UPC · Release
Herbert Blomstedt
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The UPC for “The San Francisco Years” by Herbert Blomstedt is 028947867876. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2014-01-01. Label: Decca. This release contains 149 tracks, each with its own ISRC. Tracks include GBF079010301, GBF079010302, GBF079010303.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Kossuth, BB 31: I. Kossuth | — | ||
| 2 | Kossuth, BB 31: II. Mi bú nehezül lelkedre, édes férjem? | — | ||
| 3 | Kossuth, BB 31: III. Veszélyben a haza! | — | ||
| 4 | Kossuth, BB 31: IV. Hajdan jobb időket éltünk... | — | ||
| 5 | Kossuth, BB 31: V. Majd rosszra fordult sorsunk... | — | ||
| 6 | Kossuth, BB 31: VI. Harcra fel! | — | ||
| 7 | Kossuth, BB 31: VII. Jöjjetek, jäjjetek! szép magyar vitézek, szép magyar leventék! | — | ||
| 8 | Kossuth, BB 31: VIII. ... | — | ||
| 9 | Kossuth, BB 31: IX. Mindennek vége! | — | ||
| 10 | Kossuth, BB 31: X. Csöndes minden, csöndes... | — | ||
| 11 | Concerto for Orchestra, B 123: I. Introduzione | — | ||
| 12 | Concerto for Orchestra, B 123: II. Giuoco delle coppie | — | ||
| 13 | Concerto for Orchestra, B 123: III. Elegia | — | ||
| 14 | Concerto for Orchestra, B 123: IV. Intermezzo interrotto | — | ||
| 15 | Concerto for Orchestra, B 123: V. Finale | — | ||
| 2-1 | SYMPHONY NO.1 IN C MAJOR, OP.21: 1. ADAGIO MOLTO - ALLEGRO CON BRIO | San Francisco Symphony, Herbert Blomstedt | T-915.714.772-3 | |
| 2-2 | 2. ANDANTE CANTABILE CON MOTO | San Francisco Symphony, Herbert Blomstedt | — | |
| 2-3 | 3. MENUETTO (ALLEGRO MOLTO E VIVACE) | San Francisco Symphony, Herbert Blomstedt | — | |
| 2-4 | 4. FINALE (ADAGIO - ALLEGRO MOLTO E VIVACE) | San Francisco Symphony, Herbert Blomstedt | T-318.676.528-2 | |
| 2-5 | 1. ALLEGRO CON BRIO | San Francisco Symphony, Herbert Blomstedt | — | |
| 2-6 | 2. MARCIA FUNÈBRE (ADAGIO ASSAI) | San Francisco Symphony, Herbert Blomstedt | — | |
| 2-7 | 3. SCHERZO (ALLEGRO VIVACE) | San Francisco Symphony, Herbert Blomstedt | — | |
| 2-8 | 4. FINALE (ALLEGRO MOLTO) | San Francisco Symphony, Herbert Blomstedt | T-318.676.528-2 | |
| 3-1 | Symphony no. 1 "Sinfonie Sérieuse": I. Allegro con energia | — | ||
| 3-2 | Symphony no. 1 "Sinfonie Sérieuse": II. Adagio maestoso | — | ||
| 3-3 | Symphony no. 1 "Sinfonie Sérieuse": III. Stretto - | — | ||
| 3-4 | Symphony no. 1 "Sinfonie Sérieuse": IV. Finale: Adagio - Allegro molto | — | ||
| 3-5 | Symphony no. 4: I. Allegro risoluto | — | ||
| 3-6 | Symphony no. 4: II. Adagio - | — | ||
| 3-7 | Symphony no. 4: III. Scherzo: Allegro molto | — | ||
| 3-8 | Symphony no. 4: IV. Finale: Allegro vivace | — | ||
| 4-1 | Ein Deutsches Requiem, op. 45: I. Selig sind, die da Leid tragen | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | T-003.036.740-8 | |
| 4-2 | Ein Deutsches Requiem, op. 45: II. Denn alles Fleisch es ist wie Gras | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 4-3 | Ein Deutsches Requiem, op. 45: III. Herr, lehre doch mich | Wolfgang Holzmair, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 4-4 | Ein Deutsches Requiem, op. 45: IV. Wie lieblich sind Deine Wohnungen | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 4-5 | Ein Deutsches Requiem, op. 45: V. Ihr habt nun Traurigkeit - Ich will euch trösten | Elizabeth Norberg-Schulz, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 4-6 | Ein Deutsches Requiem, op. 45: VI. Denn wir haben hie keine bleibende Statt - Siehe, ich sage euch ein Geheimnis | Wolfgang Holzmair, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 4-7 | Ein Deutsches Requiem, op. 45: VII. Selig sind die Toten, die in dem Herren sterben | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 5-1 | Schicksalslied, op. 54 | — | ||
| 5-2 | Altrhapsodie, op. 53 | — | ||
| 5-3 | Begräbnisgesang, op. 13 | — | ||
| 5-4 | Nänie, op. 82 | — | ||
| 5-5 | Gesang der Parzen, op. 89 | — | ||
| 7-1 | Peer Gynt, op. 23: Act One. I Byllupsgårde | — | ||
| 7-2 | Peer Gynt, op. 23: Act Two. Bruderovet. Ingrids klage | — | ||
| 7-3 | Peer Gynt, op. 23: Act Two. Peer Gynt og Saterjentene | — | ||
| 7-4 | Peer Gynt Suite: In der Halle des Bergkönigs | San Francisco Symphony, Herbert Blomstedt | T-011.778.125-5 | |
| 7-5 | Peer Gynt, op. 23: Act Two. Dans av Dovregubbens datter | — | ||
| 7-6 | Peer Gynt, op. 23: Act Two. Peer Gynt jages av troll - Peer Gynt og Bøygen | — | ||
| 7-7 | Peer Gynt, op. 23: Act Three. Åses død | — | ||
| 7-8 | Peer Gynt Suite: Morgenstimmung | San Francisco Symphony, Herbert Blomstedt | — | |
| 7-9 | Peer Gynt, op. 23: Act Four. Tyven og heleren | — | ||
| 7-10 | Peer Gynt, op. 23: Act Four. Arabisk dans | — | ||
| 7-11 | Peer Gynt, op. 23: Act Four. Anitras dans | — | ||
| 7-12 | Peer Gynt, op. 23: Act Four. Peer Gynts Serenade | — | ||
| 7-13 | Peer Gynt, op. 23: Act Four. Solveigs sang | — | ||
| 7-14 | Peer Gynt, op. 23: Act Five. Peer Gynts hjemfart | — | ||
| 7-15 | Peer Gynt, op. 23: Act Five. Skipsforliset | — | ||
| 7-16 | Peer Gynt, op. 23: Act Five. Solveig synger i hytten | — | ||
| 7-17 | Peer Gynt, op. 23: Act Five. Nattscene | — | ||
| 7-18 | Peer Gynt, op. 23: Act Five. Pinses: Velsignede morgen | — | ||
| 7-19 | Peer Gynt, op. 23: Act Five. Solveigs vuggevise | — | ||
| 8-1 | Symphonic Metamorphoses of Themes by Carl Maria von Weber: I. Allegro | — | ||
| 8-2 | Symphonic Metamorphoses of Themes by Carl Maria von Weber: II. Turandot, Scherzo: Moderato | — | ||
| 8-3 | Symphonic Metamorphoses of Themes by Carl Maria von Weber: III. Andantino | — | ||
| 8-4 | Symphonic Metamorphoses of Themes by Carl Maria von Weber: IV. March | — | ||
| 8-5 | Trauermusik: Langsam - Ruhig Bewegt - Lebhaft - Sehr langsam | — | ||
| 8-6 | Symphonie "Mathis Der Maler": I. Engelskonzert | San Francisco Symphony, Herbert Blomstedt | — | |
| 8-7 | Symphonie "Mathis Der Maler": II. Grablegung | San Francisco Symphony, Herbert Blomstedt | T-801.268.672-6 | |
| 8-8 | Symphonie "Mathis Der Maler": III. Versuchung des heiligen Antonius | San Francisco Symphony, Herbert Blomstedt | — | |
| 8-9 | Concert Music for Strings and Brass, op. 50: I. Mäßig schnell, mit Kraft. Sehr breit aber stets fließend | — | ||
| 8-10 | Concert Music for Strings and Brass, op. 50: II. Lebhaft. Langsam. Im ersten Zeitmaß: Lebhaft | — | ||
| 9-1 | Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck | — | ||
| 9-2 | Symphony no. 2 in C minor "Resurrection": II. Andante moderato | — | ||
| 9-3 | Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung | — | ||
| 9-4 | Symphony no. 2 in C minor "Resurrection": IV. "Urlicht": Sehr feierlich, aber schlicht | — | ||
| 9-5 | Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzo | — | ||
| 10-1 | Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato - | — | ||
| 10-2 | Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo - | — | ||
| 10-3 | Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio - | — | ||
| 10-4 | Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai | — | ||
| 10-5 | Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace | — | ||
| 10-6 | Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto | — | ||
| 10-7 | Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato | — | ||
| 10-8 | Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello: Presto | — | ||
| 11-1 | Symphony no. 2 “The Four Temperaments”, op. 16: I. Allegro collerico | San Francisco Symphony, Herbert Blomstedt | — | |
| 11-2 | Symphony no. 2 “The Four Temperaments”, op. 16: II. Allegro comodo e flemmatico | San Francisco Symphony, Herbert Blomstedt | — | |
| 11-3 | Symphony no. 2 “The Four Temperaments”, op. 16: III. Andante malincolico | San Francisco Symphony, Herbert Blomstedt | — | |
| 11-4 | Symphony no. 2 “The Four Temperaments”, op. 16: IV. Allegro sanguineo | San Francisco Symphony, Herbert Blomstedt | — | |
| 11-5 | Symphony no. 3 “Sinfonia espansiva”, op. 27: I. Allegro espansivo | San Francisco Symphony, Herbert Blomstedt | — | |
| 11-6 | Symphony no. 3 “Sinfonia espansiva”, op. 27: II. Andante pastorale | Kevin McMillan, Nancy Wait-Kromm, San Francisco Symphony, Herbert Blomstedt | — | |
| 11-7 | Symphony no. 3 “Sinfonia espansiva”, op. 27: III. Allegretto un poco | San Francisco Symphony, Herbert Blomstedt | — | |
| 11-8 | Symphony no. 3 “Sinfonia espansiva”, op. 27: IV. Finale. Allegro | San Francisco Symphony, Herbert Blomstedt | T-318.676.528-2 | |
| 12-1 | Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 12-2 | Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 12-3 | Carmina Burana: I. Primo vere: Veris leta facies | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 12-4 | Carmina Burana: I. Primo vere: Omnia Sol temperat | Kevin McMillan, San Francisco Symphony, Herbert Blomstedt | — | |
| 12-5 | Carmina Burana: I. Primo vere: Ecce gratum | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 12-6 | Carmina Burana: Uf dem anger: Tanz | San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 12-7 | Carmina Burana: Uf dem anger: Floret silva nobilis | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 12-8 | Carmina Burana: Uf dem anger: Chramer, gip die varwe mir | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 12-9 | Carmina Burana: Uf dem Anger: Reie: Swaz hie gat umbe / Chume, chum, geselle min / Swaz hie gat umbe | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 12-10 | Carmina Burana: Uf dem anger: Were diu werlt alle min | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 12-11 | Carmina Burana: II. In Taberna: Estuans interius | Kevin McMillan, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 12-12 | Carmina Burana: II. In Taberna: Olim lacus colueram | San Francisco Symphony Chorus, John Daniecki, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 12-13 | Carmina Burana: II. In Taberna: Ego sum abbas | San Francisco Symphony Chorus, Kevin McMillan, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 12-14 | Carmina Burana: II. In Taberna: In taberna quando sumus | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 12-15 | Carmina Burana: III. Cour d’amours: Amor volat undique | Lynne Dawson, San Francisco Boys Chorus, San Francisco Girls Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 12-16 | Carmina Burana: III. Cour d’amours: Dies, nox et omnia | Kevin McMillan, San Francisco Symphony, Herbert Blomstedt | — | |
| 12-17 | Carmina Burana: III. Cour d’amours: Stetit puella | Lynne Dawson, San Francisco Symphony, Herbert Blomstedt | — | |
| 12-18 | Carmina Burana: III. Cour d’amours: Circa mea pectora | San Francisco Symphony Chorus, Kevin McMillan, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 12-19 | Carmina Burana: III. Cour d’amours: Si puer cum puellula | Kevin McMillan, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 12-20 | Carmina Burana: III. Cour d’amours: Veni, veni, venias | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 12-21 | Carmina Burana: III. Cour d’amours: In trutina | Lynne Dawson, San Francisco Symphony, Herbert Blomstedt | — | |
| 12-22 | Carmina Burana: III. Cour d’amours: Tempus est iocundum | Lynne Dawson, Kevin McMillan, San Francisco Boys Chorus, San Francisco Girls Chorus, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 12-23 | Carmina Burana: III. Cour d’amours: Dulcissime | Lynne Dawson, San Francisco Symphony, Herbert Blomstedt | — | |
| 12-24 | Carmina Burana: Blanziflor et Helena: Ave, formosissima | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 13-1 | Overture in C major, D 591 “In the Italian style” | San Francisco Symphony, Herbert Blomstedt | — | |
| 13-2 | Symphony no. 9 in C major, D 944 “Great”: I. Andante - Allegro ma non troppo | San Francisco Symphony, Herbert Blomstedt | — | |
| 13-3 | Symphony no. 9 in C major, D 944 “Great”: II. Andante con moto | San Francisco Symphony, Herbert Blomstedt | — | |
| 13-4 | Symphony no. 9 in C major, D 944 “Great”: III. Scherzo: Allegro vivace | San Francisco Symphony, Herbert Blomstedt | — | |
| 13-5 | Symphony no. 9 in C major, D 944 “Great”: IV. Finale: Allegro vivace | San Francisco Symphony, Herbert Blomstedt | — | |
| 14-1 | Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico | — | ||
| 14-2 | Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento) | — | ||
| 14-3 | Symphony no. 1 in E minor, op. 39: III. Scherzo: Allegro | — | ||
| 14-4 | Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia) | — | ||
| 14-5 | Symphony no. 7 in C major, op. 105 | — | ||
| 14-6 | Tapiola, op. 112 | — | ||
| 15-1 | Don Juan, op. 20 | — | ||
| 15-2 | Eine Alpensinfonie, op. 64: Nacht | — | ||
| 15-3 | Eine Alpensinfonie, op. 64: Sonnenaufgang | — | ||
| 15-4 | Eine Alpensinfonie, op. 64: Der Anstieg | — | ||
| 15-5 | Eine Alpensinfonie, op. 64: Eintritt in den Wald - Wanderung neben dem Bach | — | ||
| 15-6 | Eine Alpensinfonie, op. 64: Am Wasserfall | — | ||
| 15-7 | Eine Alpensinfonie, op. 64: Erscheinung | — | ||
| 15-8 | Eine Alpensinfonie, op. 64: Auf blumigen Wiesen | — | ||
| 15-9 | Eine Alpensinfonie, op. 64: Auf der Alm | — | ||
| 15-10 | Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen | — | ||
| 15-11 | Eine Alpensinfonie, op. 64: Auf dem Gletscher | — | ||
| 15-12 | Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke - Auf dem Gipfel | — | ||
| 15-13 | Eine Alpensinfonie, op. 64: Vision | — | ||
| 15-14 | Eine Alpensinfonie, op. 64: Nebel steigen auf | — | ||
| 15-15 | Eine Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählich | — | ||
| 15-16 | Eine Alpensinfonie, op. 64: Elegie | — | ||
| 15-17 | Eine Alpensinfonie, op. 64: Stille vor dem Sturm | — | ||
| 15-18 | Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg | — | ||
| 15-19 | Eine Alpensinfonie, op. 64: Sonnenuntergang | — | ||
| 15-20 | Eine Alpensinfonie, op. 64: Ausklang | — | ||
| 15-21 | Eine Alpensinfonie, op. 64: Nacht | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
028947867876 is a Universal Product Code (UPC) assigned to The San Francisco Years by Herbert Blomstedt. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 149 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 |
The UPC for “The San Francisco Years” by Herbert Blomstedt is 028947867876. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2014-01-01. Label: Decca. This release contains 149 tracks, each with its own ISRC. Tracks include GBF079010301, GBF079010302, GBF079010303.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Kossuth, BB 31: I. Kossuth | — | ||
| 2 | Kossuth, BB 31: II. Mi bú nehezül lelkedre, édes férjem? | — | ||
| 3 | Kossuth, BB 31: III. Veszélyben a haza! | — | ||
| 4 | Kossuth, BB 31: IV. Hajdan jobb időket éltünk... | — | ||
| 5 | Kossuth, BB 31: V. Majd rosszra fordult sorsunk... | — | ||
| 6 | Kossuth, BB 31: VI. Harcra fel! | — | ||
| 7 | Kossuth, BB 31: VII. Jöjjetek, jäjjetek! szép magyar vitézek, szép magyar leventék! | — | ||
| 8 | Kossuth, BB 31: VIII. ... | — | ||
| 9 | Kossuth, BB 31: IX. Mindennek vége! | — | ||
| 10 | Kossuth, BB 31: X. Csöndes minden, csöndes... | — | ||
| 11 | Concerto for Orchestra, B 123: I. Introduzione | — | ||
| 12 | Concerto for Orchestra, B 123: II. Giuoco delle coppie | — | ||
| 13 | Concerto for Orchestra, B 123: III. Elegia | — | ||
| 14 | Concerto for Orchestra, B 123: IV. Intermezzo interrotto | — | ||
| 15 | Concerto for Orchestra, B 123: V. Finale | — | ||
| 2-1 | SYMPHONY NO.1 IN C MAJOR, OP.21: 1. ADAGIO MOLTO - ALLEGRO CON BRIO | San Francisco Symphony, Herbert Blomstedt | T-915.714.772-3 | |
| 2-2 | 2. ANDANTE CANTABILE CON MOTO | San Francisco Symphony, Herbert Blomstedt | — | |
| 2-3 | 3. MENUETTO (ALLEGRO MOLTO E VIVACE) | San Francisco Symphony, Herbert Blomstedt | — | |
| 2-4 | 4. FINALE (ADAGIO - ALLEGRO MOLTO E VIVACE) | San Francisco Symphony, Herbert Blomstedt | T-318.676.528-2 | |
| 2-5 | 1. ALLEGRO CON BRIO | San Francisco Symphony, Herbert Blomstedt | — | |
| 2-6 | 2. MARCIA FUNÈBRE (ADAGIO ASSAI) | San Francisco Symphony, Herbert Blomstedt | — | |
| 2-7 | 3. SCHERZO (ALLEGRO VIVACE) | San Francisco Symphony, Herbert Blomstedt | — | |
| 2-8 | 4. FINALE (ALLEGRO MOLTO) | San Francisco Symphony, Herbert Blomstedt | T-318.676.528-2 | |
| 3-1 | Symphony no. 1 "Sinfonie Sérieuse": I. Allegro con energia | — | ||
| 3-2 | Symphony no. 1 "Sinfonie Sérieuse": II. Adagio maestoso | — | ||
| 3-3 | Symphony no. 1 "Sinfonie Sérieuse": III. Stretto - | — | ||
| 3-4 | Symphony no. 1 "Sinfonie Sérieuse": IV. Finale: Adagio - Allegro molto | — | ||
| 3-5 | Symphony no. 4: I. Allegro risoluto | — | ||
| 3-6 | Symphony no. 4: II. Adagio - | — | ||
| 3-7 | Symphony no. 4: III. Scherzo: Allegro molto | — | ||
| 3-8 | Symphony no. 4: IV. Finale: Allegro vivace | — | ||
| 4-1 | Ein Deutsches Requiem, op. 45: I. Selig sind, die da Leid tragen | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | T-003.036.740-8 | |
| 4-2 | Ein Deutsches Requiem, op. 45: II. Denn alles Fleisch es ist wie Gras | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 4-3 | Ein Deutsches Requiem, op. 45: III. Herr, lehre doch mich | Wolfgang Holzmair, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 4-4 | Ein Deutsches Requiem, op. 45: IV. Wie lieblich sind Deine Wohnungen | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 4-5 | Ein Deutsches Requiem, op. 45: V. Ihr habt nun Traurigkeit - Ich will euch trösten | Elizabeth Norberg-Schulz, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 4-6 | Ein Deutsches Requiem, op. 45: VI. Denn wir haben hie keine bleibende Statt - Siehe, ich sage euch ein Geheimnis | Wolfgang Holzmair, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 4-7 | Ein Deutsches Requiem, op. 45: VII. Selig sind die Toten, die in dem Herren sterben | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 5-1 | Schicksalslied, op. 54 | — | ||
| 5-2 | Altrhapsodie, op. 53 | — | ||
| 5-3 | Begräbnisgesang, op. 13 | — | ||
| 5-4 | Nänie, op. 82 | — | ||
| 5-5 | Gesang der Parzen, op. 89 | — | ||
| 7-1 | Peer Gynt, op. 23: Act One. I Byllupsgårde | — | ||
| 7-2 | Peer Gynt, op. 23: Act Two. Bruderovet. Ingrids klage | — | ||
| 7-3 | Peer Gynt, op. 23: Act Two. Peer Gynt og Saterjentene | — | ||
| 7-4 | Peer Gynt Suite: In der Halle des Bergkönigs | San Francisco Symphony, Herbert Blomstedt | T-011.778.125-5 | |
| 7-5 | Peer Gynt, op. 23: Act Two. Dans av Dovregubbens datter | — | ||
| 7-6 | Peer Gynt, op. 23: Act Two. Peer Gynt jages av troll - Peer Gynt og Bøygen | — | ||
| 7-7 | Peer Gynt, op. 23: Act Three. Åses død | — | ||
| 7-8 | Peer Gynt Suite: Morgenstimmung | San Francisco Symphony, Herbert Blomstedt | — | |
| 7-9 | Peer Gynt, op. 23: Act Four. Tyven og heleren | — | ||
| 7-10 | Peer Gynt, op. 23: Act Four. Arabisk dans | — | ||
| 7-11 | Peer Gynt, op. 23: Act Four. Anitras dans | — | ||
| 7-12 | Peer Gynt, op. 23: Act Four. Peer Gynts Serenade | — | ||
| 7-13 | Peer Gynt, op. 23: Act Four. Solveigs sang | — | ||
| 7-14 | Peer Gynt, op. 23: Act Five. Peer Gynts hjemfart | — | ||
| 7-15 | Peer Gynt, op. 23: Act Five. Skipsforliset | — | ||
| 7-16 | Peer Gynt, op. 23: Act Five. Solveig synger i hytten | — | ||
| 7-17 | Peer Gynt, op. 23: Act Five. Nattscene | — | ||
| 7-18 | Peer Gynt, op. 23: Act Five. Pinses: Velsignede morgen | — | ||
| 7-19 | Peer Gynt, op. 23: Act Five. Solveigs vuggevise | — | ||
| 8-1 | Symphonic Metamorphoses of Themes by Carl Maria von Weber: I. Allegro | — | ||
| 8-2 | Symphonic Metamorphoses of Themes by Carl Maria von Weber: II. Turandot, Scherzo: Moderato | — | ||
| 8-3 | Symphonic Metamorphoses of Themes by Carl Maria von Weber: III. Andantino | — | ||
| 8-4 | Symphonic Metamorphoses of Themes by Carl Maria von Weber: IV. March | — | ||
| 8-5 | Trauermusik: Langsam - Ruhig Bewegt - Lebhaft - Sehr langsam | — | ||
| 8-6 | Symphonie "Mathis Der Maler": I. Engelskonzert | San Francisco Symphony, Herbert Blomstedt | — | |
| 8-7 | Symphonie "Mathis Der Maler": II. Grablegung | San Francisco Symphony, Herbert Blomstedt | T-801.268.672-6 | |
| 8-8 | Symphonie "Mathis Der Maler": III. Versuchung des heiligen Antonius | San Francisco Symphony, Herbert Blomstedt | — | |
| 8-9 | Concert Music for Strings and Brass, op. 50: I. Mäßig schnell, mit Kraft. Sehr breit aber stets fließend | — | ||
| 8-10 | Concert Music for Strings and Brass, op. 50: II. Lebhaft. Langsam. Im ersten Zeitmaß: Lebhaft | — | ||
| 9-1 | Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck | — | ||
| 9-2 | Symphony no. 2 in C minor "Resurrection": II. Andante moderato | — | ||
| 9-3 | Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung | — | ||
| 9-4 | Symphony no. 2 in C minor "Resurrection": IV. "Urlicht": Sehr feierlich, aber schlicht | — | ||
| 9-5 | Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzo | — | ||
| 10-1 | Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato - | — | ||
| 10-2 | Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo - | — | ||
| 10-3 | Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio - | — | ||
| 10-4 | Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai | — | ||
| 10-5 | Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace | — | ||
| 10-6 | Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto | — | ||
| 10-7 | Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato | — | ||
| 10-8 | Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello: Presto | — | ||
| 11-1 | Symphony no. 2 “The Four Temperaments”, op. 16: I. Allegro collerico | San Francisco Symphony, Herbert Blomstedt | — | |
| 11-2 | Symphony no. 2 “The Four Temperaments”, op. 16: II. Allegro comodo e flemmatico | San Francisco Symphony, Herbert Blomstedt | — | |
| 11-3 | Symphony no. 2 “The Four Temperaments”, op. 16: III. Andante malincolico | San Francisco Symphony, Herbert Blomstedt | — | |
| 11-4 | Symphony no. 2 “The Four Temperaments”, op. 16: IV. Allegro sanguineo | San Francisco Symphony, Herbert Blomstedt | — | |
| 11-5 | Symphony no. 3 “Sinfonia espansiva”, op. 27: I. Allegro espansivo | San Francisco Symphony, Herbert Blomstedt | — | |
| 11-6 | Symphony no. 3 “Sinfonia espansiva”, op. 27: II. Andante pastorale | Kevin McMillan, Nancy Wait-Kromm, San Francisco Symphony, Herbert Blomstedt | — | |
| 11-7 | Symphony no. 3 “Sinfonia espansiva”, op. 27: III. Allegretto un poco | San Francisco Symphony, Herbert Blomstedt | — | |
| 11-8 | Symphony no. 3 “Sinfonia espansiva”, op. 27: IV. Finale. Allegro | San Francisco Symphony, Herbert Blomstedt | T-318.676.528-2 | |
| 12-1 | Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 12-2 | Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 12-3 | Carmina Burana: I. Primo vere: Veris leta facies | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 12-4 | Carmina Burana: I. Primo vere: Omnia Sol temperat | Kevin McMillan, San Francisco Symphony, Herbert Blomstedt | — | |
| 12-5 | Carmina Burana: I. Primo vere: Ecce gratum | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 12-6 | Carmina Burana: Uf dem anger: Tanz | San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 12-7 | Carmina Burana: Uf dem anger: Floret silva nobilis | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 12-8 | Carmina Burana: Uf dem anger: Chramer, gip die varwe mir | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 12-9 | Carmina Burana: Uf dem Anger: Reie: Swaz hie gat umbe / Chume, chum, geselle min / Swaz hie gat umbe | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 12-10 | Carmina Burana: Uf dem anger: Were diu werlt alle min | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 12-11 | Carmina Burana: II. In Taberna: Estuans interius | Kevin McMillan, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 12-12 | Carmina Burana: II. In Taberna: Olim lacus colueram | San Francisco Symphony Chorus, John Daniecki, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 12-13 | Carmina Burana: II. In Taberna: Ego sum abbas | San Francisco Symphony Chorus, Kevin McMillan, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 12-14 | Carmina Burana: II. In Taberna: In taberna quando sumus | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 12-15 | Carmina Burana: III. Cour d’amours: Amor volat undique | Lynne Dawson, San Francisco Boys Chorus, San Francisco Girls Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 12-16 | Carmina Burana: III. Cour d’amours: Dies, nox et omnia | Kevin McMillan, San Francisco Symphony, Herbert Blomstedt | — | |
| 12-17 | Carmina Burana: III. Cour d’amours: Stetit puella | Lynne Dawson, San Francisco Symphony, Herbert Blomstedt | — | |
| 12-18 | Carmina Burana: III. Cour d’amours: Circa mea pectora | San Francisco Symphony Chorus, Kevin McMillan, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 12-19 | Carmina Burana: III. Cour d’amours: Si puer cum puellula | Kevin McMillan, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 12-20 | Carmina Burana: III. Cour d’amours: Veni, veni, venias | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 12-21 | Carmina Burana: III. Cour d’amours: In trutina | Lynne Dawson, San Francisco Symphony, Herbert Blomstedt | — | |
| 12-22 | Carmina Burana: III. Cour d’amours: Tempus est iocundum | Lynne Dawson, Kevin McMillan, San Francisco Boys Chorus, San Francisco Girls Chorus, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 12-23 | Carmina Burana: III. Cour d’amours: Dulcissime | Lynne Dawson, San Francisco Symphony, Herbert Blomstedt | — | |
| 12-24 | Carmina Burana: Blanziflor et Helena: Ave, formosissima | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 13-1 | Overture in C major, D 591 “In the Italian style” | San Francisco Symphony, Herbert Blomstedt | — | |
| 13-2 | Symphony no. 9 in C major, D 944 “Great”: I. Andante - Allegro ma non troppo | San Francisco Symphony, Herbert Blomstedt | — | |
| 13-3 | Symphony no. 9 in C major, D 944 “Great”: II. Andante con moto | San Francisco Symphony, Herbert Blomstedt | — | |
| 13-4 | Symphony no. 9 in C major, D 944 “Great”: III. Scherzo: Allegro vivace | San Francisco Symphony, Herbert Blomstedt | — | |
| 13-5 | Symphony no. 9 in C major, D 944 “Great”: IV. Finale: Allegro vivace | San Francisco Symphony, Herbert Blomstedt | — | |
| 14-1 | Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico | — | ||
| 14-2 | Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento) | — | ||
| 14-3 | Symphony no. 1 in E minor, op. 39: III. Scherzo: Allegro | — | ||
| 14-4 | Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia) | — | ||
| 14-5 | Symphony no. 7 in C major, op. 105 | — | ||
| 14-6 | Tapiola, op. 112 | — | ||
| 15-1 | Don Juan, op. 20 | — | ||
| 15-2 | Eine Alpensinfonie, op. 64: Nacht | — | ||
| 15-3 | Eine Alpensinfonie, op. 64: Sonnenaufgang | — | ||
| 15-4 | Eine Alpensinfonie, op. 64: Der Anstieg | — | ||
| 15-5 | Eine Alpensinfonie, op. 64: Eintritt in den Wald - Wanderung neben dem Bach | — | ||
| 15-6 | Eine Alpensinfonie, op. 64: Am Wasserfall | — | ||
| 15-7 | Eine Alpensinfonie, op. 64: Erscheinung | — | ||
| 15-8 | Eine Alpensinfonie, op. 64: Auf blumigen Wiesen | — | ||
| 15-9 | Eine Alpensinfonie, op. 64: Auf der Alm | — | ||
| 15-10 | Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen | — | ||
| 15-11 | Eine Alpensinfonie, op. 64: Auf dem Gletscher | — | ||
| 15-12 | Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke - Auf dem Gipfel | — | ||
| 15-13 | Eine Alpensinfonie, op. 64: Vision | — | ||
| 15-14 | Eine Alpensinfonie, op. 64: Nebel steigen auf | — | ||
| 15-15 | Eine Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählich | — | ||
| 15-16 | Eine Alpensinfonie, op. 64: Elegie | — | ||
| 15-17 | Eine Alpensinfonie, op. 64: Stille vor dem Sturm | — | ||
| 15-18 | Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg | — | ||
| 15-19 | Eine Alpensinfonie, op. 64: Sonnenuntergang | — | ||
| 15-20 | Eine Alpensinfonie, op. 64: Ausklang | — | ||
| 15-21 | Eine Alpensinfonie, op. 64: Nacht | — |
