UPC · Release
Various Artists
Last verified:
The UPC for “Philips Original Jackets Collection” by Various Artists is 028947846147. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2012-01-01. Label: Decca. This release contains 647 tracks, each with its own ISRC. Tracks include NLA507614806, NLA507614807, NLA507614808.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Violin Concerto no. 1 in G minor, op. 26: I. Allegro moderato | Salvatore Accardo, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 2 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio | Salvatore Accardo, Gewandhausorchester Leipzig, Kurt Masur | T-071.481.827-5 | |
| 3 | Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico | Salvatore Accardo, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 4 | Scottish Fantasy, op. 46: Einleitung. Grave | Salvatore Accardo, Elisabeth Unger, Gewandhausorchester Leipzig, Kurt Masur | T-011.797.281-2 | |
| 5 | Scottish Fantasy, op. 46: I. Adagio cantabile | Salvatore Accardo, Elisabeth Unger, Gewandhausorchester Leipzig, Kurt Masur | T-001.397.158-8 | |
| 6 | Scottish Fantasy, op. 46: IIa. Scherzo. Allegro | Salvatore Accardo, Elisabeth Unger, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 7 | Scottish Fantasy, op. 46: IIb. Adagio | Salvatore Accardo, Elisabeth Unger, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 8 | Scottish Fantasy, op. 46: III. Andante sostenuto | Salvatore Accardo, Elisabeth Unger, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 9 | Scottish Fantasy, op. 46: IV. Finale. Allegro guerriero | Salvatore Accardo, Elisabeth Unger, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 10 | Violin Concerto no. 2 in D minor, op. 44: I. Adagio non troppo | Salvatore Accardo, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 11 | Violin Concerto no. 2 in D minor, op. 44: II. Recitativo. Allegro moderato - Allegro - Andante sostenuto | Salvatore Accardo, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 12 | Violin Concerto no. 3 in D minor, op. 58: III. Finale. Allegro molto | Salvatore Accardo, Gewandhausorchester Leipzig, Kurt Masur | T-700.095.171-5 | |
| 2-1 | Ganymed, D. 544, op. 19/3 | — | ||
| 2-2 | Die Gotter Griechenlands D677 | — | ||
| 2-3 | Der Musensohn, D.764, op. 92/1 | — | ||
| 2-4 | Fülle der Liebe, D.854 | — | ||
| 2-5 | Sprache der Liebe, D. 410 | — | ||
| 2-6 | Schwanengesang, D.744 | — | ||
| 2-7 | An Den Tod D518 | — | ||
| 2-8 | Die Forelle, D.550, op. 32 | — | ||
| 2-9 | Am Bach Im Fruhling D361 | — | ||
| 2-10 | Auf dem Wasser zu singen, D.774 | — | ||
| 2-11 | Der Schiffer D694 “Friedrich Lieg Ich Hingegossen” | — | ||
| 2-12 | An die Entfernte, D.765 | — | ||
| 2-13 | Sehnsucht D516 “Der Lerche Wolkennahe Lieder” | — | ||
| 2-14 | An die untergehende Sonne, D. 457 | — | ||
| 2-15 | Die Abendrote D690 “Tiefer Sinket Schon Die Sonne” | — | ||
| 2-16 | Heimweh, op. 63 no. 8 | — | ||
| 2-17 | Der Frühling, op. 6 no. 2 | — | ||
| 2-18 | Sechs Gesänge op. 6: I. Spanisches Lied (aus dem Spanischen von Paul Heyse) | — | ||
| 2-19 | Wiegenlied, op. 49 no. 4 | — | ||
| 2-20 | Mörike-Lieder: 45. Nixe Binsefuss | — | ||
| 2-21 | Mörike-Lieder: 6. Er ist’s! | — | ||
| 2-22 | Mörike-Lieder: 36. “Lebe wohl” | — | ||
| 3-1 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | T-322.446.876-8 | |
| 3-2 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | T-322.446.817-7 | |
| 3-3 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante - Più adagio | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | T-322.449.900-3 | |
| 3-4 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 3-5 | Variations and Fugue on a Theme by Handel, op. 24: Theme & Variations | — | ||
| 3-6 | Variations and Fugue on a Theme by Handel, op. 24: Fugue | — | ||
| 4-1 | Concerto for Piano, Violin, and Cello in C, op. 56: I. Allegro | — | ||
| 4-2 | Concerto for Piano, Violin, and Cello in C, op. 56: II. Largo - attacca: | — | ||
| 4-3 | Concerto for Piano, Violin, and Cello in C, op. 56: III. Rondo alla Polacca | — | ||
| 4-4 | Piano Trio no. 7 in B-flat, op. 97 “Archduke”: I. Allegro moderato | — | ||
| 4-5 | Piano Trio no. 7 in B-flat, op. 97 “Archduke”: II. Scherzo (Allegro) | — | ||
| 4-6 | Piano Trio no. 7 in B-flat, op. 97 “Archduke”: III. Andante cantabile, ma però con moto - Poco più adagio | — | ||
| 4-7 | Piano Trio no. 7 in B-flat, op. 97 “Archduke”: IV. Allegro moderato | — | ||
| 5-1 | Rhapsody for Alto, Chorus, and Orchestra, op. 53 | — | ||
| 5-2 | Variations On A Theme By Haydn, op. 56a | — | ||
| 5-3 | Violin Concerto in D, op. 77: I. Allegro non troppo | — | ||
| 5-4 | Violin Concerto in D, op. 77: II. Adagio | — | ||
| 5-5 | Violin Concerto in D, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto | — | ||
| 6-1 | Années de pèlerinage: 3ème année, S.163: II. Aux cyprès de la Villa d’Este no. 1 (Thrénodie) | — | ||
| 6-2 | Années de pèlerinage: 3ème année, S.163: IV. Les jeux d’eau à la Villa d’Este | — | ||
| 6-3 | Années de pèlerinage: 3ème année, S.163: V. Sunt lacrimae rerum (En mode hongrois) | — | ||
| 6-4 | Weihnachtsbaum Suite, S.186: 7. Schlummerlied | — | ||
| 6-5 | Valse oubliée no. 1 in F-sharp, S.215 | — | ||
| 6-6 | Unstern: Sinistre, disastro, S.208 | — | ||
| 6-7 | Schlaflos - Frage und Antwort, S.203 | — | ||
| 6-8 | Mosonyis Grabgeleit, S.194 | — | ||
| 6-9 | Csárdás macabre, S.224 | — | ||
| 7-1 | Klavierkonzert Nr. 4 G-dur, Op. 58: I. Allegro moderato | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 7-2 | Klavierkonzert Nr. 4 G-dur, Op. 58: II. Andante con moto | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 7-3 | Klavierkonzert Nr. 4 G-dur, Op. 58: III. Rondo: Vivace | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 7-4 | Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | T-306.395.786-4 | |
| 7-5 | Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 7-6 | Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro ma non troppo | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | T-800.132.125-2 | |
| 8-1 | Violin Concerto in D, op. 61: I. Allegro ma non troppo | — | ||
| 8-2 | Violin Concerto in D, op. 61: II. Larghetto | — | ||
| 8-3 | Violin Concerto in D, op. 61: III. Rondo. Allegro | — | ||
| 8-4 | Symphony no. 6 in F, op. 68 - “Pastoral”: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | — | ||
| 8-5 | Symphony no. 6 in F, op. 68 - “Pastoral”: II. Szene am Bach: (Andante molto mosso) | — | ||
| 8-6 | Symphony no. 6 in F, op. 68 - “Pastoral”: III. Lustiges Zusammensein der Landleute (Allegro) | — | ||
| 8-7 | Symphony no. 6 in F, op. 68 - “Pastoral”: IV. Gewitter, Sturm (Allegro) | — | ||
| 8-8 | Symphony no. 6 in F, op. 68 - “Pastoral”: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm (Allegretto) | — | ||
| 9-1 | Stabat Mater: I. Stabat Mater dolorosa | — | ||
| 9-2 | Stabat Mater: II. Cujus animam gementem | — | ||
| 9-3 | Stabat Mater: III. Quis est homo qui non fleret | — | ||
| 9-4 | Stabat Mater: IV. Pro peccatis suae gentis | — | ||
| 9-5 | Stabat Mater: V. Eja Mater fons amoris | — | ||
| 9-6 | Stabat Mater: VI. Sancta Mater istud agas | — | ||
| 9-7 | Stabat Mater: VII. Fac ut portem Christi mortem | — | ||
| 9-8 | Stabat Mater: VIII. Inflammatus et accensus | — | ||
| 9-9 | Stabat Mater: IX. Quando corpus morietur | — | ||
| 9-10 | Stabat Mater: X. Amen | — | ||
| 10-1 | Il Corsaro: Prelude | — | ||
| 10-2 | Il Corsaro: Act I, “Come liberi volano i venti” | — | ||
| 10-3 | Il Corsaro: Act I, “Ah! sì, ben dite..” - “Tutto parea sorridere” - “Della brezza col favore” | — | ||
| 10-4 | Il Corsaro: Act I, “Si: de’corsari il fulmine” | — | ||
| 10-5 | Il Corsaro: Act I, “Egli non riede ancora!” | — | ||
| 10-6 | Il Corsaro: Act I, “Non so le tetre immagini” | — | ||
| 10-7 | Il Corsaro: Act I, “E pur tristo, o Medora” | — | ||
| 10-8 | Il Corsaro: Act I, “No, tu non sai comprendere” - “Tornerai, ma forse spenta” | — | ||
| 10-9 | Il Corsaro: Act II, “Oh qual perenne gaudio t’aspetta” | — | ||
| 10-10 | Il Corsaro: Act II, “Né sulla terra creatura alcuna” - “Vola talor dal carcere” - “Seide celebra non gioia e festa” | — | ||
| 10-11 | Il Corsaro: Act II, “Ah conforto è sol la speme” | — | ||
| 10-12 | Il Corsaro: Act II, “Sol grida di festa” - “O prodi miei, sorgete” | — | ||
| 10-13 | Il Corsaro: Act II, “Salve, Allah!” | — | ||
| 10-14 | Il Corsaro: Act II, “Giunge un Dervis” - “Di’: que’ribaldi tremano” | — | ||
| 10-15 | Il Corsaro: Act II, “Resta ancora” | — | ||
| 10-16 | Il Corsaro: Act II, “Audace cotanto mostrarti pur sai?” | — | ||
| 10-17 | Il Corsaro: Act II, “Signor, trafitti giaconno” | — | ||
| 11-1 | Il Corsaro: Act III, “Alfin questo corsaro è mio prigione!” | — | ||
| 11-2 | Il Corsaro: Act III, “Cento leggiadre vergini” - “Ma togliam dall’anima” | — | ||
| 11-3 | Il Corsaro: Act III, “S’avvicina il tuo momento” | — | ||
| 11-4 | Il Corsaro: Act III, “Eccola!...fingasi.” - “Sia l’istante maledetto” | — | ||
| 11-5 | Il Corsaro: Act III, “Eccomi prigionero!” | — | ||
| 11-6 | Il Corsaro: Act III, “Ei dorme?” | — | ||
| 11-7 | Il Corsaro: Act III, “Seid la vuole” - “Non sai tu che sulla testa” | — | ||
| 11-8 | Il Corsaro: Act III, “Sul capo mio discenda” | — | ||
| 11-9 | Il corsaro: Atto III, scena 2. “La terra, il ciel m'abborrino ...” | Montserrat Caballé, José Carreras, New Philharmonia Orchestra, Lamberto Gardelli | — | |
| 11-10 | Il Corsaro: Act III, “Voi tacete...” | — | ||
| 11-11 | Il Corsaro: Act III, “Per me infelice” | — | ||
| 11-12 | Il Corsaro: Act III, “O mio Corrado, appressati” | — | ||
| 12-1 | Symphonie fantastique, op. 14: I. Rêveries – Passions | Koninklijk Concertgebouworkest, Colin Davis | — | |
| 12-2 | Symphonie fantastique, op. 14: II. Un bal | Koninklijk Concertgebouworkest, Colin Davis | — | |
| 12-3 | Symphonie fantastique, op. 14: III. Scène aux champs | Koninklijk Concertgebouworkest, Colin Davis | — | |
| 12-4 | Symphonie fantastique, op. 14: IV. Marche au supplice | Koninklijk Concertgebouworkest, Colin Davis | — | |
| 12-5 | Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat | Koninklijk Concertgebouworkest, Colin Davis | — | |
| 12-6 | Symphony in G, Hob I:94 "Surprise": I. Adagio - Vivace assai | Koninklijk Concertgebouworkest, Sir Colin Davis | — | |
| 12-7 | Symphony in G, Hob I:94 "Surprise": II. Andante | Koninklijk Concertgebouworkest, Sir Colin Davis | — | |
| 12-8 | Symphony in G, Hob I:94 "Surprise": III. Menuet (Allegro molto) | Koninklijk Concertgebouworkest, Sir Colin Davis | T-329.454.787-4 | |
| 12-9 | Symphony in G, Hob I:94 "Surprise": IV. Finale (Allegro di molto) | Koninklijk Concertgebouworkest, Sir Colin Davis | T-318.676.528-2 | |
| 13-1 | Concerto for Orchestra: I. Allegro - Più mosso | — | ||
| 13-2 | Concerto for Orchestra: II. Largo | — | ||
| 13-3 | Concerto for Orchestra: III. Allegro molto - Sub. pochissimo meno mosso | — | ||
| 13-4 | Concerto for Violin, Viola, Cello and Orchestra: Medium fast | — | ||
| 13-5 | Concerto for Violin, Viola, Cello and Orchestra: Interlude (Medium slow) | — | ||
| 13-6 | Concerto for Violin, Viola, Cello and Orchestra: Very slow, calmer still | — | ||
| 13-7 | Concerto for Violin, Viola, Cello and Orchestra: Interlude (Medium fast) | — | ||
| 13-8 | Concerto for Violin, Viola, Cello and Orchestra: Medium fast | — | ||
| 14-1 | Suite for Orchestra no. 3 in G major, op. 55: I. Elégie. Andantino molto cantabile | New Philharmonia Orchestra, Antal Doráti | — | |
| 14-2 | Suite for Orchestra no. 3 in G major, op. 55: II. Valse melancolique. Allegro moderato | New Philharmonia Orchestra, Antal Doráti | — | |
| 14-3 | Suite for Orchestra no. 3 in G major, op. 55: III. Scherzo. Molto vivace | New Philharmonia Orchestra, Antal Doráti | — | |
| 14-4 | Suite for Orchestra no. 3 in G major, op. 55: IV. Tema con variazioni. Andante con moto | Hugh Bean, New Philharmonia Orchestra, Antal Doráti | — | |
| 14-5 | Suite for Orchestra no. 4 in G major, op. 61 “Mozartiana”: I. Gigue, K574. Allegro | New Philharmonia Orchestra, Antal Doráti | — | |
| 14-6 | Suite for Orchestra no. 4 in G major, op. 61 “Mozartiana”: II. Menuet, K355. Moderato | New Philharmonia Orchestra, Antal Doráti | — | |
| 14-7 | Suite for Orchestra no. 4 in G major, op. 61 “Mozartiana”: III. Preghiera. Andante non tanto | New Philharmonia Orchestra, Antal Doráti | T-329.460.887-6 | |
| 14-8 | Suite for Orchestra no. 4 in G major, op. 61 “Mozartiana”: IV. Thème et variations. Allegro giusto | Hugh Bean, Colin Bradbury, New Philharmonia Orchestra, Antal Doráti | — | |
| 15-1 | Hungarian Peasant Songs for Orchestra, BB 107: I. Ballade | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-2 | Hungarian Peasant Songs for Orchestra, BB 107: II. Hungarian Peasant Dances | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-3 | Hungarian Sketches for Orchestra, BB 103: I. An Evening in the Village | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-4 | Hungarian Sketches for Orchestra, BB 103: II. Bear Dance | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-5 | Hungarian Sketches for Orchestra, BB 103: III. Melody | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-6 | Hungarian Sketches for Orchestra, BB 103: IV. Slightly Tipsy | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-7 | Hungarian Sketches for Orchestra, BB 103: V. Swineherd's Dance | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-8 | Roumanian Folk Dances for Orchestra, BB 76: I. Stick Dance (from Mezoszabad) | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-9 | Roumanian Folk Dances for Orchestra, BB 76: II. Sash Dance (from Egres) | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-10 | Roumanian Folk Dances for Orchestra, BB 76: III. In One Spot (from Egres) | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-11 | Roumanian Folk Dances for Orchestra, BB 76: IV. Horn Dance (from Bisztra) | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-12 | Roumanian Folk Dances for Orchestra, BB 76: V. Roumanian Polka (from Belenyes) | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-13 | Roumanian Folk Dances for Orchestra, BB 76: VI. Fast Dance (from Belenyes) | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-14 | Roumanian Folk Dances for Orchestra, BB 76: VII. Fast Dance (from Nyagra) | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-15 | Transylvanian Dances for Orchestra, BB 102b: I. Allegretto | Budapest Festival Orchestra, Iván Fischer | T-070.160.313-5 | |
| 15-16 | Transylvanian Dances for Orchestra, BB 102b: II. Moderato | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-17 | Transylvanian Dances for Orchestra, BB 102b: III. Allegro vivace | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-18 | Roumanian Dance for Orchestra, BB 61 | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-19 | The Miraculous Mandarin, BB 82: I. Allegro. Introduction | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-20 | The Miraculous Mandarin, BB 82: II. Moderato. First Decoy Game | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-21 | The Miraculous Mandarin, BB 82: III. Second Decoy Game | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-22 | The Miraculous Mandarin, BB 82: IV. Sostenuto. Third Decoy Game | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-23 | The Miraculous Mandarin, BB 82: V. Maestoso. The Mandarin Enters | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-24 | The Miraculous Mandarin, BB 82: VI. Allegro. The Girl Sinks Down to Embrace Him | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-25 | The Miraculous Mandarin, BB 82: VII. Sempre vivo. The Tramps Leap Out | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-26 | The Miraculous Mandarin, BB 82: VIII. Adagio. Suddenly the Mandarin's Head Appears | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-27 | The Miraculous Mandarin, BB 82: IX. Agitato. Again, the Frightened Tramps Discuss How to Eliminate The | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-28 | The Miraculous Mandarin, BB 82: X. Molto moderato. The Body of the Mandarin Begins to Glow With a Green | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-29 | The Miraculous Mandarin, BB 82: XI. Piu mosso. The Mandarin Falls on the Floor | Budapest Festival Orchestra, Iván Fischer | — | |
| 16-1 | Requiem, op. 48: I. Introitus: Requiem aeternam – Kyrie | Rotterdams Philharmonisch Orkest, Elly Ameling, Bernard Kruysen, Netherlands Radio Choir, Jean Fournet | — | |
| 16-2 | Requiem, op. 48: II. Offertorium: Domine Jesu Christe | Rotterdams Philharmonisch Orkest, Elly Ameling, Bernard Kruysen, Netherlands Radio Choir, Jean Fournet | — | |
| 16-3 | Requiem, op. 48: III. Sanctus | Rotterdams Philharmonisch Orkest, Elly Ameling, Bernard Kruysen, Netherlands Radio Choir, Jean Fournet | T-003.012.217-8 | |
| 16-4 | Requiem, op. 48: IV. Pie Jesu | Bernard Kruysen, Elly Ameling, Groot Omroepkoor, Daniel Chorzempa, Rotterdam Philharmonic Orchestra, Jean Fournet | T-010.065.879-4 | |
| 16-5 | Requiem, op. 48: V. Agnus Dei | Rotterdams Philharmonisch Orkest, Elly Ameling, Bernard Kruysen, Netherlands Radio Choir, Jean Fournet | T-926.356.677-4 | |
| 16-6 | Requiem, op. 48: VI. Libera me | Rotterdams Philharmonisch Orkest, Elly Ameling, Bernard Kruysen, Netherlands Radio Choir, Jean Fournet | — | |
| 16-7 | Requiem, op. 48: VII. In paradisum | Rotterdam Philharmonic Orchestra, Jean Fournet | T-924.489.944-3 | |
| 16-8 | Pavane, op. 50 | Rotterdams Philharmonisch Orkest, Jean Fournet | T-909.340.218-7 | |
| 16-9 | Pièces de fantaisie, Suite no. 3, op. 54: I. Dédicace | — | ||
| 16-10 | Pièces de fantaisie, Suite no. 3, op. 54: II. Impromptu | — | ||
| 16-11 | Pièces de fantaisie, Suite no. 3, op. 54: III. Etoile du soir | — | ||
| 16-12 | Pièces de fantaisie, Suite no. 3, op. 54: VI. Carillon de Westminster | — | ||
| 17-1 | Requiem: I. Requiem | Luca Canonici, Alastair Miles, Monteverdi Choir, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-923.239.666-6 | |
| 17-2 | Requiem: IIa. Dies irae | Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 17-3 | Requiem: IIb. Dies irae: Tuba mirum | Alastair Miles, Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 17-4 | Requiem: IIc. Dies irae: Liber scriptus | Monteverdi Choir, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 17-5 | Messa da requiem: IIe. Dies irae: Quid sum miser | Luca Canonici, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 17-6 | Requiem: IIe. Dies irae: Rex tremendae | Luca Canonici, Alastair Miles, Monteverdi Choir, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 17-7 | Requiem: IIf. Dies irae: Recordare | Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 17-8 | Requiem: IIg. Dies irae: Ingemisco | Luca Canonici, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 17-9 | Requiem: IIh. Dies irae: Confutatis | Alastair Miles, Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 17-10 | Requiem: IIi. Dies irae: Lacrymosa | Luca Canonici, Alastair Miles, Monteverdi Choir, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 17-11 | Requiem: III. Offertorio | Luca Canonici, Alastair Miles, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 17-12 | Requiem: IV. Sanctus | Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 17-13 | Requiem: V. Agnus Dei | Monteverdi Choir, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 17-14 | Requiem: VI. Lux aeterna | Luca Canonici, Alastair Miles, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-910.952.061-8 | |
| 17-15 | Requiem: VII. Libera me | Monteverdi Choir, Ľuba Orgonášová, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-329.460.025-8 | |
| 18-1 | Symphony no. 5 In E minor, op. 64: I. Andante - Allegro con anima | — | ||
| 18-2 | Symphony no. 5 In E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima | — | ||
| 18-3 | Symphony no. 5 In E minor, op. 64: III. Valse (Allegro moderato) | — | ||
| 18-4 | Symphony no. 5 In E minor, op. 64: IV. Finale (Andante maestoso - Allegro vivace) | — | ||
| 18-5 | Prelude to Khovanshchina (orch. Shostakovich) | Wiener Philharmoniker, Валерий Абисалович Гергиев | — | |
| 18-6 | Night on the Bare Mountain (arr. Rimsky-Korsakov) | Wiener Philharmoniker, Valery Gergiev | — | |
| 18-7 | Gopak from Sorochintsy Fair (orch. Lyadov) | Wiener Philharmoniker, Валерий Абисалович Гергиев | T-061.792.443-2 | |
| 19-15 | Le Poème de l'extase, op. 54 | Kirov Orchestra, Valery Gergiev | — | |
| 20-1 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563: I. Allegro | Grumiaux Trio | T-011.422.353-8 | |
| 20-2 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563: II. Adagio | Grumiaux Trio | T-802.445.410-3 | |
| 20-3 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563: III. Minuetto | Grumiaux Trio | — | |
| 20-4 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563: IV. Andante | Grumiaux Trio | T-003.055.867-8 | |
| 20-5 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563: V. Minuetto | Grumiaux Trio | — | |
| 20-6 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563: VI. Allegro | Grumiaux Trio | T-329.454.787-4 | |
| 20-7 | String Quartet in G minor, KV 516: I. Allegro | Grumiaux Trio, Arpad Gérecz, Max Lesueur | T-011.422.353-8 | |
| 20-8 | String Quartet in G minor, KV 516: II. Menuetto (Allegretto) | Grumiaux Trio, Arpad Gérecz, Max Lesueur | T-931.717.066-4 | |
| 20-9 | String Quartet in G minor, KV 516: III. Adagio ma non troppo | Grumiaux Trio, Arpad Gérecz, Max Lesueur | — | |
| 20-10 | String Quartet in G minor, KV 516: IV. Adagio - Allegro | Grumiaux Trio, Arpad Gérecz, Max Lesueur | T-318.676.528-2 | |
| 22-1 | Nocturnes : 1. Nuages | Concertgebouw Orchestra, Bernard Haitink | — | |
| 22-2 | Nocturnes : 2. Fêtes | Concertgebouw Orchestra, Bernard Haitink | T-924.579.128-0 | |
| 22-3 | Nocturnes : 3. Sirènes | Concertgebouw Orchestra, Bernard Haitink | T-924.579.128-0 | |
| 22-4 | Jeux (Poème dansé) | — | ||
| 22-5 | Prélude à l’après‐midi d’un faune | Concertgebouw Orchestra, Bernard Haitink | — | |
| 22-6 | La Mer : 1. De l’aube à midi sur la mer | Concertgebouw Orchestra, Bernard Haitink | T-011.422.353-8 | |
| 22-7 | La Mer : 2. Jeux des vagues | Concertgebouw Orchestra, Bernard Haitink | T-003.011.148-8 | |
| 22-8 | La Mer : 3. Dialogue du vent et de la mer | Concertgebouw Orchestra, Bernard Haitink | T-070.058.268-8 | |
| 23-1 | Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde | James King, Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 23-2 | Das Lied von der Erde: II. Der Einsame im Herbst | Janet Baker, Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 23-3 | Das Lied von der Erde: III. Von der Jugend | James King, Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 23-4 | Das Lied von der Erde: IV. Von der Schönheit | Janet Baker, Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 23-5 | Das Lied von der Erde: V. Der Trunkene im Frühling | James King, Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 23-6 | Das Lied von der Erde: VI: Der Abschied | Janet Baker, Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 24-1 | Trumpet Concerto in E-flat major: I. Allegro con spirito | — | ||
| 24-2 | Trumpet Concerto in E-flat major: II. Andante | — | ||
| 24-3 | Trumpet Concerto in E-flat major: III. Rondo | — | ||
| 24-4 | Trumpet Concerto in D: I. Allegro ma non troppo | — | ||
| 24-5 | Trumpet Concerto in D: II. Largo | — | ||
| 24-6 | Trumpet Concerto in D: III. Vivace | — | ||
| 24-7 | Trumpet Concerto in D (reconstr. Boustead): I. Allegro non troppo presto | — | ||
| 24-8 | Trumpet Concerto in D (reconstr. Boustead): II. Adagio | — | ||
| 24-9 | Trumpet Concerto in D (reconstr. Boustead): III. Allegro molto | — | ||
| 24-10 | Konzert für Trompete Es-Dur, Hob.VIIe:1: I. Allegro | Håkan Hardenberger, Academy of St Martin in the Fields, Sir Neville Marriner | T-311.220.155-1 | |
| 24-11 | Konzert für Trompete Es-Dur, Hob.VIIe:1: II. Andante | Håkan Hardenberger, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 24-12 | Konzert für Trompete Es-Dur, Hob.VIIe:1: III. Allegro | Håkan Hardenberger, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-1 | Concerto for Piano No. 20 in D minor, K. 466: I. Allegro | Clara Haskil, Orchestre des Concerts Lamoureux, Igor Markevitch | T-011.422.353-8 | |
| 25-2 | Concerto for Piano No. 20 in D minor, K. 466: II. Romanze | Clara Haskil, Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 25-3 | Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai | Clara Haskil, Orchestre des Concerts Lamoureux, Igor Markevitch | T-306.395.786-4 | |
| 25-4 | Concerto for Piano No. 24 in C minor, K. 491: I. Allegro | Clara Haskil, Orchestre des Concerts Lamoureux, Igor Markevitch | T-011.422.353-8 | |
| 25-5 | Concerto for Piano No. 24 in C minor, K. 491: II. Larghetto | Clara Haskil, Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 25-6 | Concerto for Piano No. 24 in C minor, K. 491: III. Allegretto | Clara Haskil, Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 26-1 | Eugene Onegin, op. 24: Act I, “Vi mnye pisali” - “Kogda bi zhizn domashnim krugom” | — | ||
| 26-2 | Eugene Onegin, op. 24: Act III, “Uzhel ta samaya Tatyana” - “Uvi, somnyenya nyet” | — | ||
| 26-3 | Pique Dame (Pikovaya Dama): “Vy tak pechalny” | — | ||
| 26-4 | La traviata: Act II, “Di Provenza il mar, il suol” | — | ||
| 26-5 | Macbeth: Act IV, Scena ed Aria: “Perfidi!” - “Pietà, rispetto, amore” | — | ||
| 26-6 | Luisa Miller: Act I, Sacra la scelta è d’un consorte | — | ||
| 26-7 | The Sorceress (Charodeyka): Act II, “Dela, pravlenija” - “A obraz toj prigozhnitsy” | — | ||
| 26-8 | Iolanta: “Kto mozhet” | — | ||
| 26-9 | Mazeppa, Opera in 3 Acts: Act II, “O, Marija, Marija!” | — | ||
| 26-10 | Il Trovatore: Act II, “Tutto è deserto” - “Il balen del suo sorriso” | — | ||
| 26-11 | Don Carlo: Act IV, “Son io, mio Carlo” - “Per me giunto” - “O Carlo, ascolta” | — | ||
| 27-1 | Vesperae solennes de confessore, K. 339: I. Dixit Dominus Domino meo (Psalm 109/110) | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | — | |
| 27-2 | Vesperae solennes de confessore, K. 339: II. Confitebor tibi, Domine (Psalm 110/111) | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | — | |
| 27-3 | Vesperae solennes de confessore, K. 339: III. Beatus vir qui timet Dominum (Psalm 111/112) | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | — | |
| 27-4 | Vesperae solennes de confessore, K. 339: IV. Laudate pueri Dominum (Psalm 112/113) | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | — | |
| 27-5 | Vesperae solennes de confessore, K. 339: V. Laudate Dominum omnes gentes (Psalm 116/117) | London Symphony Chorus, Kiri Te Kanawa, John Constable, London Symphony Orchestra, Sir Colin Davis | — | |
| 27-6 | Vesperae solennes de confessore, K. 339: VI. Magnificat anima mea (Luke 1, 46-55) | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | — | |
| 27-7 | Kyrie, K. 341/368a | John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | — | |
| 27-8 | Ave verum corpus, K. 618 | London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | T-323.252.117-0 | |
| 27-9 | Motet for Soprano & Orchestra in F major, K. 158a/165 (Milano version): I. "Exsultate, jubilate" / II. Recitativo: "Fulget amica dies" / III. "Tu virginum corona" / IV. "Alleluja" | Kiri Te Kanawa, London Symphony Orchestra, Sir Colin Davis | — | |
| 27-10 | Zaïde, K. 336b/344 (fragment): Act I. No. 3 Aria "Ruhe sanft, mein holdes Leben" (Zaïde) | Kiri Te Kanawa, London Symphony Orchestra, Sir Colin Davis | — | |
| 27-11 | Die Zauberflöte, K. 620: Act II, Scene XIX. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina) | Kiri Te Kanawa, London Symphony Orchestra, Sir Colin Davis | — | |
| 27-12 | Cosi fan tutte, K.588: <Ei parte...Senti...> <Perpiete, ben mio perdona> | Kiri Te Kanawa, London Symphony Orchestra, Sir Colin Davis | — | |
| 28-1 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 28-2 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 28-3 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | T-071.926.821-9 | |
| 28-4 | Piano Concerto No. 3 in D minor: I. Allegro ma non tanto | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 28-5 | Piano Concerto No. 3 in D minor: II. Intermezzo | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 28-6 | Piano Concerto No. 3 in D minor: III. Finale. Alla breve | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 28-7 | Vocalise, Op. 34, No.14 | Zoltán Kocsis | T-900.222.366-7 | |
| 29-1 | Scheherazade, op. 35: I. The sea and Sindbad's ship | Herman Krebbers, Koninklijk Concertgebouworkest, Кирилл Кондрашин | — | |
| 29-2 | Scheherazade, op. 35: II. The story of the Kalender prince | Herman Krebbers, Koninklijk Concertgebouworkest, Кирилл Кондрашин | — | |
| 29-3 | Scheherazade, op. 35: III. The young prince and princess | Herman Krebbers, Koninklijk Concertgebouworkest, Кирилл Кондрашин | — | |
| 29-4 | Scheherazade, op. 35: IV. Festival at Baghdad - The sea - Shipwreck - Conclusion | Herman Krebbers, Koninklijk Concertgebouworkest, Кирилл Кондрашин | — | |
| 29-5 | Symphony no. 2 in B minor: I. Allegro | Concertgebouw Orchestra, Kirill Kondrashin | — | |
| 29-6 | Symphony no. 2 in B minor: II. Scherzo: Prestissimo - Trio: Allegretto | Concertgebouw Orchestra, Kirill Kondrashin | — | |
| 29-7 | Symphony no. 2 in B minor: III. Andante | Concertgebouw Orchestra, Kirill Kondrashin | — | |
| 29-8 | Symphony no. 2 in B minor: IV. Finale: Allegro | Concertgebouw Orchestra, Kirill Kondrashin | — | |
| 30-1 | Sonata for 2 Pianos and Percussion: Assai lento - Allegro molto | — | ||
| 30-2 | Sonata for 2 Pianos and Percussion: Lento ma non troppo | — | ||
| 30-3 | Sonata for 2 Pianos and Percussion: Allegro non troppo | — | ||
| 30-4 | Andante and Five Variations for piano duet In G, K.501: Thema (Andante) | Martha Argerich, Stephen Kovacevich | T-902.919.739-5 | |
| 30-5 | Andante and Five Variations for piano duet In G, K.501: Variation 1 | Martha Argerich, Stephen Kovacevich | — | |
| 30-6 | Andante and Five Variations for piano duet In G, K.501: Variation 2 | Martha Argerich, Stephen Kovacevich | T-003.038.364-2 | |
| 30-7 | Andante and Five Variations for piano duet In G, K.501: Variation 3 | Martha Argerich, Stephen Kovacevich | T-003.038.364-2 | |
| 30-8 | Andante and Five Variations for piano duet In G, K.501: Variation 4 | Martha Argerich, Stephen Kovacevich | T-003.979.618-3 | |
| 30-9 | Andante and Five Variations for piano duet In G, K.501: Variation 5 | Martha Argerich, Stephen Kovacevich | T-003.038.364-2 | |
| 30-10 | En blanc et noir: I. Avec emportement | — | ||
| 30-11 | En blanc et noir: II. Lent. Sombre | — | ||
| 30-12 | En blanc et noir: III. Scherzando | — | ||
| 30-13 | Out of Doors, BB 89, Sz.81 Volume I: I. Avec tambours et fifres | Stephen Kovacevich | — | |
| 30-14 | Out of Doors, BB 89, Sz.81 Volume I: II. Barcarolla | Stephen Kovacevich | — | |
| 30-15 | Out of Doors, BB 89, Sz.81 Volume I: III. Musettes | Stephen Kovacevich | — | |
| 30-16 | Out of Doors, BB 89, Sz.81 Volume II: IV. Musiques nocturnes | Stephen Kovacevich | — | |
| 30-17 | Out of Doors, BB 89, Sz.81 Volume II: V. La Chasse | Stephen Kovacevich | — | |
| 30-18 | Sonatina, BB 69, Sz.55: I. Allegretto | Stephen Kovacevich | T-007.183.929-6 | |
| 30-19 | Sonatina, BB 69, Sz.55: II. Moderato | Stephen Kovacevich | T-007.183.929-6 | |
| 30-20 | Sonatina, BB 69, Sz.55: III. Allegro vivace | Stephen Kovacevich | T-007.183.929-6 | |
| 31-1 | Piano Concerto in A minor, op. 16: I. Allegro molto moderato | Stephen Kovacevich, BBC Symphony Orchestra, Sir Colin Davis | T-902.781.050-0 | |
| 31-2 | Piano Concerto in A minor, op. 16: II. Adagio | Stephen Kovacevich, BBC Symphony Orchestra, Sir Colin Davis | T-927.972.087-5 | |
| 31-3 | Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato - Quasi presto - Andante maestoso | Stephen Kovacevich, BBC Symphony Orchestra, Sir Colin Davis | — | |
| 31-4 | Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso | Stephen Kovacevich, BBC Symphony Orchestra, Sir Colin Davis | T-909.264.262-1 | |
| 31-5 | Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso | Stephen Kovacevich, BBC Symphony Orchestra, Sir Colin Davis | — | |
| 31-6 | Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace | Stephen Kovacevich, BBC Symphony Orchestra, Sir Colin Davis | T-909.264.262-1 | |
| 32-1 | Concerto no. 4 in G major, BWV 1049: I. Allegro | David Munrow, John Turner, José-Luis García, English Chamber Orchestra, Raymond Leppard | T-070.161.055-0 | |
| 32-2 | Concerto no. 4 in G major, BWV 1049: II. Andante | English Chamber Orchestra, Raymond Leppard | — | |
| 32-3 | Concerto no. 4 in G major, BWV 1049: III. Presto | English Chamber Orchestra, Raymond Leppard | — | |
| 32-4 | Concerto no. 5 in D major, BWV 1050: I. Allegro | English Chamber Orchestra, Raymond Leppard | — | |
| 32-5 | Concerto no. 5 in D major, BWV 1050: II. Affettuoso | English Chamber Orchestra, Raymond Leppard | — | |
| 32-6 | Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro | José-Luis García, Richard Adeney, English Chamber Orchestra, Raymond Leppard | — | |
| 32-7 | Concerto no. 6 in B-flat major, BWV 1051: I. Allegro | English Chamber Orchestra, Raymond Leppard | T-801.411.105-9 | |
| 32-8 | Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto | English Chamber Orchestra, Raymond Leppard | — | |
| 32-9 | Concerto no. 6 in B-flat major, BWV 1051: III. Allegro | English Chamber Orchestra, Raymond Leppard | — | |
| 32-10 | Concerto for Harpsichord, Strings, and Continuo No.5 in F minor, BWV 1056: 1. (Allegro) | Raymond Leppard, English Chamber Orchestra | T-800.184.797-9 | |
| 32-11 | Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo | Raymond Leppard, English Chamber Orchestra | T-309.901.323-3 | |
| 32-12 | Concerto for Harpsichord, Strings, and Continuo No.5 in F minor, BWV 1056: 3. Presto | Raymond Leppard, English Chamber Orchestra | — | |
| 32-13 | Concerto for 4 Harpsichords, Strings, and Continuo in A minor, BWV 1065: I. (Allegro) | — | ||
| 32-14 | Concerto for 4 Harpsichords, Strings, and Continuo in A minor, BWV 1065: II. Largo | — | ||
| 32-15 | Concerto for 4 Harpsichords, Strings, and Continuo in A minor, BWV 1065: III. Allegro | — | ||
| 33-1 | Quatuor pour la fin du temps: I. Liturgie de cristal | — | ||
| 33-2 | Quatuor pour la fin du temps: II. Vocalise, pour l’Ange qui annonce la fin du temps | — | ||
| 33-3 | Quatuor pour la fin du temps: III. Abîme des oiseaux | — | ||
| 33-4 | Quatuor pour la fin du temps: IV. Intermède | — | ||
| 33-5 | Quatuor pour la fin du temps: V. Louange à l’Eternité de Jésus | — | ||
| 33-6 | Quatuor pour la fin du temps: VI. Danse de la fureur, pour les sept trompettes | — | ||
| 33-7 | Quatuor pour la fin du temps: VII. Fouillis d’arcs-en-ciel, pour l’Ange qui annonce la fin du temps | — | ||
| 33-8 | Quatuor pour la fin du temps: VIII. Louange à l’Immortalité de Jésus | — | ||
| 33-9 | Trois Gnossiennes : I. Lent | Reinbert de Leeuw | T-003.010.023-2 | |
| 33-10 | Trois Gnossiennes : II. Avec étonnement | Reinbert de Leeuw | T-003.010.023-2 | |
| 33-11 | Trois Gnossiennes : III. Lent | Reinbert de Leeuw | T-011.688.813-1 | |
| 33-12 | Gnossiennes: no. 4 | — | ||
| 33-13 | Gnossienne No. 5, Modéré | Reinbert de Leeuw | T-004.016.586-3 | |
| 33-14 | Gnossiennes: no. 6 | — | ||
| 34-1 | Symphony no. 3 in D major, op. 29 “Polish”: I. Introduzione e Allegro | London Symphony Orchestra, Igor Markevitch | — | |
| 34-2 | Symphony no. 3 in D major, op. 29 “Polish”: II. Alla tedesca - Allegro moderato e semplice | London Symphony Orchestra, Igor Markevitch | — | |
| 34-3 | Symphony no. 3 in D major, op. 29 “Polish”: III. Andante elegiaco | London Symphony Orchestra, Igor Markevitch | — | |
| 34-4 | Symphony no. 3 in D major, op. 29 “Polish”: IV. Scherzo. Allegro vivo | London Symphony Orchestra, Igor Markevitch | — | |
| 34-5 | Symphony no. 3 in D major, op. 29 “Polish”: V. Finale. Allegro con fuoco | London Symphony Orchestra, Igor Markevitch | — | |
| 34-6 | Symphony no. 8 in G major, op. 88: I. Allegro con brio | London Symphony Orchestra, Witold Rowicki | — | |
| 34-7 | Symphony no. 8 in G major, op. 88: II. Adagio | London Symphony Orchestra, Witold Rowicki | — | |
| 34-8 | Symphony no. 8 in G major, op. 88: III. Allegretto grazioso | London Symphony Orchestra, Witold Rowicki | — | |
| 34-9 | Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo | London Symphony Orchestra, Witold Rowicki | T-912.623.296-0 | |
| 35-1 | Il barbiere di Siviglia: Sinfonia | Academy of St Martin in the Fields, Neville Marriner | T-306.482.271-1 | |
| 35-2 | Il barbiere di Siviglia: Act I, no. 1 Introduzione: “Piano, pianissimo” | — | ||
| 35-3 | Il barbiere de Siviglia: Atto I, Scena I. Cavatina “Ecco ridente in cielo” (Conte) | Ambrosia Opera Chorus, Francisco Araiza, Matthew Best, Academy of St Martin in the Fields, Neville Marriner | — | |
| 35-4 | Il barbiere di Siviglia: Act I, Recitativo: “Gente indiscreta” | — | ||
| 35-5 | The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum” | Sherrill Milnes, London Philharmonic Orchestra, Silvio Varviso | T-900.095.253-4 | |
| 35-6 | Il barbiere di Siviglia: Act I, Recitativo: “Ah, ah! che bella vita” - no. 3 Canzone: “Se il mio nome saper voi bramate” - Recitativo: “Oh cielo!”-“Nella stanza” | — | ||
| 35-7 | Il barbiere di Siviglia: Act I, no. 4 Duetto: “All’idea di quel metallo” | — | ||
| 35-8 | Il barbiere de Siviglia: Atto I, Scena V. No. 5 “Una voce poco fa” (Rosina) | Agnes Baltsa, Academy of St Martin in the Fields, Neville Marriner | — | |
| 35-9 | Il barbiere di Siviglia: Act I, Recitativo: “Sì, sì, la vincerò” | — | ||
| 35-10 | Il barbiere di Siviglia: Act I, no. 6 Aria: “La calunnia è un venticello” | — | ||
| 35-11 | Il barbiere di Siviglia: Act I, Recitativo: “Ah, che ne dite?” | — | ||
| 35-12 | Il barbiere di Siviglia: Act I, no. 7 Duetto: “Dunque io son... tu non m’inganni?” | — | ||
| 35-13 | Il barbiere di Siviglia: Act I, Recitativo: “Ora mi sento meglio” | — | ||
| 35-14 | Il barbiere di Siviglia: Act I, no. 8 Aria: “A un dottor della mia sorte” | — | ||
| 36-1 | Il barbiere di Siviglia: Act I, Recitativo: “Finora in questa camera” - no. 9 Finale I: “Ehi, di casa!... buona gente!...” | — | ||
| 36-2 | Il barbiere di Siviglia: Act II, Recitativo: “Ma vedi il mio destino” - no. 10 Duetto: “Pace e gioia sia con voi” | — | ||
| 36-3 | Il barbiere di Siviglia: Act II, Recitativo: ““Insomma, mio signore” | — | ||
| 36-4 | Il barbiere di Siviglia: Act II, no. 11 Aria: “Contro un cor che accende amore” | — | ||
| 36-5 | Il barbiere di Siviglia: Act II, Recitativo: “Bella voce! Bravissima!” - no. 12 Arietta: “Quando mi sei vicina” | — | ||
| 36-6 | Il barbiere di Siviglia: Act II, Recitativo: “Bravo, signor barbiere” | — | ||
| 36-7 | Il barbiere di Siviglia: Act II, no. 13 Quintetto: “Don Basilio!” “Cosa veggo!” | — | ||
| 36-8 | Il barbiere di Siviglia: Act II, Recitativo: “Sempre gridi e tumulti” - no. 14 Aria: “Il vecchiotto cerca moglie” | — | ||
| 36-9 | Il barbiere di Siviglia: Act II, Recitativo: “Dunque voi Don Alonso non conoscete” | — | ||
| 36-10 | Il barbiere di Siviglia: Act II, no. 15 Temporale (Thunderstorm) | — | ||
| 36-11 | Il barbiere di Siviglia: Act II, Recitativo: “Alfine, eccoci qua” | — | ||
| 36-12 | Il barbiere di Siviglia: Act II, no. 16 Terzetto: “Ah! qual colpo inaspettato!” | — | ||
| 36-13 | Il barbiere di Siviglia: Act II, Recitativo: “Ah! disgraziati noi!” - no. 17 Recitativo strumentato: “Il Conte!” | — | ||
| 36-14 | Il barbiere di Siviglia: Act II, no. 18 Aria: “Cessa di più resistere” | — | ||
| 36-15 | Il barbiere di Siviglia: Act II, Recitativo: “Insomma, io ho tutti i torti” | — | ||
| 36-16 | Il barbiere di Siviglia: Act II, no. 19 Finaletto II: “Di sì felice innesto” | — | ||
| 37-1 | Violin Concerto in D, op. 35: I. Allegro moderato | Viktoria Mullova, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 37-2 | Violin Concerto in D, op. 35: II. Canzonetta: Andante | Viktoria Mullova, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 37-3 | Violin Concerto in D, op. 35: III. Finale: Allegro vivacissimo | Viktoria Mullova, Boston Symphony Orchestra, Seiji Ozawa | T-902.717.414-7 | |
| 37-4 | Violin Concerto in D minor, op. 47: I. Allegro moderato | Viktoria Mullova, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 37-5 | Violin Concerto in D minor, op. 47: II. Adagio di molto | Viktoria Mullova, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 37-6 | Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto | Viktoria Mullova, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 38-1 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera" / "Spring": I. Allegro | Roberto Michelucci, I Musici | T-902.836.120-8 | |
| 38-2 | Concerto no. 1 in E major, op. 8, RV 269, “La primavera”: II. Largo | Roberto Michelucci, I Musici | — | |
| 38-3 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera" / "Spring": III. Allegro (Danza pastorale) | Roberto Michelucci, I Musici | — | |
| 38-4 | Concerto in G minor, op. 8 no. 2, RV 315 "L'estate" / "Summer": I. Allegro non molto - Allegro | Roberto Michelucci, I Musici | — | |
| 38-5 | Concerto no. 2 in G minor, op. 8, RV 315, “L'estate”: II. Adagio e piano - Presto e forte | Roberto Michelucci, I Musici | — | |
| 38-6 | Concerto no. 2 in G minor, op. 8, RV 315, “L'estate”: III. Presto (Tempo impetuoso d'estate) | Roberto Michelucci, I Musici | — | |
| 38-7 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno" / "Autumn": I. Allegro (Ballo, e canto de' villanelli) / (Peasant dance and song) | Roberto Michelucci, I Musici | — | |
| 38-8 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno" / "Autumn": II. Adagio molto (Ubriachi dormienti) / (Sleeping drunkards) | Roberto Michelucci, I Musici | — | |
| 38-9 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno" / "Autumn": III. Allegro (La caccia) / (The Hunt) | Roberto Michelucci, I Musici | — | |
| 38-10 | Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno" / "Winter": I. Allegro non molto | Roberto Michelucci, I Musici | — | |
| 38-11 | Concerto in F minor, op. 8 no. 4, RV 297 "Winter": II. Largo | Roberto Michelucci, I Musici | — | |
| 38-12 | Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno" / "Winter": III. Allegro | Roberto Michelucci, I Musici | — | |
| 38-13 | Gloria in D, RV 589: I. Allegro "Gloria in excelsis Deo" | The John Alldis Choir, John Constable, Olga Hegedus, Rodney Slatford, English Chamber Orchestra, Vittorio Negri | — | |
| 38-14 | Gloria in D, RV 589: II. Andante "Et in terra pax" | The John Alldis Choir, John Constable, Olga Hegedus, Rodney Slatford, English Chamber Orchestra, Vittorio Negri | — | |
| 38-15 | Gloria in D, RV 589: III. Allegro "Laudamus te" | Margaret Marshall, Ann Murray, John Constable, Olga Hegedus, Rodney Slatford, English Chamber Orchestra, Vittorio Negri | — | |
| 38-16 | Gloria in D, RV 589: IV. Adagio - Allegro "Gratias agimus tibi" | The John Alldis Choir, John Constable, Olga Hegedus, Rodney Slatford, English Chamber Orchestra, Vittorio Negri | — | |
| 38-17 | Gloria in D, RV 589: V. Largo "Domine Deus, Rex coelestis" | Margaret Marshall, John Constable, Olga Hegedus, Rodney Slatford, English Chamber Orchestra, Vittorio Negri | — | |
| 38-18 | Gloria in D, RV 589: VI. Allegro "Domine Fili" | The John Alldis Choir, John Constable, Olga Hegedus, Rodney Slatford, English Chamber Orchestra, Vittorio Negri | — | |
| 38-19 | Gloria in D, RV 589: VII. Adagio "Domine Deus, Agnus Dei" | Birgit Finnilä, The John Alldis Choir, John Constable, Olga Hegedus, Rodney Slatford, English Chamber Orchestra, Vittorio Negri | — | |
| 38-20 | Gloria in D, RV 589: VIII. Allegro "Qui tollis" | The John Alldis Choir, John Constable, Olga Hegedus, Rodney Slatford, English Chamber Orchestra, Vittorio Negri | — | |
| 38-21 | Gloria in D, RV 589: IX. Allegro "Qui sedes" | Birgit Finnilä, John Constable, Olga Hegedus, Rodney Slatford, English Chamber Orchestra, Vittorio Negri | — | |
| 38-22 | Gloria in D, RV 589: X. Allegro "Quoniam" | The John Alldis Choir, John Constable, Olga Hegedus, Rodney Slatford, English Chamber Orchestra, Vittorio Negri | — | |
| 38-23 | Gloria in D, RV 589: XI. Allegro "Cum Sancto Spiritu" | English Chamber Orchestra, The John Alldis Choir, Vittorio Negri, Margaret Marshall, Ann Murray, Birgit Finnilä | — | |
| 39-1 | Vier Letzte Lieder, op. 150: Frühling | Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 39-2 | Vier letzte Lieder: II. September | — | ||
| 39-3 | Vier letzte Lieder: III. Beim Schlafengehen | — | ||
| 39-4 | Vier letzte Lieder: IV. Im Abendrot | — | ||
| 39-5 | Wesendonck Lieder: Der Engel | — | ||
| 39-6 | Wesendonck Lieder: Stehe still | — | ||
| 39-7 | Wesendonck Lieder: Im Treibhaus | — | ||
| 39-8 | Wesendonck Lieder: Schmerzen | — | ||
| 39-9 | Wesendonck Lieder: Träume | — | ||
| 40-1 | Carmina burana: O fortuna (Excalibur) | Shin Sekiya, Shinyukai Choir, Berliner Philharmoniker, Seiji Ozawa | T-800.639.771-4 | |
| 40-2 | Carmina Burana: Fortuna Imperatrix Mundi: Fortuna plango vulnera | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-3 | Carmina Burana: I. Primo vere: Veris leta facies | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-4 | Carmina Burana: I. Primo vere: Omnia sol temperat | Thomas Hampson, Berliner Philharmoniker, Seiji Ozawa | T-800.639.771-4 | |
| 40-5 | Carmina Burana: I. Primo vere: Ecce gratum | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-6 | Carmina Burana: Uf dem anger: Tanz - | Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-7 | Carmina Burana: Uf dem anger: Floret silva nobilis | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-8 | Carmina Burana: Uf dem anger: Chramer, gip die varwe mir | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-9 | Carmina Burana: Uf dem anger: Reie / Swaz hie gat umbe / Chume, chum, geselle min | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-10 | Carmina Burana: Uf dem anger: Were diu werlt alle min | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-11 | Carmina Burana: II. In Taberna: Estuans interius | Thomas Hampson, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-12 | Carmina Burana: II. In Taberna: Olin lacus colueram | John Aler, Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-13 | Carmina Burana: II. In Taberna: Ego sum abbas | Thomas Hampson, Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-14 | Carmina Burana: II. In Taberna: In taberna quando sumus | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-15 | Carmina Burana: III. Cour d'amours: Amor volat undique | Edita Gruberová, Knaben des Staats- und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-16 | Carmina Burana: III. Cour d'amours: Dies, nox et omnia | Thomas Hampson, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-17 | Carmina Burana: III. Cour d'amours: Stetit puella | Edita Gruberová, Berliner Philharmoniker, Seiji Ozawa | T-800.639.771-4 | |
| 40-18 | Carmina Burana: III. Cour d'amours: Circa mea pectora | Thomas Hampson, Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-19 | Carmina Burana: III. Cour d'amours: Si puer cum puellula | Thomas Hampson, Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-20 | Carmina Burana: III. Cour d'amours: Veni, veni, venias | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-21 | Carmina Burana: III. Cour d'amours: In trutina | Edita Gruberová, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-22 | Carmina Burana: III. Cour d'amours: Tempus est iocundum | Edita Gruberová, Thomas Hampson, Knaben des Staats- und Domchores Berlin, Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-23 | Carmina Burana: III. Cour d'amours: Dulcissime | Edita Gruberová, Berliner Philharmoniker, Seiji Ozawa | T-800.639.771-4 | |
| 40-24 | Carmina Burana: Blanzifor et Helena: Ave formosissima | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-25 | Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | T-800.639.771-4 | |
| 41-1 | Rhapsody in Blue | André Previn, Pittsburgh Symphony Orchestra | T-010.244.926-2 | |
| 41-2 | An American in Paris: Allegretto grazioso | Pittsburgh Symphony Orchestra, André Previn | — | |
| 41-3 | An American in Paris: Andante ma con ritmo deciso | Pittsburgh Symphony Orchestra, André Previn | T-070.001.144-4 | |
| 41-4 | Piano Concerto in F: I. Allegro | André Previn, Pittsburgh Symphony Orchestra | — | |
| 41-5 | Piano Concerto in F: II. Adagio | André Previn, Pittsburgh Symphony Orchestra | T-901.134.571-4 | |
| 41-6 | Piano Concerto in F: III. Allegro agitato | André Previn, Pittsburgh Symphony Orchestra | — | |
| 42-1 | String Quartet no. 15 in G, D.887: I. Allegro molto moderato | — | ||
| 42-2 | String Quartet no. 15 in G, D.887: II. Andante un poco mosso | — | ||
| 42-3 | String Quartet no. 15 in G, D.887: III. Scherzo (Allegro vivace) | — | ||
| 42-4 | String Quartet no. 15 in G, D.887: IV. Allegro assai | — | ||
| 42-5 | String Quartet in F, op. 135: I. Allegretto | — | ||
| 42-6 | String Quartet in F, op. 135: II. Vivace | — | ||
| 42-7 | String Quartet in F, op. 135: III. Lento assai, cantante e tranquillo | — | ||
| 42-8 | String Quartet in F, op. 135: IV. Der schwer gefaßte Entschluß (Grave - Allegro - Grave ma non troppo tratto - Allegro) | — | ||
| 43-1 | Piano Concerto no. 1 in E-flat, S.124: I. Allegro maestoso | — | ||
| 43-2 | Piano Concerto no. 1 in E-flat, S.124: IIa. Quasi adagio | — | ||
| 43-3 | Piano Concerto no. 1 in E-flat, S.124: IIb. Allegretto vivace - Allegro animato | — | ||
| 43-4 | Piano Concerto no. 1 in E-flat, S.124: III. Allegro marziale animato | — | ||
| 43-5 | Piano Concerto no. 2 in A, S.125: I. Adagio sostenuto assai - Allegro agitato assai | — | ||
| 43-6 | Piano Concerto no. 2 in A, S.125: II. Allegro moderato | — | ||
| 43-7 | Piano Concerto no. 2 in A, S.125: III. Allegro deciso - Marziale un poco meno allegro | — | ||
| 43-8 | Piano Concerto no. 2 in A, S.125: IV. Allegro animato | — | ||
| 43-9 | Piano Sonata no. 10 in G, op. 14 no. 2: I. Allegro | — | ||
| 43-10 | Piano Sonata no. 10 in G, op. 14 no. 2: II. Andante | — | ||
| 43-11 | Piano Sonata no. 10 in G, op. 14 no. 2: III. Scherzo (Allegro assai) | — | ||
| 43-12 | Piano Sonata no. 19 in G minor, op. 49 no. 1: I. Andante | — | ||
| 43-13 | Piano Sonata no. 19 in G minor, op. 49 no. 1: II. Rondo (Allegro) | — | ||
| 43-14 | Piano Sonata no. 20 in G, op. 49 no. 2: I. Allegro ma non troppo | — | ||
| 43-15 | Piano Sonata no. 20 in G, op. 49 no. 2: II. Tempo di Menuetto | — | ||
| 44-1 | Guitar Concerto no. 1 in D, op. 99: I. Allegretto | — | ||
| 44-2 | Guitar Concerto no. 1 in D, op. 99: II. Andantino alla romanza-Largo | — | ||
| 44-3 | Guitar Concerto no. 1 in D, op. 99: III. Ritmico e cavalleresco | — | ||
| 44-4 | Sones en la Giralda: I. Lento - | — | ||
| 44-5 | Sones en la Giralda: II. Allegro vivace (Tempo di sevillana) | — | ||
| 44-6 | Concerto for Guitar and small Orchestra: I. Allegro preciso | — | ||
| 44-7 | Concerto for Guitar and small Orchestra: II. Andantino e andante | — | ||
| 44-8 | Concerto for Guitar and small Orchestra: III. Allegretto non troppo | — | ||
| 44-9 | Concierto de Aranjuez for Guitar and Orchestra: I. Allegro con spirito | — | ||
| 44-10 | Concierto de Aranjuez (2) | Pepe Romero, Christine Pendrill, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.061-1 | |
| 44-11 | Concierto de Aranjuez for Guitar and Orchestra: III. Allegro gentile | — | ||
| 45-1 | Elijah, op. 70: Part I, Einleitung: “So wahr der Herr, der Gott Israels, lebet” | Theo Adam, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-2 | Elijah, op. 70: Part I, Ouverture - no. 1: “Hilf, Herr!” | MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-3 | Elijah, op. 70: Part I, no. 2: “Herr, höre unser Gebet!” | Elly Ameling, Renate Krahmer, MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-4 | Elijah, op. 70: Part I, no. 3: “Zerreißet eure Herzen” - no. 4: “So ihr mich von ganzem Herzen” | Peter Schreier, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-5 | Elijah, op. 70: Part I, no. 5: “Aber der Herr sieht es nicht” | MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-6 | Elijah, op. 70: Part I, no. 6: “Elias! Gehe weg von hinnen” | Annelies Burmeister, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-7 | Elijah, op. 70: Part I, no. 7: “Denn er hat seinen Engeln” | Annelies Burmeister, Christel Klug, Roswitha Trexler, Ingrid Wandelt, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-8 | Elijah, op. 70: Part I, no. 8: “Was hast du an mir getan” | Theo Adam, Elly Ameling, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-9 | Elijah, op. 70: Part I, no. 9: “Wohl dem, der den Herrn fürchtet” | MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-10 | Elijah, op. 70: Part I, no. 10: “So wahr der Herr Zebaoth lebet” | Theo Adam, MDR Rundfunkchor Leipzig, Hans-Joachim Rotzsch, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-11 | Elijah, op. 70: Part I, no. 11: “Baal, erhöre uns!” | MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-12 | Elijah, op. 70: Part I, no. 12: “Rufet lauter! Denn er ist ja Gott” | Theo Adam, MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-13 | Elijah, op. 70: Part I, no. 13: “Rufet lauter! Er hört euch nicht!” | Theo Adam, MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-14 | Elijah, op. 70: Part I, no. 14: “Herr Gott Abrahams” | Theo Adam, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-15 | Elijah, op. 70: Part I, no. 15: “Wirf dein Anliegen auf den Herrn” | Renate Krahmer, Hermann Christian Polster, Hans-Joachim Rotzsch, Gisela Schröter, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-16 | Elijah, op. 70: Part I, no. 16: “Der du deine Diener” | Theo Adam, MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-17 | Elijah, op. 70: Part I, no. 17: “Ist nicht des Herrn Wort” | Theo Adam, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-18 | Elijah, op. 70: Part I, no. 18: “Weh ihnen, daß sie von mir weichen!” | Annelies Burmeister, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-19 | Elijah, op. 70: Part I, no. 19: “Hilf deinem Volk” | Theo Adam, Renate Krahmer, MDR Rundfunkchor Leipzig, Peter Schreier, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-20 | Elijah, op. 70: Part I, no. 20: “Dank sei dir Gott” | MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-1 | Elijah, op. 70: Part II, no. 21: “Höre Israel” - “So spricht der Herr” - “Ich bin euer Tröster” | Elly Ameling, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-2 | Elijah, op. 70: Part II, no. 22: “Fürchte dich nicht” | MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-3 | Elijah, op. 70: Part II, no. 23: “Der Herr hat dich erhoben” | Theo Adam, MDR Rundfunkchor Leipzig, Gisela Schröter, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-4 | Elijah, op. 70: Part II, no. 24: “Wehe ihm, er muß sterben” | MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-5 | Elijah, op. 70: Part II, no. 25: “Du Mann Gottes” | Theo Adam, Peter Schreier, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-6 | Elijah, op. 70: Part II, no. 26: “Es ist genug!” - no. 27: “Siehe, er schläft” | Theo Adam, Peter Schreier, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-7 | Elijah, op. 70: Part II, no. 28: “Hebe deine Augen” | Christel Klug, Roswitha Trexler, Ingrid Wandelt, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-8 | Elijah, op. 70: Part II, no. 29: “Siehe, der Hüter Israels” | MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-9 | Elijah, op. 70: Part II, no. 30: “Stehe du auf” | Theo Adam, Annelies Burmeister, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-10 | Elijah, op. 70: Part II, no. 31: “Sei stille dem Herrn” | Annelies Burmeister, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-11 | Elijah, op. 70: Part II, no. 32: “Wer bis an das Ende beharrt” | MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-12 | Elijah, op. 70: Part II, no. 33: “Herr, es wird Nacht um mich” | Theo Adam, Annelies Burmeister, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-13 | Elijah, op. 70: Part II, no. 34: “Der Herr ging vorüber” | MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-14 | Elijah, op. 70: Part II, no. 35: “Seraphim standen über ihm” - “Heilig, heilig, heilig” | Elly Ameling, Annelies Burmeister, Renate Krahmer, Gisela Schröter, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-15 | Elijah, op. 70: Part II, no. 36: “Gehe wiederum hinab!” | Theo Adam, MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-16 | Elijah, op. 70: Part II, no. 37: “Ja, es sollen wohl die Bergen weichen” | Theo Adam, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-17 | Elijah, op. 70: Part II, no. 38: “Und der Prophet Elias brach hervor” | MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-18 | Elijah, op. 70: Part II, no. 39: “Dann werden die Gerechten” | Peter Schreier, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-19 | Elijah, op. 70: Part II, no. 40: “Darum ward gesendet der Prophet Elias” | Elly Ameling, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-20 | Elijah, op. 70: Part II, no. 41a: “Aber einer erwacht von Mitternacht” | MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-21 | Elijah, op. 70: Part II, no. 41b: “Wohlan, alle die ihr dürstig seid” | Renate Krahmer, Hermann Christian Polster, Hans-Joachim Rotzsch, Gisela Schröter, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-22 | Elijah, op. 70: Part II, no. 42: “Alsdann wird euer Licht hervorbrechen” | MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 47-1 | Symphony-Concerto for Cello and Orchestra, op. 125: I. Andante | — | ||
| 47-2 | Symphony-Concerto for Cello and Orchestra, op. 125: II. Allegro giusto | — | ||
| 47-3 | Symphony-Concerto for Cello and Orchestra, op. 125: III. Andante con moto | — | ||
| 47-4 | Symphony no. 7, op. 131: I. Moderato | — | ||
| 47-5 | Symphony no. 7, op. 131: II. Allegretto | — | ||
| 47-6 | Symphony no. 7, op. 131: III. Andante espressivo | — | ||
| 47-7 | Symphony no. 7, op. 131: IV. Vivace (original version) | — | ||
| 48-1 | Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: “Requiem aeternam” | Margaret Price, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier | — | |
| 48-2 | Requiem in D minor, K. 626 (Süßmayr completion): II. “Kyrie eleison” | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier | T-922.061.546-3 | |
| 48-3 | Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: “Dies irae” | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier | T-905.386.342-6 | |
| 48-4 | Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: “Tuba mirum” | Theo Adam, Francisco Araiza, Margaret Price, Trudeliese Schmidt, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier | — | |
| 48-5 | Requiem in D minor, K. 626 (Süßmayr completion): IIIc. Sequenz: “Rex tremendae” | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier | — | |
| 48-6 | Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequenz: “Recordare” | Theo Adam, Francisco Araiza, Trudeliese Schmidt, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier | — | |
| 48-7 | Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: “Confutatis” | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier | — | |
| 48-8 | Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: “Lacrimosa” | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier | — | |
| 48-9 | Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: “Domine Jesu” | Theo Adam, Francisco Araiza, Trudeliese Schmidt, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier | T-919.097.742-5 | |
| 48-10 | Requiem in D minor, K. 626 (Süßmayr completion): IVb. Offertorium: “Hostias” | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier | T-900.137.873-0 | |
| 48-11 | Requiem in D minor, K. 626 (Süßmayr completion): V. “Sanctus” | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier | — | |
| 48-12 | Requiem in D minor, K. 626 (Süßmayr completion): VI. “Benedictus” | Theo Adam, Francisco Araiza, Margaret Price, Trudeliese Schmidt, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier | — | |
| 48-13 | Requiem in D minor, K. 626 (Süßmayr completion): VII. “Agnus Dei” | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier | — | |
| 48-14 | Requiem in D minor, K. 626 (Süßmayr completion): VIII. Communio: “Lux aeterna” | Margaret Price, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier | T-910.952.061-8 | |
| 48-15 | Missa in C, K317 "Coronation Mass": I. Kyrie | Hans Peter Blochwitz, MDR Rundfunkchor Leipzig, Edith Mathis, Staatskapelle Dresden, Peter Schreier | — | |
| 48-16 | Missa in C, K317 "Coronation Mass": II. Gloria | Hans Peter Blochwitz, MDR Rundfunkchor Leipzig, Edith Mathis, Thomas Quasthoff, Jadwiga Rappé, Staatskapelle Dresden, Peter Schreier | T-070.248.379-1 | |
| 48-17 | Missa in C, K317 "Coronation Mass": III. Credo | Hans Peter Blochwitz, MDR Rundfunkchor Leipzig, Edith Mathis, Thomas Quasthoff, Jadwiga Rappé, Staatskapelle Dresden, Peter Schreier | — | |
| 48-18 | Missa in C, K317 "Coronation Mass": IV. Sanctus | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier | — | |
| 48-19 | Missa in C, K317 "Coronation Mass": V. Benedictus | Hans Peter Blochwitz, MDR Rundfunkchor Leipzig, Edith Mathis, Thomas Quasthoff, Jadwiga Rappé, Staatskapelle Dresden, Peter Schreier | — | |
| 48-20 | Missa in C, K317 "Coronation Mass": VI. Agnus Dei | Hans Peter Blochwitz, MDR Rundfunkchor Leipzig, Edith Mathis, Thomas Quasthoff, Jadwiga Rappé, Staatskapelle Dresden, Peter Schreier | T-922.061.546-3 | |
| 48-21 | Ave verum corpus, K. 618 | Leipzig Radio Chorus, Staatskapelle Dresden, Peter Schreier | T-323.252.117-0 | |
| 49-1 | Sonata for Violin and Piano no. 32 in B-flat major, K. 454: I. Largo - Allegro | Ingrid Haebler, Henryk Szeryng | — | |
| 49-2 | Sonata for Violin and Piano no. 32 in B-flat major, K. 454: II. Andante | Ingrid Haebler, Henryk Szeryng | — | |
| 49-3 | Sonata for Violin and Piano no. 32 in B-flat major, K. 454: III. Allegretto | Ingrid Haebler, Henryk Szeryng | — | |
| 49-4 | Sonata for Piano and Violin in E-flat, K.481: I. Molto allegro | — | ||
| 49-5 | Sonata for Piano and Violin in E-flat, K.481: II. Adagio | — | ||
| 49-6 | Sonata for Piano and Violin in E-flat, K.481: III. Allegretto (con variazioni) | — | ||
| 49-7 | Violin Concerto in G, KV 216: 1. Allegro (cadenza: Sam Franko) | Henryk Szeryng, Philharmonia Orchestra, Sir Alexander Gibson | T-312.542.566-9 | |
| 49-8 | Violin Concerto in G, KV 216: 2. Adagio (cadenza: Sam Franko) | Henryk Szeryng, New Philharmonia Orchestra, Sir Alexander Gibson | T-312.542.566-9 | |
| 49-9 | Violin Concerto in G, KV 216: 3. Rondeau (Allegro) (cadenza: Sam Franko) | Henryk Szeryng, Philharmonia Orchestra, Sir Alexander Gibson | — | |
| 50-1 | Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo - Adagio espressivo - Tempo I | — | ||
| 50-2 | Piano Sonata no. 30 in E major, op. 109: II. Prestissimo | — | ||
| 50-3 | Piano Sonata no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo) | — | ||
| 50-4 | Piano Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo | — | ||
| 50-5 | Piano Sonata no. 31 in A-flat major, op. 110: II. Allegro molto | — | ||
| 50-6 | Piano Sonata no. 31 in A-flat major, op. 110: IIIa. Adagio ma non troppo | — | ||
| 50-7 | Piano Sonata no. 31 in A-flat major, op. 110: IV. Fuga (Allegro ma non troppo) | — | ||
| 50-8 | Piano Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato | — | ||
| 50-9 | Piano Sonata no. 32 in C minor, op. 111: II. Arietta (Adagio molto semplice e cantabile) | — | ||
| 51-1 | Concerto for Piano and Orchestra, op. 42: Andante | — | ||
| 51-2 | Concerto for Piano and Orchestra, op. 42: Molto allegro | — | ||
| 51-3 | Concerto for Piano and Orchestra, op. 42: Adagio | — | ||
| 51-4 | Concerto for Piano and Orchestra, op. 42: Giocoso (moderato) | — | ||
| 51-5 | Piano Variations, op. 27: I. Sehr mässig | — | ||
| 51-6 | Piano Variations, op. 27: II. Sehr schnell | — | ||
| 51-7 | Piano Variations, op. 27: III. Ruhig, fliessend | — | ||
| 51-8 | Drei Klavierstücke, op. 11: I. Mäßig | Mitsuko Uchida | — | |
| 51-9 | Drei Klavierstücke, op. 11: II. Mäßig | Mitsuko Uchida | — | |
| 51-10 | Drei Klavierstücke, op. 11: III. Bewegt | Mitsuko Uchida | — | |
| 51-11 | Sechs kleine Klavierstücke, op. 19: no. 1 - Leicht, zart | — | ||
| 51-12 | Sechs kleine Klavierstücke, op. 19: no. 2 - Langsam | — | ||
| 51-13 | Sechs kleine Klavierstücke, op. 19: no. 3 - Sehr langsame Viertel | — | ||
| 51-14 | Sechs kleine Klavierstücke, op. 19: no. 4 - Rasch, aber leicht | — | ||
| 51-15 | Sechs kleine Klavierstücke, op. 19: no. 5 - Etwas rasch | — | ||
| 51-16 | Sechs kleine Klavierstücke, op. 19: no. 6 - Sehr langsam | — | ||
| 51-17 | Piano Sonata, op. 1 | — | ||
| 52-1 | Concerto for Recorder, Oboe, Violin, Bassoon and Continuo in D, RV 94: I. Allegro | — | ||
| 52-2 | Concerto for Recorder, Oboe, Violin, Bassoon and Continuo in D, RV 94: II. Largo | — | ||
| 52-3 | Concerto for Recorder, Oboe, Violin, Bassoon and Continuo in D, RV 94: III. Allegro | — | ||
| 52-4 | Concerto for Recorder, Oboe, Bassoon and Continuo in G minor, RV 103: I. Allegro ma cantabile | — | ||
| 52-5 | Concerto for Recorder, Oboe, Bassoon and Continuo in G minor, RV 103: II. Largo | — | ||
| 52-6 | Concerto for Recorder, Oboe, Bassoon and Continuo in G minor, RV 103: III. Allegro non molto | — | ||
| 52-7 | Concerto for Recorder, Oboe, 2 Violins and Continuo in C, RV 87: I. Adagio - Allegro | — | ||
| 52-8 | Concerto for Recorder, Oboe, 2 Violins and Continuo in C, RV 87: II. Largo | — | ||
| 52-9 | Concerto for Recorder, Oboe, 2 Violins and Continuo in C, RV 87: III. Allegro assai | — | ||
| 52-10 | Sonata, RV 86 in A minor: I. Largo | Thomas Demenga, Jonathan Rubin, Michala Petri, Klaus Thunemann, Christiane Jaccottet | — | |
| 52-11 | Sonata, RV 86 in A minor: II. Allegro | Thomas Demenga, Jonathan Rubin, Michala Petri, Klaus Thunemann, Christiane Jaccottet | T-802.445.410-3 | |
| 52-12 | Sonata, RV 86 in A minor: III. Largo, cantabile | Thomas Demenga, Jonathan Rubin, Michala Petri, Klaus Thunemann, Christiane Jaccottet | — | |
| 52-13 | Sonata, RV 86 in A minor: IV. Allegro molto | Thomas Demenga, Jonathan Rubin, Michala Petri, Klaus Thunemann, Christiane Jaccottet | — | |
| 52-14 | Concerto in E minor, RV 484: I. Allegro poco | Klaus Thunemann, I Musici | T-061.483.131-0 | |
| 52-15 | Concerto in E minor, RV 484: II. Andante | Klaus Thunemann, I Musici | — | |
| 52-16 | Concerto in E minor, RV 484: III. Allegro | Klaus Thunemann, I Musici | T-902.836.120-8 | |
| 52-17 | Concerto G-dur, RV 545: I. Andante molto | Heinz Holliger, Klaus Thunemann, I Musici | — | |
| 52-18 | Concerto G-dur, RV 545: II. Largo | Heinz Holliger, Klaus Thunemann, I Musici | T-911.640.005-6 | |
| 52-19 | Concerto G-dur, RV 545: III. Allegro molto | Heinz Holliger, Klaus Thunemann, I Musici | T-329.454.787-4 | |
| 52-20 | Concerto RV 452 in C-dur: I. Allegro | Heinz Holliger, I Musici | T-911.640.004-5 | |
| 52-21 | Concerto RV 452 in C-dur: II. Adagio | I Musici, Heinz Holliger | — | |
| 52-22 | Concerto RV 452 in C-dur: III. Allegro | Heinz Holliger, I Musici | T-329.454.787-4 | |
| 53-1 | Concerto for Recorder, Oboe, Violin, Bassoon and Continuo in G, RV 101: I. (Allegro) | — | ||
| 53-2 | Concerto for Recorder, Oboe, Violin, Bassoon and Continuo in G, RV 101: II. Largo | — | ||
| 53-3 | Concerto for Recorder, Oboe, Violin, Bassoon and Continuo in G, RV 101: III. Allegro | — | ||
| 53-4 | Flute Concerto in A minor, RV 108: I. Allegro | — | ||
| 53-5 | Flute Concerto in A minor, RV 108: II. Largo | — | ||
| 53-6 | Flute Concerto in A minor, RV 108: III. Allegro | — | ||
| 53-7 | Concerto "La Pastorella", RV 95 in D: I. Allegro | Pasquale Pellegrino, Felix Ayo, Thomas Demenga, Jonathan Rubin, Heinz Holliger, Michala Petri, Klaus Thunemann, Christiane Jaccottet | T-070.161.055-0 | |
| 53-8 | Concerto "La Pastorella", RV 95 in D: II. Largo | Pasquale Pellegrino, Felix Ayo, Thomas Demenga, Jonathan Rubin, Heinz Holliger, Michala Petri, Klaus Thunemann, Christiane Jaccottet | T-911.640.005-6 | |
| 53-9 | Concerto "La Pastorella", RV 95 in D: III. Allegro | Pasquale Pellegrino, Felix Ayo, Thomas Demenga, Jonathan Rubin, Heinz Holliger, Michala Petri, Klaus Thunemann, Christiane Jaccottet | — | |
| 53-10 | Concerto for Recorder, Oboe, Violin, Bassoon and Continuo in G minor, RV 105: I. Allegro | — | ||
| 53-11 | Concerto for Recorder, Oboe, Violin, Bassoon and Continuo in G minor, RV 105: II. Largo | — | ||
| 53-12 | Concerto for Recorder, Oboe, Violin, Bassoon and Continuo in G minor, RV 105: III. (Allegro) | — | ||
| 53-13 | Concerto for Recorder, Violin and Continuo in D, RV 92: I. Allegro | — | ||
| 53-14 | Concerto for Recorder, Violin and Continuo in D, RV 92: II. (Larghetto) | — | ||
| 53-15 | Concerto for Recorder, Violin and Continuo in D, RV 92: III. Allegro | — | ||
| 53-16 | Concerto in C, RV 472: I. Allegro non molto | Klaus Thunemann, I Musici | — | |
| 53-17 | Concerto in C, RV 472: II. Andante molto | Klaus Thunemann, I Musici | — | |
| 53-18 | Concerto in C, RV 472: III. Allegro | Klaus Thunemann, I Musici | T-902.836.120-8 | |
| 53-19 | Concerto for Lute, 2 Violins and Continuo in D, RV.93: I. Allegro Giusto | Pepe Romero, I Musici | T-917.160.029-6 | |
| 53-20 | Concerto for Lute, 2 Violins and Continuo in D, RV.93: II. Largo | Pepe Romero, I Musici | T-911.640.005-6 | |
| 53-21 | Concerto for Lute, 2 Violins and Continuo in D, RV.93: III. Allegro | Pepe Romero, I Musici | T-902.717.414-7 | |
| 54-1 | Serenade in B-flat, K.361 “Gran partita”: I. Largo - Allegro molto | — | ||
| 54-2 | Serenade in B-flat, K.361 “Gran partita”: II. Menuetto (Allegretto) - Trio I-II | — | ||
| 54-3 | Serenade in B-flat major, K. 361 "Gran partita": 3. Adagio | Netherlands Wind Ensemble, Edo de Waart | — | |
| 54-4 | Serenade in B-flat, K.361 “Gran partita”: IV. Menuetto (Allegretto) - Trio I-II | — | ||
| 54-5 | Serenade in B-flat, K.361 “Gran partita”: V. Romanze (Adagio - Allegretto - Adagio) | — | ||
| 54-6 | Serenade in B-flat, K.361 “Gran partita”: VI. Thema con 6 variazioni (Andante) | — | ||
| 54-7 | Serenade in B-flat, K.361 “Gran partita”: VII. Finale (Molto allegro) | — | ||
| 54-8 | Serenade in E-flat, K.375: I. Allegro maestoso | — | ||
| 54-9 | Serenade in E-flat, K.375: II. Menuetto | — | ||
| 54-10 | Serenade in E-flat, K.375: III. Adagio | — | ||
| 54-11 | Serenade in E-flat, K.375: IV. Menuetto | — | ||
| 54-12 | Serenade in E-flat, K.375: V. Finale (Allegro) | — | ||
| 55-1 | Cello Concerto in B minor, Op. 104: I. Allegro | Julian Lloyd Webber, Česká filharmonie, Václav Neumann | T-070.161.055-0 | |
| 55-2 | Cello Concerto in B minor, Op. 104: II. Adagio ma non troppo | Julian Lloyd Webber, Česká filharmonie, Václav Neumann | — | |
| 55-3 | Cello Concerto in B minor, Op. 104: III. Finale (Allegro moderato) | Julian Lloyd Webber, Česká filharmonie, Václav Neumann | — | |
| 55-4 | Cello Concerto in E minor, op. 85: I. Adagio - Moderato | Julian Lloyd Webber, Royal Philharmonic Orchestra, Yehudi Menuhin | T-919.860.418-1 | |
| 55-5 | Cello Concerto in E minor, op. 85: II. Lento - Allegro molto | Julian Lloyd Webber, Royal Philharmonic Orchestra, Yehudi Menuhin | T-010.115.156-7 | |
| 55-6 | Cello Concerto in E minor, op. 85: 3. Adagio | Julian Lloyd Webber, Royal Philharmonic Orchestra, Yehudi Menuhin | T-010.115.155-6 | |
| 55-7 | Cello Concerto in E minor, op. 85: IV. Allegro | Julian Lloyd Webber, Royal Philharmonic Orchestra, Yehudi Menuhin | T-010.115.154-5 |
Identifier Graph
028947846147 is a Universal Product Code (UPC) assigned to Philips Original Jackets Collection by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 647 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Night on the Bare Mountain (arr. Rimsky-Korsakov) | Wiener Philharmoniker, Valery Gergiev | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “Philips Original Jackets Collection” by Various Artists is 028947846147. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2012-01-01. Label: Decca. This release contains 647 tracks, each with its own ISRC. Tracks include NLA507614806, NLA507614807, NLA507614808.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Violin Concerto no. 1 in G minor, op. 26: I. Allegro moderato | Salvatore Accardo, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 2 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio | Salvatore Accardo, Gewandhausorchester Leipzig, Kurt Masur | T-071.481.827-5 | |
| 3 | Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico | Salvatore Accardo, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 4 | Scottish Fantasy, op. 46: Einleitung. Grave | Salvatore Accardo, Elisabeth Unger, Gewandhausorchester Leipzig, Kurt Masur | T-011.797.281-2 | |
| 5 | Scottish Fantasy, op. 46: I. Adagio cantabile | Salvatore Accardo, Elisabeth Unger, Gewandhausorchester Leipzig, Kurt Masur | T-001.397.158-8 | |
| 6 | Scottish Fantasy, op. 46: IIa. Scherzo. Allegro | Salvatore Accardo, Elisabeth Unger, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 7 | Scottish Fantasy, op. 46: IIb. Adagio | Salvatore Accardo, Elisabeth Unger, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 8 | Scottish Fantasy, op. 46: III. Andante sostenuto | Salvatore Accardo, Elisabeth Unger, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 9 | Scottish Fantasy, op. 46: IV. Finale. Allegro guerriero | Salvatore Accardo, Elisabeth Unger, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 10 | Violin Concerto no. 2 in D minor, op. 44: I. Adagio non troppo | Salvatore Accardo, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 11 | Violin Concerto no. 2 in D minor, op. 44: II. Recitativo. Allegro moderato - Allegro - Andante sostenuto | Salvatore Accardo, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 12 | Violin Concerto no. 3 in D minor, op. 58: III. Finale. Allegro molto | Salvatore Accardo, Gewandhausorchester Leipzig, Kurt Masur | T-700.095.171-5 | |
| 2-1 | Ganymed, D. 544, op. 19/3 | — | ||
| 2-2 | Die Gotter Griechenlands D677 | — | ||
| 2-3 | Der Musensohn, D.764, op. 92/1 | — | ||
| 2-4 | Fülle der Liebe, D.854 | — | ||
| 2-5 | Sprache der Liebe, D. 410 | — | ||
| 2-6 | Schwanengesang, D.744 | — | ||
| 2-7 | An Den Tod D518 | — | ||
| 2-8 | Die Forelle, D.550, op. 32 | — | ||
| 2-9 | Am Bach Im Fruhling D361 | — | ||
| 2-10 | Auf dem Wasser zu singen, D.774 | — | ||
| 2-11 | Der Schiffer D694 “Friedrich Lieg Ich Hingegossen” | — | ||
| 2-12 | An die Entfernte, D.765 | — | ||
| 2-13 | Sehnsucht D516 “Der Lerche Wolkennahe Lieder” | — | ||
| 2-14 | An die untergehende Sonne, D. 457 | — | ||
| 2-15 | Die Abendrote D690 “Tiefer Sinket Schon Die Sonne” | — | ||
| 2-16 | Heimweh, op. 63 no. 8 | — | ||
| 2-17 | Der Frühling, op. 6 no. 2 | — | ||
| 2-18 | Sechs Gesänge op. 6: I. Spanisches Lied (aus dem Spanischen von Paul Heyse) | — | ||
| 2-19 | Wiegenlied, op. 49 no. 4 | — | ||
| 2-20 | Mörike-Lieder: 45. Nixe Binsefuss | — | ||
| 2-21 | Mörike-Lieder: 6. Er ist’s! | — | ||
| 2-22 | Mörike-Lieder: 36. “Lebe wohl” | — | ||
| 3-1 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | T-322.446.876-8 | |
| 3-2 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | T-322.446.817-7 | |
| 3-3 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante - Più adagio | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | T-322.449.900-3 | |
| 3-4 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso | Claudio Arrau, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 3-5 | Variations and Fugue on a Theme by Handel, op. 24: Theme & Variations | — | ||
| 3-6 | Variations and Fugue on a Theme by Handel, op. 24: Fugue | — | ||
| 4-1 | Concerto for Piano, Violin, and Cello in C, op. 56: I. Allegro | — | ||
| 4-2 | Concerto for Piano, Violin, and Cello in C, op. 56: II. Largo - attacca: | — | ||
| 4-3 | Concerto for Piano, Violin, and Cello in C, op. 56: III. Rondo alla Polacca | — | ||
| 4-4 | Piano Trio no. 7 in B-flat, op. 97 “Archduke”: I. Allegro moderato | — | ||
| 4-5 | Piano Trio no. 7 in B-flat, op. 97 “Archduke”: II. Scherzo (Allegro) | — | ||
| 4-6 | Piano Trio no. 7 in B-flat, op. 97 “Archduke”: III. Andante cantabile, ma però con moto - Poco più adagio | — | ||
| 4-7 | Piano Trio no. 7 in B-flat, op. 97 “Archduke”: IV. Allegro moderato | — | ||
| 5-1 | Rhapsody for Alto, Chorus, and Orchestra, op. 53 | — | ||
| 5-2 | Variations On A Theme By Haydn, op. 56a | — | ||
| 5-3 | Violin Concerto in D, op. 77: I. Allegro non troppo | — | ||
| 5-4 | Violin Concerto in D, op. 77: II. Adagio | — | ||
| 5-5 | Violin Concerto in D, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto | — | ||
| 6-1 | Années de pèlerinage: 3ème année, S.163: II. Aux cyprès de la Villa d’Este no. 1 (Thrénodie) | — | ||
| 6-2 | Années de pèlerinage: 3ème année, S.163: IV. Les jeux d’eau à la Villa d’Este | — | ||
| 6-3 | Années de pèlerinage: 3ème année, S.163: V. Sunt lacrimae rerum (En mode hongrois) | — | ||
| 6-4 | Weihnachtsbaum Suite, S.186: 7. Schlummerlied | — | ||
| 6-5 | Valse oubliée no. 1 in F-sharp, S.215 | — | ||
| 6-6 | Unstern: Sinistre, disastro, S.208 | — | ||
| 6-7 | Schlaflos - Frage und Antwort, S.203 | — | ||
| 6-8 | Mosonyis Grabgeleit, S.194 | — | ||
| 6-9 | Csárdás macabre, S.224 | — | ||
| 7-1 | Klavierkonzert Nr. 4 G-dur, Op. 58: I. Allegro moderato | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 7-2 | Klavierkonzert Nr. 4 G-dur, Op. 58: II. Andante con moto | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 7-3 | Klavierkonzert Nr. 4 G-dur, Op. 58: III. Rondo: Vivace | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 7-4 | Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | T-306.395.786-4 | |
| 7-5 | Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | — | |
| 7-6 | Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro ma non troppo | Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | T-800.132.125-2 | |
| 8-1 | Violin Concerto in D, op. 61: I. Allegro ma non troppo | — | ||
| 8-2 | Violin Concerto in D, op. 61: II. Larghetto | — | ||
| 8-3 | Violin Concerto in D, op. 61: III. Rondo. Allegro | — | ||
| 8-4 | Symphony no. 6 in F, op. 68 - “Pastoral”: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | — | ||
| 8-5 | Symphony no. 6 in F, op. 68 - “Pastoral”: II. Szene am Bach: (Andante molto mosso) | — | ||
| 8-6 | Symphony no. 6 in F, op. 68 - “Pastoral”: III. Lustiges Zusammensein der Landleute (Allegro) | — | ||
| 8-7 | Symphony no. 6 in F, op. 68 - “Pastoral”: IV. Gewitter, Sturm (Allegro) | — | ||
| 8-8 | Symphony no. 6 in F, op. 68 - “Pastoral”: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm (Allegretto) | — | ||
| 9-1 | Stabat Mater: I. Stabat Mater dolorosa | — | ||
| 9-2 | Stabat Mater: II. Cujus animam gementem | — | ||
| 9-3 | Stabat Mater: III. Quis est homo qui non fleret | — | ||
| 9-4 | Stabat Mater: IV. Pro peccatis suae gentis | — | ||
| 9-5 | Stabat Mater: V. Eja Mater fons amoris | — | ||
| 9-6 | Stabat Mater: VI. Sancta Mater istud agas | — | ||
| 9-7 | Stabat Mater: VII. Fac ut portem Christi mortem | — | ||
| 9-8 | Stabat Mater: VIII. Inflammatus et accensus | — | ||
| 9-9 | Stabat Mater: IX. Quando corpus morietur | — | ||
| 9-10 | Stabat Mater: X. Amen | — | ||
| 10-1 | Il Corsaro: Prelude | — | ||
| 10-2 | Il Corsaro: Act I, “Come liberi volano i venti” | — | ||
| 10-3 | Il Corsaro: Act I, “Ah! sì, ben dite..” - “Tutto parea sorridere” - “Della brezza col favore” | — | ||
| 10-4 | Il Corsaro: Act I, “Si: de’corsari il fulmine” | — | ||
| 10-5 | Il Corsaro: Act I, “Egli non riede ancora!” | — | ||
| 10-6 | Il Corsaro: Act I, “Non so le tetre immagini” | — | ||
| 10-7 | Il Corsaro: Act I, “E pur tristo, o Medora” | — | ||
| 10-8 | Il Corsaro: Act I, “No, tu non sai comprendere” - “Tornerai, ma forse spenta” | — | ||
| 10-9 | Il Corsaro: Act II, “Oh qual perenne gaudio t’aspetta” | — | ||
| 10-10 | Il Corsaro: Act II, “Né sulla terra creatura alcuna” - “Vola talor dal carcere” - “Seide celebra non gioia e festa” | — | ||
| 10-11 | Il Corsaro: Act II, “Ah conforto è sol la speme” | — | ||
| 10-12 | Il Corsaro: Act II, “Sol grida di festa” - “O prodi miei, sorgete” | — | ||
| 10-13 | Il Corsaro: Act II, “Salve, Allah!” | — | ||
| 10-14 | Il Corsaro: Act II, “Giunge un Dervis” - “Di’: que’ribaldi tremano” | — | ||
| 10-15 | Il Corsaro: Act II, “Resta ancora” | — | ||
| 10-16 | Il Corsaro: Act II, “Audace cotanto mostrarti pur sai?” | — | ||
| 10-17 | Il Corsaro: Act II, “Signor, trafitti giaconno” | — | ||
| 11-1 | Il Corsaro: Act III, “Alfin questo corsaro è mio prigione!” | — | ||
| 11-2 | Il Corsaro: Act III, “Cento leggiadre vergini” - “Ma togliam dall’anima” | — | ||
| 11-3 | Il Corsaro: Act III, “S’avvicina il tuo momento” | — | ||
| 11-4 | Il Corsaro: Act III, “Eccola!...fingasi.” - “Sia l’istante maledetto” | — | ||
| 11-5 | Il Corsaro: Act III, “Eccomi prigionero!” | — | ||
| 11-6 | Il Corsaro: Act III, “Ei dorme?” | — | ||
| 11-7 | Il Corsaro: Act III, “Seid la vuole” - “Non sai tu che sulla testa” | — | ||
| 11-8 | Il Corsaro: Act III, “Sul capo mio discenda” | — | ||
| 11-9 | Il corsaro: Atto III, scena 2. “La terra, il ciel m'abborrino ...” | Montserrat Caballé, José Carreras, New Philharmonia Orchestra, Lamberto Gardelli | — | |
| 11-10 | Il Corsaro: Act III, “Voi tacete...” | — | ||
| 11-11 | Il Corsaro: Act III, “Per me infelice” | — | ||
| 11-12 | Il Corsaro: Act III, “O mio Corrado, appressati” | — | ||
| 12-1 | Symphonie fantastique, op. 14: I. Rêveries – Passions | Koninklijk Concertgebouworkest, Colin Davis | — | |
| 12-2 | Symphonie fantastique, op. 14: II. Un bal | Koninklijk Concertgebouworkest, Colin Davis | — | |
| 12-3 | Symphonie fantastique, op. 14: III. Scène aux champs | Koninklijk Concertgebouworkest, Colin Davis | — | |
| 12-4 | Symphonie fantastique, op. 14: IV. Marche au supplice | Koninklijk Concertgebouworkest, Colin Davis | — | |
| 12-5 | Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat | Koninklijk Concertgebouworkest, Colin Davis | — | |
| 12-6 | Symphony in G, Hob I:94 "Surprise": I. Adagio - Vivace assai | Koninklijk Concertgebouworkest, Sir Colin Davis | — | |
| 12-7 | Symphony in G, Hob I:94 "Surprise": II. Andante | Koninklijk Concertgebouworkest, Sir Colin Davis | — | |
| 12-8 | Symphony in G, Hob I:94 "Surprise": III. Menuet (Allegro molto) | Koninklijk Concertgebouworkest, Sir Colin Davis | T-329.454.787-4 | |
| 12-9 | Symphony in G, Hob I:94 "Surprise": IV. Finale (Allegro di molto) | Koninklijk Concertgebouworkest, Sir Colin Davis | T-318.676.528-2 | |
| 13-1 | Concerto for Orchestra: I. Allegro - Più mosso | — | ||
| 13-2 | Concerto for Orchestra: II. Largo | — | ||
| 13-3 | Concerto for Orchestra: III. Allegro molto - Sub. pochissimo meno mosso | — | ||
| 13-4 | Concerto for Violin, Viola, Cello and Orchestra: Medium fast | — | ||
| 13-5 | Concerto for Violin, Viola, Cello and Orchestra: Interlude (Medium slow) | — | ||
| 13-6 | Concerto for Violin, Viola, Cello and Orchestra: Very slow, calmer still | — | ||
| 13-7 | Concerto for Violin, Viola, Cello and Orchestra: Interlude (Medium fast) | — | ||
| 13-8 | Concerto for Violin, Viola, Cello and Orchestra: Medium fast | — | ||
| 14-1 | Suite for Orchestra no. 3 in G major, op. 55: I. Elégie. Andantino molto cantabile | New Philharmonia Orchestra, Antal Doráti | — | |
| 14-2 | Suite for Orchestra no. 3 in G major, op. 55: II. Valse melancolique. Allegro moderato | New Philharmonia Orchestra, Antal Doráti | — | |
| 14-3 | Suite for Orchestra no. 3 in G major, op. 55: III. Scherzo. Molto vivace | New Philharmonia Orchestra, Antal Doráti | — | |
| 14-4 | Suite for Orchestra no. 3 in G major, op. 55: IV. Tema con variazioni. Andante con moto | Hugh Bean, New Philharmonia Orchestra, Antal Doráti | — | |
| 14-5 | Suite for Orchestra no. 4 in G major, op. 61 “Mozartiana”: I. Gigue, K574. Allegro | New Philharmonia Orchestra, Antal Doráti | — | |
| 14-6 | Suite for Orchestra no. 4 in G major, op. 61 “Mozartiana”: II. Menuet, K355. Moderato | New Philharmonia Orchestra, Antal Doráti | — | |
| 14-7 | Suite for Orchestra no. 4 in G major, op. 61 “Mozartiana”: III. Preghiera. Andante non tanto | New Philharmonia Orchestra, Antal Doráti | T-329.460.887-6 | |
| 14-8 | Suite for Orchestra no. 4 in G major, op. 61 “Mozartiana”: IV. Thème et variations. Allegro giusto | Hugh Bean, Colin Bradbury, New Philharmonia Orchestra, Antal Doráti | — | |
| 15-1 | Hungarian Peasant Songs for Orchestra, BB 107: I. Ballade | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-2 | Hungarian Peasant Songs for Orchestra, BB 107: II. Hungarian Peasant Dances | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-3 | Hungarian Sketches for Orchestra, BB 103: I. An Evening in the Village | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-4 | Hungarian Sketches for Orchestra, BB 103: II. Bear Dance | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-5 | Hungarian Sketches for Orchestra, BB 103: III. Melody | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-6 | Hungarian Sketches for Orchestra, BB 103: IV. Slightly Tipsy | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-7 | Hungarian Sketches for Orchestra, BB 103: V. Swineherd's Dance | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-8 | Roumanian Folk Dances for Orchestra, BB 76: I. Stick Dance (from Mezoszabad) | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-9 | Roumanian Folk Dances for Orchestra, BB 76: II. Sash Dance (from Egres) | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-10 | Roumanian Folk Dances for Orchestra, BB 76: III. In One Spot (from Egres) | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-11 | Roumanian Folk Dances for Orchestra, BB 76: IV. Horn Dance (from Bisztra) | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-12 | Roumanian Folk Dances for Orchestra, BB 76: V. Roumanian Polka (from Belenyes) | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-13 | Roumanian Folk Dances for Orchestra, BB 76: VI. Fast Dance (from Belenyes) | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-14 | Roumanian Folk Dances for Orchestra, BB 76: VII. Fast Dance (from Nyagra) | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-15 | Transylvanian Dances for Orchestra, BB 102b: I. Allegretto | Budapest Festival Orchestra, Iván Fischer | T-070.160.313-5 | |
| 15-16 | Transylvanian Dances for Orchestra, BB 102b: II. Moderato | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-17 | Transylvanian Dances for Orchestra, BB 102b: III. Allegro vivace | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-18 | Roumanian Dance for Orchestra, BB 61 | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-19 | The Miraculous Mandarin, BB 82: I. Allegro. Introduction | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-20 | The Miraculous Mandarin, BB 82: II. Moderato. First Decoy Game | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-21 | The Miraculous Mandarin, BB 82: III. Second Decoy Game | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-22 | The Miraculous Mandarin, BB 82: IV. Sostenuto. Third Decoy Game | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-23 | The Miraculous Mandarin, BB 82: V. Maestoso. The Mandarin Enters | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-24 | The Miraculous Mandarin, BB 82: VI. Allegro. The Girl Sinks Down to Embrace Him | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-25 | The Miraculous Mandarin, BB 82: VII. Sempre vivo. The Tramps Leap Out | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-26 | The Miraculous Mandarin, BB 82: VIII. Adagio. Suddenly the Mandarin's Head Appears | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-27 | The Miraculous Mandarin, BB 82: IX. Agitato. Again, the Frightened Tramps Discuss How to Eliminate The | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-28 | The Miraculous Mandarin, BB 82: X. Molto moderato. The Body of the Mandarin Begins to Glow With a Green | Budapest Festival Orchestra, Iván Fischer | — | |
| 15-29 | The Miraculous Mandarin, BB 82: XI. Piu mosso. The Mandarin Falls on the Floor | Budapest Festival Orchestra, Iván Fischer | — | |
| 16-1 | Requiem, op. 48: I. Introitus: Requiem aeternam – Kyrie | Rotterdams Philharmonisch Orkest, Elly Ameling, Bernard Kruysen, Netherlands Radio Choir, Jean Fournet | — | |
| 16-2 | Requiem, op. 48: II. Offertorium: Domine Jesu Christe | Rotterdams Philharmonisch Orkest, Elly Ameling, Bernard Kruysen, Netherlands Radio Choir, Jean Fournet | — | |
| 16-3 | Requiem, op. 48: III. Sanctus | Rotterdams Philharmonisch Orkest, Elly Ameling, Bernard Kruysen, Netherlands Radio Choir, Jean Fournet | T-003.012.217-8 | |
| 16-4 | Requiem, op. 48: IV. Pie Jesu | Bernard Kruysen, Elly Ameling, Groot Omroepkoor, Daniel Chorzempa, Rotterdam Philharmonic Orchestra, Jean Fournet | T-010.065.879-4 | |
| 16-5 | Requiem, op. 48: V. Agnus Dei | Rotterdams Philharmonisch Orkest, Elly Ameling, Bernard Kruysen, Netherlands Radio Choir, Jean Fournet | T-926.356.677-4 | |
| 16-6 | Requiem, op. 48: VI. Libera me | Rotterdams Philharmonisch Orkest, Elly Ameling, Bernard Kruysen, Netherlands Radio Choir, Jean Fournet | — | |
| 16-7 | Requiem, op. 48: VII. In paradisum | Rotterdam Philharmonic Orchestra, Jean Fournet | T-924.489.944-3 | |
| 16-8 | Pavane, op. 50 | Rotterdams Philharmonisch Orkest, Jean Fournet | T-909.340.218-7 | |
| 16-9 | Pièces de fantaisie, Suite no. 3, op. 54: I. Dédicace | — | ||
| 16-10 | Pièces de fantaisie, Suite no. 3, op. 54: II. Impromptu | — | ||
| 16-11 | Pièces de fantaisie, Suite no. 3, op. 54: III. Etoile du soir | — | ||
| 16-12 | Pièces de fantaisie, Suite no. 3, op. 54: VI. Carillon de Westminster | — | ||
| 17-1 | Requiem: I. Requiem | Luca Canonici, Alastair Miles, Monteverdi Choir, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-923.239.666-6 | |
| 17-2 | Requiem: IIa. Dies irae | Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 17-3 | Requiem: IIb. Dies irae: Tuba mirum | Alastair Miles, Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 17-4 | Requiem: IIc. Dies irae: Liber scriptus | Monteverdi Choir, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 17-5 | Messa da requiem: IIe. Dies irae: Quid sum miser | Luca Canonici, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 17-6 | Requiem: IIe. Dies irae: Rex tremendae | Luca Canonici, Alastair Miles, Monteverdi Choir, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 17-7 | Requiem: IIf. Dies irae: Recordare | Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 17-8 | Requiem: IIg. Dies irae: Ingemisco | Luca Canonici, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 17-9 | Requiem: IIh. Dies irae: Confutatis | Alastair Miles, Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 17-10 | Requiem: IIi. Dies irae: Lacrymosa | Luca Canonici, Alastair Miles, Monteverdi Choir, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 17-11 | Requiem: III. Offertorio | Luca Canonici, Alastair Miles, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 17-12 | Requiem: IV. Sanctus | Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 17-13 | Requiem: V. Agnus Dei | Monteverdi Choir, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | — | |
| 17-14 | Requiem: VI. Lux aeterna | Luca Canonici, Alastair Miles, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-910.952.061-8 | |
| 17-15 | Requiem: VII. Libera me | Monteverdi Choir, Ľuba Orgonášová, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | T-329.460.025-8 | |
| 18-1 | Symphony no. 5 In E minor, op. 64: I. Andante - Allegro con anima | — | ||
| 18-2 | Symphony no. 5 In E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima | — | ||
| 18-3 | Symphony no. 5 In E minor, op. 64: III. Valse (Allegro moderato) | — | ||
| 18-4 | Symphony no. 5 In E minor, op. 64: IV. Finale (Andante maestoso - Allegro vivace) | — | ||
| 18-5 | Prelude to Khovanshchina (orch. Shostakovich) | Wiener Philharmoniker, Валерий Абисалович Гергиев | — | |
| 18-6 | Night on the Bare Mountain (arr. Rimsky-Korsakov) | Wiener Philharmoniker, Valery Gergiev | — | |
| 18-7 | Gopak from Sorochintsy Fair (orch. Lyadov) | Wiener Philharmoniker, Валерий Абисалович Гергиев | T-061.792.443-2 | |
| 19-15 | Le Poème de l'extase, op. 54 | Kirov Orchestra, Valery Gergiev | — | |
| 20-1 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563: I. Allegro | Grumiaux Trio | T-011.422.353-8 | |
| 20-2 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563: II. Adagio | Grumiaux Trio | T-802.445.410-3 | |
| 20-3 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563: III. Minuetto | Grumiaux Trio | — | |
| 20-4 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563: IV. Andante | Grumiaux Trio | T-003.055.867-8 | |
| 20-5 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563: V. Minuetto | Grumiaux Trio | — | |
| 20-6 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563: VI. Allegro | Grumiaux Trio | T-329.454.787-4 | |
| 20-7 | String Quartet in G minor, KV 516: I. Allegro | Grumiaux Trio, Arpad Gérecz, Max Lesueur | T-011.422.353-8 | |
| 20-8 | String Quartet in G minor, KV 516: II. Menuetto (Allegretto) | Grumiaux Trio, Arpad Gérecz, Max Lesueur | T-931.717.066-4 | |
| 20-9 | String Quartet in G minor, KV 516: III. Adagio ma non troppo | Grumiaux Trio, Arpad Gérecz, Max Lesueur | — | |
| 20-10 | String Quartet in G minor, KV 516: IV. Adagio - Allegro | Grumiaux Trio, Arpad Gérecz, Max Lesueur | T-318.676.528-2 | |
| 22-1 | Nocturnes : 1. Nuages | Concertgebouw Orchestra, Bernard Haitink | — | |
| 22-2 | Nocturnes : 2. Fêtes | Concertgebouw Orchestra, Bernard Haitink | T-924.579.128-0 | |
| 22-3 | Nocturnes : 3. Sirènes | Concertgebouw Orchestra, Bernard Haitink | T-924.579.128-0 | |
| 22-4 | Jeux (Poème dansé) | — | ||
| 22-5 | Prélude à l’après‐midi d’un faune | Concertgebouw Orchestra, Bernard Haitink | — | |
| 22-6 | La Mer : 1. De l’aube à midi sur la mer | Concertgebouw Orchestra, Bernard Haitink | T-011.422.353-8 | |
| 22-7 | La Mer : 2. Jeux des vagues | Concertgebouw Orchestra, Bernard Haitink | T-003.011.148-8 | |
| 22-8 | La Mer : 3. Dialogue du vent et de la mer | Concertgebouw Orchestra, Bernard Haitink | T-070.058.268-8 | |
| 23-1 | Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde | James King, Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 23-2 | Das Lied von der Erde: II. Der Einsame im Herbst | Janet Baker, Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 23-3 | Das Lied von der Erde: III. Von der Jugend | James King, Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 23-4 | Das Lied von der Erde: IV. Von der Schönheit | Janet Baker, Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 23-5 | Das Lied von der Erde: V. Der Trunkene im Frühling | James King, Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 23-6 | Das Lied von der Erde: VI: Der Abschied | Janet Baker, Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 24-1 | Trumpet Concerto in E-flat major: I. Allegro con spirito | — | ||
| 24-2 | Trumpet Concerto in E-flat major: II. Andante | — | ||
| 24-3 | Trumpet Concerto in E-flat major: III. Rondo | — | ||
| 24-4 | Trumpet Concerto in D: I. Allegro ma non troppo | — | ||
| 24-5 | Trumpet Concerto in D: II. Largo | — | ||
| 24-6 | Trumpet Concerto in D: III. Vivace | — | ||
| 24-7 | Trumpet Concerto in D (reconstr. Boustead): I. Allegro non troppo presto | — | ||
| 24-8 | Trumpet Concerto in D (reconstr. Boustead): II. Adagio | — | ||
| 24-9 | Trumpet Concerto in D (reconstr. Boustead): III. Allegro molto | — | ||
| 24-10 | Konzert für Trompete Es-Dur, Hob.VIIe:1: I. Allegro | Håkan Hardenberger, Academy of St Martin in the Fields, Sir Neville Marriner | T-311.220.155-1 | |
| 24-11 | Konzert für Trompete Es-Dur, Hob.VIIe:1: II. Andante | Håkan Hardenberger, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 24-12 | Konzert für Trompete Es-Dur, Hob.VIIe:1: III. Allegro | Håkan Hardenberger, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 25-1 | Concerto for Piano No. 20 in D minor, K. 466: I. Allegro | Clara Haskil, Orchestre des Concerts Lamoureux, Igor Markevitch | T-011.422.353-8 | |
| 25-2 | Concerto for Piano No. 20 in D minor, K. 466: II. Romanze | Clara Haskil, Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 25-3 | Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai | Clara Haskil, Orchestre des Concerts Lamoureux, Igor Markevitch | T-306.395.786-4 | |
| 25-4 | Concerto for Piano No. 24 in C minor, K. 491: I. Allegro | Clara Haskil, Orchestre des Concerts Lamoureux, Igor Markevitch | T-011.422.353-8 | |
| 25-5 | Concerto for Piano No. 24 in C minor, K. 491: II. Larghetto | Clara Haskil, Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 25-6 | Concerto for Piano No. 24 in C minor, K. 491: III. Allegretto | Clara Haskil, Orchestre des Concerts Lamoureux, Igor Markevitch | — | |
| 26-1 | Eugene Onegin, op. 24: Act I, “Vi mnye pisali” - “Kogda bi zhizn domashnim krugom” | — | ||
| 26-2 | Eugene Onegin, op. 24: Act III, “Uzhel ta samaya Tatyana” - “Uvi, somnyenya nyet” | — | ||
| 26-3 | Pique Dame (Pikovaya Dama): “Vy tak pechalny” | — | ||
| 26-4 | La traviata: Act II, “Di Provenza il mar, il suol” | — | ||
| 26-5 | Macbeth: Act IV, Scena ed Aria: “Perfidi!” - “Pietà, rispetto, amore” | — | ||
| 26-6 | Luisa Miller: Act I, Sacra la scelta è d’un consorte | — | ||
| 26-7 | The Sorceress (Charodeyka): Act II, “Dela, pravlenija” - “A obraz toj prigozhnitsy” | — | ||
| 26-8 | Iolanta: “Kto mozhet” | — | ||
| 26-9 | Mazeppa, Opera in 3 Acts: Act II, “O, Marija, Marija!” | — | ||
| 26-10 | Il Trovatore: Act II, “Tutto è deserto” - “Il balen del suo sorriso” | — | ||
| 26-11 | Don Carlo: Act IV, “Son io, mio Carlo” - “Per me giunto” - “O Carlo, ascolta” | — | ||
| 27-1 | Vesperae solennes de confessore, K. 339: I. Dixit Dominus Domino meo (Psalm 109/110) | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | — | |
| 27-2 | Vesperae solennes de confessore, K. 339: II. Confitebor tibi, Domine (Psalm 110/111) | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | — | |
| 27-3 | Vesperae solennes de confessore, K. 339: III. Beatus vir qui timet Dominum (Psalm 111/112) | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | — | |
| 27-4 | Vesperae solennes de confessore, K. 339: IV. Laudate pueri Dominum (Psalm 112/113) | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | — | |
| 27-5 | Vesperae solennes de confessore, K. 339: V. Laudate Dominum omnes gentes (Psalm 116/117) | London Symphony Chorus, Kiri Te Kanawa, John Constable, London Symphony Orchestra, Sir Colin Davis | — | |
| 27-6 | Vesperae solennes de confessore, K. 339: VI. Magnificat anima mea (Luke 1, 46-55) | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | — | |
| 27-7 | Kyrie, K. 341/368a | John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | — | |
| 27-8 | Ave verum corpus, K. 618 | London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | T-323.252.117-0 | |
| 27-9 | Motet for Soprano & Orchestra in F major, K. 158a/165 (Milano version): I. "Exsultate, jubilate" / II. Recitativo: "Fulget amica dies" / III. "Tu virginum corona" / IV. "Alleluja" | Kiri Te Kanawa, London Symphony Orchestra, Sir Colin Davis | — | |
| 27-10 | Zaïde, K. 336b/344 (fragment): Act I. No. 3 Aria "Ruhe sanft, mein holdes Leben" (Zaïde) | Kiri Te Kanawa, London Symphony Orchestra, Sir Colin Davis | — | |
| 27-11 | Die Zauberflöte, K. 620: Act II, Scene XIX. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina) | Kiri Te Kanawa, London Symphony Orchestra, Sir Colin Davis | — | |
| 27-12 | Cosi fan tutte, K.588: <Ei parte...Senti...> <Perpiete, ben mio perdona> | Kiri Te Kanawa, London Symphony Orchestra, Sir Colin Davis | — | |
| 28-1 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 28-2 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 28-3 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | T-071.926.821-9 | |
| 28-4 | Piano Concerto No. 3 in D minor: I. Allegro ma non tanto | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 28-5 | Piano Concerto No. 3 in D minor: II. Intermezzo | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 28-6 | Piano Concerto No. 3 in D minor: III. Finale. Alla breve | Zoltán Kocsis, San Francisco Symphony, Edo de Waart | — | |
| 28-7 | Vocalise, Op. 34, No.14 | Zoltán Kocsis | T-900.222.366-7 | |
| 29-1 | Scheherazade, op. 35: I. The sea and Sindbad's ship | Herman Krebbers, Koninklijk Concertgebouworkest, Кирилл Кондрашин | — | |
| 29-2 | Scheherazade, op. 35: II. The story of the Kalender prince | Herman Krebbers, Koninklijk Concertgebouworkest, Кирилл Кондрашин | — | |
| 29-3 | Scheherazade, op. 35: III. The young prince and princess | Herman Krebbers, Koninklijk Concertgebouworkest, Кирилл Кондрашин | — | |
| 29-4 | Scheherazade, op. 35: IV. Festival at Baghdad - The sea - Shipwreck - Conclusion | Herman Krebbers, Koninklijk Concertgebouworkest, Кирилл Кондрашин | — | |
| 29-5 | Symphony no. 2 in B minor: I. Allegro | Concertgebouw Orchestra, Kirill Kondrashin | — | |
| 29-6 | Symphony no. 2 in B minor: II. Scherzo: Prestissimo - Trio: Allegretto | Concertgebouw Orchestra, Kirill Kondrashin | — | |
| 29-7 | Symphony no. 2 in B minor: III. Andante | Concertgebouw Orchestra, Kirill Kondrashin | — | |
| 29-8 | Symphony no. 2 in B minor: IV. Finale: Allegro | Concertgebouw Orchestra, Kirill Kondrashin | — | |
| 30-1 | Sonata for 2 Pianos and Percussion: Assai lento - Allegro molto | — | ||
| 30-2 | Sonata for 2 Pianos and Percussion: Lento ma non troppo | — | ||
| 30-3 | Sonata for 2 Pianos and Percussion: Allegro non troppo | — | ||
| 30-4 | Andante and Five Variations for piano duet In G, K.501: Thema (Andante) | Martha Argerich, Stephen Kovacevich | T-902.919.739-5 | |
| 30-5 | Andante and Five Variations for piano duet In G, K.501: Variation 1 | Martha Argerich, Stephen Kovacevich | — | |
| 30-6 | Andante and Five Variations for piano duet In G, K.501: Variation 2 | Martha Argerich, Stephen Kovacevich | T-003.038.364-2 | |
| 30-7 | Andante and Five Variations for piano duet In G, K.501: Variation 3 | Martha Argerich, Stephen Kovacevich | T-003.038.364-2 | |
| 30-8 | Andante and Five Variations for piano duet In G, K.501: Variation 4 | Martha Argerich, Stephen Kovacevich | T-003.979.618-3 | |
| 30-9 | Andante and Five Variations for piano duet In G, K.501: Variation 5 | Martha Argerich, Stephen Kovacevich | T-003.038.364-2 | |
| 30-10 | En blanc et noir: I. Avec emportement | — | ||
| 30-11 | En blanc et noir: II. Lent. Sombre | — | ||
| 30-12 | En blanc et noir: III. Scherzando | — | ||
| 30-13 | Out of Doors, BB 89, Sz.81 Volume I: I. Avec tambours et fifres | Stephen Kovacevich | — | |
| 30-14 | Out of Doors, BB 89, Sz.81 Volume I: II. Barcarolla | Stephen Kovacevich | — | |
| 30-15 | Out of Doors, BB 89, Sz.81 Volume I: III. Musettes | Stephen Kovacevich | — | |
| 30-16 | Out of Doors, BB 89, Sz.81 Volume II: IV. Musiques nocturnes | Stephen Kovacevich | — | |
| 30-17 | Out of Doors, BB 89, Sz.81 Volume II: V. La Chasse | Stephen Kovacevich | — | |
| 30-18 | Sonatina, BB 69, Sz.55: I. Allegretto | Stephen Kovacevich | T-007.183.929-6 | |
| 30-19 | Sonatina, BB 69, Sz.55: II. Moderato | Stephen Kovacevich | T-007.183.929-6 | |
| 30-20 | Sonatina, BB 69, Sz.55: III. Allegro vivace | Stephen Kovacevich | T-007.183.929-6 | |
| 31-1 | Piano Concerto in A minor, op. 16: I. Allegro molto moderato | Stephen Kovacevich, BBC Symphony Orchestra, Sir Colin Davis | T-902.781.050-0 | |
| 31-2 | Piano Concerto in A minor, op. 16: II. Adagio | Stephen Kovacevich, BBC Symphony Orchestra, Sir Colin Davis | T-927.972.087-5 | |
| 31-3 | Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato - Quasi presto - Andante maestoso | Stephen Kovacevich, BBC Symphony Orchestra, Sir Colin Davis | — | |
| 31-4 | Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso | Stephen Kovacevich, BBC Symphony Orchestra, Sir Colin Davis | T-909.264.262-1 | |
| 31-5 | Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso | Stephen Kovacevich, BBC Symphony Orchestra, Sir Colin Davis | — | |
| 31-6 | Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace | Stephen Kovacevich, BBC Symphony Orchestra, Sir Colin Davis | T-909.264.262-1 | |
| 32-1 | Concerto no. 4 in G major, BWV 1049: I. Allegro | David Munrow, John Turner, José-Luis García, English Chamber Orchestra, Raymond Leppard | T-070.161.055-0 | |
| 32-2 | Concerto no. 4 in G major, BWV 1049: II. Andante | English Chamber Orchestra, Raymond Leppard | — | |
| 32-3 | Concerto no. 4 in G major, BWV 1049: III. Presto | English Chamber Orchestra, Raymond Leppard | — | |
| 32-4 | Concerto no. 5 in D major, BWV 1050: I. Allegro | English Chamber Orchestra, Raymond Leppard | — | |
| 32-5 | Concerto no. 5 in D major, BWV 1050: II. Affettuoso | English Chamber Orchestra, Raymond Leppard | — | |
| 32-6 | Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro | José-Luis García, Richard Adeney, English Chamber Orchestra, Raymond Leppard | — | |
| 32-7 | Concerto no. 6 in B-flat major, BWV 1051: I. Allegro | English Chamber Orchestra, Raymond Leppard | T-801.411.105-9 | |
| 32-8 | Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto | English Chamber Orchestra, Raymond Leppard | — | |
| 32-9 | Concerto no. 6 in B-flat major, BWV 1051: III. Allegro | English Chamber Orchestra, Raymond Leppard | — | |
| 32-10 | Concerto for Harpsichord, Strings, and Continuo No.5 in F minor, BWV 1056: 1. (Allegro) | Raymond Leppard, English Chamber Orchestra | T-800.184.797-9 | |
| 32-11 | Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo | Raymond Leppard, English Chamber Orchestra | T-309.901.323-3 | |
| 32-12 | Concerto for Harpsichord, Strings, and Continuo No.5 in F minor, BWV 1056: 3. Presto | Raymond Leppard, English Chamber Orchestra | — | |
| 32-13 | Concerto for 4 Harpsichords, Strings, and Continuo in A minor, BWV 1065: I. (Allegro) | — | ||
| 32-14 | Concerto for 4 Harpsichords, Strings, and Continuo in A minor, BWV 1065: II. Largo | — | ||
| 32-15 | Concerto for 4 Harpsichords, Strings, and Continuo in A minor, BWV 1065: III. Allegro | — | ||
| 33-1 | Quatuor pour la fin du temps: I. Liturgie de cristal | — | ||
| 33-2 | Quatuor pour la fin du temps: II. Vocalise, pour l’Ange qui annonce la fin du temps | — | ||
| 33-3 | Quatuor pour la fin du temps: III. Abîme des oiseaux | — | ||
| 33-4 | Quatuor pour la fin du temps: IV. Intermède | — | ||
| 33-5 | Quatuor pour la fin du temps: V. Louange à l’Eternité de Jésus | — | ||
| 33-6 | Quatuor pour la fin du temps: VI. Danse de la fureur, pour les sept trompettes | — | ||
| 33-7 | Quatuor pour la fin du temps: VII. Fouillis d’arcs-en-ciel, pour l’Ange qui annonce la fin du temps | — | ||
| 33-8 | Quatuor pour la fin du temps: VIII. Louange à l’Immortalité de Jésus | — | ||
| 33-9 | Trois Gnossiennes : I. Lent | Reinbert de Leeuw | T-003.010.023-2 | |
| 33-10 | Trois Gnossiennes : II. Avec étonnement | Reinbert de Leeuw | T-003.010.023-2 | |
| 33-11 | Trois Gnossiennes : III. Lent | Reinbert de Leeuw | T-011.688.813-1 | |
| 33-12 | Gnossiennes: no. 4 | — | ||
| 33-13 | Gnossienne No. 5, Modéré | Reinbert de Leeuw | T-004.016.586-3 | |
| 33-14 | Gnossiennes: no. 6 | — | ||
| 34-1 | Symphony no. 3 in D major, op. 29 “Polish”: I. Introduzione e Allegro | London Symphony Orchestra, Igor Markevitch | — | |
| 34-2 | Symphony no. 3 in D major, op. 29 “Polish”: II. Alla tedesca - Allegro moderato e semplice | London Symphony Orchestra, Igor Markevitch | — | |
| 34-3 | Symphony no. 3 in D major, op. 29 “Polish”: III. Andante elegiaco | London Symphony Orchestra, Igor Markevitch | — | |
| 34-4 | Symphony no. 3 in D major, op. 29 “Polish”: IV. Scherzo. Allegro vivo | London Symphony Orchestra, Igor Markevitch | — | |
| 34-5 | Symphony no. 3 in D major, op. 29 “Polish”: V. Finale. Allegro con fuoco | London Symphony Orchestra, Igor Markevitch | — | |
| 34-6 | Symphony no. 8 in G major, op. 88: I. Allegro con brio | London Symphony Orchestra, Witold Rowicki | — | |
| 34-7 | Symphony no. 8 in G major, op. 88: II. Adagio | London Symphony Orchestra, Witold Rowicki | — | |
| 34-8 | Symphony no. 8 in G major, op. 88: III. Allegretto grazioso | London Symphony Orchestra, Witold Rowicki | — | |
| 34-9 | Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo | London Symphony Orchestra, Witold Rowicki | T-912.623.296-0 | |
| 35-1 | Il barbiere di Siviglia: Sinfonia | Academy of St Martin in the Fields, Neville Marriner | T-306.482.271-1 | |
| 35-2 | Il barbiere di Siviglia: Act I, no. 1 Introduzione: “Piano, pianissimo” | — | ||
| 35-3 | Il barbiere de Siviglia: Atto I, Scena I. Cavatina “Ecco ridente in cielo” (Conte) | Ambrosia Opera Chorus, Francisco Araiza, Matthew Best, Academy of St Martin in the Fields, Neville Marriner | — | |
| 35-4 | Il barbiere di Siviglia: Act I, Recitativo: “Gente indiscreta” | — | ||
| 35-5 | The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum” | Sherrill Milnes, London Philharmonic Orchestra, Silvio Varviso | T-900.095.253-4 | |
| 35-6 | Il barbiere di Siviglia: Act I, Recitativo: “Ah, ah! che bella vita” - no. 3 Canzone: “Se il mio nome saper voi bramate” - Recitativo: “Oh cielo!”-“Nella stanza” | — | ||
| 35-7 | Il barbiere di Siviglia: Act I, no. 4 Duetto: “All’idea di quel metallo” | — | ||
| 35-8 | Il barbiere de Siviglia: Atto I, Scena V. No. 5 “Una voce poco fa” (Rosina) | Agnes Baltsa, Academy of St Martin in the Fields, Neville Marriner | — | |
| 35-9 | Il barbiere di Siviglia: Act I, Recitativo: “Sì, sì, la vincerò” | — | ||
| 35-10 | Il barbiere di Siviglia: Act I, no. 6 Aria: “La calunnia è un venticello” | — | ||
| 35-11 | Il barbiere di Siviglia: Act I, Recitativo: “Ah, che ne dite?” | — | ||
| 35-12 | Il barbiere di Siviglia: Act I, no. 7 Duetto: “Dunque io son... tu non m’inganni?” | — | ||
| 35-13 | Il barbiere di Siviglia: Act I, Recitativo: “Ora mi sento meglio” | — | ||
| 35-14 | Il barbiere di Siviglia: Act I, no. 8 Aria: “A un dottor della mia sorte” | — | ||
| 36-1 | Il barbiere di Siviglia: Act I, Recitativo: “Finora in questa camera” - no. 9 Finale I: “Ehi, di casa!... buona gente!...” | — | ||
| 36-2 | Il barbiere di Siviglia: Act II, Recitativo: “Ma vedi il mio destino” - no. 10 Duetto: “Pace e gioia sia con voi” | — | ||
| 36-3 | Il barbiere di Siviglia: Act II, Recitativo: ““Insomma, mio signore” | — | ||
| 36-4 | Il barbiere di Siviglia: Act II, no. 11 Aria: “Contro un cor che accende amore” | — | ||
| 36-5 | Il barbiere di Siviglia: Act II, Recitativo: “Bella voce! Bravissima!” - no. 12 Arietta: “Quando mi sei vicina” | — | ||
| 36-6 | Il barbiere di Siviglia: Act II, Recitativo: “Bravo, signor barbiere” | — | ||
| 36-7 | Il barbiere di Siviglia: Act II, no. 13 Quintetto: “Don Basilio!” “Cosa veggo!” | — | ||
| 36-8 | Il barbiere di Siviglia: Act II, Recitativo: “Sempre gridi e tumulti” - no. 14 Aria: “Il vecchiotto cerca moglie” | — | ||
| 36-9 | Il barbiere di Siviglia: Act II, Recitativo: “Dunque voi Don Alonso non conoscete” | — | ||
| 36-10 | Il barbiere di Siviglia: Act II, no. 15 Temporale (Thunderstorm) | — | ||
| 36-11 | Il barbiere di Siviglia: Act II, Recitativo: “Alfine, eccoci qua” | — | ||
| 36-12 | Il barbiere di Siviglia: Act II, no. 16 Terzetto: “Ah! qual colpo inaspettato!” | — | ||
| 36-13 | Il barbiere di Siviglia: Act II, Recitativo: “Ah! disgraziati noi!” - no. 17 Recitativo strumentato: “Il Conte!” | — | ||
| 36-14 | Il barbiere di Siviglia: Act II, no. 18 Aria: “Cessa di più resistere” | — | ||
| 36-15 | Il barbiere di Siviglia: Act II, Recitativo: “Insomma, io ho tutti i torti” | — | ||
| 36-16 | Il barbiere di Siviglia: Act II, no. 19 Finaletto II: “Di sì felice innesto” | — | ||
| 37-1 | Violin Concerto in D, op. 35: I. Allegro moderato | Viktoria Mullova, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 37-2 | Violin Concerto in D, op. 35: II. Canzonetta: Andante | Viktoria Mullova, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 37-3 | Violin Concerto in D, op. 35: III. Finale: Allegro vivacissimo | Viktoria Mullova, Boston Symphony Orchestra, Seiji Ozawa | T-902.717.414-7 | |
| 37-4 | Violin Concerto in D minor, op. 47: I. Allegro moderato | Viktoria Mullova, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 37-5 | Violin Concerto in D minor, op. 47: II. Adagio di molto | Viktoria Mullova, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 37-6 | Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto | Viktoria Mullova, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 38-1 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera" / "Spring": I. Allegro | Roberto Michelucci, I Musici | T-902.836.120-8 | |
| 38-2 | Concerto no. 1 in E major, op. 8, RV 269, “La primavera”: II. Largo | Roberto Michelucci, I Musici | — | |
| 38-3 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera" / "Spring": III. Allegro (Danza pastorale) | Roberto Michelucci, I Musici | — | |
| 38-4 | Concerto in G minor, op. 8 no. 2, RV 315 "L'estate" / "Summer": I. Allegro non molto - Allegro | Roberto Michelucci, I Musici | — | |
| 38-5 | Concerto no. 2 in G minor, op. 8, RV 315, “L'estate”: II. Adagio e piano - Presto e forte | Roberto Michelucci, I Musici | — | |
| 38-6 | Concerto no. 2 in G minor, op. 8, RV 315, “L'estate”: III. Presto (Tempo impetuoso d'estate) | Roberto Michelucci, I Musici | — | |
| 38-7 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno" / "Autumn": I. Allegro (Ballo, e canto de' villanelli) / (Peasant dance and song) | Roberto Michelucci, I Musici | — | |
| 38-8 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno" / "Autumn": II. Adagio molto (Ubriachi dormienti) / (Sleeping drunkards) | Roberto Michelucci, I Musici | — | |
| 38-9 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno" / "Autumn": III. Allegro (La caccia) / (The Hunt) | Roberto Michelucci, I Musici | — | |
| 38-10 | Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno" / "Winter": I. Allegro non molto | Roberto Michelucci, I Musici | — | |
| 38-11 | Concerto in F minor, op. 8 no. 4, RV 297 "Winter": II. Largo | Roberto Michelucci, I Musici | — | |
| 38-12 | Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno" / "Winter": III. Allegro | Roberto Michelucci, I Musici | — | |
| 38-13 | Gloria in D, RV 589: I. Allegro "Gloria in excelsis Deo" | The John Alldis Choir, John Constable, Olga Hegedus, Rodney Slatford, English Chamber Orchestra, Vittorio Negri | — | |
| 38-14 | Gloria in D, RV 589: II. Andante "Et in terra pax" | The John Alldis Choir, John Constable, Olga Hegedus, Rodney Slatford, English Chamber Orchestra, Vittorio Negri | — | |
| 38-15 | Gloria in D, RV 589: III. Allegro "Laudamus te" | Margaret Marshall, Ann Murray, John Constable, Olga Hegedus, Rodney Slatford, English Chamber Orchestra, Vittorio Negri | — | |
| 38-16 | Gloria in D, RV 589: IV. Adagio - Allegro "Gratias agimus tibi" | The John Alldis Choir, John Constable, Olga Hegedus, Rodney Slatford, English Chamber Orchestra, Vittorio Negri | — | |
| 38-17 | Gloria in D, RV 589: V. Largo "Domine Deus, Rex coelestis" | Margaret Marshall, John Constable, Olga Hegedus, Rodney Slatford, English Chamber Orchestra, Vittorio Negri | — | |
| 38-18 | Gloria in D, RV 589: VI. Allegro "Domine Fili" | The John Alldis Choir, John Constable, Olga Hegedus, Rodney Slatford, English Chamber Orchestra, Vittorio Negri | — | |
| 38-19 | Gloria in D, RV 589: VII. Adagio "Domine Deus, Agnus Dei" | Birgit Finnilä, The John Alldis Choir, John Constable, Olga Hegedus, Rodney Slatford, English Chamber Orchestra, Vittorio Negri | — | |
| 38-20 | Gloria in D, RV 589: VIII. Allegro "Qui tollis" | The John Alldis Choir, John Constable, Olga Hegedus, Rodney Slatford, English Chamber Orchestra, Vittorio Negri | — | |
| 38-21 | Gloria in D, RV 589: IX. Allegro "Qui sedes" | Birgit Finnilä, John Constable, Olga Hegedus, Rodney Slatford, English Chamber Orchestra, Vittorio Negri | — | |
| 38-22 | Gloria in D, RV 589: X. Allegro "Quoniam" | The John Alldis Choir, John Constable, Olga Hegedus, Rodney Slatford, English Chamber Orchestra, Vittorio Negri | — | |
| 38-23 | Gloria in D, RV 589: XI. Allegro "Cum Sancto Spiritu" | English Chamber Orchestra, The John Alldis Choir, Vittorio Negri, Margaret Marshall, Ann Murray, Birgit Finnilä | — | |
| 39-1 | Vier Letzte Lieder, op. 150: Frühling | Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 39-2 | Vier letzte Lieder: II. September | — | ||
| 39-3 | Vier letzte Lieder: III. Beim Schlafengehen | — | ||
| 39-4 | Vier letzte Lieder: IV. Im Abendrot | — | ||
| 39-5 | Wesendonck Lieder: Der Engel | — | ||
| 39-6 | Wesendonck Lieder: Stehe still | — | ||
| 39-7 | Wesendonck Lieder: Im Treibhaus | — | ||
| 39-8 | Wesendonck Lieder: Schmerzen | — | ||
| 39-9 | Wesendonck Lieder: Träume | — | ||
| 40-1 | Carmina burana: O fortuna (Excalibur) | Shin Sekiya, Shinyukai Choir, Berliner Philharmoniker, Seiji Ozawa | T-800.639.771-4 | |
| 40-2 | Carmina Burana: Fortuna Imperatrix Mundi: Fortuna plango vulnera | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-3 | Carmina Burana: I. Primo vere: Veris leta facies | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-4 | Carmina Burana: I. Primo vere: Omnia sol temperat | Thomas Hampson, Berliner Philharmoniker, Seiji Ozawa | T-800.639.771-4 | |
| 40-5 | Carmina Burana: I. Primo vere: Ecce gratum | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-6 | Carmina Burana: Uf dem anger: Tanz - | Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-7 | Carmina Burana: Uf dem anger: Floret silva nobilis | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-8 | Carmina Burana: Uf dem anger: Chramer, gip die varwe mir | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-9 | Carmina Burana: Uf dem anger: Reie / Swaz hie gat umbe / Chume, chum, geselle min | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-10 | Carmina Burana: Uf dem anger: Were diu werlt alle min | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-11 | Carmina Burana: II. In Taberna: Estuans interius | Thomas Hampson, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-12 | Carmina Burana: II. In Taberna: Olin lacus colueram | John Aler, Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-13 | Carmina Burana: II. In Taberna: Ego sum abbas | Thomas Hampson, Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-14 | Carmina Burana: II. In Taberna: In taberna quando sumus | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-15 | Carmina Burana: III. Cour d'amours: Amor volat undique | Edita Gruberová, Knaben des Staats- und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-16 | Carmina Burana: III. Cour d'amours: Dies, nox et omnia | Thomas Hampson, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-17 | Carmina Burana: III. Cour d'amours: Stetit puella | Edita Gruberová, Berliner Philharmoniker, Seiji Ozawa | T-800.639.771-4 | |
| 40-18 | Carmina Burana: III. Cour d'amours: Circa mea pectora | Thomas Hampson, Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-19 | Carmina Burana: III. Cour d'amours: Si puer cum puellula | Thomas Hampson, Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-20 | Carmina Burana: III. Cour d'amours: Veni, veni, venias | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-21 | Carmina Burana: III. Cour d'amours: In trutina | Edita Gruberová, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-22 | Carmina Burana: III. Cour d'amours: Tempus est iocundum | Edita Gruberová, Thomas Hampson, Knaben des Staats- und Domchores Berlin, Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-23 | Carmina Burana: III. Cour d'amours: Dulcissime | Edita Gruberová, Berliner Philharmoniker, Seiji Ozawa | T-800.639.771-4 | |
| 40-24 | Carmina Burana: Blanzifor et Helena: Ave formosissima | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | — | |
| 40-25 | Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | Shin-Yu Kai, Berliner Philharmoniker, Seiji Ozawa | T-800.639.771-4 | |
| 41-1 | Rhapsody in Blue | André Previn, Pittsburgh Symphony Orchestra | T-010.244.926-2 | |
| 41-2 | An American in Paris: Allegretto grazioso | Pittsburgh Symphony Orchestra, André Previn | — | |
| 41-3 | An American in Paris: Andante ma con ritmo deciso | Pittsburgh Symphony Orchestra, André Previn | T-070.001.144-4 | |
| 41-4 | Piano Concerto in F: I. Allegro | André Previn, Pittsburgh Symphony Orchestra | — | |
| 41-5 | Piano Concerto in F: II. Adagio | André Previn, Pittsburgh Symphony Orchestra | T-901.134.571-4 | |
| 41-6 | Piano Concerto in F: III. Allegro agitato | André Previn, Pittsburgh Symphony Orchestra | — | |
| 42-1 | String Quartet no. 15 in G, D.887: I. Allegro molto moderato | — | ||
| 42-2 | String Quartet no. 15 in G, D.887: II. Andante un poco mosso | — | ||
| 42-3 | String Quartet no. 15 in G, D.887: III. Scherzo (Allegro vivace) | — | ||
| 42-4 | String Quartet no. 15 in G, D.887: IV. Allegro assai | — | ||
| 42-5 | String Quartet in F, op. 135: I. Allegretto | — | ||
| 42-6 | String Quartet in F, op. 135: II. Vivace | — | ||
| 42-7 | String Quartet in F, op. 135: III. Lento assai, cantante e tranquillo | — | ||
| 42-8 | String Quartet in F, op. 135: IV. Der schwer gefaßte Entschluß (Grave - Allegro - Grave ma non troppo tratto - Allegro) | — | ||
| 43-1 | Piano Concerto no. 1 in E-flat, S.124: I. Allegro maestoso | — | ||
| 43-2 | Piano Concerto no. 1 in E-flat, S.124: IIa. Quasi adagio | — | ||
| 43-3 | Piano Concerto no. 1 in E-flat, S.124: IIb. Allegretto vivace - Allegro animato | — | ||
| 43-4 | Piano Concerto no. 1 in E-flat, S.124: III. Allegro marziale animato | — | ||
| 43-5 | Piano Concerto no. 2 in A, S.125: I. Adagio sostenuto assai - Allegro agitato assai | — | ||
| 43-6 | Piano Concerto no. 2 in A, S.125: II. Allegro moderato | — | ||
| 43-7 | Piano Concerto no. 2 in A, S.125: III. Allegro deciso - Marziale un poco meno allegro | — | ||
| 43-8 | Piano Concerto no. 2 in A, S.125: IV. Allegro animato | — | ||
| 43-9 | Piano Sonata no. 10 in G, op. 14 no. 2: I. Allegro | — | ||
| 43-10 | Piano Sonata no. 10 in G, op. 14 no. 2: II. Andante | — | ||
| 43-11 | Piano Sonata no. 10 in G, op. 14 no. 2: III. Scherzo (Allegro assai) | — | ||
| 43-12 | Piano Sonata no. 19 in G minor, op. 49 no. 1: I. Andante | — | ||
| 43-13 | Piano Sonata no. 19 in G minor, op. 49 no. 1: II. Rondo (Allegro) | — | ||
| 43-14 | Piano Sonata no. 20 in G, op. 49 no. 2: I. Allegro ma non troppo | — | ||
| 43-15 | Piano Sonata no. 20 in G, op. 49 no. 2: II. Tempo di Menuetto | — | ||
| 44-1 | Guitar Concerto no. 1 in D, op. 99: I. Allegretto | — | ||
| 44-2 | Guitar Concerto no. 1 in D, op. 99: II. Andantino alla romanza-Largo | — | ||
| 44-3 | Guitar Concerto no. 1 in D, op. 99: III. Ritmico e cavalleresco | — | ||
| 44-4 | Sones en la Giralda: I. Lento - | — | ||
| 44-5 | Sones en la Giralda: II. Allegro vivace (Tempo di sevillana) | — | ||
| 44-6 | Concerto for Guitar and small Orchestra: I. Allegro preciso | — | ||
| 44-7 | Concerto for Guitar and small Orchestra: II. Andantino e andante | — | ||
| 44-8 | Concerto for Guitar and small Orchestra: III. Allegretto non troppo | — | ||
| 44-9 | Concierto de Aranjuez for Guitar and Orchestra: I. Allegro con spirito | — | ||
| 44-10 | Concierto de Aranjuez (2) | Pepe Romero, Christine Pendrill, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.489.061-1 | |
| 44-11 | Concierto de Aranjuez for Guitar and Orchestra: III. Allegro gentile | — | ||
| 45-1 | Elijah, op. 70: Part I, Einleitung: “So wahr der Herr, der Gott Israels, lebet” | Theo Adam, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-2 | Elijah, op. 70: Part I, Ouverture - no. 1: “Hilf, Herr!” | MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-3 | Elijah, op. 70: Part I, no. 2: “Herr, höre unser Gebet!” | Elly Ameling, Renate Krahmer, MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-4 | Elijah, op. 70: Part I, no. 3: “Zerreißet eure Herzen” - no. 4: “So ihr mich von ganzem Herzen” | Peter Schreier, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-5 | Elijah, op. 70: Part I, no. 5: “Aber der Herr sieht es nicht” | MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-6 | Elijah, op. 70: Part I, no. 6: “Elias! Gehe weg von hinnen” | Annelies Burmeister, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-7 | Elijah, op. 70: Part I, no. 7: “Denn er hat seinen Engeln” | Annelies Burmeister, Christel Klug, Roswitha Trexler, Ingrid Wandelt, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-8 | Elijah, op. 70: Part I, no. 8: “Was hast du an mir getan” | Theo Adam, Elly Ameling, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-9 | Elijah, op. 70: Part I, no. 9: “Wohl dem, der den Herrn fürchtet” | MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-10 | Elijah, op. 70: Part I, no. 10: “So wahr der Herr Zebaoth lebet” | Theo Adam, MDR Rundfunkchor Leipzig, Hans-Joachim Rotzsch, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-11 | Elijah, op. 70: Part I, no. 11: “Baal, erhöre uns!” | MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-12 | Elijah, op. 70: Part I, no. 12: “Rufet lauter! Denn er ist ja Gott” | Theo Adam, MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-13 | Elijah, op. 70: Part I, no. 13: “Rufet lauter! Er hört euch nicht!” | Theo Adam, MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-14 | Elijah, op. 70: Part I, no. 14: “Herr Gott Abrahams” | Theo Adam, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-15 | Elijah, op. 70: Part I, no. 15: “Wirf dein Anliegen auf den Herrn” | Renate Krahmer, Hermann Christian Polster, Hans-Joachim Rotzsch, Gisela Schröter, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-16 | Elijah, op. 70: Part I, no. 16: “Der du deine Diener” | Theo Adam, MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-17 | Elijah, op. 70: Part I, no. 17: “Ist nicht des Herrn Wort” | Theo Adam, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-18 | Elijah, op. 70: Part I, no. 18: “Weh ihnen, daß sie von mir weichen!” | Annelies Burmeister, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-19 | Elijah, op. 70: Part I, no. 19: “Hilf deinem Volk” | Theo Adam, Renate Krahmer, MDR Rundfunkchor Leipzig, Peter Schreier, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 45-20 | Elijah, op. 70: Part I, no. 20: “Dank sei dir Gott” | MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-1 | Elijah, op. 70: Part II, no. 21: “Höre Israel” - “So spricht der Herr” - “Ich bin euer Tröster” | Elly Ameling, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-2 | Elijah, op. 70: Part II, no. 22: “Fürchte dich nicht” | MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-3 | Elijah, op. 70: Part II, no. 23: “Der Herr hat dich erhoben” | Theo Adam, MDR Rundfunkchor Leipzig, Gisela Schröter, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-4 | Elijah, op. 70: Part II, no. 24: “Wehe ihm, er muß sterben” | MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-5 | Elijah, op. 70: Part II, no. 25: “Du Mann Gottes” | Theo Adam, Peter Schreier, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-6 | Elijah, op. 70: Part II, no. 26: “Es ist genug!” - no. 27: “Siehe, er schläft” | Theo Adam, Peter Schreier, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-7 | Elijah, op. 70: Part II, no. 28: “Hebe deine Augen” | Christel Klug, Roswitha Trexler, Ingrid Wandelt, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-8 | Elijah, op. 70: Part II, no. 29: “Siehe, der Hüter Israels” | MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-9 | Elijah, op. 70: Part II, no. 30: “Stehe du auf” | Theo Adam, Annelies Burmeister, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-10 | Elijah, op. 70: Part II, no. 31: “Sei stille dem Herrn” | Annelies Burmeister, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-11 | Elijah, op. 70: Part II, no. 32: “Wer bis an das Ende beharrt” | MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-12 | Elijah, op. 70: Part II, no. 33: “Herr, es wird Nacht um mich” | Theo Adam, Annelies Burmeister, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-13 | Elijah, op. 70: Part II, no. 34: “Der Herr ging vorüber” | MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-14 | Elijah, op. 70: Part II, no. 35: “Seraphim standen über ihm” - “Heilig, heilig, heilig” | Elly Ameling, Annelies Burmeister, Renate Krahmer, Gisela Schröter, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-15 | Elijah, op. 70: Part II, no. 36: “Gehe wiederum hinab!” | Theo Adam, MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-16 | Elijah, op. 70: Part II, no. 37: “Ja, es sollen wohl die Bergen weichen” | Theo Adam, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-17 | Elijah, op. 70: Part II, no. 38: “Und der Prophet Elias brach hervor” | MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-18 | Elijah, op. 70: Part II, no. 39: “Dann werden die Gerechten” | Peter Schreier, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-19 | Elijah, op. 70: Part II, no. 40: “Darum ward gesendet der Prophet Elias” | Elly Ameling, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-20 | Elijah, op. 70: Part II, no. 41a: “Aber einer erwacht von Mitternacht” | MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-21 | Elijah, op. 70: Part II, no. 41b: “Wohlan, alle die ihr dürstig seid” | Renate Krahmer, Hermann Christian Polster, Hans-Joachim Rotzsch, Gisela Schröter, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 46-22 | Elijah, op. 70: Part II, no. 42: “Alsdann wird euer Licht hervorbrechen” | MDR Rundfunkchor Leipzig, Gewandhausorchester Leipzig, Wolfgang Sawallisch | — | |
| 47-1 | Symphony-Concerto for Cello and Orchestra, op. 125: I. Andante | — | ||
| 47-2 | Symphony-Concerto for Cello and Orchestra, op. 125: II. Allegro giusto | — | ||
| 47-3 | Symphony-Concerto for Cello and Orchestra, op. 125: III. Andante con moto | — | ||
| 47-4 | Symphony no. 7, op. 131: I. Moderato | — | ||
| 47-5 | Symphony no. 7, op. 131: II. Allegretto | — | ||
| 47-6 | Symphony no. 7, op. 131: III. Andante espressivo | — | ||
| 47-7 | Symphony no. 7, op. 131: IV. Vivace (original version) | — | ||
| 48-1 | Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: “Requiem aeternam” | Margaret Price, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier | — | |
| 48-2 | Requiem in D minor, K. 626 (Süßmayr completion): II. “Kyrie eleison” | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier | T-922.061.546-3 | |
| 48-3 | Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: “Dies irae” | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier | T-905.386.342-6 | |
| 48-4 | Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: “Tuba mirum” | Theo Adam, Francisco Araiza, Margaret Price, Trudeliese Schmidt, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier | — | |
| 48-5 | Requiem in D minor, K. 626 (Süßmayr completion): IIIc. Sequenz: “Rex tremendae” | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier | — | |
| 48-6 | Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequenz: “Recordare” | Theo Adam, Francisco Araiza, Trudeliese Schmidt, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier | — | |
| 48-7 | Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: “Confutatis” | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier | — | |
| 48-8 | Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: “Lacrimosa” | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier | — | |
| 48-9 | Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: “Domine Jesu” | Theo Adam, Francisco Araiza, Trudeliese Schmidt, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier | T-919.097.742-5 | |
| 48-10 | Requiem in D minor, K. 626 (Süßmayr completion): IVb. Offertorium: “Hostias” | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier | T-900.137.873-0 | |
| 48-11 | Requiem in D minor, K. 626 (Süßmayr completion): V. “Sanctus” | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier | — | |
| 48-12 | Requiem in D minor, K. 626 (Süßmayr completion): VI. “Benedictus” | Theo Adam, Francisco Araiza, Margaret Price, Trudeliese Schmidt, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier | — | |
| 48-13 | Requiem in D minor, K. 626 (Süßmayr completion): VII. “Agnus Dei” | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier | — | |
| 48-14 | Requiem in D minor, K. 626 (Süßmayr completion): VIII. Communio: “Lux aeterna” | Margaret Price, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier | T-910.952.061-8 | |
| 48-15 | Missa in C, K317 "Coronation Mass": I. Kyrie | Hans Peter Blochwitz, MDR Rundfunkchor Leipzig, Edith Mathis, Staatskapelle Dresden, Peter Schreier | — | |
| 48-16 | Missa in C, K317 "Coronation Mass": II. Gloria | Hans Peter Blochwitz, MDR Rundfunkchor Leipzig, Edith Mathis, Thomas Quasthoff, Jadwiga Rappé, Staatskapelle Dresden, Peter Schreier | T-070.248.379-1 | |
| 48-17 | Missa in C, K317 "Coronation Mass": III. Credo | Hans Peter Blochwitz, MDR Rundfunkchor Leipzig, Edith Mathis, Thomas Quasthoff, Jadwiga Rappé, Staatskapelle Dresden, Peter Schreier | — | |
| 48-18 | Missa in C, K317 "Coronation Mass": IV. Sanctus | MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier | — | |
| 48-19 | Missa in C, K317 "Coronation Mass": V. Benedictus | Hans Peter Blochwitz, MDR Rundfunkchor Leipzig, Edith Mathis, Thomas Quasthoff, Jadwiga Rappé, Staatskapelle Dresden, Peter Schreier | — | |
| 48-20 | Missa in C, K317 "Coronation Mass": VI. Agnus Dei | Hans Peter Blochwitz, MDR Rundfunkchor Leipzig, Edith Mathis, Thomas Quasthoff, Jadwiga Rappé, Staatskapelle Dresden, Peter Schreier | T-922.061.546-3 | |
| 48-21 | Ave verum corpus, K. 618 | Leipzig Radio Chorus, Staatskapelle Dresden, Peter Schreier | T-323.252.117-0 | |
| 49-1 | Sonata for Violin and Piano no. 32 in B-flat major, K. 454: I. Largo - Allegro | Ingrid Haebler, Henryk Szeryng | — | |
| 49-2 | Sonata for Violin and Piano no. 32 in B-flat major, K. 454: II. Andante | Ingrid Haebler, Henryk Szeryng | — | |
| 49-3 | Sonata for Violin and Piano no. 32 in B-flat major, K. 454: III. Allegretto | Ingrid Haebler, Henryk Szeryng | — | |
| 49-4 | Sonata for Piano and Violin in E-flat, K.481: I. Molto allegro | — | ||
| 49-5 | Sonata for Piano and Violin in E-flat, K.481: II. Adagio | — | ||
| 49-6 | Sonata for Piano and Violin in E-flat, K.481: III. Allegretto (con variazioni) | — | ||
| 49-7 | Violin Concerto in G, KV 216: 1. Allegro (cadenza: Sam Franko) | Henryk Szeryng, Philharmonia Orchestra, Sir Alexander Gibson | T-312.542.566-9 | |
| 49-8 | Violin Concerto in G, KV 216: 2. Adagio (cadenza: Sam Franko) | Henryk Szeryng, New Philharmonia Orchestra, Sir Alexander Gibson | T-312.542.566-9 | |
| 49-9 | Violin Concerto in G, KV 216: 3. Rondeau (Allegro) (cadenza: Sam Franko) | Henryk Szeryng, Philharmonia Orchestra, Sir Alexander Gibson | — | |
| 50-1 | Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo - Adagio espressivo - Tempo I | — | ||
| 50-2 | Piano Sonata no. 30 in E major, op. 109: II. Prestissimo | — | ||
| 50-3 | Piano Sonata no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo) | — | ||
| 50-4 | Piano Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo | — | ||
| 50-5 | Piano Sonata no. 31 in A-flat major, op. 110: II. Allegro molto | — | ||
| 50-6 | Piano Sonata no. 31 in A-flat major, op. 110: IIIa. Adagio ma non troppo | — | ||
| 50-7 | Piano Sonata no. 31 in A-flat major, op. 110: IV. Fuga (Allegro ma non troppo) | — | ||
| 50-8 | Piano Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato | — | ||
| 50-9 | Piano Sonata no. 32 in C minor, op. 111: II. Arietta (Adagio molto semplice e cantabile) | — | ||
| 51-1 | Concerto for Piano and Orchestra, op. 42: Andante | — | ||
| 51-2 | Concerto for Piano and Orchestra, op. 42: Molto allegro | — | ||
| 51-3 | Concerto for Piano and Orchestra, op. 42: Adagio | — | ||
| 51-4 | Concerto for Piano and Orchestra, op. 42: Giocoso (moderato) | — | ||
| 51-5 | Piano Variations, op. 27: I. Sehr mässig | — | ||
| 51-6 | Piano Variations, op. 27: II. Sehr schnell | — | ||
| 51-7 | Piano Variations, op. 27: III. Ruhig, fliessend | — | ||
| 51-8 | Drei Klavierstücke, op. 11: I. Mäßig | Mitsuko Uchida | — | |
| 51-9 | Drei Klavierstücke, op. 11: II. Mäßig | Mitsuko Uchida | — | |
| 51-10 | Drei Klavierstücke, op. 11: III. Bewegt | Mitsuko Uchida | — | |
| 51-11 | Sechs kleine Klavierstücke, op. 19: no. 1 - Leicht, zart | — | ||
| 51-12 | Sechs kleine Klavierstücke, op. 19: no. 2 - Langsam | — | ||
| 51-13 | Sechs kleine Klavierstücke, op. 19: no. 3 - Sehr langsame Viertel | — | ||
| 51-14 | Sechs kleine Klavierstücke, op. 19: no. 4 - Rasch, aber leicht | — | ||
| 51-15 | Sechs kleine Klavierstücke, op. 19: no. 5 - Etwas rasch | — | ||
| 51-16 | Sechs kleine Klavierstücke, op. 19: no. 6 - Sehr langsam | — | ||
| 51-17 | Piano Sonata, op. 1 | — | ||
| 52-1 | Concerto for Recorder, Oboe, Violin, Bassoon and Continuo in D, RV 94: I. Allegro | — | ||
| 52-2 | Concerto for Recorder, Oboe, Violin, Bassoon and Continuo in D, RV 94: II. Largo | — | ||
| 52-3 | Concerto for Recorder, Oboe, Violin, Bassoon and Continuo in D, RV 94: III. Allegro | — | ||
| 52-4 | Concerto for Recorder, Oboe, Bassoon and Continuo in G minor, RV 103: I. Allegro ma cantabile | — | ||
| 52-5 | Concerto for Recorder, Oboe, Bassoon and Continuo in G minor, RV 103: II. Largo | — | ||
| 52-6 | Concerto for Recorder, Oboe, Bassoon and Continuo in G minor, RV 103: III. Allegro non molto | — | ||
| 52-7 | Concerto for Recorder, Oboe, 2 Violins and Continuo in C, RV 87: I. Adagio - Allegro | — | ||
| 52-8 | Concerto for Recorder, Oboe, 2 Violins and Continuo in C, RV 87: II. Largo | — | ||
| 52-9 | Concerto for Recorder, Oboe, 2 Violins and Continuo in C, RV 87: III. Allegro assai | — | ||
| 52-10 | Sonata, RV 86 in A minor: I. Largo | Thomas Demenga, Jonathan Rubin, Michala Petri, Klaus Thunemann, Christiane Jaccottet | — | |
| 52-11 | Sonata, RV 86 in A minor: II. Allegro | Thomas Demenga, Jonathan Rubin, Michala Petri, Klaus Thunemann, Christiane Jaccottet | T-802.445.410-3 | |
| 52-12 | Sonata, RV 86 in A minor: III. Largo, cantabile | Thomas Demenga, Jonathan Rubin, Michala Petri, Klaus Thunemann, Christiane Jaccottet | — | |
| 52-13 | Sonata, RV 86 in A minor: IV. Allegro molto | Thomas Demenga, Jonathan Rubin, Michala Petri, Klaus Thunemann, Christiane Jaccottet | — | |
| 52-14 | Concerto in E minor, RV 484: I. Allegro poco | Klaus Thunemann, I Musici | T-061.483.131-0 | |
| 52-15 | Concerto in E minor, RV 484: II. Andante | Klaus Thunemann, I Musici | — | |
| 52-16 | Concerto in E minor, RV 484: III. Allegro | Klaus Thunemann, I Musici | T-902.836.120-8 | |
| 52-17 | Concerto G-dur, RV 545: I. Andante molto | Heinz Holliger, Klaus Thunemann, I Musici | — | |
| 52-18 | Concerto G-dur, RV 545: II. Largo | Heinz Holliger, Klaus Thunemann, I Musici | T-911.640.005-6 | |
| 52-19 | Concerto G-dur, RV 545: III. Allegro molto | Heinz Holliger, Klaus Thunemann, I Musici | T-329.454.787-4 | |
| 52-20 | Concerto RV 452 in C-dur: I. Allegro | Heinz Holliger, I Musici | T-911.640.004-5 | |
| 52-21 | Concerto RV 452 in C-dur: II. Adagio | I Musici, Heinz Holliger | — | |
| 52-22 | Concerto RV 452 in C-dur: III. Allegro | Heinz Holliger, I Musici | T-329.454.787-4 | |
| 53-1 | Concerto for Recorder, Oboe, Violin, Bassoon and Continuo in G, RV 101: I. (Allegro) | — | ||
| 53-2 | Concerto for Recorder, Oboe, Violin, Bassoon and Continuo in G, RV 101: II. Largo | — | ||
| 53-3 | Concerto for Recorder, Oboe, Violin, Bassoon and Continuo in G, RV 101: III. Allegro | — | ||
| 53-4 | Flute Concerto in A minor, RV 108: I. Allegro | — | ||
| 53-5 | Flute Concerto in A minor, RV 108: II. Largo | — | ||
| 53-6 | Flute Concerto in A minor, RV 108: III. Allegro | — | ||
| 53-7 | Concerto "La Pastorella", RV 95 in D: I. Allegro | Pasquale Pellegrino, Felix Ayo, Thomas Demenga, Jonathan Rubin, Heinz Holliger, Michala Petri, Klaus Thunemann, Christiane Jaccottet | T-070.161.055-0 | |
| 53-8 | Concerto "La Pastorella", RV 95 in D: II. Largo | Pasquale Pellegrino, Felix Ayo, Thomas Demenga, Jonathan Rubin, Heinz Holliger, Michala Petri, Klaus Thunemann, Christiane Jaccottet | T-911.640.005-6 | |
| 53-9 | Concerto "La Pastorella", RV 95 in D: III. Allegro | Pasquale Pellegrino, Felix Ayo, Thomas Demenga, Jonathan Rubin, Heinz Holliger, Michala Petri, Klaus Thunemann, Christiane Jaccottet | — | |
| 53-10 | Concerto for Recorder, Oboe, Violin, Bassoon and Continuo in G minor, RV 105: I. Allegro | — | ||
| 53-11 | Concerto for Recorder, Oboe, Violin, Bassoon and Continuo in G minor, RV 105: II. Largo | — | ||
| 53-12 | Concerto for Recorder, Oboe, Violin, Bassoon and Continuo in G minor, RV 105: III. (Allegro) | — | ||
| 53-13 | Concerto for Recorder, Violin and Continuo in D, RV 92: I. Allegro | — | ||
| 53-14 | Concerto for Recorder, Violin and Continuo in D, RV 92: II. (Larghetto) | — | ||
| 53-15 | Concerto for Recorder, Violin and Continuo in D, RV 92: III. Allegro | — | ||
| 53-16 | Concerto in C, RV 472: I. Allegro non molto | Klaus Thunemann, I Musici | — | |
| 53-17 | Concerto in C, RV 472: II. Andante molto | Klaus Thunemann, I Musici | — | |
| 53-18 | Concerto in C, RV 472: III. Allegro | Klaus Thunemann, I Musici | T-902.836.120-8 | |
| 53-19 | Concerto for Lute, 2 Violins and Continuo in D, RV.93: I. Allegro Giusto | Pepe Romero, I Musici | T-917.160.029-6 | |
| 53-20 | Concerto for Lute, 2 Violins and Continuo in D, RV.93: II. Largo | Pepe Romero, I Musici | T-911.640.005-6 | |
| 53-21 | Concerto for Lute, 2 Violins and Continuo in D, RV.93: III. Allegro | Pepe Romero, I Musici | T-902.717.414-7 | |
| 54-1 | Serenade in B-flat, K.361 “Gran partita”: I. Largo - Allegro molto | — | ||
| 54-2 | Serenade in B-flat, K.361 “Gran partita”: II. Menuetto (Allegretto) - Trio I-II | — | ||
| 54-3 | Serenade in B-flat major, K. 361 "Gran partita": 3. Adagio | Netherlands Wind Ensemble, Edo de Waart | — | |
| 54-4 | Serenade in B-flat, K.361 “Gran partita”: IV. Menuetto (Allegretto) - Trio I-II | — | ||
| 54-5 | Serenade in B-flat, K.361 “Gran partita”: V. Romanze (Adagio - Allegretto - Adagio) | — | ||
| 54-6 | Serenade in B-flat, K.361 “Gran partita”: VI. Thema con 6 variazioni (Andante) | — | ||
| 54-7 | Serenade in B-flat, K.361 “Gran partita”: VII. Finale (Molto allegro) | — | ||
| 54-8 | Serenade in E-flat, K.375: I. Allegro maestoso | — | ||
| 54-9 | Serenade in E-flat, K.375: II. Menuetto | — | ||
| 54-10 | Serenade in E-flat, K.375: III. Adagio | — | ||
| 54-11 | Serenade in E-flat, K.375: IV. Menuetto | — | ||
| 54-12 | Serenade in E-flat, K.375: V. Finale (Allegro) | — | ||
| 55-1 | Cello Concerto in B minor, Op. 104: I. Allegro | Julian Lloyd Webber, Česká filharmonie, Václav Neumann | T-070.161.055-0 | |
| 55-2 | Cello Concerto in B minor, Op. 104: II. Adagio ma non troppo | Julian Lloyd Webber, Česká filharmonie, Václav Neumann | — | |
| 55-3 | Cello Concerto in B minor, Op. 104: III. Finale (Allegro moderato) | Julian Lloyd Webber, Česká filharmonie, Václav Neumann | — | |
| 55-4 | Cello Concerto in E minor, op. 85: I. Adagio - Moderato | Julian Lloyd Webber, Royal Philharmonic Orchestra, Yehudi Menuhin | T-919.860.418-1 | |
| 55-5 | Cello Concerto in E minor, op. 85: II. Lento - Allegro molto | Julian Lloyd Webber, Royal Philharmonic Orchestra, Yehudi Menuhin | T-010.115.156-7 | |
| 55-6 | Cello Concerto in E minor, op. 85: 3. Adagio | Julian Lloyd Webber, Royal Philharmonic Orchestra, Yehudi Menuhin | T-010.115.155-6 | |
| 55-7 | Cello Concerto in E minor, op. 85: IV. Allegro | Julian Lloyd Webber, Royal Philharmonic Orchestra, Yehudi Menuhin | T-010.115.154-5 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Night on the Bare Mountain (arr. Rimsky-Korsakov) | Wiener Philharmoniker, Valery Gergiev | — |
