UPC · Release
Various Artists
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The UPC for “Classic Recordings 1956-1982 (5-LP Set)” by Various Artists is 028947914075. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: Archiv Produktion. This release contains 98 tracks, each with its own ISRC. Tracks include DEF055901671, DEF055901681, DEF056502281.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Toccata And Fugue in D minor, BWV 565: I. Toccata | — | ||
| 2 | Toccata And Fugue in D minor, BWV 565: II. Fugue | — | ||
| 3 | Sonata no. 6 in G major, BWV 530: I. Vivace | — | ||
| 4 | Sonata no. 6 in G major, BWV 530: II. Lento | — | ||
| 5 | Sonata no. 6 in G major, BWV 530: III. Allegro | — | ||
| 6 | Prelude and Fugue in C, BWV 547: I. Prelude | — | ||
| 7 | Prelude and Fugue in C, BWV 547: II. Fugue | — | ||
| 8 | Sonata no. 1 in E-flat major, BWV 525: I. (Allegro moderato) | — | ||
| 9 | Sonata no. 1 in E-flat major, BWV 525: II. Adagio | — | ||
| 10 | Sonata no. 1 in E-flat major, BWV 525: III. Allegro | — | ||
| 2-1 | Kantate, BWV 51 “Jauchzet Gott in allen Landen”: I. Arie (Sopran): »Jauchzet Gott in allen Landen« | Maria Stader, Pierre Thibaud, Münchener Bach-Orchester, Karl Richter | — | |
| 2-2 | Jauchzet Gott in allen Landen, Cantata BWV 51: II. "Wir beten zu dem Tempel an" | — | ||
| 2-3 | Jauchzet Gott in allen Landen, Cantata BWV 51: III. "Höchster, Höchster mache deine Güte ferner alle Morgen neu" | — | ||
| 2-4 | Jauchzet Gott in allen Landen, Cantata BWV 51: IV. "Sei Lob und Preis mit Ehren" | — | ||
| 2-5 | Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": I. Adagio: Weichet nur, betrübte Schatten | — | ||
| 2-6 | Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": II. Recit: Die Welt wird wieder neu | — | ||
| 2-7 | Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": III. Aria: Phöbus eilt mit schnellen Pferden | — | ||
| 2-8 | Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": IV. Recit: D'rum sucht auch Amor sein Vergnügen | — | ||
| 2-9 | Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": V. Aria: Wenn die Frühlingslüfte streichen | — | ||
| 2-10 | Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": VI. Recit: Und dieses ist das Glücke | — | ||
| 2-11 | Weichet nur, betrübte Schatten BWV 202: VII. Aria "Sich üben im Lieben" | Maria Stader, Münchener Bach-Orchester, Karl Richter | — | |
| 2-12 | Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": VIII. Recit: So sei das Band der keuschen Liebe | — | ||
| 2-13 | Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": IX. Gavotte: Sehet in Zufriedenheit | — | ||
| 3-1 | Florilegium Secondum, Fasciculus 8: Indissolubilis Amicitia in E major: I. Ouverture | — | ||
| 3-2 | Florilegium Secondum, Fasciculus 8: Indissolubilis Amicitia in E major: II. Les Courtisans | — | ||
| 3-3 | Florilegium Secondum, Fasciculus 8: Indissolubilis Amicitia in E major: III. Rondeau | — | ||
| 3-4 | Florilegium Secondum, Fasciculus 8: Indissolubilis Amicitia in E major: IV. Les Gendarmes | — | ||
| 3-5 | Florilegium Secondum, Fasciculus 8: Indissolubilis Amicitia in E major: V. Les Bossus | — | ||
| 3-6 | Florilegium Secondum, Fasciculus 8: Indissolubilis Amicitia in E major: VI. Gavotte | — | ||
| 3-7 | Florilegium Secondum, Fasciculus 8: Indissolubilis Amicitia in E major: VII. Sarabande pour le Génie de l'Amitié | — | ||
| 3-8 | Florilegium Secondum, Fasciculus 8: Indissolubilis Amicitia in E major: VIII. Gigue | — | ||
| 3-9 | Florilegium Secondum, Fasciculus 8: Indissolubilis Amicitia in E major: IX. Menuet | — | ||
| 3-10 | Exquisitioris harmoniae instrumentalis gravi-jucundae (1689), Concerto 1: Bona Nova in D minor: I. Sonata. Grave: Allegro | — | ||
| 3-11 | Exquisitioris harmoniae instrumentalis gravi-jucundae (1689), Concerto 1: Bona Nova in D minor: II. Ballo. Allegro | — | ||
| 3-12 | Exquisitioris harmoniae instrumentalis gravi-jucundae (1689), Concerto 1: Bona Nova in D minor: III. Grave | — | ||
| 3-13 | Exquisitioris harmoniae instrumentalis gravi-jucundae (1689), Concerto 1: Bona Nova in D minor: IV. Aria | — | ||
| 3-14 | Exquisitioris harmoniae instrumentalis gravi-jucundae (1689), Concerto 1: Bona Nova in D minor: V. Giga | — | ||
| 3-15 | Sonata à 6 "Die Pauern Kirchfahrt" genandt, C 110: Sonata (Adagio-Presto) | — | ||
| 3-16 | Sonata à 6 "Die Pauern Kirchfahrt" genandt, C 110: Die Pauern Kirchfahrt | — | ||
| 3-17 | Sonata à 6 "Die Pauern Kirchfahrt" genandt, C 110: Aria | — | ||
| 3-18 | Sonata a 2 violini, trombone, violone in D minor: I. Allegro non troppo | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 3-19 | Sonata a 2 violini, trombone, violone in D minor: II. Poco allegro | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 3-20 | Sonata a 2 violini, trombone, violone in D minor: III. Adagio | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 3-21 | Sonata a 2 violini, trombone, violone in D minor: IV. Allegro | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 3-22 | Sonata a 2 violini, trombone, violone in D minor: V. Adagio | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 3-23 | Sonata a 2 violini, trombone, violone in D minor: VI. Poco allegro | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 3-24 | Sonata a 2 violini, trombone, violone in D minor: VII. Adagio | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 3-25 | Sonata a 2 violini, trombone, violone in D minor: VIII. Allegro | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 3-26 | Sonata a 2 violini, trombone, violone in D minor: IX. Allegro | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 3-27 | Fidicinium sacro-profanum, Sonata 8 in B-flat major: I. Allegro | — | ||
| 3-28 | Fidicinium sacro-profanum, Sonata 8 in B-flat major: II. (Presto) | — | ||
| 3-29 | Fidicinium sacro-profanum, Sonata 8 in B-flat major: III. Presto: Adagio | — | ||
| 3-30 | Battalia à 10, IHB 5: Sonata | — | ||
| 3-31 | Battalia à 10, IHB 5: Die liderliche Gesellschaft von allerley Humor | — | ||
| 3-32 | Battalia à 10, IHB 5: Presto | — | ||
| 3-33 | Battalia à 10, IHB 5: Der Mars | — | ||
| 3-34 | Battalia à 10, IHB 5: Presto | — | ||
| 3-35 | Battalia à 10, IHB 5: Aria | — | ||
| 3-36 | Battalia à 10, IHB 5: Die Schlacht | — | ||
| 3-37 | Battalia à 10, IHB 5: Lamento der Verwundten Musquetirer (Adagio) | — | ||
| 4-1 | La Sonnerie de Sainte-Geneviève du mont de Paris | — | ||
| 4-2 | Tombeau de Monsieur Lully: I. Lentement / Gravement | — | ||
| 4-3 | Tombeau de Monsieur Lully: II. Vive / Marqué / Gay | — | ||
| 4-4 | Tombeau de Monsieur Lully: III. Lentement / Doux / Récit / Grave | — | ||
| 4-5 | Tombeau de Monsieur Lully: IV. Doux / Récit / Vivement | — | ||
| 4-6 | Tombeau de Monsieur Lully: V. Lentement / Gravement | — | ||
| 4-7 | Sonata "La Sultane": I. Gravement | — | ||
| 4-8 | Sonata "La Sultane": II. Gayment | — | ||
| 4-9 | Sonata "La Sultane": III. Air (Tendrement): Gravement | — | ||
| 4-10 | Sonata "La Sultane": IV. Légèrement: Vivement | — | ||
| 4-11 | Sonata à la Marésienne: I. Un peu grave | — | ||
| 4-12 | Sonata à la Marésienne: II. Légèrement | — | ||
| 4-13 | Sonata à la Marésienne: III. Un peu gay | — | ||
| 4-14 | Sonata à la Marésienne: IV. Sarabande | — | ||
| 4-15 | Sonata à la Marésienne: V. Très vivement | — | ||
| 4-16 | Sonata à la Marésienne: VI. Gravement | — | ||
| 4-17 | Sonata à la Marésienne: VII. Gigue | — | ||
| 5-1 | Concerto Grosso in F, op. 6, no. 9, HWV 327: I. Largo | — | ||
| 5-2 | Concerto Grosso in F, op. 6, no. 9, HWV 327: II. Allegro | — | ||
| 5-3 | Concerto Grosso in F, op. 6, no. 9, HWV 327: III. Larghetto | — | ||
| 5-4 | Concerto Grosso in F, op. 6, no. 9, HWV 327: IV. Allegro | — | ||
| 5-5 | Concerto Grosso in F, op. 6, no. 9, HWV 327: V. Menuet | — | ||
| 5-6 | Concerto Grosso in F, op. 6, no. 9, HWV 327: VI. Gigue | — | ||
| 5-7 | Concerti grossi op. 6, Concerto no. 10 in D minor, HWV 328: I. Ouverture - Allegro | The English Concert, Trevor Pinnock | T-009.030.807-8 | |
| 5-8 | Concerti grossi op. 6, Concerto no. 10 in D minor, HWV 328: II. Air. Lentement | The English Concert, Trevor Pinnock | — | |
| 5-9 | Concerti grossi op. 6, Concerto no. 10 in D minor, HWV 328: III. Allegro | The English Concert, Trevor Pinnock | — | |
| 5-10 | Concerti grossi op. 6, Concerto no. 10 in D minor, HWV 328: IV. Allegro | The English Concert, Trevor Pinnock | T-318.676.528-2 | |
| 5-11 | Concerti grossi op. 6, Concerto no. 10 in D minor, HWV 328: V. Allegro moderato | The English Concert, Trevor Pinnock | T-800.704.795-3 | |
| 5-12 | Concerti grossi op. 6, Concerto no. 11 in A major, HWV 329: I. Andante larghetto e staccato | The English Concert, Trevor Pinnock | — | |
| 5-13 | Concerti grossi op. 6, Concerto no. 11 in A major, HWV 329: II. Allegro | The English Concert, Trevor Pinnock | — | |
| 5-14 | Concerti grossi op. 6, Concerto no. 11 in A major, HWV 329: III. Largo e staccato | The English Concert, Trevor Pinnock | — | |
| 5-15 | Concerti grossi op. 6, Concerto no. 11 in A major, HWV 329: IV. Andante | The English Concert, Trevor Pinnock | T-070.126.537-3 | |
| 5-16 | Concerti grossi op. 6, Concerto no. 11 in A major, HWV 329: V. Allegro | The English Concert, Trevor Pinnock | T-800.704.795-3 | |
| 5-17 | Concerti grossi op. 6, Concerto no. 12 in B minor, HWV 330: I. Largo | The English Concert, Trevor Pinnock | — | |
| 5-18 | Concerti grossi op. 6, Concerto no. 12 in B minor, HWV 330: II. Allegro | The English Concert, Trevor Pinnock | — | |
| 5-19 | Concerti grossi op. 6, Concerto no. 12 in B minor, HWV 330: III. Aria. Larghetto e piano | The English Concert, Trevor Pinnock | — | |
| 5-20 | Concerti grossi op. 6, Concerto no. 12 in B minor, HWV 330: IV. Largo | The English Concert, Trevor Pinnock | — | |
| 5-21 | Concerti grossi op. 6, Concerto no. 12 in B minor, HWV 330: V. Allegro | The English Concert, Trevor Pinnock | T-800.704.795-3 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
028947914075 is a Universal Product Code (UPC) assigned to Classic Recordings 1956-1982 (5-LP Set) by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 98 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Classic Recordings 1956-1982 (5-LP Set)” by Various Artists is 028947914075. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: Archiv Produktion. This release contains 98 tracks, each with its own ISRC. Tracks include DEF055901671, DEF055901681, DEF056502281.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Toccata And Fugue in D minor, BWV 565: I. Toccata | — | ||
| 2 | Toccata And Fugue in D minor, BWV 565: II. Fugue | — | ||
| 3 | Sonata no. 6 in G major, BWV 530: I. Vivace | — | ||
| 4 | Sonata no. 6 in G major, BWV 530: II. Lento | — | ||
| 5 | Sonata no. 6 in G major, BWV 530: III. Allegro | — | ||
| 6 | Prelude and Fugue in C, BWV 547: I. Prelude | — | ||
| 7 | Prelude and Fugue in C, BWV 547: II. Fugue | — | ||
| 8 | Sonata no. 1 in E-flat major, BWV 525: I. (Allegro moderato) | — | ||
| 9 | Sonata no. 1 in E-flat major, BWV 525: II. Adagio | — | ||
| 10 | Sonata no. 1 in E-flat major, BWV 525: III. Allegro | — | ||
| 2-1 | Kantate, BWV 51 “Jauchzet Gott in allen Landen”: I. Arie (Sopran): »Jauchzet Gott in allen Landen« | Maria Stader, Pierre Thibaud, Münchener Bach-Orchester, Karl Richter | — | |
| 2-2 | Jauchzet Gott in allen Landen, Cantata BWV 51: II. "Wir beten zu dem Tempel an" | — | ||
| 2-3 | Jauchzet Gott in allen Landen, Cantata BWV 51: III. "Höchster, Höchster mache deine Güte ferner alle Morgen neu" | — | ||
| 2-4 | Jauchzet Gott in allen Landen, Cantata BWV 51: IV. "Sei Lob und Preis mit Ehren" | — | ||
| 2-5 | Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": I. Adagio: Weichet nur, betrübte Schatten | — | ||
| 2-6 | Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": II. Recit: Die Welt wird wieder neu | — | ||
| 2-7 | Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": III. Aria: Phöbus eilt mit schnellen Pferden | — | ||
| 2-8 | Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": IV. Recit: D'rum sucht auch Amor sein Vergnügen | — | ||
| 2-9 | Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": V. Aria: Wenn die Frühlingslüfte streichen | — | ||
| 2-10 | Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": VI. Recit: Und dieses ist das Glücke | — | ||
| 2-11 | Weichet nur, betrübte Schatten BWV 202: VII. Aria "Sich üben im Lieben" | Maria Stader, Münchener Bach-Orchester, Karl Richter | — | |
| 2-12 | Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": VIII. Recit: So sei das Band der keuschen Liebe | — | ||
| 2-13 | Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": IX. Gavotte: Sehet in Zufriedenheit | — | ||
| 3-1 | Florilegium Secondum, Fasciculus 8: Indissolubilis Amicitia in E major: I. Ouverture | — | ||
| 3-2 | Florilegium Secondum, Fasciculus 8: Indissolubilis Amicitia in E major: II. Les Courtisans | — | ||
| 3-3 | Florilegium Secondum, Fasciculus 8: Indissolubilis Amicitia in E major: III. Rondeau | — | ||
| 3-4 | Florilegium Secondum, Fasciculus 8: Indissolubilis Amicitia in E major: IV. Les Gendarmes | — | ||
| 3-5 | Florilegium Secondum, Fasciculus 8: Indissolubilis Amicitia in E major: V. Les Bossus | — | ||
| 3-6 | Florilegium Secondum, Fasciculus 8: Indissolubilis Amicitia in E major: VI. Gavotte | — | ||
| 3-7 | Florilegium Secondum, Fasciculus 8: Indissolubilis Amicitia in E major: VII. Sarabande pour le Génie de l'Amitié | — | ||
| 3-8 | Florilegium Secondum, Fasciculus 8: Indissolubilis Amicitia in E major: VIII. Gigue | — | ||
| 3-9 | Florilegium Secondum, Fasciculus 8: Indissolubilis Amicitia in E major: IX. Menuet | — | ||
| 3-10 | Exquisitioris harmoniae instrumentalis gravi-jucundae (1689), Concerto 1: Bona Nova in D minor: I. Sonata. Grave: Allegro | — | ||
| 3-11 | Exquisitioris harmoniae instrumentalis gravi-jucundae (1689), Concerto 1: Bona Nova in D minor: II. Ballo. Allegro | — | ||
| 3-12 | Exquisitioris harmoniae instrumentalis gravi-jucundae (1689), Concerto 1: Bona Nova in D minor: III. Grave | — | ||
| 3-13 | Exquisitioris harmoniae instrumentalis gravi-jucundae (1689), Concerto 1: Bona Nova in D minor: IV. Aria | — | ||
| 3-14 | Exquisitioris harmoniae instrumentalis gravi-jucundae (1689), Concerto 1: Bona Nova in D minor: V. Giga | — | ||
| 3-15 | Sonata à 6 "Die Pauern Kirchfahrt" genandt, C 110: Sonata (Adagio-Presto) | — | ||
| 3-16 | Sonata à 6 "Die Pauern Kirchfahrt" genandt, C 110: Die Pauern Kirchfahrt | — | ||
| 3-17 | Sonata à 6 "Die Pauern Kirchfahrt" genandt, C 110: Aria | — | ||
| 3-18 | Sonata a 2 violini, trombone, violone in D minor: I. Allegro non troppo | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 3-19 | Sonata a 2 violini, trombone, violone in D minor: II. Poco allegro | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 3-20 | Sonata a 2 violini, trombone, violone in D minor: III. Adagio | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 3-21 | Sonata a 2 violini, trombone, violone in D minor: IV. Allegro | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 3-22 | Sonata a 2 violini, trombone, violone in D minor: V. Adagio | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 3-23 | Sonata a 2 violini, trombone, violone in D minor: VI. Poco allegro | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 3-24 | Sonata a 2 violini, trombone, violone in D minor: VII. Adagio | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 3-25 | Sonata a 2 violini, trombone, violone in D minor: VIII. Allegro | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 3-26 | Sonata a 2 violini, trombone, violone in D minor: IX. Allegro | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 3-27 | Fidicinium sacro-profanum, Sonata 8 in B-flat major: I. Allegro | — | ||
| 3-28 | Fidicinium sacro-profanum, Sonata 8 in B-flat major: II. (Presto) | — | ||
| 3-29 | Fidicinium sacro-profanum, Sonata 8 in B-flat major: III. Presto: Adagio | — | ||
| 3-30 | Battalia à 10, IHB 5: Sonata | — | ||
| 3-31 | Battalia à 10, IHB 5: Die liderliche Gesellschaft von allerley Humor | — | ||
| 3-32 | Battalia à 10, IHB 5: Presto | — | ||
| 3-33 | Battalia à 10, IHB 5: Der Mars | — | ||
| 3-34 | Battalia à 10, IHB 5: Presto | — | ||
| 3-35 | Battalia à 10, IHB 5: Aria | — | ||
| 3-36 | Battalia à 10, IHB 5: Die Schlacht | — | ||
| 3-37 | Battalia à 10, IHB 5: Lamento der Verwundten Musquetirer (Adagio) | — | ||
| 4-1 | La Sonnerie de Sainte-Geneviève du mont de Paris | — | ||
| 4-2 | Tombeau de Monsieur Lully: I. Lentement / Gravement | — | ||
| 4-3 | Tombeau de Monsieur Lully: II. Vive / Marqué / Gay | — | ||
| 4-4 | Tombeau de Monsieur Lully: III. Lentement / Doux / Récit / Grave | — | ||
| 4-5 | Tombeau de Monsieur Lully: IV. Doux / Récit / Vivement | — | ||
| 4-6 | Tombeau de Monsieur Lully: V. Lentement / Gravement | — | ||
| 4-7 | Sonata "La Sultane": I. Gravement | — | ||
| 4-8 | Sonata "La Sultane": II. Gayment | — | ||
| 4-9 | Sonata "La Sultane": III. Air (Tendrement): Gravement | — | ||
| 4-10 | Sonata "La Sultane": IV. Légèrement: Vivement | — | ||
| 4-11 | Sonata à la Marésienne: I. Un peu grave | — | ||
| 4-12 | Sonata à la Marésienne: II. Légèrement | — | ||
| 4-13 | Sonata à la Marésienne: III. Un peu gay | — | ||
| 4-14 | Sonata à la Marésienne: IV. Sarabande | — | ||
| 4-15 | Sonata à la Marésienne: V. Très vivement | — | ||
| 4-16 | Sonata à la Marésienne: VI. Gravement | — | ||
| 4-17 | Sonata à la Marésienne: VII. Gigue | — | ||
| 5-1 | Concerto Grosso in F, op. 6, no. 9, HWV 327: I. Largo | — | ||
| 5-2 | Concerto Grosso in F, op. 6, no. 9, HWV 327: II. Allegro | — | ||
| 5-3 | Concerto Grosso in F, op. 6, no. 9, HWV 327: III. Larghetto | — | ||
| 5-4 | Concerto Grosso in F, op. 6, no. 9, HWV 327: IV. Allegro | — | ||
| 5-5 | Concerto Grosso in F, op. 6, no. 9, HWV 327: V. Menuet | — | ||
| 5-6 | Concerto Grosso in F, op. 6, no. 9, HWV 327: VI. Gigue | — | ||
| 5-7 | Concerti grossi op. 6, Concerto no. 10 in D minor, HWV 328: I. Ouverture - Allegro | The English Concert, Trevor Pinnock | T-009.030.807-8 | |
| 5-8 | Concerti grossi op. 6, Concerto no. 10 in D minor, HWV 328: II. Air. Lentement | The English Concert, Trevor Pinnock | — | |
| 5-9 | Concerti grossi op. 6, Concerto no. 10 in D minor, HWV 328: III. Allegro | The English Concert, Trevor Pinnock | — | |
| 5-10 | Concerti grossi op. 6, Concerto no. 10 in D minor, HWV 328: IV. Allegro | The English Concert, Trevor Pinnock | T-318.676.528-2 | |
| 5-11 | Concerti grossi op. 6, Concerto no. 10 in D minor, HWV 328: V. Allegro moderato | The English Concert, Trevor Pinnock | T-800.704.795-3 | |
| 5-12 | Concerti grossi op. 6, Concerto no. 11 in A major, HWV 329: I. Andante larghetto e staccato | The English Concert, Trevor Pinnock | — | |
| 5-13 | Concerti grossi op. 6, Concerto no. 11 in A major, HWV 329: II. Allegro | The English Concert, Trevor Pinnock | — | |
| 5-14 | Concerti grossi op. 6, Concerto no. 11 in A major, HWV 329: III. Largo e staccato | The English Concert, Trevor Pinnock | — | |
| 5-15 | Concerti grossi op. 6, Concerto no. 11 in A major, HWV 329: IV. Andante | The English Concert, Trevor Pinnock | T-070.126.537-3 | |
| 5-16 | Concerti grossi op. 6, Concerto no. 11 in A major, HWV 329: V. Allegro | The English Concert, Trevor Pinnock | T-800.704.795-3 | |
| 5-17 | Concerti grossi op. 6, Concerto no. 12 in B minor, HWV 330: I. Largo | The English Concert, Trevor Pinnock | — | |
| 5-18 | Concerti grossi op. 6, Concerto no. 12 in B minor, HWV 330: II. Allegro | The English Concert, Trevor Pinnock | — | |
| 5-19 | Concerti grossi op. 6, Concerto no. 12 in B minor, HWV 330: III. Aria. Larghetto e piano | The English Concert, Trevor Pinnock | — | |
| 5-20 | Concerti grossi op. 6, Concerto no. 12 in B minor, HWV 330: IV. Largo | The English Concert, Trevor Pinnock | — | |
| 5-21 | Concerti grossi op. 6, Concerto no. 12 in B minor, HWV 330: V. Allegro | The English Concert, Trevor Pinnock | T-800.704.795-3 |
