UPC · Release
Mercury Living Presence: The Collector's Edition, Vol. 2
Various Artists
028947850922
840 tracksReleased 2013-01-01Mercury
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028947850922 is the Universal Product Code (UPC barcode) for the release “Mercury Living Presence: The Collector's Edition, Vol. 2” by Various Artists, released 2013-01-01 on Mercury. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 840 tracks, each with its own ISRC. Tracks include NLA506200520, NLA506200521, NLA506200522.
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UPCMercury Living Presence: The Collector's Edition, Vol. 2
ISRC211 recordings
ISWC30 works
IPI4 songwriters
Track List (840)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Five Pieces for Orchestra: I. Vorgefuhle | London Symphony Orchestra, Antal Doráti | — | |
| 2 | Five Pieces for Orchestra: II. Vergangenes | London Symphony Orchestra, Antal Doráti | — | |
| 3 | Five Pieces for Orchestra: III. Sommermorgen an einem See | London Symphony Orchestra, Antal Doráti | — | |
| 4 | Five Pieces for Orchestra: IV. Peripetie | London Symphony Orchestra, Antal Doráti | — | |
| 5 | Five Pieces for Orchestra: V. Das obligate Rezitativ | London Symphony Orchestra, Antal Doráti | — | |
| 6 | Five Pieces for Orchestra, Op. 10 | London Symphony Orchestra, Antal Doráti | — | |
| 7 | Three Pieces for Orchestra: I. Praeludium | London Symphony Orchestra, Antal Doráti | — | |
| 8 | Three Pieces for Orchestra: II. Reigen | London Symphony Orchestra, Antal Doráti | — | |
| 9 | Three Pieces for Orchestra: III. Marsch | London Symphony Orchestra, Antal Doráti | — | |
| 10 | "Lulu" Suite: I. Rondo | London Symphony Orchestra, Antal Doráti | — | |
| 11 | "Lulu" Suite: II. Ostinato | London Symphony Orchestra, Antal Doráti | — | |
| 12 | "Lulu" Suite: III. Lulu's Song | Helga Pilarczyk, London Symphony Orchestra, Antal Doráti | — | |
| 13 | "Lulu" Suite: IV. Variations | London Symphony Orchestra, Antal Doráti | — | |
| 14 | "Lulu" Suite: V. Adagio | Helga Pilarczyk, London Symphony Orchestra, Antal Doráti | — | |
| 2-1 | The Birds: 1. Prelude | London Symphony Orchestra, Antal Doráti | T-070.160.313-5 | |
| 2-2 | The Birds: 2. The Dove | London Symphony Orchestra, Antal Doráti | — | |
| 2-3 | The Birds: 3. The Hen | London Symphony Orchestra, Antal Doráti | — | |
| 2-4 | The Birds: 4. The Nightingale | London Symphony Orchestra, Antal Doráti | — | |
| 2-5 | The Birds: 5. The Cuckoo | London Symphony Orchestra, Antal Doráti | — | |
| 2-6 | Brazillian Impressions: 1. Tropical Night | London Symphony Orchestra, Antal Doráti | — | |
| 2-7 | Brazillian Impressions: 2. Butantan | London Symphony Orchestra, Antal Doráti | — | |
| 2-8 | Brazillian Impressions: 3. Song and Dance | London Symphony Orchestra, Antal Doráti | — | |
| 2-9 | The Fountains of Rome: I. The Fountain of Valle Giulia | — | ||
| 2-10 | The Fountains of Rome: II. The Triton Fountain | — | ||
| 2-11 | The Fountains of Rome: III. The Fountain of Trevi | — | ||
| 2-12 | The Fountains of Rome: IV. The Villa Medici Fountain | — | ||
| 2-13 | The Pines of Rome: I. The Pines of Villa Borghese | — | ||
| 2-14 | The Pines of Rome: II. The Pines near a Catacomb | — | ||
| 2-15 | The Pines of Rome: III. The Pines of the Janiculum | — | ||
| 2-16 | The Pines of Rome: IV. The Pines of the Appian Way | — | ||
| 3-1 | Concerto for Orchestra: 1. Introduzione (Andante non troppo – Allegro vivace) | London Symphony Orchestra, Antal Doráti | — | |
| 3-2 | Concerto for Orchestra: 2. Giuoco delle coppie (Allegretto scherzando) | London Symphony Orchestra, Antal Doráti | — | |
| 3-3 | Concerto for Orchestra: 3. Elegia (Andante non troppo) | London Symphony Orchestra, Antal Doráti | — | |
| 3-4 | Concerto for Orchestra: 4. Intermezzo interrotto (Allegretto) | London Symphony Orchestra, Antal Doráti | — | |
| 3-5 | Concerto for Orchestra: 5. Finale (Presto) | London Symphony Orchestra, Antal Doráti | — | |
| 3-6 | Dance Suite: I. Moderato | — | ||
| 3-7 | Dance Suite: II. Allegro molto | — | ||
| 3-8 | Dance Suite: III. Allegro vivace | — | ||
| 3-9 | Dance Suite: IV. Molto tranquillo | — | ||
| 3-10 | Dance Suite: V. Comodo - VI. Finale (Allegro) | — | ||
| 3-11 | Two Portraits, op. 5: I. "Ideal" | — | ||
| 3-12 | Two Portraits, op. 5: II. "Distorted" | — | ||
| 3-13 | Mikrokosmos: I. Bourrée (No. 117, Book IV) | — | ||
| 3-14 | Mikrokosmos: II. From the Diary of a Fly (No. 142, Book VI) | — | ||
| 4-1 | Antiche danze ed arie, Suite no. 1 for orchestra: I. Balletto detto « Il Conte Orlando » | — | ||
| 4-2 | Antiche danze ed arie, Suite no. 1 for orchestra: II. Gagliarda | — | ||
| 4-3 | Antiche danze ed arie, Suite no. 1 for orchestra: III. Villanella | — | ||
| 4-4 | Antiche danze ed arie, Suite no. 1 for orchestra: IV. Finale: Passo mezzo e Mascherada | — | ||
| 4-5 | Antiche danze ed arie, Suite no. 2 for orchestra: I. « Laura soave » - Balletto con gagliarda, saltarello e canario | — | ||
| 4-6 | Antiche danze ed arie, Suite no. 2 for orchestra: II. Danza rustica | — | ||
| 4-7 | Antiche danze ed arie, Suite no. 2 for orchestra: III. « Campanae parisienses » - Aria (« sopra Les cloches de Paris ») | — | ||
| 4-8 | Antiche danze ed arie, Suite no. 2 for orchestra: IV. Bergamasca | — | ||
| 4-9 | Antiche danze ed arie, Suite no. 3 for strings: I. Italiana | — | ||
| 4-10 | Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (a) « C'est malheur que de vous aymer » - Andante cantabile | — | ||
| 4-11 | Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (b) « Adieu bergere pour iamais » - Allegretto | — | ||
| 4-12 | Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (c) « Beaux yeux qui me voyes clairement » - Vivace | — | ||
| 4-13 | Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (d) « La voila la nacelle d'amour ou ma maitresse arrive » - Lento con grande espressione | — | ||
| 4-14 | Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (e) « Quelle divinité s'imprime dans mon ame » - Allegro vivace | — | ||
| 4-15 | Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (f) « Si c'est pour mon pucellage que vous me faites l'amour » - Vivacissimo | — | ||
| 4-16 | Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (g) Andante cantabile | — | ||
| 4-17 | Antiche danze ed arie, Suite no. 3 for strings: III. Siciliana | — | ||
| 4-18 | Antiche danze ed arie, Suite no. 3 for strings: IV. Passacaglia | — | ||
| 5-1 | Symphony no. 7 in D minor, op. 70: I. Allegro maestoso | London Symphony Orchestra, Antal Doráti | — | |
| 5-2 | Symphony no. 7 in D minor, op. 70: II. Poco Adagio | London Symphony Orchestra, Antal Doráti | — | |
| 5-3 | Symphony no. 7 in D minor, op. 70: III. Scherzo. Vivace - Poco meno moso | London Symphony Orchestra, Antal Doráti | — | |
| 5-4 | Symphony no. 7 in D minor, op. 70: IV. Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 5-5 | Symphony no. 8 in G major, op. 88: I. Allegro con brio | London Symphony Orchestra, Antal Doráti | — | |
| 5-6 | Symphony no. 8 in G major, op. 88: II. Adagio | London Symphony Orchestra, Antal Doráti | — | |
| 5-7 | Symphony no. 8 in G major, op. 88: III. Allegretto grazioso | London Symphony Orchestra, Antal Doráti | — | |
| 5-8 | Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo | London Symphony Orchestra, Antal Doráti | — | |
| 6-1 | An American in Paris | — | ||
| 6-2 | Rodeo, Four Dance Episodes: I. Buckaroo Holiday | — | ||
| 6-3 | Rodeo, Four Dance Episodes: II. Corral Nocturne | — | ||
| 6-4 | Rodeo, Four Dance Episodes: III. Saturday Night Waltz | — | ||
| 6-5 | Rodeo, Four Dance Episodes: IV. Hoe-Down | — | ||
| 6-6 | Seven Studies on Themes of Paul Klee: I. Antique Harmonies | — | ||
| 6-7 | Seven Studies on Themes of Paul Klee: II. Abstract Trio | — | ||
| 6-8 | Seven Studies on Themes of Paul Klee: III. Little Blue Devil | — | ||
| 6-9 | Seven Studies on Themes of Paul Klee: IV. The Twittering-machine | — | ||
| 6-10 | Seven Studies on Themes of Paul Klee: V. Arab Village | — | ||
| 6-11 | Seven Studies on Themes of Paul Klee: VI. An Eerie Moment | — | ||
| 6-12 | Seven Studies on Themes of Paul Klee: VII. Pastorale | — | ||
| 6-13 | Sinfonia Breve: I. Moderato | — | ||
| 6-14 | Sinfonia Breve: II. Andante | — | ||
| 6-15 | Sinfonia Breve: III. Allegro molto | — | ||
| 6-16 | Sinfonia Breve: IV. Allegro deciso | — | ||
| 7-1 | Parade | — | ||
| 7-2 | Le Bœuf sur le toit | — | ||
| 7-4 | Concerinoto for Piano and Orchestra: I. Presto leggiero | — | ||
| 7-5 | Concerinoto for Piano and Orchestra: II. Lent | — | ||
| 7-6 | Concerinoto for Piano and Orchestra: III. Allgretto: Rondeau | — | ||
| 7-7 | Contrasts for Orchestra: I. Allegro con forza | — | ||
| 7-8 | Contrasts for Orchestra: II. Adagio | — | ||
| 7-9 | Contrasts for Orchestra: III. Scherzo: Allegro ma non troppo | — | ||
| 7-10 | Contrasts for Orchestra: IV. Allegro marciale - Presto | — | ||
| 8-1 | Symphony no. 6 in B minor (“Pathétique”): 1. Adagio – Allegro non troppo | London Symphony Orchestra, Antal Doráti | — | |
| 8-2 | Symphony no. 6 in B minor (“Pathétique”): 2. Allegro con grazia | London Symphony Orchestra, Antal Doráti | — | |
| 8-3 | Symphony no. 6 in B minor (“Pathétique”): 3. Allegro molto vivace | London Symphony Orchestra, Antal Doráti | — | |
| 8-4 | Symphony no. 6 in B minor (“Pathétique”): 4. Adagio lamentoso – Andante | London Symphony Orchestra, Antal Doráti | — | |
| 8-5 | Romeo and Juliet: Overture-Fantasy After Shakespeare | London Symphony Orchestra, Antal Doráti | T-902.705.918-3 | |
| 9-1 | The Wooden Prince: Introduction: Molto moderato | London Symphony Orchestra, Antal Doráti | — | |
| 9-2 | The Wooden Prince: First Dance: Dance of the Princess in the Forest: Molto moderato | London Symphony Orchestra, Antal Doráti | — | |
| 9-3 | The Wooden Prince: Second Dance: Dance of the Trees: Assai moderato | London Symphony Orchestra, Antal Doráti | — | |
| 9-4 | The Wooden Prince: Third Dance: Dance of the Waves: Andante | London Symphony Orchestra, Antal Doráti | — | |
| 9-5 | The Wooden Prince: Fourth Dance: Dance of the Princess with the Wooden Doll: Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 9-6 | The Wooden Prince: Fifth Dance: The Princess Pulls and Tugs at the Wooden Prince and Tries to Make Him Dance: Meno mosso (subito) | London Symphony Orchestra, Antal Doráti | — | |
| 9-7 | The Wooden Prince: Sixth Dance: She Tries to Attract the Real Prince With Her Seductive Dancing | London Symphony Orchestra, Antal Doráti | — | |
| 9-8 | The Wooden Prince: Seventh Dance: Dismayed, the Princess Attempts to Hurry After the Prince, but the Forest Bars Her Way: Moderato | London Symphony Orchestra, Antal Doráti | — | |
| 9-9 | Music for Strings, Percussion and Celesta: 1. Andante tranquillo | London Symphony Orchestra, Antal Doráti | — | |
| 9-10 | Music for Strings, Percussion and Celesta: 2. Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 9-11 | Music for Strings, Percussion and Celesta: 3. Adagio | London Symphony Orchestra, Antal Doráti | — | |
| 9-12 | Music for Strings, Percussion and Celesta: 4. Allegro molto | London Symphony Orchestra, Antal Doráti | — | |
| 10-1 | The Miraculous Mandarin: Allegro (Introduction) | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-2 | The Miraculous Mandarin: The curtain rises on a shabby room in the slums... | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-3 | The Miraculous Mandarin: First decoy game | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-4 | The Miraculous Mandarin: The shabby old rake enters... | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-5 | The Miraculous Mandarin: Second decoy game | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-6 | The Miraculous Mandarin: The shy young man appears in the door... | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-7 | The Miraculous Mandarin: Third decoy game | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-8 | The Miraculous Mandarin: Horrified, they see a weird figure in the street... | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-9 | The Miraculous Mandarin: The Mandarin enters and stands immobilein the doorway... | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-10 | The Miraculous Mandarin: General consternation... | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-11 | The Miraculous Mandarin: At last she overcomes her reluctance... | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-12 | The Miraculous Mandarin: The girl sinks down to embrace him... | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-13 | The Miraculous Mandarin: She flees from him... | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-14 | The Miraculous Mandarin: The Mandarin catches the girl, and they fight | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-15 | The Miraculous Mandarin: The tramps leap out... | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-16 | The Miraculous Mandarin: "We must kill him..." | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-17 | The Miraculous Mandarin: They think he is dead... | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-18 | The Miraculous Mandarin: At last the three tramps master their horror... | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-19 | The Miraculous Mandarin: Suddenly he draws himself up... | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-20 | The Miraculous Mandarin: They drag the resisting Mandarin to the center of the room... | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-21 | The Miraculous Mandarin: The body of the Mandarin begins to glow with a greenish blue light... | BBC Symphony Chorus, BBC Symphony Orchestra, Antal Doráti | — | |
| 10-22 | The Miraculous Mandarin: At her insistence, the tramps take himdown... | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-23 | The Miraculous Mandarin: The Mandarin's longing is now stilled... | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-24 | Divertimento: I. Allegro non troppo | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-25 | Divertimento: II. Molto adagio | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-26 | Divertimento: III. Allegro assai | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-27 | Sonata for Two Pianos and Percussion: 1. Assai lento | Géza Frid, Luctor Ponse, Members of the London Symphony Orchestra, Antal Doráti | — | |
| 10-28 | Sonata for Two Pianos and Percussion: 2. Lento, ma non troppo | Géza Frid, Luctor Ponse, Members of the London Symphony Orchestra, Antal Doráti | — | |
| 10-29 | Sonata for Two Pianos and Percussion: 3. Allegro non troppo | Géza Frid, Luctor Ponse, Members of the London Symphony Orchestra, Antal Doráti | — | |
| 11-1 | Symphony no. 4 in F minor, op. 36: 1. Andante sostenuto – Moderato con anima | London Symphony Orchestra, Antal Doráti | — | |
| 11-2 | Symphony no. 4 in F minor, op. 36: 2. Andantino in modo di canzona | London Symphony Orchestra, Antal Doráti | — | |
| 11-3 | Symphony no. 4 in F minor, op. 36: 3. Scherzo: Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 11-4 | Symphony no. 4 in F minor, op. 36: 4. Finale: Allegro con fuoco | London Symphony Orchestra, Antal Doráti | — | |
| 11-5 | Francesca da Rimini, symphonic fantasy, op. 32 | — | ||
| 11-6 | Prince Igor: Overture | London Symphony Orchestra, Antal Doráti | — | |
| 12-1 | Symphony no. 5 in C minor, op. 67: 1. Allegro con brio | London Symphony Orchestra, Antal Doráti | — | |
| 12-2 | Symphony no. 5 in C minor, op. 67: 2. Andante con moto | London Symphony Orchestra, Antal Doráti | — | |
| 12-3 | Symphony no. 5 in C minor, op. 67: 3. Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 12-4 | Symphony no. 5 in C minor, op. 67: 4. Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 12-5 | Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country" | London Symphony Orchestra, Antal Doráti | — | |
| 12-6 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook" | London Symphony Orchestra, Antal Doráti | — | |
| 12-7 | Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro "Happy gathering of country folk" | London Symphony Orchestra, Antal Doráti | — | |
| 12-8 | Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Allegro "Thunderstorm" | London Symphony Orchestra, Antal Doráti | — | |
| 12-9 | Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto "Shepherds' song: Cheerful and thankful feelings after the storm" | London Symphony Orchestra, Antal Doráti | — | |
| 12-10 | The Creatures of Prometheus, Op. 43: Overture | London Symphony Orchestra, Antal Doráti | — | |
| 13-1 | Iberia, Suite: I. Evocación | — | ||
| 13-2 | Iberia, Suite: II. El Corpus en Sevilla | — | ||
| 13-3 | Iberia, Suite: III. Triana | — | ||
| 13-4 | Iberia, Suite: IV. El Puerto | — | ||
| 13-5 | Iberia, Suite: V. El Albaicin | — | ||
| 13-6 | Interlude and Dance no. 1, from La Vida Breve | — | ||
| 13-7 | Two Excerpts from "Khovanshchina": Prelude | — | ||
| 13-8 | Two Excerpts from "Khovanshchina": Dance of the Persian Slaves | — | ||
| 13-9 | Excerpt from "The Bartered Bride": Overture | — | ||
| 13-10 | Excerpt from "The Bartered Bride": Polka | — | ||
| 13-11 | Excerpt from "The Bartered Bride": Furiant | — | ||
| 13-12 | Excerpt from "The Bartered Bride": Dance of the Comedians | — | ||
| 14-1 | Symphonic Metamorphoses on Themes by Carl Maria von Weber: I. Allegro | — | ||
| 14-2 | Symphonic Metamorphoses on Themes by Carl Maria von Weber: II. Turandot, Scherzo | — | ||
| 14-3 | Symphonic Metamorphoses on Themes by Carl Maria von Weber: III. Andantino | — | ||
| 14-4 | Symphonic Metamorphoses on Themes by Carl Maria von Weber: IV. Marsch | — | ||
| 14-5 | 5 Pieces for Orchestra, op. 16: No. 1. Premonitions | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 14-6 | 5 Pieces for Orchestra, op. 16: No. 2. Yesteryears | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 14-7 | 5 Pieces for Orchestra, op. 16: No. 3. Summer Morning by a Lake | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 14-8 | 5 Pieces for Orchestra, op. 16: No. 4. Peripetia | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 14-9 | 5 Pieces for Orchestra, op. 16: No. 5. The Obligatory Recitative | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 14-10 | Variations on a Hungarian Folksong, "The Peacock" | — | ||
| 14-11 | Suite from "The Miraculous Mandarin" | — | ||
| 15-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto. Vivace | London Symphony Orchestra, Antal Doráti | — | |
| 15-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | London Symphony Orchestra, Antal Doráti | T-314.638.300-4 | |
| 15-3 | Symphony no. 7 in A major, op. 92: III. Presto. Assai meno presto | London Symphony Orchestra, Antal Doráti | T-915.710.750-1 | |
| 15-4 | Symphony no. 7 in A major, op. 92: IV 4. Allegro con brio | London Symphony Orchestra, Antal Doráti | — | |
| 15-5 | Leonore Overture no. 3, op. 72b | London Symphony Orchestra, Antal Doráti | — | |
| 15-6 | Egmont Overture, op. 84 | London Symphony Orchestra, Antal Doráti | — | |
| 15-7 | Consecration of the House Overture, op. 124 | London Symphony Orchestra, Antal Doráti | — | |
| 16-1 | Swan Lake, op. 20: Overture | — | ||
| 16-2 | Swan Lake, op. 20: Act I, no. 1. Scene | — | ||
| 16-3 | Swan Lake, op. 20: Act I, no. 2. Waltz | — | ||
| 16-4 | Swan Lake, op. 20: Act I, no. 3. Scene | — | ||
| 16-5 | Swan Lake, op. 20: Act I, no. 4. Pas de trois: I. Intrada | — | ||
| 16-6 | Swan Lake, op. 20: Act I, no. 4. Pas de trois: II. Andante sostenuto | — | ||
| 16-7 | Swan Lake, op. 20: Act I, no. 4. Pas de trois: III. Allegro simplice | — | ||
| 16-8 | Swan Lake, op. 20: Act I, no. 4. Pas de trois: IV. Moderato | — | ||
| 16-9 | Swan Lake, op. 20: Act I, no. 4. Pas de trois: V. Allegro | — | ||
| 16-10 | Swan Lake, op. 20: Act I, no. 4. Pas de trois: VI. Coda | — | ||
| 16-11 | Swan Lake, op. 20: Act I, no. 5. Pas de deux: I. Tempo di valse | — | ||
| 16-12 | Swan Lake, op. 20: Act I, no. 5. Pas de deux: II. Andante | — | ||
| 16-13 | Swan Lake, op. 20: Act I, no. 5. Pas de deux: III. Tempo di valse | — | ||
| 16-14 | Swan Lake, op. 20: Act I, no. 5. Pas de deux: IV. Coda | — | ||
| 16-15 | Swan Lake, op. 20: Act I, no. 6. Pas d'action | — | ||
| 16-16 | Swan Lake, op. 20: Act I, no. 7. Sujet | — | ||
| 16-17 | Swan Lake, op. 20: Act I, no. 8. Dance with Wine Glasses | — | ||
| 16-18 | Swan Lake, op. 20: Act I, no. 9. Finale | — | ||
| 16-19 | Swan Lake, op. 20: Act II, no. 10. Scene | — | ||
| 16-20 | Swan Lake, op. 20: Act II, no. 11. Scene | — | ||
| 16-21 | Swan Lake, op. 20: Act II, no. 12. Scene | — | ||
| 16-22 | Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: I. Dances of the Swans | — | ||
| 16-23 | Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: II. Moderato assai | — | ||
| 16-24 | Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: III. Dances of the Swans | — | ||
| 16-25 | Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: IV. Allegro moderato | — | ||
| 16-26 | Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: V. Pas d'action (Odette and the Prince) | — | ||
| 16-27 | Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: VI. General Dance | — | ||
| 16-28 | Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: VII. Coda | — | ||
| 16-29 | Swan Lake, op. 20: Act II, no. 14. Scene | — | ||
| 17-1 | Swan Lake, op. 20: Act III, no. 15. Introduction | — | ||
| 17-2 | Swan Lake, op. 20: Act III, no. 16. Danses of the Corps de Ballet and Dwarfs | — | ||
| 17-3 | Swan Lake, op. 20: Act III, no. 17. Scene: Fanfares and Waltz | — | ||
| 17-4 | Swan Lake, op. 20: Act III, no. 18. Scene | — | ||
| 17-5 | Swan Lake, op. 20: Act III, no. 19. Pas de six: I. Intrada | — | ||
| 17-6 | Swan Lake, op. 20: Act III, no. 19. Pas de six: II. Variation I | — | ||
| 17-7 | Swan Lake, op. 20: Act III, no. 19. Pas de six: III. Variation II | — | ||
| 17-8 | Swan Lake, op. 20: Act III, no. 19. Pas de six: IV. Variation III | — | ||
| 17-9 | Swan Lake, op. 20: Act III, no. 19. Pas de six: V. Variation IV | — | ||
| 17-10 | Swan Lake, op. 20: Act III, no. 19. Pas de six: VI. Variation V | — | ||
| 17-11 | Swan Lake, op. 20: Act III, no. 19. Pas de six: VII. Coda | — | ||
| 17-12 | Swan Lake, op. 20: Act III, no. 20. Hungarian Dance (Czárdás) | — | ||
| 17-13 | Swan Lake, op. 20: Act III, no. 21. Spanish Dance (Bolero) | — | ||
| 17-14 | Swan Lake, op. 20: Act III, no. 22. Neapolian Dance | — | ||
| 17-15 | Swan Lake, op. 20: Act III, no. 22a. Russian Dance | — | ||
| 17-16 | Swan Lake, op. 20: Act III, no. 23. Mazurka | — | ||
| 17-17 | Swan Lake, op. 20: Act III, no. 24. Scene | — | ||
| 17-18 | Swan Lake, op. 20: Act IV, no. 25. Entr'acte | — | ||
| 17-19 | Swan Lake, op. 20: Act IV, no. 26. Scene | — | ||
| 17-20 | Swan Lake, op. 20: Act IV, no. 27. Dances of the Little Swans | — | ||
| 17-21 | Swan Lake, op. 20: Act IV, no. 28. Scene | — | ||
| 17-22 | Swan Lake, op. 20: Act IV, no. 29. Final scene | — | ||
| 18-1 | PRÉLUDE | London Symphony Orchestra, Anatole Fistoulari | — | |
| 18-2 | Sylvia: Act I: No. 1: Faunes et dryads | London Symphony Orchestra, Anatole Fistoulari | — | |
| 18-3 | Sylvia: Act I: No. 2: Le Berger (Pastorale) | London Symphony Orchestra, Anatole Fistoulari | — | |
| 18-4 | Sylvia: Act I: No. 3: Les Chasseresses | London Symphony Orchestra, Anatole Fistoulari | — | |
| 18-5 | NO. 4A INTERMEZZO | London Symphony Orchestra, Anatole Fistoulari | T-070.140.357-7 | |
| 18-6 | SYLVIA, ACT 1: NO. 4B VALSE LENTE | London Symphony Orchestra, Anatole Fistoulari | — | |
| 18-7 | NO. 5 SCÈNE | London Symphony Orchestra, Anatole Fistoulari | — | |
| 18-8 | NO. 6 CORTÈGE RUSTIQUE | London Symphony Orchestra, Anatole Fistoulari | T-070.140.357-7 | |
| 18-9 | NO. 7 SCÈNE | London Symphony Orchestra, Anatole Fistoulari | — | |
| 18-10 | SYLVIA, ACT 1: NO. 8A ENTRÉE DU SORCIER | London Symphony Orchestra, Anatole Fistoulari | — | |
| 18-11 | NO. 8B FINAL | London Symphony Orchestra, Anatole Fistoulari | — | |
| 18-12 | DELIBES SYLVIA ENTR ACTE | London Symphony Orchestra, Anatole Fistoulari | — | |
| 18-13 | Sylvia: Act II: No. 9: La Grotte d’Orion | London Symphony Orchestra, Anatole Fistoulari | — | |
| 18-14 | Sylvia: Act II: No. 10: Pas des Éthiopiens | London Symphony Orchestra, Anatole Fistoulari | — | |
| 18-15 | Sylvia: Act II: No. 11: Chant bachique | London Symphony Orchestra, Anatole Fistoulari | — | |
| 18-16 | Sylvia: Act II: No. 12: Scène et danse de la bacchante | London Symphony Orchestra, Anatole Fistoulari | — | |
| 18-17 | Sylvia: Act II: No. 12: Rentrée de Sylvia | London Symphony Orchestra, Anatole Fistoulari | — | |
| 18-18 | NO. 13 SCÈNE FINALE | London Symphony Orchestra, Anatole Fistoulari | — | |
| 19-1 | SYLVIA, ACT 3: NO. 14A MARCHE | London Symphony Orchestra, Anatole Fistoulari | — | |
| 19-2 | NO. 14B CORTÈGE DE BACCHUS | London Symphony Orchestra, Anatole Fistoulari | T-070.140.357-7 | |
| 19-3 | SYLVIA, ACT 3: NO. 15A SCÈNE | London Symphony Orchestra, Anatole Fistoulari | — | |
| 19-4 | SYLVIA / ACT 3: NO. 15B BARCAROLLE | London Symphony Orchestra, Anatole Fistoulari | — | |
| 19-5 | NO. 16 DIVERTISSEMENT: A) PIZZICATI | London Symphony Orchestra, Anatole Fistoulari | T-070.140.357-7 | |
| 19-6 | Sylvia: Act III: No. 16 Divertissement (b): Violon solo | London Symphony Orchestra, Anatole Fistoulari | — | |
| 19-7 | SYLVIA, ACT 3: NO. 16 DIVERTISSEMENT: E) STRETTE-GALOP | London Symphony Orchestra, Anatole Fistoulari | — | |
| 19-8 | Sylvia: Act III: No. 16: Le Temple de Diane (Final) | London Symphony Orchestra, Anatole Fistoulari | — | |
| 19-9 | SYLVIA, ACT 3: NO. 18 APPARITION D'ENDYMION (APOTHÉOSE) | London Symphony Orchestra, Anatole Fistoulari | — | |
| 19-10 | PRÉLUDE - MAZURKA | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 19-11 | NO. 1 VALSE | Minneapolis Symphony Orchestra, Antal Doráti | T-901.179.534-9 | |
| 19-12 | Coppélia: Act I: No. 2: Scène | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 19-13 | NO. 3 MAZURKA | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 19-14 | Coppélia: Act I: No. 4: Scène | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 19-15 | Coppélia: Act I: No. 5: Ballade de l’épi | Rafael Druian, Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 19-16 | Coppélia: Act I: No. 6: Thème slave varié | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 19-17 | Coppélia: Act I: No. 7: Czárdás (Danse hongroise) | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 19-18 | Coppélia: Act I: No. 7 bis: Sortie | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 19-19 | NO. 8 FINAL | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-1 | Coppélia: Act II: Entr’acte | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-2 | Coppélia: Act II: No. 9: Scène | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-3 | NO. 10 SCÈNE | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-4 | Coppélia: Act II: No. 11: Musique des automates | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-5 | Coppélia: Act II: No. 11 bis: Scène | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-6 | Coppélia: Act II: No. 12: Scène | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-7 | Coppélia: Act II: No. 13: Chanson à boire et Scène | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-8 | Coppélia: Act II: No. 14a: Scene – | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-9 | Coppélia: Act II: No. 14b: Valse de la poupée | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-10 | NO. 15 SCÈNE | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-11 | Coppélia: Act II: No. 16: Boléro | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-12 | NO. 17 GIGUE | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-13 | Coppélia: Act II: No. 18: Scène | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-14 | Coppélia: Act III: No. 19: Marche de la cloche | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-15 | Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (1) Valse des heures | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-16 | Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (2) L’Aurore | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-17 | Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (3) La Prière | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-18 | Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (4) Le Travail (La Fileuse) | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-19 | Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (5) L’Hymen (Noce villageoise) | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-20 | Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (6) La Discorde et la Guerre | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-21 | Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (7a) La Paix | — | ||
| 20-22 | Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (7b) Danse de fête | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-23 | Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (8) Galop final | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 21-1 | Allegro from Symphony no. 6, op. 42 | — | ||
| 21-2 | Salve Regina | — | ||
| 21-3 | Pièce Héroïque | — | ||
| 21-4 | Chorale no. 1 in E major | — | ||
| 21-5 | Chorale no. 2 in B minor | — | ||
| 21-6 | Chorale no. 3 in A minor | — | ||
| 22-1 | Belle of the Ball | BBC Concert Orchestra, Eastman-Rochester Pops Orchestra, Leonard Slatkin, Frederick Fennell | T-071.057.203-4 | |
| 22-2 | Horse and Buggy | Eastman-Rochester Pops Orchestra, Frederick Fennell | T-071.062.798-7 | |
| 22-3 | The Waltzing Cat | Eastman-Rochester Pops Orchestra, Frederick Fennell | T-071.192.430-9 | |
| 22-4 | Blue Tango | Eastman-Rochester Pops Orchestra, Frederick Fennell | T-071.057.271-6 | |
| 22-5 | Summer Skies | Eastman-Rochester Pops Orchestra, Frederick Fennell | T-071.070.506-8 | |
| 22-6 | Song of the Bells | Eastman-Rochester Pops Orchestra, Frederick Fennell | T-071.070.405-4 | |
| 22-7 | The Typewriter | Frederick Fennell, Eastman-Rochester Pops Orchestra | T-071.190.000-3 | |
| 22-8 | The Syncopated Clock | Eastman-Rochester Pops Orchestra, Frederick Fennell | T-071.070.561-5 | |
| 22-9 | The Girl in Satin | Eastman-Rochester Pops Orchestra, Frederick Fennell | T-071.061.976-3 | |
| 22-10 | China Doll | Eastman-Rochester Pops Orchestra, Frederick Fennell | T-071.058.401-2 | |
| 22-11 | Saraband | Eastman-Rochester Pops Orchestra, Frederick Fennell | T-916.594.018-1 | |
| 22-12 | Fiddle-Faddle | Eastman-Rochester Pops Orchestra, Frederick Fennell | T-071.061.099-3 | |
| 22-13 | Sleigh Ride | Eastman-Rochester Pops Orchestra, Frederick Fennell | T-071.070.336-8 | |
| 22-14 | Serenata | Eastman-Rochester Pops Orchestra, Frederick Fennell | T-071.070.261-6 | |
| 22-15 | Promenade | Orchestra, Frederick Fennell | T-071.068.536-1 | |
| 22-16 | Chicken Reel | Orchestra, Frederick Fennell | — | |
| 22-17 | Phantom Regiment | Orchestra, Frederick Fennell | T-071.068.469-7 | |
| 22-18 | Jazz Legato | Orchestra, Frederick Fennell | T-071.064.969-6 | |
| 22-19 | Jazz Pizzicato | Orchestra, Frederick Fennell | T-071.064.971-0 | |
| 22-20 | Plink Plank Plunk | Orchestra, Frederick Fennell | T-071.068.497-1 | |
| 22-21 | The Bluebells of Scotland | Orchestra, Frederick Fennell | T-910.257.734-4 | |
| 22-22 | The First Day of Spring | Orchestra, Frederick Fennell | T-071.061.112-3 | |
| 22-23 | Song of Jupiter | Orchestra, Frederick Fennell | — | |
| 23-1 | Lincolnshire Posy: I. Lisbon (Sailor's Song) | — | ||
| 23-2 | Lincolnshire Posy: II. Horkstow Grange (The Miser and his Man: a local Tragedy) | — | ||
| 23-3 | Lincolnshire Posy: III. Rufford Park Poachers (Poaching Song) | — | ||
| 23-4 | Lincolnshire Posy: IV. The brisk young Sailor (returned to wed his True Love) | — | ||
| 23-5 | Lincolnshire Posy: V. Lord Melbourne (War Song) | — | ||
| 23-6 | Lincolnshire Posy: VI. The Lost Lady found (Dance Song) | — | ||
| 23-7 | Hill Song no. 2 | — | ||
| 23-8 | Symphony for Band (Symphony no. 6): I. Adagio - Allegro | — | ||
| 23-9 | Symphony for Band (Symphony no. 6): II. Adagio sostenuto | — | ||
| 23-10 | Symphony for Band (Symphony no. 6): III. Allegretto | — | ||
| 23-11 | Symphony for Band (Symphony no. 6): IV. Vivace | — | ||
| 23-12 | Armenian Dances: I. Allegro moderato | — | ||
| 23-13 | Armenian Dances: II. Allegro | — | ||
| 23-14 | Concerto for 23 Winds: I. Andante - Allegro non troppo | — | ||
| 23-15 | Concerto for 23 Winds: II. Vivace | — | ||
| 23-16 | Concerto for 23 Winds: III. Lento | — | ||
| 23-17 | Concerto for 23 Winds: IV. Allegro molto | — | ||
| 23-18 | Three Japanese Dances: I. Dance with Pennons | — | ||
| 23-19 | Three Japanese Dances: II. Mourning Dance | — | ||
| 23-20 | Three Japanese Dances: III. Dance with Swords | — | ||
| 24-1 | West Point Symphony: I. Epitaphs | — | ||
| 24-2 | West Point Symphony: II. Marches | — | ||
| 24-3 | Symphony no. 3: I. Allegro energico | — | ||
| 24-4 | Symphony no. 3: II. Adagio | — | ||
| 24-5 | Symphony no. 3: III. Allegretto | — | ||
| 24-6 | Symphony no. 3: IV. Allegro con brio | — | ||
| 24-7 | Symphony no. 4, op. 165: I. Andante | — | ||
| 24-8 | Symphony no. 4, op. 165: II. Allegro | — | ||
| 24-9 | Symphony no. 4, op. 165: III. Andante espressivo | — | ||
| 25-1 | Country Gardens | — | ||
| 25-2 | Shepherd's Hey | — | ||
| 25-3 | Colonial Song | — | ||
| 25-4 | Children's March ("Over the Hills and Far away") | — | ||
| 25-5 | The Immovable Do | — | ||
| 25-6 | Mock Morris | — | ||
| 25-7 | Handel in the Strand | — | ||
| 25-8 | Danny Boy | — | ||
| 25-9 | Spoon River | — | ||
| 25-10 | My Robin is to the Greenwood Gone | — | ||
| 25-11 | Molly on the Shore | — | ||
| 25-12 | The Three Elizabeths: I. Halcyon Days | — | ||
| 25-13 | The Three Elizabeths: II. Springtime in Angus | — | ||
| 25-14 | The Three Elizabeths: III. Youth of Britain | — | ||
| 26-1 | Hands Across the Sea | — | ||
| 26-2 | Father of Victory | — | ||
| 26-3 | The Golden Ear | — | ||
| 26-4 | Old Comrades | — | ||
| 26-5 | March, Op. 99 | — | ||
| 26-6 | Valdres March | — | ||
| 26-7 | Inglesina | — | ||
| 26-8 | Knightsbridge March | — | ||
| 26-9 | The U.S. Field Artillery | — | ||
| 26-10 | The Thunderer | — | ||
| 26-11 | Washington Post | — | ||
| 26-12 | King Cotton | — | ||
| 26-13 | El Capitan | — | ||
| 26-14 | The Stars and Stripes Forever | — | ||
| 26-15 | American Patrol | — | ||
| 26-16 | On the Mall | — | ||
| 26-17 | Lights Out | — | ||
| 26-18 | Barnum and Bailey's Favorite | — | ||
| 26-19 | Colonel Bogey | — | ||
| 26-20 | The Billboard | — | ||
| 27-1 | London Suite: I. Covent Garden | — | ||
| 27-2 | London Suite: II. Westminster | — | ||
| 27-3 | London Suite: III. Knightsbridge | — | ||
| 27-4 | Four Ways Suite: I. Northwards | — | ||
| 27-5 | Four Ways Suite: III. Eastwards | — | ||
| 27-6 | Pirate Dance from "Goldilocks" | — | ||
| 27-7 | Suite of Carols (excerpts) | — | ||
| 27-8 | A Christmas Festival | — | ||
| 27-9 | Sandpaper Ballet | — | ||
| 27-10 | Forgotten Dreams | — | ||
| 27-11 | Trumpeter's Lullaby | — | ||
| 27-12 | Penny-Whistle Song | — | ||
| 27-13 | Bugler's Holiday | — | ||
| 27-14 | Irish Suite: I. The Irish Washerwoman | — | ||
| 27-15 | Irish Suite: II. The Minstrel Boy | — | ||
| 27-16 | Irish Suite: III. The Rakes of Mallow | — | ||
| 27-17 | Irish Suite: IV. The Wearing of the Green | — | ||
| 27-18 | Irish Suite: V. The Last Rose of Summer | — | ||
| 27-19 | Irish Suite: VI. The Girl I Left Behind | — | ||
| 28-1 | Marching Tunes: I. Yankee Doodle | — | ||
| 28-2 | Marching Tunes: II. Sergeant O'Leary | — | ||
| 28-3 | Marching Tunes: III. The Belle of the Mohawk Vale | — | ||
| 28-4 | Drum Solo: Fancy Six-Eight | — | ||
| 28-5 | The Camp Duty: I. Three Camps | — | ||
| 28-6 | The Camp Duty: II. The Slow Scotch | — | ||
| 28-7 | The Camp Duty: III. The Austrian | — | ||
| 28-8 | The Camp Duty: IV. Dawning of the Day | — | ||
| 28-9 | The Camp Duty: V. The Hessian | — | ||
| 28-10 | The Camp Duty: VI. Dusky Night | — | ||
| 28-11 | The Camp Duty: VII. The Prussian | — | ||
| 28-12 | The Camp Duty: VIII. The Dutch | — | ||
| 28-13 | The Camp Duty: IX. The Quick Scotch | — | ||
| 28-14 | The Camp Duty: X. End of Camp Duty | — | ||
| 28-15 | Marching Tunes; I. Garry Owen | — | ||
| 28-16 | Marching Tunes; II. Dixie | — | ||
| 28-17 | Marching Tunes; III. Sentry Box | — | ||
| 28-18 | Service Calls: I. The Breakfast Call | — | ||
| 28-19 | Service Calls: II. The Dinner Call | — | ||
| 28-20 | Traditional Fife and Drum Duet: I. Wrecker's Daughter Quickstep | — | ||
| 28-21 | Traditional Fife and Drum Duet: II. Hell on the Wabash | — | ||
| 28-22 | Traditional Fife and Drum Duet: III. Downfall of Paris | — | ||
| 28-23 | Drum Solo: Connecticut Half Time | — | ||
| 28-24 | Marching Tunes; I. Rally 'round the Flag | — | ||
| 28-25 | Marching Tunes; II. The White Cockade | — | ||
| 28-26 | Marching Tunes; III. Bonnie Blue Flag | — | ||
| 28-27 | Music for Rendering Honors: I. Flourish | — | ||
| 28-28 | Music for Rendering Honors: II. General's March | — | ||
| 28-29 | Music for Rendering Honors: III. To the Color | — | ||
| 28-30 | Music for Rendering Honors: IV. Funeral March | — | ||
| 28-31 | Marching Tunes and Inspection Pieces: I. Sound Off and General Dooley | — | ||
| 28-32 | Marching Tunes and Inspection Pieces: II. The Old Guard | — | ||
| 28-33 | Marching Tunes and Inspection Pieces: III. The American Flag | — | ||
| 28-34 | Marching Tunes and Inspection Pieces: IV. The Cavaliers | — | ||
| 28-35 | Marching Tunes and Inspection Pieces: V. Old Six-Eight | — | ||
| 28-36 | Marching Tunes and Inspection Pieces: VI. I've Got Three Years To Do This In | — | ||
| 28-37 | Marching Tunes and Inspection Pieces: VII. Hens and Chickens | — | ||
| 28-38 | Marching Tunes and Inspection Pieces: VIII. No Slum Today | — | ||
| 28-39 | Drum Solo: Carry On and Swinging Down the Street | — | ||
| 28-40 | Marching Tunes and Inspection Pieces: I. Sound Off and Holy Joe | — | ||
| 28-41 | Marching Tunes and Inspection Pieces: II. Soap Suds Row | — | ||
| 28-42 | Marching Tunes and Inspection Pieces: III. The Colonel's Daughter | — | ||
| 28-43 | Marching Tunes and Inspection Pieces: IV. The Prisoner | — | ||
| 28-44 | Marching Tunes and Inspection Pieces: V. Rip Van Winkle | — | ||
| 28-45 | Marching Tunes and Inspection Pieces: VI. The Garrison Belle | — | ||
| 28-46 | Marching Tunes and Inspection Pieces: VII. General Burt | — | ||
| 28-47 | Bugle Calls of the U.S. Army - excerpts: I. Flourish | — | ||
| 28-48 | Bugle Calls of the U.S. Army - excerpts: II. Assembly | — | ||
| 28-49 | Bugle Calls of the U.S. Army - excerpts: III. Adjutant's Call | — | ||
| 28-50 | Bugle Calls of the U.S. Army - excerpts: IV. Church Call | — | ||
| 28-51 | Bugle Calls of the U.S. Army - excerpts: V. Drill Call | — | ||
| 28-52 | Bugle Calls of the U.S. Army - excerpts: VI. General Call | — | ||
| 28-53 | Bugle Calls of the U.S. Army - excerpts: VII. Mail Call | — | ||
| 28-54 | Bugle Calls of the U.S. Army - excerpts: VIII. Mess Call | — | ||
| 28-55 | Bugle Calls of the U.S. Army - excerpts: IX. Retreat | — | ||
| 28-56 | Bugle Calls of the U.S. Army - excerpts: X. Call to Quarters | — | ||
| 28-57 | Bugle Calls of the U.S. Army - excerpts: XI. Reveille | — | ||
| 28-58 | Bugle Calls of the U.S. Army - excerpts: XII. Tattoo | — | ||
| 28-59 | Bugle Calls of the U.S. Army - excerpts: XIII. Taps | — | ||
| 28-60 | Marching Tunes and Inspection Pieces: I. Sound Off and You're in the Army Now | — | ||
| 28-61 | Marching Tunes and Inspection Pieces: II. Spanish Guardmount | — | ||
| 28-62 | Marching Tunes and Inspection Pieces: III. The Red Hussars | — | ||
| 28-63 | Marching Tunes and Inspection Pieces: IV. A-Hunting We Will Go | — | ||
| 28-64 | Marching Tunes and Inspection Pieces: V. Pay Day | — | ||
| 28-65 | Marching Tunes and Inspection Pieces: VI. Double Time | — | ||
| 28-66 | Marching Tunes and Inspection Pieces: VII. President's March | — | ||
| 29-1 | Serenade no. 10 in B-flat major, K. 361: I. Largo. Allegro molto | — | ||
| 29-2 | Serenade no. 10 in B-flat major, K. 361: II. Menuetto | — | ||
| 29-3 | Serenade no. 10 in B-flat major, K. 361: III. Adagio | — | ||
| 29-4 | Serenade no. 10 in B-flat major, K. 361: IV. Menuetto: Allegretto | — | ||
| 29-5 | Serenade no. 10 in B-flat major, K. 361: V. Romanze: Adagio | — | ||
| 29-6 | Serenade no. 10 in B-flat major, K. 361: VI. Tema con variazioni | — | ||
| 29-7 | Serenade no. 10 in B-flat major, K. 361: VII. Rondo | — | ||
| 29-8 | Serenade in E-flat major, op. 7 | — | ||
| 29-9 | Suite Française: I. Normandie | — | ||
| 29-10 | Suite Française: II. Bretagne | — | ||
| 29-11 | Suite Française: III. Ile-de-France | — | ||
| 29-12 | Suite Française: IV. Alsace-Lorraine | — | ||
| 29-13 | Suite Française: V. Provence | — | ||
| 30-1 | Suite no. 1 in E-flat, op. 28a: I. Chaconne | — | ||
| 30-2 | Suite no. 1 in E-flat, op. 28a: II. Intermezzo | — | ||
| 30-3 | Suite no. 1 in E-flat, op. 28a: III. March | — | ||
| 30-4 | Suite no. 2 in F, op. 28b: I. March | — | ||
| 30-5 | Suite no. 2 in F, op. 28b: II. Song without Words | — | ||
| 30-6 | Suite no. 2 in F, op. 28b: III. Song of the Blacksmith | — | ||
| 30-7 | Suite no. 2 in F, op. 28b: IV. Fantasia on the Dargason | — | ||
| 30-8 | Folk Song Suite: I. Seventeen Come Sunday | — | ||
| 30-9 | Folk Song Suite: II. Intermezzo: My Bonny Boy | — | ||
| 30-10 | Folk Song Suite: III. March: Folk Songs from Somerset | — | ||
| 30-11 | Toccata Marziale | — | ||
| 30-12 | Canzona | — | ||
| 30-13 | Psalm | — | ||
| 30-14 | La Fiesta Mexicana, Mexican Folk Song Symphony for Band: I. Prelude and Aztec Dance | — | ||
| 30-15 | La Fiesta Mexicana, Mexican Folk Song Symphony for Band: II. Mass | — | ||
| 30-16 | La Fiesta Mexicana, Mexican Folk Song Symphony for Band: III. Festival | — | ||
| 31-1 | Symphony no. 1 in E minor, op. 21 "Nordic": I. Andante solenne - Allegro con forza | — | ||
| 31-2 | Symphony no. 1 in E minor, op. 21 "Nordic": II. Andante teneramente, con semplicita | — | ||
| 31-3 | Symphony no. 1 in E minor, op. 21 "Nordic": III. Allegro con fuoco | — | ||
| 31-4 | Symphony no. 2, op. 30 "Romantic": I. Adagio; Allegro moderato | — | ||
| 31-5 | Symphony no. 2, op. 30 "Romantic": II. Andante con tenerezza | — | ||
| 31-6 | Symphony no. 2, op. 30 "Romantic": III. Allegro con brio | — | ||
| 31-7 | Song of Democracy | — | ||
| 32-1 | Spirituals: I. Proclamation | — | ||
| 32-2 | Spirituals: II. Sermon | — | ||
| 32-3 | Spirituals: III. A Little Bit of Sin | — | ||
| 32-4 | Spirituals: IV. Protest | — | ||
| 32-5 | Spirituals: V. Jubilee | — | ||
| 32-6 | Fall River Legend (Ballet Suite): I. Prologue and Waltzes | — | ||
| 32-7 | Fall River Legend (Ballet Suite): II. Elegy | — | ||
| 32-8 | Fall River Legend (Ballet Suite): III. Church Social | — | ||
| 32-9 | Fall River Legend (Ballet Suite): IV. Hymnal Variations | — | ||
| 32-10 | Fall River Legend (Ballet Suite): V. Cotillion | — | ||
| 32-11 | Fall River Legend (Ballet Suite): VI. Epilogue | — | ||
| 32-12 | Medea (Ballet Suite): I. Parodos | — | ||
| 32-13 | Medea (Ballet Suite): II. Choros. Medea and Jason | — | ||
| 32-14 | Medea (Ballet Suite): III. The Young Princess. Jason | — | ||
| 32-15 | Medea (Ballet Suite): IV. Choros | — | ||
| 32-16 | Medea (Ballet Suite): V. Medea | — | ||
| 32-17 | Medea (Ballet Suite): VI. Kantikos Agonias | — | ||
| 32-18 | Medea (Ballet Suite): VII. Exodos | — | ||
| 33-1 | Three Places in New England: I. The 'St. Gaudens' in Boston Common (Col. Shaw and his Colored Regiment) | — | ||
| 33-2 | Three Places in New England: II. Putnam's Camp, Redding, Connecticut | — | ||
| 33-3 | Three Places in New England: III. From 'The Housatonic at Stockbridge' by Robert Underwood Johnson | — | ||
| 33-4 | Symphony no. 3, "The Camp Meeting": I. Old Folks Gatherin' (Andante maestoso) | — | ||
| 33-5 | Symphony no. 3, "The Camp Meeting": II. Children's Day (Allegro moderato) | — | ||
| 33-6 | Symphony no. 3, "The Camp Meeting": III. Communion (Largo) | — | ||
| 33-7 | New England Triptych (Three pieces for Orchestra after William Billings): I. Be Glad Then, America | — | ||
| 33-8 | New England Triptych (Three pieces for Orchestra after William Billings): II. When Jesus Wept | — | ||
| 33-9 | New England Triptych (Three pieces for Orchestra after William Billings): III. Chester | — | ||
| 33-10 | Symphony no. 5: I. Con sdegno | — | ||
| 33-11 | Symphony no. 5: II. Canto | — | ||
| 33-12 | Symphony no. 5: III. Allegro tempetuoso | — | ||
| 34-1 | Symphony no. 3: I. Andante lamentando | — | ||
| 34-2 | Symphony no. 3: II. Andante tranquillo | — | ||
| 34-3 | Symphony no. 3: III. Tempo scherzando | — | ||
| 34-4 | Symphony no. 3: IV. Largamente e pesante | — | ||
| 34-5 | Elegy | — | ||
| 34-6 | The Lament for Beowulf | — | ||
| 35-1 | Capricorn Concerto, op. 21: I. Allegro ma non troppo | — | ||
| 35-2 | Capricorn Concerto, op. 21: II. Allegretto | — | ||
| 35-3 | Capricorn Concerto, op. 21: III. Allegro con brio | — | ||
| 35-4 | The Incredible Flutist: I. Introduction - Siesta in the Market Place | — | ||
| 35-5 | The Incredible Flutist: II. Entrance of the Vendors | — | ||
| 35-6 | The Incredible Flutist: III. Entrance of the Customers | — | ||
| 35-7 | The Incredible Flutist: IV. Tango of the Merchant's Daughters | — | ||
| 35-8 | The Incredible Flutist: V. Arrival of the Circus | — | ||
| 35-9 | The Incredible Flutist: VI. Circus March | — | ||
| 35-10 | The Incredible Flutist: VII. The Flutist | — | ||
| 35-11 | The Incredible Flutist: VIII. Minuet | — | ||
| 35-12 | The Incredible Flutist: IX. Spanish Waltz | — | ||
| 35-13 | The Incredible Flutist: X. (Eight o'clock strikes) | — | ||
| 35-14 | The Incredible Flutist: XI. Siciliano | — | ||
| 35-15 | The Incredible Flutist: XII. Polka Finale | — | ||
| 35-16 | Poem for Flute and Orchestra | — | ||
| 35-17 | Three Pieces for Orchestra: I. Promenade | — | ||
| 35-18 | Three Pieces for Orchestra: II. Nocturne | — | ||
| 35-19 | Three Pieces for Orchestra: III. Il Campo dei Fiori | — | ||
| 35-20 | Five Miniatures for Flute and Strings: I. Adventurous | — | ||
| 35-21 | Five Miniatures for Flute and Strings: II. Dolorous | — | ||
| 35-22 | Five Miniatures for Flute and Strings: III. Dextrous | — | ||
| 35-23 | Five Miniatures for Flute and Strings: IV. Languorous | — | ||
| 35-24 | Five Miniatures for Flute and Strings: V. Capricious | — | ||
| 35-25 | Gold and the Señor Commandante: I. Siesta | — | ||
| 35-26 | Gold and the Señor Commandante: II. Parade | — | ||
| 35-27 | Gold and the Señor Commandante: III. Elegant Dance | — | ||
| 35-28 | Gold and the Señor Commandante: IV. Furious Dance of the Bearded Russians | — | ||
| 35-29 | Gold and the Señor Commandante: V. Sinister Dance | — | ||
| 35-30 | Gold and the Señor Commandante: VI. Chinese Dance | — | ||
| 35-31 | Gold and the Señor Commandante: VII. Tender Dance | — | ||
| 35-32 | Gold and the Señor Commandante: VIII. Chase Music | — | ||
| 35-33 | Gold and the Señor Commandante: IX. Happy Dance | — | ||
| 36-1 | Tabuh-Tabuhan, Toccata for Orchestra: I. Ostinatos | — | ||
| 36-2 | Tabuh-Tabuhan, Toccata for Orchestra: II. Nocturne | — | ||
| 36-3 | Tabuh-Tabuhan, Toccata for Orchestra: III. Finale | — | ||
| 36-4 | The Black Maskers (Orchestral Suite): I. Dance: Stridente-sarcastico | — | ||
| 36-5 | The Black Maskers (Orchestral Suite): II. Scene: Agitato molto | — | ||
| 36-6 | The Black Maskers (Orchestral Suite): III. Dirge: Larghissimo | — | ||
| 36-7 | The Black Maskers (Orchestral Suite): IV. Finale: Andante moderato un poco agitato | — | ||
| 36-8 | Symphony on a Hymn Tune: I. Introduction and Allegro | — | ||
| 36-9 | Symphony on a Hymn Tune: II. Andante cantabile | — | ||
| 36-10 | Symphony on a Hymn Tune: III. Allegretto | — | ||
| 36-11 | Symphony on a Hymn Tune: IV. Allegro | — | ||
| 36-12 | The Feast of Love | — | ||
| 37-1 | Pageant of P.T. Barnum: I. Boyhood at Bethel | — | ||
| 37-2 | Pageant of P.T. Barnum: II. Joice Heth - 161 Year Old Negress | — | ||
| 37-3 | Pageant of P.T. Barnum: III. General and Mrs. Tom Thumb | — | ||
| 37-4 | Pageant of P.T. Barnum: IV. Jenny Lind | — | ||
| 37-5 | Pageant of P.T. Barnum: V. Circus Parade | — | ||
| 37-6 | Adventures in a Perambulator: I. En voiture! | — | ||
| 37-7 | Adventures in a Perambulator: II. The Policeman | — | ||
| 37-8 | Adventures in a Perambulator: III. The Hurdy-Gurdy | — | ||
| 37-9 | Adventures in a Perambulator: IV. The Lake | — | ||
| 37-10 | Adventures in a Perambulator: V. Dogs | — | ||
| 37-11 | Adventures in a Perambulator: VI. Dreams | — | ||
| 37-12 | Once Upon a Time (Five Fairy Tales): I. The Tinder-Box Soldier | — | ||
| 37-13 | Once Upon a Time (Five Fairy Tales): II. The Song of Rapunzel | — | ||
| 37-14 | Once Upon a Time (Five Fairy Tales): III. The Story of a Darning Needle | — | ||
| 37-15 | Once Upon a Time (Five Fairy Tales): IV. Dance of the Twelve Princesses | — | ||
| 37-16 | Once Upon a Time (Five Fairy Tales): V. The Ride of Koschei the Deathless | — | ||
| 37-17 | Selections from McGuffey's Reader: I. The One-Horse Shay | — | ||
| 37-18 | Selections from McGuffey's Reader: II. John Alden and Priscilla | — | ||
| 37-19 | Selections from McGuffey's Reader: III. Midnight Ride of Paul Revere | — | ||
| 38-1 | Symphonic Sketches: I. Jubilee | — | ||
| 38-2 | Symphonic Sketches: II. Noël | — | ||
| 38-3 | Symphonic Sketches: III. Hobgoblin | — | ||
| 38-4 | Symphonic Sketches: IV. A Vagrom Ballad | — | ||
| 38-5 | Suite for Large Orchestra, op. 42: I. In a haunted forest | — | ||
| 38-6 | Suite for Large Orchestra, op. 42: II. Summer Idyll | — | ||
| 38-7 | Suite for Large Orchestra, op. 42: III. In October | — | ||
| 38-8 | Suite for Large Orchestra, op. 42: IV. The Shepherdess' Song | — | ||
| 38-9 | Suite for Large Orchestra, op. 42: V. Forest Spirits | — | ||
| 38-10 | Sinfonia in G: I. Presto | — | ||
| 38-11 | Sinfonia in G: II. Polonaise | — | ||
| 38-12 | Sinfonia in G: III. Menuet (vivace) | — | ||
| 38-13 | Sinfonia in G: IV. Presto | — | ||
| 39-1 | Sarabande: For Katharine in April | — | ||
| 39-2 | Christ Looking Over Jerusalem | — | ||
| 39-3 | Adagio cantabile | — | ||
| 39-4 | Pavane | — | ||
| 39-5 | Autumn Landscape | — | ||
| 39-6 | Gymnopédie | — | ||
| 39-7 | Larghetto | — | ||
| 39-8 | And On the Seventh Day... | — | ||
| 39-9 | In Memoriam Abraham | — | ||
| 39-10 | Night Soliloquy for Flute and Strings | — | ||
| 39-11 | The Winter's Past | — | ||
| 39-12 | Night Song | — | ||
| 40-1 | Birds of Paradise, op. 34 | — | ||
| 40-2 | The Last Spring | — | ||
| 40-3 | The Enchanted Lake | — | ||
| 40-4 | Kikimora | — | ||
| 40-5 | Deux Rapsodies: I. L'étang | — | ||
| 40-6 | Deux Rapsodies: II. La cornemuse | — | ||
| 40-7 | Fantasy Variations on a Theme of Youth | — | ||
| 41-1 | Symphony no. 38 in D major, K. 504 "Prague": I. Adagio, Allegro | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 41-2 | Symphony no. 38 in D major, K. 504 "Prague": II. Andante | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 41-3 | Symphony no. 38 in D major, K. 504 "Prague": III. Presto | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 41-4 | Symphony no. 9 in E minor, op. 95 ("From the New World"): I. Adagio - Allegro molto | — | ||
| 41-5 | Symphony no. 9 in E minor, op. 95 ("From the New World"): II. Largo | — | ||
| 41-6 | Symphony no. 9 in E minor, op. 95 ("From the New World"): III. Scherzo. Molto vivace | — | ||
| 41-7 | Symphony no. 9 in E minor, op. 95 ("From the New World"): IV. Allegro con fuoco | — | ||
| 42-1 | Escales (Ports of Call): Rome - Palermo | — | ||
| 42-2 | Escales (Ports of Call): Tunis - Nefta | — | ||
| 42-3 | Escales (Ports of Call): Valencia | — | ||
| 42-4 | Rapsodie espagnole: I. Prélude à la nuit | — | ||
| 42-5 | Rapsodie espagnole: II. Malagueña | — | ||
| 42-6 | Rapsodie espagnole: III. Habanera | — | ||
| 42-7 | Rapsodie espagnole: IV. Feria | — | ||
| 42-8 | Alborada del gracioso | Detroit Symphony Orchestra, Paul Paray | T-304.229.137-8 | |
| 42-9 | Pavane pour une infante défunte | — | ||
| 42-10 | La Valse | — | ||
| 42-11 | Le Tombeau de Couperin: I. Prélude | — | ||
| 42-12 | Le Tombeau de Couperin: II. Forlane | — | ||
| 42-13 | Le Tombeau de Couperin: III. Menuet | — | ||
| 42-14 | Le Tombeau de Couperin: IV. Rigaudon | — | ||
| 43-1 | Overture to "Zampa" | — | ||
| 43-2 | Overture to "The Crown Diamonds" | — | ||
| 43-3 | Ballet Music from "Faust": Waltz | — | ||
| 43-4 | Ballet Music from "Faust": Ensemble (Adagio) | — | ||
| 43-5 | Ballet Music from "Faust": Dance of the Nubians | — | ||
| 43-6 | Ballet Music from "Faust": Cleopatra's Dance | — | ||
| 43-7 | Ballet Music from "Faust": Dance of the Trojan Maidens | — | ||
| 43-8 | Ballet Music from "Faust": Helen's Dance | — | ||
| 43-9 | Ballet Music from "Faust": Bacchanalia | — | ||
| 43-10 | Act II Waltz from "Faust" | — | ||
| 43-11 | Bacchanale from "Samson and Delilah" | — | ||
| 43-12 | Danse bohème from "Carmen" | — | ||
| 43-13 | Royal Hunt and Storm from "The Trojans" | — | ||
| 43-14 | Overture to "Phèdre" | — | ||
| 43-15 | Gavotte from "Mignon" | — | ||
| 44-1 | Symphony no. 3 in C minor, op. 78 ("Organ"): I. Adagio - Allegro moderato - | — | ||
| 44-2 | Symphony no. 3 in C minor, op. 78 ("Organ"): I. Poco adagio | — | ||
| 44-3 | Symphony no. 3 in C minor, op. 78 ("Organ"): II. Allegro moderato - | — | ||
| 44-4 | Symphony no. 3 in C minor, op. 78 ("Organ"): II. Maestoso - Allegro | — | ||
| 44-5 | Mass for the 500th Anniversary of the Death of Joan of Arc: I. Kyrie | — | ||
| 44-6 | Mass for the 500th Anniversary of the Death of Joan of Arc: II. Gloria | — | ||
| 44-7 | Mass for the 500th Anniversary of the Death of Joan of Arc: III. Sanctus - Benedictus | — | ||
| 44-8 | Mass for the 500th Anniversary of the Death of Joan of Arc: IV. Agnus Dei | — | ||
| 44-9 | Paul Paray: Post-sesstion thanks to the performers | — | ||
| 45-1 | España | — | ||
| 45-2 | Suite pastorale: I. Idylle | — | ||
| 45-3 | Suite pastorale: II. Danse villageoise | — | ||
| 45-4 | Suite pastorale: III. Sous-bois | — | ||
| 45-5 | Suite pastorale: IV. Scherzo-Valse | — | ||
| 45-6 | Fête polonaise from "Le roi malgré lui" | — | ||
| 45-7 | Overture to "Gwendoline" | — | ||
| 45-8 | Danse slave from "Le roi malgré lui" | — | ||
| 45-9 | Joyeuse marche | — | ||
| 45-10 | Bourrée fantasque | — | ||
| 45-11 | Suite in F, op. 33: I. Prelude | — | ||
| 45-12 | Suite in F, op. 33: II. Sarabande | — | ||
| 45-13 | Suite in F, op. 33: III. Gigue | — | ||
| 46-1 | Daphnis et Chloé, Suite no. 2: I. Lever du jour | — | ||
| 46-2 | Daphnis et Chloé, Suite no. 2: II. Pantomime | — | ||
| 46-3 | Daphnis et Chloé, Suite no. 2: III. Danse générale | — | ||
| 46-4 | Valses nobles et sentimentales: I. Modéré | — | ||
| 46-5 | Valses nobles et sentimentales: II. Assez lent | — | ||
| 46-6 | Valses nobles et sentimentales: III. Modéré | — | ||
| 46-7 | Valses nobles et sentimentales: IV. Assez animé | — | ||
| 46-8 | Valses nobles et sentimentales: V. Presque lent | — | ||
| 46-9 | Valses nobles et sentimentales: VI. Assez vif | — | ||
| 46-10 | Valses nobles et sentimentales: VII. Moins vif | — | ||
| 46-11 | Valses nobles et sentimentales: VIII. Épilogue: Lent | — | ||
| 46-12 | Boléro | — | ||
| 46-13 | Nocturnes for Orchestra: I. Nuages | — | ||
| 46-14 | Nocturnes for Orchestra: II. Fêtes | — | ||
| 46-15 | Nocturnes for Orchestra: III. Sirènes | — | ||
| 46-16 | Petite Suite: I. En Bateau | — | ||
| 46-17 | Petite Suite: II. Cortège | — | ||
| 46-18 | Petite Suite: III. Menuet | — | ||
| 46-19 | Petite Suite: IV. Ballet | — | ||
| 47-1 | La Patrie Overture | — | ||
| 47-2 | Carmen Suite: I. Prélude | — | ||
| 47-3 | Carmen Suite: II. La garde montante | — | ||
| 47-4 | Carmen Suite: III. Les dragons d’Alcala | — | ||
| 47-5 | Carmen Suite: IV. Intermezzo | — | ||
| 47-6 | Carmen Suite: V. Aragonaise | — | ||
| 47-7 | Carmen Suite: VI. Les toréadors | — | ||
| 47-8 | L'Arlésienne Suite No. 1: I. Prélude | — | ||
| 47-9 | L'Arlésienne Suite No. 1: II. Minuetto | — | ||
| 47-10 | L'Arlésienne Suite No. 1: III. Adagietto | — | ||
| 47-11 | L'Arlésienne Suite No. 1: IV. Carillon | — | ||
| 47-12 | L'Arlésienne Suite No. 2: I. Pastorale | — | ||
| 47-13 | L'Arlésienne Suite No. 2: II. Intermezzo | — | ||
| 47-14 | L'Arlésienne Suite No. 2: III. Menuet | — | ||
| 47-15 | L'Arlésienne Suite No. 2: IV. Farandole | — | ||
| 47-16 | Mignon Overture | — | ||
| 47-17 | Raymond Overture | — | ||
| 48-1 | Mephisto Waltz | — | ||
| 48-2 | Invitation to the Dance, op. 65 | — | ||
| 48-3 | Danse macabre, op. 40 | — | ||
| 48-4 | Dance of the Seven Veils from Salome | — | ||
| 48-5 | La tragédie de Salomé, op. 50 | — | ||
| 49-1 | Ibéria (Images for Orchestra, no. 2): I. In the Streets and Byways | Detroit Symphony Orchestra, Paul Paray | — | |
| 49-2 | Ibéria (Images for Orchestra, no. 2): II. Fragrance of the Night | Detroit Symphony Orchestra, Paul Paray | — | |
| 49-3 | Ibéria (Images for Orchestra, no. 2): III. Morning of a Festival Day | Detroit Symphony Orchestra, Paul Paray | — | |
| 49-4 | Prélude à l'après-midi d'un faune | Detroit Symphony Orchestra, Paul Paray | — | |
| 49-5 | La mer: I. From Dawn till Noon on the Sea | Detroit Symphony Orchestra, Paul Paray | — | |
| 49-6 | La mer: II. Play of the Waves | Detroit Symphony Orchestra, Paul Paray | — | |
| 49-7 | La mer: III. Dialogue of the Wind and the Sea | Detroit Symphony Orchestra, Paul Paray | — | |
| 49-8 | Ma mère l'Oye: I. Pavane of the Sleeping Beauty | Detroit Symphony Orchestra, Paul Paray | T-004.018.862-2 | |
| 49-9 | Ma mère l'Oye: II. Hop-o'-my-Thumb | Detroit Symphony Orchestra, Paul Paray | — | |
| 49-10 | Ma mère l'Oye: III. Laideronette, Empress of the Pagodas | Detroit Symphony Orchestra, Paul Paray | T-004.018.862-2 | |
| 49-11 | Ma mère l'Oye: IV. The Conversations of Beauty and the Beast | Detroit Symphony Orchestra, Paul Paray | — | |
| 49-12 | Ma mère l'Oye: V. The Fairy Garden | Detroit Symphony Orchestra, Paul Paray | — | |
| 50-1 | My Lady Carey's Dompe | — | ||
| 50-2 | Les Buffons | — | ||
| 50-3 | The Primerose | — | ||
| 50-4 | La Volta | — | ||
| 50-5 | The Fall of the Leafe | — | ||
| 50-6 | Pavana Dolorosa | — | ||
| 50-7 | Galiarda Dolorosa | — | ||
| 50-8 | The King's Hunt | — | ||
| 50-9 | Branle gay | — | ||
| 50-10 | Tombeau de M. de Blancrocher | — | ||
| 50-11 | Branle de Montirandé | — | ||
| 50-12 | Concerto in D minor: I. Allegro | — | ||
| 50-13 | Concerto in D minor: II. Andante | — | ||
| 50-14 | Concerto in D minor: III. Presto | — | ||
| 50-15 | Sonata for Harpsichord in A major | — | ||
| 50-16 | Sonata in D major | — | ||
| 50-17 | Pavane in F-sharp minor | — | ||
| 50-18 | Le moutier | — | ||
| 50-19 | Gavotte et Doubles | — | ||
| 50-20 | Passepied | — | ||
| 50-21 | La pantomime | — | ||
| 51-1 | Overture in the French Manner (Partita in B minor): I. Overture: Grave- Vivace - Grave | — | ||
| 51-2 | Overture in the French Manner (Partita in B minor): II. Courante | — | ||
| 51-3 | Overture in the French Manner (Partita in B minor): III. Gavottes I and II | — | ||
| 51-4 | Overture in the French Manner (Partita in B minor): IV. Passepieds I and II | — | ||
| 51-5 | Overture in the French Manner (Partita in B minor): V. Sarabande | — | ||
| 51-6 | Overture in the French Manner (Partita in B minor): VI. Bourrees I and II | — | ||
| 51-7 | Overture in the French Manner (Partita in B minor): VII. Gigue | — | ||
| 51-8 | Overture in the French Manner (Partita in B minor): VIII. Echo | — | ||
| 51-9 | Fantasia in C minor | — | ||
| 51-10 | Concerto in G major (after an unknown master) | — | ||
| 51-11 | Toccata in F-sharp minor | — | ||
| 51-12 | Duet in A major for Two Performers on One Harpsichord, op.18 no. 5: I. Allegretto | — | ||
| 51-13 | Duet in A major for Two Performers on One Harpsichord, op.18 no. 5: II. Tempo di Menuetto | — | ||
| 51-14 | Concerto a Duoi Cembali Concertati: I. Allegro moderato | — | ||
| 51-15 | Concerto a Duoi Cembali Concertati: II. Andante | — | ||
| 51-16 | Concerto a Duoi Cembali Concertati: III. Presto | — | ||
| 52-1 | Balli d'Arpicordo (Dances for Harpsichord): I. Pass'e mezzo antico di sei parti | — | ||
| 52-2 | Balli d'Arpicordo (Dances for Harpsichord): II. Saltarello del ditto pass'e mezzo | — | ||
| 52-3 | Balli d'Arpicordo (Dances for Harpsichord): III. Padoana ditta la Ongara - l'Ongara a un'altro modo | — | ||
| 52-4 | Balli d'Arpicordo (Dances for Harpsichord): IV. Ballo ditto il Picchi | — | ||
| 52-5 | Balli d'Arpicordo (Dances for Harpsichord): V. Todesca - Balletto | — | ||
| 52-6 | Balli d'Arpicordo (Dances for Harpsichord): VI. Ballo Ongaro - il suo Balletto | — | ||
| 52-7 | Balli d'Arpicordo (Dances for Harpsichord): VII. Ballo detto il Steffanin | — | ||
| 52-8 | Balli d'Arpicordo (Dances for Harpsichord): VIII. Ballo alla Polacha - il suo saltarello | — | ||
| 52-9 | Aria detta la Frescobalda | — | ||
| 52-10 | Corrente in F major | — | ||
| 52-11 | Five Galliards | — | ||
| 52-12 | 12 Partita sopra l'Aria di Ruggiero | — | ||
| 52-13 | Bourée alla Polacca | — | ||
| 52-14 | Les Folies d'Espagne | — | ||
| 52-15 | Sonata in F major, K. 541 | — | ||
| 52-16 | Sonata in A minor, K. 175 | — | ||
| 52-17 | Sonata in E major, K. 381 | — | ||
| 52-18 | Passacaglia in D minor | — | ||
| 53-1 | Sonata in G minor, op. 65: I. Allegro moderato | György Sebök, János Starker | — | |
| 53-2 | Sonata in G minor, op. 65: II. Scherzo: Allegro con brio | György Sebök, János Starker | — | |
| 53-3 | Sonata in G minor, op. 65: III. Largo | György Sebök, János Starker | T-921.564.632-5 | |
| 53-4 | Sonata in G minor, op. 65: IV: Finale: Allegro | György Sebök, János Starker | T-318.676.528-2 | |
| 53-5 | Variations Concertantes, op. 17 | — | ||
| 53-6 | Variations on a Theme of Rossini | — | ||
| 53-7 | Polonaise Brillante, op. 3 | — | ||
| 53-8 | Sonata no. 1 in D minor: I Prologue | — | ||
| 53-9 | Sonata no. 1 in D minor: II. Serenade et Finale | — | ||
| 53-10 | Sonata no. 1 in D minor: III. Finale | — | ||
| 53-11 | First Rhapsody | — | ||
| 53-12 | Hungarian Wedding Dance | — | ||
| 54-1 | The Rite of Spring: Part I: The Adoration of the Earth: Introduction | — | ||
| 54-2 | The Rite of Spring: Part I: The Adoration of the Earth: Augurs of Spring - Dances of the Young Girls | — | ||
| 54-3 | The Rite of Spring: Part I: The Adoration of the Earth: Ritual of Abduction | — | ||
| 54-4 | The Rite of Spring: Part I: The Adoration of the Earth: Spring Rounds | — | ||
| 54-5 | The Rite of Spring: Part I: The Adoration of the Earth: Ritual of the Rival Tribes | — | ||
| 54-6 | The Rite of Spring: Part I: The Adoration of the Earth: Procession of the Sage | — | ||
| 54-7 | The Rite of Spring: Part I: The Adoration of the Earth: The Sage | — | ||
| 54-8 | The Rite of Spring: Part I: The Adoration of the Earth: Dance of the Earth | — | ||
| 54-9 | The Rite of Spring: Part II: The Sacrifice: Introduction | — | ||
| 54-10 | The Rite of Spring: Part II: The Sacrifice: Mystic Circles of the Young Girls | — | ||
| 54-11 | The Rite of Spring: Part II: The Sacrifice: Glorification of the Chosen One | — | ||
| 54-12 | The Rite of Spring: Part II: The Sacrifice: Evocation of the Ancestors | — | ||
| 54-13 | The Rite of Spring: Part II: The Sacrifice: Ritual Action of the Ancestors | — | ||
| 54-14 | The Rite of Spring: Part II: The Sacrifice: Sacrificial Dance: The Chosen One | — | ||
| 55-1 | Interview with John Corigliano and Hilde Somer by Paul Hume | — | ||
| 55-2 | Concerto for Piano and Orchestra: I. Molto Allegro | — | ||
| 55-3 | Concerto for Piano and Orchestra: II. Scherzo | — | ||
| 55-4 | Concerto for Piano and Orchestra: III. Andante appassionato - IV. Allegro | — | ||
| 55-5 | Parergon to the Sinfonia Domestica, op. 73 | — |
Five Pieces for Orchestra: I. Vorgefuhle
London Symphony Orchestra, Antal Doráti
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Five Pieces for Orchestra: II. Vergangenes
London Symphony Orchestra, Antal Doráti
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Five Pieces for Orchestra: III. Sommermorgen an einem See
London Symphony Orchestra, Antal Doráti
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Five Pieces for Orchestra: IV. Peripetie
London Symphony Orchestra, Antal Doráti
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Five Pieces for Orchestra: V. Das obligate Rezitativ
London Symphony Orchestra, Antal Doráti
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Five Pieces for Orchestra, Op. 10
London Symphony Orchestra, Antal Doráti
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Three Pieces for Orchestra: I. Praeludium
London Symphony Orchestra, Antal Doráti
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Three Pieces for Orchestra: II. Reigen
London Symphony Orchestra, Antal Doráti
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Three Pieces for Orchestra: III. Marsch
London Symphony Orchestra, Antal Doráti
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"Lulu" Suite: I. Rondo
London Symphony Orchestra, Antal Doráti
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"Lulu" Suite: II. Ostinato
London Symphony Orchestra, Antal Doráti
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"Lulu" Suite: III. Lulu's Song
Helga Pilarczyk, London Symphony Orchestra, Antal Doráti
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"Lulu" Suite: IV. Variations
London Symphony Orchestra, Antal Doráti
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"Lulu" Suite: V. Adagio
Helga Pilarczyk, London Symphony Orchestra, Antal Doráti
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The Birds: 2. The Dove
London Symphony Orchestra, Antal Doráti
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The Birds: 3. The Hen
London Symphony Orchestra, Antal Doráti
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The Birds: 4. The Nightingale
London Symphony Orchestra, Antal Doráti
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The Birds: 5. The Cuckoo
London Symphony Orchestra, Antal Doráti
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Brazillian Impressions: 1. Tropical Night
London Symphony Orchestra, Antal Doráti
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Brazillian Impressions: 2. Butantan
London Symphony Orchestra, Antal Doráti
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Brazillian Impressions: 3. Song and Dance
London Symphony Orchestra, Antal Doráti
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The Fountains of Rome: I. The Fountain of Valle Giulia
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The Fountains of Rome: II. The Triton Fountain
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The Fountains of Rome: III. The Fountain of Trevi
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The Fountains of Rome: IV. The Villa Medici Fountain
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The Pines of Rome: I. The Pines of Villa Borghese
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The Pines of Rome: II. The Pines near a Catacomb
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The Pines of Rome: III. The Pines of the Janiculum
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The Pines of Rome: IV. The Pines of the Appian Way
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Concerto for Orchestra: 1. Introduzione (Andante non troppo – Allegro vivace)
London Symphony Orchestra, Antal Doráti
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Concerto for Orchestra: 2. Giuoco delle coppie (Allegretto scherzando)
London Symphony Orchestra, Antal Doráti
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Concerto for Orchestra: 3. Elegia (Andante non troppo)
London Symphony Orchestra, Antal Doráti
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Concerto for Orchestra: 4. Intermezzo interrotto (Allegretto)
London Symphony Orchestra, Antal Doráti
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Concerto for Orchestra: 5. Finale (Presto)
London Symphony Orchestra, Antal Doráti
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Dance Suite: I. Moderato
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Dance Suite: II. Allegro molto
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Dance Suite: III. Allegro vivace
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Dance Suite: IV. Molto tranquillo
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Dance Suite: V. Comodo - VI. Finale (Allegro)
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Two Portraits, op. 5: I. "Ideal"
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Two Portraits, op. 5: II. "Distorted"
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Mikrokosmos: I. Bourrée (No. 117, Book IV)
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Mikrokosmos: II. From the Diary of a Fly (No. 142, Book VI)
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Antiche danze ed arie, Suite no. 1 for orchestra: I. Balletto detto « Il Conte Orlando »
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Antiche danze ed arie, Suite no. 1 for orchestra: II. Gagliarda
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Antiche danze ed arie, Suite no. 1 for orchestra: III. Villanella
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Antiche danze ed arie, Suite no. 1 for orchestra: IV. Finale: Passo mezzo e Mascherada
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Antiche danze ed arie, Suite no. 2 for orchestra: I. « Laura soave » - Balletto con gagliarda, saltarello e canario
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Antiche danze ed arie, Suite no. 2 for orchestra: II. Danza rustica
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Antiche danze ed arie, Suite no. 2 for orchestra: III. « Campanae parisienses » - Aria (« sopra Les cloches de Paris »)
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Antiche danze ed arie, Suite no. 2 for orchestra: IV. Bergamasca
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Antiche danze ed arie, Suite no. 3 for strings: I. Italiana
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Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (a) « C'est malheur que de vous aymer » - Andante cantabile
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Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (b) « Adieu bergere pour iamais » - Allegretto
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Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (c) « Beaux yeux qui me voyes clairement » - Vivace
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Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (d) « La voila la nacelle d'amour ou ma maitresse arrive » - Lento con grande espressione
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Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (e) « Quelle divinité s'imprime dans mon ame » - Allegro vivace
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Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (f) « Si c'est pour mon pucellage que vous me faites l'amour » - Vivacissimo
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Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (g) Andante cantabile
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Antiche danze ed arie, Suite no. 3 for strings: III. Siciliana
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Antiche danze ed arie, Suite no. 3 for strings: IV. Passacaglia
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Symphony no. 7 in D minor, op. 70: I. Allegro maestoso
London Symphony Orchestra, Antal Doráti
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Symphony no. 7 in D minor, op. 70: II. Poco Adagio
London Symphony Orchestra, Antal Doráti
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Symphony no. 7 in D minor, op. 70: III. Scherzo. Vivace - Poco meno moso
London Symphony Orchestra, Antal Doráti
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Symphony no. 7 in D minor, op. 70: IV. Allegro
London Symphony Orchestra, Antal Doráti
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Symphony no. 8 in G major, op. 88: I. Allegro con brio
London Symphony Orchestra, Antal Doráti
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Symphony no. 8 in G major, op. 88: II. Adagio
London Symphony Orchestra, Antal Doráti
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Symphony no. 8 in G major, op. 88: III. Allegretto grazioso
London Symphony Orchestra, Antal Doráti
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Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo
London Symphony Orchestra, Antal Doráti
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An American in Paris
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Rodeo, Four Dance Episodes: I. Buckaroo Holiday
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Rodeo, Four Dance Episodes: II. Corral Nocturne
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Rodeo, Four Dance Episodes: III. Saturday Night Waltz
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Rodeo, Four Dance Episodes: IV. Hoe-Down
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Seven Studies on Themes of Paul Klee: I. Antique Harmonies
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Seven Studies on Themes of Paul Klee: II. Abstract Trio
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Seven Studies on Themes of Paul Klee: III. Little Blue Devil
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Seven Studies on Themes of Paul Klee: IV. The Twittering-machine
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Seven Studies on Themes of Paul Klee: V. Arab Village
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Seven Studies on Themes of Paul Klee: VI. An Eerie Moment
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Seven Studies on Themes of Paul Klee: VII. Pastorale
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Sinfonia Breve: I. Moderato
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Sinfonia Breve: II. Andante
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Sinfonia Breve: III. Allegro molto
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Sinfonia Breve: IV. Allegro deciso
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Parade
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Le Bœuf sur le toit
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Concerinoto for Piano and Orchestra: I. Presto leggiero
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Concerinoto for Piano and Orchestra: II. Lent
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Concerinoto for Piano and Orchestra: III. Allgretto: Rondeau
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Contrasts for Orchestra: I. Allegro con forza
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Contrasts for Orchestra: II. Adagio
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Contrasts for Orchestra: III. Scherzo: Allegro ma non troppo
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Contrasts for Orchestra: IV. Allegro marciale - Presto
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Symphony no. 6 in B minor (“Pathétique”): 1. Adagio – Allegro non troppo
London Symphony Orchestra, Antal Doráti
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Symphony no. 6 in B minor (“Pathétique”): 2. Allegro con grazia
London Symphony Orchestra, Antal Doráti
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Symphony no. 6 in B minor (“Pathétique”): 3. Allegro molto vivace
London Symphony Orchestra, Antal Doráti
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Symphony no. 6 in B minor (“Pathétique”): 4. Adagio lamentoso – Andante
London Symphony Orchestra, Antal Doráti
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London Symphony Orchestra, Antal Doráti
The Wooden Prince: Introduction: Molto moderato
London Symphony Orchestra, Antal Doráti
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The Wooden Prince: First Dance: Dance of the Princess in the Forest: Molto moderato
London Symphony Orchestra, Antal Doráti
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The Wooden Prince: Second Dance: Dance of the Trees: Assai moderato
London Symphony Orchestra, Antal Doráti
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The Wooden Prince: Third Dance: Dance of the Waves: Andante
London Symphony Orchestra, Antal Doráti
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The Wooden Prince: Fourth Dance: Dance of the Princess with the Wooden Doll: Allegro
London Symphony Orchestra, Antal Doráti
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The Wooden Prince: Fifth Dance: The Princess Pulls and Tugs at the Wooden Prince and Tries to Make Him Dance: Meno mosso (subito)
London Symphony Orchestra, Antal Doráti
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The Wooden Prince: Sixth Dance: She Tries to Attract the Real Prince With Her Seductive Dancing
London Symphony Orchestra, Antal Doráti
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The Wooden Prince: Seventh Dance: Dismayed, the Princess Attempts to Hurry After the Prince, but the Forest Bars Her Way: Moderato
London Symphony Orchestra, Antal Doráti
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Music for Strings, Percussion and Celesta: 1. Andante tranquillo
London Symphony Orchestra, Antal Doráti
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Music for Strings, Percussion and Celesta: 2. Allegro
London Symphony Orchestra, Antal Doráti
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Music for Strings, Percussion and Celesta: 3. Adagio
London Symphony Orchestra, Antal Doráti
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Music for Strings, Percussion and Celesta: 4. Allegro molto
London Symphony Orchestra, Antal Doráti
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The Miraculous Mandarin: Allegro (Introduction)
BBC Symphony Orchestra, Antal Doráti
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The Miraculous Mandarin: The curtain rises on a shabby room in the slums...
BBC Symphony Orchestra, Antal Doráti
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The Miraculous Mandarin: First decoy game
BBC Symphony Orchestra, Antal Doráti
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The Miraculous Mandarin: The shabby old rake enters...
BBC Symphony Orchestra, Antal Doráti
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The Miraculous Mandarin: Second decoy game
BBC Symphony Orchestra, Antal Doráti
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The Miraculous Mandarin: The shy young man appears in the door...
BBC Symphony Orchestra, Antal Doráti
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The Miraculous Mandarin: Third decoy game
BBC Symphony Orchestra, Antal Doráti
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The Miraculous Mandarin: Horrified, they see a weird figure in the street...
BBC Symphony Orchestra, Antal Doráti
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The Miraculous Mandarin: The Mandarin enters and stands immobilein the doorway...
BBC Symphony Orchestra, Antal Doráti
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The Miraculous Mandarin: General consternation...
BBC Symphony Orchestra, Antal Doráti
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The Miraculous Mandarin: At last she overcomes her reluctance...
BBC Symphony Orchestra, Antal Doráti
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The Miraculous Mandarin: The girl sinks down to embrace him...
BBC Symphony Orchestra, Antal Doráti
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The Miraculous Mandarin: She flees from him...
BBC Symphony Orchestra, Antal Doráti
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The Miraculous Mandarin: The Mandarin catches the girl, and they fight
BBC Symphony Orchestra, Antal Doráti
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The Miraculous Mandarin: The tramps leap out...
BBC Symphony Orchestra, Antal Doráti
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The Miraculous Mandarin: "We must kill him..."
BBC Symphony Orchestra, Antal Doráti
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The Miraculous Mandarin: They think he is dead...
BBC Symphony Orchestra, Antal Doráti
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The Miraculous Mandarin: At last the three tramps master their horror...
BBC Symphony Orchestra, Antal Doráti
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The Miraculous Mandarin: Suddenly he draws himself up...
BBC Symphony Orchestra, Antal Doráti
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The Miraculous Mandarin: They drag the resisting Mandarin to the center of the room...
BBC Symphony Orchestra, Antal Doráti
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The Miraculous Mandarin: The body of the Mandarin begins to glow with a greenish blue light...
BBC Symphony Chorus, BBC Symphony Orchestra, Antal Doráti
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The Miraculous Mandarin: At her insistence, the tramps take himdown...
BBC Symphony Orchestra, Antal Doráti
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The Miraculous Mandarin: The Mandarin's longing is now stilled...
BBC Symphony Orchestra, Antal Doráti
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Divertimento: I. Allegro non troppo
BBC Symphony Orchestra, Antal Doráti
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Divertimento: II. Molto adagio
BBC Symphony Orchestra, Antal Doráti
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Divertimento: III. Allegro assai
BBC Symphony Orchestra, Antal Doráti
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Sonata for Two Pianos and Percussion: 1. Assai lento
Géza Frid, Luctor Ponse, Members of the London Symphony Orchestra, Antal Doráti
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Sonata for Two Pianos and Percussion: 2. Lento, ma non troppo
Géza Frid, Luctor Ponse, Members of the London Symphony Orchestra, Antal Doráti
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Sonata for Two Pianos and Percussion: 3. Allegro non troppo
Géza Frid, Luctor Ponse, Members of the London Symphony Orchestra, Antal Doráti
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Symphony no. 4 in F minor, op. 36: 1. Andante sostenuto – Moderato con anima
London Symphony Orchestra, Antal Doráti
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Symphony no. 4 in F minor, op. 36: 2. Andantino in modo di canzona
London Symphony Orchestra, Antal Doráti
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Symphony no. 4 in F minor, op. 36: 3. Scherzo: Allegro
London Symphony Orchestra, Antal Doráti
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Symphony no. 4 in F minor, op. 36: 4. Finale: Allegro con fuoco
London Symphony Orchestra, Antal Doráti
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Francesca da Rimini, symphonic fantasy, op. 32
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Prince Igor: Overture
London Symphony Orchestra, Antal Doráti
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Symphony no. 5 in C minor, op. 67: 1. Allegro con brio
London Symphony Orchestra, Antal Doráti
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Symphony no. 5 in C minor, op. 67: 2. Andante con moto
London Symphony Orchestra, Antal Doráti
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Symphony no. 5 in C minor, op. 67: 3. Allegro
London Symphony Orchestra, Antal Doráti
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Symphony no. 5 in C minor, op. 67: 4. Allegro
London Symphony Orchestra, Antal Doráti
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Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country"
London Symphony Orchestra, Antal Doráti
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Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook"
London Symphony Orchestra, Antal Doráti
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Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro "Happy gathering of country folk"
London Symphony Orchestra, Antal Doráti
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Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Allegro "Thunderstorm"
London Symphony Orchestra, Antal Doráti
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Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto "Shepherds' song: Cheerful and thankful feelings after the storm"
London Symphony Orchestra, Antal Doráti
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The Creatures of Prometheus, Op. 43: Overture
London Symphony Orchestra, Antal Doráti
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Iberia, Suite: I. Evocación
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Iberia, Suite: II. El Corpus en Sevilla
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Iberia, Suite: III. Triana
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Iberia, Suite: IV. El Puerto
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Iberia, Suite: V. El Albaicin
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Interlude and Dance no. 1, from La Vida Breve
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Two Excerpts from "Khovanshchina": Prelude
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Two Excerpts from "Khovanshchina": Dance of the Persian Slaves
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Excerpt from "The Bartered Bride": Overture
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Excerpt from "The Bartered Bride": Polka
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Excerpt from "The Bartered Bride": Furiant
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Excerpt from "The Bartered Bride": Dance of the Comedians
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Symphonic Metamorphoses on Themes by Carl Maria von Weber: I. Allegro
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Symphonic Metamorphoses on Themes by Carl Maria von Weber: II. Turandot, Scherzo
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Symphonic Metamorphoses on Themes by Carl Maria von Weber: III. Andantino
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Symphonic Metamorphoses on Themes by Carl Maria von Weber: IV. Marsch
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5 Pieces for Orchestra, op. 16: No. 1. Premonitions
Chicago Symphony Orchestra, Rafael Kubelík
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5 Pieces for Orchestra, op. 16: No. 2. Yesteryears
Chicago Symphony Orchestra, Rafael Kubelík
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5 Pieces for Orchestra, op. 16: No. 3. Summer Morning by a Lake
Chicago Symphony Orchestra, Rafael Kubelík
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5 Pieces for Orchestra, op. 16: No. 4. Peripetia
Chicago Symphony Orchestra, Rafael Kubelík
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5 Pieces for Orchestra, op. 16: No. 5. The Obligatory Recitative
Chicago Symphony Orchestra, Rafael Kubelík
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Variations on a Hungarian Folksong, "The Peacock"
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Suite from "The Miraculous Mandarin"
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Symphony no. 7 in A major, op. 92: I. Poco sostenuto. Vivace
London Symphony Orchestra, Antal Doráti
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London Symphony Orchestra, Antal Doráti
London Symphony Orchestra, Antal Doráti
Symphony no. 7 in A major, op. 92: IV 4. Allegro con brio
London Symphony Orchestra, Antal Doráti
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Leonore Overture no. 3, op. 72b
London Symphony Orchestra, Antal Doráti
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Egmont Overture, op. 84
London Symphony Orchestra, Antal Doráti
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Consecration of the House Overture, op. 124
London Symphony Orchestra, Antal Doráti
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Swan Lake, op. 20: Overture
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Swan Lake, op. 20: Act I, no. 1. Scene
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Swan Lake, op. 20: Act I, no. 2. Waltz
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Swan Lake, op. 20: Act I, no. 3. Scene
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Swan Lake, op. 20: Act I, no. 4. Pas de trois: I. Intrada
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Swan Lake, op. 20: Act I, no. 4. Pas de trois: II. Andante sostenuto
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Swan Lake, op. 20: Act I, no. 4. Pas de trois: III. Allegro simplice
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Swan Lake, op. 20: Act I, no. 4. Pas de trois: IV. Moderato
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Swan Lake, op. 20: Act I, no. 4. Pas de trois: V. Allegro
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Swan Lake, op. 20: Act I, no. 4. Pas de trois: VI. Coda
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Swan Lake, op. 20: Act I, no. 5. Pas de deux: I. Tempo di valse
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Swan Lake, op. 20: Act I, no. 5. Pas de deux: II. Andante
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Swan Lake, op. 20: Act I, no. 5. Pas de deux: III. Tempo di valse
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Swan Lake, op. 20: Act I, no. 5. Pas de deux: IV. Coda
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Swan Lake, op. 20: Act I, no. 6. Pas d'action
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Swan Lake, op. 20: Act I, no. 7. Sujet
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Swan Lake, op. 20: Act I, no. 8. Dance with Wine Glasses
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Swan Lake, op. 20: Act I, no. 9. Finale
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Swan Lake, op. 20: Act II, no. 10. Scene
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Swan Lake, op. 20: Act II, no. 11. Scene
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Swan Lake, op. 20: Act II, no. 12. Scene
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Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: I. Dances of the Swans
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Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: II. Moderato assai
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Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: III. Dances of the Swans
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Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: IV. Allegro moderato
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Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: V. Pas d'action (Odette and the Prince)
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Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: VI. General Dance
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Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: VII. Coda
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Swan Lake, op. 20: Act II, no. 14. Scene
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Swan Lake, op. 20: Act III, no. 15. Introduction
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Swan Lake, op. 20: Act III, no. 16. Danses of the Corps de Ballet and Dwarfs
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Swan Lake, op. 20: Act III, no. 17. Scene: Fanfares and Waltz
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Swan Lake, op. 20: Act III, no. 18. Scene
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Swan Lake, op. 20: Act III, no. 19. Pas de six: I. Intrada
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Swan Lake, op. 20: Act III, no. 19. Pas de six: II. Variation I
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Swan Lake, op. 20: Act III, no. 19. Pas de six: III. Variation II
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Swan Lake, op. 20: Act III, no. 19. Pas de six: IV. Variation III
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Swan Lake, op. 20: Act III, no. 19. Pas de six: V. Variation IV
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Swan Lake, op. 20: Act III, no. 19. Pas de six: VI. Variation V
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Swan Lake, op. 20: Act III, no. 19. Pas de six: VII. Coda
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Swan Lake, op. 20: Act III, no. 20. Hungarian Dance (Czárdás)
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Swan Lake, op. 20: Act III, no. 21. Spanish Dance (Bolero)
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Swan Lake, op. 20: Act III, no. 22. Neapolian Dance
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Swan Lake, op. 20: Act III, no. 22a. Russian Dance
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Swan Lake, op. 20: Act III, no. 23. Mazurka
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Swan Lake, op. 20: Act III, no. 24. Scene
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Swan Lake, op. 20: Act IV, no. 25. Entr'acte
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Swan Lake, op. 20: Act IV, no. 26. Scene
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Swan Lake, op. 20: Act IV, no. 27. Dances of the Little Swans
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Swan Lake, op. 20: Act IV, no. 28. Scene
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Swan Lake, op. 20: Act IV, no. 29. Final scene
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PRÉLUDE
London Symphony Orchestra, Anatole Fistoulari
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Sylvia: Act I: No. 1: Faunes et dryads
London Symphony Orchestra, Anatole Fistoulari
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Sylvia: Act I: No. 2: Le Berger (Pastorale)
London Symphony Orchestra, Anatole Fistoulari
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Sylvia: Act I: No. 3: Les Chasseresses
London Symphony Orchestra, Anatole Fistoulari
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SYLVIA, ACT 1: NO. 4B VALSE LENTE
London Symphony Orchestra, Anatole Fistoulari
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NO. 5 SCÈNE
London Symphony Orchestra, Anatole Fistoulari
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NO. 7 SCÈNE
London Symphony Orchestra, Anatole Fistoulari
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SYLVIA, ACT 1: NO. 8A ENTRÉE DU SORCIER
London Symphony Orchestra, Anatole Fistoulari
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NO. 8B FINAL
London Symphony Orchestra, Anatole Fistoulari
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DELIBES SYLVIA ENTR ACTE
London Symphony Orchestra, Anatole Fistoulari
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Sylvia: Act II: No. 9: La Grotte d’Orion
London Symphony Orchestra, Anatole Fistoulari
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Sylvia: Act II: No. 10: Pas des Éthiopiens
London Symphony Orchestra, Anatole Fistoulari
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Sylvia: Act II: No. 11: Chant bachique
London Symphony Orchestra, Anatole Fistoulari
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Sylvia: Act II: No. 12: Scène et danse de la bacchante
London Symphony Orchestra, Anatole Fistoulari
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Sylvia: Act II: No. 12: Rentrée de Sylvia
London Symphony Orchestra, Anatole Fistoulari
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NO. 13 SCÈNE FINALE
London Symphony Orchestra, Anatole Fistoulari
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SYLVIA, ACT 3: NO. 14A MARCHE
London Symphony Orchestra, Anatole Fistoulari
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SYLVIA, ACT 3: NO. 15A SCÈNE
London Symphony Orchestra, Anatole Fistoulari
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SYLVIA / ACT 3: NO. 15B BARCAROLLE
London Symphony Orchestra, Anatole Fistoulari
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Sylvia: Act III: No. 16 Divertissement (b): Violon solo
London Symphony Orchestra, Anatole Fistoulari
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SYLVIA, ACT 3: NO. 16 DIVERTISSEMENT: E) STRETTE-GALOP
London Symphony Orchestra, Anatole Fistoulari
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Sylvia: Act III: No. 16: Le Temple de Diane (Final)
London Symphony Orchestra, Anatole Fistoulari
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SYLVIA, ACT 3: NO. 18 APPARITION D'ENDYMION (APOTHÉOSE)
London Symphony Orchestra, Anatole Fistoulari
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PRÉLUDE - MAZURKA
Minneapolis Symphony Orchestra, Antal Doráti
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Coppélia: Act I: No. 2: Scène
Minneapolis Symphony Orchestra, Antal Doráti
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NO. 3 MAZURKA
Minneapolis Symphony Orchestra, Antal Doráti
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Coppélia: Act I: No. 4: Scène
Minneapolis Symphony Orchestra, Antal Doráti
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Coppélia: Act I: No. 5: Ballade de l’épi
Rafael Druian, Minneapolis Symphony Orchestra, Antal Doráti
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Coppélia: Act I: No. 6: Thème slave varié
Minneapolis Symphony Orchestra, Antal Doráti
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Coppélia: Act I: No. 7: Czárdás (Danse hongroise)
Minneapolis Symphony Orchestra, Antal Doráti
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Coppélia: Act I: No. 7 bis: Sortie
Minneapolis Symphony Orchestra, Antal Doráti
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NO. 8 FINAL
Minneapolis Symphony Orchestra, Antal Doráti
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Coppélia: Act II: Entr’acte
Minneapolis Symphony Orchestra, Antal Doráti
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Coppélia: Act II: No. 9: Scène
Minneapolis Symphony Orchestra, Antal Doráti
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NO. 10 SCÈNE
Minneapolis Symphony Orchestra, Antal Doráti
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Coppélia: Act II: No. 11: Musique des automates
Minneapolis Symphony Orchestra, Antal Doráti
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Coppélia: Act II: No. 11 bis: Scène
Minneapolis Symphony Orchestra, Antal Doráti
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Coppélia: Act II: No. 12: Scène
Minneapolis Symphony Orchestra, Antal Doráti
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Coppélia: Act II: No. 13: Chanson à boire et Scène
Minneapolis Symphony Orchestra, Antal Doráti
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Coppélia: Act II: No. 14a: Scene –
Minneapolis Symphony Orchestra, Antal Doráti
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Coppélia: Act II: No. 14b: Valse de la poupée
Minneapolis Symphony Orchestra, Antal Doráti
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NO. 15 SCÈNE
Minneapolis Symphony Orchestra, Antal Doráti
—
Coppélia: Act II: No. 16: Boléro
Minneapolis Symphony Orchestra, Antal Doráti
—
NO. 17 GIGUE
Minneapolis Symphony Orchestra, Antal Doráti
—
Coppélia: Act II: No. 18: Scène
Minneapolis Symphony Orchestra, Antal Doráti
—
Coppélia: Act III: No. 19: Marche de la cloche
Minneapolis Symphony Orchestra, Antal Doráti
—
Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (1) Valse des heures
Minneapolis Symphony Orchestra, Antal Doráti
—
Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (2) L’Aurore
Minneapolis Symphony Orchestra, Antal Doráti
—
Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (3) La Prière
Minneapolis Symphony Orchestra, Antal Doráti
—
Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (4) Le Travail (La Fileuse)
Minneapolis Symphony Orchestra, Antal Doráti
—
Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (5) L’Hymen (Noce villageoise)
Minneapolis Symphony Orchestra, Antal Doráti
—
Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (6) La Discorde et la Guerre
Minneapolis Symphony Orchestra, Antal Doráti
—
Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (7a) La Paix
—
Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (7b) Danse de fête
Minneapolis Symphony Orchestra, Antal Doráti
—
Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (8) Galop final
Minneapolis Symphony Orchestra, Antal Doráti
—
Allegro from Symphony no. 6, op. 42
—
Salve Regina
—
Pièce Héroïque
—
Chorale no. 1 in E major
—
Chorale no. 2 in B minor
—
Chorale no. 3 in A minor
—
BBC Concert Orchestra, Eastman-Rochester Pops Orchestra, Leonard Slatkin, Frederick Fennell
Chicken Reel
Orchestra, Frederick Fennell
—
Song of Jupiter
Orchestra, Frederick Fennell
—
Lincolnshire Posy: I. Lisbon (Sailor's Song)
—
Lincolnshire Posy: II. Horkstow Grange (The Miser and his Man: a local Tragedy)
—
Lincolnshire Posy: III. Rufford Park Poachers (Poaching Song)
—
Lincolnshire Posy: IV. The brisk young Sailor (returned to wed his True Love)
—
Lincolnshire Posy: V. Lord Melbourne (War Song)
—
Lincolnshire Posy: VI. The Lost Lady found (Dance Song)
—
Hill Song no. 2
—
Symphony for Band (Symphony no. 6): I. Adagio - Allegro
—
Symphony for Band (Symphony no. 6): II. Adagio sostenuto
—
Symphony for Band (Symphony no. 6): III. Allegretto
—
Symphony for Band (Symphony no. 6): IV. Vivace
—
Armenian Dances: I. Allegro moderato
—
Armenian Dances: II. Allegro
—
Concerto for 23 Winds: I. Andante - Allegro non troppo
—
Concerto for 23 Winds: II. Vivace
—
Concerto for 23 Winds: III. Lento
—
Concerto for 23 Winds: IV. Allegro molto
—
Three Japanese Dances: I. Dance with Pennons
—
Three Japanese Dances: II. Mourning Dance
—
Three Japanese Dances: III. Dance with Swords
—
West Point Symphony: I. Epitaphs
—
West Point Symphony: II. Marches
—
Symphony no. 3: I. Allegro energico
—
Symphony no. 3: II. Adagio
—
Symphony no. 3: III. Allegretto
—
Symphony no. 3: IV. Allegro con brio
—
Symphony no. 4, op. 165: I. Andante
—
Symphony no. 4, op. 165: II. Allegro
—
Symphony no. 4, op. 165: III. Andante espressivo
—
Country Gardens
—
Shepherd's Hey
—
Colonial Song
—
Children's March ("Over the Hills and Far away")
—
The Immovable Do
—
Mock Morris
—
Handel in the Strand
—
Danny Boy
—
Spoon River
—
My Robin is to the Greenwood Gone
—
Molly on the Shore
—
The Three Elizabeths: I. Halcyon Days
—
The Three Elizabeths: II. Springtime in Angus
—
The Three Elizabeths: III. Youth of Britain
—
Hands Across the Sea
—
Father of Victory
—
The Golden Ear
—
Old Comrades
—
March, Op. 99
—
Valdres March
—
Inglesina
—
Knightsbridge March
—
The U.S. Field Artillery
—
The Thunderer
—
Washington Post
—
King Cotton
—
El Capitan
—
The Stars and Stripes Forever
—
American Patrol
—
On the Mall
—
Lights Out
—
Barnum and Bailey's Favorite
—
Colonel Bogey
—
The Billboard
—
London Suite: I. Covent Garden
—
London Suite: II. Westminster
—
London Suite: III. Knightsbridge
—
Four Ways Suite: I. Northwards
—
Four Ways Suite: III. Eastwards
—
Pirate Dance from "Goldilocks"
—
Suite of Carols (excerpts)
—
A Christmas Festival
—
Sandpaper Ballet
—
Forgotten Dreams
—
Trumpeter's Lullaby
—
Penny-Whistle Song
—
Bugler's Holiday
—
Irish Suite: I. The Irish Washerwoman
—
Irish Suite: II. The Minstrel Boy
—
Irish Suite: III. The Rakes of Mallow
—
Irish Suite: IV. The Wearing of the Green
—
Irish Suite: V. The Last Rose of Summer
—
Irish Suite: VI. The Girl I Left Behind
—
Marching Tunes: I. Yankee Doodle
—
Marching Tunes: II. Sergeant O'Leary
—
Marching Tunes: III. The Belle of the Mohawk Vale
—
Drum Solo: Fancy Six-Eight
—
The Camp Duty: I. Three Camps
—
The Camp Duty: II. The Slow Scotch
—
The Camp Duty: III. The Austrian
—
The Camp Duty: IV. Dawning of the Day
—
The Camp Duty: V. The Hessian
—
The Camp Duty: VI. Dusky Night
—
The Camp Duty: VII. The Prussian
—
The Camp Duty: VIII. The Dutch
—
The Camp Duty: IX. The Quick Scotch
—
The Camp Duty: X. End of Camp Duty
—
Marching Tunes; I. Garry Owen
—
Marching Tunes; II. Dixie
—
Marching Tunes; III. Sentry Box
—
Service Calls: I. The Breakfast Call
—
Service Calls: II. The Dinner Call
—
Traditional Fife and Drum Duet: I. Wrecker's Daughter Quickstep
—
Traditional Fife and Drum Duet: II. Hell on the Wabash
—
Traditional Fife and Drum Duet: III. Downfall of Paris
—
Drum Solo: Connecticut Half Time
—
Marching Tunes; I. Rally 'round the Flag
—
Marching Tunes; II. The White Cockade
—
Marching Tunes; III. Bonnie Blue Flag
—
Music for Rendering Honors: I. Flourish
—
Music for Rendering Honors: II. General's March
—
Music for Rendering Honors: III. To the Color
—
Music for Rendering Honors: IV. Funeral March
—
Marching Tunes and Inspection Pieces: I. Sound Off and General Dooley
—
Marching Tunes and Inspection Pieces: II. The Old Guard
—
Marching Tunes and Inspection Pieces: III. The American Flag
—
Marching Tunes and Inspection Pieces: IV. The Cavaliers
—
Marching Tunes and Inspection Pieces: V. Old Six-Eight
—
Marching Tunes and Inspection Pieces: VI. I've Got Three Years To Do This In
—
Marching Tunes and Inspection Pieces: VII. Hens and Chickens
—
Marching Tunes and Inspection Pieces: VIII. No Slum Today
—
Drum Solo: Carry On and Swinging Down the Street
—
Marching Tunes and Inspection Pieces: I. Sound Off and Holy Joe
—
Marching Tunes and Inspection Pieces: II. Soap Suds Row
—
Marching Tunes and Inspection Pieces: III. The Colonel's Daughter
—
Marching Tunes and Inspection Pieces: IV. The Prisoner
—
Marching Tunes and Inspection Pieces: V. Rip Van Winkle
—
Marching Tunes and Inspection Pieces: VI. The Garrison Belle
—
Marching Tunes and Inspection Pieces: VII. General Burt
—
Bugle Calls of the U.S. Army - excerpts: I. Flourish
—
Bugle Calls of the U.S. Army - excerpts: II. Assembly
—
Bugle Calls of the U.S. Army - excerpts: III. Adjutant's Call
—
Bugle Calls of the U.S. Army - excerpts: IV. Church Call
—
Bugle Calls of the U.S. Army - excerpts: V. Drill Call
—
Bugle Calls of the U.S. Army - excerpts: VI. General Call
—
Bugle Calls of the U.S. Army - excerpts: VII. Mail Call
—
Bugle Calls of the U.S. Army - excerpts: VIII. Mess Call
—
Bugle Calls of the U.S. Army - excerpts: IX. Retreat
—
Bugle Calls of the U.S. Army - excerpts: X. Call to Quarters
—
Bugle Calls of the U.S. Army - excerpts: XI. Reveille
—
Bugle Calls of the U.S. Army - excerpts: XII. Tattoo
—
Bugle Calls of the U.S. Army - excerpts: XIII. Taps
—
Marching Tunes and Inspection Pieces: I. Sound Off and You're in the Army Now
—
Marching Tunes and Inspection Pieces: II. Spanish Guardmount
—
Marching Tunes and Inspection Pieces: III. The Red Hussars
—
Marching Tunes and Inspection Pieces: IV. A-Hunting We Will Go
—
Marching Tunes and Inspection Pieces: V. Pay Day
—
Marching Tunes and Inspection Pieces: VI. Double Time
—
Marching Tunes and Inspection Pieces: VII. President's March
—
Serenade no. 10 in B-flat major, K. 361: I. Largo. Allegro molto
—
Serenade no. 10 in B-flat major, K. 361: II. Menuetto
—
Serenade no. 10 in B-flat major, K. 361: III. Adagio
—
Serenade no. 10 in B-flat major, K. 361: IV. Menuetto: Allegretto
—
Serenade no. 10 in B-flat major, K. 361: V. Romanze: Adagio
—
Serenade no. 10 in B-flat major, K. 361: VI. Tema con variazioni
—
Serenade no. 10 in B-flat major, K. 361: VII. Rondo
—
Serenade in E-flat major, op. 7
—
Suite Française: I. Normandie
—
Suite Française: II. Bretagne
—
Suite Française: III. Ile-de-France
—
Suite Française: IV. Alsace-Lorraine
—
Suite Française: V. Provence
—
Suite no. 1 in E-flat, op. 28a: I. Chaconne
—
Suite no. 1 in E-flat, op. 28a: II. Intermezzo
—
Suite no. 1 in E-flat, op. 28a: III. March
—
Suite no. 2 in F, op. 28b: I. March
—
Suite no. 2 in F, op. 28b: II. Song without Words
—
Suite no. 2 in F, op. 28b: III. Song of the Blacksmith
—
Suite no. 2 in F, op. 28b: IV. Fantasia on the Dargason
—
Folk Song Suite: I. Seventeen Come Sunday
—
Folk Song Suite: II. Intermezzo: My Bonny Boy
—
Folk Song Suite: III. March: Folk Songs from Somerset
—
Toccata Marziale
—
Canzona
—
Psalm
—
La Fiesta Mexicana, Mexican Folk Song Symphony for Band: I. Prelude and Aztec Dance
—
La Fiesta Mexicana, Mexican Folk Song Symphony for Band: II. Mass
—
La Fiesta Mexicana, Mexican Folk Song Symphony for Band: III. Festival
—
Symphony no. 1 in E minor, op. 21 "Nordic": I. Andante solenne - Allegro con forza
—
Symphony no. 1 in E minor, op. 21 "Nordic": II. Andante teneramente, con semplicita
—
Symphony no. 1 in E minor, op. 21 "Nordic": III. Allegro con fuoco
—
Symphony no. 2, op. 30 "Romantic": I. Adagio; Allegro moderato
—
Symphony no. 2, op. 30 "Romantic": II. Andante con tenerezza
—
Symphony no. 2, op. 30 "Romantic": III. Allegro con brio
—
Song of Democracy
—
Spirituals: I. Proclamation
—
Spirituals: II. Sermon
—
Spirituals: III. A Little Bit of Sin
—
Spirituals: IV. Protest
—
Spirituals: V. Jubilee
—
Fall River Legend (Ballet Suite): I. Prologue and Waltzes
—
Fall River Legend (Ballet Suite): II. Elegy
—
Fall River Legend (Ballet Suite): III. Church Social
—
Fall River Legend (Ballet Suite): IV. Hymnal Variations
—
Fall River Legend (Ballet Suite): V. Cotillion
—
Fall River Legend (Ballet Suite): VI. Epilogue
—
Medea (Ballet Suite): I. Parodos
—
Medea (Ballet Suite): II. Choros. Medea and Jason
—
Medea (Ballet Suite): III. The Young Princess. Jason
—
Medea (Ballet Suite): IV. Choros
—
Medea (Ballet Suite): V. Medea
—
Medea (Ballet Suite): VI. Kantikos Agonias
—
Medea (Ballet Suite): VII. Exodos
—
Three Places in New England: I. The 'St. Gaudens' in Boston Common (Col. Shaw and his Colored Regiment)
—
Three Places in New England: II. Putnam's Camp, Redding, Connecticut
—
Three Places in New England: III. From 'The Housatonic at Stockbridge' by Robert Underwood Johnson
—
Symphony no. 3, "The Camp Meeting": I. Old Folks Gatherin' (Andante maestoso)
—
Symphony no. 3, "The Camp Meeting": II. Children's Day (Allegro moderato)
—
Symphony no. 3, "The Camp Meeting": III. Communion (Largo)
—
New England Triptych (Three pieces for Orchestra after William Billings): I. Be Glad Then, America
—
New England Triptych (Three pieces for Orchestra after William Billings): II. When Jesus Wept
—
New England Triptych (Three pieces for Orchestra after William Billings): III. Chester
—
Symphony no. 5: I. Con sdegno
—
Symphony no. 5: II. Canto
—
Symphony no. 5: III. Allegro tempetuoso
—
Symphony no. 3: I. Andante lamentando
—
Symphony no. 3: II. Andante tranquillo
—
Symphony no. 3: III. Tempo scherzando
—
Symphony no. 3: IV. Largamente e pesante
—
Elegy
—
The Lament for Beowulf
—
Capricorn Concerto, op. 21: I. Allegro ma non troppo
—
Capricorn Concerto, op. 21: II. Allegretto
—
Capricorn Concerto, op. 21: III. Allegro con brio
—
The Incredible Flutist: I. Introduction - Siesta in the Market Place
—
The Incredible Flutist: II. Entrance of the Vendors
—
The Incredible Flutist: III. Entrance of the Customers
—
The Incredible Flutist: IV. Tango of the Merchant's Daughters
—
The Incredible Flutist: V. Arrival of the Circus
—
The Incredible Flutist: VI. Circus March
—
The Incredible Flutist: VII. The Flutist
—
The Incredible Flutist: VIII. Minuet
—
The Incredible Flutist: IX. Spanish Waltz
—
The Incredible Flutist: X. (Eight o'clock strikes)
—
The Incredible Flutist: XI. Siciliano
—
The Incredible Flutist: XII. Polka Finale
—
Poem for Flute and Orchestra
—
Three Pieces for Orchestra: I. Promenade
—
Three Pieces for Orchestra: II. Nocturne
—
Three Pieces for Orchestra: III. Il Campo dei Fiori
—
Five Miniatures for Flute and Strings: I. Adventurous
—
Five Miniatures for Flute and Strings: II. Dolorous
—
Five Miniatures for Flute and Strings: III. Dextrous
—
Five Miniatures for Flute and Strings: IV. Languorous
—
Five Miniatures for Flute and Strings: V. Capricious
—
Gold and the Señor Commandante: I. Siesta
—
Gold and the Señor Commandante: II. Parade
—
Gold and the Señor Commandante: III. Elegant Dance
—
Gold and the Señor Commandante: IV. Furious Dance of the Bearded Russians
—
Gold and the Señor Commandante: V. Sinister Dance
—
Gold and the Señor Commandante: VI. Chinese Dance
—
Gold and the Señor Commandante: VII. Tender Dance
—
Gold and the Señor Commandante: VIII. Chase Music
—
Gold and the Señor Commandante: IX. Happy Dance
—
Tabuh-Tabuhan, Toccata for Orchestra: I. Ostinatos
—
Tabuh-Tabuhan, Toccata for Orchestra: II. Nocturne
—
Tabuh-Tabuhan, Toccata for Orchestra: III. Finale
—
The Black Maskers (Orchestral Suite): I. Dance: Stridente-sarcastico
—
The Black Maskers (Orchestral Suite): II. Scene: Agitato molto
—
The Black Maskers (Orchestral Suite): III. Dirge: Larghissimo
—
The Black Maskers (Orchestral Suite): IV. Finale: Andante moderato un poco agitato
—
Symphony on a Hymn Tune: I. Introduction and Allegro
—
Symphony on a Hymn Tune: II. Andante cantabile
—
Symphony on a Hymn Tune: III. Allegretto
—
Symphony on a Hymn Tune: IV. Allegro
—
The Feast of Love
—
Pageant of P.T. Barnum: I. Boyhood at Bethel
—
Pageant of P.T. Barnum: II. Joice Heth - 161 Year Old Negress
—
Pageant of P.T. Barnum: III. General and Mrs. Tom Thumb
—
Pageant of P.T. Barnum: IV. Jenny Lind
—
Pageant of P.T. Barnum: V. Circus Parade
—
Adventures in a Perambulator: I. En voiture!
—
Adventures in a Perambulator: II. The Policeman
—
Adventures in a Perambulator: III. The Hurdy-Gurdy
—
Adventures in a Perambulator: IV. The Lake
—
Adventures in a Perambulator: V. Dogs
—
Adventures in a Perambulator: VI. Dreams
—
Once Upon a Time (Five Fairy Tales): I. The Tinder-Box Soldier
—
Once Upon a Time (Five Fairy Tales): II. The Song of Rapunzel
—
Once Upon a Time (Five Fairy Tales): III. The Story of a Darning Needle
—
Once Upon a Time (Five Fairy Tales): IV. Dance of the Twelve Princesses
—
Once Upon a Time (Five Fairy Tales): V. The Ride of Koschei the Deathless
—
Selections from McGuffey's Reader: I. The One-Horse Shay
—
Selections from McGuffey's Reader: II. John Alden and Priscilla
—
Selections from McGuffey's Reader: III. Midnight Ride of Paul Revere
—
Symphonic Sketches: I. Jubilee
—
Symphonic Sketches: II. Noël
—
Symphonic Sketches: III. Hobgoblin
—
Symphonic Sketches: IV. A Vagrom Ballad
—
Suite for Large Orchestra, op. 42: I. In a haunted forest
—
Suite for Large Orchestra, op. 42: II. Summer Idyll
—
Suite for Large Orchestra, op. 42: III. In October
—
Suite for Large Orchestra, op. 42: IV. The Shepherdess' Song
—
Suite for Large Orchestra, op. 42: V. Forest Spirits
—
Sinfonia in G: I. Presto
—
Sinfonia in G: II. Polonaise
—
Sinfonia in G: III. Menuet (vivace)
—
Sinfonia in G: IV. Presto
—
Sarabande: For Katharine in April
—
Christ Looking Over Jerusalem
—
Adagio cantabile
—
Pavane
—
Autumn Landscape
—
Gymnopédie
—
Larghetto
—
And On the Seventh Day...
—
In Memoriam Abraham
—
Night Soliloquy for Flute and Strings
—
The Winter's Past
—
Night Song
—
Birds of Paradise, op. 34
—
The Last Spring
—
The Enchanted Lake
—
Kikimora
—
Deux Rapsodies: I. L'étang
—
Deux Rapsodies: II. La cornemuse
—
Fantasy Variations on a Theme of Youth
—
Symphony no. 38 in D major, K. 504 "Prague": I. Adagio, Allegro
Chicago Symphony Orchestra, Rafael Kubelík
—
Symphony no. 38 in D major, K. 504 "Prague": II. Andante
Chicago Symphony Orchestra, Rafael Kubelík
—
Symphony no. 38 in D major, K. 504 "Prague": III. Presto
Chicago Symphony Orchestra, Rafael Kubelík
—
Symphony no. 9 in E minor, op. 95 ("From the New World"): I. Adagio - Allegro molto
—
Symphony no. 9 in E minor, op. 95 ("From the New World"): II. Largo
—
Symphony no. 9 in E minor, op. 95 ("From the New World"): III. Scherzo. Molto vivace
—
Symphony no. 9 in E minor, op. 95 ("From the New World"): IV. Allegro con fuoco
—
Escales (Ports of Call): Rome - Palermo
—
Escales (Ports of Call): Tunis - Nefta
—
Escales (Ports of Call): Valencia
—
Rapsodie espagnole: I. Prélude à la nuit
—
Rapsodie espagnole: II. Malagueña
—
Rapsodie espagnole: III. Habanera
—
Rapsodie espagnole: IV. Feria
—
Pavane pour une infante défunte
—
La Valse
—
Le Tombeau de Couperin: I. Prélude
—
Le Tombeau de Couperin: II. Forlane
—
Le Tombeau de Couperin: III. Menuet
—
Le Tombeau de Couperin: IV. Rigaudon
—
Overture to "Zampa"
—
Overture to "The Crown Diamonds"
—
Ballet Music from "Faust": Waltz
—
Ballet Music from "Faust": Ensemble (Adagio)
—
Ballet Music from "Faust": Dance of the Nubians
—
Ballet Music from "Faust": Cleopatra's Dance
—
Ballet Music from "Faust": Dance of the Trojan Maidens
—
Ballet Music from "Faust": Helen's Dance
—
Ballet Music from "Faust": Bacchanalia
—
Act II Waltz from "Faust"
—
Bacchanale from "Samson and Delilah"
—
Danse bohème from "Carmen"
—
Royal Hunt and Storm from "The Trojans"
—
Overture to "Phèdre"
—
Gavotte from "Mignon"
—
Symphony no. 3 in C minor, op. 78 ("Organ"): I. Adagio - Allegro moderato -
—
Symphony no. 3 in C minor, op. 78 ("Organ"): I. Poco adagio
—
Symphony no. 3 in C minor, op. 78 ("Organ"): II. Allegro moderato -
—
Symphony no. 3 in C minor, op. 78 ("Organ"): II. Maestoso - Allegro
—
Mass for the 500th Anniversary of the Death of Joan of Arc: I. Kyrie
—
Mass for the 500th Anniversary of the Death of Joan of Arc: II. Gloria
—
Mass for the 500th Anniversary of the Death of Joan of Arc: III. Sanctus - Benedictus
—
Mass for the 500th Anniversary of the Death of Joan of Arc: IV. Agnus Dei
—
Paul Paray: Post-sesstion thanks to the performers
—
España
—
Suite pastorale: I. Idylle
—
Suite pastorale: II. Danse villageoise
—
Suite pastorale: III. Sous-bois
—
Suite pastorale: IV. Scherzo-Valse
—
Fête polonaise from "Le roi malgré lui"
—
Overture to "Gwendoline"
—
Danse slave from "Le roi malgré lui"
—
Joyeuse marche
—
Bourrée fantasque
—
Suite in F, op. 33: I. Prelude
—
Suite in F, op. 33: II. Sarabande
—
Suite in F, op. 33: III. Gigue
—
Daphnis et Chloé, Suite no. 2: I. Lever du jour
—
Daphnis et Chloé, Suite no. 2: II. Pantomime
—
Daphnis et Chloé, Suite no. 2: III. Danse générale
—
Valses nobles et sentimentales: I. Modéré
—
Valses nobles et sentimentales: II. Assez lent
—
Valses nobles et sentimentales: III. Modéré
—
Valses nobles et sentimentales: IV. Assez animé
—
Valses nobles et sentimentales: V. Presque lent
—
Valses nobles et sentimentales: VI. Assez vif
—
Valses nobles et sentimentales: VII. Moins vif
—
Valses nobles et sentimentales: VIII. Épilogue: Lent
—
Boléro
—
Nocturnes for Orchestra: I. Nuages
—
Nocturnes for Orchestra: II. Fêtes
—
Nocturnes for Orchestra: III. Sirènes
—
Petite Suite: I. En Bateau
—
Petite Suite: II. Cortège
—
Petite Suite: III. Menuet
—
Petite Suite: IV. Ballet
—
La Patrie Overture
—
Carmen Suite: I. Prélude
—
Carmen Suite: II. La garde montante
—
Carmen Suite: III. Les dragons d’Alcala
—
Carmen Suite: IV. Intermezzo
—
Carmen Suite: V. Aragonaise
—
Carmen Suite: VI. Les toréadors
—
L'Arlésienne Suite No. 1: I. Prélude
—
L'Arlésienne Suite No. 1: II. Minuetto
—
L'Arlésienne Suite No. 1: III. Adagietto
—
L'Arlésienne Suite No. 1: IV. Carillon
—
L'Arlésienne Suite No. 2: I. Pastorale
—
L'Arlésienne Suite No. 2: II. Intermezzo
—
L'Arlésienne Suite No. 2: III. Menuet
—
L'Arlésienne Suite No. 2: IV. Farandole
—
Mignon Overture
—
Raymond Overture
—
Mephisto Waltz
—
Invitation to the Dance, op. 65
—
Danse macabre, op. 40
—
Dance of the Seven Veils from Salome
—
La tragédie de Salomé, op. 50
—
Ibéria (Images for Orchestra, no. 2): I. In the Streets and Byways
Detroit Symphony Orchestra, Paul Paray
—
Ibéria (Images for Orchestra, no. 2): II. Fragrance of the Night
Detroit Symphony Orchestra, Paul Paray
—
Ibéria (Images for Orchestra, no. 2): III. Morning of a Festival Day
Detroit Symphony Orchestra, Paul Paray
—
Prélude à l'après-midi d'un faune
Detroit Symphony Orchestra, Paul Paray
—
La mer: I. From Dawn till Noon on the Sea
Detroit Symphony Orchestra, Paul Paray
—
La mer: II. Play of the Waves
Detroit Symphony Orchestra, Paul Paray
—
La mer: III. Dialogue of the Wind and the Sea
Detroit Symphony Orchestra, Paul Paray
—
Detroit Symphony Orchestra, Paul Paray
Ma mère l'Oye: II. Hop-o'-my-Thumb
Detroit Symphony Orchestra, Paul Paray
—
Detroit Symphony Orchestra, Paul Paray
Ma mère l'Oye: IV. The Conversations of Beauty and the Beast
Detroit Symphony Orchestra, Paul Paray
—
Ma mère l'Oye: V. The Fairy Garden
Detroit Symphony Orchestra, Paul Paray
—
My Lady Carey's Dompe
—
Les Buffons
—
The Primerose
—
La Volta
—
The Fall of the Leafe
—
Pavana Dolorosa
—
Galiarda Dolorosa
—
The King's Hunt
—
Branle gay
—
Tombeau de M. de Blancrocher
—
Branle de Montirandé
—
Concerto in D minor: I. Allegro
—
Concerto in D minor: II. Andante
—
Concerto in D minor: III. Presto
—
Sonata for Harpsichord in A major
—
Sonata in D major
—
Pavane in F-sharp minor
—
Le moutier
—
Gavotte et Doubles
—
Passepied
—
La pantomime
—
Overture in the French Manner (Partita in B minor): I. Overture: Grave- Vivace - Grave
—
Overture in the French Manner (Partita in B minor): II. Courante
—
Overture in the French Manner (Partita in B minor): III. Gavottes I and II
—
Overture in the French Manner (Partita in B minor): IV. Passepieds I and II
—
Overture in the French Manner (Partita in B minor): V. Sarabande
—
Overture in the French Manner (Partita in B minor): VI. Bourrees I and II
—
Overture in the French Manner (Partita in B minor): VII. Gigue
—
Overture in the French Manner (Partita in B minor): VIII. Echo
—
Fantasia in C minor
—
Concerto in G major (after an unknown master)
—
Toccata in F-sharp minor
—
Duet in A major for Two Performers on One Harpsichord, op.18 no. 5: I. Allegretto
—
Duet in A major for Two Performers on One Harpsichord, op.18 no. 5: II. Tempo di Menuetto
—
Concerto a Duoi Cembali Concertati: I. Allegro moderato
—
Concerto a Duoi Cembali Concertati: II. Andante
—
Concerto a Duoi Cembali Concertati: III. Presto
—
Balli d'Arpicordo (Dances for Harpsichord): I. Pass'e mezzo antico di sei parti
—
Balli d'Arpicordo (Dances for Harpsichord): II. Saltarello del ditto pass'e mezzo
—
Balli d'Arpicordo (Dances for Harpsichord): III. Padoana ditta la Ongara - l'Ongara a un'altro modo
—
Balli d'Arpicordo (Dances for Harpsichord): IV. Ballo ditto il Picchi
—
Balli d'Arpicordo (Dances for Harpsichord): V. Todesca - Balletto
—
Balli d'Arpicordo (Dances for Harpsichord): VI. Ballo Ongaro - il suo Balletto
—
Balli d'Arpicordo (Dances for Harpsichord): VII. Ballo detto il Steffanin
—
Balli d'Arpicordo (Dances for Harpsichord): VIII. Ballo alla Polacha - il suo saltarello
—
Aria detta la Frescobalda
—
Corrente in F major
—
Five Galliards
—
12 Partita sopra l'Aria di Ruggiero
—
Bourée alla Polacca
—
Les Folies d'Espagne
—
Sonata in F major, K. 541
—
Sonata in A minor, K. 175
—
Sonata in E major, K. 381
—
Passacaglia in D minor
—
Sonata in G minor, op. 65: I. Allegro moderato
György Sebök, János Starker
—
Sonata in G minor, op. 65: II. Scherzo: Allegro con brio
György Sebök, János Starker
—
Variations Concertantes, op. 17
—
Variations on a Theme of Rossini
—
Polonaise Brillante, op. 3
—
Sonata no. 1 in D minor: I Prologue
—
Sonata no. 1 in D minor: II. Serenade et Finale
—
Sonata no. 1 in D minor: III. Finale
—
First Rhapsody
—
Hungarian Wedding Dance
—
The Rite of Spring: Part I: The Adoration of the Earth: Introduction
—
The Rite of Spring: Part I: The Adoration of the Earth: Augurs of Spring - Dances of the Young Girls
—
The Rite of Spring: Part I: The Adoration of the Earth: Ritual of Abduction
—
The Rite of Spring: Part I: The Adoration of the Earth: Spring Rounds
—
The Rite of Spring: Part I: The Adoration of the Earth: Ritual of the Rival Tribes
—
The Rite of Spring: Part I: The Adoration of the Earth: Procession of the Sage
—
The Rite of Spring: Part I: The Adoration of the Earth: The Sage
—
The Rite of Spring: Part I: The Adoration of the Earth: Dance of the Earth
—
The Rite of Spring: Part II: The Sacrifice: Introduction
—
The Rite of Spring: Part II: The Sacrifice: Mystic Circles of the Young Girls
—
The Rite of Spring: Part II: The Sacrifice: Glorification of the Chosen One
—
The Rite of Spring: Part II: The Sacrifice: Evocation of the Ancestors
—
The Rite of Spring: Part II: The Sacrifice: Ritual Action of the Ancestors
—
The Rite of Spring: Part II: The Sacrifice: Sacrificial Dance: The Chosen One
—
Interview with John Corigliano and Hilde Somer by Paul Hume
—
Concerto for Piano and Orchestra: I. Molto Allegro
—
Concerto for Piano and Orchestra: II. Scherzo
—
Concerto for Piano and Orchestra: III. Andante appassionato - IV. Allegro
—
Parergon to the Sinfonia Domestica, op. 73
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-003.144.726-3T-010.278.744-9T-010.435.122-5T-011.218.500-8T-011.577.274-1T-042.146.473-4T-070.064.736-4T-070.140.357-7T-070.167.151-3T-071.057.203-4
+20 more
T-071.057.271-6T-071.058.401-2T-071.061.099-3T-071.061.112-3T-071.061.976-3T-071.062.798-7T-071.064.969-6T-071.064.971-0T-071.068.469-7T-071.068.497-1T-071.068.536-1T-071.070.261-6T-071.070.336-8T-071.070.405-4T-071.070.506-8T-071.070.561-5T-071.190.000-3T-071.192.430-9T-071.057.203-4T-071.057.271-6
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000022508340000000003932190200000000551909810000000057263160000000006308772200000000631125020000000080870057000000008393021100000000841357460000000084169428
+20 more
000000009212422X0000000092139130000000010729317400000001080705030000000108710224000000010907819500000001090782080000000109300489000000010930564200000001094333610000000109443949000000011008916600000001101981350000000114705392000000011476865X00000001149237010000000116316913000000011878429400000001201800000000000120271244
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028947850922 is a Universal Product Code (UPC) assigned to Mercury Living Presence: The Collector's Edition, Vol. 2 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
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