UPC · Release
Wiener Philharmoniker
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028947867562 is the Universal Product Code (UPC barcode) for the release “The Orchestral Edition” by Wiener Philharmoniker, released 2014-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 664 tracks, each with its own ISRC. Tracks include GBF075910701, GBF075910702, GBF075910703.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 94 in G major, Hob. I:94 "Surprise": I. Adagio - Vivace assai | Wiener Philharmoniker, Pierre Monteux | — | |
| 2 | Symphony no. 94 in G major, Hob. I:94 "Surprise": II. Andante | Wiener Philharmoniker, Pierre Monteux | — | |
| 3 | Symphony no. 94 in G major, Hob. I:94 "Surprise": III. Menuet (Allegro molto) | Wiener Philharmoniker, Pierre Monteux | — | |
| 4 | Symphony no. 94 in G major, Hob. I:94 "Surprise": IV. Finale (Allegro di molto) | Wiener Philharmoniker, Pierre Monteux | — | |
| 5 | Symphony no. 101 in D major, Hob. I:101 "The Clock": I. Adagio - Presto | Wiener Philharmoniker, Pierre Monteux | — | |
| 6 | Symphony no. 101 in D major, Hob. I:101 "The Clock": II. Andante | Wiener Philharmoniker, Pierre Monteux | — | |
| 7 | Symphony no. 101 in D major, Hob. I:101 "The Clock": III. Menuet (Allegretto) - Trio | Wiener Philharmoniker, Pierre Monteux | — | |
| 8 | Symphony no. 101 in D major, Hob. I:101 "The Clock": IV. Finale (Vivace) | Wiener Philharmoniker, Pierre Monteux | T-318.676.528-2 | |
| 9 | Symphony no. 104 in D major "London": I. Adagio - Allegro | Wiener Philharmoniker, Herbert von Karajan | — | |
| 10 | Symphony no. 104 in D major "London": II. Andante | Wiener Philharmoniker, Herbert von Karajan | T-071.481.827-5 | |
| 11 | Symphony no. 104 in D major "London": III. Menuet e trio: Allegro | Wiener Philharmoniker, Herbert von Karajan | T-902.876.200-7 | |
| 12 | Symphony no. 104 in D major "London": IV. Finale: Spiritoso | Wiener Philharmoniker, Herbert von Karajan | T-318.676.528-2 | |
| 2-1 | Missa brevis Sancti Joannis de Deo, Hob. XXII:7: Kyrie | Karl Münchinger | — | |
| 2-2 | Missa brevis Sancti Joannis de Deo, Hob. XXII:7: Gloria | Karl Münchinger | — | |
| 2-3 | Missa brevis Sancti Joannis de Deo, Hob. XXII:7: Credo | Karl Münchinger | — | |
| 2-4 | Missa brevis Sancti Joannis de Deo, Hob. XXII:7: Sanctus | Karl Münchinger | — | |
| 2-5 | Missa brevis Sancti Joannis de Deo, Hob. XXII:7: Benedictus | Karl Münchinger | — | |
| 2-6 | Missa brevis Sancti Joannis de Deo, Hob. XXII:7: Agnus Dei | Karl Münchinger | — | |
| 2-7 | Die Schöpfung, Hob. XX1:2: Teil I, No. 1. Orchestervorspiel Die Vorstellung der Chaos | Karl Münchinger | — | |
| 2-8 | Die Schöpfung, Hob. XX1:2: Teil I, No. 2. Rezitativ und Chor "Im Anfange schuf Gott Himmel und Erde" (Raphael, Chor, Uriel) | Karl Münchinger | — | |
| 2-9 | Die Schöpfung, Hob. XX1:2: Teil I, No. 3. Arie und Chor "Nun schwanden vor dem heiligen Strahle" (Uriel, Chor) | Karl Münchinger | — | |
| 2-10 | Die Schöpfung, Hob. XX1:2: Teil I, No. 4. Rezitativ "Und Gott machte das Firmament" (Raphael) / Teil I, No. 5. Solo und Chor "Mit Staunen sieht das Wunderwerk" (Gabriel, Chor) | Karl Münchinger | — | |
| 2-11 | Die Schöpfung, Hob. XX1:2: Teil I, No. 6. Rezitativ "Und Gott sprach" (Raphael) / Teil I, No. 7. Arie "Rollend in schäumenden Wellen" (Raphael) | Karl Münchinger | — | |
| 2-12 | Die Schöpfung, Hob. XX1:2: Teil I, No. 8. Rezitativ "Und Gott sprach: Es bringe die Erde Gras hervor" (Gabriel) / Teil I, No. 9. Arie "Nun beut die Flur das frische Grün" (Gabriel) | Karl Münchinger | — | |
| 2-13 | Die Schöpfung, Hob. XX1:2: Teil I, No. 10. Rezitativ "Und die himmlischen Heerscharen verkündigten" (Uriel) / Teil I, No. 11. Chor "Stimmt an die Saiten" (Chor) | Karl Münchinger | — | |
| 2-14 | Die Schöpfung, Hob. XX1:2: Teil I, No. 12. Rezitativ "Und Gott sprach: Es sei'n Lichter" (Uriel) / Teil I, No. 13. Rezitativ "In vollem Glanze steiget jetzt" (Uriel) | Karl Münchinger | — | |
| 2-15 | Die Schöpfung, Hob. XX1:2: Teil I, No. 14. Terzett und Chor "Die Himmel erzählen die Ehre Gottes" (Chor, Gabriel, Uriel, Raphael) | Karl Münchinger | — | |
| 3-1 | Die Schöpfung, Hob. XX1:2: Teil II, No. 15. Rezitativ "Und Gott sprach: Es bringe das Wasser" (Gabriel) / Teil II, No. 16. Arie "Auf starkem Fittiche schwinget sich der Adler stolz" (Gabriel) | Karl Münchinger | — | |
| 3-2 | Die Schöpfung, Hob. XX1:2: Teil II, No. 17. Rezitativ "Und Gott schuf große Walfische" (Raphael) | Karl Münchinger | — | |
| 3-3 | Die Schöpfung, Hob. XX1:2: Teil II, No. 18. Rezitativ "Und die Engel rührten ihr' unsterblichen Harfen" (Raphael) / Teil II, No. 19. Terzett und Chor "In holder Anmut steh'n" (Gabriel, Uriel, Raphael, Chor) | Karl Münchinger | — | |
| 3-4 | Die Schöpfung, Hob. XX1:2: Teil II, No. 20. Rezitativ "Und Gott sprach: Es bringe die Erde" (Raphael) / Teil II, No. 21. Rezitativ "Gleich öffnet sich der Erde Schoß" (Raphael) | Karl Münchinger | — | |
| 3-5 | Die Schöpfung, Hob. XX1:2: Teil II, No. 22. Arie "Nun scheint in vollem Glanze der Himmel" (Raphael) | Karl Münchinger | — | |
| 3-6 | Die Schöpfung, Hob. XX1:2: Teil II, No. 23. Rezitativ "Und Gott schuf den Menschen" (Uriel) / Teil II, No. 24. Arie "Mit Würd' und Hoheit angetan" (Uriel) | Karl Münchinger | — | |
| 3-7 | Die Schöpfung, Hob. XX1:2: Teil II, No. 25. Rezitativ "Und Gott sah jedes Ding" (Raphael) / Teil II, No. 26. Chor und Terzett "Vollendet ist das große Werk" (Chor, Gabriel, Uriel, Raphael) | Karl Münchinger | — | |
| 3-8 | Die Schöpfung, Hob. XX1:2: Teil III, No. 27. Rezitativ "Aus Rosenwolken" (Uriel) | Karl Münchinger | — | |
| 3-9 | Die Schöpfung, Hob. XX1:2: Teil III, No. 28. Duett und Chor "Von deiner Güt', o Herr und Gott" (Eva, Adam, Chor) | Karl Münchinger | — | |
| 3-10 | Die Schöpfung, Hob. XX1:2: Teil III, No. 29. Rezitativ "Nun ist die erste Pflicht erfüllt" (Adam, Eva) | Karl Münchinger | — | |
| 3-11 | Die Schöpfung, Hob. XX1:2: Teil III, No. 30. Duett "Holde Gattin, dir zur Seite" (Adam, Eva) | Karl Münchinger | — | |
| 3-12 | Die Schöpfung, Hob. XX1:2: Teil III, No. 31. Rezitativ "O glücklich Paar, und glücklich immerfort" (Uriel) / Teil III, No. 32. Schlußchor (mit Soli) "Singt dem Herren, alle Stimmen!" (Chor, Solisten) | Karl Münchinger | — | |
| 4-1 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: I. Allegro | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4-2 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. [Andante] | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4-3 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: III. Allegro | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4-4 | Symphony no. 36 “Linz”: I. Adagio -Allegro spiritoso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4-5 | Symphony no. 36 “Linz”: II. Andante | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4-6 | Symphony no. 36 “Linz”: III. Menuetto | Wiener Philharmoniker, Leonard Bernstein | T-902.876.200-7 | |
| 4-7 | Symphony no. 36 “Linz”: IV. Presto | Wiener Philharmoniker, Leonard Bernstein | T-003.055.867-8 | |
| 5-1 | Piano Concerto no. 23 in A major, K. 488: I. Allegro | Sir Clifford Curzon, Wiener Philharmoniker, George Szell | T-011.619.733-1 | |
| 5-2 | Piano Concerto no. 23 in A major, K. 488: II. Adagio | Sir Clifford Curzon, Wiener Philharmoniker, George Szell | T-915.711.586-1 | |
| 5-3 | Piano Concerto no. 23 in A major, K. 488: III. Allegro assai | Sir Clifford Curzon, Wiener Philharmoniker, George Szell | — | |
| 5-4 | Piano Concerto no. 27 in B-flat major, K. 595: I. Allegro | Sir Clifford Curzon, Wiener Philharmoniker, George Szell | T-011.619.733-1 | |
| 5-5 | Piano Concerto no. 27 in B-flat major, K. 595: II. Larghetto | Sir Clifford Curzon, Wiener Philharmoniker, George Szell | T-926.819.124-8 | |
| 5-6 | Piano Concerto no. 27 in B-flat major, K. 595: III. Allegro | Sir Clifford Curzon, Wiener Philharmoniker, George Szell | — | |
| 6-1 | Clarinet Concerto in A major, K. 622: I. Allegro | Alfred Prinz, Wiener Philharmoniker, Karl Münchinger | — | |
| 6-2 | Concerto for Clarinet in A major, K. 622: II. Adagio | Alfred Prinz, Wiener Philharmoniker, Karl Münchinger | — | |
| 6-3 | Clarinet Concerto in A major, K. 622: III. Rondo: Allegro | Alfred Prinz, Wiener Philharmoniker, Karl Münchinger | — | |
| 6-4 | Flute and Harp Concerto in C major, K. 299: I. Allegro | Hubert Jellinek, Werner Tripp, Wiener Philharmoniker, Karl Münchinger | T-011.422.353-8 | |
| 6-5 | Flute and Harp Concerto in C major, K. 299: II. Andantino | Hubert Jellinek, Werner Tripp, Wiener Philharmoniker, Karl Münchinger | — | |
| 6-6 | Flute and Harp Concerto in C major, K. 299: III. Rondo: Allegro | Hubert Jellinek, Werner Tripp, Wiener Philharmoniker, Karl Münchinger | — | |
| 6-7 | Symphony No. 40 in G minor, K. 550 “Great”: I. Allegro molto | Wiener Philharmoniker, Herbert von Karajan | — | |
| 6-8 | Symphony no. 40 in G minor, K. 550: II. Andante | Wiener Philharmoniker, Herbert von Karajan | T-902.876.200-7 | |
| 6-9 | Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto | Wiener Philharmoniker, Herbert von Karajan | T-902.876.200-7 | |
| 6-10 | Symphony no. 40 in G minor, K. 550: IV. Allegro assai | Wiener Philharmoniker, Herbert von Karajan | — | |
| 7-1 | Requiem, K. 626: I. Introitus: "Requiem aeternam" | Arleen Augér, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-905.034.867-9 | |
| 7-2 | Requiem, K. 626: II. "Kyrie eleison" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-923.240.177-3 | |
| 7-3 | Requiem, K. 626: IIIa. Sequenz: "Dies irae" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-923.239.846-8 | |
| 7-4 | Requiem, K. 626: IIIb. Sequenz: "Tuba mirum" | Arleen Augér, Cecilia Bartoli, Vinson Cole, René Pape, Wiener Philharmoniker, Sir Georg Solti | — | |
| 7-5 | Requiem, K. 626: IIIc. Sequenz: "Rex tremendae" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | — | |
| 7-6 | Requiem, K. 626: IIId. Sequenz: "Recordare" | Arleen Augér, Cecilia Bartoli, Vinson Cole, René Pape, Wiener Philharmoniker, Sir Georg Solti | T-316.209.461-9 | |
| 7-7 | Requiem, K. 626: IIIe. Sequenz: "Confutatis" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | — | |
| 7-8 | Requiem in D minor, K. 626 (edited by H.C. Robbins Landon): Lacrimosa | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-009.157.890-3 | |
| 7-9 | Requiem, K. 626: IVa. Offertorium: "Domine Jesu" | Arleen Augér, Cecilia Bartoli, Konzertvereinigung Wiener Staatsopernchor, Vinson Cole, René Pape, Wiener Philharmoniker, Sir Georg Solti | — | |
| 7-10 | Requiem, K. 626: IVb. Offertorium: "Hostias" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-900.137.873-0 | |
| 7-11 | Prayer over the Gifts | [unknown] | — | |
| 7-12 | Preface | [unknown] | — | |
| 7-13 | Requiem, K. 626: V. "Sanctus" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | — | |
| 7-14 | Requiem, K. 626: VI. "Benedictus" | Arleen Augér, Cecilia Bartoli, Konzertvereinigung Wiener Staatsopernchor, Vinson Cole, René Pape, Wiener Philharmoniker, Sir Georg Solti | T-050.283.177-7 | |
| 7-15 | Canon | [unknown] | — | |
| 7-16 | Pater Noster. Ecce Agnus | [unknown] | — | |
| 7-17 | Requiem, K. 626: VII. "Agnus Dei" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | — | |
| 7-18 | Requiem, K. 626: VIII. Communio: "Lux aeterna" | Arleen Augér, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-903.580.012-5 | |
| 8-1 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | Wiener Philharmoniker, Pierre Monteux | — | |
| 8-2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Wiener Philharmoniker, Pierre Monteux | — | |
| 8-3 | Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace | Wiener Philharmoniker, Pierre Monteux | — | |
| 8-4 | Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace | Wiener Philharmoniker, Pierre Monteux | T-318.676.528-2 | |
| 8-5 | Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande (Allegro ma non troppo) | Wiener Philharmoniker, Pierre Monteux | — | |
| 8-6 | Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach (Andante molto mosso) | Wiener Philharmoniker, Pierre Monteux | — | |
| 8-7 | Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute (Allegro) | Wiener Philharmoniker, Pierre Monteux | — | |
| 8-8 | Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm (Allegro) | Wiener Philharmoniker, Pierre Monteux | — | |
| 8-9 | Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm (Allegretto) | Wiener Philharmoniker, Pierre Monteux | — | |
| 9-1 | Symphony no. 2 in D major, op. 36: I. Adagio molto – Allegro con brio | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 9-2 | Symphony no. 2 in D major, op. 36: II. Larghetto | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 9-3 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 9-4 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 9-5 | Symphony no. 4 in B‐flat major, op. 60: I. Adagio – Allegro vivace | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 9-6 | Symphony no. 4 in B‐flat major, op. 60: II. Adagio | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 9-7 | Symphony no. 4 in B‐flat major, op. 60: III. Allegro vivace | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 9-8 | Symphony no. 4 in B‐flat major, op. 60: IV. Allegro ma non troppo | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 10-1 | Symphony no. 3 in E flat major, op. 55 “Eroica”: I. Allegro con brio | Wiener Philharmoniker, Erich Kleiber | — | |
| 10-2 | Symphony no. 3 in E flat major, op. 55 “Eroica”: II. Marcia funebre: Adagio assai | Wiener Philharmoniker, Erich Kleiber | — | |
| 10-3 | Symphony no. 3 in E flat major, op. 55 “Eroica”: III. Scherzo: Allegro vivace | Wiener Philharmoniker, Erich Kleiber | — | |
| 10-4 | Symphony no. 3 in E flat major, op. 55 “Eroica”: IV. Finale: Allegro molto | Wiener Philharmoniker, Erich Kleiber | T-318.676.528-2 | |
| 10-5 | Leonora Overture no. 2, op. 72a | Wiener Philharmoniker, Clemens Krauss | — | |
| 10-6 | Leonora Overture no. 2, op. 72b | Wiener Philharmoniker, Clemens Krauss | — | |
| 10-7 | Fidelio Overture, op. 72 | Wiener Philharmoniker, Clemens Krauss | T-905.049.604-3 | |
| 11-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Wiener Philharmoniker, Sir Georg Solti | — | |
| 11-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Wiener Philharmoniker, Sir Georg Solti | T-902.876.200-7 | |
| 11-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | Wiener Philharmoniker, Sir Georg Solti | — | |
| 11-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | Wiener Philharmoniker, Sir Georg Solti | T-003.055.867-8 | |
| 11-5 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 11-6 | Symphony no. 7 in A major, op. 92: II. Allegretto | Wiener Philharmoniker, Sir Georg Solti | T-321.302.266-9 | |
| 11-7 | Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 11-8 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Wiener Philharmoniker, Sir Georg Solti | — | |
| 12-1 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Wiener Philharmoniker, Claudio Abbado | — | |
| 12-2 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | Wiener Philharmoniker, Claudio Abbado | T-909.821.799-3 | |
| 12-3 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | Wiener Philharmoniker, Claudio Abbado | T-909.821.799-3 | |
| 12-4 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Wiener Philharmoniker, Claudio Abbado | T-909.821.799-3 | |
| 13-1 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 13-2 | Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace | Wiener Philharmoniker, Hans Schmidt-Isserstedt | T-909.876.841-3 | |
| 13-3 | Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 13-4 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto – Allegro assai | Joan Sutherland, Marilyn Horne, James King, Martti Talvela, Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 14-1 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | Friedrich Gulda, Wiener Philharmoniker, Karl Böhm | — | |
| 14-2 | Piano Concerto no. 1 in C major, op. 15: II. Largo | Friedrich Gulda, Wiener Philharmoniker, Karl Böhm | — | |
| 14-3 | Piano Concerto no. 1 in C major, op. 15: III. Rondo, Allegro scherzando | Friedrich Gulda, Wiener Philharmoniker, Karl Böhm | — | |
| 14-4 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco più moderato | Wilhelm Backhaus, Wiener Philharmoniker, Karl Böhm | — | |
| 14-5 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | Wilhelm Backhaus, Wiener Philharmoniker, Karl Böhm | — | |
| 14-6 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo: Allegro non troppo | Wilhelm Backhaus, Wiener Philharmoniker, Karl Böhm | — | |
| 15-1 | Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio | Vladimir Ashkenazy, Wiener Philharmoniker, Zubin Mehta | — | |
| 15-2 | Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio | Vladimir Ashkenazy, Wiener Philharmoniker, Zubin Mehta | — | |
| 15-3 | Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro | Vladimir Ashkenazy, Wiener Philharmoniker, Zubin Mehta | — | |
| 15-4 | Piano Concerto no. 2 in B‐flat major, op. 83: II. Allegro appasionato | Vladimir Ashkenazy, Wiener Philharmoniker, Bernard Haitink | — | |
| 15-5 | Piano Concerto no. 2 in B‐flat major, op. 83: II. Allegro appasionato | Vladimir Ashkenazy, Wiener Philharmoniker, Bernard Haitink | — | |
| 15-6 | Piano Concerto no. 2 in B‐flat major, op. 83: II. Allegro appasionato | Vladimir Ashkenazy, Wiener Philharmoniker, Bernard Haitink | — | |
| 15-7 | Piano Concerto no. 2 in B‐flat major, op. 83: II. Allegro appasionato | Vladimir Ashkenazy, Wiener Philharmoniker, Bernard Haitink | — | |
| 16-1 | Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: I. Allegro con brio | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 16-2 | Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: II. Largo | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 16-3 | Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: III. Rondo. Allegro | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 16-4 | Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Allegro moderato | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 16-5 | Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Andante con moto | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 16-6 | Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Rondo. Vivace | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 17-1 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | Sir Clifford Curzon, Wiener Philharmoniker, Hans Knappertsbusch | T-011.619.733-1 | |
| 17-2 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso - | Sir Clifford Curzon, Wiener Philharmoniker, Hans Knappertsbusch | T-928.635.608-9 | |
| 17-3 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo: Allegro | Sir Clifford Curzon, Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 17-4 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | Wiener Philharmoniker, Georg Solti, Clifford Curzon | — | |
| 17-5 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino simplice – Prestissimo – Tempo primo | Wiener Philharmoniker, Georg Solti, Clifford Curzon | — | |
| 17-6 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | Wiener Philharmoniker, Georg Solti, Clifford Curzon | — | |
| 18-1 | String Quartet no. 11 in F minor, op. 95 “Serioso”: I. Allegro con brio | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 18-2 | String Quartet no. 11 in F minor, op. 95 “Serioso”: II. Allegretto ma non troppo | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 18-3 | String Quartet no. 11 in F minor, op. 95 “Serioso”: III. Allegro assai vivace ma serioso - | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 18-4 | String Quartet no. 11 in F minor, op. 95 “Serioso”: IV. Larghetto espressivo - Allegretto agitato | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 18-5 | Piano Quartet no. 1 in G minor, op. 25: I. Allegro | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 18-6 | Piano Quartet no. 1 in G minor, op. 25: II. Intermezzo: Allegro ma non troppo | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 18-7 | Piano Quartet no. 1 in G minor, op. 25: III. Andante con moto | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 18-8 | Piano Quartet no. 1 in G minor, op. 25: IV. Rondo alla Zingarese: Presto | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 19-1 | Complete Incidental Music to Egmont, op. 84: Ouvertüre | — | ||
| 19-2 | Complete Incidental Music to Egmont, op. 84: No. 1. Lied: Vivace “Die Trommel gerühret” | — | ||
| 19-3 | Complete Incidental Music to Egmont, op. 84: No. 2. Zwischenakt I: Andante | — | ||
| 19-4 | Complete Incidental Music to Egmont, op. 84: No. 3. Zwischenakt II: Larghetto | — | ||
| 19-5 | Complete Incidental Music to Egmont, op. 84: No. 4. Lied: Andante con moto “Freudvoll und leidvoll” | — | ||
| 19-6 | Complete Incidental Music to “Egmont”, op. 84: No. 5 Zwischenakt III. Allegro – Marcia. Vivace | Wiener Philharmoniker, George Szell | — | |
| 19-7 | Complete Incidental Music to “Egmont”, op. 84: No. 6 Zwischenakt IV. Poco sostenuto e risoluto | Wiener Philharmoniker, George Szell | — | |
| 19-8 | Complete Incidental Music to “Egmont”, op. 84: No. 7 Clärchens Tod. Larghetto | Wiener Philharmoniker, George Szell | — | |
| 19-9 | Complete Incidental Music to “Egmont”, op. 84: No. 8 Melodram. Poco sostenuto | Wiener Philharmoniker, George Szell | — | |
| 19-10 | Egmont, Incidental Music, op. 84: Siegessymphonie. Allegro con brio | Wiener Philharmoniker, George Szell | — | |
| 19-11 | Symphony no. 8 in B minor, D. 759 "Unfinished": 1. Allegro moderato | Wiener Philharmoniker, Josef Krips | — | |
| 19-12 | Symphony no. 8 in B minor, D. 759 "Unfinished": 2. Andante con moto | Wiener Philharmoniker, Josef Krips | — | |
| 20-1 | Rosamunde, D. 797: Overture (Die Zauberharfe, D. 644) | Wiener Philharmoniker, Karl Münchinger | T-909.574.378-5 | |
| 20-2 | Rosamunde, D. 797: Entr'acte no. 1 | Wiener Philharmoniker, Karl Münchinger | — | |
| 20-3 | Rosamunde, D. 797: Ballet Music no. 1 | Wiener Philharmoniker, Karl Münchinger | — | |
| 20-4 | Rosamunde, D. 797: Entr'acte no. 2 | Wiener Philharmoniker, Karl Münchinger | — | |
| 20-5 | Rosamunde, D. 797: Romance "Der Vollmond strahlt auf Bergeshöh'n" | Rohangiz Yachmi, Wiener Philharmoniker, Karl Münchinger | — | |
| 20-6 | Rosamunde, D. 797: Chorus of Spirits "In der Tiefe wohnt das Licht" | Chor der Wiener Staatsoper, Wiener Philharmoniker, Karl Münchinger | — | |
| 20-7 | Rosamunde, D. 797: Entr'acte no. 3 | Wiener Philharmoniker, Karl Münchinger | — | |
| 20-8 | Rosamunde, D. 797: Shepherd's Melody | Wiener Philharmoniker, Karl Münchinger | — | |
| 20-9 | Rosamunde, D. 797: Chorus of Shepherds "Hier auf den Fluren..." | Chor der Wiener Staatsoper, Wiener Philharmoniker, Karl Münchinger | — | |
| 20-10 | Rosamunde, D. 797: Chorus of Huntsmen "Wie lebt sich's so fröhlich im Grünen" | Chor der Wiener Staatsoper, Wiener Philharmoniker, Karl Münchinger | — | |
| 20-11 | Rosamunde, D. 797: Ballet Music no. 2 | Wiener Philharmoniker, Karl Münchinger | T-902.750.555-1 | |
| 20-12 | Overture "Preciosa", op. 78 | Wiener Philharmoniker, Karl Münchinger | — | |
| 20-13 | Overture Genoveva, op. 81 | Wiener Philharmoniker, Karl Münchinger | — | |
| 20-14 | Anacréon - Ouvertüre | Wiener Philharmoniker, Karl Münchinger | — | |
| 21-1 | Symphony no. 9 in C major, D. 944 "Great": I. Andante - Allegro ma non troppo | Wiener Philharmoniker, Sir Georg Solti | — | |
| 21-2 | Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 21-3 | Symphony no. 9 in C major, D. 944 "Great": III. Scherzo. Allegro vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 21-4 | Symphony no. 9 in C major, D. 944 "Great": IV. Allegro vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 21-5 | Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 21-6 | Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto | Wiener Philharmoniker, Sir Georg Solti | T-303.792.628-2 | |
| 21-7 | Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato | Wiener Philharmoniker, Sir Georg Solti | — | |
| 21-8 | Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello presto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 22-1 | Symphony no. 3 in A minor, op. 56 “Scottish”: I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 22-2 | Symphony no. 3 in A minor, op. 56 “Scottish”: II. Vivace non troppo | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 22-3 | Symphony no. 3 in A minor, op. 56 “Scottish”: III. Adagio | Wiener Philharmoniker, Christoph von Dohnányi | T-700.095.171-5 | |
| 22-4 | Symphony no. 3 in A minor, op. 56 “Scottish”: IV. Allegro vivacissimo - Allegro maestoso assai | Wiener Philharmoniker, Christoph von Dohnányi | T-306.395.786-4 | |
| 22-5 | Athalia op.74: I. Overture | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 22-6 | Athalia op.74: II. War March of the Priests | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 22-7 | Die erste Walpurgisnacht, op. 60: Ouverture: 1 Das schlecte Wetter / 2. Der Ubergang zum Fruhling | Helmuth Froschauer, Tom Krause, Horst Laubenthal, Margarita Lilowa, Wiener Singverein, Alfred Šramek, Wiener Philharmoniker, Christoph von Dohnányi | T-900.052.310-4 | |
| 22-8 | Die erste Walpurgisnacht, op. 60: I. Es lacht der Mai! | Helmuth Froschauer, Tom Krause, Horst Laubenthal, Margarita Lilowa, Wiener Singverein, Alfred Šramek, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 22-9 | Die erste Walpurgisnacht, op. 60: II. Konnt ihr so verwegen handeln? | Helmuth Froschauer, Tom Krause, Horst Laubenthal, Margarita Lilowa, Wiener Singverein, Alfred Šramek, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 22-10 | Die erste Walpurgisnacht, op. 60: III. Wer Opfer heut’ zu bringen scheut | Helmuth Froschauer, Tom Krause, Horst Laubenthal, Margarita Lilowa, Wiener Singverein, Alfred Šramek, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 22-11 | Die erste Walpurgisnacht, op. 60: IV. Verteilt euch heir | Helmuth Froschauer, Tom Krause, Horst Laubenthal, Margarita Lilowa, Wiener Singverein, Alfred Šramek, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 22-12 | Die erste Walpurgisnacht, op. 60: V. Diese dumpfen Pfaffenchristen / VI. Kommt mit Zacken und mit Gabelt | Helmuth Froschauer, Tom Krause, Horst Laubenthal, Margarita Lilowa, Wiener Singverein, Alfred Šramek, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 22-13 | Die erste Walpurgisnacht, op. 60: VII. So weit gebracht / VIII. Hilf, ach hilf mir, Kriegsgeselle / IX. Die Flamme reinigt sich vom Rauch | Helmuth Froschauer, Tom Krause, Horst Laubenthal, Margarita Lilowa, Wiener Singverein, Alfred Šramek, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 23-1 | Overture, Scherzo, and Finale, op. 52: I. Overture: Andante con moto - Allegro | Wiener Philharmoniker, Sir Georg Solti | — | |
| 23-2 | Overture, Scherzo, and Finale, op. 52: II. Scherzo: Vivo | Wiener Philharmoniker, Sir Georg Solti | — | |
| 23-3 | Overture, Scherzo, and Finale, op. 52: III. Finale: Allegro molto vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 23-4 | Symphony no. 1 in B flat major, op. 38 “Spring”: I. Andante un poco maestoso - Allegro molto vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 23-5 | Symphony no. 1 in B flat major, op. 38 “Spring”: II. Larghetto - | Wiener Philharmoniker, Sir Georg Solti | — | |
| 23-6 | Symphony no. 1 in B flat major, op. 38 “Spring”: III. Scherzo: Molto vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 23-7 | Symphony no. 1 in B flat major, op. 38 “Spring”: IV. Allegro animato e grazioso | Wiener Philharmoniker, Sir Georg Solti | — | |
| 23-8 | Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo | Wiener Philharmoniker, Sir Georg Solti | — | |
| 23-9 | Symphony no. 2 in C major, op. 61: II. Scherzo, Trio I, Trio II & Coda: Allegro vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 23-10 | Symphony no. 2 in C major, op. 61: III. Adagio espressivo | Wiener Philharmoniker, Sir Georg Solti | — | |
| 23-11 | Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro - Meno allegro | Wiener Philharmoniker, Zubin Mehta | — | |
| 24-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | Wiener Philharmoniker, Zubin Mehta | — | |
| 24-3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | Wiener Philharmoniker, Zubin Mehta | — | |
| 24-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio - Piu andante - Allegro non troppo, ma con brio | Wiener Philharmoniker, Zubin Mehta | — | |
| 24-5 | Tragic Overture, op. 81 | Wiener Philharmoniker, Zubin Mehta | — | |
| 24-6 | Parsifal: Prelude to Act I | Wiener Philharmoniker, Zubin Mehta | — | |
| 25-1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | Wiener Philharmoniker, Carl Schuricht | — | |
| 25-2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo – L’istesso Tempo, Ma Grazioso | Wiener Philharmoniker, Carl Schuricht | — | |
| 25-3 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (quasi andantino) – Presto ma non assai – Tempo I | Wiener Philharmoniker, Carl Schuricht | — | |
| 25-4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | Wiener Philharmoniker, Carl Schuricht | — | |
| 25-5 | Piano Concerto no. 2 in B‐flat major, op. 83: I. Allegro non troppo | Wilhelm Backhaus, Wiener Philharmoniker, Carl Schuricht | — | |
| 25-6 | Piano Concerto no. 2 in B‐flat major, op. 83: II. Allegro appassionato | Wilhelm Backhaus, Wiener Philharmoniker, Carl Schuricht | — | |
| 25-7 | Piano Concerto no. 2 in B‐flat major, op. 83: III. Andante – Più adagio | Wilhelm Backhaus, Wiener Philharmoniker, Carl Schuricht | — | |
| 25-8 | Piano Concerto no. 2 in B‐flat major, op. 83: IV. Allegretto grazioso – Un poco più presto | Wilhelm Backhaus, Wiener Philharmoniker, Carl Schuricht | — | |
| 26-1 | Symphony no. 3 in F major, op. 90: I. Allegro con brio | Wiener Philharmoniker, Karl Böhm | — | |
| 26-2 | Symphony no. 3 in F major, op. 90: II. Andante | Wiener Philharmoniker, Karl Böhm | — | |
| 26-3 | Symphony no. 3 in F major, op. 90: III. Poco allegretto | Wiener Philharmoniker, Karl Böhm | — | |
| 26-4 | Symphony no. 3 in F major, op. 90: IV. Allegro | Wiener Philharmoniker, Karl Böhm | — | |
| 26-5 | Vier letzte Lieder: I. Frühling | Lisa della Casa, Wiener Philharmoniker, Karl Böhm | — | |
| 26-6 | Vier letzte Lieder: II. September | Lisa della Casa, Wiener Philharmoniker, Karl Böhm | T-800.001.493-8 | |
| 26-7 | Vier letzte Lieder: III. Beim Schlafengehen | Lisa della Casa, Wiener Philharmoniker, Karl Böhm | — | |
| 26-8 | Vier letzte Lieder: IV. Im Abendrot | Lisa della Casa, Wiener Philharmoniker, Karl Böhm | — | |
| 26-9 | Preciosa, J. 279: Overture | Wiener Philharmoniker, Karl Böhm | — | |
| 26-10 | Oberon, J. 306: Overture | Wiener Philharmoniker, Karl Böhm | — | |
| 26-11 | Peter Schmoll und seine Nachbarn, J. 8: Overture | Wiener Philharmoniker, Karl Böhm | — | |
| 27-1 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | Wiener Philharmoniker, István Kertész | — | |
| 27-2 | Symphony no. 4 in E minor, op. 98: II. Andante monderato | Wiener Philharmoniker, István Kertész | T-902.764.002-4 | |
| 27-3 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso | Wiener Philharmoniker, István Kertész | — | |
| 27-4 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato | Wiener Philharmoniker, István Kertész | — | |
| 27-5 | Variations on a Theme by Joseph Haydn, op. 56a: Theme: Chorale St. Antoni. Andante | Wiener Philharmoniker, István Kertész | — | |
| 27-6 | Variations on a Theme by Joseph Haydn, op. 56a: Variation I. Poco più animato | Wiener Philharmoniker, István Kertész | — | |
| 27-7 | Variations on a Theme by Joseph Haydn, op. 56a: Variation II. Più vivace | Wiener Philharmoniker, István Kertész | — | |
| 27-8 | Variations on a Theme by Joseph Haydn, op. 56a: Variation III. Con moto | Wiener Philharmoniker, István Kertész | — | |
| 27-9 | Variations on a Theme by Joseph Haydn, op. 56a: Variation IV. Andante con moto | Wiener Philharmoniker, István Kertész | — | |
| 27-10 | Variations on a Theme by Joseph Haydn, op. 56a: Variation V. Vivace | Wiener Philharmoniker, István Kertész | — | |
| 27-11 | Variations on a Theme by Joseph Haydn, op. 56a: Variation VI. Vivace | Wiener Philharmoniker, István Kertész | — | |
| 27-12 | Variations on a Theme by Joseph Haydn, op. 56a: Variation VII. Grazioso | Wiener Philharmoniker, István Kertész | — | |
| 27-13 | Variations on a Theme by Joseph Haydn, op. 56a: Variation VIII. Presto non troppo | Wiener Philharmoniker, István Kertész | — | |
| 27-14 | Variations on a Theme by Joseph Haydn, op. 56a: Finale: Andante | Wiener Philharmoniker, István Kertész | — | |
| 27-15 | Symphony no. 5 in B-flat major, D 485: I. Allegro | Wiener Philharmoniker, István Kertész | T-011.422.353-8 | |
| 27-16 | Symphony no. 5 in B-flat major, D 485: II. Andante con moto | Wiener Philharmoniker, István Kertész | — | |
| 27-17 | Symphony no. 5 in B-flat major, D 485: III. Menuetto: Allegro molto | Wiener Philharmoniker, István Kertész | — | |
| 27-18 | Symphony no. 5 in B-flat major, D 485: IV. Allegro vivace | Wiener Philharmoniker, István Kertész | — | |
| 28-1 | Hungarian Dances: no. 5 in G minor | Wiener Philharmoniker, Fritz Reiner | — | |
| 28-2 | Hungarian Dances: no. 6 in D-flat major | Wiener Philharmoniker, Fritz Reiner | — | |
| 28-3 | Hungarian Dances: no. 7 in A major | Wiener Philharmoniker, Fritz Reiner | T-915.335.673-1 | |
| 28-4 | Hungarian Dances: no. 12 in D minor | Wiener Philharmoniker, Fritz Reiner | T-915.711.194-9 | |
| 28-5 | Hungarian Dances: no. 13 in D major | Wiener Philharmoniker, Fritz Reiner | — | |
| 28-6 | Hungarian Dances: no. 19 in B minor | Wiener Philharmoniker, Fritz Reiner | T-915.711.980-7 | |
| 28-7 | Hungarian Dances: no. 21 in E minor | Wiener Philharmoniker, Fritz Reiner | — | |
| 28-8 | Hungarian Dances: no. 1 in G minor | Wiener Philharmoniker, Fritz Reiner | T-329.391.159-4 | |
| 28-9 | Slavonic Dances, op. 46: no. 1 in C major: Presto | Wiener Philharmoniker, Fritz Reiner | — | |
| 28-10 | Slavonic Dances, op. 46: no. 3 in A-flat major: Poco allegro | Wiener Philharmoniker, Fritz Reiner | — | |
| 28-11 | Slavonic Dances, op. 46: no. 8 in G minor: Presto | Wiener Philharmoniker, Fritz Reiner | — | |
| 28-12 | Slavonic Dances, op. 72: no. 2 in E minor: Allegretto grazioso | Wiener Philharmoniker, Fritz Reiner | — | |
| 28-13 | Slavonic Dances, op. 72: no. 1 in B major: Molto vivace | Wiener Philharmoniker, Fritz Reiner | — | |
| 28-14 | Till Eulenspiegels lustige Streiche, op. 28 | Wiener Philharmoniker, Fritz Reiner | — | |
| 28-15 | Tod und Verklärung, op. 24 | Wiener Philharmoniker, Fritz Reiner | — | |
| 29-1 | Má Vlast: I. Vyšehrad | Wiener Philharmoniker, Rafael Kubelík | — | |
| 29-2 | Má Vlast: II. Vltava (The Moldau) | Wiener Philharmoniker, Rafael Kubelík | T-910.005.581-0 | |
| 29-3 | Má Vlast: III. Šárka | Wiener Philharmoniker, Rafael Kubelík | T-902.852.943-3 | |
| 29-4 | Má Vlast: IV. From Bohemia's Meadows and Groves | Wiener Philharmoniker, Rafael Kubelík | — | |
| 29-5 | Má Vlast: V. Tábor | Wiener Philharmoniker, Rafael Kubelík | T-902.852.943-3 | |
| 29-6 | Má Vlast: VI. Blaník | Wiener Philharmoniker, Rafael Kubelík | T-902.852.943-3 | |
| 30-1 | Symphony no. 9 in E minor, op. 95 “New World”: I. Adagio – Allegro molto | Wiener Philharmoniker, István Kertész | — | |
| 30-2 | Symphony no. 9 in E minor, op. 95 “New World”: II. Largo | Wiener Philharmoniker, István Kertész | — | |
| 30-3 | Symphony no. 9 in E minor, op. 95 “New World”: III. Scherzo – Molto vivace | Wiener Philharmoniker, István Kertész | T-911.517.582-1 | |
| 30-4 | Symphony no. 9 in E minor, op. 95 “New World”: IV. Allegro con fuoco | Wiener Philharmoniker, István Kertész | — | |
| 30-5 | Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio — Allegro molto | Wiener Philharmoniker, Kirill Kondrashin | — | |
| 30-6 | Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo | Wiener Philharmoniker, Kirill Kondrashin | T-902.286.256-2 | |
| 30-7 | Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo — Molto vivace | Wiener Philharmoniker, Kirill Kondrashin | — | |
| 30-8 | Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco | Wiener Philharmoniker, Kirill Kondrashin | — | |
| 31-1 | Symphony no. 2 in C minor: I. Ziemlich schnell | Wiener Philharmoniker, Horst Stein | — | |
| 31-2 | Symphony no. 2 in C minor: II. Adagio. Feierlich, etwas bewegt | Wiener Philharmoniker, Horst Stein | — | |
| 31-3 | Symphony no. 2 in C minor: III. Scherzo: Schnell - Trio: Gleiches Tempo | Wiener Philharmoniker, Horst Stein | — | |
| 31-4 | Symphony no. 2 in C minor: IV. Finale: Mehr schnell | Wiener Philharmoniker, Horst Stein | T-003.055.867-8 | |
| 31-5 | Euryanthe - Ouvertüre, J291 | Wiener Philharmoniker, Horst Stein | T-900.144.063-7 | |
| 31-6 | Aufforderung zum Tanz, op. 65, J260 | Wiener Philharmoniker, Horst Stein | — | |
| 32-1 | Symphony no. 3 in D minor: I. Mehr langsam, misterioso | Wiener Philharmoniker, Karl Böhm | — | |
| 32-2 | Symphony no. 3 in D minor: II. Adagio, bewegt, quasi Andante | Wiener Philharmoniker, Karl Böhm | — | |
| 32-3 | Symphony no. 3 in D minor: III. Ziemlich schnell | Wiener Philharmoniker, Karl Böhm | — | |
| 32-4 | Symphony no. 3 in D minor: IV. Allegro | Wiener Philharmoniker, Karl Böhm | T-003.055.867-8 | |
| 33-1 | Symphony no. 4 in E‐flat major “Romantic”: I. Bewegt, nicht zu schell | Wiener Philharmoniker, Karl Böhm | — | |
| 33-2 | Symphony no. 4 in E‐flat major “Romantic”: II. Andante, quasi allegretto | Wiener Philharmoniker, Karl Böhm | — | |
| 33-3 | Symphony no. 4 in E‐flat major “Romantic”: III. Scherzo. Bewegt – Trio. Nicht zu schnell, keinesfalls schleppend | Wiener Philharmoniker, Karl Böhm | — | |
| 33-4 | Symphony no. 4 in E‐flat major “Romantic”: IV. Finale. Bewegt, doch nicht zu schnell | Wiener Philharmoniker, Karl Böhm | T-318.676.528-2 | |
| 34-1 | Symphony no. 5 in B-flat major: I. Introduction: Adagio - Allegro. Mäßig | Wiener Philharmoniker, Lorin Maazel | — | |
| 34-2 | Symphony no. 5 in B-flat major: II. Sehr langsam | Wiener Philharmoniker, Lorin Maazel | — | |
| 34-3 | Symphony no. 5 in B-flat major: III. Scherzo: Molto vivace (schnell) - Trio: Im gleichen Tempo | Wiener Philharmoniker, Lorin Maazel | — | |
| 34-4 | Symphony no. 5 in B-flat major: IV. Finale: Adagio - Allegro moderato | Wiener Philharmoniker, Lorin Maazel | — | |
| 35-1 | Symphony no. 6 in A major: I. Maestoso | Wiener Philharmoniker, Horst Stein | — | |
| 35-2 | Symphony no. 6 in A major: II. Adagio: Sehr feierlich | Wiener Philharmoniker, Horst Stein | — | |
| 35-3 | Symphony no. 6 in A major: III. Scherzo: Nicht schnell - Trio: Langsam | Wiener Philharmoniker, Horst Stein | — | |
| 35-4 | Symphony no. 6 in A major: IV. Finale: Bewegt, doch nicht zu schnell | Wiener Philharmoniker, Horst Stein | T-318.676.528-2 | |
| 35-5 | Der Beherrscher der Geister - Ouvertüre, J122 | Wiener Philharmoniker, Horst Stein | — | |
| 35-6 | Abu Hassan - Ouvertüre, J106 | Wiener Philharmoniker, Horst Stein | — | |
| 36-1 | Symphony no. 7 in E major, WAB 107: I. Allegro moderato | Wiener Philharmoniker, Sir Georg Solti | — | |
| 36-2 | Symphony no. 7 in E major, WAB 107: II. Adagio: Sehr feierlich und sehr langsam | Wiener Philharmoniker, Sir Georg Solti | — | |
| 36-3 | Symphony no. 7 in E major, WAB 107: III. Scherzo: Sehr schnell | Wiener Philharmoniker, Sir Georg Solti | — | |
| 36-4 | Symphony no. 7 in E major, WAB 107: IV. Finale: Bewegt, doch nicht schnell | Wiener Philharmoniker, Sir Georg Solti | T-318.676.528-2 | |
| 37-1 | Symphony no. 8 in C minor, WAB 108: I. Allegro moderato | Wiener Philharmoniker, Sir Georg Solti | — | |
| 37-2 | Symphony no. 8 in C minor, WAB 108: II. Scherzo. Allegro moderato - Trio. Langsam | Wiener Philharmoniker, Sir Georg Solti | — | |
| 37-3 | Symphony no. 8 in C minor, WAB 108: III. Adagio. Feierlich langsam, doch nicht schleppend | Wiener Philharmoniker, Sir Georg Solti | — | |
| 37-4 | Symphony no. 8 in C minor, WAB 108: IV. Finale. Feierlich, nicht schnell | Wiener Philharmoniker, Sir Georg Solti | — | |
| 38-1 | Symphony no. 9 in D minor: I. Feierlich, misterioso | Wiener Philharmoniker, Zubin Mehta | — | |
| 38-2 | Symphony no. 9 in D minor: II. Scherzo: Bewegt, lebhaft - Trio: Schnell | Wiener Philharmoniker, Zubin Mehta | — | |
| 38-3 | Symphony no. 9 in D minor: III. Adagio: Langsam, feierlich | Wiener Philharmoniker, Zubin Mehta | — | |
| 38-4 | Les Préludes, Symphonic Poem no. 3, S. 97 | Wiener Philharmoniker, Zubin Mehta | — | |
| 39-1 | Symphony no. 4 in C major: Allegro molto moderato - Passioato- | Wiener Philharmoniker, Zubin Mehta | T-312.542.381-2 | |
| 39-2 | Symphony no. 4 in C major: Adagio - Più lento - Adagio - | Wiener Philharmoniker, Zubin Mehta | — | |
| 39-3 | Symphony no. 4 in C major: Molto vivace - Tempo primo un poco sostenuto - Passionato - | Wiener Philharmoniker, Zubin Mehta | T-312.542.381-2 | |
| 39-4 | Symphony no. 4 in C major: Tempo primo (Allegro molto moderato) | Wiener Philharmoniker, Zubin Mehta | — | |
| 39-5 | Philadelphia Symphony, op. 28: I. Allegro giusto | Wiener Philharmoniker, Zubin Mehta | — | |
| 39-6 | Philadelphia Symphony, op. 28: II. Andante | Wiener Philharmoniker, Zubin Mehta | — | |
| 39-7 | Philadelphia Symphony, op. 28: III. Allegro vivace | Wiener Philharmoniker, Zubin Mehta | — | |
| 40-1 | Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio | Wiener Philharmoniker, Lorin Maazel | — | |
| 40-2 | Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace | Wiener Philharmoniker, Lorin Maazel | T-312.542.531-8 | |
| 40-3 | Symphony no. 4 in A minor, op. 63: III. Il tempo largo | Wiener Philharmoniker, Lorin Maazel | — | |
| 40-4 | Symphony no. 4 in A minor, op. 63: IV. Allegro | Wiener Philharmoniker, Lorin Maazel | T-318.676.528-2 | |
| 40-5 | Symphony no. 7 in C major, op. 105 | Wiener Philharmoniker, Lorin Maazel | — | |
| 40-6 | Tapiola, op. 112 | Wiener Philharmoniker, Lorin Maazel | — | |
| 41-1 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima | Wiener Philharmoniker, Lorin Maazel | — | |
| 41-2 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona | Wiener Philharmoniker, Lorin Maazel | — | |
| 41-3 | Symphony no. 4 in F minor, op. 36: III. Scherzo. Allegro (pizzicato ostinato) | Wiener Philharmoniker, Lorin Maazel | — | |
| 41-4 | Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco | Wiener Philharmoniker, Lorin Maazel | — | |
| 41-5 | Suite no. 3 in G major, op. 55: I. Elégie: Andantino molto cantabile - Andante | Wiener Philharmoniker, Lorin Maazel | — | |
| 41-6 | Suite no. 3 in G major, op. 55: II. Valse mélancolique: Allegro moderato | Wiener Philharmoniker, Lorin Maazel | — | |
| 41-7 | Suite no. 3 in G major, op. 55: III. Scherzo: Presto | Wiener Philharmoniker, Lorin Maazel | — | |
| 41-8 | Suite no. 3 in G major, op. 55: IV. Tema con variazioni: Andante con moto | Wiener Philharmoniker, Lorin Maazel | — | |
| 42-1 | Swan Lake Suite: Scene (Act II) | Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-2 | Swan Lake Suite: Valse (Act I) | Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-3 | Swan Lake Suite: Dance of the Little Swans (Act II) | Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-4 | Swan Lake Suite: Scene and Second Dance of the Queen of the Swans (Act II) | Wiener Philharmoniker, Herbert von Karajan | T-900.160.317-4 | |
| 42-5 | Swan Lake Suite: Czardas (Act III) | Wiener Philharmoniker, Herbert von Karajan | T-900.160.317-4 | |
| 42-6 | Swan Lake Suite: Finale (Act IV) | Wiener Philharmoniker, Herbert von Karajan | T-900.160.317-4 | |
| 42-7 | The Nutcracker Suite: Ouverture Miniature | Wiener Philharmoniker, Herbert von Karajan | T-312.199.363-9 | |
| 42-8 | The Nutcracker Suite: Marche (Act I) | Wiener Philharmoniker, Herbert von Karajan | T-304.210.691-8 | |
| 42-9 | The Nutcracker Suite: Dance of the Sugar-Plum Fairy (Act II) | Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-10 | The Nutcracker Suite: Trepak (Russian dance) (Act II) | Wiener Philharmoniker, Herbert von Karajan | T-312.199.363-9 | |
| 42-11 | The Nutcracker Suite: Arab Dance (Act II) | Wiener Philharmoniker, Herbert von Karajan | T-312.199.363-9 | |
| 42-12 | The Nutcracker Suite: Chinese Dance (Act II) | Wiener Philharmoniker, Herbert von Karajan | T-312.199.363-9 | |
| 42-13 | The Nutcracker Suite: Dance of the Reed Pipes (Act II) | Wiener Philharmoniker, Herbert von Karajan | T-900.140.239-7 | |
| 42-14 | The Nutcracker Suite: Waltz of the Flowers (Act II) | Wiener Philharmoniker, Herbert von Karajan | T-312.199.363-9 | |
| 42-15 | The Sleeping Beauty Suite: Introduction and Lilac Fairy (Prologue) | Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-16 | The Sleeping Beauty Suite: Pas D'Action (Adagio) (Act I) | Wiener Philharmoniker, Herbert von Karajan | T-926.359.944-6 | |
| 42-17 | The Sleeping Beauty Suite: Pas De Caractere (Puss in Boots) (Act III) | Wiener Philharmoniker, Herbert von Karajan | T-905.014.886-2 | |
| 42-18 | The Sleeping Beauty Suite: Panorama (Act II) | Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-19 | The Sleeping Beauty Suite: Valse (Act I) | Wiener Philharmoniker, Herbert von Karajan | T-905.381.461-2 | |
| 43-1 | Giselle: Act I. Introduction | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-2 | Giselle: Act un. Les vendangeurs | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-3 | Giselle: Act un. Entree du Prince | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-4 | Giselle: Act un. Loys seul et entree de Giselle - scene d'amour | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-5 | Giselle: Act un. Retour des vendangeurs - Valse | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-6 | Giselle: Act un. Pas de deux | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-7 | Giselle: Act un. La chasse | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-8 | Giselle: Act un. Marche des vignerons | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-9 | Giselle: Act un. Variation de Giselle | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-10 | Giselle: Act un. Galop general | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-11 | Giselle: Act un. Final | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-12 | Giselle: Act duex. Apparition et scene de Myrthe | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-13 | Giselle: Act duex. Apparition de Giselle | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-14 | Giselle: Act duex. Entree de Loys - Pas de deux | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-15 | Giselle: Act duex. Scene des Wilis | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-16 | Giselle: Act duex. Grand pas de deux | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-17 | Giselle: Act duex. Variation de Loys | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-18 | Giselle: Act duex. Variation de Giselle | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-19 | Giselle: Act duex. Final | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-20 | Die Fledermaus: Ballettmusik | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-21 | Otello: Act III. "Ballabile" (Ballet Music) | Wiener Philharmoniker, Herbert von Karajan | T-010.287.722-4 | |
| 44-1 | Radetzky March, op. 228 | Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 44-2 | Badner Madl’n Waltz, op. 257 | Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 44-3 | Annen-Polka, op. 117 | Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 44-4 | Accelerationen, op. 234 | Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 44-5 | Tritsch-Tratsch Polka, op. 214 | Wiener Philharmoniker, Hans Knappertsbusch | T-901.154.623-9 | |
| 44-6 | Wiener Bürger. Walzer, op. 419 | Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 44-7 | Leichtes Blut Galop, op. 319 | Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 44-8 | G'schichten aus dem Wienerwald, op. 325 | Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 44-9 | Marche militaire op. 51, D. 733 no. 1 in D major | Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 44-10 | Aufforderung zum Tanz, op. 65 | Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 44-11 | Die lustigen Weiber von Windsor: Overtüre | Wiener Philharmoniker, Hans Knappertsbusch | T-929.533.363-0 | |
| 45-1 | Mein Lebenslauf ist Lieb' und Lust - Walzer, op. 263 | Wiener Philharmoniker, Clemens Krauss | — | |
| 45-2 | Die Libelle - Polka mazur, op. 204 | Wiener Philharmoniker, Clemens Krauss | — | |
| 45-3 | Jokey-Polka, op. 278 | Wiener Philharmoniker, Clemens Krauss | — | |
| 45-4 | Im Krapfenwald'l - Polka française, op. 336 | Wiener Philharmoniker, Clemens Krauss | — | |
| 45-5 | Éljen a Magyar! - Polka, op. 332 | Wiener Philharmoniker, Clemens Krauss | T-902.189.169-0 | |
| 45-6 | Geschichten aus dem Wienerwald - Walzer, op. 325 | Wiener Philharmoniker, Clemens Krauss | — | |
| 45-7 | Pizzicato Polka - Polka française | Wiener Philharmoniker, Clemens Krauss | T-917.157.430-4 | |
| 45-8 | Ägyptischer Marsch, op. 335 | Wiener Philharmoniker, Clemens Krauss | — | |
| 45-9 | Vergnügungszug, op. 281 | Wiener Philharmoniker, Clemens Krauss | — | |
| 45-10 | Dorfschwalben aus Österreich, op.164 | Hilde Güden, Wiener Philharmoniker, Josef Krips | — | |
| 45-11 | Accelerations Waltz | Vienna Philharmonic Orchestra, Josef Krips | — | |
| 45-12 | Emperor Waltz | Vienna Philharmonic Orchestra, Josef Krips | — | |
| 45-13 | Roses From the South Waltz | Vienna Philharmonic Orchestra, Josef Krips | — | |
| 45-14 | Voices of Spring, op. 410 (vocal version) | Hilde Güden, Wiener Philharmoniker, Josef Krips | — | |
| 46-1 | Die Fledermaus - Ouvertüre | Wiener Philharmoniker, Willi Boskovsky | — | |
| 46-2 | Die lustigen Weiber von Windsor - Ouvertüre | Wiener Philharmoniker, Willi Boskovsky | — | |
| 46-3 | Donna Diana - Ouvertüre | Wiener Philharmoniker, Willi Boskovsky | — | |
| 46-4 | Prinz Methusalem - Ouvertüre | Wiener Philharmoniker, Willi Boskovsky | — | |
| 46-5 | Der Opernball - Ouvertüre | Wiener Philharmoniker, Willi Boskovsky | — | |
| 46-6 | Gold und Silberwalzer, op. 79 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 46-7 | Morgenblätter, op. 279 | Wiener Philharmoniker, Willi Boskovsky | T-930.663.420-8 | |
| 46-8 | Polka schnell, op. 324: Unter Donner und Blitz | Wiener Philharmoniker, Willi Boskovsky | T-900.078.728-0 | |
| 46-9 | Erinnerung an Covent-Garden, op. 329 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 46-10 | Der Carneval in Rom - Ouvertüre | Wiener Philharmoniker, Willi Boskovsky | — | |
| 46-11 | Russischer Marsch, Op. 426 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 46-12 | Schützen-Quadrille | Wiener Philharmoniker, Willi Boskovsky | — | |
| 47-1 | Champagner-Polka, op. 211 | Wiener Philharmoniker, Willi Boskovsky | T-927.211.242-2 | |
| 47-2 | Wiener Blut, op. 354 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 47-3 | Neue Pizzicato-Polka, op. 449 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 47-4 | Liebeslieder, op. 114 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 47-5 | Heiterer Muth, op. 281 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 47-6 | Explosionen Polka, op. 43 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 47-7 | Wiener Bonbons, op. 307 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 47-8 | Persischer March, op. 289 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 47-9 | Waldmeister Overture | Wiener Philharmoniker, Willi Boskovsky | — | |
| 47-10 | Geschichten aus dem Wienerwald, op. 325 | Anton Karas, Wiener Philharmoniker, Willi Boskovsky | T-071.432.204-9 | |
| 47-11 | Egyptischer Marsch, op. 335 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 47-12 | Tritsch-Tratsch-Polka, op. 214 | Wiener Philharmoniker, Willi Boskovsky | T-901.154.623-9 | |
| 47-13 | Tausendundeine Nacht, op. 346 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 47-14 | Perpetuum Mobile, op. 257 | Wiener Philharmoniker, Willi Boskovsky | T-924.759.817-0 | |
| 47-15 | Kaiserwalzer, op. 437 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 48-1 | Loreley-Rhein-Klänge, op. 154 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 48-2 | Bitte schön! - polka française, after motifs from 'Cagliostro in Wien, op. 372 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 48-3 | Ohne Bremse - Polka schnell, op. 238 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 48-4 | Wein, Weib und Gesang, op. 333 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 48-5 | Die Emancipierte - polka-mazur, op. 282 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 48-6 | Hereinspaziert, op. 518 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 48-7 | Die schöne Galathee - operetta in 1 Act (1865): Overture | Wiener Philharmoniker, Willi Boskovsky | — | |
| 48-8 | Bei uns z'Haus - waltz, op. 361 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 48-9 | Moulinet - polka française, op. 57 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 48-10 | Tik-Tak - Polka schnell, op. 365 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 48-11 | Pizzicato Polka (1870) | Wiener Philharmoniker, Willi Boskovsky | T-917.157.430-4 | |
| 48-12 | Rudolfsheimer - polka schnell, op. 152 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 48-13 | Auf der Jagd, op. 373 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 48-14 | Leichtes Blut, polka schnell, op. 319 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 48-15 | An der schönen blauen Donau, op. 314 | Wiener Philharmoniker, Willi Boskovsky | T-902.100.912-1 | |
| 48-16 | Radetzky-Marsch, op. 228 | Wiener Philharmoniker, Willi Boskovsky | T-930.586.862-6 | |
| 49-1 | Messa da requiem: Requiem aeternam & Kyrie | Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 49-2 | Messa da requiem: Dies Irae: Dies Irae | Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-910.932.757-3 | |
| 49-3 | Messa da requiem: Dies Irae: Tuba mirum | Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 49-4 | Messa da requiem: Dies Irae: Liber scriptus | Chor der Wiener Staatsoper, Marilyn Horne, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 49-5 | Messa da requiem: Dies Irae: Quid sum miser | Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 49-6 | Messa da requiem: Dies Irae: Rex tremendae | Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 49-7 | Messa da requiem: Dies Irae: Recordare | Marilyn Horne, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 49-8 | Messa da requiem: IIh. Dies irae: Ingemisco | Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | T-900.146.503-8 | |
| 49-9 | Messa da requiem: Dies Irae: Confutatis | Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 49-10 | Messa da requiem: Dies Irae: Lacrimosa | Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 49-11 | Messa da requiem: Offertorium: Domine, Jesu Christe | Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 49-12 | Messa da requiem: Offertorium: Hostias | Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 49-13 | Messa da requiem: Sanctus | Martti Talvela, Chor der Wiener Staatsoper, Wiener Philharmoniker, Sir Georg Solti | — | |
| 49-14 | Messa da requiem: Agnus Dei | Chor der Wiener Staatsoper, Marilyn Horne, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 49-15 | Messa da requiem: Lux aeterna | Marilyn Horne, Luciano Pavarotti, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-910.952.061-8 | |
| 49-16 | Messa da requiem: Libera Me: Libera me | Chor der Wiener Staatsoper, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-329.460.025-8 | |
| 49-17 | Messa da requiem: Libera Me: Dies irae | Chor der Wiener Staatsoper, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-317.797.099-5 | |
| 49-18 | Messa da requiem: Libera Me: Requiem aeternam | Chor der Wiener Staatsoper, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-317.797.099-5 | |
| 50-1 | Rienzi, WWV 49: Overture | Wiener Philharmoniker, Sir Georg Solti | T-929.533.363-0 | |
| 50-2 | Der fliegende Holländer, WWV 63: Overture | Wiener Philharmoniker, Sir Georg Solti | T-031.672.821-8 | |
| 50-3 | Tannhäuser, WWV 70: Overture | Wiener Philharmoniker, Sir Georg Solti | T-909.574.378-5 | |
| 50-4 | Tannhäuser, WWV 70: Act I. Bacchanale | Wiener Philharmoniker, Sir Georg Solti | — | |
| 50-5 | Siegfried Idyll | Members of the Wiener Philharmoniker, Sir Georg Solti | T-306.482.955-2 | |
| 50-6 | Kinderkatechismus | Wiener Philharmoniker, Sir Georg Solti | — | |
| 50-7 | Götterdämmerung, WWV 86D: Siegfried's Funeral March (Concert Version) | Wiener Philharmoniker, Sir Georg Solti | T-903.273.484-2 | |
| 51-1 | Wesendonk Lieder (Five Poems for Female Voice): "Der Engel" | Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch | T-031.672.821-8 | |
| 51-2 | Wesendonk Lieder (Five Poems for Female Voice): "Stehe still" | Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch | T-031.652.746-4 | |
| 51-3 | Wesendonk Lieder (Five Poems for Female Voice): "Im Treibhaus" | Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch | T-303.029.870-1 | |
| 51-4 | Wesendonk Lieder (Five Poems for Female Voice): "Schmerzen" | Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch | T-902.736.041-4 | |
| 51-5 | Wesendonk Lieder (Five Poems for Female Voice): "Träume" | Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch | T-902.829.871-7 | |
| 51-6 | Lohengrin: Act I. "Einsam in trüben Tagen" | Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 51-7 | Parsifal: Act II. "Ich sah das Kind an seiner Mutter Brust" | Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 51-8 | Die Walküre: Erster Aufzug. "Du bist der Lenz" | Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 51-9 | Kindertotenlieder: No. 1. Nun will die Sonn' so hell aufgeh'n | Kirsten Flagstad, Wiener Philharmoniker, Sir Adrian Boult | T-050.357.477-3 | |
| 51-10 | Kindertotenlieder: No. 2. Nun seh' ich wohl, warum so dunkle Flammen | Kirsten Flagstad, Wiener Philharmoniker, Sir Adrian Boult | — | |
| 51-11 | Kindertotenlieder: No. 3. Wenn dein Mütterlein | Kirsten Flagstad, Wiener Philharmoniker, Sir Adrian Boult | — | |
| 51-12 | Kindertotenlieder: No. 4. Oft denk' ich, sie sind nur ausgegangen | Kirsten Flagstad, Wiener Philharmoniker, Sir Adrian Boult | — | |
| 51-13 | Kindertotenlieder: No. 5. In diesem Wetter | Kirsten Flagstad, Wiener Philharmoniker, Sir Adrian Boult | — | |
| 51-14 | Lieder eines fahrenden Gesellen: No. 1. Wenn mein Schatz Hochzeit macht | Kirsten Flagstad, Wiener Philharmoniker, Sir Adrian Boult | — | |
| 51-15 | Lieder eines fahrenden Gesellen: No. 2. Ging heut' morgen übers Feld | Kirsten Flagstad, Wiener Philharmoniker, Sir Adrian Boult | — | |
| 51-16 | Lieder eines fahrenden Gesellen: No. 3. Ich hab' ein glühend Messer | Kirsten Flagstad, Wiener Philharmoniker, Sir Adrian Boult | — | |
| 51-17 | Lieder eines fahrenden Gesellen: No. 4. Die zwei blauen Augen | Kirsten Flagstad, Wiener Philharmoniker, Sir Adrian Boult | — | |
| 52-1 | Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck | Wiener Philharmoniker, Zubin Mehta | — | |
| 52-2 | Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich | Wiener Philharmoniker, Zubin Mehta | — | |
| 52-3 | Symphony no. 2 in C minor “Resurrection”: III. Scherzo. In ruhig fliessender Bewegung | Wiener Philharmoniker, Zubin Mehta | — | |
| 52-4 | Symphony no. 2 in C minor “Resurrection”: IV. “O Röschen Rot! Der Mensch liegt in grösster Not!” (Sehr feierlich aber Schlicht) | Christa Ludwig, Wiener Philharmoniker, Zubin Mehta | — | |
| 52-5 | Symphony no. 2 in C minor “Resurrection”: V (a). Im Tempo des Scherzos. Wild Herausfahrend — | Wiener Philharmoniker, Zubin Mehta | — | |
| 52-6 | Symphony no. 2 in C minor “Resurrection”: V (b). Maestoso. Sehr zurückhaltend – Wieder zurückhaltend — | Wiener Philharmoniker, Zubin Mehta | — | |
| 52-7 | Symphony no. 2 in C minor “Resurrection”: V (c). Sehr langsam und gedehnt — | Wiener Philharmoniker, Zubin Mehta | — | |
| 52-8 | Symphony no. 2 in C minor “Resurrection”: V (d). “Aufersteh'n, ja aufersteh'n wirst du” (Langsam. Misterioso) | Ileana Cotrubaş, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Zubin Mehta | — | |
| 52-9 | Symphony No. 2 in C minor “Resurrection”: V (e). “O glaube, Mein Herz, O glaube” (Etwas bewegter) | Ileana Cotrubaş, Christa Ludwig, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Zubin Mehta | — | |
| 53-1 | Das Lied von der Erde: I. Das Trinklied von Jammer der Erde | Julius Patzak, Wiener Philharmoniker, Bruno Walter | — | |
| 53-2 | Das Lied von der Erde: II. Der Einsame im Herbst | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | — | |
| 53-3 | Das Lied von der Erde: III. Von der Jugend | Julius Patzak, Wiener Philharmoniker, Bruno Walter | — | |
| 53-4 | Das Lied von der Erde: IV. Von der Schönheit | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | — | |
| 53-5 | Das Lied von der Erde: V. Der Trunkene im Frühling | Julius Patzak, Wiener Philharmoniker, Bruno Walter | — | |
| 53-6 | Das Lied von der Erde: VI. Der Abschied | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | — | |
| 53-7 | Rückert-Lieder, op. 44: IV. Ich bin der Welt abhanden gekommen | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | — | |
| 53-8 | Rückert-Lieder, op. 44: I. Ich atmet' einen linden Duft | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | T-301.280.963-7 | |
| 53-9 | Rückert-Lieder, op. 44: V. Um Mitternacht | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | T-926.161.456-6 | |
| 54-1 | Das Lied von der Erde: 1. Das Trinklied vom Jammer der Erde | James King, Wiener Philharmoniker, Leonard Bernstein | — | |
| 54-2 | Das Lied von der Erde: 2. Der Einsame im Herbst | Dietrich Fischer-Dieskau, Wiener Philharmoniker, Leonard Bernstein | — | |
| 54-3 | Das Lied von der Erde: 3. Von der Jugend | James King, Wiener Philharmoniker, Leonard Bernstein | — | |
| 54-4 | Das Lied von der Erde: 4. Von der Schönheit | Dietrich Fischer-Dieskau, Wiener Philharmoniker, Leonard Bernstein | — | |
| 54-5 | Das Lied von der Erde: 5. Der Trunkene um Frühling | James King, Wiener Philharmoniker, Leonard Bernstein | — | |
| 54-6 | Das Lied von der Erde: 6. Der Abschied | Dietrich Fischer-Dieskau, Wiener Philharmoniker, Leonard Bernstein | — | |
| 55-1 | The Planets, op. 32: I. Mars, the Bringer of War | Wiener Philharmoniker, Herbert von Karajan | T-923.663.725-5 | |
| 55-2 | The Planets, op. 32: II. Venus, the Bringer of Peace | Wiener Philharmoniker, Herbert von Karajan | — | |
| 55-3 | The Planets, op. 32: III. Mercury, the Winged Messenger | Wiener Philharmoniker, Herbert von Karajan | — | |
| 55-4 | The Planets, op. 32: IV. Jupiter, the Bringer of Jollity | Wiener Philharmoniker, Herbert von Karajan | T-101.257.909-6 | |
| 55-5 | The Planets, op. 32: V. Saturn, the Bringer of Old Age | Wiener Philharmoniker, Herbert von Karajan | — | |
| 55-6 | The Planets, op. 32: VI. Uranus, the Magician | Wiener Philharmoniker, Herbert von Karajan | — | |
| 55-7 | The Planets, op. 32: VII. Neptune, the Mystic | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | — | |
| 55-8 | Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) | Wiener Philharmoniker, Herbert von Karajan | — | |
| 55-9 | Also sprach Zarathustra, op. 30: II. Von den Hinterweltlern | Wiener Philharmoniker, Herbert von Karajan | — | |
| 55-10 | Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht | Wiener Philharmoniker, Herbert von Karajan | — | |
| 55-11 | Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften | Wiener Philharmoniker, Herbert von Karajan | — | |
| 55-12 | Also sprach Zarathustra, op. 30: V. Das Grablied | Wiener Philharmoniker, Herbert von Karajan | — | |
| 55-13 | Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft | Wiener Philharmoniker, Herbert von Karajan | — | |
| 55-14 | Also sprach Zarathustra, op. 30: VII. Der Genesende | Wiener Philharmoniker, Herbert von Karajan | — | |
| 55-15 | Also sprach Zarathustra, op. 30: VIII. Das Tanzlied | Wiener Philharmoniker, Herbert von Karajan | — | |
| 55-16 | Also sprach Zarathustra, op. 30: IX. Nachtwandlerlied | Wiener Philharmoniker, Herbert von Karajan | — | |
| 56-1 | Don Quixote, op. 35: Introduktion: Mäßiges Zeitmaß - Thema: Mäßig | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 56-2 | Don Quixote, op. 35: Variation I. Gemächlich | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 56-3 | Don Quixote, op. 35: Variation II. Kriegerisch | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 56-4 | Don Quixote, op. 35: Variation III. Mäßiges Zeitmaß | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 56-5 | Don Quixote, op. 35: Variation IV. Etwas breiter | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 56-6 | Don Quixote, op. 35: Variation V. Sehr langsam | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 56-7 | Don Quixote, op. 35: Variation VI. Schnell | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 56-8 | Don Quixote, op. 35: Variation VII. Ein wenig ruhiger als vorher | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 56-9 | Don Quixote, op. 35: Variation VIII. Gemächlich | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 56-10 | Don Quixote, op. 35: Variation IX. Schnell und stürmisch | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 56-11 | Don Quixote, op. 35: Variation X. Viel breiter | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 56-12 | Don Quixote, op. 35: Finale: Sehr ruhig | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 56-13 | Aus Italien, op. 16: I. Auf der Campagna | Wiener Philharmoniker, Clemens Krauss | — | |
| 56-14 | Aus Italien, op. 16: II. In Rom's Ruinen | Wiener Philharmoniker, Clemens Krauss | — | |
| 56-15 | Aus Italien, op. 16: III. Am Strande von Sorrent | Wiener Philharmoniker, Clemens Krauss | — | |
| 56-16 | Aus Italien, op. 16: IV. Neapolitanisches Volksleben | Wiener Philharmoniker, Clemens Krauss | — | |
| 57-1 | Sinfonia domestica, op. 53: I. Thema I: Bewegt | Wiener Philharmoniker, Clemens Krauss | — | |
| 57-2 | Sinfonia domestica, op. 53: I. Thema II: Sehr lebhaft | Wiener Philharmoniker, Clemens Krauss | — | |
| 57-3 | Sinfonia domestica, op. 53: I. Thema III: Ruhig | Wiener Philharmoniker, Clemens Krauss | — | |
| 57-4 | Sinfonia domestica, op. 53: II. Scherzo: Munter | Wiener Philharmoniker, Clemens Krauss | — | |
| 57-5 | Sinfonia domestica, op. 53: II. Wiegenlied: Mäßig langsam und sehr ruhig | Wiener Philharmoniker, Clemens Krauss | — | |
| 57-6 | Sinfonia domestica, op. 53: III. Adagio (Langsam) | Wiener Philharmoniker, Clemens Krauss | — | |
| 57-7 | Sinfonia domestica, op. 53: IV. Finale: Sehr lebhaft | Wiener Philharmoniker, Clemens Krauss | — | |
| 57-8 | Le bourgeois gentilhomme - Suite, op. 60: I. Ouvertüre zum 1. Aufzug: Jourdain - der Bürger | Wiener Philharmoniker, Clemens Krauss | — | |
| 57-9 | Le bourgeois gentilhomme - Suite, op. 60: II. Menuett | Wiener Philharmoniker, Clemens Krauss | — | |
| 57-10 | Le bourgeois gentilhomme - Suite, op. 60: III. Der Fechtmeister | Wiener Philharmoniker, Clemens Krauss | — | |
| 57-11 | Le bourgeois gentilhomme - Suite, op. 60: IV. Auftritt und Tanz der Schneider | Wiener Philharmoniker, Clemens Krauss | — | |
| 57-12 | Le bourgeois gentilhomme - Suite, op. 60: V. Das Menuett des Lully | Wiener Philharmoniker, Clemens Krauss | — | |
| 57-13 | Le bourgeois gentilhomme - Suite, op. 60: VI. Courante | Wiener Philharmoniker, Clemens Krauss | — | |
| 57-14 | Le bourgeois gentilhomme - Suite, op. 60: VII. Auftritt des Cleonte (nach Lully) | Wiener Philharmoniker, Clemens Krauss | — | |
| 57-15 | Le bourgeois gentilhomme - Suite, op. 60: VIII. Vorspiel zum 2. Aufzug: Intermezzo Dorantes und Dorimene - Graf und Marquise | Wiener Philharmoniker, Clemens Krauss | — | |
| 57-16 | Le bourgeois gentilhomme - Suite, op. 60: IX. Das Diner: Tafelmusik und Tanz des Küchejungen | Wiener Philharmoniker, Clemens Krauss | — | |
| 58-1 | Ein Heldenleben, op. 40 TrV 190: I. Der Held | Wiener Philharmoniker, Sir Georg Solti | T-800.635.645-3 | |
| 58-2 | Ein Heldenleben, op. 40 TrV 190: II. Des Helden Widersacher | Wiener Philharmoniker, Sir Georg Solti | — | |
| 58-3 | Ein Heldenleben, op. 40 TrV 190: III. Des Helden Gefährtin | Wiener Philharmoniker, Sir Georg Solti | — | |
| 58-4 | Ein Heldenleben, op. 40 TrV 190: IV. Des Helden Walstatt | Wiener Philharmoniker, Sir Georg Solti | — | |
| 58-5 | Ein Heldenleben, op. 40 TrV 190: V. Des Helden Friedenswerke | Wiener Philharmoniker, Sir Georg Solti | — | |
| 58-6 | Ein Heldenleben, op. 40 TrV 190: VI. Des Helden Weltflucht und Vollendung | Wiener Philharmoniker, Sir Georg Solti | — | |
| 58-7 | Vier letzte Lieder, AV 150 TrV 296: Frühling | Kiri Te Kanawa, Wiener Philharmoniker, Sir Georg Solti | — | |
| 58-8 | Vier letzte Lieder, AV 150 TrV 296: September | Kiri Te Kanawa, Wiener Philharmoniker, Sir Georg Solti | T-800.001.493-8 | |
| 58-9 | Vier letzte Lieder, AV 150 TrV 296: Beim Schlafengehen | Kiri Te Kanawa, Wiener Philharmoniker, Sir Georg Solti | — | |
| 58-10 | Vier letzte Lieder, AV 150 TrV 296: Im Abendrot | Kiri Te Kanawa, Wiener Philharmoniker, Sir Georg Solti | — | |
| 59-1 | Piano Concerto in G minor, op. 33, op. 33: I. Allegro agitato | András Schiff, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 59-2 | Piano Concerto in G minor, op. 33: II. Andante sostenuto | András Schiff, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 59-3 | Piano Concerto in G minor, op. 33: III. Allegro con fuoco | András Schiff, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 59-4 | Two Portraits, op. 5, Sz. 37: I. Ideal | Erich Binder, Wiener Philharmoniker, Christoph von Dohnányi | T-007.183.639-9 | |
| 59-5 | Two Portraits, op. 5, Sz. 37: II. Distorted | Erich Binder, Wiener Philharmoniker, Christoph von Dohnányi | T-007.183.639-9 | |
| 59-6 | The Miraculous Mandarin, Sz. 73: Allegro | Wiener Philharmoniker, Christoph von Dohnányi | T-001.312.909-3 | |
| 59-7 | The Miraculous Mandarin, Sz. 73: 1st Decoy game: Moderato | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 59-8 | The Miraculous Mandarin, Sz. 73: 2nd Decoy game | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 59-9 | The Miraculous Mandarin, Sz. 73: 3rd Decoy game: Sostenuto | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 59-10 | The Miraculous Mandarin, Sz. 73: Maestoso | Wiener Philharmoniker, Christoph von Dohnányi | T-902.876.200-7 | |
| 59-11 | The Miraculous Mandarin, Sz. 73: Allegro | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 59-12 | The Miraculous Mandarin, Sz. 73: Sempre vivo | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 59-13 | The Miraculous Mandarin, Sz. 73: Adagio | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 59-14 | The Miraculous Mandarin, Sz. 73: Agitato | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 59-15 | The Miraculous Mandarin, Sz. 73: Molto moderato | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 59-16 | The Miraculous Mandarin, Sz. 73: Più mosso | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 60-1 | 6 Orchester-Lieder, op. 8: I. Nature | Anja Silja, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 60-2 | 6 Orchester-Lieder, op. 8: II. Das Wappenschild | Anja Silja, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 60-3 | 6 Orchester-Lieder, op. 8: III. Sehnsucht | Anja Silja, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 60-4 | 6 Orchester-Lieder, op. 8: IV. Nie ward ich, Herrin, müd | Anja Silja, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 60-5 | 6 Orchester-Lieder, op. 8: V. Voll jener Süße | Anja Silja, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 60-6 | 6 Orchester-Lieder, op. 8: VI. Wenn Vöglein klagen | Anja Silja, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 60-7 | Lulu Suite: I. Rondo: Andante - Tempo I - Hymne: Sostenuto | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 60-8 | Lulu Suite: II. Ostinato: Allegro | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 60-9 | Lulu Suite: III. Lied der Lulu: Comodo | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 60-10 | Lulu Suite: IV. Variationen: Moderato - Grandioso - Grazioso - Funèbre - Affettuoso - Thema | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 60-11 | Lulu Suite: V. Adagio: Sostenuto - Lento - Grave | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 60-12 | Salome, op. 54 - Schlußszene: Es ist kein Laut zu vernehmen | Anja Silja, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 61-1 | Sinfonietta for Orchestra: I. Allegretto - Allegro - Maestoso | Vienna Philharmonic, Charles Mackerras | T-900.952.974-2 | |
| 61-2 | Sinfonietta for Orchestra: II. Andante - Allegretto - Maestoso - Tempo I - Allegretto | Vienna Philharmonic, Charles Mackerras | T-900.952.974-2 | |
| 61-3 | Sinfonietta for Orchestra: III. Moderato - Con Moto - Prestissimo - Tempo I - Moderato | Vienna Philharmonic, Charles Mackerras | T-900.952.974-2 | |
| 61-4 | Sinfonietta for Orchestra: IV. Allegretto - Adagio - Presto - Andante - Presto - Prestissimo | Vienna Philharmonic, Charles Mackerras | T-003.055.867-8 | |
| 61-5 | Sinfonietta for Orchestra: V. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - Adagio | Vienna Philharmonic, Charles Mackerras | T-900.952.974-2 | |
| 61-6 | Taras Bulba - Rhapsody for Orchestra: I. The Death of Andri | Vienna Philharmonic, Charles Mackerras | — | |
| 61-7 | Taras Bulba - Rhapsody for Orchestra: II. The Death of Ostap | Vienna Philharmonic, Charles Mackerras | — | |
| 61-8 | Taras Bulba - Rhapsody for Orchestra: III. The Prophecy and the Death of Taras Bulba | Vienna Philharmonic, Charles Mackerras | — | |
| 61-9 | The Cunning Little Vixen Suite: I. Andante | Wiener Philharmoniker, Sir Charles Mackerras | — | |
| 61-10 | The Cunning Little Vixen Suite: II. Andante | Wiener Philharmoniker, Sir Charles Mackerras | — | |
| 62-1 | Mša glagolskaja: I. Úvod (Introduction) | Wiener Philharmoniker, Riccardo Chailly | T-315.011.947-0 | |
| 62-2 | Mša glagolskaja: II. Gospodi pomiluj (Kyrie) | Eva Urbanová, Slovak Philharmonic Choir, Wiener Philharmoniker, Riccardo Chailly | T-321.187.219-0 | |
| 62-3 | Mša glagolskaja: III. Slava (Gloria) | Eva Urbanová, Vladimir Bogachov, Thomas Trotter, Slovak Philharmonic Choir, Wiener Philharmoniker, Riccardo Chailly | T-314.918.753-7 | |
| 62-4 | Mša glagolskaja: IV. Věruju (Credo) | Eva Urbanová, Vladimir Bogachov, Richard Novák, Thomas Trotter, Slovak Philharmonic Choir, Wiener Philharmoniker, Riccardo Chailly | T-312.542.697-9 | |
| 62-5 | Mša glagolskaja: V. Svet (Sanctus) | Eva Urbanová, Marta Beňačková, Vladimir Bogachov, Richard Novák, Slovak Philharmonic Choir, Wiener Philharmoniker, Riccardo Chailly | T-312.692.424-7 | |
| 62-6 | Mša glagolskaja: VI. Agneče Božij (Agnus Dei) | Eva Urbanová, Marta Beňačková, Vladimir Bogachov, Richard Novák, Slovak Philharmonic Choir, Wiener Philharmoniker, Riccardo Chailly | T-312.642.049-9 | |
| 62-7 | Mša glagolskaja: VII. Allegro (organ solo) | Thomas Trotter | T-312.541.571-2 | |
| 62-8 | Mša glagolskaja: VIII. Intrada | Wiener Philharmoniker, Riccardo Chailly | — | |
| 62-9 | Psalm 83 | Slovak Philharmonic Choir, Wiener Philharmoniker, Riccardo Chailly | — | |
| 62-10 | Passover Psalm, op. 30 | Eva Urbanová, Slovak Philharmonic Choir, Wiener Philharmoniker, Riccardo Chailly | — | |
| 63-1 | Spartacus: Adagio of Spartacus and Phrygia | Wiener Philharmoniker, Aram Khachaturian | — | |
| 63-2 | Spartacus: Variation of Aegina and Bacchanalia | Wiener Philharmoniker, Aram Khachaturian | — | |
| 63-3 | Spartacus: Scene and Dance with Crotala | Wiener Philharmoniker, Aram Khachaturian | — | |
| 63-4 | Spartacus: Dance of Gaditanae and Victory of Spartacus | Wiener Philharmoniker, Aram Khachaturian | — | |
| 63-5 | Gayaneh-Suite: Sabre dance | Wiener Philharmoniker, Aram Khachaturian | T-801.025.525-2 | |
| 63-6 | Gayaneh-Suite: Aysheh’s awakening and dance | Wiener Philharmoniker, Aram Khachaturian | — | |
| 63-7 | Gayaneh-Suite: Lezghinka | Wiener Philharmoniker, Aram Khachaturian | — | |
| 63-8 | Gayaneh-Suite: Gayaneh’s Adagio | Wiener Philharmoniker, Aram Khachaturian | T-900.020.942-7 | |
| 63-9 | Gayaneh-Suite: Gopak | Wiener Philharmoniker, Aram Khachaturian | T-004.016.462-2 | |
| 63-10 | Graduation Ball: I. Introduction - Waltz of the Girls | Wiener Philharmoniker, Antal Doráti | — | |
| 63-11 | Graduation Ball: II. Arrival of the Cadets | Wiener Philharmoniker, Antal Doráti | — | |
| 63-12 | Graduation Ball: III. Announcement of the Show | Wiener Philharmoniker, Antal Doráti | — | |
| 63-13 | Graduation Ball: IV. The Drummer | Wiener Philharmoniker, Antal Doráti | — | |
| 63-14 | Graduation Ball: V. The Sylphide and the Scotsman | Wiener Philharmoniker, Antal Doráti | — | |
| 63-15 | Graduation Ball: VI. The Fun | Wiener Philharmoniker, Antal Doráti | — | |
| 63-16 | Graduation Ball: VII. Virtuoso Polka | Wiener Philharmoniker, Antal Doráti | — | |
| 63-17 | Graduation Ball: VIII. Rival Ballerinas | Wiener Philharmoniker, Antal Doráti | — | |
| 63-18 | Graduation Ball: IX. Teacher and Pupils | Wiener Philharmoniker, Antal Doráti | — | |
| 63-19 | Graduation Ball: X. Perpetuum mobile | Wiener Philharmoniker, Antal Doráti | — | |
| 63-20 | Graduation Ball: XI. Mazurka "The General and the Governess" | Wiener Philharmoniker, Antal Doráti | — | |
| 63-21 | Graduation Ball: XII. Grand Gallop | Wiener Philharmoniker, Antal Doráti | — | |
| 63-22 | Graduation Ball: XIII. Finale | Wiener Philharmoniker, Antal Doráti | T-906.818.954-8 | |
| 64-1 | Variations on a Hungarian folk song “Fölszállott a páva” (“The Peacock Roared”) | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 64-2 | Variations on a Theme of Paganini, op. 26 | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 64-3 | Variations on an Original Theme, op. 36 “Enigma”: Theme (Enigma: Andante) | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 64-4 | Variations on an Original Theme, op. 36 “Enigma”: Variation I (L'istesso tempo) “C.A.E.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 64-5 | Variations on an Original Theme, op. 36 “Enigma”: Variation II (Allegro) “H.D.S-P.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 64-6 | Variations on an Original Theme, op. 36 “Enigma”: Variation III (Allegretto) “R.B.T.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 64-7 | Variations on an Original Theme, op. 36 “Enigma”: Variation IV (Allegro di molto) “W.M.B” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 64-8 | Variations on an Original Theme, op. 36 “Enigma”: Variation V. (Moderato) “R.P.A.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 64-9 | Variations on an Original Theme, op. 36 “Enigma”: Variation VI (Andantino) “Ysobel” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 64-10 | Variations on an Original Theme, op. 36 “Enigma”: Variation VII (Presto) “Troyte” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 64-11 | Variations on an Original Theme, op. 36 “Enigma”: Variation VIII (Allegretto) “W.N.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 64-12 | Variations on an Original Theme, op. 36 “Enigma”: Variation IX (Adagio) “Nimrod” | Vienna Philharmonic Orchestra, Sir Georg Solti | T-010.115.427-1 | |
| 64-13 | Variations on an Original Theme, op. 36 “Enigma”: Variation X (Intermezzo: Allegretto) “Dorabella” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 64-14 | Variations on an Original Theme, op. 36 “Enigma”: Variation XI (Allegro di molto) “G.R.S.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 64-15 | Variations on an Original Theme, op. 36 “Enigma”: Variation XII (Andante) “B.G.N.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 64-16 | Variations on an Original Theme, op. 36 “Enigma”: Variation XIII (Romanza: Moderato) “* * *” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 64-17 | Variations on an Original Theme, op. 36 “Enigma”: Variation XIV (Finale: Allegro) “E.D.U.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 65-1 | Symphony no. 2: I. Andante maestoso | Wiener Philharmoniker, Aram Khachaturian | — | |
| 65-2 | Symphony no. 2: II. Allegro risoluto | Wiener Philharmoniker, Aram Khachaturian | — | |
| 65-3 | Symphony no. 2: III. Andante sostenuto | Wiener Philharmoniker, Aram Khachaturian | — | |
| 65-4 | Symphony no. 2: IV. Andante mosso – Allegro sostenuto, maestoso | Wiener Philharmoniker, Aram Khachaturian | — | |
| 65-5 | Piano Concerto no. 4: Allegro molto moderato - Allegro - Allegro moderato - Allegro - Più tranquillo - Tempo primo - Allegro - Allegro con brio | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Messa da requiem: Libera Me: Libera me | Chor der Wiener Staatsoper, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-329.460.025-8 |
| Das Lied von der Erde: I. Das Trinklied von Jammer der Erde | Julius Patzak, Wiener Philharmoniker, Bruno Walter | — |
| Das Lied von der Erde: II. Der Einsame im Herbst | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | — |
| Das Lied von der Erde: III. Von der Jugend | Julius Patzak, Wiener Philharmoniker, Bruno Walter | — |
| Das Lied von der Erde: IV. Von der Schönheit | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | — |
| Das Lied von der Erde: V. Der Trunkene im Frühling | Julius Patzak, Wiener Philharmoniker, Bruno Walter | — |
| Das Lied von der Erde: VI. Der Abschied | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
028947867562 is a Universal Product Code (UPC) assigned to The Orchestral Edition by Wiener Philharmoniker. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 664 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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028947867562 is the Universal Product Code (UPC barcode) for the release “The Orchestral Edition” by Wiener Philharmoniker, released 2014-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 664 tracks, each with its own ISRC. Tracks include GBF075910701, GBF075910702, GBF075910703.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 94 in G major, Hob. I:94 "Surprise": I. Adagio - Vivace assai | Wiener Philharmoniker, Pierre Monteux | — | |
| 2 | Symphony no. 94 in G major, Hob. I:94 "Surprise": II. Andante | Wiener Philharmoniker, Pierre Monteux | — | |
| 3 | Symphony no. 94 in G major, Hob. I:94 "Surprise": III. Menuet (Allegro molto) | Wiener Philharmoniker, Pierre Monteux | — | |
| 4 | Symphony no. 94 in G major, Hob. I:94 "Surprise": IV. Finale (Allegro di molto) | Wiener Philharmoniker, Pierre Monteux | — | |
| 5 | Symphony no. 101 in D major, Hob. I:101 "The Clock": I. Adagio - Presto | Wiener Philharmoniker, Pierre Monteux | — | |
| 6 | Symphony no. 101 in D major, Hob. I:101 "The Clock": II. Andante | Wiener Philharmoniker, Pierre Monteux | — | |
| 7 | Symphony no. 101 in D major, Hob. I:101 "The Clock": III. Menuet (Allegretto) - Trio | Wiener Philharmoniker, Pierre Monteux | — | |
| 8 | Symphony no. 101 in D major, Hob. I:101 "The Clock": IV. Finale (Vivace) | Wiener Philharmoniker, Pierre Monteux | T-318.676.528-2 | |
| 9 | Symphony no. 104 in D major "London": I. Adagio - Allegro | Wiener Philharmoniker, Herbert von Karajan | — | |
| 10 | Symphony no. 104 in D major "London": II. Andante | Wiener Philharmoniker, Herbert von Karajan | T-071.481.827-5 | |
| 11 | Symphony no. 104 in D major "London": III. Menuet e trio: Allegro | Wiener Philharmoniker, Herbert von Karajan | T-902.876.200-7 | |
| 12 | Symphony no. 104 in D major "London": IV. Finale: Spiritoso | Wiener Philharmoniker, Herbert von Karajan | T-318.676.528-2 | |
| 2-1 | Missa brevis Sancti Joannis de Deo, Hob. XXII:7: Kyrie | Karl Münchinger | — | |
| 2-2 | Missa brevis Sancti Joannis de Deo, Hob. XXII:7: Gloria | Karl Münchinger | — | |
| 2-3 | Missa brevis Sancti Joannis de Deo, Hob. XXII:7: Credo | Karl Münchinger | — | |
| 2-4 | Missa brevis Sancti Joannis de Deo, Hob. XXII:7: Sanctus | Karl Münchinger | — | |
| 2-5 | Missa brevis Sancti Joannis de Deo, Hob. XXII:7: Benedictus | Karl Münchinger | — | |
| 2-6 | Missa brevis Sancti Joannis de Deo, Hob. XXII:7: Agnus Dei | Karl Münchinger | — | |
| 2-7 | Die Schöpfung, Hob. XX1:2: Teil I, No. 1. Orchestervorspiel Die Vorstellung der Chaos | Karl Münchinger | — | |
| 2-8 | Die Schöpfung, Hob. XX1:2: Teil I, No. 2. Rezitativ und Chor "Im Anfange schuf Gott Himmel und Erde" (Raphael, Chor, Uriel) | Karl Münchinger | — | |
| 2-9 | Die Schöpfung, Hob. XX1:2: Teil I, No. 3. Arie und Chor "Nun schwanden vor dem heiligen Strahle" (Uriel, Chor) | Karl Münchinger | — | |
| 2-10 | Die Schöpfung, Hob. XX1:2: Teil I, No. 4. Rezitativ "Und Gott machte das Firmament" (Raphael) / Teil I, No. 5. Solo und Chor "Mit Staunen sieht das Wunderwerk" (Gabriel, Chor) | Karl Münchinger | — | |
| 2-11 | Die Schöpfung, Hob. XX1:2: Teil I, No. 6. Rezitativ "Und Gott sprach" (Raphael) / Teil I, No. 7. Arie "Rollend in schäumenden Wellen" (Raphael) | Karl Münchinger | — | |
| 2-12 | Die Schöpfung, Hob. XX1:2: Teil I, No. 8. Rezitativ "Und Gott sprach: Es bringe die Erde Gras hervor" (Gabriel) / Teil I, No. 9. Arie "Nun beut die Flur das frische Grün" (Gabriel) | Karl Münchinger | — | |
| 2-13 | Die Schöpfung, Hob. XX1:2: Teil I, No. 10. Rezitativ "Und die himmlischen Heerscharen verkündigten" (Uriel) / Teil I, No. 11. Chor "Stimmt an die Saiten" (Chor) | Karl Münchinger | — | |
| 2-14 | Die Schöpfung, Hob. XX1:2: Teil I, No. 12. Rezitativ "Und Gott sprach: Es sei'n Lichter" (Uriel) / Teil I, No. 13. Rezitativ "In vollem Glanze steiget jetzt" (Uriel) | Karl Münchinger | — | |
| 2-15 | Die Schöpfung, Hob. XX1:2: Teil I, No. 14. Terzett und Chor "Die Himmel erzählen die Ehre Gottes" (Chor, Gabriel, Uriel, Raphael) | Karl Münchinger | — | |
| 3-1 | Die Schöpfung, Hob. XX1:2: Teil II, No. 15. Rezitativ "Und Gott sprach: Es bringe das Wasser" (Gabriel) / Teil II, No. 16. Arie "Auf starkem Fittiche schwinget sich der Adler stolz" (Gabriel) | Karl Münchinger | — | |
| 3-2 | Die Schöpfung, Hob. XX1:2: Teil II, No. 17. Rezitativ "Und Gott schuf große Walfische" (Raphael) | Karl Münchinger | — | |
| 3-3 | Die Schöpfung, Hob. XX1:2: Teil II, No. 18. Rezitativ "Und die Engel rührten ihr' unsterblichen Harfen" (Raphael) / Teil II, No. 19. Terzett und Chor "In holder Anmut steh'n" (Gabriel, Uriel, Raphael, Chor) | Karl Münchinger | — | |
| 3-4 | Die Schöpfung, Hob. XX1:2: Teil II, No. 20. Rezitativ "Und Gott sprach: Es bringe die Erde" (Raphael) / Teil II, No. 21. Rezitativ "Gleich öffnet sich der Erde Schoß" (Raphael) | Karl Münchinger | — | |
| 3-5 | Die Schöpfung, Hob. XX1:2: Teil II, No. 22. Arie "Nun scheint in vollem Glanze der Himmel" (Raphael) | Karl Münchinger | — | |
| 3-6 | Die Schöpfung, Hob. XX1:2: Teil II, No. 23. Rezitativ "Und Gott schuf den Menschen" (Uriel) / Teil II, No. 24. Arie "Mit Würd' und Hoheit angetan" (Uriel) | Karl Münchinger | — | |
| 3-7 | Die Schöpfung, Hob. XX1:2: Teil II, No. 25. Rezitativ "Und Gott sah jedes Ding" (Raphael) / Teil II, No. 26. Chor und Terzett "Vollendet ist das große Werk" (Chor, Gabriel, Uriel, Raphael) | Karl Münchinger | — | |
| 3-8 | Die Schöpfung, Hob. XX1:2: Teil III, No. 27. Rezitativ "Aus Rosenwolken" (Uriel) | Karl Münchinger | — | |
| 3-9 | Die Schöpfung, Hob. XX1:2: Teil III, No. 28. Duett und Chor "Von deiner Güt', o Herr und Gott" (Eva, Adam, Chor) | Karl Münchinger | — | |
| 3-10 | Die Schöpfung, Hob. XX1:2: Teil III, No. 29. Rezitativ "Nun ist die erste Pflicht erfüllt" (Adam, Eva) | Karl Münchinger | — | |
| 3-11 | Die Schöpfung, Hob. XX1:2: Teil III, No. 30. Duett "Holde Gattin, dir zur Seite" (Adam, Eva) | Karl Münchinger | — | |
| 3-12 | Die Schöpfung, Hob. XX1:2: Teil III, No. 31. Rezitativ "O glücklich Paar, und glücklich immerfort" (Uriel) / Teil III, No. 32. Schlußchor (mit Soli) "Singt dem Herren, alle Stimmen!" (Chor, Solisten) | Karl Münchinger | — | |
| 4-1 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: I. Allegro | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4-2 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. [Andante] | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4-3 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: III. Allegro | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4-4 | Symphony no. 36 “Linz”: I. Adagio -Allegro spiritoso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4-5 | Symphony no. 36 “Linz”: II. Andante | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4-6 | Symphony no. 36 “Linz”: III. Menuetto | Wiener Philharmoniker, Leonard Bernstein | T-902.876.200-7 | |
| 4-7 | Symphony no. 36 “Linz”: IV. Presto | Wiener Philharmoniker, Leonard Bernstein | T-003.055.867-8 | |
| 5-1 | Piano Concerto no. 23 in A major, K. 488: I. Allegro | Sir Clifford Curzon, Wiener Philharmoniker, George Szell | T-011.619.733-1 | |
| 5-2 | Piano Concerto no. 23 in A major, K. 488: II. Adagio | Sir Clifford Curzon, Wiener Philharmoniker, George Szell | T-915.711.586-1 | |
| 5-3 | Piano Concerto no. 23 in A major, K. 488: III. Allegro assai | Sir Clifford Curzon, Wiener Philharmoniker, George Szell | — | |
| 5-4 | Piano Concerto no. 27 in B-flat major, K. 595: I. Allegro | Sir Clifford Curzon, Wiener Philharmoniker, George Szell | T-011.619.733-1 | |
| 5-5 | Piano Concerto no. 27 in B-flat major, K. 595: II. Larghetto | Sir Clifford Curzon, Wiener Philharmoniker, George Szell | T-926.819.124-8 | |
| 5-6 | Piano Concerto no. 27 in B-flat major, K. 595: III. Allegro | Sir Clifford Curzon, Wiener Philharmoniker, George Szell | — | |
| 6-1 | Clarinet Concerto in A major, K. 622: I. Allegro | Alfred Prinz, Wiener Philharmoniker, Karl Münchinger | — | |
| 6-2 | Concerto for Clarinet in A major, K. 622: II. Adagio | Alfred Prinz, Wiener Philharmoniker, Karl Münchinger | — | |
| 6-3 | Clarinet Concerto in A major, K. 622: III. Rondo: Allegro | Alfred Prinz, Wiener Philharmoniker, Karl Münchinger | — | |
| 6-4 | Flute and Harp Concerto in C major, K. 299: I. Allegro | Hubert Jellinek, Werner Tripp, Wiener Philharmoniker, Karl Münchinger | T-011.422.353-8 | |
| 6-5 | Flute and Harp Concerto in C major, K. 299: II. Andantino | Hubert Jellinek, Werner Tripp, Wiener Philharmoniker, Karl Münchinger | — | |
| 6-6 | Flute and Harp Concerto in C major, K. 299: III. Rondo: Allegro | Hubert Jellinek, Werner Tripp, Wiener Philharmoniker, Karl Münchinger | — | |
| 6-7 | Symphony No. 40 in G minor, K. 550 “Great”: I. Allegro molto | Wiener Philharmoniker, Herbert von Karajan | — | |
| 6-8 | Symphony no. 40 in G minor, K. 550: II. Andante | Wiener Philharmoniker, Herbert von Karajan | T-902.876.200-7 | |
| 6-9 | Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto | Wiener Philharmoniker, Herbert von Karajan | T-902.876.200-7 | |
| 6-10 | Symphony no. 40 in G minor, K. 550: IV. Allegro assai | Wiener Philharmoniker, Herbert von Karajan | — | |
| 7-1 | Requiem, K. 626: I. Introitus: "Requiem aeternam" | Arleen Augér, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-905.034.867-9 | |
| 7-2 | Requiem, K. 626: II. "Kyrie eleison" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-923.240.177-3 | |
| 7-3 | Requiem, K. 626: IIIa. Sequenz: "Dies irae" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-923.239.846-8 | |
| 7-4 | Requiem, K. 626: IIIb. Sequenz: "Tuba mirum" | Arleen Augér, Cecilia Bartoli, Vinson Cole, René Pape, Wiener Philharmoniker, Sir Georg Solti | — | |
| 7-5 | Requiem, K. 626: IIIc. Sequenz: "Rex tremendae" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | — | |
| 7-6 | Requiem, K. 626: IIId. Sequenz: "Recordare" | Arleen Augér, Cecilia Bartoli, Vinson Cole, René Pape, Wiener Philharmoniker, Sir Georg Solti | T-316.209.461-9 | |
| 7-7 | Requiem, K. 626: IIIe. Sequenz: "Confutatis" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | — | |
| 7-8 | Requiem in D minor, K. 626 (edited by H.C. Robbins Landon): Lacrimosa | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-009.157.890-3 | |
| 7-9 | Requiem, K. 626: IVa. Offertorium: "Domine Jesu" | Arleen Augér, Cecilia Bartoli, Konzertvereinigung Wiener Staatsopernchor, Vinson Cole, René Pape, Wiener Philharmoniker, Sir Georg Solti | — | |
| 7-10 | Requiem, K. 626: IVb. Offertorium: "Hostias" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-900.137.873-0 | |
| 7-11 | Prayer over the Gifts | [unknown] | — | |
| 7-12 | Preface | [unknown] | — | |
| 7-13 | Requiem, K. 626: V. "Sanctus" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | — | |
| 7-14 | Requiem, K. 626: VI. "Benedictus" | Arleen Augér, Cecilia Bartoli, Konzertvereinigung Wiener Staatsopernchor, Vinson Cole, René Pape, Wiener Philharmoniker, Sir Georg Solti | T-050.283.177-7 | |
| 7-15 | Canon | [unknown] | — | |
| 7-16 | Pater Noster. Ecce Agnus | [unknown] | — | |
| 7-17 | Requiem, K. 626: VII. "Agnus Dei" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | — | |
| 7-18 | Requiem, K. 626: VIII. Communio: "Lux aeterna" | Arleen Augér, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-903.580.012-5 | |
| 8-1 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | Wiener Philharmoniker, Pierre Monteux | — | |
| 8-2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Wiener Philharmoniker, Pierre Monteux | — | |
| 8-3 | Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace | Wiener Philharmoniker, Pierre Monteux | — | |
| 8-4 | Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace | Wiener Philharmoniker, Pierre Monteux | T-318.676.528-2 | |
| 8-5 | Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande (Allegro ma non troppo) | Wiener Philharmoniker, Pierre Monteux | — | |
| 8-6 | Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach (Andante molto mosso) | Wiener Philharmoniker, Pierre Monteux | — | |
| 8-7 | Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute (Allegro) | Wiener Philharmoniker, Pierre Monteux | — | |
| 8-8 | Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm (Allegro) | Wiener Philharmoniker, Pierre Monteux | — | |
| 8-9 | Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm (Allegretto) | Wiener Philharmoniker, Pierre Monteux | — | |
| 9-1 | Symphony no. 2 in D major, op. 36: I. Adagio molto – Allegro con brio | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 9-2 | Symphony no. 2 in D major, op. 36: II. Larghetto | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 9-3 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 9-4 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 9-5 | Symphony no. 4 in B‐flat major, op. 60: I. Adagio – Allegro vivace | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 9-6 | Symphony no. 4 in B‐flat major, op. 60: II. Adagio | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 9-7 | Symphony no. 4 in B‐flat major, op. 60: III. Allegro vivace | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 9-8 | Symphony no. 4 in B‐flat major, op. 60: IV. Allegro ma non troppo | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 10-1 | Symphony no. 3 in E flat major, op. 55 “Eroica”: I. Allegro con brio | Wiener Philharmoniker, Erich Kleiber | — | |
| 10-2 | Symphony no. 3 in E flat major, op. 55 “Eroica”: II. Marcia funebre: Adagio assai | Wiener Philharmoniker, Erich Kleiber | — | |
| 10-3 | Symphony no. 3 in E flat major, op. 55 “Eroica”: III. Scherzo: Allegro vivace | Wiener Philharmoniker, Erich Kleiber | — | |
| 10-4 | Symphony no. 3 in E flat major, op. 55 “Eroica”: IV. Finale: Allegro molto | Wiener Philharmoniker, Erich Kleiber | T-318.676.528-2 | |
| 10-5 | Leonora Overture no. 2, op. 72a | Wiener Philharmoniker, Clemens Krauss | — | |
| 10-6 | Leonora Overture no. 2, op. 72b | Wiener Philharmoniker, Clemens Krauss | — | |
| 10-7 | Fidelio Overture, op. 72 | Wiener Philharmoniker, Clemens Krauss | T-905.049.604-3 | |
| 11-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Wiener Philharmoniker, Sir Georg Solti | — | |
| 11-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Wiener Philharmoniker, Sir Georg Solti | T-902.876.200-7 | |
| 11-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | Wiener Philharmoniker, Sir Georg Solti | — | |
| 11-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | Wiener Philharmoniker, Sir Georg Solti | T-003.055.867-8 | |
| 11-5 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 11-6 | Symphony no. 7 in A major, op. 92: II. Allegretto | Wiener Philharmoniker, Sir Georg Solti | T-321.302.266-9 | |
| 11-7 | Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 11-8 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Wiener Philharmoniker, Sir Georg Solti | — | |
| 12-1 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Wiener Philharmoniker, Claudio Abbado | — | |
| 12-2 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | Wiener Philharmoniker, Claudio Abbado | T-909.821.799-3 | |
| 12-3 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | Wiener Philharmoniker, Claudio Abbado | T-909.821.799-3 | |
| 12-4 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Wiener Philharmoniker, Claudio Abbado | T-909.821.799-3 | |
| 13-1 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 13-2 | Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace | Wiener Philharmoniker, Hans Schmidt-Isserstedt | T-909.876.841-3 | |
| 13-3 | Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile | Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 13-4 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto – Allegro assai | Joan Sutherland, Marilyn Horne, James King, Martti Talvela, Wiener Philharmoniker, Hans Schmidt-Isserstedt | — | |
| 14-1 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | Friedrich Gulda, Wiener Philharmoniker, Karl Böhm | — | |
| 14-2 | Piano Concerto no. 1 in C major, op. 15: II. Largo | Friedrich Gulda, Wiener Philharmoniker, Karl Böhm | — | |
| 14-3 | Piano Concerto no. 1 in C major, op. 15: III. Rondo, Allegro scherzando | Friedrich Gulda, Wiener Philharmoniker, Karl Böhm | — | |
| 14-4 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco più moderato | Wilhelm Backhaus, Wiener Philharmoniker, Karl Böhm | — | |
| 14-5 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | Wilhelm Backhaus, Wiener Philharmoniker, Karl Böhm | — | |
| 14-6 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo: Allegro non troppo | Wilhelm Backhaus, Wiener Philharmoniker, Karl Böhm | — | |
| 15-1 | Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio | Vladimir Ashkenazy, Wiener Philharmoniker, Zubin Mehta | — | |
| 15-2 | Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio | Vladimir Ashkenazy, Wiener Philharmoniker, Zubin Mehta | — | |
| 15-3 | Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro | Vladimir Ashkenazy, Wiener Philharmoniker, Zubin Mehta | — | |
| 15-4 | Piano Concerto no. 2 in B‐flat major, op. 83: II. Allegro appasionato | Vladimir Ashkenazy, Wiener Philharmoniker, Bernard Haitink | — | |
| 15-5 | Piano Concerto no. 2 in B‐flat major, op. 83: II. Allegro appasionato | Vladimir Ashkenazy, Wiener Philharmoniker, Bernard Haitink | — | |
| 15-6 | Piano Concerto no. 2 in B‐flat major, op. 83: II. Allegro appasionato | Vladimir Ashkenazy, Wiener Philharmoniker, Bernard Haitink | — | |
| 15-7 | Piano Concerto no. 2 in B‐flat major, op. 83: II. Allegro appasionato | Vladimir Ashkenazy, Wiener Philharmoniker, Bernard Haitink | — | |
| 16-1 | Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: I. Allegro con brio | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 16-2 | Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: II. Largo | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 16-3 | Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: III. Rondo. Allegro | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 16-4 | Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Allegro moderato | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 16-5 | Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Andante con moto | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 16-6 | Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Rondo. Vivace | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 17-1 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | Sir Clifford Curzon, Wiener Philharmoniker, Hans Knappertsbusch | T-011.619.733-1 | |
| 17-2 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso - | Sir Clifford Curzon, Wiener Philharmoniker, Hans Knappertsbusch | T-928.635.608-9 | |
| 17-3 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo: Allegro | Sir Clifford Curzon, Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 17-4 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | Wiener Philharmoniker, Georg Solti, Clifford Curzon | — | |
| 17-5 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino simplice – Prestissimo – Tempo primo | Wiener Philharmoniker, Georg Solti, Clifford Curzon | — | |
| 17-6 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | Wiener Philharmoniker, Georg Solti, Clifford Curzon | — | |
| 18-1 | String Quartet no. 11 in F minor, op. 95 “Serioso”: I. Allegro con brio | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 18-2 | String Quartet no. 11 in F minor, op. 95 “Serioso”: II. Allegretto ma non troppo | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 18-3 | String Quartet no. 11 in F minor, op. 95 “Serioso”: III. Allegro assai vivace ma serioso - | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 18-4 | String Quartet no. 11 in F minor, op. 95 “Serioso”: IV. Larghetto espressivo - Allegretto agitato | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 18-5 | Piano Quartet no. 1 in G minor, op. 25: I. Allegro | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 18-6 | Piano Quartet no. 1 in G minor, op. 25: II. Intermezzo: Allegro ma non troppo | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 18-7 | Piano Quartet no. 1 in G minor, op. 25: III. Andante con moto | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 18-8 | Piano Quartet no. 1 in G minor, op. 25: IV. Rondo alla Zingarese: Presto | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 19-1 | Complete Incidental Music to Egmont, op. 84: Ouvertüre | — | ||
| 19-2 | Complete Incidental Music to Egmont, op. 84: No. 1. Lied: Vivace “Die Trommel gerühret” | — | ||
| 19-3 | Complete Incidental Music to Egmont, op. 84: No. 2. Zwischenakt I: Andante | — | ||
| 19-4 | Complete Incidental Music to Egmont, op. 84: No. 3. Zwischenakt II: Larghetto | — | ||
| 19-5 | Complete Incidental Music to Egmont, op. 84: No. 4. Lied: Andante con moto “Freudvoll und leidvoll” | — | ||
| 19-6 | Complete Incidental Music to “Egmont”, op. 84: No. 5 Zwischenakt III. Allegro – Marcia. Vivace | Wiener Philharmoniker, George Szell | — | |
| 19-7 | Complete Incidental Music to “Egmont”, op. 84: No. 6 Zwischenakt IV. Poco sostenuto e risoluto | Wiener Philharmoniker, George Szell | — | |
| 19-8 | Complete Incidental Music to “Egmont”, op. 84: No. 7 Clärchens Tod. Larghetto | Wiener Philharmoniker, George Szell | — | |
| 19-9 | Complete Incidental Music to “Egmont”, op. 84: No. 8 Melodram. Poco sostenuto | Wiener Philharmoniker, George Szell | — | |
| 19-10 | Egmont, Incidental Music, op. 84: Siegessymphonie. Allegro con brio | Wiener Philharmoniker, George Szell | — | |
| 19-11 | Symphony no. 8 in B minor, D. 759 "Unfinished": 1. Allegro moderato | Wiener Philharmoniker, Josef Krips | — | |
| 19-12 | Symphony no. 8 in B minor, D. 759 "Unfinished": 2. Andante con moto | Wiener Philharmoniker, Josef Krips | — | |
| 20-1 | Rosamunde, D. 797: Overture (Die Zauberharfe, D. 644) | Wiener Philharmoniker, Karl Münchinger | T-909.574.378-5 | |
| 20-2 | Rosamunde, D. 797: Entr'acte no. 1 | Wiener Philharmoniker, Karl Münchinger | — | |
| 20-3 | Rosamunde, D. 797: Ballet Music no. 1 | Wiener Philharmoniker, Karl Münchinger | — | |
| 20-4 | Rosamunde, D. 797: Entr'acte no. 2 | Wiener Philharmoniker, Karl Münchinger | — | |
| 20-5 | Rosamunde, D. 797: Romance "Der Vollmond strahlt auf Bergeshöh'n" | Rohangiz Yachmi, Wiener Philharmoniker, Karl Münchinger | — | |
| 20-6 | Rosamunde, D. 797: Chorus of Spirits "In der Tiefe wohnt das Licht" | Chor der Wiener Staatsoper, Wiener Philharmoniker, Karl Münchinger | — | |
| 20-7 | Rosamunde, D. 797: Entr'acte no. 3 | Wiener Philharmoniker, Karl Münchinger | — | |
| 20-8 | Rosamunde, D. 797: Shepherd's Melody | Wiener Philharmoniker, Karl Münchinger | — | |
| 20-9 | Rosamunde, D. 797: Chorus of Shepherds "Hier auf den Fluren..." | Chor der Wiener Staatsoper, Wiener Philharmoniker, Karl Münchinger | — | |
| 20-10 | Rosamunde, D. 797: Chorus of Huntsmen "Wie lebt sich's so fröhlich im Grünen" | Chor der Wiener Staatsoper, Wiener Philharmoniker, Karl Münchinger | — | |
| 20-11 | Rosamunde, D. 797: Ballet Music no. 2 | Wiener Philharmoniker, Karl Münchinger | T-902.750.555-1 | |
| 20-12 | Overture "Preciosa", op. 78 | Wiener Philharmoniker, Karl Münchinger | — | |
| 20-13 | Overture Genoveva, op. 81 | Wiener Philharmoniker, Karl Münchinger | — | |
| 20-14 | Anacréon - Ouvertüre | Wiener Philharmoniker, Karl Münchinger | — | |
| 21-1 | Symphony no. 9 in C major, D. 944 "Great": I. Andante - Allegro ma non troppo | Wiener Philharmoniker, Sir Georg Solti | — | |
| 21-2 | Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 21-3 | Symphony no. 9 in C major, D. 944 "Great": III. Scherzo. Allegro vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 21-4 | Symphony no. 9 in C major, D. 944 "Great": IV. Allegro vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 21-5 | Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 21-6 | Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto | Wiener Philharmoniker, Sir Georg Solti | T-303.792.628-2 | |
| 21-7 | Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato | Wiener Philharmoniker, Sir Georg Solti | — | |
| 21-8 | Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello presto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 22-1 | Symphony no. 3 in A minor, op. 56 “Scottish”: I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 22-2 | Symphony no. 3 in A minor, op. 56 “Scottish”: II. Vivace non troppo | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 22-3 | Symphony no. 3 in A minor, op. 56 “Scottish”: III. Adagio | Wiener Philharmoniker, Christoph von Dohnányi | T-700.095.171-5 | |
| 22-4 | Symphony no. 3 in A minor, op. 56 “Scottish”: IV. Allegro vivacissimo - Allegro maestoso assai | Wiener Philharmoniker, Christoph von Dohnányi | T-306.395.786-4 | |
| 22-5 | Athalia op.74: I. Overture | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 22-6 | Athalia op.74: II. War March of the Priests | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 22-7 | Die erste Walpurgisnacht, op. 60: Ouverture: 1 Das schlecte Wetter / 2. Der Ubergang zum Fruhling | Helmuth Froschauer, Tom Krause, Horst Laubenthal, Margarita Lilowa, Wiener Singverein, Alfred Šramek, Wiener Philharmoniker, Christoph von Dohnányi | T-900.052.310-4 | |
| 22-8 | Die erste Walpurgisnacht, op. 60: I. Es lacht der Mai! | Helmuth Froschauer, Tom Krause, Horst Laubenthal, Margarita Lilowa, Wiener Singverein, Alfred Šramek, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 22-9 | Die erste Walpurgisnacht, op. 60: II. Konnt ihr so verwegen handeln? | Helmuth Froschauer, Tom Krause, Horst Laubenthal, Margarita Lilowa, Wiener Singverein, Alfred Šramek, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 22-10 | Die erste Walpurgisnacht, op. 60: III. Wer Opfer heut’ zu bringen scheut | Helmuth Froschauer, Tom Krause, Horst Laubenthal, Margarita Lilowa, Wiener Singverein, Alfred Šramek, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 22-11 | Die erste Walpurgisnacht, op. 60: IV. Verteilt euch heir | Helmuth Froschauer, Tom Krause, Horst Laubenthal, Margarita Lilowa, Wiener Singverein, Alfred Šramek, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 22-12 | Die erste Walpurgisnacht, op. 60: V. Diese dumpfen Pfaffenchristen / VI. Kommt mit Zacken und mit Gabelt | Helmuth Froschauer, Tom Krause, Horst Laubenthal, Margarita Lilowa, Wiener Singverein, Alfred Šramek, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 22-13 | Die erste Walpurgisnacht, op. 60: VII. So weit gebracht / VIII. Hilf, ach hilf mir, Kriegsgeselle / IX. Die Flamme reinigt sich vom Rauch | Helmuth Froschauer, Tom Krause, Horst Laubenthal, Margarita Lilowa, Wiener Singverein, Alfred Šramek, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 23-1 | Overture, Scherzo, and Finale, op. 52: I. Overture: Andante con moto - Allegro | Wiener Philharmoniker, Sir Georg Solti | — | |
| 23-2 | Overture, Scherzo, and Finale, op. 52: II. Scherzo: Vivo | Wiener Philharmoniker, Sir Georg Solti | — | |
| 23-3 | Overture, Scherzo, and Finale, op. 52: III. Finale: Allegro molto vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 23-4 | Symphony no. 1 in B flat major, op. 38 “Spring”: I. Andante un poco maestoso - Allegro molto vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 23-5 | Symphony no. 1 in B flat major, op. 38 “Spring”: II. Larghetto - | Wiener Philharmoniker, Sir Georg Solti | — | |
| 23-6 | Symphony no. 1 in B flat major, op. 38 “Spring”: III. Scherzo: Molto vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 23-7 | Symphony no. 1 in B flat major, op. 38 “Spring”: IV. Allegro animato e grazioso | Wiener Philharmoniker, Sir Georg Solti | — | |
| 23-8 | Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo | Wiener Philharmoniker, Sir Georg Solti | — | |
| 23-9 | Symphony no. 2 in C major, op. 61: II. Scherzo, Trio I, Trio II & Coda: Allegro vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 23-10 | Symphony no. 2 in C major, op. 61: III. Adagio espressivo | Wiener Philharmoniker, Sir Georg Solti | — | |
| 23-11 | Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro - Meno allegro | Wiener Philharmoniker, Zubin Mehta | — | |
| 24-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | Wiener Philharmoniker, Zubin Mehta | — | |
| 24-3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | Wiener Philharmoniker, Zubin Mehta | — | |
| 24-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio - Piu andante - Allegro non troppo, ma con brio | Wiener Philharmoniker, Zubin Mehta | — | |
| 24-5 | Tragic Overture, op. 81 | Wiener Philharmoniker, Zubin Mehta | — | |
| 24-6 | Parsifal: Prelude to Act I | Wiener Philharmoniker, Zubin Mehta | — | |
| 25-1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | Wiener Philharmoniker, Carl Schuricht | — | |
| 25-2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo – L’istesso Tempo, Ma Grazioso | Wiener Philharmoniker, Carl Schuricht | — | |
| 25-3 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (quasi andantino) – Presto ma non assai – Tempo I | Wiener Philharmoniker, Carl Schuricht | — | |
| 25-4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | Wiener Philharmoniker, Carl Schuricht | — | |
| 25-5 | Piano Concerto no. 2 in B‐flat major, op. 83: I. Allegro non troppo | Wilhelm Backhaus, Wiener Philharmoniker, Carl Schuricht | — | |
| 25-6 | Piano Concerto no. 2 in B‐flat major, op. 83: II. Allegro appassionato | Wilhelm Backhaus, Wiener Philharmoniker, Carl Schuricht | — | |
| 25-7 | Piano Concerto no. 2 in B‐flat major, op. 83: III. Andante – Più adagio | Wilhelm Backhaus, Wiener Philharmoniker, Carl Schuricht | — | |
| 25-8 | Piano Concerto no. 2 in B‐flat major, op. 83: IV. Allegretto grazioso – Un poco più presto | Wilhelm Backhaus, Wiener Philharmoniker, Carl Schuricht | — | |
| 26-1 | Symphony no. 3 in F major, op. 90: I. Allegro con brio | Wiener Philharmoniker, Karl Böhm | — | |
| 26-2 | Symphony no. 3 in F major, op. 90: II. Andante | Wiener Philharmoniker, Karl Böhm | — | |
| 26-3 | Symphony no. 3 in F major, op. 90: III. Poco allegretto | Wiener Philharmoniker, Karl Böhm | — | |
| 26-4 | Symphony no. 3 in F major, op. 90: IV. Allegro | Wiener Philharmoniker, Karl Böhm | — | |
| 26-5 | Vier letzte Lieder: I. Frühling | Lisa della Casa, Wiener Philharmoniker, Karl Böhm | — | |
| 26-6 | Vier letzte Lieder: II. September | Lisa della Casa, Wiener Philharmoniker, Karl Böhm | T-800.001.493-8 | |
| 26-7 | Vier letzte Lieder: III. Beim Schlafengehen | Lisa della Casa, Wiener Philharmoniker, Karl Böhm | — | |
| 26-8 | Vier letzte Lieder: IV. Im Abendrot | Lisa della Casa, Wiener Philharmoniker, Karl Böhm | — | |
| 26-9 | Preciosa, J. 279: Overture | Wiener Philharmoniker, Karl Böhm | — | |
| 26-10 | Oberon, J. 306: Overture | Wiener Philharmoniker, Karl Böhm | — | |
| 26-11 | Peter Schmoll und seine Nachbarn, J. 8: Overture | Wiener Philharmoniker, Karl Böhm | — | |
| 27-1 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | Wiener Philharmoniker, István Kertész | — | |
| 27-2 | Symphony no. 4 in E minor, op. 98: II. Andante monderato | Wiener Philharmoniker, István Kertész | T-902.764.002-4 | |
| 27-3 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso | Wiener Philharmoniker, István Kertész | — | |
| 27-4 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato | Wiener Philharmoniker, István Kertész | — | |
| 27-5 | Variations on a Theme by Joseph Haydn, op. 56a: Theme: Chorale St. Antoni. Andante | Wiener Philharmoniker, István Kertész | — | |
| 27-6 | Variations on a Theme by Joseph Haydn, op. 56a: Variation I. Poco più animato | Wiener Philharmoniker, István Kertész | — | |
| 27-7 | Variations on a Theme by Joseph Haydn, op. 56a: Variation II. Più vivace | Wiener Philharmoniker, István Kertész | — | |
| 27-8 | Variations on a Theme by Joseph Haydn, op. 56a: Variation III. Con moto | Wiener Philharmoniker, István Kertész | — | |
| 27-9 | Variations on a Theme by Joseph Haydn, op. 56a: Variation IV. Andante con moto | Wiener Philharmoniker, István Kertész | — | |
| 27-10 | Variations on a Theme by Joseph Haydn, op. 56a: Variation V. Vivace | Wiener Philharmoniker, István Kertész | — | |
| 27-11 | Variations on a Theme by Joseph Haydn, op. 56a: Variation VI. Vivace | Wiener Philharmoniker, István Kertész | — | |
| 27-12 | Variations on a Theme by Joseph Haydn, op. 56a: Variation VII. Grazioso | Wiener Philharmoniker, István Kertész | — | |
| 27-13 | Variations on a Theme by Joseph Haydn, op. 56a: Variation VIII. Presto non troppo | Wiener Philharmoniker, István Kertész | — | |
| 27-14 | Variations on a Theme by Joseph Haydn, op. 56a: Finale: Andante | Wiener Philharmoniker, István Kertész | — | |
| 27-15 | Symphony no. 5 in B-flat major, D 485: I. Allegro | Wiener Philharmoniker, István Kertész | T-011.422.353-8 | |
| 27-16 | Symphony no. 5 in B-flat major, D 485: II. Andante con moto | Wiener Philharmoniker, István Kertész | — | |
| 27-17 | Symphony no. 5 in B-flat major, D 485: III. Menuetto: Allegro molto | Wiener Philharmoniker, István Kertész | — | |
| 27-18 | Symphony no. 5 in B-flat major, D 485: IV. Allegro vivace | Wiener Philharmoniker, István Kertész | — | |
| 28-1 | Hungarian Dances: no. 5 in G minor | Wiener Philharmoniker, Fritz Reiner | — | |
| 28-2 | Hungarian Dances: no. 6 in D-flat major | Wiener Philharmoniker, Fritz Reiner | — | |
| 28-3 | Hungarian Dances: no. 7 in A major | Wiener Philharmoniker, Fritz Reiner | T-915.335.673-1 | |
| 28-4 | Hungarian Dances: no. 12 in D minor | Wiener Philharmoniker, Fritz Reiner | T-915.711.194-9 | |
| 28-5 | Hungarian Dances: no. 13 in D major | Wiener Philharmoniker, Fritz Reiner | — | |
| 28-6 | Hungarian Dances: no. 19 in B minor | Wiener Philharmoniker, Fritz Reiner | T-915.711.980-7 | |
| 28-7 | Hungarian Dances: no. 21 in E minor | Wiener Philharmoniker, Fritz Reiner | — | |
| 28-8 | Hungarian Dances: no. 1 in G minor | Wiener Philharmoniker, Fritz Reiner | T-329.391.159-4 | |
| 28-9 | Slavonic Dances, op. 46: no. 1 in C major: Presto | Wiener Philharmoniker, Fritz Reiner | — | |
| 28-10 | Slavonic Dances, op. 46: no. 3 in A-flat major: Poco allegro | Wiener Philharmoniker, Fritz Reiner | — | |
| 28-11 | Slavonic Dances, op. 46: no. 8 in G minor: Presto | Wiener Philharmoniker, Fritz Reiner | — | |
| 28-12 | Slavonic Dances, op. 72: no. 2 in E minor: Allegretto grazioso | Wiener Philharmoniker, Fritz Reiner | — | |
| 28-13 | Slavonic Dances, op. 72: no. 1 in B major: Molto vivace | Wiener Philharmoniker, Fritz Reiner | — | |
| 28-14 | Till Eulenspiegels lustige Streiche, op. 28 | Wiener Philharmoniker, Fritz Reiner | — | |
| 28-15 | Tod und Verklärung, op. 24 | Wiener Philharmoniker, Fritz Reiner | — | |
| 29-1 | Má Vlast: I. Vyšehrad | Wiener Philharmoniker, Rafael Kubelík | — | |
| 29-2 | Má Vlast: II. Vltava (The Moldau) | Wiener Philharmoniker, Rafael Kubelík | T-910.005.581-0 | |
| 29-3 | Má Vlast: III. Šárka | Wiener Philharmoniker, Rafael Kubelík | T-902.852.943-3 | |
| 29-4 | Má Vlast: IV. From Bohemia's Meadows and Groves | Wiener Philharmoniker, Rafael Kubelík | — | |
| 29-5 | Má Vlast: V. Tábor | Wiener Philharmoniker, Rafael Kubelík | T-902.852.943-3 | |
| 29-6 | Má Vlast: VI. Blaník | Wiener Philharmoniker, Rafael Kubelík | T-902.852.943-3 | |
| 30-1 | Symphony no. 9 in E minor, op. 95 “New World”: I. Adagio – Allegro molto | Wiener Philharmoniker, István Kertész | — | |
| 30-2 | Symphony no. 9 in E minor, op. 95 “New World”: II. Largo | Wiener Philharmoniker, István Kertész | — | |
| 30-3 | Symphony no. 9 in E minor, op. 95 “New World”: III. Scherzo – Molto vivace | Wiener Philharmoniker, István Kertész | T-911.517.582-1 | |
| 30-4 | Symphony no. 9 in E minor, op. 95 “New World”: IV. Allegro con fuoco | Wiener Philharmoniker, István Kertész | — | |
| 30-5 | Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio — Allegro molto | Wiener Philharmoniker, Kirill Kondrashin | — | |
| 30-6 | Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo | Wiener Philharmoniker, Kirill Kondrashin | T-902.286.256-2 | |
| 30-7 | Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo — Molto vivace | Wiener Philharmoniker, Kirill Kondrashin | — | |
| 30-8 | Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco | Wiener Philharmoniker, Kirill Kondrashin | — | |
| 31-1 | Symphony no. 2 in C minor: I. Ziemlich schnell | Wiener Philharmoniker, Horst Stein | — | |
| 31-2 | Symphony no. 2 in C minor: II. Adagio. Feierlich, etwas bewegt | Wiener Philharmoniker, Horst Stein | — | |
| 31-3 | Symphony no. 2 in C minor: III. Scherzo: Schnell - Trio: Gleiches Tempo | Wiener Philharmoniker, Horst Stein | — | |
| 31-4 | Symphony no. 2 in C minor: IV. Finale: Mehr schnell | Wiener Philharmoniker, Horst Stein | T-003.055.867-8 | |
| 31-5 | Euryanthe - Ouvertüre, J291 | Wiener Philharmoniker, Horst Stein | T-900.144.063-7 | |
| 31-6 | Aufforderung zum Tanz, op. 65, J260 | Wiener Philharmoniker, Horst Stein | — | |
| 32-1 | Symphony no. 3 in D minor: I. Mehr langsam, misterioso | Wiener Philharmoniker, Karl Böhm | — | |
| 32-2 | Symphony no. 3 in D minor: II. Adagio, bewegt, quasi Andante | Wiener Philharmoniker, Karl Böhm | — | |
| 32-3 | Symphony no. 3 in D minor: III. Ziemlich schnell | Wiener Philharmoniker, Karl Böhm | — | |
| 32-4 | Symphony no. 3 in D minor: IV. Allegro | Wiener Philharmoniker, Karl Böhm | T-003.055.867-8 | |
| 33-1 | Symphony no. 4 in E‐flat major “Romantic”: I. Bewegt, nicht zu schell | Wiener Philharmoniker, Karl Böhm | — | |
| 33-2 | Symphony no. 4 in E‐flat major “Romantic”: II. Andante, quasi allegretto | Wiener Philharmoniker, Karl Böhm | — | |
| 33-3 | Symphony no. 4 in E‐flat major “Romantic”: III. Scherzo. Bewegt – Trio. Nicht zu schnell, keinesfalls schleppend | Wiener Philharmoniker, Karl Böhm | — | |
| 33-4 | Symphony no. 4 in E‐flat major “Romantic”: IV. Finale. Bewegt, doch nicht zu schnell | Wiener Philharmoniker, Karl Böhm | T-318.676.528-2 | |
| 34-1 | Symphony no. 5 in B-flat major: I. Introduction: Adagio - Allegro. Mäßig | Wiener Philharmoniker, Lorin Maazel | — | |
| 34-2 | Symphony no. 5 in B-flat major: II. Sehr langsam | Wiener Philharmoniker, Lorin Maazel | — | |
| 34-3 | Symphony no. 5 in B-flat major: III. Scherzo: Molto vivace (schnell) - Trio: Im gleichen Tempo | Wiener Philharmoniker, Lorin Maazel | — | |
| 34-4 | Symphony no. 5 in B-flat major: IV. Finale: Adagio - Allegro moderato | Wiener Philharmoniker, Lorin Maazel | — | |
| 35-1 | Symphony no. 6 in A major: I. Maestoso | Wiener Philharmoniker, Horst Stein | — | |
| 35-2 | Symphony no. 6 in A major: II. Adagio: Sehr feierlich | Wiener Philharmoniker, Horst Stein | — | |
| 35-3 | Symphony no. 6 in A major: III. Scherzo: Nicht schnell - Trio: Langsam | Wiener Philharmoniker, Horst Stein | — | |
| 35-4 | Symphony no. 6 in A major: IV. Finale: Bewegt, doch nicht zu schnell | Wiener Philharmoniker, Horst Stein | T-318.676.528-2 | |
| 35-5 | Der Beherrscher der Geister - Ouvertüre, J122 | Wiener Philharmoniker, Horst Stein | — | |
| 35-6 | Abu Hassan - Ouvertüre, J106 | Wiener Philharmoniker, Horst Stein | — | |
| 36-1 | Symphony no. 7 in E major, WAB 107: I. Allegro moderato | Wiener Philharmoniker, Sir Georg Solti | — | |
| 36-2 | Symphony no. 7 in E major, WAB 107: II. Adagio: Sehr feierlich und sehr langsam | Wiener Philharmoniker, Sir Georg Solti | — | |
| 36-3 | Symphony no. 7 in E major, WAB 107: III. Scherzo: Sehr schnell | Wiener Philharmoniker, Sir Georg Solti | — | |
| 36-4 | Symphony no. 7 in E major, WAB 107: IV. Finale: Bewegt, doch nicht schnell | Wiener Philharmoniker, Sir Georg Solti | T-318.676.528-2 | |
| 37-1 | Symphony no. 8 in C minor, WAB 108: I. Allegro moderato | Wiener Philharmoniker, Sir Georg Solti | — | |
| 37-2 | Symphony no. 8 in C minor, WAB 108: II. Scherzo. Allegro moderato - Trio. Langsam | Wiener Philharmoniker, Sir Georg Solti | — | |
| 37-3 | Symphony no. 8 in C minor, WAB 108: III. Adagio. Feierlich langsam, doch nicht schleppend | Wiener Philharmoniker, Sir Georg Solti | — | |
| 37-4 | Symphony no. 8 in C minor, WAB 108: IV. Finale. Feierlich, nicht schnell | Wiener Philharmoniker, Sir Georg Solti | — | |
| 38-1 | Symphony no. 9 in D minor: I. Feierlich, misterioso | Wiener Philharmoniker, Zubin Mehta | — | |
| 38-2 | Symphony no. 9 in D minor: II. Scherzo: Bewegt, lebhaft - Trio: Schnell | Wiener Philharmoniker, Zubin Mehta | — | |
| 38-3 | Symphony no. 9 in D minor: III. Adagio: Langsam, feierlich | Wiener Philharmoniker, Zubin Mehta | — | |
| 38-4 | Les Préludes, Symphonic Poem no. 3, S. 97 | Wiener Philharmoniker, Zubin Mehta | — | |
| 39-1 | Symphony no. 4 in C major: Allegro molto moderato - Passioato- | Wiener Philharmoniker, Zubin Mehta | T-312.542.381-2 | |
| 39-2 | Symphony no. 4 in C major: Adagio - Più lento - Adagio - | Wiener Philharmoniker, Zubin Mehta | — | |
| 39-3 | Symphony no. 4 in C major: Molto vivace - Tempo primo un poco sostenuto - Passionato - | Wiener Philharmoniker, Zubin Mehta | T-312.542.381-2 | |
| 39-4 | Symphony no. 4 in C major: Tempo primo (Allegro molto moderato) | Wiener Philharmoniker, Zubin Mehta | — | |
| 39-5 | Philadelphia Symphony, op. 28: I. Allegro giusto | Wiener Philharmoniker, Zubin Mehta | — | |
| 39-6 | Philadelphia Symphony, op. 28: II. Andante | Wiener Philharmoniker, Zubin Mehta | — | |
| 39-7 | Philadelphia Symphony, op. 28: III. Allegro vivace | Wiener Philharmoniker, Zubin Mehta | — | |
| 40-1 | Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio | Wiener Philharmoniker, Lorin Maazel | — | |
| 40-2 | Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace | Wiener Philharmoniker, Lorin Maazel | T-312.542.531-8 | |
| 40-3 | Symphony no. 4 in A minor, op. 63: III. Il tempo largo | Wiener Philharmoniker, Lorin Maazel | — | |
| 40-4 | Symphony no. 4 in A minor, op. 63: IV. Allegro | Wiener Philharmoniker, Lorin Maazel | T-318.676.528-2 | |
| 40-5 | Symphony no. 7 in C major, op. 105 | Wiener Philharmoniker, Lorin Maazel | — | |
| 40-6 | Tapiola, op. 112 | Wiener Philharmoniker, Lorin Maazel | — | |
| 41-1 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima | Wiener Philharmoniker, Lorin Maazel | — | |
| 41-2 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona | Wiener Philharmoniker, Lorin Maazel | — | |
| 41-3 | Symphony no. 4 in F minor, op. 36: III. Scherzo. Allegro (pizzicato ostinato) | Wiener Philharmoniker, Lorin Maazel | — | |
| 41-4 | Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco | Wiener Philharmoniker, Lorin Maazel | — | |
| 41-5 | Suite no. 3 in G major, op. 55: I. Elégie: Andantino molto cantabile - Andante | Wiener Philharmoniker, Lorin Maazel | — | |
| 41-6 | Suite no. 3 in G major, op. 55: II. Valse mélancolique: Allegro moderato | Wiener Philharmoniker, Lorin Maazel | — | |
| 41-7 | Suite no. 3 in G major, op. 55: III. Scherzo: Presto | Wiener Philharmoniker, Lorin Maazel | — | |
| 41-8 | Suite no. 3 in G major, op. 55: IV. Tema con variazioni: Andante con moto | Wiener Philharmoniker, Lorin Maazel | — | |
| 42-1 | Swan Lake Suite: Scene (Act II) | Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-2 | Swan Lake Suite: Valse (Act I) | Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-3 | Swan Lake Suite: Dance of the Little Swans (Act II) | Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-4 | Swan Lake Suite: Scene and Second Dance of the Queen of the Swans (Act II) | Wiener Philharmoniker, Herbert von Karajan | T-900.160.317-4 | |
| 42-5 | Swan Lake Suite: Czardas (Act III) | Wiener Philharmoniker, Herbert von Karajan | T-900.160.317-4 | |
| 42-6 | Swan Lake Suite: Finale (Act IV) | Wiener Philharmoniker, Herbert von Karajan | T-900.160.317-4 | |
| 42-7 | The Nutcracker Suite: Ouverture Miniature | Wiener Philharmoniker, Herbert von Karajan | T-312.199.363-9 | |
| 42-8 | The Nutcracker Suite: Marche (Act I) | Wiener Philharmoniker, Herbert von Karajan | T-304.210.691-8 | |
| 42-9 | The Nutcracker Suite: Dance of the Sugar-Plum Fairy (Act II) | Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-10 | The Nutcracker Suite: Trepak (Russian dance) (Act II) | Wiener Philharmoniker, Herbert von Karajan | T-312.199.363-9 | |
| 42-11 | The Nutcracker Suite: Arab Dance (Act II) | Wiener Philharmoniker, Herbert von Karajan | T-312.199.363-9 | |
| 42-12 | The Nutcracker Suite: Chinese Dance (Act II) | Wiener Philharmoniker, Herbert von Karajan | T-312.199.363-9 | |
| 42-13 | The Nutcracker Suite: Dance of the Reed Pipes (Act II) | Wiener Philharmoniker, Herbert von Karajan | T-900.140.239-7 | |
| 42-14 | The Nutcracker Suite: Waltz of the Flowers (Act II) | Wiener Philharmoniker, Herbert von Karajan | T-312.199.363-9 | |
| 42-15 | The Sleeping Beauty Suite: Introduction and Lilac Fairy (Prologue) | Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-16 | The Sleeping Beauty Suite: Pas D'Action (Adagio) (Act I) | Wiener Philharmoniker, Herbert von Karajan | T-926.359.944-6 | |
| 42-17 | The Sleeping Beauty Suite: Pas De Caractere (Puss in Boots) (Act III) | Wiener Philharmoniker, Herbert von Karajan | T-905.014.886-2 | |
| 42-18 | The Sleeping Beauty Suite: Panorama (Act II) | Wiener Philharmoniker, Herbert von Karajan | — | |
| 42-19 | The Sleeping Beauty Suite: Valse (Act I) | Wiener Philharmoniker, Herbert von Karajan | T-905.381.461-2 | |
| 43-1 | Giselle: Act I. Introduction | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-2 | Giselle: Act un. Les vendangeurs | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-3 | Giselle: Act un. Entree du Prince | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-4 | Giselle: Act un. Loys seul et entree de Giselle - scene d'amour | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-5 | Giselle: Act un. Retour des vendangeurs - Valse | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-6 | Giselle: Act un. Pas de deux | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-7 | Giselle: Act un. La chasse | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-8 | Giselle: Act un. Marche des vignerons | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-9 | Giselle: Act un. Variation de Giselle | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-10 | Giselle: Act un. Galop general | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-11 | Giselle: Act un. Final | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-12 | Giselle: Act duex. Apparition et scene de Myrthe | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-13 | Giselle: Act duex. Apparition de Giselle | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-14 | Giselle: Act duex. Entree de Loys - Pas de deux | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-15 | Giselle: Act duex. Scene des Wilis | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-16 | Giselle: Act duex. Grand pas de deux | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-17 | Giselle: Act duex. Variation de Loys | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-18 | Giselle: Act duex. Variation de Giselle | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-19 | Giselle: Act duex. Final | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-20 | Die Fledermaus: Ballettmusik | Wiener Philharmoniker, Herbert von Karajan | — | |
| 43-21 | Otello: Act III. "Ballabile" (Ballet Music) | Wiener Philharmoniker, Herbert von Karajan | T-010.287.722-4 | |
| 44-1 | Radetzky March, op. 228 | Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 44-2 | Badner Madl’n Waltz, op. 257 | Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 44-3 | Annen-Polka, op. 117 | Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 44-4 | Accelerationen, op. 234 | Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 44-5 | Tritsch-Tratsch Polka, op. 214 | Wiener Philharmoniker, Hans Knappertsbusch | T-901.154.623-9 | |
| 44-6 | Wiener Bürger. Walzer, op. 419 | Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 44-7 | Leichtes Blut Galop, op. 319 | Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 44-8 | G'schichten aus dem Wienerwald, op. 325 | Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 44-9 | Marche militaire op. 51, D. 733 no. 1 in D major | Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 44-10 | Aufforderung zum Tanz, op. 65 | Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 44-11 | Die lustigen Weiber von Windsor: Overtüre | Wiener Philharmoniker, Hans Knappertsbusch | T-929.533.363-0 | |
| 45-1 | Mein Lebenslauf ist Lieb' und Lust - Walzer, op. 263 | Wiener Philharmoniker, Clemens Krauss | — | |
| 45-2 | Die Libelle - Polka mazur, op. 204 | Wiener Philharmoniker, Clemens Krauss | — | |
| 45-3 | Jokey-Polka, op. 278 | Wiener Philharmoniker, Clemens Krauss | — | |
| 45-4 | Im Krapfenwald'l - Polka française, op. 336 | Wiener Philharmoniker, Clemens Krauss | — | |
| 45-5 | Éljen a Magyar! - Polka, op. 332 | Wiener Philharmoniker, Clemens Krauss | T-902.189.169-0 | |
| 45-6 | Geschichten aus dem Wienerwald - Walzer, op. 325 | Wiener Philharmoniker, Clemens Krauss | — | |
| 45-7 | Pizzicato Polka - Polka française | Wiener Philharmoniker, Clemens Krauss | T-917.157.430-4 | |
| 45-8 | Ägyptischer Marsch, op. 335 | Wiener Philharmoniker, Clemens Krauss | — | |
| 45-9 | Vergnügungszug, op. 281 | Wiener Philharmoniker, Clemens Krauss | — | |
| 45-10 | Dorfschwalben aus Österreich, op.164 | Hilde Güden, Wiener Philharmoniker, Josef Krips | — | |
| 45-11 | Accelerations Waltz | Vienna Philharmonic Orchestra, Josef Krips | — | |
| 45-12 | Emperor Waltz | Vienna Philharmonic Orchestra, Josef Krips | — | |
| 45-13 | Roses From the South Waltz | Vienna Philharmonic Orchestra, Josef Krips | — | |
| 45-14 | Voices of Spring, op. 410 (vocal version) | Hilde Güden, Wiener Philharmoniker, Josef Krips | — | |
| 46-1 | Die Fledermaus - Ouvertüre | Wiener Philharmoniker, Willi Boskovsky | — | |
| 46-2 | Die lustigen Weiber von Windsor - Ouvertüre | Wiener Philharmoniker, Willi Boskovsky | — | |
| 46-3 | Donna Diana - Ouvertüre | Wiener Philharmoniker, Willi Boskovsky | — | |
| 46-4 | Prinz Methusalem - Ouvertüre | Wiener Philharmoniker, Willi Boskovsky | — | |
| 46-5 | Der Opernball - Ouvertüre | Wiener Philharmoniker, Willi Boskovsky | — | |
| 46-6 | Gold und Silberwalzer, op. 79 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 46-7 | Morgenblätter, op. 279 | Wiener Philharmoniker, Willi Boskovsky | T-930.663.420-8 | |
| 46-8 | Polka schnell, op. 324: Unter Donner und Blitz | Wiener Philharmoniker, Willi Boskovsky | T-900.078.728-0 | |
| 46-9 | Erinnerung an Covent-Garden, op. 329 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 46-10 | Der Carneval in Rom - Ouvertüre | Wiener Philharmoniker, Willi Boskovsky | — | |
| 46-11 | Russischer Marsch, Op. 426 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 46-12 | Schützen-Quadrille | Wiener Philharmoniker, Willi Boskovsky | — | |
| 47-1 | Champagner-Polka, op. 211 | Wiener Philharmoniker, Willi Boskovsky | T-927.211.242-2 | |
| 47-2 | Wiener Blut, op. 354 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 47-3 | Neue Pizzicato-Polka, op. 449 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 47-4 | Liebeslieder, op. 114 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 47-5 | Heiterer Muth, op. 281 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 47-6 | Explosionen Polka, op. 43 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 47-7 | Wiener Bonbons, op. 307 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 47-8 | Persischer March, op. 289 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 47-9 | Waldmeister Overture | Wiener Philharmoniker, Willi Boskovsky | — | |
| 47-10 | Geschichten aus dem Wienerwald, op. 325 | Anton Karas, Wiener Philharmoniker, Willi Boskovsky | T-071.432.204-9 | |
| 47-11 | Egyptischer Marsch, op. 335 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 47-12 | Tritsch-Tratsch-Polka, op. 214 | Wiener Philharmoniker, Willi Boskovsky | T-901.154.623-9 | |
| 47-13 | Tausendundeine Nacht, op. 346 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 47-14 | Perpetuum Mobile, op. 257 | Wiener Philharmoniker, Willi Boskovsky | T-924.759.817-0 | |
| 47-15 | Kaiserwalzer, op. 437 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 48-1 | Loreley-Rhein-Klänge, op. 154 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 48-2 | Bitte schön! - polka française, after motifs from 'Cagliostro in Wien, op. 372 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 48-3 | Ohne Bremse - Polka schnell, op. 238 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 48-4 | Wein, Weib und Gesang, op. 333 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 48-5 | Die Emancipierte - polka-mazur, op. 282 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 48-6 | Hereinspaziert, op. 518 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 48-7 | Die schöne Galathee - operetta in 1 Act (1865): Overture | Wiener Philharmoniker, Willi Boskovsky | — | |
| 48-8 | Bei uns z'Haus - waltz, op. 361 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 48-9 | Moulinet - polka française, op. 57 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 48-10 | Tik-Tak - Polka schnell, op. 365 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 48-11 | Pizzicato Polka (1870) | Wiener Philharmoniker, Willi Boskovsky | T-917.157.430-4 | |
| 48-12 | Rudolfsheimer - polka schnell, op. 152 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 48-13 | Auf der Jagd, op. 373 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 48-14 | Leichtes Blut, polka schnell, op. 319 | Wiener Philharmoniker, Willi Boskovsky | — | |
| 48-15 | An der schönen blauen Donau, op. 314 | Wiener Philharmoniker, Willi Boskovsky | T-902.100.912-1 | |
| 48-16 | Radetzky-Marsch, op. 228 | Wiener Philharmoniker, Willi Boskovsky | T-930.586.862-6 | |
| 49-1 | Messa da requiem: Requiem aeternam & Kyrie | Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 49-2 | Messa da requiem: Dies Irae: Dies Irae | Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-910.932.757-3 | |
| 49-3 | Messa da requiem: Dies Irae: Tuba mirum | Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 49-4 | Messa da requiem: Dies Irae: Liber scriptus | Chor der Wiener Staatsoper, Marilyn Horne, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 49-5 | Messa da requiem: Dies Irae: Quid sum miser | Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 49-6 | Messa da requiem: Dies Irae: Rex tremendae | Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 49-7 | Messa da requiem: Dies Irae: Recordare | Marilyn Horne, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 49-8 | Messa da requiem: IIh. Dies irae: Ingemisco | Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | T-900.146.503-8 | |
| 49-9 | Messa da requiem: Dies Irae: Confutatis | Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 49-10 | Messa da requiem: Dies Irae: Lacrimosa | Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 49-11 | Messa da requiem: Offertorium: Domine, Jesu Christe | Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 49-12 | Messa da requiem: Offertorium: Hostias | Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 49-13 | Messa da requiem: Sanctus | Martti Talvela, Chor der Wiener Staatsoper, Wiener Philharmoniker, Sir Georg Solti | — | |
| 49-14 | Messa da requiem: Agnus Dei | Chor der Wiener Staatsoper, Marilyn Horne, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 49-15 | Messa da requiem: Lux aeterna | Marilyn Horne, Luciano Pavarotti, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-910.952.061-8 | |
| 49-16 | Messa da requiem: Libera Me: Libera me | Chor der Wiener Staatsoper, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-329.460.025-8 | |
| 49-17 | Messa da requiem: Libera Me: Dies irae | Chor der Wiener Staatsoper, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-317.797.099-5 | |
| 49-18 | Messa da requiem: Libera Me: Requiem aeternam | Chor der Wiener Staatsoper, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-317.797.099-5 | |
| 50-1 | Rienzi, WWV 49: Overture | Wiener Philharmoniker, Sir Georg Solti | T-929.533.363-0 | |
| 50-2 | Der fliegende Holländer, WWV 63: Overture | Wiener Philharmoniker, Sir Georg Solti | T-031.672.821-8 | |
| 50-3 | Tannhäuser, WWV 70: Overture | Wiener Philharmoniker, Sir Georg Solti | T-909.574.378-5 | |
| 50-4 | Tannhäuser, WWV 70: Act I. Bacchanale | Wiener Philharmoniker, Sir Georg Solti | — | |
| 50-5 | Siegfried Idyll | Members of the Wiener Philharmoniker, Sir Georg Solti | T-306.482.955-2 | |
| 50-6 | Kinderkatechismus | Wiener Philharmoniker, Sir Georg Solti | — | |
| 50-7 | Götterdämmerung, WWV 86D: Siegfried's Funeral March (Concert Version) | Wiener Philharmoniker, Sir Georg Solti | T-903.273.484-2 | |
| 51-1 | Wesendonk Lieder (Five Poems for Female Voice): "Der Engel" | Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch | T-031.672.821-8 | |
| 51-2 | Wesendonk Lieder (Five Poems for Female Voice): "Stehe still" | Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch | T-031.652.746-4 | |
| 51-3 | Wesendonk Lieder (Five Poems for Female Voice): "Im Treibhaus" | Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch | T-303.029.870-1 | |
| 51-4 | Wesendonk Lieder (Five Poems for Female Voice): "Schmerzen" | Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch | T-902.736.041-4 | |
| 51-5 | Wesendonk Lieder (Five Poems for Female Voice): "Träume" | Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch | T-902.829.871-7 | |
| 51-6 | Lohengrin: Act I. "Einsam in trüben Tagen" | Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 51-7 | Parsifal: Act II. "Ich sah das Kind an seiner Mutter Brust" | Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 51-8 | Die Walküre: Erster Aufzug. "Du bist der Lenz" | Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch | — | |
| 51-9 | Kindertotenlieder: No. 1. Nun will die Sonn' so hell aufgeh'n | Kirsten Flagstad, Wiener Philharmoniker, Sir Adrian Boult | T-050.357.477-3 | |
| 51-10 | Kindertotenlieder: No. 2. Nun seh' ich wohl, warum so dunkle Flammen | Kirsten Flagstad, Wiener Philharmoniker, Sir Adrian Boult | — | |
| 51-11 | Kindertotenlieder: No. 3. Wenn dein Mütterlein | Kirsten Flagstad, Wiener Philharmoniker, Sir Adrian Boult | — | |
| 51-12 | Kindertotenlieder: No. 4. Oft denk' ich, sie sind nur ausgegangen | Kirsten Flagstad, Wiener Philharmoniker, Sir Adrian Boult | — | |
| 51-13 | Kindertotenlieder: No. 5. In diesem Wetter | Kirsten Flagstad, Wiener Philharmoniker, Sir Adrian Boult | — | |
| 51-14 | Lieder eines fahrenden Gesellen: No. 1. Wenn mein Schatz Hochzeit macht | Kirsten Flagstad, Wiener Philharmoniker, Sir Adrian Boult | — | |
| 51-15 | Lieder eines fahrenden Gesellen: No. 2. Ging heut' morgen übers Feld | Kirsten Flagstad, Wiener Philharmoniker, Sir Adrian Boult | — | |
| 51-16 | Lieder eines fahrenden Gesellen: No. 3. Ich hab' ein glühend Messer | Kirsten Flagstad, Wiener Philharmoniker, Sir Adrian Boult | — | |
| 51-17 | Lieder eines fahrenden Gesellen: No. 4. Die zwei blauen Augen | Kirsten Flagstad, Wiener Philharmoniker, Sir Adrian Boult | — | |
| 52-1 | Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck | Wiener Philharmoniker, Zubin Mehta | — | |
| 52-2 | Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich | Wiener Philharmoniker, Zubin Mehta | — | |
| 52-3 | Symphony no. 2 in C minor “Resurrection”: III. Scherzo. In ruhig fliessender Bewegung | Wiener Philharmoniker, Zubin Mehta | — | |
| 52-4 | Symphony no. 2 in C minor “Resurrection”: IV. “O Röschen Rot! Der Mensch liegt in grösster Not!” (Sehr feierlich aber Schlicht) | Christa Ludwig, Wiener Philharmoniker, Zubin Mehta | — | |
| 52-5 | Symphony no. 2 in C minor “Resurrection”: V (a). Im Tempo des Scherzos. Wild Herausfahrend — | Wiener Philharmoniker, Zubin Mehta | — | |
| 52-6 | Symphony no. 2 in C minor “Resurrection”: V (b). Maestoso. Sehr zurückhaltend – Wieder zurückhaltend — | Wiener Philharmoniker, Zubin Mehta | — | |
| 52-7 | Symphony no. 2 in C minor “Resurrection”: V (c). Sehr langsam und gedehnt — | Wiener Philharmoniker, Zubin Mehta | — | |
| 52-8 | Symphony no. 2 in C minor “Resurrection”: V (d). “Aufersteh'n, ja aufersteh'n wirst du” (Langsam. Misterioso) | Ileana Cotrubaş, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Zubin Mehta | — | |
| 52-9 | Symphony No. 2 in C minor “Resurrection”: V (e). “O glaube, Mein Herz, O glaube” (Etwas bewegter) | Ileana Cotrubaş, Christa Ludwig, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Zubin Mehta | — | |
| 53-1 | Das Lied von der Erde: I. Das Trinklied von Jammer der Erde | Julius Patzak, Wiener Philharmoniker, Bruno Walter | — | |
| 53-2 | Das Lied von der Erde: II. Der Einsame im Herbst | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | — | |
| 53-3 | Das Lied von der Erde: III. Von der Jugend | Julius Patzak, Wiener Philharmoniker, Bruno Walter | — | |
| 53-4 | Das Lied von der Erde: IV. Von der Schönheit | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | — | |
| 53-5 | Das Lied von der Erde: V. Der Trunkene im Frühling | Julius Patzak, Wiener Philharmoniker, Bruno Walter | — | |
| 53-6 | Das Lied von der Erde: VI. Der Abschied | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | — | |
| 53-7 | Rückert-Lieder, op. 44: IV. Ich bin der Welt abhanden gekommen | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | — | |
| 53-8 | Rückert-Lieder, op. 44: I. Ich atmet' einen linden Duft | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | T-301.280.963-7 | |
| 53-9 | Rückert-Lieder, op. 44: V. Um Mitternacht | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | T-926.161.456-6 | |
| 54-1 | Das Lied von der Erde: 1. Das Trinklied vom Jammer der Erde | James King, Wiener Philharmoniker, Leonard Bernstein | — | |
| 54-2 | Das Lied von der Erde: 2. Der Einsame im Herbst | Dietrich Fischer-Dieskau, Wiener Philharmoniker, Leonard Bernstein | — | |
| 54-3 | Das Lied von der Erde: 3. Von der Jugend | James King, Wiener Philharmoniker, Leonard Bernstein | — | |
| 54-4 | Das Lied von der Erde: 4. Von der Schönheit | Dietrich Fischer-Dieskau, Wiener Philharmoniker, Leonard Bernstein | — | |
| 54-5 | Das Lied von der Erde: 5. Der Trunkene um Frühling | James King, Wiener Philharmoniker, Leonard Bernstein | — | |
| 54-6 | Das Lied von der Erde: 6. Der Abschied | Dietrich Fischer-Dieskau, Wiener Philharmoniker, Leonard Bernstein | — | |
| 55-1 | The Planets, op. 32: I. Mars, the Bringer of War | Wiener Philharmoniker, Herbert von Karajan | T-923.663.725-5 | |
| 55-2 | The Planets, op. 32: II. Venus, the Bringer of Peace | Wiener Philharmoniker, Herbert von Karajan | — | |
| 55-3 | The Planets, op. 32: III. Mercury, the Winged Messenger | Wiener Philharmoniker, Herbert von Karajan | — | |
| 55-4 | The Planets, op. 32: IV. Jupiter, the Bringer of Jollity | Wiener Philharmoniker, Herbert von Karajan | T-101.257.909-6 | |
| 55-5 | The Planets, op. 32: V. Saturn, the Bringer of Old Age | Wiener Philharmoniker, Herbert von Karajan | — | |
| 55-6 | The Planets, op. 32: VI. Uranus, the Magician | Wiener Philharmoniker, Herbert von Karajan | — | |
| 55-7 | The Planets, op. 32: VII. Neptune, the Mystic | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | — | |
| 55-8 | Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) | Wiener Philharmoniker, Herbert von Karajan | — | |
| 55-9 | Also sprach Zarathustra, op. 30: II. Von den Hinterweltlern | Wiener Philharmoniker, Herbert von Karajan | — | |
| 55-10 | Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht | Wiener Philharmoniker, Herbert von Karajan | — | |
| 55-11 | Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften | Wiener Philharmoniker, Herbert von Karajan | — | |
| 55-12 | Also sprach Zarathustra, op. 30: V. Das Grablied | Wiener Philharmoniker, Herbert von Karajan | — | |
| 55-13 | Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft | Wiener Philharmoniker, Herbert von Karajan | — | |
| 55-14 | Also sprach Zarathustra, op. 30: VII. Der Genesende | Wiener Philharmoniker, Herbert von Karajan | — | |
| 55-15 | Also sprach Zarathustra, op. 30: VIII. Das Tanzlied | Wiener Philharmoniker, Herbert von Karajan | — | |
| 55-16 | Also sprach Zarathustra, op. 30: IX. Nachtwandlerlied | Wiener Philharmoniker, Herbert von Karajan | — | |
| 56-1 | Don Quixote, op. 35: Introduktion: Mäßiges Zeitmaß - Thema: Mäßig | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 56-2 | Don Quixote, op. 35: Variation I. Gemächlich | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 56-3 | Don Quixote, op. 35: Variation II. Kriegerisch | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 56-4 | Don Quixote, op. 35: Variation III. Mäßiges Zeitmaß | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 56-5 | Don Quixote, op. 35: Variation IV. Etwas breiter | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 56-6 | Don Quixote, op. 35: Variation V. Sehr langsam | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 56-7 | Don Quixote, op. 35: Variation VI. Schnell | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 56-8 | Don Quixote, op. 35: Variation VII. Ein wenig ruhiger als vorher | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 56-9 | Don Quixote, op. 35: Variation VIII. Gemächlich | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 56-10 | Don Quixote, op. 35: Variation IX. Schnell und stürmisch | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 56-11 | Don Quixote, op. 35: Variation X. Viel breiter | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 56-12 | Don Quixote, op. 35: Finale: Sehr ruhig | Pierre Fournier, Ernst Morawec, Wiener Philharmoniker, Clemens Krauss | — | |
| 56-13 | Aus Italien, op. 16: I. Auf der Campagna | Wiener Philharmoniker, Clemens Krauss | — | |
| 56-14 | Aus Italien, op. 16: II. In Rom's Ruinen | Wiener Philharmoniker, Clemens Krauss | — | |
| 56-15 | Aus Italien, op. 16: III. Am Strande von Sorrent | Wiener Philharmoniker, Clemens Krauss | — | |
| 56-16 | Aus Italien, op. 16: IV. Neapolitanisches Volksleben | Wiener Philharmoniker, Clemens Krauss | — | |
| 57-1 | Sinfonia domestica, op. 53: I. Thema I: Bewegt | Wiener Philharmoniker, Clemens Krauss | — | |
| 57-2 | Sinfonia domestica, op. 53: I. Thema II: Sehr lebhaft | Wiener Philharmoniker, Clemens Krauss | — | |
| 57-3 | Sinfonia domestica, op. 53: I. Thema III: Ruhig | Wiener Philharmoniker, Clemens Krauss | — | |
| 57-4 | Sinfonia domestica, op. 53: II. Scherzo: Munter | Wiener Philharmoniker, Clemens Krauss | — | |
| 57-5 | Sinfonia domestica, op. 53: II. Wiegenlied: Mäßig langsam und sehr ruhig | Wiener Philharmoniker, Clemens Krauss | — | |
| 57-6 | Sinfonia domestica, op. 53: III. Adagio (Langsam) | Wiener Philharmoniker, Clemens Krauss | — | |
| 57-7 | Sinfonia domestica, op. 53: IV. Finale: Sehr lebhaft | Wiener Philharmoniker, Clemens Krauss | — | |
| 57-8 | Le bourgeois gentilhomme - Suite, op. 60: I. Ouvertüre zum 1. Aufzug: Jourdain - der Bürger | Wiener Philharmoniker, Clemens Krauss | — | |
| 57-9 | Le bourgeois gentilhomme - Suite, op. 60: II. Menuett | Wiener Philharmoniker, Clemens Krauss | — | |
| 57-10 | Le bourgeois gentilhomme - Suite, op. 60: III. Der Fechtmeister | Wiener Philharmoniker, Clemens Krauss | — | |
| 57-11 | Le bourgeois gentilhomme - Suite, op. 60: IV. Auftritt und Tanz der Schneider | Wiener Philharmoniker, Clemens Krauss | — | |
| 57-12 | Le bourgeois gentilhomme - Suite, op. 60: V. Das Menuett des Lully | Wiener Philharmoniker, Clemens Krauss | — | |
| 57-13 | Le bourgeois gentilhomme - Suite, op. 60: VI. Courante | Wiener Philharmoniker, Clemens Krauss | — | |
| 57-14 | Le bourgeois gentilhomme - Suite, op. 60: VII. Auftritt des Cleonte (nach Lully) | Wiener Philharmoniker, Clemens Krauss | — | |
| 57-15 | Le bourgeois gentilhomme - Suite, op. 60: VIII. Vorspiel zum 2. Aufzug: Intermezzo Dorantes und Dorimene - Graf und Marquise | Wiener Philharmoniker, Clemens Krauss | — | |
| 57-16 | Le bourgeois gentilhomme - Suite, op. 60: IX. Das Diner: Tafelmusik und Tanz des Küchejungen | Wiener Philharmoniker, Clemens Krauss | — | |
| 58-1 | Ein Heldenleben, op. 40 TrV 190: I. Der Held | Wiener Philharmoniker, Sir Georg Solti | T-800.635.645-3 | |
| 58-2 | Ein Heldenleben, op. 40 TrV 190: II. Des Helden Widersacher | Wiener Philharmoniker, Sir Georg Solti | — | |
| 58-3 | Ein Heldenleben, op. 40 TrV 190: III. Des Helden Gefährtin | Wiener Philharmoniker, Sir Georg Solti | — | |
| 58-4 | Ein Heldenleben, op. 40 TrV 190: IV. Des Helden Walstatt | Wiener Philharmoniker, Sir Georg Solti | — | |
| 58-5 | Ein Heldenleben, op. 40 TrV 190: V. Des Helden Friedenswerke | Wiener Philharmoniker, Sir Georg Solti | — | |
| 58-6 | Ein Heldenleben, op. 40 TrV 190: VI. Des Helden Weltflucht und Vollendung | Wiener Philharmoniker, Sir Georg Solti | — | |
| 58-7 | Vier letzte Lieder, AV 150 TrV 296: Frühling | Kiri Te Kanawa, Wiener Philharmoniker, Sir Georg Solti | — | |
| 58-8 | Vier letzte Lieder, AV 150 TrV 296: September | Kiri Te Kanawa, Wiener Philharmoniker, Sir Georg Solti | T-800.001.493-8 | |
| 58-9 | Vier letzte Lieder, AV 150 TrV 296: Beim Schlafengehen | Kiri Te Kanawa, Wiener Philharmoniker, Sir Georg Solti | — | |
| 58-10 | Vier letzte Lieder, AV 150 TrV 296: Im Abendrot | Kiri Te Kanawa, Wiener Philharmoniker, Sir Georg Solti | — | |
| 59-1 | Piano Concerto in G minor, op. 33, op. 33: I. Allegro agitato | András Schiff, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 59-2 | Piano Concerto in G minor, op. 33: II. Andante sostenuto | András Schiff, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 59-3 | Piano Concerto in G minor, op. 33: III. Allegro con fuoco | András Schiff, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 59-4 | Two Portraits, op. 5, Sz. 37: I. Ideal | Erich Binder, Wiener Philharmoniker, Christoph von Dohnányi | T-007.183.639-9 | |
| 59-5 | Two Portraits, op. 5, Sz. 37: II. Distorted | Erich Binder, Wiener Philharmoniker, Christoph von Dohnányi | T-007.183.639-9 | |
| 59-6 | The Miraculous Mandarin, Sz. 73: Allegro | Wiener Philharmoniker, Christoph von Dohnányi | T-001.312.909-3 | |
| 59-7 | The Miraculous Mandarin, Sz. 73: 1st Decoy game: Moderato | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 59-8 | The Miraculous Mandarin, Sz. 73: 2nd Decoy game | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 59-9 | The Miraculous Mandarin, Sz. 73: 3rd Decoy game: Sostenuto | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 59-10 | The Miraculous Mandarin, Sz. 73: Maestoso | Wiener Philharmoniker, Christoph von Dohnányi | T-902.876.200-7 | |
| 59-11 | The Miraculous Mandarin, Sz. 73: Allegro | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 59-12 | The Miraculous Mandarin, Sz. 73: Sempre vivo | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 59-13 | The Miraculous Mandarin, Sz. 73: Adagio | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 59-14 | The Miraculous Mandarin, Sz. 73: Agitato | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 59-15 | The Miraculous Mandarin, Sz. 73: Molto moderato | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 59-16 | The Miraculous Mandarin, Sz. 73: Più mosso | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 60-1 | 6 Orchester-Lieder, op. 8: I. Nature | Anja Silja, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 60-2 | 6 Orchester-Lieder, op. 8: II. Das Wappenschild | Anja Silja, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 60-3 | 6 Orchester-Lieder, op. 8: III. Sehnsucht | Anja Silja, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 60-4 | 6 Orchester-Lieder, op. 8: IV. Nie ward ich, Herrin, müd | Anja Silja, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 60-5 | 6 Orchester-Lieder, op. 8: V. Voll jener Süße | Anja Silja, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 60-6 | 6 Orchester-Lieder, op. 8: VI. Wenn Vöglein klagen | Anja Silja, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 60-7 | Lulu Suite: I. Rondo: Andante - Tempo I - Hymne: Sostenuto | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 60-8 | Lulu Suite: II. Ostinato: Allegro | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 60-9 | Lulu Suite: III. Lied der Lulu: Comodo | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 60-10 | Lulu Suite: IV. Variationen: Moderato - Grandioso - Grazioso - Funèbre - Affettuoso - Thema | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 60-11 | Lulu Suite: V. Adagio: Sostenuto - Lento - Grave | Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 60-12 | Salome, op. 54 - Schlußszene: Es ist kein Laut zu vernehmen | Anja Silja, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 61-1 | Sinfonietta for Orchestra: I. Allegretto - Allegro - Maestoso | Vienna Philharmonic, Charles Mackerras | T-900.952.974-2 | |
| 61-2 | Sinfonietta for Orchestra: II. Andante - Allegretto - Maestoso - Tempo I - Allegretto | Vienna Philharmonic, Charles Mackerras | T-900.952.974-2 | |
| 61-3 | Sinfonietta for Orchestra: III. Moderato - Con Moto - Prestissimo - Tempo I - Moderato | Vienna Philharmonic, Charles Mackerras | T-900.952.974-2 | |
| 61-4 | Sinfonietta for Orchestra: IV. Allegretto - Adagio - Presto - Andante - Presto - Prestissimo | Vienna Philharmonic, Charles Mackerras | T-003.055.867-8 | |
| 61-5 | Sinfonietta for Orchestra: V. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - Adagio | Vienna Philharmonic, Charles Mackerras | T-900.952.974-2 | |
| 61-6 | Taras Bulba - Rhapsody for Orchestra: I. The Death of Andri | Vienna Philharmonic, Charles Mackerras | — | |
| 61-7 | Taras Bulba - Rhapsody for Orchestra: II. The Death of Ostap | Vienna Philharmonic, Charles Mackerras | — | |
| 61-8 | Taras Bulba - Rhapsody for Orchestra: III. The Prophecy and the Death of Taras Bulba | Vienna Philharmonic, Charles Mackerras | — | |
| 61-9 | The Cunning Little Vixen Suite: I. Andante | Wiener Philharmoniker, Sir Charles Mackerras | — | |
| 61-10 | The Cunning Little Vixen Suite: II. Andante | Wiener Philharmoniker, Sir Charles Mackerras | — | |
| 62-1 | Mša glagolskaja: I. Úvod (Introduction) | Wiener Philharmoniker, Riccardo Chailly | T-315.011.947-0 | |
| 62-2 | Mša glagolskaja: II. Gospodi pomiluj (Kyrie) | Eva Urbanová, Slovak Philharmonic Choir, Wiener Philharmoniker, Riccardo Chailly | T-321.187.219-0 | |
| 62-3 | Mša glagolskaja: III. Slava (Gloria) | Eva Urbanová, Vladimir Bogachov, Thomas Trotter, Slovak Philharmonic Choir, Wiener Philharmoniker, Riccardo Chailly | T-314.918.753-7 | |
| 62-4 | Mša glagolskaja: IV. Věruju (Credo) | Eva Urbanová, Vladimir Bogachov, Richard Novák, Thomas Trotter, Slovak Philharmonic Choir, Wiener Philharmoniker, Riccardo Chailly | T-312.542.697-9 | |
| 62-5 | Mša glagolskaja: V. Svet (Sanctus) | Eva Urbanová, Marta Beňačková, Vladimir Bogachov, Richard Novák, Slovak Philharmonic Choir, Wiener Philharmoniker, Riccardo Chailly | T-312.692.424-7 | |
| 62-6 | Mša glagolskaja: VI. Agneče Božij (Agnus Dei) | Eva Urbanová, Marta Beňačková, Vladimir Bogachov, Richard Novák, Slovak Philharmonic Choir, Wiener Philharmoniker, Riccardo Chailly | T-312.642.049-9 | |
| 62-7 | Mša glagolskaja: VII. Allegro (organ solo) | Thomas Trotter | T-312.541.571-2 | |
| 62-8 | Mša glagolskaja: VIII. Intrada | Wiener Philharmoniker, Riccardo Chailly | — | |
| 62-9 | Psalm 83 | Slovak Philharmonic Choir, Wiener Philharmoniker, Riccardo Chailly | — | |
| 62-10 | Passover Psalm, op. 30 | Eva Urbanová, Slovak Philharmonic Choir, Wiener Philharmoniker, Riccardo Chailly | — | |
| 63-1 | Spartacus: Adagio of Spartacus and Phrygia | Wiener Philharmoniker, Aram Khachaturian | — | |
| 63-2 | Spartacus: Variation of Aegina and Bacchanalia | Wiener Philharmoniker, Aram Khachaturian | — | |
| 63-3 | Spartacus: Scene and Dance with Crotala | Wiener Philharmoniker, Aram Khachaturian | — | |
| 63-4 | Spartacus: Dance of Gaditanae and Victory of Spartacus | Wiener Philharmoniker, Aram Khachaturian | — | |
| 63-5 | Gayaneh-Suite: Sabre dance | Wiener Philharmoniker, Aram Khachaturian | T-801.025.525-2 | |
| 63-6 | Gayaneh-Suite: Aysheh’s awakening and dance | Wiener Philharmoniker, Aram Khachaturian | — | |
| 63-7 | Gayaneh-Suite: Lezghinka | Wiener Philharmoniker, Aram Khachaturian | — | |
| 63-8 | Gayaneh-Suite: Gayaneh’s Adagio | Wiener Philharmoniker, Aram Khachaturian | T-900.020.942-7 | |
| 63-9 | Gayaneh-Suite: Gopak | Wiener Philharmoniker, Aram Khachaturian | T-004.016.462-2 | |
| 63-10 | Graduation Ball: I. Introduction - Waltz of the Girls | Wiener Philharmoniker, Antal Doráti | — | |
| 63-11 | Graduation Ball: II. Arrival of the Cadets | Wiener Philharmoniker, Antal Doráti | — | |
| 63-12 | Graduation Ball: III. Announcement of the Show | Wiener Philharmoniker, Antal Doráti | — | |
| 63-13 | Graduation Ball: IV. The Drummer | Wiener Philharmoniker, Antal Doráti | — | |
| 63-14 | Graduation Ball: V. The Sylphide and the Scotsman | Wiener Philharmoniker, Antal Doráti | — | |
| 63-15 | Graduation Ball: VI. The Fun | Wiener Philharmoniker, Antal Doráti | — | |
| 63-16 | Graduation Ball: VII. Virtuoso Polka | Wiener Philharmoniker, Antal Doráti | — | |
| 63-17 | Graduation Ball: VIII. Rival Ballerinas | Wiener Philharmoniker, Antal Doráti | — | |
| 63-18 | Graduation Ball: IX. Teacher and Pupils | Wiener Philharmoniker, Antal Doráti | — | |
| 63-19 | Graduation Ball: X. Perpetuum mobile | Wiener Philharmoniker, Antal Doráti | — | |
| 63-20 | Graduation Ball: XI. Mazurka "The General and the Governess" | Wiener Philharmoniker, Antal Doráti | — | |
| 63-21 | Graduation Ball: XII. Grand Gallop | Wiener Philharmoniker, Antal Doráti | — | |
| 63-22 | Graduation Ball: XIII. Finale | Wiener Philharmoniker, Antal Doráti | T-906.818.954-8 | |
| 64-1 | Variations on a Hungarian folk song “Fölszállott a páva” (“The Peacock Roared”) | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 64-2 | Variations on a Theme of Paganini, op. 26 | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 64-3 | Variations on an Original Theme, op. 36 “Enigma”: Theme (Enigma: Andante) | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 64-4 | Variations on an Original Theme, op. 36 “Enigma”: Variation I (L'istesso tempo) “C.A.E.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 64-5 | Variations on an Original Theme, op. 36 “Enigma”: Variation II (Allegro) “H.D.S-P.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 64-6 | Variations on an Original Theme, op. 36 “Enigma”: Variation III (Allegretto) “R.B.T.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 64-7 | Variations on an Original Theme, op. 36 “Enigma”: Variation IV (Allegro di molto) “W.M.B” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 64-8 | Variations on an Original Theme, op. 36 “Enigma”: Variation V. (Moderato) “R.P.A.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 64-9 | Variations on an Original Theme, op. 36 “Enigma”: Variation VI (Andantino) “Ysobel” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 64-10 | Variations on an Original Theme, op. 36 “Enigma”: Variation VII (Presto) “Troyte” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 64-11 | Variations on an Original Theme, op. 36 “Enigma”: Variation VIII (Allegretto) “W.N.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 64-12 | Variations on an Original Theme, op. 36 “Enigma”: Variation IX (Adagio) “Nimrod” | Vienna Philharmonic Orchestra, Sir Georg Solti | T-010.115.427-1 | |
| 64-13 | Variations on an Original Theme, op. 36 “Enigma”: Variation X (Intermezzo: Allegretto) “Dorabella” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 64-14 | Variations on an Original Theme, op. 36 “Enigma”: Variation XI (Allegro di molto) “G.R.S.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 64-15 | Variations on an Original Theme, op. 36 “Enigma”: Variation XII (Andante) “B.G.N.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 64-16 | Variations on an Original Theme, op. 36 “Enigma”: Variation XIII (Romanza: Moderato) “* * *” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 64-17 | Variations on an Original Theme, op. 36 “Enigma”: Variation XIV (Finale: Allegro) “E.D.U.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 65-1 | Symphony no. 2: I. Andante maestoso | Wiener Philharmoniker, Aram Khachaturian | — | |
| 65-2 | Symphony no. 2: II. Allegro risoluto | Wiener Philharmoniker, Aram Khachaturian | — | |
| 65-3 | Symphony no. 2: III. Andante sostenuto | Wiener Philharmoniker, Aram Khachaturian | — | |
| 65-4 | Symphony no. 2: IV. Andante mosso – Allegro sostenuto, maestoso | Wiener Philharmoniker, Aram Khachaturian | — | |
| 65-5 | Piano Concerto no. 4: Allegro molto moderato - Allegro - Allegro moderato - Allegro - Più tranquillo - Tempo primo - Allegro - Allegro con brio | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Messa da requiem: Libera Me: Libera me | Chor der Wiener Staatsoper, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-329.460.025-8 |
| Das Lied von der Erde: I. Das Trinklied von Jammer der Erde | Julius Patzak, Wiener Philharmoniker, Bruno Walter | — |
| Das Lied von der Erde: II. Der Einsame im Herbst | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | — |
| Das Lied von der Erde: III. Von der Jugend | Julius Patzak, Wiener Philharmoniker, Bruno Walter | — |
| Das Lied von der Erde: IV. Von der Schönheit | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | — |
| Das Lied von der Erde: V. Der Trunkene im Frühling | Julius Patzak, Wiener Philharmoniker, Bruno Walter | — |
| Das Lied von der Erde: VI. Der Abschied | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | — |
