minor, Part II: IV. Sehr langsam. Misterioso. Durchaus ppp | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-11 | Symphony no. 3 in D minor, Part II: IV. Più mosso subito: 6 Takte nach (6) | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-12 | Symphony no. 3 in D minor, Part II: V. Lustig im Tempo und keck im Ausdruck | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-13 | Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-14 | Symphony no. 3 in D minor, Part II: VI. Nicht mehr so breit (4) | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-15 | Symphony no. 3 in D minor, Part II: VI. Tempo I Ruhevoll (9) | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-16 | Symphony no. 3 in D minor, Part II: VI. Nicht mehr so breit (13) | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-17 | Symphony no. 3 in D minor, Part II: VI. Tempo I (21) | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-18 | Symphony no. 3 in D minor, Part II: VI. Langsam. Tempo I (25) | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-19 | [applause] | [no artist] | T-072.571.419-1 |
| 5-1 | Symphonie Nr. 4 G-Dur: I. Bedächtig. Nicht eilen | Berliner Philharmoniker, Herbert von Karajan | — |
| 5-2 | Symphonie Nr. 4 G-Dur: II. In gemächlicher Bewegung. Ohne Hast | Berliner Philharmoniker, Herbert von Karajan | — |
| 5-3 | Symphonie Nr. 4 G-Dur: III. Ruhevoll | Berliner Philharmoniker, Herbert von Karajan | — |
| 5-4 | Symphonie Nr. 4 G-Dur: IV. Sehr behaglich | Edith Mathis, Berliner Philharmoniker, Herbert von Karajan | — |
| 6-1 | Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam | Wiener Philharmoniker, Leonard Bernstein | — |
| 6-2 | Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam | Wiener Philharmoniker, Leonard Bernstein | — |
| 6-3 | Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam | Wiener Philharmoniker, Leonard Bernstein | — |
| 6-4 | Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam | Wiener Philharmoniker, Leonard Bernstein | — |
| 6-5 | Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam | Wiener Philharmoniker, Leonard Bernstein | — |
| 7-1 | Symphony No. 6 A-moll: II. Scherzo. Wuchtig | Wiener Philharmoniker, Leonard Bernstein | — |
| 7-2 | Symphony No. 6 A-moll: II. Scherzo. Wuchtig | Wiener Philharmoniker, Leonard Bernstein | — |
| 7-3 | Symphony No. 6 A-moll: II. Scherzo. Wuchtig | Wiener Philharmoniker, Leonard Bernstein | — |
| 8-1 | Symphony No. 6 A-moll: IV. Finale: Allegro moderato - Allegro energico | Wiener Philharmoniker, Leonard Bernstein | T-318.676.528-2 |
| 9-1 | Symphony no. 7: I. Langsam (Adagio) – Allegro risoluto, ma non troppo | Berliner Philharmoniker, Claudio Abbado | — |
| 9-2 | Symphony no. 7: II. Nachtmusik. Allegro moderato | Berliner Philharmoniker, Claudio Abbado | — |
| 9-3 | Symphony no. 7: III. Scherzo. Schattenhaft – Trio | Berliner Philharmoniker, Claudio Abbado | — |
| 9-4 | Symphony no. 7: IV. Nachtmusik. Andante amoroso | Berliner Philharmoniker, Claudio Abbado | — |
| 9-5 | Symphony no. 7: V. Rondo-finale. Tempo I (Allegro ordinario) | Berliner Philharmoniker, Claudio Abbado | — |
| 9-6 | [applause] | [no artist] | T-072.571.419-1 |
| 10-1 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: a. Veni creator spiritus | Chicago Symphony Orchestra, Sir Georg Solti | — |
| 10-2 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: b. Imple superna gratia | Heather Harper, Lucia Popp, Yvonne Minton, Helen Watts, René Kollo, John Shirley-Quirk, Martti Talvela, Wiener Singverein, Wiener Staatsopernchor, Chicago Symphony Orchestra, Sir Georg Solti | — |
| 10-3 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: c. Infirma nostri corporis | Chicago Symphony Orchestra, Sir Georg Solti | — |
| 10-4 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: d. Accende lumen sensibus | Chicago Symphony Orchestra, Sir Georg Solti | — |
| 10-5 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia | Chicago Symphony Orchestra, Sir Georg Solti | — |
| 10-6 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: f. Gloria sit patri domino” | Chicago Symphony Orchestra, Sir Georg Solti | — |
| 10-7 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": Poco Adagio: “Waldung, sie schwankt heran” | Chicago Symphony Orchestra, Sir Georg Solti | — |
| 10-8 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": "Ewiger Wonnebrand” | Chicago Symphony Orchestra, Sir Georg Solti | — |
| 10-9 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Wie Felsenabgrund mir zu Füßen” | Chicago Symphony Orchestra, Sir Georg Solti | — |
| 10-10 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Gerettet ist das edle Glied” | Chicago Symphony Orchestra, Sir Georg Solti | — |
| 10-11 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Uns bleibt ein Erdenrest” | Chicago Symphony Orchestra, Sir Georg Solti | — |
| 10-12 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Höchste Herrscherin der Welt” | Chicago Symphony Orchestra, Sir Georg Solti | — |
| 10-13 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Bei der Liebe, die den Fussen” | Chicago Symphony Orchestra, Sir Georg Solti | — |
| 10-14 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Neige, neige, du Ohnegleiche” | Chicago Symphony Orchestra, Sir Georg Solti | — |
| 10-15 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Blicket auf zum Retterblick” | Sir Georg Solti, Chicago Symphony Orchestra | — |
| 10-16 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Alles Vergängliche” | Sir Georg Solti, Chicago Symphony Orchestra | — |
| 11-1 | Symphony No. 9 in D major: I. Andante comodo | Chicago Symphony Orchestra, Carlo Maria Giulini | — |
| 11-2 | Symphony No. 9 in D major: II. Im Tempo eines gemächlichen ländler. Etwas täppisch und sehr derb – Poco più mosso subito – Ländler, ganz langsam | Chicago Symphony Orchestra, Carlo Maria Giulini | — |
| 11-3 | Symphony No. 9 in D major: III. Rondo. Burleske (Allegro assai. Sehr trotzig – Presto) | Chicago Symphony Orchestra, Carlo Maria Giulini | — |
| 12-1 | Symphony No. 9 in D major: IV. Adagio (Sehr langsam) | Chicago Symphony Orchestra, Carlo Maria Giulini | T-318.676.528-2 |
| 13-1 | Symphony no. 10 in F-sharp major: I. Adagio | RSO Berlin, Riccardo Chailly | — |
| 13-2 | Symphony no. 10 in F-sharp major: II. Scherzo | RSO Berlin, Riccardo Chailly | — |
| 13-3 | Symphony no. 10 in F-sharp major: III. Purgatorio | RSO Berlin, Riccardo Chailly | T-901.648.652-5 |
| 13-4 | Symphony no. 10 in F-sharp major: IV. Scherzo | RSO Berlin, Riccardo Chailly | — |
| 13-5 | Symphony no. 10 in F-sharp major: V. Finale | RSO Berlin, Riccardo Chailly | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
028947792604 is a Universal Product Code (UPC) assigned to The People’s Edition by Gustav Mahler. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 81 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphonie no. 1 D-dur: II. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | T-928.635.616-9 |
| Symphonie no. 1 D-dur: I. Langsam. Schleppend. Wie ein Naturlaut - Im Anfang sehr gemächlich | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | — |
| Symphonie no. 1 D-dur: III. Feierlich und gemessen, ohne zu schleppen | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | — |
| Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam | Wiener Philharmoniker, Leonard Bernstein | T-312.542.381-2 |
| Symphony no. 5 in C‐sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt | Wiener Philharmoniker, Leonard Bernstein | T-312.542.381-2 |
| Symphony no. 5 in C‐sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 5 in C‐sharp minor: III. Scherzo. Kräftig, nicht zu schnell | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 5 in C‐sharp minor: V. Rondo‐Finale. Allegro – Allegro giocoso. Frisch | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony No. 6 A-moll: I. Allegro energico, ma non troppo. Heftig, aber markig | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony No. 6 A-moll: II. Scherzo. Wuchtig | Wiener Philharmoniker, Leonard Bernstein | T-926.362.354-7 |
| Symphony No. 6 A-moll: III. Andante moderato | Wiener Philharmoniker, Leonard Bernstein | T-926.362.354-7 |
| Symphony No. 6 A-moll: IV. Finale: Allegro moderato - Allegro energico | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia | Chicago Symphony Orchestra, Sir Georg Solti | — |
Creative Contributors (ISNI)
The UPC for “The People’s Edition” by Gustav Mahler is 028947792604. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2010-01-01. Label: Deutsche Grammophon. This release contains 81 tracks, each with its own ISRC. Tracks include DEF056700990, GBF077510001, GBF077510002.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphonie no. 1 D-dur: IV. Stürmisch bewegt | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | T-900.953.062-5 |
| 2-1 | Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck | Wiener Philharmoniker, Zubin Mehta | — |
| 2-2 | Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich | Wiener Philharmoniker, Zubin Mehta | — |
| 2-3 | Symphony no. 2 in C minor “Resurrection”: III. Scherzo. In ruhig fliessender Bewegung | Wiener Philharmoniker, Zubin Mehta | — |
| 2-4 | Symphony no. 2 in C minor “Resurrection”: IV. “O Röschen Rot! Der Mensch liegt in grösster Not!” (Sehr feierlich aber Schlicht) | Christa Ludwig, Wiener Philharmoniker, Zubin Mehta | — |
| 2-5 | Symphony no. 2 in C minor “Resurrection”: V (a). Im Tempo des Scherzos. Wild Herausfahrend — | Wiener Philharmoniker, Zubin Mehta | — |
| 2-6 | Symphony no. 2 in C minor “Resurrection”: V (b). Maestoso. Sehr zurückhaltend – Wieder zurückhaltend — | Wiener Philharmoniker, Zubin Mehta | — |
| 2-7 | Symphony no. 2 in C minor “Resurrection”: V (c). Sehr langsam und gedehnt — | Wiener Philharmoniker, Zubin Mehta | — |
| 2-8 | Symphony no. 2 in C minor “Resurrection”: V (d). “Aufersteh'n, ja aufersteh'n wirst du” (Langsam. Misterioso) | Ileana Cotrubaş, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Zubin Mehta | — |
| 2-9 | Symphony No. 2 in C minor “Resurrection”: V (e). “O glaube, Mein Herz, O glaube” (Etwas bewegter) | Ileana Cotrubaş, Christa Ludwig, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Zubin Mehta | — |
| 3-1 | Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: I. Kraftig. Entschieden | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 3-2 | Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: II. Immer das gleiche Tempo | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 3-3 | Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: III. Tempo I | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 3-4 | Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: IV. Zeit lassen | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 3-5 | Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: V. Zeit lassen | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 3-6 | Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: VI. Immer dasselbe Tempo (Marsch) | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 3-7 | Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: VII. Im alten Marschtempo (Allegro moderato): 3 Takte nach | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 3-8 | Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: VIII. Tempo I | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-1 | Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto. Sehr mäßig | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-2 | Symphony no. 3 in D minor, Part II: II. L’istesso tempo (3) | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-3 | Symphony no. 3 in D minor, Part II: II. A tempo (Wie im Anfang) | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-4 | Symphony no. 3 in D minor, Part II: II. Ganz Plötzlig gemächlich. Tempo di Menuetto (14) | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-5 | Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando. Ohne Hast | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-6 | Symphony no. 3 in D minor, Part II: III. Wieder sehr gemächlich, wie zu Anfang (6) | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-7 | Symphony no. 3 in D minor, Part II: III. Etwas Zurückhaltend: 6 Takte vor/before/avant (14) | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-8 | Symphony no. 3 in D minor, Part II: III. Tempo I: 2 Takte vor (17) | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-9 | Symphony no. 3 in D minor, Part II: III. Wieder sehr gemächlich, beinahe langsam (27) | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-10 | Symphony no. 3 in D minor, Part II: IV. Sehr langsam. Misterioso. Durchaus ppp | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-11 | Symphony no. 3 in D minor, Part II: IV. Più mosso subito: 6 Takte nach (6) | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-12 | Symphony no. 3 in D minor, Part II: V. Lustig im Tempo und keck im Ausdruck | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-13 | Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-14 | Symphony no. 3 in D minor, Part II: VI. Nicht mehr so breit (4) | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-15 | Symphony no. 3 in D minor, Part II: VI. Tempo I Ruhevoll (9) | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-16 | Symphony no. 3 in D minor, Part II: VI. Nicht mehr so breit (13) | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-17 | Symphony no. 3 in D minor, Part II: VI. Tempo I (21) | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-18 | Symphony no. 3 in D minor, Part II: VI. Langsam. Tempo I (25) | Berliner Philharmonic Orchestra, Claudio Abbado | — |
| 4-19 | [applause] | [no artist] | T-072.571.419-1 |
| 5-1 | Symphonie Nr. 4 G-Dur: I. Bedächtig. Nicht eilen | Berliner Philharmoniker, Herbert von Karajan | — |
| 5-2 | Symphonie Nr. 4 G-Dur: II. In gemächlicher Bewegung. Ohne Hast | Berliner Philharmoniker, Herbert von Karajan | — |
| 5-3 | Symphonie Nr. 4 G-Dur: III. Ruhevoll | Berliner Philharmoniker, Herbert von Karajan | — |
| 5-4 | Symphonie Nr. 4 G-Dur: IV. Sehr behaglich | Edith Mathis, Berliner Philharmoniker, Herbert von Karajan | — |
| 6-1 | Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam | Wiener Philharmoniker, Leonard Bernstein | — |
| 6-2 | Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam | Wiener Philharmoniker, Leonard Bernstein | — |
| 6-3 | Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam | Wiener Philharmoniker, Leonard Bernstein | — |
| 6-4 | Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam | Wiener Philharmoniker, Leonard Bernstein | — |
| 6-5 | Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam | Wiener Philharmoniker, Leonard Bernstein | — |
| 7-1 | Symphony No. 6 A-moll: II. Scherzo. Wuchtig | Wiener Philharmoniker, Leonard Bernstein | — |
| 7-2 | Symphony No. 6 A-moll: II. Scherzo. Wuchtig | Wiener Philharmoniker, Leonard Bernstein | — |
| 7-3 | Symphony No. 6 A-moll: II. Scherzo. Wuchtig | Wiener Philharmoniker, Leonard Bernstein | — |
| 8-1 | Symphony No. 6 A-moll: IV. Finale: Allegro moderato - Allegro energico | Wiener Philharmoniker, Leonard Bernstein | T-318.676.528-2 |
| 9-1 | Symphony no. 7: I. Langsam (Adagio) – Allegro risoluto, ma non troppo | Berliner Philharmoniker, Claudio Abbado | — |
| 9-2 | Symphony no. 7: II. Nachtmusik. Allegro moderato | Berliner Philharmoniker, Claudio Abbado | — |
| 9-3 | Symphony no. 7: III. Scherzo. Schattenhaft – Trio | Berliner Philharmoniker, Claudio Abbado | — |
| 9-4 | Symphony no. 7: IV. Nachtmusik. Andante amoroso | Berliner Philharmoniker, Claudio Abbado | — |
| 9-5 | Symphony no. 7: V. Rondo-finale. Tempo I (Allegro ordinario) | Berliner Philharmoniker, Claudio Abbado | — |
| 9-6 | [applause] | [no artist] | T-072.571.419-1 |
| 10-1 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: a. Veni creator spiritus | Chicago Symphony Orchestra, Sir Georg Solti | — |
| 10-2 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: b. Imple superna gratia | Heather Harper, Lucia Popp, Yvonne Minton, Helen Watts, René Kollo, John Shirley-Quirk, Martti Talvela, Wiener Singverein, Wiener Staatsopernchor, Chicago Symphony Orchestra, Sir Georg Solti | — |
| 10-3 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: c. Infirma nostri corporis | Chicago Symphony Orchestra, Sir Georg Solti | — |
| 10-4 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: d. Accende lumen sensibus | Chicago Symphony Orchestra, Sir Georg Solti | — |
| 10-5 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: e. Veni, creator… da gaudiorum praemia | Chicago Symphony Orchestra, Sir Georg Solti | — |
| 10-6 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil. “Veni creator spiritus”: f. Gloria sit patri domino” | Chicago Symphony Orchestra, Sir Georg Solti | — |
| 10-7 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": Poco Adagio: “Waldung, sie schwankt heran” | Chicago Symphony Orchestra, Sir Georg Solti | — |
| 10-8 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": "Ewiger Wonnebrand” | Chicago Symphony Orchestra, Sir Georg Solti | — |
| 10-9 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Wie Felsenabgrund mir zu Füßen” | Chicago Symphony Orchestra, Sir Georg Solti | — |
| 10-10 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Gerettet ist das edle Glied” | Chicago Symphony Orchestra, Sir Georg Solti | — |
| 10-11 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Uns bleibt ein Erdenrest” | Chicago Symphony Orchestra, Sir Georg Solti | — |
| 10-12 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Höchste Herrscherin der Welt” | Chicago Symphony Orchestra, Sir Georg Solti | — |
| 10-13 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Bei der Liebe, die den Fussen” | Chicago Symphony Orchestra, Sir Georg Solti | — |
| 10-14 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Neige, neige, du Ohnegleiche” | Chicago Symphony Orchestra, Sir Georg Solti | — |
| 10-15 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Blicket auf zum Retterblick” | Sir Georg Solti, Chicago Symphony Orchestra | — |
| 10-16 | Symphony No. 8 in E-flat major “Symphony of a Thousand”: II Teil. Schlußszene aus "Faust": “Alles Vergängliche” | Sir Georg Solti, Chicago Symphony Orchestra | — |
| 11-1 | Symphony No. 9 in D major: I. Andante comodo | Chicago Symphony Orchestra, Carlo Maria Giulini | — |
| 11-2 | Symphony No. 9 in D major: II. Im Tempo eines gemächlichen ländler. Etwas täppisch und sehr derb – Poco più mosso subito – Ländler, ganz langsam | Chicago Symphony Orchestra, Carlo Maria Giulini | — |
| 11-3 | Symphony No. 9 in D major: III. Rondo. Burleske (Allegro assai. Sehr trotzig – Presto) | Chicago Symphony Orchestra, Carlo Maria Giulini | — |
| 12-1 | Symphony No. 9 in D major: IV. Adagio (Sehr langsam) | Chicago Symphony Orchestra, Carlo Maria Giulini | T-318.676.528-2 |
| 13-1 | Symphony no. 10 in F-sharp major: I. Adagio | RSO Berlin, Riccardo Chailly | — |
| 13-2 | Symphony no. 10 in F-sharp major: II. Scherzo | RSO Berlin, Riccardo Chailly | — |
| 13-3 | Symphony no. 10 in F-sharp major: III. Purgatorio | RSO Berlin, Riccardo Chailly | T-901.648.652-5 |
| 13-4 | Symphony no. 10 in F-sharp major: IV. Scherzo | RSO Berlin, Riccardo Chailly | — |
| 13-5 | Symphony no. 10 in F-sharp major: V. Finale | RSO Berlin, Riccardo Chailly | — |
