UPC · Album
Clair de lune: Debussy Favourites
Debussy
028947836919
28 tracksReleased 2012-01-01Decca
Last verified:
028947836919 is the Universal Product Code (UPC barcode) for the release “Clair de lune: Debussy Favourites” by Debussy, released 2012-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 28 tracks, each with its own ISRC. Tracks include GBF075710190, GBF076510940, GBF078811251.
Format
0Number system
28947Manufacturer
83691Product
9Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCClair de lune: Debussy Favourites
ISRC28 recordings
ISWC6 works
Track List (28)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Clair de Lune | L’Orchestre de la Suisse Romande, Ernest Ansermet | GBF075710190 |
| La cathédrale engloutie (orchestral version) | New Philharmonia Orchestra, Leopold Stokowski | GBF076510940 |
| Trois Nocturnes: I. Nuages | Orchestre symphonique de Montréal, Charles Dutoit | GBF078811251 |
| Trois Nocturnes: II. Fêtes | Orchestre symphonique de Montréal, Charles Dutoit | GBF078811252 |
| Trois Nocturnes: III. Sirènes | Le chœur des femmes de l’Orchestre Symphonique de Montréal, Orchestre symphonique de Montréal, Charles Dutoit | GBF078811253 |
| La Mer: I. De l'aube a midi sur la mer | Orchestre symphonique de Montréal, Charles Dutoit | GBF078910621 |
| La Mer: II. Jeux de vagues | Orchestre symphonique de Montréal, Charles Dutoit | GBF078910622 |
| La Mer: III. Dialogue du vent et de la mer | Orchestre symphonique de Montréal, Charles Dutoit | GBF078910623 |
| Prélude à l’après-midi d’un faune | Timothy Hutchins, Orchestre symphonique de Montréal, Charles Dutoit | GBF078910650 |
| String Quartet: 3rd movement | Quatuor Ysaÿe | GBF079010163 |
| La Plus que lente | James Earl Barnes, Orchestre symphonique de Montréal, Charles Dutoit | GBF079410470 |
| Danses pour harpe et orchestre à cordes : Danse sacrée | Royal Concertgebouw Orchestra, Bernard Haitink | NLA507715206 |
| Danses for Harp and Orchestra, L.103: 2. Danse profane | Vera Badings, Koninklijk Concertgebouworkest, Bernard Haitink | NLA507715207 |
| Suite Bergamasque: Clair de lune | Zoltán Kocsis | NLA508317903 |
| Deux Arabesques L. 66: no. 1 Andante con moto | Zoltán Kocsis | NLA508804509 |
| Arabesque no. 2 | Zoltán Kocsis | NLA508804510 |
| Preludes, Book 1: "La fille aux cheveux de lin" VIII | Zoltán Kocsis | NLA509603408 |
| La cathédrale engloutie (piano version) | Zoltán Kocsis | NLA509603410 |
| Serenade for the Doll (for piano) | Zoltán Kocsis | NLA509603415 |
| The Snow is Dancing (for piano) | Zoltán Kocsis | NLA509603416 |
| Children's Corner, L. 113: VI. Golliwogg's Cake-Walk | Zoltán Kocsis | NLA509603418 |
| Petite Suite: En bateau | Katia & Marielle Labèque | NLA509604704 |
| Petite Suite: Cortège | Katia & Marielle Labèque | NLA509604705 |
| Petite Suite: Menuet | Katia & Marielle Labèque | NLA509604706 |
| Petite Suite: Ballet | Katia & Marielle Labèque | NLA509604707 |
| La terrasse des audiences du clair de lune (for piano) | Zoltán Kocsis | NLA509709307 |
| La plus que lente (piano version) | Zoltán Kocsis | NLA509709313 |
| Nocturne (for piano) | Zoltán Kocsis | NLA509709314 |
Clair de Lune
L’Orchestre de la Suisse Romande, Ernest Ansermet
La cathédrale engloutie (orchestral version)
New Philharmonia Orchestra, Leopold Stokowski
Trois Nocturnes: I. Nuages
Orchestre symphonique de Montréal, Charles Dutoit
Trois Nocturnes: II. Fêtes
Orchestre symphonique de Montréal, Charles Dutoit
Trois Nocturnes: III. Sirènes
Le chœur des femmes de l’Orchestre Symphonique de Montréal, Orchestre symphonique de Montréal, Charles Dutoit
La Mer: I. De l'aube a midi sur la mer
Orchestre symphonique de Montréal, Charles Dutoit
La Mer: II. Jeux de vagues
Orchestre symphonique de Montréal, Charles Dutoit
La Mer: III. Dialogue du vent et de la mer
Orchestre symphonique de Montréal, Charles Dutoit
Prélude à l’après-midi d’un faune
Timothy Hutchins, Orchestre symphonique de Montréal, Charles Dutoit
String Quartet: 3rd movement
Quatuor Ysaÿe
La Plus que lente
James Earl Barnes, Orchestre symphonique de Montréal, Charles Dutoit
Danses pour harpe et orchestre à cordes : Danse sacrée
Royal Concertgebouw Orchestra, Bernard Haitink
Danses for Harp and Orchestra, L.103: 2. Danse profane
Vera Badings, Koninklijk Concertgebouworkest, Bernard Haitink
Suite Bergamasque: Clair de lune
Zoltán Kocsis
Deux Arabesques L. 66: no. 1 Andante con moto
Zoltán Kocsis
Arabesque no. 2
Zoltán Kocsis
Preludes, Book 1: "La fille aux cheveux de lin" VIII
Zoltán Kocsis
La cathédrale engloutie (piano version)
Zoltán Kocsis
Serenade for the Doll (for piano)
Zoltán Kocsis
The Snow is Dancing (for piano)
Zoltán Kocsis
Children's Corner, L. 113: VI. Golliwogg's Cake-Walk
Zoltán Kocsis
Petite Suite: En bateau
Katia & Marielle Labèque
Petite Suite: Cortège
Katia & Marielle Labèque
Petite Suite: Menuet
Katia & Marielle Labèque
Petite Suite: Ballet
Katia & Marielle Labèque
La terrasse des audiences du clair de lune (for piano)
Zoltán Kocsis
La plus que lente (piano version)
Zoltán Kocsis
Nocturne (for piano)
Zoltán Kocsis
What other identifiers does this connect to?
Musical Works (ISWC)
People also ask
SourcesMusicBrainzDiscogs2 sources
Verified on
What is UPC 028947836919?
028947836919 is a Universal Product Code (UPC) assigned to Clair de lune: Debussy Favourites by Debussy. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 28 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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