UPC · Album
The Leonard Bernstein Collection, Volume 2
Leonard Bernstein
028947955535
583 tracksReleased 2016-01-01Deutsche Grammophon
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028947955535 is the Universal Product Code (UPC barcode) for the release “The Leonard Bernstein Collection, Volume 2” by Leonard Bernstein, released 2016-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 583 tracks, each with its own ISRC. Tracks include DEA288800303, DEA288800308, DEA288830307.
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Credit Chain
UPCThe Leonard Bernstein Collection, Volume 2
ISRC278 recordings
ISWC39 works
IPI5 songwriters
Track List (278)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Requiem in D minor, K. 626: IIIa. Dies irae (Sequenz) | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Wolfgang Seeliger, Leonard Bernstein | DEA288800303 |
| Requiem in D minor, K. 626: IIIf. Lacrimosa (Sequenz) | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Wolfgang Seeliger, Leonard Bernstein | DEA288800308 |
| Requiem in D minor, K. 626: IIIe. Confutatis (Sequenz) | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Wolfgang Seeliger, Leonard Bernstein | DEA288830307 |
| Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio | New York Stadium Symphony Orchestra, Leonard Bernstein | DEF055309181 |
| Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai | New York Stadium Symphony Orchestra, Leonard Bernstein | DEF055309182 |
| Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace | New York Stadium Symphony Orchestra, Leonard Bernstein | DEF055309183 |
| Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto | New York Stadium Symphony Orchestra, Leonard Bernstein | DEF055309184 |
| Symphony No. 2 in C major, Op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco | New York Stadium Symphony Orchestra, Leonard Bernstein | DEF055309191 |
| Symphony No. 2 in C major, Op. 61: II. Scherzo: Allegro vivace | New York Stadium Symphony Orchestra, Leonard Bernstein | DEF055309192 |
| Symphony No. 2 in C major, Op. 61: III. Adagio espressivo | New York Stadium Symphony Orchestra, Leonard Bernstein | DEF055309193 |
| Symphony No. 2 in C major, Op. 61: IV. Allegro molto vivace | New York Stadium Symphony Orchestra, Leonard Bernstein | DEF055309194 |
| Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo | New York Stadium Symphony Orchestra, Leonard Bernstein | DEF055309201 |
| Symphony No. 4 in E minor, Op. 98: II. Andante moderato | New York Stadium Symphony Orchestra, Leonard Bernstein | DEF055309202 |
| Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso - Poco meno presto - Tempo I | New York Stadium Symphony Orchestra, Leonard Bernstein | DEF055309203 |
| Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato - Più allegro | New York Stadium Symphony Orchestra, Leonard Bernstein | DEF055309204 |
| Symphony No. 6 in B minor, Op. 74 "Pathétique": I. Adagio – Allegro non troppo | New York Stadium Symphony Orchestra, Leonard Bernstein | DEF055309211 |
| Symphony No. 6 in B minor, Op. 74 "Pathétique": II. Allegro con grazia | New York Stadium Symphony Orchestra, Leonard Bernstein | DEF055309212 |
| Symphony No. 6 in B minor, Op. 74 "Pathétique": III. Allegro molto vivace | New York Stadium Symphony Orchestra, Leonard Bernstein | DEF055309213 |
| Symphony No. 6 in B minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso – Andante | New York Stadium Symphony Orchestra, Leonard Bernstein | DEF055309214 |
| Symphony No. 9 in E minor, Op. 95 "From the New World": I. Adagio – Allegro molto | New York Stadium Symphony Orchestra, Leonard Bernstein | DEF055309221 |
| Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo | New York Stadium Symphony Orchestra, Leonard Bernstein | DEF055309222 |
| Symphony No. 9 in E minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | New York Stadium Symphony Orchestra, Leonard Bernstein | DEF055309223 |
| Symphony No. 9 in E minor, Op. 95 "From the New World": IV. Allegro con fuoco | New York Stadium Symphony Orchestra, Leonard Bernstein | DEF055309224 |
| Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "Simplicity itself..." (1st movement) | [dialogue] | DEF055509741 |
| Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "I always feel this gigantism..." (2nd movement) | [dialogue] | DEF055509742 |
| Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "We have just been examining..." (3rd movement) | [dialogue] | DEF055509743 |
| Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "All that we have said..." (4th movement) | [dialogue] | DEF055509744 |
| Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "The study of Eroica is a lifetime work..." | [dialogue] | DEF055509745 |
| Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Robert Schumann has been dead..." (3rd movement, opening theme) | [dialogue] | DEF055509751 |
| Musical Analysis (Bernstein on Schumann's Symphony No. 2): "To my mind, Schumann follows in this tradition..." | [dialogue] | DEF055509752 |
| Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Now let's look at the Symphony itself..." (1st movement) | [dialogue] | DEF055509753 |
| Musical Analysis (Bernstein on Schumann's Symphony No. 2): "And so we have arrived at the allegro section..." (1st movement, continued) | [dialogue] | DEF055509754 |
| Musical Analysis (Bernstein on Schumann's Symphony No. 2): "In the marvelous Scherzo that follows..." (2nd movement) | [dialogue] | DEF055509755 |
| Musical Analysis (Bernstein on Schumann's Symphony No. 2): "But perhaps the greatest beauty...." (3rd movement) | [dialogue] | DEF055509756 |
| Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Even in the final movement...." (4th movement) | [dialogue] | DEF055509757 |
| Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Brahms' Fourth Symphony in E minor is today ..." (4th movement., opening theme) | [dialogue] | DEF055509761 |
| Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Our journey begins without introduction..." (1st movement) | [dialogue] | DEF055509762 |
| Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Do you see now what a symphonic theme is?" (1st movement) | [dialogue] | DEF055509763 |
| Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Now, think of it - we have so far only had 44 bars of music" (1st movement) | [dialogue] | DEF055509764 |
| Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Here is that second theme" (1st movement) | [dialogue] | DEF055509765 |
| Musical Analysis (Bernstein on Brahms's Symphony No. 4): "This brings us to the development section proper" (1st movement) | [dialogue] | DEF055509766 |
| Musical Analysis (Bernstein on Brahms's Symphony No. 4): And here we are back home, ready for the rehearing of the exposition,..." (1st movement) | [dialogue] | DEF055509767 |
| Musical Analysis (Bernstein on Brahms's Symphony No. 4): "So we arrive at the coda" (1st movement) | [dialogue] | DEF055509768 |
| Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Well, we have had a microscopic look at symphonic method" (1st movement) | [dialogue] | DEF055509769 |
| Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now there is a melody, a pure orchestral song..." (1st movement) | [dialogue] | DEF055509771 |
| Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now the development section erupts..." (1st movement continued) | [dialogue] | DEF055509772 |
| Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now one would think that Tchaikovsky had really exploited the device of scales" (2nd movement) | [dialogue] | DEF055509773 |
| Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Jumping now to the famous third movement, the great March..." (3rd movement) | [dialogue] | DEF055509774 |
| Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Perhaps the most admirable example of this is to be found in the wonderful last movement, ..." (4th movement) | [dialogue] | DEF055509775 |
| Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now I don't want to give you the impression that scales are the only unifying force in this work" | [dialogue] | DEF055509776 |
| Musical Analysis (Bernstein on Dvorák's Symphony No.9): "Does this music sound like the New World to you?" (3rd movement, Trio II; 1st movement) | [dialogue] | DEF055509781 |
| Musical Analysis (Bernstein on Dvorák's Symphony No.9): "We come now to the second movement, which has a charming melody, ..." (2nd movement) | [dialogue] | DEF055509782 |
| Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The third movement is a marvel of ingenuity and deftness" (3rd movement) | [dialogue] | DEF055509783 |
| Musical Analysis (Bernstein on Dvorák's Symphony No.9): "And now the last movement. In general I should say that this is the most Slavic of all" (4th movement) | [dialogue] | DEF055509784 |
| Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The final claim of those who argue for the New World Symphony as American music, ..." (4th movement, continued) | [dialogue] | DEF055509785 |
| Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Allegro impetuoso “Veni, creator spiritus” | Wiener Philharmoniker, Leonard Bernstein | DEF057531601 |
| Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: A tempo. Etwas (aber unmerklich) gemäßigter; immer sehr fließend “Imple superna gratia” | Wiener Philharmoniker, Leonard Bernstein | DEF057531602 |
| Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Tempo I. (Allegro impetuoso) “Infirma nostri corporis” | Wiener Philharmoniker, Leonard Bernstein | DEF057531603 |
| Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Tempo I. (Allegro, etwas hastig) | Wiener Philharmoniker, Leonard Bernstein | DEF057531604 |
| Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Sehr fließend — Noch einmal so langsam als vorher. Nicht schleppend “Infirma nostri corporis” | Wiener Philharmoniker, Leonard Bernstein | DEF057531605 |
| Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Plötzlich sehr breit und leidenschaftlichen Ausdrucks — Mit plötzcheim Aufschwung “Accende lumen sensibus” | Wiener Philharmoniker, Leonard Bernstein | DEF057531606 |
| Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: “Veni, creator spiritus” | Wiener Philharmoniker, Leonard Bernstein | DEF057531607 |
| Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: a tempo “Gloria sit Patri Domino” | Wiener Philharmoniker, Leonard Bernstein | DEF057531608 |
| Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIa. Poco adagio | Wiener Philharmoniker, Leonard Bernstein | DEF057531609 |
| Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIb. Più mosso. (Allegro moderato) | Wiener Philharmoniker, Leonard Bernstein | DEF057531610 |
| Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIc. Wieder langsam. Chor und Echo: "Waldung, sie schwankt heran" | Wiener Philharmoniker, Leonard Bernstein | DEF057531611 |
| Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IId. Moderato. "Ewiger Wonnebrand" | Wiener Philharmoniker, Leonard Bernstein | DEF057531612 |
| Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIe. Allegro - (Allegro appassionato) "Wie Felsenabgrund mir zu Füßen" | Wiener Philharmoniker, Leonard Bernstein | DEF057531613 |
| Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIf. Allegro deciso. (Im Anfang noch nicht eilen) - "Gerettet ist das edle Glied" - "Hände verschlinget euch" | Wiener Philharmoniker, Leonard Bernstein | DEF057531614 |
| Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Molto leggiero, Chor der jüngeren Engel: “Jene Rosen aus den Händen” | Wiener Philharmoniker, Leonard Bernstein | DEF057531615 |
| Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIh. Schon etwas langsamer und immer noch mäßiger "Uns bleibt ein Erdenrest" | Wiener Philharmoniker, Leonard Bernstein | DEF057531616 |
| Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIi. Im Anfang (die ersten vier Takte) noch etwas gehalten: "Ich spür' soeben, nebelnd um Felsenhöh'" "Freudig empfangen wir" | Wiener Philharmoniker, Leonard Bernstein | DEF057531617 |
| Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIj. Sempre l'istesso tempo. "Höchste Herrscherin der Welt" | Wiener Philharmoniker, Leonard Bernstein | DEF057531618 |
| Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIk. Äußerst langsam. Adagissimo. "Dir, der Unberührbaren" "Du schwebst zu Höhen er ewigen Reiche" | Wiener Philharmoniker, Leonard Bernstein | DEF057531619 |
| Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIl. Fließend "Bei der Liebe, die den Füßen" "Bei dem Bronn, zu dem schon weiland" " Bei dem hochgeweihten Orte" | Wiener Philharmoniker, Leonard Bernstein | DEF057531620 |
| Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIm. Una poenitentium: "Neige, du Ohnegleichte" | Wiener Philharmoniker, Leonard Bernstein | DEF057531621 |
| Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIn. Unmerklich frischer: "Er überwächst uns schon" "Vom edlen Geisterchor umgebren" | Wiener Philharmoniker, Leonard Bernstein | DEF057531622 |
| Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIp. Sehr langsam beginnend "Alles Vergängliche ist nur ein Gleichnis" | Wiener Philharmoniker, Leonard Bernstein | DEF057531625 |
| 5 Lieder mit Orchesterbegleitung, op. 27 no. 2, TrV 170: Cäcilie | Montserrat Caballé, Orchestre national de France, Leonard Bernstein | DEF057703480 |
| 5 Lieder mit Orchesterbegleitung, op. 41 no. 1, TrV 195: Wiegenlied | Montserrat Caballé, Orchestre national de France, Leonard Bernstein | DEF057703490 |
| 5 Lieder mit Orchesterbegleitung, op. 37 no. 2, TrV 187: Ich liebe dich | Montserrat Caballé, Orchestre national de France, Leonard Bernstein | DEF057703500 |
| Le Sacre du printemps: Partie I. Danse de la Terre | Israel Philharmonic Orchestra, Leonard Bernstein | DEF058203550 |
| Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | DEF058204690 |
| Symphony in Three Movements: I. Overture. Allegro | Israel Philharmonic Orchestra, Leonard Bernstein | DEF058204811 |
| Symphony in Three Movements: II. Andante | Israel Philharmonic Orchestra, Leonard Bernstein | DEF058204812 |
| Symphony in Three Movements: II. Interlude. L'istesso tempo | Israel Philharmonic Orchestra, Leonard Bernstein | DEF058204813 |
| Symphony in Three Movements: III. Con moto | Israel Philharmonic Orchestra, Leonard Bernstein | DEF058204814 |
| Symphonie Nr. 40 in g‐moll, KV 550: I. Molto allegro | Wiener Philharmoniker, Leonard Bernstein | DEF058400331 |
| Symphonie Nr. 40 in g‐moll, KV 550: II. Andante | Wiener Philharmoniker, Leonard Bernstein | DEF058400332 |
| Symphonie Nr. 40 in g‐moll, KV 550: III. Menuetto. Allegretto | Wiener Philharmoniker, Leonard Bernstein | DEF058400333 |
| Symphonie Nr. 40 in g‐moll, KV 550: IV. Allegro assai | Wiener Philharmoniker, Leonard Bernstein | DEF058400334 |
| Symphony no. 35 for Orchestra in D major, K. 385 "Haffner": IV. Presto | Wiener Philharmoniker, Leonard Bernstein | DEF058401074 |
| Symphony no. 41 in C major "Jupiter", K. 551: 1. Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | DEF058401081 |
| Symphony no. 41 in C major "Jupiter", K. 551: 2. Andante cantabile | Wiener Philharmoniker, Leonard Bernstein | DEF058401082 |
| Symphony no. 41 in C major "Jupiter", K. 551: 3. Menuetto. Allegretto | Wiener Philharmoniker, Leonard Bernstein | DEF058401083 |
| Symphony No. 41 in C major, K. 551 “Jupiter”: IV. Allegro molto | Wiener Philharmoniker, Leonard Bernstein | DEF058401084 |
| L'Oiseau de feu Suite (1919 version): Finale | Israel Philharmonic Orchestra, Leonard Bernstein | DEF058401092 |
| Symphony in C: I. Moderato alla breve | Israel Philharmonic Orchestra, Leonard Bernstein | DEF058401111 |
| Symphony in C: II. Larghetto concertante | Israel Philharmonic Orchestra, Leonard Bernstein | DEF058401112 |
| Symphony in C: III. Allegretto | Israel Philharmonic Orchestra, Leonard Bernstein | DEF058401113 |
| Symphony in C: IV. Largo - Tempo giusto, alla breve | Israel Philharmonic Orchestra, Leonard Bernstein | DEF058401114 |
| Hamlet, op. 67 | Israel Philharmonic Orchestra, Leonard Bernstein | DEF058401460 |
| Marche slave, op. 31 | Israel Philharmonic Orchestra, Leonard Bernstein | DEF058401470 |
| Capriccio italien, op. 45 | Israel Philharmonic Orchestra, Leonard Bernstein | DEF058401480 |
| Ouverture solennelle 1812, op. 49: Largo – Andante – Allegro giusto – Largo – Allegro vivace | Israel Philharmonic Orchestra, Leonard Bernstein | DEF058401490 |
| Symphony no. 3 in E-flat major, op. 97 "Rhenish": I. Lebhaft | Wiener Philharmoniker, Leonard Bernstein | DEF058401771 |
| Symphony no. 3 in E-flat major, op. 97 "Rhenish": II. Scherzo: Sehr mäßig | Wiener Philharmoniker, Leonard Bernstein | DEF058401772 |
| Symphony no. 3 in E-flat major, op. 97 "Rhenish": III. Nicht schnell | Wiener Philharmoniker, Leonard Bernstein | DEF058401773 |
| Symphony no. 3 in E-flat major, op. 97 "Rhenish": IV. Feierlich - (quasi attacca:) | Wiener Philharmoniker, Leonard Bernstein | DEF058401774 |
| Symphony no. 3 in E-flat major, op. 97 "Rhenish": V. Lebhaft | Wiener Philharmoniker, Leonard Bernstein | DEF058401775 |
| Konzert für Klavier und Orchester a-Moll, op. 54: I. Allegro affettuoso | Justus Frantz, Wiener Philharmoniker, Leonard Bernstein | DEF058401780 |
| Symphony no. 1 in B-flat major, op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace | Wiener Philharmoniker, Leonard Bernstein | DEF058401791 |
| Symphony no. 1 in B-flat major, op. 38 "Spring": II. Larghetto - attacca: | Wiener Philharmoniker, Leonard Bernstein | DEF058401792 |
| Symphony no. 1 in B‐flat major, op. 38 "Spring": III. Scherzo: Molto vivace | Wiener Philharmoniker, Leonard Bernstein | DEF058401793 |
| Symphony no. 1 in B-flat major, op. 38 "Spring": IV. Allegro animato e grazioso | Wiener Philharmoniker, Leonard Bernstein | DEF058401794 |
| Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft - (attacca:) | Wiener Philharmoniker, Leonard Bernstein | DEF058401801 |
| Symphony no. 4 in D minor, op. 120: II. Romanze: Ziemlich langsam - (attacca:) | Wiener Philharmoniker, Leonard Bernstein | DEF058401802 |
| Symphony no. 4 in D minor, op. 120: III. Scherzo: Lebhaft - Trio - (attacca:) | Wiener Philharmoniker, Leonard Bernstein | DEF058401803 |
| Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft | Wiener Philharmoniker, Leonard Bernstein | DEF058401804 |
| Konzert für Violoncello und Orchester a-Moll, op. 129: III. Sehr lebhaft | Mischa Maisky, Wiener Philharmoniker, Leonard Bernstein | DEF058501470 |
| Konzert für Violoncello und Orchester a-Moll, op. 129: I. Nicht zu schnell | Mischa Maisky, Wiener Philharmoniker, Leonard Bernstein | DEF058501471 |
| Konzert für Violoncello und Orchester a-Moll, op. 129: II. Langsam | Mischa Maisky, Wiener Philharmoniker, Leonard Bernstein | DEF058501472 |
| Konzert für Violoncello und Orchester a-Moll, op. 129: III. Sehr lebhaft | Mischa Maisky, Wiener Philharmoniker, Leonard Bernstein | DEF058501473 |
| Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Allegro, ma non troppo | Wiener Philharmoniker, Leonard Bernstein | DEF058501481 |
| Symphony no. 2 in C major, op. 61: II. Scherzo: Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | DEF058501482 |
| Symphony no. 2 in C major, op. 61: III. Adagio espressivo | Wiener Philharmoniker, Leonard Bernstein | DEF058501483 |
| Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace | Wiener Philharmoniker, Leonard Bernstein | DEF058501484 |
| Symphony no. 9 op. 70: I. Allegro | Wiener Philharmoniker, Leonard Bernstein | DEF058502691 |
| Symphony no. 9 op. 70: I. II. Moderato | Wiener Philharmoniker, Leonard Bernstein | DEF058502692 |
| Symphony no. 9 op. 70: I. III. Presto | Wiener Philharmoniker, Leonard Bernstein | DEF058502693 |
| Symphony no. 9 op. 70: I. IV. Largo | Wiener Philharmoniker, Leonard Bernstein | DEF058502694 |
| Symphony no. 9 op. 70: I. V. Allegretto | Wiener Philharmoniker, Leonard Bernstein | DEF058502695 |
| Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato assai - Allegro vivo - Andante come prima - Andante mosso | New York Philharmonic, Leonard Bernstein | DEF058602251 |
| Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia | New York Philharmonic, Leonard Bernstein | DEF058602252 |
| Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace | New York Philharmonic, Leonard Bernstein | DEF058602253 |
| Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale. Adagio lamentoso - Andante | New York Philharmonic, Leonard Bernstein | DEF058602254 |
| Symphony no. 6 op. 54: I. Largo | Wiener Philharmoniker, Leonard Bernstein | DEF058603151 |
| Symphony no. 6 op. 54: II. Allegro | Wiener Philharmoniker, Leonard Bernstein | DEF058603152 |
| Symphony no. 6 op. 54: III. Presto | Wiener Philharmoniker, Leonard Bernstein | DEF058603153 |
| Symphony no. 2 in D major, op. 43: I. Allegretto | Wiener Philharmoniker, Leonard Bernstein | DEF058603161 |
| Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato | Wiener Philharmoniker, Leonard Bernstein | DEF058603162 |
| Symphony no. 2 in D major, op. 43: III. Vivacissimo (attacca) | Wiener Philharmoniker, Leonard Bernstein | DEF058603163 |
| Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato | Wiener Philharmoniker, Leonard Bernstein | DEF058603164 |
| Symphonie No. 2 c-moll: Ic. Schnell | New York Philharmonic, Leonard Bernstein | DEF058700001 |
| Symphonie No. 2 c-moll: Id. Tempo I | New York Philharmonic, Leonard Bernstein | DEF058700002 |
| Symphonie No. 2 c-moll: Ie. Tempo sostenuto | New York Philharmonic, Leonard Bernstein | DEF058700003 |
| Symphonie No. 2 c-moll: IIa. Andante moderato. Sehr gemächlich | New York Philharmonic, Leonard Bernstein | DEF058700004 |
| Symphonie No. 2 c-moll: IIb. Nicht eilen. Sehr gemächlich | New York Philharmonic, Leonard Bernstein | DEF058700005 |
| Symphonie No. 2 c-moll: IIc. In Tempo I zurückkehren | New York Philharmonic, Leonard Bernstein | DEF058700006 |
| Symphonie No. 2 c-moll: IId. Energisch bewegt | New York Philharmonic, Leonard Bernstein | DEF058700007 |
| Symphonie No. 2 c-moll: IIe: Wieder ins Tempo zurückgehen. Tempo I | New York Philharmonic, Leonard Bernstein | DEF058700008 |
| Symphonie No. 2 c-moll: IIIa. In ruhig fließender Bewegung | New York Philharmonic, Leonard Bernstein | DEF058700009 |
| Symphonie No. 2 c-moll: IIIb. Sehr getragen und gesangvoll | New York Philharmonic, Leonard Bernstein | DEF058700011 |
| Symphonie No. 2 c-moll: IIIc. Zum Tempo I zurückkehren | New York Philharmonic, Leonard Bernstein | DEF058700012 |
| Symphonie No. 2 c-moll: Va. Im Tempo des Scherzos. Wild herausfahrend | New York Philharmonic, Leonard Bernstein | DEF058700013 |
| Symphonie No. 2 c-moll: Vb: Langsam | New York Philharmonic, Leonard Bernstein | DEF058700014 |
| Symphonie No. 2 c-moll: Vc. Im Anfang sehr zuückhaltend | New York Philharmonic, Leonard Bernstein | DEF058700015 |
| Symphonie No. 2 c-moll: Vd. Wieder sher breit | New York Philharmonic, Leonard Bernstein | DEF058700016 |
| Symphonie No. 2 c-moll: Ve. Molto ritenuto. Maestoso | New York Philharmonic, Leonard Bernstein | DEF058700017 |
| Symphonie No. 2 c-moll: Vf. Wieder zurückhaltend | New York Philharmonic, Leonard Bernstein | DEF058700018 |
| Symphonie No. 2 c-moll: Vg. Sehr langsam und gedehnt | New York Philharmonic, Leonard Bernstein | DEF058700019 |
| Symphonie No. 2 c-moll: Vh. Langsam. Misterioso "Auferstehn, ja auferstehn wirst du" | New York Philharmonic, Leonard Bernstein | DEF058700021 |
| Symphonie No. 2 c-moll: Vi. Langsam ppp. Nicht schleppen "Wieder aufzublühn wirst du gesät" | New York Philharmonic, Leonard Bernstein | DEF058700022 |
| Symphonie No. 2 c-moll: Vj. Etwas bewegter "O glaube, mein Herz o glaube" | New York Philharmonic, Leonard Bernstein | DEF058700023 |
| Symphonie No. 2 c-moll: IV. "Urlicht" Sehr leicht, aber schlicht "O Röschen rot" | New York Philharmonic, Leonard Bernstein | DEF058702504 |
| Symphonie No. 2 c-moll: Vk. Mit Aufschwung, aber nicht eilen "O Schmerz, du Alldurchdringer" | New York Philharmonic, Leonard Bernstein | DEF058702506 |
| Symphonie No. 2 c-moll: Ia. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck | New York Philharmonic, Leonard Bernstein | DEF058702508 |
| Symphonie No. 2 c-moll: Ib. Sehr mäßig und zurückhaltend | New York Philharmonic, Leonard Bernstein | DEF058702509 |
| Symphony no. 4 in G major: I. Bedächtig, nicht eilen | Koninklijk Concertgebouworkest, Leonard Bernstein | DEF058702711 |
| Symphony no. 4 in G major: II. In gemächlicher Bewegung, ohne Hast | Koninklijk Concertgebouworkest, Leonard Bernstein, Jaap van Zweden | DEF058702712 |
| Symphony no. 4 in G major: III. Ruhevoll | Koninklijk Concertgebouworkest, Leonard Bernstein | DEF058702713 |
| Symphony no. 4 in G major: IV. Sehr behaglich | Koninklijk Concertgebouworkest, Leonard Bernstein, Helmut Wittek | DEF058702714 |
| Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam | Wiener Philharmoniker, Leonard Bernstein | DEF058702930 |
| Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam | Wiener Philharmoniker, Leonard Bernstein | DEF058702931 |
| Symphony no. 5 in C‐sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt | Wiener Philharmoniker, Leonard Bernstein | DEF058702932 |
| Symphony no. 5 in C‐sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz | Wiener Philharmoniker, Leonard Bernstein | DEF058702933 |
| Symphony no. 5 in C‐sharp minor: III. Scherzo. Kräftig, nicht zu schnell | Wiener Philharmoniker, Leonard Bernstein | DEF058702934 |
| Symphony no. 5 in C‐sharp minor: V. Rondo‐Finale. Allegro – Allegro giocoso. Frisch | Wiener Philharmoniker, Leonard Bernstein | DEF058702935 |
| Symphony no. 1 in D major, "Titan": IV. Stürmisch bewegt | Concertgebouworkest Amsterdam, Leonard Bernstein | DEF058703960 |
| Symphony no. 1 in D major, "Titan": I. Langsam. Schleppend | Koninklijk Concertgebouworkest, Leonard Bernstein | DEF058703961 |
| Symphony no. 1 in D major, "Titan": II. Kräftig bewegt | Koninklijk Concertgebouworkest, Leonard Bernstein | DEF058703962 |
| Symphony no. 1 in D major, "Titan": III. Feierlich und gemessen, ohne zu schleppen | Koninklijk Concertgebouworkest, Leonard Bernstein | DEF058703963 |
| Symphony no. 3 in D minor: V. Lustig im Tempo und Ausdruck | New York Philharmonic, Leonard Bernstein | DEF058704185 |
| Symphony no. 5 in E-flat major, op. 82: Ia. Tempo molto moderato - Largamente - | Wiener Philharmoniker, Leonard Bernstein | DEF058704391 |
| Symphony no. 5 in E-flat major, op. 82: Ib. Allegro moderato - Presto | Wiener Philharmoniker, Leonard Bernstein | DEF058704392 |
| Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto | Wiener Philharmoniker, Leonard Bernstein | DEF058704393 |
| Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Misterioso - Un pochettino largamente - Largamente assai | Wiener Philharmoniker, Leonard Bernstein | DEF058704394 |
| Concerto for Clarinet in A major, K. 622: II. Adagio | Peter Schmidl, Wiener Philharmoniker, Leonard Bernstein | DEF058704421 |
| Symphonie no. 3 d-moll: IIIa. Comodo. Scherzando. Ohne Hast | New York Philharmonic, Leonard Bernstein | DEF058704952 |
| Symphonie no. 3 d-moll: IIIb. Wieder sehr gemächlich, wir zu Anfang | New York Philharmonic, Leonard Bernstein | DEF058704953 |
| Symphonie no. 3 d-moll: IIIc. Etwas zurückhaltend | New York Philharmonic, Leonard Bernstein | DEF058704954 |
| Symphonie no. 3 d-moll: IIId. Schnell und schmetternd wie eine Fanfare - Tempo I. Mit geheimnisvoller Hast | New York Philharmonic, Leonard Bernstein | DEF058704955 |
| Symphonie no. 3 d-moll: IIIe. Wieder sehr gemächlich, beinahe langsam | New York Philharmonic, Leonard Bernstein | DEF058704956 |
| La Bohème: Atto I. “Che gelida manina!” (Rodolfo) | Jerry Hadley, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein | DEF058730403 |
| Des Knaben Wunderhorn: 1. Der Schildwache Nachtlied | Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein | DEF058731001 |
| Des Knaben Wunderhorn: 2. Wer hat dies Liedlein erdacht? | Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein | DEF058731002 |
| Des Knaben Wunderhorn: 3. Der Tamboursg’sell | Andreas Schmidt, Koninklijk Concertgebouworkest, Leonard Bernstein | DEF058731003 |
| Des Knaben Wunderhorn: 4. Das irdische Leben | Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein | DEF058731004 |
| Des Knaben Wunderhorn: 5. Verlorne Müh’ | Lucia Popp, Andreas Schmidt, Koninklijk Concertgebouworkest, Leonard Bernstein | DEF058731005 |
| Des Knaben Wunderhorn: 6. Des Antonius von Padua Fischpredigt | Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein | DEF058731006 |
| Des Knaben Wunderhorn: 7. Revelge | Andreas Schmidt, Koninklijk Concertgebouworkest, Leonard Bernstein | DEF058731007 |
| Des Knaben Wunderhorn: 8. Rheinlegendchen | Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein | DEF058731008 |
| Des Knaben Wunderhorn: 9. Lob des hohen Verstandes | Andreas Schmidt, Koninklijk Concertgebouworkest, Leonard Bernstein | DEF058731009 |
| Des Knaben Wunderhorn: 10. Wo die schönen Trompeten blasen | Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein | DEF058731010 |
| Des Knaben Wunderhorn: 11. Lied des Verfolgten im Turm | Lucia Popp, Andreas Schmidt, Koninklijk Concertgebouworkest, Leonard Bernstein | DEF058731011 |
| Des Knaben Wunderhorn: 12. Trost im Unglück | Lucia Popp, Andreas Schmidt, Koninklijk Concertgebouworkest, Leonard Bernstein | DEF058731012 |
| Des Knaben Wunderhorn: 13. Urlicht | Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein | DEF058731013 |
| Requiem in D minor, K. 626: IIId. Recordare (Sequenz) | Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | DEF058802380 |
| Requiem in D minor, K. 626: IIIe. Confutatis (Sequenz) | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Wolfgang Seeliger, Leonard Bernstein | DEF058802382 |
| Requiem in D minor, K. 626: VIII. Lux aeterna (Communio) | Marie McLaughlin, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Wolfgang Seeliger, Leonard Bernstein | DEF058802484 |
| Concerto for Violoncello and Orchestra in B minor, op. 104: III. Finale. Allegro moderato | Mischa Maisky, Israel Philharmonic Orchestra, Leonard Bernstein | DEF058803071 |
| Concerto for Violoncello and Orchestra in B minor, op. 104: I. Allegro | Mischa Maisky, Israel Philharmonic Orchestra, Leonard Bernstein | DEF058803072 |
| Concerto for Violoncello and Orchestra in B minor, op. 104: II. Adagio, ma no troppo | Mischa Maisky, Israel Philharmonic Orchestra, Leonard Bernstein | DEF058803073 |
| Symphony no. 1 in F minor, op. 10: 1. Allegretto - Allegro non troppo | Chicago Symphony Orchestra, Leonard Bernstein | DEF058803091 |
| Symphony no. 1 in F minor, op. 10: 2. Allegro | Chicago Symphony Orchestra, Leonard Bernstein | DEF058803092 |
| Symphony no. 1 in F minor, op. 10: 3. Lento - Largo | Chicago Symphony Orchestra, Leonard Bernstein | DEF058803093 |
| Symphony no. 1 in F minor, op. 10: 4. Allegro molto - Lento - Allegro molto - Adagio - Largo - Presto | Chicago Symphony Orchestra, Leonard Bernstein | DEF058803094 |
| Symphony no. 7 in C major "Leningrad", op. 60: 1. Allegretto | Chicago Symphony Orchestra, Leonard Bernstein | DEF058803101 |
| Symphony no. 7 in C major "Leningrad", op. 60: 2. Moderato (poco allegretto) | Chicago Symphony Orchestra, Leonard Bernstein | DEF058803102 |
| Symphony no. 7 in C major "Leningrad", op. 60: 3. Adagio | Chicago Symphony Orchestra, Leonard Bernstein | DEF058803103 |
| Symphony no. 7 in C major "Leningrad", op. 60: 4. Allegro non troppo | Chicago Symphony Orchestra, Leonard Bernstein | DEF058803104 |
| Symphony No. 6 A-moll: II. Scherzo. Wuchtig | Wiener Philharmoniker, Leonard Bernstein | DEF058803340 |
| Symphony No. 6 A-moll: I. Allegro energico, ma non troppo. Heftig, aber markig | Wiener Philharmoniker, Leonard Bernstein | DEF058803341 |
| Symphony No. 6 A-moll: II. Scherzo. Wuchtig | Wiener Philharmoniker, Leonard Bernstein | DEF058803342 |
| Symphony No. 6 A-moll: III. Andante moderato | Wiener Philharmoniker, Leonard Bernstein | DEF058803343 |
| Symphony No. 6 A-moll: IV. Finale: Allegro moderato - Allegro energico | Wiener Philharmoniker, Leonard Bernstein | DEF058803344 |
| Symphony No. 6 A-moll: IV. Finale: Allegro moderato - Allegro energico | Wiener Philharmoniker, Leonard Bernstein | DEF058803350 |
| Kindertotenlieder: 1. Nun will die Sonnʼ so hell aufgehn | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | DEF058803351 |
| Kindertotenlieder: 2. Nun sehʼ ich vohl, warum so dunkle Flammen | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | DEF058803352 |
| Kindertotenlieder: 3. Wenn dein Mütterlein | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | DEF058803353 |
| Kindertotenlieder: 4. Oft denkʼ ich, sie sind nur ausgegangen | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | DEF058803354 |
| Kindertotenlieder: 5. In diesem Wetter, in diesem Braus | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | DEF058803355 |
| Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima | New York Philharmonic, Leonard Bernstein | DEF058803682 |
| Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima - Andante mosso - Allegro non troppo | New York Philharmonic, Leonard Bernstein | DEF058803683 |
| Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato | New York Philharmonic, Leonard Bernstein | DEF058803684 |
| Symphony no. 5 in E minor, op. 64: IV. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto | New York Philharmonic, Leonard Bernstein | DEF058803685 |
| Romeo & Juliet Overture | New York Philharmonic, Leonard Bernstein | DEF058903090 |
| Symphony no. 4 in F minor, op. 36: I. Andante sostenuto – Moderato con anima – Moderato assai, quasi andante – Allegro vivo | New York Philharmonic, Leonard Bernstein | DEF058904301 |
| Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone | New York Philharmonic, Leonard Bernstein | DEF058904302 |
| Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato - Allegro | New York Philharmonic, Leonard Bernstein | DEF058904303 |
| Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco | New York Philharmonic, Leonard Bernstein | DEF058904304 |
| Francesca da Rimini, op. 32: Andante lugubre – Allegro vivo – Andante cantabile non troppo – Allegro vivo | New York Philharmonic, Leonard Bernstein | DEF058904310 |
| Lieder eines fahrenden Gesellen: 1. Wenn mein Schatz Hochzeit macht | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | DEF059002281 |
| Lieder eines fahrenden Gesellen: 2. Ging heutʼ morgen übers Feld | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | DEF059002282 |
| Lieder eines fahrenden Gesellen: 3. Ich habʼ ein glühend Messer | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | DEF059002283 |
| Lieder eines fahrenden Gesellen: 4. Die zwei blauen Augen | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | DEF059002284 |
| 5 Lieder: 1. Liebst du um Schönheit | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | DEF059002771 |
| 5 Lieder: 2. Blicke mir nicht in die Lieder | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | DEF059002772 |
| 5 Lieder: 3. Ich atmetʼ einen linden Duft | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | DEF059002773 |
| 5 Lieder: 5. Um Mitternacht | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | DEF059002774 |
| 5 Lieder: 6. Ich bin der Welt abhanden gekommen | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | DEF059002775 |
| Motet for Chorus, Strings & Organ in D major, K. 618: "Ave verum corpus", KV618 | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | DEF059003690 |
| Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo - Allegro energico | Wiener Philharmoniker, Leonard Bernstein | DEF059004091 |
| Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento) | Wiener Philharmoniker, Leonard Bernstein | DEF059004092 |
| Symphony no. 1 in E minor, op. 39: III. Scherzo (Allegro) | Wiener Philharmoniker, Leonard Bernstein | DEF059004093 |
| Symphony no. 1 in E minor, op. 39: IV. Finale (Quasi una fantasia) | Wiener Philharmoniker, Leonard Bernstein | DEF059004094 |
| Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 "Great": I. "Kyrie" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | DEF059030601 |
| Das Lied von der Erde: 1. Das Trinklied vom Jammer der Erde | James King, Wiener Philharmoniker, Leonard Bernstein | GBF076610291 |
| Das Lied von der Erde: 2. Der Einsame im Herbst | Dietrich Fischer-Dieskau, Wiener Philharmoniker, Leonard Bernstein | GBF076610292 |
| Das Lied von der Erde: 3. Von der Jugend | James King, Wiener Philharmoniker, Leonard Bernstein | GBF076610293 |
| Das Lied von der Erde: 4. Von der Schönheit | Dietrich Fischer-Dieskau, Wiener Philharmoniker, Leonard Bernstein | GBF076610294 |
| Das Lied von der Erde: 5. Der Trunkene um Frühling | James King, Wiener Philharmoniker, Leonard Bernstein | GBF076610295 |
| Das Lied von der Erde: 6. Der Abschied | Dietrich Fischer-Dieskau, Wiener Philharmoniker, Leonard Bernstein | GBF076610296 |
| Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: I. Allegro | Wiener Philharmoniker, Leonard Bernstein | GBF076610431 |
| Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. [Andante] | Wiener Philharmoniker, Leonard Bernstein | GBF076610432 |
| Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: III. Allegro | Wiener Philharmoniker, Leonard Bernstein | GBF076610433 |
| Symphony no. 36 “Linz”: I. Adagio -Allegro spiritoso | Wiener Philharmoniker, Leonard Bernstein | GBF076610441 |
| Symphony no. 36 “Linz”: II. Andante | Wiener Philharmoniker, Leonard Bernstein | GBF076610442 |
| Symphony no. 36 “Linz”: III. Menuetto | Wiener Philharmoniker, Leonard Bernstein | GBF076610443 |
| Symphony no. 36 “Linz”: IV. Presto | Wiener Philharmoniker, Leonard Bernstein | GBF076610444 |
| On the Town: Ya Got Me | Nancy Walker | USMC10111616 |
| On the Town: Opening (extended version) | Lyn Murray Chorus | USMC10111644 |
| On the Town: I Can Cook Too | Nancy Walker | USMC14545670 |
| On the Town: I Get Carried Away | Betty Comden, Adolph Green | USMC14545671 |
| On the Town: Lucky to Be Me | Mary Martin | USMC14572728 |
| On the Town: Lonely Town | Mary Martin | USMC14572729 |
| Symphony no. 3 in D minor: V. Lustig im Tempo und Ausdruck | New York Philharmonic, Leonard Bernstein | USSM10702742 |
| Symphony no. 1 in B‐flat major, op. 38 "Spring": III. Scherzo: Molto vivace | Wiener Philharmoniker, Leonard Bernstein | USSM11702512 |
Requiem in D minor, K. 626: IIIa. Dies irae (Sequenz)
Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Wolfgang Seeliger, Leonard Bernstein
Requiem in D minor, K. 626: IIIf. Lacrimosa (Sequenz)
Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Wolfgang Seeliger, Leonard Bernstein
Requiem in D minor, K. 626: IIIe. Confutatis (Sequenz)
Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Wolfgang Seeliger, Leonard Bernstein
Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 2 in C major, Op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 2 in C major, Op. 61: II. Scherzo: Allegro vivace
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 2 in C major, Op. 61: III. Adagio espressivo
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 2 in C major, Op. 61: IV. Allegro molto vivace
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 4 in E minor, Op. 98: II. Andante moderato
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso - Poco meno presto - Tempo I
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato - Più allegro
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 6 in B minor, Op. 74 "Pathétique": I. Adagio – Allegro non troppo
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 6 in B minor, Op. 74 "Pathétique": II. Allegro con grazia
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 6 in B minor, Op. 74 "Pathétique": III. Allegro molto vivace
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 6 in B minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso – Andante
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 9 in E minor, Op. 95 "From the New World": I. Adagio – Allegro molto
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 9 in E minor, Op. 95 "From the New World": III. Scherzo. Molto vivace
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 9 in E minor, Op. 95 "From the New World": IV. Allegro con fuoco
New York Stadium Symphony Orchestra, Leonard Bernstein
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "Simplicity itself..." (1st movement)
[dialogue]
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "I always feel this gigantism..." (2nd movement)
[dialogue]
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "We have just been examining..." (3rd movement)
[dialogue]
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "All that we have said..." (4th movement)
[dialogue]
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "The study of Eroica is a lifetime work..."
[dialogue]
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Robert Schumann has been dead..." (3rd movement, opening theme)
[dialogue]
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "To my mind, Schumann follows in this tradition..."
[dialogue]
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Now let's look at the Symphony itself..." (1st movement)
[dialogue]
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "And so we have arrived at the allegro section..." (1st movement, continued)
[dialogue]
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "In the marvelous Scherzo that follows..." (2nd movement)
[dialogue]
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "But perhaps the greatest beauty...." (3rd movement)
[dialogue]
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Even in the final movement...." (4th movement)
[dialogue]
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Brahms' Fourth Symphony in E minor is today ..." (4th movement., opening theme)
[dialogue]
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Our journey begins without introduction..." (1st movement)
[dialogue]
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Do you see now what a symphonic theme is?" (1st movement)
[dialogue]
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Now, think of it - we have so far only had 44 bars of music" (1st movement)
[dialogue]
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Here is that second theme" (1st movement)
[dialogue]
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "This brings us to the development section proper" (1st movement)
[dialogue]
Musical Analysis (Bernstein on Brahms's Symphony No. 4): And here we are back home, ready for the rehearing of the exposition,..." (1st movement)
[dialogue]
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "So we arrive at the coda" (1st movement)
[dialogue]
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Well, we have had a microscopic look at symphonic method" (1st movement)
[dialogue]
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now there is a melody, a pure orchestral song..." (1st movement)
[dialogue]
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now the development section erupts..." (1st movement continued)
[dialogue]
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now one would think that Tchaikovsky had really exploited the device of scales" (2nd movement)
[dialogue]
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Jumping now to the famous third movement, the great March..." (3rd movement)
[dialogue]
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Perhaps the most admirable example of this is to be found in the wonderful last movement, ..." (4th movement)
[dialogue]
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now I don't want to give you the impression that scales are the only unifying force in this work"
[dialogue]
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "Does this music sound like the New World to you?" (3rd movement, Trio II; 1st movement)
[dialogue]
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "We come now to the second movement, which has a charming melody, ..." (2nd movement)
[dialogue]
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The third movement is a marvel of ingenuity and deftness" (3rd movement)
[dialogue]
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "And now the last movement. In general I should say that this is the most Slavic of all" (4th movement)
[dialogue]
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The final claim of those who argue for the New World Symphony as American music, ..." (4th movement, continued)
[dialogue]
Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Allegro impetuoso “Veni, creator spiritus”
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: A tempo. Etwas (aber unmerklich) gemäßigter; immer sehr fließend “Imple superna gratia”
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Tempo I. (Allegro impetuoso) “Infirma nostri corporis”
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Tempo I. (Allegro, etwas hastig)
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Sehr fließend — Noch einmal so langsam als vorher. Nicht schleppend “Infirma nostri corporis”
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Plötzlich sehr breit und leidenschaftlichen Ausdrucks — Mit plötzcheim Aufschwung “Accende lumen sensibus”
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: “Veni, creator spiritus”
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: a tempo “Gloria sit Patri Domino”
Wiener Philharmoniker, Leonard Bernstein
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIa. Poco adagio
Wiener Philharmoniker, Leonard Bernstein
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIb. Più mosso. (Allegro moderato)
Wiener Philharmoniker, Leonard Bernstein
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIc. Wieder langsam. Chor und Echo: "Waldung, sie schwankt heran"
Wiener Philharmoniker, Leonard Bernstein
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IId. Moderato. "Ewiger Wonnebrand"
Wiener Philharmoniker, Leonard Bernstein
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIe. Allegro - (Allegro appassionato) "Wie Felsenabgrund mir zu Füßen"
Wiener Philharmoniker, Leonard Bernstein
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIf. Allegro deciso. (Im Anfang noch nicht eilen) - "Gerettet ist das edle Glied" - "Hände verschlinget euch"
Wiener Philharmoniker, Leonard Bernstein
Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Molto leggiero, Chor der jüngeren Engel: “Jene Rosen aus den Händen”
Wiener Philharmoniker, Leonard Bernstein
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIh. Schon etwas langsamer und immer noch mäßiger "Uns bleibt ein Erdenrest"
Wiener Philharmoniker, Leonard Bernstein
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIi. Im Anfang (die ersten vier Takte) noch etwas gehalten: "Ich spür' soeben, nebelnd um Felsenhöh'" "Freudig empfangen wir"
Wiener Philharmoniker, Leonard Bernstein
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIj. Sempre l'istesso tempo. "Höchste Herrscherin der Welt"
Wiener Philharmoniker, Leonard Bernstein
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIk. Äußerst langsam. Adagissimo. "Dir, der Unberührbaren" "Du schwebst zu Höhen er ewigen Reiche"
Wiener Philharmoniker, Leonard Bernstein
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIl. Fließend "Bei der Liebe, die den Füßen" "Bei dem Bronn, zu dem schon weiland" " Bei dem hochgeweihten Orte"
Wiener Philharmoniker, Leonard Bernstein
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIm. Una poenitentium: "Neige, du Ohnegleichte"
Wiener Philharmoniker, Leonard Bernstein
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIn. Unmerklich frischer: "Er überwächst uns schon" "Vom edlen Geisterchor umgebren"
Wiener Philharmoniker, Leonard Bernstein
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIp. Sehr langsam beginnend "Alles Vergängliche ist nur ein Gleichnis"
Wiener Philharmoniker, Leonard Bernstein
5 Lieder mit Orchesterbegleitung, op. 27 no. 2, TrV 170: Cäcilie
Montserrat Caballé, Orchestre national de France, Leonard Bernstein
5 Lieder mit Orchesterbegleitung, op. 41 no. 1, TrV 195: Wiegenlied
Montserrat Caballé, Orchestre national de France, Leonard Bernstein
5 Lieder mit Orchesterbegleitung, op. 37 no. 2, TrV 187: Ich liebe dich
Montserrat Caballé, Orchestre national de France, Leonard Bernstein
Le Sacre du printemps: Partie I. Danse de la Terre
Israel Philharmonic Orchestra, Leonard Bernstein
Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir)
Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein
Symphony in Three Movements: I. Overture. Allegro
Israel Philharmonic Orchestra, Leonard Bernstein
Symphony in Three Movements: II. Andante
Israel Philharmonic Orchestra, Leonard Bernstein
Symphony in Three Movements: II. Interlude. L'istesso tempo
Israel Philharmonic Orchestra, Leonard Bernstein
Symphony in Three Movements: III. Con moto
Israel Philharmonic Orchestra, Leonard Bernstein
Symphonie Nr. 40 in g‐moll, KV 550: I. Molto allegro
Wiener Philharmoniker, Leonard Bernstein
Symphonie Nr. 40 in g‐moll, KV 550: II. Andante
Wiener Philharmoniker, Leonard Bernstein
Symphonie Nr. 40 in g‐moll, KV 550: III. Menuetto. Allegretto
Wiener Philharmoniker, Leonard Bernstein
Symphonie Nr. 40 in g‐moll, KV 550: IV. Allegro assai
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 35 for Orchestra in D major, K. 385 "Haffner": IV. Presto
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 41 in C major "Jupiter", K. 551: 1. Allegro vivace
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 41 in C major "Jupiter", K. 551: 2. Andante cantabile
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 41 in C major "Jupiter", K. 551: 3. Menuetto. Allegretto
Wiener Philharmoniker, Leonard Bernstein
Symphony No. 41 in C major, K. 551 “Jupiter”: IV. Allegro molto
Wiener Philharmoniker, Leonard Bernstein
L'Oiseau de feu Suite (1919 version): Finale
Israel Philharmonic Orchestra, Leonard Bernstein
Symphony in C: I. Moderato alla breve
Israel Philharmonic Orchestra, Leonard Bernstein
Symphony in C: II. Larghetto concertante
Israel Philharmonic Orchestra, Leonard Bernstein
Symphony in C: III. Allegretto
Israel Philharmonic Orchestra, Leonard Bernstein
Symphony in C: IV. Largo - Tempo giusto, alla breve
Israel Philharmonic Orchestra, Leonard Bernstein
Hamlet, op. 67
Israel Philharmonic Orchestra, Leonard Bernstein
Marche slave, op. 31
Israel Philharmonic Orchestra, Leonard Bernstein
Capriccio italien, op. 45
Israel Philharmonic Orchestra, Leonard Bernstein
Ouverture solennelle 1812, op. 49: Largo – Andante – Allegro giusto – Largo – Allegro vivace
Israel Philharmonic Orchestra, Leonard Bernstein
Symphony no. 3 in E-flat major, op. 97 "Rhenish": I. Lebhaft
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 3 in E-flat major, op. 97 "Rhenish": II. Scherzo: Sehr mäßig
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 3 in E-flat major, op. 97 "Rhenish": III. Nicht schnell
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 3 in E-flat major, op. 97 "Rhenish": IV. Feierlich - (quasi attacca:)
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 3 in E-flat major, op. 97 "Rhenish": V. Lebhaft
Wiener Philharmoniker, Leonard Bernstein
Konzert für Klavier und Orchester a-Moll, op. 54: I. Allegro affettuoso
Justus Frantz, Wiener Philharmoniker, Leonard Bernstein
Symphony no. 1 in B-flat major, op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 1 in B-flat major, op. 38 "Spring": II. Larghetto - attacca:
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 1 in B‐flat major, op. 38 "Spring": III. Scherzo: Molto vivace
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 1 in B-flat major, op. 38 "Spring": IV. Allegro animato e grazioso
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft - (attacca:)
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 4 in D minor, op. 120: II. Romanze: Ziemlich langsam - (attacca:)
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 4 in D minor, op. 120: III. Scherzo: Lebhaft - Trio - (attacca:)
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft
Wiener Philharmoniker, Leonard Bernstein
Konzert für Violoncello und Orchester a-Moll, op. 129: III. Sehr lebhaft
Mischa Maisky, Wiener Philharmoniker, Leonard Bernstein
Konzert für Violoncello und Orchester a-Moll, op. 129: I. Nicht zu schnell
Mischa Maisky, Wiener Philharmoniker, Leonard Bernstein
Konzert für Violoncello und Orchester a-Moll, op. 129: II. Langsam
Mischa Maisky, Wiener Philharmoniker, Leonard Bernstein
Konzert für Violoncello und Orchester a-Moll, op. 129: III. Sehr lebhaft
Mischa Maisky, Wiener Philharmoniker, Leonard Bernstein
Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Allegro, ma non troppo
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 2 in C major, op. 61: II. Scherzo: Allegro vivace
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 2 in C major, op. 61: III. Adagio espressivo
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 9 op. 70: I. Allegro
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 9 op. 70: I. II. Moderato
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 9 op. 70: I. III. Presto
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 9 op. 70: I. IV. Largo
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 9 op. 70: I. V. Allegretto
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato assai - Allegro vivo - Andante come prima - Andante mosso
New York Philharmonic, Leonard Bernstein
Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia
New York Philharmonic, Leonard Bernstein
Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace
New York Philharmonic, Leonard Bernstein
Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale. Adagio lamentoso - Andante
New York Philharmonic, Leonard Bernstein
Symphony no. 6 op. 54: I. Largo
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 6 op. 54: II. Allegro
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 6 op. 54: III. Presto
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 2 in D major, op. 43: I. Allegretto
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 2 in D major, op. 43: III. Vivacissimo (attacca)
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato
Wiener Philharmoniker, Leonard Bernstein
Symphonie No. 2 c-moll: Ic. Schnell
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: Id. Tempo I
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: Ie. Tempo sostenuto
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: IIa. Andante moderato. Sehr gemächlich
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: IIb. Nicht eilen. Sehr gemächlich
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: IIc. In Tempo I zurückkehren
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: IId. Energisch bewegt
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: IIe: Wieder ins Tempo zurückgehen. Tempo I
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: IIIa. In ruhig fließender Bewegung
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: IIIb. Sehr getragen und gesangvoll
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: IIIc. Zum Tempo I zurückkehren
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: Va. Im Tempo des Scherzos. Wild herausfahrend
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: Vb: Langsam
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: Vc. Im Anfang sehr zuückhaltend
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: Vd. Wieder sher breit
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: Ve. Molto ritenuto. Maestoso
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: Vf. Wieder zurückhaltend
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: Vg. Sehr langsam und gedehnt
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: Vh. Langsam. Misterioso "Auferstehn, ja auferstehn wirst du"
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: Vi. Langsam ppp. Nicht schleppen "Wieder aufzublühn wirst du gesät"
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: Vj. Etwas bewegter "O glaube, mein Herz o glaube"
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: IV. "Urlicht" Sehr leicht, aber schlicht "O Röschen rot"
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: Vk. Mit Aufschwung, aber nicht eilen "O Schmerz, du Alldurchdringer"
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: Ia. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: Ib. Sehr mäßig und zurückhaltend
New York Philharmonic, Leonard Bernstein
Symphony no. 4 in G major: I. Bedächtig, nicht eilen
Koninklijk Concertgebouworkest, Leonard Bernstein
Symphony no. 4 in G major: II. In gemächlicher Bewegung, ohne Hast
Koninklijk Concertgebouworkest, Leonard Bernstein, Jaap van Zweden
Symphony no. 4 in G major: III. Ruhevoll
Koninklijk Concertgebouworkest, Leonard Bernstein
Symphony no. 4 in G major: IV. Sehr behaglich
Koninklijk Concertgebouworkest, Leonard Bernstein, Helmut Wittek
Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 5 in C‐sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 5 in C‐sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 5 in C‐sharp minor: III. Scherzo. Kräftig, nicht zu schnell
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 5 in C‐sharp minor: V. Rondo‐Finale. Allegro – Allegro giocoso. Frisch
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 1 in D major, "Titan": IV. Stürmisch bewegt
Concertgebouworkest Amsterdam, Leonard Bernstein
Symphony no. 1 in D major, "Titan": I. Langsam. Schleppend
Koninklijk Concertgebouworkest, Leonard Bernstein
Symphony no. 1 in D major, "Titan": II. Kräftig bewegt
Koninklijk Concertgebouworkest, Leonard Bernstein
Symphony no. 1 in D major, "Titan": III. Feierlich und gemessen, ohne zu schleppen
Koninklijk Concertgebouworkest, Leonard Bernstein
Symphony no. 3 in D minor: V. Lustig im Tempo und Ausdruck
New York Philharmonic, Leonard Bernstein
Symphony no. 5 in E-flat major, op. 82: Ia. Tempo molto moderato - Largamente -
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 5 in E-flat major, op. 82: Ib. Allegro moderato - Presto
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Misterioso - Un pochettino largamente - Largamente assai
Wiener Philharmoniker, Leonard Bernstein
Concerto for Clarinet in A major, K. 622: II. Adagio
Peter Schmidl, Wiener Philharmoniker, Leonard Bernstein
Symphonie no. 3 d-moll: IIIa. Comodo. Scherzando. Ohne Hast
New York Philharmonic, Leonard Bernstein
Symphonie no. 3 d-moll: IIIb. Wieder sehr gemächlich, wir zu Anfang
New York Philharmonic, Leonard Bernstein
Symphonie no. 3 d-moll: IIIc. Etwas zurückhaltend
New York Philharmonic, Leonard Bernstein
Symphonie no. 3 d-moll: IIId. Schnell und schmetternd wie eine Fanfare - Tempo I. Mit geheimnisvoller Hast
New York Philharmonic, Leonard Bernstein
Symphonie no. 3 d-moll: IIIe. Wieder sehr gemächlich, beinahe langsam
New York Philharmonic, Leonard Bernstein
La Bohème: Atto I. “Che gelida manina!” (Rodolfo)
Jerry Hadley, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein
Des Knaben Wunderhorn: 1. Der Schildwache Nachtlied
Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein
Des Knaben Wunderhorn: 2. Wer hat dies Liedlein erdacht?
Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein
Des Knaben Wunderhorn: 3. Der Tamboursg’sell
Andreas Schmidt, Koninklijk Concertgebouworkest, Leonard Bernstein
Des Knaben Wunderhorn: 4. Das irdische Leben
Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein
Des Knaben Wunderhorn: 5. Verlorne Müh’
Lucia Popp, Andreas Schmidt, Koninklijk Concertgebouworkest, Leonard Bernstein
Des Knaben Wunderhorn: 6. Des Antonius von Padua Fischpredigt
Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein
Des Knaben Wunderhorn: 7. Revelge
Andreas Schmidt, Koninklijk Concertgebouworkest, Leonard Bernstein
Des Knaben Wunderhorn: 8. Rheinlegendchen
Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein
Des Knaben Wunderhorn: 9. Lob des hohen Verstandes
Andreas Schmidt, Koninklijk Concertgebouworkest, Leonard Bernstein
Des Knaben Wunderhorn: 10. Wo die schönen Trompeten blasen
Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein
Des Knaben Wunderhorn: 11. Lied des Verfolgten im Turm
Lucia Popp, Andreas Schmidt, Koninklijk Concertgebouworkest, Leonard Bernstein
Des Knaben Wunderhorn: 12. Trost im Unglück
Lucia Popp, Andreas Schmidt, Koninklijk Concertgebouworkest, Leonard Bernstein
Des Knaben Wunderhorn: 13. Urlicht
Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein
Requiem in D minor, K. 626: IIId. Recordare (Sequenz)
Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein
Requiem in D minor, K. 626: IIIe. Confutatis (Sequenz)
Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Wolfgang Seeliger, Leonard Bernstein
Requiem in D minor, K. 626: VIII. Lux aeterna (Communio)
Marie McLaughlin, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Wolfgang Seeliger, Leonard Bernstein
Concerto for Violoncello and Orchestra in B minor, op. 104: III. Finale. Allegro moderato
Mischa Maisky, Israel Philharmonic Orchestra, Leonard Bernstein
Concerto for Violoncello and Orchestra in B minor, op. 104: I. Allegro
Mischa Maisky, Israel Philharmonic Orchestra, Leonard Bernstein
Concerto for Violoncello and Orchestra in B minor, op. 104: II. Adagio, ma no troppo
Mischa Maisky, Israel Philharmonic Orchestra, Leonard Bernstein
Symphony no. 1 in F minor, op. 10: 1. Allegretto - Allegro non troppo
Chicago Symphony Orchestra, Leonard Bernstein
Symphony no. 1 in F minor, op. 10: 2. Allegro
Chicago Symphony Orchestra, Leonard Bernstein
Symphony no. 1 in F minor, op. 10: 3. Lento - Largo
Chicago Symphony Orchestra, Leonard Bernstein
Symphony no. 1 in F minor, op. 10: 4. Allegro molto - Lento - Allegro molto - Adagio - Largo - Presto
Chicago Symphony Orchestra, Leonard Bernstein
Symphony no. 7 in C major "Leningrad", op. 60: 1. Allegretto
Chicago Symphony Orchestra, Leonard Bernstein
Symphony no. 7 in C major "Leningrad", op. 60: 2. Moderato (poco allegretto)
Chicago Symphony Orchestra, Leonard Bernstein
Symphony no. 7 in C major "Leningrad", op. 60: 3. Adagio
Chicago Symphony Orchestra, Leonard Bernstein
Symphony no. 7 in C major "Leningrad", op. 60: 4. Allegro non troppo
Chicago Symphony Orchestra, Leonard Bernstein
Symphony No. 6 A-moll: II. Scherzo. Wuchtig
Wiener Philharmoniker, Leonard Bernstein
Symphony No. 6 A-moll: I. Allegro energico, ma non troppo. Heftig, aber markig
Wiener Philharmoniker, Leonard Bernstein
Symphony No. 6 A-moll: II. Scherzo. Wuchtig
Wiener Philharmoniker, Leonard Bernstein
Symphony No. 6 A-moll: III. Andante moderato
Wiener Philharmoniker, Leonard Bernstein
Symphony No. 6 A-moll: IV. Finale: Allegro moderato - Allegro energico
Wiener Philharmoniker, Leonard Bernstein
Symphony No. 6 A-moll: IV. Finale: Allegro moderato - Allegro energico
Wiener Philharmoniker, Leonard Bernstein
Kindertotenlieder: 1. Nun will die Sonnʼ so hell aufgehn
Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson
Kindertotenlieder: 2. Nun sehʼ ich vohl, warum so dunkle Flammen
Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson
Kindertotenlieder: 3. Wenn dein Mütterlein
Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson
Kindertotenlieder: 4. Oft denkʼ ich, sie sind nur ausgegangen
Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson
Kindertotenlieder: 5. In diesem Wetter, in diesem Braus
Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson
Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima
New York Philharmonic, Leonard Bernstein
Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima - Andante mosso - Allegro non troppo
New York Philharmonic, Leonard Bernstein
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato
New York Philharmonic, Leonard Bernstein
Symphony no. 5 in E minor, op. 64: IV. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto
New York Philharmonic, Leonard Bernstein
Romeo & Juliet Overture
New York Philharmonic, Leonard Bernstein
Symphony no. 4 in F minor, op. 36: I. Andante sostenuto – Moderato con anima – Moderato assai, quasi andante – Allegro vivo
New York Philharmonic, Leonard Bernstein
Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone
New York Philharmonic, Leonard Bernstein
Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato - Allegro
New York Philharmonic, Leonard Bernstein
Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco
New York Philharmonic, Leonard Bernstein
Francesca da Rimini, op. 32: Andante lugubre – Allegro vivo – Andante cantabile non troppo – Allegro vivo
New York Philharmonic, Leonard Bernstein
Lieder eines fahrenden Gesellen: 1. Wenn mein Schatz Hochzeit macht
Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson
Lieder eines fahrenden Gesellen: 2. Ging heutʼ morgen übers Feld
Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson
Lieder eines fahrenden Gesellen: 3. Ich habʼ ein glühend Messer
Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson
Lieder eines fahrenden Gesellen: 4. Die zwei blauen Augen
Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson
5 Lieder: 1. Liebst du um Schönheit
Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson
5 Lieder: 2. Blicke mir nicht in die Lieder
Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson
5 Lieder: 3. Ich atmetʼ einen linden Duft
Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson
5 Lieder: 5. Um Mitternacht
Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson
5 Lieder: 6. Ich bin der Welt abhanden gekommen
Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson
Motet for Chorus, Strings & Organ in D major, K. 618: "Ave verum corpus", KV618
Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein
Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo - Allegro energico
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento)
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 1 in E minor, op. 39: III. Scherzo (Allegro)
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 1 in E minor, op. 39: IV. Finale (Quasi una fantasia)
Wiener Philharmoniker, Leonard Bernstein
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 "Great": I. "Kyrie"
Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein
Das Lied von der Erde: 1. Das Trinklied vom Jammer der Erde
James King, Wiener Philharmoniker, Leonard Bernstein
Das Lied von der Erde: 2. Der Einsame im Herbst
Dietrich Fischer-Dieskau, Wiener Philharmoniker, Leonard Bernstein
Das Lied von der Erde: 3. Von der Jugend
James King, Wiener Philharmoniker, Leonard Bernstein
Das Lied von der Erde: 4. Von der Schönheit
Dietrich Fischer-Dieskau, Wiener Philharmoniker, Leonard Bernstein
Das Lied von der Erde: 5. Der Trunkene um Frühling
James King, Wiener Philharmoniker, Leonard Bernstein
Das Lied von der Erde: 6. Der Abschied
Dietrich Fischer-Dieskau, Wiener Philharmoniker, Leonard Bernstein
Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: I. Allegro
Wiener Philharmoniker, Leonard Bernstein
Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. [Andante]
Wiener Philharmoniker, Leonard Bernstein
Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: III. Allegro
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 36 “Linz”: I. Adagio -Allegro spiritoso
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 36 “Linz”: II. Andante
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 36 “Linz”: III. Menuetto
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 36 “Linz”: IV. Presto
Wiener Philharmoniker, Leonard Bernstein
On the Town: Ya Got Me
Nancy Walker
On the Town: Opening (extended version)
Lyn Murray Chorus
On the Town: I Can Cook Too
Nancy Walker
On the Town: I Get Carried Away
Betty Comden, Adolph Green
On the Town: Lucky to Be Me
Mary Martin
On the Town: Lonely Town
Mary Martin
Symphony no. 3 in D minor: V. Lustig im Tempo und Ausdruck
New York Philharmonic, Leonard Bernstein
Symphony no. 1 in B‐flat major, op. 38 "Spring": III. Scherzo: Molto vivace
Wiener Philharmoniker, Leonard Bernstein
What other identifiers does this connect to?
Musical Works (ISWC)
T-900.953.062-5T-900953062-5T0030558678T0041582642T0050057287T0073031078T0101944299T0503574773T0702758051T0714818275
+29 more
T3012806150T3012809637T3032040425T3043963680T3063957864T3124392145T3125423812T3131545381T3150202301T3162094620T3186765282T3232521170T8008285868T8013646486T9001482888T9001482899T9022862562T9027485887T9027640024T9028762007T9049080731T9095732846T9113622610T9171821855T9190813684T9248573957T9263599231T9263623547T9269451561
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055132087000000005516626000000000551745430000000063017943000000007839000300000000841113300000000109350136000000010946531200000001096809440000000110215599
+37 more
000000011029232400000001104319960000000110662532000000011078446800000001109287240000000114388550000000011439796700000001145542480000000114568586000000011469112X0000000114743698000000011475117X00000001149243410000000116521335000000011739509400000001174780090000000117802614000000011795153X0000000118447116000000011845293500000001188420870000000119410438000000011957475800000001201914980000000120322953000000012097801200000001210767230000000121144247000000012118119500000001214244090000000121817093000000012187009700000001219820050000000123531873000000036857128300000003685733930000000403968412
People also ask
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What is UPC 028947955535?
028947955535 is a Universal Product Code (UPC) assigned to The Leonard Bernstein Collection, Volume 2 by Leonard Bernstein. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 583 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm