UPC · Release
Leonard Bernstein
Last verified:
The UPC for “The Leonard Bernstein Collection, Volume 2” by Leonard Bernstein is 028947955535. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2016-01-01. Label: Deutsche Grammophon. This release contains 580 tracks, each with its own ISRC. Tracks include DEF058703960, DEF058702508, DEF058702509.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in D major, "Titan": IV. Stürmisch bewegt | Concertgebouworkest Amsterdam, Leonard Bernstein | T-900.953.062-5 | |
| 4 | Symphony no. 1 in D major: IV. Stürmisch bewegt | — | ||
| 2-1 | Symphonie No. 2 c-moll: Ia. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck | New York Philharmonic, Leonard Bernstein | — | |
| 2-2 | Symphonie No. 2 c-moll: Ib. Sehr mäßig und zurückhaltend | New York Philharmonic, Leonard Bernstein | — | |
| 2-3 | Symphonie No. 2 c-moll: Ic. Schnell | New York Philharmonic, Leonard Bernstein | T-911.362.261-0 | |
| 2-4 | Symphonie No. 2 c-moll: Id. Tempo I | New York Philharmonic, Leonard Bernstein | — | |
| 2-5 | Symphonie No. 2 c-moll: Ie. Tempo sostenuto | New York Philharmonic, Leonard Bernstein | — | |
| 2-6 | Symphonie No. 2 c-moll: IIa. Andante moderato. Sehr gemächlich | New York Philharmonic, Leonard Bernstein | — | |
| 2-7 | Symphonie No. 2 c-moll: IIb. Nicht eilen. Sehr gemächlich | New York Philharmonic, Leonard Bernstein | — | |
| 2-8 | Symphonie No. 2 c-moll: IIc. In Tempo I zurückkehren | New York Philharmonic, Leonard Bernstein | — | |
| 2-9 | Symphonie No. 2 c-moll: IId. Energisch bewegt | New York Philharmonic, Leonard Bernstein | — | |
| 2-10 | Symphonie No. 2 c-moll: IIe: Wieder ins Tempo zurückgehen. Tempo I | New York Philharmonic, Leonard Bernstein | — | |
| 3-1 | Symphonie No. 2 c-moll: IIIa. In ruhig fließender Bewegung | New York Philharmonic, Leonard Bernstein | — | |
| 3-2 | Symphonie No. 2 c-moll: IIIb. Sehr getragen und gesangvoll | New York Philharmonic, Leonard Bernstein | — | |
| 3-3 | Symphonie No. 2 c-moll: IIIc. Zum Tempo I zurückkehren | New York Philharmonic, Leonard Bernstein | — | |
| 3-4 | Symphonie No. 2 c-moll: IV. "Urlicht" Sehr leicht, aber schlicht "O Röschen rot" | New York Philharmonic, Leonard Bernstein | — | |
| 3-5 | Symphonie No. 2 c-moll: Va. Im Tempo des Scherzos. Wild herausfahrend | New York Philharmonic, Leonard Bernstein | — | |
| 3-6 | Symphonie No. 2 c-moll: Vb: Langsam | New York Philharmonic, Leonard Bernstein | — | |
| 3-7 | Symphonie No. 2 c-moll: Vc. Im Anfang sehr zuückhaltend | New York Philharmonic, Leonard Bernstein | — | |
| 3-8 | Symphonie No. 2 c-moll: Vd. Wieder sher breit | New York Philharmonic, Leonard Bernstein | — | |
| 3-9 | Symphonie No. 2 c-moll: Ve. Molto ritenuto. Maestoso | New York Philharmonic, Leonard Bernstein | — | |
| 3-10 | Symphonie No. 2 c-moll: Vf. Wieder zurückhaltend | New York Philharmonic, Leonard Bernstein | — | |
| 3-11 | Symphonie No. 2 c-moll: Vg. Sehr langsam und gedehnt | New York Philharmonic, Leonard Bernstein | — | |
| 3-12 | Symphonie No. 2 c-moll: Vh. Langsam. Misterioso "Auferstehn, ja auferstehn wirst du" | New York Philharmonic, Leonard Bernstein | — | |
| 3-13 | Symphonie No. 2 c-moll: Vi. Langsam ppp. Nicht schleppen "Wieder aufzublühn wirst du gesät" | New York Philharmonic, Leonard Bernstein | — | |
| 3-14 | Symphonie No. 2 c-moll: Vj. Etwas bewegter "O glaube, mein Herz o glaube" | New York Philharmonic, Leonard Bernstein | — | |
| 3-15 | Symphonie No. 2 c-moll: Vk. Mit Aufschwung, aber nicht eilen "O Schmerz, du Alldurchdringer" | New York Philharmonic, Leonard Bernstein | — | |
| 4-1 | Symphony no. 3 in D minor: Ia. Kräftig. Entschieden | — | ||
| 4-2 | Symphony no. 3 in D minor: Ib. Immer das gleiche Tempo | — | ||
| 4-3 | Symphony no. 3 in D minor: Ic.Tempo I | — | ||
| 4-4 | Symphony no. 3 in D minor: Id. Zeit lassen | — | ||
| 4-5 | Symphony no. 3 in D minor: Ie. Zeit lassen | — | ||
| 4-6 | Symphony no. 3 in D minor: If. Immer dasselbe Tempo (Marsch). Nicht eilen | — | ||
| 4-7 | Symphony no. 3 in D minor: Ig. Im alten Marschtempo (Allegro Moderato) | — | ||
| 4-8 | Symphony no. 3 in D minor: Ih. Tempo I | — | ||
| 4-9 | Symphony no. 3 in D minor: IIa. Tempo di Menuetto. Sehr mässig | — | ||
| 4-10 | Symphony no. 3 in D minor: IIb. L'istesso tempo | — | ||
| 4-11 | Symphony no. 3 in D minor: IIc. A tempo (Wie im Anfang) | — | ||
| 4-12 | Symphony no. 3 in D minor: IId. Ganz plötzlich gemächlich. Tempo di Menuetto | — | ||
| 4-13 | Symphonie no. 3 d-moll: IIIa. Comodo. Scherzando. Ohne Hast | New York Philharmonic, Leonard Bernstein | T-902.748.588-7 | |
| 4-14 | Symphonie no. 3 d-moll: IIIb. Wieder sehr gemächlich, wir zu Anfang | New York Philharmonic, Leonard Bernstein | — | |
| 4-15 | Symphonie no. 3 d-moll: IIIc. Etwas zurückhaltend | New York Philharmonic, Leonard Bernstein | — | |
| 4-16 | Symphonie no. 3 d-moll: IIId. Schnell und schmetternd wie eine Fanfare - Tempo I. Mit geheimnisvoller Hast | New York Philharmonic, Leonard Bernstein | — | |
| 4-17 | Symphonie no. 3 d-moll: IIIe. Wieder sehr gemächlich, beinahe langsam | New York Philharmonic, Leonard Bernstein | — | |
| 5-1 | Symphony no. 3 in D minor: IVa. Sehr langsam. Misterioso. Durchaus ppp: "O Mensch! Gib acht!" | — | ||
| 5-2 | Symphony no. 3 in D minor: IVb. Più mosso subito | — | ||
| 5-3 | Symphony no. 3 in D minor: V. Lustig im Tempo und Ausdruck | New York Philharmonic, Leonard Bernstein | — | |
| 5-4 | Symphony no. 3 in D minor: VIa. Langsam. Ruhevoll. Empfunden | — | ||
| 5-5 | Symphony no. 3 in D minor: VIb. Nicht mehr so breit | — | ||
| 5-6 | Symphony no. 3 in D minor: VIc. Tempo I. Ruhevoll | — | ||
| 5-7 | Symphony no. 3 in D minor: VId. Nicht mehr so breit | — | ||
| 5-8 | Symphony no. 3 in D minor: VIe. Tempo I | — | ||
| 5-9 | Symphony no. 3 in D minor: VIf. Langsam. Tempo I | — | ||
| 6-1 | Symphony no. 4 in G major: I. Bedächtig, nicht eilen | Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 6-2 | Symphony no. 4 in G major: II. In gemächlicher Bewegung, ohne Hast | Koninklijk Concertgebouworkest, Leonard Bernstein, Jaap van Zweden | — | |
| 6-3 | Symphony no. 4 in G major: III. Ruhevoll | Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 6-4 | Symphony no. 4 in G major: IV. Sehr behaglich | Koninklijk Concertgebouworkest, Leonard Bernstein, Helmut Wittek | — | |
| 7-1 | Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam | Wiener Philharmoniker, Leonard Bernstein | — | |
| 7-2 | Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam | Wiener Philharmoniker, Leonard Bernstein | — | |
| 7-3 | Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam | Wiener Philharmoniker, Leonard Bernstein | — | |
| 7-4 | Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam | Wiener Philharmoniker, Leonard Bernstein | — | |
| 7-5 | Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam | Wiener Philharmoniker, Leonard Bernstein | — | |
| 8-1 | Symphony No. 6 A-moll: II. Scherzo. Wuchtig | Wiener Philharmoniker, Leonard Bernstein | — | |
| 8-2 | Symphony No. 6 A-moll: II. Scherzo. Wuchtig | Wiener Philharmoniker, Leonard Bernstein | — | |
| 8-3 | Symphony No. 6 A-moll: II. Scherzo. Wuchtig | Wiener Philharmoniker, Leonard Bernstein | — | |
| 9-1 | Symphony No. 6 A-moll: IV. Finale: Allegro moderato - Allegro energico | Wiener Philharmoniker, Leonard Bernstein | T-318.676.528-2 | |
| 10-1 | Symphony no. 7 in E minor: Ia. Langsam (Adagio) | — | ||
| 10-2 | Symphony no. 7 in E minor: Ib. Nicht schleppen | — | ||
| 10-3 | Symphony no. 7 in E minor: Ic. Allegro risoluto, ma non troppo | — | ||
| 10-4 | Symphony no. 7 in E minor: Id. A tempo (sempre l'istesso) | — | ||
| 10-5 | Symphony no. 7 in E minor: Ie(i). Moderato | — | ||
| 10-6 | Symphony no. 7 in E minor: Ie(ii). Moderato | — | ||
| 10-7 | Symphony no. 7 in E minor: If. Adagio (Tempo der Einleitung) | — | ||
| 10-8 | Symphony no. 7 in E minor: Ig. Allegro come prima | — | ||
| 10-9 | Symphony no. 7 in E minor: Ih. Poco ritenuto --- a tempo | — | ||
| 10-10 | Symphony no. 7 in E minor: Ii. Nicht eilen | — | ||
| 10-11 | Symphony no. 7 in E minor: IIa. Nachtmusik. Allegro moderato | — | ||
| 10-12 | Symphony no. 7 in E minor: IIb. Sempre l'istesso tempo | — | ||
| 10-13 | Symphony no. 7 in E minor: IIc. Poco meno mosso | — | ||
| 10-14 | Symphony no. 7 in E minor: IId(i). Tempo | — | ||
| 10-15 | Symphony no. 7 in E minor: IId(ii). Tempo | — | ||
| 10-16 | Symphony no. 7 in E minor: IIe. Sehr gemessen | — | ||
| 11-1 | Symphony no. 7 in E minor: IIIa. Scherzo. Schattenhaft | — | ||
| 11-2 | Symphony no. 7 in E minor: IIIb. Trio | — | ||
| 11-3 | Symphony no. 7 in E minor: IIIc. Wieder wie zu Anfang | — | ||
| 11-4 | Symphony no. 7 in E minor: IVa(i). Nachtmusik. Andante amoroso | — | ||
| 11-5 | Symphony no. 7 in E minor: IVa(ii). Nachtmusik. Andante amoroso | — | ||
| 11-6 | Symphony no. 7 in E minor: IVb. Tempo I. poco rit. | — | ||
| 11-7 | Symphony no. 7 in E minor: Va. Rondo-Finale. Tempo I (Allegro ordinario) | — | ||
| 11-8 | Symphony no. 7 in E minor: Vb. Sempre l'istesso tempo | — | ||
| 11-9 | Symphony no. 7 in E minor: Vc. Tempo II (Allegro moderato ma energico) | — | ||
| 11-10 | Symphony no. 7 in E minor: Vd(i). Tempo I | — | ||
| 11-11 | Symphony no. 7 in E minor: Vd(ii). Tempo I | — | ||
| 11-12 | Symphony no. 7 in E minor: Ve. Tempo I subito | — | ||
| 11-13 | Symphony no. 7 in E minor: Vf. Meno mosso (Tempo II) | — | ||
| 11-14 | Symphony no. 7 in E minor: Vg. Accelerando | — | ||
| 12-1 | Symphony no. 10 in F-sharp minor: Ia. Adagio. Andante | — | ||
| 12-2 | Symphony no. 10 in F-sharp minor: Ib. Adagio. Andante come prima | — | ||
| 12-3 | Symphony no. 10 in F-sharp minor: Ic. Adagio. [ ] | — | ||
| 12-4 | Symphony no. 10 in F-sharp minor: Id. Adagio. [ ] | — | ||
| 12-5 | Symphony no. 10 in F-sharp minor: Ie. Adagio. Andante | — | ||
| 12-6 | Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Allegro impetuoso “Veni, creator spiritus” | Wiener Philharmoniker, Leonard Bernstein | — | |
| 12-7 | Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: A tempo. Etwas (aber unmerklich) gemäßigter; immer sehr fließend “Imple superna gratia” | Wiener Philharmoniker, Leonard Bernstein | — | |
| 12-8 | Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Tempo I. (Allegro impetuoso) “Infirma nostri corporis” | Wiener Philharmoniker, Leonard Bernstein | — | |
| 12-9 | Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Tempo I. (Allegro, etwas hastig) | Wiener Philharmoniker, Leonard Bernstein | — | |
| 12-10 | Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Sehr fließend — Noch einmal so langsam als vorher. Nicht schleppend “Infirma nostri corporis” | Wiener Philharmoniker, Leonard Bernstein | — | |
| 12-11 | Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Plötzlich sehr breit und leidenschaftlichen Ausdrucks — Mit plötzcheim Aufschwung “Accende lumen sensibus” | Wiener Philharmoniker, Leonard Bernstein | — | |
| 12-12 | Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: “Veni, creator spiritus” | Wiener Philharmoniker, Leonard Bernstein | — | |
| 12-13 | Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: a tempo “Gloria sit Patri Domino” | Wiener Philharmoniker, Leonard Bernstein | — | |
| 13-1 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIa. Poco adagio | Wiener Philharmoniker, Leonard Bernstein | T-801.364.648-6 | |
| 13-2 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIb. Più mosso. (Allegro moderato) | Wiener Philharmoniker, Leonard Bernstein | T-800.828.586-8 | |
| 13-3 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIc. Wieder langsam. Chor und Echo: "Waldung, sie schwankt heran" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 13-4 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IId. Moderato. "Ewiger Wonnebrand" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 13-5 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIe. Allegro - (Allegro appassionato) "Wie Felsenabgrund mir zu Füßen" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 13-6 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIf. Allegro deciso. (Im Anfang noch nicht eilen) - "Gerettet ist das edle Glied" - "Hände verschlinget euch" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 13-7 | Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Molto leggiero, Chor der jüngeren Engel: “Jene Rosen aus den Händen” | Wiener Philharmoniker, Leonard Bernstein | — | |
| 13-8 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIh. Schon etwas langsamer und immer noch mäßiger "Uns bleibt ein Erdenrest" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 13-9 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIi. Im Anfang (die ersten vier Takte) noch etwas gehalten: "Ich spür' soeben, nebelnd um Felsenhöh'" "Freudig empfangen wir" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 13-10 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIj. Sempre l'istesso tempo. "Höchste Herrscherin der Welt" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 13-11 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIk. Äußerst langsam. Adagissimo. "Dir, der Unberührbaren" "Du schwebst zu Höhen er ewigen Reiche" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 13-12 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIl. Fließend "Bei der Liebe, die den Füßen" "Bei dem Bronn, zu dem schon weiland" " Bei dem hochgeweihten Orte" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 13-13 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIm. Una poenitentium: "Neige, du Ohnegleichte" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 13-14 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIn. Unmerklich frischer: "Er überwächst uns schon" "Vom edlen Geisterchor umgebren" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 13-15 | Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" XV. (Mater gloriosa) "Komm! hebe dich zu höhern Sphären" | — | ||
| 13-16 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIp. Sehr langsam beginnend "Alles Vergängliche ist nur ein Gleichnis" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 14-1 | Symphony no. 9 in D major: I. Satz. Andante comodo: [Takt 1] | — | ||
| 14-2 | Symphony no. 9 in D major: I. Satz. Andante comodo: (Horneinsatz) | — | ||
| 14-3 | Symphony no. 9 in D major: I. Satz. Andante comodo: Bewegter | — | ||
| 14-4 | Symphony no. 9 in D major: I. Satz. Andante comodo: [Takt 317] | — | ||
| 14-5 | Symphony no. 9 in D major: I. Satz. Andante comodo: Wie von Anfang | — | ||
| 14-6 | Symphony no. 9 in D major: I. Satz. Andante comodo: Plötzlich bedeutend langsamer (Lento) und leise | — | ||
| 14-7 | Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: [Takt 1] | — | ||
| 14-8 | Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Poco più mosso subito (Tempo II.) | — | ||
| 14-9 | Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo III. | — | ||
| 14-10 | Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: A tempo II. | — | ||
| 14-11 | Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo I. | — | ||
| 14-12 | Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo II. | — | ||
| 14-13 | Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo I. subito | — | ||
| 15-1 | Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: [Takt 1] | — | ||
| 15-2 | Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: L’istesso tempo | — | ||
| 15-3 | Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: Sempre l’istesso tempo | — | ||
| 15-4 | Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: L’istesso tempo | — | ||
| 15-5 | Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: [Takt 347] | — | ||
| 15-6 | Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: (Klarinetteneinsatz) | — | ||
| 15-7 | Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: Tempo I. subito | — | ||
| 15-8 | Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: Più stretto | — | ||
| 15-9 | Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: [Takt 1] | — | ||
| 15-10 | Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Plötzlich wieder sehr langsam (wie zu Anfang) und etwas zögernd | — | ||
| 15-11 | Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Molto adagio subito | — | ||
| 15-12 | Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: A tempo (Molto adagio) | — | ||
| 15-13 | Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Stets sehr gehalten | — | ||
| 15-14 | Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Fließender, doch durchaus nicht eilend | — | ||
| 15-15 | Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Tempo I. Molto adagio | — | ||
| 15-16 | Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Adagissimo | — | ||
| 16-1 | Symphony no. 9 in D major: I. Andante comodo | — | ||
| 16-2 | Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb | — | ||
| 16-3 | Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig | — | ||
| 16-4 | Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend | — | ||
| 17-1 | Das Lied von der Erde: 1. Das Trinklied vom Jammer der Erde | James King, Wiener Philharmoniker, Leonard Bernstein | — | |
| 17-2 | Das Lied von der Erde: 2. Der Einsame im Herbst | Dietrich Fischer-Dieskau, Wiener Philharmoniker, Leonard Bernstein | — | |
| 17-3 | Das Lied von der Erde: 3. Von der Jugend | James King, Wiener Philharmoniker, Leonard Bernstein | — | |
| 17-4 | Das Lied von der Erde: 4. Von der Schönheit | Dietrich Fischer-Dieskau, Wiener Philharmoniker, Leonard Bernstein | — | |
| 17-5 | Das Lied von der Erde: 5. Der Trunkene um Frühling | James King, Wiener Philharmoniker, Leonard Bernstein | — | |
| 17-6 | Das Lied von der Erde: 6. Der Abschied | Dietrich Fischer-Dieskau, Wiener Philharmoniker, Leonard Bernstein | — | |
| 18-1 | Des Knaben Wunderhorn: 1. Der Schildwache Nachtlied | Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 18-2 | Des Knaben Wunderhorn: 2. Wer hat dies Liedlein erdacht? | Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein | T-904.908.073-1 | |
| 18-3 | Des Knaben Wunderhorn: 3. Der Tamboursg’sell | Andreas Schmidt, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 18-4 | Des Knaben Wunderhorn: 4. Das irdische Leben | Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 18-5 | Des Knaben Wunderhorn: 5. Verlorne Müh’ | Lucia Popp, Andreas Schmidt, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 18-6 | Des Knaben Wunderhorn: 6. Des Antonius von Padua Fischpredigt | Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 18-7 | Des Knaben Wunderhorn: 7. Revelge | Andreas Schmidt, Koninklijk Concertgebouworkest, Leonard Bernstein | T-303.204.042-5 | |
| 18-8 | Des Knaben Wunderhorn: 8. Rheinlegendchen | Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein | T-904.908.073-1 | |
| 18-9 | Des Knaben Wunderhorn: 9. Lob des hohen Verstandes | Andreas Schmidt, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 18-10 | Des Knaben Wunderhorn: 10. Wo die schönen Trompeten blasen | Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein | T-917.182.185-5 | |
| 18-11 | Des Knaben Wunderhorn: 11. Lied des Verfolgten im Turm | Lucia Popp, Andreas Schmidt, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 18-12 | Des Knaben Wunderhorn: 12. Trost im Unglück | Lucia Popp, Andreas Schmidt, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 18-13 | Des Knaben Wunderhorn: 13. Urlicht | Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein | T-904.908.073-1 | |
| 19-1 | Lieder eines fahrenden Gesellen: 1. Wenn mein Schatz Hochzeit macht | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | — | |
| 19-2 | Lieder eines fahrenden Gesellen: 2. Ging heutʼ morgen übers Feld | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | — | |
| 19-3 | Lieder eines fahrenden Gesellen: 3. Ich habʼ ein glühend Messer | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | — | |
| 19-4 | Lieder eines fahrenden Gesellen: 4. Die zwei blauen Augen | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | — | |
| 19-5 | Symphony No. 6 A-moll: IV. Finale: Allegro moderato - Allegro energico | Wiener Philharmoniker, Leonard Bernstein | — | |
| 19-6 | Symphony No. 6 A-moll: IV. Finale: Allegro moderato - Allegro energico | Wiener Philharmoniker, Leonard Bernstein | — | |
| 19-7 | Symphony No. 6 A-moll: IV. Finale: Allegro moderato - Allegro energico | Wiener Philharmoniker, Leonard Bernstein | — | |
| 19-8 | Symphony No. 6 A-moll: IV. Finale: Allegro moderato - Allegro energico | Wiener Philharmoniker, Leonard Bernstein | — | |
| 19-9 | Symphony No. 6 A-moll: IV. Finale: Allegro moderato - Allegro energico | Wiener Philharmoniker, Leonard Bernstein | — | |
| 19-10 | 5 Lieder: 1. Liebst du um Schönheit | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | — | |
| 19-11 | 5 Lieder: 2. Blicke mir nicht in die Lieder | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | T-301.280.615-0 | |
| 19-12 | 5 Lieder: 3. Ich atmetʼ einen linden Duft | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | T-301.280.963-7 | |
| 19-13 | 5 Lieder: 5. Um Mitternacht | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | T-004.158.264-2 | |
| 19-14 | 5 Lieder: 6. Ich bin der Welt abhanden gekommen | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | T-926.945.156-1 | |
| 20-1 | Ouvertüre “Die Hebriden” (“Die Fingalshöhle”), op. 26, MWV P 7: Allegro moderato - Animato in tempo | — | ||
| 20-2 | Symphony no. 3 in A minor, op. 56, MWV N 18 "Scottish": I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima | — | ||
| 20-3 | Symphony no. 3 in A minor, op. 56, MWV N 18 "Scottish": II. Vivace non troppo | — | ||
| 20-4 | Symphony no. 3 in A minor, op. 56, MWV N 18 "Scottish": III. Adagio | — | ||
| 20-5 | Symphony no. 3 in A minor, op. 56, MWV N 18 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai | — | ||
| 21-1 | Symphony no. 4 in A major, op. 90, MWV N 16 "Italian": I. Allegro vivace | — | ||
| 21-2 | Symphony no. 4 in A major, op. 90, MWV N 16 "Italian": II. Andante con moto | — | ||
| 21-3 | Symphony no. 4 in A major, op. 90, MWV N 16 "Italian": III. Con moto moderato | — | ||
| 21-4 | Symphony no. 4 in A major, op. 90, MWV N 16 "Italian": IV. Saltarello (Presto) | — | ||
| 21-5 | Symphony no. 5 in D minor, op. 107, MWV N 15 "Reformation": I. Andante - Allegro con fuoco | — | ||
| 21-6 | Symphony no. 5 in D minor, op. 107, MWV N 15 "Reformation": II. Allegro vivace | — | ||
| 21-7 | Symphony no. 5 in D minor, op. 107, MWV N 15 "Reformation": III. Andante | — | ||
| 21-8 | Symphony no. 5 in D minor, op. 107, MWV N 15 "Reformation": IV. Choral "Ein' Feste Burg ist unser Gott!" (Andante con moto - Allegro vivace - Allegro maestoso - Più animato poco a poco) | — | ||
| 22-1 | Symphony no. 29 in A major, K. 201: I. Allegro moderato | — | ||
| 22-2 | Symphony no. 29 in A major, K. 201: II. Andante | — | ||
| 22-3 | Symphony no. 29 in A major, K. 201: III. Minuetto & Trio | — | ||
| 22-4 | Symphony no. 29 in A major, K. 201: IV. Allegro con spirito | — | ||
| 22-5 | Symphony no. 25 in G minor, K. 183: I. Allegro con brio | — | ||
| 22-6 | Symphony no. 25 in G minor, K. 183: II. Andante | — | ||
| 22-7 | Symphony no. 25 in G minor, K. 183: III. Minuetto & Trio | — | ||
| 22-8 | Symphony no. 25 in G minor, K. 183: IV. Allegro | — | ||
| 22-9 | Concerto for Clarinet in A major, K. 622: I. Allegro | — | ||
| 22-10 | Concerto for Clarinet in A major, K. 622: II. Adagio | Peter Schmidl, Wiener Philharmoniker, Leonard Bernstein | — | |
| 22-11 | Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro | — | ||
| 23-1 | Symphony no. 35 in D major, K. 385 "Haffner": I. Allegro con spirito | — | ||
| 23-2 | Symphony no. 35 in D major, K. 385 "Haffner": II. Andante | — | ||
| 23-3 | Symphony no. 35 in D major, K. 385 "Haffner": III. Minuetto | — | ||
| 23-4 | Symphony no. 35 for Orchestra in D major, K. 385 "Haffner": IV. Presto | Wiener Philharmoniker, Leonard Bernstein | T-318.676.528-2 | |
| 23-5 | Symphony no. 41 in C major "Jupiter", K. 551: 1. Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | T-312.542.381-2 | |
| 23-6 | Symphony no. 41 in C major "Jupiter", K. 551: 2. Andante cantabile | Wiener Philharmoniker, Leonard Bernstein | T-312.542.381-2 | |
| 23-7 | Symphony no. 41 in C major "Jupiter", K. 551: 3. Menuetto. Allegretto | Wiener Philharmoniker, Leonard Bernstein | T-312.542.381-2 | |
| 23-8 | Symphony No. 41 in C major, K. 551 “Jupiter”: IV. Allegro molto | Wiener Philharmoniker, Leonard Bernstein | T-312.542.381-2 | |
| 24-1 | Symphony no. 36 in C major, K. 425 "Linz" : I. Adagio - Allegro spiritoso | — | ||
| 24-2 | Symphony no. 36 in C major, K. 425 "Linz" : II. Andante | — | ||
| 24-3 | Symphony no. 36 in C major, K. 425 "Linz" : III. Menuetto | — | ||
| 24-4 | Symphony no. 36 in C major, K. 425 "Linz" : IV. Presto | — | ||
| 24-5 | Symphony no. 38 in D major, K. 504 "Prague" : I. Adagio - Allegro | — | ||
| 24-6 | Symphony no. 38 in D major, K. 504 "Prague" : II. Andante | — | ||
| 24-7 | Symphony no. 38 in D major, K. 504 "Prague" : III. (Finale) Presto | — | ||
| 25-1 | Symphony no. 39 in E-flat major, K. 543: I. Adagio — Allegro | — | ||
| 25-2 | Symphony no. 39 in E-flat major, K. 543: II. Andante con moto | — | ||
| 25-3 | Symphony no. 39 in E-flat major, K. 543: III. Menuetto. Allegretto | — | ||
| 25-4 | Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro | — | ||
| 25-5 | Symphonie Nr. 40 in g‐moll, KV 550: I. Molto allegro | Wiener Philharmoniker, Leonard Bernstein | T-312.542.381-2 | |
| 25-6 | Symphonie Nr. 40 in g‐moll, KV 550: II. Andante | Wiener Philharmoniker, Leonard Bernstein | T-312.542.381-2 | |
| 25-7 | Symphonie Nr. 40 in g‐moll, KV 550: III. Menuetto. Allegretto | Wiener Philharmoniker, Leonard Bernstein | T-312.542.381-2 | |
| 25-8 | Symphonie Nr. 40 in g‐moll, KV 550: IV. Allegro assai | Wiener Philharmoniker, Leonard Bernstein | T-306.395.786-4 | |
| 26-1 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: I. Allegro | Wiener Philharmoniker, Leonard Bernstein | — | |
| 26-2 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. [Andante] | Wiener Philharmoniker, Leonard Bernstein | — | |
| 26-3 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: III. Allegro | Wiener Philharmoniker, Leonard Bernstein | — | |
| 26-4 | Symphony no. 36 “Linz”: I. Adagio -Allegro spiritoso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 26-5 | Symphony no. 36 “Linz”: II. Andante | Wiener Philharmoniker, Leonard Bernstein | — | |
| 26-6 | Symphony no. 36 “Linz”: III. Menuetto | Wiener Philharmoniker, Leonard Bernstein | T-902.876.200-7 | |
| 26-7 | Symphony no. 36 “Linz”: IV. Presto | Wiener Philharmoniker, Leonard Bernstein | T-003.055.867-8 | |
| 27-1 | Concerto for Piano and Orchestra No. 17 in G major, K. 453: I. Allegro | — | ||
| 27-2 | Concerto for Piano and Orchestra No. 17 in G major, K. 453: II. Andante | — | ||
| 27-3 | Concerto for Piano and Orchestra No. 17 in G major, K. 453: III. Allegretto - Finale: Presto | — | ||
| 27-4 | Concerto for Piano and Orchestra in G major, M. 83: I. Allegramente | — | ||
| 27-5 | Concerto for Piano and Orchestra in G major, M. 83: II. Adagio assai | — | ||
| 27-6 | Concerto for Piano and Orchestra in G major, M. 83: III. Presto | — | ||
| 28-1 | Motet for Chorus, Strings & Organ in D major, K. 618: "Ave verum corpus", KV618 | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | T-323.252.117-0 | |
| 28-2 | Exsultate, jubilate, K. 165 | — | ||
| 28-3 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 "Great": I. "Kyrie" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | T-919.081.368-4 | |
| 28-4 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis" | — | ||
| 28-5 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te" | — | ||
| 28-6 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi" | — | ||
| 28-7 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus" | — | ||
| 28-8 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis" | — | ||
| 28-9 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus" | — | ||
| 28-10 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe" | — | ||
| 28-11 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu" | — | ||
| 28-12 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus" | — | ||
| 28-13 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est" | — | ||
| 28-14 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus" / IVb. Sanctus: "Hosanna" | — | ||
| 28-15 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus | — | ||
| 29-1 | Requiem in D minor, K. 626: IIId. Recordare (Sequenz) | Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 29-2 | Requiem in D minor, K. 626: IIId. Recordare (Sequenz) | Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 29-3 | Requiem in D minor, K. 626: IIIa. Dies irae (Sequenz) | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Wolfgang Seeliger, Leonard Bernstein | — | |
| 29-4 | Requiem in D minor, K. 626: IIId. Recordare (Sequenz) | Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 29-5 | Requiem in D minor, K. 626: IIId. Recordare (Sequenz) | Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 29-6 | Requiem in D minor, K. 626: IIId. Recordare (Sequenz) | Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 29-7 | Requiem in D minor, K. 626: IIIe. Confutatis (Sequenz) | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Wolfgang Seeliger, Leonard Bernstein | — | |
| 29-8 | Requiem in D minor, K. 626: IIIf. Lacrimosa (Sequenz) | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Wolfgang Seeliger, Leonard Bernstein | — | |
| 29-9 | Requiem in D minor, K. 626: IIId. Recordare (Sequenz) | Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 29-10 | Requiem in D minor, K. 626: IIId. Recordare (Sequenz) | Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 29-11 | Requiem in D minor, K. 626: IIId. Recordare (Sequenz) | Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 29-12 | Requiem in D minor, K. 626: IIId. Recordare (Sequenz) | Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 29-13 | Requiem in D minor, K. 626: IIId. Recordare (Sequenz) | Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 29-14 | Requiem in D minor, K. 626: IIId. Recordare (Sequenz) | Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 30-1 | La bohème: Atto I. "Questo mar rosso mi ammolisce e assidera" (Marcello, Rodolfo, Colline) | — | ||
| 30-2 | La bohème: Atto I. "Pensier profondo" (Colline, Marcello, Rodolfo) | — | ||
| 30-3 | La bohème: Atto I. "Abbasso, abbasso l'autor!" (Marcello, Colline, Rodolfo, Schaunard) | — | ||
| 30-4 | La bohème: Atto I. "Si può?" (Benoit, Marcello, Schaunard, Colline, Rodolfo) | — | ||
| 30-5 | La bohème: Atto I. "Io resto" (Rodolfo, Marcello, Colline, Schaunard) | — | ||
| 30-6 | La bohème: Atto I. "Non sono in vena" (Rodolfo, Mimì) | — | ||
| 30-7 | La bohème: Atto I. "Si sente meglio" (Rodolfo, Mimì) | — | ||
| 30-8 | La Bohème: Atto I. “Che gelida manina!” (Rodolfo) | Jerry Hadley, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein | — | |
| 30-9 | La bohème: Atto I. "Sì. Mi chiamano Mimì" (Mimì, Rodolfo) | — | ||
| 30-10 | La bohème: Atto I. "Ehi! Rodolfo!" (Schaunard, Colline, Marcello, Mimì) | — | ||
| 30-11 | La bohème: Atto I. "O soave fanciulla" (Rodolfo, Marcello, Mimì) | — | ||
| 30-12 | La bohème: Atto II. "Aranci, datteri! Caldi i marroni!" (Coro, Schaunard, Colline, Rodolfo, Mimì, Marcello) | — | ||
| 30-13 | La bohème: Atto II. "Chi guardi?" (Rodolfo, Colline, Mimì, Schaunard, Marcello, Coro, Parpignol, Ragazzi) | — | ||
| 30-14 | La bohème: Atto II. "Questa è Mimì" (Rodolfo, Marcello, Schaunard, Colline, Parpignol, Ragazzi, Bambine, Mamme, Mimì) | — | ||
| 30-15 | La bohème: Atto II. "Viva Parpignol!" (Coro, Marcello, Mimì, Schaunard, Colline, Rodolfo) | — | ||
| 30-16 | La bohème: Atto II. "Allegri e un toast!" (Schaunard, Colline, Marcello, Mimì, Rodolfo, Coro, Alcindoro, Musetta) | — | ||
| 30-17 | La bohème: Atto II. "Quando men vo soletta per la via" (Musetta, Marcello, Alcindoro, Mimì, Rodolfo, Schaunard, Colline) | — | ||
| 30-18 | La bohème: Atto II. "Il conto?!" (Rodolfo, Schaunard, Colline, Coro, Musetta, Marcello, Mimì) | — | ||
| 31-1 | La bohème: Atto III. "Ohè, là, le guardie!" (Spazzini, Musetta, Doganiere, Voci, Lattivendole, Contadine) | — | ||
| 31-2 | La bohème: Atto III. "Sa dirmi, scusi, qual'è l'osteria" (Mimì, Sergente, Donganiere) | — | ||
| 31-3 | La bohème: Atto III. "Mimì! - Speravo di trovarvi qui" (Marcello, Mimì) | — | ||
| 31-4 | La bohème: Atto III. "Marcello. Finalmente!" (Rodolfo, Marcello, Mimì) | — | ||
| 31-5 | La bohème: Atto III. "Mimì è una civetta" (Rodolfo, Marcello, Mimì) | — | ||
| 31-6 | La bohème: Atto III. "Mimì è tanto malata" (Rodolfo, Mimì, Marcello) | — | ||
| 31-7 | La bohème: Atto III. "Mimì di serra è fiore" (Rodolfo, Mimì, Marcello) | — | ||
| 31-8 | La bohème: Atto III. "Donde lieta usci" (Mimì) | — | ||
| 31-9 | La bohème: Atto III. "Dunque è proprio finita!" (Rodolfo, Mimì, Marcello, Musetta) | — | ||
| 31-10 | La bohème: Atto IV. "In un coupé? - Con pariglia e livree" (Marcello, Rodolfo) | — | ||
| 31-11 | La bohème: Atto IV. "O Mimì, tu più non torni" (Rodolfo, Marcello) | — | ||
| 31-12 | La bohème: Atto IV. "Che ora sia?" (Rodolfo, Marcello, Schaunard, Colline) | — | ||
| 31-13 | La bohème: Atto IV. "Gavotta! - Minuetto!" (Colline, Marcello, Rodolfo, Schaunard) | — | ||
| 31-14 | La bohème: Atto IV. "C'è Mimì" (Musetta, Rodolfo, Schaunard, Mimi, Marcello, Colline) | — | ||
| 31-15 | La bohème: Atto IV. "Vecchia zimarra, senti" (Colline, Schaunard) | — | ||
| 31-16 | La bohème: Atto IV. "Sono andati? Fingevo di dormire" (Mimì, Rodolfo) | — | ||
| 31-17 | La bohème: Atto IV. "Oh Dio! Mimì!" (Rodolfo, Schaunard, Mimì, Musetta, Marcello) | — | ||
| 31-18 | La bohème: Atto IV. "Che ha detto il medico?" (Rodolfo, Marcello, Musetta, Schaunard, Colline) | — | ||
| 32-1 | Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato | — | ||
| 32-2 | Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto | — | ||
| 32-3 | Symphony no. 5 in B-flat major, D. 485: I. Allegro | — | ||
| 32-4 | Symphony no. 5 in B-flat major, D. 485: II. Andante con moto | — | ||
| 32-5 | Symphony no. 5 in B-flat major, D. 485: III. Menuetto. Allegro molto - Trio | — | ||
| 32-6 | Symphony no. 5 in B-flat major, D. 485: IV. Allegro vivace | — | ||
| 33-1 | Symphony no. 1 in B-flat major, op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 33-2 | Symphony no. 1 in B-flat major, op. 38 "Spring": II. Larghetto - attacca: | Wiener Philharmoniker, Leonard Bernstein | — | |
| 33-3 | Symphony no. 1 in B‐flat major, op. 38 "Spring": III. Scherzo: Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 33-4 | Symphony no. 1 in B-flat major, op. 38 "Spring": IV. Allegro animato e grazioso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 33-5 | Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft - (attacca:) | Wiener Philharmoniker, Leonard Bernstein | — | |
| 33-6 | Symphony no. 4 in D minor, op. 120: II. Romanze: Ziemlich langsam - (attacca:) | Wiener Philharmoniker, Leonard Bernstein | — | |
| 33-7 | Symphony no. 4 in D minor, op. 120: III. Scherzo: Lebhaft - Trio - (attacca:) | Wiener Philharmoniker, Leonard Bernstein | — | |
| 33-8 | Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft | Wiener Philharmoniker, Leonard Bernstein | — | |
| 34-1 | Symphony no. 9 in C major, D. 944 "Great": I. Andante - Allegro ma non troppo | — | ||
| 34-2 | Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto | — | ||
| 34-3 | Symphony no. 9 in C major, D. 944 "Great": III. Scherzo. Allegro vivace / Trio | — | ||
| 34-4 | Symphony no. 9 in C major, D. 944 "Great": IV. Finale. Allegro vivace | — | ||
| 35-1 | Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Allegro, ma non troppo | Wiener Philharmoniker, Leonard Bernstein | — | |
| 35-2 | Symphony no. 2 in C major, op. 61: II. Scherzo: Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 35-3 | Symphony no. 2 in C major, op. 61: III. Adagio espressivo | Wiener Philharmoniker, Leonard Bernstein | — | |
| 35-4 | Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 35-5 | Konzert für Violoncello und Orchester a-Moll, op. 129: III. Sehr lebhaft | Mischa Maisky, Wiener Philharmoniker, Leonard Bernstein | — | |
| 35-6 | Konzert für Violoncello und Orchester a-Moll, op. 129: III. Sehr lebhaft | Mischa Maisky, Wiener Philharmoniker, Leonard Bernstein | — | |
| 35-7 | Konzert für Violoncello und Orchester a-Moll, op. 129: III. Sehr lebhaft | Mischa Maisky, Wiener Philharmoniker, Leonard Bernstein | — | |
| 36-1 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": I. Lebhaft | Wiener Philharmoniker, Leonard Bernstein | — | |
| 36-2 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": II. Scherzo: Sehr mäßig | Wiener Philharmoniker, Leonard Bernstein | — | |
| 36-3 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": III. Nicht schnell | Wiener Philharmoniker, Leonard Bernstein | T-312.439.214-5 | |
| 36-4 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": IV. Feierlich - (quasi attacca:) | Wiener Philharmoniker, Leonard Bernstein | — | |
| 36-5 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": V. Lebhaft | Wiener Philharmoniker, Leonard Bernstein | — | |
| 36-6 | Konzert für Klavier und Orchester a-Moll, op. 54: I. Allegro affettuoso | Justus Frantz, Wiener Philharmoniker, Leonard Bernstein | — | |
| 36-7 | Konzert für Klavier und Orchester a-Moll, op. 54: I. Allegro affettuoso | Justus Frantz, Wiener Philharmoniker, Leonard Bernstein | — | |
| 36-8 | Konzert für Klavier und Orchester a-Moll, op. 54: I. Allegro affettuoso | Justus Frantz, Wiener Philharmoniker, Leonard Bernstein | — | |
| 37-1 | Symphony no. 1 in F minor, op. 10: 1. Allegretto - Allegro non troppo | Chicago Symphony Orchestra, Leonard Bernstein | — | |
| 37-2 | Symphony no. 1 in F minor, op. 10: 2. Allegro | Chicago Symphony Orchestra, Leonard Bernstein | — | |
| 37-3 | Symphony no. 1 in F minor, op. 10: 3. Lento - Largo | Chicago Symphony Orchestra, Leonard Bernstein | — | |
| 37-4 | Symphony no. 1 in F minor, op. 10: 4. Allegro molto - Lento - Allegro molto - Adagio - Largo - Presto | Chicago Symphony Orchestra, Leonard Bernstein | — | |
| 37-5 | Symphony no. 7 in C major "Leningrad", op. 60: 1. Allegretto | Chicago Symphony Orchestra, Leonard Bernstein | T-315.020.230-1 | |
| 38-1 | Symphony no. 7 in C major "Leningrad", op. 60: 2. Moderato (poco allegretto) | Chicago Symphony Orchestra, Leonard Bernstein | — | |
| 38-2 | Symphony no. 7 in C major "Leningrad", op. 60: 3. Adagio | Chicago Symphony Orchestra, Leonard Bernstein | — | |
| 38-3 | Symphony no. 7 in C major "Leningrad", op. 60: 4. Allegro non troppo | Chicago Symphony Orchestra, Leonard Bernstein | — | |
| 39-1 | Symphony no. 6 op. 54: I. Largo | Wiener Philharmoniker, Leonard Bernstein | T-005.005.728-7 | |
| 39-2 | Symphony no. 6 op. 54: II. Allegro | Wiener Philharmoniker, Leonard Bernstein | — | |
| 39-3 | Symphony no. 6 op. 54: III. Presto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 39-4 | Symphony no. 9 op. 70: I. Allegro | Wiener Philharmoniker, Leonard Bernstein | — | |
| 39-5 | Symphony no. 9 op. 70: I. II. Moderato | Wiener Philharmoniker, Leonard Bernstein | — | |
| 39-6 | Symphony no. 9 op. 70: I. III. Presto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 39-7 | Symphony no. 9 op. 70: I. IV. Largo | Wiener Philharmoniker, Leonard Bernstein | — | |
| 39-8 | Symphony no. 9 op. 70: I. V. Allegretto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 40-1 | Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo - Allegro energico | Wiener Philharmoniker, Leonard Bernstein | — | |
| 40-2 | Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento) | Wiener Philharmoniker, Leonard Bernstein | T-071.481.827-5 | |
| 40-3 | Symphony no. 1 in E minor, op. 39: III. Scherzo (Allegro) | Wiener Philharmoniker, Leonard Bernstein | — | |
| 40-4 | Symphony no. 1 in E minor, op. 39: IV. Finale (Quasi una fantasia) | Wiener Philharmoniker, Leonard Bernstein | T-318.676.528-2 | |
| 41-1 | Symphony no. 2 in D major, op. 43: I. Allegretto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 41-2 | Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato | Wiener Philharmoniker, Leonard Bernstein | — | |
| 41-3 | Symphony no. 2 in D major, op. 43: III. Vivacissimo (attacca) | Wiener Philharmoniker, Leonard Bernstein | — | |
| 41-4 | Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato | Wiener Philharmoniker, Leonard Bernstein | T-318.676.528-2 | |
| 42-1 | Symphony no. 5 in E-flat major, op. 82: Ia. Tempo molto moderato - Largamente - | Wiener Philharmoniker, Leonard Bernstein | — | |
| 42-2 | Symphony no. 5 in E-flat major, op. 82: Ib. Allegro moderato - Presto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 42-3 | Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 42-4 | Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Misterioso - Un pochettino largamente - Largamente assai | Wiener Philharmoniker, Leonard Bernstein | — | |
| 42-5 | Symphony no. 7 in C, op. 105: Adagio | — | ||
| 42-6 | Symphony no. 7 in C, op. 105: Un pochettino meno adagio - Poco a poco affrettando il tempo al Vivacissimo | — | ||
| 42-7 | Symphony no. 7 in C, op. 105: 5 bars before: Poco rallentando all' Adagio - Poco a poco meno lento all' | — | ||
| 42-8 | Symphony no. 7 in C, op. 105: Allegro molto moderato - Poco a poco meno moderato - | — | ||
| 42-9 | Symphony no. 7 in C, op. 105: 2 bars before: Vivace - Presto - Poco a poco rallentando all' Adagio - Largamente molto - Affettuoso - Tempo I | — | ||
| 43-1 | Salome, op. 54, TrV 215: Letzte Szene “Es ist kein Laut zu vernehmen” - “Ah! Du wolltest mich nicht deinen Mund küssen lassen, Jochanaan” | — | ||
| 43-2 | Salome, op. 54, TrV 215: Tanz der sieben Schleier | — | ||
| 43-3 | 5 Lieder mit Orchesterbegleitung, op. 27 no. 2, TrV 170: Cäcilie | Montserrat Caballé, Orchestre national de France, Leonard Bernstein | — | |
| 43-4 | 5 Lieder mit Orchesterbegleitung, op. 41 no. 1, TrV 195: Wiegenlied | Montserrat Caballé, Orchestre national de France, Leonard Bernstein | — | |
| 43-5 | 5 Lieder mit Orchesterbegleitung, op. 37 no. 2, TrV 187: Ich liebe dich | Montserrat Caballé, Orchestre national de France, Leonard Bernstein | — | |
| 43-6 | Songs for Voice and Orchestra: Morgen, op. 27, TrV 170 no. 4 | — | ||
| 43-7 | Songs for Voice and Orchestra: Zueignung, op. 10, TrV 141 no. 1 | — | ||
| 44-1 | Firebird Suite: I. Introduction | — | ||
| 44-2 | Firebird Suite: II. L’oiseau de feu et sa danse | — | ||
| 44-3 | Firebird Suite: III. Variation de l’oiseau de feu | — | ||
| 44-4 | Firebird Suite: IV. Rondes des princesses | — | ||
| 44-5 | Firebird Suite: V. Danse infernale du roi Kastcheï | — | ||
| 44-6 | Firebird Suite: VI. Berceuse | — | ||
| 44-7 | L'Oiseau de feu Suite (1919 version): Finale | Israel Philharmonic Orchestra, Leonard Bernstein | T-924.857.395-7 | |
| 44-8 | Pulcinella Suite: I. Sinfonia (Ouverture): Allegro moderato | — | ||
| 44-9 | Pulcinella Suite: II. Serenata: Larghetto | — | ||
| 44-10 | Pulcinella Suite: III. Scherzino / Allegro / Andantino | — | ||
| 44-11 | Pulcinella Suite: IV. Tarantella (88 bpm) | — | ||
| 44-12 | Pulcinella Suite: V. Toccata: Allegro | — | ||
| 44-13 | Pulcinella Suite: VI. Gavotta: Allegro moderato / Variazione Ia. Allegretto / Variazione IIa. Allegro piú tosto moderato | — | ||
| 44-14 | Pulcinella Suite: VII. Vivo | — | ||
| 44-15 | Pulcinella Suite: VIII. Minuetto. Molto moderato / Finale. Allegro assai | — | ||
| 45-1 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 45-2 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 45-3 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 45-4 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 45-5 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 45-6 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 45-7 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 45-8 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 45-9 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 45-10 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 45-11 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 45-12 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 45-13 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 45-14 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 45-15 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 45-16 | Scènes de ballet: Introduction | — | ||
| 45-17 | Scènes de ballet: Danses (Corps de Ballet). Moderato | — | ||
| 45-18 | Scènes de ballet: Variation (Ballerine). Con moto | — | ||
| 45-19 | Scènes de ballet: Pantomime. Lento | — | ||
| 45-20 | Scènes de ballet: Pas de deux. Adagio | — | ||
| 45-21 | Scènes de ballet: Pantomime. Agitato ma temp giusto | — | ||
| 45-22 | Scènes de ballet: Variation (Danseur). Risoluto | — | ||
| 45-23 | Scènes de ballet: Variation (Ballerine). Andantino | — | ||
| 45-24 | Scènes de ballet: Pantomime. Andantino | — | ||
| 45-25 | Scènes de ballet: Danses (Corps de ballet). Con moto | — | ||
| 45-26 | Scènes de ballet: Apothéose. Poco meno mosso | — | ||
| 46-1 | Le Sacre du printemps: Partie I. Danse de la Terre | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 46-2 | Le Sacre du printemps: Partie I. Danse de la Terre | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 46-3 | Le Sacre du printemps: Partie I. Danse de la Terre | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 46-4 | Le Sacre du printemps: Partie I. Danse de la Terre | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 46-5 | Le Sacre du printemps: Partie I. Danse de la Terre | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 46-6 | Le Sacre du printemps: Partie I. Danse de la Terre | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 46-7 | Le Sacre du printemps: Partie I. Danse de la Terre | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 46-8 | Le Sacre du printemps: Partie I. Danse de la Terre | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 46-9 | Le Sacre du printemps: Partie I. Danse de la Terre | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 46-10 | Le Sacre du printemps: Partie I. Danse de la Terre | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 46-11 | Le Sacre du printemps: Partie I. Danse de la Terre | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 46-12 | Le Sacre du printemps: Partie I. Danse de la Terre | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 46-13 | Le Sacre du printemps: Partie I. Danse de la Terre | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 46-14 | Le Sacre du printemps: Partie I. Danse de la Terre | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 47-1 | Symphony in C: I. Moderato alla breve | Israel Philharmonic Orchestra, Leonard Bernstein | T-070.275.805-1 | |
| 47-2 | Symphony in C: II. Larghetto concertante | Israel Philharmonic Orchestra, Leonard Bernstein | T-070.275.805-1 | |
| 47-3 | Symphony in C: III. Allegretto | Israel Philharmonic Orchestra, Leonard Bernstein | T-070.275.805-1 | |
| 47-4 | Symphony in C: IV. Largo - Tempo giusto, alla breve | Israel Philharmonic Orchestra, Leonard Bernstein | T-070.275.805-1 | |
| 47-5 | Symphony in Three Movements: I. Overture. Allegro | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 47-6 | Symphony in Three Movements: II. Andante | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 47-7 | Symphony in Three Movements: II. Interlude. L'istesso tempo | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 47-8 | Symphony in Three Movements: III. Con moto | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 48-1 | The Wedding: Part I, Scene 1. The Tresses | — | ||
| 48-2 | The Wedding: Part I, Scene 2. At the Bridegroom's House | — | ||
| 48-3 | The Wedding: Part I, Scene 3. The Departure of the Bride | — | ||
| 48-4 | The Wedding: Part II, Scene 4. The Wedding Feast | — | ||
| 48-5 | Mass: Kyrie | — | ||
| 48-6 | Mass: Gloria | — | ||
| 48-7 | Mass: Credo | — | ||
| 48-8 | Mass: Sanctus | — | ||
| 48-9 | Mass: Agnus Dei | — | ||
| 49-1 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto – Moderato con anima – Moderato assai, quasi andante – Allegro vivo | New York Philharmonic, Leonard Bernstein | — | |
| 49-2 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone | New York Philharmonic, Leonard Bernstein | — | |
| 49-3 | Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato - Allegro | New York Philharmonic, Leonard Bernstein | — | |
| 49-4 | Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco | New York Philharmonic, Leonard Bernstein | T-318.676.528-2 | |
| 49-5 | Francesca da Rimini, op. 32: Andante lugubre – Allegro vivo – Andante cantabile non troppo – Allegro vivo | New York Philharmonic, Leonard Bernstein | T-010.194.429-9 | |
| 50-1 | Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima | New York Philharmonic, Leonard Bernstein | — | |
| 50-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima - Andante mosso - Allegro non troppo | New York Philharmonic, Leonard Bernstein | — | |
| 50-3 | Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato | New York Philharmonic, Leonard Bernstein | — | |
| 50-4 | Symphony no. 5 in E minor, op. 64: IV. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto | New York Philharmonic, Leonard Bernstein | T-318.676.528-2 | |
| 50-5 | Romeo & Juliet Overture | New York Philharmonic, Leonard Bernstein | — | |
| 51-1 | Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato assai - Allegro vivo - Andante come prima - Andante mosso | New York Philharmonic, Leonard Bernstein | — | |
| 51-2 | Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia | New York Philharmonic, Leonard Bernstein | T-900.148.288-8 | |
| 51-3 | Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace | New York Philharmonic, Leonard Bernstein | T-900.148.289-9 | |
| 51-4 | Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale. Adagio lamentoso - Andante | New York Philharmonic, Leonard Bernstein | — | |
| 52-1 | Francesca da Rimini, op. 32, TH 46: Andante lugubre - Allegro vivo - Andante cantabile non troppo - Allegro vivo | — | ||
| 52-2 | Romeo and Juliet, Fantasy-Overture in B minor, TH 42 | — | ||
| 53-1 | Hamlet, op. 67 | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 53-2 | Marche slave, op. 31 | Israel Philharmonic Orchestra, Leonard Bernstein | T-913.760.202-9 | |
| 53-3 | Capriccio italien, op. 45 | Israel Philharmonic Orchestra, Leonard Bernstein | T-304.396.368-0 | |
| 53-4 | Ouverture solennelle 1812, op. 49: Largo – Andante – Allegro giusto – Largo – Allegro vivace | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 54-1 | Concerto for Violoncello and Orchestra in B minor, op. 104: I. Allegro | Mischa Maisky, Israel Philharmonic Orchestra, Leonard Bernstein | T-007.303.107-8 | |
| 54-2 | Concerto for Violoncello and Orchestra in B minor, op. 104: II. Adagio, ma no troppo | Mischa Maisky, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 54-3 | Concerto for Violoncello and Orchestra in B minor, op. 104: III. Finale. Allegro moderato | Mischa Maisky, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 54-4 | Schelomo, B. 39 | — | ||
| 55-1 | Tristan und Isolde, WWV 90: Vorspiel | — | ||
| 55-2 | Tristan und Isolde, WWV 90: Akt I. Szene I. "Westwarts schweift der Blick" (Junge Seeman, Isolde, Brangäne) | — | ||
| 55-3 | Tristan und Isolde, WWV 90: Akt I. Szene II. "Frisch weht der Wind der Heimat zu" (Junge Seeman, Isolde, Brangäne) | — | ||
| 55-4 | Tristan und Isolde, WWV 90: Akt I. Szene II. "Hab acht, Tristan!" (Kurwenal, Tristan, Brangäne, Schiffsvolk) | — | ||
| 55-5 | Tristan und Isolde, WWV 90: Akt I. Szene III. "Weh, ach wehe!" (Brangäne, Isolde) | — | ||
| 55-6 | Tristan und Isolde, WWV 90: Akt I. Szene III. "Wie lachend sie mir" (Isolde, Brangäne, Chor) | — | ||
| 55-7 | Tristan und Isolde, WWV 90: Akt I. Szene IV. "Auf! Auf! Ihr Frauen!" (Kurwenal, Isolde, Brangäne) | — | ||
| 56-1 | Tristan und Isolde, WWV 90: Akt I. Szene IV. "Herr Tristan nah!" (Isolde, Tristan, Chor) | — | ||
| 56-2 | Tristan und Isolde, WWV 90: Akt I. Szene V. "War Morold dir so wert" (Tristan, Isolde, Chor) | — | ||
| 56-3 | Tristan und Isolde, WWV 90: Akt I. Szene V. "Tristan! - Isolde!" (Isolde, Tristan, Chor, Brangäne, Kurwenal) | — | ||
| 56-4 | Tristan und Isolde, WWV 90: Akt II. Vorspiel | — | ||
| 56-5 | Tristan und Isolde, WWV 90: Akt II. Szene I. "Horst du sie noch?" (Isolde, Brangäne) | — | ||
| 56-6 | Tristan und Isolde, WWV 90: Akt II. Szene II. "Isolde! Geliebte!" (Tristan, Isolde) | — | ||
| 57-1 | Tristan und Isolde, WWV 90: Akt II. Szene II. "O sik hernieder, Nactht der Liebe" (Tristan, Isolde, Brangäne) | — | ||
| 57-2 | Tristan und Isolde, WWV 90: Akt II. Szene II. "Lausch, Geliebter" (Isolde, Tristan) | — | ||
| 57-3 | Tristan und Isolde, WWV 90: Akt II. Szene II. "So sturben wir, um ungetrennt" (Tristan, Isolde, Brangäne) | — | ||
| 57-4 | Tristan und Isolde, WWV 90: Akt II. Szene III. "Rette dich, Tristan" (Kurwenal, Tristan, Melot) | — | ||
| 57-5 | Tristan und Isolde, WWV 90: Akt II. Szene III. "Tatest du's wirklich?" (Marke, Tristan) | — | ||
| 57-6 | Tristan und Isolde, WWV 90: Akt II. Szene III. "O, Konig, das kann ich dir nicht sagen" (Tristan, Isolde, Melot) | — | ||
| 57-7 | Tristan und Isolde, WWV 90: Akt III. Vorspiel | — | ||
| 57-8 | Tristan und Isolde, WWV 90: Akt III. Szene I. "Kurwenal! He! Sag, Kurwenal!" (Hirt, Kurwenal, Tristan) | — | ||
| 58-1 | Tristan und Isolde, WWV 90: Akt III. Szene I. "Wo ich erwacht, weilt ich nicht" (Tristan, Kurwenal) | — | ||
| 58-2 | Tristan und Isolde, WWV 90: Akt III. Szene I. "Der einst ich trotzt aus Treu" (Tristan, Kurwenal) | — | ||
| 58-3 | Tristan und Isolde, WWV 90: Akt III. Szene I. "Bist du nun tot?" (Kurwenal, Tristan) | — | ||
| 58-4 | Tristan und Isolde, WWV 90: Akt III. Szene I. "O Wonne! Freunde!" (Kurwenal, Tristan) | — | ||
| 58-5 | Tristan und Isolde, WWV 90: Akt III. Szene II. "O diese Sonne" (Tristan, Isolde) | — | ||
| 58-6 | Tristan und Isolde, WWV 90: Akt III. Szene II. "Ich bin's, ich bin's" (Isolde) | — | ||
| 58-7 | Tristan und Isolde, WWV 90: Akt III. Szene III. "Kurwenal! Hor!" (Hirt, Kurwenal, Steuermann, Brangäne, Melot, Marke) | — | ||
| 58-8 | Tristan und Isolde, WWV 90: Akt III. Szene III. "Mild unde leise wie er lachelt" (Isolde) | — | ||
| 59-1 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 59-2 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 59-3 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 59-4 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto | New York Stadium Symphony Orchestra, Leonard Bernstein | T-318.676.528-2 | |
| 59-5 | Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "Simplicity itself..." (1st movement) | [dialogue] | — | |
| 59-6 | Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "I always feel this gigantism..." (2nd movement) | [dialogue] | — | |
| 59-7 | Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "We have just been examining..." (3rd movement) | [dialogue] | — | |
| 60-1 | Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "All that we have said..." (4th movement) | [dialogue] | — | |
| 60-2 | Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "The study of Eroica is a lifetime work..." | [dialogue] | — | |
| 60-3 | Symphony No. 9 in E minor, Op. 95 "From the New World": I. Adagio – Allegro molto | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 60-4 | Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo | New York Stadium Symphony Orchestra, Leonard Bernstein | T-902.286.256-2 | |
| 60-5 | Symphony No. 9 in E minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 60-6 | Symphony No. 9 in E minor, Op. 95 "From the New World": IV. Allegro con fuoco | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 60-7 | Musical Analysis (Bernstein on Dvorák's Symphony No.9): "Does this music sound like the New World to you?" (3rd movement, Trio II; 1st movement) | [dialogue] | — | |
| 60-8 | Musical Analysis (Bernstein on Dvorák's Symphony No.9): "We come now to the second movement, which has a charming melody, ..." (2nd movement) | [dialogue] | — | |
| 60-9 | Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The third movement is a marvel of ingenuity and deftness" (3rd movement) | [dialogue] | — | |
| 60-10 | Musical Analysis (Bernstein on Dvorák's Symphony No.9): "And now the last movement. In general I should say that this is the most Slavic of all" (4th movement) | [dialogue] | — | |
| 60-11 | Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The final claim of those who argue for the New World Symphony as American music, ..." (4th movement, continued) | [dialogue] | — | |
| 61-1 | Symphony No. 2 in C major, Op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 61-2 | Symphony No. 2 in C major, Op. 61: II. Scherzo: Allegro vivace | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 61-3 | Symphony No. 2 in C major, Op. 61: III. Adagio espressivo | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 61-4 | Symphony No. 2 in C major, Op. 61: IV. Allegro molto vivace | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 61-5 | Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Robert Schumann has been dead..." (3rd movement, opening theme) | [dialogue] | — | |
| 61-6 | Musical Analysis (Bernstein on Schumann's Symphony No. 2): "To my mind, Schumann follows in this tradition..." | [dialogue] | — | |
| 61-7 | Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Now let's look at the Symphony itself..." (1st movement) | [dialogue] | — | |
| 61-8 | Musical Analysis (Bernstein on Schumann's Symphony No. 2): "And so we have arrived at the allegro section..." (1st movement, continued) | [dialogue] | — | |
| 61-9 | Musical Analysis (Bernstein on Schumann's Symphony No. 2): "In the marvelous Scherzo that follows..." (2nd movement) | [dialogue] | — | |
| 61-10 | Musical Analysis (Bernstein on Schumann's Symphony No. 2): "But perhaps the greatest beauty...." (3rd movement) | [dialogue] | — | |
| 61-11 | Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Even in the final movement...." (4th movement) | [dialogue] | — | |
| 62-1 | Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo | New York Stadium Symphony Orchestra, Leonard Bernstein | T-902.764.002-4 | |
| 62-2 | Symphony No. 4 in E minor, Op. 98: II. Andante moderato | New York Stadium Symphony Orchestra, Leonard Bernstein | T-902.764.002-4 | |
| 62-3 | Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso - Poco meno presto - Tempo I | New York Stadium Symphony Orchestra, Leonard Bernstein | T-902.764.002-4 | |
| 62-4 | Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato - Più allegro | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 62-5 | Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Brahms' Fourth Symphony in E minor is today ..." (4th movement., opening theme) | [dialogue] | — | |
| 62-6 | Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Our journey begins without introduction..." (1st movement) | [dialogue] | — | |
| 62-7 | Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Do you see now what a symphonic theme is?" (1st movement) | [dialogue] | — | |
| 62-8 | Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Now, think of it - we have so far only had 44 bars of music" (1st movement) | [dialogue] | — | |
| 62-9 | Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Here is that second theme" (1st movement) | [dialogue] | — | |
| 62-10 | Musical Analysis (Bernstein on Brahms's Symphony No. 4): "This brings us to the development section proper" (1st movement) | [dialogue] | — | |
| 62-11 | Musical Analysis (Bernstein on Brahms's Symphony No. 4): And here we are back home, ready for the rehearing of the exposition,..." (1st movement) | [dialogue] | — | |
| 62-12 | Musical Analysis (Bernstein on Brahms's Symphony No. 4): "So we arrive at the coda" (1st movement) | [dialogue] | — | |
| 62-13 | Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Well, we have had a microscopic look at symphonic method" (1st movement) | [dialogue] | — | |
| 63-1 | Symphony No. 6 in B minor, Op. 74 "Pathétique": I. Adagio – Allegro non troppo | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 63-2 | Symphony No. 6 in B minor, Op. 74 "Pathétique": II. Allegro con grazia | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 63-3 | Symphony No. 6 in B minor, Op. 74 "Pathétique": III. Allegro molto vivace | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 63-4 | Symphony No. 6 in B minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso – Andante | New York Stadium Symphony Orchestra, Leonard Bernstein | T-003.055.867-8 | |
| 63-5 | Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now there is a melody, a pure orchestral song..." (1st movement) | [dialogue] | — | |
| 63-6 | Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now the development section erupts..." (1st movement continued) | [dialogue] | — | |
| 63-7 | Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now one would think that Tchaikovsky had really exploited the device of scales" (2nd movement) | [dialogue] | — | |
| 63-8 | Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Jumping now to the famous third movement, the great March..." (3rd movement) | [dialogue] | — | |
| 63-9 | Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Perhaps the most admirable example of this is to be found in the wonderful last movement, ..." (4th movement) | [dialogue] | — | |
| 63-10 | Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now I don't want to give you the impression that scales are the only unifying force in this work" | [dialogue] | — | |
| 64-1 | Fancy Free: Big Stuff (Prologue) | — | ||
| 64-2 | Fancy Free: I. Opening Dance | — | ||
| 64-3 | Fancy Free: II. Scene at the Bar | — | ||
| 64-4 | Fancy Free: IV. Pas de deux | — | ||
| 64-5 | Fancy Free: V. Competition Scene | — | ||
| 64-6 | Fancy Free: VIa. Three Dance Variations: 2. Waltz | — | ||
| 64-7 | Fancy Free: VIb. Three Dance Variations: 3. Danzon | — | ||
| 64-8 | Fancy Free: VIc. Three Dance Variations: 1. Galop / VII. Finale | — | ||
| 64-9 | On the Town: Opening | — | ||
| 64-10 | On the Town: I Get Carried Away | Betty Comden, Adolph Green | — | |
| 64-11 | On the Town: Lucky to Be Me | Mary Martin | — | |
| 64-12 | On the Town: Lonely Town | Mary Martin | — | |
| 64-13 | On the Town: I Can Cook Too | Nancy Walker | — | |
| 64-14 | On the Town: Ya Got Me | Nancy Walker | — |
Identifier Graph
028947955535 is a Universal Product Code (UPC) assigned to The Leonard Bernstein Collection, Volume 2 by Leonard Bernstein. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 580 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
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Creative Contributors (ISNI)
The UPC for “The Leonard Bernstein Collection, Volume 2” by Leonard Bernstein is 028947955535. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2016-01-01. Label: Deutsche Grammophon. This release contains 580 tracks, each with its own ISRC. Tracks include DEF058703960, DEF058702508, DEF058702509.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in D major, "Titan": IV. Stürmisch bewegt | Concertgebouworkest Amsterdam, Leonard Bernstein | T-900.953.062-5 | |
| 4 | Symphony no. 1 in D major: IV. Stürmisch bewegt | — | ||
| 2-1 | Symphonie No. 2 c-moll: Ia. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck | New York Philharmonic, Leonard Bernstein | — | |
| 2-2 | Symphonie No. 2 c-moll: Ib. Sehr mäßig und zurückhaltend | New York Philharmonic, Leonard Bernstein | — | |
| 2-3 | Symphonie No. 2 c-moll: Ic. Schnell | New York Philharmonic, Leonard Bernstein | T-911.362.261-0 | |
| 2-4 | Symphonie No. 2 c-moll: Id. Tempo I | New York Philharmonic, Leonard Bernstein | — | |
| 2-5 | Symphonie No. 2 c-moll: Ie. Tempo sostenuto | New York Philharmonic, Leonard Bernstein | — | |
| 2-6 | Symphonie No. 2 c-moll: IIa. Andante moderato. Sehr gemächlich | New York Philharmonic, Leonard Bernstein | — | |
| 2-7 | Symphonie No. 2 c-moll: IIb. Nicht eilen. Sehr gemächlich | New York Philharmonic, Leonard Bernstein | — | |
| 2-8 | Symphonie No. 2 c-moll: IIc. In Tempo I zurückkehren | New York Philharmonic, Leonard Bernstein | — | |
| 2-9 | Symphonie No. 2 c-moll: IId. Energisch bewegt | New York Philharmonic, Leonard Bernstein | — | |
| 2-10 | Symphonie No. 2 c-moll: IIe: Wieder ins Tempo zurückgehen. Tempo I | New York Philharmonic, Leonard Bernstein | — | |
| 3-1 | Symphonie No. 2 c-moll: IIIa. In ruhig fließender Bewegung | New York Philharmonic, Leonard Bernstein | — | |
| 3-2 | Symphonie No. 2 c-moll: IIIb. Sehr getragen und gesangvoll | New York Philharmonic, Leonard Bernstein | — | |
| 3-3 | Symphonie No. 2 c-moll: IIIc. Zum Tempo I zurückkehren | New York Philharmonic, Leonard Bernstein | — | |
| 3-4 | Symphonie No. 2 c-moll: IV. "Urlicht" Sehr leicht, aber schlicht "O Röschen rot" | New York Philharmonic, Leonard Bernstein | — | |
| 3-5 | Symphonie No. 2 c-moll: Va. Im Tempo des Scherzos. Wild herausfahrend | New York Philharmonic, Leonard Bernstein | — | |
| 3-6 | Symphonie No. 2 c-moll: Vb: Langsam | New York Philharmonic, Leonard Bernstein | — | |
| 3-7 | Symphonie No. 2 c-moll: Vc. Im Anfang sehr zuückhaltend | New York Philharmonic, Leonard Bernstein | — | |
| 3-8 | Symphonie No. 2 c-moll: Vd. Wieder sher breit | New York Philharmonic, Leonard Bernstein | — | |
| 3-9 | Symphonie No. 2 c-moll: Ve. Molto ritenuto. Maestoso | New York Philharmonic, Leonard Bernstein | — | |
| 3-10 | Symphonie No. 2 c-moll: Vf. Wieder zurückhaltend | New York Philharmonic, Leonard Bernstein | — | |
| 3-11 | Symphonie No. 2 c-moll: Vg. Sehr langsam und gedehnt | New York Philharmonic, Leonard Bernstein | — | |
| 3-12 | Symphonie No. 2 c-moll: Vh. Langsam. Misterioso "Auferstehn, ja auferstehn wirst du" | New York Philharmonic, Leonard Bernstein | — | |
| 3-13 | Symphonie No. 2 c-moll: Vi. Langsam ppp. Nicht schleppen "Wieder aufzublühn wirst du gesät" | New York Philharmonic, Leonard Bernstein | — | |
| 3-14 | Symphonie No. 2 c-moll: Vj. Etwas bewegter "O glaube, mein Herz o glaube" | New York Philharmonic, Leonard Bernstein | — | |
| 3-15 | Symphonie No. 2 c-moll: Vk. Mit Aufschwung, aber nicht eilen "O Schmerz, du Alldurchdringer" | New York Philharmonic, Leonard Bernstein | — | |
| 4-1 | Symphony no. 3 in D minor: Ia. Kräftig. Entschieden | — | ||
| 4-2 | Symphony no. 3 in D minor: Ib. Immer das gleiche Tempo | — | ||
| 4-3 | Symphony no. 3 in D minor: Ic.Tempo I | — | ||
| 4-4 | Symphony no. 3 in D minor: Id. Zeit lassen | — | ||
| 4-5 | Symphony no. 3 in D minor: Ie. Zeit lassen | — | ||
| 4-6 | Symphony no. 3 in D minor: If. Immer dasselbe Tempo (Marsch). Nicht eilen | — | ||
| 4-7 | Symphony no. 3 in D minor: Ig. Im alten Marschtempo (Allegro Moderato) | — | ||
| 4-8 | Symphony no. 3 in D minor: Ih. Tempo I | — | ||
| 4-9 | Symphony no. 3 in D minor: IIa. Tempo di Menuetto. Sehr mässig | — | ||
| 4-10 | Symphony no. 3 in D minor: IIb. L'istesso tempo | — | ||
| 4-11 | Symphony no. 3 in D minor: IIc. A tempo (Wie im Anfang) | — | ||
| 4-12 | Symphony no. 3 in D minor: IId. Ganz plötzlich gemächlich. Tempo di Menuetto | — | ||
| 4-13 | Symphonie no. 3 d-moll: IIIa. Comodo. Scherzando. Ohne Hast | New York Philharmonic, Leonard Bernstein | T-902.748.588-7 | |
| 4-14 | Symphonie no. 3 d-moll: IIIb. Wieder sehr gemächlich, wir zu Anfang | New York Philharmonic, Leonard Bernstein | — | |
| 4-15 | Symphonie no. 3 d-moll: IIIc. Etwas zurückhaltend | New York Philharmonic, Leonard Bernstein | — | |
| 4-16 | Symphonie no. 3 d-moll: IIId. Schnell und schmetternd wie eine Fanfare - Tempo I. Mit geheimnisvoller Hast | New York Philharmonic, Leonard Bernstein | — | |
| 4-17 | Symphonie no. 3 d-moll: IIIe. Wieder sehr gemächlich, beinahe langsam | New York Philharmonic, Leonard Bernstein | — | |
| 5-1 | Symphony no. 3 in D minor: IVa. Sehr langsam. Misterioso. Durchaus ppp: "O Mensch! Gib acht!" | — | ||
| 5-2 | Symphony no. 3 in D minor: IVb. Più mosso subito | — | ||
| 5-3 | Symphony no. 3 in D minor: V. Lustig im Tempo und Ausdruck | New York Philharmonic, Leonard Bernstein | — | |
| 5-4 | Symphony no. 3 in D minor: VIa. Langsam. Ruhevoll. Empfunden | — | ||
| 5-5 | Symphony no. 3 in D minor: VIb. Nicht mehr so breit | — | ||
| 5-6 | Symphony no. 3 in D minor: VIc. Tempo I. Ruhevoll | — | ||
| 5-7 | Symphony no. 3 in D minor: VId. Nicht mehr so breit | — | ||
| 5-8 | Symphony no. 3 in D minor: VIe. Tempo I | — | ||
| 5-9 | Symphony no. 3 in D minor: VIf. Langsam. Tempo I | — | ||
| 6-1 | Symphony no. 4 in G major: I. Bedächtig, nicht eilen | Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 6-2 | Symphony no. 4 in G major: II. In gemächlicher Bewegung, ohne Hast | Koninklijk Concertgebouworkest, Leonard Bernstein, Jaap van Zweden | — | |
| 6-3 | Symphony no. 4 in G major: III. Ruhevoll | Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 6-4 | Symphony no. 4 in G major: IV. Sehr behaglich | Koninklijk Concertgebouworkest, Leonard Bernstein, Helmut Wittek | — | |
| 7-1 | Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam | Wiener Philharmoniker, Leonard Bernstein | — | |
| 7-2 | Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam | Wiener Philharmoniker, Leonard Bernstein | — | |
| 7-3 | Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam | Wiener Philharmoniker, Leonard Bernstein | — | |
| 7-4 | Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam | Wiener Philharmoniker, Leonard Bernstein | — | |
| 7-5 | Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam | Wiener Philharmoniker, Leonard Bernstein | — | |
| 8-1 | Symphony No. 6 A-moll: II. Scherzo. Wuchtig | Wiener Philharmoniker, Leonard Bernstein | — | |
| 8-2 | Symphony No. 6 A-moll: II. Scherzo. Wuchtig | Wiener Philharmoniker, Leonard Bernstein | — | |
| 8-3 | Symphony No. 6 A-moll: II. Scherzo. Wuchtig | Wiener Philharmoniker, Leonard Bernstein | — | |
| 9-1 | Symphony No. 6 A-moll: IV. Finale: Allegro moderato - Allegro energico | Wiener Philharmoniker, Leonard Bernstein | T-318.676.528-2 | |
| 10-1 | Symphony no. 7 in E minor: Ia. Langsam (Adagio) | — | ||
| 10-2 | Symphony no. 7 in E minor: Ib. Nicht schleppen | — | ||
| 10-3 | Symphony no. 7 in E minor: Ic. Allegro risoluto, ma non troppo | — | ||
| 10-4 | Symphony no. 7 in E minor: Id. A tempo (sempre l'istesso) | — | ||
| 10-5 | Symphony no. 7 in E minor: Ie(i). Moderato | — | ||
| 10-6 | Symphony no. 7 in E minor: Ie(ii). Moderato | — | ||
| 10-7 | Symphony no. 7 in E minor: If. Adagio (Tempo der Einleitung) | — | ||
| 10-8 | Symphony no. 7 in E minor: Ig. Allegro come prima | — | ||
| 10-9 | Symphony no. 7 in E minor: Ih. Poco ritenuto --- a tempo | — | ||
| 10-10 | Symphony no. 7 in E minor: Ii. Nicht eilen | — | ||
| 10-11 | Symphony no. 7 in E minor: IIa. Nachtmusik. Allegro moderato | — | ||
| 10-12 | Symphony no. 7 in E minor: IIb. Sempre l'istesso tempo | — | ||
| 10-13 | Symphony no. 7 in E minor: IIc. Poco meno mosso | — | ||
| 10-14 | Symphony no. 7 in E minor: IId(i). Tempo | — | ||
| 10-15 | Symphony no. 7 in E minor: IId(ii). Tempo | — | ||
| 10-16 | Symphony no. 7 in E minor: IIe. Sehr gemessen | — | ||
| 11-1 | Symphony no. 7 in E minor: IIIa. Scherzo. Schattenhaft | — | ||
| 11-2 | Symphony no. 7 in E minor: IIIb. Trio | — | ||
| 11-3 | Symphony no. 7 in E minor: IIIc. Wieder wie zu Anfang | — | ||
| 11-4 | Symphony no. 7 in E minor: IVa(i). Nachtmusik. Andante amoroso | — | ||
| 11-5 | Symphony no. 7 in E minor: IVa(ii). Nachtmusik. Andante amoroso | — | ||
| 11-6 | Symphony no. 7 in E minor: IVb. Tempo I. poco rit. | — | ||
| 11-7 | Symphony no. 7 in E minor: Va. Rondo-Finale. Tempo I (Allegro ordinario) | — | ||
| 11-8 | Symphony no. 7 in E minor: Vb. Sempre l'istesso tempo | — | ||
| 11-9 | Symphony no. 7 in E minor: Vc. Tempo II (Allegro moderato ma energico) | — | ||
| 11-10 | Symphony no. 7 in E minor: Vd(i). Tempo I | — | ||
| 11-11 | Symphony no. 7 in E minor: Vd(ii). Tempo I | — | ||
| 11-12 | Symphony no. 7 in E minor: Ve. Tempo I subito | — | ||
| 11-13 | Symphony no. 7 in E minor: Vf. Meno mosso (Tempo II) | — | ||
| 11-14 | Symphony no. 7 in E minor: Vg. Accelerando | — | ||
| 12-1 | Symphony no. 10 in F-sharp minor: Ia. Adagio. Andante | — | ||
| 12-2 | Symphony no. 10 in F-sharp minor: Ib. Adagio. Andante come prima | — | ||
| 12-3 | Symphony no. 10 in F-sharp minor: Ic. Adagio. [ ] | — | ||
| 12-4 | Symphony no. 10 in F-sharp minor: Id. Adagio. [ ] | — | ||
| 12-5 | Symphony no. 10 in F-sharp minor: Ie. Adagio. Andante | — | ||
| 12-6 | Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Allegro impetuoso “Veni, creator spiritus” | Wiener Philharmoniker, Leonard Bernstein | — | |
| 12-7 | Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: A tempo. Etwas (aber unmerklich) gemäßigter; immer sehr fließend “Imple superna gratia” | Wiener Philharmoniker, Leonard Bernstein | — | |
| 12-8 | Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Tempo I. (Allegro impetuoso) “Infirma nostri corporis” | Wiener Philharmoniker, Leonard Bernstein | — | |
| 12-9 | Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Tempo I. (Allegro, etwas hastig) | Wiener Philharmoniker, Leonard Bernstein | — | |
| 12-10 | Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Sehr fließend — Noch einmal so langsam als vorher. Nicht schleppend “Infirma nostri corporis” | Wiener Philharmoniker, Leonard Bernstein | — | |
| 12-11 | Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Plötzlich sehr breit und leidenschaftlichen Ausdrucks — Mit plötzcheim Aufschwung “Accende lumen sensibus” | Wiener Philharmoniker, Leonard Bernstein | — | |
| 12-12 | Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: “Veni, creator spiritus” | Wiener Philharmoniker, Leonard Bernstein | — | |
| 12-13 | Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: a tempo “Gloria sit Patri Domino” | Wiener Philharmoniker, Leonard Bernstein | — | |
| 13-1 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIa. Poco adagio | Wiener Philharmoniker, Leonard Bernstein | T-801.364.648-6 | |
| 13-2 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIb. Più mosso. (Allegro moderato) | Wiener Philharmoniker, Leonard Bernstein | T-800.828.586-8 | |
| 13-3 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIc. Wieder langsam. Chor und Echo: "Waldung, sie schwankt heran" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 13-4 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IId. Moderato. "Ewiger Wonnebrand" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 13-5 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIe. Allegro - (Allegro appassionato) "Wie Felsenabgrund mir zu Füßen" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 13-6 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIf. Allegro deciso. (Im Anfang noch nicht eilen) - "Gerettet ist das edle Glied" - "Hände verschlinget euch" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 13-7 | Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Molto leggiero, Chor der jüngeren Engel: “Jene Rosen aus den Händen” | Wiener Philharmoniker, Leonard Bernstein | — | |
| 13-8 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIh. Schon etwas langsamer und immer noch mäßiger "Uns bleibt ein Erdenrest" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 13-9 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIi. Im Anfang (die ersten vier Takte) noch etwas gehalten: "Ich spür' soeben, nebelnd um Felsenhöh'" "Freudig empfangen wir" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 13-10 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIj. Sempre l'istesso tempo. "Höchste Herrscherin der Welt" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 13-11 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIk. Äußerst langsam. Adagissimo. "Dir, der Unberührbaren" "Du schwebst zu Höhen er ewigen Reiche" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 13-12 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIl. Fließend "Bei der Liebe, die den Füßen" "Bei dem Bronn, zu dem schon weiland" " Bei dem hochgeweihten Orte" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 13-13 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIm. Una poenitentium: "Neige, du Ohnegleichte" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 13-14 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIn. Unmerklich frischer: "Er überwächst uns schon" "Vom edlen Geisterchor umgebren" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 13-15 | Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" XV. (Mater gloriosa) "Komm! hebe dich zu höhern Sphären" | — | ||
| 13-16 | Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIp. Sehr langsam beginnend "Alles Vergängliche ist nur ein Gleichnis" | Wiener Philharmoniker, Leonard Bernstein | — | |
| 14-1 | Symphony no. 9 in D major: I. Satz. Andante comodo: [Takt 1] | — | ||
| 14-2 | Symphony no. 9 in D major: I. Satz. Andante comodo: (Horneinsatz) | — | ||
| 14-3 | Symphony no. 9 in D major: I. Satz. Andante comodo: Bewegter | — | ||
| 14-4 | Symphony no. 9 in D major: I. Satz. Andante comodo: [Takt 317] | — | ||
| 14-5 | Symphony no. 9 in D major: I. Satz. Andante comodo: Wie von Anfang | — | ||
| 14-6 | Symphony no. 9 in D major: I. Satz. Andante comodo: Plötzlich bedeutend langsamer (Lento) und leise | — | ||
| 14-7 | Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: [Takt 1] | — | ||
| 14-8 | Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Poco più mosso subito (Tempo II.) | — | ||
| 14-9 | Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo III. | — | ||
| 14-10 | Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: A tempo II. | — | ||
| 14-11 | Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo I. | — | ||
| 14-12 | Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo II. | — | ||
| 14-13 | Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo I. subito | — | ||
| 15-1 | Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: [Takt 1] | — | ||
| 15-2 | Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: L’istesso tempo | — | ||
| 15-3 | Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: Sempre l’istesso tempo | — | ||
| 15-4 | Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: L’istesso tempo | — | ||
| 15-5 | Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: [Takt 347] | — | ||
| 15-6 | Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: (Klarinetteneinsatz) | — | ||
| 15-7 | Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: Tempo I. subito | — | ||
| 15-8 | Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: Più stretto | — | ||
| 15-9 | Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: [Takt 1] | — | ||
| 15-10 | Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Plötzlich wieder sehr langsam (wie zu Anfang) und etwas zögernd | — | ||
| 15-11 | Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Molto adagio subito | — | ||
| 15-12 | Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: A tempo (Molto adagio) | — | ||
| 15-13 | Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Stets sehr gehalten | — | ||
| 15-14 | Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Fließender, doch durchaus nicht eilend | — | ||
| 15-15 | Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Tempo I. Molto adagio | — | ||
| 15-16 | Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Adagissimo | — | ||
| 16-1 | Symphony no. 9 in D major: I. Andante comodo | — | ||
| 16-2 | Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb | — | ||
| 16-3 | Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig | — | ||
| 16-4 | Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend | — | ||
| 17-1 | Das Lied von der Erde: 1. Das Trinklied vom Jammer der Erde | James King, Wiener Philharmoniker, Leonard Bernstein | — | |
| 17-2 | Das Lied von der Erde: 2. Der Einsame im Herbst | Dietrich Fischer-Dieskau, Wiener Philharmoniker, Leonard Bernstein | — | |
| 17-3 | Das Lied von der Erde: 3. Von der Jugend | James King, Wiener Philharmoniker, Leonard Bernstein | — | |
| 17-4 | Das Lied von der Erde: 4. Von der Schönheit | Dietrich Fischer-Dieskau, Wiener Philharmoniker, Leonard Bernstein | — | |
| 17-5 | Das Lied von der Erde: 5. Der Trunkene um Frühling | James King, Wiener Philharmoniker, Leonard Bernstein | — | |
| 17-6 | Das Lied von der Erde: 6. Der Abschied | Dietrich Fischer-Dieskau, Wiener Philharmoniker, Leonard Bernstein | — | |
| 18-1 | Des Knaben Wunderhorn: 1. Der Schildwache Nachtlied | Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 18-2 | Des Knaben Wunderhorn: 2. Wer hat dies Liedlein erdacht? | Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein | T-904.908.073-1 | |
| 18-3 | Des Knaben Wunderhorn: 3. Der Tamboursg’sell | Andreas Schmidt, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 18-4 | Des Knaben Wunderhorn: 4. Das irdische Leben | Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 18-5 | Des Knaben Wunderhorn: 5. Verlorne Müh’ | Lucia Popp, Andreas Schmidt, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 18-6 | Des Knaben Wunderhorn: 6. Des Antonius von Padua Fischpredigt | Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 18-7 | Des Knaben Wunderhorn: 7. Revelge | Andreas Schmidt, Koninklijk Concertgebouworkest, Leonard Bernstein | T-303.204.042-5 | |
| 18-8 | Des Knaben Wunderhorn: 8. Rheinlegendchen | Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein | T-904.908.073-1 | |
| 18-9 | Des Knaben Wunderhorn: 9. Lob des hohen Verstandes | Andreas Schmidt, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 18-10 | Des Knaben Wunderhorn: 10. Wo die schönen Trompeten blasen | Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein | T-917.182.185-5 | |
| 18-11 | Des Knaben Wunderhorn: 11. Lied des Verfolgten im Turm | Lucia Popp, Andreas Schmidt, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 18-12 | Des Knaben Wunderhorn: 12. Trost im Unglück | Lucia Popp, Andreas Schmidt, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 18-13 | Des Knaben Wunderhorn: 13. Urlicht | Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein | T-904.908.073-1 | |
| 19-1 | Lieder eines fahrenden Gesellen: 1. Wenn mein Schatz Hochzeit macht | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | — | |
| 19-2 | Lieder eines fahrenden Gesellen: 2. Ging heutʼ morgen übers Feld | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | — | |
| 19-3 | Lieder eines fahrenden Gesellen: 3. Ich habʼ ein glühend Messer | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | — | |
| 19-4 | Lieder eines fahrenden Gesellen: 4. Die zwei blauen Augen | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | — | |
| 19-5 | Symphony No. 6 A-moll: IV. Finale: Allegro moderato - Allegro energico | Wiener Philharmoniker, Leonard Bernstein | — | |
| 19-6 | Symphony No. 6 A-moll: IV. Finale: Allegro moderato - Allegro energico | Wiener Philharmoniker, Leonard Bernstein | — | |
| 19-7 | Symphony No. 6 A-moll: IV. Finale: Allegro moderato - Allegro energico | Wiener Philharmoniker, Leonard Bernstein | — | |
| 19-8 | Symphony No. 6 A-moll: IV. Finale: Allegro moderato - Allegro energico | Wiener Philharmoniker, Leonard Bernstein | — | |
| 19-9 | Symphony No. 6 A-moll: IV. Finale: Allegro moderato - Allegro energico | Wiener Philharmoniker, Leonard Bernstein | — | |
| 19-10 | 5 Lieder: 1. Liebst du um Schönheit | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | — | |
| 19-11 | 5 Lieder: 2. Blicke mir nicht in die Lieder | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | T-301.280.615-0 | |
| 19-12 | 5 Lieder: 3. Ich atmetʼ einen linden Duft | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | T-301.280.963-7 | |
| 19-13 | 5 Lieder: 5. Um Mitternacht | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | T-004.158.264-2 | |
| 19-14 | 5 Lieder: 6. Ich bin der Welt abhanden gekommen | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | T-926.945.156-1 | |
| 20-1 | Ouvertüre “Die Hebriden” (“Die Fingalshöhle”), op. 26, MWV P 7: Allegro moderato - Animato in tempo | — | ||
| 20-2 | Symphony no. 3 in A minor, op. 56, MWV N 18 "Scottish": I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima | — | ||
| 20-3 | Symphony no. 3 in A minor, op. 56, MWV N 18 "Scottish": II. Vivace non troppo | — | ||
| 20-4 | Symphony no. 3 in A minor, op. 56, MWV N 18 "Scottish": III. Adagio | — | ||
| 20-5 | Symphony no. 3 in A minor, op. 56, MWV N 18 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai | — | ||
| 21-1 | Symphony no. 4 in A major, op. 90, MWV N 16 "Italian": I. Allegro vivace | — | ||
| 21-2 | Symphony no. 4 in A major, op. 90, MWV N 16 "Italian": II. Andante con moto | — | ||
| 21-3 | Symphony no. 4 in A major, op. 90, MWV N 16 "Italian": III. Con moto moderato | — | ||
| 21-4 | Symphony no. 4 in A major, op. 90, MWV N 16 "Italian": IV. Saltarello (Presto) | — | ||
| 21-5 | Symphony no. 5 in D minor, op. 107, MWV N 15 "Reformation": I. Andante - Allegro con fuoco | — | ||
| 21-6 | Symphony no. 5 in D minor, op. 107, MWV N 15 "Reformation": II. Allegro vivace | — | ||
| 21-7 | Symphony no. 5 in D minor, op. 107, MWV N 15 "Reformation": III. Andante | — | ||
| 21-8 | Symphony no. 5 in D minor, op. 107, MWV N 15 "Reformation": IV. Choral "Ein' Feste Burg ist unser Gott!" (Andante con moto - Allegro vivace - Allegro maestoso - Più animato poco a poco) | — | ||
| 22-1 | Symphony no. 29 in A major, K. 201: I. Allegro moderato | — | ||
| 22-2 | Symphony no. 29 in A major, K. 201: II. Andante | — | ||
| 22-3 | Symphony no. 29 in A major, K. 201: III. Minuetto & Trio | — | ||
| 22-4 | Symphony no. 29 in A major, K. 201: IV. Allegro con spirito | — | ||
| 22-5 | Symphony no. 25 in G minor, K. 183: I. Allegro con brio | — | ||
| 22-6 | Symphony no. 25 in G minor, K. 183: II. Andante | — | ||
| 22-7 | Symphony no. 25 in G minor, K. 183: III. Minuetto & Trio | — | ||
| 22-8 | Symphony no. 25 in G minor, K. 183: IV. Allegro | — | ||
| 22-9 | Concerto for Clarinet in A major, K. 622: I. Allegro | — | ||
| 22-10 | Concerto for Clarinet in A major, K. 622: II. Adagio | Peter Schmidl, Wiener Philharmoniker, Leonard Bernstein | — | |
| 22-11 | Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro | — | ||
| 23-1 | Symphony no. 35 in D major, K. 385 "Haffner": I. Allegro con spirito | — | ||
| 23-2 | Symphony no. 35 in D major, K. 385 "Haffner": II. Andante | — | ||
| 23-3 | Symphony no. 35 in D major, K. 385 "Haffner": III. Minuetto | — | ||
| 23-4 | Symphony no. 35 for Orchestra in D major, K. 385 "Haffner": IV. Presto | Wiener Philharmoniker, Leonard Bernstein | T-318.676.528-2 | |
| 23-5 | Symphony no. 41 in C major "Jupiter", K. 551: 1. Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | T-312.542.381-2 | |
| 23-6 | Symphony no. 41 in C major "Jupiter", K. 551: 2. Andante cantabile | Wiener Philharmoniker, Leonard Bernstein | T-312.542.381-2 | |
| 23-7 | Symphony no. 41 in C major "Jupiter", K. 551: 3. Menuetto. Allegretto | Wiener Philharmoniker, Leonard Bernstein | T-312.542.381-2 | |
| 23-8 | Symphony No. 41 in C major, K. 551 “Jupiter”: IV. Allegro molto | Wiener Philharmoniker, Leonard Bernstein | T-312.542.381-2 | |
| 24-1 | Symphony no. 36 in C major, K. 425 "Linz" : I. Adagio - Allegro spiritoso | — | ||
| 24-2 | Symphony no. 36 in C major, K. 425 "Linz" : II. Andante | — | ||
| 24-3 | Symphony no. 36 in C major, K. 425 "Linz" : III. Menuetto | — | ||
| 24-4 | Symphony no. 36 in C major, K. 425 "Linz" : IV. Presto | — | ||
| 24-5 | Symphony no. 38 in D major, K. 504 "Prague" : I. Adagio - Allegro | — | ||
| 24-6 | Symphony no. 38 in D major, K. 504 "Prague" : II. Andante | — | ||
| 24-7 | Symphony no. 38 in D major, K. 504 "Prague" : III. (Finale) Presto | — | ||
| 25-1 | Symphony no. 39 in E-flat major, K. 543: I. Adagio — Allegro | — | ||
| 25-2 | Symphony no. 39 in E-flat major, K. 543: II. Andante con moto | — | ||
| 25-3 | Symphony no. 39 in E-flat major, K. 543: III. Menuetto. Allegretto | — | ||
| 25-4 | Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro | — | ||
| 25-5 | Symphonie Nr. 40 in g‐moll, KV 550: I. Molto allegro | Wiener Philharmoniker, Leonard Bernstein | T-312.542.381-2 | |
| 25-6 | Symphonie Nr. 40 in g‐moll, KV 550: II. Andante | Wiener Philharmoniker, Leonard Bernstein | T-312.542.381-2 | |
| 25-7 | Symphonie Nr. 40 in g‐moll, KV 550: III. Menuetto. Allegretto | Wiener Philharmoniker, Leonard Bernstein | T-312.542.381-2 | |
| 25-8 | Symphonie Nr. 40 in g‐moll, KV 550: IV. Allegro assai | Wiener Philharmoniker, Leonard Bernstein | T-306.395.786-4 | |
| 26-1 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: I. Allegro | Wiener Philharmoniker, Leonard Bernstein | — | |
| 26-2 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. [Andante] | Wiener Philharmoniker, Leonard Bernstein | — | |
| 26-3 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: III. Allegro | Wiener Philharmoniker, Leonard Bernstein | — | |
| 26-4 | Symphony no. 36 “Linz”: I. Adagio -Allegro spiritoso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 26-5 | Symphony no. 36 “Linz”: II. Andante | Wiener Philharmoniker, Leonard Bernstein | — | |
| 26-6 | Symphony no. 36 “Linz”: III. Menuetto | Wiener Philharmoniker, Leonard Bernstein | T-902.876.200-7 | |
| 26-7 | Symphony no. 36 “Linz”: IV. Presto | Wiener Philharmoniker, Leonard Bernstein | T-003.055.867-8 | |
| 27-1 | Concerto for Piano and Orchestra No. 17 in G major, K. 453: I. Allegro | — | ||
| 27-2 | Concerto for Piano and Orchestra No. 17 in G major, K. 453: II. Andante | — | ||
| 27-3 | Concerto for Piano and Orchestra No. 17 in G major, K. 453: III. Allegretto - Finale: Presto | — | ||
| 27-4 | Concerto for Piano and Orchestra in G major, M. 83: I. Allegramente | — | ||
| 27-5 | Concerto for Piano and Orchestra in G major, M. 83: II. Adagio assai | — | ||
| 27-6 | Concerto for Piano and Orchestra in G major, M. 83: III. Presto | — | ||
| 28-1 | Motet for Chorus, Strings & Organ in D major, K. 618: "Ave verum corpus", KV618 | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | T-323.252.117-0 | |
| 28-2 | Exsultate, jubilate, K. 165 | — | ||
| 28-3 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 "Great": I. "Kyrie" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | T-919.081.368-4 | |
| 28-4 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis" | — | ||
| 28-5 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te" | — | ||
| 28-6 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi" | — | ||
| 28-7 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus" | — | ||
| 28-8 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis" | — | ||
| 28-9 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus" | — | ||
| 28-10 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe" | — | ||
| 28-11 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu" | — | ||
| 28-12 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus" | — | ||
| 28-13 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est" | — | ||
| 28-14 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus" / IVb. Sanctus: "Hosanna" | — | ||
| 28-15 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus | — | ||
| 29-1 | Requiem in D minor, K. 626: IIId. Recordare (Sequenz) | Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 29-2 | Requiem in D minor, K. 626: IIId. Recordare (Sequenz) | Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 29-3 | Requiem in D minor, K. 626: IIIa. Dies irae (Sequenz) | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Wolfgang Seeliger, Leonard Bernstein | — | |
| 29-4 | Requiem in D minor, K. 626: IIId. Recordare (Sequenz) | Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 29-5 | Requiem in D minor, K. 626: IIId. Recordare (Sequenz) | Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 29-6 | Requiem in D minor, K. 626: IIId. Recordare (Sequenz) | Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 29-7 | Requiem in D minor, K. 626: IIIe. Confutatis (Sequenz) | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Wolfgang Seeliger, Leonard Bernstein | — | |
| 29-8 | Requiem in D minor, K. 626: IIIf. Lacrimosa (Sequenz) | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Wolfgang Seeliger, Leonard Bernstein | — | |
| 29-9 | Requiem in D minor, K. 626: IIId. Recordare (Sequenz) | Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 29-10 | Requiem in D minor, K. 626: IIId. Recordare (Sequenz) | Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 29-11 | Requiem in D minor, K. 626: IIId. Recordare (Sequenz) | Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 29-12 | Requiem in D minor, K. 626: IIId. Recordare (Sequenz) | Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 29-13 | Requiem in D minor, K. 626: IIId. Recordare (Sequenz) | Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 29-14 | Requiem in D minor, K. 626: IIId. Recordare (Sequenz) | Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 30-1 | La bohème: Atto I. "Questo mar rosso mi ammolisce e assidera" (Marcello, Rodolfo, Colline) | — | ||
| 30-2 | La bohème: Atto I. "Pensier profondo" (Colline, Marcello, Rodolfo) | — | ||
| 30-3 | La bohème: Atto I. "Abbasso, abbasso l'autor!" (Marcello, Colline, Rodolfo, Schaunard) | — | ||
| 30-4 | La bohème: Atto I. "Si può?" (Benoit, Marcello, Schaunard, Colline, Rodolfo) | — | ||
| 30-5 | La bohème: Atto I. "Io resto" (Rodolfo, Marcello, Colline, Schaunard) | — | ||
| 30-6 | La bohème: Atto I. "Non sono in vena" (Rodolfo, Mimì) | — | ||
| 30-7 | La bohème: Atto I. "Si sente meglio" (Rodolfo, Mimì) | — | ||
| 30-8 | La Bohème: Atto I. “Che gelida manina!” (Rodolfo) | Jerry Hadley, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein | — | |
| 30-9 | La bohème: Atto I. "Sì. Mi chiamano Mimì" (Mimì, Rodolfo) | — | ||
| 30-10 | La bohème: Atto I. "Ehi! Rodolfo!" (Schaunard, Colline, Marcello, Mimì) | — | ||
| 30-11 | La bohème: Atto I. "O soave fanciulla" (Rodolfo, Marcello, Mimì) | — | ||
| 30-12 | La bohème: Atto II. "Aranci, datteri! Caldi i marroni!" (Coro, Schaunard, Colline, Rodolfo, Mimì, Marcello) | — | ||
| 30-13 | La bohème: Atto II. "Chi guardi?" (Rodolfo, Colline, Mimì, Schaunard, Marcello, Coro, Parpignol, Ragazzi) | — | ||
| 30-14 | La bohème: Atto II. "Questa è Mimì" (Rodolfo, Marcello, Schaunard, Colline, Parpignol, Ragazzi, Bambine, Mamme, Mimì) | — | ||
| 30-15 | La bohème: Atto II. "Viva Parpignol!" (Coro, Marcello, Mimì, Schaunard, Colline, Rodolfo) | — | ||
| 30-16 | La bohème: Atto II. "Allegri e un toast!" (Schaunard, Colline, Marcello, Mimì, Rodolfo, Coro, Alcindoro, Musetta) | — | ||
| 30-17 | La bohème: Atto II. "Quando men vo soletta per la via" (Musetta, Marcello, Alcindoro, Mimì, Rodolfo, Schaunard, Colline) | — | ||
| 30-18 | La bohème: Atto II. "Il conto?!" (Rodolfo, Schaunard, Colline, Coro, Musetta, Marcello, Mimì) | — | ||
| 31-1 | La bohème: Atto III. "Ohè, là, le guardie!" (Spazzini, Musetta, Doganiere, Voci, Lattivendole, Contadine) | — | ||
| 31-2 | La bohème: Atto III. "Sa dirmi, scusi, qual'è l'osteria" (Mimì, Sergente, Donganiere) | — | ||
| 31-3 | La bohème: Atto III. "Mimì! - Speravo di trovarvi qui" (Marcello, Mimì) | — | ||
| 31-4 | La bohème: Atto III. "Marcello. Finalmente!" (Rodolfo, Marcello, Mimì) | — | ||
| 31-5 | La bohème: Atto III. "Mimì è una civetta" (Rodolfo, Marcello, Mimì) | — | ||
| 31-6 | La bohème: Atto III. "Mimì è tanto malata" (Rodolfo, Mimì, Marcello) | — | ||
| 31-7 | La bohème: Atto III. "Mimì di serra è fiore" (Rodolfo, Mimì, Marcello) | — | ||
| 31-8 | La bohème: Atto III. "Donde lieta usci" (Mimì) | — | ||
| 31-9 | La bohème: Atto III. "Dunque è proprio finita!" (Rodolfo, Mimì, Marcello, Musetta) | — | ||
| 31-10 | La bohème: Atto IV. "In un coupé? - Con pariglia e livree" (Marcello, Rodolfo) | — | ||
| 31-11 | La bohème: Atto IV. "O Mimì, tu più non torni" (Rodolfo, Marcello) | — | ||
| 31-12 | La bohème: Atto IV. "Che ora sia?" (Rodolfo, Marcello, Schaunard, Colline) | — | ||
| 31-13 | La bohème: Atto IV. "Gavotta! - Minuetto!" (Colline, Marcello, Rodolfo, Schaunard) | — | ||
| 31-14 | La bohème: Atto IV. "C'è Mimì" (Musetta, Rodolfo, Schaunard, Mimi, Marcello, Colline) | — | ||
| 31-15 | La bohème: Atto IV. "Vecchia zimarra, senti" (Colline, Schaunard) | — | ||
| 31-16 | La bohème: Atto IV. "Sono andati? Fingevo di dormire" (Mimì, Rodolfo) | — | ||
| 31-17 | La bohème: Atto IV. "Oh Dio! Mimì!" (Rodolfo, Schaunard, Mimì, Musetta, Marcello) | — | ||
| 31-18 | La bohème: Atto IV. "Che ha detto il medico?" (Rodolfo, Marcello, Musetta, Schaunard, Colline) | — | ||
| 32-1 | Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato | — | ||
| 32-2 | Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto | — | ||
| 32-3 | Symphony no. 5 in B-flat major, D. 485: I. Allegro | — | ||
| 32-4 | Symphony no. 5 in B-flat major, D. 485: II. Andante con moto | — | ||
| 32-5 | Symphony no. 5 in B-flat major, D. 485: III. Menuetto. Allegro molto - Trio | — | ||
| 32-6 | Symphony no. 5 in B-flat major, D. 485: IV. Allegro vivace | — | ||
| 33-1 | Symphony no. 1 in B-flat major, op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 33-2 | Symphony no. 1 in B-flat major, op. 38 "Spring": II. Larghetto - attacca: | Wiener Philharmoniker, Leonard Bernstein | — | |
| 33-3 | Symphony no. 1 in B‐flat major, op. 38 "Spring": III. Scherzo: Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 33-4 | Symphony no. 1 in B-flat major, op. 38 "Spring": IV. Allegro animato e grazioso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 33-5 | Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft - (attacca:) | Wiener Philharmoniker, Leonard Bernstein | — | |
| 33-6 | Symphony no. 4 in D minor, op. 120: II. Romanze: Ziemlich langsam - (attacca:) | Wiener Philharmoniker, Leonard Bernstein | — | |
| 33-7 | Symphony no. 4 in D minor, op. 120: III. Scherzo: Lebhaft - Trio - (attacca:) | Wiener Philharmoniker, Leonard Bernstein | — | |
| 33-8 | Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft | Wiener Philharmoniker, Leonard Bernstein | — | |
| 34-1 | Symphony no. 9 in C major, D. 944 "Great": I. Andante - Allegro ma non troppo | — | ||
| 34-2 | Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto | — | ||
| 34-3 | Symphony no. 9 in C major, D. 944 "Great": III. Scherzo. Allegro vivace / Trio | — | ||
| 34-4 | Symphony no. 9 in C major, D. 944 "Great": IV. Finale. Allegro vivace | — | ||
| 35-1 | Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Allegro, ma non troppo | Wiener Philharmoniker, Leonard Bernstein | — | |
| 35-2 | Symphony no. 2 in C major, op. 61: II. Scherzo: Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 35-3 | Symphony no. 2 in C major, op. 61: III. Adagio espressivo | Wiener Philharmoniker, Leonard Bernstein | — | |
| 35-4 | Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 35-5 | Konzert für Violoncello und Orchester a-Moll, op. 129: III. Sehr lebhaft | Mischa Maisky, Wiener Philharmoniker, Leonard Bernstein | — | |
| 35-6 | Konzert für Violoncello und Orchester a-Moll, op. 129: III. Sehr lebhaft | Mischa Maisky, Wiener Philharmoniker, Leonard Bernstein | — | |
| 35-7 | Konzert für Violoncello und Orchester a-Moll, op. 129: III. Sehr lebhaft | Mischa Maisky, Wiener Philharmoniker, Leonard Bernstein | — | |
| 36-1 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": I. Lebhaft | Wiener Philharmoniker, Leonard Bernstein | — | |
| 36-2 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": II. Scherzo: Sehr mäßig | Wiener Philharmoniker, Leonard Bernstein | — | |
| 36-3 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": III. Nicht schnell | Wiener Philharmoniker, Leonard Bernstein | T-312.439.214-5 | |
| 36-4 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": IV. Feierlich - (quasi attacca:) | Wiener Philharmoniker, Leonard Bernstein | — | |
| 36-5 | Symphony no. 3 in E-flat major, op. 97 "Rhenish": V. Lebhaft | Wiener Philharmoniker, Leonard Bernstein | — | |
| 36-6 | Konzert für Klavier und Orchester a-Moll, op. 54: I. Allegro affettuoso | Justus Frantz, Wiener Philharmoniker, Leonard Bernstein | — | |
| 36-7 | Konzert für Klavier und Orchester a-Moll, op. 54: I. Allegro affettuoso | Justus Frantz, Wiener Philharmoniker, Leonard Bernstein | — | |
| 36-8 | Konzert für Klavier und Orchester a-Moll, op. 54: I. Allegro affettuoso | Justus Frantz, Wiener Philharmoniker, Leonard Bernstein | — | |
| 37-1 | Symphony no. 1 in F minor, op. 10: 1. Allegretto - Allegro non troppo | Chicago Symphony Orchestra, Leonard Bernstein | — | |
| 37-2 | Symphony no. 1 in F minor, op. 10: 2. Allegro | Chicago Symphony Orchestra, Leonard Bernstein | — | |
| 37-3 | Symphony no. 1 in F minor, op. 10: 3. Lento - Largo | Chicago Symphony Orchestra, Leonard Bernstein | — | |
| 37-4 | Symphony no. 1 in F minor, op. 10: 4. Allegro molto - Lento - Allegro molto - Adagio - Largo - Presto | Chicago Symphony Orchestra, Leonard Bernstein | — | |
| 37-5 | Symphony no. 7 in C major "Leningrad", op. 60: 1. Allegretto | Chicago Symphony Orchestra, Leonard Bernstein | T-315.020.230-1 | |
| 38-1 | Symphony no. 7 in C major "Leningrad", op. 60: 2. Moderato (poco allegretto) | Chicago Symphony Orchestra, Leonard Bernstein | — | |
| 38-2 | Symphony no. 7 in C major "Leningrad", op. 60: 3. Adagio | Chicago Symphony Orchestra, Leonard Bernstein | — | |
| 38-3 | Symphony no. 7 in C major "Leningrad", op. 60: 4. Allegro non troppo | Chicago Symphony Orchestra, Leonard Bernstein | — | |
| 39-1 | Symphony no. 6 op. 54: I. Largo | Wiener Philharmoniker, Leonard Bernstein | T-005.005.728-7 | |
| 39-2 | Symphony no. 6 op. 54: II. Allegro | Wiener Philharmoniker, Leonard Bernstein | — | |
| 39-3 | Symphony no. 6 op. 54: III. Presto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 39-4 | Symphony no. 9 op. 70: I. Allegro | Wiener Philharmoniker, Leonard Bernstein | — | |
| 39-5 | Symphony no. 9 op. 70: I. II. Moderato | Wiener Philharmoniker, Leonard Bernstein | — | |
| 39-6 | Symphony no. 9 op. 70: I. III. Presto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 39-7 | Symphony no. 9 op. 70: I. IV. Largo | Wiener Philharmoniker, Leonard Bernstein | — | |
| 39-8 | Symphony no. 9 op. 70: I. V. Allegretto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 40-1 | Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo - Allegro energico | Wiener Philharmoniker, Leonard Bernstein | — | |
| 40-2 | Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento) | Wiener Philharmoniker, Leonard Bernstein | T-071.481.827-5 | |
| 40-3 | Symphony no. 1 in E minor, op. 39: III. Scherzo (Allegro) | Wiener Philharmoniker, Leonard Bernstein | — | |
| 40-4 | Symphony no. 1 in E minor, op. 39: IV. Finale (Quasi una fantasia) | Wiener Philharmoniker, Leonard Bernstein | T-318.676.528-2 | |
| 41-1 | Symphony no. 2 in D major, op. 43: I. Allegretto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 41-2 | Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato | Wiener Philharmoniker, Leonard Bernstein | — | |
| 41-3 | Symphony no. 2 in D major, op. 43: III. Vivacissimo (attacca) | Wiener Philharmoniker, Leonard Bernstein | — | |
| 41-4 | Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato | Wiener Philharmoniker, Leonard Bernstein | T-318.676.528-2 | |
| 42-1 | Symphony no. 5 in E-flat major, op. 82: Ia. Tempo molto moderato - Largamente - | Wiener Philharmoniker, Leonard Bernstein | — | |
| 42-2 | Symphony no. 5 in E-flat major, op. 82: Ib. Allegro moderato - Presto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 42-3 | Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 42-4 | Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Misterioso - Un pochettino largamente - Largamente assai | Wiener Philharmoniker, Leonard Bernstein | — | |
| 42-5 | Symphony no. 7 in C, op. 105: Adagio | — | ||
| 42-6 | Symphony no. 7 in C, op. 105: Un pochettino meno adagio - Poco a poco affrettando il tempo al Vivacissimo | — | ||
| 42-7 | Symphony no. 7 in C, op. 105: 5 bars before: Poco rallentando all' Adagio - Poco a poco meno lento all' | — | ||
| 42-8 | Symphony no. 7 in C, op. 105: Allegro molto moderato - Poco a poco meno moderato - | — | ||
| 42-9 | Symphony no. 7 in C, op. 105: 2 bars before: Vivace - Presto - Poco a poco rallentando all' Adagio - Largamente molto - Affettuoso - Tempo I | — | ||
| 43-1 | Salome, op. 54, TrV 215: Letzte Szene “Es ist kein Laut zu vernehmen” - “Ah! Du wolltest mich nicht deinen Mund küssen lassen, Jochanaan” | — | ||
| 43-2 | Salome, op. 54, TrV 215: Tanz der sieben Schleier | — | ||
| 43-3 | 5 Lieder mit Orchesterbegleitung, op. 27 no. 2, TrV 170: Cäcilie | Montserrat Caballé, Orchestre national de France, Leonard Bernstein | — | |
| 43-4 | 5 Lieder mit Orchesterbegleitung, op. 41 no. 1, TrV 195: Wiegenlied | Montserrat Caballé, Orchestre national de France, Leonard Bernstein | — | |
| 43-5 | 5 Lieder mit Orchesterbegleitung, op. 37 no. 2, TrV 187: Ich liebe dich | Montserrat Caballé, Orchestre national de France, Leonard Bernstein | — | |
| 43-6 | Songs for Voice and Orchestra: Morgen, op. 27, TrV 170 no. 4 | — | ||
| 43-7 | Songs for Voice and Orchestra: Zueignung, op. 10, TrV 141 no. 1 | — | ||
| 44-1 | Firebird Suite: I. Introduction | — | ||
| 44-2 | Firebird Suite: II. L’oiseau de feu et sa danse | — | ||
| 44-3 | Firebird Suite: III. Variation de l’oiseau de feu | — | ||
| 44-4 | Firebird Suite: IV. Rondes des princesses | — | ||
| 44-5 | Firebird Suite: V. Danse infernale du roi Kastcheï | — | ||
| 44-6 | Firebird Suite: VI. Berceuse | — | ||
| 44-7 | L'Oiseau de feu Suite (1919 version): Finale | Israel Philharmonic Orchestra, Leonard Bernstein | T-924.857.395-7 | |
| 44-8 | Pulcinella Suite: I. Sinfonia (Ouverture): Allegro moderato | — | ||
| 44-9 | Pulcinella Suite: II. Serenata: Larghetto | — | ||
| 44-10 | Pulcinella Suite: III. Scherzino / Allegro / Andantino | — | ||
| 44-11 | Pulcinella Suite: IV. Tarantella (88 bpm) | — | ||
| 44-12 | Pulcinella Suite: V. Toccata: Allegro | — | ||
| 44-13 | Pulcinella Suite: VI. Gavotta: Allegro moderato / Variazione Ia. Allegretto / Variazione IIa. Allegro piú tosto moderato | — | ||
| 44-14 | Pulcinella Suite: VII. Vivo | — | ||
| 44-15 | Pulcinella Suite: VIII. Minuetto. Molto moderato / Finale. Allegro assai | — | ||
| 45-1 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 45-2 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 45-3 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 45-4 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 45-5 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 45-6 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 45-7 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 45-8 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 45-9 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 45-10 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 45-11 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 45-12 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 45-13 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 45-14 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 45-15 | Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 45-16 | Scènes de ballet: Introduction | — | ||
| 45-17 | Scènes de ballet: Danses (Corps de Ballet). Moderato | — | ||
| 45-18 | Scènes de ballet: Variation (Ballerine). Con moto | — | ||
| 45-19 | Scènes de ballet: Pantomime. Lento | — | ||
| 45-20 | Scènes de ballet: Pas de deux. Adagio | — | ||
| 45-21 | Scènes de ballet: Pantomime. Agitato ma temp giusto | — | ||
| 45-22 | Scènes de ballet: Variation (Danseur). Risoluto | — | ||
| 45-23 | Scènes de ballet: Variation (Ballerine). Andantino | — | ||
| 45-24 | Scènes de ballet: Pantomime. Andantino | — | ||
| 45-25 | Scènes de ballet: Danses (Corps de ballet). Con moto | — | ||
| 45-26 | Scènes de ballet: Apothéose. Poco meno mosso | — | ||
| 46-1 | Le Sacre du printemps: Partie I. Danse de la Terre | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 46-2 | Le Sacre du printemps: Partie I. Danse de la Terre | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 46-3 | Le Sacre du printemps: Partie I. Danse de la Terre | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 46-4 | Le Sacre du printemps: Partie I. Danse de la Terre | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 46-5 | Le Sacre du printemps: Partie I. Danse de la Terre | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 46-6 | Le Sacre du printemps: Partie I. Danse de la Terre | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 46-7 | Le Sacre du printemps: Partie I. Danse de la Terre | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 46-8 | Le Sacre du printemps: Partie I. Danse de la Terre | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 46-9 | Le Sacre du printemps: Partie I. Danse de la Terre | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 46-10 | Le Sacre du printemps: Partie I. Danse de la Terre | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 46-11 | Le Sacre du printemps: Partie I. Danse de la Terre | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 46-12 | Le Sacre du printemps: Partie I. Danse de la Terre | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 46-13 | Le Sacre du printemps: Partie I. Danse de la Terre | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 46-14 | Le Sacre du printemps: Partie I. Danse de la Terre | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 47-1 | Symphony in C: I. Moderato alla breve | Israel Philharmonic Orchestra, Leonard Bernstein | T-070.275.805-1 | |
| 47-2 | Symphony in C: II. Larghetto concertante | Israel Philharmonic Orchestra, Leonard Bernstein | T-070.275.805-1 | |
| 47-3 | Symphony in C: III. Allegretto | Israel Philharmonic Orchestra, Leonard Bernstein | T-070.275.805-1 | |
| 47-4 | Symphony in C: IV. Largo - Tempo giusto, alla breve | Israel Philharmonic Orchestra, Leonard Bernstein | T-070.275.805-1 | |
| 47-5 | Symphony in Three Movements: I. Overture. Allegro | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 47-6 | Symphony in Three Movements: II. Andante | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 47-7 | Symphony in Three Movements: II. Interlude. L'istesso tempo | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 47-8 | Symphony in Three Movements: III. Con moto | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 48-1 | The Wedding: Part I, Scene 1. The Tresses | — | ||
| 48-2 | The Wedding: Part I, Scene 2. At the Bridegroom's House | — | ||
| 48-3 | The Wedding: Part I, Scene 3. The Departure of the Bride | — | ||
| 48-4 | The Wedding: Part II, Scene 4. The Wedding Feast | — | ||
| 48-5 | Mass: Kyrie | — | ||
| 48-6 | Mass: Gloria | — | ||
| 48-7 | Mass: Credo | — | ||
| 48-8 | Mass: Sanctus | — | ||
| 48-9 | Mass: Agnus Dei | — | ||
| 49-1 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto – Moderato con anima – Moderato assai, quasi andante – Allegro vivo | New York Philharmonic, Leonard Bernstein | — | |
| 49-2 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone | New York Philharmonic, Leonard Bernstein | — | |
| 49-3 | Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato - Allegro | New York Philharmonic, Leonard Bernstein | — | |
| 49-4 | Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco | New York Philharmonic, Leonard Bernstein | T-318.676.528-2 | |
| 49-5 | Francesca da Rimini, op. 32: Andante lugubre – Allegro vivo – Andante cantabile non troppo – Allegro vivo | New York Philharmonic, Leonard Bernstein | T-010.194.429-9 | |
| 50-1 | Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima | New York Philharmonic, Leonard Bernstein | — | |
| 50-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima - Andante mosso - Allegro non troppo | New York Philharmonic, Leonard Bernstein | — | |
| 50-3 | Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato | New York Philharmonic, Leonard Bernstein | — | |
| 50-4 | Symphony no. 5 in E minor, op. 64: IV. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto | New York Philharmonic, Leonard Bernstein | T-318.676.528-2 | |
| 50-5 | Romeo & Juliet Overture | New York Philharmonic, Leonard Bernstein | — | |
| 51-1 | Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato assai - Allegro vivo - Andante come prima - Andante mosso | New York Philharmonic, Leonard Bernstein | — | |
| 51-2 | Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia | New York Philharmonic, Leonard Bernstein | T-900.148.288-8 | |
| 51-3 | Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace | New York Philharmonic, Leonard Bernstein | T-900.148.289-9 | |
| 51-4 | Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale. Adagio lamentoso - Andante | New York Philharmonic, Leonard Bernstein | — | |
| 52-1 | Francesca da Rimini, op. 32, TH 46: Andante lugubre - Allegro vivo - Andante cantabile non troppo - Allegro vivo | — | ||
| 52-2 | Romeo and Juliet, Fantasy-Overture in B minor, TH 42 | — | ||
| 53-1 | Hamlet, op. 67 | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 53-2 | Marche slave, op. 31 | Israel Philharmonic Orchestra, Leonard Bernstein | T-913.760.202-9 | |
| 53-3 | Capriccio italien, op. 45 | Israel Philharmonic Orchestra, Leonard Bernstein | T-304.396.368-0 | |
| 53-4 | Ouverture solennelle 1812, op. 49: Largo – Andante – Allegro giusto – Largo – Allegro vivace | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 54-1 | Concerto for Violoncello and Orchestra in B minor, op. 104: I. Allegro | Mischa Maisky, Israel Philharmonic Orchestra, Leonard Bernstein | T-007.303.107-8 | |
| 54-2 | Concerto for Violoncello and Orchestra in B minor, op. 104: II. Adagio, ma no troppo | Mischa Maisky, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 54-3 | Concerto for Violoncello and Orchestra in B minor, op. 104: III. Finale. Allegro moderato | Mischa Maisky, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 54-4 | Schelomo, B. 39 | — | ||
| 55-1 | Tristan und Isolde, WWV 90: Vorspiel | — | ||
| 55-2 | Tristan und Isolde, WWV 90: Akt I. Szene I. "Westwarts schweift der Blick" (Junge Seeman, Isolde, Brangäne) | — | ||
| 55-3 | Tristan und Isolde, WWV 90: Akt I. Szene II. "Frisch weht der Wind der Heimat zu" (Junge Seeman, Isolde, Brangäne) | — | ||
| 55-4 | Tristan und Isolde, WWV 90: Akt I. Szene II. "Hab acht, Tristan!" (Kurwenal, Tristan, Brangäne, Schiffsvolk) | — | ||
| 55-5 | Tristan und Isolde, WWV 90: Akt I. Szene III. "Weh, ach wehe!" (Brangäne, Isolde) | — | ||
| 55-6 | Tristan und Isolde, WWV 90: Akt I. Szene III. "Wie lachend sie mir" (Isolde, Brangäne, Chor) | — | ||
| 55-7 | Tristan und Isolde, WWV 90: Akt I. Szene IV. "Auf! Auf! Ihr Frauen!" (Kurwenal, Isolde, Brangäne) | — | ||
| 56-1 | Tristan und Isolde, WWV 90: Akt I. Szene IV. "Herr Tristan nah!" (Isolde, Tristan, Chor) | — | ||
| 56-2 | Tristan und Isolde, WWV 90: Akt I. Szene V. "War Morold dir so wert" (Tristan, Isolde, Chor) | — | ||
| 56-3 | Tristan und Isolde, WWV 90: Akt I. Szene V. "Tristan! - Isolde!" (Isolde, Tristan, Chor, Brangäne, Kurwenal) | — | ||
| 56-4 | Tristan und Isolde, WWV 90: Akt II. Vorspiel | — | ||
| 56-5 | Tristan und Isolde, WWV 90: Akt II. Szene I. "Horst du sie noch?" (Isolde, Brangäne) | — | ||
| 56-6 | Tristan und Isolde, WWV 90: Akt II. Szene II. "Isolde! Geliebte!" (Tristan, Isolde) | — | ||
| 57-1 | Tristan und Isolde, WWV 90: Akt II. Szene II. "O sik hernieder, Nactht der Liebe" (Tristan, Isolde, Brangäne) | — | ||
| 57-2 | Tristan und Isolde, WWV 90: Akt II. Szene II. "Lausch, Geliebter" (Isolde, Tristan) | — | ||
| 57-3 | Tristan und Isolde, WWV 90: Akt II. Szene II. "So sturben wir, um ungetrennt" (Tristan, Isolde, Brangäne) | — | ||
| 57-4 | Tristan und Isolde, WWV 90: Akt II. Szene III. "Rette dich, Tristan" (Kurwenal, Tristan, Melot) | — | ||
| 57-5 | Tristan und Isolde, WWV 90: Akt II. Szene III. "Tatest du's wirklich?" (Marke, Tristan) | — | ||
| 57-6 | Tristan und Isolde, WWV 90: Akt II. Szene III. "O, Konig, das kann ich dir nicht sagen" (Tristan, Isolde, Melot) | — | ||
| 57-7 | Tristan und Isolde, WWV 90: Akt III. Vorspiel | — | ||
| 57-8 | Tristan und Isolde, WWV 90: Akt III. Szene I. "Kurwenal! He! Sag, Kurwenal!" (Hirt, Kurwenal, Tristan) | — | ||
| 58-1 | Tristan und Isolde, WWV 90: Akt III. Szene I. "Wo ich erwacht, weilt ich nicht" (Tristan, Kurwenal) | — | ||
| 58-2 | Tristan und Isolde, WWV 90: Akt III. Szene I. "Der einst ich trotzt aus Treu" (Tristan, Kurwenal) | — | ||
| 58-3 | Tristan und Isolde, WWV 90: Akt III. Szene I. "Bist du nun tot?" (Kurwenal, Tristan) | — | ||
| 58-4 | Tristan und Isolde, WWV 90: Akt III. Szene I. "O Wonne! Freunde!" (Kurwenal, Tristan) | — | ||
| 58-5 | Tristan und Isolde, WWV 90: Akt III. Szene II. "O diese Sonne" (Tristan, Isolde) | — | ||
| 58-6 | Tristan und Isolde, WWV 90: Akt III. Szene II. "Ich bin's, ich bin's" (Isolde) | — | ||
| 58-7 | Tristan und Isolde, WWV 90: Akt III. Szene III. "Kurwenal! Hor!" (Hirt, Kurwenal, Steuermann, Brangäne, Melot, Marke) | — | ||
| 58-8 | Tristan und Isolde, WWV 90: Akt III. Szene III. "Mild unde leise wie er lachelt" (Isolde) | — | ||
| 59-1 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 59-2 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 59-3 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 59-4 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto | New York Stadium Symphony Orchestra, Leonard Bernstein | T-318.676.528-2 | |
| 59-5 | Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "Simplicity itself..." (1st movement) | [dialogue] | — | |
| 59-6 | Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "I always feel this gigantism..." (2nd movement) | [dialogue] | — | |
| 59-7 | Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "We have just been examining..." (3rd movement) | [dialogue] | — | |
| 60-1 | Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "All that we have said..." (4th movement) | [dialogue] | — | |
| 60-2 | Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "The study of Eroica is a lifetime work..." | [dialogue] | — | |
| 60-3 | Symphony No. 9 in E minor, Op. 95 "From the New World": I. Adagio – Allegro molto | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 60-4 | Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo | New York Stadium Symphony Orchestra, Leonard Bernstein | T-902.286.256-2 | |
| 60-5 | Symphony No. 9 in E minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 60-6 | Symphony No. 9 in E minor, Op. 95 "From the New World": IV. Allegro con fuoco | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 60-7 | Musical Analysis (Bernstein on Dvorák's Symphony No.9): "Does this music sound like the New World to you?" (3rd movement, Trio II; 1st movement) | [dialogue] | — | |
| 60-8 | Musical Analysis (Bernstein on Dvorák's Symphony No.9): "We come now to the second movement, which has a charming melody, ..." (2nd movement) | [dialogue] | — | |
| 60-9 | Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The third movement is a marvel of ingenuity and deftness" (3rd movement) | [dialogue] | — | |
| 60-10 | Musical Analysis (Bernstein on Dvorák's Symphony No.9): "And now the last movement. In general I should say that this is the most Slavic of all" (4th movement) | [dialogue] | — | |
| 60-11 | Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The final claim of those who argue for the New World Symphony as American music, ..." (4th movement, continued) | [dialogue] | — | |
| 61-1 | Symphony No. 2 in C major, Op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 61-2 | Symphony No. 2 in C major, Op. 61: II. Scherzo: Allegro vivace | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 61-3 | Symphony No. 2 in C major, Op. 61: III. Adagio espressivo | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 61-4 | Symphony No. 2 in C major, Op. 61: IV. Allegro molto vivace | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 61-5 | Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Robert Schumann has been dead..." (3rd movement, opening theme) | [dialogue] | — | |
| 61-6 | Musical Analysis (Bernstein on Schumann's Symphony No. 2): "To my mind, Schumann follows in this tradition..." | [dialogue] | — | |
| 61-7 | Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Now let's look at the Symphony itself..." (1st movement) | [dialogue] | — | |
| 61-8 | Musical Analysis (Bernstein on Schumann's Symphony No. 2): "And so we have arrived at the allegro section..." (1st movement, continued) | [dialogue] | — | |
| 61-9 | Musical Analysis (Bernstein on Schumann's Symphony No. 2): "In the marvelous Scherzo that follows..." (2nd movement) | [dialogue] | — | |
| 61-10 | Musical Analysis (Bernstein on Schumann's Symphony No. 2): "But perhaps the greatest beauty...." (3rd movement) | [dialogue] | — | |
| 61-11 | Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Even in the final movement...." (4th movement) | [dialogue] | — | |
| 62-1 | Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo | New York Stadium Symphony Orchestra, Leonard Bernstein | T-902.764.002-4 | |
| 62-2 | Symphony No. 4 in E minor, Op. 98: II. Andante moderato | New York Stadium Symphony Orchestra, Leonard Bernstein | T-902.764.002-4 | |
| 62-3 | Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso - Poco meno presto - Tempo I | New York Stadium Symphony Orchestra, Leonard Bernstein | T-902.764.002-4 | |
| 62-4 | Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato - Più allegro | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 62-5 | Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Brahms' Fourth Symphony in E minor is today ..." (4th movement., opening theme) | [dialogue] | — | |
| 62-6 | Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Our journey begins without introduction..." (1st movement) | [dialogue] | — | |
| 62-7 | Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Do you see now what a symphonic theme is?" (1st movement) | [dialogue] | — | |
| 62-8 | Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Now, think of it - we have so far only had 44 bars of music" (1st movement) | [dialogue] | — | |
| 62-9 | Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Here is that second theme" (1st movement) | [dialogue] | — | |
| 62-10 | Musical Analysis (Bernstein on Brahms's Symphony No. 4): "This brings us to the development section proper" (1st movement) | [dialogue] | — | |
| 62-11 | Musical Analysis (Bernstein on Brahms's Symphony No. 4): And here we are back home, ready for the rehearing of the exposition,..." (1st movement) | [dialogue] | — | |
| 62-12 | Musical Analysis (Bernstein on Brahms's Symphony No. 4): "So we arrive at the coda" (1st movement) | [dialogue] | — | |
| 62-13 | Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Well, we have had a microscopic look at symphonic method" (1st movement) | [dialogue] | — | |
| 63-1 | Symphony No. 6 in B minor, Op. 74 "Pathétique": I. Adagio – Allegro non troppo | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 63-2 | Symphony No. 6 in B minor, Op. 74 "Pathétique": II. Allegro con grazia | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 63-3 | Symphony No. 6 in B minor, Op. 74 "Pathétique": III. Allegro molto vivace | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 63-4 | Symphony No. 6 in B minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso – Andante | New York Stadium Symphony Orchestra, Leonard Bernstein | T-003.055.867-8 | |
| 63-5 | Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now there is a melody, a pure orchestral song..." (1st movement) | [dialogue] | — | |
| 63-6 | Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now the development section erupts..." (1st movement continued) | [dialogue] | — | |
| 63-7 | Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now one would think that Tchaikovsky had really exploited the device of scales" (2nd movement) | [dialogue] | — | |
| 63-8 | Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Jumping now to the famous third movement, the great March..." (3rd movement) | [dialogue] | — | |
| 63-9 | Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Perhaps the most admirable example of this is to be found in the wonderful last movement, ..." (4th movement) | [dialogue] | — | |
| 63-10 | Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now I don't want to give you the impression that scales are the only unifying force in this work" | [dialogue] | — | |
| 64-1 | Fancy Free: Big Stuff (Prologue) | — | ||
| 64-2 | Fancy Free: I. Opening Dance | — | ||
| 64-3 | Fancy Free: II. Scene at the Bar | — | ||
| 64-4 | Fancy Free: IV. Pas de deux | — | ||
| 64-5 | Fancy Free: V. Competition Scene | — | ||
| 64-6 | Fancy Free: VIa. Three Dance Variations: 2. Waltz | — | ||
| 64-7 | Fancy Free: VIb. Three Dance Variations: 3. Danzon | — | ||
| 64-8 | Fancy Free: VIc. Three Dance Variations: 1. Galop / VII. Finale | — | ||
| 64-9 | On the Town: Opening | — | ||
| 64-10 | On the Town: I Get Carried Away | Betty Comden, Adolph Green | — | |
| 64-11 | On the Town: Lucky to Be Me | Mary Martin | — | |
| 64-12 | On the Town: Lonely Town | Mary Martin | — | |
| 64-13 | On the Town: I Can Cook Too | Nancy Walker | — | |
| 64-14 | On the Town: Ya Got Me | Nancy Walker | — |
