UPC · Release
Mercury Living Presence: The Collector's Edition, Vol. 2
Various Artists
028947850922
840 tracksReleased 2013-01-01Mercury
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028947850922 is the Universal Product Code (UPC barcode) for the release “Mercury Living Presence: The Collector's Edition, Vol. 2” by Various Artists, released 2013-01-01 on Mercury. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 840 tracks, each with its own ISRC. Tracks include NLA506200520, NLA506200521, NLA506200522.
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UPCMercury Living Presence: The Collector's Edition, Vol. 2
ISRC211 recordings
ISWC30 works
IPI4 songwriters
Track List (840)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Five Pieces for Orchestra: I. Vorgefuhle | London Symphony Orchestra, Antal Doráti | — | |
| 2 | Five Pieces for Orchestra: II. Vergangenes | London Symphony Orchestra, Antal Doráti | — | |
| 3 | Five Pieces for Orchestra: III. Sommermorgen an einem See | London Symphony Orchestra, Antal Doráti | — | |
| 4 | Five Pieces for Orchestra: IV. Peripetie | London Symphony Orchestra, Antal Doráti | — | |
| 5 | Five Pieces for Orchestra: V. Das obligate Rezitativ | London Symphony Orchestra, Antal Doráti | — | |
| 6 | Five Pieces for Orchestra, Op. 10 | London Symphony Orchestra, Antal Doráti | — | |
| 7 | Three Pieces for Orchestra: I. Praeludium | London Symphony Orchestra, Antal Doráti | — | |
| 8 | Three Pieces for Orchestra: II. Reigen | London Symphony Orchestra, Antal Doráti | — | |
| 9 | Three Pieces for Orchestra: III. Marsch | London Symphony Orchestra, Antal Doráti | — | |
| 10 | "Lulu" Suite: I. Rondo | London Symphony Orchestra, Antal Doráti | — | |
| 11 | "Lulu" Suite: II. Ostinato | London Symphony Orchestra, Antal Doráti | — | |
| 12 | "Lulu" Suite: III. Lulu's Song | Helga Pilarczyk, London Symphony Orchestra, Antal Doráti | — | |
| 13 | "Lulu" Suite: IV. Variations | London Symphony Orchestra, Antal Doráti | — | |
| 14 | "Lulu" Suite: V. Adagio | Helga Pilarczyk, London Symphony Orchestra, Antal Doráti | — | |
| 2-1 | The Birds: 1. Prelude | London Symphony Orchestra, Antal Doráti | T-070.160.313-5 | |
| 2-2 | The Birds: 2. The Dove | London Symphony Orchestra, Antal Doráti | — | |
| 2-3 | The Birds: 3. The Hen | London Symphony Orchestra, Antal Doráti | — | |
| 2-4 | The Birds: 4. The Nightingale | London Symphony Orchestra, Antal Doráti | — | |
| 2-5 | The Birds: 5. The Cuckoo | London Symphony Orchestra, Antal Doráti | — | |
| 2-6 | Brazillian Impressions: 1. Tropical Night | London Symphony Orchestra, Antal Doráti | — | |
| 2-7 | Brazillian Impressions: 2. Butantan | London Symphony Orchestra, Antal Doráti | — | |
| 2-8 | Brazillian Impressions: 3. Song and Dance | London Symphony Orchestra, Antal Doráti | — | |
| 2-9 | The Fountains of Rome: I. The Fountain of Valle Giulia | — | ||
| 2-10 | The Fountains of Rome: II. The Triton Fountain | — | ||
| 2-11 | The Fountains of Rome: III. The Fountain of Trevi | — | ||
| 2-12 | The Fountains of Rome: IV. The Villa Medici Fountain | — | ||
| 2-13 | The Pines of Rome: I. The Pines of Villa Borghese | — | ||
| 2-14 | The Pines of Rome: II. The Pines near a Catacomb | — | ||
| 2-15 | The Pines of Rome: III. The Pines of the Janiculum | — | ||
| 2-16 | The Pines of Rome: IV. The Pines of the Appian Way | — | ||
| 3-1 | Concerto for Orchestra: 1. Introduzione (Andante non troppo – Allegro vivace) | London Symphony Orchestra, Antal Doráti | — | |
| 3-2 | Concerto for Orchestra: 2. Giuoco delle coppie (Allegretto scherzando) | London Symphony Orchestra, Antal Doráti | — | |
| 3-3 | Concerto for Orchestra: 3. Elegia (Andante non troppo) | London Symphony Orchestra, Antal Doráti | — | |
| 3-4 | Concerto for Orchestra: 4. Intermezzo interrotto (Allegretto) | London Symphony Orchestra, Antal Doráti | — | |
| 3-5 | Concerto for Orchestra: 5. Finale (Presto) | London Symphony Orchestra, Antal Doráti | — | |
| 3-6 | Dance Suite: I. Moderato | — | ||
| 3-7 | Dance Suite: II. Allegro molto | — | ||
| 3-8 | Dance Suite: III. Allegro vivace | — | ||
| 3-9 | Dance Suite: IV. Molto tranquillo | — | ||
| 3-10 | Dance Suite: V. Comodo - VI. Finale (Allegro) | — | ||
| 3-11 | Two Portraits, op. 5: I. "Ideal" | — | ||
| 3-12 | Two Portraits, op. 5: II. "Distorted" | — | ||
| 3-13 | Mikrokosmos: I. Bourrée (No. 117, Book IV) | — | ||
| 3-14 | Mikrokosmos: II. From the Diary of a Fly (No. 142, Book VI) | — | ||
| 4-1 | Antiche danze ed arie, Suite no. 1 for orchestra: I. Balletto detto « Il Conte Orlando » | — | ||
| 4-2 | Antiche danze ed arie, Suite no. 1 for orchestra: II. Gagliarda | — | ||
| 4-3 | Antiche danze ed arie, Suite no. 1 for orchestra: III. Villanella | — | ||
| 4-4 | Antiche danze ed arie, Suite no. 1 for orchestra: IV. Finale: Passo mezzo e Mascherada | — | ||
| 4-5 | Antiche danze ed arie, Suite no. 2 for orchestra: I. « Laura soave » - Balletto con gagliarda, saltarello e canario | — | ||
| 4-6 | Antiche danze ed arie, Suite no. 2 for orchestra: II. Danza rustica | — | ||
| 4-7 | Antiche danze ed arie, Suite no. 2 for orchestra: III. « Campanae parisienses » - Aria (« sopra Les cloches de Paris ») | — | ||
| 4-8 | Antiche danze ed arie, Suite no. 2 for orchestra: IV. Bergamasca | — | ||
| 4-9 | Antiche danze ed arie, Suite no. 3 for strings: I. Italiana | — | ||
| 4-10 | Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (a) « C'est malheur que de vous aymer » - Andante cantabile | — | ||
| 4-11 | Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (b) « Adieu bergere pour iamais » - Allegretto | — | ||
| 4-12 | Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (c) « Beaux yeux qui me voyes clairement » - Vivace | — | ||
| 4-13 | Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (d) « La voila la nacelle d'amour ou ma maitresse arrive » - Lento con grande espressione | — | ||
| 4-14 | Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (e) « Quelle divinité s'imprime dans mon ame » - Allegro vivace | — | ||
| 4-15 | Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (f) « Si c'est pour mon pucellage que vous me faites l'amour » - Vivacissimo | — | ||
| 4-16 | Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (g) Andante cantabile | — | ||
| 4-17 | Antiche danze ed arie, Suite no. 3 for strings: III. Siciliana | — | ||
| 4-18 | Antiche danze ed arie, Suite no. 3 for strings: IV. Passacaglia | — | ||
| 5-1 | Symphony no. 7 in D minor, op. 70: I. Allegro maestoso | London Symphony Orchestra, Antal Doráti | — | |
| 5-2 | Symphony no. 7 in D minor, op. 70: II. Poco Adagio | London Symphony Orchestra, Antal Doráti | — | |
| 5-3 | Symphony no. 7 in D minor, op. 70: III. Scherzo. Vivace - Poco meno moso | London Symphony Orchestra, Antal Doráti | — | |
| 5-4 | Symphony no. 7 in D minor, op. 70: IV. Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 5-5 | Symphony no. 8 in G major, op. 88: I. Allegro con brio | London Symphony Orchestra, Antal Doráti | — | |
| 5-6 | Symphony no. 8 in G major, op. 88: II. Adagio | London Symphony Orchestra, Antal Doráti | — | |
| 5-7 | Symphony no. 8 in G major, op. 88: III. Allegretto grazioso | London Symphony Orchestra, Antal Doráti | — | |
| 5-8 | Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo | London Symphony Orchestra, Antal Doráti | — | |
| 6-1 | An American in Paris | — | ||
| 6-2 | Rodeo, Four Dance Episodes: I. Buckaroo Holiday | — | ||
| 6-3 | Rodeo, Four Dance Episodes: II. Corral Nocturne | — | ||
| 6-4 | Rodeo, Four Dance Episodes: III. Saturday Night Waltz | — | ||
| 6-5 | Rodeo, Four Dance Episodes: IV. Hoe-Down | — | ||
| 6-6 | Seven Studies on Themes of Paul Klee: I. Antique Harmonies | — | ||
| 6-7 | Seven Studies on Themes of Paul Klee: II. Abstract Trio | — | ||
| 6-8 | Seven Studies on Themes of Paul Klee: III. Little Blue Devil | — | ||
| 6-9 | Seven Studies on Themes of Paul Klee: IV. The Twittering-machine | — | ||
| 6-10 | Seven Studies on Themes of Paul Klee: V. Arab Village | — | ||
| 6-11 | Seven Studies on Themes of Paul Klee: VI. An Eerie Moment | — | ||
| 6-12 | Seven Studies on Themes of Paul Klee: VII. Pastorale | — | ||
| 6-13 | Sinfonia Breve: I. Moderato | — | ||
| 6-14 | Sinfonia Breve: II. Andante | — | ||
| 6-15 | Sinfonia Breve: III. Allegro molto | — | ||
| 6-16 | Sinfonia Breve: IV. Allegro deciso | — | ||
| 7-1 | Parade | — | ||
| 7-2 | Le Bœuf sur le toit | — | ||
| 7-4 | Concerinoto for Piano and Orchestra: I. Presto leggiero | — | ||
| 7-5 | Concerinoto for Piano and Orchestra: II. Lent | — | ||
| 7-6 | Concerinoto for Piano and Orchestra: III. Allgretto: Rondeau | — | ||
| 7-7 | Contrasts for Orchestra: I. Allegro con forza | — | ||
| 7-8 | Contrasts for Orchestra: II. Adagio | — | ||
| 7-9 | Contrasts for Orchestra: III. Scherzo: Allegro ma non troppo | — | ||
| 7-10 | Contrasts for Orchestra: IV. Allegro marciale - Presto | — | ||
| 8-1 | Symphony no. 6 in B minor (“Pathétique”): 1. Adagio – Allegro non troppo | London Symphony Orchestra, Antal Doráti | — | |
| 8-2 | Symphony no. 6 in B minor (“Pathétique”): 2. Allegro con grazia | London Symphony Orchestra, Antal Doráti | — | |
| 8-3 | Symphony no. 6 in B minor (“Pathétique”): 3. Allegro molto vivace | London Symphony Orchestra, Antal Doráti | — | |
| 8-4 | Symphony no. 6 in B minor (“Pathétique”): 4. Adagio lamentoso – Andante | London Symphony Orchestra, Antal Doráti | — | |
| 8-5 | Romeo and Juliet: Overture-Fantasy After Shakespeare | London Symphony Orchestra, Antal Doráti | T-902.705.918-3 | |
| 9-1 | The Wooden Prince: Introduction: Molto moderato | London Symphony Orchestra, Antal Doráti | — | |
| 9-2 | The Wooden Prince: First Dance: Dance of the Princess in the Forest: Molto moderato | London Symphony Orchestra, Antal Doráti | — | |
| 9-3 | The Wooden Prince: Second Dance: Dance of the Trees: Assai moderato | London Symphony Orchestra, Antal Doráti | — | |
| 9-4 | The Wooden Prince: Third Dance: Dance of the Waves: Andante | London Symphony Orchestra, Antal Doráti | — | |
| 9-5 | The Wooden Prince: Fourth Dance: Dance of the Princess with the Wooden Doll: Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 9-6 | The Wooden Prince: Fifth Dance: The Princess Pulls and Tugs at the Wooden Prince and Tries to Make Him Dance: Meno mosso (subito) | London Symphony Orchestra, Antal Doráti | — | |
| 9-7 | The Wooden Prince: Sixth Dance: She Tries to Attract the Real Prince With Her Seductive Dancing | London Symphony Orchestra, Antal Doráti | — | |
| 9-8 | The Wooden Prince: Seventh Dance: Dismayed, the Princess Attempts to Hurry After the Prince, but the Forest Bars Her Way: Moderato | London Symphony Orchestra, Antal Doráti | — | |
| 9-9 | Music for Strings, Percussion and Celesta: 1. Andante tranquillo | London Symphony Orchestra, Antal Doráti | — | |
| 9-10 | Music for Strings, Percussion and Celesta: 2. Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 9-11 | Music for Strings, Percussion and Celesta: 3. Adagio | London Symphony Orchestra, Antal Doráti | — | |
| 9-12 | Music for Strings, Percussion and Celesta: 4. Allegro molto | London Symphony Orchestra, Antal Doráti | — | |
| 10-1 | The Miraculous Mandarin: Allegro (Introduction) | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-2 | The Miraculous Mandarin: The curtain rises on a shabby room in the slums... | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-3 | The Miraculous Mandarin: First decoy game | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-4 | The Miraculous Mandarin: The shabby old rake enters... | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-5 | The Miraculous Mandarin: Second decoy game | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-6 | The Miraculous Mandarin: The shy young man appears in the door... | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-7 | The Miraculous Mandarin: Third decoy game | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-8 | The Miraculous Mandarin: Horrified, they see a weird figure in the street... | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-9 | The Miraculous Mandarin: The Mandarin enters and stands immobilein the doorway... | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-10 | The Miraculous Mandarin: General consternation... | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-11 | The Miraculous Mandarin: At last she overcomes her reluctance... | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-12 | The Miraculous Mandarin: The girl sinks down to embrace him... | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-13 | The Miraculous Mandarin: She flees from him... | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-14 | The Miraculous Mandarin: The Mandarin catches the girl, and they fight | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-15 | The Miraculous Mandarin: The tramps leap out... | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-16 | The Miraculous Mandarin: "We must kill him..." | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-17 | The Miraculous Mandarin: They think he is dead... | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-18 | The Miraculous Mandarin: At last the three tramps master their horror... | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-19 | The Miraculous Mandarin: Suddenly he draws himself up... | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-20 | The Miraculous Mandarin: They drag the resisting Mandarin to the center of the room... | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-21 | The Miraculous Mandarin: The body of the Mandarin begins to glow with a greenish blue light... | BBC Symphony Chorus, BBC Symphony Orchestra, Antal Doráti | — | |
| 10-22 | The Miraculous Mandarin: At her insistence, the tramps take himdown... | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-23 | The Miraculous Mandarin: The Mandarin's longing is now stilled... | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-24 | Divertimento: I. Allegro non troppo | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-25 | Divertimento: II. Molto adagio | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-26 | Divertimento: III. Allegro assai | BBC Symphony Orchestra, Antal Doráti | — | |
| 10-27 | Sonata for Two Pianos and Percussion: 1. Assai lento | Géza Frid, Luctor Ponse, Members of the London Symphony Orchestra, Antal Doráti | — | |
| 10-28 | Sonata for Two Pianos and Percussion: 2. Lento, ma non troppo | Géza Frid, Luctor Ponse, Members of the London Symphony Orchestra, Antal Doráti | — | |
| 10-29 | Sonata for Two Pianos and Percussion: 3. Allegro non troppo | Géza Frid, Luctor Ponse, Members of the London Symphony Orchestra, Antal Doráti | — | |
| 11-1 | Symphony no. 4 in F minor, op. 36: 1. Andante sostenuto – Moderato con anima | London Symphony Orchestra, Antal Doráti | — | |
| 11-2 | Symphony no. 4 in F minor, op. 36: 2. Andantino in modo di canzona | London Symphony Orchestra, Antal Doráti | — | |
| 11-3 | Symphony no. 4 in F minor, op. 36: 3. Scherzo: Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 11-4 | Symphony no. 4 in F minor, op. 36: 4. Finale: Allegro con fuoco | London Symphony Orchestra, Antal Doráti | — | |
| 11-5 | Francesca da Rimini, symphonic fantasy, op. 32 | — | ||
| 11-6 | Prince Igor: Overture | London Symphony Orchestra, Antal Doráti | — | |
| 12-1 | Symphony no. 5 in C minor, op. 67: 1. Allegro con brio | London Symphony Orchestra, Antal Doráti | — | |
| 12-2 | Symphony no. 5 in C minor, op. 67: 2. Andante con moto | London Symphony Orchestra, Antal Doráti | — | |
| 12-3 | Symphony no. 5 in C minor, op. 67: 3. Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 12-4 | Symphony no. 5 in C minor, op. 67: 4. Allegro | London Symphony Orchestra, Antal Doráti | — | |
| 12-5 | Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country" | London Symphony Orchestra, Antal Doráti | — | |
| 12-6 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook" | London Symphony Orchestra, Antal Doráti | — | |
| 12-7 | Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro "Happy gathering of country folk" | London Symphony Orchestra, Antal Doráti | — | |
| 12-8 | Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Allegro "Thunderstorm" | London Symphony Orchestra, Antal Doráti | — | |
| 12-9 | Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto "Shepherds' song: Cheerful and thankful feelings after the storm" | London Symphony Orchestra, Antal Doráti | — | |
| 12-10 | The Creatures of Prometheus, Op. 43: Overture | London Symphony Orchestra, Antal Doráti | — | |
| 13-1 | Iberia, Suite: I. Evocación | — | ||
| 13-2 | Iberia, Suite: II. El Corpus en Sevilla | — | ||
| 13-3 | Iberia, Suite: III. Triana | — | ||
| 13-4 | Iberia, Suite: IV. El Puerto | — | ||
| 13-5 | Iberia, Suite: V. El Albaicin | — | ||
| 13-6 | Interlude and Dance no. 1, from La Vida Breve | — | ||
| 13-7 | Two Excerpts from "Khovanshchina": Prelude | — | ||
| 13-8 | Two Excerpts from "Khovanshchina": Dance of the Persian Slaves | — | ||
| 13-9 | Excerpt from "The Bartered Bride": Overture | — | ||
| 13-10 | Excerpt from "The Bartered Bride": Polka | — | ||
| 13-11 | Excerpt from "The Bartered Bride": Furiant | — | ||
| 13-12 | Excerpt from "The Bartered Bride": Dance of the Comedians | — | ||
| 14-1 | Symphonic Metamorphoses on Themes by Carl Maria von Weber: I. Allegro | — | ||
| 14-2 | Symphonic Metamorphoses on Themes by Carl Maria von Weber: II. Turandot, Scherzo | — | ||
| 14-3 | Symphonic Metamorphoses on Themes by Carl Maria von Weber: III. Andantino | — | ||
| 14-4 | Symphonic Metamorphoses on Themes by Carl Maria von Weber: IV. Marsch | — | ||
| 14-5 | 5 Pieces for Orchestra, op. 16: No. 1. Premonitions | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 14-6 | 5 Pieces for Orchestra, op. 16: No. 2. Yesteryears | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 14-7 | 5 Pieces for Orchestra, op. 16: No. 3. Summer Morning by a Lake | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 14-8 | 5 Pieces for Orchestra, op. 16: No. 4. Peripetia | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 14-9 | 5 Pieces for Orchestra, op. 16: No. 5. The Obligatory Recitative | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 14-10 | Variations on a Hungarian Folksong, "The Peacock" | — | ||
| 14-11 | Suite from "The Miraculous Mandarin" | — | ||
| 15-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto. Vivace | London Symphony Orchestra, Antal Doráti | — | |
| 15-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | London Symphony Orchestra, Antal Doráti | T-314.638.300-4 | |
| 15-3 | Symphony no. 7 in A major, op. 92: III. Presto. Assai meno presto | London Symphony Orchestra, Antal Doráti | T-915.710.750-1 | |
| 15-4 | Symphony no. 7 in A major, op. 92: IV 4. Allegro con brio | London Symphony Orchestra, Antal Doráti | — | |
| 15-5 | Leonore Overture no. 3, op. 72b | London Symphony Orchestra, Antal Doráti | — | |
| 15-6 | Egmont Overture, op. 84 | London Symphony Orchestra, Antal Doráti | — | |
| 15-7 | Consecration of the House Overture, op. 124 | London Symphony Orchestra, Antal Doráti | — | |
| 16-1 | Swan Lake, op. 20: Overture | — | ||
| 16-2 | Swan Lake, op. 20: Act I, no. 1. Scene | — | ||
| 16-3 | Swan Lake, op. 20: Act I, no. 2. Waltz | — | ||
| 16-4 | Swan Lake, op. 20: Act I, no. 3. Scene | — | ||
| 16-5 | Swan Lake, op. 20: Act I, no. 4. Pas de trois: I. Intrada | — | ||
| 16-6 | Swan Lake, op. 20: Act I, no. 4. Pas de trois: II. Andante sostenuto | — | ||
| 16-7 | Swan Lake, op. 20: Act I, no. 4. Pas de trois: III. Allegro simplice | — | ||
| 16-8 | Swan Lake, op. 20: Act I, no. 4. Pas de trois: IV. Moderato | — | ||
| 16-9 | Swan Lake, op. 20: Act I, no. 4. Pas de trois: V. Allegro | — | ||
| 16-10 | Swan Lake, op. 20: Act I, no. 4. Pas de trois: VI. Coda | — | ||
| 16-11 | Swan Lake, op. 20: Act I, no. 5. Pas de deux: I. Tempo di valse | — | ||
| 16-12 | Swan Lake, op. 20: Act I, no. 5. Pas de deux: II. Andante | — | ||
| 16-13 | Swan Lake, op. 20: Act I, no. 5. Pas de deux: III. Tempo di valse | — | ||
| 16-14 | Swan Lake, op. 20: Act I, no. 5. Pas de deux: IV. Coda | — | ||
| 16-15 | Swan Lake, op. 20: Act I, no. 6. Pas d'action | — | ||
| 16-16 | Swan Lake, op. 20: Act I, no. 7. Sujet | — | ||
| 16-17 | Swan Lake, op. 20: Act I, no. 8. Dance with Wine Glasses | — | ||
| 16-18 | Swan Lake, op. 20: Act I, no. 9. Finale | — | ||
| 16-19 | Swan Lake, op. 20: Act II, no. 10. Scene | — | ||
| 16-20 | Swan Lake, op. 20: Act II, no. 11. Scene | — | ||
| 16-21 | Swan Lake, op. 20: Act II, no. 12. Scene | — | ||
| 16-22 | Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: I. Dances of the Swans | — | ||
| 16-23 | Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: II. Moderato assai | — | ||
| 16-24 | Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: III. Dances of the Swans | — | ||
| 16-25 | Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: IV. Allegro moderato | — | ||
| 16-26 | Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: V. Pas d'action (Odette and the Prince) | — | ||
| 16-27 | Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: VI. General Dance | — | ||
| 16-28 | Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: VII. Coda | — | ||
| 16-29 | Swan Lake, op. 20: Act II, no. 14. Scene | — | ||
| 17-1 | Swan Lake, op. 20: Act III, no. 15. Introduction | — | ||
| 17-2 | Swan Lake, op. 20: Act III, no. 16. Danses of the Corps de Ballet and Dwarfs | — | ||
| 17-3 | Swan Lake, op. 20: Act III, no. 17. Scene: Fanfares and Waltz | — | ||
| 17-4 | Swan Lake, op. 20: Act III, no. 18. Scene | — | ||
| 17-5 | Swan Lake, op. 20: Act III, no. 19. Pas de six: I. Intrada | — | ||
| 17-6 | Swan Lake, op. 20: Act III, no. 19. Pas de six: II. Variation I | — | ||
| 17-7 | Swan Lake, op. 20: Act III, no. 19. Pas de six: III. Variation II | — | ||
| 17-8 | Swan Lake, op. 20: Act III, no. 19. Pas de six: IV. Variation III | — | ||
| 17-9 | Swan Lake, op. 20: Act III, no. 19. Pas de six: V. Variation IV | — | ||
| 17-10 | Swan Lake, op. 20: Act III, no. 19. Pas de six: VI. Variation V | — | ||
| 17-11 | Swan Lake, op. 20: Act III, no. 19. Pas de six: VII. Coda | — | ||
| 17-12 | Swan Lake, op. 20: Act III, no. 20. Hungarian Dance (Czárdás) | — | ||
| 17-13 | Swan Lake, op. 20: Act III, no. 21. Spanish Dance (Bolero) | — | ||
| 17-14 | Swan Lake, op. 20: Act III, no. 22. Neapolian Dance | — | ||
| 17-15 | Swan Lake, op. 20: Act III, no. 22a. Russian Dance | — | ||
| 17-16 | Swan Lake, op. 20: Act III, no. 23. Mazurka | — | ||
| 17-17 | Swan Lake, op. 20: Act III, no. 24. Scene | — | ||
| 17-18 | Swan Lake, op. 20: Act IV, no. 25. Entr'acte | — | ||
| 17-19 | Swan Lake, op. 20: Act IV, no. 26. Scene | — | ||
| 17-20 | Swan Lake, op. 20: Act IV, no. 27. Dances of the Little Swans | — | ||
| 17-21 | Swan Lake, op. 20: Act IV, no. 28. Scene | — | ||
| 17-22 | Swan Lake, op. 20: Act IV, no. 29. Final scene | — | ||
| 18-1 | PRÉLUDE | London Symphony Orchestra, Anatole Fistoulari | — | |
| 18-2 | Sylvia: Act I: No. 1: Faunes et dryads | London Symphony Orchestra, Anatole Fistoulari | — | |
| 18-3 | Sylvia: Act I: No. 2: Le Berger (Pastorale) | London Symphony Orchestra, Anatole Fistoulari | — | |
| 18-4 | Sylvia: Act I: No. 3: Les Chasseresses | London Symphony Orchestra, Anatole Fistoulari | — | |
| 18-5 | NO. 4A INTERMEZZO | London Symphony Orchestra, Anatole Fistoulari | T-070.140.357-7 | |
| 18-6 | SYLVIA, ACT 1: NO. 4B VALSE LENTE | London Symphony Orchestra, Anatole Fistoulari | — | |
| 18-7 | NO. 5 SCÈNE | London Symphony Orchestra, Anatole Fistoulari | — | |
| 18-8 | NO. 6 CORTÈGE RUSTIQUE | London Symphony Orchestra, Anatole Fistoulari | T-070.140.357-7 | |
| 18-9 | NO. 7 SCÈNE | London Symphony Orchestra, Anatole Fistoulari | — | |
| 18-10 | SYLVIA, ACT 1: NO. 8A ENTRÉE DU SORCIER | London Symphony Orchestra, Anatole Fistoulari | — | |
| 18-11 | NO. 8B FINAL | London Symphony Orchestra, Anatole Fistoulari | — | |
| 18-12 | DELIBES SYLVIA ENTR ACTE | London Symphony Orchestra, Anatole Fistoulari | — | |
| 18-13 | Sylvia: Act II: No. 9: La Grotte d’Orion | London Symphony Orchestra, Anatole Fistoulari | — | |
| 18-14 | Sylvia: Act II: No. 10: Pas des Éthiopiens | London Symphony Orchestra, Anatole Fistoulari | — | |
| 18-15 | Sylvia: Act II: No. 11: Chant bachique | London Symphony Orchestra, Anatole Fistoulari | — | |
| 18-16 | Sylvia: Act II: No. 12: Scène et danse de la bacchante | London Symphony Orchestra, Anatole Fistoulari | — | |
| 18-17 | Sylvia: Act II: No. 12: Rentrée de Sylvia | London Symphony Orchestra, Anatole Fistoulari | — | |
| 18-18 | NO. 13 SCÈNE FINALE | London Symphony Orchestra, Anatole Fistoulari | — | |
| 19-1 | SYLVIA, ACT 3: NO. 14A MARCHE | London Symphony Orchestra, Anatole Fistoulari | — | |
| 19-2 | NO. 14B CORTÈGE DE BACCHUS | London Symphony Orchestra, Anatole Fistoulari | T-070.140.357-7 | |
| 19-3 | SYLVIA, ACT 3: NO. 15A SCÈNE | London Symphony Orchestra, Anatole Fistoulari | — | |
| 19-4 | SYLVIA / ACT 3: NO. 15B BARCAROLLE | London Symphony Orchestra, Anatole Fistoulari | — | |
| 19-5 | NO. 16 DIVERTISSEMENT: A) PIZZICATI | London Symphony Orchestra, Anatole Fistoulari | T-070.140.357-7 | |
| 19-6 | Sylvia: Act III: No. 16 Divertissement (b): Violon solo | London Symphony Orchestra, Anatole Fistoulari | — | |
| 19-7 | SYLVIA, ACT 3: NO. 16 DIVERTISSEMENT: E) STRETTE-GALOP | London Symphony Orchestra, Anatole Fistoulari | — | |
| 19-8 | Sylvia: Act III: No. 16: Le Temple de Diane (Final) | London Symphony Orchestra, Anatole Fistoulari | — | |
| 19-9 | SYLVIA, ACT 3: NO. 18 APPARITION D'ENDYMION (APOTHÉOSE) | London Symphony Orchestra, Anatole Fistoulari | — | |
| 19-10 | PRÉLUDE - MAZURKA | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 19-11 | NO. 1 VALSE | Minneapolis Symphony Orchestra, Antal Doráti | T-901.179.534-9 | |
| 19-12 | Coppélia: Act I: No. 2: Scène | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 19-13 | NO. 3 MAZURKA | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 19-14 | Coppélia: Act I: No. 4: Scène | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 19-15 | Coppélia: Act I: No. 5: Ballade de l’épi | Rafael Druian, Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 19-16 | Coppélia: Act I: No. 6: Thème slave varié | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 19-17 | Coppélia: Act I: No. 7: Czárdás (Danse hongroise) | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 19-18 | Coppélia: Act I: No. 7 bis: Sortie | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 19-19 | NO. 8 FINAL | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-1 | Coppélia: Act II: Entr’acte | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-2 | Coppélia: Act II: No. 9: Scène | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-3 | NO. 10 SCÈNE | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-4 | Coppélia: Act II: No. 11: Musique des automates | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-5 | Coppélia: Act II: No. 11 bis: Scène | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-6 | Coppélia: Act II: No. 12: Scène | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-7 | Coppélia: Act II: No. 13: Chanson à boire et Scène | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-8 | Coppélia: Act II: No. 14a: Scene – | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-9 | Coppélia: Act II: No. 14b: Valse de la poupée | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-10 | NO. 15 SCÈNE | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-11 | Coppélia: Act II: No. 16: Boléro | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-12 | NO. 17 GIGUE | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-13 | Coppélia: Act II: No. 18: Scène | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-14 | Coppélia: Act III: No. 19: Marche de la cloche | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-15 | Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (1) Valse des heures | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-16 | Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (2) L’Aurore | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-17 | Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (3) La Prière | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-18 | Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (4) Le Travail (La Fileuse) | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-19 | Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (5) L’Hymen (Noce villageoise) | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-20 | Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (6) La Discorde et la Guerre | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-21 | Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (7a) La Paix | — | ||
| 20-22 | Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (7b) Danse de fête | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 20-23 | Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (8) Galop final | Minneapolis Symphony Orchestra, Antal Doráti | — | |
| 21-1 | Allegro from Symphony no. 6, op. 42 | — | ||
| 21-2 | Salve Regina | — | ||
| 21-3 | Pièce Héroïque | — | ||
| 21-4 | Chorale no. 1 in E major | — | ||
| 21-5 | Chorale no. 2 in B minor | — | ||
| 21-6 | Chorale no. 3 in A minor | — | ||
| 22-1 | Belle of the Ball | BBC Concert Orchestra, Eastman-Rochester Pops Orchestra, Leonard Slatkin, Frederick Fennell | T-071.057.203-4 | |
| 22-2 | Horse and Buggy | Eastman-Rochester Pops Orchestra, Frederick Fennell | T-071.062.798-7 | |
| 22-3 | The Waltzing Cat | Eastman-Rochester Pops Orchestra, Frederick Fennell | T-071.192.430-9 | |
| 22-4 | Blue Tango | Eastman-Rochester Pops Orchestra, Frederick Fennell | T-071.057.271-6 | |
| 22-5 | Summer Skies | Eastman-Rochester Pops Orchestra, Frederick Fennell | T-071.070.506-8 | |
| 22-6 | Song of the Bells | Eastman-Rochester Pops Orchestra, Frederick Fennell | T-071.070.405-4 | |
| 22-7 | The Typewriter | Frederick Fennell, Eastman-Rochester Pops Orchestra | T-071.190.000-3 | |
| 22-8 | The Syncopated Clock | Eastman-Rochester Pops Orchestra, Frederick Fennell | T-071.070.561-5 | |
| 22-9 | The Girl in Satin | Eastman-Rochester Pops Orchestra, Frederick Fennell | T-071.061.976-3 | |
| 22-10 | China Doll | Eastman-Rochester Pops Orchestra, Frederick Fennell | T-071.058.401-2 | |
| 22-11 | Saraband | Eastman-Rochester Pops Orchestra, Frederick Fennell | T-916.594.018-1 | |
| 22-12 | Fiddle-Faddle | Eastman-Rochester Pops Orchestra, Frederick Fennell | T-071.061.099-3 | |
| 22-13 | Sleigh Ride | Eastman-Rochester Pops Orchestra, Frederick Fennell | T-071.070.336-8 | |
| 22-14 | Serenata | Eastman-Rochester Pops Orchestra, Frederick Fennell | T-071.070.261-6 | |
| 22-15 | Promenade | Orchestra, Frederick Fennell | T-071.068.536-1 | |
| 22-16 | Chicken Reel | Orchestra, Frederick Fennell | — | |
| 22-17 | Phantom Regiment | Orchestra, Frederick Fennell | T-071.068.469-7 | |
| 22-18 | Jazz Legato | Orchestra, Frederick Fennell | T-071.064.969-6 | |
| 22-19 | Jazz Pizzicato | Orchestra, Frederick Fennell | T-071.064.971-0 | |
| 22-20 | Plink Plank Plunk | Orchestra, Frederick Fennell | T-071.068.497-1 | |
| 22-21 | The Bluebells of Scotland | Orchestra, Frederick Fennell | T-910.257.734-4 | |
| 22-22 | The First Day of Spring | Orchestra, Frederick Fennell | T-071.061.112-3 | |
| 22-23 | Song of Jupiter | Orchestra, Frederick Fennell | — | |
| 23-1 | Lincolnshire Posy: I. Lisbon (Sailor's Song) | — | ||
| 23-2 | Lincolnshire Posy: II. Horkstow Grange (The Miser and his Man: a local Tragedy) | — | ||
| 23-3 | Lincolnshire Posy: III. Rufford Park Poachers (Poaching Song) | — | ||
| 23-4 | Lincolnshire Posy: IV. The brisk young Sailor (returned to wed his True Love) | — | ||
| 23-5 | Lincolnshire Posy: V. Lord Melbourne (War Song) | — | ||
| 23-6 | Lincolnshire Posy: VI. The Lost Lady found (Dance Song) | — | ||
| 23-7 | Hill Song no. 2 | — | ||
| 23-8 | Symphony for Band (Symphony no. 6): I. Adagio - Allegro | — | ||
| 23-9 | Symphony for Band (Symphony no. 6): II. Adagio sostenuto | — | ||
| 23-10 | Symphony for Band (Symphony no. 6): III. Allegretto | — | ||
| 23-11 | Symphony for Band (Symphony no. 6): IV. Vivace | — | ||
| 23-12 | Armenian Dances: I. Allegro moderato | — | ||
| 23-13 | Armenian Dances: II. Allegro | — | ||
| 23-14 | Concerto for 23 Winds: I. Andante - Allegro non troppo | — | ||
| 23-15 | Concerto for 23 Winds: II. Vivace | — | ||
| 23-16 | Concerto for 23 Winds: III. Lento | — | ||
| 23-17 | Concerto for 23 Winds: IV. Allegro molto | — | ||
| 23-18 | Three Japanese Dances: I. Dance with Pennons | — | ||
| 23-19 | Three Japanese Dances: II. Mourning Dance | — | ||
| 23-20 | Three Japanese Dances: III. Dance with Swords | — | ||
| 24-1 | West Point Symphony: I. Epitaphs | — | ||
| 24-2 | West Point Symphony: II. Marches | — | ||
| 24-3 | Symphony no. 3: I. Allegro energico | — | ||
| 24-4 | Symphony no. 3: II. Adagio | — | ||
| 24-5 | Symphony no. 3: III. Allegretto | — | ||
| 24-6 | Symphony no. 3: IV. Allegro con brio | — | ||
| 24-7 | Symphony no. 4, op. 165: I. Andante | — | ||
| 24-8 | Symphony no. 4, op. 165: II. Allegro | — | ||
| 24-9 | Symphony no. 4, op. 165: III. Andante espressivo | — | ||
| 25-1 | Country Gardens | — | ||
| 25-2 | Shepherd's Hey | — | ||
| 25-3 | Colonial Song | — | ||
| 25-4 | Children's March ("Over the Hills and Far away") | — | ||
| 25-5 | The Immovable Do | — | ||
| 25-6 | Mock Morris | — | ||
| 25-7 | Handel in the Strand | — | ||
| 25-8 | Danny Boy | — | ||
| 25-9 | Spoon River | — | ||
| 25-10 | My Robin is to the Greenwood Gone | — | ||
| 25-11 | Molly on the Shore | — | ||
| 25-12 | The Three Elizabeths: I. Halcyon Days | — | ||
| 25-13 | The Three Elizabeths: II. Springtime in Angus | — | ||
| 25-14 | The Three Elizabeths: III. Youth of Britain | — | ||
| 26-1 | Hands Across the Sea | — | ||
| 26-2 | Father of Victory | — | ||
| 26-3 | The Golden Ear | — | ||
| 26-4 | Old Comrades | — | ||
| 26-5 | March, Op. 99 | — | ||
| 26-6 | Valdres March | — | ||
| 26-7 | Inglesina | — | ||
| 26-8 | Knightsbridge March | — | ||
| 26-9 | The U.S. Field Artillery | — | ||
| 26-10 | The Thunderer | — | ||
| 26-11 | Washington Post | — | ||
| 26-12 | King Cotton | — | ||
| 26-13 | El Capitan | — | ||
| 26-14 | The Stars and Stripes Forever | — | ||
| 26-15 | American Patrol | — | ||
| 26-16 | On the Mall | — | ||
| 26-17 | Lights Out | — | ||
| 26-18 | Barnum and Bailey's Favorite | — | ||
| 26-19 | Colonel Bogey | — | ||
| 26-20 | The Billboard | — | ||
| 27-1 | London Suite: I. Covent Garden | — | ||
| 27-2 | London Suite: II. Westminster | — | ||
| 27-3 | London Suite: III. Knightsbridge | — | ||
| 27-4 | Four Ways Suite: I. Northwards | — | ||
| 27-5 | Four Ways Suite: III. Eastwards | — | ||
| 27-6 | Pirate Dance from "Goldilocks" | — | ||
| 27-7 | Suite of Carols (excerpts) | — | ||
| 27-8 | A Christmas Festival | — | ||
| 27-9 | Sandpaper Ballet | — | ||
| 27-10 | Forgotten Dreams | — | ||
| 27-11 | Trumpeter's Lullaby | — | ||
| 27-12 | Penny-Whistle Song | — | ||
| 27-13 | Bugler's Holiday | — | ||
| 27-14 | Irish Suite: I. The Irish Washerwoman | — | ||
| 27-15 | Irish Suite: II. The Minstrel Boy | — | ||
| 27-16 | Irish Suite: III. The Rakes of Mallow | — | ||
| 27-17 | Irish Suite: IV. The Wearing of the Green | — | ||
| 27-18 | Irish Suite: V. The Last Rose of Summer | — | ||
| 27-19 | Irish Suite: VI. The Girl I Left Behind | — | ||
| 28-1 | Marching Tunes: I. Yankee Doodle | — | ||
| 28-2 | Marching Tunes: II. Sergeant O'Leary | — | ||
| 28-3 | Marching Tunes: III. The Belle of the Mohawk Vale | — | ||
| 28-4 | Drum Solo: Fancy Six-Eight | — | ||
| 28-5 | The Camp Duty: I. Three Camps | — | ||
| 28-6 | The Camp Duty: II. The Slow Scotch | — | ||
| 28-7 | The Camp Duty: III. The Austrian | — | ||
| 28-8 | The Camp Duty: IV. Dawning of the Day | — | ||
| 28-9 | The Camp Duty: V. The Hessian | — | ||
| 28-10 | The Camp Duty: VI. Dusky Night | — | ||
| 28-11 | The Camp Duty: VII. The Prussian | — | ||
| 28-12 | The Camp Duty: VIII. The Dutch | — | ||
| 28-13 | The Camp Duty: IX. The Quick Scotch | — | ||
| 28-14 | The Camp Duty: X. End of Camp Duty | — | ||
| 28-15 | Marching Tunes; I. Garry Owen | — | ||
| 28-16 | Marching Tunes; II. Dixie | — | ||
| 28-17 | Marching Tunes; III. Sentry Box | — | ||
| 28-18 | Service Calls: I. The Breakfast Call | — | ||
| 28-19 | Service Calls: II. The Dinner Call | — | ||
| 28-20 | Traditional Fife and Drum Duet: I. Wrecker's Daughter Quickstep | — | ||
| 28-21 | Traditional Fife and Drum Duet: II. Hell on the Wabash | — | ||
| 28-22 | Traditional Fife and Drum Duet: III. Downfall of Paris | — | ||
| 28-23 | Drum Solo: Connecticut Half Time | — | ||
| 28-24 | Marching Tunes; I. Rally 'round the Flag | — | ||
| 28-25 | Marching Tunes; II. The White Cockade | — | ||
| 28-26 | Marching Tunes; III. Bonnie Blue Flag | — | ||
| 28-27 | Music for Rendering Honors: I. Flourish | — | ||
| 28-28 | Music for Rendering Honors: II. General's March | — | ||
| 28-29 | Music for Rendering Honors: III. To the Color | — | ||
| 28-30 | Music for Rendering Honors: IV. Funeral March | — | ||
| 28-31 | Marching Tunes and Inspection Pieces: I. Sound Off and General Dooley | — | ||
| 28-32 | Marching Tunes and Inspection Pieces: II. The Old Guard | — | ||
| 28-33 | Marching Tunes and Inspection Pieces: III. The American Flag | — | ||
| 28-34 | Marching Tunes and Inspection Pieces: IV. The Cavaliers | — | ||
| 28-35 | Marching Tunes and Inspection Pieces: V. Old Six-Eight | — | ||
| 28-36 | Marching Tunes and Inspection Pieces: VI. I've Got Three Years To Do This In | — | ||
| 28-37 | Marching Tunes and Inspection Pieces: VII. Hens and Chickens | — | ||
| 28-38 | Marching Tunes and Inspection Pieces: VIII. No Slum Today | — | ||
| 28-39 | Drum Solo: Carry On and Swinging Down the Street | — | ||
| 28-40 | Marching Tunes and Inspection Pieces: I. Sound Off and Holy Joe | — | ||
| 28-41 | Marching Tunes and Inspection Pieces: II. Soap Suds Row | — | ||
| 28-42 | Marching Tunes and Inspection Pieces: III. The Colonel's Daughter | — | ||
| 28-43 | Marching Tunes and Inspection Pieces: IV. The Prisoner | — | ||
| 28-44 | Marching Tunes and Inspection Pieces: V. Rip Van Winkle | — | ||
| 28-45 | Marching Tunes and Inspection Pieces: VI. The Garrison Belle | — | ||
| 28-46 | Marching Tunes and Inspection Pieces: VII. General Burt | — | ||
| 28-47 | Bugle Calls of the U.S. Army - excerpts: I. Flourish | — | ||
| 28-48 | Bugle Calls of the U.S. Army - excerpts: II. Assembly | — | ||
| 28-49 | Bugle Calls of the U.S. Army - excerpts: III. Adjutant's Call | — | ||
| 28-50 | Bugle Calls of the U.S. Army - excerpts: IV. Church Call | — | ||
| 28-51 | Bugle Calls of the U.S. Army - excerpts: V. Drill Call | — | ||
| 28-52 | Bugle Calls of the U.S. Army - excerpts: VI. General Call | — | ||
| 28-53 | Bugle Calls of the U.S. Army - excerpts: VII. Mail Call | — | ||
| 28-54 | Bugle Calls of the U.S. Army - excerpts: VIII. Mess Call | — | ||
| 28-55 | Bugle Calls of the U.S. Army - excerpts: IX. Retreat | — | ||
| 28-56 | Bugle Calls of the U.S. Army - excerpts: X. Call to Quarters | — | ||
| 28-57 | Bugle Calls of the U.S. Army - excerpts: XI. Reveille | — | ||
| 28-58 | Bugle Calls of the U.S. Army - excerpts: XII. Tattoo | — | ||
| 28-59 | Bugle Calls of the U.S. Army - excerpts: XIII. Taps | — | ||
| 28-60 | Marching Tunes and Inspection Pieces: I. Sound Off and You're in the Army Now | — | ||
| 28-61 | Marching Tunes and Inspection Pieces: II. Spanish Guardmount | — | ||
| 28-62 | Marching Tunes and Inspection Pieces: III. The Red Hussars | — | ||
| 28-63 | Marching Tunes and Inspection Pieces: IV. A-Hunting We Will Go | — | ||
| 28-64 | Marching Tunes and Inspection Pieces: V. Pay Day | — | ||
| 28-65 | Marching Tunes and Inspection Pieces: VI. Double Time | — | ||
| 28-66 | Marching Tunes and Inspection Pieces: VII. President's March | — | ||
| 29-1 | Serenade no. 10 in B-flat major, K. 361: I. Largo. Allegro molto | — | ||
| 29-2 | Serenade no. 10 in B-flat major, K. 361: II. Menuetto | — | ||
| 29-3 | Serenade no. 10 in B-flat major, K. 361: III. Adagio | — | ||
| 29-4 | Serenade no. 10 in B-flat major, K. 361: IV. Menuetto: Allegretto | — | ||
| 29-5 | Serenade no. 10 in B-flat major, K. 361: V. Romanze: Adagio | — | ||
| 29-6 | Serenade no. 10 in B-flat major, K. 361: VI. Tema con variazioni | — | ||
| 29-7 | Serenade no. 10 in B-flat major, K. 361: VII. Rondo | — | ||
| 29-8 | Serenade in E-flat major, op. 7 | — | ||
| 29-9 | Suite Française: I. Normandie | — | ||
| 29-10 | Suite Française: II. Bretagne | — | ||
| 29-11 | Suite Française: III. Ile-de-France | — | ||
| 29-12 | Suite Française: IV. Alsace-Lorraine | — | ||
| 29-13 | Suite Française: V. Provence | — | ||
| 30-1 | Suite no. 1 in E-flat, op. 28a: I. Chaconne | — | ||
| 30-2 | Suite no. 1 in E-flat, op. 28a: II. Intermezzo | — | ||
| 30-3 | Suite no. 1 in E-flat, op. 28a: III. March | — | ||
| 30-4 | Suite no. 2 in F, op. 28b: I. March | — | ||
| 30-5 | Suite no. 2 in F, op. 28b: II. Song without Words | — | ||
| 30-6 | Suite no. 2 in F, op. 28b: III. Song of the Blacksmith | — | ||
| 30-7 | Suite no. 2 in F, op. 28b: IV. Fantasia on the Dargason | — | ||
| 30-8 | Folk Song Suite: I. Seventeen Come Sunday | — | ||
| 30-9 | Folk Song Suite: II. Intermezzo: My Bonny Boy | — | ||
| 30-10 | Folk Song Suite: III. March: Folk Songs from Somerset | — | ||
| 30-11 | Toccata Marziale | — | ||
| 30-12 | Canzona | — | ||
| 30-13 | Psalm | — | ||
| 30-14 | La Fiesta Mexicana, Mexican Folk Song Symphony for Band: I. Prelude and Aztec Dance | — | ||
| 30-15 | La Fiesta Mexicana, Mexican Folk Song Symphony for Band: II. Mass | — | ||
| 30-16 | La Fiesta Mexicana, Mexican Folk Song Symphony for Band: III. Festival | — | ||
| 31-1 | Symphony no. 1 in E minor, op. 21 "Nordic": I. Andante solenne - Allegro con forza | — | ||
| 31-2 | Symphony no. 1 in E minor, op. 21 "Nordic": II. Andante teneramente, con semplicita | — | ||
| 31-3 | Symphony no. 1 in E minor, op. 21 "Nordic": III. Allegro con fuoco | — | ||
| 31-4 | Symphony no. 2, op. 30 "Romantic": I. Adagio; Allegro moderato | — | ||
| 31-5 | Symphony no. 2, op. 30 "Romantic": II. Andante con tenerezza | — | ||
| 31-6 | Symphony no. 2, op. 30 "Romantic": III. Allegro con brio | — | ||
| 31-7 | Song of Democracy | — | ||
| 32-1 | Spirituals: I. Proclamation | — | ||
| 32-2 | Spirituals: II. Sermon | — | ||
| 32-3 | Spirituals: III. A Little Bit of Sin | — | ||
| 32-4 | Spirituals: IV. Protest | — | ||
| 32-5 | Spirituals: V. Jubilee | — | ||
| 32-6 | Fall River Legend (Ballet Suite): I. Prologue and Waltzes | — | ||
| 32-7 | Fall River Legend (Ballet Suite): II. Elegy | — | ||
| 32-8 | Fall River Legend (Ballet Suite): III. Church Social | — | ||
| 32-9 | Fall River Legend (Ballet Suite): IV. Hymnal Variations | — | ||
| 32-10 | Fall River Legend (Ballet Suite): V. Cotillion | — | ||
| 32-11 | Fall River Legend (Ballet Suite): VI. Epilogue | — | ||
| 32-12 | Medea (Ballet Suite): I. Parodos | — | ||
| 32-13 | Medea (Ballet Suite): II. Choros. Medea and Jason | — | ||
| 32-14 | Medea (Ballet Suite): III. The Young Princess. Jason | — | ||
| 32-15 | Medea (Ballet Suite): IV. Choros | — | ||
| 32-16 | Medea (Ballet Suite): V. Medea | — | ||
| 32-17 | Medea (Ballet Suite): VI. Kantikos Agonias | — | ||
| 32-18 | Medea (Ballet Suite): VII. Exodos | — | ||
| 33-1 | Three Places in New England: I. The 'St. Gaudens' in Boston Common (Col. Shaw and his Colored Regiment) | — | ||
| 33-2 | Three Places in New England: II. Putnam's Camp, Redding, Connecticut | — | ||
| 33-3 | Three Places in New England: III. From 'The Housatonic at Stockbridge' by Robert Underwood Johnson | — | ||
| 33-4 | Symphony no. 3, "The Camp Meeting": I. Old Folks Gatherin' (Andante maestoso) | — | ||
| 33-5 | Symphony no. 3, "The Camp Meeting": II. Children's Day (Allegro moderato) | — | ||
| 33-6 | Symphony no. 3, "The Camp Meeting": III. Communion (Largo) | — | ||
| 33-7 | New England Triptych (Three pieces for Orchestra after William Billings): I. Be Glad Then, America | — | ||
| 33-8 | New England Triptych (Three pieces for Orchestra after William Billings): II. When Jesus Wept | — | ||
| 33-9 | New England Triptych (Three pieces for Orchestra after William Billings): III. Chester | — | ||
| 33-10 | Symphony no. 5: I. Con sdegno | — | ||
| 33-11 | Symphony no. 5: II. Canto | — | ||
| 33-12 | Symphony no. 5: III. Allegro tempetuoso | — | ||
| 34-1 | Symphony no. 3: I. Andante lamentando | — | ||
| 34-2 | Symphony no. 3: II. Andante tranquillo | — | ||
| 34-3 | Symphony no. 3: III. Tempo scherzando | — | ||
| 34-4 | Symphony no. 3: IV. Largamente e pesante | — | ||
| 34-5 | Elegy | — | ||
| 34-6 | The Lament for Beowulf | — | ||
| 35-1 | Capricorn Concerto, op. 21: I. Allegro ma non troppo | — | ||
| 35-2 | Capricorn Concerto, op. 21: II. Allegretto | — | ||
| 35-3 | Capricorn Concerto, op. 21: III. Allegro con brio | — | ||
| 35-4 | The Incredible Flutist: I. Introduction - Siesta in the Market Place | — | ||
| 35-5 | The Incredible Flutist: II. Entrance of the Vendors | — | ||
| 35-6 | The Incredible Flutist: III. Entrance of the Customers | — | ||
| 35-7 | The Incredible Flutist: IV. Tango of the Merchant's Daughters | — | ||
| 35-8 | The Incredible Flutist: V. Arrival of the Circus | — | ||
| 35-9 | The Incredible Flutist: VI. Circus March | — | ||
| 35-10 | The Incredible Flutist: VII. The Flutist | — | ||
| 35-11 | The Incredible Flutist: VIII. Minuet | — | ||
| 35-12 | The Incredible Flutist: IX. Spanish Waltz | — | ||
| 35-13 | The Incredible Flutist: X. (Eight o'clock strikes) | — | ||
| 35-14 | The Incredible Flutist: XI. Siciliano | — | ||
| 35-15 | The Incredible Flutist: XII. Polka Finale | — | ||
| 35-16 | Poem for Flute and Orchestra | — | ||
| 35-17 | Three Pieces for Orchestra: I. Promenade | — | ||
| 35-18 | Three Pieces for Orchestra: II. Nocturne | — | ||
| 35-19 | Three Pieces for Orchestra: III. Il Campo dei Fiori | — | ||
| 35-20 | Five Miniatures for Flute and Strings: I. Adventurous | — | ||
| 35-21 | Five Miniatures for Flute and Strings: II. Dolorous | — | ||
| 35-22 | Five Miniatures for Flute and Strings: III. Dextrous | — | ||
| 35-23 | Five Miniatures for Flute and Strings: IV. Languorous | — | ||
| 35-24 | Five Miniatures for Flute and Strings: V. Capricious | — | ||
| 35-25 | Gold and the Señor Commandante: I. Siesta | — | ||
| 35-26 | Gold and the Señor Commandante: II. Parade | — | ||
| 35-27 | Gold and the Señor Commandante: III. Elegant Dance | — | ||
| 35-28 | Gold and the Señor Commandante: IV. Furious Dance of the Bearded Russians | — | ||
| 35-29 | Gold and the Señor Commandante: V. Sinister Dance | — | ||
| 35-30 | Gold and the Señor Commandante: VI. Chinese Dance | — | ||
| 35-31 | Gold and the Señor Commandante: VII. Tender Dance | — | ||
| 35-32 | Gold and the Señor Commandante: VIII. Chase Music | — | ||
| 35-33 | Gold and the Señor Commandante: IX. Happy Dance | — | ||
| 36-1 | Tabuh-Tabuhan, Toccata for Orchestra: I. Ostinatos | — | ||
| 36-2 | Tabuh-Tabuhan, Toccata for Orchestra: II. Nocturne | — | ||
| 36-3 | Tabuh-Tabuhan, Toccata for Orchestra: III. Finale | — | ||
| 36-4 | The Black Maskers (Orchestral Suite): I. Dance: Stridente-sarcastico | — | ||
| 36-5 | The Black Maskers (Orchestral Suite): II. Scene: Agitato molto | — | ||
| 36-6 | The Black Maskers (Orchestral Suite): III. Dirge: Larghissimo | — | ||
| 36-7 | The Black Maskers (Orchestral Suite): IV. Finale: Andante moderato un poco agitato | — | ||
| 36-8 | Symphony on a Hymn Tune: I. Introduction and Allegro | — | ||
| 36-9 | Symphony on a Hymn Tune: II. Andante cantabile | — | ||
| 36-10 | Symphony on a Hymn Tune: III. Allegretto | — | ||
| 36-11 | Symphony on a Hymn Tune: IV. Allegro | — | ||
| 36-12 | The Feast of Love | — | ||
| 37-1 | Pageant of P.T. Barnum: I. Boyhood at Bethel | — | ||
| 37-2 | Pageant of P.T. Barnum: II. Joice Heth - 161 Year Old Negress | — | ||
| 37-3 | Pageant of P.T. Barnum: III. General and Mrs. Tom Thumb | — | ||
| 37-4 | Pageant of P.T. Barnum: IV. Jenny Lind | — | ||
| 37-5 | Pageant of P.T. Barnum: V. Circus Parade | — | ||
| 37-6 | Adventures in a Perambulator: I. En voiture! | — | ||
| 37-7 | Adventures in a Perambulator: II. The Policeman | — | ||
| 37-8 | Adventures in a Perambulator: III. The Hurdy-Gurdy | — | ||
| 37-9 | Adventures in a Perambulator: IV. The Lake | — | ||
| 37-10 | Adventures in a Perambulator: V. Dogs | — | ||
| 37-11 | Adventures in a Perambulator: VI. Dreams | — | ||
| 37-12 | Once Upon a Time (Five Fairy Tales): I. The Tinder-Box Soldier | — | ||
| 37-13 | Once Upon a Time (Five Fairy Tales): II. The Song of Rapunzel | — | ||
| 37-14 | Once Upon a Time (Five Fairy Tales): III. The Story of a Darning Needle | — | ||
| 37-15 | Once Upon a Time (Five Fairy Tales): IV. Dance of the Twelve Princesses | — | ||
| 37-16 | Once Upon a Time (Five Fairy Tales): V. The Ride of Koschei the Deathless | — | ||
| 37-17 | Selections from McGuffey's Reader: I. The One-Horse Shay | — | ||
| 37-18 | Selections from McGuffey's Reader: II. John Alden and Priscilla | — | ||
| 37-19 | Selections from McGuffey's Reader: III. Midnight Ride of Paul Revere | — | ||
| 38-1 | Symphonic Sketches: I. Jubilee | — | ||
| 38-2 | Symphonic Sketches: II. Noël | — | ||
| 38-3 | Symphonic Sketches: III. Hobgoblin | — | ||
| 38-4 | Symphonic Sketches: IV. A Vagrom Ballad | — | ||
| 38-5 | Suite for Large Orchestra, op. 42: I. In a haunted forest | — | ||
| 38-6 | Suite for Large Orchestra, op. 42: II. Summer Idyll | — | ||
| 38-7 | Suite for Large Orchestra, op. 42: III. In October | — | ||
| 38-8 | Suite for Large Orchestra, op. 42: IV. The Shepherdess' Song | — | ||
| 38-9 | Suite for Large Orchestra, op. 42: V. Forest Spirits | — | ||
| 38-10 | Sinfonia in G: I. Presto | — | ||
| 38-11 | Sinfonia in G: II. Polonaise | — | ||
| 38-12 | Sinfonia in G: III. Menuet (vivace) | — | ||
| 38-13 | Sinfonia in G: IV. Presto | — | ||
| 39-1 | Sarabande: For Katharine in April | — | ||
| 39-2 | Christ Looking Over Jerusalem | — | ||
| 39-3 | Adagio cantabile | — | ||
| 39-4 | Pavane | — | ||
| 39-5 | Autumn Landscape | — | ||
| 39-6 | Gymnopédie | — | ||
| 39-7 | Larghetto | — | ||
| 39-8 | And On the Seventh Day... | — | ||
| 39-9 | In Memoriam Abraham | — | ||
| 39-10 | Night Soliloquy for Flute and Strings | — | ||
| 39-11 | The Winter's Past | — | ||
| 39-12 | Night Song | — | ||
| 40-1 | Birds of Paradise, op. 34 | — | ||
| 40-2 | The Last Spring | — | ||
| 40-3 | The Enchanted Lake | — | ||
| 40-4 | Kikimora | — | ||
| 40-5 | Deux Rapsodies: I. L'étang | — | ||
| 40-6 | Deux Rapsodies: II. La cornemuse | — | ||
| 40-7 | Fantasy Variations on a Theme of Youth | — | ||
| 41-1 | Symphony no. 38 in D major, K. 504 "Prague": I. Adagio, Allegro | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 41-2 | Symphony no. 38 in D major, K. 504 "Prague": II. Andante | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 41-3 | Symphony no. 38 in D major, K. 504 "Prague": III. Presto | Chicago Symphony Orchestra, Rafael Kubelík | — | |
| 41-4 | Symphony no. 9 in E minor, op. 95 ("From the New World"): I. Adagio - Allegro molto | — | ||
| 41-5 | Symphony no. 9 in E minor, op. 95 ("From the New World"): II. Largo | — | ||
| 41-6 | Symphony no. 9 in E minor, op. 95 ("From the New World"): III. Scherzo. Molto vivace | — | ||
| 41-7 | Symphony no. 9 in E minor, op. 95 ("From the New World"): IV. Allegro con fuoco | — | ||
| 42-1 | Escales (Ports of Call): Rome - Palermo | — | ||
| 42-2 | Escales (Ports of Call): Tunis - Nefta | — | ||
| 42-3 | Escales (Ports of Call): Valencia | — | ||
| 42-4 | Rapsodie espagnole: I. Prélude à la nuit | — | ||
| 42-5 | Rapsodie espagnole: II. Malagueña | — | ||
| 42-6 | Rapsodie espagnole: III. Habanera | — | ||
| 42-7 | Rapsodie espagnole: IV. Feria | — | ||
| 42-8 | Alborada del gracioso | Detroit Symphony Orchestra, Paul Paray | T-304.229.137-8 | |
| 42-9 | Pavane pour une infante défunte | — | ||
| 42-10 | La Valse | — | ||
| 42-11 | Le Tombeau de Couperin: I. Prélude | — | ||
| 42-12 | Le Tombeau de Couperin: II. Forlane | — | ||
| 42-13 | Le Tombeau de Couperin: III. Menuet | — | ||
| 42-14 | Le Tombeau de Couperin: IV. Rigaudon | — | ||
| 43-1 | Overture to "Zampa" | — | ||
| 43-2 | Overture to "The Crown Diamonds" | — | ||
| 43-3 | Ballet Music from "Faust": Waltz | — | ||
| 43-4 | Ballet Music from "Faust": Ensemble (Adagio) | — | ||
| 43-5 | Ballet Music from "Faust": Dance of the Nubians | — | ||
| 43-6 | Ballet Music from "Faust": Cleopatra's Dance | — | ||
| 43-7 | Ballet Music from "Faust": Dance of the Trojan Maidens | — | ||
| 43-8 | Ballet Music from "Faust": Helen's Dance | — | ||
| 43-9 | Ballet Music from "Faust": Bacchanalia | — | ||
| 43-10 | Act II Waltz from "Faust" | — | ||
| 43-11 | Bacchanale from "Samson and Delilah" | — | ||
| 43-12 | Danse bohème from "Carmen" | — | ||
| 43-13 | Royal Hunt and Storm from "The Trojans" | — | ||
| 43-14 | Overture to "Phèdre" | — | ||
| 43-15 | Gavotte from "Mignon" | — | ||
| 44-1 | Symphony no. 3 in C minor, op. 78 ("Organ"): I. Adagio - Allegro moderato - | — | ||
| 44-2 | Symphony no. 3 in C minor, op. 78 ("Organ"): I. Poco adagio | — | ||
| 44-3 | Symphony no. 3 in C minor, op. 78 ("Organ"): II. Allegro moderato - | — | ||
| 44-4 | Symphony no. 3 in C minor, op. 78 ("Organ"): II. Maestoso - Allegro | — | ||
| 44-5 | Mass for the 500th Anniversary of the Death of Joan of Arc: I. Kyrie | — | ||
| 44-6 | Mass for the 500th Anniversary of the Death of Joan of Arc: II. Gloria | — | ||
| 44-7 | Mass for the 500th Anniversary of the Death of Joan of Arc: III. Sanctus - Benedictus | — | ||
| 44-8 | Mass for the 500th Anniversary of the Death of Joan of Arc: IV. Agnus Dei | — | ||
| 44-9 | Paul Paray: Post-sesstion thanks to the performers | — | ||
| 45-1 | España | — | ||
| 45-2 | Suite pastorale: I. Idylle | — | ||
| 45-3 | Suite pastorale: II. Danse villageoise | — | ||
| 45-4 | Suite pastorale: III. Sous-bois | — | ||
| 45-5 | Suite pastorale: IV. Scherzo-Valse | — | ||
| 45-6 | Fête polonaise from "Le roi malgré lui" | — | ||
| 45-7 | Overture to "Gwendoline" | — | ||
| 45-8 | Danse slave from "Le roi malgré lui" | — | ||
| 45-9 | Joyeuse marche | — | ||
| 45-10 | Bourrée fantasque | — | ||
| 45-11 | Suite in F, op. 33: I. Prelude | — | ||
| 45-12 | Suite in F, op. 33: II. Sarabande | — | ||
| 45-13 | Suite in F, op. 33: III. Gigue | — | ||
| 46-1 | Daphnis et Chloé, Suite no. 2: I. Lever du jour | — | ||
| 46-2 | Daphnis et Chloé, Suite no. 2: II. Pantomime | — | ||
| 46-3 | Daphnis et Chloé, Suite no. 2: III. Danse générale | — | ||
| 46-4 | Valses nobles et sentimentales: I. Modéré | — | ||
| 46-5 | Valses nobles et sentimentales: II. Assez lent | — | ||
| 46-6 | Valses nobles et sentimentales: III. Modéré | — | ||
| 46-7 | Valses nobles et sentimentales: IV. Assez animé | — | ||
| 46-8 | Valses nobles et sentimentales: V. Presque lent | — | ||
| 46-9 | Valses nobles et sentimentales: VI. Assez vif | — | ||
| 46-10 | Valses nobles et sentimentales: VII. Moins vif | — | ||
| 46-11 | Valses nobles et sentimentales: VIII. Épilogue: Lent | — | ||
| 46-12 | Boléro | — | ||
| 46-13 | Nocturnes for Orchestra: I. Nuages | — | ||
| 46-14 | Nocturnes for Orchestra: II. Fêtes | — | ||
| 46-15 | Nocturnes for Orchestra: III. Sirènes | — | ||
| 46-16 | Petite Suite: I. En Bateau | — | ||
| 46-17 | Petite Suite: II. Cortège | — | ||
| 46-18 | Petite Suite: III. Menuet | — | ||
| 46-19 | Petite Suite: IV. Ballet | — | ||
| 47-1 | La Patrie Overture | — | ||
| 47-2 | Carmen Suite: I. Prélude | — | ||
| 47-3 | Carmen Suite: II. La garde montante | — | ||
| 47-4 | Carmen Suite: III. Les dragons d’Alcala | — | ||
| 47-5 | Carmen Suite: IV. Intermezzo | — | ||
| 47-6 | Carmen Suite: V. Aragonaise | — | ||
| 47-7 | Carmen Suite: VI. Les toréadors | — | ||
| 47-8 | L'Arlésienne Suite No. 1: I. Prélude | — | ||
| 47-9 | L'Arlésienne Suite No. 1: II. Minuetto | — | ||
| 47-10 | L'Arlésienne Suite No. 1: III. Adagietto | — | ||
| 47-11 | L'Arlésienne Suite No. 1: IV. Carillon | — | ||
| 47-12 | L'Arlésienne Suite No. 2: I. Pastorale | — | ||
| 47-13 | L'Arlésienne Suite No. 2: II. Intermezzo | — | ||
| 47-14 | L'Arlésienne Suite No. 2: III. Menuet | — | ||
| 47-15 | L'Arlésienne Suite No. 2: IV. Farandole | — | ||
| 47-16 | Mignon Overture | — | ||
| 47-17 | Raymond Overture | — | ||
| 48-1 | Mephisto Waltz | — | ||
| 48-2 | Invitation to the Dance, op. 65 | — | ||
| 48-3 | Danse macabre, op. 40 | — | ||
| 48-4 | Dance of the Seven Veils from Salome | — | ||
| 48-5 | La tragédie de Salomé, op. 50 | — | ||
| 49-1 | Ibéria (Images for Orchestra, no. 2): I. In the Streets and Byways | Detroit Symphony Orchestra, Paul Paray | — | |
| 49-2 | Ibéria (Images for Orchestra, no. 2): II. Fragrance of the Night | Detroit Symphony Orchestra, Paul Paray | — | |
| 49-3 | Ibéria (Images for Orchestra, no. 2): III. Morning of a Festival Day | Detroit Symphony Orchestra, Paul Paray | — | |
| 49-4 | Prélude à l'après-midi d'un faune | Detroit Symphony Orchestra, Paul Paray | — | |
| 49-5 | La mer: I. From Dawn till Noon on the Sea | Detroit Symphony Orchestra, Paul Paray | — | |
| 49-6 | La mer: II. Play of the Waves | Detroit Symphony Orchestra, Paul Paray | — | |
| 49-7 | La mer: III. Dialogue of the Wind and the Sea | Detroit Symphony Orchestra, Paul Paray | — | |
| 49-8 | Ma mère l'Oye: I. Pavane of the Sleeping Beauty | Detroit Symphony Orchestra, Paul Paray | — | |
| 49-9 | Ma mère l'Oye: II. Hop-o'-my-Thumb | Detroit Symphony Orchestra, Paul Paray | — | |
| 49-10 | Ma mère l'Oye: III. Laideronette, Empress of the Pagodas | Detroit Symphony Orchestra, Paul Paray | — | |
| 49-11 | Ma mère l'Oye: IV. The Conversations of Beauty and the Beast | Detroit Symphony Orchestra, Paul Paray | — | |
| 49-12 | Ma mère l'Oye: V. The Fairy Garden | Detroit Symphony Orchestra, Paul Paray | — | |
| 50-1 | My Lady Carey's Dompe | — | ||
| 50-2 | Les Buffons | — | ||
| 50-3 | The Primerose | — | ||
| 50-4 | La Volta | — | ||
| 50-5 | The Fall of the Leafe | — | ||
| 50-6 | Pavana Dolorosa | — | ||
| 50-7 | Galiarda Dolorosa | — | ||
| 50-8 | The King's Hunt | — | ||
| 50-9 | Branle gay | — | ||
| 50-10 | Tombeau de M. de Blancrocher | — | ||
| 50-11 | Branle de Montirandé | — | ||
| 50-12 | Concerto in D minor: I. Allegro | — | ||
| 50-13 | Concerto in D minor: II. Andante | — | ||
| 50-14 | Concerto in D minor: III. Presto | — | ||
| 50-15 | Sonata for Harpsichord in A major | — | ||
| 50-16 | Sonata in D major | — | ||
| 50-17 | Pavane in F-sharp minor | — | ||
| 50-18 | Le moutier | — | ||
| 50-19 | Gavotte et Doubles | — | ||
| 50-20 | Passepied | — | ||
| 50-21 | La pantomime | — | ||
| 51-1 | Overture in the French Manner (Partita in B minor): I. Overture: Grave- Vivace - Grave | — | ||
| 51-2 | Overture in the French Manner (Partita in B minor): II. Courante | — | ||
| 51-3 | Overture in the French Manner (Partita in B minor): III. Gavottes I and II | — | ||
| 51-4 | Overture in the French Manner (Partita in B minor): IV. Passepieds I and II | — | ||
| 51-5 | Overture in the French Manner (Partita in B minor): V. Sarabande | — | ||
| 51-6 | Overture in the French Manner (Partita in B minor): VI. Bourrees I and II | — | ||
| 51-7 | Overture in the French Manner (Partita in B minor): VII. Gigue | — | ||
| 51-8 | Overture in the French Manner (Partita in B minor): VIII. Echo | — | ||
| 51-9 | Fantasia in C minor | — | ||
| 51-10 | Concerto in G major (after an unknown master) | — | ||
| 51-11 | Toccata in F-sharp minor | — | ||
| 51-12 | Duet in A major for Two Performers on One Harpsichord, op.18 no. 5: I. Allegretto | — | ||
| 51-13 | Duet in A major for Two Performers on One Harpsichord, op.18 no. 5: II. Tempo di Menuetto | — | ||
| 51-14 | Concerto a Duoi Cembali Concertati: I. Allegro moderato | — | ||
| 51-15 | Concerto a Duoi Cembali Concertati: II. Andante | — | ||
| 51-16 | Concerto a Duoi Cembali Concertati: III. Presto | — | ||
| 52-1 | Balli d'Arpicordo (Dances for Harpsichord): I. Pass'e mezzo antico di sei parti | — | ||
| 52-2 | Balli d'Arpicordo (Dances for Harpsichord): II. Saltarello del ditto pass'e mezzo | — | ||
| 52-3 | Balli d'Arpicordo (Dances for Harpsichord): III. Padoana ditta la Ongara - l'Ongara a un'altro modo | — | ||
| 52-4 | Balli d'Arpicordo (Dances for Harpsichord): IV. Ballo ditto il Picchi | — | ||
| 52-5 | Balli d'Arpicordo (Dances for Harpsichord): V. Todesca - Balletto | — | ||
| 52-6 | Balli d'Arpicordo (Dances for Harpsichord): VI. Ballo Ongaro - il suo Balletto | — | ||
| 52-7 | Balli d'Arpicordo (Dances for Harpsichord): VII. Ballo detto il Steffanin | — | ||
| 52-8 | Balli d'Arpicordo (Dances for Harpsichord): VIII. Ballo alla Polacha - il suo saltarello | — | ||
| 52-9 | Aria detta la Frescobalda | — | ||
| 52-10 | Corrente in F major | — | ||
| 52-11 | Five Galliards | — | ||
| 52-12 | 12 Partita sopra l'Aria di Ruggiero | — | ||
| 52-13 | Bourée alla Polacca | — | ||
| 52-14 | Les Folies d'Espagne | — | ||
| 52-15 | Sonata in F major, K. 541 | — | ||
| 52-16 | Sonata in A minor, K. 175 | — | ||
| 52-17 | Sonata in E major, K. 381 | — | ||
| 52-18 | Passacaglia in D minor | — | ||
| 53-1 | Sonata in G minor, op. 65: I. Allegro moderato | György Sebök, János Starker | — | |
| 53-2 | Sonata in G minor, op. 65: II. Scherzo: Allegro con brio | György Sebök, János Starker | — | |
| 53-3 | Sonata in G minor, op. 65: III. Largo | György Sebök, János Starker | T-921.564.632-5 | |
| 53-4 | Sonata in G minor, op. 65: IV: Finale: Allegro | György Sebök, János Starker | T-318.676.528-2 | |
| 53-5 | Variations Concertantes, op. 17 | — | ||
| 53-6 | Variations on a Theme of Rossini | — | ||
| 53-7 | Polonaise Brillante, op. 3 | — | ||
| 53-8 | Sonata no. 1 in D minor: I Prologue | — | ||
| 53-9 | Sonata no. 1 in D minor: II. Serenade et Finale | — | ||
| 53-10 | Sonata no. 1 in D minor: III. Finale | — | ||
| 53-11 | First Rhapsody | — | ||
| 53-12 | Hungarian Wedding Dance | — | ||
| 54-1 | The Rite of Spring: Part I: The Adoration of the Earth: Introduction | — | ||
| 54-2 | The Rite of Spring: Part I: The Adoration of the Earth: Augurs of Spring - Dances of the Young Girls | — | ||
| 54-3 | The Rite of Spring: Part I: The Adoration of the Earth: Ritual of Abduction | — | ||
| 54-4 | The Rite of Spring: Part I: The Adoration of the Earth: Spring Rounds | — | ||
| 54-5 | The Rite of Spring: Part I: The Adoration of the Earth: Ritual of the Rival Tribes | — | ||
| 54-6 | The Rite of Spring: Part I: The Adoration of the Earth: Procession of the Sage | — | ||
| 54-7 | The Rite of Spring: Part I: The Adoration of the Earth: The Sage | — | ||
| 54-8 | The Rite of Spring: Part I: The Adoration of the Earth: Dance of the Earth | — | ||
| 54-9 | The Rite of Spring: Part II: The Sacrifice: Introduction | — | ||
| 54-10 | The Rite of Spring: Part II: The Sacrifice: Mystic Circles of the Young Girls | — | ||
| 54-11 | The Rite of Spring: Part II: The Sacrifice: Glorification of the Chosen One | — | ||
| 54-12 | The Rite of Spring: Part II: The Sacrifice: Evocation of the Ancestors | — | ||
| 54-13 | The Rite of Spring: Part II: The Sacrifice: Ritual Action of the Ancestors | — | ||
| 54-14 | The Rite of Spring: Part II: The Sacrifice: Sacrificial Dance: The Chosen One | — | ||
| 55-1 | Interview with John Corigliano and Hilde Somer by Paul Hume | — | ||
| 55-2 | Concerto for Piano and Orchestra: I. Molto Allegro | — | ||
| 55-3 | Concerto for Piano and Orchestra: II. Scherzo | — | ||
| 55-4 | Concerto for Piano and Orchestra: III. Andante appassionato - IV. Allegro | — | ||
| 55-5 | Parergon to the Sinfonia Domestica, op. 73 | — |
Five Pieces for Orchestra: I. Vorgefuhle
London Symphony Orchestra, Antal Doráti
—
Five Pieces for Orchestra: II. Vergangenes
London Symphony Orchestra, Antal Doráti
—
Five Pieces for Orchestra: III. Sommermorgen an einem See
London Symphony Orchestra, Antal Doráti
—
Five Pieces for Orchestra: IV. Peripetie
London Symphony Orchestra, Antal Doráti
—
Five Pieces for Orchestra: V. Das obligate Rezitativ
London Symphony Orchestra, Antal Doráti
—
Five Pieces for Orchestra, Op. 10
London Symphony Orchestra, Antal Doráti
—
Three Pieces for Orchestra: I. Praeludium
London Symphony Orchestra, Antal Doráti
—
Three Pieces for Orchestra: II. Reigen
London Symphony Orchestra, Antal Doráti
—
Three Pieces for Orchestra: III. Marsch
London Symphony Orchestra, Antal Doráti
—
"Lulu" Suite: I. Rondo
London Symphony Orchestra, Antal Doráti
—
"Lulu" Suite: II. Ostinato
London Symphony Orchestra, Antal Doráti
—
"Lulu" Suite: III. Lulu's Song
Helga Pilarczyk, London Symphony Orchestra, Antal Doráti
—
"Lulu" Suite: IV. Variations
London Symphony Orchestra, Antal Doráti
—
"Lulu" Suite: V. Adagio
Helga Pilarczyk, London Symphony Orchestra, Antal Doráti
—
The Birds: 2. The Dove
London Symphony Orchestra, Antal Doráti
—
The Birds: 3. The Hen
London Symphony Orchestra, Antal Doráti
—
The Birds: 4. The Nightingale
London Symphony Orchestra, Antal Doráti
—
The Birds: 5. The Cuckoo
London Symphony Orchestra, Antal Doráti
—
Brazillian Impressions: 1. Tropical Night
London Symphony Orchestra, Antal Doráti
—
Brazillian Impressions: 2. Butantan
London Symphony Orchestra, Antal Doráti
—
Brazillian Impressions: 3. Song and Dance
London Symphony Orchestra, Antal Doráti
—
The Fountains of Rome: I. The Fountain of Valle Giulia
—
The Fountains of Rome: II. The Triton Fountain
—
The Fountains of Rome: III. The Fountain of Trevi
—
The Fountains of Rome: IV. The Villa Medici Fountain
—
The Pines of Rome: I. The Pines of Villa Borghese
—
The Pines of Rome: II. The Pines near a Catacomb
—
The Pines of Rome: III. The Pines of the Janiculum
—
The Pines of Rome: IV. The Pines of the Appian Way
—
Concerto for Orchestra: 1. Introduzione (Andante non troppo – Allegro vivace)
London Symphony Orchestra, Antal Doráti
—
Concerto for Orchestra: 2. Giuoco delle coppie (Allegretto scherzando)
London Symphony Orchestra, Antal Doráti
—
Concerto for Orchestra: 3. Elegia (Andante non troppo)
London Symphony Orchestra, Antal Doráti
—
Concerto for Orchestra: 4. Intermezzo interrotto (Allegretto)
London Symphony Orchestra, Antal Doráti
—
Concerto for Orchestra: 5. Finale (Presto)
London Symphony Orchestra, Antal Doráti
—
Dance Suite: I. Moderato
—
Dance Suite: II. Allegro molto
—
Dance Suite: III. Allegro vivace
—
Dance Suite: IV. Molto tranquillo
—
Dance Suite: V. Comodo - VI. Finale (Allegro)
—
Two Portraits, op. 5: I. "Ideal"
—
Two Portraits, op. 5: II. "Distorted"
—
Mikrokosmos: I. Bourrée (No. 117, Book IV)
—
Mikrokosmos: II. From the Diary of a Fly (No. 142, Book VI)
—
Antiche danze ed arie, Suite no. 1 for orchestra: I. Balletto detto « Il Conte Orlando »
—
Antiche danze ed arie, Suite no. 1 for orchestra: II. Gagliarda
—
Antiche danze ed arie, Suite no. 1 for orchestra: III. Villanella
—
Antiche danze ed arie, Suite no. 1 for orchestra: IV. Finale: Passo mezzo e Mascherada
—
Antiche danze ed arie, Suite no. 2 for orchestra: I. « Laura soave » - Balletto con gagliarda, saltarello e canario
—
Antiche danze ed arie, Suite no. 2 for orchestra: II. Danza rustica
—
Antiche danze ed arie, Suite no. 2 for orchestra: III. « Campanae parisienses » - Aria (« sopra Les cloches de Paris »)
—
Antiche danze ed arie, Suite no. 2 for orchestra: IV. Bergamasca
—
Antiche danze ed arie, Suite no. 3 for strings: I. Italiana
—
Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (a) « C'est malheur que de vous aymer » - Andante cantabile
—
Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (b) « Adieu bergere pour iamais » - Allegretto
—
Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (c) « Beaux yeux qui me voyes clairement » - Vivace
—
Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (d) « La voila la nacelle d'amour ou ma maitresse arrive » - Lento con grande espressione
—
Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (e) « Quelle divinité s'imprime dans mon ame » - Allegro vivace
—
Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (f) « Si c'est pour mon pucellage que vous me faites l'amour » - Vivacissimo
—
Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (g) Andante cantabile
—
Antiche danze ed arie, Suite no. 3 for strings: III. Siciliana
—
Antiche danze ed arie, Suite no. 3 for strings: IV. Passacaglia
—
Symphony no. 7 in D minor, op. 70: I. Allegro maestoso
London Symphony Orchestra, Antal Doráti
—
Symphony no. 7 in D minor, op. 70: II. Poco Adagio
London Symphony Orchestra, Antal Doráti
—
Symphony no. 7 in D minor, op. 70: III. Scherzo. Vivace - Poco meno moso
London Symphony Orchestra, Antal Doráti
—
Symphony no. 7 in D minor, op. 70: IV. Allegro
London Symphony Orchestra, Antal Doráti
—
Symphony no. 8 in G major, op. 88: I. Allegro con brio
London Symphony Orchestra, Antal Doráti
—
Symphony no. 8 in G major, op. 88: II. Adagio
London Symphony Orchestra, Antal Doráti
—
Symphony no. 8 in G major, op. 88: III. Allegretto grazioso
London Symphony Orchestra, Antal Doráti
—
Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo
London Symphony Orchestra, Antal Doráti
—
An American in Paris
—
Rodeo, Four Dance Episodes: I. Buckaroo Holiday
—
Rodeo, Four Dance Episodes: II. Corral Nocturne
—
Rodeo, Four Dance Episodes: III. Saturday Night Waltz
—
Rodeo, Four Dance Episodes: IV. Hoe-Down
—
Seven Studies on Themes of Paul Klee: I. Antique Harmonies
—
Seven Studies on Themes of Paul Klee: II. Abstract Trio
—
Seven Studies on Themes of Paul Klee: III. Little Blue Devil
—
Seven Studies on Themes of Paul Klee: IV. The Twittering-machine
—
Seven Studies on Themes of Paul Klee: V. Arab Village
—
Seven Studies on Themes of Paul Klee: VI. An Eerie Moment
—
Seven Studies on Themes of Paul Klee: VII. Pastorale
—
Sinfonia Breve: I. Moderato
—
Sinfonia Breve: II. Andante
—
Sinfonia Breve: III. Allegro molto
—
Sinfonia Breve: IV. Allegro deciso
—
Parade
—
Le Bœuf sur le toit
—
Concerinoto for Piano and Orchestra: I. Presto leggiero
—
Concerinoto for Piano and Orchestra: II. Lent
—
Concerinoto for Piano and Orchestra: III. Allgretto: Rondeau
—
Contrasts for Orchestra: I. Allegro con forza
—
Contrasts for Orchestra: II. Adagio
—
Contrasts for Orchestra: III. Scherzo: Allegro ma non troppo
—
Contrasts for Orchestra: IV. Allegro marciale - Presto
—
Symphony no. 6 in B minor (“Pathétique”): 1. Adagio – Allegro non troppo
London Symphony Orchestra, Antal Doráti
—
Symphony no. 6 in B minor (“Pathétique”): 2. Allegro con grazia
London Symphony Orchestra, Antal Doráti
—
Symphony no. 6 in B minor (“Pathétique”): 3. Allegro molto vivace
London Symphony Orchestra, Antal Doráti
—
Symphony no. 6 in B minor (“Pathétique”): 4. Adagio lamentoso – Andante
London Symphony Orchestra, Antal Doráti
—
London Symphony Orchestra, Antal Doráti
The Wooden Prince: Introduction: Molto moderato
London Symphony Orchestra, Antal Doráti
—
The Wooden Prince: First Dance: Dance of the Princess in the Forest: Molto moderato
London Symphony Orchestra, Antal Doráti
—
The Wooden Prince: Second Dance: Dance of the Trees: Assai moderato
London Symphony Orchestra, Antal Doráti
—
The Wooden Prince: Third Dance: Dance of the Waves: Andante
London Symphony Orchestra, Antal Doráti
—
The Wooden Prince: Fourth Dance: Dance of the Princess with the Wooden Doll: Allegro
London Symphony Orchestra, Antal Doráti
—
The Wooden Prince: Fifth Dance: The Princess Pulls and Tugs at the Wooden Prince and Tries to Make Him Dance: Meno mosso (subito)
London Symphony Orchestra, Antal Doráti
—
The Wooden Prince: Sixth Dance: She Tries to Attract the Real Prince With Her Seductive Dancing
London Symphony Orchestra, Antal Doráti
—
The Wooden Prince: Seventh Dance: Dismayed, the Princess Attempts to Hurry After the Prince, but the Forest Bars Her Way: Moderato
London Symphony Orchestra, Antal Doráti
—
Music for Strings, Percussion and Celesta: 1. Andante tranquillo
London Symphony Orchestra, Antal Doráti
—
Music for Strings, Percussion and Celesta: 2. Allegro
London Symphony Orchestra, Antal Doráti
—
Music for Strings, Percussion and Celesta: 3. Adagio
London Symphony Orchestra, Antal Doráti
—
Music for Strings, Percussion and Celesta: 4. Allegro molto
London Symphony Orchestra, Antal Doráti
—
The Miraculous Mandarin: Allegro (Introduction)
BBC Symphony Orchestra, Antal Doráti
—
The Miraculous Mandarin: The curtain rises on a shabby room in the slums...
BBC Symphony Orchestra, Antal Doráti
—
The Miraculous Mandarin: First decoy game
BBC Symphony Orchestra, Antal Doráti
—
The Miraculous Mandarin: The shabby old rake enters...
BBC Symphony Orchestra, Antal Doráti
—
The Miraculous Mandarin: Second decoy game
BBC Symphony Orchestra, Antal Doráti
—
The Miraculous Mandarin: The shy young man appears in the door...
BBC Symphony Orchestra, Antal Doráti
—
The Miraculous Mandarin: Third decoy game
BBC Symphony Orchestra, Antal Doráti
—
The Miraculous Mandarin: Horrified, they see a weird figure in the street...
BBC Symphony Orchestra, Antal Doráti
—
The Miraculous Mandarin: The Mandarin enters and stands immobilein the doorway...
BBC Symphony Orchestra, Antal Doráti
—
The Miraculous Mandarin: General consternation...
BBC Symphony Orchestra, Antal Doráti
—
The Miraculous Mandarin: At last she overcomes her reluctance...
BBC Symphony Orchestra, Antal Doráti
—
The Miraculous Mandarin: The girl sinks down to embrace him...
BBC Symphony Orchestra, Antal Doráti
—
The Miraculous Mandarin: She flees from him...
BBC Symphony Orchestra, Antal Doráti
—
The Miraculous Mandarin: The Mandarin catches the girl, and they fight
BBC Symphony Orchestra, Antal Doráti
—
The Miraculous Mandarin: The tramps leap out...
BBC Symphony Orchestra, Antal Doráti
—
The Miraculous Mandarin: "We must kill him..."
BBC Symphony Orchestra, Antal Doráti
—
The Miraculous Mandarin: They think he is dead...
BBC Symphony Orchestra, Antal Doráti
—
The Miraculous Mandarin: At last the three tramps master their horror...
BBC Symphony Orchestra, Antal Doráti
—
The Miraculous Mandarin: Suddenly he draws himself up...
BBC Symphony Orchestra, Antal Doráti
—
The Miraculous Mandarin: They drag the resisting Mandarin to the center of the room...
BBC Symphony Orchestra, Antal Doráti
—
The Miraculous Mandarin: The body of the Mandarin begins to glow with a greenish blue light...
BBC Symphony Chorus, BBC Symphony Orchestra, Antal Doráti
—
The Miraculous Mandarin: At her insistence, the tramps take himdown...
BBC Symphony Orchestra, Antal Doráti
—
The Miraculous Mandarin: The Mandarin's longing is now stilled...
BBC Symphony Orchestra, Antal Doráti
—
Divertimento: I. Allegro non troppo
BBC Symphony Orchestra, Antal Doráti
—
Divertimento: II. Molto adagio
BBC Symphony Orchestra, Antal Doráti
—
Divertimento: III. Allegro assai
BBC Symphony Orchestra, Antal Doráti
—
Sonata for Two Pianos and Percussion: 1. Assai lento
Géza Frid, Luctor Ponse, Members of the London Symphony Orchestra, Antal Doráti
—
Sonata for Two Pianos and Percussion: 2. Lento, ma non troppo
Géza Frid, Luctor Ponse, Members of the London Symphony Orchestra, Antal Doráti
—
Sonata for Two Pianos and Percussion: 3. Allegro non troppo
Géza Frid, Luctor Ponse, Members of the London Symphony Orchestra, Antal Doráti
—
Symphony no. 4 in F minor, op. 36: 1. Andante sostenuto – Moderato con anima
London Symphony Orchestra, Antal Doráti
—
Symphony no. 4 in F minor, op. 36: 2. Andantino in modo di canzona
London Symphony Orchestra, Antal Doráti
—
Symphony no. 4 in F minor, op. 36: 3. Scherzo: Allegro
London Symphony Orchestra, Antal Doráti
—
Symphony no. 4 in F minor, op. 36: 4. Finale: Allegro con fuoco
London Symphony Orchestra, Antal Doráti
—
Francesca da Rimini, symphonic fantasy, op. 32
—
Prince Igor: Overture
London Symphony Orchestra, Antal Doráti
—
Symphony no. 5 in C minor, op. 67: 1. Allegro con brio
London Symphony Orchestra, Antal Doráti
—
Symphony no. 5 in C minor, op. 67: 2. Andante con moto
London Symphony Orchestra, Antal Doráti
—
Symphony no. 5 in C minor, op. 67: 3. Allegro
London Symphony Orchestra, Antal Doráti
—
Symphony no. 5 in C minor, op. 67: 4. Allegro
London Symphony Orchestra, Antal Doráti
—
Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country"
London Symphony Orchestra, Antal Doráti
—
Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook"
London Symphony Orchestra, Antal Doráti
—
Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro "Happy gathering of country folk"
London Symphony Orchestra, Antal Doráti
—
Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Allegro "Thunderstorm"
London Symphony Orchestra, Antal Doráti
—
Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto "Shepherds' song: Cheerful and thankful feelings after the storm"
London Symphony Orchestra, Antal Doráti
—
The Creatures of Prometheus, Op. 43: Overture
London Symphony Orchestra, Antal Doráti
—
Iberia, Suite: I. Evocación
—
Iberia, Suite: II. El Corpus en Sevilla
—
Iberia, Suite: III. Triana
—
Iberia, Suite: IV. El Puerto
—
Iberia, Suite: V. El Albaicin
—
Interlude and Dance no. 1, from La Vida Breve
—
Two Excerpts from "Khovanshchina": Prelude
—
Two Excerpts from "Khovanshchina": Dance of the Persian Slaves
—
Excerpt from "The Bartered Bride": Overture
—
Excerpt from "The Bartered Bride": Polka
—
Excerpt from "The Bartered Bride": Furiant
—
Excerpt from "The Bartered Bride": Dance of the Comedians
—
Symphonic Metamorphoses on Themes by Carl Maria von Weber: I. Allegro
—
Symphonic Metamorphoses on Themes by Carl Maria von Weber: II. Turandot, Scherzo
—
Symphonic Metamorphoses on Themes by Carl Maria von Weber: III. Andantino
—
Symphonic Metamorphoses on Themes by Carl Maria von Weber: IV. Marsch
—
5 Pieces for Orchestra, op. 16: No. 1. Premonitions
Chicago Symphony Orchestra, Rafael Kubelík
—
5 Pieces for Orchestra, op. 16: No. 2. Yesteryears
Chicago Symphony Orchestra, Rafael Kubelík
—
5 Pieces for Orchestra, op. 16: No. 3. Summer Morning by a Lake
Chicago Symphony Orchestra, Rafael Kubelík
—
5 Pieces for Orchestra, op. 16: No. 4. Peripetia
Chicago Symphony Orchestra, Rafael Kubelík
—
5 Pieces for Orchestra, op. 16: No. 5. The Obligatory Recitative
Chicago Symphony Orchestra, Rafael Kubelík
—
Variations on a Hungarian Folksong, "The Peacock"
—
Suite from "The Miraculous Mandarin"
—
Symphony no. 7 in A major, op. 92: I. Poco sostenuto. Vivace
London Symphony Orchestra, Antal Doráti
—
London Symphony Orchestra, Antal Doráti
London Symphony Orchestra, Antal Doráti
Symphony no. 7 in A major, op. 92: IV 4. Allegro con brio
London Symphony Orchestra, Antal Doráti
—
Leonore Overture no. 3, op. 72b
London Symphony Orchestra, Antal Doráti
—
Egmont Overture, op. 84
London Symphony Orchestra, Antal Doráti
—
Consecration of the House Overture, op. 124
London Symphony Orchestra, Antal Doráti
—
Swan Lake, op. 20: Overture
—
Swan Lake, op. 20: Act I, no. 1. Scene
—
Swan Lake, op. 20: Act I, no. 2. Waltz
—
Swan Lake, op. 20: Act I, no. 3. Scene
—
Swan Lake, op. 20: Act I, no. 4. Pas de trois: I. Intrada
—
Swan Lake, op. 20: Act I, no. 4. Pas de trois: II. Andante sostenuto
—
Swan Lake, op. 20: Act I, no. 4. Pas de trois: III. Allegro simplice
—
Swan Lake, op. 20: Act I, no. 4. Pas de trois: IV. Moderato
—
Swan Lake, op. 20: Act I, no. 4. Pas de trois: V. Allegro
—
Swan Lake, op. 20: Act I, no. 4. Pas de trois: VI. Coda
—
Swan Lake, op. 20: Act I, no. 5. Pas de deux: I. Tempo di valse
—
Swan Lake, op. 20: Act I, no. 5. Pas de deux: II. Andante
—
Swan Lake, op. 20: Act I, no. 5. Pas de deux: III. Tempo di valse
—
Swan Lake, op. 20: Act I, no. 5. Pas de deux: IV. Coda
—
Swan Lake, op. 20: Act I, no. 6. Pas d'action
—
Swan Lake, op. 20: Act I, no. 7. Sujet
—
Swan Lake, op. 20: Act I, no. 8. Dance with Wine Glasses
—
Swan Lake, op. 20: Act I, no. 9. Finale
—
Swan Lake, op. 20: Act II, no. 10. Scene
—
Swan Lake, op. 20: Act II, no. 11. Scene
—
Swan Lake, op. 20: Act II, no. 12. Scene
—
Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: I. Dances of the Swans
—
Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: II. Moderato assai
—
Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: III. Dances of the Swans
—
Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: IV. Allegro moderato
—
Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: V. Pas d'action (Odette and the Prince)
—
Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: VI. General Dance
—
Swan Lake, op. 20: Act II, no. 13. Dances of the Swans: VII. Coda
—
Swan Lake, op. 20: Act II, no. 14. Scene
—
Swan Lake, op. 20: Act III, no. 15. Introduction
—
Swan Lake, op. 20: Act III, no. 16. Danses of the Corps de Ballet and Dwarfs
—
Swan Lake, op. 20: Act III, no. 17. Scene: Fanfares and Waltz
—
Swan Lake, op. 20: Act III, no. 18. Scene
—
Swan Lake, op. 20: Act III, no. 19. Pas de six: I. Intrada
—
Swan Lake, op. 20: Act III, no. 19. Pas de six: II. Variation I
—
Swan Lake, op. 20: Act III, no. 19. Pas de six: III. Variation II
—
Swan Lake, op. 20: Act III, no. 19. Pas de six: IV. Variation III
—
Swan Lake, op. 20: Act III, no. 19. Pas de six: V. Variation IV
—
Swan Lake, op. 20: Act III, no. 19. Pas de six: VI. Variation V
—
Swan Lake, op. 20: Act III, no. 19. Pas de six: VII. Coda
—
Swan Lake, op. 20: Act III, no. 20. Hungarian Dance (Czárdás)
—
Swan Lake, op. 20: Act III, no. 21. Spanish Dance (Bolero)
—
Swan Lake, op. 20: Act III, no. 22. Neapolian Dance
—
Swan Lake, op. 20: Act III, no. 22a. Russian Dance
—
Swan Lake, op. 20: Act III, no. 23. Mazurka
—
Swan Lake, op. 20: Act III, no. 24. Scene
—
Swan Lake, op. 20: Act IV, no. 25. Entr'acte
—
Swan Lake, op. 20: Act IV, no. 26. Scene
—
Swan Lake, op. 20: Act IV, no. 27. Dances of the Little Swans
—
Swan Lake, op. 20: Act IV, no. 28. Scene
—
Swan Lake, op. 20: Act IV, no. 29. Final scene
—
PRÉLUDE
London Symphony Orchestra, Anatole Fistoulari
—
Sylvia: Act I: No. 1: Faunes et dryads
London Symphony Orchestra, Anatole Fistoulari
—
Sylvia: Act I: No. 2: Le Berger (Pastorale)
London Symphony Orchestra, Anatole Fistoulari
—
Sylvia: Act I: No. 3: Les Chasseresses
London Symphony Orchestra, Anatole Fistoulari
—
SYLVIA, ACT 1: NO. 4B VALSE LENTE
London Symphony Orchestra, Anatole Fistoulari
—
NO. 5 SCÈNE
London Symphony Orchestra, Anatole Fistoulari
—
NO. 7 SCÈNE
London Symphony Orchestra, Anatole Fistoulari
—
SYLVIA, ACT 1: NO. 8A ENTRÉE DU SORCIER
London Symphony Orchestra, Anatole Fistoulari
—
NO. 8B FINAL
London Symphony Orchestra, Anatole Fistoulari
—
DELIBES SYLVIA ENTR ACTE
London Symphony Orchestra, Anatole Fistoulari
—
Sylvia: Act II: No. 9: La Grotte d’Orion
London Symphony Orchestra, Anatole Fistoulari
—
Sylvia: Act II: No. 10: Pas des Éthiopiens
London Symphony Orchestra, Anatole Fistoulari
—
Sylvia: Act II: No. 11: Chant bachique
London Symphony Orchestra, Anatole Fistoulari
—
Sylvia: Act II: No. 12: Scène et danse de la bacchante
London Symphony Orchestra, Anatole Fistoulari
—
Sylvia: Act II: No. 12: Rentrée de Sylvia
London Symphony Orchestra, Anatole Fistoulari
—
NO. 13 SCÈNE FINALE
London Symphony Orchestra, Anatole Fistoulari
—
SYLVIA, ACT 3: NO. 14A MARCHE
London Symphony Orchestra, Anatole Fistoulari
—
SYLVIA, ACT 3: NO. 15A SCÈNE
London Symphony Orchestra, Anatole Fistoulari
—
SYLVIA / ACT 3: NO. 15B BARCAROLLE
London Symphony Orchestra, Anatole Fistoulari
—
Sylvia: Act III: No. 16 Divertissement (b): Violon solo
London Symphony Orchestra, Anatole Fistoulari
—
SYLVIA, ACT 3: NO. 16 DIVERTISSEMENT: E) STRETTE-GALOP
London Symphony Orchestra, Anatole Fistoulari
—
Sylvia: Act III: No. 16: Le Temple de Diane (Final)
London Symphony Orchestra, Anatole Fistoulari
—
SYLVIA, ACT 3: NO. 18 APPARITION D'ENDYMION (APOTHÉOSE)
London Symphony Orchestra, Anatole Fistoulari
—
PRÉLUDE - MAZURKA
Minneapolis Symphony Orchestra, Antal Doráti
—
Coppélia: Act I: No. 2: Scène
Minneapolis Symphony Orchestra, Antal Doráti
—
NO. 3 MAZURKA
Minneapolis Symphony Orchestra, Antal Doráti
—
Coppélia: Act I: No. 4: Scène
Minneapolis Symphony Orchestra, Antal Doráti
—
Coppélia: Act I: No. 5: Ballade de l’épi
Rafael Druian, Minneapolis Symphony Orchestra, Antal Doráti
—
Coppélia: Act I: No. 6: Thème slave varié
Minneapolis Symphony Orchestra, Antal Doráti
—
Coppélia: Act I: No. 7: Czárdás (Danse hongroise)
Minneapolis Symphony Orchestra, Antal Doráti
—
Coppélia: Act I: No. 7 bis: Sortie
Minneapolis Symphony Orchestra, Antal Doráti
—
NO. 8 FINAL
Minneapolis Symphony Orchestra, Antal Doráti
—
Coppélia: Act II: Entr’acte
Minneapolis Symphony Orchestra, Antal Doráti
—
Coppélia: Act II: No. 9: Scène
Minneapolis Symphony Orchestra, Antal Doráti
—
NO. 10 SCÈNE
Minneapolis Symphony Orchestra, Antal Doráti
—
Coppélia: Act II: No. 11: Musique des automates
Minneapolis Symphony Orchestra, Antal Doráti
—
Coppélia: Act II: No. 11 bis: Scène
Minneapolis Symphony Orchestra, Antal Doráti
—
Coppélia: Act II: No. 12: Scène
Minneapolis Symphony Orchestra, Antal Doráti
—
Coppélia: Act II: No. 13: Chanson à boire et Scène
Minneapolis Symphony Orchestra, Antal Doráti
—
Coppélia: Act II: No. 14a: Scene –
Minneapolis Symphony Orchestra, Antal Doráti
—
Coppélia: Act II: No. 14b: Valse de la poupée
Minneapolis Symphony Orchestra, Antal Doráti
—
NO. 15 SCÈNE
Minneapolis Symphony Orchestra, Antal Doráti
—
Coppélia: Act II: No. 16: Boléro
Minneapolis Symphony Orchestra, Antal Doráti
—
NO. 17 GIGUE
Minneapolis Symphony Orchestra, Antal Doráti
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Coppélia: Act II: No. 18: Scène
Minneapolis Symphony Orchestra, Antal Doráti
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Coppélia: Act III: No. 19: Marche de la cloche
Minneapolis Symphony Orchestra, Antal Doráti
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Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (1) Valse des heures
Minneapolis Symphony Orchestra, Antal Doráti
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Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (2) L’Aurore
Minneapolis Symphony Orchestra, Antal Doráti
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Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (3) La Prière
Minneapolis Symphony Orchestra, Antal Doráti
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Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (4) Le Travail (La Fileuse)
Minneapolis Symphony Orchestra, Antal Doráti
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Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (5) L’Hymen (Noce villageoise)
Minneapolis Symphony Orchestra, Antal Doráti
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Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (6) La Discorde et la Guerre
Minneapolis Symphony Orchestra, Antal Doráti
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Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (7a) La Paix
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Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (7b) Danse de fête
Minneapolis Symphony Orchestra, Antal Doráti
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Coppélia: Act III: No. 20: Fête de la cloche (Divertissement): (8) Galop final
Minneapolis Symphony Orchestra, Antal Doráti
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Allegro from Symphony no. 6, op. 42
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Salve Regina
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Pièce Héroïque
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Chorale no. 1 in E major
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Chorale no. 2 in B minor
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Chorale no. 3 in A minor
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BBC Concert Orchestra, Eastman-Rochester Pops Orchestra, Leonard Slatkin, Frederick Fennell
Chicken Reel
Orchestra, Frederick Fennell
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Song of Jupiter
Orchestra, Frederick Fennell
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Lincolnshire Posy: I. Lisbon (Sailor's Song)
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Lincolnshire Posy: II. Horkstow Grange (The Miser and his Man: a local Tragedy)
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Lincolnshire Posy: III. Rufford Park Poachers (Poaching Song)
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Lincolnshire Posy: IV. The brisk young Sailor (returned to wed his True Love)
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Lincolnshire Posy: V. Lord Melbourne (War Song)
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Lincolnshire Posy: VI. The Lost Lady found (Dance Song)
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Hill Song no. 2
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Symphony for Band (Symphony no. 6): I. Adagio - Allegro
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Symphony for Band (Symphony no. 6): II. Adagio sostenuto
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Symphony for Band (Symphony no. 6): III. Allegretto
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Symphony for Band (Symphony no. 6): IV. Vivace
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Armenian Dances: I. Allegro moderato
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Armenian Dances: II. Allegro
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Concerto for 23 Winds: I. Andante - Allegro non troppo
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Concerto for 23 Winds: II. Vivace
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Concerto for 23 Winds: III. Lento
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Concerto for 23 Winds: IV. Allegro molto
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Three Japanese Dances: I. Dance with Pennons
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Three Japanese Dances: II. Mourning Dance
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Three Japanese Dances: III. Dance with Swords
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West Point Symphony: I. Epitaphs
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West Point Symphony: II. Marches
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Symphony no. 3: I. Allegro energico
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Symphony no. 3: II. Adagio
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Symphony no. 3: III. Allegretto
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Symphony no. 3: IV. Allegro con brio
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Symphony no. 4, op. 165: I. Andante
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Symphony no. 4, op. 165: II. Allegro
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Symphony no. 4, op. 165: III. Andante espressivo
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Country Gardens
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Shepherd's Hey
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Colonial Song
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Children's March ("Over the Hills and Far away")
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The Immovable Do
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Mock Morris
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Handel in the Strand
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Danny Boy
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Spoon River
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My Robin is to the Greenwood Gone
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Molly on the Shore
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The Three Elizabeths: I. Halcyon Days
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The Three Elizabeths: II. Springtime in Angus
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The Three Elizabeths: III. Youth of Britain
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Hands Across the Sea
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Father of Victory
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The Golden Ear
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Old Comrades
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March, Op. 99
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Valdres March
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Inglesina
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Knightsbridge March
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The U.S. Field Artillery
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The Thunderer
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Washington Post
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King Cotton
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El Capitan
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The Stars and Stripes Forever
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American Patrol
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On the Mall
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Lights Out
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Barnum and Bailey's Favorite
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Colonel Bogey
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The Billboard
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London Suite: I. Covent Garden
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London Suite: II. Westminster
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London Suite: III. Knightsbridge
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Four Ways Suite: I. Northwards
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Four Ways Suite: III. Eastwards
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Pirate Dance from "Goldilocks"
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Suite of Carols (excerpts)
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A Christmas Festival
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Sandpaper Ballet
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Forgotten Dreams
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Trumpeter's Lullaby
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Penny-Whistle Song
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Bugler's Holiday
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Irish Suite: I. The Irish Washerwoman
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Irish Suite: II. The Minstrel Boy
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Irish Suite: III. The Rakes of Mallow
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Irish Suite: IV. The Wearing of the Green
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Irish Suite: V. The Last Rose of Summer
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Irish Suite: VI. The Girl I Left Behind
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Marching Tunes: I. Yankee Doodle
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Marching Tunes: II. Sergeant O'Leary
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Marching Tunes: III. The Belle of the Mohawk Vale
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Drum Solo: Fancy Six-Eight
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The Camp Duty: I. Three Camps
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The Camp Duty: II. The Slow Scotch
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The Camp Duty: III. The Austrian
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The Camp Duty: IV. Dawning of the Day
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The Camp Duty: V. The Hessian
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The Camp Duty: VI. Dusky Night
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The Camp Duty: VII. The Prussian
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The Camp Duty: VIII. The Dutch
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The Camp Duty: IX. The Quick Scotch
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The Camp Duty: X. End of Camp Duty
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Marching Tunes; I. Garry Owen
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Marching Tunes; II. Dixie
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Marching Tunes; III. Sentry Box
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Service Calls: I. The Breakfast Call
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Service Calls: II. The Dinner Call
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Traditional Fife and Drum Duet: I. Wrecker's Daughter Quickstep
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Traditional Fife and Drum Duet: II. Hell on the Wabash
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Traditional Fife and Drum Duet: III. Downfall of Paris
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Drum Solo: Connecticut Half Time
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Marching Tunes; I. Rally 'round the Flag
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Marching Tunes; II. The White Cockade
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Marching Tunes; III. Bonnie Blue Flag
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Music for Rendering Honors: I. Flourish
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Music for Rendering Honors: II. General's March
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Music for Rendering Honors: III. To the Color
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Music for Rendering Honors: IV. Funeral March
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Marching Tunes and Inspection Pieces: I. Sound Off and General Dooley
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Marching Tunes and Inspection Pieces: II. The Old Guard
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Marching Tunes and Inspection Pieces: III. The American Flag
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Marching Tunes and Inspection Pieces: IV. The Cavaliers
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Marching Tunes and Inspection Pieces: V. Old Six-Eight
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Marching Tunes and Inspection Pieces: VI. I've Got Three Years To Do This In
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Marching Tunes and Inspection Pieces: VII. Hens and Chickens
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Marching Tunes and Inspection Pieces: VIII. No Slum Today
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Drum Solo: Carry On and Swinging Down the Street
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Marching Tunes and Inspection Pieces: I. Sound Off and Holy Joe
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Marching Tunes and Inspection Pieces: II. Soap Suds Row
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Marching Tunes and Inspection Pieces: III. The Colonel's Daughter
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Marching Tunes and Inspection Pieces: IV. The Prisoner
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Marching Tunes and Inspection Pieces: V. Rip Van Winkle
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Marching Tunes and Inspection Pieces: VI. The Garrison Belle
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Marching Tunes and Inspection Pieces: VII. General Burt
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Bugle Calls of the U.S. Army - excerpts: I. Flourish
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Bugle Calls of the U.S. Army - excerpts: II. Assembly
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Bugle Calls of the U.S. Army - excerpts: III. Adjutant's Call
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Bugle Calls of the U.S. Army - excerpts: IV. Church Call
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Bugle Calls of the U.S. Army - excerpts: V. Drill Call
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Bugle Calls of the U.S. Army - excerpts: VI. General Call
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Bugle Calls of the U.S. Army - excerpts: VII. Mail Call
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Bugle Calls of the U.S. Army - excerpts: VIII. Mess Call
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Bugle Calls of the U.S. Army - excerpts: IX. Retreat
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Bugle Calls of the U.S. Army - excerpts: X. Call to Quarters
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Bugle Calls of the U.S. Army - excerpts: XI. Reveille
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Bugle Calls of the U.S. Army - excerpts: XII. Tattoo
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Bugle Calls of the U.S. Army - excerpts: XIII. Taps
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Marching Tunes and Inspection Pieces: I. Sound Off and You're in the Army Now
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Marching Tunes and Inspection Pieces: II. Spanish Guardmount
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Marching Tunes and Inspection Pieces: III. The Red Hussars
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Marching Tunes and Inspection Pieces: IV. A-Hunting We Will Go
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Marching Tunes and Inspection Pieces: V. Pay Day
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Marching Tunes and Inspection Pieces: VI. Double Time
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Marching Tunes and Inspection Pieces: VII. President's March
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Serenade no. 10 in B-flat major, K. 361: I. Largo. Allegro molto
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Serenade no. 10 in B-flat major, K. 361: II. Menuetto
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Serenade no. 10 in B-flat major, K. 361: III. Adagio
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Serenade no. 10 in B-flat major, K. 361: IV. Menuetto: Allegretto
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Serenade no. 10 in B-flat major, K. 361: V. Romanze: Adagio
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Serenade no. 10 in B-flat major, K. 361: VI. Tema con variazioni
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Serenade no. 10 in B-flat major, K. 361: VII. Rondo
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Serenade in E-flat major, op. 7
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Suite Française: I. Normandie
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Suite Française: II. Bretagne
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Suite Française: III. Ile-de-France
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Suite Française: IV. Alsace-Lorraine
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Suite Française: V. Provence
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Suite no. 1 in E-flat, op. 28a: I. Chaconne
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Suite no. 1 in E-flat, op. 28a: II. Intermezzo
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Suite no. 1 in E-flat, op. 28a: III. March
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Suite no. 2 in F, op. 28b: I. March
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Suite no. 2 in F, op. 28b: II. Song without Words
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Suite no. 2 in F, op. 28b: III. Song of the Blacksmith
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Suite no. 2 in F, op. 28b: IV. Fantasia on the Dargason
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Folk Song Suite: I. Seventeen Come Sunday
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Folk Song Suite: II. Intermezzo: My Bonny Boy
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Folk Song Suite: III. March: Folk Songs from Somerset
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Toccata Marziale
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Canzona
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Psalm
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La Fiesta Mexicana, Mexican Folk Song Symphony for Band: I. Prelude and Aztec Dance
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La Fiesta Mexicana, Mexican Folk Song Symphony for Band: II. Mass
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La Fiesta Mexicana, Mexican Folk Song Symphony for Band: III. Festival
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Symphony no. 1 in E minor, op. 21 "Nordic": I. Andante solenne - Allegro con forza
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Symphony no. 1 in E minor, op. 21 "Nordic": II. Andante teneramente, con semplicita
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Symphony no. 1 in E minor, op. 21 "Nordic": III. Allegro con fuoco
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Symphony no. 2, op. 30 "Romantic": I. Adagio; Allegro moderato
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Symphony no. 2, op. 30 "Romantic": II. Andante con tenerezza
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Symphony no. 2, op. 30 "Romantic": III. Allegro con brio
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Song of Democracy
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Spirituals: I. Proclamation
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Spirituals: II. Sermon
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Spirituals: III. A Little Bit of Sin
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Spirituals: IV. Protest
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Spirituals: V. Jubilee
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Fall River Legend (Ballet Suite): I. Prologue and Waltzes
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Fall River Legend (Ballet Suite): II. Elegy
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Fall River Legend (Ballet Suite): III. Church Social
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Fall River Legend (Ballet Suite): IV. Hymnal Variations
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Fall River Legend (Ballet Suite): V. Cotillion
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Fall River Legend (Ballet Suite): VI. Epilogue
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Medea (Ballet Suite): I. Parodos
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Medea (Ballet Suite): II. Choros. Medea and Jason
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Medea (Ballet Suite): III. The Young Princess. Jason
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Medea (Ballet Suite): IV. Choros
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Medea (Ballet Suite): V. Medea
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Medea (Ballet Suite): VI. Kantikos Agonias
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Medea (Ballet Suite): VII. Exodos
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Three Places in New England: I. The 'St. Gaudens' in Boston Common (Col. Shaw and his Colored Regiment)
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Three Places in New England: II. Putnam's Camp, Redding, Connecticut
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Three Places in New England: III. From 'The Housatonic at Stockbridge' by Robert Underwood Johnson
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Symphony no. 3, "The Camp Meeting": I. Old Folks Gatherin' (Andante maestoso)
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Symphony no. 3, "The Camp Meeting": II. Children's Day (Allegro moderato)
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Symphony no. 3, "The Camp Meeting": III. Communion (Largo)
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New England Triptych (Three pieces for Orchestra after William Billings): I. Be Glad Then, America
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New England Triptych (Three pieces for Orchestra after William Billings): II. When Jesus Wept
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New England Triptych (Three pieces for Orchestra after William Billings): III. Chester
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Symphony no. 5: I. Con sdegno
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Symphony no. 5: II. Canto
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Symphony no. 5: III. Allegro tempetuoso
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Symphony no. 3: I. Andante lamentando
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Symphony no. 3: II. Andante tranquillo
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Symphony no. 3: III. Tempo scherzando
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Symphony no. 3: IV. Largamente e pesante
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Elegy
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The Lament for Beowulf
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Capricorn Concerto, op. 21: I. Allegro ma non troppo
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Capricorn Concerto, op. 21: II. Allegretto
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Capricorn Concerto, op. 21: III. Allegro con brio
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The Incredible Flutist: I. Introduction - Siesta in the Market Place
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The Incredible Flutist: II. Entrance of the Vendors
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The Incredible Flutist: III. Entrance of the Customers
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The Incredible Flutist: IV. Tango of the Merchant's Daughters
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The Incredible Flutist: V. Arrival of the Circus
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The Incredible Flutist: VI. Circus March
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The Incredible Flutist: VII. The Flutist
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The Incredible Flutist: VIII. Minuet
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The Incredible Flutist: IX. Spanish Waltz
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The Incredible Flutist: X. (Eight o'clock strikes)
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The Incredible Flutist: XI. Siciliano
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The Incredible Flutist: XII. Polka Finale
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Poem for Flute and Orchestra
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Three Pieces for Orchestra: I. Promenade
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Three Pieces for Orchestra: II. Nocturne
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Three Pieces for Orchestra: III. Il Campo dei Fiori
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Five Miniatures for Flute and Strings: I. Adventurous
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Five Miniatures for Flute and Strings: II. Dolorous
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Five Miniatures for Flute and Strings: III. Dextrous
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Five Miniatures for Flute and Strings: IV. Languorous
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Five Miniatures for Flute and Strings: V. Capricious
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Gold and the Señor Commandante: I. Siesta
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Gold and the Señor Commandante: II. Parade
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Gold and the Señor Commandante: III. Elegant Dance
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Gold and the Señor Commandante: IV. Furious Dance of the Bearded Russians
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Gold and the Señor Commandante: V. Sinister Dance
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Gold and the Señor Commandante: VI. Chinese Dance
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Gold and the Señor Commandante: VII. Tender Dance
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Gold and the Señor Commandante: VIII. Chase Music
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Gold and the Señor Commandante: IX. Happy Dance
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Tabuh-Tabuhan, Toccata for Orchestra: I. Ostinatos
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Tabuh-Tabuhan, Toccata for Orchestra: II. Nocturne
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Tabuh-Tabuhan, Toccata for Orchestra: III. Finale
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The Black Maskers (Orchestral Suite): I. Dance: Stridente-sarcastico
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The Black Maskers (Orchestral Suite): II. Scene: Agitato molto
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The Black Maskers (Orchestral Suite): III. Dirge: Larghissimo
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The Black Maskers (Orchestral Suite): IV. Finale: Andante moderato un poco agitato
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Symphony on a Hymn Tune: I. Introduction and Allegro
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Symphony on a Hymn Tune: II. Andante cantabile
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Symphony on a Hymn Tune: III. Allegretto
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Symphony on a Hymn Tune: IV. Allegro
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The Feast of Love
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Pageant of P.T. Barnum: I. Boyhood at Bethel
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Pageant of P.T. Barnum: II. Joice Heth - 161 Year Old Negress
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Pageant of P.T. Barnum: III. General and Mrs. Tom Thumb
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Pageant of P.T. Barnum: IV. Jenny Lind
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Pageant of P.T. Barnum: V. Circus Parade
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Adventures in a Perambulator: I. En voiture!
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Adventures in a Perambulator: II. The Policeman
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Adventures in a Perambulator: III. The Hurdy-Gurdy
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Adventures in a Perambulator: IV. The Lake
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Adventures in a Perambulator: V. Dogs
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Adventures in a Perambulator: VI. Dreams
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Once Upon a Time (Five Fairy Tales): I. The Tinder-Box Soldier
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Once Upon a Time (Five Fairy Tales): II. The Song of Rapunzel
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Once Upon a Time (Five Fairy Tales): III. The Story of a Darning Needle
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Once Upon a Time (Five Fairy Tales): IV. Dance of the Twelve Princesses
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Once Upon a Time (Five Fairy Tales): V. The Ride of Koschei the Deathless
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Selections from McGuffey's Reader: I. The One-Horse Shay
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Selections from McGuffey's Reader: II. John Alden and Priscilla
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Selections from McGuffey's Reader: III. Midnight Ride of Paul Revere
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Symphonic Sketches: I. Jubilee
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Symphonic Sketches: II. Noël
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Symphonic Sketches: III. Hobgoblin
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Symphonic Sketches: IV. A Vagrom Ballad
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Suite for Large Orchestra, op. 42: I. In a haunted forest
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Suite for Large Orchestra, op. 42: II. Summer Idyll
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Suite for Large Orchestra, op. 42: III. In October
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Suite for Large Orchestra, op. 42: IV. The Shepherdess' Song
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Suite for Large Orchestra, op. 42: V. Forest Spirits
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Sinfonia in G: I. Presto
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Sinfonia in G: II. Polonaise
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Sinfonia in G: III. Menuet (vivace)
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Sinfonia in G: IV. Presto
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Sarabande: For Katharine in April
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Christ Looking Over Jerusalem
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Adagio cantabile
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Pavane
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Autumn Landscape
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Gymnopédie
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Larghetto
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And On the Seventh Day...
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In Memoriam Abraham
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Night Soliloquy for Flute and Strings
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The Winter's Past
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Night Song
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Birds of Paradise, op. 34
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The Last Spring
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The Enchanted Lake
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Kikimora
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Deux Rapsodies: I. L'étang
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Deux Rapsodies: II. La cornemuse
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Fantasy Variations on a Theme of Youth
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Symphony no. 38 in D major, K. 504 "Prague": I. Adagio, Allegro
Chicago Symphony Orchestra, Rafael Kubelík
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Symphony no. 38 in D major, K. 504 "Prague": II. Andante
Chicago Symphony Orchestra, Rafael Kubelík
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Symphony no. 38 in D major, K. 504 "Prague": III. Presto
Chicago Symphony Orchestra, Rafael Kubelík
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Symphony no. 9 in E minor, op. 95 ("From the New World"): I. Adagio - Allegro molto
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Symphony no. 9 in E minor, op. 95 ("From the New World"): II. Largo
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Symphony no. 9 in E minor, op. 95 ("From the New World"): III. Scherzo. Molto vivace
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Symphony no. 9 in E minor, op. 95 ("From the New World"): IV. Allegro con fuoco
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Escales (Ports of Call): Rome - Palermo
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Escales (Ports of Call): Tunis - Nefta
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Escales (Ports of Call): Valencia
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Rapsodie espagnole: I. Prélude à la nuit
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Rapsodie espagnole: II. Malagueña
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Rapsodie espagnole: III. Habanera
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Rapsodie espagnole: IV. Feria
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Pavane pour une infante défunte
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La Valse
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Le Tombeau de Couperin: I. Prélude
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Le Tombeau de Couperin: II. Forlane
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Le Tombeau de Couperin: III. Menuet
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Le Tombeau de Couperin: IV. Rigaudon
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Overture to "Zampa"
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Overture to "The Crown Diamonds"
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Ballet Music from "Faust": Waltz
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Ballet Music from "Faust": Ensemble (Adagio)
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Ballet Music from "Faust": Dance of the Nubians
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Ballet Music from "Faust": Cleopatra's Dance
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Ballet Music from "Faust": Dance of the Trojan Maidens
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Ballet Music from "Faust": Helen's Dance
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Ballet Music from "Faust": Bacchanalia
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Act II Waltz from "Faust"
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Bacchanale from "Samson and Delilah"
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Danse bohème from "Carmen"
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Royal Hunt and Storm from "The Trojans"
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Overture to "Phèdre"
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Gavotte from "Mignon"
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Symphony no. 3 in C minor, op. 78 ("Organ"): I. Adagio - Allegro moderato -
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Symphony no. 3 in C minor, op. 78 ("Organ"): I. Poco adagio
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Symphony no. 3 in C minor, op. 78 ("Organ"): II. Allegro moderato -
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Symphony no. 3 in C minor, op. 78 ("Organ"): II. Maestoso - Allegro
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Mass for the 500th Anniversary of the Death of Joan of Arc: I. Kyrie
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Mass for the 500th Anniversary of the Death of Joan of Arc: II. Gloria
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Mass for the 500th Anniversary of the Death of Joan of Arc: III. Sanctus - Benedictus
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Mass for the 500th Anniversary of the Death of Joan of Arc: IV. Agnus Dei
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Paul Paray: Post-sesstion thanks to the performers
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España
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Suite pastorale: I. Idylle
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Suite pastorale: II. Danse villageoise
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Suite pastorale: III. Sous-bois
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Suite pastorale: IV. Scherzo-Valse
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Fête polonaise from "Le roi malgré lui"
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Overture to "Gwendoline"
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Danse slave from "Le roi malgré lui"
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Joyeuse marche
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Bourrée fantasque
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Suite in F, op. 33: I. Prelude
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Suite in F, op. 33: II. Sarabande
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Suite in F, op. 33: III. Gigue
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Daphnis et Chloé, Suite no. 2: I. Lever du jour
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Daphnis et Chloé, Suite no. 2: II. Pantomime
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Daphnis et Chloé, Suite no. 2: III. Danse générale
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Valses nobles et sentimentales: I. Modéré
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Valses nobles et sentimentales: II. Assez lent
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Valses nobles et sentimentales: III. Modéré
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Valses nobles et sentimentales: IV. Assez animé
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Valses nobles et sentimentales: V. Presque lent
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Valses nobles et sentimentales: VI. Assez vif
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Valses nobles et sentimentales: VII. Moins vif
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Valses nobles et sentimentales: VIII. Épilogue: Lent
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Boléro
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Nocturnes for Orchestra: I. Nuages
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Nocturnes for Orchestra: II. Fêtes
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Nocturnes for Orchestra: III. Sirènes
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Petite Suite: I. En Bateau
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Petite Suite: II. Cortège
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Petite Suite: III. Menuet
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Petite Suite: IV. Ballet
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La Patrie Overture
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Carmen Suite: I. Prélude
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Carmen Suite: II. La garde montante
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Carmen Suite: III. Les dragons d’Alcala
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Carmen Suite: IV. Intermezzo
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Carmen Suite: V. Aragonaise
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Carmen Suite: VI. Les toréadors
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L'Arlésienne Suite No. 1: I. Prélude
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L'Arlésienne Suite No. 1: II. Minuetto
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L'Arlésienne Suite No. 1: III. Adagietto
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L'Arlésienne Suite No. 1: IV. Carillon
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L'Arlésienne Suite No. 2: I. Pastorale
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L'Arlésienne Suite No. 2: II. Intermezzo
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L'Arlésienne Suite No. 2: III. Menuet
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L'Arlésienne Suite No. 2: IV. Farandole
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Mignon Overture
—
Raymond Overture
—
Mephisto Waltz
—
Invitation to the Dance, op. 65
—
Danse macabre, op. 40
—
Dance of the Seven Veils from Salome
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La tragédie de Salomé, op. 50
—
Ibéria (Images for Orchestra, no. 2): I. In the Streets and Byways
Detroit Symphony Orchestra, Paul Paray
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Ibéria (Images for Orchestra, no. 2): II. Fragrance of the Night
Detroit Symphony Orchestra, Paul Paray
—
Ibéria (Images for Orchestra, no. 2): III. Morning of a Festival Day
Detroit Symphony Orchestra, Paul Paray
—
Prélude à l'après-midi d'un faune
Detroit Symphony Orchestra, Paul Paray
—
La mer: I. From Dawn till Noon on the Sea
Detroit Symphony Orchestra, Paul Paray
—
La mer: II. Play of the Waves
Detroit Symphony Orchestra, Paul Paray
—
La mer: III. Dialogue of the Wind and the Sea
Detroit Symphony Orchestra, Paul Paray
—
Ma mère l'Oye: I. Pavane of the Sleeping Beauty
Detroit Symphony Orchestra, Paul Paray
—
Ma mère l'Oye: II. Hop-o'-my-Thumb
Detroit Symphony Orchestra, Paul Paray
—
Ma mère l'Oye: III. Laideronette, Empress of the Pagodas
Detroit Symphony Orchestra, Paul Paray
—
Ma mère l'Oye: IV. The Conversations of Beauty and the Beast
Detroit Symphony Orchestra, Paul Paray
—
Ma mère l'Oye: V. The Fairy Garden
Detroit Symphony Orchestra, Paul Paray
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My Lady Carey's Dompe
—
Les Buffons
—
The Primerose
—
La Volta
—
The Fall of the Leafe
—
Pavana Dolorosa
—
Galiarda Dolorosa
—
The King's Hunt
—
Branle gay
—
Tombeau de M. de Blancrocher
—
Branle de Montirandé
—
Concerto in D minor: I. Allegro
—
Concerto in D minor: II. Andante
—
Concerto in D minor: III. Presto
—
Sonata for Harpsichord in A major
—
Sonata in D major
—
Pavane in F-sharp minor
—
Le moutier
—
Gavotte et Doubles
—
Passepied
—
La pantomime
—
Overture in the French Manner (Partita in B minor): I. Overture: Grave- Vivace - Grave
—
Overture in the French Manner (Partita in B minor): II. Courante
—
Overture in the French Manner (Partita in B minor): III. Gavottes I and II
—
Overture in the French Manner (Partita in B minor): IV. Passepieds I and II
—
Overture in the French Manner (Partita in B minor): V. Sarabande
—
Overture in the French Manner (Partita in B minor): VI. Bourrees I and II
—
Overture in the French Manner (Partita in B minor): VII. Gigue
—
Overture in the French Manner (Partita in B minor): VIII. Echo
—
Fantasia in C minor
—
Concerto in G major (after an unknown master)
—
Toccata in F-sharp minor
—
Duet in A major for Two Performers on One Harpsichord, op.18 no. 5: I. Allegretto
—
Duet in A major for Two Performers on One Harpsichord, op.18 no. 5: II. Tempo di Menuetto
—
Concerto a Duoi Cembali Concertati: I. Allegro moderato
—
Concerto a Duoi Cembali Concertati: II. Andante
—
Concerto a Duoi Cembali Concertati: III. Presto
—
Balli d'Arpicordo (Dances for Harpsichord): I. Pass'e mezzo antico di sei parti
—
Balli d'Arpicordo (Dances for Harpsichord): II. Saltarello del ditto pass'e mezzo
—
Balli d'Arpicordo (Dances for Harpsichord): III. Padoana ditta la Ongara - l'Ongara a un'altro modo
—
Balli d'Arpicordo (Dances for Harpsichord): IV. Ballo ditto il Picchi
—
Balli d'Arpicordo (Dances for Harpsichord): V. Todesca - Balletto
—
Balli d'Arpicordo (Dances for Harpsichord): VI. Ballo Ongaro - il suo Balletto
—
Balli d'Arpicordo (Dances for Harpsichord): VII. Ballo detto il Steffanin
—
Balli d'Arpicordo (Dances for Harpsichord): VIII. Ballo alla Polacha - il suo saltarello
—
Aria detta la Frescobalda
—
Corrente in F major
—
Five Galliards
—
12 Partita sopra l'Aria di Ruggiero
—
Bourée alla Polacca
—
Les Folies d'Espagne
—
Sonata in F major, K. 541
—
Sonata in A minor, K. 175
—
Sonata in E major, K. 381
—
Passacaglia in D minor
—
Sonata in G minor, op. 65: I. Allegro moderato
György Sebök, János Starker
—
Sonata in G minor, op. 65: II. Scherzo: Allegro con brio
György Sebök, János Starker
—
Variations Concertantes, op. 17
—
Variations on a Theme of Rossini
—
Polonaise Brillante, op. 3
—
Sonata no. 1 in D minor: I Prologue
—
Sonata no. 1 in D minor: II. Serenade et Finale
—
Sonata no. 1 in D minor: III. Finale
—
First Rhapsody
—
Hungarian Wedding Dance
—
The Rite of Spring: Part I: The Adoration of the Earth: Introduction
—
The Rite of Spring: Part I: The Adoration of the Earth: Augurs of Spring - Dances of the Young Girls
—
The Rite of Spring: Part I: The Adoration of the Earth: Ritual of Abduction
—
The Rite of Spring: Part I: The Adoration of the Earth: Spring Rounds
—
The Rite of Spring: Part I: The Adoration of the Earth: Ritual of the Rival Tribes
—
The Rite of Spring: Part I: The Adoration of the Earth: Procession of the Sage
—
The Rite of Spring: Part I: The Adoration of the Earth: The Sage
—
The Rite of Spring: Part I: The Adoration of the Earth: Dance of the Earth
—
The Rite of Spring: Part II: The Sacrifice: Introduction
—
The Rite of Spring: Part II: The Sacrifice: Mystic Circles of the Young Girls
—
The Rite of Spring: Part II: The Sacrifice: Glorification of the Chosen One
—
The Rite of Spring: Part II: The Sacrifice: Evocation of the Ancestors
—
The Rite of Spring: Part II: The Sacrifice: Ritual Action of the Ancestors
—
The Rite of Spring: Part II: The Sacrifice: Sacrificial Dance: The Chosen One
—
Interview with John Corigliano and Hilde Somer by Paul Hume
—
Concerto for Piano and Orchestra: I. Molto Allegro
—
Concerto for Piano and Orchestra: II. Scherzo
—
Concerto for Piano and Orchestra: III. Andante appassionato - IV. Allegro
—
Parergon to the Sinfonia Domestica, op. 73
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-003.144.726-3T-010.278.744-9T-010.435.122-5T-011.218.500-8T-011.577.274-1T-042.146.473-4T-070.064.736-4T-070.140.357-7T-070.167.151-3T-071.057.203-4
+20 more
T-071.057.271-6T-071.058.401-2T-071.061.099-3T-071.061.112-3T-071.061.976-3T-071.062.798-7T-071.064.969-6T-071.064.971-0T-071.068.469-7T-071.068.497-1T-071.068.536-1T-071.070.261-6T-071.070.336-8T-071.070.405-4T-071.070.506-8T-071.070.561-5T-071.190.000-3T-071.192.430-9T-071.057.203-4T-071.057.271-6
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000022508340000000003932190200000000551909810000000057263160000000006308772200000000631125020000000080870057000000008393021100000000841357460000000084169428
+20 more
000000009212422X0000000092139130000000010729317400000001080705030000000108710224000000010907819500000001090782080000000109300489000000010930564200000001094333610000000109443949000000011008916600000001101981350000000114705392000000011476865X00000001149237010000000116316913000000011878429400000001201800000000000120271244
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What is UPC 028947850922?
028947850922 is a Universal Product Code (UPC) assigned to Mercury Living Presence: The Collector's Edition, Vol. 2 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 840 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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