UPC · Release
Wolfgang Amadeus Mozart
Last verified:
The UPC for “Mozart 111” by Wolfgang Amadeus Mozart is 028947900597. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2012-01-01. Label: Deutsche Grammophon. This release contains 689 tracks, each with its own ISRC. Tracks include DEF059002661, DEF059002662, DEF059002663.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 26 in E-flat major, K 184: I. Molto Presto | The English Concert, Trevor Pinnock | — | |
| 2 | Symphony no. 26 in E-flat major, K 184: II. Andante | The English Concert, Trevor Pinnock | — | |
| 3 | Symphony no. 26 in E-flat major, K 184: III. Allegro | The English Concert, Trevor Pinnock | — | |
| 4 | Symphony no. 25 in G minor, K 183: I. Allegro con brio | The English Concert, Trevor Pinnock | — | |
| 5 | Symphony no. 25 in G minor, K 183: II. Andante | The English Concert, Trevor Pinnock | — | |
| 6 | Symphony no. 25 in G minor, K 183: III. Menuetto | The English Concert, Trevor Pinnock | — | |
| 7 | Symphony no. 25 in G minor, K 183: IV. Allegro | The English Concert, Trevor Pinnock | — | |
| 8 | Symphony no. 29 in A major, K 201: I. Allegro moderato | The English Concert, Trevor Pinnock | — | |
| 9 | Symphony no. 29 in A major, K 201: II. Andante | The English Concert, Trevor Pinnock | — | |
| 10 | Symphony no. 29 in A major, K 201: III. Menuetto | The English Concert, Trevor Pinnock | — | |
| 11 | Symphony no. 29 in A major, K 201: IV. Allegro con spirito | The English Concert, Trevor Pinnock | — | |
| 2-1 | Symphony no. 28 in C major, K 200: I. Allegro spiritoso | Wiener Philharmoniker, James Levine | — | |
| 2-2 | Symphony no. 28 in C major, K 200: II. Andante | Wiener Philharmoniker, James Levine | — | |
| 2-3 | Symphony no. 28 in C major, K 200: III. Menuetto | Wiener Philharmoniker, James Levine | T-902.774.400-9 | |
| 2-4 | Symphony no. 28 in C major, K 200: IV. Presto | Wiener Philharmoniker, James Levine | T-312.542.381-2 | |
| 2-5 | Symphony no. 31 in D major, K 297 "Paris": I. Allegro assai | Wiener Philharmoniker, James Levine | — | |
| 2-6 | Symphony no. 31 in D major, K 297 "Paris": I. Allegro assai | Wiener Philharmoniker, James Levine | — | |
| 2-7 | Symphony no. 31 in D major, K 297 "Paris": I. Allegro assai | Wiener Philharmoniker, James Levine | — | |
| 2-8 | Symphony no. 33 in B-flat major, K 319: I. Allegro assai | Wiener Philharmoniker, James Levine | — | |
| 2-9 | Symphony no. 33 in B-flat major, K 319: II. Andante moderato | Wiener Philharmoniker, James Levine | — | |
| 2-10 | Symphony no. 33 in B-flat major, K 319: III. Menuetto | Wiener Philharmoniker, James Levine | — | |
| 2-11 | Symphony no. 33 in B-flat major, K 319: IV. Finale. Allegro assai | Wiener Philharmoniker, James Levine | T-306.395.786-4 | |
| 2-12 | Symphony no. 34 in C major, K 338: I. Allegro vivace | Wiener Philharmoniker, James Levine | — | |
| 2-13 | Symphony no. 34 in C major, K 338: II. Andante di molto | Wiener Philharmoniker, James Levine | — | |
| 2-14 | Symphony no. 34 in C major, K 338: III. Finale. Allegro vivace | Wiener Philharmoniker, James Levine | — | |
| 3-1 | Symphony no. 32 (Overture) in G major, K 318: Allegro spiritoso - Andante - Primo Tempo | Berliner Philharmoniker, Herbert von Karajan | T-312.542.381-2 | |
| 3-2 | Symphony no. 35 in D major, K. 385 "Haffner": I. Allegro con spirito | Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-3 | Symphony no. 35 in D major, K. 385 "Haffner": II. Andante | Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-4 | Symphony no. 35 in D major, K 385 "Haffner: III. Menuetto | Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-5 | Symphony no. 35 in D major, K. 385 "Haffner": IV. Finale. Presto | Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-6 | Symphony no. 36 in C major, K 425 "Linz": I. Adagio - Allegro spiritoso | Berliner Philharmoniker, Herbert von Karajan | T-010.194.832-6 | |
| 3-7 | Symphony no. 36 in C major, K 425 "Linz": II. Andante | Berliner Philharmoniker, Herbert von Karajan | T-909.331.904-1 | |
| 3-8 | Symphony no. 36 in C major, K 425 "Linz": III. Menuetto | Berliner Philharmoniker, Herbert von Karajan | T-909.331.904-1 | |
| 3-9 | Symphony no. 36 in C major, K 425 "Linz": IV. Presto | Berliner Philharmoniker, Herbert von Karajan | T-312.542.381-2 | |
| 4-1 | Symphony no. 38 in D major, K. 504 "Prague": I. Adagio - Allegro | The English Concert, Trevor Pinnock | T-011.422.353-8 | |
| 4-2 | Symphony no. 38 in D major, K. 504 "Prague": II. Andante | The English Concert, Trevor Pinnock | — | |
| 4-3 | Symphony no. 38 in D major, K. 504 "Prague": III. Presto | The English Concert, Trevor Pinnock | — | |
| 4-4 | Symphony no. 39 in E-flat major, K. 543: I. Adagio - Allegro | The English Concert, Trevor Pinnock | T-011.422.353-8 | |
| 4-5 | Symphony no. 39 in E-flat major, K. 543: II. Andante con moto | The English Concert, Trevor Pinnock | — | |
| 4-6 | Symphony no. 39 in E-flat major, K. 543: III. Menuetto: Allegretto - Trio | The English Concert, Trevor Pinnock | T-928.635.622-7 | |
| 4-7 | Symphony no. 39 in E-flat major, K. 543: IV. Finale: Allegro | The English Concert, Trevor Pinnock | T-318.676.528-2 | |
| 5-1 | Symphony no. 40 in G minor, K. 550 "Great": I. Molto allegro | Les Musiciens du Louvre, Marc Minkowski | T-003.035.132-6 | |
| 5-2 | Symphony no. 40 in G minor, K. 550 "Great": II. Andante | Les Musiciens du Louvre, Marc Minkowski | — | |
| 5-3 | Symphony no. 40 in G minor, K. 550 "Great": III. Menuetto. Allegretto - Trio | Les Musiciens du Louvre, Marc Minkowski | — | |
| 5-4 | Symphony no. 40 in G minor, K. 550 "Great": IV. Allegro assai | Les Musiciens du Louvre, Marc Minkowski | T-306.395.786-4 | |
| 5-5 | Ballet Music from Idomeneo | Les Musiciens du Louvre, Marc Minkowski | — | |
| 5-6 | Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace | Les Musiciens du Louvre, Marc Minkowski | T-312.542.381-2 | |
| 5-7 | Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile | Les Musiciens du Louvre, Marc Minkowski | T-312.542.381-2 | |
| 5-8 | Symphony no. 41 in C major, K. 551 "Jupiter": III. Menuetto. Allegretto | Les Musiciens du Louvre, Marc Minkowski | T-902.774.400-9 | |
| 5-9 | Symphony no. 41 in C major, K. 551 "Jupiter": IV. Molto allegro | Les Musiciens du Louvre, Marc Minkowski | T-003.035.132-6 | |
| 6-1 | Konzert für Klavier und Orchester Nr. 17 G-Dur KV 453: 3. Allegretto | Géza Anda, Camerata Academica des Salzburger Mozarteums | — | |
| 6-2 | Konzert für Klavier und Orchester Nr. 17 G-Dur KV 453: 3. Allegretto | Géza Anda, Camerata Academica des Salzburger Mozarteums | — | |
| 6-3 | Konzert für Klavier und Orchester Nr. 17 G-Dur KV 453: 3. Allegretto | Géza Anda, Camerata Academica des Salzburger Mozarteums | — | |
| 6-4 | Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai | Géza Anda, Camerata Academica des Salzburger Mozarteums | — | |
| 6-5 | Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai | Géza Anda, Camerata Academica des Salzburger Mozarteums | — | |
| 6-6 | Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai | Géza Anda, Camerata Academica des Salzburger Mozarteums | — | |
| 6-7 | Piano Concert no. 6 in B-flat major, K 238: I. Allegro | Géza Anda, Camerata Salzburg | — | |
| 6-8 | Piano Concert no. 6 in B-flat major, K 238: II. (Andante un poco adagio) | Géza Anda, Camerata Salzburg | — | |
| 6-9 | Piano Concert no. 6 in B-flat major, K 238: III. Rondeau. Allegro | Géza Anda, Camerata Salzburg | — | |
| 7-1 | Piano Concerto no. 27 in B-flat major, K 595: II. Larghetto | Emil Gilels, Wiener Philharmoniker, Karl Böhm | — | |
| 7-2 | Piano Concerto no. 27 in B-flat major, K 595: II. Larghetto | Emil Gilels, Wiener Philharmoniker, Karl Böhm | — | |
| 7-3 | Piano Concerto no. 27 in B-flat major, K 595: II. Larghetto | Emil Gilels, Wiener Philharmoniker, Karl Böhm | — | |
| 7-4 | Concerto for 2 Pianos and Orchestra in E-flat major, K 365: I. Allegro | Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm | — | |
| 7-5 | Concerto for 2 Pianos and Orchestra in E-flat major, K 365: I. Allegro | Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm | — | |
| 7-6 | Concerto for 2 Pianos and Orchestra in E-flat major, K 365: I. Allegro | Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm | — | |
| 8-1 | Piano Concerto no. 23 in A major, K 488: I. Allegro | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-915.711.586-1 | |
| 8-2 | Piano Concerto no. 23 in A major, K 488: II. Adagio | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-915.711.586-1 | |
| 8-3 | Piano Concerto no. 23 in A major, K 488: III. Allegro assai | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-915.711.586-1 | |
| 8-4 | Piano Concerto no. 19 in F major, K 459: I. Allegro vivace | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 8-5 | Piano Concerto no. 19 in F major, K 459: II. Allegretto | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 8-6 | Piano Concerto no. 19 in F major, K 459: III. Allegro assai | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 9-1 | Concerto for Piano and Orchestra no. 20 in D minor, K. 466: I. Allegro | Malcolm Bilson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-2 | Concerto for Piano and Orchestra no. 20 in D minor, K. 466: II. Romance | English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson | — | |
| 9-3 | Concerto for Piano and Orchestra no. 20 in D minor, K. 466: III. Rondo. Allegro assai | English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson | — | |
| 9-4 | Concerto for Piano and Orchestra no. 24 in C minor, K. 491: I. Allegro | Malcolm Bilson, English Baroque Soloists, Sir John Eliot Gardiner | T-011.422.353-8 | |
| 9-5 | Concerto for Piano and Orchestra no. 24 in C minor, K. 491: II. Larghetto | Malcolm Bilson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-6 | Concerto for Piano and Orchestra no. 24 in C minor, K. 491: III. Allegretto | Malcolm Bilson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10-1 | Concerto no. 14 in E-flat major for Piano, K. 449: I. Allegro vivace | Maria João Pires, Wiener Philharmoniker, Claudio Abbado | — | |
| 10-2 | Concerto no. 14 in E-flat major for Piano, K. 449: II. Andantino | Maria João Pires, Wiener Philharmoniker, Claudio Abbado | — | |
| 10-3 | Concerto no. 14 in E-flat major for Piano, K. 449: III. Allegro ma non troppo | Maria João Pires, Wiener Philharmoniker, Claudio Abbado | — | |
| 10-4 | Concerto for Piano No. 26 in D major, K. 537: I. Allegro | Maria João Pires, Wiener Philharmoniker, Claudio Abbado | T-070.160.313-5 | |
| 10-5 | Piano Concerto no. 26 in D major, K 537 "Coronation": II. Larghetto | Maria João Pires, Wiener Philharmoniker, Claudio Abbado | T-926.819.124-8 | |
| 10-6 | Concerto for Piano No. 26 in D major, K. 537: III. Allegretto | Maria João Pires, Wiener Philharmoniker, Claudio Abbado | — | |
| 11-1 | Concerto no. 3 in G major for Violin, K. 216 "Strassburg": III. Rondeau. Allegro - andante - allegretto | Itzhak Perlman, Wiener Philharmoniker, James Levine | — | |
| 11-2 | Concerto no. 3 in G major for Violin, K. 216 "Strassburg": III. Rondeau. Allegro - andante - allegretto | Itzhak Perlman, Wiener Philharmoniker, James Levine | — | |
| 11-3 | Concerto no. 3 in G major for Violin, K. 216 "Strassburg": III. Rondeau. Allegro - andante - allegretto | Itzhak Perlman, Wiener Philharmoniker, James Levine | — | |
| 11-4 | Concerto no. 4 in D major for Violin, K. 218: I. Allegro | Itzhak Perlman, Wiener Philharmoniker, James Levine | — | |
| 11-5 | Concerto no. 4 in D major for Violin, K. 218: I. Allegro | Itzhak Perlman, Wiener Philharmoniker, James Levine | — | |
| 11-6 | Concerto no. 4 in D major for Violin, K. 218: I. Allegro | Itzhak Perlman, Wiener Philharmoniker, James Levine | — | |
| 11-7 | Concerto no. 5 in A major for Violin, K. 219 "Turkish": I. Allegro aperto | Itzhak Perlman, Wiener Philharmoniker, James Levine | — | |
| 11-8 | Concerto no. 5 in A major for Violin, K. 219 "Turkish": I. Allegro aperto | Itzhak Perlman, Wiener Philharmoniker, James Levine | — | |
| 11-9 | Concerto no. 5 in A major for Violin, K. 219 "Turkish": I. Allegro aperto | Itzhak Perlman, Wiener Philharmoniker, James Levine | — | |
| 12-1 | Sinfonia Concertante for Violin, Viola and Orchestra in E-flat major, K. 364: I. Allegro maestoso | Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 12-2 | Sinfonia Concertante for Violin, Viola and Orchestra in E-flat major, K. 364: II. Andante | Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta | T-010.194.421-1 | |
| 12-3 | Sinfonia Concertante for Violin, Viola and Orchestra in E-flat major, K. 364: III. Presto | Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta | T-312.438.541-3 | |
| 12-4 | Concerto for 2 Violins and Orchestra in C major, K 190: I. Allegro spiritoso | Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta | T-041.489.061-1 | |
| 12-5 | Concerto for 2 Violins and Orchestra in C major, K 190: II. Andante grazioso | Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 12-6 | Concerto for 2 Violins and Orchestra in C major, K 190: III. Tempo di Menuetto. Vivace | Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 13-1 | Concerto for Clarinet in A major, K. 622: I. Allegro | Charles Neidich, Orpheus Chamber Orchestra | — | |
| 13-2 | Concerto for Clarinet in A major, K. 622: II. Adagio | Charles Neidich, Orpheus Chamber Orchestra | — | |
| 13-3 | Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro | Charles Neidich, Orpheus Chamber Orchestra | — | |
| 13-4 | Konzert für Horn und Orchester no. 1 D-Dur, K. 386b/514: I. Allegro | David Jolley, Orpheus Chamber Orchestra | T-329.458.935-4 | |
| 13-5 | Konzert für Horn und Orchester no. 1 D-Dur, K. 386b/514: II. Rondo. Allegro | David Jolley, Orpheus Chamber Orchestra | T-329.458.935-4 | |
| 13-6 | Konzert für Horn und Orchester no. 4 Es-Dur, K. 495: I. Allegro maestoso | David Jolley, Orpheus Chamber Orchestra | T-900.137.696-1 | |
| 13-7 | Konzert für Horn und Orchester no. 4 Es-Dur, K. 495: II. Romanze. Andante cantabile | David Jolley, Orpheus Chamber Orchestra | T-900.137.696-1 | |
| 13-8 | Horn Concerto No. 4 in E flat, K. 495: III. Rondo (Allegro vivace) | David Jolley, Orpheus Chamber Orchestra | — | |
| 14-1 | Horn Concerto no. 3 in E-flat major, K 447: I. Allegro | William Purvis, Orpheus Chamber Orchestra | — | |
| 14-2 | Horn Concerto no. 3 in E-flat major, K 447: I. Allegro | William Purvis, Orpheus Chamber Orchestra | — | |
| 14-3 | Horn Concerto no. 3 in E-flat major, K 447: I. Allegro | William Purvis, Orpheus Chamber Orchestra | — | |
| 14-4 | Horn Concerto no. 2 in E-flat major, K 417: I. Allegro | William Purvis, Orpheus Chamber Orchestra | — | |
| 14-5 | Horn Concerto no. 2 in E-flat major, K 417: I. Allegro | William Purvis, Orpheus Chamber Orchestra | — | |
| 14-6 | Horn Concerto no. 2 in E-flat major, K 417: I. Allegro | William Purvis, Orpheus Chamber Orchestra | — | |
| 14-7 | Oboe Concerto in C major, K 314: III. Rondo. Allegretto | Randall Wolfgang, Orpheus Chamber Orchestra | — | |
| 14-8 | Oboe Concerto in C major, K 314: III. Rondo. Allegretto | Randall Wolfgang, Orpheus Chamber Orchestra | — | |
| 14-9 | Oboe Concerto in C major, K 314: III. Rondo. Allegretto | Randall Wolfgang, Orpheus Chamber Orchestra | — | |
| 14-10 | Bassoon Concerto in B-flat major, K 191: III. Rondo. Tempo di Menuetto | Frank Morelli, Orpheus Chamber Orchestra | — | |
| 14-11 | Bassoon Concerto in B-flat major, K 191: III. Rondo. Tempo di Menuetto | Frank Morelli, Orpheus Chamber Orchestra | — | |
| 14-12 | Bassoon Concerto in B-flat major, K 191: III. Rondo. Tempo di Menuetto | Frank Morelli, Orpheus Chamber Orchestra | — | |
| 15-1 | Flute Concerto no. 1 in G major, K 313: I. Allegro maestoso | Susan Palma-Nidel, Orpheus Chamber Orchestra | — | |
| 15-2 | Flute Concerto no. 1 in G major, K 313: II. Adagio ma non troppo | Susan Palma-Nidel, Orpheus Chamber Orchestra | — | |
| 15-3 | Flute Concerto no. 1 in G major, K 313: III. Rondeau. Tempo di Menuetto | Susan Palma-Nidel, Orpheus Chamber Orchestra | — | |
| 15-4 | Andante for Flute and Orchestra in C major, K 315 | Susan Palma-Nidel, Orpheus Chamber Orchestra | — | |
| 15-5 | Flute and Harp Concerto in C major, K 299: I. Allegro | Nancy Allen, Susan Palma-Nidel, Orpheus Chamber Orchestra | T-011.422.353-8 | |
| 15-6 | Flute and Harp Concerto in C major, K 299: II. Andantino | Nancy Allen, Susan Palma-Nidel, Orpheus Chamber Orchestra | T-911.534.020-0 | |
| 15-7 | Flute and Harp Concerto in C major, K 299: III. Rondeau. Allegro | Nancy Allen, Susan Palma-Nidel, Orpheus Chamber Orchestra | — | |
| 16-1 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 16-2 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 16-3 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 16-4 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 16-5 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 16-6 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 16-7 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 16-8 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 16-9 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 16-10 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 16-11 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 16-12 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 16-13 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 17-1 | Serenade no. 11 for Winds in E-flat major, K 375: I. Allegro maestoso | Members of the Orpheus Chamber Orchestra | — | |
| 17-2 | Serenade no. 11 for Winds in E-flat major, K 375: I. Allegro maestoso | Members of the Orpheus Chamber Orchestra | — | |
| 17-3 | Serenade no. 11 for Winds in E-flat major, K 375: I. Allegro maestoso | Members of the Orpheus Chamber Orchestra | — | |
| 17-4 | Serenade no. 11 for Winds in E-flat major, K 375: I. Allegro maestoso | Members of the Orpheus Chamber Orchestra | — | |
| 17-5 | Serenade no. 11 for Winds in E-flat major, K 375: I. Allegro maestoso | Members of the Orpheus Chamber Orchestra | — | |
| 17-6 | Serenade no. 12 for Winds in C minor, K 384a/388 “Nacht musique”: I. Allegro | Members of the Orpheus Chamber Orchestra | — | |
| 17-7 | Serenade no. 12 for Winds in C minor, K 384a/388 “Nacht musique”: I. Allegro | Members of the Orpheus Chamber Orchestra | — | |
| 17-8 | Serenade no. 12 for Winds in C minor, K 384a/388 “Nacht musique”: I. Allegro | Members of the Orpheus Chamber Orchestra | — | |
| 17-9 | Serenade no. 12 for Winds in C minor, K 384a/388 “Nacht musique”: I. Allegro | Members of the Orpheus Chamber Orchestra | — | |
| 17-10 | Divertimento no. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: III. Minuetto (Moderato) - Trio | Orpheus Chamber Orchestra | — | |
| 17-11 | Divertimento no. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: III. Minuetto (Moderato) - Trio | Orpheus Chamber Orchestra | — | |
| 17-12 | Divertimento no. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: III. Minuetto (Moderato) - Trio | Orpheus Chamber Orchestra | — | |
| 17-13 | Divertimento no. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: III. Minuetto (Moderato) - Trio | Orpheus Chamber Orchestra | — | |
| 18-1 | Divertimento in D major, K 334: I. Allegro | Berliner Philharmoniker, Herbert von Karajan | T-011.422.353-8 | |
| 18-2 | Divertimento in D major, K 334: II. Tema con Variazioni. Andante | Berliner Philharmoniker, Herbert von Karajan | — | |
| 18-3 | Divertimento in D major, K. 334: III. Menuetto | Berliner Philharmoniker, Herbert von Karajan | T-010.194.834-8 | |
| 18-4 | Divertimento in D major, K 334: IV. Adagio | Berliner Philharmoniker, Herbert von Karajan | T-318.676.528-2 | |
| 18-5 | Divertimento in D major, K 334: V. Menuetto | Berliner Philharmoniker, Herbert von Karajan | — | |
| 18-6 | Divertimento in D major, K 334: VI. Rondo. Allegro | Berliner Philharmoniker, Herbert von Karajan | — | |
| 18-7 | Serenade no. 6 in D major "Serenata Notturna", KV 239: III. Rondeau: Allegretto - Adagio - Allegro | Thomas Brandis, Emil Maas, Neithard Resa, Rainer Zepperitz, Berliner Philharmoniker, Herbert von Karajan | — | |
| 18-8 | Serenade no. 6 in D major "Serenata Notturna", KV 239: III. Rondeau: Allegretto - Adagio - Allegro | Thomas Brandis, Emil Maas, Neithard Resa, Rainer Zepperitz, Berliner Philharmoniker, Herbert von Karajan | — | |
| 18-9 | Serenade no. 6 in D major "Serenata Notturna", KV 239: III. Rondeau: Allegretto - Adagio - Allegro | Thomas Brandis, Emil Maas, Neithard Resa, Rainer Zepperitz, Berliner Philharmoniker, Herbert von Karajan | — | |
| 19-1 | Serenade no. 7 for Orchestra in D major, K. 248b/250 "Haffner": I. Allegro maestoso - allegro molto | Berliner Philharmoniker, Thomas Brandis, Karl Böhm | — | |
| 19-2 | Serenade no. 7 for Orchestra in D major, K. 248b/250 "Haffner": II. Andante | Berliner Philharmoniker, Thomas Brandis, Karl Böhm | — | |
| 19-3 | Serenade no. 7 for Orchestra in D major, K. 248b/250 "Haffner": III. Minuetto | Berliner Philharmoniker, Thomas Brandis, Karl Böhm | — | |
| 19-4 | Serenade no. 7 for Orchestra in D major, K. 248b/250 "Haffner": IV. Rondo. Allegro | Berliner Philharmoniker, Thomas Brandis, Karl Böhm | — | |
| 19-5 | Serenade no. 7 for Orchestra in D major, K. 248b/250 "Haffner": V. Minuetto galante | Berliner Philharmoniker, Thomas Brandis, Karl Böhm | — | |
| 19-6 | Serenade no. 7 for Orchestra in D major, K. 248b/250 "Haffner": VI. Andante | Berliner Philharmoniker, Thomas Brandis, Karl Böhm | T-802.326.793-9 | |
| 19-7 | Serenade no. 7 for Orchestra in D major, K. 248b/250 "Haffner": VII. Minuetto | Berliner Philharmoniker, Thomas Brandis, Karl Böhm | — | |
| 19-8 | Serenade no. 7 for Orchestra in D major, K. 248b/250 "Haffner": VIII. Adagio - allegro assai | Berliner Philharmoniker, Thomas Brandis, Karl Böhm | T-306.395.786-4 | |
| 19-9 | Masonic Funeral Music for Orchestra in C minor, K. 479a/477 | Wiener Philharmoniker, Karl Böhm | — | |
| 20-1 | Serenade no. 9 for Orchestra in D major, K. 320 „Posthorn“: I. Adagio maestoso – allegro con spirito | Wiener Philharmoniker, James Levine | — | |
| 20-2 | Serenade no. 9 for Orchestra in D major, K. 320 „Posthorn“: I. Adagio maestoso – allegro con spirito | Wiener Philharmoniker, James Levine | — | |
| 20-3 | Serenade no. 9 for Orchestra in D major, K. 320 „Posthorn“: I. Adagio maestoso – allegro con spirito | Wiener Philharmoniker, James Levine | — | |
| 20-4 | Serenade no. 9 for Orchestra in D major, K. 320 „Posthorn“: I. Adagio maestoso – allegro con spirito | Wiener Philharmoniker, James Levine | — | |
| 20-5 | Serenade no. 9 for Orchestra in D major, K. 320 „Posthorn“: I. Adagio maestoso – allegro con spirito | Wiener Philharmoniker, James Levine | — | |
| 20-6 | Serenade no. 9 for Orchestra in D major, K. 320 „Posthorn“: I. Adagio maestoso – allegro con spirito | Wiener Philharmoniker, James Levine | — | |
| 20-7 | Serenade no. 9 for Orchestra in D major, K. 320 „Posthorn“: I. Adagio maestoso – allegro con spirito | Wiener Philharmoniker, James Levine | — | |
| 20-8 | Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro | Wiener Philharmoniker, James Levine | T-070.161.055-0 | |
| 20-9 | Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante | Wiener Philharmoniker, James Levine | — | |
| 20-10 | Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio | Wiener Philharmoniker, James Levine | — | |
| 20-11 | Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro | Wiener Philharmoniker, James Levine | — | |
| 21-1 | String Quartet no. 14 in G major, K. 387: I. Allegro vivace assai | Hagen Quartett | — | |
| 21-2 | String Quartet no. 14 in G major, K. 387: II. Minuetto - Trio | Hagen Quartett | — | |
| 21-3 | String Quartet no. 14 in G major, K. 387: III. Andante cantabile | Hagen Quartett | — | |
| 21-4 | String Quartet no. 14 in G major, K. 387: IV. Allegro molto | Hagen Quartett | — | |
| 21-5 | String Quartet no. 15 in D minor, K. 421/417b: I. Allegro moderato | Hagen Quartett | — | |
| 21-6 | String Quartet no. 15 in D minor, K. 421/417b: II. Andante | Hagen Quartett | T-312.612.306-2 | |
| 21-7 | String Quartet no. 15 in D minor, K. 421/417b: III. Minuetto. Allegretto - Trio | Hagen Quartett | — | |
| 21-8 | String Quartet no. 15 in D minor, K. 421/417b: IV. Allegretto ma non troppo | Hagen Quartett | — | |
| 22-1 | String Quartet no. 16 in E-flat major, K. 428/421b: I. Allegro non troppo | Hagen Quartett | — | |
| 22-2 | String Quartet no. 16 in E-flat major, K. 428/421b: II. Andante con moto | Hagen Quartett | — | |
| 22-3 | String Quartet no. 16 in E-flat major, K. 428/421b: III. Minuetto. Allegro - Trio | Hagen Quartett | T-010.194.838-2 | |
| 22-4 | String Quartet no. 16 in E-flat major, K. 428/421b: IV. Allegro vivace | Hagen Quartett | — | |
| 22-5 | String Quartet no. 17 in B-flat major, K. 458 "Hunt": I. Allegro vivace assai | Hagen Quartett | — | |
| 22-6 | String Quartet no. 17 in B-flat major, K. 458 "Hunt": II. Minuetto. Moderato - Trio | Hagen Quartett | — | |
| 22-7 | String Quartet no. 17 in B-flat major, K. 458 "Hunt": III. Adagio | Hagen Quartett | — | |
| 22-8 | String Quartet no. 17 in B-flat major, K. 458 "Hunt": IV. Allegro assai | Hagen Quartett | T-306.395.786-4 | |
| 23-1 | String Quartet no. 18 in A major, K. 464: I. Allegro | Hagen Quartett | T-011.422.353-8 | |
| 23-2 | String Quartet no. 18 in A major, K. 464: II. Menuetto - Trio | Hagen Quartett | — | |
| 23-3 | String Quartet no. 18 in A major, K. 464: III. Andante | Hagen Quartett | — | |
| 23-4 | String Quartet no. 18 in A major, K. 464: IV. Allegro non troppo | Hagen Quartett | — | |
| 23-5 | String Quartet no. 19 in C major, K. 465 "Dissonance": I. Adagio - Allegro | Hagen Quartett | T-011.422.353-8 | |
| 23-6 | String Quartet no. 19 in C major, K. 465 "Dissonance": II. Andante cantabile | Hagen Quartett | — | |
| 23-7 | String Quartet no. 19 in C major, K. 465 "Dissonance": III. Minuetto. Allegro - Trio | Hagen Quartett | T-010.194.838-2 | |
| 23-8 | String Quartet no. 19 in C major, K. 465 "Dissonance": IV. Allegro molto | Hagen Quartett | T-329.454.787-4 | |
| 24-1 | String Quintet in C major, KV. 515: I. Allegro | Cecil Aronowitz, Amadeus Quartet | — | |
| 24-2 | String Quintet in C major, KV. 515: II. Andante | Cecil Aronowitz, Amadeus Quartet | T-802.445.410-3 | |
| 24-3 | String Quintet in C major, KV. 515: III. Menuetto. Allegretto | Cecil Aronowitz, Amadeus Quartet | T-902.774.400-9 | |
| 24-4 | String Quintet in C major, KV. 515: IV. Allegro | Cecil Aronowitz, Amadeus Quartet | T-318.676.528-2 | |
| 24-5 | Divertimento in E-flat major, K 563: I. Allegro | — | ||
| 24-6 | Divertimento in E-flat major, K 563: II. Adagio | — | ||
| 24-7 | Divertimento in E-flat major, K 563: III. Menuetto. Allegretto | Amadeus Quartet | — | |
| 24-8 | Divertimento in E-flat major, K 563: IV. Andante | — | ||
| 24-9 | Divertimento in E-flat major, K 563: V. Menuetto. Allegretto | — | ||
| 24-10 | Divertimento in E-flat major, K 563: VI. Allegro | — | ||
| 25-1 | String Quintet in G minor, K 516: I. Allegro | Amadeus Quartet, Cecil Aronowitz | T-070.161.055-0 | |
| 25-2 | String Quintet no. 3 in G minor, K.516: Menuetto (Allegretto) | Amadeus Quartet, Cecil Aronowitz | T-902.774.400-9 | |
| 25-3 | String Quintet no. 3 in G minor, K.516: Adagio ma non troppo | Amadeus Quartet, Cecil Aronowitz | — | |
| 25-4 | String Quintet in G minor, K 516: IV. Adagio - Allegro | Amadeus Quartet, Cecil Aronowitz | T-306.395.786-4 | |
| 25-5 | String Quintet in D major, K 593: I. Larghetto - Allegro | Amadeus Quartet, Cecil Aronowitz | — | |
| 25-6 | String Quintet in D major, K 593: II. Adagio | Amadeus Quartet, Cecil Aronowitz | — | |
| 25-7 | String Quintet in D major, K 593: III. Menuetto. Allegretto | Amadeus Quartet, Cecil Aronowitz | — | |
| 25-8 | String Quintet in D major, K 593: IV. Allegro | Amadeus Quartet, Cecil Aronowitz | — | |
| 26-1 | Flute Quartet in D major, K 285: II. Adagio | Amadeus Quartet, Andreas Blau | — | |
| 26-2 | Flute Quartet in D major, K 285: II. Adagio | Amadeus Quartet, Andreas Blau | — | |
| 26-3 | Flute Quartet in D major, K 285: II. Adagio | Amadeus Quartet, Andreas Blau | — | |
| 26-4 | Oboe Quartet in F major, K 370: III. Rondeau. Allegro | Amadeus Quartet, Lothar Koch | — | |
| 26-5 | Oboe Quartet in F major, K 370: III. Rondeau. Allegro | Amadeus Quartet, Lothar Koch | — | |
| 26-6 | Oboe Quartet in F major, K 370: III. Rondeau. Allegro | Amadeus Quartet, Lothar Koch | — | |
| 26-7 | Horn Quintet in E-flat major, K 407: I. Allegro | Amadeus Quartet, Gerd Seifert | T-011.422.353-8 | |
| 26-8 | Horn Quintet in E-flat major, K 407: II. Andante | Amadeus Quartet, Gerd Seifert | T-802.445.410-3 | |
| 26-9 | Horn Quintet in E-flat major, K 407: III. Rondo. Allegro | Amadeus Quartet, Gerd Seifert | — | |
| 26-10 | Clarinet Quintet for 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": I. Allegro | Amadeus Quartet, Gervase de Peyer | — | |
| 26-11 | Clarinet Quintet for 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": I. Allegro | Amadeus Quartet, Gervase de Peyer | — | |
| 26-12 | Clarinet Quintet for 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": I. Allegro | Amadeus Quartet, Gervase de Peyer | — | |
| 26-13 | Clarinet Quintet for 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": I. Allegro | Amadeus Quartet, Gervase de Peyer | — | |
| 27-1 | Quintet in E-flat major, K 452: I. Largo - Allegro moderato | — | ||
| 27-2 | Quintet in E-flat major, K 452: II. Larghetto | — | ||
| 27-3 | Quintet for Piano, Oboe, Clarinet and Bassoon in E-flat major, KV.452: 3. Allegretto | Günter Högner, Karl Leister, James Levine, Hansjörg Schellenberger, Milan Turković, Ensemble Wien-Berlin | — | |
| 27-4 | Trio in E-flat major, K 498 "Kegelstatt": I. Andante | Wolfram Christ, Karl Leister, James Levine | — | |
| 27-5 | Trio in E-flat major, K 498 "Kegelstatt": II. Menuetto | Wolfram Christ, Karl Leister, James Levine | — | |
| 27-6 | Trio in E-flat major, K 498 "Kegelstatt": III. Rondeaux. Allegretto | Wolfram Christ, Karl Leister, James Levine | — | |
| 27-7 | Adagio & Rondo in C minor / C major, K 617: I. Adagio | Ensemble Wien-Berlin | — | |
| 27-8 | Adagio & Rondo in C minor / C major, K 617: II. Rondeau. Allegretto | Ensemble Wien-Berlin | — | |
| 28-1 | Piano Quartet in G minor, K 478: I. Allegro | Fauré Quartett | T-909.573.268-6 | |
| 28-2 | Piano Quartet in G minor, K 478: II. Andante | Fauré Quartett | T-802.445.410-3 | |
| 28-3 | Piano Quartet in G minor, K 478: III. Rondeau. Allegro | Fauré Quartett | — | |
| 28-4 | Piano Quartet in E-flat major, K 493: I. Allegro | Fauré Quartett | — | |
| 28-5 | Piano Quartet in E-flat major, K 493: II. Larghetto | Fauré Quartett | — | |
| 28-6 | Piano Quartet in E-flat major, K 493: III. Allegretto | Fauré Quartett | — | |
| 29-1 | Sonata for Violin & Keyboard no. 25 in G major, K. 293a / KV 301: I. Allegro con spirito | Maria João Pires, Augustin Dumay | — | |
| 29-2 | Sonata for Violin & Keyboard no. 25 in G major, K. 293a / KV 301: II. Allegro | Maria João Pires, Augustin Dumay | — | |
| 29-3 | Sonata for Piano and Violin in E minor, K304/300c: I. Allegro | Augustin Dumay, Maria João Pires | T-010.194.424-4 | |
| 29-4 | Sonata for Piano and Violin in E minor, K304/300c: II. Tempo di Menuetto | Augustin Dumay, Maria João Pires | — | |
| 29-5 | Sonata for Violin & Keyboard no. 34 in B-flat major, K. 317d / KV 378: I. Allegro moderato | Maria João Pires, Augustin Dumay | — | |
| 29-6 | Sonata for Violin & Keyboard no. 34 in B-flat major, K. 317d / KV 378: II. Andantino sostenuto e cantabile | Maria João Pires, Augustin Dumay | — | |
| 29-7 | Sonata for Violin & Keyboard no. 34 in B-flat major, K. 317d / KV 378: III. Rondeu. Allegro | Maria João Pires, Augustin Dumay | T-308.457.046-3 | |
| 29-8 | Sonata for Violin & Piano no. 35 in G major, K. 373a/379: I. Adagio - allegro | Maria João Pires, Augustin Dumay | T-011.422.353-8 | |
| 29-9 | Sonata for Violin & Piano no. 35 in G major, K. 373a/379: II. Tema. Andantino cantabile - Var. I-V - Tema. Allegretto | Maria João Pires, Augustin Dumay | — | |
| 30-1 | Violin Sonata in B-flat major, K. 454: I. Largo - Allegro | Itzhak Perlman, Daniel Barenboim | — | |
| 30-2 | Violin Sonata in B-flat major, K. 454: II. Andante | Itzhak Perlman, Daniel Barenboim | — | |
| 30-3 | Violin Sonata in B-flat major, K. 454: III. Allegretto | Itzhak Perlman, Daniel Barenboim | — | |
| 30-4 | Violin Sonata in E-flat major, K. 481: I. Molto Allegro | Itzhak Perlman, Daniel Barenboim | T-003.035.132-6 | |
| 30-5 | Violin Sonata in E-flat major, K. 481: II. Adagio | Itzhak Perlman, Daniel Barenboim | — | |
| 30-6 | Violin Sonata in E-flat major, K. 481: III. Allegretto | Itzhak Perlman, Daniel Barenboim | — | |
| 30-7 | Violin Sonata in A major, K. 526: I. Molto Allegro | Itzhak Perlman, Daniel Barenboim | — | |
| 30-8 | Violin Sonata in A major, K. 526: II. Andante | Itzhak Perlman, Daniel Barenboim | T-802.445.410-3 | |
| 30-9 | Violin Sonata in A major, K. 526: III.Presto | Itzhak Perlman, Daniel Barenboim | T-312.438.541-3 | |
| 31-1 | Sonata in A minor, K. 310: I. Allegro maestoso | Maria João Pires | — | |
| 31-2 | Sonata in A minor, K. 310: II. Andante cantabile con espressione | Maria João Pires | — | |
| 31-3 | Sonata in A minor, K. 310: III. Presto | Maria João Pires | T-007.303.109-0 | |
| 31-4 | Piano Sonata in F major, K 332: I. Allegro | Maria João Pires | T-007.303.107-8 | |
| 31-5 | Piano Sonata in F major, K 332: II. Adagio | Maria João Pires | T-304.252.942-6 | |
| 31-6 | Piano Sonata in F major, K 332: III. Allegro assai | Maria João Pires | T-306.395.786-4 | |
| 31-7 | Sonata in C major, K. 545: I. Allegro | Maria João Pires | T-007.303.107-8 | |
| 31-8 | Sonata in C major, K. 545: II. Andante | Maria João Pires | T-007.303.108-9 | |
| 31-9 | Sonata in C major, K. 545: III. Rondo. Allegretto | Maria João Pires | T-919.562.806-9 | |
| 32-1 | Piano Sonata in B-flat major, K. 281: I. Allegro | Vladimir Horowitz | T-011.422.353-8 | |
| 32-2 | Piano Sonata in B-flat major, K. 281: II. Andante amoroso | Vladimir Horowitz | T-322.449.900-3 | |
| 32-3 | Piano Sonata in B-flat major, K. 281: III. Rondeau: Allegro | Vladimir Horowitz | — | |
| 32-4 | Piano Sonata in C major, K. 330 (300h): I. Allegro moderato | Vladimir Horowitz | — | |
| 32-5 | Piano Sonata in C major, K. 330 (300h): II. Andante cantabile | Vladimir Horowitz | — | |
| 32-6 | Piano Sonata in C major, K. 330 (300h): III. Allegretto | Vladimir Horowitz | — | |
| 32-7 | Sonata for Piano no. 13 in B-flat major, K. 315c/333: I. Allegro | Vladimir Horowitz | T-011.422.353-8 | |
| 32-8 | Sonata for Piano no. 13 in B-flat major, K. 315c/333: II. Andante cantabile | Vladimir Horowitz | — | |
| 32-9 | Sonata for Piano no. 13 in B-flat major, K. 315c/333: III. Allegretto grazioso | Vladimir Horowitz | — | |
| 32-10 | Adagio in B minor, K. 540 | Vladimir Horowitz | T-002.561.175-9 | |
| 32-11 | Rondo in D major, K. 485 | Vladimir Horowitz | — | |
| 32-12 | Rondo for Piano no. 3 in A minor, K. 511 | Vladimir Horowitz | T-917.144.482-9 | |
| 33-1 | Sonata A major, KV 331: I. Andante grazioso: Tema - Variation I-IV - Variation V: Adagio - Variation VI: Allegro | Friedrich Gulda | — | |
| 33-2 | Sonata A major, KV 331: II. Menuetto - Trio | Friedrich Gulda | T-313.706.466-1 | |
| 33-3 | Sonata A major, KV 331: III. Alla Turca (Allegretto) | Friedrich Gulda | T-912.655.618-1 | |
| 33-4 | Piano Sonata no. 14 in C minor, KV 457: I. Molto allegro | Friedrich Gulda | T-003.035.132-6 | |
| 33-5 | Piano Sonata no. 14 in C minor, KV 457: II. Adagio | Friedrich Gulda | T-927.972.088-6 | |
| 33-6 | Piano Sonata no. 14 in C minor, KV 457: III. Allegro assai | Friedrich Gulda | T-306.395.786-4 | |
| 33-7 | Fantasia in D minor, K 397 | Friedrich Gulda | — | |
| 33-8 | Fantasia in C minor, K 475 | Friedrich Gulda | — | |
| 34-1 | Sonata for Two Pianos in D major, K. 375a/448: I. Allegro con spirito | Christoph Eschenbach, Justus Frantz | — | |
| 34-2 | Sonata for Two Pianos in D major, K. 375a/448: II. Andante | Christoph Eschenbach, Justus Frantz | T-312.439.084-3 | |
| 34-3 | Sonata for Two Pianos in D major, K. 375a/448: III. Allegro molto | Christoph Eschenbach, Justus Frantz | T-329.454.787-4 | |
| 34-4 | Sonata for 2 Pianos in F major, K 497: I. Adagio - Allegro di molto | Christoph Eschenbach, Justus Frantz | — | |
| 34-5 | Sonata for 2 Pianos in F major, K 497: II. Andante | Christoph Eschenbach, Justus Frantz | — | |
| 34-6 | Sonata for 2 Pianos in F major, K 497: III. Allegro | Christoph Eschenbach, Justus Frantz | — | |
| 34-7 | Andante and Variations for Piano with 4 Hands in G major, K. 501 | Christoph Eschenbach, Justus Frantz | T-902.919.739-5 | |
| 34-8 | Fantasia in F minor, K. 608 | Christoph Eschenbach, Justus Frantz | — | |
| 35-1 | Mass in C major, K 317 “Coronation”: I. Kyrie | Barbara Bonney, Jamie MacDougall, The English Concert, The English Concert Choir, Trevor Pinnock | — | |
| 35-2 | Mass in C major, K 317 “Coronation”: II. Gloria | The English Concert, The English Concert Choir, Trevor Pinnock | T-070.248.379-1 | |
| 35-3 | Mass in C major, K 317 “Coronation”: III. Credo | The English Concert, The English Concert Choir, Trevor Pinnock | T-915.866.112-2 | |
| 35-4 | Mass in C major, K 317 “Coronation”: IV. Sanctus | The English Concert, The English Concert Choir, Trevor Pinnock | — | |
| 35-5 | Mass in C major, K 317 “Coronation”: V. Benedictus | The English Concert, The English Concert Choir, Trevor Pinnock | — | |
| 35-6 | Mass in C major, K 317 “Coronation”: VI. Agnus Dei | The English Concert, The English Concert Choir, Trevor Pinnock | T-922.061.546-3 | |
| 35-7 | Exsultate, jubilate, K 165: I. Exsultate, jubilate | The English Concert, The English Concert Choir, Trevor Pinnock | — | |
| 35-8 | Exsultate, jubilate, K 165: II. Fulget amica dies | The English Concert, The English Concert Choir, Trevor Pinnock | — | |
| 35-9 | Exsultate, jubilate, K 165: III. Tu virginum corona | The English Concert, The English Concert Choir, Trevor Pinnock | — | |
| 35-10 | Exsultate, jubilate, K 165: IV. Alleluia | Barbara Bonney, The English Concert Choir, The English Concert, Trevor Pinnock | T-905.495.559-8 | |
| 35-11 | Vesperae solennes de confessore in C major, K 339: I. Dixit Dominus Domino meo (Ps. 109/110) | Barbara Bonney, Catherine Wyn-Rogers, Jamie MacDougall, Stephen Gadd, The English Concert Choir, The English Concert, Trevor Pinnock | — | |
| 35-12 | Vesperae solennes de confessore in C major, K 339: II. Confitebor tibi, Domine (Ps. 110/111) | Barbara Bonney, Catherine Wyn-Rogers, Jamie MacDougall, Stephen Gadd, The English Concert Choir, The English Concert, Trevor Pinnock | — | |
| 35-13 | Vesperae solennes de confessore in C major, K 339: III. Beatus vir qui timet Dominum (Ps. 111/112) | Barbara Bonney, Catherine Wyn-Rogers, Jamie MacDougall, Stephen Gadd, The English Concert Choir, The English Concert, Trevor Pinnock | — | |
| 35-14 | Vesperae solennes de confessore in C major, K 339: IV. Laudate pueri Dominum (Ps. 112/113) | The English Concert Choir, The English Concert, Trevor Pinnock | — | |
| 35-15 | Vesperae solennes de confessore in C major, K 339: V. Laudate Dominum omnes gentes (Ps. 116/117) | Barbara Bonney, The English Concert Choir, The English Concert, Trevor Pinnock | T-900.135.371-5 | |
| 35-16 | Vesperae solennes de confessore in C major, K 339: VI. Magnificat anima mea (Luc. 1:46–55) | Barbara Bonney, Catherine Wyn-Rogers, Jamie MacDougall, Stephen Gadd, The English Concert Choir, The English Concert, Trevor Pinnock | — | |
| 36-1 | Motet for Chorus, Strings & Organ in D major, K. 618: "Ave verum corpus", KV618 | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | T-323.252.117-0 | |
| 36-2 | Exsultate, jubilate, K 165 | — | ||
| 36-3 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 "Great": I. "Kyrie" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | T-919.081.368-4 | |
| 36-4 | Mass in C minor, K 427 "Great Mass": II. Gloria - (a) Gloria in excelsis Deo | — | ||
| 36-5 | Mass in C minor, K 427 "Great Mass": II. Gloria - (b) Laudamus te | — | ||
| 36-6 | Mass in C minor, K 427 "Great Mass": II. Gloria - (c) Gratias agimus tibi | — | ||
| 36-7 | Mass in C minor, K 427 "Great Mass": II. Gloria - (d) Domine Deus | — | ||
| 36-8 | Mass in C minor, K 427 "Great Mass": II. Gloria - (e) Qui tollis peccata mundi | — | ||
| 36-9 | Mass in C minor, K 427 "Great Mass": II. Gloria - (f) Quoniam tu solus sanctus | — | ||
| 36-10 | Mass in C minor, K 427 "Great Mass": II. Gloria - (g) Jesu Christe | — | ||
| 36-11 | Mass in C minor, K 427 "Great Mass": II. Gloria - (h) Cum Sancto Spiritu | — | ||
| 36-12 | Mass in C minor, K 427 "Great Mass": III. Credo - (a) Credo in unum Deum | — | ||
| 36-13 | Mass in C minor, K 427 "Great Mass": III. Credo - (b) Et incarnatus est | — | ||
| 36-14 | Mass in C minor, K 427 "Great Mass": IV. Sanctus | — | ||
| 36-15 | Mass in C minor, K 427 "Great Mass": V. Benedictus | — | ||
| 37-1 | Requiem in D minor, K 626: I. Introitus: Requiem aeternam | — | ||
| 37-2 | Requiem in D minor, K 626: II. Kyrie | — | ||
| 37-3 | Requiem in D minor, K 626: III. Sequentia: (a) Dies irae | — | ||
| 37-4 | Requiem in D minor, K 626: III. Sequentia: (b) Tuba mirum | — | ||
| 37-5 | Requiem in D minor, K 626: III. Sequentia: (c) Rex tremendae | — | ||
| 37-6 | Requiem in D minor, K 626: III. Sequentia: (d) Recordare | — | ||
| 37-7 | Requiem in D minor, K. 626, Süßmayr completion with reconstructions by Franz Beyer (1971/79) and Robert D. Levin (1993): III. Sequentia: Confutatis | Swedish Radio Choir, Berliner Philharmoniker, Claudio Abbado | — | |
| 37-8 | Requiem in D minor, K 626: III. Sequentia: (f) Lacrimosa | — | ||
| 37-9 | Requiem in D minor, K 626: IV. Offertorium: (a) Domine Jesu Christe | — | ||
| 37-10 | Requiem in D minor, K 626: IV. Offertorium: (b) Hostias | — | ||
| 37-11 | Requiem in D minor, K 626: V. Sanctus | — | ||
| 37-12 | Requiem in D minor, K 626: VI. Benedictus | — | ||
| 37-13 | Requiem in D minor, K 626: VII. Agnus Dei | — | ||
| 37-14 | Requiem in D minor, K 626: VIII. Communio: Lux aeterna | — | ||
| 37-15 | Betracht dies Herz und frage mich (from Grabmusik, K 42) | — | ||
| 37-16 | Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: V. "Laudate dominum" | Rachel Harnisch, Radiokören, Kay Johannsen, Berliner Philharmoniker, Claudio Abbado | — | |
| 38-1 | "Ah, lo previdi" - "Ah, t'invola agl'occhi miei" Recitative and aria K 272 | Gundula Janowitz, Wiener Symphoniker, Wilfried Boettcher | — | |
| 38-2 | "A questo seno deh vieni" - "Or che il cielo a me ti rende" Recitative and aria K 374 | Gundula Janowitz, Wiener Symphoniker, Wilfried Boettcher | — | |
| 38-3 | "Alma grande e nobil core" Aria K 578 | Gundula Janowitz, Wiener Symphoniker, Wilfried Boettcher | — | |
| 38-4 | "Betrach dies Herz und frage mich" Aria extracted from K 42 (35a) | Gundula Janowitz, Wiener Symphoniker, Wilfried Boettcher | — | |
| 38-5 | Vado, ma dove? o Dei!, K. 583 | Gundula Janowitz, Wiener Symphoniker, Wilfried Böttcher | — | |
| 38-6 | "Bella mia fiamma" - "Resta, o cara" Scene (Recitative and aria) K 528 | Gundula Janowitz, Wiener Symphoniker, Wilfried Boettcher | — | |
| 38-7 | "Misera, dove son!" - "Ah, non son io che parlo" Scene (Recitative and aria) K 369 | Gundula Janowitz, Wiener Symphoniker, Wilfried Boettcher | — | |
| 39-1 | Idomeneo, re di Creta K. 366: Ouverture | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 39-2 | Idomeneo, re di Creta K. 366: Act I, Scene I. Recitativo "Quando avran fine omai" (Ilia) / No. 1 Aria "Padre, germani, addio!" (Ilia) / "Ecco Idamante, ahimé!" (Ilia) | Sylvia McNair, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 39-3 | Idomeneo, re di Creta K. 366: Act I, Scene II. Recitativo "Radunate i Troiani, ite" (Ilia, Idamante) / No. 2 Aria "Non ho colpa" (Idamante) | Sylvia McNair, Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 39-4 | Idomeneo, re di Creta K. 366: Act I, Recitativo "Ecco il mesero resto de Troiani" / Recitativo "Scingete le catene" | Sylvia McNair, Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 39-5 | Idomeneo, re di Creta K. 366: Act I, No.3 coro "Godiam la pace" / Rec "Tutta la Grecia oltraggi" / Rec "Ma quel pianto che annunzia ? / Rec : Estinto è idomeneo ? / No.4 aria : Tutte nel cor vi sento / No.5 coro : Pietá ! Numi, pietá ! / Rec : Eccoci salvi alfin / Rec : Voi di Marte e di Nettuno" | Stephen Charlesworth, Angela Kazimierczuk, Jonathan Peter Kenny, Sylvia McNair, Hillevi Martinpelto, Monteverdi Choir, Anne Sofie von Otter, Nigel Robson, Anthony Rolfe Johnson, Philip Salmon, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 39-6 | Idomeneo, re di Creta K. 366: Act I, No. 6 aria "Vedrommi intorno" / Recitativo : "Cieli ! Che veggo ?" / Recitativo : "Spiagge romite" | Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 39-7 | Idomeneo, re di Creta, K. 366: Act I, Scene X. No. 7 Aria "Il padre adorato" (Idamante) | Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 39-8 | Idomeneo, re di Creta, K. 366: Act I, Scene XI. No. 8 Marcia | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 39-9 | Idomeneo, re di Creta, K. 366: Act I, Scene XI. No. 9 Coro "Nettuno s'onori!" (Coro) | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 39-10 | Idomeneo, re di Creta, K. 366: Act II, Scene I. No. 10a Recitativo "Tutto m'è noto" (Arbace, Idomeneo) | Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 39-11 | Idomeneo, re di Creta, K. 366: Act II, Scene I. No. 10a Aria. Allegro "Se il tuo duol, se il mio desio" (Arbace) | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 39-12 | Idomeneo, re di Creta, K. 366: Act II, Scene II. Recitativo "Se mai pomposo" (Ilia, Idomeneo) | Sylvia McNair, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 39-13 | Idomeneo, re di Creta, K. 366: Act II, Scene II. No. 11 Aria "Se il padre perdei" (Ilia) | Sylvia McNair, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 39-14 | Idomeneo, re di Creta, K. 366: Act II, Scene III. Recitativo "Qual mi conturba i sensi" (Idomeneo) | Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 39-15 | Idomeneo, re di Creta K. 366: Act II, No. 12 aria "Fuor del mar ho un mar in seno" | Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | T-306.097.548-2 | |
| 40-1 | Idomeneo, re di Creta K. 366: Act II, Recitativo "Frettolosa e Guiliva Elettra Vien" / Recitativo "Chi mai del Mio Provò" | Hillevi Martinpelto, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-2 | Idomeneo, re di Creta, K. 366: Act II, Scene V. No. 13 Aria "Idol mio, se ritroso" (Elettra) | Hillevi Martinpelto, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-3 | Idomeneo, re di Creta, K. 366: Act II, Scene V. Marcia / No. 14 Recitavio "Odo da lunge" (Elettra) | Hillevi Martinpelto, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-4 | Idomeneo, re di Creta, K. 366: Act II, Scene V. Recitativo "Sidonie sponde!" (Elettra) | Hillevi Martinpelto, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-5 | Idomeneo, re di Creta K. 366: Act II, No. 15 coro "Placido è il mar / Soavi zeffiri" / Recitativo "Vattene prence" / No. 16 terzetto : "Pria di partir, oh dio !" / No. 17 coro : "Qual nuovo terrore !" / Recitativo : "Eccoti in me, barbaro nume !" / No. 18 coro : "Corriamo, fuggiamo" | Hillevi Martinpelto, Monteverdi Choir, Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-6 | Idomeneo, K 366: Act III: (a) "Solitudini amiche" ... | — | ||
| 40-7 | Idomeneo, re di Creta, K. 366: Act III, Scene I. No. 19 Aria "Zeffiretti lusinghieri" (Ilia) / Act III, Scene II. Recitativo "Ei stesso vien" (Ilia) | Sylvia McNair, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-8 | Idomeneo, re di Creta K. 366: Act III, "Principessa, a' tuoi sguardi" / No. 20 duetto "S'io non moro a questi accenti" / Recitativo : "Cieli ! Che vedo ?" | Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-9 | Idomeneo, re di Creta K. 366: Act III, Recitativo "Dunque io me n'andrò" / No. 21 quartetto "Andrò ramingo e solo" | Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-10 | Idomeneo, re di Creta, K. 366: Act III, Scene IV. Recitativo "Sire, alla reggia tua immensa turba" (Arbace, Ilia,Idomeneo, Elettra) | Sylvia McNair, Hillevi Martinpelto, Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-11 | Idomeneo, re di Creta, K. 366: Act III, Scene V. Recitativo "Sventurata Sidon!" (Arbace) | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-12 | Idomeneo, re di Creta, K. 366: Act III, Scene V. No. 22 Aria "Se colà ne' fati è scritto" (Arbace) | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-13 | Idomeneo, re di Creta, K. 366: Act III, Scene VI. No. 23 Recitativo "Volgi intorno lo sguardo" (Gran Sacerdote, Idomeneo) | Anthony Rolfe Johnson, Glenn Winslade, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-14 | Idomeneo, re di Creta, K. 366: Act III, Scene VI. No. 24 Coro "O voto tremendo" (Coro, Gran Sacerdote) | Monteverdi Choir, Glenn Winslade, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-15 | Idomeneo, re di Creta, K. 366: Act III, Scene VII. No. 25 Marcia | English Baroque Soloists, Sir John Eliot Gardiner | T-906.743.326-5 | |
| 40-16 | Idomeneo, re di Creta K. 366: Act III, No. 26 cavatina con coro "Accogli, oh re del mar" | Monteverdi Choir, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 41-1 | Idomeneo, re di Creta, K. 366: Act III, Coro "Stupenda vittoria!" / Recitativo "Sire, il prence" | Monteverdi Choir, Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 41-2 | Idomeneo, re di Creta, K. 366: Act III, Recitativo "Padre, mio caro padre" | Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 41-3 | Idomeneo, re di Creta, K. 366: Act III, Scene IX. No. 27a Aria "No, la morte io non pavento" (Idamante) | Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | T-306.143.268-2 | |
| 41-4 | Idomeneo, re di Creta, K. 366: Act III, Scene X. Recitativo "Ma, che più tardi?" (Idamante, Idomeneo, Ilia, Gran Sacerdote) | Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 41-5 | Idomeneo, re di Creta, K. 366: Act III, Scene X. Dialogue "Ferma, oh sire, che fai?" (Ilia,Idomeneo, Idomante, Ilia, Gran Sacerdote) | Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Anthony Rolfe Johnson, Glenn Winslade, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 41-6 | Idomeneo, re di Creta, K. 366: Act III, Scene X. No. 28 La Voce "Ha vinto Amore" (La Voce) | Cornelius Hauptmann, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 41-7 | Idomeneo, re di Creta, K. 366: Act III, Recitativo "Oh ciel pietoso !" / Recitativo "Oh, smania ! Oh furie !" / No. 29 aria : "D'oreste, d'aiace" | Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 41-8 | Idomeneo, re di Creta, K. 366: Act III, Scene XI. No. 30 Recitativo "Popoli, a voi l'ultima legge" (Idomeneo) | Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 41-9 | Idomeneo, re di Creta, K. 366: Act III, Scene XI. No. 30a Aria "Torna la pace al core" (Idomeneo) | Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | T-306.096.245-6 | |
| 41-10 | Idomeneo, re di Creta, K. 366: Act III, Scene XI. No. 31 Coro "Scenda Amor, scenda Imeneo" (Coro) | English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir | — | |
| 41-11 | Idomeneo, re di Creta, K. 366: Act III, No. 32 Ballet K. 367(Chaconne / Larghetto / La Chaconne, qui reprend / Largo / Allegretto, sempre Piano / Più Allegro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 42-1 | Die Entführung aus dem Serail: Ouvertüre | Staatskapelle Dresden, Karl Böhm | T-702.819.800-9 | |
| 42-2 | Die Entführung aus dem Serail: No. 1 Arie: "Hier soll ich dich denn sehen" | Peter Schreier, Staatskapelle Dresden, Karl Böhm | — | |
| 42-3 | Die Entführung aus dem Serail: Aber wie soll ich in den Palast kommen | Hans-Jörn Weber, Staatskapelle Dresden, Karl Böhm | — | |
| 42-4 | Die Entführung aus dem Serail: No.2 Lied und Duett: "Wer ein Liebchen hat gefunden" | Kurt Moll, Peter Schreier, Staatskapelle Dresden, Karl Böhm | — | |
| 42-5 | Die Entführung aus dem Serail: Fort ist er | Wolfgang Dehler, Kurt Hachlicki, Staatskapelle Dresden, Karl Böhm | — | |
| 42-6 | Die Entführung aus dem Serail: No. 3 Arie: "Solche hergelauf'ne Laffen" | Kurt Moll, Harald Neukirch, Staatskapelle Dresden, Karl Böhm | — | |
| 42-7 | Die Entführung aus dem Serail: Geh nur, verwünschter Kerl | Kurt Hachlicki, Hans-Jörn Weber, Staatskapelle Dresden, Karl Böhm | — | |
| 42-8 | Die Entführung aus dem Serail: No. 4 Arie: "Konstanze, dich wieder zu sehen" | Peter Schreier, Staatskapelle Dresden, Karl Böhm | — | |
| 42-9 | Die Entführung aus dem Serail: Schnell, treten Sie beiseite | Kurt Hachlicki, Hans-Jörn Weber, Staatskapelle Dresden, Karl Böhm | — | |
| 42-10 | Die Entführung aus dem Serail: No. 5 Chor: "Singt dem großen Bassa Lieder" | Horst Neumann, Rundfunkchor Leipzig, Staatskapelle Dresden, Karl Böhm | — | |
| 42-11 | Die Entführung aus dem Serail: Nun Konstanze, immer noch traurig? | Regina Jeske, Otto Mellies, Staatskapelle Dresden, Karl Böhm | — | |
| 42-12 | Die Entführung aus dem Serail: No. 6 Arie: "Ach ich liebte, war so glücklich" | Arleen Augér, Staatskapelle Dresden, Karl Böhm | — | |
| 42-13 | Die Entführung aus dem Serail: Weißt du, was du wagst? | Wolfgang Dehler, Kurt Hachlicki, Regina Jeske, Otto Mellies, Hans-Jörn Weber, Staatskapelle Dresden, Karl Böhm | — | |
| 42-14 | Die Entführung aus dem Serail: No. 7 Terzett "Marsch, marsch, marsch! Trollt euch fort!" | Kurt Moll, Harald Neukirch, Peter Schreier, Staatskapelle Dresden, Karl Böhm | — | |
| 42-15 | Die Entführung aus dem Serail: Oh das Zanken, Befehlen und Murren | Helga Piur, Staatskapelle Dresden, Karl Böhm | — | |
| 42-16 | Die Entführung aus dem Serail: No. 8 Arie: "Durch Zärtlichkeit und Schmeicheln" | Reri Grist, Staatskapelle Dresden, Karl Böhm | — | |
| 42-17 | Die Entführung aus dem Serail: Zärtlichkeit? Schmeicheln? | Wolfgang Dehler, Helga Piur, Staatskapelle Dresden, Karl Böhm | — | |
| 42-18 | Die Entführung aus dem Serail: No. 9 Duett: "Ich gehe, doch rate ich dir" | Reri Grist, Kurt Moll, Staatskapelle Dresden, Karl Böhm | — | |
| 42-19 | Die Entführung aus dem Serail: No. 10 Rezitativ und Arie: "Welcher Kummer herrscht in meiner Seele" | Arleen Augér, Staatskapelle Dresden, Karl Böhm | — | |
| 42-20 | Die Entführung aus dem Serail: Mein bestes Fräulein | Regina Jeske, Otto Mellies, Helga Piur, Staatskapelle Dresden, Karl Böhm | — | |
| 42-21 | Die Entführung aus dem Serail: No. 11 Arie: "Martern aller Arten" | Arleen Augér, Staatskapelle Dresden, Karl Böhm | — | |
| 43-1 | Die Entführung aus dem Serail: Pst, Blondchen, pst! (Pedrillo, Blonde) | Kurt Hachlicki, Helga Piur, Staatskapelle Dresden, Karl Böhm | — | |
| 43-2 | Die Entführung aus dem Serail: No. 12 Arie "Welche Wonne, welche Lust" | Reri Grist, Staatskapelle Dresden, Karl Böhm | — | |
| 43-3 | Die Entführung aus dem Serail: Nun schnell, liebstes Blondchen (Pedrillo, Blonde) | Kurt Hachlicki, Helga Piur, Staatskapelle Dresden, Karl Böhm | — | |
| 43-4 | Die Entführung aus dem Serail: No. 13 Arie "Frisch zum Kampfe" | Harald Neukirch, Staatskapelle Dresden, Karl Böhm | — | |
| 43-5 | Die Entführung aus dem Serail: Holla, hier geht's ja lustig zu (Osmin, Pedrillo) | Wolfgang Dehler, Kurt Hachlicki, Staatskapelle Dresden, Karl Böhm | — | |
| 43-6 | Die Entführung aus dem Serail: No. 14 Duett "Vivat Bacchus! Bacchus lebe!" | Kurt Moll, Harald Neukirch, Staatskapelle Dresden, Karl Böhm | — | |
| 43-7 | Die Entführung aus dem Serail: Wahrhaftig, das muss ich gestehen (Pedrillo, Osmin) | Wolfgang Dehler, Kurt Hachlicki, Staatskapelle Dresden, Karl Böhm | — | |
| 43-8 | Die Entführung aus dem Serail: No. 15 Arie "Wenn der Freude Tränen fließen" | Peter Schreier, Staatskapelle Dresden, Karl Böhm | — | |
| 43-9 | Die Entführung aus dem Serail: No. 16 Quartett "Ach, Belmonte! Ach, mein Leben!" | Arleen Augér, Reri Grist, Harald Neukirch, Peter Schreier, Staatskapelle Dresden, Karl Böhm | — | |
| 43-10 | Die Entführung aus dem Serail: Kommen Sie, bester Herr (Pedrillo, Belmonte) | Kurt Hachlicki, Hans-Jörn Weber, Staatskapelle Dresden, Karl Böhm | — | |
| 43-11 | Die Entführung aus dem Serail: No. 17 Arie "Ich baue ganz auf deine Stärke" | Peter Schreier, Staatskapelle Dresden, Karl Böhm | — | |
| 43-12 | Die Entführung aus dem Serail: Alles liegt auf dem Ohr (Pedrillo, Belmonte) | Kurt Hachlicki, Hans-Jörn Weber, Staatskapelle Dresden, Karl Böhm | — | |
| 43-13 | Die Entführung aus dem Serail: No. 18 Romanze "In Mohrenland gefangen war" | Harald Neukirch, Peter Schreier, Staatskapelle Dresden, Karl Böhm | — | |
| 43-14 | Die Entführung aus dem Serail: Sehen Sie nur, bester Herr (Pedrillo, Konstanze, Belmonte, Osmin) | Wolfgang Dehler, Kurt Hachlicki, Regina Jeske, Hans-Jörn Weber, Staatskapelle Dresden, Karl Böhm | — | |
| 43-15 | Die Entführung aus dem Serail: No. 19 Arie "Ha, wie will ich trumphieren" | Kurt Moll, Staatskapelle Dresden, Karl Böhm | — | |
| 43-16 | Die Entführung aus dem Serail: Was gibt's, Osmin (Selim, Osmin, Konstanze, Belmonte) | Wolfgang Dehler, Regina Jeske, Otto Mellies, Hans-Jörn Weber, Staatskapelle Dresden, Karl Böhm | — | |
| 43-17 | Die Entführung aus dem Serail: No. 20 Rezitativ und Duett "Welch ein Geschick"... "Ha, du solltest für mich sterben" | Arleen Augér, Peter Schreier, Staatskapelle Dresden, Karl Böhm | — | |
| 43-18 | Die Entführung aus dem Serail: Herr, es ist aus (Pedrillo, Blonde, Selim, Belmonte, Konstanze, Osmin) | Wolfgang Dehler, Kurt Hachlicki, Regina Jeske, Otto Mellies, Helga Piur, Hans-Jörn Weber, Staatskapelle Dresden, Karl Böhm | — | |
| 43-19 | Die Entführung aus dem Serail: No. 21 Finale. Vaudeville "Nie werd' ich deine Huld verkennen" | Arleen Augér, Reri Grist, Kurt Moll, Harald Neukirch, Peter Schreier, Staatskapelle Dresden, Karl Böhm | — | |
| 44-1 | Le nozze di Figaro, K 492: Overture | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-2 | Le nozze di Figaro, K 492: Act I: (a) "Cinque, dieci, venti, trenta" ... | Ildebrando d’Arcangelo, Anna Netrebko, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-3 | Le nozze di Figaro, K 492: Act I: (b) "Cosa stai misurando" ... | Anna Netrebko, Ildebrando d’Arcangelo, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-4 | Le nozze di Figaro, K 492: Act I: (c) "Se a caso madama" ... | Ildebrando d’Arcangelo, Anna Netrebko, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-5 | Le nozze di Figaro, K 492: Act I: (d) "Or bene, ascolta, e taci" ... | Anna Netrebko, Ildebrando d’Arcangelo, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-6 | Le nozze di Figaro, K 492: Act I: (e) "Bravo, signor padrone" ... | Ildebrando d’Arcangelo, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-7 | Le nozze di Figaro, K 492: Act I: (f) "Se vuol ballare, signor Contino" ... | Ildebrando d’Arcangelo, Wiener Philharmoniker, Nikolaus Harnoncourt | T-900.134.079-0 | |
| 44-8 | Le nozze di Figaro, K 492: Act I: (g) "Ed aspettaste il giorno" ... | Franz-Josef Selig, Marie McLaughlin, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-9 | Le nozze di Figaro, K 492: Act I: (h) "La vendetta, oh, la vendetta" ... | Franz-Josef Selig, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-10 | Le nozze di Figaro, K 492: Act I: (i) "Tutto ancor non ho perso" ... | Marie McLaughlin, Anna Netrebko, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-11 | Le nozze di Figaro, K 492: Act I: (j) "Via, resti servita" ... | Marie McLaughlin, Anna Netrebko, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-12 | Le nozze di Figaro, K 492: Act I: (k) "Va' la, vecchia pedante" ... | Anna Netrebko, Christine Schäfer, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-13 | Le nozze di Figaro, K 492: Act I: (l) "Non so piu cosa son, cosa faccio" ... | Christine Schäfer, Wiener Philharmoniker, Nikolaus Harnoncourt | T-915.310.099-3 | |
| 44-14 | Le nozze di Figaro, K 492: Act I: (m) "Ah, son perduto!" ... | Anna Netrebko, Bo Skovhus, Patrick Henckens, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-15 | Le nozze di Figaro, K 492: Act I: (n) "Cosa sento! Tosto andate" ... | Bo Skovhus, Patrick Henckens, Anna Netrebko, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-16 | Le nozze di Figaro, K 492: Act I: (o) "Basilio, in traccia tosto" ... | Bo Skovhus, Anna Netrebko, Christine Schäfer, Patrick Henckens, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-17 | Le nozze di Figaro, K 492: Act I: (p) "Giovani liete, fiori spargete" ... | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-18 | Le nozze di Figaro, K 492: Act I: (q) "Cos'e questa commedia?" ... | Bo Skovhus, Ildebrando d’Arcangelo, Anna Netrebko, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-19 | Le nozze di Figaro, K 492: Act I: (r) "Giovani liete, fiori spargete" ... | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-20 | Le nozze di Figaro, K 492: Act I: (s) "Evviva!" ... | Ildebrando d’Arcangelo, Anna Netrebko, Patrick Henckens, Christine Schäfer, Bo Skovhus, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-21 | Le nozze di Figaro, K 492: Act I: (t) "Non piu andrai, farfallone amoroso" ... | Ildebrando d’Arcangelo, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-1 | Le nozze di Figaro, K 492: Act II: (a) "Porgi, amor, qualche ristoro" ... | Dorothea Röschmann, Wiener Philharmoniker, Nikolaus Harnoncourt | T-306.482.540-3 | |
| 45-2 | Le nozze di Figaro, K 492: Act II: (b) "Vieni, cara Susanna" ... | Dorothea Röschmann, Anna Netrebko, Ildebrando d’Arcangelo, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-3 | Le nozze di Figaro, K 492: Act II: (c) "Quanto duolmi, Susanna" ... | Dorothea Röschmann, Anna Netrebko, Christine Schäfer, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-4 | Le nozze di Figaro, K 492: Act II: (d) "Voi che sapeteche cosa e amor" ... | Christine Schäfer, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-5 | Le nozze di Figaro, K 492: Act II: (e) "Bravo! Che bella voce!" ... | Dorothea Röschmann, Anna Netrebko, Christine Schäfer, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-6 | Le nozze di Figaro, K 492: Act II: (f) "Venite, inginocchiatevi" ... | Anna Netrebko, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-7 | Le nozze di Figaro, K 492: Act II: (g) "Quante buffonerie!" ... | Dorothea Röschmann, Anna Netrebko, Christine Schäfer, Bo Skovhus, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-8 | Le nozze di Figaro, K 492: Act II: (h) "Che novita!" ... | Bo Skovhus, Dorothea Röschmann, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-9 | Le nozze di Figaro, K 492: Act II: (i) "Susanna, or via, sortite!" ... | Bo Skovhus, Dorothea Röschmann, Anna Netrebko, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-10 | Le nozze di Figaro, K 492: Act II: (j) "Dunque, voi non aprite" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-11 | Le nozze di Figaro, K 492: Act II: (k) "Aprite, presto, aprite" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-12 | Le nozze di Figaro, K 492: Act II: (l) "Oh guarda il demonietto!" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-13 | Le nozze di Figaro, K 492: Act II: (m) "Tutto e come il lasciai" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-14 | Le nozze di Figaro, K 492: Act II: (n) "Esci, omai, garzon malnato" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-15 | Le nozze di Figaro, K 492: Act II: (o) "Susanna, son morta" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-16 | Le nozze di Figaro, K 492: Act II: (p) "Signori, di fouri son gia i suonatori" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-17 | Le nozze di Figaro, K 492: Act II: (q) "Conoscete, signor Figaro" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-18 | Le nozze di Figaro, K 492: Act II: (r) "Ah, signore, signor!" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-19 | Le nozze di Figaro, K 492: Act II: (s) "Vostre dunque saran queste carte" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-20 | Le nozze di Figaro, K 492: Act II: (t) "Voi signor, che giusto siete" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-21 | Le nozze di Figaro, K 492: Act III: (a) "Che imbarazza e mai questo!" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-22 | Le nozze di Figaro, K 492: Act III: (b) "Crudel! Perche finora" ... | Anna Netrebko, Bo Skovhus, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-23 | Le nozze di Figaro, K 492: Act III: (c) "E perche fosti meco" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-24 | Le nozze di Figaro, K 492: Act III: (d) "Hai gia vinta la causa! ... Vedro mentr'io sospiro" ... | Bo Skovhus, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-1 | Le nozze di Figaro, K 492: Act III: (e) "E decisa la lite" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-2 | Le nozze di Figaro, K 492: Act III: (f) "Riconosci in questo amplesso" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-3 | Le nozze di Figaro, K 492: Act III: (g) "Eccovi, o caro amico" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-4 | Le nozze di Figaro, K 492: Act III: (h) "Andiamo, andiam, bel paggio" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-5 | Le nozze di Figaro, K 492: Act III: (i) "E Susanna non vien! ... Dovo sono i bei momenti" ... | Dorothea Röschmann, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-6 | Le nozze di Figaro, K 492: Act III: (j) "Io vi dico, signor" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-7 | Le nozze di Figaro, K 492: Act III: (k) "Sull'aria... Che soave zeffiretto" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | T-011.113.348-2 | |
| 46-8 | Le nozze di Figaro, K 492: Act III: (l) "Piegato e il foglio" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-9 | Le nozze di Figaro, K 492: Act III: (m) "Ricevete, o padroncina" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-10 | Le nozze di Figaro, K 492: Act III: (n) "Queste sono, madama, le ragazze del loco" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-11 | Le nozze di Figaro, K 492: Act III: (o) "Ecco la marcia, andiamo" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-12 | Le nozze di Figaro, K 492: Act III: (p) "Amanti constanti, seguaci d'onor" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-13 | Le nozze di Figaro, K 492: Act III: (q) "Eh gia, solita usanza" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-14 | Le nozze di Figaro, K 492: Act III: (r) "Andate, amici" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-15 | Le nozze di Figaro, K 492: Act IV: (a) "L'ho perduta, me meschina!" ... | Eva Liebau, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-16 | Le nozze di Figaro, K 492: Act IV: (b) "Barbarina, cos'hai?" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-17 | Le nozze di Figaro, K 492: Act IV: (c) "Il capro e la capretta" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-18 | Le nozze di Figaro, K 492: Act IV: (d) "Chi va la?" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-19 | Le nozze di Figaro, K 492: Act IV: (e) "In quegli anni in cui val poco" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-20 | Le nozze di Figaro, K 492: Act IV: (f) "Tutto e disposto ... Aprite un po' quegli occhi" ... | Ildebrando d’Arcangelo, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-21 | Le nozze di Figaro, K 492: Act IV: (g) "Madama, voi tremate" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-22 | Le nozze di Figaro, K 492: Act IV: (h) "Giunse alfin il momento ... Deh vieni, non tardar" ... | Anna Netrebko, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-23 | Le nozze di Figaro, K 492: Act IV: (i) "Perfida! E in quella forma" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-24 | Le nozze di Figaro, K 492: Act IV: (j) "Pian pianin le andro piu presso" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-25 | Le nozze di Figaro, K 492: Act IV: (k) "Ecco qui la mia Susanna" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-26 | Le nozze di Figaro, K 492: Act IV: (l) "Tutto e tranquillo e placido" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-27 | Le nozze di Figaro, K 492: Act IV: (m) "Pace, pace, mio dolce tesoro" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-28 | Le nozze di Figaro, K 492: Act IV: (n) "Gente, gente, all'armi, all'armi" ... | Florian Boesch, Patrick Henckens, Eva Liebau, Marie McLaughlin, Anna Netrebko, Dorothea Röschmann, Christine Schäfer, Bo Skovhus, Ildebrando d’Arcangelo, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 47-1 | Don Giovanni, K 527: Overture | — | ||
| 47-2 | Don Giovanni, K 527: Act I: (a) "Notte e giorno faticar" ... | — | ||
| 47-3 | Don Giovanni, K 527: Act I: (b) "Leporello, ove sei?" ... | — | ||
| 47-4 | Don Giovanni, K 527: Act I: (c) "Ah! del padre in periglio" ... | — | ||
| 47-5 | Don Giovanni, K 527: Act I: (d) "Fuggi, crudele, fuggi!" ... | — | ||
| 47-6 | Don Giovanni, K 527: Act I: (e) "Orsu, spicciati, presto" ... | — | ||
| 47-7 | Don Giovanni, K 527: Act I: (f) "Ah! chi mi dice mai" ... | — | ||
| 47-8 | Don Giovanni, K 527: Act I: (g) "Chi e la?" - "Stelle! che vedo" ... | — | ||
| 47-9 | Don Giovanni, K 527: Act I: (h) "Madamina, il catalogo e questo" ... | — | ||
| 47-10 | Don Giovanni, K 527: Act I: (i) "In questa forma, dunque" ... | — | ||
| 47-11 | Don Giovanni, K 527: Act I: (j) "Giovinette che fate all'amore" ... | — | ||
| 47-12 | Don Giovanni, K 527: Act I: (k) "Manco male e partita" ... | — | ||
| 47-13 | Don Giovanni, K 527: Act I: (l) "Ho capito, signor si" ... | — | ||
| 47-14 | Don Giovanni, K 527: Act I: (m) "Alfin siam liberati" ... | — | ||
| 47-15 | Don Giovanni, K 527: Act I: (n) "La ci darem la mano" ... | — | ||
| 47-16 | Don Giovanni, K 527: Act I: (o) "Fermati, scellarato" ... | — | ||
| 47-17 | Don Giovanni, K 527: Act I: (p) "Ah, fuggi il traditor" ... | — | ||
| 47-18 | Don Giovanni, K 527: Act I: (q) "Mi par ch'oggi il demonio si diverta" ... | — | ||
| 47-19 | Don Giovanni, K 527: Act I: (r) "Non ti fidar, o misera" ... | — | ||
| 47-20 | Don Giovanni, K 527: Act I: (s) "Povera sventurata! ... | — | ||
| 47-21 | Don Giovanni, K 527: Act I: (t) "Don Ottavio, son morta!" ... | — | ||
| 47-22 | Don Giovanni, K 527: Act I: (u) "Or sai chi l'onore" ... | — | ||
| 47-23 | Don Giovanni, K 527: Act I: (v) "Come mai creder deggio" ... | — | ||
| 47-24 | Don Giovanni, K 527: Act I: (w) "Dalla sua pace" ... | — | ||
| 48-1 | Don Giovanni, K 527: Act I: (x) "Io deggio ad ogni patto" ... | — | ||
| 48-2 | Don Giovanni, K. 527: Act I, Scena XV. No. 11 Aria "Fin ch'han dal vino" (Don Giovanni) | Simon Keenlyside, Chamber Orchestra of Europe, Claudio Abbado | T-306.481.937-6 | |
| 48-3 | Don Giovanni, K 527: Act I: (z) "Masetto: senti un po'!" ... | — | ||
| 48-4 | Don Giovanni, K 527: Act I: (aa) "Batti, batti, o bel Masetto" ... | — | ||
| 48-5 | Don Giovanni, K 527: Act I: (ab) "Guarda un po'!" ... | — | ||
| 48-6 | Don Giovanni, K 527: Act I: (ac) "Presto, presto, pria ch'ei venga" ... | — | ||
| 48-7 | Don Giovanni, K 527: Act I: (ad) "Tra quest' arbori celata" ... | — | ||
| 48-8 | Don Giovanni, K 527: Act I: (ad) "Bisogna aver coraggio" ... | — | ||
| 48-9 | Don Giovanni, K 527: Act I: (ae) "Riposate, vezzose ragazze!" .... | — | ||
| 48-10 | Don Giovanni, K 527: Act II: (a) "Eh via, boffone" ... | — | ||
| 48-11 | Don Giovanni, K 527: Act II: (b) "Leporello" - "Signore"... | — | ||
| 48-12 | Don Giovanni, K 527: Act II: (c) "Ah! taci, ingiusto core" ... | — | ||
| 48-13 | Don Giovanni, K 527: Act II: (d) "Amico, che ti par?" ... | — | ||
| 48-14 | Don Giovanni, K 527: Act II: (e) "Deh, vieni alla finestra" ... | — | ||
| 48-15 | Don Giovanni, K 527: Act II: (f) "V'e gente alla finestra" ... | — | ||
| 48-16 | Don Giovanni, K 527: Act II: (g) "Meta di voi qua vadano" ... | — | ||
| 48-17 | Don Giovanni, K 527: Act II: (h) "Zitto! Lascia ch'io senta" ... | — | ||
| 48-18 | Don Giovanni, K 527: Act II: (i) "Vedrai, carino" ... | — | ||
| 48-19 | Don Giovanni, K 527: Act II: (j) "Di molte faci il lume" ... | — | ||
| 48-20 | Don Giovanni, K 527: Act II: (k) "Sola, sola, in buio loco" ... | — | ||
| 48-21 | Don Giovanni, K 527: Act II: (l) "Dunque quello sei tu" ... | — | ||
| 48-22 | Don Giovanni, K 527: Act II: (m) "Ah, pieta, signori miei" ... | — | ||
| 48-23 | Don Giovanni, K 527: Act II: (n) "Ferma, perfido, ferma" ... | — | ||
| 48-24 | Don Giovanni, K 527: Act II: (o) "Il mio tesoro intanto" ... | — | ||
| 49-1 | Don Giovanni, K 527: Act II: (p) "In quali eccessi, o Numi" ... | — | ||
| 49-2 | Don Giovanni, K 527: Act II: (q) "Mi tradi quell'alma ingrata" ... | — | ||
| 49-3 | Don Giovanni, K 527: Act II: (r) "Ah, ah, ah, ah, questa e buona" ... | — | ||
| 49-4 | Don Giovanni, K 527: Act II: (s) "O statue gentilissima" ... | — | ||
| 49-5 | Don Giovanni, K 527: Act II: (t) "Calmatevi, idol mio" ... | — | ||
| 49-6 | Don Giovanni, K 527: Act II: (u) "Crudele! Ah no, mio bene!" ... | — | ||
| 49-7 | Don Giovanni, K 527: Act II: (v) "Non mi dir, bell'idol mio" ... | — | ||
| 49-8 | Don Giovanni, K 527: Act II: (w) "Ah, si segua il suo passo" ... | — | ||
| 49-9 | Don Giovanni, K 527: Act II: (x) "Gia la mensa e preparata" ... | — | ||
| 49-10 | Don Giovanni, K 527: Act II: (y) "L'ultima prova dell'amor mio" ... | — | ||
| 49-11 | Don Giovanni, K 527: Act II: (z) "Don Giovanni, a cenar teco" ... | — | ||
| 49-12 | Don Giovanni, K 527: Act II: (aa) "Ah! dov'e il perfido" ... | — | ||
| 50-1 | Così fan tutte: Overture | Wiener Philharmoniker, James Levine | T-902.763.968-5 | |
| 50-2 | Così fan tutte: Atto I. “La mia Dorabella capace non è” | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Wiener Philharmoniker, James Levine | — | |
| 50-3 | Così fan tutte: Atto I. “È la fede delle femmine” | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Wiener Philharmoniker, James Levine | — | |
| 50-4 | Così fan tutte: Atto I. “E de’ cento zecchini, che faremo?” | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Wiener Philharmoniker, James Levine | — | |
| 50-5 | Così fan tutte: Atto I. “Ah, guarda, sorella” | Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 50-6 | Così fan tutte: Atto I. “Barbaro fato! Vorrei dir, e cor non ho” | Ferruccio Furlanetto, Wiener Philharmoniker, James Levine | — | |
| 50-7 | Così fan tutte: Atto I. “Sento, oh Dio, che questo piede” | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 50-8 | Così fan tutte: Atto I. “Al fato dan legge” | Hans Peter Blochwitz, Thomas Hampson, Wiener Philharmoniker, James Levine | — | |
| 50-9 | Così fan tutte: Atto I. “Bella vita militar!” | Karl Kamper, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, James Levine | — | |
| 50-10 | Così fan tutte: Atto I. “Muoio d’affanno” … “Di scrivermi ogni giorno” | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 50-11 | Così fan tutte: Atto I. “Soave sia il vento” | Ferruccio Furlanetto, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | T-902.525.648-8 | |
| 50-12 | Così fan tutte: Atto I. “Non son cattivo comico!” | Ferruccio Furlanetto, Wiener Philharmoniker, James Levine | — | |
| 50-13 | Così fan tutte: Atto I. “Che vita maledetta” | Marie McLaughlin, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 50-14 | Così fan tutte: Atto I. “Ah, scostati!” | Ann Murray, Wiener Philharmoniker, James Levine | — | |
| 50-15 | Così fan tutte: Atto I. “Smanie implacabili che m’agitate” | Ann Murray, Wiener Philharmoniker, James Levine | — | |
| 50-16 | Così fan tutte: Atto I. “In uomini, in soldati” | Ferruccio Furlanetto, Marie McLaughlin, Wiener Philharmoniker, James Levine | — | |
| 50-17 | Così fan tutte: Atto I. “Alla bella Despinetta” | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Marie McLaughlin, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 50-18 | Così fan tutte: Atto I. “Che sussurro! Che strepito!” | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 50-19 | Così fan tutte: Atto I. “Come scoglio immoto resta” | Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 50-20 | Così fan tutte: Atto I. “Rivolgete a lui lo sguardo” | Thomas Hampson, Wiener Philharmoniker, James Levine | — | |
| 50-21 | Così fan tutte: Atto I. “E voi ridete?” | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Wiener Philharmoniker, James Levine | — | |
| 50-22 | Così fan tutte: Atto I. “Un’ aura amorosa del nostro tesoro” | Hans Peter Blochwitz, Wiener Philharmoniker, James Levine | — | |
| 51-1 | Così fan tutte: Atto I. “Oh la saria da ridere” (Don Alfonso, Despina) | Ferruccio Furlanetto, Marie McLaughlin, Wiener Philharmoniker, James Levine | — | |
| 51-2 | Così fan tutte: Atto I. No. 18 Finale “Ah, che tutta in un momento” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) | Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 51-3 | Così fan tutte: Atto I. No. 18 Finale “Si mora sì, si mora” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Marie McLaughlin, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 51-4 | Così fan tutte: Atto I. No. 18 Finale. “Eccovi il medico” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Marie McLaughlin, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 51-5 | Così fan tutte: Atto II. Recitativo “Andate là, che siete” (Despina, Firodiligi, Dorabella) | Marie McLaughlin, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 51-6 | Così fan tutte: Atto II. No. 19 Aria “Una donna a quindici anni” (Despina) | Marie McLaughlin, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 51-7 | Così fan tutte: Atto II. No. 20 Duetto “Prenderò quel brunettino” (Fiordiligi, Dorabella) | Ferruccio Furlanetto, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 51-8 | Così fan tutte: Atto II. No. 21 Duetto con coro “Secondate, aurette amiche” (Ferrando, Guglielmo, Chor) | Karl Kamper, Hans Peter Blochwitz, Konzertvereinigung Wiener Staatsopernchor, Ferruccio Furlanetto, Thomas Hampson, Marie McLaughlin, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 51-9 | Così fan tutte: Atto II. No. 22 “La mano a me date” (Don Alfonso, Ferrando, Guglielmo, Despina) | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Marie McLaughlin, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 51-10 | Così fan tutte: Atto II. No. 23 Duetto “Il core vi dono, bell’idolo mio” (Dorabella, Guglielmo) | Thomas Hampson, Ann Murray, Wiener Philharmoniker, James Levine | — | |
| 51-11 | Così fan tutte: Atto II. Recitativo “Barbara! Perché fuggi?” (Ferrando, Fiordiligi) | Hans Peter Blochwitz, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 51-12 | Così fan tutte: Atto II. No. 24 “Ah lo veggio, quell’anima bella” (Ferrando) | Hans Peter Blochwitz, Wiener Philharmoniker, James Levine | — | |
| 52-1 | Così fan tutte: Atto II. Recitativo. Allegretto “Ei parte… senti…! Ah no… partir si lasci” (Fiordiligi) | Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 52-2 | Così fan tutte: Atto II. No. 25 Rondò “Per pietà, ben mio, perdona” (Fiordiligi) | Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 52-3 | Così fan tutte: Atto II. Recitativo “Amico, abbiamo vinto!” (Ferrando, Guglielmo) | Hans Peter Blochwitz, Thomas Hampson, Wiener Philharmoniker, James Levine | — | |
| 52-4 | Così fan tutte: Atto II. No. 26 Aria. Allegretto “Donne mie, la fate a tanti” (Guglielmo) | Thomas Hampson, Wiener Philharmoniker, James Levine | — | |
| 52-5 | Così fan tutte: Atto II. Recitativo. Allegro – andante “In qual fiero contrasto, in qual disordine” (Ferrando) | Hans Peter Blochwitz, Wiener Philharmoniker, James Levine | — | |
| 52-6 | Così fan tutte: Atto II. No. 27 Cavatina “Tradito, schernito” (Ferrando) | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Wiener Philharmoniker, James Levine | — | |
| 52-7 | Così fan tutte: Atto II. Recitativo “Ora vedo che siete” (Despina, Dorabella, Fiordiligi) | Marie McLaughlin, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 52-8 | Così fan tutte: Atto II. No. 28 Aria. Allegretto vivace “È amore un ladroncello” (Dorabella) | Ann Murray, Wiener Philharmoniker, James Levine | — | |
| 52-9 | Così fan tutte: Atto II. Recitativo “Come tutto congiura” (Fiordiligi, Guglielmo, Despina, Don Alfonso) | Ferruccio Furlanetto, Thomas Hampson, Marie McLaughlin, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 52-10 | Così fan tutte: Atto II. No. 29 Duetto “Fra gli amplessi in pochi istanti” (Fiordiligi, Ferrando) | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 52-11 | Così fan tutte: Atto II. No. 30 Aria “Tutti accusan le donne” (Don Alfonso, Ferrando, Guglielmo) | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Marie McLaughlin, Wiener Philharmoniker, James Levine | — | |
| 52-12 | Così fan tutte: Atto II. No. 31 Finale “Fate presto, oh cari amici” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor) | Konzertvereinigung Wiener Staatsopernchor, Ferruccio Furlanetto, Marie McLaughlin, Wiener Philharmoniker, James Levine | — | |
| 52-13 | Così fan tutte: Atto II. No. 31 Finale “Benedetti i doppi coniugi” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor) | Hans Peter Blochwitz, Konzertvereinigung Wiener Staatsopernchor, Thomas Hampson, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 52-14 | Così fan tutte: Atto II. No. 31 Finale “Miei signori, tutto è fatto” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor) | Hans Peter Blochwitz, Konzertvereinigung Wiener Staatsopernchor, Ferruccio Furlanetto, Thomas Hampson, Marie McLaughlin, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 52-15 | Così fan tutte: Atto II. No. 31 Finale “Sani e salvi agli amplessi” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor) | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Marie McLaughlin, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 53-1 | Die Zauberflöte, K. 620: Ouverture | Berliner Philharmoniker, Karl Böhm | T-903.529.769-9 | |
| 53-2 | Die Zauberflöte: Act I. Nr. 1 Introduktion: »Zu Hilfe! Zu Hilfe!« (Tamino, Die drei Damen) | Cvetka Ahlin, Hildegard Hillebrecht, Sieglinde Wagner, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | — | |
| 53-3 | Die Zauberflöte: Act I. »Wo bin ich?« (Tamino) | Fritz Wunderlich | — | |
| 53-4 | Die Zauberflöte: Act I. Nr. 2 Arie: »Der Vogelfänger bin ich ja« (Papageno) | Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm | — | |
| 53-5 | Die Zauberflöte: Act I. »He da! ... Was da?« (Tamino, Papageno, Die drei Damen) | Cvetka Ahlin, Dietrich Fischer-Dieskau, Hildegard Hillebrecht, Sieglinde Wagner, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | — | |
| 53-6 | Die Zauberflöte: „Dies Bildnis ist bezaubernd schön“ (Tamino) | Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | T-306.483.079-7 | |
| 53-7 | Die Zauberflöte: Act I. »Rüste dich mit Mut und Standhaftigkeit« (Die drei Damen, Tamino) | Cvetka Ahlin, Hildegard Hillebrecht, Sieglinde Wagner, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | — | |
| 53-8 | Die Zauberflöte: Act I. Nr. 4 Rezitativ und Arie: »O zittre nicht, mein lieber Sohn!« (Königin der Nacht) | Roberta Peters, Berliner Philharmoniker, Karl Böhm | — | |
| 53-9 | Die Zauberflöte: Act I. »Ist es denn Wirklichkeit, was ich sah?« (Tamino) | Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | — | |
| 53-10 | Die Zauberflöte: Act I. Nr. 5 Quintett: »Hm, hm, hm« (Papageno, Tamino, Die drei Damen) | Cvetka Ahlin, Dietrich Fischer-Dieskau, Hildegard Hillebrecht, Sieglinde Wagner, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | — | |
| 53-11 | Die Zauberflöte: Act I. Nr. 6 Terzett: »Du feines Täubchen, nur herein!« (Monostatos, Pamina, Papageno) | Dietrich Fischer-Dieskau, Evelyn Lear, Friedrich Lenz, Berliner Philharmoniker, Karl Böhm | — | |
| 53-12 | Die Zauberflöte: Act I. »Bin ich nicht ein Narr« (Papageno, Pamina) | Dietrich Fischer-Dieskau, Evelyn Lear, Berliner Philharmoniker, Karl Böhm | — | |
| 53-13 | Die Zauberflöte: Act I. Nr. 7 Duett: »Bei Männern, welche Liebe fühlen« (Pamina, Papageno) | Dietrich Fischer-Dieskau, Evelyn Lear, Berliner Philharmoniker, Karl Böhm | T-900.134.395-9 | |
| 53-14 | Die Zauberflöte: Act I. Nr. 8 Finale: »Zum Ziele führt dich diese Bahn« (Die drei Knaben, Tamino, Priester, Sprecher, Chor) | Günther Arndt, Antonia Fahberg, Hubert Hilten, Hans Hotter, Raili Kostia, RIAS Kammerchor, Manfred Röhrl, Rosl Schwaiger, Martin Vantin, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | — | |
| 53-15 | Die Zauberflöte: Act I. Nr. 8 Finale: »Wie stark ist nicht dein Zauberton« (Tamino, Papageno) | Dietrich Fischer-Dieskau, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | — | |
| 53-16 | Die Zauberflöte: Act I. Nr. 8 Finale: »Schnelle Füße, rascher Mut« (Pamina, Papageno, Monostatos, Chor) | Günther Arndt, Dietrich Fischer-Dieskau, Evelyn Lear, Friedrich Lenz, RIAS Kammerchor, Berliner Philharmoniker, Karl Böhm | T-902.278.461-8 | |
| 53-17 | Die Zauberflöte: Act I. Nr. 8 Finale: »Es lebe Sarastro! Sarastro lebe!« (Chor, Papageno, Pamina, Sarastro, Monostatos, Tamino) | Günther Arndt, Franz Crass, Dietrich Fischer-Dieskau, Evelyn Lear, Friedrich Lenz, RIAS Kammerchor, Berliner Philharmoniker, Karl Böhm | — | |
| 54-1 | Die Zauberflöte: Act II. Nr. 9 Marsch der Priester | Berliner Philharmoniker, Karl Böhm | T-921.158.813-5 | |
| 54-2 | Die Zauberflöte: Act II. »Ihr eingeweihten Diener der Götter Osiris und Isis!« (Sarastro, Erster Priester, Zweiter Priester, Dritter Priester) | Franz Crass, Hubert Hilten, Manfred Röhrl, Martin Vantin | — | |
| 54-3 | Die Zauberflöte: Act II. Nr. 10 Arie mit Chor: »O Isis und Osiris« (Sarastro, Chor) | Günther Arndt, Franz Crass, RIAS Kammerchor, Berliner Philharmoniker, Karl Böhm | T-001.321.541-2 | |
| 54-4 | Die Zauberflöte: Act II. »Eine schreckliche Nacht!« (Tamino, Papageno, Erster Priester, Zweiter Priester) | Dietrich Fischer-Dieskau, Hubert Hilten, Martin Vantin, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | T-913.908.462-1 | |
| 54-5 | Die Zauberflöte: Act II. Nr. 11 Duett: »Bewahret euch vor Weibertücken« (Zweiter Priester, Dritter Priester) | Manfred Röhrl, Martin Vantin, Berliner Philharmoniker, Karl Böhm | — | |
| 54-6 | Die Zauberflöte: Act II. »He, Lichter her!« (Papageno, Tamino) | Dietrich Fischer-Dieskau, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | — | |
| 54-7 | Die Zauberflöte: Act II. Nr. 12 Quintett: »Wie? Wie? Wie? Ihr an diesem Schreckensort?« (Die drei Damen, Papageno, Tamino, Priester) | Cvetka Ahlin, Dietrich Fischer-Dieskau, Hildegard Hillebrecht, Sieglinde Wagner, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | — | |
| 54-8 | Die Zauberflöte: Act II. »Tamino! Dein standhaft männliches Betragen hat gesiegt« (Erster Priester, Zweiter Priester, Papageno) | Dietrich Fischer-Dieskau, Hubert Hilten, Martin Vantin, Berliner Philharmoniker, Karl Böhm | — | |
| 54-9 | Die Zauberflöte: Act II. Nr. 13 Arie: »Alles fühlt der Liebe Freuden« (Monostatos) | Friedrich Lenz, Berliner Philharmoniker, Karl Böhm | T-900.222.345-2 | |
| 54-10 | Die Zauberflöte: Act II. »Mutter!« (Pamina, Monostatos, Königin der Nacht) | Evelyn Lear, Friedrich Lenz, Roberta Peters, Berliner Philharmoniker, Karl Böhm | T-800.574.957-6 | |
| 54-11 | Die Zauberflöte: Act II. Nr. 14 Arie: »Der Hölle Rache kocht in meinem Herzen« (Die Königin der Nacht) | Roberta Peters, Berliner Philharmoniker, Karl Böhm | T-918.245.117-8 | |
| 54-12 | Die Zauberflöte: Act II. »Morden soll ich?« (Pamina, Monostatos, Sarastro) | Franz Crass, Evelyn Lear, Friedrich Lenz, Berliner Philharmoniker, Karl Böhm | — | |
| 54-13 | Die Zauberflöte: Act II. Nr. 15 Arie: »In diesen heil'gen Hallen kennt« (Sarastro) | Franz Crass, Berliner Philharmoniker, Karl Böhm | — | |
| 54-14 | Die Zauberflöte: Act II. »Hier seid ihr euch beide allein überlassen« (Erster Priester, Papageno, Tamino, Weib) | Dietrich Fischer-Dieskau, Hubert Hilten, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | — | |
| 54-15 | Die Zauberflöte: Act II. Nr. 16 Terzett: »Seid uns zum zweitenmal willkommen« (Die drei Knaben) | Cvetka Ahlin, Hildegard Hillebrecht, Sieglinde Wagner, Berliner Philharmoniker, Karl Böhm | T-909.688.137-7 | |
| 54-16 | Die Zauberflöte: Act II. »Tamino, wollen wir nicht speisen?« (Papageno, Tamino, Pamina) | Dietrich Fischer-Dieskau, Evelyn Lear, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | — | |
| 54-17 | Die Zauberflöte: Act II. Nr. 17 Arie: »Ach, ich fühl's, es ist verschwunden« (Pamina) | Evelyn Lear, Berliner Philharmoniker, Karl Böhm | — | |
| 54-18 | Die Zauberflöte: Act II. Nr. 18 Chor der Priester: »O Isis und Osiris« (Chor) | RIAS Kammerchor, Berliner Philharmoniker, Karl Böhm | T-001.321.541-2 | |
| 54-19 | Die Zauberflöte, K 620: Act II: (s) "Tamino, deine Haltung war bisher sehr männlich" ... | — | ||
| 54-20 | Die Zauberflöte: Act II. Nr. 19 Terzett: »Soll ich dich, Teurer, nicht mehr sehn?« (Pamina, Sarastro, Tamino) | Franz Crass, Evelyn Lear, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | T-931.460.428-9 | |
| 54-21 | Die Zauberflöte: Act II. »Tamino! Tamino!« (Papageno, Stimmen, Erster Priester) | Dietrich Fischer-Dieskau, Hubert Hilten, Berliner Philharmoniker, Karl Böhm | T-903.529.769-9 | |
| 54-22 | Die Zauberflöte: Act II. Nr. 20 Arie: »Ein Mädchen oder Weibchen wünscht Papageno sich« (Papageno) | Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm | — | |
| 54-23 | Die Zauberflöte: Act II. »Da bin ich schon, mein Engel« (Weib, Papageno, Erster Priester) | Dietrich Fischer-Dieskau, Hubert Hilten, Berliner Philharmoniker, Karl Böhm | — | |
| 54-24 | Die Zauberflöte: Act II. Nr. 21 Finale: »Bald prangt, den Morgen zu verkünden« (Die drei Knaben, Pamina) | Cvetka Ahlin, Hildegard Hillebrecht, Evelyn Lear, Sieglinde Wagner, Berliner Philharmoniker, Karl Böhm | — | |
| 54-25 | Die Zauberflöte: Act II. Nr. 21 Finale: »Der, welcher wandert diese Straße voll Beschwerden« (Die Geharnischten, Tamino, Pamina) | James King, Evelyn Lear, Martti Talvela, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | — | |
| 54-26 | Die Zauberflöte: Act II. Nr. 21 Finale: »Tamino mein! O welch ein Glück!« (Pamina, Tamino, Die Geharnischten, Chor) | Günther Arndt, Evelyn Lear, Fritz Wunderlich, RIAS Kammerchor, Berliner Philharmoniker, Karl Böhm | — | |
| 54-27 | Die Zauberflöte: Act II. Nr. 21 Finale: »Papagena, Papagena, Papagena! Weibchen, Täubchen« (Papageno, Die drei Knaben, Papagena) | Antonia Fahberg, Dietrich Fischer-Dieskau, Raili Kostia, Lisa Otto, Rosl Schwaiger, Berliner Philharmoniker, Karl Böhm | T-903.529.769-9 | |
| 54-28 | Die Zauberflöte: Act II. Nr. 21 Finale: »Nur stille, stille, stille, stille!« (Monostatos, Königin der Nacht, Die drei Damen) | Cvetka Ahlin, Hildegard Hillebrecht, Friedrich Lenz, Roberta Peters, Sieglinde Wagner, Berliner Philharmoniker, Karl Böhm | T-700.094.769-5 | |
| 54-29 | Die Zauberflöte: Act II. Nr. 21 Finale: »Die Strahlen der Sonne vertreiben die Nacht« (Sarastro, Chor) | Günther Arndt, Franz Crass, RIAS Kammerchor, Berliner Philharmoniker, Karl Böhm | — | |
| 55-1 | Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": III. Adagio cantabile | Orpheus Chamber Orchestra | — | |
| 55-2 | Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": III. Adagio cantabile | Orpheus Chamber Orchestra | — | |
| 55-3 | Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": III. Adagio cantabile | Orpheus Chamber Orchestra | — | |
| 55-4 | Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": III. Adagio cantabile | Orpheus Chamber Orchestra | — | |
| 55-5 | Der Sieg vom Helden Koburg, K 587 | Orpheus Chamber Orchestra | — | |
| 55-6 | Das Donnerwetter, K. 534 | Orpheus Chamber Orchestra | T-900.011.733-9 | |
| 55-7 | La Bataille, K 535 | Orpheus Chamber Orchestra | — | |
| 55-8 | 6 German Dances, K 567: no. 1 in B-flat major | Orpheus Chamber Orchestra | — | |
| 55-9 | 6 German Dances, K 567: no. 2 in E-flat major | Orpheus Chamber Orchestra | — | |
| 55-10 | 6 German Dances, K 567: no. 3 in G major | Orpheus Chamber Orchestra | — | |
| 55-11 | 6 German Dances, K 567: no. 4 in D major | Orpheus Chamber Orchestra | — | |
| 55-12 | 6 German Dances, K 567: no. 5 in A major | Orpheus Chamber Orchestra | — | |
| 55-13 | 6 German Dances, K 567: no. 6 in C major | Orpheus Chamber Orchestra | — | |
| 55-14 | Gallimathias musicum, K. 32 | Orpheus Chamber Orchestra | — | |
| 55-15 | March in D major, K 335/1 | Orpheus Chamber Orchestra | T-011.720.941-2 | |
| 55-16 | Les Filles malicieuses, K 610 | Orpheus Chamber Orchestra | — | |
| 55-17 | Il trionfo delle donne, K 607 | Orpheus Chamber Orchestra | — | |
| 55-18 | 'Die Leyerer', K.611 | Orpheus Chamber Orchestra | — | |
| 55-19 | 3 German Dances, K 605: no. 1 in D major | Orpheus Chamber Orchestra | T-010.437.719-6 | |
| 55-20 | 3 German Dances, K 605: no. 2 in G major | Orpheus Chamber Orchestra | — | |
| 55-21 | 3 German Dances, K 605: no. 3 in C major "The Sleighride" | Orpheus Chamber Orchestra | — |
Identifier Graph
028947900597 is a Universal Product Code (UPC) assigned to Mozart 111 by Wolfgang Amadeus Mozart. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 689 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Konzert für Klavier und Orchester Nr. 17 G-Dur KV 453: 1. Allegro | Géza Anda, Camerata Academica des Salzburger Mozarteums | T-070.161.055-0 |
| Konzert für Klavier und Orchester Nr. 17 G-Dur KV 453: 2. Andante | Géza Anda, Camerata Academica des Salzburger Mozarteums | — |
| Konzert für Klavier und Orchester Nr. 17 G-Dur KV 453: 3. Allegretto | Géza Anda, Camerata Academica des Salzburger Mozarteums | — |
| Concerto pour piano et orchestre No. 21, KV 467: Andante | Géza Anda, Camerata Academica des Salzburger Mozarteums | T-010.194.871-3 |
| Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 1. Allegro | Géza Anda, Camerata Academica des Salzburger Mozarteums | — |
| Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai | Géza Anda, Camerata Academica des Salzburger Mozarteums | T-306.395.786-4 |
| Concerto for 2 Pianos and Orchestra in E-flat major, K 365: I. Allegro | Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm | — |
| Concerto for 2 Pianos and Orchestra in E-flat major, K 365: II. Andante | Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm | — |
| Concerto for 2 Pianos and Orchestra in E-flat major, K 365: III. Rondeau. Allegro | Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm | — |
| Piano Concerto no. 27 in B-flat major, K 595: I. Allegro | Emil Gilels, Wiener Philharmoniker, Karl Böhm | — |
| Piano Concerto no. 27 in B-flat major, K 595: II. Larghetto | Emil Gilels, Wiener Philharmoniker, Karl Böhm | T-308.381.369-4 |
| Piano Concerto no. 27 in B-flat major, K 595: III. Allegro | Emil Gilels, Wiener Philharmoniker, Karl Böhm | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “Mozart 111” by Wolfgang Amadeus Mozart is 028947900597. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2012-01-01. Label: Deutsche Grammophon. This release contains 689 tracks, each with its own ISRC. Tracks include DEF059002661, DEF059002662, DEF059002663.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 26 in E-flat major, K 184: I. Molto Presto | The English Concert, Trevor Pinnock | — | |
| 2 | Symphony no. 26 in E-flat major, K 184: II. Andante | The English Concert, Trevor Pinnock | — | |
| 3 | Symphony no. 26 in E-flat major, K 184: III. Allegro | The English Concert, Trevor Pinnock | — | |
| 4 | Symphony no. 25 in G minor, K 183: I. Allegro con brio | The English Concert, Trevor Pinnock | — | |
| 5 | Symphony no. 25 in G minor, K 183: II. Andante | The English Concert, Trevor Pinnock | — | |
| 6 | Symphony no. 25 in G minor, K 183: III. Menuetto | The English Concert, Trevor Pinnock | — | |
| 7 | Symphony no. 25 in G minor, K 183: IV. Allegro | The English Concert, Trevor Pinnock | — | |
| 8 | Symphony no. 29 in A major, K 201: I. Allegro moderato | The English Concert, Trevor Pinnock | — | |
| 9 | Symphony no. 29 in A major, K 201: II. Andante | The English Concert, Trevor Pinnock | — | |
| 10 | Symphony no. 29 in A major, K 201: III. Menuetto | The English Concert, Trevor Pinnock | — | |
| 11 | Symphony no. 29 in A major, K 201: IV. Allegro con spirito | The English Concert, Trevor Pinnock | — | |
| 2-1 | Symphony no. 28 in C major, K 200: I. Allegro spiritoso | Wiener Philharmoniker, James Levine | — | |
| 2-2 | Symphony no. 28 in C major, K 200: II. Andante | Wiener Philharmoniker, James Levine | — | |
| 2-3 | Symphony no. 28 in C major, K 200: III. Menuetto | Wiener Philharmoniker, James Levine | T-902.774.400-9 | |
| 2-4 | Symphony no. 28 in C major, K 200: IV. Presto | Wiener Philharmoniker, James Levine | T-312.542.381-2 | |
| 2-5 | Symphony no. 31 in D major, K 297 "Paris": I. Allegro assai | Wiener Philharmoniker, James Levine | — | |
| 2-6 | Symphony no. 31 in D major, K 297 "Paris": I. Allegro assai | Wiener Philharmoniker, James Levine | — | |
| 2-7 | Symphony no. 31 in D major, K 297 "Paris": I. Allegro assai | Wiener Philharmoniker, James Levine | — | |
| 2-8 | Symphony no. 33 in B-flat major, K 319: I. Allegro assai | Wiener Philharmoniker, James Levine | — | |
| 2-9 | Symphony no. 33 in B-flat major, K 319: II. Andante moderato | Wiener Philharmoniker, James Levine | — | |
| 2-10 | Symphony no. 33 in B-flat major, K 319: III. Menuetto | Wiener Philharmoniker, James Levine | — | |
| 2-11 | Symphony no. 33 in B-flat major, K 319: IV. Finale. Allegro assai | Wiener Philharmoniker, James Levine | T-306.395.786-4 | |
| 2-12 | Symphony no. 34 in C major, K 338: I. Allegro vivace | Wiener Philharmoniker, James Levine | — | |
| 2-13 | Symphony no. 34 in C major, K 338: II. Andante di molto | Wiener Philharmoniker, James Levine | — | |
| 2-14 | Symphony no. 34 in C major, K 338: III. Finale. Allegro vivace | Wiener Philharmoniker, James Levine | — | |
| 3-1 | Symphony no. 32 (Overture) in G major, K 318: Allegro spiritoso - Andante - Primo Tempo | Berliner Philharmoniker, Herbert von Karajan | T-312.542.381-2 | |
| 3-2 | Symphony no. 35 in D major, K. 385 "Haffner": I. Allegro con spirito | Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-3 | Symphony no. 35 in D major, K. 385 "Haffner": II. Andante | Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-4 | Symphony no. 35 in D major, K 385 "Haffner: III. Menuetto | Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-5 | Symphony no. 35 in D major, K. 385 "Haffner": IV. Finale. Presto | Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-6 | Symphony no. 36 in C major, K 425 "Linz": I. Adagio - Allegro spiritoso | Berliner Philharmoniker, Herbert von Karajan | T-010.194.832-6 | |
| 3-7 | Symphony no. 36 in C major, K 425 "Linz": II. Andante | Berliner Philharmoniker, Herbert von Karajan | T-909.331.904-1 | |
| 3-8 | Symphony no. 36 in C major, K 425 "Linz": III. Menuetto | Berliner Philharmoniker, Herbert von Karajan | T-909.331.904-1 | |
| 3-9 | Symphony no. 36 in C major, K 425 "Linz": IV. Presto | Berliner Philharmoniker, Herbert von Karajan | T-312.542.381-2 | |
| 4-1 | Symphony no. 38 in D major, K. 504 "Prague": I. Adagio - Allegro | The English Concert, Trevor Pinnock | T-011.422.353-8 | |
| 4-2 | Symphony no. 38 in D major, K. 504 "Prague": II. Andante | The English Concert, Trevor Pinnock | — | |
| 4-3 | Symphony no. 38 in D major, K. 504 "Prague": III. Presto | The English Concert, Trevor Pinnock | — | |
| 4-4 | Symphony no. 39 in E-flat major, K. 543: I. Adagio - Allegro | The English Concert, Trevor Pinnock | T-011.422.353-8 | |
| 4-5 | Symphony no. 39 in E-flat major, K. 543: II. Andante con moto | The English Concert, Trevor Pinnock | — | |
| 4-6 | Symphony no. 39 in E-flat major, K. 543: III. Menuetto: Allegretto - Trio | The English Concert, Trevor Pinnock | T-928.635.622-7 | |
| 4-7 | Symphony no. 39 in E-flat major, K. 543: IV. Finale: Allegro | The English Concert, Trevor Pinnock | T-318.676.528-2 | |
| 5-1 | Symphony no. 40 in G minor, K. 550 "Great": I. Molto allegro | Les Musiciens du Louvre, Marc Minkowski | T-003.035.132-6 | |
| 5-2 | Symphony no. 40 in G minor, K. 550 "Great": II. Andante | Les Musiciens du Louvre, Marc Minkowski | — | |
| 5-3 | Symphony no. 40 in G minor, K. 550 "Great": III. Menuetto. Allegretto - Trio | Les Musiciens du Louvre, Marc Minkowski | — | |
| 5-4 | Symphony no. 40 in G minor, K. 550 "Great": IV. Allegro assai | Les Musiciens du Louvre, Marc Minkowski | T-306.395.786-4 | |
| 5-5 | Ballet Music from Idomeneo | Les Musiciens du Louvre, Marc Minkowski | — | |
| 5-6 | Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace | Les Musiciens du Louvre, Marc Minkowski | T-312.542.381-2 | |
| 5-7 | Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile | Les Musiciens du Louvre, Marc Minkowski | T-312.542.381-2 | |
| 5-8 | Symphony no. 41 in C major, K. 551 "Jupiter": III. Menuetto. Allegretto | Les Musiciens du Louvre, Marc Minkowski | T-902.774.400-9 | |
| 5-9 | Symphony no. 41 in C major, K. 551 "Jupiter": IV. Molto allegro | Les Musiciens du Louvre, Marc Minkowski | T-003.035.132-6 | |
| 6-1 | Konzert für Klavier und Orchester Nr. 17 G-Dur KV 453: 3. Allegretto | Géza Anda, Camerata Academica des Salzburger Mozarteums | — | |
| 6-2 | Konzert für Klavier und Orchester Nr. 17 G-Dur KV 453: 3. Allegretto | Géza Anda, Camerata Academica des Salzburger Mozarteums | — | |
| 6-3 | Konzert für Klavier und Orchester Nr. 17 G-Dur KV 453: 3. Allegretto | Géza Anda, Camerata Academica des Salzburger Mozarteums | — | |
| 6-4 | Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai | Géza Anda, Camerata Academica des Salzburger Mozarteums | — | |
| 6-5 | Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai | Géza Anda, Camerata Academica des Salzburger Mozarteums | — | |
| 6-6 | Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai | Géza Anda, Camerata Academica des Salzburger Mozarteums | — | |
| 6-7 | Piano Concert no. 6 in B-flat major, K 238: I. Allegro | Géza Anda, Camerata Salzburg | — | |
| 6-8 | Piano Concert no. 6 in B-flat major, K 238: II. (Andante un poco adagio) | Géza Anda, Camerata Salzburg | — | |
| 6-9 | Piano Concert no. 6 in B-flat major, K 238: III. Rondeau. Allegro | Géza Anda, Camerata Salzburg | — | |
| 7-1 | Piano Concerto no. 27 in B-flat major, K 595: II. Larghetto | Emil Gilels, Wiener Philharmoniker, Karl Böhm | — | |
| 7-2 | Piano Concerto no. 27 in B-flat major, K 595: II. Larghetto | Emil Gilels, Wiener Philharmoniker, Karl Böhm | — | |
| 7-3 | Piano Concerto no. 27 in B-flat major, K 595: II. Larghetto | Emil Gilels, Wiener Philharmoniker, Karl Böhm | — | |
| 7-4 | Concerto for 2 Pianos and Orchestra in E-flat major, K 365: I. Allegro | Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm | — | |
| 7-5 | Concerto for 2 Pianos and Orchestra in E-flat major, K 365: I. Allegro | Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm | — | |
| 7-6 | Concerto for 2 Pianos and Orchestra in E-flat major, K 365: I. Allegro | Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm | — | |
| 8-1 | Piano Concerto no. 23 in A major, K 488: I. Allegro | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-915.711.586-1 | |
| 8-2 | Piano Concerto no. 23 in A major, K 488: II. Adagio | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-915.711.586-1 | |
| 8-3 | Piano Concerto no. 23 in A major, K 488: III. Allegro assai | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | T-915.711.586-1 | |
| 8-4 | Piano Concerto no. 19 in F major, K 459: I. Allegro vivace | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 8-5 | Piano Concerto no. 19 in F major, K 459: II. Allegretto | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 8-6 | Piano Concerto no. 19 in F major, K 459: III. Allegro assai | Maurizio Pollini, Wiener Philharmoniker, Karl Böhm | — | |
| 9-1 | Concerto for Piano and Orchestra no. 20 in D minor, K. 466: I. Allegro | Malcolm Bilson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-2 | Concerto for Piano and Orchestra no. 20 in D minor, K. 466: II. Romance | English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson | — | |
| 9-3 | Concerto for Piano and Orchestra no. 20 in D minor, K. 466: III. Rondo. Allegro assai | English Baroque Soloists, Sir John Eliot Gardiner, Malcolm Bilson | — | |
| 9-4 | Concerto for Piano and Orchestra no. 24 in C minor, K. 491: I. Allegro | Malcolm Bilson, English Baroque Soloists, Sir John Eliot Gardiner | T-011.422.353-8 | |
| 9-5 | Concerto for Piano and Orchestra no. 24 in C minor, K. 491: II. Larghetto | Malcolm Bilson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 9-6 | Concerto for Piano and Orchestra no. 24 in C minor, K. 491: III. Allegretto | Malcolm Bilson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 10-1 | Concerto no. 14 in E-flat major for Piano, K. 449: I. Allegro vivace | Maria João Pires, Wiener Philharmoniker, Claudio Abbado | — | |
| 10-2 | Concerto no. 14 in E-flat major for Piano, K. 449: II. Andantino | Maria João Pires, Wiener Philharmoniker, Claudio Abbado | — | |
| 10-3 | Concerto no. 14 in E-flat major for Piano, K. 449: III. Allegro ma non troppo | Maria João Pires, Wiener Philharmoniker, Claudio Abbado | — | |
| 10-4 | Concerto for Piano No. 26 in D major, K. 537: I. Allegro | Maria João Pires, Wiener Philharmoniker, Claudio Abbado | T-070.160.313-5 | |
| 10-5 | Piano Concerto no. 26 in D major, K 537 "Coronation": II. Larghetto | Maria João Pires, Wiener Philharmoniker, Claudio Abbado | T-926.819.124-8 | |
| 10-6 | Concerto for Piano No. 26 in D major, K. 537: III. Allegretto | Maria João Pires, Wiener Philharmoniker, Claudio Abbado | — | |
| 11-1 | Concerto no. 3 in G major for Violin, K. 216 "Strassburg": III. Rondeau. Allegro - andante - allegretto | Itzhak Perlman, Wiener Philharmoniker, James Levine | — | |
| 11-2 | Concerto no. 3 in G major for Violin, K. 216 "Strassburg": III. Rondeau. Allegro - andante - allegretto | Itzhak Perlman, Wiener Philharmoniker, James Levine | — | |
| 11-3 | Concerto no. 3 in G major for Violin, K. 216 "Strassburg": III. Rondeau. Allegro - andante - allegretto | Itzhak Perlman, Wiener Philharmoniker, James Levine | — | |
| 11-4 | Concerto no. 4 in D major for Violin, K. 218: I. Allegro | Itzhak Perlman, Wiener Philharmoniker, James Levine | — | |
| 11-5 | Concerto no. 4 in D major for Violin, K. 218: I. Allegro | Itzhak Perlman, Wiener Philharmoniker, James Levine | — | |
| 11-6 | Concerto no. 4 in D major for Violin, K. 218: I. Allegro | Itzhak Perlman, Wiener Philharmoniker, James Levine | — | |
| 11-7 | Concerto no. 5 in A major for Violin, K. 219 "Turkish": I. Allegro aperto | Itzhak Perlman, Wiener Philharmoniker, James Levine | — | |
| 11-8 | Concerto no. 5 in A major for Violin, K. 219 "Turkish": I. Allegro aperto | Itzhak Perlman, Wiener Philharmoniker, James Levine | — | |
| 11-9 | Concerto no. 5 in A major for Violin, K. 219 "Turkish": I. Allegro aperto | Itzhak Perlman, Wiener Philharmoniker, James Levine | — | |
| 12-1 | Sinfonia Concertante for Violin, Viola and Orchestra in E-flat major, K. 364: I. Allegro maestoso | Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 12-2 | Sinfonia Concertante for Violin, Viola and Orchestra in E-flat major, K. 364: II. Andante | Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta | T-010.194.421-1 | |
| 12-3 | Sinfonia Concertante for Violin, Viola and Orchestra in E-flat major, K. 364: III. Presto | Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta | T-312.438.541-3 | |
| 12-4 | Concerto for 2 Violins and Orchestra in C major, K 190: I. Allegro spiritoso | Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta | T-041.489.061-1 | |
| 12-5 | Concerto for 2 Violins and Orchestra in C major, K 190: II. Andante grazioso | Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 12-6 | Concerto for 2 Violins and Orchestra in C major, K 190: III. Tempo di Menuetto. Vivace | Itzhak Perlman, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta | — | |
| 13-1 | Concerto for Clarinet in A major, K. 622: I. Allegro | Charles Neidich, Orpheus Chamber Orchestra | — | |
| 13-2 | Concerto for Clarinet in A major, K. 622: II. Adagio | Charles Neidich, Orpheus Chamber Orchestra | — | |
| 13-3 | Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro | Charles Neidich, Orpheus Chamber Orchestra | — | |
| 13-4 | Konzert für Horn und Orchester no. 1 D-Dur, K. 386b/514: I. Allegro | David Jolley, Orpheus Chamber Orchestra | T-329.458.935-4 | |
| 13-5 | Konzert für Horn und Orchester no. 1 D-Dur, K. 386b/514: II. Rondo. Allegro | David Jolley, Orpheus Chamber Orchestra | T-329.458.935-4 | |
| 13-6 | Konzert für Horn und Orchester no. 4 Es-Dur, K. 495: I. Allegro maestoso | David Jolley, Orpheus Chamber Orchestra | T-900.137.696-1 | |
| 13-7 | Konzert für Horn und Orchester no. 4 Es-Dur, K. 495: II. Romanze. Andante cantabile | David Jolley, Orpheus Chamber Orchestra | T-900.137.696-1 | |
| 13-8 | Horn Concerto No. 4 in E flat, K. 495: III. Rondo (Allegro vivace) | David Jolley, Orpheus Chamber Orchestra | — | |
| 14-1 | Horn Concerto no. 3 in E-flat major, K 447: I. Allegro | William Purvis, Orpheus Chamber Orchestra | — | |
| 14-2 | Horn Concerto no. 3 in E-flat major, K 447: I. Allegro | William Purvis, Orpheus Chamber Orchestra | — | |
| 14-3 | Horn Concerto no. 3 in E-flat major, K 447: I. Allegro | William Purvis, Orpheus Chamber Orchestra | — | |
| 14-4 | Horn Concerto no. 2 in E-flat major, K 417: I. Allegro | William Purvis, Orpheus Chamber Orchestra | — | |
| 14-5 | Horn Concerto no. 2 in E-flat major, K 417: I. Allegro | William Purvis, Orpheus Chamber Orchestra | — | |
| 14-6 | Horn Concerto no. 2 in E-flat major, K 417: I. Allegro | William Purvis, Orpheus Chamber Orchestra | — | |
| 14-7 | Oboe Concerto in C major, K 314: III. Rondo. Allegretto | Randall Wolfgang, Orpheus Chamber Orchestra | — | |
| 14-8 | Oboe Concerto in C major, K 314: III. Rondo. Allegretto | Randall Wolfgang, Orpheus Chamber Orchestra | — | |
| 14-9 | Oboe Concerto in C major, K 314: III. Rondo. Allegretto | Randall Wolfgang, Orpheus Chamber Orchestra | — | |
| 14-10 | Bassoon Concerto in B-flat major, K 191: III. Rondo. Tempo di Menuetto | Frank Morelli, Orpheus Chamber Orchestra | — | |
| 14-11 | Bassoon Concerto in B-flat major, K 191: III. Rondo. Tempo di Menuetto | Frank Morelli, Orpheus Chamber Orchestra | — | |
| 14-12 | Bassoon Concerto in B-flat major, K 191: III. Rondo. Tempo di Menuetto | Frank Morelli, Orpheus Chamber Orchestra | — | |
| 15-1 | Flute Concerto no. 1 in G major, K 313: I. Allegro maestoso | Susan Palma-Nidel, Orpheus Chamber Orchestra | — | |
| 15-2 | Flute Concerto no. 1 in G major, K 313: II. Adagio ma non troppo | Susan Palma-Nidel, Orpheus Chamber Orchestra | — | |
| 15-3 | Flute Concerto no. 1 in G major, K 313: III. Rondeau. Tempo di Menuetto | Susan Palma-Nidel, Orpheus Chamber Orchestra | — | |
| 15-4 | Andante for Flute and Orchestra in C major, K 315 | Susan Palma-Nidel, Orpheus Chamber Orchestra | — | |
| 15-5 | Flute and Harp Concerto in C major, K 299: I. Allegro | Nancy Allen, Susan Palma-Nidel, Orpheus Chamber Orchestra | T-011.422.353-8 | |
| 15-6 | Flute and Harp Concerto in C major, K 299: II. Andantino | Nancy Allen, Susan Palma-Nidel, Orpheus Chamber Orchestra | T-911.534.020-0 | |
| 15-7 | Flute and Harp Concerto in C major, K 299: III. Rondeau. Allegro | Nancy Allen, Susan Palma-Nidel, Orpheus Chamber Orchestra | — | |
| 16-1 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 16-2 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 16-3 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 16-4 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 16-5 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 16-6 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 16-7 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 16-8 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 16-9 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 16-10 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 16-11 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 16-12 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 16-13 | Serenade in B-flat major, K 361 "Gran Partita": VI. (a) Tema con Variazioni. Andante | Orpheus Chamber Orchestra | — | |
| 17-1 | Serenade no. 11 for Winds in E-flat major, K 375: I. Allegro maestoso | Members of the Orpheus Chamber Orchestra | — | |
| 17-2 | Serenade no. 11 for Winds in E-flat major, K 375: I. Allegro maestoso | Members of the Orpheus Chamber Orchestra | — | |
| 17-3 | Serenade no. 11 for Winds in E-flat major, K 375: I. Allegro maestoso | Members of the Orpheus Chamber Orchestra | — | |
| 17-4 | Serenade no. 11 for Winds in E-flat major, K 375: I. Allegro maestoso | Members of the Orpheus Chamber Orchestra | — | |
| 17-5 | Serenade no. 11 for Winds in E-flat major, K 375: I. Allegro maestoso | Members of the Orpheus Chamber Orchestra | — | |
| 17-6 | Serenade no. 12 for Winds in C minor, K 384a/388 “Nacht musique”: I. Allegro | Members of the Orpheus Chamber Orchestra | — | |
| 17-7 | Serenade no. 12 for Winds in C minor, K 384a/388 “Nacht musique”: I. Allegro | Members of the Orpheus Chamber Orchestra | — | |
| 17-8 | Serenade no. 12 for Winds in C minor, K 384a/388 “Nacht musique”: I. Allegro | Members of the Orpheus Chamber Orchestra | — | |
| 17-9 | Serenade no. 12 for Winds in C minor, K 384a/388 “Nacht musique”: I. Allegro | Members of the Orpheus Chamber Orchestra | — | |
| 17-10 | Divertimento no. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: III. Minuetto (Moderato) - Trio | Orpheus Chamber Orchestra | — | |
| 17-11 | Divertimento no. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: III. Minuetto (Moderato) - Trio | Orpheus Chamber Orchestra | — | |
| 17-12 | Divertimento no. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: III. Minuetto (Moderato) - Trio | Orpheus Chamber Orchestra | — | |
| 17-13 | Divertimento no. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: III. Minuetto (Moderato) - Trio | Orpheus Chamber Orchestra | — | |
| 18-1 | Divertimento in D major, K 334: I. Allegro | Berliner Philharmoniker, Herbert von Karajan | T-011.422.353-8 | |
| 18-2 | Divertimento in D major, K 334: II. Tema con Variazioni. Andante | Berliner Philharmoniker, Herbert von Karajan | — | |
| 18-3 | Divertimento in D major, K. 334: III. Menuetto | Berliner Philharmoniker, Herbert von Karajan | T-010.194.834-8 | |
| 18-4 | Divertimento in D major, K 334: IV. Adagio | Berliner Philharmoniker, Herbert von Karajan | T-318.676.528-2 | |
| 18-5 | Divertimento in D major, K 334: V. Menuetto | Berliner Philharmoniker, Herbert von Karajan | — | |
| 18-6 | Divertimento in D major, K 334: VI. Rondo. Allegro | Berliner Philharmoniker, Herbert von Karajan | — | |
| 18-7 | Serenade no. 6 in D major "Serenata Notturna", KV 239: III. Rondeau: Allegretto - Adagio - Allegro | Thomas Brandis, Emil Maas, Neithard Resa, Rainer Zepperitz, Berliner Philharmoniker, Herbert von Karajan | — | |
| 18-8 | Serenade no. 6 in D major "Serenata Notturna", KV 239: III. Rondeau: Allegretto - Adagio - Allegro | Thomas Brandis, Emil Maas, Neithard Resa, Rainer Zepperitz, Berliner Philharmoniker, Herbert von Karajan | — | |
| 18-9 | Serenade no. 6 in D major "Serenata Notturna", KV 239: III. Rondeau: Allegretto - Adagio - Allegro | Thomas Brandis, Emil Maas, Neithard Resa, Rainer Zepperitz, Berliner Philharmoniker, Herbert von Karajan | — | |
| 19-1 | Serenade no. 7 for Orchestra in D major, K. 248b/250 "Haffner": I. Allegro maestoso - allegro molto | Berliner Philharmoniker, Thomas Brandis, Karl Böhm | — | |
| 19-2 | Serenade no. 7 for Orchestra in D major, K. 248b/250 "Haffner": II. Andante | Berliner Philharmoniker, Thomas Brandis, Karl Böhm | — | |
| 19-3 | Serenade no. 7 for Orchestra in D major, K. 248b/250 "Haffner": III. Minuetto | Berliner Philharmoniker, Thomas Brandis, Karl Böhm | — | |
| 19-4 | Serenade no. 7 for Orchestra in D major, K. 248b/250 "Haffner": IV. Rondo. Allegro | Berliner Philharmoniker, Thomas Brandis, Karl Böhm | — | |
| 19-5 | Serenade no. 7 for Orchestra in D major, K. 248b/250 "Haffner": V. Minuetto galante | Berliner Philharmoniker, Thomas Brandis, Karl Böhm | — | |
| 19-6 | Serenade no. 7 for Orchestra in D major, K. 248b/250 "Haffner": VI. Andante | Berliner Philharmoniker, Thomas Brandis, Karl Böhm | T-802.326.793-9 | |
| 19-7 | Serenade no. 7 for Orchestra in D major, K. 248b/250 "Haffner": VII. Minuetto | Berliner Philharmoniker, Thomas Brandis, Karl Böhm | — | |
| 19-8 | Serenade no. 7 for Orchestra in D major, K. 248b/250 "Haffner": VIII. Adagio - allegro assai | Berliner Philharmoniker, Thomas Brandis, Karl Böhm | T-306.395.786-4 | |
| 19-9 | Masonic Funeral Music for Orchestra in C minor, K. 479a/477 | Wiener Philharmoniker, Karl Böhm | — | |
| 20-1 | Serenade no. 9 for Orchestra in D major, K. 320 „Posthorn“: I. Adagio maestoso – allegro con spirito | Wiener Philharmoniker, James Levine | — | |
| 20-2 | Serenade no. 9 for Orchestra in D major, K. 320 „Posthorn“: I. Adagio maestoso – allegro con spirito | Wiener Philharmoniker, James Levine | — | |
| 20-3 | Serenade no. 9 for Orchestra in D major, K. 320 „Posthorn“: I. Adagio maestoso – allegro con spirito | Wiener Philharmoniker, James Levine | — | |
| 20-4 | Serenade no. 9 for Orchestra in D major, K. 320 „Posthorn“: I. Adagio maestoso – allegro con spirito | Wiener Philharmoniker, James Levine | — | |
| 20-5 | Serenade no. 9 for Orchestra in D major, K. 320 „Posthorn“: I. Adagio maestoso – allegro con spirito | Wiener Philharmoniker, James Levine | — | |
| 20-6 | Serenade no. 9 for Orchestra in D major, K. 320 „Posthorn“: I. Adagio maestoso – allegro con spirito | Wiener Philharmoniker, James Levine | — | |
| 20-7 | Serenade no. 9 for Orchestra in D major, K. 320 „Posthorn“: I. Adagio maestoso – allegro con spirito | Wiener Philharmoniker, James Levine | — | |
| 20-8 | Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro | Wiener Philharmoniker, James Levine | T-070.161.055-0 | |
| 20-9 | Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante | Wiener Philharmoniker, James Levine | — | |
| 20-10 | Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio | Wiener Philharmoniker, James Levine | — | |
| 20-11 | Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro | Wiener Philharmoniker, James Levine | — | |
| 21-1 | String Quartet no. 14 in G major, K. 387: I. Allegro vivace assai | Hagen Quartett | — | |
| 21-2 | String Quartet no. 14 in G major, K. 387: II. Minuetto - Trio | Hagen Quartett | — | |
| 21-3 | String Quartet no. 14 in G major, K. 387: III. Andante cantabile | Hagen Quartett | — | |
| 21-4 | String Quartet no. 14 in G major, K. 387: IV. Allegro molto | Hagen Quartett | — | |
| 21-5 | String Quartet no. 15 in D minor, K. 421/417b: I. Allegro moderato | Hagen Quartett | — | |
| 21-6 | String Quartet no. 15 in D minor, K. 421/417b: II. Andante | Hagen Quartett | T-312.612.306-2 | |
| 21-7 | String Quartet no. 15 in D minor, K. 421/417b: III. Minuetto. Allegretto - Trio | Hagen Quartett | — | |
| 21-8 | String Quartet no. 15 in D minor, K. 421/417b: IV. Allegretto ma non troppo | Hagen Quartett | — | |
| 22-1 | String Quartet no. 16 in E-flat major, K. 428/421b: I. Allegro non troppo | Hagen Quartett | — | |
| 22-2 | String Quartet no. 16 in E-flat major, K. 428/421b: II. Andante con moto | Hagen Quartett | — | |
| 22-3 | String Quartet no. 16 in E-flat major, K. 428/421b: III. Minuetto. Allegro - Trio | Hagen Quartett | T-010.194.838-2 | |
| 22-4 | String Quartet no. 16 in E-flat major, K. 428/421b: IV. Allegro vivace | Hagen Quartett | — | |
| 22-5 | String Quartet no. 17 in B-flat major, K. 458 "Hunt": I. Allegro vivace assai | Hagen Quartett | — | |
| 22-6 | String Quartet no. 17 in B-flat major, K. 458 "Hunt": II. Minuetto. Moderato - Trio | Hagen Quartett | — | |
| 22-7 | String Quartet no. 17 in B-flat major, K. 458 "Hunt": III. Adagio | Hagen Quartett | — | |
| 22-8 | String Quartet no. 17 in B-flat major, K. 458 "Hunt": IV. Allegro assai | Hagen Quartett | T-306.395.786-4 | |
| 23-1 | String Quartet no. 18 in A major, K. 464: I. Allegro | Hagen Quartett | T-011.422.353-8 | |
| 23-2 | String Quartet no. 18 in A major, K. 464: II. Menuetto - Trio | Hagen Quartett | — | |
| 23-3 | String Quartet no. 18 in A major, K. 464: III. Andante | Hagen Quartett | — | |
| 23-4 | String Quartet no. 18 in A major, K. 464: IV. Allegro non troppo | Hagen Quartett | — | |
| 23-5 | String Quartet no. 19 in C major, K. 465 "Dissonance": I. Adagio - Allegro | Hagen Quartett | T-011.422.353-8 | |
| 23-6 | String Quartet no. 19 in C major, K. 465 "Dissonance": II. Andante cantabile | Hagen Quartett | — | |
| 23-7 | String Quartet no. 19 in C major, K. 465 "Dissonance": III. Minuetto. Allegro - Trio | Hagen Quartett | T-010.194.838-2 | |
| 23-8 | String Quartet no. 19 in C major, K. 465 "Dissonance": IV. Allegro molto | Hagen Quartett | T-329.454.787-4 | |
| 24-1 | String Quintet in C major, KV. 515: I. Allegro | Cecil Aronowitz, Amadeus Quartet | — | |
| 24-2 | String Quintet in C major, KV. 515: II. Andante | Cecil Aronowitz, Amadeus Quartet | T-802.445.410-3 | |
| 24-3 | String Quintet in C major, KV. 515: III. Menuetto. Allegretto | Cecil Aronowitz, Amadeus Quartet | T-902.774.400-9 | |
| 24-4 | String Quintet in C major, KV. 515: IV. Allegro | Cecil Aronowitz, Amadeus Quartet | T-318.676.528-2 | |
| 24-5 | Divertimento in E-flat major, K 563: I. Allegro | — | ||
| 24-6 | Divertimento in E-flat major, K 563: II. Adagio | — | ||
| 24-7 | Divertimento in E-flat major, K 563: III. Menuetto. Allegretto | Amadeus Quartet | — | |
| 24-8 | Divertimento in E-flat major, K 563: IV. Andante | — | ||
| 24-9 | Divertimento in E-flat major, K 563: V. Menuetto. Allegretto | — | ||
| 24-10 | Divertimento in E-flat major, K 563: VI. Allegro | — | ||
| 25-1 | String Quintet in G minor, K 516: I. Allegro | Amadeus Quartet, Cecil Aronowitz | T-070.161.055-0 | |
| 25-2 | String Quintet no. 3 in G minor, K.516: Menuetto (Allegretto) | Amadeus Quartet, Cecil Aronowitz | T-902.774.400-9 | |
| 25-3 | String Quintet no. 3 in G minor, K.516: Adagio ma non troppo | Amadeus Quartet, Cecil Aronowitz | — | |
| 25-4 | String Quintet in G minor, K 516: IV. Adagio - Allegro | Amadeus Quartet, Cecil Aronowitz | T-306.395.786-4 | |
| 25-5 | String Quintet in D major, K 593: I. Larghetto - Allegro | Amadeus Quartet, Cecil Aronowitz | — | |
| 25-6 | String Quintet in D major, K 593: II. Adagio | Amadeus Quartet, Cecil Aronowitz | — | |
| 25-7 | String Quintet in D major, K 593: III. Menuetto. Allegretto | Amadeus Quartet, Cecil Aronowitz | — | |
| 25-8 | String Quintet in D major, K 593: IV. Allegro | Amadeus Quartet, Cecil Aronowitz | — | |
| 26-1 | Flute Quartet in D major, K 285: II. Adagio | Amadeus Quartet, Andreas Blau | — | |
| 26-2 | Flute Quartet in D major, K 285: II. Adagio | Amadeus Quartet, Andreas Blau | — | |
| 26-3 | Flute Quartet in D major, K 285: II. Adagio | Amadeus Quartet, Andreas Blau | — | |
| 26-4 | Oboe Quartet in F major, K 370: III. Rondeau. Allegro | Amadeus Quartet, Lothar Koch | — | |
| 26-5 | Oboe Quartet in F major, K 370: III. Rondeau. Allegro | Amadeus Quartet, Lothar Koch | — | |
| 26-6 | Oboe Quartet in F major, K 370: III. Rondeau. Allegro | Amadeus Quartet, Lothar Koch | — | |
| 26-7 | Horn Quintet in E-flat major, K 407: I. Allegro | Amadeus Quartet, Gerd Seifert | T-011.422.353-8 | |
| 26-8 | Horn Quintet in E-flat major, K 407: II. Andante | Amadeus Quartet, Gerd Seifert | T-802.445.410-3 | |
| 26-9 | Horn Quintet in E-flat major, K 407: III. Rondo. Allegro | Amadeus Quartet, Gerd Seifert | — | |
| 26-10 | Clarinet Quintet for 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": I. Allegro | Amadeus Quartet, Gervase de Peyer | — | |
| 26-11 | Clarinet Quintet for 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": I. Allegro | Amadeus Quartet, Gervase de Peyer | — | |
| 26-12 | Clarinet Quintet for 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": I. Allegro | Amadeus Quartet, Gervase de Peyer | — | |
| 26-13 | Clarinet Quintet for 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": I. Allegro | Amadeus Quartet, Gervase de Peyer | — | |
| 27-1 | Quintet in E-flat major, K 452: I. Largo - Allegro moderato | — | ||
| 27-2 | Quintet in E-flat major, K 452: II. Larghetto | — | ||
| 27-3 | Quintet for Piano, Oboe, Clarinet and Bassoon in E-flat major, KV.452: 3. Allegretto | Günter Högner, Karl Leister, James Levine, Hansjörg Schellenberger, Milan Turković, Ensemble Wien-Berlin | — | |
| 27-4 | Trio in E-flat major, K 498 "Kegelstatt": I. Andante | Wolfram Christ, Karl Leister, James Levine | — | |
| 27-5 | Trio in E-flat major, K 498 "Kegelstatt": II. Menuetto | Wolfram Christ, Karl Leister, James Levine | — | |
| 27-6 | Trio in E-flat major, K 498 "Kegelstatt": III. Rondeaux. Allegretto | Wolfram Christ, Karl Leister, James Levine | — | |
| 27-7 | Adagio & Rondo in C minor / C major, K 617: I. Adagio | Ensemble Wien-Berlin | — | |
| 27-8 | Adagio & Rondo in C minor / C major, K 617: II. Rondeau. Allegretto | Ensemble Wien-Berlin | — | |
| 28-1 | Piano Quartet in G minor, K 478: I. Allegro | Fauré Quartett | T-909.573.268-6 | |
| 28-2 | Piano Quartet in G minor, K 478: II. Andante | Fauré Quartett | T-802.445.410-3 | |
| 28-3 | Piano Quartet in G minor, K 478: III. Rondeau. Allegro | Fauré Quartett | — | |
| 28-4 | Piano Quartet in E-flat major, K 493: I. Allegro | Fauré Quartett | — | |
| 28-5 | Piano Quartet in E-flat major, K 493: II. Larghetto | Fauré Quartett | — | |
| 28-6 | Piano Quartet in E-flat major, K 493: III. Allegretto | Fauré Quartett | — | |
| 29-1 | Sonata for Violin & Keyboard no. 25 in G major, K. 293a / KV 301: I. Allegro con spirito | Maria João Pires, Augustin Dumay | — | |
| 29-2 | Sonata for Violin & Keyboard no. 25 in G major, K. 293a / KV 301: II. Allegro | Maria João Pires, Augustin Dumay | — | |
| 29-3 | Sonata for Piano and Violin in E minor, K304/300c: I. Allegro | Augustin Dumay, Maria João Pires | T-010.194.424-4 | |
| 29-4 | Sonata for Piano and Violin in E minor, K304/300c: II. Tempo di Menuetto | Augustin Dumay, Maria João Pires | — | |
| 29-5 | Sonata for Violin & Keyboard no. 34 in B-flat major, K. 317d / KV 378: I. Allegro moderato | Maria João Pires, Augustin Dumay | — | |
| 29-6 | Sonata for Violin & Keyboard no. 34 in B-flat major, K. 317d / KV 378: II. Andantino sostenuto e cantabile | Maria João Pires, Augustin Dumay | — | |
| 29-7 | Sonata for Violin & Keyboard no. 34 in B-flat major, K. 317d / KV 378: III. Rondeu. Allegro | Maria João Pires, Augustin Dumay | T-308.457.046-3 | |
| 29-8 | Sonata for Violin & Piano no. 35 in G major, K. 373a/379: I. Adagio - allegro | Maria João Pires, Augustin Dumay | T-011.422.353-8 | |
| 29-9 | Sonata for Violin & Piano no. 35 in G major, K. 373a/379: II. Tema. Andantino cantabile - Var. I-V - Tema. Allegretto | Maria João Pires, Augustin Dumay | — | |
| 30-1 | Violin Sonata in B-flat major, K. 454: I. Largo - Allegro | Itzhak Perlman, Daniel Barenboim | — | |
| 30-2 | Violin Sonata in B-flat major, K. 454: II. Andante | Itzhak Perlman, Daniel Barenboim | — | |
| 30-3 | Violin Sonata in B-flat major, K. 454: III. Allegretto | Itzhak Perlman, Daniel Barenboim | — | |
| 30-4 | Violin Sonata in E-flat major, K. 481: I. Molto Allegro | Itzhak Perlman, Daniel Barenboim | T-003.035.132-6 | |
| 30-5 | Violin Sonata in E-flat major, K. 481: II. Adagio | Itzhak Perlman, Daniel Barenboim | — | |
| 30-6 | Violin Sonata in E-flat major, K. 481: III. Allegretto | Itzhak Perlman, Daniel Barenboim | — | |
| 30-7 | Violin Sonata in A major, K. 526: I. Molto Allegro | Itzhak Perlman, Daniel Barenboim | — | |
| 30-8 | Violin Sonata in A major, K. 526: II. Andante | Itzhak Perlman, Daniel Barenboim | T-802.445.410-3 | |
| 30-9 | Violin Sonata in A major, K. 526: III.Presto | Itzhak Perlman, Daniel Barenboim | T-312.438.541-3 | |
| 31-1 | Sonata in A minor, K. 310: I. Allegro maestoso | Maria João Pires | — | |
| 31-2 | Sonata in A minor, K. 310: II. Andante cantabile con espressione | Maria João Pires | — | |
| 31-3 | Sonata in A minor, K. 310: III. Presto | Maria João Pires | T-007.303.109-0 | |
| 31-4 | Piano Sonata in F major, K 332: I. Allegro | Maria João Pires | T-007.303.107-8 | |
| 31-5 | Piano Sonata in F major, K 332: II. Adagio | Maria João Pires | T-304.252.942-6 | |
| 31-6 | Piano Sonata in F major, K 332: III. Allegro assai | Maria João Pires | T-306.395.786-4 | |
| 31-7 | Sonata in C major, K. 545: I. Allegro | Maria João Pires | T-007.303.107-8 | |
| 31-8 | Sonata in C major, K. 545: II. Andante | Maria João Pires | T-007.303.108-9 | |
| 31-9 | Sonata in C major, K. 545: III. Rondo. Allegretto | Maria João Pires | T-919.562.806-9 | |
| 32-1 | Piano Sonata in B-flat major, K. 281: I. Allegro | Vladimir Horowitz | T-011.422.353-8 | |
| 32-2 | Piano Sonata in B-flat major, K. 281: II. Andante amoroso | Vladimir Horowitz | T-322.449.900-3 | |
| 32-3 | Piano Sonata in B-flat major, K. 281: III. Rondeau: Allegro | Vladimir Horowitz | — | |
| 32-4 | Piano Sonata in C major, K. 330 (300h): I. Allegro moderato | Vladimir Horowitz | — | |
| 32-5 | Piano Sonata in C major, K. 330 (300h): II. Andante cantabile | Vladimir Horowitz | — | |
| 32-6 | Piano Sonata in C major, K. 330 (300h): III. Allegretto | Vladimir Horowitz | — | |
| 32-7 | Sonata for Piano no. 13 in B-flat major, K. 315c/333: I. Allegro | Vladimir Horowitz | T-011.422.353-8 | |
| 32-8 | Sonata for Piano no. 13 in B-flat major, K. 315c/333: II. Andante cantabile | Vladimir Horowitz | — | |
| 32-9 | Sonata for Piano no. 13 in B-flat major, K. 315c/333: III. Allegretto grazioso | Vladimir Horowitz | — | |
| 32-10 | Adagio in B minor, K. 540 | Vladimir Horowitz | T-002.561.175-9 | |
| 32-11 | Rondo in D major, K. 485 | Vladimir Horowitz | — | |
| 32-12 | Rondo for Piano no. 3 in A minor, K. 511 | Vladimir Horowitz | T-917.144.482-9 | |
| 33-1 | Sonata A major, KV 331: I. Andante grazioso: Tema - Variation I-IV - Variation V: Adagio - Variation VI: Allegro | Friedrich Gulda | — | |
| 33-2 | Sonata A major, KV 331: II. Menuetto - Trio | Friedrich Gulda | T-313.706.466-1 | |
| 33-3 | Sonata A major, KV 331: III. Alla Turca (Allegretto) | Friedrich Gulda | T-912.655.618-1 | |
| 33-4 | Piano Sonata no. 14 in C minor, KV 457: I. Molto allegro | Friedrich Gulda | T-003.035.132-6 | |
| 33-5 | Piano Sonata no. 14 in C minor, KV 457: II. Adagio | Friedrich Gulda | T-927.972.088-6 | |
| 33-6 | Piano Sonata no. 14 in C minor, KV 457: III. Allegro assai | Friedrich Gulda | T-306.395.786-4 | |
| 33-7 | Fantasia in D minor, K 397 | Friedrich Gulda | — | |
| 33-8 | Fantasia in C minor, K 475 | Friedrich Gulda | — | |
| 34-1 | Sonata for Two Pianos in D major, K. 375a/448: I. Allegro con spirito | Christoph Eschenbach, Justus Frantz | — | |
| 34-2 | Sonata for Two Pianos in D major, K. 375a/448: II. Andante | Christoph Eschenbach, Justus Frantz | T-312.439.084-3 | |
| 34-3 | Sonata for Two Pianos in D major, K. 375a/448: III. Allegro molto | Christoph Eschenbach, Justus Frantz | T-329.454.787-4 | |
| 34-4 | Sonata for 2 Pianos in F major, K 497: I. Adagio - Allegro di molto | Christoph Eschenbach, Justus Frantz | — | |
| 34-5 | Sonata for 2 Pianos in F major, K 497: II. Andante | Christoph Eschenbach, Justus Frantz | — | |
| 34-6 | Sonata for 2 Pianos in F major, K 497: III. Allegro | Christoph Eschenbach, Justus Frantz | — | |
| 34-7 | Andante and Variations for Piano with 4 Hands in G major, K. 501 | Christoph Eschenbach, Justus Frantz | T-902.919.739-5 | |
| 34-8 | Fantasia in F minor, K. 608 | Christoph Eschenbach, Justus Frantz | — | |
| 35-1 | Mass in C major, K 317 “Coronation”: I. Kyrie | Barbara Bonney, Jamie MacDougall, The English Concert, The English Concert Choir, Trevor Pinnock | — | |
| 35-2 | Mass in C major, K 317 “Coronation”: II. Gloria | The English Concert, The English Concert Choir, Trevor Pinnock | T-070.248.379-1 | |
| 35-3 | Mass in C major, K 317 “Coronation”: III. Credo | The English Concert, The English Concert Choir, Trevor Pinnock | T-915.866.112-2 | |
| 35-4 | Mass in C major, K 317 “Coronation”: IV. Sanctus | The English Concert, The English Concert Choir, Trevor Pinnock | — | |
| 35-5 | Mass in C major, K 317 “Coronation”: V. Benedictus | The English Concert, The English Concert Choir, Trevor Pinnock | — | |
| 35-6 | Mass in C major, K 317 “Coronation”: VI. Agnus Dei | The English Concert, The English Concert Choir, Trevor Pinnock | T-922.061.546-3 | |
| 35-7 | Exsultate, jubilate, K 165: I. Exsultate, jubilate | The English Concert, The English Concert Choir, Trevor Pinnock | — | |
| 35-8 | Exsultate, jubilate, K 165: II. Fulget amica dies | The English Concert, The English Concert Choir, Trevor Pinnock | — | |
| 35-9 | Exsultate, jubilate, K 165: III. Tu virginum corona | The English Concert, The English Concert Choir, Trevor Pinnock | — | |
| 35-10 | Exsultate, jubilate, K 165: IV. Alleluia | Barbara Bonney, The English Concert Choir, The English Concert, Trevor Pinnock | T-905.495.559-8 | |
| 35-11 | Vesperae solennes de confessore in C major, K 339: I. Dixit Dominus Domino meo (Ps. 109/110) | Barbara Bonney, Catherine Wyn-Rogers, Jamie MacDougall, Stephen Gadd, The English Concert Choir, The English Concert, Trevor Pinnock | — | |
| 35-12 | Vesperae solennes de confessore in C major, K 339: II. Confitebor tibi, Domine (Ps. 110/111) | Barbara Bonney, Catherine Wyn-Rogers, Jamie MacDougall, Stephen Gadd, The English Concert Choir, The English Concert, Trevor Pinnock | — | |
| 35-13 | Vesperae solennes de confessore in C major, K 339: III. Beatus vir qui timet Dominum (Ps. 111/112) | Barbara Bonney, Catherine Wyn-Rogers, Jamie MacDougall, Stephen Gadd, The English Concert Choir, The English Concert, Trevor Pinnock | — | |
| 35-14 | Vesperae solennes de confessore in C major, K 339: IV. Laudate pueri Dominum (Ps. 112/113) | The English Concert Choir, The English Concert, Trevor Pinnock | — | |
| 35-15 | Vesperae solennes de confessore in C major, K 339: V. Laudate Dominum omnes gentes (Ps. 116/117) | Barbara Bonney, The English Concert Choir, The English Concert, Trevor Pinnock | T-900.135.371-5 | |
| 35-16 | Vesperae solennes de confessore in C major, K 339: VI. Magnificat anima mea (Luc. 1:46–55) | Barbara Bonney, Catherine Wyn-Rogers, Jamie MacDougall, Stephen Gadd, The English Concert Choir, The English Concert, Trevor Pinnock | — | |
| 36-1 | Motet for Chorus, Strings & Organ in D major, K. 618: "Ave verum corpus", KV618 | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | T-323.252.117-0 | |
| 36-2 | Exsultate, jubilate, K 165 | — | ||
| 36-3 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 "Great": I. "Kyrie" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | T-919.081.368-4 | |
| 36-4 | Mass in C minor, K 427 "Great Mass": II. Gloria - (a) Gloria in excelsis Deo | — | ||
| 36-5 | Mass in C minor, K 427 "Great Mass": II. Gloria - (b) Laudamus te | — | ||
| 36-6 | Mass in C minor, K 427 "Great Mass": II. Gloria - (c) Gratias agimus tibi | — | ||
| 36-7 | Mass in C minor, K 427 "Great Mass": II. Gloria - (d) Domine Deus | — | ||
| 36-8 | Mass in C minor, K 427 "Great Mass": II. Gloria - (e) Qui tollis peccata mundi | — | ||
| 36-9 | Mass in C minor, K 427 "Great Mass": II. Gloria - (f) Quoniam tu solus sanctus | — | ||
| 36-10 | Mass in C minor, K 427 "Great Mass": II. Gloria - (g) Jesu Christe | — | ||
| 36-11 | Mass in C minor, K 427 "Great Mass": II. Gloria - (h) Cum Sancto Spiritu | — | ||
| 36-12 | Mass in C minor, K 427 "Great Mass": III. Credo - (a) Credo in unum Deum | — | ||
| 36-13 | Mass in C minor, K 427 "Great Mass": III. Credo - (b) Et incarnatus est | — | ||
| 36-14 | Mass in C minor, K 427 "Great Mass": IV. Sanctus | — | ||
| 36-15 | Mass in C minor, K 427 "Great Mass": V. Benedictus | — | ||
| 37-1 | Requiem in D minor, K 626: I. Introitus: Requiem aeternam | — | ||
| 37-2 | Requiem in D minor, K 626: II. Kyrie | — | ||
| 37-3 | Requiem in D minor, K 626: III. Sequentia: (a) Dies irae | — | ||
| 37-4 | Requiem in D minor, K 626: III. Sequentia: (b) Tuba mirum | — | ||
| 37-5 | Requiem in D minor, K 626: III. Sequentia: (c) Rex tremendae | — | ||
| 37-6 | Requiem in D minor, K 626: III. Sequentia: (d) Recordare | — | ||
| 37-7 | Requiem in D minor, K. 626, Süßmayr completion with reconstructions by Franz Beyer (1971/79) and Robert D. Levin (1993): III. Sequentia: Confutatis | Swedish Radio Choir, Berliner Philharmoniker, Claudio Abbado | — | |
| 37-8 | Requiem in D minor, K 626: III. Sequentia: (f) Lacrimosa | — | ||
| 37-9 | Requiem in D minor, K 626: IV. Offertorium: (a) Domine Jesu Christe | — | ||
| 37-10 | Requiem in D minor, K 626: IV. Offertorium: (b) Hostias | — | ||
| 37-11 | Requiem in D minor, K 626: V. Sanctus | — | ||
| 37-12 | Requiem in D minor, K 626: VI. Benedictus | — | ||
| 37-13 | Requiem in D minor, K 626: VII. Agnus Dei | — | ||
| 37-14 | Requiem in D minor, K 626: VIII. Communio: Lux aeterna | — | ||
| 37-15 | Betracht dies Herz und frage mich (from Grabmusik, K 42) | — | ||
| 37-16 | Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: V. "Laudate dominum" | Rachel Harnisch, Radiokören, Kay Johannsen, Berliner Philharmoniker, Claudio Abbado | — | |
| 38-1 | "Ah, lo previdi" - "Ah, t'invola agl'occhi miei" Recitative and aria K 272 | Gundula Janowitz, Wiener Symphoniker, Wilfried Boettcher | — | |
| 38-2 | "A questo seno deh vieni" - "Or che il cielo a me ti rende" Recitative and aria K 374 | Gundula Janowitz, Wiener Symphoniker, Wilfried Boettcher | — | |
| 38-3 | "Alma grande e nobil core" Aria K 578 | Gundula Janowitz, Wiener Symphoniker, Wilfried Boettcher | — | |
| 38-4 | "Betrach dies Herz und frage mich" Aria extracted from K 42 (35a) | Gundula Janowitz, Wiener Symphoniker, Wilfried Boettcher | — | |
| 38-5 | Vado, ma dove? o Dei!, K. 583 | Gundula Janowitz, Wiener Symphoniker, Wilfried Böttcher | — | |
| 38-6 | "Bella mia fiamma" - "Resta, o cara" Scene (Recitative and aria) K 528 | Gundula Janowitz, Wiener Symphoniker, Wilfried Boettcher | — | |
| 38-7 | "Misera, dove son!" - "Ah, non son io che parlo" Scene (Recitative and aria) K 369 | Gundula Janowitz, Wiener Symphoniker, Wilfried Boettcher | — | |
| 39-1 | Idomeneo, re di Creta K. 366: Ouverture | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 39-2 | Idomeneo, re di Creta K. 366: Act I, Scene I. Recitativo "Quando avran fine omai" (Ilia) / No. 1 Aria "Padre, germani, addio!" (Ilia) / "Ecco Idamante, ahimé!" (Ilia) | Sylvia McNair, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 39-3 | Idomeneo, re di Creta K. 366: Act I, Scene II. Recitativo "Radunate i Troiani, ite" (Ilia, Idamante) / No. 2 Aria "Non ho colpa" (Idamante) | Sylvia McNair, Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 39-4 | Idomeneo, re di Creta K. 366: Act I, Recitativo "Ecco il mesero resto de Troiani" / Recitativo "Scingete le catene" | Sylvia McNair, Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 39-5 | Idomeneo, re di Creta K. 366: Act I, No.3 coro "Godiam la pace" / Rec "Tutta la Grecia oltraggi" / Rec "Ma quel pianto che annunzia ? / Rec : Estinto è idomeneo ? / No.4 aria : Tutte nel cor vi sento / No.5 coro : Pietá ! Numi, pietá ! / Rec : Eccoci salvi alfin / Rec : Voi di Marte e di Nettuno" | Stephen Charlesworth, Angela Kazimierczuk, Jonathan Peter Kenny, Sylvia McNair, Hillevi Martinpelto, Monteverdi Choir, Anne Sofie von Otter, Nigel Robson, Anthony Rolfe Johnson, Philip Salmon, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 39-6 | Idomeneo, re di Creta K. 366: Act I, No. 6 aria "Vedrommi intorno" / Recitativo : "Cieli ! Che veggo ?" / Recitativo : "Spiagge romite" | Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 39-7 | Idomeneo, re di Creta, K. 366: Act I, Scene X. No. 7 Aria "Il padre adorato" (Idamante) | Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 39-8 | Idomeneo, re di Creta, K. 366: Act I, Scene XI. No. 8 Marcia | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 39-9 | Idomeneo, re di Creta, K. 366: Act I, Scene XI. No. 9 Coro "Nettuno s'onori!" (Coro) | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 39-10 | Idomeneo, re di Creta, K. 366: Act II, Scene I. No. 10a Recitativo "Tutto m'è noto" (Arbace, Idomeneo) | Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 39-11 | Idomeneo, re di Creta, K. 366: Act II, Scene I. No. 10a Aria. Allegro "Se il tuo duol, se il mio desio" (Arbace) | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 39-12 | Idomeneo, re di Creta, K. 366: Act II, Scene II. Recitativo "Se mai pomposo" (Ilia, Idomeneo) | Sylvia McNair, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 39-13 | Idomeneo, re di Creta, K. 366: Act II, Scene II. No. 11 Aria "Se il padre perdei" (Ilia) | Sylvia McNair, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 39-14 | Idomeneo, re di Creta, K. 366: Act II, Scene III. Recitativo "Qual mi conturba i sensi" (Idomeneo) | Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 39-15 | Idomeneo, re di Creta K. 366: Act II, No. 12 aria "Fuor del mar ho un mar in seno" | Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | T-306.097.548-2 | |
| 40-1 | Idomeneo, re di Creta K. 366: Act II, Recitativo "Frettolosa e Guiliva Elettra Vien" / Recitativo "Chi mai del Mio Provò" | Hillevi Martinpelto, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-2 | Idomeneo, re di Creta, K. 366: Act II, Scene V. No. 13 Aria "Idol mio, se ritroso" (Elettra) | Hillevi Martinpelto, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-3 | Idomeneo, re di Creta, K. 366: Act II, Scene V. Marcia / No. 14 Recitavio "Odo da lunge" (Elettra) | Hillevi Martinpelto, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-4 | Idomeneo, re di Creta, K. 366: Act II, Scene V. Recitativo "Sidonie sponde!" (Elettra) | Hillevi Martinpelto, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-5 | Idomeneo, re di Creta K. 366: Act II, No. 15 coro "Placido è il mar / Soavi zeffiri" / Recitativo "Vattene prence" / No. 16 terzetto : "Pria di partir, oh dio !" / No. 17 coro : "Qual nuovo terrore !" / Recitativo : "Eccoti in me, barbaro nume !" / No. 18 coro : "Corriamo, fuggiamo" | Hillevi Martinpelto, Monteverdi Choir, Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-6 | Idomeneo, K 366: Act III: (a) "Solitudini amiche" ... | — | ||
| 40-7 | Idomeneo, re di Creta, K. 366: Act III, Scene I. No. 19 Aria "Zeffiretti lusinghieri" (Ilia) / Act III, Scene II. Recitativo "Ei stesso vien" (Ilia) | Sylvia McNair, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-8 | Idomeneo, re di Creta K. 366: Act III, "Principessa, a' tuoi sguardi" / No. 20 duetto "S'io non moro a questi accenti" / Recitativo : "Cieli ! Che vedo ?" | Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-9 | Idomeneo, re di Creta K. 366: Act III, Recitativo "Dunque io me n'andrò" / No. 21 quartetto "Andrò ramingo e solo" | Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-10 | Idomeneo, re di Creta, K. 366: Act III, Scene IV. Recitativo "Sire, alla reggia tua immensa turba" (Arbace, Ilia,Idomeneo, Elettra) | Sylvia McNair, Hillevi Martinpelto, Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-11 | Idomeneo, re di Creta, K. 366: Act III, Scene V. Recitativo "Sventurata Sidon!" (Arbace) | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-12 | Idomeneo, re di Creta, K. 366: Act III, Scene V. No. 22 Aria "Se colà ne' fati è scritto" (Arbace) | Nigel Robson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-13 | Idomeneo, re di Creta, K. 366: Act III, Scene VI. No. 23 Recitativo "Volgi intorno lo sguardo" (Gran Sacerdote, Idomeneo) | Anthony Rolfe Johnson, Glenn Winslade, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-14 | Idomeneo, re di Creta, K. 366: Act III, Scene VI. No. 24 Coro "O voto tremendo" (Coro, Gran Sacerdote) | Monteverdi Choir, Glenn Winslade, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 40-15 | Idomeneo, re di Creta, K. 366: Act III, Scene VII. No. 25 Marcia | English Baroque Soloists, Sir John Eliot Gardiner | T-906.743.326-5 | |
| 40-16 | Idomeneo, re di Creta K. 366: Act III, No. 26 cavatina con coro "Accogli, oh re del mar" | Monteverdi Choir, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 41-1 | Idomeneo, re di Creta, K. 366: Act III, Coro "Stupenda vittoria!" / Recitativo "Sire, il prence" | Monteverdi Choir, Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 41-2 | Idomeneo, re di Creta, K. 366: Act III, Recitativo "Padre, mio caro padre" | Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 41-3 | Idomeneo, re di Creta, K. 366: Act III, Scene IX. No. 27a Aria "No, la morte io non pavento" (Idamante) | Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | T-306.143.268-2 | |
| 41-4 | Idomeneo, re di Creta, K. 366: Act III, Scene X. Recitativo "Ma, che più tardi?" (Idamante, Idomeneo, Ilia, Gran Sacerdote) | Anne Sofie von Otter, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 41-5 | Idomeneo, re di Creta, K. 366: Act III, Scene X. Dialogue "Ferma, oh sire, che fai?" (Ilia,Idomeneo, Idomante, Ilia, Gran Sacerdote) | Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Anthony Rolfe Johnson, Glenn Winslade, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 41-6 | Idomeneo, re di Creta, K. 366: Act III, Scene X. No. 28 La Voce "Ha vinto Amore" (La Voce) | Cornelius Hauptmann, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 41-7 | Idomeneo, re di Creta, K. 366: Act III, Recitativo "Oh ciel pietoso !" / Recitativo "Oh, smania ! Oh furie !" / No. 29 aria : "D'oreste, d'aiace" | Sylvia McNair, Hillevi Martinpelto, Anne Sofie von Otter, Nigel Robson, Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 41-8 | Idomeneo, re di Creta, K. 366: Act III, Scene XI. No. 30 Recitativo "Popoli, a voi l'ultima legge" (Idomeneo) | Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 41-9 | Idomeneo, re di Creta, K. 366: Act III, Scene XI. No. 30a Aria "Torna la pace al core" (Idomeneo) | Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | T-306.096.245-6 | |
| 41-10 | Idomeneo, re di Creta, K. 366: Act III, Scene XI. No. 31 Coro "Scenda Amor, scenda Imeneo" (Coro) | English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir | — | |
| 41-11 | Idomeneo, re di Creta, K. 366: Act III, No. 32 Ballet K. 367(Chaconne / Larghetto / La Chaconne, qui reprend / Largo / Allegretto, sempre Piano / Più Allegro) | English Baroque Soloists, Sir John Eliot Gardiner | — | |
| 42-1 | Die Entführung aus dem Serail: Ouvertüre | Staatskapelle Dresden, Karl Böhm | T-702.819.800-9 | |
| 42-2 | Die Entführung aus dem Serail: No. 1 Arie: "Hier soll ich dich denn sehen" | Peter Schreier, Staatskapelle Dresden, Karl Böhm | — | |
| 42-3 | Die Entführung aus dem Serail: Aber wie soll ich in den Palast kommen | Hans-Jörn Weber, Staatskapelle Dresden, Karl Böhm | — | |
| 42-4 | Die Entführung aus dem Serail: No.2 Lied und Duett: "Wer ein Liebchen hat gefunden" | Kurt Moll, Peter Schreier, Staatskapelle Dresden, Karl Böhm | — | |
| 42-5 | Die Entführung aus dem Serail: Fort ist er | Wolfgang Dehler, Kurt Hachlicki, Staatskapelle Dresden, Karl Böhm | — | |
| 42-6 | Die Entführung aus dem Serail: No. 3 Arie: "Solche hergelauf'ne Laffen" | Kurt Moll, Harald Neukirch, Staatskapelle Dresden, Karl Böhm | — | |
| 42-7 | Die Entführung aus dem Serail: Geh nur, verwünschter Kerl | Kurt Hachlicki, Hans-Jörn Weber, Staatskapelle Dresden, Karl Böhm | — | |
| 42-8 | Die Entführung aus dem Serail: No. 4 Arie: "Konstanze, dich wieder zu sehen" | Peter Schreier, Staatskapelle Dresden, Karl Böhm | — | |
| 42-9 | Die Entführung aus dem Serail: Schnell, treten Sie beiseite | Kurt Hachlicki, Hans-Jörn Weber, Staatskapelle Dresden, Karl Böhm | — | |
| 42-10 | Die Entführung aus dem Serail: No. 5 Chor: "Singt dem großen Bassa Lieder" | Horst Neumann, Rundfunkchor Leipzig, Staatskapelle Dresden, Karl Böhm | — | |
| 42-11 | Die Entführung aus dem Serail: Nun Konstanze, immer noch traurig? | Regina Jeske, Otto Mellies, Staatskapelle Dresden, Karl Böhm | — | |
| 42-12 | Die Entführung aus dem Serail: No. 6 Arie: "Ach ich liebte, war so glücklich" | Arleen Augér, Staatskapelle Dresden, Karl Böhm | — | |
| 42-13 | Die Entführung aus dem Serail: Weißt du, was du wagst? | Wolfgang Dehler, Kurt Hachlicki, Regina Jeske, Otto Mellies, Hans-Jörn Weber, Staatskapelle Dresden, Karl Böhm | — | |
| 42-14 | Die Entführung aus dem Serail: No. 7 Terzett "Marsch, marsch, marsch! Trollt euch fort!" | Kurt Moll, Harald Neukirch, Peter Schreier, Staatskapelle Dresden, Karl Böhm | — | |
| 42-15 | Die Entführung aus dem Serail: Oh das Zanken, Befehlen und Murren | Helga Piur, Staatskapelle Dresden, Karl Böhm | — | |
| 42-16 | Die Entführung aus dem Serail: No. 8 Arie: "Durch Zärtlichkeit und Schmeicheln" | Reri Grist, Staatskapelle Dresden, Karl Böhm | — | |
| 42-17 | Die Entführung aus dem Serail: Zärtlichkeit? Schmeicheln? | Wolfgang Dehler, Helga Piur, Staatskapelle Dresden, Karl Böhm | — | |
| 42-18 | Die Entführung aus dem Serail: No. 9 Duett: "Ich gehe, doch rate ich dir" | Reri Grist, Kurt Moll, Staatskapelle Dresden, Karl Böhm | — | |
| 42-19 | Die Entführung aus dem Serail: No. 10 Rezitativ und Arie: "Welcher Kummer herrscht in meiner Seele" | Arleen Augér, Staatskapelle Dresden, Karl Böhm | — | |
| 42-20 | Die Entführung aus dem Serail: Mein bestes Fräulein | Regina Jeske, Otto Mellies, Helga Piur, Staatskapelle Dresden, Karl Böhm | — | |
| 42-21 | Die Entführung aus dem Serail: No. 11 Arie: "Martern aller Arten" | Arleen Augér, Staatskapelle Dresden, Karl Böhm | — | |
| 43-1 | Die Entführung aus dem Serail: Pst, Blondchen, pst! (Pedrillo, Blonde) | Kurt Hachlicki, Helga Piur, Staatskapelle Dresden, Karl Böhm | — | |
| 43-2 | Die Entführung aus dem Serail: No. 12 Arie "Welche Wonne, welche Lust" | Reri Grist, Staatskapelle Dresden, Karl Böhm | — | |
| 43-3 | Die Entführung aus dem Serail: Nun schnell, liebstes Blondchen (Pedrillo, Blonde) | Kurt Hachlicki, Helga Piur, Staatskapelle Dresden, Karl Böhm | — | |
| 43-4 | Die Entführung aus dem Serail: No. 13 Arie "Frisch zum Kampfe" | Harald Neukirch, Staatskapelle Dresden, Karl Böhm | — | |
| 43-5 | Die Entführung aus dem Serail: Holla, hier geht's ja lustig zu (Osmin, Pedrillo) | Wolfgang Dehler, Kurt Hachlicki, Staatskapelle Dresden, Karl Böhm | — | |
| 43-6 | Die Entführung aus dem Serail: No. 14 Duett "Vivat Bacchus! Bacchus lebe!" | Kurt Moll, Harald Neukirch, Staatskapelle Dresden, Karl Böhm | — | |
| 43-7 | Die Entführung aus dem Serail: Wahrhaftig, das muss ich gestehen (Pedrillo, Osmin) | Wolfgang Dehler, Kurt Hachlicki, Staatskapelle Dresden, Karl Böhm | — | |
| 43-8 | Die Entführung aus dem Serail: No. 15 Arie "Wenn der Freude Tränen fließen" | Peter Schreier, Staatskapelle Dresden, Karl Böhm | — | |
| 43-9 | Die Entführung aus dem Serail: No. 16 Quartett "Ach, Belmonte! Ach, mein Leben!" | Arleen Augér, Reri Grist, Harald Neukirch, Peter Schreier, Staatskapelle Dresden, Karl Böhm | — | |
| 43-10 | Die Entführung aus dem Serail: Kommen Sie, bester Herr (Pedrillo, Belmonte) | Kurt Hachlicki, Hans-Jörn Weber, Staatskapelle Dresden, Karl Böhm | — | |
| 43-11 | Die Entführung aus dem Serail: No. 17 Arie "Ich baue ganz auf deine Stärke" | Peter Schreier, Staatskapelle Dresden, Karl Böhm | — | |
| 43-12 | Die Entführung aus dem Serail: Alles liegt auf dem Ohr (Pedrillo, Belmonte) | Kurt Hachlicki, Hans-Jörn Weber, Staatskapelle Dresden, Karl Böhm | — | |
| 43-13 | Die Entführung aus dem Serail: No. 18 Romanze "In Mohrenland gefangen war" | Harald Neukirch, Peter Schreier, Staatskapelle Dresden, Karl Böhm | — | |
| 43-14 | Die Entführung aus dem Serail: Sehen Sie nur, bester Herr (Pedrillo, Konstanze, Belmonte, Osmin) | Wolfgang Dehler, Kurt Hachlicki, Regina Jeske, Hans-Jörn Weber, Staatskapelle Dresden, Karl Böhm | — | |
| 43-15 | Die Entführung aus dem Serail: No. 19 Arie "Ha, wie will ich trumphieren" | Kurt Moll, Staatskapelle Dresden, Karl Böhm | — | |
| 43-16 | Die Entführung aus dem Serail: Was gibt's, Osmin (Selim, Osmin, Konstanze, Belmonte) | Wolfgang Dehler, Regina Jeske, Otto Mellies, Hans-Jörn Weber, Staatskapelle Dresden, Karl Böhm | — | |
| 43-17 | Die Entführung aus dem Serail: No. 20 Rezitativ und Duett "Welch ein Geschick"... "Ha, du solltest für mich sterben" | Arleen Augér, Peter Schreier, Staatskapelle Dresden, Karl Böhm | — | |
| 43-18 | Die Entführung aus dem Serail: Herr, es ist aus (Pedrillo, Blonde, Selim, Belmonte, Konstanze, Osmin) | Wolfgang Dehler, Kurt Hachlicki, Regina Jeske, Otto Mellies, Helga Piur, Hans-Jörn Weber, Staatskapelle Dresden, Karl Böhm | — | |
| 43-19 | Die Entführung aus dem Serail: No. 21 Finale. Vaudeville "Nie werd' ich deine Huld verkennen" | Arleen Augér, Reri Grist, Kurt Moll, Harald Neukirch, Peter Schreier, Staatskapelle Dresden, Karl Böhm | — | |
| 44-1 | Le nozze di Figaro, K 492: Overture | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-2 | Le nozze di Figaro, K 492: Act I: (a) "Cinque, dieci, venti, trenta" ... | Ildebrando d’Arcangelo, Anna Netrebko, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-3 | Le nozze di Figaro, K 492: Act I: (b) "Cosa stai misurando" ... | Anna Netrebko, Ildebrando d’Arcangelo, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-4 | Le nozze di Figaro, K 492: Act I: (c) "Se a caso madama" ... | Ildebrando d’Arcangelo, Anna Netrebko, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-5 | Le nozze di Figaro, K 492: Act I: (d) "Or bene, ascolta, e taci" ... | Anna Netrebko, Ildebrando d’Arcangelo, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-6 | Le nozze di Figaro, K 492: Act I: (e) "Bravo, signor padrone" ... | Ildebrando d’Arcangelo, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-7 | Le nozze di Figaro, K 492: Act I: (f) "Se vuol ballare, signor Contino" ... | Ildebrando d’Arcangelo, Wiener Philharmoniker, Nikolaus Harnoncourt | T-900.134.079-0 | |
| 44-8 | Le nozze di Figaro, K 492: Act I: (g) "Ed aspettaste il giorno" ... | Franz-Josef Selig, Marie McLaughlin, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-9 | Le nozze di Figaro, K 492: Act I: (h) "La vendetta, oh, la vendetta" ... | Franz-Josef Selig, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-10 | Le nozze di Figaro, K 492: Act I: (i) "Tutto ancor non ho perso" ... | Marie McLaughlin, Anna Netrebko, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-11 | Le nozze di Figaro, K 492: Act I: (j) "Via, resti servita" ... | Marie McLaughlin, Anna Netrebko, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-12 | Le nozze di Figaro, K 492: Act I: (k) "Va' la, vecchia pedante" ... | Anna Netrebko, Christine Schäfer, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-13 | Le nozze di Figaro, K 492: Act I: (l) "Non so piu cosa son, cosa faccio" ... | Christine Schäfer, Wiener Philharmoniker, Nikolaus Harnoncourt | T-915.310.099-3 | |
| 44-14 | Le nozze di Figaro, K 492: Act I: (m) "Ah, son perduto!" ... | Anna Netrebko, Bo Skovhus, Patrick Henckens, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-15 | Le nozze di Figaro, K 492: Act I: (n) "Cosa sento! Tosto andate" ... | Bo Skovhus, Patrick Henckens, Anna Netrebko, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-16 | Le nozze di Figaro, K 492: Act I: (o) "Basilio, in traccia tosto" ... | Bo Skovhus, Anna Netrebko, Christine Schäfer, Patrick Henckens, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-17 | Le nozze di Figaro, K 492: Act I: (p) "Giovani liete, fiori spargete" ... | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-18 | Le nozze di Figaro, K 492: Act I: (q) "Cos'e questa commedia?" ... | Bo Skovhus, Ildebrando d’Arcangelo, Anna Netrebko, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-19 | Le nozze di Figaro, K 492: Act I: (r) "Giovani liete, fiori spargete" ... | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-20 | Le nozze di Figaro, K 492: Act I: (s) "Evviva!" ... | Ildebrando d’Arcangelo, Anna Netrebko, Patrick Henckens, Christine Schäfer, Bo Skovhus, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 44-21 | Le nozze di Figaro, K 492: Act I: (t) "Non piu andrai, farfallone amoroso" ... | Ildebrando d’Arcangelo, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-1 | Le nozze di Figaro, K 492: Act II: (a) "Porgi, amor, qualche ristoro" ... | Dorothea Röschmann, Wiener Philharmoniker, Nikolaus Harnoncourt | T-306.482.540-3 | |
| 45-2 | Le nozze di Figaro, K 492: Act II: (b) "Vieni, cara Susanna" ... | Dorothea Röschmann, Anna Netrebko, Ildebrando d’Arcangelo, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-3 | Le nozze di Figaro, K 492: Act II: (c) "Quanto duolmi, Susanna" ... | Dorothea Röschmann, Anna Netrebko, Christine Schäfer, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-4 | Le nozze di Figaro, K 492: Act II: (d) "Voi che sapeteche cosa e amor" ... | Christine Schäfer, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-5 | Le nozze di Figaro, K 492: Act II: (e) "Bravo! Che bella voce!" ... | Dorothea Röschmann, Anna Netrebko, Christine Schäfer, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-6 | Le nozze di Figaro, K 492: Act II: (f) "Venite, inginocchiatevi" ... | Anna Netrebko, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-7 | Le nozze di Figaro, K 492: Act II: (g) "Quante buffonerie!" ... | Dorothea Röschmann, Anna Netrebko, Christine Schäfer, Bo Skovhus, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-8 | Le nozze di Figaro, K 492: Act II: (h) "Che novita!" ... | Bo Skovhus, Dorothea Röschmann, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-9 | Le nozze di Figaro, K 492: Act II: (i) "Susanna, or via, sortite!" ... | Bo Skovhus, Dorothea Röschmann, Anna Netrebko, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-10 | Le nozze di Figaro, K 492: Act II: (j) "Dunque, voi non aprite" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-11 | Le nozze di Figaro, K 492: Act II: (k) "Aprite, presto, aprite" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-12 | Le nozze di Figaro, K 492: Act II: (l) "Oh guarda il demonietto!" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-13 | Le nozze di Figaro, K 492: Act II: (m) "Tutto e come il lasciai" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-14 | Le nozze di Figaro, K 492: Act II: (n) "Esci, omai, garzon malnato" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-15 | Le nozze di Figaro, K 492: Act II: (o) "Susanna, son morta" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-16 | Le nozze di Figaro, K 492: Act II: (p) "Signori, di fouri son gia i suonatori" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-17 | Le nozze di Figaro, K 492: Act II: (q) "Conoscete, signor Figaro" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-18 | Le nozze di Figaro, K 492: Act II: (r) "Ah, signore, signor!" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-19 | Le nozze di Figaro, K 492: Act II: (s) "Vostre dunque saran queste carte" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-20 | Le nozze di Figaro, K 492: Act II: (t) "Voi signor, che giusto siete" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-21 | Le nozze di Figaro, K 492: Act III: (a) "Che imbarazza e mai questo!" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-22 | Le nozze di Figaro, K 492: Act III: (b) "Crudel! Perche finora" ... | Anna Netrebko, Bo Skovhus, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-23 | Le nozze di Figaro, K 492: Act III: (c) "E perche fosti meco" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 45-24 | Le nozze di Figaro, K 492: Act III: (d) "Hai gia vinta la causa! ... Vedro mentr'io sospiro" ... | Bo Skovhus, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-1 | Le nozze di Figaro, K 492: Act III: (e) "E decisa la lite" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-2 | Le nozze di Figaro, K 492: Act III: (f) "Riconosci in questo amplesso" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-3 | Le nozze di Figaro, K 492: Act III: (g) "Eccovi, o caro amico" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-4 | Le nozze di Figaro, K 492: Act III: (h) "Andiamo, andiam, bel paggio" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-5 | Le nozze di Figaro, K 492: Act III: (i) "E Susanna non vien! ... Dovo sono i bei momenti" ... | Dorothea Röschmann, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-6 | Le nozze di Figaro, K 492: Act III: (j) "Io vi dico, signor" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-7 | Le nozze di Figaro, K 492: Act III: (k) "Sull'aria... Che soave zeffiretto" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | T-011.113.348-2 | |
| 46-8 | Le nozze di Figaro, K 492: Act III: (l) "Piegato e il foglio" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-9 | Le nozze di Figaro, K 492: Act III: (m) "Ricevete, o padroncina" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-10 | Le nozze di Figaro, K 492: Act III: (n) "Queste sono, madama, le ragazze del loco" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-11 | Le nozze di Figaro, K 492: Act III: (o) "Ecco la marcia, andiamo" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-12 | Le nozze di Figaro, K 492: Act III: (p) "Amanti constanti, seguaci d'onor" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-13 | Le nozze di Figaro, K 492: Act III: (q) "Eh gia, solita usanza" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-14 | Le nozze di Figaro, K 492: Act III: (r) "Andate, amici" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-15 | Le nozze di Figaro, K 492: Act IV: (a) "L'ho perduta, me meschina!" ... | Eva Liebau, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-16 | Le nozze di Figaro, K 492: Act IV: (b) "Barbarina, cos'hai?" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-17 | Le nozze di Figaro, K 492: Act IV: (c) "Il capro e la capretta" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-18 | Le nozze di Figaro, K 492: Act IV: (d) "Chi va la?" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-19 | Le nozze di Figaro, K 492: Act IV: (e) "In quegli anni in cui val poco" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-20 | Le nozze di Figaro, K 492: Act IV: (f) "Tutto e disposto ... Aprite un po' quegli occhi" ... | Ildebrando d’Arcangelo, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-21 | Le nozze di Figaro, K 492: Act IV: (g) "Madama, voi tremate" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-22 | Le nozze di Figaro, K 492: Act IV: (h) "Giunse alfin il momento ... Deh vieni, non tardar" ... | Anna Netrebko, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-23 | Le nozze di Figaro, K 492: Act IV: (i) "Perfida! E in quella forma" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-24 | Le nozze di Figaro, K 492: Act IV: (j) "Pian pianin le andro piu presso" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-25 | Le nozze di Figaro, K 492: Act IV: (k) "Ecco qui la mia Susanna" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-26 | Le nozze di Figaro, K 492: Act IV: (l) "Tutto e tranquillo e placido" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-27 | Le nozze di Figaro, K 492: Act IV: (m) "Pace, pace, mio dolce tesoro" ... | Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 46-28 | Le nozze di Figaro, K 492: Act IV: (n) "Gente, gente, all'armi, all'armi" ... | Florian Boesch, Patrick Henckens, Eva Liebau, Marie McLaughlin, Anna Netrebko, Dorothea Röschmann, Christine Schäfer, Bo Skovhus, Ildebrando d’Arcangelo, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 47-1 | Don Giovanni, K 527: Overture | — | ||
| 47-2 | Don Giovanni, K 527: Act I: (a) "Notte e giorno faticar" ... | — | ||
| 47-3 | Don Giovanni, K 527: Act I: (b) "Leporello, ove sei?" ... | — | ||
| 47-4 | Don Giovanni, K 527: Act I: (c) "Ah! del padre in periglio" ... | — | ||
| 47-5 | Don Giovanni, K 527: Act I: (d) "Fuggi, crudele, fuggi!" ... | — | ||
| 47-6 | Don Giovanni, K 527: Act I: (e) "Orsu, spicciati, presto" ... | — | ||
| 47-7 | Don Giovanni, K 527: Act I: (f) "Ah! chi mi dice mai" ... | — | ||
| 47-8 | Don Giovanni, K 527: Act I: (g) "Chi e la?" - "Stelle! che vedo" ... | — | ||
| 47-9 | Don Giovanni, K 527: Act I: (h) "Madamina, il catalogo e questo" ... | — | ||
| 47-10 | Don Giovanni, K 527: Act I: (i) "In questa forma, dunque" ... | — | ||
| 47-11 | Don Giovanni, K 527: Act I: (j) "Giovinette che fate all'amore" ... | — | ||
| 47-12 | Don Giovanni, K 527: Act I: (k) "Manco male e partita" ... | — | ||
| 47-13 | Don Giovanni, K 527: Act I: (l) "Ho capito, signor si" ... | — | ||
| 47-14 | Don Giovanni, K 527: Act I: (m) "Alfin siam liberati" ... | — | ||
| 47-15 | Don Giovanni, K 527: Act I: (n) "La ci darem la mano" ... | — | ||
| 47-16 | Don Giovanni, K 527: Act I: (o) "Fermati, scellarato" ... | — | ||
| 47-17 | Don Giovanni, K 527: Act I: (p) "Ah, fuggi il traditor" ... | — | ||
| 47-18 | Don Giovanni, K 527: Act I: (q) "Mi par ch'oggi il demonio si diverta" ... | — | ||
| 47-19 | Don Giovanni, K 527: Act I: (r) "Non ti fidar, o misera" ... | — | ||
| 47-20 | Don Giovanni, K 527: Act I: (s) "Povera sventurata! ... | — | ||
| 47-21 | Don Giovanni, K 527: Act I: (t) "Don Ottavio, son morta!" ... | — | ||
| 47-22 | Don Giovanni, K 527: Act I: (u) "Or sai chi l'onore" ... | — | ||
| 47-23 | Don Giovanni, K 527: Act I: (v) "Come mai creder deggio" ... | — | ||
| 47-24 | Don Giovanni, K 527: Act I: (w) "Dalla sua pace" ... | — | ||
| 48-1 | Don Giovanni, K 527: Act I: (x) "Io deggio ad ogni patto" ... | — | ||
| 48-2 | Don Giovanni, K. 527: Act I, Scena XV. No. 11 Aria "Fin ch'han dal vino" (Don Giovanni) | Simon Keenlyside, Chamber Orchestra of Europe, Claudio Abbado | T-306.481.937-6 | |
| 48-3 | Don Giovanni, K 527: Act I: (z) "Masetto: senti un po'!" ... | — | ||
| 48-4 | Don Giovanni, K 527: Act I: (aa) "Batti, batti, o bel Masetto" ... | — | ||
| 48-5 | Don Giovanni, K 527: Act I: (ab) "Guarda un po'!" ... | — | ||
| 48-6 | Don Giovanni, K 527: Act I: (ac) "Presto, presto, pria ch'ei venga" ... | — | ||
| 48-7 | Don Giovanni, K 527: Act I: (ad) "Tra quest' arbori celata" ... | — | ||
| 48-8 | Don Giovanni, K 527: Act I: (ad) "Bisogna aver coraggio" ... | — | ||
| 48-9 | Don Giovanni, K 527: Act I: (ae) "Riposate, vezzose ragazze!" .... | — | ||
| 48-10 | Don Giovanni, K 527: Act II: (a) "Eh via, boffone" ... | — | ||
| 48-11 | Don Giovanni, K 527: Act II: (b) "Leporello" - "Signore"... | — | ||
| 48-12 | Don Giovanni, K 527: Act II: (c) "Ah! taci, ingiusto core" ... | — | ||
| 48-13 | Don Giovanni, K 527: Act II: (d) "Amico, che ti par?" ... | — | ||
| 48-14 | Don Giovanni, K 527: Act II: (e) "Deh, vieni alla finestra" ... | — | ||
| 48-15 | Don Giovanni, K 527: Act II: (f) "V'e gente alla finestra" ... | — | ||
| 48-16 | Don Giovanni, K 527: Act II: (g) "Meta di voi qua vadano" ... | — | ||
| 48-17 | Don Giovanni, K 527: Act II: (h) "Zitto! Lascia ch'io senta" ... | — | ||
| 48-18 | Don Giovanni, K 527: Act II: (i) "Vedrai, carino" ... | — | ||
| 48-19 | Don Giovanni, K 527: Act II: (j) "Di molte faci il lume" ... | — | ||
| 48-20 | Don Giovanni, K 527: Act II: (k) "Sola, sola, in buio loco" ... | — | ||
| 48-21 | Don Giovanni, K 527: Act II: (l) "Dunque quello sei tu" ... | — | ||
| 48-22 | Don Giovanni, K 527: Act II: (m) "Ah, pieta, signori miei" ... | — | ||
| 48-23 | Don Giovanni, K 527: Act II: (n) "Ferma, perfido, ferma" ... | — | ||
| 48-24 | Don Giovanni, K 527: Act II: (o) "Il mio tesoro intanto" ... | — | ||
| 49-1 | Don Giovanni, K 527: Act II: (p) "In quali eccessi, o Numi" ... | — | ||
| 49-2 | Don Giovanni, K 527: Act II: (q) "Mi tradi quell'alma ingrata" ... | — | ||
| 49-3 | Don Giovanni, K 527: Act II: (r) "Ah, ah, ah, ah, questa e buona" ... | — | ||
| 49-4 | Don Giovanni, K 527: Act II: (s) "O statue gentilissima" ... | — | ||
| 49-5 | Don Giovanni, K 527: Act II: (t) "Calmatevi, idol mio" ... | — | ||
| 49-6 | Don Giovanni, K 527: Act II: (u) "Crudele! Ah no, mio bene!" ... | — | ||
| 49-7 | Don Giovanni, K 527: Act II: (v) "Non mi dir, bell'idol mio" ... | — | ||
| 49-8 | Don Giovanni, K 527: Act II: (w) "Ah, si segua il suo passo" ... | — | ||
| 49-9 | Don Giovanni, K 527: Act II: (x) "Gia la mensa e preparata" ... | — | ||
| 49-10 | Don Giovanni, K 527: Act II: (y) "L'ultima prova dell'amor mio" ... | — | ||
| 49-11 | Don Giovanni, K 527: Act II: (z) "Don Giovanni, a cenar teco" ... | — | ||
| 49-12 | Don Giovanni, K 527: Act II: (aa) "Ah! dov'e il perfido" ... | — | ||
| 50-1 | Così fan tutte: Overture | Wiener Philharmoniker, James Levine | T-902.763.968-5 | |
| 50-2 | Così fan tutte: Atto I. “La mia Dorabella capace non è” | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Wiener Philharmoniker, James Levine | — | |
| 50-3 | Così fan tutte: Atto I. “È la fede delle femmine” | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Wiener Philharmoniker, James Levine | — | |
| 50-4 | Così fan tutte: Atto I. “E de’ cento zecchini, che faremo?” | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Wiener Philharmoniker, James Levine | — | |
| 50-5 | Così fan tutte: Atto I. “Ah, guarda, sorella” | Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 50-6 | Così fan tutte: Atto I. “Barbaro fato! Vorrei dir, e cor non ho” | Ferruccio Furlanetto, Wiener Philharmoniker, James Levine | — | |
| 50-7 | Così fan tutte: Atto I. “Sento, oh Dio, che questo piede” | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 50-8 | Così fan tutte: Atto I. “Al fato dan legge” | Hans Peter Blochwitz, Thomas Hampson, Wiener Philharmoniker, James Levine | — | |
| 50-9 | Così fan tutte: Atto I. “Bella vita militar!” | Karl Kamper, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, James Levine | — | |
| 50-10 | Così fan tutte: Atto I. “Muoio d’affanno” … “Di scrivermi ogni giorno” | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 50-11 | Così fan tutte: Atto I. “Soave sia il vento” | Ferruccio Furlanetto, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | T-902.525.648-8 | |
| 50-12 | Così fan tutte: Atto I. “Non son cattivo comico!” | Ferruccio Furlanetto, Wiener Philharmoniker, James Levine | — | |
| 50-13 | Così fan tutte: Atto I. “Che vita maledetta” | Marie McLaughlin, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 50-14 | Così fan tutte: Atto I. “Ah, scostati!” | Ann Murray, Wiener Philharmoniker, James Levine | — | |
| 50-15 | Così fan tutte: Atto I. “Smanie implacabili che m’agitate” | Ann Murray, Wiener Philharmoniker, James Levine | — | |
| 50-16 | Così fan tutte: Atto I. “In uomini, in soldati” | Ferruccio Furlanetto, Marie McLaughlin, Wiener Philharmoniker, James Levine | — | |
| 50-17 | Così fan tutte: Atto I. “Alla bella Despinetta” | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Marie McLaughlin, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 50-18 | Così fan tutte: Atto I. “Che sussurro! Che strepito!” | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 50-19 | Così fan tutte: Atto I. “Come scoglio immoto resta” | Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 50-20 | Così fan tutte: Atto I. “Rivolgete a lui lo sguardo” | Thomas Hampson, Wiener Philharmoniker, James Levine | — | |
| 50-21 | Così fan tutte: Atto I. “E voi ridete?” | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Wiener Philharmoniker, James Levine | — | |
| 50-22 | Così fan tutte: Atto I. “Un’ aura amorosa del nostro tesoro” | Hans Peter Blochwitz, Wiener Philharmoniker, James Levine | — | |
| 51-1 | Così fan tutte: Atto I. “Oh la saria da ridere” (Don Alfonso, Despina) | Ferruccio Furlanetto, Marie McLaughlin, Wiener Philharmoniker, James Levine | — | |
| 51-2 | Così fan tutte: Atto I. No. 18 Finale “Ah, che tutta in un momento” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) | Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 51-3 | Così fan tutte: Atto I. No. 18 Finale “Si mora sì, si mora” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Marie McLaughlin, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 51-4 | Così fan tutte: Atto I. No. 18 Finale. “Eccovi il medico” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Marie McLaughlin, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 51-5 | Così fan tutte: Atto II. Recitativo “Andate là, che siete” (Despina, Firodiligi, Dorabella) | Marie McLaughlin, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 51-6 | Così fan tutte: Atto II. No. 19 Aria “Una donna a quindici anni” (Despina) | Marie McLaughlin, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 51-7 | Così fan tutte: Atto II. No. 20 Duetto “Prenderò quel brunettino” (Fiordiligi, Dorabella) | Ferruccio Furlanetto, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 51-8 | Così fan tutte: Atto II. No. 21 Duetto con coro “Secondate, aurette amiche” (Ferrando, Guglielmo, Chor) | Karl Kamper, Hans Peter Blochwitz, Konzertvereinigung Wiener Staatsopernchor, Ferruccio Furlanetto, Thomas Hampson, Marie McLaughlin, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 51-9 | Così fan tutte: Atto II. No. 22 “La mano a me date” (Don Alfonso, Ferrando, Guglielmo, Despina) | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Marie McLaughlin, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 51-10 | Così fan tutte: Atto II. No. 23 Duetto “Il core vi dono, bell’idolo mio” (Dorabella, Guglielmo) | Thomas Hampson, Ann Murray, Wiener Philharmoniker, James Levine | — | |
| 51-11 | Così fan tutte: Atto II. Recitativo “Barbara! Perché fuggi?” (Ferrando, Fiordiligi) | Hans Peter Blochwitz, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 51-12 | Così fan tutte: Atto II. No. 24 “Ah lo veggio, quell’anima bella” (Ferrando) | Hans Peter Blochwitz, Wiener Philharmoniker, James Levine | — | |
| 52-1 | Così fan tutte: Atto II. Recitativo. Allegretto “Ei parte… senti…! Ah no… partir si lasci” (Fiordiligi) | Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 52-2 | Così fan tutte: Atto II. No. 25 Rondò “Per pietà, ben mio, perdona” (Fiordiligi) | Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 52-3 | Così fan tutte: Atto II. Recitativo “Amico, abbiamo vinto!” (Ferrando, Guglielmo) | Hans Peter Blochwitz, Thomas Hampson, Wiener Philharmoniker, James Levine | — | |
| 52-4 | Così fan tutte: Atto II. No. 26 Aria. Allegretto “Donne mie, la fate a tanti” (Guglielmo) | Thomas Hampson, Wiener Philharmoniker, James Levine | — | |
| 52-5 | Così fan tutte: Atto II. Recitativo. Allegro – andante “In qual fiero contrasto, in qual disordine” (Ferrando) | Hans Peter Blochwitz, Wiener Philharmoniker, James Levine | — | |
| 52-6 | Così fan tutte: Atto II. No. 27 Cavatina “Tradito, schernito” (Ferrando) | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Wiener Philharmoniker, James Levine | — | |
| 52-7 | Così fan tutte: Atto II. Recitativo “Ora vedo che siete” (Despina, Dorabella, Fiordiligi) | Marie McLaughlin, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 52-8 | Così fan tutte: Atto II. No. 28 Aria. Allegretto vivace “È amore un ladroncello” (Dorabella) | Ann Murray, Wiener Philharmoniker, James Levine | — | |
| 52-9 | Così fan tutte: Atto II. Recitativo “Come tutto congiura” (Fiordiligi, Guglielmo, Despina, Don Alfonso) | Ferruccio Furlanetto, Thomas Hampson, Marie McLaughlin, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 52-10 | Così fan tutte: Atto II. No. 29 Duetto “Fra gli amplessi in pochi istanti” (Fiordiligi, Ferrando) | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 52-11 | Così fan tutte: Atto II. No. 30 Aria “Tutti accusan le donne” (Don Alfonso, Ferrando, Guglielmo) | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Marie McLaughlin, Wiener Philharmoniker, James Levine | — | |
| 52-12 | Così fan tutte: Atto II. No. 31 Finale “Fate presto, oh cari amici” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor) | Konzertvereinigung Wiener Staatsopernchor, Ferruccio Furlanetto, Marie McLaughlin, Wiener Philharmoniker, James Levine | — | |
| 52-13 | Così fan tutte: Atto II. No. 31 Finale “Benedetti i doppi coniugi” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor) | Hans Peter Blochwitz, Konzertvereinigung Wiener Staatsopernchor, Thomas Hampson, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 52-14 | Così fan tutte: Atto II. No. 31 Finale “Miei signori, tutto è fatto” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor) | Hans Peter Blochwitz, Konzertvereinigung Wiener Staatsopernchor, Ferruccio Furlanetto, Thomas Hampson, Marie McLaughlin, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 52-15 | Così fan tutte: Atto II. No. 31 Finale “Sani e salvi agli amplessi” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor) | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Marie McLaughlin, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | — | |
| 53-1 | Die Zauberflöte, K. 620: Ouverture | Berliner Philharmoniker, Karl Böhm | T-903.529.769-9 | |
| 53-2 | Die Zauberflöte: Act I. Nr. 1 Introduktion: »Zu Hilfe! Zu Hilfe!« (Tamino, Die drei Damen) | Cvetka Ahlin, Hildegard Hillebrecht, Sieglinde Wagner, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | — | |
| 53-3 | Die Zauberflöte: Act I. »Wo bin ich?« (Tamino) | Fritz Wunderlich | — | |
| 53-4 | Die Zauberflöte: Act I. Nr. 2 Arie: »Der Vogelfänger bin ich ja« (Papageno) | Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm | — | |
| 53-5 | Die Zauberflöte: Act I. »He da! ... Was da?« (Tamino, Papageno, Die drei Damen) | Cvetka Ahlin, Dietrich Fischer-Dieskau, Hildegard Hillebrecht, Sieglinde Wagner, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | — | |
| 53-6 | Die Zauberflöte: „Dies Bildnis ist bezaubernd schön“ (Tamino) | Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | T-306.483.079-7 | |
| 53-7 | Die Zauberflöte: Act I. »Rüste dich mit Mut und Standhaftigkeit« (Die drei Damen, Tamino) | Cvetka Ahlin, Hildegard Hillebrecht, Sieglinde Wagner, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | — | |
| 53-8 | Die Zauberflöte: Act I. Nr. 4 Rezitativ und Arie: »O zittre nicht, mein lieber Sohn!« (Königin der Nacht) | Roberta Peters, Berliner Philharmoniker, Karl Böhm | — | |
| 53-9 | Die Zauberflöte: Act I. »Ist es denn Wirklichkeit, was ich sah?« (Tamino) | Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | — | |
| 53-10 | Die Zauberflöte: Act I. Nr. 5 Quintett: »Hm, hm, hm« (Papageno, Tamino, Die drei Damen) | Cvetka Ahlin, Dietrich Fischer-Dieskau, Hildegard Hillebrecht, Sieglinde Wagner, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | — | |
| 53-11 | Die Zauberflöte: Act I. Nr. 6 Terzett: »Du feines Täubchen, nur herein!« (Monostatos, Pamina, Papageno) | Dietrich Fischer-Dieskau, Evelyn Lear, Friedrich Lenz, Berliner Philharmoniker, Karl Böhm | — | |
| 53-12 | Die Zauberflöte: Act I. »Bin ich nicht ein Narr« (Papageno, Pamina) | Dietrich Fischer-Dieskau, Evelyn Lear, Berliner Philharmoniker, Karl Böhm | — | |
| 53-13 | Die Zauberflöte: Act I. Nr. 7 Duett: »Bei Männern, welche Liebe fühlen« (Pamina, Papageno) | Dietrich Fischer-Dieskau, Evelyn Lear, Berliner Philharmoniker, Karl Böhm | T-900.134.395-9 | |
| 53-14 | Die Zauberflöte: Act I. Nr. 8 Finale: »Zum Ziele führt dich diese Bahn« (Die drei Knaben, Tamino, Priester, Sprecher, Chor) | Günther Arndt, Antonia Fahberg, Hubert Hilten, Hans Hotter, Raili Kostia, RIAS Kammerchor, Manfred Röhrl, Rosl Schwaiger, Martin Vantin, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | — | |
| 53-15 | Die Zauberflöte: Act I. Nr. 8 Finale: »Wie stark ist nicht dein Zauberton« (Tamino, Papageno) | Dietrich Fischer-Dieskau, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | — | |
| 53-16 | Die Zauberflöte: Act I. Nr. 8 Finale: »Schnelle Füße, rascher Mut« (Pamina, Papageno, Monostatos, Chor) | Günther Arndt, Dietrich Fischer-Dieskau, Evelyn Lear, Friedrich Lenz, RIAS Kammerchor, Berliner Philharmoniker, Karl Böhm | T-902.278.461-8 | |
| 53-17 | Die Zauberflöte: Act I. Nr. 8 Finale: »Es lebe Sarastro! Sarastro lebe!« (Chor, Papageno, Pamina, Sarastro, Monostatos, Tamino) | Günther Arndt, Franz Crass, Dietrich Fischer-Dieskau, Evelyn Lear, Friedrich Lenz, RIAS Kammerchor, Berliner Philharmoniker, Karl Böhm | — | |
| 54-1 | Die Zauberflöte: Act II. Nr. 9 Marsch der Priester | Berliner Philharmoniker, Karl Böhm | T-921.158.813-5 | |
| 54-2 | Die Zauberflöte: Act II. »Ihr eingeweihten Diener der Götter Osiris und Isis!« (Sarastro, Erster Priester, Zweiter Priester, Dritter Priester) | Franz Crass, Hubert Hilten, Manfred Röhrl, Martin Vantin | — | |
| 54-3 | Die Zauberflöte: Act II. Nr. 10 Arie mit Chor: »O Isis und Osiris« (Sarastro, Chor) | Günther Arndt, Franz Crass, RIAS Kammerchor, Berliner Philharmoniker, Karl Böhm | T-001.321.541-2 | |
| 54-4 | Die Zauberflöte: Act II. »Eine schreckliche Nacht!« (Tamino, Papageno, Erster Priester, Zweiter Priester) | Dietrich Fischer-Dieskau, Hubert Hilten, Martin Vantin, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | T-913.908.462-1 | |
| 54-5 | Die Zauberflöte: Act II. Nr. 11 Duett: »Bewahret euch vor Weibertücken« (Zweiter Priester, Dritter Priester) | Manfred Röhrl, Martin Vantin, Berliner Philharmoniker, Karl Böhm | — | |
| 54-6 | Die Zauberflöte: Act II. »He, Lichter her!« (Papageno, Tamino) | Dietrich Fischer-Dieskau, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | — | |
| 54-7 | Die Zauberflöte: Act II. Nr. 12 Quintett: »Wie? Wie? Wie? Ihr an diesem Schreckensort?« (Die drei Damen, Papageno, Tamino, Priester) | Cvetka Ahlin, Dietrich Fischer-Dieskau, Hildegard Hillebrecht, Sieglinde Wagner, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | — | |
| 54-8 | Die Zauberflöte: Act II. »Tamino! Dein standhaft männliches Betragen hat gesiegt« (Erster Priester, Zweiter Priester, Papageno) | Dietrich Fischer-Dieskau, Hubert Hilten, Martin Vantin, Berliner Philharmoniker, Karl Böhm | — | |
| 54-9 | Die Zauberflöte: Act II. Nr. 13 Arie: »Alles fühlt der Liebe Freuden« (Monostatos) | Friedrich Lenz, Berliner Philharmoniker, Karl Böhm | T-900.222.345-2 | |
| 54-10 | Die Zauberflöte: Act II. »Mutter!« (Pamina, Monostatos, Königin der Nacht) | Evelyn Lear, Friedrich Lenz, Roberta Peters, Berliner Philharmoniker, Karl Böhm | T-800.574.957-6 | |
| 54-11 | Die Zauberflöte: Act II. Nr. 14 Arie: »Der Hölle Rache kocht in meinem Herzen« (Die Königin der Nacht) | Roberta Peters, Berliner Philharmoniker, Karl Böhm | T-918.245.117-8 | |
| 54-12 | Die Zauberflöte: Act II. »Morden soll ich?« (Pamina, Monostatos, Sarastro) | Franz Crass, Evelyn Lear, Friedrich Lenz, Berliner Philharmoniker, Karl Böhm | — | |
| 54-13 | Die Zauberflöte: Act II. Nr. 15 Arie: »In diesen heil'gen Hallen kennt« (Sarastro) | Franz Crass, Berliner Philharmoniker, Karl Böhm | — | |
| 54-14 | Die Zauberflöte: Act II. »Hier seid ihr euch beide allein überlassen« (Erster Priester, Papageno, Tamino, Weib) | Dietrich Fischer-Dieskau, Hubert Hilten, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | — | |
| 54-15 | Die Zauberflöte: Act II. Nr. 16 Terzett: »Seid uns zum zweitenmal willkommen« (Die drei Knaben) | Cvetka Ahlin, Hildegard Hillebrecht, Sieglinde Wagner, Berliner Philharmoniker, Karl Böhm | T-909.688.137-7 | |
| 54-16 | Die Zauberflöte: Act II. »Tamino, wollen wir nicht speisen?« (Papageno, Tamino, Pamina) | Dietrich Fischer-Dieskau, Evelyn Lear, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | — | |
| 54-17 | Die Zauberflöte: Act II. Nr. 17 Arie: »Ach, ich fühl's, es ist verschwunden« (Pamina) | Evelyn Lear, Berliner Philharmoniker, Karl Böhm | — | |
| 54-18 | Die Zauberflöte: Act II. Nr. 18 Chor der Priester: »O Isis und Osiris« (Chor) | RIAS Kammerchor, Berliner Philharmoniker, Karl Böhm | T-001.321.541-2 | |
| 54-19 | Die Zauberflöte, K 620: Act II: (s) "Tamino, deine Haltung war bisher sehr männlich" ... | — | ||
| 54-20 | Die Zauberflöte: Act II. Nr. 19 Terzett: »Soll ich dich, Teurer, nicht mehr sehn?« (Pamina, Sarastro, Tamino) | Franz Crass, Evelyn Lear, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | T-931.460.428-9 | |
| 54-21 | Die Zauberflöte: Act II. »Tamino! Tamino!« (Papageno, Stimmen, Erster Priester) | Dietrich Fischer-Dieskau, Hubert Hilten, Berliner Philharmoniker, Karl Böhm | T-903.529.769-9 | |
| 54-22 | Die Zauberflöte: Act II. Nr. 20 Arie: »Ein Mädchen oder Weibchen wünscht Papageno sich« (Papageno) | Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm | — | |
| 54-23 | Die Zauberflöte: Act II. »Da bin ich schon, mein Engel« (Weib, Papageno, Erster Priester) | Dietrich Fischer-Dieskau, Hubert Hilten, Berliner Philharmoniker, Karl Böhm | — | |
| 54-24 | Die Zauberflöte: Act II. Nr. 21 Finale: »Bald prangt, den Morgen zu verkünden« (Die drei Knaben, Pamina) | Cvetka Ahlin, Hildegard Hillebrecht, Evelyn Lear, Sieglinde Wagner, Berliner Philharmoniker, Karl Böhm | — | |
| 54-25 | Die Zauberflöte: Act II. Nr. 21 Finale: »Der, welcher wandert diese Straße voll Beschwerden« (Die Geharnischten, Tamino, Pamina) | James King, Evelyn Lear, Martti Talvela, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | — | |
| 54-26 | Die Zauberflöte: Act II. Nr. 21 Finale: »Tamino mein! O welch ein Glück!« (Pamina, Tamino, Die Geharnischten, Chor) | Günther Arndt, Evelyn Lear, Fritz Wunderlich, RIAS Kammerchor, Berliner Philharmoniker, Karl Böhm | — | |
| 54-27 | Die Zauberflöte: Act II. Nr. 21 Finale: »Papagena, Papagena, Papagena! Weibchen, Täubchen« (Papageno, Die drei Knaben, Papagena) | Antonia Fahberg, Dietrich Fischer-Dieskau, Raili Kostia, Lisa Otto, Rosl Schwaiger, Berliner Philharmoniker, Karl Böhm | T-903.529.769-9 | |
| 54-28 | Die Zauberflöte: Act II. Nr. 21 Finale: »Nur stille, stille, stille, stille!« (Monostatos, Königin der Nacht, Die drei Damen) | Cvetka Ahlin, Hildegard Hillebrecht, Friedrich Lenz, Roberta Peters, Sieglinde Wagner, Berliner Philharmoniker, Karl Böhm | T-700.094.769-5 | |
| 54-29 | Die Zauberflöte: Act II. Nr. 21 Finale: »Die Strahlen der Sonne vertreiben die Nacht« (Sarastro, Chor) | Günther Arndt, Franz Crass, RIAS Kammerchor, Berliner Philharmoniker, Karl Böhm | — | |
| 55-1 | Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": III. Adagio cantabile | Orpheus Chamber Orchestra | — | |
| 55-2 | Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": III. Adagio cantabile | Orpheus Chamber Orchestra | — | |
| 55-3 | Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": III. Adagio cantabile | Orpheus Chamber Orchestra | — | |
| 55-4 | Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": III. Adagio cantabile | Orpheus Chamber Orchestra | — | |
| 55-5 | Der Sieg vom Helden Koburg, K 587 | Orpheus Chamber Orchestra | — | |
| 55-6 | Das Donnerwetter, K. 534 | Orpheus Chamber Orchestra | T-900.011.733-9 | |
| 55-7 | La Bataille, K 535 | Orpheus Chamber Orchestra | — | |
| 55-8 | 6 German Dances, K 567: no. 1 in B-flat major | Orpheus Chamber Orchestra | — | |
| 55-9 | 6 German Dances, K 567: no. 2 in E-flat major | Orpheus Chamber Orchestra | — | |
| 55-10 | 6 German Dances, K 567: no. 3 in G major | Orpheus Chamber Orchestra | — | |
| 55-11 | 6 German Dances, K 567: no. 4 in D major | Orpheus Chamber Orchestra | — | |
| 55-12 | 6 German Dances, K 567: no. 5 in A major | Orpheus Chamber Orchestra | — | |
| 55-13 | 6 German Dances, K 567: no. 6 in C major | Orpheus Chamber Orchestra | — | |
| 55-14 | Gallimathias musicum, K. 32 | Orpheus Chamber Orchestra | — | |
| 55-15 | March in D major, K 335/1 | Orpheus Chamber Orchestra | T-011.720.941-2 | |
| 55-16 | Les Filles malicieuses, K 610 | Orpheus Chamber Orchestra | — | |
| 55-17 | Il trionfo delle donne, K 607 | Orpheus Chamber Orchestra | — | |
| 55-18 | 'Die Leyerer', K.611 | Orpheus Chamber Orchestra | — | |
| 55-19 | 3 German Dances, K 605: no. 1 in D major | Orpheus Chamber Orchestra | T-010.437.719-6 | |
| 55-20 | 3 German Dances, K 605: no. 2 in G major | Orpheus Chamber Orchestra | — | |
| 55-21 | 3 German Dances, K 605: no. 3 in C major "The Sleighride" | Orpheus Chamber Orchestra | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Konzert für Klavier und Orchester Nr. 17 G-Dur KV 453: 1. Allegro | Géza Anda, Camerata Academica des Salzburger Mozarteums | T-070.161.055-0 |
| Konzert für Klavier und Orchester Nr. 17 G-Dur KV 453: 2. Andante | Géza Anda, Camerata Academica des Salzburger Mozarteums | — |
| Konzert für Klavier und Orchester Nr. 17 G-Dur KV 453: 3. Allegretto | Géza Anda, Camerata Academica des Salzburger Mozarteums | — |
| Concerto pour piano et orchestre No. 21, KV 467: Andante | Géza Anda, Camerata Academica des Salzburger Mozarteums | T-010.194.871-3 |
| Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 1. Allegro | Géza Anda, Camerata Academica des Salzburger Mozarteums | — |
| Konzert für Klavier und Orchester Nr. 21 C-Dur KV 467: 3. Allegro vivace assai | Géza Anda, Camerata Academica des Salzburger Mozarteums | T-306.395.786-4 |
| Concerto for 2 Pianos and Orchestra in E-flat major, K 365: I. Allegro | Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm | — |
| Concerto for 2 Pianos and Orchestra in E-flat major, K 365: II. Andante | Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm | — |
| Concerto for 2 Pianos and Orchestra in E-flat major, K 365: III. Rondeau. Allegro | Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm | — |
| Piano Concerto no. 27 in B-flat major, K 595: I. Allegro | Emil Gilels, Wiener Philharmoniker, Karl Böhm | — |
| Piano Concerto no. 27 in B-flat major, K 595: II. Larghetto | Emil Gilels, Wiener Philharmoniker, Karl Böhm | T-308.381.369-4 |
| Piano Concerto no. 27 in B-flat major, K 595: III. Allegro | Emil Gilels, Wiener Philharmoniker, Karl Böhm | — |
