UPC · Release
Decca Sound 55 Great Vocal Recitals
Various Artists
028947896791
24 tracksReleased 2016-01-01Decca
Last verified:
028947896791 is the Universal Product Code (UPC barcode) for the release “Decca Sound 55 Great Vocal Recitals” by Various Artists, released 2016-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 24 tracks, each with its own ISRC. Tracks include GBF076340501, GBF076340502, GBF076340503.
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Credit Chain
UPCDecca Sound 55 Great Vocal Recitals
ISRC24 recordings
ISWC20 works
IPI4 songwriters
Track List (24)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 20-1 | Winterreise, D. 911: Gute Nacht | Peter Pears, Benjamin Britten | — | |
| 20-2 | Winterreise, D. 911: Die Wetterfahne | Peter Pears, Benjamin Britten | — | |
| 20-3 | Winterreise, D. 911: Gefrorene Tränen | Peter Pears, Benjamin Britten | — | |
| 20-4 | Winterreise, D. 911: Erstarrung | Peter Pears, Benjamin Britten | — | |
| 20-5 | Winterreise, D. 911: Der Lindenbaum | Peter Pears, Benjamin Britten | — | |
| 20-6 | Winterreise, D. 911: Wasserflut | Peter Pears, Benjamin Britten | — | |
| 20-7 | Winterreise, D. 911: Auf dem Flusse | Peter Pears, Benjamin Britten | — | |
| 20-8 | Winterreise, D. 911: Rückblick | Peter Pears, Benjamin Britten | — | |
| 20-9 | Winterreise, D. 911: Irrlicht | Peter Pears, Benjamin Britten | — | |
| 20-10 | Winterreise, D. 911: Rast | Peter Pears, Benjamin Britten | — | |
| 20-11 | Winterreise, D. 911: Frühlingstraum | Peter Pears, Benjamin Britten | — | |
| 20-12 | Winterreise, D. 911: Einsamkeit | Peter Pears, Benjamin Britten | — | |
| 20-13 | Winterreise, D. 911: Die Post | Peter Pears, Benjamin Britten | — | |
| 20-14 | Winterreise, D. 911: Der greise Kopf | Peter Pears, Benjamin Britten | — | |
| 20-15 | Winterreise, D. 911: Die Krähe | Peter Pears, Benjamin Britten | — | |
| 20-16 | Winterreise, D. 911: Letzte Hoffnung | Peter Pears, Benjamin Britten | — | |
| 20-17 | Winterreise, D. 911: Im Dorfe | Peter Pears, Benjamin Britten | — | |
| 20-18 | Winterreise, D. 911: Der stürmische Morgen | Peter Pears, Benjamin Britten | — | |
| 20-19 | Winterreise, D. 911: Täuschung | Peter Pears, Benjamin Britten | — | |
| 20-20 | Winterreise, D. 911: Der Wegweiser | Peter Pears, Benjamin Britten | — | |
| 20-21 | Winterreise, D. 911: Das Wirtshaus | Peter Pears, Benjamin Britten | — | |
| 20-22 | Winterreise, D. 911: Mut! | Peter Pears, Benjamin Britten | — | |
| 20-23 | Winterreise, D. 911: Die Nebensonnen | Peter Pears, Benjamin Britten | — | |
| 20-24 | Winterreise, D. 911: Der Leiermann | Peter Pears, Benjamin Britten | T0090514069 |
Winterreise, D. 911: Gute Nacht
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Die Wetterfahne
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Gefrorene Tränen
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Erstarrung
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Der Lindenbaum
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Wasserflut
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Auf dem Flusse
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Rückblick
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Irrlicht
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Rast
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Frühlingstraum
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Einsamkeit
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Die Post
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Der greise Kopf
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Die Krähe
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Letzte Hoffnung
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Im Dorfe
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Der stürmische Morgen
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Täuschung
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Der Wegweiser
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Das Wirtshaus
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Mut!
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Die Nebensonnen
Peter Pears, Benjamin Britten
—
Additional database matches (98)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Gloria: X. “Qui sedes ad dexteram Patris” | Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult | — |
| St. Matthew Passion, BWV 244, English version: Aria, “Grief for Sin” | Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult | — |
| Johannes-Passion, BWV 245, English Version, Part Two: “All is fulfilled” | Kathleen Ferrier, Ambrose Gauntlett, London Philharmonic Orchestra, Sir Adrian Boult | — |
| Agnus Dei (Mass in B minor) | Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult | T3126420499 |
| Messiah, HWV 56: Pt. 1: Aria "O thou that tellest good tidings to Zion" | Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult | — |
| Judas Maccabaeus - Aria (Father of Heaven) | Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult | — |
| Wesendonk Lieder (Five Poems for Female Voice): "Der Engel" | Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch | T0316728218 |
| Wesendonk Lieder (Five Poems for Female Voice): "Stehe still" | Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch | T0316527464 |
| Wesendonk Lieder (Five Poems for Female Voice): "Im Treibhaus" | Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch | T3030298701 |
| Wesendonk Lieder (Five Poems for Female Voice): "Schmerzen" | Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch | T9027360414 |
| Wesendonk Lieder (Five Poems for Female Voice): "Träume" | Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch | T9028298717 |
| Lohengrin: Act I. "Einsam in trüben Tagen" | Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch | — |
| Parsifal: Act II. "Ich sah das Kind an seiner Mutter Brust" | Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch | — |
| Die Walküre: Der Männer Sippe | Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch | — |
| Die Walküre: Erster Aufzug. "Du bist der Lenz" | Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch | — |
| Til kvällen, op. 17 no. 6 | Kirsten Flagstad, London Symphony Orchestra, Øivin Fjeldstad | — |
| Var det en dröm?, op. 37 no. 4 | Kirsten Flagstad, London Symphony Orchestra, Øivin Fjeldstad | — |
| Höstkväll, op. 38 no. 1 | Kirsten Flagstad, London Symphony Orchestra, Øivin Fjeldstad | — |
| Diamanten på Marssnön, op. 36 no. 6 | Kirsten Flagstad, London Symphony Orchestra, Øivin Fjeldstad | — |
| Flickan kom ifrån sin älsklings möte, op. 37 no. 5 | Kirsten Flagstad, London Symphony Orchestra, Øivin Fjeldstad | — |
| Arioso, op. 3 | Kirsten Flagstad, London Symphony Orchestra, Øivin Fjeldstad | — |
| Våren flyktar hastigt, op. 13 no. 4 | Kirsten Flagstad, London Symphony Orchestra, Øivin Fjeldstad | — |
| Se'n har jag ej frågat mera, op. 17 no. 1 | Kirsten Flagstad, London Symphony Orchestra, Øivin Fjeldstad | — |
| Men min fågel märks dock icke, op. 36 no. 2 | Kirsten Flagstad, London Symphony Orchestra, Øivin Fjeldstad | — |
| På verandan vid havet, op. 38 no. 2 | Kirsten Flagstad, London Symphony Orchestra, Øivin Fjeldstad | — |
| Den första kyssen, op. 37 no. 1 | Kirsten Flagstad, London Symphony Orchestra, Øivin Fjeldstad | T9092622112 |
| Svarta Rosor, op. 36 no. 1 | Kirsten Flagstad, London Symphony Orchestra, Øivin Fjeldstad | — |
| Säv, säv, susa, op. 36 no. 4 | Kirsten Flagstad, London Symphony Orchestra, Øivin Fjeldstad | — |
| Kom nu hit, död!, op. 60 no. 1 | Kirsten Flagstad, London Symphony Orchestra, Øivin Fjeldstad | — |
| Vier letzte Lieder: II. September | Lisa della Casa, Wiener Philharmoniker, Karl Böhm | T8000014938 |
| Vier letzte Lieder: IV. Im Abendrot | Lisa della Casa, Wiener Philharmoniker, Karl Böhm | — |
| La forza del destino: Atto III, scena 3. “Rataplan” (Preziosilla, vivandiere, soldati, reclute) | Coro dell’Accademia Nazionale di Santa Cecilia, Giulietta Simionato, Orchestra dell’Accademia Nazionale di Santa Cecilia, Francesco Molinari-Pradelli | — |
| The Turn of the Screw: Act II, Variation XIV / Act II, Scene 7. "Flora" (Mrs. Grose, Governess, Miss Jessel, Flora) | Joan Cross, Olive Dyer, Arda Mandikian, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — |
| The Turn of the Screw: Act II, Variation XV / Act II, Scene 8. "Miles" (Governess, Mrs. Grose, Miles, Quint) | Joan Cross, David Hemmings, Peter Pears, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten | — |
| Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) | Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Gianandrea Gavazzeni | T9000653769 |
| Oh! fede negar potessi agl'occhi miei! ... Quando le sere al placido - Luisa Miller | Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Roma, Gianandrea Gavazzeni | — |
| La forza del destino: Atto III, scena 1. “La vita è inferno all'infelice" | Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni | T9027956418 |
| Il Trovatore, opera: Ah sì, ben mio | Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni | T9286355826 |
| Un ballo in maschera: Atto III, scena 2. “Forse la soglia attinse” … “Ma se m'e forza perderti” | Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni | — |
| L' Africaine, grand opera in 5 acts: Mi batte il cor!... O paradiso | Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni | — |
| Andrea Chénier: Atto IV. “Come un bel dì di maggio” | Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni | — |
| Adriana Lecouvreur: “La dolcissima effigie” | Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni | — |
| Adriana Lecouvreur: “L'anima ho stanca“ | Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni | — |
| Tosca: “Recondita armonia“ | Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni | — |
| Tosca: “È lucevan le stelle” | Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni | — |
| Manon Lescaut: Atto I. "Donna non vidi mai" (Des Grieux) | Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni | — |
| Aida: Atto IV, scena 2. “La fatal pietra sovra me si chiuse” (Radamès, Aida) | Carlo Bergonzi, Wiener Philharmoniker, Herbert von Karajan | — |
| Aida: Atto IV, scena 2. “Presago il core della tua condanna” (Aida) | Renata Tebaldi, Wiener Philharmoniker, Herbert von Karajan | — |
| Aida: Atto IV, scena 2. “O terra addio – addio valle di pianti” (Aida, Radamès, coro, Amneris) | Carlo Bergonzi, Giulietta Simionato, Singverein der Gesellschaft der Musikfreunde Wien, Renata Tebaldi, Wiener Philharmoniker, Herbert von Karajan | — |
| La Traviata: Atto I. Brindisi “Libiamo, ne lieti calici” | Carlo Bergonzi, Joan Sutherland, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard | T9000111591 |
| Don Carlo: “Dio, che nell'alma infondere” | Carlo Bergonzi, Chorus of the Royal Opera House, Covent Garden, Dietrich Fischer-Dieskau, Tugomir Franc, Orchestra of the Royal Opera House, Covent Garden | — |
| Turandot: Atto I. “Non piangere Liù” (Calaf) | Giuseppe Di Stefano, Orchestra dell’Accademia Nazionale di Santa Cecilia, Franco Patanè | T0050008382 |
| Werther, Act 3: "Pourquoi me réveiller, ô souffle du printemps?" | Giuseppe di Stefano, Tonhalle Orchester Zürich, Franco Patanè | — |
| Carmen, WD 31, Act 2: "La fleur que tu m'avais jetée" | Giuseppe di Stefano, Tonhalle Orchester Zürich, Franco Patanè | — |
| Semiramide: “Bel raggio lusinghier di speme” | Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | — |
| Samson et Dalila : Acte II. « Mon cœur s’ouvre à ta voix » | Regina Resnik, Orchestra of the Royal Opera House, Covent Garden, Sir Edward Downes | — |
| La serva padrona: Stizzoso, mio stizzoso | Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson | — |
| L'italiana in Algeri: Act I. Cavatina “Cruda sorte!” (Isabella) | Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Henry Lewis | — |
| Cavalleria rusticana: "Voi lo sapete, o mama“ (Romanza) | Philharmonia Orchestra, Oliviero de Fabritiis, Renata Tebaldi | — |
| Tosca: Atto II. “Vissi d’arte” (Tosca) | Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Francesco Molinari-Pradelli | T9001621325 |
| Madama Butterfly: Atto II, Parte 1. “Un bel dì, vedremo levarsi un fil di fumo” (Butterfly) | Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | T9220432188 |
| Rigoletto: Act 2: "Parmi veder le lagrime" | Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Sir Edward Downes | — |
| Nabucco: “Gli arredi festivi” … “Sperate, o figli” (coro, Zaccaria, Ismaele) | The Ambrosian Singers, Leslie Fyson, Nicolaï Ghiaurov, London Symphony Orchestra, Claudio Abbado | — |
| Nabucco: “Va, pensiero, sull'ali dorate” … “Oh, chi piange?” (coro, Zaccaria) | John McCarthy, Ambrosian Singers, Nicolaï Ghiaurov, London Symphony Orchestra, Claudio Abbado | T-902574141-7 |
| Macbeth: “Chi v'impose unirvi a noi?” … “Come dal ciel precipita” (coro, Banco) | The Ambrosian Singers, Nicolaï Ghiaurov, London Symphony Orchestra, Claudio Abbado | — |
| I vespri siciliani: “O patria … O tu, Palermo” (Procida) | The Ambrosian Singers, Nicolaï Ghiaurov, London Symphony Orchestra, Claudio Abbado | — |
| Simon Boccanegra: “A te l'estremo addio … Il lacerato spirito” (Fiesco) | The Ambrosian Singers, Nicolaï Ghiaurov, London Symphony Orchestra, Claudio Abbado | — |
| Eugene Onegin: Act III, Scene 1. "Lyubvi vsye vozrasti pokorni" (Prince Germin) | Nicolaï Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | — |
| The Barber of Seville: Act I, Scene II. (no. 2) “Largo al factotum” | Sherrill Milnes, London Philharmonic Orchestra, Silvio Varviso | T-900095253-4 |
| Don César de Bazan: Sevillana | Sumi Jo, English Chamber Orchestra, Richard Bonynge | — |
| La Bohème: Atto I. “Sì. Mi chiamano Mimì” | Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | — |
| Serse, HWV 40: Ombra mai fu | Andreas Scholl, Orchestra of the Age of Enlightenment, Roger Norrington | — |
| Daphne: "Ich komme, ich komme" (Transformation scene) | Renée Fleming, London Symphony Orchestra, Sir Georg Solti | — |
| Winterreise, D. 911: Gute Nacht | Peter Pears, Benjamin Britten | — |
| Winterreise, D. 911: Die Wetterfahne | Peter Pears, Benjamin Britten | — |
| Winterreise, D. 911: Gefrorene Tränen | Peter Pears, Benjamin Britten | — |
| Winterreise, D. 911: Erstarrung | Peter Pears, Benjamin Britten | — |
| Winterreise, D. 911: Der Lindenbaum | Peter Pears, Benjamin Britten | — |
| Winterreise, D. 911: Wasserflut | Peter Pears, Benjamin Britten | — |
| Winterreise, D. 911: Auf dem Flusse | Peter Pears, Benjamin Britten | — |
| Winterreise, D. 911: Rückblick | Peter Pears, Benjamin Britten | — |
| Winterreise, D. 911: Irrlicht | Peter Pears, Benjamin Britten | — |
| Winterreise, D. 911: Rast | Peter Pears, Benjamin Britten | — |
| Winterreise, D. 911: Frühlingstraum | Peter Pears, Benjamin Britten | — |
| Winterreise, D. 911: Einsamkeit | Peter Pears, Benjamin Britten | — |
| Winterreise, D. 911: Die Post | Peter Pears, Benjamin Britten | — |
| Winterreise, D. 911: Der greise Kopf | Peter Pears, Benjamin Britten | — |
| Winterreise, D. 911: Die Krähe | Peter Pears, Benjamin Britten | — |
| Winterreise, D. 911: Letzte Hoffnung | Peter Pears, Benjamin Britten | — |
| Winterreise, D. 911: Im Dorfe | Peter Pears, Benjamin Britten | — |
| Winterreise, D. 911: Der stürmische Morgen | Peter Pears, Benjamin Britten | — |
| Winterreise, D. 911: Täuschung | Peter Pears, Benjamin Britten | — |
| Winterreise, D. 911: Der Wegweiser | Peter Pears, Benjamin Britten | — |
| Winterreise, D. 911: Das Wirtshaus | Peter Pears, Benjamin Britten | — |
| Winterreise, D. 911: Mut! | Peter Pears, Benjamin Britten | — |
| Winterreise, D. 911: Die Nebensonnen | Peter Pears, Benjamin Britten | — |
| Winterreise, D. 911: Der Leiermann | Peter Pears, Benjamin Britten | — |
| Agnus Dei (Mass in B minor) | Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult | T3126420499 |
Mass in B minor, BWV 232, Kyrie: no. 1 Kyrie eleison, Gloria: X. “Qui sedes ad dexteram Patris”
Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult
—
St. Matthew Passion, BWV 244, English version: Aria, “Grief for Sin”
Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult
—
Johannes-Passion, BWV 245, English Version, Part Two: “All is fulfilled”
Kathleen Ferrier, Ambrose Gauntlett, London Philharmonic Orchestra, Sir Adrian Boult
—
Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult
Messiah, HWV 56: Pt. 1: Aria "O thou that tellest good tidings to Zion"
Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult
—
Judas Maccabaeus - Aria (Father of Heaven)
Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult
—
Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch
Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch
Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch
Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch
Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch
Lohengrin: Act I. "Einsam in trüben Tagen"
Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch
—
Parsifal: Act II. "Ich sah das Kind an seiner Mutter Brust"
Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch
—
Die Walküre: Der Männer Sippe
Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch
—
Die Walküre: Erster Aufzug. "Du bist der Lenz"
Kirsten Flagstad, Wiener Philharmoniker, Hans Knappertsbusch
—
Til kvällen, op. 17 no. 6
Kirsten Flagstad, London Symphony Orchestra, Øivin Fjeldstad
—
Var det en dröm?, op. 37 no. 4
Kirsten Flagstad, London Symphony Orchestra, Øivin Fjeldstad
—
Höstkväll, op. 38 no. 1
Kirsten Flagstad, London Symphony Orchestra, Øivin Fjeldstad
—
Diamanten på Marssnön, op. 36 no. 6
Kirsten Flagstad, London Symphony Orchestra, Øivin Fjeldstad
—
Flickan kom ifrån sin älsklings möte, op. 37 no. 5
Kirsten Flagstad, London Symphony Orchestra, Øivin Fjeldstad
—
Arioso, op. 3
Kirsten Flagstad, London Symphony Orchestra, Øivin Fjeldstad
—
Våren flyktar hastigt, op. 13 no. 4
Kirsten Flagstad, London Symphony Orchestra, Øivin Fjeldstad
—
Se'n har jag ej frågat mera, op. 17 no. 1
Kirsten Flagstad, London Symphony Orchestra, Øivin Fjeldstad
—
Men min fågel märks dock icke, op. 36 no. 2
Kirsten Flagstad, London Symphony Orchestra, Øivin Fjeldstad
—
På verandan vid havet, op. 38 no. 2
Kirsten Flagstad, London Symphony Orchestra, Øivin Fjeldstad
—
Kirsten Flagstad, London Symphony Orchestra, Øivin Fjeldstad
Svarta Rosor, op. 36 no. 1
Kirsten Flagstad, London Symphony Orchestra, Øivin Fjeldstad
—
Säv, säv, susa, op. 36 no. 4
Kirsten Flagstad, London Symphony Orchestra, Øivin Fjeldstad
—
Kom nu hit, död!, op. 60 no. 1
Kirsten Flagstad, London Symphony Orchestra, Øivin Fjeldstad
—
Lisa della Casa, Wiener Philharmoniker, Karl Böhm
Vier letzte Lieder: IV. Im Abendrot
Lisa della Casa, Wiener Philharmoniker, Karl Böhm
—
La forza del destino: Atto III, scena 3. “Rataplan” (Preziosilla, vivandiere, soldati, reclute)
Coro dell’Accademia Nazionale di Santa Cecilia, Giulietta Simionato, Orchestra dell’Accademia Nazionale di Santa Cecilia, Francesco Molinari-Pradelli
—
The Turn of the Screw: Act II, Variation XIV / Act II, Scene 7. "Flora" (Mrs. Grose, Governess, Miss Jessel, Flora)
Joan Cross, Olive Dyer, Arda Mandikian, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten
—
The Turn of the Screw: Act II, Variation XV / Act II, Scene 8. "Miles" (Governess, Mrs. Grose, Miles, Quint)
Joan Cross, David Hemmings, Peter Pears, Jennifer Vyvyan, English Opera Group Orchestra, Benjamin Britten
—
Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Gianandrea Gavazzeni
Oh! fede negar potessi agl'occhi miei! ... Quando le sere al placido - Luisa Miller
Carlo Bergonzi, Orchestra dell’Accademia di Santa Cecilia, Roma, Gianandrea Gavazzeni
—
Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni
Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni
Un ballo in maschera: Atto III, scena 2. “Forse la soglia attinse” … “Ma se m'e forza perderti”
Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni
—
L' Africaine, grand opera in 5 acts: Mi batte il cor!... O paradiso
Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni
—
Andrea Chénier: Atto IV. “Come un bel dì di maggio”
Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni
—
Adriana Lecouvreur: “La dolcissima effigie”
Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni
—
Adriana Lecouvreur: “L'anima ho stanca“
Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni
—
Tosca: “Recondita armonia“
Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni
—
Tosca: “È lucevan le stelle”
Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni
—
Manon Lescaut: Atto I. "Donna non vidi mai" (Des Grieux)
Carlo Bergonzi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni
—
Aida: Atto IV, scena 2. “La fatal pietra sovra me si chiuse” (Radamès, Aida)
Carlo Bergonzi, Wiener Philharmoniker, Herbert von Karajan
—
Aida: Atto IV, scena 2. “Presago il core della tua condanna” (Aida)
Renata Tebaldi, Wiener Philharmoniker, Herbert von Karajan
—
Aida: Atto IV, scena 2. “O terra addio – addio valle di pianti” (Aida, Radamès, coro, Amneris)
Carlo Bergonzi, Giulietta Simionato, Singverein der Gesellschaft der Musikfreunde Wien, Renata Tebaldi, Wiener Philharmoniker, Herbert von Karajan
—
Carlo Bergonzi, Joan Sutherland, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard
Don Carlo: “Dio, che nell'alma infondere”
Carlo Bergonzi, Chorus of the Royal Opera House, Covent Garden, Dietrich Fischer-Dieskau, Tugomir Franc, Orchestra of the Royal Opera House, Covent Garden
—
Giuseppe Di Stefano, Orchestra dell’Accademia Nazionale di Santa Cecilia, Franco Patanè
Werther, Act 3: "Pourquoi me réveiller, ô souffle du printemps?"
Giuseppe di Stefano, Tonhalle Orchester Zürich, Franco Patanè
—
Carmen, WD 31, Act 2: "La fleur que tu m'avais jetée"
Giuseppe di Stefano, Tonhalle Orchester Zürich, Franco Patanè
—
Semiramide: “Bel raggio lusinghier di speme”
Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli
—
Samson et Dalila : Acte II. « Mon cœur s’ouvre à ta voix »
Regina Resnik, Orchestra of the Royal Opera House, Covent Garden, Sir Edward Downes
—
La serva padrona: Stizzoso, mio stizzoso
Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson
—
L'italiana in Algeri: Act I. Cavatina “Cruda sorte!” (Isabella)
Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Henry Lewis
—
Cavalleria rusticana: "Voi lo sapete, o mama“ (Romanza)
Philharmonia Orchestra, Oliviero de Fabritiis, Renata Tebaldi
—
Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Francesco Molinari-Pradelli
Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin
Rigoletto: Act 2: "Parmi veder le lagrime"
Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Sir Edward Downes
—
Nabucco: “Gli arredi festivi” … “Sperate, o figli” (coro, Zaccaria, Ismaele)
The Ambrosian Singers, Leslie Fyson, Nicolaï Ghiaurov, London Symphony Orchestra, Claudio Abbado
—
John McCarthy, Ambrosian Singers, Nicolaï Ghiaurov, London Symphony Orchestra, Claudio Abbado
Macbeth: “Chi v'impose unirvi a noi?” … “Come dal ciel precipita” (coro, Banco)
The Ambrosian Singers, Nicolaï Ghiaurov, London Symphony Orchestra, Claudio Abbado
—
I vespri siciliani: “O patria … O tu, Palermo” (Procida)
The Ambrosian Singers, Nicolaï Ghiaurov, London Symphony Orchestra, Claudio Abbado
—
Simon Boccanegra: “A te l'estremo addio … Il lacerato spirito” (Fiesco)
The Ambrosian Singers, Nicolaï Ghiaurov, London Symphony Orchestra, Claudio Abbado
—
Eugene Onegin: Act III, Scene 1. "Lyubvi vsye vozrasti pokorni" (Prince Germin)
Nicolaï Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti
—
Sherrill Milnes, London Philharmonic Orchestra, Silvio Varviso
Don César de Bazan: Sevillana
Sumi Jo, English Chamber Orchestra, Richard Bonynge
—
La Bohème: Atto I. “Sì. Mi chiamano Mimì”
Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri
—
Serse, HWV 40: Ombra mai fu
Andreas Scholl, Orchestra of the Age of Enlightenment, Roger Norrington
—
Daphne: "Ich komme, ich komme" (Transformation scene)
Renée Fleming, London Symphony Orchestra, Sir Georg Solti
—
Winterreise, D. 911: Gute Nacht
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Die Wetterfahne
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Gefrorene Tränen
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Erstarrung
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Der Lindenbaum
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Wasserflut
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Auf dem Flusse
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Rückblick
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Irrlicht
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Rast
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Frühlingstraum
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Einsamkeit
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Die Post
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Der greise Kopf
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Die Krähe
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Letzte Hoffnung
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Im Dorfe
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Der stürmische Morgen
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Täuschung
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Der Wegweiser
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Das Wirtshaus
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Mut!
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Die Nebensonnen
Peter Pears, Benjamin Britten
—
Winterreise, D. 911: Der Leiermann
Peter Pears, Benjamin Britten
—
Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000329469690000000042878517000000005513340X0000000055155174000000005518255100000000551839090000000055185007000000005518538100000000551864560000000055531053
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000000005886342400000000594795980000000063037020000000006310994400000000663915780000000072491495000000007357556X0000000073602871000000007366228400000000773564870000000078228284000000007838728500000000783982160000000078467373000000007977851X0000000080158596000000008083794300000000808471720000000080933118000000008118771900000000812329540000000081281289000000008146553900000000818187870000000081830276000000008184453900000000835932190000000083668647000000008386315100000000839838580000000084081143000000008506757000000000866601650000000104422532000000010661744800000001066520080000000107281229000000010773722200000001078907610000000108048314
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What is UPC 028947896791?
028947896791 is a Universal Product Code (UPC) assigned to Decca Sound 55 Great Vocal Recitals by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 24 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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