UPC · Release
Various Artists
Last verified:
The UPC for “Piano Masterworks: The World's Favourite Piano Classics” by Various Artists is 028947804741. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2008-01-01. Label: Decca. This release contains 673 tracks, each with its own ISRC. Tracks include GBF079111161, GBF079111162, GBF079111163.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Italian Concerto in F major, BWV 971: I. Allegro | András Schiff | T-312.198.890-3 | |
| 2 | Italian Concerto in F major, BWV 971: II. Andante | András Schiff | T-312.198.890-3 | |
| 3 | Italian Concerto in F major, BWV 971: III. Presto | András Schiff | — | |
| 4 | Duets: I. E, BWV 802 | András Schiff | — | |
| 5 | Duets: II. F, BWV 803 | András Schiff | — | |
| 6 | Duets: III. G, BWV 804 | András Schiff | — | |
| 7 | Duets: IV. A, BWV 805 | András Schiff | — | |
| 8 | Chromatic Fant & Fugue, BWV 903 | András Schiff | — | |
| 9 | French Overture "Partita" in B minor, BWV 831: I. Overture | András Schiff | T-009.030.807-8 | |
| 10 | French Overture "Partita" in B minor, BWV 831: II. Courante | András Schiff | T-309.901.323-3 | |
| 11 | French Overture "Partita" in B minor, BWV 831: III. Gavotte I/II | András Schiff | — | |
| 12 | French Overture "Partita" in B minor, BWV 831: IV. Passepied I/II | András Schiff | — | |
| 13 | French Overture "Partita" in B minor, BWV 831: V. Sarabande | András Schiff | — | |
| 14 | French Overture "Partita" in B minor, BWV 831: VI. Bourrée I/II | András Schiff | — | |
| 15 | French Overture "Partita" in B minor, BWV 831: VII. Gigue | András Schiff | — | |
| 16 | French Overture "Partita" in B minor, BWV 831: VII. Echo | András Schiff | — | |
| 2-1 | Concerto No. 1 D-Moll, BWV 1052: I. Allegro | András Schiff, The Chamber Orchestra of Europe | T-800.184.797-9 | |
| 2-2 | Concerto No. 1 D-Moll, BWV 1052: II. Adagio | András Schiff, The Chamber Orchestra of Europe | T-917.755.866-6 | |
| 2-3 | Concerto No. 1 D-Moll, BWV 1052: III. Allegro | András Schiff, The Chamber Orchestra of Europe | — | |
| 2-4 | Concerto No. 2 E-Dur, BWV 1053: I. Allegro | András Schiff, The Chamber Orchestra of Europe | T-070.161.055-0 | |
| 2-5 | Concerto No. 2 E-Dur, BWV 1053: II. Siciliano | András Schiff, The Chamber Orchestra of Europe | T-329.516.968-1 | |
| 2-6 | Concerto No. 2 E-Dur, BWV 1053: III. Allegro | András Schiff, The Chamber Orchestra of Europe | — | |
| 2-7 | Concerto No. 3 D-Dur, BWV 1054: I. Allegro | András Schiff, The Chamber Orchestra of Europe | T-070.161.055-0 | |
| 2-8 | Keyboard Concerto no. 3 in D major, BWV 1054: II. Adagio e piano sempre | András Schiff, The Chamber Orchestra of Europe | — | |
| 2-9 | Concerto No. 3 D-Dur, BWV 1054: III. Allegro | András Schiff, The Chamber Orchestra of Europe | — | |
| 3-1 | Concerto no. 4 A-Dur, BWV 1055: I. Allegro | András Schiff, Chamber Orchestra of Europe | T-800.184.797-9 | |
| 3-2 | Concerto No. 4 A-Dur, BWV 1055: II. Larghetto | András Schiff, The Chamber Orchestra of Europe | T-309.901.323-3 | |
| 3-3 | Concerto No. 4 A-Dur, BWV 1055: III. Allegro ma non tanto | András Schiff, The Chamber Orchestra of Europe | — | |
| 3-4 | Concerto for Harpsichord, Strings and Continuo no. 5 in F minor, BWV 1056 | András Schiff, The Chamber Orchestra of Europe | T-800.184.797-9 | |
| 3-5 | Concerto No. 5 F-moll, BWV 1056: II. Largo | András Schiff, The Chamber Orchestra of Europe | — | |
| 3-6 | Concerto No. 5 F-moll, BWV 1056: III. Presto | András Schiff, The Chamber Orchestra of Europe | — | |
| 3-7 | Concerto No. 6 F -Dur, BWV 1057: I. Allegro | Thierry Fischer, András Schiff, The Chamber Orchestra of Europe | T-070.161.055-0 | |
| 3-8 | Concerto No. 6 F-Dur, BWV 1057: II. Andante | Thierry Fischer, András Schiff, The Chamber Orchestra of Europe | — | |
| 3-9 | Concerto No. 6 F-Dur, BWV 1057: III. Allegro assai | Thierry Fischer, András Schiff, The Chamber Orchestra of Europe | T-306.395.786-4 | |
| 3-10 | Concerto No. 7 G-moll, BWV 1058: I. Allegro | András Schiff, The Chamber Orchestra of Europe | T-914.323.771-2 | |
| 3-11 | Keyboard Concerto in G minor, BWV 1058: Andante | András Schiff, The Chamber Orchestra of Europe | — | |
| 3-12 | Concerto No. 7 G-moll, BWV 1058: III. Allegro assai | András Schiff, The Chamber Orchestra of Europe | T-306.395.786-4 | |
| 4-1 | Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations": Aria | Andrei Gavrilov | T-321.904.265-2 | |
| 4-2 | Goldberg-Variationen: Variatio 1 a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-3 | Goldberg-Variationen: Variatio 2 a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-4 | Goldberg-Variationen: Variatio 3 Canone, all'Unisono a 1 Clav. | Andrei Gavrilov | — | |
| 4-5 | Goldberg-Variationen: Variatio 4 a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-6 | Var. 5 | Andrei Gavrilov | T-902.128.688-4 | |
| 4-7 | Goldberg-Variationen: Variatio 6 Cannone, alla Seconda, a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-8 | Goldberg-Variationen: Variatio 7 a 1 ovvero 2 Clav., Al tempo di Giga | Andrei Gavrilov | T-902.128.688-4 | |
| 4-9 | Goldberg-Variationen: Variatio 8 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-10 | Goldberg-Variationen: Variatio 9 Canone, all Terza a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-11 | Goldberg-Variationen: Variatio 10 Fughetta a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-12 | Goldberg-Variationen: Variatio 11 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-13 | Goldberg-Variationen: Variatio 12 Canone, alla Quarta (a 1 Clav.) | Andrei Gavrilov | T-311.760.304-6 | |
| 4-14 | Goldberg-Variationen: Variatio 13 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-15 | Goldberg-Variationen: Variatio 14 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-16 | Goldberg-Variationen: Variatio 15 Canone, alla Quinta a 1 Clav., Andante | Andrei Gavrilov | — | |
| 4-17 | Goldberg-Variationen: Variatio 16 Ouverture, a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-18 | Goldberg-Variationen: Variatio 17 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-19 | Goldberg-Variationen: Variatio 18 Canone, alla Sesta a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-20 | Goldberg-Variationen: Variatio 19 a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-21 | Goldberg-Variationen: Variatio 20 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-22 | Goldberg-Variationen: Variatio 21 Canone, alla Settima (a 1 Clav.) | Andrei Gavrilov | T-902.128.688-4 | |
| 4-23 | Goldberg-Variationen: Variatio 22 a 1 Clav., Alla breve | Andrei Gavrilov | T-902.128.688-4 | |
| 4-24 | Goldberg-Variationen: Variatio 23 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-25 | Goldberg-Variationen: Variatio 24 Canone, all'Ottava a 1 Clav. | Andrei Gavrilov | — | |
| 4-26 | Goldberg-Variationen: Variatio 25 a 2 Clav. Adagio | Andrei Gavrilov | T-902.128.688-4 | |
| 4-27 | Goldberg-Variationen: Variatio 26 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-28 | Goldberg-Variationen: Variatio 27 Canone, alla Nona a 2 Clav. | Andrei Gavrilov | — | |
| 4-29 | Goldberg-Variationen: Variatio 28 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-30 | Goldberg-Variationen: Variatio 29 a 1 ovvero 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-31 | Goldberg-Variationen: Variatio 30 Quodlibet a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-32 | Goldberg Variations, BWV 988: Aria da Capo | Andrei Gavrilov | T-801.806.984-7 | |
| 5-1 | The Well-Tempered Clavier, Book I: Prelude in C major, BWV 846 | Friedrich Gulda | T-910.415.372-2 | |
| 5-2 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in C major, BWV 846: Fugue | — | ||
| 5-3 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in C minor, BWV 847: Prelude | — | ||
| 5-4 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in C minor, BWV 847: Fugue | — | ||
| 5-5 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in C-sharp major, BWV 848: Prelude | — | ||
| 5-6 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in C-sharp major, BWV 848: Fugue | — | ||
| 5-7 | The Well-Tempered Clavier, Book I: Prelude in C-sharp minor, BWV 849 | Friedrich Gulda | T-011.696.501-5 | |
| 5-8 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in C minor, BWV 849: Fugue | — | ||
| 5-9 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in D major, BWV 850: Prelude | — | ||
| 5-10 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in D major, BWV 850: Fugue | — | ||
| 5-11 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in D minor, BWV 851: Prelude | — | ||
| 5-12 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in D minor, BWV 851: Fugue | — | ||
| 5-13 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in E-flat major, BWV 852: Prelude | — | ||
| 5-14 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in E-flat major, BWV 852: Fugue | — | ||
| 5-15 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in E-flat minor, BWV 853: Prelude | — | ||
| 5-16 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in E-flat minor, BWV 853: Fugue | — | ||
| 5-17 | The Well-Tempered Clavier, Book I: Prelude in E major, BWV 854 | Friedrich Gulda | T-900.798.614-3 | |
| 5-18 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in E major, BWV 854: Fugue | — | ||
| 5-19 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in E minor, BWV 855: Prelude | — | ||
| 5-20 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in E minor, BWV 855: Fugue | — | ||
| 5-21 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in F major, BWV 856: Prelude | — | ||
| 5-22 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in F major, BWV 856: Fugue | — | ||
| 5-23 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in F minor, BWV 857: Prelude | — | ||
| 5-24 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in F minor, BWV 857: Fugue | — | ||
| 5-25 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in F-sharp major, BWV 858: Prelude | — | ||
| 5-26 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in F-sharp major, BWV 858: Fugue | — | ||
| 5-27 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in F-sharp minor, BWV 859: Prelude | — | ||
| 5-28 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in F-sharp minor, BWV 859: Fugue | — | ||
| 5-29 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in G major, BWV 860: Prelude | — | ||
| 5-30 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in G major, BWV 860: Fugue | — | ||
| 6-1 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in G minor, BWV 861: Prelude | — | ||
| 6-2 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in G minor, BWV 861: Fugue | — | ||
| 6-3 | The Well-Tempered Clavier, Book I: Prelude in A-flat major, BWV 862 | Friedrich Gulda | T-900.798.614-3 | |
| 6-4 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in A-flat major, BWV 862: Fugue | — | ||
| 6-5 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in G-sharp minor, BWV 863: Prelude | — | ||
| 6-6 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in G-sharp minor, BWV 863: Fugue | — | ||
| 6-7 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in A major, BWV 864: Prelude | — | ||
| 6-8 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in A major, BWV 864: Fugue | — | ||
| 6-9 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in A minor, BWV 865: Prelude | — | ||
| 6-10 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in A minor, BWV 865: Fugue | — | ||
| 6-11 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in B-flat major, BWV 866: Prelude | — | ||
| 6-12 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in B-flat major, BWV 866: Fugue | — | ||
| 6-13 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in B-flat minor, BWV 867: Prelude | — | ||
| 6-14 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in B-flat minor, BWV 867: Fugue | — | ||
| 6-15 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in B major, BWV 868: Prelude | — | ||
| 6-16 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in B major, BWV 868: Fugue | — | ||
| 6-17 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in B minor, BWV 869: Prelude | — | ||
| 6-18 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in B minor, BWV 869: Fugue | — | ||
| 6-19 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 1 in C major, BWV 870: Prelude | Friedrich Gulda | T-900.798.614-3 | |
| 6-20 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 1 in C major, BWV 870: Fugue | Friedrich Gulda | T-922.046.111-0 | |
| 6-21 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 2 in C minor, BWV 871: Prelude | Friedrich Gulda | T-900.798.614-3 | |
| 6-22 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 2 in C minor, BWV 871: Fugue | Friedrich Gulda | — | |
| 6-23 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 3 in C-sharp major, BWV 872: Prelude | Friedrich Gulda | T-900.798.614-3 | |
| 6-24 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 3 in C-sharp major, BWV 872: Fugue | Friedrich Gulda | — | |
| 7-1 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 4 in C-sharp minor, BWV 873: Prelude | Friedrich Gulda | T-900.798.614-3 | |
| 7-2 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 4 in C-sharp minor, BWV 873: Fugue | Friedrich Gulda | — | |
| 7-3 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 5 in D major, BWV 874: Prelude | Friedrich Gulda | T-900.798.614-3 | |
| 7-4 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 5 in D major, BWV 874: Fugue | Friedrich Gulda | — | |
| 7-5 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 6 in D minor, BWV 875: Prelude | Friedrich Gulda | T-900.798.614-3 | |
| 7-6 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 6 in D minor, BWV 875: Fugue | Friedrich Gulda | T-922.046.111-0 | |
| 7-7 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 7 in E-flat major, BWV 876: Prelude | Friedrich Gulda | T-900.798.614-3 | |
| 7-8 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 7 in E-flat major, BWV 876: Fugue | Friedrich Gulda | — | |
| 7-9 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 8 in E-flat minor, BWV 877: Prelude | Friedrich Gulda | T-900.798.614-3 | |
| 7-10 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 8 in E-flat minor, BWV 877: Fugue | Friedrich Gulda | — | |
| 7-11 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 9 in E major, BWV 878: Prelude | Friedrich Gulda | T-900.798.614-3 | |
| 7-12 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 9 in E major, BWV 878: Fugue | Friedrich Gulda | — | |
| 7-13 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 10 in E minor, BWV 879: Prelude | Friedrich Gulda | T-900.798.614-3 | |
| 7-14 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 10 in E minor, BWV 879: Fugue | Friedrich Gulda | — | |
| 7-15 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 11 in F major, BWV 880: Prelude | Friedrich Gulda | T-900.798.614-3 | |
| 7-16 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 11 in F major, BWV 880: Fugue | Friedrich Gulda | — | |
| 7-17 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 12 in F minor, BWV 881: Prelude | Friedrich Gulda | T-900.798.614-3 | |
| 7-18 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 12 in F minor, BWV 881: Fugue | Friedrich Gulda | — | |
| 7-19 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 13 in F-sharp major, BWV 882: Prelude | Friedrich Gulda | T-900.798.614-3 | |
| 7-20 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 13 in F-sharp major, BWV 882: Fugue | Friedrich Gulda | — | |
| 7-21 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in F-sharp minor, BWV 883: Prelude | — | ||
| 7-22 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in F-sharp minor, BWV 883: Fugue | — | ||
| 8-1 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in G major, BWV 884: Prelude | — | ||
| 8-2 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in G major, BWV 884: Fugue | — | ||
| 8-3 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in G minor, BWV 885: Prelude | — | ||
| 8-4 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in G minor, BWV 885: Fugue | — | ||
| 8-5 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in A-flat major, BWV 886: Prelude | — | ||
| 8-6 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in A-flat major, BWV 886: Fugue | — | ||
| 8-7 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in G-sharp minor, BWV 887: Prelude | — | ||
| 8-8 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in G-sharp minor, BWV 887: Fugue | — | ||
| 8-9 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 19 in A major, BWV 888: Prelude | Friedrich Gulda | T-900.798.614-3 | |
| 8-10 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in A major, BWV 888: Fugue | — | ||
| 8-11 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in A minor, BWV 889: Prelude | — | ||
| 8-12 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in A minor, BWV 889: Fugue | — | ||
| 8-13 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 21 in B-flat major, BWV 890: Prelude | Friedrich Gulda | T-900.798.614-3 | |
| 8-14 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in B-flat major, BWV 890: Fugue | — | ||
| 8-15 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in B-flat minor, BWV 891: Prelude | — | ||
| 8-16 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in B-flat minor, BWV 891: Fugue | — | ||
| 8-17 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in B major, BWV 892: Prelude | — | ||
| 8-18 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in B major, BWV 892: Fugue | — | ||
| 8-19 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in B minor, BWV 893: Prelude | — | ||
| 8-20 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in B minor, BWV 893: Fugue | — | ||
| 9-1 | Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: I. Grave – Allegro di molto e con brio | Wilhelm Kempff | T-915.723.669-6 | |
| 9-2 | Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | Wilhelm Kempff | T-001.397.158-8 | |
| 9-3 | Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro | Wilhelm Kempff | — | |
| 9-4 | Sonate pour piano No. 14, Op. 27 No. 2 "Clair de lune": I. Adagio sostenuto | Wilhelm Kempff | — | |
| 9-5 | Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto | Wilhelm Kempff | — | |
| 9-6 | Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato | Wilhelm Kempff | — | |
| 9-7 | Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: I. Allegro | Wilhelm Kempff | T-031.682.208-8 | |
| 9-8 | Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: II. Andante | Wilhelm Kempff | — | |
| 9-9 | Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: III. Scherzo. Allegro vivace | Wilhelm Kempff | — | |
| 9-10 | Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: IV. Rondo. Allegro ma non troppo | Wilhelm Kempff | T-031.682.208-8 | |
| 9-11 | Sonata for Piano no. 24 in F‐sharp major, op. 78 “A Thérèse”: I. Adagio cantabile – Allegro ma non troppo | Wilhelm Kempff | — | |
| 9-12 | Sonata for Piano no. 24 in F‐sharp major, op. 78 “A Thérèse”: II. Allegro assai | Wilhelm Kempff | — | |
| 10-1 | Piano Sonata no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo | Emil Gilels | — | |
| 10-2 | Piano Sonata no. 28 in A major, op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia | Emil Gilels | — | |
| 10-3 | Piano Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto) | Emil Gilels | — | |
| 10-4 | Piano Sonata no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro | Emil Gilels | — | |
| 10-5 | Piano Sonata no. 29 in B-flat major, op. 106 "Hammerklavier": I. Allegro | — | ||
| 10-6 | Piano Sonata no. 29 in B-flat major, op. 106 "Hammerklavier": II. Scherzo (Assai vivace - Presto - Prestissimo - Tempo I) | — | ||
| 10-7 | Piano Sonata no. 29 in B-flat major, op. 106 "Hammerklavier": III. Adagio sostenuto | — | ||
| 10-8 | Piano Sonata no. 29 in B-flat major, op. 106 "Hammerklavier": IV. Largo - Allegro risoluto | — | ||
| 11-1 | Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo - Adagio espressivo - Tempo I | — | ||
| 11-2 | Piano Sonata no. 30 in E major, op. 109: II. Prestissimo | — | ||
| 11-3 | Piano Sonata no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo) | — | ||
| 11-4 | Piano Sonata no. 30 in E major, op. 109: Variation I. Molto espressivo | — | ||
| 11-5 | Piano Sonata no. 30 in E major, op. 109: Variation II. Leggiermente | — | ||
| 11-6 | Piano Sonata no. 30 in E major, op. 109: Variation III. Allegro vivace | — | ||
| 11-7 | Piano Sonata no. 30 in E major, op. 109: Variation IV. Etwas langsamer als das Thema | — | ||
| 11-8 | Piano Sonata no. 30 in E major, op. 109: Variation V. Allegro, ma non troppo | — | ||
| 11-9 | Piano Sonata no. 30 in E major, op. 109: Variation VI. Tempo I del tema | — | ||
| 11-10 | Piano Sonata No.31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo | — | ||
| 11-11 | Piano Sonata No.31 in A-flat major, op. 110: II. Allegro molto | — | ||
| 11-12 | Piano Sonata No.31 in A-flat major, op. 110: III. Adagio ma non troppo - Fuga | — | ||
| 11-13 | Piano Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appasionato | — | ||
| 11-14 | Piano Sonata no. 32 in C minor, op. 111: II. Arietta (Adagio molto semplice e cantabile) | — | ||
| 12-1 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 12-2 | Piano Concerto no. 1 in C major, op. 15: II. Largo | — | ||
| 12-3 | Piano Concerto no. 1 in C major, op. 15: III. Rondo (Allegro scherzando) | — | ||
| 12-4 | Concerto for Piano, Violin and Cello in C major, op. 56: I. Allegro | — | ||
| 12-5 | Concerto for Piano, Violin and Cello in C major, op. 56: II. Largo | — | ||
| 12-6 | Concerto for Piano, Violin and Cello in C major, op. 56: III. Rondo alla polacca | — | ||
| 13-1 | Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio | — | ||
| 13-2 | Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio | — | ||
| 13-3 | Piano Concerto no. 2 in B-flat major, op. 19: III .Rondo (Molto allegro) | — | ||
| 13-4 | Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: I. Allegro con brio | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 13-5 | Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: II. Largo | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 13-6 | Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: III. Rondo. Allegro | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 14-1 | Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Allegro moderato | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 14-2 | Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Andante con moto | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 14-3 | Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Rondo. Vivace | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 14-4 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | — | ||
| 14-5 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso | — | ||
| 14-6 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo (Allegro) | — | ||
| 15-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso | Arthur Rubinstein, Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 15-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | Arthur Rubinstein, Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 15-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo | Arthur Rubinstein, Israel Philharmonic Orchestra, Zubin Mehta | T-031.682.208-8 | |
| 15-4 | Four Ballades, Op. 10 No. 1 in D minor Andante - Allegro | Julius Katchen | — | |
| 15-5 | Four Ballades, Op. 10 No. 2 in D major Andante - Allegro non troppo | Julius Katchen | — | |
| 15-6 | Four Ballades, Op. 10 No. 3 in B minor Intermezzo. Allegro | Julius Katchen | T-329.458.041-5 | |
| 15-7 | Four Ballades, Op. 10 No. 4 in B major Andante con moto - Più lento | Julius Katchen | T-329.395.051-9 | |
| 16-1 | Klavierkonzert Nr. 2 B-Dur, op. 83: I. Allegro non troppo | Wilhelm Backhaus, Wiener Philharmoniker, Karl Böhm | T-322.446.876-8 | |
| 16-2 | Klavierkonzert Nr. 2 B-Dur, op. 83: II. Allegro appassionato | Wilhelm Backhaus, Wiener Philharmoniker, Karl Böhm | T-322.185.909-8 | |
| 16-3 | Klavierkonzert Nr. 2 B-Dur, op. 83: III. Andante (cello: Emmanuel Brabec) | Wilhelm Backhaus, Emanuel Brabec, Wiener Philharmoniker, Karl Böhm | — | |
| 16-4 | Klavierkonzert Nr. 2 B-Dur, op. 83: IV. Allegretto grazioso | Wilhelm Backhaus, Wiener Philharmoniker, Karl Böhm | — | |
| 17-1 | Piano Sonata no. 1 in C major, op. 1: I. Allegro | — | ||
| 17-2 | Piano Sonata no. 1 in C major, op. 1: II. Andante | — | ||
| 17-3 | Piano Sonata no. 1 in C major, op. 1: III. Scherzo (Allegro molto e con fuoco) | — | ||
| 17-4 | Piano Sonata no. 1 in C major, op. 1: IV. Finale (Allegro con fuoco) | — | ||
| 17-5 | Piano Sonata no. 2 in F-sharp minor, op. 2: I. Allegro non troppo, ma energico | — | ||
| 17-6 | Piano Sonata no. 2 in F-sharp minor, op. 2: II. Andante con espressione | — | ||
| 17-7 | Piano Sonata no. 2 in F-sharp minor, op. 2: II. Scherzo. Allegro | — | ||
| 17-8 | Piano Sonata no. 2 in F-sharp minor, op. 2: IV. Finale (Introduzione. Sostenuto - Allegro non troppo e rubato) | — | ||
| 18-1 | Piano Concerto in A minor, op. 16: I. Allegro molto moderato | — | ||
| 18-2 | Piano Concerto in A minor, op. 16: II. Adagio | — | ||
| 18-3 | Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato - Quasi presto - Andante maestoso | — | ||
| 18-4 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso | — | ||
| 18-5 | Piano Concerto no. 1 in E minor, op. 11: II. Romance (Larghetto) | — | ||
| 18-6 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo (Vivace) | — | ||
| 19-1 | 24 Préludes, op. 28 no. 1 in C major: Agitato | Martha Argerich | — | |
| 19-2 | 24 Préludes, Op. 28: No. 1 in C Major | Martha Argerich | — | |
| 19-3 | 24 Préludes, op. 28 no. 3 in G major: Vivace | Martha Argerich | — | |
| 19-4 | 24 Préludes, op. 28 no. 4 in E minor: Largo | Martha Argerich | — | |
| 19-5 | 24 Préludes, Op. 28: No. 4 in E Minor | Martha Argerich | T-902.764.002-4 | |
| 19-6 | 24 Préludes, Op. 28: No. 5 in D Major | Martha Argerich | T-912.623.361-2 | |
| 19-7 | 24 Préludes, Op. 28: No. 6 in B Minor: Lento assai | Martha Argerich | T-308.384.655-9 | |
| 19-8 | 24 Préludes, Op. 28: No. 7 in A Major | Martha Argerich | T-915.710.750-1 | |
| 19-9 | 24 Préludes, op. 28 no. 9 in E major: Largo | Martha Argerich | T-909.573.827-5 | |
| 19-10 | 24 Préludes, op. 28 no. 9 in E major: Largo | Martha Argerich | T-906.148.797-6 | |
| 19-11 | 24 Préludes, op. 28 no. 10 in C‐sharp minor: Allegro molto | Martha Argerich | T-918.063.801-1 | |
| 19-12 | 24 Préludes, op. 28 no. 12 in G‐sharp minor: Presto | Martha Argerich | — | |
| 19-13 | 24 Préludes, Op. 28: No. 12. in G‐Sharp Minor | Martha Argerich | T-702.884.109-2 | |
| 19-14 | 24 Préludes, op. 28 no. 14 in E‐flat minor: Allegro | Martha Argerich | T-918.063.801-1 | |
| 19-15 | 24 Préludes, op. 28 no. 15 in D‐flat major: Sostenuto | Martha Argerich | T-306.229.926-3 | |
| 19-16 | 24 Préludes, op. 28 no. 16 in B‐flat minor: Presto con fuoco | Martha Argerich | — | |
| 19-17 | 24 Préludes, op. 28 no. 16 in B‐flat minor: Presto con fuoco | Martha Argerich | — | |
| 19-18 | 24 Préludes, op. 28 no. 17 in A‐flat major: Allegretto | Martha Argerich | T-903.060.250-7 | |
| 19-19 | 24 Préludes, op. 28 no. 19 in E‐flat major: Vivace | Martha Argerich | T-906.148.797-6 | |
| 19-20 | 24 Préludes, op. 28 no. 20 in C minor: Largo | Martha Argerich | T-310.766.142-3 | |
| 19-22 | 24 Préludes, op. 28 no. 22 in G minor: Molto agitato | Martha Argerich | — | |
| 19-23 | 24 Préludes, op. 28 no. 23 in F major: Moderato | Martha Argerich | T-917.141.447-4 | |
| 19-24 | 24 Préludes, op. 28 no. 23 in F major: Moderato | Martha Argerich | — | |
| 19-25 | Prélude in C‐sharp minor, op. 45: Sostenuto | Martha Argerich | — | |
| 19-26 | Prélude in A‐flat major, op. posth.: Presto con leggierezza | Martha Argerich | — | |
| 19-27 | Barcarolle in F-sharp Major, op. 60 | Martha Argerich | T-303.629.706-6 | |
| 19-28 | Polonaise in A-flat, op. 53 "Heroic" | Martha Argerich | T-922.332.274-5 | |
| 19-29 | Scherzo no. 2 in B-flat minor, op. 31 | Martha Argerich | T-309.554.578-7 | |
| 20-1 | Mazurka no. 1 in F-sharp minor, op. 6 no. 1 | — | ||
| 20-2 | Mazurka no. 2 in C-sharp minor, op. 6 no. 2 | — | ||
| 20-3 | Mazurka no. 3 in E major, op. 6 no. 3 | — | ||
| 20-4 | Mazurka No. 4 in E flat minor, Op. 6 No. 4 | Jean-Marc Luisada | T-329.453.978-5 | |
| 20-5 | Mazurka no. 5 in B-flat major, op. 7 no. 1 | — | ||
| 20-6 | Mazurka no. 6 in A minor, op. 7 no. 2 | — | ||
| 20-7 | Mazurka no. 7 in F minor, op. 7 no. 3 | — | ||
| 20-8 | Mazurka no. 8 in A-flat major, op. 7 no. 4 | — | ||
| 20-9 | Mazurka no. 9 in C major, op. 7 no. 5 | — | ||
| 20-10 | Mazurka no. 10 in B-flat major, op. 17 no. 1 | — | ||
| 20-11 | Mazurka no. 11 in E minor, op. 17 no. 2 | — | ||
| 20-12 | Mazurka no. 12 in A-flat major, op. 17 no. 3 | — | ||
| 20-13 | Mazurka no. 13 in A minor, op. 17 no. 4 | — | ||
| 20-14 | Mazurka no. 14 in G minor, op. 24 no. 1 | — | ||
| 20-15 | Mazurka no. 15 in C major, op. 24 no. 2 | — | ||
| 20-16 | Mazurka no. 16 in A-flat major, op. 24 no. 3 | — | ||
| 20-17 | Mazurka no. 17 in B-flat minor, op. 24 no. 4 | — | ||
| 20-18 | Mazurka no. 18 in C minor, op. 30 no. 1 | — | ||
| 20-19 | Mazurka no. 19 in B minor, op. 30 no. 2 | — | ||
| 20-20 | Mazurka no. 20 in D-flat major, op. 30 no. 3 | — | ||
| 20-21 | Mazurka no. 21 in C-sharp minor, op. 30 no. 4 | — | ||
| 20-22 | Mazurka no. 22 in G-sharp minor, op. 33 no. 1 | — | ||
| 20-23 | Mazurka no. 23 in D major, op. 33 no. 2 | — | ||
| 20-24 | Mazurka no. 24 in C major, op. 33 no. 3 | — | ||
| 20-25 | Mazurka no. 25 in B minor, op. 33 no. 4 | — | ||
| 21-1 | Mazurka No.26 In C Sharp Minor, Op.41 No.1 | — | ||
| 21-2 | Mazurka No. 27 in E minor op.41 No. 2 | Frédéric Chopin | — | |
| 21-3 | Mazurka No.28 In B Major, Op.41 No.3 | — | ||
| 21-4 | Mazurka No.29 In A Flat Major, Op.41 No.4 | — | ||
| 21-5 | Mazurka No.30 In G Major, Op.50 No.1 | — | ||
| 21-6 | Mazurka No.31 In A Flat Major, Op.50 No.2 | — | ||
| 21-7 | Mazurka No.32 In C Sharp Minor, Op.50 No.3 | — | ||
| 21-8 | Mazurka No.33 In B Major, Op.56 No.1 | — | ||
| 21-9 | Mazurka No.34 In C Major, Op.56 No.2 | — | ||
| 21-10 | Mazurka No.35 In C Minor, Op.56 No.3 | — | ||
| 21-11 | Mazurka No.36 In A Minor, Op.59 No.1 | — | ||
| 21-12 | Mazurka No.37 In A Flat Major, Op.59 No.2 | — | ||
| 21-13 | Mazurka No.38 In F Sharp Minor, Op.59 No.3 | — | ||
| 21-14 | Mazurka No.39 In B Major, Op.63 No.1 | — | ||
| 21-15 | Mazurka No.40 In F Minor, Op.63 No.2 | — | ||
| 21-16 | Mazurka No.41 In C Sharp Minor, Op.63 No.3 | — | ||
| 21-17 | Mazurka No.44 In G Major, Op.67 No.1 | — | ||
| 21-18 | Mazurka No.45 In G Minor, Op.67 No.2 | — | ||
| 21-19 | Mazurka No.46 In C Major, Op.67 No.3 | — | ||
| 21-20 | Mazurka No.47 In A Minor, Op.67 No.4 | — | ||
| 21-21 | Mazurka No.48 In C Major, Op.68 No.1 | — | ||
| 21-22 | Mazurka No.49 In A Minor, Op.68 No.2 | — | ||
| 21-23 | Mazurka No.50 In F Major, Op.68 No.3 | — | ||
| 21-24 | Mazurka No.51 In F Minor, Op.68 No.4 | — | ||
| 22-1 | Waltz No.1 In E Flat Major, Op.18 "Grande Valse Brillante" | — | ||
| 22-2 | Waltz No.2 In A Flat Major, Op.34 No.1 "Valse Brillante" | — | ||
| 22-3 | Waltz No.3 In A Minor, Op.34 No.2 | — | ||
| 22-4 | Waltz No.4 In F Major, Op.34, No.3 | — | ||
| 22-5 | Waltz no. 5 in A-flat major, op. 42 "Grande valse" | Zoltán Kocsis | — | |
| 22-6 | Waltz No. 6 in D-flat major, Op. 64 No. 1, B. 164 "Minute" | Zoltán Kocsis | — | |
| 22-7 | Waltz no. 7 in C-sharp minor, op. 64 no. 2, B. 164 | Zoltán Kocsis | T-922.054.556-2 | |
| 22-8 | Waltz No.8 In A Flat Major, Op.64 No.3 | — | ||
| 22-9 | Waltz No.9 In A Flat Major, Op.69 No.1 "Farewell" | — | ||
| 22-10 | Waltz No.10 In B Minor, Op.69 No.2 | — | ||
| 22-11 | Waltz No.11 In G Flat Major, Op.70 No.1 | — | ||
| 22-12 | Waltz No.12 In F Minor/A Flat Major, Op.70 No.2 | — | ||
| 22-13 | Waltz No.13 In D Flat Major, Op.70 No.3 | — | ||
| 22-14 | Waltz No.16 In A Flat Major, Op.Posth. | — | ||
| 22-15 | Waltz No.15 In E Major, Op.Posth. | — | ||
| 22-16 | Waltz No.14 In E Minor, Op.Posth. | — | ||
| 22-17 | Waltz No.19 In A Minor, Op.Posth. | — | ||
| 22-18 | Waltz No. 18 in E flat, Op. posth. | Frédéric Chopin | — | |
| 22-19 | Waltz No.17 In E Flat Major, Op.Posth. | — | ||
| 23-1 | I Grave - Doppio Movimento | — | ||
| 23-2 | II Scherzo - Più Lento - Tempo I | — | ||
| 23-3 | III Marche Funèbre (Lento) | — | ||
| 23-4 | IV Finale (Presto) | — | ||
| 23-5 | Ballade No.1 In G Minor, Op.23 | — | ||
| 23-6 | Ballade No.2 In F Major, Op.38 | — | ||
| 23-7 | Ballade No.3 In A Flat Major, Op.47 | — | ||
| 23-8 | Ballade No.4 In F Minor, Op.52 | — | ||
| 24-1 | Piano Sonata No.3 In B Minor, Op.58: I Allegro Maestoso | — | ||
| 24-2 | Piano Sonata No.3 In B Minor, Op.58: II Scherzo (Molto Vivace) | — | ||
| 24-3 | Piano Sonata No.3 In B Minor, Op.58: III Largo | — | ||
| 24-4 | Piano Sonata No.3 In B Minor, Op.58: IV Finale (Presto Non Troppo) | — | ||
| 24-5 | Ballade No.3 In A Flat Major, Op.47 | — | ||
| 24-6 | Andante Spianato Et Grande Polonaise Brillante In E Flat Major, Op.22 - Arr. For Piano Solo | — | ||
| 24-7 | Fantaisie In F Minor, Op.49 | — | ||
| 24-8 | Polonaise No.7 In A Flat Major, Op.61 "Polonaise-Fantaisie" | — | ||
| 25-1 | Suite bergamasque : I. Prélude | Pascal Rogé | — | |
| 25-2 | Suite bergamasque : II. Menuet | Pascal Rogé | — | |
| 25-3 | Suite bergamasque : III. Clair de lune | Pascal Rogé | T-915.678.796-1 | |
| 25-4 | Suite bergamasque : IV. Passepied | Pascal Rogé | — | |
| 25-5 | Children’s Corner: I. Doctor Gradus ad Parnassum | Pascal Rogé | — | |
| 25-6 | Children’s Corner: II. Jimbo’s Lullaby | Pascal Rogé | — | |
| 25-7 | Children’s Corner: III. Serenade for the Doll | Pascal Rogé | — | |
| 25-8 | Children’s Corner: IV. The Snow Is Dancing | Pascal Rogé | — | |
| 25-9 | Children’s Corner: V. The Little Shepherd | Pascal Rogé | — | |
| 25-10 | Children’s Corner: VI. Golliwogg’s Cakewalk | Pascal Rogé | — | |
| 25-11 | Images, premier livre : I. Reflets dans l’eau | Pascal Rogé | — | |
| 25-12 | Images, premier livre : II. Hommage à Rameau | Pascal Rogé | — | |
| 25-13 | Images, premier livre : III. Mouvement | Pascal Rogé | — | |
| 25-14 | Images, deuxième livre : I. Cloches à travers les feuiles | Pascal Rogé | — | |
| 25-15 | Images, deuxième livre : II. Et la lune descend sur le temple qui fut | Pascal Rogé | — | |
| 25-16 | Images, deuxième livre : III. Poissons d’or | Pascal Rogé | — | |
| 25-17 | Deux arabesques : I. Andantino con moto | Pascal Rogé | T-329.530.213-1 | |
| 25-18 | Deux arabesques : II. Allegretto scherzando | Pascal Rogé | T-310.795.041-0 | |
| 26-1 | Rhapsody in Blue | André Previn, Pittsburgh Symphony Orchestra | T-010.244.926-2 | |
| 26-2 | An American in Paris: Allegretto grazioso | Pittsburgh Symphony Orchestra, André Previn | — | |
| 26-3 | An American in Paris: Andante ma con ritmo deciso | Pittsburgh Symphony Orchestra, André Previn | T-070.001.144-4 | |
| 26-4 | Piano Concerto in F: I. Allegro | André Previn, Pittsburgh Symphony Orchestra | — | |
| 26-5 | Piano Concerto in F: II. Adagio | André Previn, Pittsburgh Symphony Orchestra | T-901.134.571-4 | |
| 26-6 | Piano Concerto in F: III. Allegro agitato | André Previn, Pittsburgh Symphony Orchestra | — | |
| 27-1 | Piano Sonata In G Minor, Hob.XVI:44: I Moderato | — | ||
| 27-2 | Piano Sonata In G Minor, Hob.XVI:44: II Allegretto | — | ||
| 27-3 | Piano Sonata In G Major, Hob.XVI:40: I Allegretto E Innocente | — | ||
| 27-4 | Piano Sonata In G Major, Hob.XVI:40: II Presto | — | ||
| 27-5 | Piano Sonata In B Flat Major, Hob.XVI:41: I Allegro | — | ||
| 27-6 | Piano Sonata In B Flat Major, Hob.XVI:41: II Allegro Di Molto | — | ||
| 27-7 | Piano Sonata In C Major, Hob.XVI:48: I Andante Con Espressione | — | ||
| 27-8 | Piano Sonata In C Major, Hob.XVI:48: II Rondo (Presto) | — | ||
| 27-9 | Piano Sonata In E Flat Major, Hob.XVI:52: I Allegro | — | ||
| 27-10 | Piano Sonata In E Flat Major, Hob.XVI:52: II Adagio | — | ||
| 27-11 | Piano Sonata In E Flat Major, Hob.XVI:52: III Finale (Presto) | — | ||
| 28-1 | Fantasia on Hungarian Folk Tunes, S123 | — | ||
| 28-2 | Piano Concerto No.1 in E-flat major, S124: I Allegro Maestoso | — | ||
| 28-3 | Piano Concerto No.1 in E-flat major, S124: Iia Quasi Adagio | — | ||
| 28-4 | Piano Concerto No.1 in E-flat major, S124: III Allegretto Vivace | — | ||
| 28-5 | Piano Concerto No.1 in E-flat major, S124: IV Allegro Marziale Animato | — | ||
| 28-6 | Piano Concerto No.2 in A major, S125: I Adagio Sostenuto Assai - Allegro Agitato Assai | — | ||
| 28-7 | Piano Concerto No.2 in A major, S125: II Allegro Moderato | — | ||
| 28-8 | Piano Concerto No.2 in A major, S125: III Allegro Deciso - Marziale Un Poco Meno Allegro | — | ||
| 28-9 | Piano Concerto No.2 in A major, S125: IV Allegro Animato | — | ||
| 28-10 | Totentanz, S126 - Paraphrase on "Dies Irae" for Piano and Orchestra | — | ||
| 29-1 | Rhapsodie No. 1 | Roberto Szidon | T-900.009.052-8 | |
| 29-2 | Hungarian Rhapsody in C-sharp minor, S. 244 no. 2 | Roberto Szidon | — | |
| 29-3 | Rhapsodie No. 3 | Roberto Szidon | T-106.677.158-0 | |
| 29-4 | Rhapsodie No. 4 | Roberto Szidon | — | |
| 29-5 | Rhapsodie No. 5 »Heroïde Élégiaque« | Roberto Szidon | — | |
| 29-6 | Rhapsodie No. 6 | Roberto Szidon | — | |
| 29-7 | Rhapsodie No. 7 | Roberto Szidon | T-304.255.693-0 | |
| 29-8 | Rhapsodie No. 8 | Roberto Szidon | T-900.009.052-8 | |
| 29-9 | Rhapsodie No. 9 »Pester Karneval« | Roberto Szidon | — | |
| 29-10 | Rhapsodie No. 10 | Roberto Szidon | T-900.009.052-8 | |
| 30-1 | Piano Sonata in B minor, S. 178: Lento assai: Allegro energico - Grandioso - Recitativo | Sir Clifford Curzon | — | |
| 30-2 | Piano Sonata in B minor, S. 178: II. Andante sostenuto | Sir Clifford Curzon | T-011.189.063-1 | |
| 30-3 | Piano Sonata in B minor, S. 178: Allegro energico - Andante sostenuto - Lento assai | Sir Clifford Curzon | — | |
| 30-4 | Liebestraum no. 3 in A-Flat, S. 541 | Sir Clifford Curzon | — | |
| 30-5 | Valse oubliée no. 1 in F-sharp, S. 215 | Sir Clifford Curzon | — | |
| 30-6 | Gnomenreigen | Sir Clifford Curzon | — | |
| 30-7 | Berceuse, S. 174 | Sir Clifford Curzon | — | |
| 30-8 | Piano Quintet in A major, op. 81: I. Allegro, ma non tanto | Clifford Curzon, Vienna Philharmonic Quartet | — | |
| 31-1 | Piano Concerto No.1 In G Minor, Op.25: I Molto Allegro Fuoco | — | ||
| 31-2 | Piano Concerto No.1 In G Minor, Op.25: II Andante | — | ||
| 31-3 | Piano Concerto No.1 In G Minor, Op.25: III Presto | — | ||
| 31-4 | Piano Concerto No.2 In D Minor, Op.40: I Allegro Appassionato | — | ||
| 31-5 | Piano Concerto No.2 In D Minor, Op.40: II Adagio. Molto Sostenuto | — | ||
| 31-6 | Piano Concerto No.2 In D Minor, Op.40: III Finale. Presto Scherzando | — | ||
| 32-1 | Lieder ohne Worte, op. 62: No. 1 in G: Andante espressivo | Daniel Barenboim | — | |
| 32-2 | Lieder ohne Worte, op. 62: No. 2 in B-flat: Allegro con fuoco | Daniel Barenboim | — | |
| 32-3 | Lieder ohne Worte, op. 62: No. 3 in E minor: Andante maestoso "Funeral March" | Daniel Barenboim | — | |
| 32-4 | Lieder ohne Worte, op. 62: No. 4 in G: Allegro con anima | Daniel Barenboim | — | |
| 32-5 | Lieder ohne Worte, op. 62: No. 5 in A minor: Andante con moto "Venetian Gondola Song" | Daniel Barenboim | T-931.717.655-9 | |
| 32-6 | Lieder ohne Worte, op. 62 no. 6 “Frühlingslied”: Allegretto grazioso in A major | Daniel Barenboim | T-915.714.795-0 | |
| 32-7 | Lieder ohne Worte, op. 67: No. 1 in E-flat: Andante | Daniel Barenboim | — | |
| 32-8 | Lieder ohne Worte, op. 67: No. 2 in F-sharp minor: Allegro leggiero | Daniel Barenboim | — | |
| 32-9 | Lieder ohne Worte, op. 67: No. 3 in B-flat: Andante tranquillo | Daniel Barenboim | — | |
| 32-10 | Lieder ohne Worte, op. 67: No. 4 in C: Presto "Spinning Song" | Daniel Barenboim | T-312.542.381-2 | |
| 32-11 | Lieder ohne Worte, op. 67: No. 5 in B minor: Moderato | Daniel Barenboim | — | |
| 32-12 | Lieder ohne Worte, op. 67: No. 6 in E: Allegretto non troppo "Wiegenlied" | Daniel Barenboim | — | |
| 32-13 | Lieder ohne Worte, op. 85: No. 1 in F: Andante espressivo | Daniel Barenboim | — | |
| 32-14 | Lieder ohne worte, Op. 85: No. 2. Allegro agitato in A Minor "Adieu" | Daniel Barenboim | — | |
| 32-15 | Lieder ohne Worte, op. 85: No. 3 in E-flat: Presto | Daniel Barenboim | — | |
| 32-16 | Lieder ohne Worte, op. 85: No. 4 in D: Andante sostenuto | Daniel Barenboim | — | |
| 32-17 | Lieder ohne worte, Op. 85: No. 5. Allegretto in A, MWV U 191 | Daniel Barenboim | T-915.714.795-0 | |
| 32-18 | Lieder ohne Worte, op. 85: No. 6 in B-flat: Allegretto con moto | Daniel Barenboim | — | |
| 32-19 | Lieder ohne Worte, op. 102: No. 1 in E minor: Andante un poco agitato | Daniel Barenboim | T-931.717.666-2 | |
| 32-20 | Lieder ohne Worte, op. 102: No. 2 in D: Adagio | Daniel Barenboim | — | |
| 32-21 | Lieder ohne worte, Op. 102: No. 3. Presto in C, MWV U 195 - "Tarantelle" | Daniel Barenboim | — | |
| 32-22 | Lieder ohne Worte, op. 102: No. 4 in G minor: Un poco agitato ma andante | Daniel Barenboim | — | |
| 32-23 | Lieder ohne Worte, op. 102: No. 5 in A: Allegro vivace | Daniel Barenboim | — | |
| 32-24 | Lieder ohne Worte, op. 102: No. 6 in C: Andante | Daniel Barenboim | — | |
| 32-25 | Kinderstücke, op. 72: No. 1. Allegro non troppo | Daniel Barenboim | — | |
| 32-26 | Kinderstücke, op. 72: No. 2. Andante sostenuto | Daniel Barenboim | — | |
| 32-27 | Kinderstücke, op. 72: No. 3. Allegretto | Daniel Barenboim | — | |
| 32-28 | Kinderstücke, op. 72: No. 4. Andante con moto | Daniel Barenboim | T-931.717.260-4 | |
| 32-29 | Kinderstücke, op. 72: No. 5. Allegro assai | Daniel Barenboim | T-306.395.786-4 | |
| 32-30 | Kinderstücke, op. 72: No. 6. Vivace | Daniel Barenboim | — | |
| 32-31 | Gondellied: Allegretto non troppo | Daniel Barenboim | T-031.629.298-4 | |
| 32-32 | 2 Klavierstücke: No. 1. Gondellied: Andante cantabile | Daniel Barenboim | — | |
| 32-33 | 2 Klavierstücke: No. 2. Presto agitato | Daniel Barenboim | — | |
| 32-34 | Albumblatt, op. 117: Allegro | Daniel Barenboim | T-306.395.786-4 | |
| 33-1 | Piano Sonata No. 11 in A major, K. 331 "Alla Turca": I. Tema (Andante grazioso) con variazioni | András Schiff | — | |
| 33-2 | Piano Sonata No. 11 in A major, K. 331 "Alla Turca": II. Minuetto | András Schiff | T-313.706.466-1 | |
| 33-3 | Sonata for Piano No. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto | András Schiff | T-900.070.786-8 | |
| 33-4 | Piano Sonata No. 12 in F major, K. 332: I. Allegro | András Schiff | T-313.706.321-5 | |
| 33-5 | Piano Sonata No. 12 in F major, K. 332: II. Adagio | András Schiff | T-316.577.882-1 | |
| 33-6 | Piano Sonata No. 12 in F major, K. 332: III. Allegro assai | András Schiff | T-306.395.786-4 | |
| 33-7 | Piano Sonata No. 13 in B-flat major, K. 333: I. Allegro | András Schiff | T-800.184.797-9 | |
| 33-8 | Piano Sonata No. 13 in B-flat major, K. 333: II. Andante cantabile | András Schiff | — | |
| 33-9 | Piano Sonata No. 13 in B-flat major, K. 333: III. Allegretto grazioso | András Schiff | — | |
| 34-1 | Piano Concerto in D minor, K. 466: Allegro | Stephen Kovacevich, London Symphony Orchestra, Sir Colin Davis | — | |
| 34-2 | Piano Concerto in D minor, K. 466: Romance | Stephen Kovacevich, London Symphony Orchestra, Sir Colin Davis | — | |
| 34-3 | Piano Concerto in D minor, K. 466: Rondo (Allegro Assai) | Stephen Kovacevich, London Symphony Orchestra, Sir Colin Davis | — | |
| 34-4 | Piano Concerto in A, K. 488: Allegro | Stephen Kovacevich, London Symphony Orchestra, Sir Colin Davis | — | |
| 34-5 | Piano Concerto no. 23 in A major, K. 488: II. Andante | Stephen Kovacevich, London Symphony Orchestra, Sir Colin Davis | T-915.711.586-1 | |
| 34-6 | Piano Concerto in A, K. 488: Allegro Assai | Stephen Kovacevich, London Symphony Orchestra, Sir Colin Davis | — | |
| 35-1 | Piano Concerto no. 21 in C major, K. 467 "Elvira Madigan": I. Allegro maestoso | Stephen Kovacevich, London Symphony Orchestra, Sir Colin Davis | — | |
| 35-2 | Piano Concerto no. 21 in C major, K. 467 "Elvira Madigan": II. Andante | Stephen Kovacevich, London Symphony Orchestra, Sir Colin Davis | — | |
| 35-3 | Piano Concerto no. 21 in C major, K. 467 "Elvira Madigan": III. Allegro vivace assai | Stephen Kovacevich, London Symphony Orchestra, Sir Colin Davis | — | |
| 35-4 | Piano Concerto no. 25 in C major, K. 503: I. Allegro maestoso | Stephen Kovacevich, London Symphony Orchestra, Sir Colin Davis | — | |
| 35-5 | Piano Concerto no. 25 in C major, K. 503: II. Andante | Stephen Kovacevich, London Symphony Orchestra, Sir Colin Davis | — | |
| 35-6 | Piano Concerto no. 25 in C major, K. 503: III Allegretto | Stephen Kovacevich, London Symphony Orchestra, Sir Colin Davis | — | |
| 36-1 | Piano Concerto no. 19 in F, K. 459: 1. Allegro - Cadenza (W.A. Mozart) | Clara Haskil, Berliner Philharmoniker, Ferenc Fricsay | — | |
| 36-2 | Piano Concerto no. 19 in F, K. 459: 2. Allegretto | Clara Haskil, Berliner Philharmoniker, Ferenc Fricsay | — | |
| 36-3 | Piano Concerto no. 19 in F, K. 459: 3. Allegro assai - Cadenza (W.A. Mozart) | Clara Haskil, Berliner Philharmoniker, Ferenc Fricsay | T-306.395.786-4 | |
| 36-4 | Piano Concerto No.27 In B Flat Major, K595: I Allegro | — | ||
| 36-5 | Piano Concerto No.27 In B Flat Major, K595: II Larghetto | — | ||
| 36-6 | Piano Concerto No.27 In B Flat Major, K595: III Allegro | — | ||
| 36-7 | Piano Sonata no. 2 in F major, K. 280 (K. 189e): Allegro assai | Clara Haskil | T-306.395.786-4 | |
| 36-8 | Piano Sonata no. 2 in F major, K. 280 (K. 189e): Adagio | Clara Haskil | — | |
| 36-9 | Piano Sonata no. 2 in F major, K. 280 (K. 189e): Presto | Clara Haskil | T-070.930.360-5 | |
| 37-1 | Pictures at an Exhibition: Promenade | Lazar Berman | — | |
| 37-2 | Pictures at an Exhibition: I. "Gnomus" | Lazar Berman | — | |
| 37-3 | Pictures at an Exhibition: Interlude I (Promenade) | Lazar Berman | — | |
| 37-4 | Pictures at an Exhibition: II. "Il vecchio castello" | Lazar Berman | — | |
| 37-5 | Pictures at an Exhibition: Interlude II (Promenade) | Lazar Berman | — | |
| 37-6 | Pictures at an Exhibition: III. "Tuileries" (Dispute d'enfants après jeux) | Lazar Berman | — | |
| 37-7 | Pictures at an Exhibition: IV. "Bydło" | Lazar Berman | — | |
| 37-8 | Pictures at an Exhibition: Interlude III (Promenade) | Lazar Berman | — | |
| 37-9 | Pictures at an Exhibition: V. "Балетъ невылупившихся птенцовъ" | Lazar Berman | — | |
| 37-10 | Pictures at an Exhibition: VI. "Samuel Goldenberg und Schmuÿle" | Lazar Berman | — | |
| 37-11 | Pictures at an Exhibition: Interlude IV (Promenade) | Lazar Berman | — | |
| 37-12 | Pictures at an Exhibition: VII. "Limoges", le marché (La grande nouvelle) | Lazar Berman | — | |
| 37-13 | Pictures at an Exhibition: VIII-I. "Catacombæ" (Sepulcrum romanum) | Lazar Berman | — | |
| 37-14 | Pictures at an Exhibition: VIII-II. "Cum mortuis in lingua mortua" | Lazar Berman | — | |
| 37-15 | Pictures at an Exhibition: IX. "Избушка на курьихъ ножкахъ" (Баба-Яга) | Lazar Berman | — | |
| 37-16 | Pictures at an Exhibition: X. "Богатырскія ворота" (Въ стольномъ городѣ Кіевѣ) | Lazar Berman | — | |
| 37-17 | Piece for Piano From "Romeo and Juliet", Op.75: I Scene - Allegretto | — | ||
| 37-18 | Piece for Piano From "Romeo and Juliet", Op.75: II Menuet - Assai Moderato | — | ||
| 37-19 | Piece for Piano From "Romeo and Juliet", Op.75: III Juliet the Young Girl - Vivace | — | ||
| 37-20 | Piece for Piano From "Romeo and Juliet", Op.75: IV Masks - Andante Marciale | — | ||
| 37-21 | Piece for Piano From "Romeo and Juliet", Op.75: V the Montagues and Capulets - Allegro Pesante | — | ||
| 37-22 | Piece for Piano From "Romeo and Juliet", Op.75: VI Friar Laurence - Andante Espressivo | — | ||
| 37-23 | Piece for Piano From "Romeo and Juliet", Op.75: VII Mercuzio | — | ||
| 37-24 | Piece for Piano From "Romeo and Juliet", Op.75: VIII Dance of the Young Girls - Andante Con Eleganza | — | ||
| 37-25 | Piece for Piano From "Romeo and Juliet", Op.75: IX Romeo and Juliet Before Separation - Lento | — | ||
| 38-1 | Piano Concerto No.1 In D Flat Major, Op.10: I Allegro Brioso | — | ||
| 38-2 | Piano Concerto No.1 In D Flat Major, Op.10: II Andante Assai | — | ||
| 38-3 | Piano Concerto No.1 In D Flat Major, Op.10: III Allegro Scherzando | — | ||
| 38-4 | Piano Concerto No.3 In C Major, Op.26: I Andante - Allegro | — | ||
| 38-5 | Piano Concerto No.3 In C Major, Op.26: II Tema Con Variazione | — | ||
| 38-6 | Piano Concerto No.3 In C Major, Op.26: III Allegro Ma Non Troppo | — | ||
| 38-7 | Piano Concerto No.4 In B Flat Major, Op.53: I Vivace | — | ||
| 38-8 | Piano Concerto No.4 In B Flat Major, Op.53: II Andante | — | ||
| 38-9 | Piano Concerto No.4 In B Flat Major, Op.53: III Moderato | — | ||
| 38-10 | Piano Concerto No.4 In B Flat Major, Op.53: IV Vivace | — | ||
| 39-1 | Piano Concerto no. 1 in F-sharp minor, op. 1: I. Vivace | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 39-2 | Piano Concerto no. 1 in F-sharp minor, op. 1: II. Andante | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 39-3 | Piano Concerto no. 1 in F-sharp minor, op. 1: III. Allegro vivace | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 39-4 | Piano Concerto no. 4 in G minor, op. 40: I. Allegro vivace. Alla breve | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 39-5 | Piano Concerto no. 4 in G minor, op. 40: II. Largo | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 39-6 | Piano Concerto no. 4 in G minor, op. 40: III. Allegro vivace | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 39-7 | Rhapsody on a Theme by Paganini, op. 43 | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 40-1 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 40-2 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 40-3 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | T-071.926.821-9 | |
| 40-4 | Piano Concerto No. 3 in D minor: I. Allegro ma non tanto | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 40-5 | Piano Concerto No. 3 in D minor: II. Intermezzo | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 40-6 | Piano Concerto No. 3 in D minor: III. Finale. Alla breve | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 40-7 | Vocalise, Op. 34, No.14 | Zoltán Kocsis | T-900.222.366-7 | |
| 41-1 | Gaspard De La Nuit: Ondine | — | ||
| 41-2 | Gaspard De La Nuit: Le Gibet | — | ||
| 41-3 | Gaspard De La Nuit: Scarbo | — | ||
| 41-4 | Valses Nobles Et Sentimentales: I Modéré - Très Franc | — | ||
| 41-5 | Valses Nobles Et Sentimentales: II Assez Lent - Avec Une Expression Intense | — | ||
| 41-6 | Valses Nobles Et Sentimentales: III Modéré | — | ||
| 41-7 | Valses Nobles Et Sentimentales: IV Assez Animé | — | ||
| 41-8 | Valses Nobles Et Sentimentales: V Presque Lent - Dans Un Sentiment Intime | — | ||
| 41-9 | Valses Nobles Et Sentimentales: VI Assez Vif | — | ||
| 41-10 | Valses Nobles Et Sentimentales: VII Moins Vif | — | ||
| 41-11 | Valses Nobles Et Sentimentales: VIII Épiloque (Lent) | — | ||
| 41-12 | Jeu D'Eau | — | ||
| 41-13 | Miroirs: I Noctuelles | — | ||
| 41-14 | Miroirs: II Oiseaux Tristes | — | ||
| 41-15 | Miroirs: III Une Barque Sur L'Océan | — | ||
| 41-16 | Miroirs: IV Alborada Del Gracioso | — | ||
| 41-17 | Miroirs: V La Vallée Des Cloches | — | ||
| 42-1 | Piano Concerto for the Left Hand in D major: I Lento | — | ||
| 42-2 | Piano Concerto for the Left Hand in D major: II Allegro | — | ||
| 42-3 | Concertino for Piano and Orchestra: Allegro-Larghetto-Allegretto | — | ||
| 42-4 | Concertino for Piano and Orchestra: I Presto Leggiero | — | ||
| 42-5 | Concertino for Piano and Orchestra: Iia Lent | — | ||
| 42-6 | Concertino for Piano and Orchestra: Iib Allegretto/Trio | — | ||
| 42-7 | Concertino for Piano and Orchestra: III Rondeau (Allegretto) | — | ||
| 42-8 | Piano Concerto in G major: I Allegramente | — | ||
| 42-9 | Piano Concerto in G major: II Adagio Assai | — | ||
| 42-10 | Piano Concerto in G major: III Presto | — | ||
| 43-1 | Gymnopédie no. 1 | Pascal Rogé | T-050.018.340-3 | |
| 43-2 | Gymnopédie no. 2 | Pascal Rogé | T-050.018.340-3 | |
| 43-3 | Gymnopédie no. 3 | Pascal Rogé | T-011.688.813-1 | |
| 43-4 | Je te veux | Pascal Rogé | T-050.395.147-0 | |
| 43-5 | 4 Préludes flasques pour un chien | Pascal Rogé | T-003.014.610-1 | |
| 43-6 | Prélude en tapisserie | Pascal Rogé | — | |
| 43-7 | Cinq Nocturnes : Nocturne no. 4 | Pascal Rogé | — | |
| 43-8 | Vieux séquins et vieilles cuirasses | Pascal Rogé | T-703.053.628-0 | |
| 43-9 | Embryons desséchés | Pascal Rogé | T-703.053.620-2 | |
| 43-10 | Gnossienne no. 1 | Pascal Rogé | T-003.010.023-2 | |
| 43-11 | Gnossienne no. 2 | Pascal Rogé | T-003.010.023-2 | |
| 43-12 | Gnossienne no. 3 | Pascal Rogé | T-004.016.586-3 | |
| 43-13 | Gnossienne no. 4 | Pascal Rogé | — | |
| 43-14 | Gnossienne no. 5 | Pascal Rogé | T-916.194.049-4 | |
| 43-15 | Gnossienne no. 6 | Pascal Rogé | T-315.303.705-5 | |
| 43-16 | Sonatine bureaucratique | Pascal Rogé | T-003.016.329-1 | |
| 43-17 | Le Picadilly | Pascal Rogé | — | |
| 44-1 | Piano Sonata in A minor, D845: I. Moderato | Radu Lupu | — | |
| 44-2 | Piano Sonata in A minor, D845: II. Andante, poco mosso | Radu Lupu | — | |
| 44-3 | Piano Sonata in A minor, D845: III. Scherzo: Allegro vivace | Radu Lupu | — | |
| 44-4 | Piano Sonata in A minor, D845: IV. Rondo: Allegro vivace | Radu Lupu | — | |
| 44-5 | Piano Sonata in G major, D894: I. Molto moderato e cantabile | Radu Lupu | — | |
| 44-6 | Piano Sonata in G major, D894: II. Andante | Radu Lupu | — | |
| 44-7 | Piano Sonata in G major, D894: III. Menuetto e trio: Allegro moderato | Radu Lupu | — | |
| 44-8 | Piano Sonata in G major, D894: IV. Allegretto | Radu Lupu | — | |
| 45-1 | Piano Sonata in B-flat major, D. 960: I. Molto moderato | Wilhelm Kempff | — | |
| 45-2 | Piano Sonata in B-flat major, D. 960: II. Andante sostenuto | Wilhelm Kempff | — | |
| 45-3 | Piano Sonata in B-flat major, D. 960: III. Scherzo. Allegro vivace con delicatezza | Wilhelm Kempff | — | |
| 45-4 | Piano Sonata in B-flat major, D. 960: IV. Allegro ma non troppo | Wilhelm Kempff | — | |
| 45-5 | 6 Moments Musicaux, Op.94 D780: No.1 in C major: Moderato | — | ||
| 45-6 | Moment Musicaux no. 2 in A-flat major. Andantino | Wilhelm Kempff | — | |
| 45-7 | Moments musicaux, D. 780 no. 3 in F minor. Allegro moderato | Wilhelm Kempff | — | |
| 45-8 | 6 Moments Musicaux, Op.94 D780: No.4 in C-sharp minor: Moderato | — | ||
| 45-9 | Moments musicaux, D. 780 no. 5 in F minor. Allegro vivace | Wilhelm Kempff | — | |
| 45-10 | 6 Moments Musicaux, Op.94 D780: No.6 in A-flat major, Allegretto | — | ||
| 46-1 | 4 Impromptus, D935: No.1 In F Minor: Allegro Moderato | — | ||
| 46-2 | 4 Impromptus, D935: No.2 In A Flat Major: Allegretto | — | ||
| 46-3 | 4 Impromptus, D935: No.3 In B Flat Major: Theme (Andante) With Variation | — | ||
| 46-4 | 4 Impromptus, D935: No.4 In F Minor: Allegro Scherzando | — | ||
| 46-5 | 4 Impromptus, D899: No.1 In C Minor: Allegro Molto Moderato | — | ||
| 46-6 | 4 Impromptus, D899: No.2 In E Flat Major: Allegro | — | ||
| 46-7 | 4 Impromptus, D899: No.3 In G Flat Major: Andante | — | ||
| 46-8 | 4 Impromptus, D899: No.4 In A Flat Major: Allegretto | — | ||
| 47-1 | Fantasy in C major, D. 760 "Wanderer": I. Allegro con fuoco ma non troppo | Yevgeny Kissin | — | |
| 47-2 | Fantasy in C major, D. 760 "Wanderer": II. Adagio | Yevgeny Kissin | T-050.459.341-2 | |
| 47-3 | Fantasy in C major, D. 760 "Wanderer": III. Presto | Yevgeny Kissin | — | |
| 47-4 | Fantasy in C major, D. 760 "Wanderer": IV. Allegro | Yevgeny Kissin | T-903.513.848-8 | |
| 47-5 | 4 Lieder: Gretchen am Spinnrade, D. 118 (trans. Liszt) | Yevgeny Kissin | T-920.299.614-3 | |
| 47-6 | 4 Lieder: Horch, Horch die Lerch’ (Ständchen aus “Cymbeline”), D. 889 (trans. Liszt) | Yevgeny Kissin | — | |
| 47-7 | 4 Lieder: Die Schüne Müllerin: 19. Der Müller und der Bach, D. 795 no. 19 (trans. Liszt) | Yevgeny Kissin | — | |
| 47-8 | 4 Lieder: Auf dem Wasser zu singen, D. 774 (trans. Liszt) | Yevgeny Kissin | — | |
| 47-9 | Fantasien, op. 116: I. Capriccio: Presto energico | Yevgeny Kissin | T-902.876.200-7 | |
| 47-10 | Fantasien, op. 116: II. Intermezzo: Andante | Yevgeny Kissin | T-916.456.074-1 | |
| 47-11 | Fantasien, op. 116: III. Capriccio: Allegro passionato | Yevgeny Kissin | T-920.071.965-9 | |
| 47-12 | Fantasien, op. 116: IV. Intermezzo: Adagio | Yevgeny Kissin | T-322.186.526-1 | |
| 47-13 | Fantasien, op. 116: V. Intermezzo: Andante con grazia ed intimissimo sentimento | Yevgeny Kissin | T-920.071.965-9 | |
| 47-14 | Fantasien, op. 116: VI. Intermezzo. Andantino teneramente | Yevgeny Kissin | T-920.071.965-9 | |
| 47-15 | Fantasien, op. 116: VII. Capriccio: Allegro agitato | Yevgeny Kissin | T-920.071.965-9 | |
| 47-16 | Hungarian Rhapsody no. 12 | Yevgeny Kissin | — | |
| 48-1 | Kinderszenen, op. 15: I. Von fremden Ländern und Menschen | Wilhelm Kempff | T-314.629.927-2 | |
| 48-2 | Kinderszenen, op. 15: II. Kuriose Geschichte | Wilhelm Kempff | T-913.873.556-5 | |
| 48-3 | Kinderszenen, op. 15: III. Hasche-Mann | Wilhelm Kempff | T-913.870.630-6 | |
| 48-4 | Kinderszenen, op. 15: IV. Bittendes Kind | Wilhelm Kempff | T-001.216.772-4 | |
| 48-5 | Kinderszenen, op. 15: V. Glückes genug | Wilhelm Kempff | — | |
| 48-6 | Kinderszenen, op. 15: VI. Wichtige Begebenheit | Wilhelm Kempff | T-330.120.763-2 | |
| 48-7 | Kinderszenen, op. 15: VII. Träumerei | Wilhelm Kempff | — | |
| 48-8 | Kinderszenen, op. 15: VIII. Am Kamin | Wilhelm Kempff | T-330.120.773-4 | |
| 48-9 | Kinderszenen, op. 15: IX. Ritter vom Steckenpferd | Wilhelm Kempff | T-330.117.403-4 | |
| 48-10 | Kinderszenen, op. 15: X. Fast zu ernst | Wilhelm Kempff | T-330.120.779-0 | |
| 48-11 | Kinderszenen, op. 15: XI. Fürchtenmachen | Wilhelm Kempff | T-330.117.411-4 | |
| 48-12 | Kinderszenen, op. 15: XII. Kind im Einschlummern | Wilhelm Kempff | — | |
| 48-13 | Kinderszenen, op. 15: XIII. Der Dichter spricht | Wilhelm Kempff | T-001.098.318-2 | |
| 48-14 | Waldszenen, op. 82: I. Eintritt. Nicht zu schnell | Wilhelm Kempff | — | |
| 48-15 | Waldszenen, op. 82: II. Jäger auf der Lauer. Höchst lebhaft | Wilhelm Kempff | — | |
| 48-16 | Waldszenen, op. 82: III. Einsame Blumen. Einfach | Wilhelm Kempff | — | |
| 48-17 | Waldszenen, op. 82: IV. Verrufene Stelle. Ziemlich langsam | Wilhelm Kempff | — | |
| 48-18 | Waldszenen, op. 82: V. Freundliche Landschaft. Schnell | Wilhelm Kempff | — | |
| 48-19 | Waldszenen, op. 82: VI. Herberge. Mäßig | Wilhelm Kempff | — | |
| 48-20 | Scènes de la forêt, L'Oiseau prophète | Wilhelm Kempff | — | |
| 48-21 | Waldszenen, op. 82: VIII. Jagdlied. Rasch, kräftig | Wilhelm Kempff | — | |
| 48-22 | Waldszenen, op. 82: IX. Abschied. Nicht zu schnell | Wilhelm Kempff | T-906.148.797-6 | |
| 48-23 | Papillons, Op. 2 | Wilhelm Kempff | — | |
| 48-24 | Drei Romanzen, op. 28: I. Sehr markiert | Wilhelm Kempff | — | |
| 48-25 | Drei Romanzen, op. 28: II. Einfach | Wilhelm Kempff | — | |
| 48-26 | Drei Romanzen, op. 28: III. Sehr markiert - Intermezzo I. presto - Intermezzo II. Etwas langsamer - Wie vorher | Wilhelm Kempff | T-911.517.582-1 | |
| 49-1 | Fantasie In C Major, Op.17: I Durchaus Fantastisch Und Leidenschaftlich Vorzutragen - Im Legenden-Ton | — | ||
| 49-2 | Fantasie In C Major, Op.17: II Mäßig. Durchaus Energisch - Etwas Langsamer - Vielbewegter | — | ||
| 49-3 | Fantasie In C Major, Op.17: III Langsam Getragen. Durchweg Leise Zu Halten - Etwas Bewegter | — | ||
| 49-4 | Allegro In B Minor, Op.8 | — | ||
| 49-5 | Romanze, op. 28 no. 2 | Alicia de Larrocha | T-306.230.833-8 | |
| 49-6 | Piano Concerto In A Minor, Op.54: I Allegro Affettuoso | — | ||
| 49-7 | Piano Concerto In A Minor, Op.54: II Intermezzo (Andantino Grazioso) | — | ||
| 49-8 | Piano Concerto In A Minor, Op.54: III Allegro Vivace | — | ||
| 50-1 | Piano Concerto no. 1 in B-Flat minor, op. 23, TH 55: I. Allegro non troppo e molto maestoso: Allegro con spirito | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 50-2 | Piano Concerto no. 1 in B-Flat minor, op. 23, TH 55: II. Andantino semplice: Prestissimo - Tempo I | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 50-3 | Piano Concerto no. 1 in B-Flat minor, op. 23, TH 55: III. Allegro con fuoco | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 50-4 | Variations on a Nursery Song, op. 25: Introduzione (Maestoso) | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 50-5 | Variations on a Nursery Song, op. 25: Tema (Allegro) | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 50-6 | Variations on a Nursery Song, op. 25: Var.1: Poco più mosso | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 50-7 | Variations on a Nursery Song, op. 25: Var.2: Risoluto | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 50-8 | Variations on a Nursery Song, op. 25: Var.3 | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 50-9 | Variations on a Nursery Song, op. 25: Var.4: Molto meno mosso (Allegretto moderato) | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 50-10 | Variations on a Nursery Song, op. 25: Var.5: Più mosso | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 50-11 | Variations on a Nursery Song, op. 25: Var.6: Ancora più mosso (Allegro) | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 50-12 | Variations on a Nursery Song, op. 25: Var.7: Walzer (Tempo giusto) | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 50-13 | Variations on a Nursery Song, op. 25: Var.8: Alla marcia (Allegro moderato) | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 50-14 | Variations on a Nursery Song, op. 25: Var.9: Presto: Andante rubato | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 50-15 | Variations on a Nursery Song, op. 25: Var.10: Passacaglia (Adagio non troppo) | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 50-16 | Variations on a Nursery Song, op. 25: Var.11: Choral (Maestoso) | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 50-17 | Variations on a Nursery Song, op. 25: Finale Fugato (Allegro vivace: Tempo del tema -Molto allegro) | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Sonate pour piano No. 14, Op. 27 No. 2 "Clair de lune": I. Adagio sostenuto | Wilhelm Kempff | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
028947804741 is a Universal Product Code (UPC) assigned to Piano Masterworks: The World's Favourite Piano Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 673 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Piano Masterworks: The World's Favourite Piano Classics” by Various Artists is 028947804741. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2008-01-01. Label: Decca. This release contains 673 tracks, each with its own ISRC. Tracks include GBF079111161, GBF079111162, GBF079111163.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Italian Concerto in F major, BWV 971: I. Allegro | András Schiff | T-312.198.890-3 | |
| 2 | Italian Concerto in F major, BWV 971: II. Andante | András Schiff | T-312.198.890-3 | |
| 3 | Italian Concerto in F major, BWV 971: III. Presto | András Schiff | — | |
| 4 | Duets: I. E, BWV 802 | András Schiff | — | |
| 5 | Duets: II. F, BWV 803 | András Schiff | — | |
| 6 | Duets: III. G, BWV 804 | András Schiff | — | |
| 7 | Duets: IV. A, BWV 805 | András Schiff | — | |
| 8 | Chromatic Fant & Fugue, BWV 903 | András Schiff | — | |
| 9 | French Overture "Partita" in B minor, BWV 831: I. Overture | András Schiff | T-009.030.807-8 | |
| 10 | French Overture "Partita" in B minor, BWV 831: II. Courante | András Schiff | T-309.901.323-3 | |
| 11 | French Overture "Partita" in B minor, BWV 831: III. Gavotte I/II | András Schiff | — | |
| 12 | French Overture "Partita" in B minor, BWV 831: IV. Passepied I/II | András Schiff | — | |
| 13 | French Overture "Partita" in B minor, BWV 831: V. Sarabande | András Schiff | — | |
| 14 | French Overture "Partita" in B minor, BWV 831: VI. Bourrée I/II | András Schiff | — | |
| 15 | French Overture "Partita" in B minor, BWV 831: VII. Gigue | András Schiff | — | |
| 16 | French Overture "Partita" in B minor, BWV 831: VII. Echo | András Schiff | — | |
| 2-1 | Concerto No. 1 D-Moll, BWV 1052: I. Allegro | András Schiff, The Chamber Orchestra of Europe | T-800.184.797-9 | |
| 2-2 | Concerto No. 1 D-Moll, BWV 1052: II. Adagio | András Schiff, The Chamber Orchestra of Europe | T-917.755.866-6 | |
| 2-3 | Concerto No. 1 D-Moll, BWV 1052: III. Allegro | András Schiff, The Chamber Orchestra of Europe | — | |
| 2-4 | Concerto No. 2 E-Dur, BWV 1053: I. Allegro | András Schiff, The Chamber Orchestra of Europe | T-070.161.055-0 | |
| 2-5 | Concerto No. 2 E-Dur, BWV 1053: II. Siciliano | András Schiff, The Chamber Orchestra of Europe | T-329.516.968-1 | |
| 2-6 | Concerto No. 2 E-Dur, BWV 1053: III. Allegro | András Schiff, The Chamber Orchestra of Europe | — | |
| 2-7 | Concerto No. 3 D-Dur, BWV 1054: I. Allegro | András Schiff, The Chamber Orchestra of Europe | T-070.161.055-0 | |
| 2-8 | Keyboard Concerto no. 3 in D major, BWV 1054: II. Adagio e piano sempre | András Schiff, The Chamber Orchestra of Europe | — | |
| 2-9 | Concerto No. 3 D-Dur, BWV 1054: III. Allegro | András Schiff, The Chamber Orchestra of Europe | — | |
| 3-1 | Concerto no. 4 A-Dur, BWV 1055: I. Allegro | András Schiff, Chamber Orchestra of Europe | T-800.184.797-9 | |
| 3-2 | Concerto No. 4 A-Dur, BWV 1055: II. Larghetto | András Schiff, The Chamber Orchestra of Europe | T-309.901.323-3 | |
| 3-3 | Concerto No. 4 A-Dur, BWV 1055: III. Allegro ma non tanto | András Schiff, The Chamber Orchestra of Europe | — | |
| 3-4 | Concerto for Harpsichord, Strings and Continuo no. 5 in F minor, BWV 1056 | András Schiff, The Chamber Orchestra of Europe | T-800.184.797-9 | |
| 3-5 | Concerto No. 5 F-moll, BWV 1056: II. Largo | András Schiff, The Chamber Orchestra of Europe | — | |
| 3-6 | Concerto No. 5 F-moll, BWV 1056: III. Presto | András Schiff, The Chamber Orchestra of Europe | — | |
| 3-7 | Concerto No. 6 F -Dur, BWV 1057: I. Allegro | Thierry Fischer, András Schiff, The Chamber Orchestra of Europe | T-070.161.055-0 | |
| 3-8 | Concerto No. 6 F-Dur, BWV 1057: II. Andante | Thierry Fischer, András Schiff, The Chamber Orchestra of Europe | — | |
| 3-9 | Concerto No. 6 F-Dur, BWV 1057: III. Allegro assai | Thierry Fischer, András Schiff, The Chamber Orchestra of Europe | T-306.395.786-4 | |
| 3-10 | Concerto No. 7 G-moll, BWV 1058: I. Allegro | András Schiff, The Chamber Orchestra of Europe | T-914.323.771-2 | |
| 3-11 | Keyboard Concerto in G minor, BWV 1058: Andante | András Schiff, The Chamber Orchestra of Europe | — | |
| 3-12 | Concerto No. 7 G-moll, BWV 1058: III. Allegro assai | András Schiff, The Chamber Orchestra of Europe | T-306.395.786-4 | |
| 4-1 | Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations": Aria | Andrei Gavrilov | T-321.904.265-2 | |
| 4-2 | Goldberg-Variationen: Variatio 1 a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-3 | Goldberg-Variationen: Variatio 2 a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-4 | Goldberg-Variationen: Variatio 3 Canone, all'Unisono a 1 Clav. | Andrei Gavrilov | — | |
| 4-5 | Goldberg-Variationen: Variatio 4 a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-6 | Var. 5 | Andrei Gavrilov | T-902.128.688-4 | |
| 4-7 | Goldberg-Variationen: Variatio 6 Cannone, alla Seconda, a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-8 | Goldberg-Variationen: Variatio 7 a 1 ovvero 2 Clav., Al tempo di Giga | Andrei Gavrilov | T-902.128.688-4 | |
| 4-9 | Goldberg-Variationen: Variatio 8 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-10 | Goldberg-Variationen: Variatio 9 Canone, all Terza a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-11 | Goldberg-Variationen: Variatio 10 Fughetta a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-12 | Goldberg-Variationen: Variatio 11 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-13 | Goldberg-Variationen: Variatio 12 Canone, alla Quarta (a 1 Clav.) | Andrei Gavrilov | T-311.760.304-6 | |
| 4-14 | Goldberg-Variationen: Variatio 13 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-15 | Goldberg-Variationen: Variatio 14 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-16 | Goldberg-Variationen: Variatio 15 Canone, alla Quinta a 1 Clav., Andante | Andrei Gavrilov | — | |
| 4-17 | Goldberg-Variationen: Variatio 16 Ouverture, a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-18 | Goldberg-Variationen: Variatio 17 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-19 | Goldberg-Variationen: Variatio 18 Canone, alla Sesta a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-20 | Goldberg-Variationen: Variatio 19 a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-21 | Goldberg-Variationen: Variatio 20 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-22 | Goldberg-Variationen: Variatio 21 Canone, alla Settima (a 1 Clav.) | Andrei Gavrilov | T-902.128.688-4 | |
| 4-23 | Goldberg-Variationen: Variatio 22 a 1 Clav., Alla breve | Andrei Gavrilov | T-902.128.688-4 | |
| 4-24 | Goldberg-Variationen: Variatio 23 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-25 | Goldberg-Variationen: Variatio 24 Canone, all'Ottava a 1 Clav. | Andrei Gavrilov | — | |
| 4-26 | Goldberg-Variationen: Variatio 25 a 2 Clav. Adagio | Andrei Gavrilov | T-902.128.688-4 | |
| 4-27 | Goldberg-Variationen: Variatio 26 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-28 | Goldberg-Variationen: Variatio 27 Canone, alla Nona a 2 Clav. | Andrei Gavrilov | — | |
| 4-29 | Goldberg-Variationen: Variatio 28 a 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-30 | Goldberg-Variationen: Variatio 29 a 1 ovvero 2 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-31 | Goldberg-Variationen: Variatio 30 Quodlibet a 1 Clav. | Andrei Gavrilov | T-902.128.688-4 | |
| 4-32 | Goldberg Variations, BWV 988: Aria da Capo | Andrei Gavrilov | T-801.806.984-7 | |
| 5-1 | The Well-Tempered Clavier, Book I: Prelude in C major, BWV 846 | Friedrich Gulda | T-910.415.372-2 | |
| 5-2 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in C major, BWV 846: Fugue | — | ||
| 5-3 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in C minor, BWV 847: Prelude | — | ||
| 5-4 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in C minor, BWV 847: Fugue | — | ||
| 5-5 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in C-sharp major, BWV 848: Prelude | — | ||
| 5-6 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in C-sharp major, BWV 848: Fugue | — | ||
| 5-7 | The Well-Tempered Clavier, Book I: Prelude in C-sharp minor, BWV 849 | Friedrich Gulda | T-011.696.501-5 | |
| 5-8 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in C minor, BWV 849: Fugue | — | ||
| 5-9 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in D major, BWV 850: Prelude | — | ||
| 5-10 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in D major, BWV 850: Fugue | — | ||
| 5-11 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in D minor, BWV 851: Prelude | — | ||
| 5-12 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in D minor, BWV 851: Fugue | — | ||
| 5-13 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in E-flat major, BWV 852: Prelude | — | ||
| 5-14 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in E-flat major, BWV 852: Fugue | — | ||
| 5-15 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in E-flat minor, BWV 853: Prelude | — | ||
| 5-16 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in E-flat minor, BWV 853: Fugue | — | ||
| 5-17 | The Well-Tempered Clavier, Book I: Prelude in E major, BWV 854 | Friedrich Gulda | T-900.798.614-3 | |
| 5-18 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in E major, BWV 854: Fugue | — | ||
| 5-19 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in E minor, BWV 855: Prelude | — | ||
| 5-20 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in E minor, BWV 855: Fugue | — | ||
| 5-21 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in F major, BWV 856: Prelude | — | ||
| 5-22 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in F major, BWV 856: Fugue | — | ||
| 5-23 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in F minor, BWV 857: Prelude | — | ||
| 5-24 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in F minor, BWV 857: Fugue | — | ||
| 5-25 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in F-sharp major, BWV 858: Prelude | — | ||
| 5-26 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in F-sharp major, BWV 858: Fugue | — | ||
| 5-27 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in F-sharp minor, BWV 859: Prelude | — | ||
| 5-28 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in F-sharp minor, BWV 859: Fugue | — | ||
| 5-29 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in G major, BWV 860: Prelude | — | ||
| 5-30 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in G major, BWV 860: Fugue | — | ||
| 6-1 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in G minor, BWV 861: Prelude | — | ||
| 6-2 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in G minor, BWV 861: Fugue | — | ||
| 6-3 | The Well-Tempered Clavier, Book I: Prelude in A-flat major, BWV 862 | Friedrich Gulda | T-900.798.614-3 | |
| 6-4 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in A-flat major, BWV 862: Fugue | — | ||
| 6-5 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in G-sharp minor, BWV 863: Prelude | — | ||
| 6-6 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in G-sharp minor, BWV 863: Fugue | — | ||
| 6-7 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in A major, BWV 864: Prelude | — | ||
| 6-8 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in A major, BWV 864: Fugue | — | ||
| 6-9 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in A minor, BWV 865: Prelude | — | ||
| 6-10 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in A minor, BWV 865: Fugue | — | ||
| 6-11 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in B-flat major, BWV 866: Prelude | — | ||
| 6-12 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in B-flat major, BWV 866: Fugue | — | ||
| 6-13 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in B-flat minor, BWV 867: Prelude | — | ||
| 6-14 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in B-flat minor, BWV 867: Fugue | — | ||
| 6-15 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in B major, BWV 868: Prelude | — | ||
| 6-16 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in B major, BWV 868: Fugue | — | ||
| 6-17 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in B minor, BWV 869: Prelude | — | ||
| 6-18 | Das Wohltemperierte Klavier - Book I - Prelude and Fugue in B minor, BWV 869: Fugue | — | ||
| 6-19 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 1 in C major, BWV 870: Prelude | Friedrich Gulda | T-900.798.614-3 | |
| 6-20 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 1 in C major, BWV 870: Fugue | Friedrich Gulda | T-922.046.111-0 | |
| 6-21 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 2 in C minor, BWV 871: Prelude | Friedrich Gulda | T-900.798.614-3 | |
| 6-22 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 2 in C minor, BWV 871: Fugue | Friedrich Gulda | — | |
| 6-23 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 3 in C-sharp major, BWV 872: Prelude | Friedrich Gulda | T-900.798.614-3 | |
| 6-24 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 3 in C-sharp major, BWV 872: Fugue | Friedrich Gulda | — | |
| 7-1 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 4 in C-sharp minor, BWV 873: Prelude | Friedrich Gulda | T-900.798.614-3 | |
| 7-2 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 4 in C-sharp minor, BWV 873: Fugue | Friedrich Gulda | — | |
| 7-3 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 5 in D major, BWV 874: Prelude | Friedrich Gulda | T-900.798.614-3 | |
| 7-4 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 5 in D major, BWV 874: Fugue | Friedrich Gulda | — | |
| 7-5 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 6 in D minor, BWV 875: Prelude | Friedrich Gulda | T-900.798.614-3 | |
| 7-6 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 6 in D minor, BWV 875: Fugue | Friedrich Gulda | T-922.046.111-0 | |
| 7-7 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 7 in E-flat major, BWV 876: Prelude | Friedrich Gulda | T-900.798.614-3 | |
| 7-8 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 7 in E-flat major, BWV 876: Fugue | Friedrich Gulda | — | |
| 7-9 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 8 in E-flat minor, BWV 877: Prelude | Friedrich Gulda | T-900.798.614-3 | |
| 7-10 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 8 in E-flat minor, BWV 877: Fugue | Friedrich Gulda | — | |
| 7-11 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 9 in E major, BWV 878: Prelude | Friedrich Gulda | T-900.798.614-3 | |
| 7-12 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 9 in E major, BWV 878: Fugue | Friedrich Gulda | — | |
| 7-13 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 10 in E minor, BWV 879: Prelude | Friedrich Gulda | T-900.798.614-3 | |
| 7-14 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 10 in E minor, BWV 879: Fugue | Friedrich Gulda | — | |
| 7-15 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 11 in F major, BWV 880: Prelude | Friedrich Gulda | T-900.798.614-3 | |
| 7-16 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 11 in F major, BWV 880: Fugue | Friedrich Gulda | — | |
| 7-17 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 12 in F minor, BWV 881: Prelude | Friedrich Gulda | T-900.798.614-3 | |
| 7-18 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 12 in F minor, BWV 881: Fugue | Friedrich Gulda | — | |
| 7-19 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 13 in F-sharp major, BWV 882: Prelude | Friedrich Gulda | T-900.798.614-3 | |
| 7-20 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 13 in F-sharp major, BWV 882: Fugue | Friedrich Gulda | — | |
| 7-21 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in F-sharp minor, BWV 883: Prelude | — | ||
| 7-22 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in F-sharp minor, BWV 883: Fugue | — | ||
| 8-1 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in G major, BWV 884: Prelude | — | ||
| 8-2 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in G major, BWV 884: Fugue | — | ||
| 8-3 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in G minor, BWV 885: Prelude | — | ||
| 8-4 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in G minor, BWV 885: Fugue | — | ||
| 8-5 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in A-flat major, BWV 886: Prelude | — | ||
| 8-6 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in A-flat major, BWV 886: Fugue | — | ||
| 8-7 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in G-sharp minor, BWV 887: Prelude | — | ||
| 8-8 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in G-sharp minor, BWV 887: Fugue | — | ||
| 8-9 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 19 in A major, BWV 888: Prelude | Friedrich Gulda | T-900.798.614-3 | |
| 8-10 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in A major, BWV 888: Fugue | — | ||
| 8-11 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in A minor, BWV 889: Prelude | — | ||
| 8-12 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in A minor, BWV 889: Fugue | — | ||
| 8-13 | The Well-Tempered Clavier, Book II, Prelude and Fugue No. 21 in B-flat major, BWV 890: Prelude | Friedrich Gulda | T-900.798.614-3 | |
| 8-14 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in B-flat major, BWV 890: Fugue | — | ||
| 8-15 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in B-flat minor, BWV 891: Prelude | — | ||
| 8-16 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in B-flat minor, BWV 891: Fugue | — | ||
| 8-17 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in B major, BWV 892: Prelude | — | ||
| 8-18 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in B major, BWV 892: Fugue | — | ||
| 8-19 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in B minor, BWV 893: Prelude | — | ||
| 8-20 | Das Wohltemperierte Klavier - Book II - Prelude and Fugue in B minor, BWV 893: Fugue | — | ||
| 9-1 | Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: I. Grave – Allegro di molto e con brio | Wilhelm Kempff | T-915.723.669-6 | |
| 9-2 | Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | Wilhelm Kempff | T-001.397.158-8 | |
| 9-3 | Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro | Wilhelm Kempff | — | |
| 9-4 | Sonate pour piano No. 14, Op. 27 No. 2 "Clair de lune": I. Adagio sostenuto | Wilhelm Kempff | — | |
| 9-5 | Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto | Wilhelm Kempff | — | |
| 9-6 | Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato | Wilhelm Kempff | — | |
| 9-7 | Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: I. Allegro | Wilhelm Kempff | T-031.682.208-8 | |
| 9-8 | Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: II. Andante | Wilhelm Kempff | — | |
| 9-9 | Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: III. Scherzo. Allegro vivace | Wilhelm Kempff | — | |
| 9-10 | Sonata for Piano no. 15 in D major, op. 28 “Pastorale”: IV. Rondo. Allegro ma non troppo | Wilhelm Kempff | T-031.682.208-8 | |
| 9-11 | Sonata for Piano no. 24 in F‐sharp major, op. 78 “A Thérèse”: I. Adagio cantabile – Allegro ma non troppo | Wilhelm Kempff | — | |
| 9-12 | Sonata for Piano no. 24 in F‐sharp major, op. 78 “A Thérèse”: II. Allegro assai | Wilhelm Kempff | — | |
| 10-1 | Piano Sonata no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo | Emil Gilels | — | |
| 10-2 | Piano Sonata no. 28 in A major, op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia | Emil Gilels | — | |
| 10-3 | Piano Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll (Adagio ma non troppo, con affetto) | Emil Gilels | — | |
| 10-4 | Piano Sonata no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro | Emil Gilels | — | |
| 10-5 | Piano Sonata no. 29 in B-flat major, op. 106 "Hammerklavier": I. Allegro | — | ||
| 10-6 | Piano Sonata no. 29 in B-flat major, op. 106 "Hammerklavier": II. Scherzo (Assai vivace - Presto - Prestissimo - Tempo I) | — | ||
| 10-7 | Piano Sonata no. 29 in B-flat major, op. 106 "Hammerklavier": III. Adagio sostenuto | — | ||
| 10-8 | Piano Sonata no. 29 in B-flat major, op. 106 "Hammerklavier": IV. Largo - Allegro risoluto | — | ||
| 11-1 | Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo - Adagio espressivo - Tempo I | — | ||
| 11-2 | Piano Sonata no. 30 in E major, op. 109: II. Prestissimo | — | ||
| 11-3 | Piano Sonata no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo) | — | ||
| 11-4 | Piano Sonata no. 30 in E major, op. 109: Variation I. Molto espressivo | — | ||
| 11-5 | Piano Sonata no. 30 in E major, op. 109: Variation II. Leggiermente | — | ||
| 11-6 | Piano Sonata no. 30 in E major, op. 109: Variation III. Allegro vivace | — | ||
| 11-7 | Piano Sonata no. 30 in E major, op. 109: Variation IV. Etwas langsamer als das Thema | — | ||
| 11-8 | Piano Sonata no. 30 in E major, op. 109: Variation V. Allegro, ma non troppo | — | ||
| 11-9 | Piano Sonata no. 30 in E major, op. 109: Variation VI. Tempo I del tema | — | ||
| 11-10 | Piano Sonata No.31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo | — | ||
| 11-11 | Piano Sonata No.31 in A-flat major, op. 110: II. Allegro molto | — | ||
| 11-12 | Piano Sonata No.31 in A-flat major, op. 110: III. Adagio ma non troppo - Fuga | — | ||
| 11-13 | Piano Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appasionato | — | ||
| 11-14 | Piano Sonata no. 32 in C minor, op. 111: II. Arietta (Adagio molto semplice e cantabile) | — | ||
| 12-1 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 12-2 | Piano Concerto no. 1 in C major, op. 15: II. Largo | — | ||
| 12-3 | Piano Concerto no. 1 in C major, op. 15: III. Rondo (Allegro scherzando) | — | ||
| 12-4 | Concerto for Piano, Violin and Cello in C major, op. 56: I. Allegro | — | ||
| 12-5 | Concerto for Piano, Violin and Cello in C major, op. 56: II. Largo | — | ||
| 12-6 | Concerto for Piano, Violin and Cello in C major, op. 56: III. Rondo alla polacca | — | ||
| 13-1 | Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio | — | ||
| 13-2 | Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio | — | ||
| 13-3 | Piano Concerto no. 2 in B-flat major, op. 19: III .Rondo (Molto allegro) | — | ||
| 13-4 | Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: I. Allegro con brio | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 13-5 | Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: II. Largo | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 13-6 | Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: III. Rondo. Allegro | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 14-1 | Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Allegro moderato | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 14-2 | Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Andante con moto | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 14-3 | Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Rondo. Vivace | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 14-4 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | — | ||
| 14-5 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso | — | ||
| 14-6 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo (Allegro) | — | ||
| 15-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso | Arthur Rubinstein, Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 15-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | Arthur Rubinstein, Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 15-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo | Arthur Rubinstein, Israel Philharmonic Orchestra, Zubin Mehta | T-031.682.208-8 | |
| 15-4 | Four Ballades, Op. 10 No. 1 in D minor Andante - Allegro | Julius Katchen | — | |
| 15-5 | Four Ballades, Op. 10 No. 2 in D major Andante - Allegro non troppo | Julius Katchen | — | |
| 15-6 | Four Ballades, Op. 10 No. 3 in B minor Intermezzo. Allegro | Julius Katchen | T-329.458.041-5 | |
| 15-7 | Four Ballades, Op. 10 No. 4 in B major Andante con moto - Più lento | Julius Katchen | T-329.395.051-9 | |
| 16-1 | Klavierkonzert Nr. 2 B-Dur, op. 83: I. Allegro non troppo | Wilhelm Backhaus, Wiener Philharmoniker, Karl Böhm | T-322.446.876-8 | |
| 16-2 | Klavierkonzert Nr. 2 B-Dur, op. 83: II. Allegro appassionato | Wilhelm Backhaus, Wiener Philharmoniker, Karl Böhm | T-322.185.909-8 | |
| 16-3 | Klavierkonzert Nr. 2 B-Dur, op. 83: III. Andante (cello: Emmanuel Brabec) | Wilhelm Backhaus, Emanuel Brabec, Wiener Philharmoniker, Karl Böhm | — | |
| 16-4 | Klavierkonzert Nr. 2 B-Dur, op. 83: IV. Allegretto grazioso | Wilhelm Backhaus, Wiener Philharmoniker, Karl Böhm | — | |
| 17-1 | Piano Sonata no. 1 in C major, op. 1: I. Allegro | — | ||
| 17-2 | Piano Sonata no. 1 in C major, op. 1: II. Andante | — | ||
| 17-3 | Piano Sonata no. 1 in C major, op. 1: III. Scherzo (Allegro molto e con fuoco) | — | ||
| 17-4 | Piano Sonata no. 1 in C major, op. 1: IV. Finale (Allegro con fuoco) | — | ||
| 17-5 | Piano Sonata no. 2 in F-sharp minor, op. 2: I. Allegro non troppo, ma energico | — | ||
| 17-6 | Piano Sonata no. 2 in F-sharp minor, op. 2: II. Andante con espressione | — | ||
| 17-7 | Piano Sonata no. 2 in F-sharp minor, op. 2: II. Scherzo. Allegro | — | ||
| 17-8 | Piano Sonata no. 2 in F-sharp minor, op. 2: IV. Finale (Introduzione. Sostenuto - Allegro non troppo e rubato) | — | ||
| 18-1 | Piano Concerto in A minor, op. 16: I. Allegro molto moderato | — | ||
| 18-2 | Piano Concerto in A minor, op. 16: II. Adagio | — | ||
| 18-3 | Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato - Quasi presto - Andante maestoso | — | ||
| 18-4 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso | — | ||
| 18-5 | Piano Concerto no. 1 in E minor, op. 11: II. Romance (Larghetto) | — | ||
| 18-6 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo (Vivace) | — | ||
| 19-1 | 24 Préludes, op. 28 no. 1 in C major: Agitato | Martha Argerich | — | |
| 19-2 | 24 Préludes, Op. 28: No. 1 in C Major | Martha Argerich | — | |
| 19-3 | 24 Préludes, op. 28 no. 3 in G major: Vivace | Martha Argerich | — | |
| 19-4 | 24 Préludes, op. 28 no. 4 in E minor: Largo | Martha Argerich | — | |
| 19-5 | 24 Préludes, Op. 28: No. 4 in E Minor | Martha Argerich | T-902.764.002-4 | |
| 19-6 | 24 Préludes, Op. 28: No. 5 in D Major | Martha Argerich | T-912.623.361-2 | |
| 19-7 | 24 Préludes, Op. 28: No. 6 in B Minor: Lento assai | Martha Argerich | T-308.384.655-9 | |
| 19-8 | 24 Préludes, Op. 28: No. 7 in A Major | Martha Argerich | T-915.710.750-1 | |
| 19-9 | 24 Préludes, op. 28 no. 9 in E major: Largo | Martha Argerich | T-909.573.827-5 | |
| 19-10 | 24 Préludes, op. 28 no. 9 in E major: Largo | Martha Argerich | T-906.148.797-6 | |
| 19-11 | 24 Préludes, op. 28 no. 10 in C‐sharp minor: Allegro molto | Martha Argerich | T-918.063.801-1 | |
| 19-12 | 24 Préludes, op. 28 no. 12 in G‐sharp minor: Presto | Martha Argerich | — | |
| 19-13 | 24 Préludes, Op. 28: No. 12. in G‐Sharp Minor | Martha Argerich | T-702.884.109-2 | |
| 19-14 | 24 Préludes, op. 28 no. 14 in E‐flat minor: Allegro | Martha Argerich | T-918.063.801-1 | |
| 19-15 | 24 Préludes, op. 28 no. 15 in D‐flat major: Sostenuto | Martha Argerich | T-306.229.926-3 | |
| 19-16 | 24 Préludes, op. 28 no. 16 in B‐flat minor: Presto con fuoco | Martha Argerich | — | |
| 19-17 | 24 Préludes, op. 28 no. 16 in B‐flat minor: Presto con fuoco | Martha Argerich | — | |
| 19-18 | 24 Préludes, op. 28 no. 17 in A‐flat major: Allegretto | Martha Argerich | T-903.060.250-7 | |
| 19-19 | 24 Préludes, op. 28 no. 19 in E‐flat major: Vivace | Martha Argerich | T-906.148.797-6 | |
| 19-20 | 24 Préludes, op. 28 no. 20 in C minor: Largo | Martha Argerich | T-310.766.142-3 | |
| 19-22 | 24 Préludes, op. 28 no. 22 in G minor: Molto agitato | Martha Argerich | — | |
| 19-23 | 24 Préludes, op. 28 no. 23 in F major: Moderato | Martha Argerich | T-917.141.447-4 | |
| 19-24 | 24 Préludes, op. 28 no. 23 in F major: Moderato | Martha Argerich | — | |
| 19-25 | Prélude in C‐sharp minor, op. 45: Sostenuto | Martha Argerich | — | |
| 19-26 | Prélude in A‐flat major, op. posth.: Presto con leggierezza | Martha Argerich | — | |
| 19-27 | Barcarolle in F-sharp Major, op. 60 | Martha Argerich | T-303.629.706-6 | |
| 19-28 | Polonaise in A-flat, op. 53 "Heroic" | Martha Argerich | T-922.332.274-5 | |
| 19-29 | Scherzo no. 2 in B-flat minor, op. 31 | Martha Argerich | T-309.554.578-7 | |
| 20-1 | Mazurka no. 1 in F-sharp minor, op. 6 no. 1 | — | ||
| 20-2 | Mazurka no. 2 in C-sharp minor, op. 6 no. 2 | — | ||
| 20-3 | Mazurka no. 3 in E major, op. 6 no. 3 | — | ||
| 20-4 | Mazurka No. 4 in E flat minor, Op. 6 No. 4 | Jean-Marc Luisada | T-329.453.978-5 | |
| 20-5 | Mazurka no. 5 in B-flat major, op. 7 no. 1 | — | ||
| 20-6 | Mazurka no. 6 in A minor, op. 7 no. 2 | — | ||
| 20-7 | Mazurka no. 7 in F minor, op. 7 no. 3 | — | ||
| 20-8 | Mazurka no. 8 in A-flat major, op. 7 no. 4 | — | ||
| 20-9 | Mazurka no. 9 in C major, op. 7 no. 5 | — | ||
| 20-10 | Mazurka no. 10 in B-flat major, op. 17 no. 1 | — | ||
| 20-11 | Mazurka no. 11 in E minor, op. 17 no. 2 | — | ||
| 20-12 | Mazurka no. 12 in A-flat major, op. 17 no. 3 | — | ||
| 20-13 | Mazurka no. 13 in A minor, op. 17 no. 4 | — | ||
| 20-14 | Mazurka no. 14 in G minor, op. 24 no. 1 | — | ||
| 20-15 | Mazurka no. 15 in C major, op. 24 no. 2 | — | ||
| 20-16 | Mazurka no. 16 in A-flat major, op. 24 no. 3 | — | ||
| 20-17 | Mazurka no. 17 in B-flat minor, op. 24 no. 4 | — | ||
| 20-18 | Mazurka no. 18 in C minor, op. 30 no. 1 | — | ||
| 20-19 | Mazurka no. 19 in B minor, op. 30 no. 2 | — | ||
| 20-20 | Mazurka no. 20 in D-flat major, op. 30 no. 3 | — | ||
| 20-21 | Mazurka no. 21 in C-sharp minor, op. 30 no. 4 | — | ||
| 20-22 | Mazurka no. 22 in G-sharp minor, op. 33 no. 1 | — | ||
| 20-23 | Mazurka no. 23 in D major, op. 33 no. 2 | — | ||
| 20-24 | Mazurka no. 24 in C major, op. 33 no. 3 | — | ||
| 20-25 | Mazurka no. 25 in B minor, op. 33 no. 4 | — | ||
| 21-1 | Mazurka No.26 In C Sharp Minor, Op.41 No.1 | — | ||
| 21-2 | Mazurka No. 27 in E minor op.41 No. 2 | Frédéric Chopin | — | |
| 21-3 | Mazurka No.28 In B Major, Op.41 No.3 | — | ||
| 21-4 | Mazurka No.29 In A Flat Major, Op.41 No.4 | — | ||
| 21-5 | Mazurka No.30 In G Major, Op.50 No.1 | — | ||
| 21-6 | Mazurka No.31 In A Flat Major, Op.50 No.2 | — | ||
| 21-7 | Mazurka No.32 In C Sharp Minor, Op.50 No.3 | — | ||
| 21-8 | Mazurka No.33 In B Major, Op.56 No.1 | — | ||
| 21-9 | Mazurka No.34 In C Major, Op.56 No.2 | — | ||
| 21-10 | Mazurka No.35 In C Minor, Op.56 No.3 | — | ||
| 21-11 | Mazurka No.36 In A Minor, Op.59 No.1 | — | ||
| 21-12 | Mazurka No.37 In A Flat Major, Op.59 No.2 | — | ||
| 21-13 | Mazurka No.38 In F Sharp Minor, Op.59 No.3 | — | ||
| 21-14 | Mazurka No.39 In B Major, Op.63 No.1 | — | ||
| 21-15 | Mazurka No.40 In F Minor, Op.63 No.2 | — | ||
| 21-16 | Mazurka No.41 In C Sharp Minor, Op.63 No.3 | — | ||
| 21-17 | Mazurka No.44 In G Major, Op.67 No.1 | — | ||
| 21-18 | Mazurka No.45 In G Minor, Op.67 No.2 | — | ||
| 21-19 | Mazurka No.46 In C Major, Op.67 No.3 | — | ||
| 21-20 | Mazurka No.47 In A Minor, Op.67 No.4 | — | ||
| 21-21 | Mazurka No.48 In C Major, Op.68 No.1 | — | ||
| 21-22 | Mazurka No.49 In A Minor, Op.68 No.2 | — | ||
| 21-23 | Mazurka No.50 In F Major, Op.68 No.3 | — | ||
| 21-24 | Mazurka No.51 In F Minor, Op.68 No.4 | — | ||
| 22-1 | Waltz No.1 In E Flat Major, Op.18 "Grande Valse Brillante" | — | ||
| 22-2 | Waltz No.2 In A Flat Major, Op.34 No.1 "Valse Brillante" | — | ||
| 22-3 | Waltz No.3 In A Minor, Op.34 No.2 | — | ||
| 22-4 | Waltz No.4 In F Major, Op.34, No.3 | — | ||
| 22-5 | Waltz no. 5 in A-flat major, op. 42 "Grande valse" | Zoltán Kocsis | — | |
| 22-6 | Waltz No. 6 in D-flat major, Op. 64 No. 1, B. 164 "Minute" | Zoltán Kocsis | — | |
| 22-7 | Waltz no. 7 in C-sharp minor, op. 64 no. 2, B. 164 | Zoltán Kocsis | T-922.054.556-2 | |
| 22-8 | Waltz No.8 In A Flat Major, Op.64 No.3 | — | ||
| 22-9 | Waltz No.9 In A Flat Major, Op.69 No.1 "Farewell" | — | ||
| 22-10 | Waltz No.10 In B Minor, Op.69 No.2 | — | ||
| 22-11 | Waltz No.11 In G Flat Major, Op.70 No.1 | — | ||
| 22-12 | Waltz No.12 In F Minor/A Flat Major, Op.70 No.2 | — | ||
| 22-13 | Waltz No.13 In D Flat Major, Op.70 No.3 | — | ||
| 22-14 | Waltz No.16 In A Flat Major, Op.Posth. | — | ||
| 22-15 | Waltz No.15 In E Major, Op.Posth. | — | ||
| 22-16 | Waltz No.14 In E Minor, Op.Posth. | — | ||
| 22-17 | Waltz No.19 In A Minor, Op.Posth. | — | ||
| 22-18 | Waltz No. 18 in E flat, Op. posth. | Frédéric Chopin | — | |
| 22-19 | Waltz No.17 In E Flat Major, Op.Posth. | — | ||
| 23-1 | I Grave - Doppio Movimento | — | ||
| 23-2 | II Scherzo - Più Lento - Tempo I | — | ||
| 23-3 | III Marche Funèbre (Lento) | — | ||
| 23-4 | IV Finale (Presto) | — | ||
| 23-5 | Ballade No.1 In G Minor, Op.23 | — | ||
| 23-6 | Ballade No.2 In F Major, Op.38 | — | ||
| 23-7 | Ballade No.3 In A Flat Major, Op.47 | — | ||
| 23-8 | Ballade No.4 In F Minor, Op.52 | — | ||
| 24-1 | Piano Sonata No.3 In B Minor, Op.58: I Allegro Maestoso | — | ||
| 24-2 | Piano Sonata No.3 In B Minor, Op.58: II Scherzo (Molto Vivace) | — | ||
| 24-3 | Piano Sonata No.3 In B Minor, Op.58: III Largo | — | ||
| 24-4 | Piano Sonata No.3 In B Minor, Op.58: IV Finale (Presto Non Troppo) | — | ||
| 24-5 | Ballade No.3 In A Flat Major, Op.47 | — | ||
| 24-6 | Andante Spianato Et Grande Polonaise Brillante In E Flat Major, Op.22 - Arr. For Piano Solo | — | ||
| 24-7 | Fantaisie In F Minor, Op.49 | — | ||
| 24-8 | Polonaise No.7 In A Flat Major, Op.61 "Polonaise-Fantaisie" | — | ||
| 25-1 | Suite bergamasque : I. Prélude | Pascal Rogé | — | |
| 25-2 | Suite bergamasque : II. Menuet | Pascal Rogé | — | |
| 25-3 | Suite bergamasque : III. Clair de lune | Pascal Rogé | T-915.678.796-1 | |
| 25-4 | Suite bergamasque : IV. Passepied | Pascal Rogé | — | |
| 25-5 | Children’s Corner: I. Doctor Gradus ad Parnassum | Pascal Rogé | — | |
| 25-6 | Children’s Corner: II. Jimbo’s Lullaby | Pascal Rogé | — | |
| 25-7 | Children’s Corner: III. Serenade for the Doll | Pascal Rogé | — | |
| 25-8 | Children’s Corner: IV. The Snow Is Dancing | Pascal Rogé | — | |
| 25-9 | Children’s Corner: V. The Little Shepherd | Pascal Rogé | — | |
| 25-10 | Children’s Corner: VI. Golliwogg’s Cakewalk | Pascal Rogé | — | |
| 25-11 | Images, premier livre : I. Reflets dans l’eau | Pascal Rogé | — | |
| 25-12 | Images, premier livre : II. Hommage à Rameau | Pascal Rogé | — | |
| 25-13 | Images, premier livre : III. Mouvement | Pascal Rogé | — | |
| 25-14 | Images, deuxième livre : I. Cloches à travers les feuiles | Pascal Rogé | — | |
| 25-15 | Images, deuxième livre : II. Et la lune descend sur le temple qui fut | Pascal Rogé | — | |
| 25-16 | Images, deuxième livre : III. Poissons d’or | Pascal Rogé | — | |
| 25-17 | Deux arabesques : I. Andantino con moto | Pascal Rogé | T-329.530.213-1 | |
| 25-18 | Deux arabesques : II. Allegretto scherzando | Pascal Rogé | T-310.795.041-0 | |
| 26-1 | Rhapsody in Blue | André Previn, Pittsburgh Symphony Orchestra | T-010.244.926-2 | |
| 26-2 | An American in Paris: Allegretto grazioso | Pittsburgh Symphony Orchestra, André Previn | — | |
| 26-3 | An American in Paris: Andante ma con ritmo deciso | Pittsburgh Symphony Orchestra, André Previn | T-070.001.144-4 | |
| 26-4 | Piano Concerto in F: I. Allegro | André Previn, Pittsburgh Symphony Orchestra | — | |
| 26-5 | Piano Concerto in F: II. Adagio | André Previn, Pittsburgh Symphony Orchestra | T-901.134.571-4 | |
| 26-6 | Piano Concerto in F: III. Allegro agitato | André Previn, Pittsburgh Symphony Orchestra | — | |
| 27-1 | Piano Sonata In G Minor, Hob.XVI:44: I Moderato | — | ||
| 27-2 | Piano Sonata In G Minor, Hob.XVI:44: II Allegretto | — | ||
| 27-3 | Piano Sonata In G Major, Hob.XVI:40: I Allegretto E Innocente | — | ||
| 27-4 | Piano Sonata In G Major, Hob.XVI:40: II Presto | — | ||
| 27-5 | Piano Sonata In B Flat Major, Hob.XVI:41: I Allegro | — | ||
| 27-6 | Piano Sonata In B Flat Major, Hob.XVI:41: II Allegro Di Molto | — | ||
| 27-7 | Piano Sonata In C Major, Hob.XVI:48: I Andante Con Espressione | — | ||
| 27-8 | Piano Sonata In C Major, Hob.XVI:48: II Rondo (Presto) | — | ||
| 27-9 | Piano Sonata In E Flat Major, Hob.XVI:52: I Allegro | — | ||
| 27-10 | Piano Sonata In E Flat Major, Hob.XVI:52: II Adagio | — | ||
| 27-11 | Piano Sonata In E Flat Major, Hob.XVI:52: III Finale (Presto) | — | ||
| 28-1 | Fantasia on Hungarian Folk Tunes, S123 | — | ||
| 28-2 | Piano Concerto No.1 in E-flat major, S124: I Allegro Maestoso | — | ||
| 28-3 | Piano Concerto No.1 in E-flat major, S124: Iia Quasi Adagio | — | ||
| 28-4 | Piano Concerto No.1 in E-flat major, S124: III Allegretto Vivace | — | ||
| 28-5 | Piano Concerto No.1 in E-flat major, S124: IV Allegro Marziale Animato | — | ||
| 28-6 | Piano Concerto No.2 in A major, S125: I Adagio Sostenuto Assai - Allegro Agitato Assai | — | ||
| 28-7 | Piano Concerto No.2 in A major, S125: II Allegro Moderato | — | ||
| 28-8 | Piano Concerto No.2 in A major, S125: III Allegro Deciso - Marziale Un Poco Meno Allegro | — | ||
| 28-9 | Piano Concerto No.2 in A major, S125: IV Allegro Animato | — | ||
| 28-10 | Totentanz, S126 - Paraphrase on "Dies Irae" for Piano and Orchestra | — | ||
| 29-1 | Rhapsodie No. 1 | Roberto Szidon | T-900.009.052-8 | |
| 29-2 | Hungarian Rhapsody in C-sharp minor, S. 244 no. 2 | Roberto Szidon | — | |
| 29-3 | Rhapsodie No. 3 | Roberto Szidon | T-106.677.158-0 | |
| 29-4 | Rhapsodie No. 4 | Roberto Szidon | — | |
| 29-5 | Rhapsodie No. 5 »Heroïde Élégiaque« | Roberto Szidon | — | |
| 29-6 | Rhapsodie No. 6 | Roberto Szidon | — | |
| 29-7 | Rhapsodie No. 7 | Roberto Szidon | T-304.255.693-0 | |
| 29-8 | Rhapsodie No. 8 | Roberto Szidon | T-900.009.052-8 | |
| 29-9 | Rhapsodie No. 9 »Pester Karneval« | Roberto Szidon | — | |
| 29-10 | Rhapsodie No. 10 | Roberto Szidon | T-900.009.052-8 | |
| 30-1 | Piano Sonata in B minor, S. 178: Lento assai: Allegro energico - Grandioso - Recitativo | Sir Clifford Curzon | — | |
| 30-2 | Piano Sonata in B minor, S. 178: II. Andante sostenuto | Sir Clifford Curzon | T-011.189.063-1 | |
| 30-3 | Piano Sonata in B minor, S. 178: Allegro energico - Andante sostenuto - Lento assai | Sir Clifford Curzon | — | |
| 30-4 | Liebestraum no. 3 in A-Flat, S. 541 | Sir Clifford Curzon | — | |
| 30-5 | Valse oubliée no. 1 in F-sharp, S. 215 | Sir Clifford Curzon | — | |
| 30-6 | Gnomenreigen | Sir Clifford Curzon | — | |
| 30-7 | Berceuse, S. 174 | Sir Clifford Curzon | — | |
| 30-8 | Piano Quintet in A major, op. 81: I. Allegro, ma non tanto | Clifford Curzon, Vienna Philharmonic Quartet | — | |
| 31-1 | Piano Concerto No.1 In G Minor, Op.25: I Molto Allegro Fuoco | — | ||
| 31-2 | Piano Concerto No.1 In G Minor, Op.25: II Andante | — | ||
| 31-3 | Piano Concerto No.1 In G Minor, Op.25: III Presto | — | ||
| 31-4 | Piano Concerto No.2 In D Minor, Op.40: I Allegro Appassionato | — | ||
| 31-5 | Piano Concerto No.2 In D Minor, Op.40: II Adagio. Molto Sostenuto | — | ||
| 31-6 | Piano Concerto No.2 In D Minor, Op.40: III Finale. Presto Scherzando | — | ||
| 32-1 | Lieder ohne Worte, op. 62: No. 1 in G: Andante espressivo | Daniel Barenboim | — | |
| 32-2 | Lieder ohne Worte, op. 62: No. 2 in B-flat: Allegro con fuoco | Daniel Barenboim | — | |
| 32-3 | Lieder ohne Worte, op. 62: No. 3 in E minor: Andante maestoso "Funeral March" | Daniel Barenboim | — | |
| 32-4 | Lieder ohne Worte, op. 62: No. 4 in G: Allegro con anima | Daniel Barenboim | — | |
| 32-5 | Lieder ohne Worte, op. 62: No. 5 in A minor: Andante con moto "Venetian Gondola Song" | Daniel Barenboim | T-931.717.655-9 | |
| 32-6 | Lieder ohne Worte, op. 62 no. 6 “Frühlingslied”: Allegretto grazioso in A major | Daniel Barenboim | T-915.714.795-0 | |
| 32-7 | Lieder ohne Worte, op. 67: No. 1 in E-flat: Andante | Daniel Barenboim | — | |
| 32-8 | Lieder ohne Worte, op. 67: No. 2 in F-sharp minor: Allegro leggiero | Daniel Barenboim | — | |
| 32-9 | Lieder ohne Worte, op. 67: No. 3 in B-flat: Andante tranquillo | Daniel Barenboim | — | |
| 32-10 | Lieder ohne Worte, op. 67: No. 4 in C: Presto "Spinning Song" | Daniel Barenboim | T-312.542.381-2 | |
| 32-11 | Lieder ohne Worte, op. 67: No. 5 in B minor: Moderato | Daniel Barenboim | — | |
| 32-12 | Lieder ohne Worte, op. 67: No. 6 in E: Allegretto non troppo "Wiegenlied" | Daniel Barenboim | — | |
| 32-13 | Lieder ohne Worte, op. 85: No. 1 in F: Andante espressivo | Daniel Barenboim | — | |
| 32-14 | Lieder ohne worte, Op. 85: No. 2. Allegro agitato in A Minor "Adieu" | Daniel Barenboim | — | |
| 32-15 | Lieder ohne Worte, op. 85: No. 3 in E-flat: Presto | Daniel Barenboim | — | |
| 32-16 | Lieder ohne Worte, op. 85: No. 4 in D: Andante sostenuto | Daniel Barenboim | — | |
| 32-17 | Lieder ohne worte, Op. 85: No. 5. Allegretto in A, MWV U 191 | Daniel Barenboim | T-915.714.795-0 | |
| 32-18 | Lieder ohne Worte, op. 85: No. 6 in B-flat: Allegretto con moto | Daniel Barenboim | — | |
| 32-19 | Lieder ohne Worte, op. 102: No. 1 in E minor: Andante un poco agitato | Daniel Barenboim | T-931.717.666-2 | |
| 32-20 | Lieder ohne Worte, op. 102: No. 2 in D: Adagio | Daniel Barenboim | — | |
| 32-21 | Lieder ohne worte, Op. 102: No. 3. Presto in C, MWV U 195 - "Tarantelle" | Daniel Barenboim | — | |
| 32-22 | Lieder ohne Worte, op. 102: No. 4 in G minor: Un poco agitato ma andante | Daniel Barenboim | — | |
| 32-23 | Lieder ohne Worte, op. 102: No. 5 in A: Allegro vivace | Daniel Barenboim | — | |
| 32-24 | Lieder ohne Worte, op. 102: No. 6 in C: Andante | Daniel Barenboim | — | |
| 32-25 | Kinderstücke, op. 72: No. 1. Allegro non troppo | Daniel Barenboim | — | |
| 32-26 | Kinderstücke, op. 72: No. 2. Andante sostenuto | Daniel Barenboim | — | |
| 32-27 | Kinderstücke, op. 72: No. 3. Allegretto | Daniel Barenboim | — | |
| 32-28 | Kinderstücke, op. 72: No. 4. Andante con moto | Daniel Barenboim | T-931.717.260-4 | |
| 32-29 | Kinderstücke, op. 72: No. 5. Allegro assai | Daniel Barenboim | T-306.395.786-4 | |
| 32-30 | Kinderstücke, op. 72: No. 6. Vivace | Daniel Barenboim | — | |
| 32-31 | Gondellied: Allegretto non troppo | Daniel Barenboim | T-031.629.298-4 | |
| 32-32 | 2 Klavierstücke: No. 1. Gondellied: Andante cantabile | Daniel Barenboim | — | |
| 32-33 | 2 Klavierstücke: No. 2. Presto agitato | Daniel Barenboim | — | |
| 32-34 | Albumblatt, op. 117: Allegro | Daniel Barenboim | T-306.395.786-4 | |
| 33-1 | Piano Sonata No. 11 in A major, K. 331 "Alla Turca": I. Tema (Andante grazioso) con variazioni | András Schiff | — | |
| 33-2 | Piano Sonata No. 11 in A major, K. 331 "Alla Turca": II. Minuetto | András Schiff | T-313.706.466-1 | |
| 33-3 | Sonata for Piano No. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto | András Schiff | T-900.070.786-8 | |
| 33-4 | Piano Sonata No. 12 in F major, K. 332: I. Allegro | András Schiff | T-313.706.321-5 | |
| 33-5 | Piano Sonata No. 12 in F major, K. 332: II. Adagio | András Schiff | T-316.577.882-1 | |
| 33-6 | Piano Sonata No. 12 in F major, K. 332: III. Allegro assai | András Schiff | T-306.395.786-4 | |
| 33-7 | Piano Sonata No. 13 in B-flat major, K. 333: I. Allegro | András Schiff | T-800.184.797-9 | |
| 33-8 | Piano Sonata No. 13 in B-flat major, K. 333: II. Andante cantabile | András Schiff | — | |
| 33-9 | Piano Sonata No. 13 in B-flat major, K. 333: III. Allegretto grazioso | András Schiff | — | |
| 34-1 | Piano Concerto in D minor, K. 466: Allegro | Stephen Kovacevich, London Symphony Orchestra, Sir Colin Davis | — | |
| 34-2 | Piano Concerto in D minor, K. 466: Romance | Stephen Kovacevich, London Symphony Orchestra, Sir Colin Davis | — | |
| 34-3 | Piano Concerto in D minor, K. 466: Rondo (Allegro Assai) | Stephen Kovacevich, London Symphony Orchestra, Sir Colin Davis | — | |
| 34-4 | Piano Concerto in A, K. 488: Allegro | Stephen Kovacevich, London Symphony Orchestra, Sir Colin Davis | — | |
| 34-5 | Piano Concerto no. 23 in A major, K. 488: II. Andante | Stephen Kovacevich, London Symphony Orchestra, Sir Colin Davis | T-915.711.586-1 | |
| 34-6 | Piano Concerto in A, K. 488: Allegro Assai | Stephen Kovacevich, London Symphony Orchestra, Sir Colin Davis | — | |
| 35-1 | Piano Concerto no. 21 in C major, K. 467 "Elvira Madigan": I. Allegro maestoso | Stephen Kovacevich, London Symphony Orchestra, Sir Colin Davis | — | |
| 35-2 | Piano Concerto no. 21 in C major, K. 467 "Elvira Madigan": II. Andante | Stephen Kovacevich, London Symphony Orchestra, Sir Colin Davis | — | |
| 35-3 | Piano Concerto no. 21 in C major, K. 467 "Elvira Madigan": III. Allegro vivace assai | Stephen Kovacevich, London Symphony Orchestra, Sir Colin Davis | — | |
| 35-4 | Piano Concerto no. 25 in C major, K. 503: I. Allegro maestoso | Stephen Kovacevich, London Symphony Orchestra, Sir Colin Davis | — | |
| 35-5 | Piano Concerto no. 25 in C major, K. 503: II. Andante | Stephen Kovacevich, London Symphony Orchestra, Sir Colin Davis | — | |
| 35-6 | Piano Concerto no. 25 in C major, K. 503: III Allegretto | Stephen Kovacevich, London Symphony Orchestra, Sir Colin Davis | — | |
| 36-1 | Piano Concerto no. 19 in F, K. 459: 1. Allegro - Cadenza (W.A. Mozart) | Clara Haskil, Berliner Philharmoniker, Ferenc Fricsay | — | |
| 36-2 | Piano Concerto no. 19 in F, K. 459: 2. Allegretto | Clara Haskil, Berliner Philharmoniker, Ferenc Fricsay | — | |
| 36-3 | Piano Concerto no. 19 in F, K. 459: 3. Allegro assai - Cadenza (W.A. Mozart) | Clara Haskil, Berliner Philharmoniker, Ferenc Fricsay | T-306.395.786-4 | |
| 36-4 | Piano Concerto No.27 In B Flat Major, K595: I Allegro | — | ||
| 36-5 | Piano Concerto No.27 In B Flat Major, K595: II Larghetto | — | ||
| 36-6 | Piano Concerto No.27 In B Flat Major, K595: III Allegro | — | ||
| 36-7 | Piano Sonata no. 2 in F major, K. 280 (K. 189e): Allegro assai | Clara Haskil | T-306.395.786-4 | |
| 36-8 | Piano Sonata no. 2 in F major, K. 280 (K. 189e): Adagio | Clara Haskil | — | |
| 36-9 | Piano Sonata no. 2 in F major, K. 280 (K. 189e): Presto | Clara Haskil | T-070.930.360-5 | |
| 37-1 | Pictures at an Exhibition: Promenade | Lazar Berman | — | |
| 37-2 | Pictures at an Exhibition: I. "Gnomus" | Lazar Berman | — | |
| 37-3 | Pictures at an Exhibition: Interlude I (Promenade) | Lazar Berman | — | |
| 37-4 | Pictures at an Exhibition: II. "Il vecchio castello" | Lazar Berman | — | |
| 37-5 | Pictures at an Exhibition: Interlude II (Promenade) | Lazar Berman | — | |
| 37-6 | Pictures at an Exhibition: III. "Tuileries" (Dispute d'enfants après jeux) | Lazar Berman | — | |
| 37-7 | Pictures at an Exhibition: IV. "Bydło" | Lazar Berman | — | |
| 37-8 | Pictures at an Exhibition: Interlude III (Promenade) | Lazar Berman | — | |
| 37-9 | Pictures at an Exhibition: V. "Балетъ невылупившихся птенцовъ" | Lazar Berman | — | |
| 37-10 | Pictures at an Exhibition: VI. "Samuel Goldenberg und Schmuÿle" | Lazar Berman | — | |
| 37-11 | Pictures at an Exhibition: Interlude IV (Promenade) | Lazar Berman | — | |
| 37-12 | Pictures at an Exhibition: VII. "Limoges", le marché (La grande nouvelle) | Lazar Berman | — | |
| 37-13 | Pictures at an Exhibition: VIII-I. "Catacombæ" (Sepulcrum romanum) | Lazar Berman | — | |
| 37-14 | Pictures at an Exhibition: VIII-II. "Cum mortuis in lingua mortua" | Lazar Berman | — | |
| 37-15 | Pictures at an Exhibition: IX. "Избушка на курьихъ ножкахъ" (Баба-Яга) | Lazar Berman | — | |
| 37-16 | Pictures at an Exhibition: X. "Богатырскія ворота" (Въ стольномъ городѣ Кіевѣ) | Lazar Berman | — | |
| 37-17 | Piece for Piano From "Romeo and Juliet", Op.75: I Scene - Allegretto | — | ||
| 37-18 | Piece for Piano From "Romeo and Juliet", Op.75: II Menuet - Assai Moderato | — | ||
| 37-19 | Piece for Piano From "Romeo and Juliet", Op.75: III Juliet the Young Girl - Vivace | — | ||
| 37-20 | Piece for Piano From "Romeo and Juliet", Op.75: IV Masks - Andante Marciale | — | ||
| 37-21 | Piece for Piano From "Romeo and Juliet", Op.75: V the Montagues and Capulets - Allegro Pesante | — | ||
| 37-22 | Piece for Piano From "Romeo and Juliet", Op.75: VI Friar Laurence - Andante Espressivo | — | ||
| 37-23 | Piece for Piano From "Romeo and Juliet", Op.75: VII Mercuzio | — | ||
| 37-24 | Piece for Piano From "Romeo and Juliet", Op.75: VIII Dance of the Young Girls - Andante Con Eleganza | — | ||
| 37-25 | Piece for Piano From "Romeo and Juliet", Op.75: IX Romeo and Juliet Before Separation - Lento | — | ||
| 38-1 | Piano Concerto No.1 In D Flat Major, Op.10: I Allegro Brioso | — | ||
| 38-2 | Piano Concerto No.1 In D Flat Major, Op.10: II Andante Assai | — | ||
| 38-3 | Piano Concerto No.1 In D Flat Major, Op.10: III Allegro Scherzando | — | ||
| 38-4 | Piano Concerto No.3 In C Major, Op.26: I Andante - Allegro | — | ||
| 38-5 | Piano Concerto No.3 In C Major, Op.26: II Tema Con Variazione | — | ||
| 38-6 | Piano Concerto No.3 In C Major, Op.26: III Allegro Ma Non Troppo | — | ||
| 38-7 | Piano Concerto No.4 In B Flat Major, Op.53: I Vivace | — | ||
| 38-8 | Piano Concerto No.4 In B Flat Major, Op.53: II Andante | — | ||
| 38-9 | Piano Concerto No.4 In B Flat Major, Op.53: III Moderato | — | ||
| 38-10 | Piano Concerto No.4 In B Flat Major, Op.53: IV Vivace | — | ||
| 39-1 | Piano Concerto no. 1 in F-sharp minor, op. 1: I. Vivace | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 39-2 | Piano Concerto no. 1 in F-sharp minor, op. 1: II. Andante | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 39-3 | Piano Concerto no. 1 in F-sharp minor, op. 1: III. Allegro vivace | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 39-4 | Piano Concerto no. 4 in G minor, op. 40: I. Allegro vivace. Alla breve | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 39-5 | Piano Concerto no. 4 in G minor, op. 40: II. Largo | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 39-6 | Piano Concerto no. 4 in G minor, op. 40: III. Allegro vivace | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 39-7 | Rhapsody on a Theme by Paganini, op. 43 | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 40-1 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 40-2 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 40-3 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | T-071.926.821-9 | |
| 40-4 | Piano Concerto No. 3 in D minor: I. Allegro ma non tanto | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 40-5 | Piano Concerto No. 3 in D minor: II. Intermezzo | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 40-6 | Piano Concerto No. 3 in D minor: III. Finale. Alla breve | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 40-7 | Vocalise, Op. 34, No.14 | Zoltán Kocsis | T-900.222.366-7 | |
| 41-1 | Gaspard De La Nuit: Ondine | — | ||
| 41-2 | Gaspard De La Nuit: Le Gibet | — | ||
| 41-3 | Gaspard De La Nuit: Scarbo | — | ||
| 41-4 | Valses Nobles Et Sentimentales: I Modéré - Très Franc | — | ||
| 41-5 | Valses Nobles Et Sentimentales: II Assez Lent - Avec Une Expression Intense | — | ||
| 41-6 | Valses Nobles Et Sentimentales: III Modéré | — | ||
| 41-7 | Valses Nobles Et Sentimentales: IV Assez Animé | — | ||
| 41-8 | Valses Nobles Et Sentimentales: V Presque Lent - Dans Un Sentiment Intime | — | ||
| 41-9 | Valses Nobles Et Sentimentales: VI Assez Vif | — | ||
| 41-10 | Valses Nobles Et Sentimentales: VII Moins Vif | — | ||
| 41-11 | Valses Nobles Et Sentimentales: VIII Épiloque (Lent) | — | ||
| 41-12 | Jeu D'Eau | — | ||
| 41-13 | Miroirs: I Noctuelles | — | ||
| 41-14 | Miroirs: II Oiseaux Tristes | — | ||
| 41-15 | Miroirs: III Une Barque Sur L'Océan | — | ||
| 41-16 | Miroirs: IV Alborada Del Gracioso | — | ||
| 41-17 | Miroirs: V La Vallée Des Cloches | — | ||
| 42-1 | Piano Concerto for the Left Hand in D major: I Lento | — | ||
| 42-2 | Piano Concerto for the Left Hand in D major: II Allegro | — | ||
| 42-3 | Concertino for Piano and Orchestra: Allegro-Larghetto-Allegretto | — | ||
| 42-4 | Concertino for Piano and Orchestra: I Presto Leggiero | — | ||
| 42-5 | Concertino for Piano and Orchestra: Iia Lent | — | ||
| 42-6 | Concertino for Piano and Orchestra: Iib Allegretto/Trio | — | ||
| 42-7 | Concertino for Piano and Orchestra: III Rondeau (Allegretto) | — | ||
| 42-8 | Piano Concerto in G major: I Allegramente | — | ||
| 42-9 | Piano Concerto in G major: II Adagio Assai | — | ||
| 42-10 | Piano Concerto in G major: III Presto | — | ||
| 43-1 | Gymnopédie no. 1 | Pascal Rogé | T-050.018.340-3 | |
| 43-2 | Gymnopédie no. 2 | Pascal Rogé | T-050.018.340-3 | |
| 43-3 | Gymnopédie no. 3 | Pascal Rogé | T-011.688.813-1 | |
| 43-4 | Je te veux | Pascal Rogé | T-050.395.147-0 | |
| 43-5 | 4 Préludes flasques pour un chien | Pascal Rogé | T-003.014.610-1 | |
| 43-6 | Prélude en tapisserie | Pascal Rogé | — | |
| 43-7 | Cinq Nocturnes : Nocturne no. 4 | Pascal Rogé | — | |
| 43-8 | Vieux séquins et vieilles cuirasses | Pascal Rogé | T-703.053.628-0 | |
| 43-9 | Embryons desséchés | Pascal Rogé | T-703.053.620-2 | |
| 43-10 | Gnossienne no. 1 | Pascal Rogé | T-003.010.023-2 | |
| 43-11 | Gnossienne no. 2 | Pascal Rogé | T-003.010.023-2 | |
| 43-12 | Gnossienne no. 3 | Pascal Rogé | T-004.016.586-3 | |
| 43-13 | Gnossienne no. 4 | Pascal Rogé | — | |
| 43-14 | Gnossienne no. 5 | Pascal Rogé | T-916.194.049-4 | |
| 43-15 | Gnossienne no. 6 | Pascal Rogé | T-315.303.705-5 | |
| 43-16 | Sonatine bureaucratique | Pascal Rogé | T-003.016.329-1 | |
| 43-17 | Le Picadilly | Pascal Rogé | — | |
| 44-1 | Piano Sonata in A minor, D845: I. Moderato | Radu Lupu | — | |
| 44-2 | Piano Sonata in A minor, D845: II. Andante, poco mosso | Radu Lupu | — | |
| 44-3 | Piano Sonata in A minor, D845: III. Scherzo: Allegro vivace | Radu Lupu | — | |
| 44-4 | Piano Sonata in A minor, D845: IV. Rondo: Allegro vivace | Radu Lupu | — | |
| 44-5 | Piano Sonata in G major, D894: I. Molto moderato e cantabile | Radu Lupu | — | |
| 44-6 | Piano Sonata in G major, D894: II. Andante | Radu Lupu | — | |
| 44-7 | Piano Sonata in G major, D894: III. Menuetto e trio: Allegro moderato | Radu Lupu | — | |
| 44-8 | Piano Sonata in G major, D894: IV. Allegretto | Radu Lupu | — | |
| 45-1 | Piano Sonata in B-flat major, D. 960: I. Molto moderato | Wilhelm Kempff | — | |
| 45-2 | Piano Sonata in B-flat major, D. 960: II. Andante sostenuto | Wilhelm Kempff | — | |
| 45-3 | Piano Sonata in B-flat major, D. 960: III. Scherzo. Allegro vivace con delicatezza | Wilhelm Kempff | — | |
| 45-4 | Piano Sonata in B-flat major, D. 960: IV. Allegro ma non troppo | Wilhelm Kempff | — | |
| 45-5 | 6 Moments Musicaux, Op.94 D780: No.1 in C major: Moderato | — | ||
| 45-6 | Moment Musicaux no. 2 in A-flat major. Andantino | Wilhelm Kempff | — | |
| 45-7 | Moments musicaux, D. 780 no. 3 in F minor. Allegro moderato | Wilhelm Kempff | — | |
| 45-8 | 6 Moments Musicaux, Op.94 D780: No.4 in C-sharp minor: Moderato | — | ||
| 45-9 | Moments musicaux, D. 780 no. 5 in F minor. Allegro vivace | Wilhelm Kempff | — | |
| 45-10 | 6 Moments Musicaux, Op.94 D780: No.6 in A-flat major, Allegretto | — | ||
| 46-1 | 4 Impromptus, D935: No.1 In F Minor: Allegro Moderato | — | ||
| 46-2 | 4 Impromptus, D935: No.2 In A Flat Major: Allegretto | — | ||
| 46-3 | 4 Impromptus, D935: No.3 In B Flat Major: Theme (Andante) With Variation | — | ||
| 46-4 | 4 Impromptus, D935: No.4 In F Minor: Allegro Scherzando | — | ||
| 46-5 | 4 Impromptus, D899: No.1 In C Minor: Allegro Molto Moderato | — | ||
| 46-6 | 4 Impromptus, D899: No.2 In E Flat Major: Allegro | — | ||
| 46-7 | 4 Impromptus, D899: No.3 In G Flat Major: Andante | — | ||
| 46-8 | 4 Impromptus, D899: No.4 In A Flat Major: Allegretto | — | ||
| 47-1 | Fantasy in C major, D. 760 "Wanderer": I. Allegro con fuoco ma non troppo | Yevgeny Kissin | — | |
| 47-2 | Fantasy in C major, D. 760 "Wanderer": II. Adagio | Yevgeny Kissin | T-050.459.341-2 | |
| 47-3 | Fantasy in C major, D. 760 "Wanderer": III. Presto | Yevgeny Kissin | — | |
| 47-4 | Fantasy in C major, D. 760 "Wanderer": IV. Allegro | Yevgeny Kissin | T-903.513.848-8 | |
| 47-5 | 4 Lieder: Gretchen am Spinnrade, D. 118 (trans. Liszt) | Yevgeny Kissin | T-920.299.614-3 | |
| 47-6 | 4 Lieder: Horch, Horch die Lerch’ (Ständchen aus “Cymbeline”), D. 889 (trans. Liszt) | Yevgeny Kissin | — | |
| 47-7 | 4 Lieder: Die Schüne Müllerin: 19. Der Müller und der Bach, D. 795 no. 19 (trans. Liszt) | Yevgeny Kissin | — | |
| 47-8 | 4 Lieder: Auf dem Wasser zu singen, D. 774 (trans. Liszt) | Yevgeny Kissin | — | |
| 47-9 | Fantasien, op. 116: I. Capriccio: Presto energico | Yevgeny Kissin | T-902.876.200-7 | |
| 47-10 | Fantasien, op. 116: II. Intermezzo: Andante | Yevgeny Kissin | T-916.456.074-1 | |
| 47-11 | Fantasien, op. 116: III. Capriccio: Allegro passionato | Yevgeny Kissin | T-920.071.965-9 | |
| 47-12 | Fantasien, op. 116: IV. Intermezzo: Adagio | Yevgeny Kissin | T-322.186.526-1 | |
| 47-13 | Fantasien, op. 116: V. Intermezzo: Andante con grazia ed intimissimo sentimento | Yevgeny Kissin | T-920.071.965-9 | |
| 47-14 | Fantasien, op. 116: VI. Intermezzo. Andantino teneramente | Yevgeny Kissin | T-920.071.965-9 | |
| 47-15 | Fantasien, op. 116: VII. Capriccio: Allegro agitato | Yevgeny Kissin | T-920.071.965-9 | |
| 47-16 | Hungarian Rhapsody no. 12 | Yevgeny Kissin | — | |
| 48-1 | Kinderszenen, op. 15: I. Von fremden Ländern und Menschen | Wilhelm Kempff | T-314.629.927-2 | |
| 48-2 | Kinderszenen, op. 15: II. Kuriose Geschichte | Wilhelm Kempff | T-913.873.556-5 | |
| 48-3 | Kinderszenen, op. 15: III. Hasche-Mann | Wilhelm Kempff | T-913.870.630-6 | |
| 48-4 | Kinderszenen, op. 15: IV. Bittendes Kind | Wilhelm Kempff | T-001.216.772-4 | |
| 48-5 | Kinderszenen, op. 15: V. Glückes genug | Wilhelm Kempff | — | |
| 48-6 | Kinderszenen, op. 15: VI. Wichtige Begebenheit | Wilhelm Kempff | T-330.120.763-2 | |
| 48-7 | Kinderszenen, op. 15: VII. Träumerei | Wilhelm Kempff | — | |
| 48-8 | Kinderszenen, op. 15: VIII. Am Kamin | Wilhelm Kempff | T-330.120.773-4 | |
| 48-9 | Kinderszenen, op. 15: IX. Ritter vom Steckenpferd | Wilhelm Kempff | T-330.117.403-4 | |
| 48-10 | Kinderszenen, op. 15: X. Fast zu ernst | Wilhelm Kempff | T-330.120.779-0 | |
| 48-11 | Kinderszenen, op. 15: XI. Fürchtenmachen | Wilhelm Kempff | T-330.117.411-4 | |
| 48-12 | Kinderszenen, op. 15: XII. Kind im Einschlummern | Wilhelm Kempff | — | |
| 48-13 | Kinderszenen, op. 15: XIII. Der Dichter spricht | Wilhelm Kempff | T-001.098.318-2 | |
| 48-14 | Waldszenen, op. 82: I. Eintritt. Nicht zu schnell | Wilhelm Kempff | — | |
| 48-15 | Waldszenen, op. 82: II. Jäger auf der Lauer. Höchst lebhaft | Wilhelm Kempff | — | |
| 48-16 | Waldszenen, op. 82: III. Einsame Blumen. Einfach | Wilhelm Kempff | — | |
| 48-17 | Waldszenen, op. 82: IV. Verrufene Stelle. Ziemlich langsam | Wilhelm Kempff | — | |
| 48-18 | Waldszenen, op. 82: V. Freundliche Landschaft. Schnell | Wilhelm Kempff | — | |
| 48-19 | Waldszenen, op. 82: VI. Herberge. Mäßig | Wilhelm Kempff | — | |
| 48-20 | Scènes de la forêt, L'Oiseau prophète | Wilhelm Kempff | — | |
| 48-21 | Waldszenen, op. 82: VIII. Jagdlied. Rasch, kräftig | Wilhelm Kempff | — | |
| 48-22 | Waldszenen, op. 82: IX. Abschied. Nicht zu schnell | Wilhelm Kempff | T-906.148.797-6 | |
| 48-23 | Papillons, Op. 2 | Wilhelm Kempff | — | |
| 48-24 | Drei Romanzen, op. 28: I. Sehr markiert | Wilhelm Kempff | — | |
| 48-25 | Drei Romanzen, op. 28: II. Einfach | Wilhelm Kempff | — | |
| 48-26 | Drei Romanzen, op. 28: III. Sehr markiert - Intermezzo I. presto - Intermezzo II. Etwas langsamer - Wie vorher | Wilhelm Kempff | T-911.517.582-1 | |
| 49-1 | Fantasie In C Major, Op.17: I Durchaus Fantastisch Und Leidenschaftlich Vorzutragen - Im Legenden-Ton | — | ||
| 49-2 | Fantasie In C Major, Op.17: II Mäßig. Durchaus Energisch - Etwas Langsamer - Vielbewegter | — | ||
| 49-3 | Fantasie In C Major, Op.17: III Langsam Getragen. Durchweg Leise Zu Halten - Etwas Bewegter | — | ||
| 49-4 | Allegro In B Minor, Op.8 | — | ||
| 49-5 | Romanze, op. 28 no. 2 | Alicia de Larrocha | T-306.230.833-8 | |
| 49-6 | Piano Concerto In A Minor, Op.54: I Allegro Affettuoso | — | ||
| 49-7 | Piano Concerto In A Minor, Op.54: II Intermezzo (Andantino Grazioso) | — | ||
| 49-8 | Piano Concerto In A Minor, Op.54: III Allegro Vivace | — | ||
| 50-1 | Piano Concerto no. 1 in B-Flat minor, op. 23, TH 55: I. Allegro non troppo e molto maestoso: Allegro con spirito | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 50-2 | Piano Concerto no. 1 in B-Flat minor, op. 23, TH 55: II. Andantino semplice: Prestissimo - Tempo I | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 50-3 | Piano Concerto no. 1 in B-Flat minor, op. 23, TH 55: III. Allegro con fuoco | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 50-4 | Variations on a Nursery Song, op. 25: Introduzione (Maestoso) | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 50-5 | Variations on a Nursery Song, op. 25: Tema (Allegro) | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 50-6 | Variations on a Nursery Song, op. 25: Var.1: Poco più mosso | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 50-7 | Variations on a Nursery Song, op. 25: Var.2: Risoluto | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 50-8 | Variations on a Nursery Song, op. 25: Var.3 | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 50-9 | Variations on a Nursery Song, op. 25: Var.4: Molto meno mosso (Allegretto moderato) | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 50-10 | Variations on a Nursery Song, op. 25: Var.5: Più mosso | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 50-11 | Variations on a Nursery Song, op. 25: Var.6: Ancora più mosso (Allegro) | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 50-12 | Variations on a Nursery Song, op. 25: Var.7: Walzer (Tempo giusto) | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 50-13 | Variations on a Nursery Song, op. 25: Var.8: Alla marcia (Allegro moderato) | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 50-14 | Variations on a Nursery Song, op. 25: Var.9: Presto: Andante rubato | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 50-15 | Variations on a Nursery Song, op. 25: Var.10: Passacaglia (Adagio non troppo) | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 50-16 | Variations on a Nursery Song, op. 25: Var.11: Choral (Maestoso) | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 50-17 | Variations on a Nursery Song, op. 25: Finale Fugato (Allegro vivace: Tempo del tema -Molto allegro) | András Schiff, Chicago Symphony Orchestra, Sir Georg Solti | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Sonate pour piano No. 14, Op. 27 No. 2 "Clair de lune": I. Adagio sostenuto | Wilhelm Kempff | — |
