UPC · Release
Claudio Abbado
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028947910466 is the Universal Product Code (UPC barcode) for the release “The Symphony Edition” by Claudio Abbado, released 2017-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 307 tracks, each with its own ISRC. Tracks include DEN960601731, DEN960601732, DEN960601733.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 35 in D major, K. 385 "Haffner": I. Allegro con spirito | Orchestra Mozart, Claudio Abbado | — | |
| 2 | Symphony no. 35 in D major, K. 385 "Haffner": II. Andante | Orchestra Mozart, Claudio Abbado | — | |
| 3 | Symphony no. 35 in D major, K. 385 "Haffner": III. Menuetto - Trio | Orchestra Mozart, Claudio Abbado | — | |
| 4 | Symphony no. 35 in D major, K. 385 "Haffner": IV. Finale. Presto | Orchestra Mozart, Claudio Abbado | T-318.676.528-2 | |
| 5 | Symphony no. 29 in A major, K. 186a/201: I. Allegro moderato | Orchestra Mozart, Claudio Abbado | T-312.542.381-2 | |
| 6 | Symphony no. 29 in A major, K. 186a/201: II. Andante | Orchestra Mozart, Claudio Abbado | T-902.876.200-7 | |
| 7 | Symphony no. 29 in A major, K. 186a/201: III. Menuetto - Trio | Orchestra Mozart, Claudio Abbado | T-312.542.381-2 | |
| 8 | Symphony no. 29 in A major, K. 186a/201: IV. Allegro con spirito | Orchestra Mozart, Claudio Abbado | T-312.542.381-2 | |
| 9 | Symphony No. 33 in B flat major, K. 319: I. Allegro assai | — | ||
| 10 | Symphony No. 33 in B flat major, K. 319: II. Andante moderato | — | ||
| 11 | Symphony No. 33 in B flat major, K. 319: III. Menuetto - Trio | — | ||
| 12 | Symphony No. 33 in B flat major, K. 319: IV. Allegro assai | — | ||
| 2-1 | Symphony no. 38 in D major, K. 504 "Prague": I. Adagio - Allegro | Orchestra Mozart, Claudio Abbado | T-011.422.353-8 | |
| 2-2 | Symphony no. 38 in D major, K. 504 "Prague": II. Andante | Orchestra Mozart, Claudio Abbado | T-902.876.200-7 | |
| 2-3 | Symphony no. 38 in D major, K. 504 "Prague": III. Presto | Orchestra Mozart, Claudio Abbado | T-902.876.200-7 | |
| 2-4 | Symphony No. 41 in C major, K. 551 "Jupiter": I. Allegro vivace | — | ||
| 2-5 | Symphony No. 41 in C major, K. 551 "Jupiter": II. Andante cantabile | — | ||
| 2-6 | Symphony No. 41 in C major, K. 551 "Jupiter": III. Menuetto. Allegretto - Trio | — | ||
| 2-7 | Symphony No. 41 in C major, K. 551 "Jupiter": IV. Molto allegro | — | ||
| 3-1 | Symphony no. 39 in E-flat major, K. 543: I. Adagio - Allegro | Orchestra Mozart, Claudio Abbado | — | |
| 3-2 | Symphony no. 39 in E-flat major, K. 543: II. Andante con moto | Orchestra Mozart, Claudio Abbado | — | |
| 3-3 | Symphony no. 39 in E-flat major, K. 543: III. Menuetto. Allegretto - Trio | Orchestra Mozart, Claudio Abbado | T-902.774.400-9 | |
| 3-4 | Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro | Orchestra Mozart, Claudio Abbado | T-928.635.622-7 | |
| 3-5 | Symphony No. 40 in G minor, K. 550: I. Molto allegro | — | ||
| 3-6 | Symphony No. 40 in G minor, K. 550: II. Andante | — | ||
| 3-7 | Symphony No. 40 in G minor, K. 550: III. Menuetto. Allegretto - Trio | — | ||
| 3-8 | Symphony No. 40 in G minor, K. 550: IV. Allegro assai | — | ||
| 4-1 | Overture to "Il mondo della luna", Hob. XXVIII:7 | The Chamber Orchestra of Europe, Claudio Abbado | T-071.017.492-7 | |
| 4-2 | Symphony in D major, Hob. I:93: IV. Finale. Presto ma non troppo | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 4-3 | Symphony in D major, Hob. I:93: IV. Finale. Presto ma non troppo | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 4-4 | Symphony no. 93 in D major, Hob. I:93: III. Menuetto. Allegro – Trio – Menuetto | London Philharmonic Orchestra, Eugen Jochum | — | |
| 4-5 | Symphony in D major, Hob. I:93: IV. Finale. Presto ma non troppo | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 4-6 | Symphony in D major, Hob. I:96 "The Miracle": I. Adagio - Allegro | The Chamber Orchestra of Europe, Claudio Abbado | T-306.395.786-4 | |
| 4-7 | Symphony in D major, Hob. I:96 "The Miracle": II. Andante | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 4-8 | Symphony in D major, Hob. I:96 "The Miracle": III. Menuetto. Allegretto - Trio - Menuetto | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 4-9 | Symphony in D major, Hob. I:96 "The Miracle": IV. Finale. Vivace (assai) | The Chamber Orchestra of Europe, Claudio Abbado | T-318.676.528-2 | |
| 4-10 | Symphony in B-flat major, Hob. I:98: I. Adagio - Allegro | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 4-11 | Symphony in B-flat major, Hob. I:98: II. Adagio cantabile | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 4-12 | Symphony in B-flat major, Hob. I:98: III. Menuetto. Allegro | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 4-13 | Symphony in B-flat major, Hob. I:98: IV. Finale. Presto | The Chamber Orchestra of Europe, Claudio Abbado | T-318.676.528-2 | |
| 5-1 | Symphony in G major, Hob. I:100 "Military": I. Adagio - Allegro | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 5-2 | Symphony in G major, Hob. I:100 "Military": II. Allegretto | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 5-3 | Symphony in G major, Hob. I:100 "Military": III. Menuet. Moderato | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 5-4 | Symphony in G major, Hob. I:100 "Military": IV. Finale. Presto | The Chamber Orchestra of Europe, Claudio Abbado | T-318.676.528-2 | |
| 5-5 | Symphony in D major, Hob. I:101 "The Clock": III. Menuet. Allegretto - Trio | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 5-6 | Symphony in D major, Hob. I:101 "The Clock": III. Menuet. Allegretto - Trio | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 5-7 | Symphony in D major, Hob. I:101 "The Clock": III. Menuet. Allegretto - Trio | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 5-8 | Symphony in D major, Hob. I:101 "The Clock": III. Menuet. Allegretto - Trio | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 5-9 | Symphony in B-flat major, Hob. I:102: I. Largo | The Chamber Orchestra of Europe, Claudio Abbado | T-931.717.545-4 | |
| 5-10 | Symphony in B-flat major, Hob. I:102: II. Adagio | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 5-11 | Symphony in B-flat major, Hob. I:102: III. Menuet. Allegro - Trio | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 5-12 | Symphony in B-flat major, Hob. I:102: IV. Finale. Presto | The Chamber Orchestra of Europe, Claudio Abbado | T-318.676.528-2 | |
| 6-1 | Symphony in E-flat major, Hob. I:103 "Drum Roll": I. Adagio - Allegro con spirito | The Chamber Orchestra of Europe, Claudio Abbado | T-921.506.221-8 | |
| 6-2 | Symphony in E-flat major, Hob. I:103 "Drum Roll": II. Andante più tosto Allegretto | The Chamber Orchestra of Europe, Claudio Abbado | T-910.783.706-9 | |
| 6-3 | Symphony in E-flat major, Hob. I:103 "Drum Roll": III. Menuet - Trio | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 6-4 | Symphony in E-flat major, Hob. I:103 "Drum Roll": IV. Finale. Allegro con spirito | The Chamber Orchestra of Europe, Claudio Abbado | T-318.676.528-2 | |
| 6-5 | Sinfonia Concertante in B-flat major, Hob. I:105: I. Allegro | The Chamber Orchestra of Europe, Claudio Abbado | T-800.184.797-9 | |
| 6-6 | Sinfonia Concertante in B-flat major, Hob. I:105: II. Andante | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 6-7 | Sinfonia Concertante in B-flat major, Hob. I:105: III. Allegro con spirito | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 7-1 | Symphony No.1 in C major, Op.21: I. Adagio molto - Allegro con brio | — | ||
| 7-2 | Symphony No.1 in C major, Op.21: II. Andante cantabile con moto | — | ||
| 7-3 | Symphony No.1 in C major, Op.21: III. Menuetto. Allegro molto e vivace - Trio | — | ||
| 7-4 | Symphony No.1 in C major, Op.21: IV. Adagio - Allegro molto e vivace | — | ||
| 7-5 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: 1. Allegro con brio | Berliner Philharmoniker, Claudio Abbado | — | |
| 7-6 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: 2. Marcia funebre. Adagio assai | Berliner Philharmoniker, Claudio Abbado | — | |
| 7-7 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: 3. Scherzo. Allegro vivace – Trio | Berliner Philharmoniker, Claudio Abbado | — | |
| 7-8 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: 4. Finale. Allegro molto – Poco andante – Presto | Berliner Philharmoniker, Claudio Abbado | T-318.676.528-2 | |
| 8-1 | Symphony No.2 in D major, Op.36: I. Adagio molto - Allegro con brio | — | ||
| 8-2 | Symphony No.2 in D major, Op.36: II. Larghetto | — | ||
| 8-3 | Symphony No.2 in D major, Op.36: III. Scherzo. Allegro - Trio | — | ||
| 8-4 | Symphony No.2 in D major, Op.36: IV. Allegro molto | — | ||
| 8-5 | Symphony no. 4 in B‐flat major, op. 60: 1. Adagio – Allegro vivace | Berliner Philharmoniker, Claudio Abbado | T-001.444.317-4 | |
| 8-6 | Symphony no. 4 in B‐flat major, op. 60: 2. Adagio | Berliner Philharmoniker, Claudio Abbado | T-001.444.317-4 | |
| 8-7 | Symphony no. 4 in B‐flat major, op. 60: 3. Allegro molto e vivace – Trio. Un poco meno allegro | Berliner Philharmoniker, Claudio Abbado | T-001.444.317-4 | |
| 8-8 | Symphony no. 4 in B‐flat major, op. 60: 4. Allegro ma non troppo | Berliner Philharmoniker, Claudio Abbado | T-001.444.317-4 | |
| 9-1 | Symphony No.5 in C minor, Op.67: I. Allegro con brio | — | ||
| 9-2 | Symphony No.5 in C minor, Op.67: II. Andante con moto | — | ||
| 9-3 | Symphony No.5 in C minor, Op.67: III. Allegro | — | ||
| 9-4 | Symphony No.5 in C minor, Op.67: IV. Allegro | — | ||
| 9-5 | Symphony No.6 in F major, Op.68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | — | ||
| 9-6 | Symphony No.6 in F major, Op.68 "Pastoral": II. Szene am Bach: Andante molto mosso | — | ||
| 9-7 | Symphony No.6 in F major, Op.68 "Pastoral": III. Lustiges Zusammensein der Landleute: Allegro | — | ||
| 9-8 | Symphony No.6 in F major, Op.68 "Pastoral": IV. Gewitter - Sturm: Allegro | — | ||
| 9-9 | Symphony No.6 in F major, Op.68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto | — | ||
| 10-1 | Symphony No.7 in A major, Op.92: I. Poco sostenuto - Vivace | — | ||
| 10-2 | Symphony No.7 in A major, Op.92: II. Allegretto | — | ||
| 10-3 | Symphony No.7 in A major, Op.92: III. Presto | — | ||
| 10-4 | Symphony No.7 in A major, Op.92: IV. Allegro con brio | — | ||
| 10-5 | Symphony No.8 in F major, Op.93: I. Allegro vivace e con brio | — | ||
| 10-6 | Symphony No.8 in F major, Op.93: II. Allegretto scherzando | — | ||
| 10-7 | Symphony No.8 in F major, Op.93: III. Tempo di menuetto | — | ||
| 10-8 | Symphony No.8 in F major, Op.93: IV. Allegro vivace | — | ||
| 11-1 | Symphony No.9 in D minor, Op.125 "Choral": I. Allegro ma non troppo e un poco maestoso | — | ||
| 11-2 | Symphony No.9 in D minor, Op.125 "Choral": II. Molto vivace - Presto | — | ||
| 11-3 | Symphony No.9 in D minor, Op.125 "Choral": III. Adagio molto e cantabile - Andante moderato | — | ||
| 11-4 | Symphony No.9 in D minor, Op.125 "Choral": IVa. Presto - Allegro assai | — | ||
| 11-5 | Symphony No.9 in D minor, Op.125 "Choral": IVb. Presto. "O Freunde nicht diese Töne" | — | ||
| 12-1 | Symphony No.1 in D major, D.82: I. Adagio - Allegro vivace | — | ||
| 12-2 | Symphony No.1 in D major, D.82: II. Andante | — | ||
| 12-3 | Symphony No.1 in D major, D.82: III. Menuetto. Allegretto - Trio | — | ||
| 12-4 | Symphony No.1 in D major, D.82: IV. Allegro vivace | — | ||
| 12-5 | Symphony No.2 in B flat major, D.125: I. Largo - Allegro vivace | — | ||
| 12-6 | Symphony No.2 in B flat major, D.125: II. Andante - Var. I - V | — | ||
| 12-7 | Symphony No.2 in B flat major, D.125: III. Menuetto. Allegro vivace - Trio | — | ||
| 12-8 | Symphony No.2 in B flat major, D.125: IV. Presto vivace | — | ||
| 12-9 | Symphony No.3 in D major, D.200: I. Adagio maestoso - Allegro con brio | — | ||
| 12-10 | Symphony No.3 in D major, D.200: II. Allegretto | — | ||
| 12-11 | Symphony No.3 in D major, D.200: III. Menuetto. Vivace - Trio | — | ||
| 12-12 | Symphony No.3 in D major, D.200: IV. Presto. Vivace | — | ||
| 13-1 | Symphony No.4 in C minor, D.417 "Tragic": I. Adagio molto - Allegro vivace | — | ||
| 13-2 | Symphony No.4 in C minor, D.417 "Tragic": II. Andante | — | ||
| 13-3 | Symphony No.4 in C minor, D.417 "Tragic": III. Menuetto. Allegro vivace - Trio | — | ||
| 13-4 | Symphony No.4 in C minor, D.417 "Tragic": IV. Allegro | — | ||
| 13-5 | Symphony no. 8 in B minor “Unfinished”, D 759: I. Allegro moderato | The Chamber Orchestra of Europe, Claudio Abbado | T-902.685.630-4 | |
| 13-6 | Symphony no. 8 in B minor “Unfinished”, D 759: II. Andante con moto | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 14-1 | Symphony No.5 in B flat major, D.485: I. Allegro | — | ||
| 14-2 | Symphony No.5 in B flat major, D.485: II. Andante con moto | — | ||
| 14-3 | Symphony No.5 in B flat major, D.485: III. Menuetto. Allegro molto - Trio | — | ||
| 14-4 | Symphony No.5 in B flat major, D.485: IV. Allegro vivace | — | ||
| 14-5 | Symphony No.6 in C major, D.589 "The Little": I. Adagio - Allegro | — | ||
| 14-6 | Symphony No.6 in C major, D.589 "The Little": II. Andante | — | ||
| 14-7 | Symphony No.6 in C major, D.589 "The Little": III. Scherzo. Presto - Più lento | — | ||
| 14-8 | Symphony No.6 in C major, D.589 "The Little": IV. Allegro moderato | — | ||
| 15-1 | Symphony no. 9 in C major "Great", D. 944: 1. Andante - Allegro ma non troppo | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 15-2 | Symphony no. 9 in C major "Great", D. 944: 2. Andante con moto | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 15-3 | Symphony no. 9 in C major "Great", D. 944: 3. Scherzo. Allegro vivace | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 15-4 | Symphony no. 9 in C major "Great", D. 944: 4. Allegro vivace | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 16-1 | Rosamunde, Princess of Cyprus, D.644: Overture "Die Zauberharfe" (The Magic Harp) | — | ||
| 16-2 | Rosamunde, Princess of Cyprus, D.797: I. Entr'acte after Act I | — | ||
| 16-3 | Rosamunde, Princess of Cyprus, D.797: IV. Chorus of Spirits: "In der Tiefe wohnt das Licht" | — | ||
| 16-4 | Rosamunde, Princess of Cyprus, D.797: II. Ballet Music | — | ||
| 16-5 | Rosamunde, Princess of Cyprus, D.797: VI. Shepherds' melody | — | ||
| 16-6 | Rosamunde, Princess of Cyprus, D.797: VII. Shepherds' Chorus: "Hier auf den Fluren...." | — | ||
| 16-7 | Rosamunde, Princess of Cyprus, D.797: V. Entr'acte after Act III | — | ||
| 16-8 | Rosamunde, Princess of Cyprus, D.797: IIIb. Romance: "Der Vollmond strahlt auf Bergeshöh'n" | — | ||
| 16-9 | Rosamunde, Princess of Cyprus, D.797: IIIa. Entr'acte after Act II | — | ||
| 16-10 | Rosamunde, Princess of Cyprus, D.797: VIII. Chorus of Huntsmen: "Wie lebt sich's so fröhlich im Grünen" | — | ||
| 16-11 | Rosamunde, Princess of Cyprus, D.797: IX. Ballet Music | — | ||
| 17-1 | Symphony No. 1 in C minor, Op. 11: I. Allegro de molto | — | ||
| 17-2 | Symphony No. 1 in C minor, Op. 11: II. Andante | — | ||
| 17-3 | Symphony No. 1 in C minor, Op. 11: III. Menuetto. Allegro molto | — | ||
| 17-4 | Symphony No. 1 in C minor, Op. 11: IV. Allegro con fuoco | — | ||
| 17-5 | Scherzo in G minor from Octet, Op. 20: III. Scherzo - Sempre pianissimo e leggiero | — | ||
| 17-6 | A Midsummer Night's Dream, Op. 21 | — | ||
| 17-7 | The Hebrides, Op. 26 "Fingal's Cave" | — | ||
| 17-8 | Calm Sea and Prosperous Voyage, Op. 27 | — | ||
| 18-1 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 18-2 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 18-3 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 18-4 | Symphony No. 2 in B-flat major, Op. 52 "Hymn of Praise": II. "Alles was Odem hat, lobe den Herrn" | — | ||
| 18-5 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 18-6 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 18-7 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 18-8 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 18-9 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 18-10 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 18-11 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 18-12 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 18-13 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 18-14 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 19-1 | Symphony no. 3 in A minor "Scottish", op. 56: IV. Allegro vivacissimo – Allegro maestoso assai | London Symphony Orchestra, Claudio Abbado | — | |
| 19-2 | Symphony no. 3 in A minor "Scottish", op. 56: IV. Allegro vivacissimo – Allegro maestoso assai | London Symphony Orchestra, Claudio Abbado | — | |
| 19-3 | Symphony no. 3 in A minor "Scottish", op. 56: IV. Allegro vivacissimo – Allegro maestoso assai | London Symphony Orchestra, Claudio Abbado | — | |
| 19-4 | Symphony no. 3 in A minor "Scottish", op. 56: IV. Allegro vivacissimo – Allegro maestoso assai | London Symphony Orchestra, Claudio Abbado | — | |
| 19-5 | The Fair Melusine, Op. 32 | — | ||
| 19-6 | Trumpet Overture, Op. 101 | — | ||
| 19-7 | Ruy Blas, Op. 95 | — | ||
| 20-1 | Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace | London Symphony Orchestra, Claudio Abbado | — | |
| 20-2 | Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace | London Symphony Orchestra, Claudio Abbado | — | |
| 20-3 | Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace | London Symphony Orchestra, Claudio Abbado | — | |
| 20-4 | Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace | London Symphony Orchestra, Claudio Abbado | — | |
| 20-5 | Symphony No. 5 in D minor, Op. 107 "Reformation": I. Andante - Allegro con fuoco | — | ||
| 20-6 | Symphony No. 5 in D minor, Op. 107 "Reformation": II. Allegro vivace | — | ||
| 20-7 | Symphony No. 5 in D minor, Op. 107 "Reformation": III. Andante | — | ||
| 20-8 | Symphony No. 5 in D minor, Op. 107 "Reformation": IV. Choral "Ein' feste Burg ist unser Gott". Andante con moto - Allegro maestoso | — | ||
| 20-9 | Overture for Wind Instruments, Op. 24 | — | ||
| 21-1 | Akademische Festouvertüre op. 80: Allegro - L'istesso tempo, un poco maestoso - Animato - Maestoso | Berliner Philharmoniker, Claudio Abbado | T-901.158.945-0 | |
| 21-2 | Gesang der Parzen, op. 89 | — | ||
| 21-3 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro | — | ||
| 21-4 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 21-5 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 21-6 | Symphony no. 1 in C minor, op. 68: IV. Adagio - Più andante - Allegro non troppo, ma con brio | — | ||
| 22-1 | Alt-Rhapsodie, op. 53 | — | ||
| 22-2 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | — | ||
| 22-3 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo - L'istesso tempo, ma grazioso | — | ||
| 22-4 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (quasi andantino) - Presto ma non assai - Tempo I | — | ||
| 22-5 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | — | ||
| 23-1 | Tragische Ouvertüre, op. 81 | Berliner Philharmoniker, Claudio Abbado | — | |
| 23-2 | Schicksalslied, op. 54: Langsam und sehnsuchtsvoll - »Ihr wandelt droben im Licht« - Allegro - »Doch uns ist gegeben, auf keiner Stätte zu ruhn« - Adagio | Ernst-Senff-Chor, Berliner Philharmoniker, Claudio Abbado | T-322.185.896-0 | |
| 23-3 | Symphonie Nr. 3 in F-dur, op. 90: I. Allegro con brio | Berliner Philharmoniker, Claudio Abbado | T-329.366.811-4 | |
| 23-4 | Symphonie Nr. 3 in F-dur, op. 90: II. Andante | Berliner Philharmoniker, Claudio Abbado | T-329.366.812-5 | |
| 23-5 | Symphonie Nr. 3 in F-dur, op. 90: III. Poco Allegretto | Berliner Philharmoniker, Claudio Abbado | — | |
| 23-6 | Symphonie Nr. 3 in F-dur, op. 90: IV. Allegro | Berliner Philharmoniker, Claudio Abbado | T-318.676.528-2 | |
| 24-1 | Variations on a Theme by Joseph Haydn, op. 56a: Chorale St. Antoni. Andante / Variation I. Poco più animato / Variation II. Più vivace / Variation III. Con moto / Variation IV. Andante con moto / Variation V. Vivace / Variation VI. Vivace / Variation VII. Grazioso / Variation VIII. Presto non troppo / Finale. Andante | Berliner Philharmoniker, Claudio Abbado | T-322.184.202-6 | |
| 24-2 | Nänie, op. 82: Andante - »Auch das Schöne muss sterben!« - Più sostenuto: »Aber sie steigt aus dem Meer« - Tempo primo - »Auch ein Klaglied zu sein« | Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | T-322.186.555-6 | |
| 24-3 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | Berliner Philharmoniker, Claudio Abbado | T-902.764.002-4 | |
| 24-4 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | Berliner Philharmoniker, Claudio Abbado | T-902.764.002-4 | |
| 24-5 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso | Berliner Philharmoniker, Claudio Abbado | — | |
| 24-6 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e pass | Berliner Philharmoniker, Claudio Abbado | T-902.764.002-4 | |
| 25-1 | Serenade No.1 in D major, Op.11: I. Allegro molto | — | ||
| 25-2 | Serenade No.1 in D major, Op.11: II. Scherzo. Allegro non troppo - Trio. Poco più moto | — | ||
| 25-3 | Serenade No.1 in D major, Op.11: III. Adagio non troppo | — | ||
| 25-4 | Serenade No.1 in D major, Op.11: IV. Menuetto I - Menuetto II | — | ||
| 25-5 | Serenade No.1 in D major, Op.11: V. Scherzo. Allegro - Trio | — | ||
| 25-6 | Serenade No.1 in D major, Op.11: VI. Rondo. Allegro | — | ||
| 25-7 | Serenade no. 2 in A major, op. 16: 1. Allegro moderato | Berliner Philharmoniker, Claudio Abbado | — | |
| 25-8 | Serenade no. 2 in A major, op. 16: 2. Scherzo. Vivace — Trio | Berliner Philharmoniker, Claudio Abbado | — | |
| 25-9 | Serenade no. 2 in A major, op. 16: 3. Adagio non troppo | Berliner Philharmoniker, Claudio Abbado | — | |
| 25-10 | Serenade no. 2 in A major, op. 16: 4. Quasi menuetto — Trio | Berliner Philharmoniker, Claudio Abbado | — | |
| 25-11 | Serenade no. 2 in A major, op. 16: 5. Rondo. Allegro | Berliner Philharmoniker, Claudio Abbado | T-800.132.125-2 | |
| 27-1 | Symphony No. 4 in E-flat major, "Romantic": I. Bewegt, nicht zu schnell | — | ||
| 27-2 | Symphony No. 4 in E-flat major, "Romantic": II. Andante quasi Allegretto | — | ||
| 27-3 | Symphony No. 4 in E-flat major, "Romantic": III. Scherzo. Bewegt - Trio. Nicht zu schnell. Keinesfalls schleppend - Scherzo | — | ||
| 27-4 | Symphony No. 4 in E-flat major, "Romantic": IV. Finale. Bewegt, doch nicht zu schnell | — | ||
| 28-1 | Symphony No.5 in B flat major (Leopold Nowak): I. Introduction. Adagio - Allegro | — | ||
| 28-2 | Symphony No.5 in B flat major (Leopold Nowak): II. Adagio. Sehr langsam | — | ||
| 28-3 | Symphony No.5 in B flat major (Leopold Nowak): III. Scherzo: Molto vivace (schnell) - Trio. Im gleichen Tempo | — | ||
| 28-4 | Symphony No.5 in B flat major (Leopold Nowak): IV. Finale: Adagio - Allegro moderato | — | ||
| 29-1 | Symphony no. 7 in E major (ed. Leopold Nowak): 1. Allegro moderato | Wiener Philharmoniker, Claudio Abbado | — | |
| 29-2 | Symphony no. 7 in E major (ed. Leopold Nowak): 2. Adagio. Sehr feierlich und sehr langsam | Wiener Philharmoniker, Claudio Abbado | — | |
| 29-3 | Symphony no. 7 in E major (ed. Leopold Nowak): 3. Scherzo. Sehr schnell - Trio. Etwas langsamer | Wiener Philharmoniker, Claudio Abbado | — | |
| 29-4 | Symphony no. 7 in E major (ed. Leopold Nowak): 4. Finale. Bewegt, doch nicht schnell | Wiener Philharmoniker, Claudio Abbado | — | |
| 30-1 | Symphony No. 9 in D minor "Unfinished", WAB 109 (Leopold Nowak edition): I. Feierlich, Misterioso | — | ||
| 30-2 | Symphony No. 9 in D minor "Unfinished", WAB 109 (Leopold Nowak edition): II. Scherzo: Bewegt, lebhaft - Trio: Schnell | — | ||
| 30-3 | Symphony No. 9 in D minor "Unfinished", WAB 109 (Leopold Nowak edition): III. Adagio: Langsam, ferierlich | — | ||
| 31-1 | Symphonie no. 1: IV. Stürmisch bewegt | Berliner Philharmoniker, Claudio Abbado | T-900.953.062-5 | |
| 32-1 | La Mer, L 109: 3. Dialogue du vent et de la mer. Animé et tumultueux | Lucerne Festival Orchestra, Claudio Abbado | — | |
| 32-2 | Symphony no. 2 in C minor, “Resurrection”: II. Andante moderato. Sehr gemächlich. Nie eilen | Lucerne Festival Orchestra, Claudio Abbado | — | |
| 32-3 | Symphony no. 2 in C minor, “Resurrection”: III. [Scherzo]. In ruhig fliessender Bewegung - attacca | Lucerne Festival Orchestra, Claudio Abbado | — | |
| 32-4 | Symphony no. 2 in C minor, “Resurrection”: IV. »Urlicht«. Sehr feierlich, aber schlicht - »O Röschen rot!« (alto solo) | Anna Larsson, Lucerne Festival Orchestra, Claudio Abbado | — | |
| 32-5 | Symphony no. 2 in C minor, “Resurrection”: V. Im Tempo des Scherzo. Wild herausfahrend - »Auferstehn, ja auferstehnwirst du« (soprano solo, chorus) - »O glaube, mein Herz, o glaube« (alto & soprano solo, chorus) | Eteri Gvazava, Anna Larsson, Orfeón Donostiarra, Lucerne Festival Orchestra, Claudio Abbado | — | |
| 33-1 | Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: I. Kraftig. Entschieden | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 33-2 | Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: II. Immer das gleiche Tempo | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 33-3 | Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: III. Tempo I | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 33-4 | Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: IV. Zeit lassen | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 33-5 | Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: V. Zeit lassen | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 33-6 | Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: VI. Immer dasselbe Tempo (Marsch) | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 33-7 | Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: VII. Im alten Marschtempo (Allegro moderato): 3 Takte nach | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 33-8 | Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: VIII. Tempo I | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-1 | Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto. Sehr mäßig | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-2 | Symphony no. 3 in D minor, Part II: II. L’istesso tempo (3) | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-3 | Symphony no. 3 in D minor, Part II: II. A tempo (Wie im Anfang) | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-4 | Symphony no. 3 in D minor, Part II: II. Ganz Plötzlig gemächlich. Tempo di Menuetto (14) | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-5 | Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando. Ohne Hast | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-6 | Symphony no. 3 in D minor, Part II: III. Wieder sehr gemächlich, wie zu Anfang (6) | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-7 | Symphony no. 3 in D minor, Part II: III. Etwas Zurückhaltend: 6 Takte vor/before/avant (14) | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-8 | Symphony no. 3 in D minor, Part II: III. Tempo I: 2 Takte vor (17) | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-9 | Symphony no. 3 in D minor, Part II: III. Wieder sehr gemächlich, beinahe langsam (27) | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-10 | Symphony no. 3 in D minor, Part II: IV. Sehr langsam. Misterioso. Durchaus ppp | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-11 | Symphony no. 3 in D minor, Part II: IV. Più mosso subito: 6 Takte nach (6) | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-12 | Symphony no. 3 in D minor, Part II: V. Lustig im Tempo und keck im Ausdruck | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-13 | Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-14 | Symphony no. 3 in D minor, Part II: VI. Nicht mehr so breit (4) | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-15 | Symphony no. 3 in D minor, Part II: VI. Tempo I Ruhevoll (9) | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-16 | Symphony no. 3 in D minor, Part II: VI. Nicht mehr so breit (13) | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-17 | Symphony no. 3 in D minor, Part II: VI. Tempo I (21) | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-18 | Symphony no. 3 in D minor, Part II: VI. Langsam. Tempo I (25) | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-19 | [applause] | [no artist] | T-072.571.419-1 | |
| 35-1 | Symphony No.4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich | — | ||
| 35-2 | Symphony No.4 in G major: II. In gemächlicher Bewegung. Ohne Hast | — | ||
| 35-3 | Symphony No.4 in G major: III. Ruhevoll. Poco adagio | — | ||
| 35-4 | Symphony No.4 in G major: IV. Sehr behaglich. "Wir genießen die himmlischen Freuden" | — | ||
| 36-1 | Symphony no. 5: Teil III: IV. Adagietto. Sehr langsam | Berliner Philharmoniker, Claudio Abbado | — | |
| 36-2 | Symphony no. 5: Teil III: IV. Adagietto. Sehr langsam | Berliner Philharmoniker, Claudio Abbado | — | |
| 36-3 | Symphony no. 5: Teil III: IV. Adagietto. Sehr langsam | Berliner Philharmoniker, Claudio Abbado | — | |
| 36-4 | Symphony no. 5: Teil III: IV. Adagietto. Sehr langsam | Berliner Philharmoniker, Claudio Abbado | — | |
| 36-5 | Symphony no. 5: Teil III: IV. Adagietto. Sehr langsam | Berliner Philharmoniker, Claudio Abbado | — | |
| 37-1 | Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig | Berliner Philharmoniker, Claudio Abbado | — | |
| 37-2 | Symphony no. 6 in A minor: II. Andante moderato | Berliner Philharmoniker, Claudio Abbado | T-926.362.354-7 | |
| 37-3 | Symphony no. 6 in A minor: III. Scherzo. Wuchtig | Berliner Philharmoniker, Claudio Abbado | T-326.455.450-5 | |
| 37-4 | Symphony no. 6 in A minor: IV. Finale. Allegro moderato - Allegro energico | Berliner Philharmoniker, Claudio Abbado | T-318.676.528-2 | |
| 37-5 | [applause] | [no artist] | T-072.571.419-1 | |
| 38-1 | Symphony no. 7: I. Langsam (Adagio) – Allegro risoluto, ma non troppo | Berliner Philharmoniker, Claudio Abbado | — | |
| 38-2 | Symphony no. 7: II. Nachtmusik. Allegro moderato | Berliner Philharmoniker, Claudio Abbado | — | |
| 38-3 | Symphony no. 7: III. Scherzo. Schattenhaft – Trio | Berliner Philharmoniker, Claudio Abbado | — | |
| 38-4 | Symphony no. 7: IV. Nachtmusik. Andante amoroso | Berliner Philharmoniker, Claudio Abbado | — | |
| 38-5 | Symphony no. 7: V. Rondo-finale. Tempo I (Allegro ordinario) | Berliner Philharmoniker, Claudio Abbado | — | |
| 38-6 | [applause] | [no artist] | T-072.571.419-1 | |
| 39-1 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 39-2 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 39-3 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 39-4 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 39-5 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 39-6 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 39-7 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 39-8 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 40-1 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 40-2 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 40-3 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 40-4 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 40-5 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 40-6 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 40-7 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 40-8 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 40-9 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 40-10 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 40-11 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 40-12 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 40-13 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 40-14 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 40-15 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 40-16 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 41-1 | Symphony no. 9 in D major: I. Andante comodo | Berliner Philharmoniker, Claudio Abbado | — | |
| 41-2 | Symphony no. 9 in D major: II. Im Tempo eines gemaechlichen Laendlers. Etwas taeppisch und sehr derb. | Berliner Philharmoniker, Claudio Abbado | — | |
| 41-3 | Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig. | Berliner Philharmoniker, Claudio Abbado | — | |
| 41-4 | Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurueckhaltend. | Berliner Philharmoniker, Claudio Abbado | T-318.676.528-2 | |
| 41-5 | [applause] | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony no. 3 in A minor "Scottish", op. 56: 1. Andante con moto - Allegro un poco agitato | London Symphony Orchestra, Claudio Abbado | — |
| Symphony no. 3 in A minor "Scottish", op. 56: II. Vivace non troppo – | London Symphony Orchestra, Claudio Abbado | — |
| Symphony no. 3 in A minor "Scottish", op. 56: III. Adagio | London Symphony Orchestra, Claudio Abbado | — |
| Symphony no. 3 in A minor "Scottish", op. 56: IV. Allegro vivacissimo – Allegro maestoso assai | London Symphony Orchestra, Claudio Abbado | T-306.395.786-4 |
| Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace | London Symphony Orchestra, Claudio Abbado | — |
| Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto | London Symphony Orchestra, Claudio Abbado | T-303.792.628-2 |
| Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato | London Symphony Orchestra, Claudio Abbado | T-931.717.262-6 |
| Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello: Presto | London Symphony Orchestra, Claudio Abbado | T-931.717.263-7 |
| Symphony in D major, Hob. I:101 "The Clock": I. Adagio - Presto | The Chamber Orchestra of Europe, Claudio Abbado | — |
| Symphony in D major, Hob. I:101 "The Clock": II. Andante | The Chamber Orchestra of Europe, Claudio Abbado | — |
| Symphony in D major, Hob. I:101 "The Clock": III. Menuet. Allegretto - Trio | The Chamber Orchestra of Europe, Claudio Abbado | — |
| Symphony in D major, Hob. I:101 "The Clock": IV. Finale. Vivace | The Chamber Orchestra of Europe, Claudio Abbado | T-318.676.528-2 |
| Symphony in D major, Hob. I:93: I. Adagio - Allegro assai | The Chamber Orchestra of Europe, Claudio Abbado | T-306.395.786-4 |
| Symphony in D major, Hob. I:93: II. Largo cantabile | The Chamber Orchestra of Europe, Claudio Abbado | — |
| Symphony in D major, Hob. I:93: IV. Finale. Presto ma non troppo | The Chamber Orchestra of Europe, Claudio Abbado | T-318.676.528-2 |
| Symphony no. 5: Teil III: IV. Adagietto. Sehr langsam | Berliner Philharmoniker, Claudio Abbado | T-800.652.468-2 |
| Symphony no. 5: Teil I: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt | Berliner Philharmoniker, Claudio Abbado | T-926.359.926-4 |
| Symphony no. 5: Teil I: II. Stürmisch bewegt, mit größter Vehemenz | Berliner Philharmoniker, Claudio Abbado | — |
| Symphony no. 5: Teil II: III. Scherzo. Kräftig, nicht zu schnell | Berliner Philharmoniker, Claudio Abbado | — |
| Symphony no. 5: Teil III: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch | Berliner Philharmoniker, Claudio Abbado | — |
| Symphony no. 1 in C minor (1890/91 Vienna version, ed. Brosche): 1. Allegro | Lucerne Festival Orchestra, Claudio Abbado | — |
| Symphony no. 1 in C minor (1890/91 Vienna version, ed. Brosche): 2. Adagio | Lucerne Festival Orchestra, Claudio Abbado | — |
| Symphony no. 1 in C minor (1890/91 Vienna version, ed. Brosche): 3. Scherzo. Schnell - Trio. Langsamer | Lucerne Festival Orchestra, Claudio Abbado | — |
| Symphony no. 1 in C minor (1890/91 Vienna version, ed. Brosche): 4. Finale. Bewegt, feurig | Lucerne Festival Orchestra, Claudio Abbado | — |
Musical Works (ISWC)
Identifier Graph
028947910466 is a Universal Product Code (UPC) assigned to The Symphony Edition by Claudio Abbado. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 307 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028947910466 is the Universal Product Code (UPC barcode) for the release “The Symphony Edition” by Claudio Abbado, released 2017-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 307 tracks, each with its own ISRC. Tracks include DEN960601731, DEN960601732, DEN960601733.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 35 in D major, K. 385 "Haffner": I. Allegro con spirito | Orchestra Mozart, Claudio Abbado | — | |
| 2 | Symphony no. 35 in D major, K. 385 "Haffner": II. Andante | Orchestra Mozart, Claudio Abbado | — | |
| 3 | Symphony no. 35 in D major, K. 385 "Haffner": III. Menuetto - Trio | Orchestra Mozart, Claudio Abbado | — | |
| 4 | Symphony no. 35 in D major, K. 385 "Haffner": IV. Finale. Presto | Orchestra Mozart, Claudio Abbado | T-318.676.528-2 | |
| 5 | Symphony no. 29 in A major, K. 186a/201: I. Allegro moderato | Orchestra Mozart, Claudio Abbado | T-312.542.381-2 | |
| 6 | Symphony no. 29 in A major, K. 186a/201: II. Andante | Orchestra Mozart, Claudio Abbado | T-902.876.200-7 | |
| 7 | Symphony no. 29 in A major, K. 186a/201: III. Menuetto - Trio | Orchestra Mozart, Claudio Abbado | T-312.542.381-2 | |
| 8 | Symphony no. 29 in A major, K. 186a/201: IV. Allegro con spirito | Orchestra Mozart, Claudio Abbado | T-312.542.381-2 | |
| 9 | Symphony No. 33 in B flat major, K. 319: I. Allegro assai | — | ||
| 10 | Symphony No. 33 in B flat major, K. 319: II. Andante moderato | — | ||
| 11 | Symphony No. 33 in B flat major, K. 319: III. Menuetto - Trio | — | ||
| 12 | Symphony No. 33 in B flat major, K. 319: IV. Allegro assai | — | ||
| 2-1 | Symphony no. 38 in D major, K. 504 "Prague": I. Adagio - Allegro | Orchestra Mozart, Claudio Abbado | T-011.422.353-8 | |
| 2-2 | Symphony no. 38 in D major, K. 504 "Prague": II. Andante | Orchestra Mozart, Claudio Abbado | T-902.876.200-7 | |
| 2-3 | Symphony no. 38 in D major, K. 504 "Prague": III. Presto | Orchestra Mozart, Claudio Abbado | T-902.876.200-7 | |
| 2-4 | Symphony No. 41 in C major, K. 551 "Jupiter": I. Allegro vivace | — | ||
| 2-5 | Symphony No. 41 in C major, K. 551 "Jupiter": II. Andante cantabile | — | ||
| 2-6 | Symphony No. 41 in C major, K. 551 "Jupiter": III. Menuetto. Allegretto - Trio | — | ||
| 2-7 | Symphony No. 41 in C major, K. 551 "Jupiter": IV. Molto allegro | — | ||
| 3-1 | Symphony no. 39 in E-flat major, K. 543: I. Adagio - Allegro | Orchestra Mozart, Claudio Abbado | — | |
| 3-2 | Symphony no. 39 in E-flat major, K. 543: II. Andante con moto | Orchestra Mozart, Claudio Abbado | — | |
| 3-3 | Symphony no. 39 in E-flat major, K. 543: III. Menuetto. Allegretto - Trio | Orchestra Mozart, Claudio Abbado | T-902.774.400-9 | |
| 3-4 | Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro | Orchestra Mozart, Claudio Abbado | T-928.635.622-7 | |
| 3-5 | Symphony No. 40 in G minor, K. 550: I. Molto allegro | — | ||
| 3-6 | Symphony No. 40 in G minor, K. 550: II. Andante | — | ||
| 3-7 | Symphony No. 40 in G minor, K. 550: III. Menuetto. Allegretto - Trio | — | ||
| 3-8 | Symphony No. 40 in G minor, K. 550: IV. Allegro assai | — | ||
| 4-1 | Overture to "Il mondo della luna", Hob. XXVIII:7 | The Chamber Orchestra of Europe, Claudio Abbado | T-071.017.492-7 | |
| 4-2 | Symphony in D major, Hob. I:93: IV. Finale. Presto ma non troppo | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 4-3 | Symphony in D major, Hob. I:93: IV. Finale. Presto ma non troppo | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 4-4 | Symphony no. 93 in D major, Hob. I:93: III. Menuetto. Allegro – Trio – Menuetto | London Philharmonic Orchestra, Eugen Jochum | — | |
| 4-5 | Symphony in D major, Hob. I:93: IV. Finale. Presto ma non troppo | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 4-6 | Symphony in D major, Hob. I:96 "The Miracle": I. Adagio - Allegro | The Chamber Orchestra of Europe, Claudio Abbado | T-306.395.786-4 | |
| 4-7 | Symphony in D major, Hob. I:96 "The Miracle": II. Andante | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 4-8 | Symphony in D major, Hob. I:96 "The Miracle": III. Menuetto. Allegretto - Trio - Menuetto | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 4-9 | Symphony in D major, Hob. I:96 "The Miracle": IV. Finale. Vivace (assai) | The Chamber Orchestra of Europe, Claudio Abbado | T-318.676.528-2 | |
| 4-10 | Symphony in B-flat major, Hob. I:98: I. Adagio - Allegro | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 4-11 | Symphony in B-flat major, Hob. I:98: II. Adagio cantabile | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 4-12 | Symphony in B-flat major, Hob. I:98: III. Menuetto. Allegro | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 4-13 | Symphony in B-flat major, Hob. I:98: IV. Finale. Presto | The Chamber Orchestra of Europe, Claudio Abbado | T-318.676.528-2 | |
| 5-1 | Symphony in G major, Hob. I:100 "Military": I. Adagio - Allegro | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 5-2 | Symphony in G major, Hob. I:100 "Military": II. Allegretto | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 5-3 | Symphony in G major, Hob. I:100 "Military": III. Menuet. Moderato | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 5-4 | Symphony in G major, Hob. I:100 "Military": IV. Finale. Presto | The Chamber Orchestra of Europe, Claudio Abbado | T-318.676.528-2 | |
| 5-5 | Symphony in D major, Hob. I:101 "The Clock": III. Menuet. Allegretto - Trio | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 5-6 | Symphony in D major, Hob. I:101 "The Clock": III. Menuet. Allegretto - Trio | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 5-7 | Symphony in D major, Hob. I:101 "The Clock": III. Menuet. Allegretto - Trio | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 5-8 | Symphony in D major, Hob. I:101 "The Clock": III. Menuet. Allegretto - Trio | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 5-9 | Symphony in B-flat major, Hob. I:102: I. Largo | The Chamber Orchestra of Europe, Claudio Abbado | T-931.717.545-4 | |
| 5-10 | Symphony in B-flat major, Hob. I:102: II. Adagio | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 5-11 | Symphony in B-flat major, Hob. I:102: III. Menuet. Allegro - Trio | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 5-12 | Symphony in B-flat major, Hob. I:102: IV. Finale. Presto | The Chamber Orchestra of Europe, Claudio Abbado | T-318.676.528-2 | |
| 6-1 | Symphony in E-flat major, Hob. I:103 "Drum Roll": I. Adagio - Allegro con spirito | The Chamber Orchestra of Europe, Claudio Abbado | T-921.506.221-8 | |
| 6-2 | Symphony in E-flat major, Hob. I:103 "Drum Roll": II. Andante più tosto Allegretto | The Chamber Orchestra of Europe, Claudio Abbado | T-910.783.706-9 | |
| 6-3 | Symphony in E-flat major, Hob. I:103 "Drum Roll": III. Menuet - Trio | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 6-4 | Symphony in E-flat major, Hob. I:103 "Drum Roll": IV. Finale. Allegro con spirito | The Chamber Orchestra of Europe, Claudio Abbado | T-318.676.528-2 | |
| 6-5 | Sinfonia Concertante in B-flat major, Hob. I:105: I. Allegro | The Chamber Orchestra of Europe, Claudio Abbado | T-800.184.797-9 | |
| 6-6 | Sinfonia Concertante in B-flat major, Hob. I:105: II. Andante | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 6-7 | Sinfonia Concertante in B-flat major, Hob. I:105: III. Allegro con spirito | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 7-1 | Symphony No.1 in C major, Op.21: I. Adagio molto - Allegro con brio | — | ||
| 7-2 | Symphony No.1 in C major, Op.21: II. Andante cantabile con moto | — | ||
| 7-3 | Symphony No.1 in C major, Op.21: III. Menuetto. Allegro molto e vivace - Trio | — | ||
| 7-4 | Symphony No.1 in C major, Op.21: IV. Adagio - Allegro molto e vivace | — | ||
| 7-5 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: 1. Allegro con brio | Berliner Philharmoniker, Claudio Abbado | — | |
| 7-6 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: 2. Marcia funebre. Adagio assai | Berliner Philharmoniker, Claudio Abbado | — | |
| 7-7 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: 3. Scherzo. Allegro vivace – Trio | Berliner Philharmoniker, Claudio Abbado | — | |
| 7-8 | Symphony no. 3 in E‐flat major, op. 55 “Eroica”: 4. Finale. Allegro molto – Poco andante – Presto | Berliner Philharmoniker, Claudio Abbado | T-318.676.528-2 | |
| 8-1 | Symphony No.2 in D major, Op.36: I. Adagio molto - Allegro con brio | — | ||
| 8-2 | Symphony No.2 in D major, Op.36: II. Larghetto | — | ||
| 8-3 | Symphony No.2 in D major, Op.36: III. Scherzo. Allegro - Trio | — | ||
| 8-4 | Symphony No.2 in D major, Op.36: IV. Allegro molto | — | ||
| 8-5 | Symphony no. 4 in B‐flat major, op. 60: 1. Adagio – Allegro vivace | Berliner Philharmoniker, Claudio Abbado | T-001.444.317-4 | |
| 8-6 | Symphony no. 4 in B‐flat major, op. 60: 2. Adagio | Berliner Philharmoniker, Claudio Abbado | T-001.444.317-4 | |
| 8-7 | Symphony no. 4 in B‐flat major, op. 60: 3. Allegro molto e vivace – Trio. Un poco meno allegro | Berliner Philharmoniker, Claudio Abbado | T-001.444.317-4 | |
| 8-8 | Symphony no. 4 in B‐flat major, op. 60: 4. Allegro ma non troppo | Berliner Philharmoniker, Claudio Abbado | T-001.444.317-4 | |
| 9-1 | Symphony No.5 in C minor, Op.67: I. Allegro con brio | — | ||
| 9-2 | Symphony No.5 in C minor, Op.67: II. Andante con moto | — | ||
| 9-3 | Symphony No.5 in C minor, Op.67: III. Allegro | — | ||
| 9-4 | Symphony No.5 in C minor, Op.67: IV. Allegro | — | ||
| 9-5 | Symphony No.6 in F major, Op.68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | — | ||
| 9-6 | Symphony No.6 in F major, Op.68 "Pastoral": II. Szene am Bach: Andante molto mosso | — | ||
| 9-7 | Symphony No.6 in F major, Op.68 "Pastoral": III. Lustiges Zusammensein der Landleute: Allegro | — | ||
| 9-8 | Symphony No.6 in F major, Op.68 "Pastoral": IV. Gewitter - Sturm: Allegro | — | ||
| 9-9 | Symphony No.6 in F major, Op.68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto | — | ||
| 10-1 | Symphony No.7 in A major, Op.92: I. Poco sostenuto - Vivace | — | ||
| 10-2 | Symphony No.7 in A major, Op.92: II. Allegretto | — | ||
| 10-3 | Symphony No.7 in A major, Op.92: III. Presto | — | ||
| 10-4 | Symphony No.7 in A major, Op.92: IV. Allegro con brio | — | ||
| 10-5 | Symphony No.8 in F major, Op.93: I. Allegro vivace e con brio | — | ||
| 10-6 | Symphony No.8 in F major, Op.93: II. Allegretto scherzando | — | ||
| 10-7 | Symphony No.8 in F major, Op.93: III. Tempo di menuetto | — | ||
| 10-8 | Symphony No.8 in F major, Op.93: IV. Allegro vivace | — | ||
| 11-1 | Symphony No.9 in D minor, Op.125 "Choral": I. Allegro ma non troppo e un poco maestoso | — | ||
| 11-2 | Symphony No.9 in D minor, Op.125 "Choral": II. Molto vivace - Presto | — | ||
| 11-3 | Symphony No.9 in D minor, Op.125 "Choral": III. Adagio molto e cantabile - Andante moderato | — | ||
| 11-4 | Symphony No.9 in D minor, Op.125 "Choral": IVa. Presto - Allegro assai | — | ||
| 11-5 | Symphony No.9 in D minor, Op.125 "Choral": IVb. Presto. "O Freunde nicht diese Töne" | — | ||
| 12-1 | Symphony No.1 in D major, D.82: I. Adagio - Allegro vivace | — | ||
| 12-2 | Symphony No.1 in D major, D.82: II. Andante | — | ||
| 12-3 | Symphony No.1 in D major, D.82: III. Menuetto. Allegretto - Trio | — | ||
| 12-4 | Symphony No.1 in D major, D.82: IV. Allegro vivace | — | ||
| 12-5 | Symphony No.2 in B flat major, D.125: I. Largo - Allegro vivace | — | ||
| 12-6 | Symphony No.2 in B flat major, D.125: II. Andante - Var. I - V | — | ||
| 12-7 | Symphony No.2 in B flat major, D.125: III. Menuetto. Allegro vivace - Trio | — | ||
| 12-8 | Symphony No.2 in B flat major, D.125: IV. Presto vivace | — | ||
| 12-9 | Symphony No.3 in D major, D.200: I. Adagio maestoso - Allegro con brio | — | ||
| 12-10 | Symphony No.3 in D major, D.200: II. Allegretto | — | ||
| 12-11 | Symphony No.3 in D major, D.200: III. Menuetto. Vivace - Trio | — | ||
| 12-12 | Symphony No.3 in D major, D.200: IV. Presto. Vivace | — | ||
| 13-1 | Symphony No.4 in C minor, D.417 "Tragic": I. Adagio molto - Allegro vivace | — | ||
| 13-2 | Symphony No.4 in C minor, D.417 "Tragic": II. Andante | — | ||
| 13-3 | Symphony No.4 in C minor, D.417 "Tragic": III. Menuetto. Allegro vivace - Trio | — | ||
| 13-4 | Symphony No.4 in C minor, D.417 "Tragic": IV. Allegro | — | ||
| 13-5 | Symphony no. 8 in B minor “Unfinished”, D 759: I. Allegro moderato | The Chamber Orchestra of Europe, Claudio Abbado | T-902.685.630-4 | |
| 13-6 | Symphony no. 8 in B minor “Unfinished”, D 759: II. Andante con moto | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 14-1 | Symphony No.5 in B flat major, D.485: I. Allegro | — | ||
| 14-2 | Symphony No.5 in B flat major, D.485: II. Andante con moto | — | ||
| 14-3 | Symphony No.5 in B flat major, D.485: III. Menuetto. Allegro molto - Trio | — | ||
| 14-4 | Symphony No.5 in B flat major, D.485: IV. Allegro vivace | — | ||
| 14-5 | Symphony No.6 in C major, D.589 "The Little": I. Adagio - Allegro | — | ||
| 14-6 | Symphony No.6 in C major, D.589 "The Little": II. Andante | — | ||
| 14-7 | Symphony No.6 in C major, D.589 "The Little": III. Scherzo. Presto - Più lento | — | ||
| 14-8 | Symphony No.6 in C major, D.589 "The Little": IV. Allegro moderato | — | ||
| 15-1 | Symphony no. 9 in C major "Great", D. 944: 1. Andante - Allegro ma non troppo | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 15-2 | Symphony no. 9 in C major "Great", D. 944: 2. Andante con moto | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 15-3 | Symphony no. 9 in C major "Great", D. 944: 3. Scherzo. Allegro vivace | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 15-4 | Symphony no. 9 in C major "Great", D. 944: 4. Allegro vivace | The Chamber Orchestra of Europe, Claudio Abbado | — | |
| 16-1 | Rosamunde, Princess of Cyprus, D.644: Overture "Die Zauberharfe" (The Magic Harp) | — | ||
| 16-2 | Rosamunde, Princess of Cyprus, D.797: I. Entr'acte after Act I | — | ||
| 16-3 | Rosamunde, Princess of Cyprus, D.797: IV. Chorus of Spirits: "In der Tiefe wohnt das Licht" | — | ||
| 16-4 | Rosamunde, Princess of Cyprus, D.797: II. Ballet Music | — | ||
| 16-5 | Rosamunde, Princess of Cyprus, D.797: VI. Shepherds' melody | — | ||
| 16-6 | Rosamunde, Princess of Cyprus, D.797: VII. Shepherds' Chorus: "Hier auf den Fluren...." | — | ||
| 16-7 | Rosamunde, Princess of Cyprus, D.797: V. Entr'acte after Act III | — | ||
| 16-8 | Rosamunde, Princess of Cyprus, D.797: IIIb. Romance: "Der Vollmond strahlt auf Bergeshöh'n" | — | ||
| 16-9 | Rosamunde, Princess of Cyprus, D.797: IIIa. Entr'acte after Act II | — | ||
| 16-10 | Rosamunde, Princess of Cyprus, D.797: VIII. Chorus of Huntsmen: "Wie lebt sich's so fröhlich im Grünen" | — | ||
| 16-11 | Rosamunde, Princess of Cyprus, D.797: IX. Ballet Music | — | ||
| 17-1 | Symphony No. 1 in C minor, Op. 11: I. Allegro de molto | — | ||
| 17-2 | Symphony No. 1 in C minor, Op. 11: II. Andante | — | ||
| 17-3 | Symphony No. 1 in C minor, Op. 11: III. Menuetto. Allegro molto | — | ||
| 17-4 | Symphony No. 1 in C minor, Op. 11: IV. Allegro con fuoco | — | ||
| 17-5 | Scherzo in G minor from Octet, Op. 20: III. Scherzo - Sempre pianissimo e leggiero | — | ||
| 17-6 | A Midsummer Night's Dream, Op. 21 | — | ||
| 17-7 | The Hebrides, Op. 26 "Fingal's Cave" | — | ||
| 17-8 | Calm Sea and Prosperous Voyage, Op. 27 | — | ||
| 18-1 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 18-2 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 18-3 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 18-4 | Symphony No. 2 in B-flat major, Op. 52 "Hymn of Praise": II. "Alles was Odem hat, lobe den Herrn" | — | ||
| 18-5 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 18-6 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 18-7 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 18-8 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 18-9 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 18-10 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 18-11 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 18-12 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 18-13 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 18-14 | Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) | London Symphony Orchestra, Claudio Abbado | — | |
| 19-1 | Symphony no. 3 in A minor "Scottish", op. 56: IV. Allegro vivacissimo – Allegro maestoso assai | London Symphony Orchestra, Claudio Abbado | — | |
| 19-2 | Symphony no. 3 in A minor "Scottish", op. 56: IV. Allegro vivacissimo – Allegro maestoso assai | London Symphony Orchestra, Claudio Abbado | — | |
| 19-3 | Symphony no. 3 in A minor "Scottish", op. 56: IV. Allegro vivacissimo – Allegro maestoso assai | London Symphony Orchestra, Claudio Abbado | — | |
| 19-4 | Symphony no. 3 in A minor "Scottish", op. 56: IV. Allegro vivacissimo – Allegro maestoso assai | London Symphony Orchestra, Claudio Abbado | — | |
| 19-5 | The Fair Melusine, Op. 32 | — | ||
| 19-6 | Trumpet Overture, Op. 101 | — | ||
| 19-7 | Ruy Blas, Op. 95 | — | ||
| 20-1 | Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace | London Symphony Orchestra, Claudio Abbado | — | |
| 20-2 | Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace | London Symphony Orchestra, Claudio Abbado | — | |
| 20-3 | Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace | London Symphony Orchestra, Claudio Abbado | — | |
| 20-4 | Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace | London Symphony Orchestra, Claudio Abbado | — | |
| 20-5 | Symphony No. 5 in D minor, Op. 107 "Reformation": I. Andante - Allegro con fuoco | — | ||
| 20-6 | Symphony No. 5 in D minor, Op. 107 "Reformation": II. Allegro vivace | — | ||
| 20-7 | Symphony No. 5 in D minor, Op. 107 "Reformation": III. Andante | — | ||
| 20-8 | Symphony No. 5 in D minor, Op. 107 "Reformation": IV. Choral "Ein' feste Burg ist unser Gott". Andante con moto - Allegro maestoso | — | ||
| 20-9 | Overture for Wind Instruments, Op. 24 | — | ||
| 21-1 | Akademische Festouvertüre op. 80: Allegro - L'istesso tempo, un poco maestoso - Animato - Maestoso | Berliner Philharmoniker, Claudio Abbado | T-901.158.945-0 | |
| 21-2 | Gesang der Parzen, op. 89 | — | ||
| 21-3 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro | — | ||
| 21-4 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 21-5 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 21-6 | Symphony no. 1 in C minor, op. 68: IV. Adagio - Più andante - Allegro non troppo, ma con brio | — | ||
| 22-1 | Alt-Rhapsodie, op. 53 | — | ||
| 22-2 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | — | ||
| 22-3 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo - L'istesso tempo, ma grazioso | — | ||
| 22-4 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (quasi andantino) - Presto ma non assai - Tempo I | — | ||
| 22-5 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | — | ||
| 23-1 | Tragische Ouvertüre, op. 81 | Berliner Philharmoniker, Claudio Abbado | — | |
| 23-2 | Schicksalslied, op. 54: Langsam und sehnsuchtsvoll - »Ihr wandelt droben im Licht« - Allegro - »Doch uns ist gegeben, auf keiner Stätte zu ruhn« - Adagio | Ernst-Senff-Chor, Berliner Philharmoniker, Claudio Abbado | T-322.185.896-0 | |
| 23-3 | Symphonie Nr. 3 in F-dur, op. 90: I. Allegro con brio | Berliner Philharmoniker, Claudio Abbado | T-329.366.811-4 | |
| 23-4 | Symphonie Nr. 3 in F-dur, op. 90: II. Andante | Berliner Philharmoniker, Claudio Abbado | T-329.366.812-5 | |
| 23-5 | Symphonie Nr. 3 in F-dur, op. 90: III. Poco Allegretto | Berliner Philharmoniker, Claudio Abbado | — | |
| 23-6 | Symphonie Nr. 3 in F-dur, op. 90: IV. Allegro | Berliner Philharmoniker, Claudio Abbado | T-318.676.528-2 | |
| 24-1 | Variations on a Theme by Joseph Haydn, op. 56a: Chorale St. Antoni. Andante / Variation I. Poco più animato / Variation II. Più vivace / Variation III. Con moto / Variation IV. Andante con moto / Variation V. Vivace / Variation VI. Vivace / Variation VII. Grazioso / Variation VIII. Presto non troppo / Finale. Andante | Berliner Philharmoniker, Claudio Abbado | T-322.184.202-6 | |
| 24-2 | Nänie, op. 82: Andante - »Auch das Schöne muss sterben!« - Più sostenuto: »Aber sie steigt aus dem Meer« - Tempo primo - »Auch ein Klaglied zu sein« | Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado | T-322.186.555-6 | |
| 24-3 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | Berliner Philharmoniker, Claudio Abbado | T-902.764.002-4 | |
| 24-4 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | Berliner Philharmoniker, Claudio Abbado | T-902.764.002-4 | |
| 24-5 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso | Berliner Philharmoniker, Claudio Abbado | — | |
| 24-6 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e pass | Berliner Philharmoniker, Claudio Abbado | T-902.764.002-4 | |
| 25-1 | Serenade No.1 in D major, Op.11: I. Allegro molto | — | ||
| 25-2 | Serenade No.1 in D major, Op.11: II. Scherzo. Allegro non troppo - Trio. Poco più moto | — | ||
| 25-3 | Serenade No.1 in D major, Op.11: III. Adagio non troppo | — | ||
| 25-4 | Serenade No.1 in D major, Op.11: IV. Menuetto I - Menuetto II | — | ||
| 25-5 | Serenade No.1 in D major, Op.11: V. Scherzo. Allegro - Trio | — | ||
| 25-6 | Serenade No.1 in D major, Op.11: VI. Rondo. Allegro | — | ||
| 25-7 | Serenade no. 2 in A major, op. 16: 1. Allegro moderato | Berliner Philharmoniker, Claudio Abbado | — | |
| 25-8 | Serenade no. 2 in A major, op. 16: 2. Scherzo. Vivace — Trio | Berliner Philharmoniker, Claudio Abbado | — | |
| 25-9 | Serenade no. 2 in A major, op. 16: 3. Adagio non troppo | Berliner Philharmoniker, Claudio Abbado | — | |
| 25-10 | Serenade no. 2 in A major, op. 16: 4. Quasi menuetto — Trio | Berliner Philharmoniker, Claudio Abbado | — | |
| 25-11 | Serenade no. 2 in A major, op. 16: 5. Rondo. Allegro | Berliner Philharmoniker, Claudio Abbado | T-800.132.125-2 | |
| 27-1 | Symphony No. 4 in E-flat major, "Romantic": I. Bewegt, nicht zu schnell | — | ||
| 27-2 | Symphony No. 4 in E-flat major, "Romantic": II. Andante quasi Allegretto | — | ||
| 27-3 | Symphony No. 4 in E-flat major, "Romantic": III. Scherzo. Bewegt - Trio. Nicht zu schnell. Keinesfalls schleppend - Scherzo | — | ||
| 27-4 | Symphony No. 4 in E-flat major, "Romantic": IV. Finale. Bewegt, doch nicht zu schnell | — | ||
| 28-1 | Symphony No.5 in B flat major (Leopold Nowak): I. Introduction. Adagio - Allegro | — | ||
| 28-2 | Symphony No.5 in B flat major (Leopold Nowak): II. Adagio. Sehr langsam | — | ||
| 28-3 | Symphony No.5 in B flat major (Leopold Nowak): III. Scherzo: Molto vivace (schnell) - Trio. Im gleichen Tempo | — | ||
| 28-4 | Symphony No.5 in B flat major (Leopold Nowak): IV. Finale: Adagio - Allegro moderato | — | ||
| 29-1 | Symphony no. 7 in E major (ed. Leopold Nowak): 1. Allegro moderato | Wiener Philharmoniker, Claudio Abbado | — | |
| 29-2 | Symphony no. 7 in E major (ed. Leopold Nowak): 2. Adagio. Sehr feierlich und sehr langsam | Wiener Philharmoniker, Claudio Abbado | — | |
| 29-3 | Symphony no. 7 in E major (ed. Leopold Nowak): 3. Scherzo. Sehr schnell - Trio. Etwas langsamer | Wiener Philharmoniker, Claudio Abbado | — | |
| 29-4 | Symphony no. 7 in E major (ed. Leopold Nowak): 4. Finale. Bewegt, doch nicht schnell | Wiener Philharmoniker, Claudio Abbado | — | |
| 30-1 | Symphony No. 9 in D minor "Unfinished", WAB 109 (Leopold Nowak edition): I. Feierlich, Misterioso | — | ||
| 30-2 | Symphony No. 9 in D minor "Unfinished", WAB 109 (Leopold Nowak edition): II. Scherzo: Bewegt, lebhaft - Trio: Schnell | — | ||
| 30-3 | Symphony No. 9 in D minor "Unfinished", WAB 109 (Leopold Nowak edition): III. Adagio: Langsam, ferierlich | — | ||
| 31-1 | Symphonie no. 1: IV. Stürmisch bewegt | Berliner Philharmoniker, Claudio Abbado | T-900.953.062-5 | |
| 32-1 | La Mer, L 109: 3. Dialogue du vent et de la mer. Animé et tumultueux | Lucerne Festival Orchestra, Claudio Abbado | — | |
| 32-2 | Symphony no. 2 in C minor, “Resurrection”: II. Andante moderato. Sehr gemächlich. Nie eilen | Lucerne Festival Orchestra, Claudio Abbado | — | |
| 32-3 | Symphony no. 2 in C minor, “Resurrection”: III. [Scherzo]. In ruhig fliessender Bewegung - attacca | Lucerne Festival Orchestra, Claudio Abbado | — | |
| 32-4 | Symphony no. 2 in C minor, “Resurrection”: IV. »Urlicht«. Sehr feierlich, aber schlicht - »O Röschen rot!« (alto solo) | Anna Larsson, Lucerne Festival Orchestra, Claudio Abbado | — | |
| 32-5 | Symphony no. 2 in C minor, “Resurrection”: V. Im Tempo des Scherzo. Wild herausfahrend - »Auferstehn, ja auferstehnwirst du« (soprano solo, chorus) - »O glaube, mein Herz, o glaube« (alto & soprano solo, chorus) | Eteri Gvazava, Anna Larsson, Orfeón Donostiarra, Lucerne Festival Orchestra, Claudio Abbado | — | |
| 33-1 | Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: I. Kraftig. Entschieden | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 33-2 | Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: II. Immer das gleiche Tempo | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 33-3 | Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: III. Tempo I | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 33-4 | Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: IV. Zeit lassen | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 33-5 | Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: V. Zeit lassen | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 33-6 | Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: VI. Immer dasselbe Tempo (Marsch) | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 33-7 | Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: VII. Im alten Marschtempo (Allegro moderato): 3 Takte nach | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 33-8 | Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: VIII. Tempo I | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-1 | Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto. Sehr mäßig | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-2 | Symphony no. 3 in D minor, Part II: II. L’istesso tempo (3) | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-3 | Symphony no. 3 in D minor, Part II: II. A tempo (Wie im Anfang) | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-4 | Symphony no. 3 in D minor, Part II: II. Ganz Plötzlig gemächlich. Tempo di Menuetto (14) | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-5 | Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando. Ohne Hast | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-6 | Symphony no. 3 in D minor, Part II: III. Wieder sehr gemächlich, wie zu Anfang (6) | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-7 | Symphony no. 3 in D minor, Part II: III. Etwas Zurückhaltend: 6 Takte vor/before/avant (14) | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-8 | Symphony no. 3 in D minor, Part II: III. Tempo I: 2 Takte vor (17) | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-9 | Symphony no. 3 in D minor, Part II: III. Wieder sehr gemächlich, beinahe langsam (27) | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-10 | Symphony no. 3 in D minor, Part II: IV. Sehr langsam. Misterioso. Durchaus ppp | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-11 | Symphony no. 3 in D minor, Part II: IV. Più mosso subito: 6 Takte nach (6) | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-12 | Symphony no. 3 in D minor, Part II: V. Lustig im Tempo und keck im Ausdruck | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-13 | Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-14 | Symphony no. 3 in D minor, Part II: VI. Nicht mehr so breit (4) | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-15 | Symphony no. 3 in D minor, Part II: VI. Tempo I Ruhevoll (9) | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-16 | Symphony no. 3 in D minor, Part II: VI. Nicht mehr so breit (13) | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-17 | Symphony no. 3 in D minor, Part II: VI. Tempo I (21) | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-18 | Symphony no. 3 in D minor, Part II: VI. Langsam. Tempo I (25) | Berliner Philharmonic Orchestra, Claudio Abbado | — | |
| 34-19 | [applause] | [no artist] | T-072.571.419-1 | |
| 35-1 | Symphony No.4 in G major: I. Bedächtig. Nicht eilen - Recht gemächlich | — | ||
| 35-2 | Symphony No.4 in G major: II. In gemächlicher Bewegung. Ohne Hast | — | ||
| 35-3 | Symphony No.4 in G major: III. Ruhevoll. Poco adagio | — | ||
| 35-4 | Symphony No.4 in G major: IV. Sehr behaglich. "Wir genießen die himmlischen Freuden" | — | ||
| 36-1 | Symphony no. 5: Teil III: IV. Adagietto. Sehr langsam | Berliner Philharmoniker, Claudio Abbado | — | |
| 36-2 | Symphony no. 5: Teil III: IV. Adagietto. Sehr langsam | Berliner Philharmoniker, Claudio Abbado | — | |
| 36-3 | Symphony no. 5: Teil III: IV. Adagietto. Sehr langsam | Berliner Philharmoniker, Claudio Abbado | — | |
| 36-4 | Symphony no. 5: Teil III: IV. Adagietto. Sehr langsam | Berliner Philharmoniker, Claudio Abbado | — | |
| 36-5 | Symphony no. 5: Teil III: IV. Adagietto. Sehr langsam | Berliner Philharmoniker, Claudio Abbado | — | |
| 37-1 | Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig | Berliner Philharmoniker, Claudio Abbado | — | |
| 37-2 | Symphony no. 6 in A minor: II. Andante moderato | Berliner Philharmoniker, Claudio Abbado | T-926.362.354-7 | |
| 37-3 | Symphony no. 6 in A minor: III. Scherzo. Wuchtig | Berliner Philharmoniker, Claudio Abbado | T-326.455.450-5 | |
| 37-4 | Symphony no. 6 in A minor: IV. Finale. Allegro moderato - Allegro energico | Berliner Philharmoniker, Claudio Abbado | T-318.676.528-2 | |
| 37-5 | [applause] | [no artist] | T-072.571.419-1 | |
| 38-1 | Symphony no. 7: I. Langsam (Adagio) – Allegro risoluto, ma non troppo | Berliner Philharmoniker, Claudio Abbado | — | |
| 38-2 | Symphony no. 7: II. Nachtmusik. Allegro moderato | Berliner Philharmoniker, Claudio Abbado | — | |
| 38-3 | Symphony no. 7: III. Scherzo. Schattenhaft – Trio | Berliner Philharmoniker, Claudio Abbado | — | |
| 38-4 | Symphony no. 7: IV. Nachtmusik. Andante amoroso | Berliner Philharmoniker, Claudio Abbado | — | |
| 38-5 | Symphony no. 7: V. Rondo-finale. Tempo I (Allegro ordinario) | Berliner Philharmoniker, Claudio Abbado | — | |
| 38-6 | [applause] | [no artist] | T-072.571.419-1 | |
| 39-1 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 39-2 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 39-3 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 39-4 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 39-5 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 39-6 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 39-7 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 39-8 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 40-1 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 40-2 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 40-3 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 40-4 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 40-5 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 40-6 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 40-7 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 40-8 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 40-9 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 40-10 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 40-11 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 40-12 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 40-13 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 40-14 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 40-15 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 40-16 | Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir” | Berliner Philharmoniker, Claudio Abbado | — | |
| 41-1 | Symphony no. 9 in D major: I. Andante comodo | Berliner Philharmoniker, Claudio Abbado | — | |
| 41-2 | Symphony no. 9 in D major: II. Im Tempo eines gemaechlichen Laendlers. Etwas taeppisch und sehr derb. | Berliner Philharmoniker, Claudio Abbado | — | |
| 41-3 | Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig. | Berliner Philharmoniker, Claudio Abbado | — | |
| 41-4 | Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurueckhaltend. | Berliner Philharmoniker, Claudio Abbado | T-318.676.528-2 | |
| 41-5 | [applause] | — |
