UPC · Release
101 Film Classics
Various Artists
028947836766
101 tracksReleased 2012-01-01Decca
Last verified:
028947836766 is the Universal Product Code (UPC barcode) for the release “101 Film Classics” by Various Artists, released 2012-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 101 tracks, each with its own ISRC. Tracks include GBF077540401, GBF077510061, GBF075911342.
Format
0Number system
28947Manufacturer
83676Product
6Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
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Credit Chain
UPC101 Film Classics
ISRC101 recordings
ISWC30 works
IPI30 songwriters
Track List (101)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Excalibur: Carmina Burana | Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | T-800.639.771-4 | |
| 2 | Adagio for Strings, op. 11 | Academy of St Martin in the Fields, Sir Neville Marriner | T-070.000.199-5 | |
| 3 | Symphony no. 7 in A major, op. 92: II. Allegretto | Wiener Philharmoniker, Herbert von Karajan | T-071.481.827-5 | |
| 4 | Concerto for Clarinet in A major, K. 622: II. Adagio | Franklin Cohen, Cleveland Orchestra, Christoph von Dohnányi | — | |
| 5 | Sarabande de la Suite no. 11 | Christopher Hogwood | T-210.339.523-6 | |
| 6 | Concerto for Harpsichord, Strings, and Continuo no. 5 in F minor, BWV 1056: Largo | Thurston Dart, London Philharmonic Orchestra | — | |
| 7 | Canon in D major | Stuttgart Chamber Orchestra, Karl Münchinger | T-041.726.043-5 | |
| 8 | Bolero (Finale) | L’Orchestre de la Suisse Romande, Ernest Ansermet | T-003.006.377-4 | |
| 9 | Suite no. 3 in D major, BWV 1068: II. Air | Stuttgarter Kammerorchester, Karl Münchinger | T-914.248.874-2 | |
| 10 | String Quintet in C, D. 956: II. Adagio (excerpt) | Dietfried Gürtler, Weller Quartet | T-802.445.410-3 | |
| 11 | Swan Lake: Act 2, No.10 Scène (Moderato) | Orchestre symphonique de Montréal, Charles Dutoit | T-320.177.456-9 | |
| 12 | Suite for Variety Orchestra: VII. Waltz 2. Allegretto poco moderato | Royal Concertgebouw Orchestra, Riccardo Chailly | — | |
| 13 | Suite bergamasque: III. Clair de lune | Eastman-Rochester Pops Orchestra, Frederick Fennell | T-011.772.202-7 | |
| 14 | The Planets, op. 32: Saturn, the Bringer of Old Age | Berliner Philharmoniker, Sir Colin Davis | — | |
| 15 | Le nozze di Figaro — Overture | London Philharmonic Orchestra, Sir Georg Solti | T-909.574.378-5 | |
| 16 | Hallelujah Chorus (Messiah) | Academy of St Martin in the Fields Chorus, László Heltay, Academy of St Martin in the Fields, Sir Neville Marriner | T-060.898.099-9 | |
| 2-1 | 2001: A Space Odyssey: Also sprach Zarathustra | Los Angeles Philharmonic, Zubin Mehta | T-305.928.846-5 | |
| 2-2 | Symphony No. 9 in D minor, 'Choral' - IV. Presto - Allegro Assai (A Clockwork Orange) | Joan Sutherland, Marilyn Horne, James King, Martti Talvela, Wiener Staatsopernchor, Wiener Philharmoniker, Hans Schmidt-Isserstedt | T-306.395.786-4 | |
| 2-3 | Symphony no. 5: IV. Adagietto: Sehr langsam | Chicago Symphony Orchestra, Sir Georg Solti | T-800.652.468-2 | |
| 2-4 | Symphony no. 25 in G minor, K. 183: I. Allegro con brio | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-5 | Adagio | Alastair Ross, Simon Standage, Richard Hickox Orchestra, Richard Hickox | T-005.001.197-6 | |
| 2-6 | Zadok the Priest | Choir of King’s College, Cambridge, English Chamber Orchestra, Sir David Willcocks | T-900.138.712-8 | |
| 2-7 | Solomon, HWV 67: Act III. The Arrival of the Queen of Sheba | Academy of St Martin in the Fields, Sir Neville Marriner | T-011.174.209-6 | |
| 2-8 | Cello Concerto, Op. 85: I. Adagio - Moderato (excerpt) | Julian Lloyd Webber, Royal Philharmonic Orchestra, Yehudi Menuhin | T-919.860.418-1 | |
| 2-9 | La forza del destino: N°1. Preludio | Orchestra of the Mariinsky Theatre, Valery Gergiev | T-050.194.889-5 | |
| 2-10 | Cavalleria rusticana: Intermezzo | National Philharmonic Orchestra, Gianandrea Gavazzeni | T-921.418.457-3 | |
| 2-11 | Double Concerto in D minor for Two Violins and Strings, BWV 1043: II. Largo ma non tanto | Alison Bury, Mark Claudle, Graham Cracknell, Roy Goodman, Katherine Hart, Christopher Hirons, Christopher Hogwood, John Holloway, Monica Huggett, Trevor Jones, Keith Marjoram, Richard Webb, Academy of Ancient Music | — | |
| 2-12 | Nulla in mundo pax sincera, RV 630 | Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | T-060.275.065-1 | |
| 2-13 | Eine kleine Nachtmusik, KV 525: I. Allegro | Academy of St Martin in the Fields, Neville Marriner | T-303.555.990-7 | |
| 2-14 | Cello Sonata in G minor, BWV 1029: II. Adagio (excerpt) | György Sebök, János Starker | — | |
| 2-15 | Symphony no. 3 in C minor, op. 78 "Organ Symphony": IIb. Maestoso - Allegro | Peter Hurford, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 3-1 | Warsaw Concerto | Cristina Ortiz, Royal Philharmonic Orchestra, Moshe Atzmon | — | |
| 3-2 | The Piano: The Heart Asks Pleasure First | Jean-Yves Thibaudet | T-010.203.179-7 | |
| 3-3 | Piano Concerto no. 21 in C major, K. 467: II. Andante | Radu Lupu, English Chamber Orchestra, Uri Segal | — | |
| 3-4 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Vladimir Ashkenazy | — | |
| 3-5 | Piano Concerto no. 5 "Emperor": II. Adagio un poco mosso | Vladimir Ashkenazy, The Cleveland Orchestra | T-928.635.608-9 | |
| 3-6 | Goldberg Variations in G major, BWV 988: I. Aria | András Schiff | T-305.723.872-5 | |
| 3-7 | Nocturne no. 20 in C-sharp minor, B. 49 | Vladimir Ashkenazy | T-928.543.689-7 | |
| 3-8 | Piano Trio in E‐flat, D. 929: II. Andante con moto | Beaux Arts Trio | — | |
| 3-9 | Piano Concerto No. 2 in C minor, Op.18 - II. Adagio Sostenuto (Extract) (Brief Encounter) | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 3-10 | Gymnopédie no. 1 | Pascal Rogé | T-050.018.340-3 | |
| 3-11 | The Dream of Olwen (While I live) | Wilhelm Davos, London Festival Orchestra, Laszlo Tábor | T-070.177.920-5 | |
| 3-12 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto (excerpt) | Vladimir Ashkenazy, London Symphony Orchestra, André Previn | — | |
| 3-13 | Sonata for Piano No. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto | András Schiff | T-900.070.786-8 | |
| 3-14 | Hungarian Rhapsodies, S.244 : Liszt: Hungarian Rhapsodies, S.244 - No. 2 in C sharp minor | Misha Dichter | — | |
| 4-1 | Die Walküre: The Ride of the Valkyries | Helga Dernesch, Brigitte Fassbaender, Claudia Hellmann, Berit Lindholm, Vera Schlosser, Marilyn Tyler, Helen Watts, Wiener Philharmoniker, Georg Solti | T-902.771.445-0 | |
| 4-2 | La Wally: “Ebben? Ne andrò lontana” | Renata Tebaldi, Orchestre national de l'Opéra de Monte-Carlo, Fausto Cleva | — | |
| 4-3 | Pagliacci: “Recitar!… Vesti la giubba” | Mario del Monaco, Orchestra dell’Accademia Nazionale di Santa Cecilia, Francesco Molinari-Pradelli | — | |
| 4-4 | Gianni Schicchi: “O mio babbino caro” | Renata Tebaldi, Orchestra del Maggio Musicale Fiorentino, Lamberto Gardelli | T-901.222.501-3 | |
| 4-5 | Norma: Act I. Cavatina "Casta Diva" (Norma) | Joan Sutherland, London Symphony Chorus, London Symphony Orchestra, Richard Bonynge | T-910.760.630-4 | |
| 4-6 | Rigoletto: “Questa o quella” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | T-928.635.458-3 | |
| 4-7 | Così fan tutte: “Soave sia il vento” | Lucia Popp, Brigitte Fassbaender, Tom Krause, Wiener Haydn-Orchester, István Kertész | T-902.525.648-8 | |
| 4-8 | Les Contes d’Hoffmann : Acte II. Barcarolle « Belle nuit, ô nuit d’amour » | Joan Sutherland, Huguette Tourangeau, Chorale du Brassus, Chœur Pro Arte de Lausanne, Orchestre de la Suisse Romande, Richard Bonynge | T-071.153.499-4 | |
| 4-9 | Madame Butterfly: “Un bel dì” | Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | T-070.182.950-6 | |
| 4-10 | Rigoletto: Atto III. “La donna è mobile” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | T-912.866.624-0 | |
| 4-11 | Carmen : Habanera « L'amour est un oiseau rebelle » | Marilyn Horne, Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper, Henry Lewis | T-926.805.123-6 | |
| 4-12 | Le Nozze di Figaro, K. 492: Act III - Duettino "Che soave zeffiretto" | Kiri Te Kanawa, Lucia Popp, London Philharmonic Orchestra, Sir Georg Solti | T-902.833.420-5 | |
| 4-13 | Lakmé : Acte I. « Viens, Mallika » … « Dôme épais le jasmin » (Lakmé) | Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge | T-004.938.007-5 | |
| 4-14 | La bohème: Atto I. “Che gelida manina” (Rodolfo) | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-15 | Les Pêcheurs de perles : Acte I. « Je crois entendre encore » (Nadir) | Léopold Simoneau, Orchestre Lamoureux, Jean Fournet | T-702.424.573-8 | |
| 4-16 | O Silver Moon (Mesicku na nebi hlubokem) (Rusalka) | Pilar Lorengar, Orchestra dell’Accademia Nazionale di Santa Cecilia, Giuseppe Patanè | T-010.055.280-4 | |
| 4-17 | Andrea Chénier: “La mamma morta” | Montserrat Caballé, National Philharmonic Orchestra, Riccardo Chailly | — | |
| 4-18 | Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | — | |
| 5-1 | Star Wars Suite: I. Main Title | Los Angeles Philharmonic, Zubin Mehta | T-909.207.175-5 | |
| 5-2 | Star Wars Suite: II. Princess Leia’s Theme | Los Angeles Philharmonic, Zubin Mehta | T-070.248.046-3 | |
| 5-3 | My Heart Will Go On | Prague Philharmonia, Nick Ingman | T-042.107.751-1 | |
| 5-4 | Love Theme (from Romeo and Juliet) | Prague Philharmonia, Nick Ingman | T-070.932.859-5 | |
| 5-5 | I Will Always Love You | Dolly Parton | T-070.919.097-5 | |
| 5-6 | We have all the time in the world | Prague Philharmonia, Nick Ingman | T-070.202.129-1 | |
| 5-7 | Up Where We Belong | Buffy Sainte-Marie | T-070.194.066-0 | |
| 5-8 | Take My Breath Away | Giorgio Moroder, Tom Whitlock | T-071.407.806-4 | |
| 5-9 | Can You Feel the Love Tonight (The Lion King) | Elton John | T-011.478.222-7 | |
| 5-10 | Evergreen (A Star Is Born) | Barbra Streisand | T-070.050.740-9 | |
| 5-11 | Love Is All Around (Four Weddings and a Funeral) | Reg Presley | — | |
| 5-12 | Nuovo Cinema Paradiso | Prague Philharmonia, Nick Ingman | T-901.132.693-5 | |
| 5-13 | Gabriel's Oboe | Prague Philharmonia, Nick Ingman | T-005.002.184-5 | |
| 5-14 | Try a Little Tenderness | Harry Woods, James Campbell, Reginald Connelly | T-070.181.385-5 | |
| 5-15 | Moon River | Henry Mancini | T-070.111.569-6 | |
| 5-16 | Where Do I Begin | Francis Lai | T-070.202.291-0 | |
| 5-17 | When a Man Loves a Woman | Calvin Houston Lewis, Andrew Wright | T-070.247.862-3 | |
| 5-18 | The Way We Were | Marvin Hamlisch | T-070.202.745-9 | |
| 5-19 | Somewhere, My Love | Maurice Jarre | T-070.140.144-6 | |
| 5-20 | How Deep Is Your Love | Barry Gibb, Robin Gibb, Maurice Gibb | T-011.363.768-5 | |
| 5-21 | Cavatina (The Deer Hunter) | Stanley Myers | — | |
| 5-22 | Schindler’s List: Main Theme | Janine Jansen, Royal Philharmonic Orchestra, Barry Wordsworth | T-309.932.002-8 | |
| 6-1 | Opening Music (The Big Country) | Jerome Moross | — | |
| 6-2 | Theme (The Magnificent Seven) | Elmer Bernstein | T-070.107.790-8 | |
| 6-3 | Main Theme (Stagecoach) | Max Steiner | T-004.018.324-1 | |
| 6-4 | Main Theme (Alamo) | Dimitri Tiomkin | T-900.757.266-9 | |
| 6-5 | Casablanca (Casablanca) | Max Steiner, Herman Hupfeld, Claude-Joseph Rouget de l’Isle, Joseph Haydn | T-070.001.967-5 | |
| 6-6 | Blood and Sand (Blood and Sand) | Alfred Newman | T-909.514.025-3 | |
| 6-7 | Exodus - Ari’s Theme (Exodus) | Ernest Gold | — | |
| 6-8 | Theme (Lawrence of Arabia) | Maurice Jarre | T-004.018.324-1 | |
| 6-9 | Antony and Cleopatra's Theme (Cleopatra) | Alex North | T-070.026.905-1 | |
| 6-10 | Main Title (Sea Hawk) | Erich Wolfgang Korngold | — | |
| 6-11 | Main Theme (Patton, Lust for Glory) | Jerry Goldsmith | — | |
| 6-12 | A Love Like This (For Whom the Bell Tolls) | Victor Young | — | |
| 6-13 | March (Things to Come) | Arthur Bliss | T-010.027.744-8 | |
| 6-14 | Main Title (North by Northwest) | London Philharmonic Orchestra | — | |
| 6-15 | Theme (Spellbound) | Miklós Rózsa | T-900.008.902-1 | |
| 6-16 | Music From the Motion Picture (Gone with the Wind) | Max Steiner | — |
Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti
Wiener Philharmoniker, Herbert von Karajan
Concerto for Clarinet in A major, K. 622: II. Adagio
Franklin Cohen, Cleveland Orchestra, Christoph von Dohnányi
—
Concerto for Harpsichord, Strings, and Continuo no. 5 in F minor, BWV 1056: Largo
Thurston Dart, London Philharmonic Orchestra
—
Stuttgarter Kammerorchester, Karl Münchinger
Orchestre symphonique de Montréal, Charles Dutoit
Suite for Variety Orchestra: VII. Waltz 2. Allegretto poco moderato
Royal Concertgebouw Orchestra, Riccardo Chailly
—
Eastman-Rochester Pops Orchestra, Frederick Fennell
The Planets, op. 32: Saturn, the Bringer of Old Age
Berliner Philharmoniker, Sir Colin Davis
—
Academy of St Martin in the Fields Chorus, László Heltay, Academy of St Martin in the Fields, Sir Neville Marriner
Joan Sutherland, Marilyn Horne, James King, Martti Talvela, Wiener Staatsopernchor, Wiener Philharmoniker, Hans Schmidt-Isserstedt
Chicago Symphony Orchestra, Sir Georg Solti
Symphony no. 25 in G minor, K. 183: I. Allegro con brio
Academy of St Martin in the Fields, Sir Neville Marriner
—
Choir of King’s College, Cambridge, English Chamber Orchestra, Sir David Willcocks
Academy of St Martin in the Fields, Sir Neville Marriner
Julian Lloyd Webber, Royal Philharmonic Orchestra, Yehudi Menuhin
Orchestra of the Mariinsky Theatre, Valery Gergiev
National Philharmonic Orchestra, Gianandrea Gavazzeni
Double Concerto in D minor for Two Violins and Strings, BWV 1043: II. Largo ma non tanto
Alison Bury, Mark Claudle, Graham Cracknell, Roy Goodman, Katherine Hart, Christopher Hirons, Christopher Hogwood, John Holloway, Monica Huggett, Trevor Jones, Keith Marjoram, Richard Webb, Academy of Ancient Music
—
Emma Kirkby, Academy of Ancient Music, Christopher Hogwood
Academy of St Martin in the Fields, Neville Marriner
Cello Sonata in G minor, BWV 1029: II. Adagio (excerpt)
György Sebök, János Starker
—
Symphony no. 3 in C minor, op. 78 "Organ Symphony": IIb. Maestoso - Allegro
Peter Hurford, Orchestre symphonique de Montréal, Charles Dutoit
—
Warsaw Concerto
Cristina Ortiz, Royal Philharmonic Orchestra, Moshe Atzmon
—
Piano Concerto no. 21 in C major, K. 467: II. Andante
Radu Lupu, English Chamber Orchestra, Uri Segal
—
Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto
Vladimir Ashkenazy
—
Vladimir Ashkenazy, The Cleveland Orchestra
Piano Trio in E‐flat, D. 929: II. Andante con moto
Beaux Arts Trio
—
Piano Concerto No. 2 in C minor, Op.18 - II. Adagio Sostenuto (Extract) (Brief Encounter)
Vladimir Ashkenazy, London Symphony Orchestra, André Previn
—
Wilhelm Davos, London Festival Orchestra, Laszlo Tábor
Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto (excerpt)
Vladimir Ashkenazy, London Symphony Orchestra, André Previn
—
András Schiff
Hungarian Rhapsodies, S.244 : Liszt: Hungarian Rhapsodies, S.244 - No. 2 in C sharp minor
Misha Dichter
—
Helga Dernesch, Brigitte Fassbaender, Claudia Hellmann, Berit Lindholm, Vera Schlosser, Marilyn Tyler, Helen Watts, Wiener Philharmoniker, Georg Solti
La Wally: “Ebben? Ne andrò lontana”
Renata Tebaldi, Orchestre national de l'Opéra de Monte-Carlo, Fausto Cleva
—
Pagliacci: “Recitar!… Vesti la giubba”
Mario del Monaco, Orchestra dell’Accademia Nazionale di Santa Cecilia, Francesco Molinari-Pradelli
—
Renata Tebaldi, Orchestra del Maggio Musicale Fiorentino, Lamberto Gardelli
Joan Sutherland, London Symphony Chorus, London Symphony Orchestra, Richard Bonynge
Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge
Lucia Popp, Brigitte Fassbaender, Tom Krause, Wiener Haydn-Orchester, István Kertész
Joan Sutherland, Huguette Tourangeau, Chorale du Brassus, Chœur Pro Arte de Lausanne, Orchestre de la Suisse Romande, Richard Bonynge
Mirella Freni, Wiener Philharmoniker, Herbert von Karajan
Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge
Marilyn Horne, Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper, Henry Lewis
Kiri Te Kanawa, Lucia Popp, London Philharmonic Orchestra, Sir Georg Solti
Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge
La bohème: Atto I. “Che gelida manina” (Rodolfo)
Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
—
Léopold Simoneau, Orchestre Lamoureux, Jean Fournet
Pilar Lorengar, Orchestra dell’Accademia Nazionale di Santa Cecilia, Giuseppe Patanè
Andrea Chénier: “La mamma morta”
Montserrat Caballé, National Philharmonic Orchestra, Riccardo Chailly
—
Turandot: “Nessun dorma”
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
—
Love Is All Around (Four Weddings and a Funeral)
Reg Presley
—
Cavatina (The Deer Hunter)
Stanley Myers
—
Janine Jansen, Royal Philharmonic Orchestra, Barry Wordsworth
Opening Music (The Big Country)
Jerome Moross
—
Max Steiner, Herman Hupfeld, Claude-Joseph Rouget de l’Isle, Joseph Haydn
Exodus - Ari’s Theme (Exodus)
Ernest Gold
—
Main Title (Sea Hawk)
Erich Wolfgang Korngold
—
Main Theme (Patton, Lust for Glory)
Jerry Goldsmith
—
A Love Like This (For Whom the Bell Tolls)
Victor Young
—
Main Title (North by Northwest)
London Philharmonic Orchestra
—
Music From the Motion Picture (Gone with the Wind)
Max Steiner
—
Additional database matches (8)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | T-005.000.838-2 |
| Lakmé : Acte I. « Viens, Mallika » … « Dôme épais le jasmin » (Lakmé) | Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge | — |
| Rigoletto: Atto III. “La donna è mobile” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | T-922.850.296-3 |
| Les Contes d’Hoffmann : Acte III. Intermède‐Entr’acte (Barcarolle) | Orchestre de la Suisse Romande, Richard Bonynge | — |
| La Bohème: Atto I. “Che gelida manina” | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | T-306.482.666-6 |
| Double Concerto in D minor for Two Violins and Strings, BWV 1043: II. Largo ma non tanto | Alison Bury, Mark Claudle, Graham Cracknell, Roy Goodman, Katherine Hart, Christopher Hirons, Christopher Hogwood, John Holloway, Monica Huggett, Trevor Jones, Keith Marjoram, Richard Webb, Academy of Ancient Music | T-106.677.153-5 |
| Goldberg Variations in G major, BWV 988: I. Aria | András Schiff | — |
| Turandot: “Nessun dorma” | Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | T-005.000.838-2 |
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
Lakmé : Acte I. « Viens, Mallika » … « Dôme épais le jasmin » (Lakmé)
Jane Berbié, Joan Sutherland, Orchestre National de lʼOpéra de Monte-Carlo, Richard Bonynge
—
Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge
Les Contes d’Hoffmann : Acte III. Intermède‐Entr’acte (Barcarolle)
Orchestre de la Suisse Romande, Richard Bonynge
—
Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
Alison Bury, Mark Claudle, Graham Cracknell, Roy Goodman, Katherine Hart, Christopher Hirons, Christopher Hogwood, John Holloway, Monica Huggett, Trevor Jones, Keith Marjoram, Richard Webb, Academy of Ancient Music
Goldberg Variations in G major, BWV 988: I. Aria
András Schiff
—
Luciano Pavarotti, The John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta
What other identifiers does this connect to?
Musical Works (ISWC)
T-004.938.007-5T-005.002.184-5T-005.000.838-2T-011.363.768-5T-011.478.222-7T-011.174.209-6T-011.478.222-7T-042.107.751-1T-042.107.751-1T-042.107.756-6
+20 more
T-050.018.340-3T-060.275.065-1T-060.898.099-9T-070.000.199-5T-070.111.569-6T-070.140.144-6T-070.181.385-5T-070.194.066-0T-070.202.129-1T-070.202.745-9T-070.919.097-5T-070.932.859-5T-070.000.199-5T-070.181.385-5T-070.182.950-6T-070.248.859-2T-070.249.713-9T-070.919.097-5T-070.932.859-5T-071.407.806-4
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055171617000000005518373000000000593213790000000059342559000000006301973800000000630875890000000063105011000000007357852500000000735846340000000073662284
+20 more
000000008000635700000000800760210000000080837943000000008087005700000000812329540000000081371399000000008177300500000000818181460000000081818787000000008181927X0000000081870219000000008188387X00000000818983770000000082183963000000008352626X000000008359322700000000838237820000000085067570000000009649966X0000000106702765
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What is UPC 028947836766?
028947836766 is a Universal Product Code (UPC) assigned to 101 Film Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 101 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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