UPC · Release
The Opera 2011 Album
Various Artists
028947829478
40 tracksReleased 2011-06-14
Last verified:
028947829478 is the Universal Product Code (UPC barcode) for the release “The Opera 2011 Album” by Various Artists, released 2011-06-14. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC. Tracks include DEN960330501, DEN960300061, ITZ040300055.
Format
0Number system
28947Manufacturer
82947Product
8Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Opera 2011 Album
ISRC40 recordings
ISWC25 works
IPI2 songwriters
Track List (40)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Carmen: Toreador’s Song | Bryn Terfel, London Symphony Orchestra, Barry Wordsworth | T-911507740-2 | |
| 2 | La bohème: Atto I. “Quando me’n vò” (Musette’s Waltz) | Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | T-911137537-2 | |
| 3 | E lucevan le stelle | Andrea Bocelli, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | T0715262886 | |
| 4 | Rinaldo, HWV 7a: “Lascia ch’io pianga” | Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | T-911383839-4 | |
| 5 | Pagliacci: Atto I. “Recitar!” – “Vesti la giubba” | Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano | — | |
| 6 | La Wally: Ebben?… Ne andrò lontana | Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | — | |
| 7 | Il trovatore: Anvil Chorus “Vedi le fosche” | Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | — | |
| 8 | Les Contes d’Hoffmann : Acte II. Barcarolle « Belle nuit, ô nuit d’amour » | Joan Sutherland, Huguette Tourangeau, Chorale du Brassus, Chœur Pro Arte de Lausanne, Orchestre de la Suisse Romande, Richard Bonynge | T-071153499-4 | |
| 9 | La donna è mobile | Carlo Bergonzi, New Philharmonia Orchestra, Nello Santi | T9128666240 | |
| 10 | Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » | The John Alldis Choir, Tatiana Troyanos, London Philharmonic Orchestra, Sir Georg Solti | T3056256481 | |
| 11 | Madama Butterfly: Atto II. Coro a bocca chiusa | John McCarthy, Ambrosian Opera Chorus, Philharmonia Orchestra, Giuseppe Sinopoli | T-011275282-5 | |
| 12 | Serse, HWV 40: Ombra mai fu | Andreas Scholl, Orchestra of the Age of Enlightenment, Roger Norrington | — | |
| 13 | Les Pêcheurs de perles: Act 1, no. 2b. Duo: "Au fond du temple saint" | Luciano Pavarotti, Nicolaï Ghiaurov, National Philharmonic Orchestra, Robin Stapleton | T0717254255 | |
| 14 | Una voce poco fa | Teresa Berganza, London Symphony Orchestra, Claudio Abbado | T9021874099 | |
| 15 | La traviata: Preludio | Bayerisches Staatsorchester, Carlos Kleiber | — | |
| 16 | Samson & Delilah : Acte II. « Mon cœur s'ouvre à ta voix » | Marilyn Horne, Orchester der Wiener Staatsoper, Wiener Opernorchester, Henry Lewis | — | |
| 17 | O Silver Moon (Mesicku na nebi hlubokem) (Rusalka) | Pilar Lorengar, Orchestra dell’Accademia Nazionale di Santa Cecilia, Giuseppe Patanè | T0100552804 | |
| 18 | Il trovatore: “Di quella pira” | José Carreras, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | — | |
| 19 | La Traviata: Atto I. “Follie! Delirio vano è questo!” … “Sempre libera” | Alfredo Kraus, Kiri Te Kanawa, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | — | |
| 20 | Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | — | |
| 2-1 | Roméo et Juliette : Acte I. « Ah, je veux vivre » | Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 2-2 | Carmen: Flower song « La fleur que tu m’avais jetée » | Plácido Domingo, London Philharmonic Orchestra, Sir Georg Solti | T9002482840 | |
| 2-3 | Tosca: Atto II. “Vissi d’arte, vissi d’amore” | Kiri Te Kanawa, National Philharmonic Orchestra, Sir Georg Solti | T-900162132-5 | |
| 2-4 | Il barbiere di Siviglia: “Largo al factotum” | Leo Nucci, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè | T-902187409-9 | |
| 2-5 | La Bohème: Atto I. “Sì. Mi chiamano Mimì” | Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | — | |
| 2-6 | Rigoletto: Questa o quella | Rolando Villazón, Orchestra Sinfonica di Milano Giuseppe Verdi, Daniele Callegari | T-912866624-0 | |
| 2-7 | Faust : Chœur des soldats « Gloire immortelle de nos aïeux » | Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | T9046889558 | |
| 2-8 | L’elisir d’amore: Atto II, scena 2. “Una furtiva lagrima” (Nemorino) | Juan Diego Flórez, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | T-310639190-2 | |
| 2-9 | Carmen: “Les tringles des sistres tintaient” (Carmen) | Magdalena Kožená, Mahler Chamber Orchestra, Marc Minkowski | — | |
| 2-10 | Die Zauberflöte: No. 1 Aria “Was hör’ ich? Der Vogelfänger bin ich ja” (Papageno) | Hermann Prey, Wiener Philharmoniker, Sir Georg Solti | — | |
| 2-11 | Turandot: Atto I. “Signore, ascolta!” | Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta | T0050008382 | |
| 2-12 | Nabucco: Atto III. “Va, pensiero, sull'ali dorate” | Chor der Staatsoper Dresden, Dresden State Orchestra, Silvio Varviso | T9000217505 | |
| 2-13 | Lakmé : Acte I. « Viens, Mallika » … « Dôme épais le jasmin » (Lakmé) | Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge | T-004938007-5 | |
| 2-14 | Aida: Act 1. “Celeste Aida” | Luciano Pavarotti, Wiener Volksopernorchester, Leone Magiera | T-900065376-9 | |
| 2-15 | Orfeo ed Euridice: Che farò senza Euridice? | Andreas Scholl, Orchestra of the Age of Enlightenment, Sir Roger Norrington | T3077564428 | |
| 2-16 | Don Giovanni: Atto I. “Là ci darem la mano” | Mirella Freni, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | — | |
| 2-17 | La rondine: “Sogno di Doretta” | Renata Tebaldi, New Philharmonia Orchestra, Oliviero de Fabritiis | T-900088183-4 | |
| 2-18 | La Belle Hélène : Acte I. « Au mont Ida, trois déesses » (Le jugement de Pâris) | Joseph Calleja, Academy of St Martin in the Fields, Carlo Rizzi | — | |
| 2-19 | Die Zauberflöte, 2.Akt, Arie der Königin der Nacht: "Der Hölle Rache kocht in meinem Herzen" | Patricia Petibon, Concerto Köln, Daniel Harding | T-918245117-8 | |
| 2-20 | Tristan und Isolde: Akt III. “Mild und leise wie er lächelt” (Isoldes Liebestod) | Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti | T3064826860 |
Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda
Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood
Pagliacci: Atto I. “Recitar!” – “Vesti la giubba”
Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano
—
La Wally: Ebben?… Ne andrò lontana
Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri
—
Il trovatore: Anvil Chorus “Vedi le fosche”
Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti
—
Joan Sutherland, Huguette Tourangeau, Chorale du Brassus, Chœur Pro Arte de Lausanne, Orchestre de la Suisse Romande, Richard Bonynge
The John Alldis Choir, Tatiana Troyanos, London Philharmonic Orchestra, Sir Georg Solti
John McCarthy, Ambrosian Opera Chorus, Philharmonia Orchestra, Giuseppe Sinopoli
Serse, HWV 40: Ombra mai fu
Andreas Scholl, Orchestra of the Age of Enlightenment, Roger Norrington
—
Luciano Pavarotti, Nicolaï Ghiaurov, National Philharmonic Orchestra, Robin Stapleton
La traviata: Preludio
Bayerisches Staatsorchester, Carlos Kleiber
—
Samson & Delilah : Acte II. « Mon cœur s'ouvre à ta voix »
Marilyn Horne, Orchester der Wiener Staatsoper, Wiener Opernorchester, Henry Lewis
—
Pilar Lorengar, Orchestra dell’Accademia Nazionale di Santa Cecilia, Giuseppe Patanè
Il trovatore: “Di quella pira”
José Carreras, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
—
La Traviata: Atto I. “Follie! Delirio vano è questo!” … “Sempre libera”
Alfredo Kraus, Kiri Te Kanawa, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta
—
Turandot: “Nessun dorma”
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
—
Roméo et Juliette : Acte I. « Ah, je veux vivre »
Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras
—
Plácido Domingo, London Philharmonic Orchestra, Sir Georg Solti
Kiri Te Kanawa, National Philharmonic Orchestra, Sir Georg Solti
Leo Nucci, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè
La Bohème: Atto I. “Sì. Mi chiamano Mimì”
Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri
—
Rolando Villazón, Orchestra Sinfonica di Milano Giuseppe Verdi, Daniele Callegari
Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge
Juan Diego Flórez, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza
Carmen: “Les tringles des sistres tintaient” (Carmen)
Magdalena Kožená, Mahler Chamber Orchestra, Marc Minkowski
—
Die Zauberflöte: No. 1 Aria “Was hör’ ich? Der Vogelfänger bin ich ja” (Papageno)
Hermann Prey, Wiener Philharmoniker, Sir Georg Solti
—
Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta
Chor der Staatsoper Dresden, Dresden State Orchestra, Silvio Varviso
Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge
Luciano Pavarotti, Wiener Volksopernorchester, Leone Magiera
Andreas Scholl, Orchestra of the Age of Enlightenment, Sir Roger Norrington
Don Giovanni: Atto I. “Là ci darem la mano”
Mirella Freni, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
—
Renata Tebaldi, New Philharmonia Orchestra, Oliviero de Fabritiis
La Belle Hélène : Acte I. « Au mont Ida, trois déesses » (Le jugement de Pâris)
Joseph Calleja, Academy of St Martin in the Fields, Carlo Rizzi
—
Patricia Petibon, Concerto Köln, Daniel Harding
Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti
Additional database matches (10)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| La traviata: “Libiamo ne lieti calici“ (Brindisi) | Wolfgang Baumgart, Chor der Bayerischen Staatsoper, Ileana Cotrubaș, Plácido Domingo, Alfredo Giacomotti, Bruno Grella, Walter Gullino, Stefania Malagú, Bayerisches Staatsorchester, Carlos Kleiber | T-906859796-6 |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | T-005000838-2 |
| Lakmé : Acte I. « Viens, Mallika » … « Dôme épais le jasmin » (Lakmé) | Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge | — |
| Aida: Act 1. “Celeste Aida” | Luciano Pavarotti, Wiener Volksopernorchester, Leone Magiera | T3149460691 |
| Les Contes d’Hoffmann : Acte III. Intermède‐Entr’acte (Barcarolle) | Orchestre de la Suisse Romande, Richard Bonynge | — |
| La rondine: “Sogno di Doretta” | Renata Tebaldi, New Philharmonia Orchestra, Oliviero de Fabritiis | — |
| Turandot: Atto I. “Signore, ascolta!” | Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta | — |
| Don Giovanni: Atto I. “Là ci darem la mano” | Mirella Freni, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | — |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | — |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | T-005000838-2 |
Wolfgang Baumgart, Chor der Bayerischen Staatsoper, Ileana Cotrubaș, Plácido Domingo, Alfredo Giacomotti, Bruno Grella, Walter Gullino, Stefania Malagú, Bayerisches Staatsorchester, Carlos Kleiber
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
Lakmé : Acte I. « Viens, Mallika » … « Dôme épais le jasmin » (Lakmé)
Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge
—
Luciano Pavarotti, Wiener Volksopernorchester, Leone Magiera
Les Contes d’Hoffmann : Acte III. Intermède‐Entr’acte (Barcarolle)
Orchestre de la Suisse Romande, Richard Bonynge
—
La rondine: “Sogno di Doretta”
Renata Tebaldi, New Philharmonia Orchestra, Oliviero de Fabritiis
—
Turandot: Atto I. “Signore, ascolta!”
Montserrat Caballé, London Philharmonic Orchestra, Zubin Mehta
—
Don Giovanni: Atto I. “Là ci darem la mano”
Mirella Freni, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
—
Turandot: “Nessun dorma”
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
—
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000006097350X000000007839821600000000809331180000000081232954000000008169243200000000818535900000000083983858000000008506757000000001044225320000000106542394
+40 more
00000001066174480000000108600439000000010860227400000001086940840000000108886588000000010902846200000001090696270000000109100938000000010914421X0000000109223786000000010937403100000001093781630000000109426524000000010963166700000001096459620000000110228787000000011049607900000001106086830000000110829427000000011082963800000001108966540000000110928863000000011439722X00000001143979670000000114502261000000011452354800000001145336070000000114602756000000011462217500000001146866970000000114712250000000011471465100000001147197940000000114725481000000011472691900000001147614820000000114802483000000011480264300000001148027660000000114890508
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What is UPC 028947829478?
028947829478 is a Universal Product Code (UPC) assigned to The Opera 2011 Album by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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