UPC · Release
Various Artists
Last verified:
The UPC for “Archiv Produktion Analogue Stereo Recordings 1959–1981” by Various Artists is 028947955559. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2016-01-01. Label: Archiv Produktion. This release contains 830 tracks, each with its own ISRC. Tracks include DEF055901671, DEF055901681, DEF056130601.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Kantate, BWV 51 “Jauchzet Gott in allen Landen”: I. Arie (Sopran): »Jauchzet Gott in allen Landen« | Maria Stader, Pierre Thibaud, Münchener Bach-Orchester, Karl Richter | — | |
| 2 | Jauchzet Gott in allen Landen, Cantata BWV 51: II. "Wir beten zu dem Tempel an" | — | ||
| 3 | Jauchzet Gott in allen Landen, Cantata BWV 51: III. "Höchster, Höchster mache deine Güte ferner alle Morgen neu" | — | ||
| 4 | Jauchzet Gott in allen Landen, Cantata BWV 51: IV. "Sei Lob und Preis mit Ehren" | — | ||
| 5 | Jauchzet Gott in allen Landen, Cantata BWV 51: V. "Alleluja" | — | ||
| 6 | Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": I. Adagio: Weichet nur, betrübte Schatten | — | ||
| 7 | Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": II. Recit: Die Welt wird wieder neu | — | ||
| 8 | Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": III. Aria: Phöbus eilt mit schnellen Pferden | — | ||
| 9 | Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": IV. Recit: D'rum sucht auch Amor sein Vergnügen | — | ||
| 10 | Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": V. Aria: Wenn die Frühlingslüfte streichen | — | ||
| 11 | Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": VI. Recit: Und dieses ist das Glücke | — | ||
| 12 | Weichet nur, betrübte Schatten BWV 202: VII. Aria "Sich üben im Lieben" | Maria Stader, Münchener Bach-Orchester, Karl Richter | — | |
| 13 | Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": VIII. Recit: So sei das Band der keuschen Liebe | — | ||
| 14 | Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": IX. Gavotte: Sehet in Zufriedenheit | — | ||
| 15 | Magnificat in D major, BWV 243: Chorus: "Magnificat" | Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor | — | |
| 16 | Magnificat, BWV 243: II. Arie (Alt) "Et exsultavit spiritus meus" | Münchener Bach-Orchester, Karl Richter | — | |
| 17 | Magnificat in D major, BWV 243: Quia respexit...Omnes generationes | — | ||
| 18 | Magnificat in D major, BWV 243: Aria: "Quia fecit mihi magna" | — | ||
| 19 | Magnificat in D major, BWV 243: Aria (Duet): "Et misericordia" | — | ||
| 20 | Magnificat in D major, BWV 243: Chorus: "Fecit potentiam" | — | ||
| 21 | Magnificat, BWV 243: VIII. Arie (Tenor) "Deposuit potentes" | Münchener Bach-Orchester, Karl Richter | — | |
| 22 | Magnificat in D major, BWV 243: Aria: "Esurientes implevit bonis" | — | ||
| 23 | Magnificat in D major, BWV 243: Chorus: Suscepit Israel | — | ||
| 24 | Magnificat in D major, BWV 243: Chorus: "Sicut locutus est" | — | ||
| 25 | Magnificat, BWV 243: XII. Chor "Gloria Patri" | Münchener Bach-Orchester, Karl Richter | — | |
| 2-1 | String Quartet in A, op. 11 no. 1: I. Moderato | — | ||
| 2-2 | String Quartet in A, op. 11 no. 1: II. Allegretto | — | ||
| 2-3 | String Quartet in D, op. 7 no. 3: I. Allegro spiritoso | — | ||
| 2-4 | String Quartet in D, op. 7 no. 3: II. Sicilana: Un poco presto | — | ||
| 2-5 | String Quartet in F minor, op. 11 no. 5: I. Moderato | — | ||
| 2-6 | String Quartet in F minor, op. 11 no. 5: II. Adagio | — | ||
| 2-7 | String Quartet in F minor, op. 11 no. 5: III. Allegro non tanto | — | ||
| 2-8 | String Quartet in E-flat major, op. 1 no. 5: I. Allegro commodo | — | ||
| 2-9 | String Quartet in E-flat major, op. 1 no. 5: II. Minuetto | — | ||
| 3-1 | 15 Two-part Inventions, BWV 772/786: no. 1 in C major, BWV 772 | — | ||
| 3-2 | 15 Two-part Inventions, BWV 772/786: no. 2 in C minor, BWV 773 | — | ||
| 3-3 | 15 Two-part Inventions, BWV 772/786: no. 3 in D, BWV 774 | — | ||
| 3-4 | 15 Two-part Inventions, BWV 772/786: no. 4 in D minor, BWV 775 | — | ||
| 3-5 | 15 Two-part Inventions, BWV 772/786: no. 5 in E-flat, BWV 776 | — | ||
| 3-6 | 15 Two-part Inventions, BWV 772/786: no. 6 in E, BWV 777 | — | ||
| 3-7 | 15 Two-part Inventions, BWV 772/786: no. 7 in E minor, BWV 778 | — | ||
| 3-8 | 15 Two-part Inventions, BWV 772/786: no. 8 in F, BWV 779 | — | ||
| 3-9 | 15 Two-part Inventions, BWV 772/786: no. 9 in F minor, BWV 780 | — | ||
| 3-10 | 15 Two-part Inventions, BWV 772/786: no. 10 in G, BWV 781 | — | ||
| 3-11 | 15 Two-part Inventions, BWV 772/786: no. 11 in G minor, BWV 782 | — | ||
| 3-12 | 15 Two-part Inventions, BWV 772/786: no. 12 in A, BWV 783 | — | ||
| 3-13 | 15 Two-part Inventions, BWV 772/786: no. 13 in A minor, BWV 784 | — | ||
| 3-14 | 15 Two-part Inventions, BWV 772/786: no. 14 in B-flat, BWV 785 | — | ||
| 3-15 | 15 Two-part Inventions, BWV 772/786: no. 15 in B minor, BWV 786 | — | ||
| 3-16 | 15 Three-part Inventions, BWV 787/801: no. 1 in C, BWV 787 | — | ||
| 3-17 | 15 Three-part Inventions, BWV 787/801: no. 2 in C minor, BWV 788 | — | ||
| 3-18 | 15 Three-part Inventions, BWV 787/801: no. 3 in D, BWV 789 | — | ||
| 3-19 | 15 Three-part Inventions, BWV 787/801: no. 4 in D minor, BWV 790 | — | ||
| 3-20 | 15 Three-part Inventions, BWV 787/801: no. 5 in E-flat, BWV 791 | — | ||
| 3-21 | 15 Three-part Inventions, BWV 787/801: no. 6 in E, BWV 792 | — | ||
| 3-22 | 15 Three-part Inventions, BWV 787/801: no. 7 in E minor, BWV 793 | — | ||
| 3-23 | 15 Three-part Inventions, BWV 787/801: no. 8 in F, BWV 794 | — | ||
| 3-24 | 15 Three-part Inventions, BWV 787/801: no. 9 in F minor, BWV 795 | — | ||
| 3-25 | 15 Three-part Inventions, BWV 787/801: no. 10 in G, BWV 796 | — | ||
| 3-26 | 15 Three-part Inventions, BWV 787/801: no. 11 in G minor, BWV 797 | — | ||
| 3-27 | 15 Three-part Inventions, BWV 787/801: no. 12 in A, BWV 798 | — | ||
| 3-28 | 15 Three-part Inventions, BWV 787/801: no. 13 in A minor, BWV 799 | — | ||
| 3-29 | 15 Three-part Inventions, BWV 787/801: no. 14 in B-flat, BWV 800 | — | ||
| 3-30 | 15 Three-part Inventions, BWV 787/801: no. 15 in in B minor. BWV 801 | — | ||
| 4-1 | Suite for Cello Solo no. 1 in G major, BWV 1007: 1. Prélude | Pierre Fournier | — | |
| 4-2 | Cello Suite no. 1 in G major, BWV 1007: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 4-3 | Cello Suite no. 1 in G major, BWV 1007: III. Courante | Pierre Fournier | — | |
| 4-4 | 무반주 첼로 모음곡 1번 중 "사라방드" [Unaccompanied Cello no. 1, Sarabande] | Pierre Fournier | — | |
| 4-5 | Cello Suite no. 1 in G major, BWV 1007: V. Menuet I/II | Pierre Fournier | — | |
| 4-6 | Cello Suite no. 1 in G major, BWV 1007: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 4-7 | Cello Suite no. 2 in D minor, BWV 1008: I. Prelude | Pierre Fournier | — | |
| 4-8 | Cello Suite no. 2 in D minor, BWV 1008: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 4-9 | Cello Suite no. 2 in D minor, BWV 1008: III. Courante | Pierre Fournier | — | |
| 4-10 | Cello Suite no. 2 in D minor, BWV 1008: IV. Sarabande | Pierre Fournier | — | |
| 4-11 | Cello Suite no. 2 in D minor, BWV 1008: V. Menuet I/II | Pierre Fournier | — | |
| 4-12 | Cello Suite no. 2 in D minor, BWV 1008: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 4-13 | Cello Suite no. 3 in C major, BWV 1009: I. Prelude | Pierre Fournier | — | |
| 4-14 | Cello Suite no. 3 in C major, BWV 1009: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 4-15 | Cello Suite no. 3 in C major, BWV 1009: III. Courante | Pierre Fournier | — | |
| 4-16 | Cello Suite no. 3 in C major, BWV 1009: IV. Sarabande | Pierre Fournier | — | |
| 4-17 | Cello Suite no. 3 in C major, BWV 1009: V. Bourree I/II | Pierre Fournier | — | |
| 4-18 | Cello Suite no. 3 in C major, BWV 1009: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 5-1 | Cello Suite no. 4 in E-flat major, BWV 1010: I. Prelude | Pierre Fournier | — | |
| 5-2 | Cello Suite no. 4 in E-flat major, BWV 1010: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 5-3 | Cello Suite no. 4 in E-flat major, BWV 1010: III. Courante | Pierre Fournier | — | |
| 5-4 | Cello Suite no. 4 in E-flat major, BWV 1010: IV. Sarabande | Pierre Fournier | — | |
| 5-5 | Cello Suite no. 4 in E-flat major, BWV 1010: V. Bourree I/II | Pierre Fournier | — | |
| 5-6 | Cello Suite no. 4 in E-flat major, BWV 1010: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 5-7 | Cello Suite no. 5 in C minor, BWV 1011: I. Prelude | Pierre Fournier | T-925.383.914-4 | |
| 5-8 | Cello Suite no. 5 in C minor, BWV 1011: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 5-9 | Cello Suite no. 5 in C minor, BWV 1011: III. Courante | Pierre Fournier | T-925.383.914-4 | |
| 5-10 | Cello Suite no. 5 in C minor, BWV 1011: IV. Sarabande | Pierre Fournier | — | |
| 5-11 | Cello Suite no. 5 in C minor, BWV 1011: V. Gavotte I/II | Pierre Fournier | — | |
| 5-12 | Cello Suite no. 5 in C minor, BWV 1011: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 5-13 | Cello Suite no. 6 in D major, BWV 1012: I. Prelude | Pierre Fournier | — | |
| 5-14 | Cello Suite no. 6 in D major, BWV 1012: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 5-15 | Cello Suite no. 6 in D major, BWV 1012: III. Courante | Pierre Fournier | — | |
| 5-16 | Cello Suite no. 6 in D major, BWV 1012: IV. Sarabande | Pierre Fournier | — | |
| 5-17 | Cello Suite no. 6 in D major, BWV 1012: V. Gavotte I/II | Pierre Fournier | — | |
| 5-18 | Cello Suite no. 6 in D major, BWV 1012: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 6-1 | Mass in B minor: I. Chor: Kyrie eleison | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | T-070.093.418-4 | |
| 6-2 | Mass in B minor: II Duett: Christe eleison | Maria Stader, Hertha Töpper, Münchener Bach-Orchester, Karl Richter | — | |
| 6-3 | Mass in B minor: III. Chor: Kyrie eleison | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | T-070.093.418-4 | |
| 6-4 | Mass in B minor: IV. Chor: Gloria in excelsis Deo | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | T-306.483.198-3 | |
| 6-5 | Mass in B minor: V. Chor: Et in terra pax | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — | |
| 6-6 | Mass in B minor: VI. Arie: Laudamus te | Hertha Töpper, Münchener Bach-Orchester, Karl Richter | T-070.912.952-1 | |
| 6-7 | Mass in B minor: VII. Chor: Gratias agimus tibi | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | T-921.408.876-3 | |
| 6-8 | Mass in B minor: VIII. Duett: Domine Deus | Maria Stader, Ernst Haefliger, Münchener Bach-Orchester, Karl Richter | T-003.010.019-6 | |
| 6-9 | Mass in B minor: IX. Chor: Qui tollis peccata mundi | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — | |
| 6-10 | Mass in B minor: X. Arie: Qui sedes ad dextram Patris | Hertha Töpper, Münchener Bach-Orchester, Karl Richter | — | |
| 6-11 | Mass in B minor: XI. Arie: Quoniam tu solus sanctus | Kieth Engen, Münchener Bach-Orchester, Karl Richter | — | |
| 6-12 | Mass in B minor: XII. Chor: Cum Sancto Spiritu | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — | |
| 7-1 | Mass in B Minor: XIII. Chor: Credo in unum Deum | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — | |
| 7-2 | Mass in B Minor: XIV. Chor: Credo in unum Deum / Patrem omnipotentem | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — | |
| 7-3 | Mass in B Minor: XV. Duett / Et in unum Dominum | Hertha Töpper, Münchener Bach-Orchester, Karl Richter | T-900.147.322-9 | |
| 7-4 | Mass in B Minor: XVI. Chor: Et incarnatus est | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | T-306.483.194-9 | |
| 7-5 | Mass in B Minor: XVII. Chor: Crucifixus | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | T-903.357.002-4 | |
| 7-6 | Mass in B Minor: XVIII. Chor: Et resurrexit | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — | |
| 7-7 | Mass in B Minor: XIX. Arie: Et in Spiritum sanctum | Dietrich Fischer-Dieskau, Münchener Bach-Orchester, Karl Richter | T-915.866.114-4 | |
| 7-8 | Mass in B Minor: XX. Chor: Confiteor unum baptisma | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — | |
| 7-9 | Mass in B Minor: XXI. Chor: Et expecto resurrectionem | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — | |
| 7-10 | Mass in B Minor: XXII. Chor: Sanctus | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | T-922.001.293-1 | |
| 7-11 | Mass in B Minor: XXIII. Chor: Osanna in excelsis | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — | |
| 7-12 | Mass in B Minor: XXIV. Arie: Benedictus, qui venit | Ernst Haefliger, Münchener Bach-Orchester, Karl Richter | T-050.283.177-7 | |
| 7-13 | Mass in B Minor: XXV. Chor: Osanna in excelsis (2) | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — | |
| 7-14 | Mass in B Minor: XXVI. Arie: Agnus Dei | Hertha Töpper, Münchener Bach-Orchester, Karl Richter | T-302.516.155-7 | |
| 7-15 | Mass in B Minor: XXVII. Chor: Dona nobis pacem | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | T-050.051.776-9 | |
| 8-1 | Music for the Royal Fireworks: Suite HWV 351: I. Ouverture | — | ||
| 8-2 | Music for the Royal Fireworks: Suite HWV 351: II. Bourrée | — | ||
| 8-3 | Music for the Royal Fireworks: Suite HWV 351: III. La paix | — | ||
| 8-4 | Music for the Royal Fireworks: Suite HWV 351: IV. La réjouissance | — | ||
| 8-5 | Music for the Royal Fireworks: Suite HWV 351: V. Menuet I-II | — | ||
| 8-6 | Concerto a due cori no. 2, HWV 333: I. Pomposo | — | ||
| 8-7 | Concerto a due cori no. 2, HWV 333: II. Allegro | — | ||
| 8-8 | Concerto a due cori no. 2, HWV 333: III. A tempo giusto | — | ||
| 8-9 | Concerto a due cori no. 2, HWV 333: IV. Largo | — | ||
| 8-10 | Concerto a due cori no. 2, HWV 333: V. Allegro ma non troppo: Adagio | — | ||
| 8-11 | Concerto a due cori no. 2, HWV 333: VI. A tempo ordinario | — | ||
| 8-12 | Concerto a due cori no. 3, HWV 334: I. Ouverture | — | ||
| 8-13 | Concerto a due cori no. 3, HWV 334: II. Allegro: Allegro ma non troppo | — | ||
| 8-14 | Concerto a due cori no. 3, HWV 334: 2b. Allegro ma non troppo | — | ||
| 8-15 | Concerto a due cori no. 3, HWV 334: III. Adagio | — | ||
| 8-16 | Concerto a due cori no. 3, HWV 334: IV. Andante larghetto | — | ||
| 8-17 | Concerto a due cori no. 3, HWV 334: V. Allegro | — | ||
| 9-1 | Konzert für Trompete und Orchester D-dur: 1.Adagio | Adolf Scherbaum, Kammerorchester des Saarländischen Rundfunks, Karl Ristenpart | — | |
| 9-2 | Konzert für Trompete und Orchester D-dur: 1.Adagio | Adolf Scherbaum, Kammerorchester des Saarländischen Rundfunks, Karl Ristenpart | — | |
| 9-3 | Trumpet Concerto in D major: I. Adagio | — | ||
| 9-4 | Trumpet Concerto in D major: II. Allegro | — | ||
| 9-5 | Concerto in B-flat major for Fagott and Orchestra: I. Allegro | — | ||
| 9-6 | Concerto in B-flat major for Fagott and Orchestra: II. Adagio | — | ||
| 9-7 | Concerto in B-flat major for Fagott and Orchestra: III. Presto | — | ||
| 9-8 | Trumpet Concerto in D, TWV 51:D7: I. Adagio | — | ||
| 9-9 | Trumpet Concerto in D, TWV 51:D7: II. Allegro | — | ||
| 9-10 | Trumpet Concerto in D, TWV 51:D7: III. Grave | — | ||
| 9-11 | Trumpet Concerto in D, TWV 51:D7: IV. Allegro | — | ||
| 9-12 | Concerto in B-flat major For 3 Oboes, 3 Violins And Basso Continuo, TWV 44:43: I. Allegro | — | ||
| 9-13 | Concerto in B-flat major For 3 Oboes, 3 Violins And Basso Continuo, TWV 44:43: II. Largo | — | ||
| 9-14 | Concerto in B-flat major For 3 Oboes, 3 Violins And Basso Continuo, TWV 44:43: III. Allegro | — | ||
| 9-15 | Concerto For Recorder, Flute, Strings And Continuo in E minor, TWV 52:e1: I. Largo | — | ||
| 9-16 | Concerto For Recorder, Flute, Strings And Continuo in E minor, TWV 52:e1: II. Allegro | — | ||
| 9-17 | Concerto For Recorder, Flute, Strings And Continuo in E minor, TWV 52:e1: III. Largo | — | ||
| 9-18 | Concerto For Recorder, Flute, Strings And Continuo in E minor, TWV 52:e1: IV. Presto | — | ||
| 10-1 | Pigmalion: Ouverture | — | ||
| 10-2 | Pigmalion: Scène 1: Fatal, Amour! Cruel vainqueur! | — | ||
| 10-3 | Pigmalion: Scène 2: Pigmalion, est-il possible | — | ||
| 10-4 | Pigmalion: Scène 3: Que d'appas! Que de'attraits! Sa grace enchantresse | — | ||
| 10-5 | Pigmalion: Scène 4: Que vois-je? Ou suis-je? Et par qu'elle puissance | — | ||
| 10-6 | Pigmalion: Scène 5: Du pouvoir de l'Amour ce prodige est l'effet | — | ||
| 10-7 | Pigmalion: Scène dernière: L'Amour triomphe, annoncons sa victoire | — | ||
| 10-8 | Troisième Concert From "Les Indes Galantes": I. Tempête | — | ||
| 10-9 | Troisième Concert From "Les Indes Galantes": II. Air pour les Esclaves Africains | — | ||
| 10-10 | Troisième Concert From "Les Indes Galantes": III. Rigaudon I/II | — | ||
| 10-11 | Troisième Concert From "Les Indes Galantes": IV. Tambourin I/II | — | ||
| 11-1 | Imperii proceres | — | ||
| 11-2 | Carmen in fa | — | ||
| 11-3 | Fortuna in mi | — | ||
| 11-4 | An buos | — | ||
| 11-5 | La morra | — | ||
| 11-6 | Innsbruck, ich muss dich lassen | — | ||
| 11-7 | A la bataglia | — | ||
| 11-8 | Guretzsch (Si dormiero) | — | ||
| 11-9 | J'ay pris amours | — | ||
| 11-10 | Fortuna desperata | — | ||
| 11-11 | Sancti spiritus assit nobis gratia | — | ||
| 11-12 | Tanderac | — | ||
| 11-13 | Noe noe | — | ||
| 11-14 | En l'ombre du busonet | — | ||
| 11-15 | Coment peult | — | ||
| 11-16 | Fors seulement | — | ||
| 11-17 | Carmen in la | — | ||
| 11-18 | Carmen in re | — | ||
| 11-19 | Nasci, pati, mori | — | ||
| 11-20 | Quis dabit oculis nostris | — | ||
| 11-21 | Tandernaken | — | ||
| 11-22 | Naves pont | — | ||
| 11-23 | Vavilment | — | ||
| 11-24 | Fortuna in mi | — | ||
| 11-25 | Carmen Hercules | — | ||
| 11-26 | Si je perdu | — | ||
| 12-1 | The Constant Music Master: Instalment 1, I. Introduzione, Trio à 2 Flauti (Suite) in C major: 1. Grave - Vivace - Andante - Vivace | — | ||
| 12-2 | The Constant Music Master: Instalment 1, I. Introduzione, Trio à 2 Flauti (Suite) in C major: II. Xantippe | — | ||
| 12-3 | The Constant Music Master: Instalment 1, I. Introduzione, Trio à 2 Flauti (Suite) in C major: III. Lucretia (Largo) | — | ||
| 12-4 | The Constant Music Master: Instalment 1, I. Introduzione, Trio à 2 Flauti (Suite) in C major: IV. Corinna | — | ||
| 12-5 | The Constant Music Master: Instalment 1, I. Introduzione, Trio à 2 Flauti (Suite) in C major: V. Clelia | — | ||
| 12-6 | The Constant Music Master: Instalment 1, I. Introduzione, Trio à 2 Flauti (Suite) in C major: VI. Dido | — | ||
| 12-7 | The Constant Music Master: Instalment 1, II. Aria from the Opera "Belsazar" by Mr. Beccau: Das ich mich dir ergeben sollte | — | ||
| 12-8 | The Constant Music Master: Instalment 1, III. Ouverture burlesque (Suite) in D minor: I. Ouverture à la Polonaise | — | ||
| 12-9 | The Constant Music Master: Instalment 1, III. Ouverture burlesque (Suite) in D minor: II. Bourrée | — | ||
| 12-10 | The Constant Music Master: Instalment 1, III. Ouverture burlesque (Suite) in D minor: 3. Loure | — | ||
| 12-11 | The Constant Music Master: Instalment 1, III. Ouverture burlesque (Suite) in D minor: IV. Gavotte en Rondeau | — | ||
| 12-12 | The Constant Music Master: Instalment 1, III. Ouverture burlesque (Suite) in D minor: V. Menuet | — | ||
| 12-13 | The Constant Music Master: Instalment 1, III. Ouverture burlesque (Suite) in D minor: VI. Giga | — | ||
| 12-14 | The Constant Music Master: Instalment 1: IV. L'Hiver pour divers instruments | — | ||
| 12-15 | The Constant Music Master: Instalment 1: V. Presto (dal Sigre. Leopoldo Weiß) | — | ||
| 12-16 | The Constant Music Master: Instalment 1, VI. Aria from the Opera "Eginhard": Vergiss dich selbst, mein schönster Engel | — | ||
| 12-17 | The Constant Music Master: Instalment 2, VII. Sonata di chiesa à diversi stromenti in G minor: I. Grave | — | ||
| 12-18 | The Constant Music Master: Instalment 2, VII. Sonata di chiesa à diversi stromenti in G minor: II. Allabreve | — | ||
| 12-19 | The Constant Music Master: Instalment 2, VII. Sonata di chiesa à diversi stromenti in G minor: III. Adagio | — | ||
| 12-20 | The Constant Music Master: Instalment 2, VII. Sonata di chiesa à diversi stromenti in G minor: IV. Vivace | — | ||
| 12-21 | The Constant Music Master: Instalment 2: VIII. Canon à 3 in Hypodiapente et Hyperdiatessaron | — | ||
| 12-22 | The Constant Music Master: Instalment 2, IX. Aria from the Opera "Eginhard": Nimm dein Herz nur wieder an | — | ||
| 12-23 | The Constant Music Master: Instalment 2: X. Marche et Retraite in F major | — | ||
| 12-24 | The Constant Music Master: Instalment 2, 1I. Duetto à Violino ò Flauto e Viola pomposa in G maj.: 1. Dolce | — | ||
| 12-25 | The Constant Music Master: Instalment 2, 1I. Duetto à Violino ò Flauto e Viola pomposa in G maj.: II. Scherzando | — | ||
| 12-26 | The Constant Music Master: Instalment 2, 1I. Duetto à Violino ò Flauto e Viola pomposa in G maj.: III. Largo e misurato | — | ||
| 12-27 | The Constant Music Master: Instalment 2, 1I. Duetto à Violino ò Flauto e Viola pomposa in G maj.: IV. Vivace e staccato | — | ||
| 12-28 | The Constant Music Master: Instalment 2, 1II. Aria - Poesie von Herrn Prof. Richey: Das Frauenzimmer | — | ||
| 12-29 | The Constant Music Master: Instalment 2: 1III. Air Trompette in C major | — | ||
| 12-30 | The Constant Music Master: Instalment 3, 1IV. Sinfonie à Flûte traverse seule à la Francoise: I. Tendrement | — | ||
| 12-31 | The Constant Music Master: Instalment 3, 1IV. Sinfonie à Flûte traverse seule à la Francoise: II. Gayment | — | ||
| 12-32 | The Constant Music Master: Instalment 3, 1IV. Sinfonie à Flûte traverse seule à la Francoise: III. Gravement | — | ||
| 12-33 | The Constant Music Master: Instalment 3, 1IV. Sinfonie à Flûte traverse seule à la Francoise: 4. Vite | — | ||
| 12-34 | The Constant Music Master: Instalment 3, 1V. Air (by Mr. Des Fontaines): Komm süßer Schlaf | — | ||
| 12-35 | The Constant Music Master: Instalment 3: 1VI. Suite de Clavecin in B-flat major (by Mr.C.Pezold) | — | ||
| 12-36 | The Constant Music Master: Instalment 3: 1VII. La Poste | — | ||
| 13-1 | The Constant Music Master: Instalment 3, 1VIII. Aria from the Opera "Sancio" (by Mr.König): So oft du deinen Schatz wirst küssen | — | ||
| 13-2 | The Constant Music Master: Instalment 3, 1IX. Duetto à 2 Viole da Gamba in A major: I. Affettuoso | — | ||
| 13-3 | The Constant Music Master: Instalment 3, 1IX. Duetto à 2 Viole da Gamba in A major: II. Allegro | — | ||
| 13-4 | The Constant Music Master: Instalment 3, 1IX. Duetto à 2 Viole da Gamba in A major: III. Andante | — | ||
| 13-5 | The Constant Music Master: Instalment 3, 1IX. Duetto à 2 Viole da Gamba in A major: IV. Presto | — | ||
| 13-6 | The Constant Music Master: Instalment 4, 20. Sonata. Oboe solo in A minor: I. Siciliana | — | ||
| 13-7 | The Constant Music Master: Instalment 4, 20. Sonata. Oboe solo in A minor: II. Spirituoso | — | ||
| 13-8 | The Constant Music Master: Instalment 4, 20. Sonata. Oboe solo in A minor: III. Andante | — | ||
| 13-9 | The Constant Music Master: Instalment 4, 20. Sonata. Oboe solo in A minor: IV. Vivace | — | ||
| 13-10 | The Constant Music Master: Instalment 4, 2I. Aria from the Opera "Eginhard": Ergrimmet nicht, ihr holden Augen! | — | ||
| 13-11 | The Constant Music Master: Instalment 4, 2II. Sonata. Dessus de Viole in G major: I. Siciliana | — | ||
| 13-12 | The Constant Music Master: Instalment 4, 2II. Sonata. Dessus de Viole in G major: 2. Vivace | — | ||
| 13-13 | The Constant Music Master: Instalment 4, 2II. Sonata. Dessus de Viole in G major: III. Dolce | — | ||
| 13-14 | The Constant Music Master: Instalment 4, 2II. Sonata. Dessus de Viole in G major: IV. Scherzando | — | ||
| 13-15 | The Constant Music Master: Instalment 4: 2III. Passacaille in B minor (by Mr. Goerner) | — | ||
| 13-16 | The Constant Music Master: Instalment 4: 2IV. Fantasia fürs Clavier in D major (by Mr.Haltmeier) | — | ||
| 13-17 | The Constant Music Master: Instalment 4: 2V. Carillon à 2 Chalumeaux in F major | — | ||
| 13-18 | The Constant Music Master: Instalment 4, 2VI. Fabel from the Opera "Aesopus" by Mr. Mattheson: Die Kuh, doch halt | — | ||
| 13-19 | Der getreue Music-Meister: 27. Aria aus der Opera 'Eginhard' | Ernst Haefliger, Eduard Melkus, Josef Ulsamer | — | |
| 13-20 | The Constant Music Master: Instalment 5: 2VIII. Flauto pastorale in E major | — | ||
| 13-21 | The Constant Music Master: Instalment 5: 2IX. Gigue sans Basse in A minor - by Mr. J.G. Pisendel | — | ||
| 13-22 | The Constant Music Master: Instalment 5, 30. Circul-Canon mit 14 Verkehrungen by Mr. Zelenka: Vide, Domine, et considera laborem meum | — | ||
| 13-23 | The Constant Music Master: Instalment 5, 3I. Sonata. Fagotto solo in F minor: 1. Triste | — | ||
| 13-24 | The Constant Music Master: Instalment 5, 3I. Sonata. Fagotto solo in F minor: II. Allegro | — | ||
| 13-25 | The Constant Music Master: Instalment 5, 3I. Sonata. Fagotto solo in F minor: III. Andante | — | ||
| 13-26 | The Constant Music Master: Instalment 5, 3I. Sonata. Fagotto solo in F minor: IV. Vivace | — | ||
| 13-27 | The Constant Music Master: Instalment 5, 3II. Aria from the Opera "Sancio" - by Mr.König: Es glänzet die Unschuld | — | ||
| 13-28 | The Constant Music Master: Instalment 6, 3III. Sonata. Flauto dolce: I. Cantabile | — | ||
| 13-29 | The Constant Music Master: Instalment 6, 3III. Sonata. Flauto dolce: II. Allegro | — | ||
| 13-30 | The Constant Music Master: Instalment 6, 3III. Sonata. Flauto dolce: 3. Grave | — | ||
| 13-31 | The Constant Music Master: Instalment 6, 3III. Sonata. Flauto dolce: IV. Vivace | — | ||
| 14-1 | The Constant Music Master: Instalment 6, 3IV. Aria from the Opera "Eginhard": Sage mir doch nicht von Liebe | — | ||
| 14-2 | The Constant Music Master: Instalment 6: 3V. Niaise, pour divers instruments in E major (Mr.Kelb | — | ||
| 14-3 | The Constant Music Master: Instalment 6, 3VI. Suite in D major (by Mr. Kreysing, jr.): I. Allemande | — | ||
| 14-4 | The Constant Music Master: Instalment 6, 3VI. Suite in D major (by Mr. Kreysing, jr.): II. Courante | — | ||
| 14-5 | The Constant Music Master: Instalment 6, 3VI. Suite in D major (by Mr. Kreysing, jr.): III. Sarabade | — | ||
| 14-6 | The Constant Music Master: Instalment 6, 3VI. Suite in D major (by Mr. Kreysing, jr.): IV. Gigue | — | ||
| 14-7 | The Constant Music Master: Instalment 6, 3VI. Suite in D major (by Mr. Kreysing, jr.): V. Menuet | — | ||
| 14-8 | The Constant Music Master: Instalment 6: 3VII. Bizarria-Giga in A major (Anonimo) | — | ||
| 14-9 | The Constant Music Master: Instalment 6, 3VIII. Aria à 2 from the Opera "Eginhard": Ich folge dir bis zur Welt Ende | — | ||
| 14-10 | The Constant Music Master: Instalment 7, 3IX. Sonata à Flauto dolce solo in F major: I. Vivace | — | ||
| 14-11 | The Constant Music Master: Instalment 7, 3IX. Sonata à Flauto dolce solo in F major: II. Largo | — | ||
| 14-12 | The Constant Music Master: Instalment 7, 3IX. Sonata à Flauto dolce solo in F major: III. Allegro | — | ||
| 14-13 | The Constant Music Master: Instalment 7, 40. Aria from the Opera "Sancio": Süsse Worte, werte Zeilen | — | ||
| 14-14 | The Constant Music Master: Instalment 7: 4I. Menuet à 2 Cornes de Chasse | — | ||
| 14-15 | The Constant Music Master: Instalment 7, 4II. Suite. Liuta solo (by Mr. Baron): I. Sarabande | — | ||
| 14-16 | The Constant Music Master: Instalment 7, 4II. Suite. Liuta solo (by Mr. Baron): 2. Bourrée | — | ||
| 14-17 | The Constant Music Master: Instalment 7, 4II. Suite. Liuta solo (by Mr. Baron): III. Menuet | — | ||
| 14-18 | The Constant Music Master: Instalment 7, 4III. Aria: Säume nicht, geliebte Schöne! | — | ||
| 14-19 | The Constant Music Master: Instalment 8, 4IV. Sonata. Violino solo in F major (by Sr. Störmer): Allegro molto | — | ||
| 14-20 | The Constant Music Master: Instalment 8, 4V. Partia à Cembalo solo in G major: I. Preludio | — | ||
| 14-21 | The Constant Music Master: Instalment 8, 4V. Partia à Cembalo solo in G major: II. Aria (Dolce) | — | ||
| 14-22 | The Constant Music Master: Instalment 8, 4V. Partia à Cembalo solo in G major: III. Rondeau | — | ||
| 14-23 | The Constant Music Master: Instalment 8, 4V. Partia à Cembalo solo in G major: IV. Menuet | — | ||
| 14-24 | The Constant Music Master: Instalment 8, 4V. Partia à Cembalo solo in G major: 5. Gigue à L'Angloise | — | ||
| 14-25 | The Constant Music Master: Instalment 8, 4VI. Chor from the Opera "Calypso": Gedoppelt schön | — | ||
| 14-26 | The Constant Music Master: Instalment 8, 4VII. Capriccio. Flaute traverso: Allegro - Largo - Vivace - Allegro - Largo - Vivace | — | ||
| 14-27 | The Constant Music Master: Instalment 8, 4VIII. Sonata. Violoncello solo: I. Lento | — | ||
| 14-28 | The Constant Music Master: Instalment 8, 4VIII. Sonata. Violoncello solo: II. Allegro | — | ||
| 14-29 | The Constant Music Master: Instalment 8, 4VIII. Sonata. Violoncello solo: III. Largo | — | ||
| 14-30 | The Constant Music Master: Instalment 8, 4VIII. Sonata. Violoncello solo: IV. Allegro | — | ||
| 14-31 | The Constant Music Master: Instalment 8, 4IX. Aria from the Opera "Aesopus": Bum, bum, bum | — | ||
| 15-1 | The Constant Music Master: Instalment 9: 50. Polonoise. Flauto traverso ò Violino in D major | — | ||
| 15-2 | The Constant Music Master: Instalment 9, 5I. Aria from the Opera "Aesopus": Mehr als der Fluß | — | ||
| 15-3 | The Constant Music Master: Instalment 9, 5II. Sonata. Viola da gamba, senza Cembalo in D major: I. Andante | — | ||
| 15-4 | The Constant Music Master: Instalment 9, 5II. Sonata. Viola da gamba, senza Cembalo in D major: 2. Vivace | — | ||
| 15-5 | The Constant Music Master: Instalment 9, 5II. Sonata. Viola da gamba, senza Cembalo in D major: III. Rezitativ - Arioso (Andante) | — | ||
| 15-6 | The Constant Music Master: Instalment 9, 5II. Sonata. Viola da gamba, senza Cembalo in D major: IV. Vivace | — | ||
| 15-7 | The Constant Music Master: Instalment 9: 5III. Napolitana in G major | — | ||
| 15-8 | The Constant Music Master: Instalment 9: 5IV. Trouble-Fête in C major (by Mr. Goerner) | — | ||
| 15-9 | The Constant Music Master: Instalment 9, 5V. Aria from the Opera "Die verkehrte Welt": Glückselig ist, wer alle Morgen | — | ||
| 15-10 | The Constant Music Master: Instalment 9, 5VI. Duetto in B-flat major à Viola da gamba et Flauto: I. Largo | — | ||
| 15-11 | The Constant Music Master: Instalment 9, 5VI. Duetto in B-flat major à Viola da gamba et Flauto: II. Allegro | — | ||
| 15-12 | The Constant Music Master: Instalment 9, 5VI. Duetto in B-flat major à Viola da gamba et Flauto: III. Largo | — | ||
| 15-13 | The Constant Music Master: Instalment 9, 5VI. Duetto in B-flat major à Viola da gamba et Flauto: IV. Vivace | — | ||
| 15-14 | The Constant Music Master: Instalment 10, 5VII. Intrada, nebst burlesquer Suite in D major: I. Intrada (Spirituoso) | — | ||
| 15-15 | The Constant Music Master: Instalment 10, 5VII. Intrada, nebst burlesquer Suite in D major: II. Lilliputsche Chaconne | — | ||
| 15-16 | The Constant Music Master: Instalment 10, 5VII. Intrada, nebst burlesquer Suite in D major: III. Brobdingnagische Gigue | — | ||
| 15-17 | The Constant Music Master: Instalment 10, 5VII. Intrada, nebst burlesquer Suite in D major: IV. Rêverie der Laputier, nebst ihren Aufweckern | — | ||
| 15-18 | The Constant Music Master: Instalment 10, 5VII. Intrada, nebst burlesquer Suite in D major: V. Loure der gesitteten Houyhnhnms - Furie der unart- igen Yahoos | — | ||
| 15-19 | The Constant Music Master: Instalment 10, 5VIII. Scene from the Opera "Die verkehrte Welt": Dies ist ein Contrapunct | — | ||
| 15-20 | The Constant Music Master: Instalment 10: 5IX. Pastourelle pour divers instruments | — | ||
| 15-21 | The Constant Music Master: Instalment 10, 60. Pièce pour le Clavecin in C major (by Mr. Kreising): (Allegro) | — | ||
| 15-22 | The Constant Music Master: Instalment 10, 6I. Cantata: Ich kann lachen, weinen, scherzen | — | ||
| 15-23 | The Constant Music Master: Instalment 10, 6II. Ouverture (Suite) in G minor Violon ou Hautbois: I. Ouverture (Très vîte) | — | ||
| 15-24 | The Constant Music Master: Instalment 10, 6II. Ouverture (Suite) in G minor Violon ou Hautbois: 2. Sans-Souci | — | ||
| 15-25 | The Constant Music Master: Instalment 10, 6II. Ouverture (Suite) in G minor Violon ou Hautbois: III. Hornpipe | — | ||
| 15-26 | The Constant Music Master: Instalment 10, 6II. Ouverture (Suite) in G minor Violon ou Hautbois: IV. Gavotte | — | ||
| 15-27 | The Constant Music Master: Instalment 10, 6II. Ouverture (Suite) in G minor Violon ou Hautbois: V. Passepied | — | ||
| 15-28 | The Constant Music Master: Instalment 10, 6II. Ouverture (Suite) in G minor Violon ou Hautbois: VI. Vîtement | — | ||
| 16-1 | Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: 3. Allegro | Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair | — | |
| 16-2 | Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: 3. Allegro | Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair | — | |
| 16-3 | Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: 3. Allegro | Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair | — | |
| 16-4 | Concerto for Trumpet, Strings and Harpsichord in D major: 2. Allegro | Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair | — | |
| 16-5 | Concerto for Trumpet, Strings and Harpsichord in D major: 2. Allegro | Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair | — | |
| 16-6 | Trumpet Concerto in D: I. Allegro moderato | — | ||
| 16-7 | Trumpet Concerto in D: II. Andante | — | ||
| 16-8 | Trumpet Concerto in D: III. Allegro | — | ||
| 16-9 | Clarinet Concerto in G major: I. Concerto (Moderato) | — | ||
| 16-10 | Clarinet Concerto in G major: II. Adagio | — | ||
| 16-11 | Clarinet Concerto in G major: III. Allegro | — | ||
| 17-1 | Dido and Aeneas, Z.626: Overture | — | ||
| 17-2 | Dido and Aeneas, Z.626, Act 1: "Shake the cloud from off your brow" | — | ||
| 17-3 | Dido and Aeneas, Z.626, Act 1: "Ah! Belinda"/"Grief increases"/"When monarchs unite" | — | ||
| 17-4 | Dido and Aeneas, Z.626, Act 1: "Whence could so much virtue spring?": "Fear no danger" | — | ||
| 17-5 | Dido and Aeneas, Z.626, Act 1: "See, your royal guest appears"/"Cupid only throws.." | — | ||
| 17-6 | Dido and Aeneas, Z.626, Act 1: "If not for mine, for empire's sake" ... "To the hills and the vales" | — | ||
| 17-7 | Dido and Aeneas, Z.626, Act 1: The Triumphing Dance | — | ||
| 17-8 | Dido and Aeneas, Z.626, Act 2: "Prelude for..."/"Harms our..."/"The Queen"/Ho, ho, ho" | — | ||
| 17-9 | Dido and Aeneas, Z.626, Act 2: "Ruin'd ere the set of sun" ... "But ere we this perform" | — | ||
| 17-10 | Dido and Aeneas, Z.626, Act 2: "In our deep vaulted cell" | — | ||
| 17-11 | Dido and Aeneas, Z.626, Act 2: Echo Dance of Furies | — | ||
| 17-12 | Dido and Aeneas, Z.626, Act 2: Ritornelle: "Thanks to these lonesome vales" - Gitter Ground a Dance | — | ||
| 17-13 | Dido and Aeneas, Z.626, Act 2: "Oft she visits" | — | ||
| 17-14 | Dido and Aeneas, Z.626, Act 2: "Behold, upon my bending spear"/"Haste, haste to town" | — | ||
| 17-15 | Dido and Aeneas, Z.626, Act 2: "Stay, Prince" | — | ||
| 17-16 | Dido and Aeneas, Z.626, Act 2: "Then since our charms have sped": "A Dance" - The Groves Dance | — | ||
| 17-17 | Dido and Aeneas, Z.626, Act 3: Prelude: "Come away, fellow sailors" | — | ||
| 17-18 | Dido and Aeneas, Z.626, Act 3: The Sailors' Dance "See the flags and streamers curling" | — | ||
| 17-19 | Dido and Aeneas, Z.626, Act 3: "Our next motion": "Destructions's our delight" | — | ||
| 17-20 | Dido and Aeneas, Z.626, Act 3: The Witches' Dance | — | ||
| 17-21 | Dido and Aeneas, Z.626, Act 3: "Your counsel all is urg'd in vain": "Great minds against themselves conspire" | — | ||
| 17-22 | Dido and Aeneas, Z.626, Act 3: "Thy hand, Belinda...When I am laid in earth" | — | ||
| 17-23 | Dido and Aeneas, Z.626, Act 3: "With drooping wings...": Cupids´ Dance | — | ||
| 18-1 | Misa mozárabe: I. Praelegendum | — | ||
| 18-2 | Misa mozárabe: II. Tractus | — | ||
| 18-3 | Misa mozárabe: III. Lauda | — | ||
| 18-4 | Misa mozárabe: IV. Missa (Preces: Ecclesiam sanctam catholicam) | — | ||
| 18-5 | Misa mozárabe: V. Nomina Offerentium | — | ||
| 18-6 | Misa mozárabe: VI. Pacem meam | — | ||
| 18-7 | Misa mozárabe: VII. Illatio | — | ||
| 18-8 | Misa mozárabe: VIII. Sanctus | — | ||
| 18-9 | Misa mozárabe: IX. Post Sanctus | — | ||
| 18-10 | Misa mozárabe: X. Credo | — | ||
| 18-11 | Misa mozárabe: 1I. Pater Noster | — | ||
| 18-12 | Misa mozárabe: 1II. Ad confractionem: Gustate | — | ||
| 18-13 | Melodìas litúrgicas: I. Kyrie I (Deus miserator) | — | ||
| 18-14 | Melodìas litúrgicas: II. Kyrie II (Rex magne) | — | ||
| 18-15 | Melodìas litúrgicas: III. Kyrie V (Conditor poli) | — | ||
| 18-16 | Canto Gregoriano: Gloria | Monks of Silos | T-900.132.794-2 | |
| 18-17 | Melodìas litúrgicas: VI. Sacrificum | — | ||
| 18-18 | Melodìas litúrgicas: VII. Sanctus I | — | ||
| 18-19 | Melodìas litúrgicas: VIII. Agnus I | — | ||
| 18-20 | Melodìas litúrgicas: IX. Agnus II | — | ||
| 18-21 | Melodìas litúrgicas: X. Antiphon (Lauda) | — | ||
| 18-22 | Melodìas litúrgicas: 1I. Lamentatio Jeremiae Prophetae Lectio III, Feria VI | — | ||
| 19-1 | Il Secondo Libro di Toccate, F 3: Toccata Quinta in G "Per l'organo sopta I pedali, e senza" | — | ||
| 19-2 | Il Secondo Libro di Toccate, F 3: Toccata Quarta in A "Per l'organo da sonarsi alla levatione" | — | ||
| 19-3 | Il Secondo Libro di Toccate, F 3: Toccata Prima | — | ||
| 19-4 | Il Secondo Libro di Toccate, F 3: Toccata Terza "Per l'organo da sonarsi alla levatione" | — | ||
| 19-5 | Il Secondo Libro di Toccate, F 3: Toccata Sesta "Per l'organo sopra I pedali, e senza" | — | ||
| 19-6 | Toccata dell'ottavo tono in G | — | ||
| 19-7 | Sonata in E minor "Elevazione" | — | ||
| 19-8 | Canzona in G minor | — | ||
| 19-9 | Pensiero per l'organo II in D | — | ||
| 19-10 | Fuga in G | — | ||
| 19-11 | Sonata in F minor | — | ||
| 19-12 | Fuga in E-flat | — | ||
| 20-1 | Ardebat Vincentius | — | ||
| 20-2 | Tantum ergo | — | ||
| 20-3 | Gaudete astra, Gaudete, Astra: I. Gaudete astra | — | ||
| 20-4 | Gaudete astra, Gaudete, Astra: II. in vallibus ad fontes | — | ||
| 20-5 | Gaudete astra, Gaudete, Astra: III. Rufulsit alma lux | — | ||
| 20-6 | Gaudete astra, Gaudete, Astra: IV. Aura infida | — | ||
| 20-7 | O quam suavis: I. Largo: Andante | — | ||
| 20-8 | O quam suavis: II. Adagio | — | ||
| 20-9 | O quam suavis: III. Andante | — | ||
| 20-10 | O quam suavis: IV. Allegro | — | ||
| 20-11 | Beatus vir, Beatus Vir: I. Beatus vir | — | ||
| 20-12 | Beatus vir, Beatus Vir: II. Exortum est | — | ||
| 20-13 | Beatus vir, Beatus Vir: III. Jucundus homo | — | ||
| 20-14 | Beatus vir, Beatus Vir: IV. Gloria patri: Sicut erat | — | ||
| 20-15 | Tento a 4 em Fa | — | ||
| 20-16 | Tento a 4 de 2o tom | — | ||
| 20-17 | Tento a 4 sobre o Vilanicico "Con qué la lavaré" | — | ||
| 20-18 | Outro Tento a 4 de 8o Tom sobra um Tema de Cancao | — | ||
| 20-19 | Premeiro Tento a 4 em Sol | — | ||
| 20-20 | Premeira Fantasia a 4 de 8o Tom | — | ||
| 20-21 | Cancao a 4 glosada | — | ||
| 21-1 | Violin Concerto no. 1 in A minor, BWV 1041: I. Allegro moderato | — | ||
| 21-2 | Violin Concerto no. 1 in A minor, BWV 1041: II. Andante | — | ||
| 21-3 | Violin Concerto no. 1 in A minor, BWV 1041: III. Allegro assai | — | ||
| 21-4 | Violin Concerto no. 2 in E major, BWV 1042: I. Allegro | — | ||
| 21-5 | Violin Concerto no. 2 in E major, BWV 1042: II. Adagio | — | ||
| 21-6 | Violin Concerto no. 2 in E major, BWV 1042: III. Allegro assai | — | ||
| 21-7 | Double Concerto for 2 Violins, Strings & Continuo in D minor, BWV 1043: I. Vivace | — | ||
| 21-8 | Double Concerto for 2 Violins, Strings & Continuo in D minor, BWV 1043: II. Largo ma non tanto | — | ||
| 21-9 | Double Concerto for 2 Violins, Strings & Continuo in D minor, BWV 1043: III. Allegro | — | ||
| 21-10 | Concerto For Viola d'amore, Lute, Strings And Continuo in D minor, RV 540: I. Allegro | — | ||
| 21-11 | Concerto For Viola d'amore, Lute, Strings And Continuo in D minor, RV 540: II. Largo | — | ||
| 21-12 | Concerto For Viola d'amore, Lute, Strings And Continuo in D minor, RV 540: III. Allegro | — | ||
| 22-1 | Psalm 110: Der Herr sprach zu meinem Herren, SWV 22 | — | ||
| 22-2 | Psalm 2 "Warum toben die Heiden" SWV23 | — | ||
| 22-3 | Psalm 6 "Ach, Herr, straf mich nicht in deinem Zorn" SWV 24 | — | ||
| 22-4 | Psalm 130 "Aus der Tiefe ruf ich, Herr, zu dir" SWV 25 | — | ||
| 22-5 | Psalm 122: "Ich freu mich des, das mir geredt ist" SWV 26 | — | ||
| 22-6 | Psalm 8:"Herr, unser Herrscher, wie herrlich ist dein Name" SWV 27 | — | ||
| 22-7 | Psalm 1 "Wohl dem, der nicht wandelt im Rat der Gottlosen" SWV 28 | — | ||
| 22-8 | Psalm 84 "Wie lieblich sind deine Wohnungen" SWV 29 | — | ||
| 22-9 | Psalm 128: "Wohl dem, der den Herren fürchtet" SWV 30 | — | ||
| 22-10 | Psalm 121 "Ich hebe meine Augen auf zu den Bergen" SWV 31 | — | ||
| 22-11 | Psalm 136: "Danket dem Herren, denn er ist freundlich" SWV 32 | — | ||
| 22-12 | Psalm 23 "Der Herr ist mein Hirt" SWV 33 | — | ||
| 22-13 | Psalm 111 "Ich danke dem Herrn von ganzem Herzen" SWV 34 | — | ||
| 23-1 | Psalm 98 "Singet dem Herrn ein neues Lied" SWV 35 | — | ||
| 23-2 | Psalm 100 "Jauchzet dem Herren, alle Welt" SWV 36 | — | ||
| 23-3 | Psalm 137: "An den Wassern zu Babel sassen wir und weineten" SWV 37 | — | ||
| 23-4 | Psalm 150:"Alleluja, lobet den Herren in seinem Heiligtum" SWV 38 | — | ||
| 23-5 | Concert: "Lobe den Herren, meine Seele" SWV 39 | — | ||
| 23-6 | Motet: "Ist nicht Ephraim mein teurer Sohn" SWV 40 | — | ||
| 23-7 | Canzona "Nun lob, mein Seel, den Herren" SWV 41 | — | ||
| 23-8 | Motet: "Die mit Tränen säen" SWV 42 | — | ||
| 23-9 | Psalm 115: "Nicht uns, Herr, sondern deinem Namen gib Ehre" SWV 43 | — | ||
| 23-10 | Psalm 128 (2nd vers.) "Wohl dem, der den Herren fürchtet" SWV 44 | — | ||
| 23-11 | Psalm 136: "Danket dem Herren, denn er ist freundlich" SWV 45 | — | ||
| 23-12 | Concert: "Zion spricht, der Herr hat mich verlassen" SWV 46 | — | ||
| 23-13 | Concert: "Jauchzet dem Herren, alle Welt, singet, rühmet, lobet" SWV 47 | — | ||
| 24-1 | Sacred Music: Pelajon | — | ||
| 24-2 | Sacred Music: Surja Kanta | — | ||
| 24-3 | Sacred Music: Manuk Angutji | — | ||
| 24-4 | Dance Music: Topeng Tua | — | ||
| 24-5 | Dance Music: Taruna Djaja | — | ||
| 25-1 | Waltz in E major | — | ||
| 25-2 | 11 Mödlinger Tänze, WoO17 (1819), Ed. Hugo Riemann: no. 1: 8 | — | ||
| 25-3 | Deutsche Tänze samt Trios und Coda | — | ||
| 25-4 | Five Minuets and Trios for String Quartet, D 89 | — | ||
| 25-5 | 4 komische Ländler, D 354 | — | ||
| 25-6 | Linzer Tanz. Wiener Polka | — | ||
| 25-7 | Ungarischer Galopp in F major | — | ||
| 26-1 | Lute Music: England: The King of Denmark, His Galliard | — | ||
| 26-2 | Lute Music: England: Lachrimae Antiquae Pavan | — | ||
| 26-3 | Lute Music: England: A Fantasia | — | ||
| 26-4 | Lute Music: England: Lady Hunsdon's Puffe | — | ||
| 26-5 | Lute Music: England: Melancholy Galliard | — | ||
| 26-6 | Lute Music: England: Mrs. Winter's Jump | — | ||
| 26-7 | Lute Music: England: Semper Dowland, Semper Dolens | — | ||
| 26-8 | Lute Music: England: The Earl of Essex, His Galliard | — | ||
| 26-9 | Lute Music: England: Forlorne Hope Fancy | — | ||
| 26-10 | Lute music: England: Mounsiers Almaine | — | ||
| 26-11 | Lute music: England: Pavan | — | ||
| 26-12 | Lute music: England: Almain | — | ||
| 26-13 | Lute music: England: Greensleeves | — | ||
| 26-14 | Lute music: England: Walsingham | — | ||
| 26-15 | Lute music: England: The Squirrel's Toy | — | ||
| 26-16 | Lute music: Sir John Smith his Almaine: England | — | ||
| 26-17 | Lute music: England: Pavan | — | ||
| 26-18 | Lute music: England: Alman | — | ||
| 26-19 | Lute music: England: Galliard | — | ||
| 27-1 | L'Orfeo, SV 318, Prologo: Toccata | — | ||
| 27-2 | L'Orfeo, SV 318, Prologo: Ritornello-Dal mio Permesso amato | — | ||
| 27-3 | L'Orfeo, SV 318, Act 1: "In questo lieto e fortunato giorno": "Vieni, Imeneo" - "Muse, onor di Parnasso" | — | ||
| 27-4 | L'Orfeo, SV 318, Act 1: "Lasciate i monti": "Ma tu, gentil cantor" | — | ||
| 27-5 | L'Orfeo, SV 318, Act 1: "Rosa del ciel": "Io non dirò qual sia" - "Lasciate i monti" - "Vieni, Imeneo" | — | ||
| 27-6 | L'Orfeo, SV 318, Act 1: "Ma se il nostro gioir": "Ecco Orfeo" | — | ||
| 27-7 | L'Orfeo, SV 318, Act 2: Sinfonia: "Ecco pur ch'a voi ritorno" | — | ||
| 27-8 | L'Orfeo, SV 318, Act 2: "Mira che sè n'alletta": "Dunque fa degni, Orfeo" | — | ||
| 27-9 | L'Orfeo, SV 318, Act 2: "Vi ricorda, o bosch'ombrosi": "Mira, deh mira" | — | ||
| 27-10 | L'Orfeo, SV 318, Act 2: "Ahi, caso acerbo": "Tu sei morta" | — | ||
| 27-11 | L'Orfeo, SV 318, Act 2: "Ahi, caso acerbo": "Ma io, che in questa lingua" - Sinfonia | — | ||
| 27-12 | L'Orfeo, SV 318, Act 2: "Chi ne consola, ahi lassi?": "Ahi, caso acerbo" | — | ||
| 28-1 | L'Orfeo, SV 318, Act 3: Sinfonia: "Scorto da te, mio nume" - "Ecco l'atra palude" - "Dove, ah, dove te'n vai" | — | ||
| 28-2 | L'Orfeo, SV 318, Act 3: O tu, ch'innanzi morte | — | ||
| 28-3 | L'Orfeo, SV 318, Act 3: Sinfonia: "Possente spirto" | — | ||
| 28-4 | L'Orfeo, SV 318, Act 3: "Ben mi lusinga": "Ahi, sventurato amante" - Sinfonia - "Ei dorme" | — | ||
| 28-5 | L'Orfeo, SV 318, Act 3: Sinfonia: "Nulla impresa per uom" - Sinfonia | — | ||
| 28-6 | L'Orfeo, SV 318, Act 4: Signor, quell'infelice | — | ||
| 28-7 | L'Orfeo, SV 318, Act 4: "Pietade, oggi, e amore": "Ecco il gentil cantore" | — | ||
| 28-8 | L'Orfeo, SV 318, Act 4: "Qual onor di te": "Rott' hai la legge" | — | ||
| 28-9 | L'Orfeo, SV 318, Act 4: "Ahi, vista troppo dolce": "Torna a L'ombre di morte" - "Dove te'n vai, ma vita" | — | ||
| 28-10 | L'Orfeo, SV 318, Act 4: Sinfonia: "È la virtute un raggio" - Sinfonia | — | ||
| 28-11 | L'Orfeo, SV 318, Act 5: Questi i campi di Tracia | — | ||
| 28-12 | L'Orfeo, SV 318, Act 5: Sinfonia: "Perché a lo sdegno" | — | ||
| 28-13 | L'Orfeo, SV 318, Act 5: "Vanne Orfeo": Moresca | — | ||
| 28-14 | L'Orfeo, SV 318, Act 5: Toccata | — | ||
| 29-1 | String Quartet no. 1 in E-flat major (1814): I. Adagio: Allegro agitato | — | ||
| 29-2 | String Quartet no. 1 in E-flat major (1814): II. Larghetto sans lenteur | — | ||
| 29-3 | String Quartet no. 1 in E-flat major (1814): III. Scherzo: Allegretto moderato | — | ||
| 29-4 | String Quartet no. 1 in E-flat major (1814): IV. Finale: Allegra assai | — | ||
| 29-5 | String Quartet no. 2 in C major (1829): I. Lento: Allegro | — | ||
| 29-6 | String Quartet no. 2 in C major (1829): II. Lento | — | ||
| 29-7 | String Quartet no. 2 in C major (1829): III. Scherzo: Allegro assai | — | ||
| 29-8 | String Quartet no. 2 in C major (1829): IV. Finale: Allegro vivace | — | ||
| 30-1 | String Quartet no. 3 in D minor (1834): I. Allegro comodo | — | ||
| 30-2 | String Quartet no. 3 in D minor (1834): II. Larghetto sostenuto | — | ||
| 30-3 | String Quartet no. 3 in D minor (1834): III. Scherzo | — | ||
| 30-4 | String Quartet no. 3 in D minor (1834): IV. Finale: Allegro risoluto | — | ||
| 30-5 | String Quartet no. 4 in E major (1835): I. Allegro maestoso | — | ||
| 30-6 | String Quartet no. 4 in E major (1835): II. Larghetto | — | ||
| 30-7 | String Quartet no. 4 in E major (1835): III. Scherzo | — | ||
| 30-8 | String Quartet no. 4 in E major (1835): IV. Finale: Allegro assai | — | ||
| 31-1 | String Quartet no. 5 in F major (1835): I. Moderato assai | — | ||
| 31-2 | String Quartet no. 5 in F major (1835): II. Adagio | — | ||
| 31-3 | String Quartet no. 5 in F major (1835): III. Scherzo: Allegro non troppo | — | ||
| 31-4 | String Quartet no. 5 in F major (1835): IV. Finale: Allegro vivace | — | ||
| 31-5 | String Quartet no. 6 in A minor (1837): I. Allegro moderato | — | ||
| 31-6 | String Quartet no. 6 in A minor (1837): II. Andantino grazioso | — | ||
| 31-7 | String Quartet no. 6 in A minor (1837): III. Scherzo: Allegro | — | ||
| 31-8 | String Quartet no. 6 in A minor (1837): IV. Finale: Allegro affettuoso | — | ||
| 32-1 | Sonata for Arpeggione and Piano in A minor, D. 821: I. Allegro moderato | — | ||
| 32-2 | Sonata for Arpeggione and Piano in A minor, D. 821: II. Adagio | — | ||
| 32-3 | Sonata for Arpeggione and Piano in A minor, D. 821: III. Allegretto | — | ||
| 32-4 | Introduction & Variations for flute & piano, D.802 (op. 160) | — | ||
| 33-1 | Viderunt omnes fines terre | Early Music Consort of London, David Munrow | — | |
| 33-2 | Music of the Gothic Era: Notre Dame Period: II. "Alleluya Pascha nostrum" | — | ||
| 33-3 | Music of the Gothic Era: Notre Dame Period: III. "Gaude Maria Virgo" | — | ||
| 33-4 | Music of the Gothic Era: Notre Dame Period: IV. "Locus iste" | — | ||
| 33-5 | Music of the Gothic Era: Notre Dame Period: Viderunt omnes | — | ||
| 33-6 | Music of the Gothic Era: Notre Dame Period: Sederunt principes | — | ||
| 33-7 | Alle psallite cum luya | Early Music Consort of London, David Munrow | — | |
| 33-8 | Music of the Gothic Era: Ars antiqua: Amor potest | — | ||
| 33-9 | Music of the Gothic Era: Ars antiqua: S'on me regarde | — | ||
| 33-10 | In mari miserie | Early Music Consort of London, David Munrow | — | |
| 33-11 | Music of the Gothic Era: Ars antiqua: On parole de batre | — | ||
| 33-12 | Music of the Gothic Era: Ars antiqua: En mai, quant rosier sont | — | ||
| 33-13 | Music of the Gothic Era: Ars antiqua: Dominator Domine | — | ||
| 33-14 | Music of the Gothic Era: Ars antiqua: El mois de mai | — | ||
| 33-15 | Music of the Gothic Era: Ars antiqua: O mitissima | — | ||
| 34-1 | Music of the Gothic Era: Ars antiqua: "Hoquetus I-VII - Neuma / Virgo / in seculum longum / " D'Amiens longum / In seculum" | — | ||
| 34-2 | Aucun ont trouvé | — | ||
| 34-3 | De ma dame vient | — | ||
| 34-4 | J’os bien a m’amie parler | David Munrow, Early Music Consort of London | — | |
| 34-5 | Music of the Gothic Era: Ars antiqua: La mesnie fauveline | — | ||
| 34-6 | Music of the Gothic Era: Ars nova: Quant je le voi | — | ||
| 34-7 | Music of the Gothic Era: Ars nova: Zelus familie | — | ||
| 34-8 | Music of the Gothic Era: Ars nova: Quasi non ministerium | — | ||
| 34-9 | Impudentur circumivi | Early Music Consort of London, David Munrow | — | |
| 34-10 | Cum statua nabucodonasor | Early Music Consort of London, David Munrow | — | |
| 34-11 | Pantheon abluitur | — | ||
| 34-12 | Clap, clap, par un matin | Early Music Consort of London, David Munrow | — | |
| 34-13 | Ida capillorum | — | ||
| 34-14 | Rachel plorat filios | — | ||
| 34-15 | Music of the Gothic Era: Ars nova: Lés l'ormel a la turelle | — | ||
| 34-16 | Music of the Gothic Era: Ars nova: O Philippe, Franci qui generis | — | ||
| 34-17 | Music of the Gothic Era: Ars nova: Febus mundo oriens | — | ||
| 34-18 | Lasse! comment oublieray | — | ||
| 34-19 | Qui es promesses de fortune | James Bowman, Charles Brett, David Munrow, Early Music Consort of London | — | |
| 34-20 | Hoquetus David | — | ||
| 34-21 | Christe, qui lux es | — | ||
| 34-22 | Music of the Gothic Era: Ars nova: Degentis vita | — | ||
| 34-23 | Music of the Gothic Era: Ars nova: Inter densas deserti | — | ||
| 34-24 | Rex Karole, Johannis genite | — | ||
| 35-1 | Missa "L'homme armé super voces musicales": I. Kyrie | — | ||
| 35-2 | Missa "L'homme armé super voces musicales": II. Gloria | — | ||
| 35-3 | Missa "L'homme armé super voces musicales": III. Credo | — | ||
| 35-4 | Missa "L'homme armé super voces musicales": IV. Sanctus | — | ||
| 35-5 | Missa "L'homme armé super voces musicales": V. Agnus Dei | — | ||
| 35-6 | Huc me sydereo / Plangent eum | Pro Cantione Antiqua, Bruno Turner | — | |
| 35-7 | Musae Jovis (Lament on the death of Josquin) | — | ||
| 35-8 | O mors inevitabilis / Requiem aeternam | — | ||
| 36-1 | Praeludium und Fuge in E major | — | ||
| 36-2 | Passacaglia in d minor BuxWV161 | — | ||
| 36-3 | Praeludium and Fuga in g minor (BuxWV 149) | — | ||
| 36-4 | Praeludium und Fuge in E minor (BuxWV 142) | — | ||
| 36-5 | "Warum betrübst du dich, mein Herz" (Cantio sacra) | — | ||
| 36-6 | Präludium und Fuge in d-moll, BuxWV 140 | Helmut Walcha | — | |
| 36-7 | Ciacona in E minor for organ | — | ||
| 36-8 | Praeludium und Fuge in F major BuxWV 145 | — | ||
| 37-1 | Praeludium und Fuge in E minor ("The Great") | — | ||
| 37-2 | "Jesus Christus, unser Heiland" (Choral-Variationen) | — | ||
| 37-3 | Praeludium und Fuge in F-sharp minor BuxWV 146 | — | ||
| 37-4 | Fantasia Chromatica I | — | ||
| 37-5 | Praeludium und Fuge in E minor | — | ||
| 37-6 | Praeludium und Fuge in D major BuxWV 139 | — | ||
| 37-7 | "Komm, Heiliger Geist, Herre Gott" (Choral Prelude) | — | ||
| 37-8 | Praeludium und Fuge in D minor | — | ||
| 37-9 | Praeludium und Fuge in C major | — | ||
| 38-1 | Praeludium und Fuge in G major | — | ||
| 38-2 | Ciacona in C minor BuxWV 159 | — | ||
| 38-3 | Praeludium und Fuge in G minor | — | ||
| 38-4 | Prelude, Fugue and Ciacona in C, BuxWV 137 | — | ||
| 38-5 | "O Lamm Gottes, unschuldig" (Choral Prelude) | — | ||
| 38-6 | Ciacona in F minor | — | ||
| 38-7 | Praeludium und Fuge in E major BuxWV 141 | — | ||
| 39-1 | Wiegenlied, op.13, no. 2 J. 96: Schlaf, Herzenssöhnchen | — | ||
| 39-2 | "Sanftes Licht", op.13, no. 4 J. 72 | — | ||
| 39-3 | Die Schäferstunde, op.13, no. 1 J. 91: Endlich hatte Damon sie gefunden | — | ||
| 39-4 | "Maedel schau mir ins Gesicht", op.13, no. 3 J. 52 | — | ||
| 39-5 | Lied aus Preciosa, op.78 J. 279: Einsam bin ich nicht alleine | — | ||
| 39-6 | Canzonetta, op.29, no. 2 J. 124: Heitere Tage | — | ||
| 39-7 | Canzonetta, op.29, no. 3 J. 120: In euren Blicken | — | ||
| 39-8 | Canzonetta, op.29, no. 1 J. 108: Weh! Dass geschieden | — | ||
| 39-9 | Romanze, J. 195: Ein Koenig einst gefangen | — | ||
| 39-10 | Die Zeit, op.13, no. 5 J. 97: Es sitzt die Zeit im weissen Kleid | — | ||
| 39-11 | Ich sah ein Röschen am Wege stehn, op. 15, no. 5 J.67 | — | ||
| 39-12 | Der kleine Fritz an seine jungen Freunde, op.15, no. 3 J. 74: Ach, wenn ich nur ein Liebchen haette | — | ||
| 39-13 | "Was zieht zu deinem Zauberkreise", op.15, no. 4 J. 68 | — | ||
| 39-14 | Bach, Echo und Kuss, op.71, no. 2 J. 243: Das Maedchen ging die Wiese lang | — | ||
| 39-15 | Liebe: Gluehen, op.25, no. 1 J. 140: In der Berge Riesenschatten | — | ||
| 39-16 | Der arme Minnesaenger, op.25, no. 2 J. 110: Ueber die Berge mit Ungestuem | — | ||
| 39-17 | "Lass mich schlummern, Herzlein, schweige", op.25, no. 3 J. 112 | — | ||
| 39-18 | Bettlerlied, op.25, no. 4 J. 137: Ich und mein junges Weib | — | ||
| 39-19 | Des Künstlers Abschied, op. 71, no. 6, J.105: Auf die stuermische See hinaus | — | ||
| 40-1 | Baryton Trio in D major, Hob. XI:61: I. Allegro | — | ||
| 40-2 | Baryton Trio in D major, Hob. XI:61: II. Andantino | — | ||
| 40-3 | Baryton Trio in D major, Hob. XI:61: III. Menuet: Allegretto | — | ||
| 40-4 | Baryton Trio in D minor, Hob. XI:52: I. Adagio | — | ||
| 40-5 | Baryton Trio in D minor, Hob. XI:52: II. Allegro | — | ||
| 40-6 | Baryton Trio in D minor, Hob. XI:52: III. Menuet alla zippa / Trio al contrario | — | ||
| 40-7 | Baryton Trio in C major, Hob. XI:101, Baryton Trio no. 101 in C: I. Allegro | — | ||
| 40-8 | Baryton Trio in C major, Hob. XI:101, Baryton Trio no. 101 in C: II. Menuet | — | ||
| 40-9 | Baryton Trio in C major, Hob. XI:101, Baryton Trio no. 101 in C: III. Finale: Fuga a 3 soggetti in contrappunto doppio | — | ||
| 40-10 | Baryton Trio in B minor, Hob. XI:96, Baryton Trio no. 96 in B minor: I. Largo | — | ||
| 40-11 | Baryton Trio in B minor, Hob. XI:96, Baryton Trio no. 96 in B minor: II. Allegro | — | ||
| 40-12 | Baryton Trio in B minor, Hob. XI:96, Baryton Trio no. 96 in B minor: III. Menuet | — | ||
| 40-13 | Baryton Trio in D major, Hob. XI:44: I. Allegro di molto | — | ||
| 40-14 | Baryton Trio in D major, Hob. XI:44: II. Adagio | — | ||
| 40-15 | Baryton Trio in D major, Hob. XI:44: III. Menuet | — | ||
| 41-1 | Acis and Galatea, HWV 49, First Version: Sinfonia | — | ||
| 41-2 | Acis and Galatea, HWV 49, First Version: Oh, the pleasure of the plains | — | ||
| 41-3 | Acis and Galatea, HWV 49, First Version: Ye verdant plains | — | ||
| 41-4 | Acis and Galatea, HWV 49, First Version: Hush, ye pretty warbling quire | — | ||
| 41-5 | Acis and Galatea, HWV 49, First Version: Where shall I seek the charming fair | — | ||
| 41-6 | Acis and Galatea, HWV 49, First Version: Stay, shepherd, stay | — | ||
| 41-7 | Acis and Galatea, HWV 49, First Version: Shepherd, what art thou pursuing | — | ||
| 41-8 | Acis and Galatea, HWV 49, First Version: Lo! here my love | — | ||
| 41-9 | Acis and Galatea, HWV 49, First Version: Love in her eyes sits playing | — | ||
| 41-10 | Acis and Galatea, HWV 49, First Version: Oh! didst thou know | — | ||
| 41-11 | Acis and Galatea, HWV 49, First Version: As when the dove laments her love | — | ||
| 41-12 | Acis and Galatea, HWV 49, First Version: Happy we | — | ||
| 42-1 | Acis and Galatea, HWV 49, First Version: Wretched lovers | — | ||
| 42-2 | Acis and Galatea, HWV 49, First Version: I rage, I melt, I burn | — | ||
| 42-3 | Acis and Galatea, HWV 49, First Version: O ruddier than the cherry | — | ||
| 42-4 | Acis and Galatea, HWV 49, First Version: Whither, fairest, art thou running | — | ||
| 42-5 | Acis and Galatea, HWV 49, First Version: Cease to beauty to be suing | — | ||
| 42-6 | Acis and Galatea, HWV 49, First Version: Would you gain the tender creature | — | ||
| 42-7 | Acis and Galatea, HWV 49, First Version: His hideous love | — | ||
| 42-8 | Acis and Galatea, HWV 49, First Version: Love sounds th'alarm | — | ||
| 42-9 | Acis and Galatea, HWV 49, First Version: Consider, fond shepherd | — | ||
| 42-10 | Acis and Galatea, HWV 49, First Version: Cease, o cease | — | ||
| 42-11 | Acis and Galatea, HWV 49, First Version: The flocks shall leave the mountains | — | ||
| 42-12 | Acis and Galatea, HWV 49, First Version: Help, Galatea | — | ||
| 42-13 | Acis and Galatea, HWV 49, First Version: Mourn, all ye Muses | — | ||
| 42-14 | Acis and Galatea, HWV 49, First Version: Must I my Acis still bemoan | — | ||
| 42-15 | Acis and Galatea, HWV 49, First Version: 'Tis done | — | ||
| 42-16 | Acis and Galatea, HWV 49, First Version: Heart, the seat of soft delight | — | ||
| 42-17 | Acis and Galatea, HWV 49, First Version: Galatea, dry thy tears | — | ||
| 43-1 | Lamentation Faste Sur La Mort De Ferdinand III (1657) | — | ||
| 43-2 | Suite no. 1 in E minor: I. Allemande | — | ||
| 43-3 | Suite no. 1 in E minor: II. Gigue | — | ||
| 43-4 | Suite no. 1 in E minor: III. Courante | — | ||
| 43-5 | Suite no. 1 in E minor: IV. Sarabande | — | ||
| 43-6 | Suite no. 2 in A: I. Allemande | — | ||
| 43-7 | Suite no. 2 in A: II. Gigue | — | ||
| 43-8 | Suite no. 2 in A: III. Courante | — | ||
| 43-9 | Suite no. 2 in A: IV. Sarabande | — | ||
| 43-10 | Suite no. 3 in G minor: I. Allemande | — | ||
| 43-11 | Suite no. 3 in G minor: II. Gigue | — | ||
| 43-12 | Suite no. 3 in G minor: III. Courante | — | ||
| 43-13 | Suite no. 3 in G minor: IV. Sarabande | — | ||
| 43-14 | Suite no. 4 in A minor: I. Allemande | — | ||
| 43-15 | Suite no. 4 in A minor: II. Gigue | — | ||
| 43-16 | Suite no. 4 in A minor: III. Courante | — | ||
| 43-17 | Suite no. 4 in A minor: IV. Sarabande | — | ||
| 43-18 | Suite no. 5 in D: I. Allemande | — | ||
| 43-19 | Suite no. 5 in D: II. Gigue | — | ||
| 43-20 | Suite no. 5 in D: III. Courante | — | ||
| 43-21 | Suite no. 5 in D: IV. Sarabande | — | ||
| 43-22 | Suite no. 6 in C: I. Lamento. Sopra la dolorosa perdita della Real Magistà dix Ferdinando IV, Rè de Romani | — | ||
| 43-23 | Suite no. 6 in C: II. Gigue | — | ||
| 43-24 | Suite no. 6 in C: III. Courante | — | ||
| 43-25 | Suite no. 6 in C: IV. Sarabande | — | ||
| 44-1 | Ouverture No. 1, BWV 1066: I. Ouverture | The English Concert, Trevor Pinnock | T-702.622.103-6 | |
| 44-2 | Ouverture No. 1 in C major, BWV 1066: II. Courante | The English Concert, Trevor Pinnock | T-309.901.323-3 | |
| 44-3 | Ouverture No. 1 in C major, BWV 1066: III. Gavotte I/II | The English Concert, Trevor Pinnock | — | |
| 44-4 | Ouverture No. 1 in C major, BWV 1066: IV. Forlane | The English Concert, Trevor Pinnock | — | |
| 44-5 | Ouverture No. 1 in C major, BWV 1066: V. Menuet I/II | The English Concert, Trevor Pinnock | — | |
| 44-6 | Ouverture No. 1 in C major, BWV 1066: VI. Bourree I/II | The English Concert, Trevor Pinnock | — | |
| 44-7 | Ouverture No. 1 in C major, BWV 1066: VII. Passepied I/II | The English Concert, Trevor Pinnock | — | |
| 44-8 | Ouverture No. 2 in B minor, BWV 1067: I. Ouverture | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | T-702.622.103-6 | |
| 44-9 | Ouverture No. 2 in B minor, BWV 1067: II. Rondeau | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | — | |
| 44-10 | Ouverture No. 2 in B minor, BWV 1067: III. Sarabande | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | — | |
| 44-11 | Ouverture No. 2 in B minor, BWV 1067: IV. Bourree I/II | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | — | |
| 44-12 | Ouverture No. 2 in B minor, BWV 1067: V. Polonaise | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | — | |
| 44-13 | Ouverture No. 2 in B minor, BWV 1067: VI. Menuet | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | T-011.654.484-3 | |
| 44-14 | Ouverture no. 2 in B minor, BWV 1067: VII. Badinerie | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | T-011.654.484-3 | |
| 44-15 | Ouverture No. 3 in D major, BWV 1068: I. Ouverture | The English Concert, Trevor Pinnock | T-702.622.103-6 | |
| 44-16 | Suite no. 3 in D, BWV 1068: II. Air | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | T-914.248.874-2 | |
| 44-17 | Ouverture No. 3 in D major, BWV 1068: III. Gavotte I/II | The English Concert, Trevor Pinnock | — | |
| 44-18 | Ouverture No. 3 in D major, BWV 1068: IV. Bourree | The English Concert, Trevor Pinnock | — | |
| 44-19 | Ouverture No. 3 in D major, BWV 1068: V. Gigue | The English Concert, Trevor Pinnock | — | |
| 44-20 | Ouverture No. 4 in D major, BWV 1069: I. Ouverture | The English Concert, Trevor Pinnock | T-702.622.103-6 | |
| 44-21 | Ouverture No. 4, BWV 1069: II. Bourree I/II | The English Concert, Trevor Pinnock | — | |
| 44-22 | Ouverture No. 4 in D major, BWV 1069: III. Gavotte | The English Concert, Trevor Pinnock | — | |
| 44-23 | Ouverture No. 4 in D major, BWV 1069: IV. Menuet I/II | The English Concert, Trevor Pinnock | — | |
| 44-24 | Ouverture No. 4 in D major, BWV 1069: V. Rejouissance | The English Concert, Trevor Pinnock | — | |
| 45-1 | Musical Offering, BWV 1079: I. Ricercar a 3 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 45-2 | Musical Offering, BWV 1079: II. Canon perpetuus a 2 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 45-3 | Musical Offering, BWV 1079: III. Canon a 2 violini in unisono | Musica Antiqua Köln, Reinhard Goebel | — | |
| 45-4 | Musical Offering, BWV 1079: IV. Canon a 2 per motum contrarium | Musica Antiqua Köln, Reinhard Goebel | — | |
| 45-5 | Musical Offering, BWV 1079: V. Canon a 2 per augmentationem, contrario motu | Musica Antiqua Köln, Reinhard Goebel | — | |
| 45-6 | Musical Offering, BWV 1079: VI. Canon a 2 per tonos | Musica Antiqua Köln, Reinhard Goebel | — | |
| 45-7 | Musical Offering, BWV 1079: VII. Fuga canonica in epidiapente | Musica Antiqua Köln, Reinhard Goebel | — | |
| 45-8 | Musical Offering, BWV 1079: VIII. Canon perpetuus super thema regium | Musica Antiqua Köln, Reinhard Goebel | — | |
| 45-9 | Musical Offering, BWV 1079: IX. Canon perpetuus | Musica Antiqua Köln, Reinhard Goebel | — | |
| 45-10 | Musical Offering, BWV 1079: Canon a 2 | — | ||
| 45-11 | Musical Offering, BWV 1079: Canon a 4 | — | ||
| 45-12 | Musical Offering, BWV 1079: Sonata a 3: I Largo | — | ||
| 45-13 | Musical Offering, BWV 1079: Sonata a 3: II Allegro | — | ||
| 45-14 | Musical Offering, BWV 1079: Sonata a 3: III Andante | — | ||
| 45-15 | Musical Offering, BWV 1079: Sonata a 3: IV Allegro | — | ||
| 45-16 | Musical Offering, BWV 1079: Ricercar a 6 | — | ||
| 45-17 | Canon trias harmonica a8, BWV 1072 | — | ||
| 45-18 | Canon a4 perpetua, BWV 1073 | — | ||
| 45-19 | Canon a4, BWV 1074 | — | ||
| 45-20 | Canon a2 perpetua, BWV 1075 | — | ||
| 45-21 | Canon triplex a6, BWV 1076 | — | ||
| 45-22 | Canone doppio sopr'il soggetto, BWV 1077 | — | ||
| 45-23 | Kanon zu zwei Stimmen, BWV 1086/1078: Canon Concordia discors, a 2, BWV 1086 | — | ||
| 45-24 | Canon super fa mi a7 post tempus musicum, BWV 1078 | — | ||
| 45-25 | Vierzehn Kanons: I. Canon simplex | — | ||
| 45-26 | Vierzehn Kanons: II. All'roverscio | — | ||
| 45-27 | Vierzehn Kanons: III. Beede vorigen Canons zugleich, Motu recto e contrario | — | ||
| 45-28 | Vierzehn Kanons: IV. Motu contrario e recto | — | ||
| 45-29 | Vierzehn Kanons: V. Canon duplex, a 4 | — | ||
| 45-30 | Vierzehn Kanons: VI. Canon simplex über besagtes Fundament, a 3 | — | ||
| 45-31 | Vierzehn Kanons: VII. Idem, a 3 | — | ||
| 45-32 | Vierzehn Kanons: VIII. Canon simplex, a 3, il soggetto in Alto | — | ||
| 45-33 | Vierzehn Kanons: IX. Canon in unisono post semifusam, a3 | — | ||
| 45-34 | Vierzehn Kanons: 10a. Alio modo, per syncoptiones et per ligatures, a 2 10b. Evolutio | — | ||
| 45-35 | Vierzehn Kanons: 1I. Canon duplex übers Fundament, a 5 | — | ||
| 45-36 | Vierzehn Kanons: 1II. Canon duplex über besagte Fundament-Noten, a 5 | — | ||
| 45-37 | Vierzehn Kanons: 1III. Canon triplex, a 6 | — | ||
| 45-38 | Vierzehn Kanons: 1IV. Canon a 4 per Augmentationem et Deminutionem | — | ||
| 46-1 | Service in B-flat (Z.230): Benedicite omnia opera | — | ||
| 46-2 | Te Deum Laudamus and Jubilate Deo in D major, Z.232: Te Deum Laudamus | — | ||
| 46-3 | Te Deum Laudamus and Jubilate Deo in D major, Z.232: Jubilate Deo | — | ||
| 46-4 | Service in B-flat (Z.230): Cantate Domino | — | ||
| 46-5 | Service in B-flat (Z.230): Deus misereatur | — | ||
| 46-6 | Service in B-flat (Z.230): Magnificat | — | ||
| 46-7 | Service in B-flat (Z.230): Nunc dimittis | — | ||
| 46-8 | Evening Service in G minor (Z.231), Ed. M. Bevan: Magnificat | — | ||
| 46-9 | Evening Service in G minor (Z.231), Ed. M. Bevan: Nunc dimittis | — | ||
| 46-10 | O God, Thou has cast us out, Z.36 | — | ||
| 46-11 | O Lord God of Hosts (Verse Anthem), Z37 | — | ||
| 46-12 | Remember not, Lord, our offences (Z.50) | — | ||
| 46-13 | Lord, how long wilt thou be angry? (Z.25) | — | ||
| 46-14 | O God, Thou Art My God, Z35 | — | ||
| 47-1 | Man that is born of a woman (Z.27) | — | ||
| 47-2 | Thou knowest, Lord, the secrets of our hearts (Z.58c) | — | ||
| 47-3 | Jehova, quam multi sunt hostes mei (Z.135) | — | ||
| 47-4 | My heart is inditing (Z.30) | — | ||
| 47-5 | O sing unto the Lord (Z.34) | — | ||
| 47-6 | "My beloved spake" (Z.28) | — | ||
| 47-7 | They that go down to the sea in ships (Z.57) | — | ||
| 47-8 | Praise the Lord, O Jerusalem (Z.46) | — | ||
| 48-1 | 6 Concerti Armonici, no. 1 in G major: I. Grave | — | ||
| 48-2 | 6 Concerti Armonici, no. 1 in G major: II. Allegro | — | ||
| 48-3 | 6 Concerti Armonici, no. 1 in G major: III. Grave, staccato | — | ||
| 48-4 | 6 Concerti Armonici, no. 1 in G major: IV. Allegro | — | ||
| 48-5 | 6 Concerti Armonici, no. 2 in B-flat major: I. Largo | — | ||
| 48-6 | 6 Concerti Armonici, no. 2 in B-flat major: II. Da capella. Non presto | — | ||
| 48-7 | 6 Concerti Armonici, no. 2 in B-flat major: III. Largo affetuoso | — | ||
| 48-8 | 6 Concerti Armonici, no. 2 in B-flat major: IV. Allegro | — | ||
| 48-9 | 6 Concerti Armonici, no. 3 in A major: I. Grave assai sostenuto - | — | ||
| 48-10 | 6 Concerti Armonici, no. 3 in A major: II. Canone di Palestrina | — | ||
| 48-11 | 6 Concerti Armonici, no. 3 in A major: III. Largo andante | — | ||
| 48-12 | 6 Concerti Armonici, no. 3 in A major: IV. Vivace | — | ||
| 48-13 | 6 Concerti Armonici, no. 4 in G major: I. Adagio | — | ||
| 48-14 | 6 Concerti Armonici, no. 4 in G major: II. Da capella | — | ||
| 48-15 | 6 Concerti Armonici, no. 4 in G major: III. A tempo commodo | — | ||
| 48-16 | 6 Concerti Armonici, no. 4 in G major: IV. A tempo giusto | — | ||
| 48-17 | 6 Concerti Armonici, no. 5 in F minor: I. Largo andante | — | ||
| 48-18 | 6 Concerti Armonici, no. 5 in F minor: II. Da Capella. Presto | — | ||
| 48-19 | 6 Concerti Armonici, no. 5 in F minor: III. Largo affettuoso | — | ||
| 48-20 | 6 Concerti Armonici, no. 5 in F minor: IV. Allegro moderato e staccato | — | ||
| 48-21 | 6 Concerti Armonici, no. 6 in E-flat major: I. Affettuoso | — | ||
| 48-22 | 6 Concerti Armonici, no. 6 in E-flat major: II. Presto: Largo | — | ||
| 48-23 | 6 Concerti Armonici, no. 6 in E-flat major: III. Largo | — | ||
| 48-24 | 6 Concerti Armonici, no. 6 in E-flat major: IV. Vivace | — | ||
| 49-1 | 6 Oboe Concertos "La Cetra", Concerto no. 1 in D major: I. Allegro assai | — | ||
| 49-2 | 6 Oboe Concertos "La Cetra", Concerto no. 1 in D major: II. Larghetto | — | ||
| 49-3 | 6 Oboe Concertos "La Cetra", Concerto no. 1 in D major: III. Vivace | — | ||
| 49-4 | 6 Oboe Concertos "La Cetra", Concerto no. 2 in E major: I. Allegro assai | — | ||
| 49-5 | 6 Oboe Concertos "La Cetra", Concerto no. 2 in E major: II. Moderato | — | ||
| 49-6 | 6 Oboe Concertos "La Cetra", Concerto no. 2 in E major: III. Spiritoso, ma non troppo | — | ||
| 49-7 | 6 Oboe Concertos "La Cetra", Concerto no. 3 in B minor: I. Andante larghetto | — | ||
| 49-8 | 6 Oboe Concertos "La Cetra", Concerto no. 3 in B minor: II. Adagio | — | ||
| 49-9 | 6 Oboe Concertos "La Cetra", Concerto no. 3 in B minor: III. Presto | — | ||
| 49-10 | 6 Oboe Concertos "La Cetra", Concerto no. 4 in E minor: I. Moderato | — | ||
| 49-11 | 6 Oboe Concertos "La Cetra", Concerto no. 4 in E minor: II. Largo appoggiato | — | ||
| 49-12 | 6 Oboe Concertos "La Cetra", Concerto no. 4 in E minor: III. Allegro | — | ||
| 49-13 | 6 Oboe Concertos "La Cetra", Concerto no. 5 in B-flat major: I. Moderato | — | ||
| 49-14 | 6 Oboe Concertos "La Cetra", Concerto no. 5 in B-flat major: II. Larghetto staccato | — | ||
| 49-15 | 6 Oboe Concertos "La Cetra", Concerto no. 5 in B-flat major: III. Presto, ma non molto | — | ||
| 49-16 | 6 Oboe Concertos "La Cetra", Concerto no. 6 in G major: I. Allegro | — | ||
| 49-17 | 6 Oboe Concertos "La Cetra", Concerto no. 6 in G major: II. Larghetto, con sordini | — | ||
| 49-18 | 6 Oboe Concertos "La Cetra", Concerto no. 6 in G major: III. Vivace | — | ||
| 50-1 | Aria della Battaglia à 8 | — | ||
| 50-2 | La Battaglia per cantar e sonar à 8 | — | ||
| 50-3 | Canzon in echo à 8 | — | ||
| 50-4 | Canzon A 12 in Echo | — | ||
| 50-5 | Pianto d'Erinna | — | ||
| 50-6 | Il Lamento: "Su'l Rodano severo" | — | ||
| 50-7 | Pavana: El Bisson (à 4) | — | ||
| 50-8 | Lamento di Iole: "Uccidimi dolore" | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: 2. Andante | Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair | T-802.445.410-3 |
| Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: 1. Allegro | Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair | T-800.184.797-9 |
| Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: 3. Allegro | Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair | — |
| Concerto for Trumpet, Strings and Harpsichord in D major: 1. Adagio | Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair | — |
| Concerto for Trumpet, Strings and Harpsichord in D major: 2. Allegro | Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
028947955559 is a Universal Product Code (UPC) assigned to Archiv Produktion Analogue Stereo Recordings 1959–1981 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 830 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Archiv Produktion Analogue Stereo Recordings 1959–1981” by Various Artists is 028947955559. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2016-01-01. Label: Archiv Produktion. This release contains 830 tracks, each with its own ISRC. Tracks include DEF055901671, DEF055901681, DEF056130601.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Kantate, BWV 51 “Jauchzet Gott in allen Landen”: I. Arie (Sopran): »Jauchzet Gott in allen Landen« | Maria Stader, Pierre Thibaud, Münchener Bach-Orchester, Karl Richter | — | |
| 2 | Jauchzet Gott in allen Landen, Cantata BWV 51: II. "Wir beten zu dem Tempel an" | — | ||
| 3 | Jauchzet Gott in allen Landen, Cantata BWV 51: III. "Höchster, Höchster mache deine Güte ferner alle Morgen neu" | — | ||
| 4 | Jauchzet Gott in allen Landen, Cantata BWV 51: IV. "Sei Lob und Preis mit Ehren" | — | ||
| 5 | Jauchzet Gott in allen Landen, Cantata BWV 51: V. "Alleluja" | — | ||
| 6 | Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": I. Adagio: Weichet nur, betrübte Schatten | — | ||
| 7 | Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": II. Recit: Die Welt wird wieder neu | — | ||
| 8 | Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": III. Aria: Phöbus eilt mit schnellen Pferden | — | ||
| 9 | Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": IV. Recit: D'rum sucht auch Amor sein Vergnügen | — | ||
| 10 | Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": V. Aria: Wenn die Frühlingslüfte streichen | — | ||
| 11 | Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": VI. Recit: Und dieses ist das Glücke | — | ||
| 12 | Weichet nur, betrübte Schatten BWV 202: VII. Aria "Sich üben im Lieben" | Maria Stader, Münchener Bach-Orchester, Karl Richter | — | |
| 13 | Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": VIII. Recit: So sei das Band der keuschen Liebe | — | ||
| 14 | Weichet nur, betrübte Schatten, Cantata BWV 202: "Wedding Cantata": IX. Gavotte: Sehet in Zufriedenheit | — | ||
| 15 | Magnificat in D major, BWV 243: Chorus: "Magnificat" | Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor | — | |
| 16 | Magnificat, BWV 243: II. Arie (Alt) "Et exsultavit spiritus meus" | Münchener Bach-Orchester, Karl Richter | — | |
| 17 | Magnificat in D major, BWV 243: Quia respexit...Omnes generationes | — | ||
| 18 | Magnificat in D major, BWV 243: Aria: "Quia fecit mihi magna" | — | ||
| 19 | Magnificat in D major, BWV 243: Aria (Duet): "Et misericordia" | — | ||
| 20 | Magnificat in D major, BWV 243: Chorus: "Fecit potentiam" | — | ||
| 21 | Magnificat, BWV 243: VIII. Arie (Tenor) "Deposuit potentes" | Münchener Bach-Orchester, Karl Richter | — | |
| 22 | Magnificat in D major, BWV 243: Aria: "Esurientes implevit bonis" | — | ||
| 23 | Magnificat in D major, BWV 243: Chorus: Suscepit Israel | — | ||
| 24 | Magnificat in D major, BWV 243: Chorus: "Sicut locutus est" | — | ||
| 25 | Magnificat, BWV 243: XII. Chor "Gloria Patri" | Münchener Bach-Orchester, Karl Richter | — | |
| 2-1 | String Quartet in A, op. 11 no. 1: I. Moderato | — | ||
| 2-2 | String Quartet in A, op. 11 no. 1: II. Allegretto | — | ||
| 2-3 | String Quartet in D, op. 7 no. 3: I. Allegro spiritoso | — | ||
| 2-4 | String Quartet in D, op. 7 no. 3: II. Sicilana: Un poco presto | — | ||
| 2-5 | String Quartet in F minor, op. 11 no. 5: I. Moderato | — | ||
| 2-6 | String Quartet in F minor, op. 11 no. 5: II. Adagio | — | ||
| 2-7 | String Quartet in F minor, op. 11 no. 5: III. Allegro non tanto | — | ||
| 2-8 | String Quartet in E-flat major, op. 1 no. 5: I. Allegro commodo | — | ||
| 2-9 | String Quartet in E-flat major, op. 1 no. 5: II. Minuetto | — | ||
| 3-1 | 15 Two-part Inventions, BWV 772/786: no. 1 in C major, BWV 772 | — | ||
| 3-2 | 15 Two-part Inventions, BWV 772/786: no. 2 in C minor, BWV 773 | — | ||
| 3-3 | 15 Two-part Inventions, BWV 772/786: no. 3 in D, BWV 774 | — | ||
| 3-4 | 15 Two-part Inventions, BWV 772/786: no. 4 in D minor, BWV 775 | — | ||
| 3-5 | 15 Two-part Inventions, BWV 772/786: no. 5 in E-flat, BWV 776 | — | ||
| 3-6 | 15 Two-part Inventions, BWV 772/786: no. 6 in E, BWV 777 | — | ||
| 3-7 | 15 Two-part Inventions, BWV 772/786: no. 7 in E minor, BWV 778 | — | ||
| 3-8 | 15 Two-part Inventions, BWV 772/786: no. 8 in F, BWV 779 | — | ||
| 3-9 | 15 Two-part Inventions, BWV 772/786: no. 9 in F minor, BWV 780 | — | ||
| 3-10 | 15 Two-part Inventions, BWV 772/786: no. 10 in G, BWV 781 | — | ||
| 3-11 | 15 Two-part Inventions, BWV 772/786: no. 11 in G minor, BWV 782 | — | ||
| 3-12 | 15 Two-part Inventions, BWV 772/786: no. 12 in A, BWV 783 | — | ||
| 3-13 | 15 Two-part Inventions, BWV 772/786: no. 13 in A minor, BWV 784 | — | ||
| 3-14 | 15 Two-part Inventions, BWV 772/786: no. 14 in B-flat, BWV 785 | — | ||
| 3-15 | 15 Two-part Inventions, BWV 772/786: no. 15 in B minor, BWV 786 | — | ||
| 3-16 | 15 Three-part Inventions, BWV 787/801: no. 1 in C, BWV 787 | — | ||
| 3-17 | 15 Three-part Inventions, BWV 787/801: no. 2 in C minor, BWV 788 | — | ||
| 3-18 | 15 Three-part Inventions, BWV 787/801: no. 3 in D, BWV 789 | — | ||
| 3-19 | 15 Three-part Inventions, BWV 787/801: no. 4 in D minor, BWV 790 | — | ||
| 3-20 | 15 Three-part Inventions, BWV 787/801: no. 5 in E-flat, BWV 791 | — | ||
| 3-21 | 15 Three-part Inventions, BWV 787/801: no. 6 in E, BWV 792 | — | ||
| 3-22 | 15 Three-part Inventions, BWV 787/801: no. 7 in E minor, BWV 793 | — | ||
| 3-23 | 15 Three-part Inventions, BWV 787/801: no. 8 in F, BWV 794 | — | ||
| 3-24 | 15 Three-part Inventions, BWV 787/801: no. 9 in F minor, BWV 795 | — | ||
| 3-25 | 15 Three-part Inventions, BWV 787/801: no. 10 in G, BWV 796 | — | ||
| 3-26 | 15 Three-part Inventions, BWV 787/801: no. 11 in G minor, BWV 797 | — | ||
| 3-27 | 15 Three-part Inventions, BWV 787/801: no. 12 in A, BWV 798 | — | ||
| 3-28 | 15 Three-part Inventions, BWV 787/801: no. 13 in A minor, BWV 799 | — | ||
| 3-29 | 15 Three-part Inventions, BWV 787/801: no. 14 in B-flat, BWV 800 | — | ||
| 3-30 | 15 Three-part Inventions, BWV 787/801: no. 15 in in B minor. BWV 801 | — | ||
| 4-1 | Suite for Cello Solo no. 1 in G major, BWV 1007: 1. Prélude | Pierre Fournier | — | |
| 4-2 | Cello Suite no. 1 in G major, BWV 1007: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 4-3 | Cello Suite no. 1 in G major, BWV 1007: III. Courante | Pierre Fournier | — | |
| 4-4 | 무반주 첼로 모음곡 1번 중 "사라방드" [Unaccompanied Cello no. 1, Sarabande] | Pierre Fournier | — | |
| 4-5 | Cello Suite no. 1 in G major, BWV 1007: V. Menuet I/II | Pierre Fournier | — | |
| 4-6 | Cello Suite no. 1 in G major, BWV 1007: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 4-7 | Cello Suite no. 2 in D minor, BWV 1008: I. Prelude | Pierre Fournier | — | |
| 4-8 | Cello Suite no. 2 in D minor, BWV 1008: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 4-9 | Cello Suite no. 2 in D minor, BWV 1008: III. Courante | Pierre Fournier | — | |
| 4-10 | Cello Suite no. 2 in D minor, BWV 1008: IV. Sarabande | Pierre Fournier | — | |
| 4-11 | Cello Suite no. 2 in D minor, BWV 1008: V. Menuet I/II | Pierre Fournier | — | |
| 4-12 | Cello Suite no. 2 in D minor, BWV 1008: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 4-13 | Cello Suite no. 3 in C major, BWV 1009: I. Prelude | Pierre Fournier | — | |
| 4-14 | Cello Suite no. 3 in C major, BWV 1009: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 4-15 | Cello Suite no. 3 in C major, BWV 1009: III. Courante | Pierre Fournier | — | |
| 4-16 | Cello Suite no. 3 in C major, BWV 1009: IV. Sarabande | Pierre Fournier | — | |
| 4-17 | Cello Suite no. 3 in C major, BWV 1009: V. Bourree I/II | Pierre Fournier | — | |
| 4-18 | Cello Suite no. 3 in C major, BWV 1009: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 5-1 | Cello Suite no. 4 in E-flat major, BWV 1010: I. Prelude | Pierre Fournier | — | |
| 5-2 | Cello Suite no. 4 in E-flat major, BWV 1010: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 5-3 | Cello Suite no. 4 in E-flat major, BWV 1010: III. Courante | Pierre Fournier | — | |
| 5-4 | Cello Suite no. 4 in E-flat major, BWV 1010: IV. Sarabande | Pierre Fournier | — | |
| 5-5 | Cello Suite no. 4 in E-flat major, BWV 1010: V. Bourree I/II | Pierre Fournier | — | |
| 5-6 | Cello Suite no. 4 in E-flat major, BWV 1010: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 5-7 | Cello Suite no. 5 in C minor, BWV 1011: I. Prelude | Pierre Fournier | T-925.383.914-4 | |
| 5-8 | Cello Suite no. 5 in C minor, BWV 1011: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 5-9 | Cello Suite no. 5 in C minor, BWV 1011: III. Courante | Pierre Fournier | T-925.383.914-4 | |
| 5-10 | Cello Suite no. 5 in C minor, BWV 1011: IV. Sarabande | Pierre Fournier | — | |
| 5-11 | Cello Suite no. 5 in C minor, BWV 1011: V. Gavotte I/II | Pierre Fournier | — | |
| 5-12 | Cello Suite no. 5 in C minor, BWV 1011: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 5-13 | Cello Suite no. 6 in D major, BWV 1012: I. Prelude | Pierre Fournier | — | |
| 5-14 | Cello Suite no. 6 in D major, BWV 1012: II. Allemande | Pierre Fournier | T-309.901.323-3 | |
| 5-15 | Cello Suite no. 6 in D major, BWV 1012: III. Courante | Pierre Fournier | — | |
| 5-16 | Cello Suite no. 6 in D major, BWV 1012: IV. Sarabande | Pierre Fournier | — | |
| 5-17 | Cello Suite no. 6 in D major, BWV 1012: V. Gavotte I/II | Pierre Fournier | — | |
| 5-18 | Cello Suite no. 6 in D major, BWV 1012: VI. Gigue | Pierre Fournier | T-909.407.008-3 | |
| 6-1 | Mass in B minor: I. Chor: Kyrie eleison | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | T-070.093.418-4 | |
| 6-2 | Mass in B minor: II Duett: Christe eleison | Maria Stader, Hertha Töpper, Münchener Bach-Orchester, Karl Richter | — | |
| 6-3 | Mass in B minor: III. Chor: Kyrie eleison | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | T-070.093.418-4 | |
| 6-4 | Mass in B minor: IV. Chor: Gloria in excelsis Deo | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | T-306.483.198-3 | |
| 6-5 | Mass in B minor: V. Chor: Et in terra pax | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — | |
| 6-6 | Mass in B minor: VI. Arie: Laudamus te | Hertha Töpper, Münchener Bach-Orchester, Karl Richter | T-070.912.952-1 | |
| 6-7 | Mass in B minor: VII. Chor: Gratias agimus tibi | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | T-921.408.876-3 | |
| 6-8 | Mass in B minor: VIII. Duett: Domine Deus | Maria Stader, Ernst Haefliger, Münchener Bach-Orchester, Karl Richter | T-003.010.019-6 | |
| 6-9 | Mass in B minor: IX. Chor: Qui tollis peccata mundi | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — | |
| 6-10 | Mass in B minor: X. Arie: Qui sedes ad dextram Patris | Hertha Töpper, Münchener Bach-Orchester, Karl Richter | — | |
| 6-11 | Mass in B minor: XI. Arie: Quoniam tu solus sanctus | Kieth Engen, Münchener Bach-Orchester, Karl Richter | — | |
| 6-12 | Mass in B minor: XII. Chor: Cum Sancto Spiritu | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — | |
| 7-1 | Mass in B Minor: XIII. Chor: Credo in unum Deum | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — | |
| 7-2 | Mass in B Minor: XIV. Chor: Credo in unum Deum / Patrem omnipotentem | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — | |
| 7-3 | Mass in B Minor: XV. Duett / Et in unum Dominum | Hertha Töpper, Münchener Bach-Orchester, Karl Richter | T-900.147.322-9 | |
| 7-4 | Mass in B Minor: XVI. Chor: Et incarnatus est | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | T-306.483.194-9 | |
| 7-5 | Mass in B Minor: XVII. Chor: Crucifixus | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | T-903.357.002-4 | |
| 7-6 | Mass in B Minor: XVIII. Chor: Et resurrexit | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — | |
| 7-7 | Mass in B Minor: XIX. Arie: Et in Spiritum sanctum | Dietrich Fischer-Dieskau, Münchener Bach-Orchester, Karl Richter | T-915.866.114-4 | |
| 7-8 | Mass in B Minor: XX. Chor: Confiteor unum baptisma | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — | |
| 7-9 | Mass in B Minor: XXI. Chor: Et expecto resurrectionem | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — | |
| 7-10 | Mass in B Minor: XXII. Chor: Sanctus | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | T-922.001.293-1 | |
| 7-11 | Mass in B Minor: XXIII. Chor: Osanna in excelsis | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — | |
| 7-12 | Mass in B Minor: XXIV. Arie: Benedictus, qui venit | Ernst Haefliger, Münchener Bach-Orchester, Karl Richter | T-050.283.177-7 | |
| 7-13 | Mass in B Minor: XXV. Chor: Osanna in excelsis (2) | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | — | |
| 7-14 | Mass in B Minor: XXVI. Arie: Agnus Dei | Hertha Töpper, Münchener Bach-Orchester, Karl Richter | T-302.516.155-7 | |
| 7-15 | Mass in B Minor: XXVII. Chor: Dona nobis pacem | Münchener Bach-Chor, Münchener Bach-Orchester, Karl Richter | T-050.051.776-9 | |
| 8-1 | Music for the Royal Fireworks: Suite HWV 351: I. Ouverture | — | ||
| 8-2 | Music for the Royal Fireworks: Suite HWV 351: II. Bourrée | — | ||
| 8-3 | Music for the Royal Fireworks: Suite HWV 351: III. La paix | — | ||
| 8-4 | Music for the Royal Fireworks: Suite HWV 351: IV. La réjouissance | — | ||
| 8-5 | Music for the Royal Fireworks: Suite HWV 351: V. Menuet I-II | — | ||
| 8-6 | Concerto a due cori no. 2, HWV 333: I. Pomposo | — | ||
| 8-7 | Concerto a due cori no. 2, HWV 333: II. Allegro | — | ||
| 8-8 | Concerto a due cori no. 2, HWV 333: III. A tempo giusto | — | ||
| 8-9 | Concerto a due cori no. 2, HWV 333: IV. Largo | — | ||
| 8-10 | Concerto a due cori no. 2, HWV 333: V. Allegro ma non troppo: Adagio | — | ||
| 8-11 | Concerto a due cori no. 2, HWV 333: VI. A tempo ordinario | — | ||
| 8-12 | Concerto a due cori no. 3, HWV 334: I. Ouverture | — | ||
| 8-13 | Concerto a due cori no. 3, HWV 334: II. Allegro: Allegro ma non troppo | — | ||
| 8-14 | Concerto a due cori no. 3, HWV 334: 2b. Allegro ma non troppo | — | ||
| 8-15 | Concerto a due cori no. 3, HWV 334: III. Adagio | — | ||
| 8-16 | Concerto a due cori no. 3, HWV 334: IV. Andante larghetto | — | ||
| 8-17 | Concerto a due cori no. 3, HWV 334: V. Allegro | — | ||
| 9-1 | Konzert für Trompete und Orchester D-dur: 1.Adagio | Adolf Scherbaum, Kammerorchester des Saarländischen Rundfunks, Karl Ristenpart | — | |
| 9-2 | Konzert für Trompete und Orchester D-dur: 1.Adagio | Adolf Scherbaum, Kammerorchester des Saarländischen Rundfunks, Karl Ristenpart | — | |
| 9-3 | Trumpet Concerto in D major: I. Adagio | — | ||
| 9-4 | Trumpet Concerto in D major: II. Allegro | — | ||
| 9-5 | Concerto in B-flat major for Fagott and Orchestra: I. Allegro | — | ||
| 9-6 | Concerto in B-flat major for Fagott and Orchestra: II. Adagio | — | ||
| 9-7 | Concerto in B-flat major for Fagott and Orchestra: III. Presto | — | ||
| 9-8 | Trumpet Concerto in D, TWV 51:D7: I. Adagio | — | ||
| 9-9 | Trumpet Concerto in D, TWV 51:D7: II. Allegro | — | ||
| 9-10 | Trumpet Concerto in D, TWV 51:D7: III. Grave | — | ||
| 9-11 | Trumpet Concerto in D, TWV 51:D7: IV. Allegro | — | ||
| 9-12 | Concerto in B-flat major For 3 Oboes, 3 Violins And Basso Continuo, TWV 44:43: I. Allegro | — | ||
| 9-13 | Concerto in B-flat major For 3 Oboes, 3 Violins And Basso Continuo, TWV 44:43: II. Largo | — | ||
| 9-14 | Concerto in B-flat major For 3 Oboes, 3 Violins And Basso Continuo, TWV 44:43: III. Allegro | — | ||
| 9-15 | Concerto For Recorder, Flute, Strings And Continuo in E minor, TWV 52:e1: I. Largo | — | ||
| 9-16 | Concerto For Recorder, Flute, Strings And Continuo in E minor, TWV 52:e1: II. Allegro | — | ||
| 9-17 | Concerto For Recorder, Flute, Strings And Continuo in E minor, TWV 52:e1: III. Largo | — | ||
| 9-18 | Concerto For Recorder, Flute, Strings And Continuo in E minor, TWV 52:e1: IV. Presto | — | ||
| 10-1 | Pigmalion: Ouverture | — | ||
| 10-2 | Pigmalion: Scène 1: Fatal, Amour! Cruel vainqueur! | — | ||
| 10-3 | Pigmalion: Scène 2: Pigmalion, est-il possible | — | ||
| 10-4 | Pigmalion: Scène 3: Que d'appas! Que de'attraits! Sa grace enchantresse | — | ||
| 10-5 | Pigmalion: Scène 4: Que vois-je? Ou suis-je? Et par qu'elle puissance | — | ||
| 10-6 | Pigmalion: Scène 5: Du pouvoir de l'Amour ce prodige est l'effet | — | ||
| 10-7 | Pigmalion: Scène dernière: L'Amour triomphe, annoncons sa victoire | — | ||
| 10-8 | Troisième Concert From "Les Indes Galantes": I. Tempête | — | ||
| 10-9 | Troisième Concert From "Les Indes Galantes": II. Air pour les Esclaves Africains | — | ||
| 10-10 | Troisième Concert From "Les Indes Galantes": III. Rigaudon I/II | — | ||
| 10-11 | Troisième Concert From "Les Indes Galantes": IV. Tambourin I/II | — | ||
| 11-1 | Imperii proceres | — | ||
| 11-2 | Carmen in fa | — | ||
| 11-3 | Fortuna in mi | — | ||
| 11-4 | An buos | — | ||
| 11-5 | La morra | — | ||
| 11-6 | Innsbruck, ich muss dich lassen | — | ||
| 11-7 | A la bataglia | — | ||
| 11-8 | Guretzsch (Si dormiero) | — | ||
| 11-9 | J'ay pris amours | — | ||
| 11-10 | Fortuna desperata | — | ||
| 11-11 | Sancti spiritus assit nobis gratia | — | ||
| 11-12 | Tanderac | — | ||
| 11-13 | Noe noe | — | ||
| 11-14 | En l'ombre du busonet | — | ||
| 11-15 | Coment peult | — | ||
| 11-16 | Fors seulement | — | ||
| 11-17 | Carmen in la | — | ||
| 11-18 | Carmen in re | — | ||
| 11-19 | Nasci, pati, mori | — | ||
| 11-20 | Quis dabit oculis nostris | — | ||
| 11-21 | Tandernaken | — | ||
| 11-22 | Naves pont | — | ||
| 11-23 | Vavilment | — | ||
| 11-24 | Fortuna in mi | — | ||
| 11-25 | Carmen Hercules | — | ||
| 11-26 | Si je perdu | — | ||
| 12-1 | The Constant Music Master: Instalment 1, I. Introduzione, Trio à 2 Flauti (Suite) in C major: 1. Grave - Vivace - Andante - Vivace | — | ||
| 12-2 | The Constant Music Master: Instalment 1, I. Introduzione, Trio à 2 Flauti (Suite) in C major: II. Xantippe | — | ||
| 12-3 | The Constant Music Master: Instalment 1, I. Introduzione, Trio à 2 Flauti (Suite) in C major: III. Lucretia (Largo) | — | ||
| 12-4 | The Constant Music Master: Instalment 1, I. Introduzione, Trio à 2 Flauti (Suite) in C major: IV. Corinna | — | ||
| 12-5 | The Constant Music Master: Instalment 1, I. Introduzione, Trio à 2 Flauti (Suite) in C major: V. Clelia | — | ||
| 12-6 | The Constant Music Master: Instalment 1, I. Introduzione, Trio à 2 Flauti (Suite) in C major: VI. Dido | — | ||
| 12-7 | The Constant Music Master: Instalment 1, II. Aria from the Opera "Belsazar" by Mr. Beccau: Das ich mich dir ergeben sollte | — | ||
| 12-8 | The Constant Music Master: Instalment 1, III. Ouverture burlesque (Suite) in D minor: I. Ouverture à la Polonaise | — | ||
| 12-9 | The Constant Music Master: Instalment 1, III. Ouverture burlesque (Suite) in D minor: II. Bourrée | — | ||
| 12-10 | The Constant Music Master: Instalment 1, III. Ouverture burlesque (Suite) in D minor: 3. Loure | — | ||
| 12-11 | The Constant Music Master: Instalment 1, III. Ouverture burlesque (Suite) in D minor: IV. Gavotte en Rondeau | — | ||
| 12-12 | The Constant Music Master: Instalment 1, III. Ouverture burlesque (Suite) in D minor: V. Menuet | — | ||
| 12-13 | The Constant Music Master: Instalment 1, III. Ouverture burlesque (Suite) in D minor: VI. Giga | — | ||
| 12-14 | The Constant Music Master: Instalment 1: IV. L'Hiver pour divers instruments | — | ||
| 12-15 | The Constant Music Master: Instalment 1: V. Presto (dal Sigre. Leopoldo Weiß) | — | ||
| 12-16 | The Constant Music Master: Instalment 1, VI. Aria from the Opera "Eginhard": Vergiss dich selbst, mein schönster Engel | — | ||
| 12-17 | The Constant Music Master: Instalment 2, VII. Sonata di chiesa à diversi stromenti in G minor: I. Grave | — | ||
| 12-18 | The Constant Music Master: Instalment 2, VII. Sonata di chiesa à diversi stromenti in G minor: II. Allabreve | — | ||
| 12-19 | The Constant Music Master: Instalment 2, VII. Sonata di chiesa à diversi stromenti in G minor: III. Adagio | — | ||
| 12-20 | The Constant Music Master: Instalment 2, VII. Sonata di chiesa à diversi stromenti in G minor: IV. Vivace | — | ||
| 12-21 | The Constant Music Master: Instalment 2: VIII. Canon à 3 in Hypodiapente et Hyperdiatessaron | — | ||
| 12-22 | The Constant Music Master: Instalment 2, IX. Aria from the Opera "Eginhard": Nimm dein Herz nur wieder an | — | ||
| 12-23 | The Constant Music Master: Instalment 2: X. Marche et Retraite in F major | — | ||
| 12-24 | The Constant Music Master: Instalment 2, 1I. Duetto à Violino ò Flauto e Viola pomposa in G maj.: 1. Dolce | — | ||
| 12-25 | The Constant Music Master: Instalment 2, 1I. Duetto à Violino ò Flauto e Viola pomposa in G maj.: II. Scherzando | — | ||
| 12-26 | The Constant Music Master: Instalment 2, 1I. Duetto à Violino ò Flauto e Viola pomposa in G maj.: III. Largo e misurato | — | ||
| 12-27 | The Constant Music Master: Instalment 2, 1I. Duetto à Violino ò Flauto e Viola pomposa in G maj.: IV. Vivace e staccato | — | ||
| 12-28 | The Constant Music Master: Instalment 2, 1II. Aria - Poesie von Herrn Prof. Richey: Das Frauenzimmer | — | ||
| 12-29 | The Constant Music Master: Instalment 2: 1III. Air Trompette in C major | — | ||
| 12-30 | The Constant Music Master: Instalment 3, 1IV. Sinfonie à Flûte traverse seule à la Francoise: I. Tendrement | — | ||
| 12-31 | The Constant Music Master: Instalment 3, 1IV. Sinfonie à Flûte traverse seule à la Francoise: II. Gayment | — | ||
| 12-32 | The Constant Music Master: Instalment 3, 1IV. Sinfonie à Flûte traverse seule à la Francoise: III. Gravement | — | ||
| 12-33 | The Constant Music Master: Instalment 3, 1IV. Sinfonie à Flûte traverse seule à la Francoise: 4. Vite | — | ||
| 12-34 | The Constant Music Master: Instalment 3, 1V. Air (by Mr. Des Fontaines): Komm süßer Schlaf | — | ||
| 12-35 | The Constant Music Master: Instalment 3: 1VI. Suite de Clavecin in B-flat major (by Mr.C.Pezold) | — | ||
| 12-36 | The Constant Music Master: Instalment 3: 1VII. La Poste | — | ||
| 13-1 | The Constant Music Master: Instalment 3, 1VIII. Aria from the Opera "Sancio" (by Mr.König): So oft du deinen Schatz wirst küssen | — | ||
| 13-2 | The Constant Music Master: Instalment 3, 1IX. Duetto à 2 Viole da Gamba in A major: I. Affettuoso | — | ||
| 13-3 | The Constant Music Master: Instalment 3, 1IX. Duetto à 2 Viole da Gamba in A major: II. Allegro | — | ||
| 13-4 | The Constant Music Master: Instalment 3, 1IX. Duetto à 2 Viole da Gamba in A major: III. Andante | — | ||
| 13-5 | The Constant Music Master: Instalment 3, 1IX. Duetto à 2 Viole da Gamba in A major: IV. Presto | — | ||
| 13-6 | The Constant Music Master: Instalment 4, 20. Sonata. Oboe solo in A minor: I. Siciliana | — | ||
| 13-7 | The Constant Music Master: Instalment 4, 20. Sonata. Oboe solo in A minor: II. Spirituoso | — | ||
| 13-8 | The Constant Music Master: Instalment 4, 20. Sonata. Oboe solo in A minor: III. Andante | — | ||
| 13-9 | The Constant Music Master: Instalment 4, 20. Sonata. Oboe solo in A minor: IV. Vivace | — | ||
| 13-10 | The Constant Music Master: Instalment 4, 2I. Aria from the Opera "Eginhard": Ergrimmet nicht, ihr holden Augen! | — | ||
| 13-11 | The Constant Music Master: Instalment 4, 2II. Sonata. Dessus de Viole in G major: I. Siciliana | — | ||
| 13-12 | The Constant Music Master: Instalment 4, 2II. Sonata. Dessus de Viole in G major: 2. Vivace | — | ||
| 13-13 | The Constant Music Master: Instalment 4, 2II. Sonata. Dessus de Viole in G major: III. Dolce | — | ||
| 13-14 | The Constant Music Master: Instalment 4, 2II. Sonata. Dessus de Viole in G major: IV. Scherzando | — | ||
| 13-15 | The Constant Music Master: Instalment 4: 2III. Passacaille in B minor (by Mr. Goerner) | — | ||
| 13-16 | The Constant Music Master: Instalment 4: 2IV. Fantasia fürs Clavier in D major (by Mr.Haltmeier) | — | ||
| 13-17 | The Constant Music Master: Instalment 4: 2V. Carillon à 2 Chalumeaux in F major | — | ||
| 13-18 | The Constant Music Master: Instalment 4, 2VI. Fabel from the Opera "Aesopus" by Mr. Mattheson: Die Kuh, doch halt | — | ||
| 13-19 | Der getreue Music-Meister: 27. Aria aus der Opera 'Eginhard' | Ernst Haefliger, Eduard Melkus, Josef Ulsamer | — | |
| 13-20 | The Constant Music Master: Instalment 5: 2VIII. Flauto pastorale in E major | — | ||
| 13-21 | The Constant Music Master: Instalment 5: 2IX. Gigue sans Basse in A minor - by Mr. J.G. Pisendel | — | ||
| 13-22 | The Constant Music Master: Instalment 5, 30. Circul-Canon mit 14 Verkehrungen by Mr. Zelenka: Vide, Domine, et considera laborem meum | — | ||
| 13-23 | The Constant Music Master: Instalment 5, 3I. Sonata. Fagotto solo in F minor: 1. Triste | — | ||
| 13-24 | The Constant Music Master: Instalment 5, 3I. Sonata. Fagotto solo in F minor: II. Allegro | — | ||
| 13-25 | The Constant Music Master: Instalment 5, 3I. Sonata. Fagotto solo in F minor: III. Andante | — | ||
| 13-26 | The Constant Music Master: Instalment 5, 3I. Sonata. Fagotto solo in F minor: IV. Vivace | — | ||
| 13-27 | The Constant Music Master: Instalment 5, 3II. Aria from the Opera "Sancio" - by Mr.König: Es glänzet die Unschuld | — | ||
| 13-28 | The Constant Music Master: Instalment 6, 3III. Sonata. Flauto dolce: I. Cantabile | — | ||
| 13-29 | The Constant Music Master: Instalment 6, 3III. Sonata. Flauto dolce: II. Allegro | — | ||
| 13-30 | The Constant Music Master: Instalment 6, 3III. Sonata. Flauto dolce: 3. Grave | — | ||
| 13-31 | The Constant Music Master: Instalment 6, 3III. Sonata. Flauto dolce: IV. Vivace | — | ||
| 14-1 | The Constant Music Master: Instalment 6, 3IV. Aria from the Opera "Eginhard": Sage mir doch nicht von Liebe | — | ||
| 14-2 | The Constant Music Master: Instalment 6: 3V. Niaise, pour divers instruments in E major (Mr.Kelb | — | ||
| 14-3 | The Constant Music Master: Instalment 6, 3VI. Suite in D major (by Mr. Kreysing, jr.): I. Allemande | — | ||
| 14-4 | The Constant Music Master: Instalment 6, 3VI. Suite in D major (by Mr. Kreysing, jr.): II. Courante | — | ||
| 14-5 | The Constant Music Master: Instalment 6, 3VI. Suite in D major (by Mr. Kreysing, jr.): III. Sarabade | — | ||
| 14-6 | The Constant Music Master: Instalment 6, 3VI. Suite in D major (by Mr. Kreysing, jr.): IV. Gigue | — | ||
| 14-7 | The Constant Music Master: Instalment 6, 3VI. Suite in D major (by Mr. Kreysing, jr.): V. Menuet | — | ||
| 14-8 | The Constant Music Master: Instalment 6: 3VII. Bizarria-Giga in A major (Anonimo) | — | ||
| 14-9 | The Constant Music Master: Instalment 6, 3VIII. Aria à 2 from the Opera "Eginhard": Ich folge dir bis zur Welt Ende | — | ||
| 14-10 | The Constant Music Master: Instalment 7, 3IX. Sonata à Flauto dolce solo in F major: I. Vivace | — | ||
| 14-11 | The Constant Music Master: Instalment 7, 3IX. Sonata à Flauto dolce solo in F major: II. Largo | — | ||
| 14-12 | The Constant Music Master: Instalment 7, 3IX. Sonata à Flauto dolce solo in F major: III. Allegro | — | ||
| 14-13 | The Constant Music Master: Instalment 7, 40. Aria from the Opera "Sancio": Süsse Worte, werte Zeilen | — | ||
| 14-14 | The Constant Music Master: Instalment 7: 4I. Menuet à 2 Cornes de Chasse | — | ||
| 14-15 | The Constant Music Master: Instalment 7, 4II. Suite. Liuta solo (by Mr. Baron): I. Sarabande | — | ||
| 14-16 | The Constant Music Master: Instalment 7, 4II. Suite. Liuta solo (by Mr. Baron): 2. Bourrée | — | ||
| 14-17 | The Constant Music Master: Instalment 7, 4II. Suite. Liuta solo (by Mr. Baron): III. Menuet | — | ||
| 14-18 | The Constant Music Master: Instalment 7, 4III. Aria: Säume nicht, geliebte Schöne! | — | ||
| 14-19 | The Constant Music Master: Instalment 8, 4IV. Sonata. Violino solo in F major (by Sr. Störmer): Allegro molto | — | ||
| 14-20 | The Constant Music Master: Instalment 8, 4V. Partia à Cembalo solo in G major: I. Preludio | — | ||
| 14-21 | The Constant Music Master: Instalment 8, 4V. Partia à Cembalo solo in G major: II. Aria (Dolce) | — | ||
| 14-22 | The Constant Music Master: Instalment 8, 4V. Partia à Cembalo solo in G major: III. Rondeau | — | ||
| 14-23 | The Constant Music Master: Instalment 8, 4V. Partia à Cembalo solo in G major: IV. Menuet | — | ||
| 14-24 | The Constant Music Master: Instalment 8, 4V. Partia à Cembalo solo in G major: 5. Gigue à L'Angloise | — | ||
| 14-25 | The Constant Music Master: Instalment 8, 4VI. Chor from the Opera "Calypso": Gedoppelt schön | — | ||
| 14-26 | The Constant Music Master: Instalment 8, 4VII. Capriccio. Flaute traverso: Allegro - Largo - Vivace - Allegro - Largo - Vivace | — | ||
| 14-27 | The Constant Music Master: Instalment 8, 4VIII. Sonata. Violoncello solo: I. Lento | — | ||
| 14-28 | The Constant Music Master: Instalment 8, 4VIII. Sonata. Violoncello solo: II. Allegro | — | ||
| 14-29 | The Constant Music Master: Instalment 8, 4VIII. Sonata. Violoncello solo: III. Largo | — | ||
| 14-30 | The Constant Music Master: Instalment 8, 4VIII. Sonata. Violoncello solo: IV. Allegro | — | ||
| 14-31 | The Constant Music Master: Instalment 8, 4IX. Aria from the Opera "Aesopus": Bum, bum, bum | — | ||
| 15-1 | The Constant Music Master: Instalment 9: 50. Polonoise. Flauto traverso ò Violino in D major | — | ||
| 15-2 | The Constant Music Master: Instalment 9, 5I. Aria from the Opera "Aesopus": Mehr als der Fluß | — | ||
| 15-3 | The Constant Music Master: Instalment 9, 5II. Sonata. Viola da gamba, senza Cembalo in D major: I. Andante | — | ||
| 15-4 | The Constant Music Master: Instalment 9, 5II. Sonata. Viola da gamba, senza Cembalo in D major: 2. Vivace | — | ||
| 15-5 | The Constant Music Master: Instalment 9, 5II. Sonata. Viola da gamba, senza Cembalo in D major: III. Rezitativ - Arioso (Andante) | — | ||
| 15-6 | The Constant Music Master: Instalment 9, 5II. Sonata. Viola da gamba, senza Cembalo in D major: IV. Vivace | — | ||
| 15-7 | The Constant Music Master: Instalment 9: 5III. Napolitana in G major | — | ||
| 15-8 | The Constant Music Master: Instalment 9: 5IV. Trouble-Fête in C major (by Mr. Goerner) | — | ||
| 15-9 | The Constant Music Master: Instalment 9, 5V. Aria from the Opera "Die verkehrte Welt": Glückselig ist, wer alle Morgen | — | ||
| 15-10 | The Constant Music Master: Instalment 9, 5VI. Duetto in B-flat major à Viola da gamba et Flauto: I. Largo | — | ||
| 15-11 | The Constant Music Master: Instalment 9, 5VI. Duetto in B-flat major à Viola da gamba et Flauto: II. Allegro | — | ||
| 15-12 | The Constant Music Master: Instalment 9, 5VI. Duetto in B-flat major à Viola da gamba et Flauto: III. Largo | — | ||
| 15-13 | The Constant Music Master: Instalment 9, 5VI. Duetto in B-flat major à Viola da gamba et Flauto: IV. Vivace | — | ||
| 15-14 | The Constant Music Master: Instalment 10, 5VII. Intrada, nebst burlesquer Suite in D major: I. Intrada (Spirituoso) | — | ||
| 15-15 | The Constant Music Master: Instalment 10, 5VII. Intrada, nebst burlesquer Suite in D major: II. Lilliputsche Chaconne | — | ||
| 15-16 | The Constant Music Master: Instalment 10, 5VII. Intrada, nebst burlesquer Suite in D major: III. Brobdingnagische Gigue | — | ||
| 15-17 | The Constant Music Master: Instalment 10, 5VII. Intrada, nebst burlesquer Suite in D major: IV. Rêverie der Laputier, nebst ihren Aufweckern | — | ||
| 15-18 | The Constant Music Master: Instalment 10, 5VII. Intrada, nebst burlesquer Suite in D major: V. Loure der gesitteten Houyhnhnms - Furie der unart- igen Yahoos | — | ||
| 15-19 | The Constant Music Master: Instalment 10, 5VIII. Scene from the Opera "Die verkehrte Welt": Dies ist ein Contrapunct | — | ||
| 15-20 | The Constant Music Master: Instalment 10: 5IX. Pastourelle pour divers instruments | — | ||
| 15-21 | The Constant Music Master: Instalment 10, 60. Pièce pour le Clavecin in C major (by Mr. Kreising): (Allegro) | — | ||
| 15-22 | The Constant Music Master: Instalment 10, 6I. Cantata: Ich kann lachen, weinen, scherzen | — | ||
| 15-23 | The Constant Music Master: Instalment 10, 6II. Ouverture (Suite) in G minor Violon ou Hautbois: I. Ouverture (Très vîte) | — | ||
| 15-24 | The Constant Music Master: Instalment 10, 6II. Ouverture (Suite) in G minor Violon ou Hautbois: 2. Sans-Souci | — | ||
| 15-25 | The Constant Music Master: Instalment 10, 6II. Ouverture (Suite) in G minor Violon ou Hautbois: III. Hornpipe | — | ||
| 15-26 | The Constant Music Master: Instalment 10, 6II. Ouverture (Suite) in G minor Violon ou Hautbois: IV. Gavotte | — | ||
| 15-27 | The Constant Music Master: Instalment 10, 6II. Ouverture (Suite) in G minor Violon ou Hautbois: V. Passepied | — | ||
| 15-28 | The Constant Music Master: Instalment 10, 6II. Ouverture (Suite) in G minor Violon ou Hautbois: VI. Vîtement | — | ||
| 16-1 | Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: 3. Allegro | Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair | — | |
| 16-2 | Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: 3. Allegro | Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair | — | |
| 16-3 | Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: 3. Allegro | Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair | — | |
| 16-4 | Concerto for Trumpet, Strings and Harpsichord in D major: 2. Allegro | Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair | — | |
| 16-5 | Concerto for Trumpet, Strings and Harpsichord in D major: 2. Allegro | Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair | — | |
| 16-6 | Trumpet Concerto in D: I. Allegro moderato | — | ||
| 16-7 | Trumpet Concerto in D: II. Andante | — | ||
| 16-8 | Trumpet Concerto in D: III. Allegro | — | ||
| 16-9 | Clarinet Concerto in G major: I. Concerto (Moderato) | — | ||
| 16-10 | Clarinet Concerto in G major: II. Adagio | — | ||
| 16-11 | Clarinet Concerto in G major: III. Allegro | — | ||
| 17-1 | Dido and Aeneas, Z.626: Overture | — | ||
| 17-2 | Dido and Aeneas, Z.626, Act 1: "Shake the cloud from off your brow" | — | ||
| 17-3 | Dido and Aeneas, Z.626, Act 1: "Ah! Belinda"/"Grief increases"/"When monarchs unite" | — | ||
| 17-4 | Dido and Aeneas, Z.626, Act 1: "Whence could so much virtue spring?": "Fear no danger" | — | ||
| 17-5 | Dido and Aeneas, Z.626, Act 1: "See, your royal guest appears"/"Cupid only throws.." | — | ||
| 17-6 | Dido and Aeneas, Z.626, Act 1: "If not for mine, for empire's sake" ... "To the hills and the vales" | — | ||
| 17-7 | Dido and Aeneas, Z.626, Act 1: The Triumphing Dance | — | ||
| 17-8 | Dido and Aeneas, Z.626, Act 2: "Prelude for..."/"Harms our..."/"The Queen"/Ho, ho, ho" | — | ||
| 17-9 | Dido and Aeneas, Z.626, Act 2: "Ruin'd ere the set of sun" ... "But ere we this perform" | — | ||
| 17-10 | Dido and Aeneas, Z.626, Act 2: "In our deep vaulted cell" | — | ||
| 17-11 | Dido and Aeneas, Z.626, Act 2: Echo Dance of Furies | — | ||
| 17-12 | Dido and Aeneas, Z.626, Act 2: Ritornelle: "Thanks to these lonesome vales" - Gitter Ground a Dance | — | ||
| 17-13 | Dido and Aeneas, Z.626, Act 2: "Oft she visits" | — | ||
| 17-14 | Dido and Aeneas, Z.626, Act 2: "Behold, upon my bending spear"/"Haste, haste to town" | — | ||
| 17-15 | Dido and Aeneas, Z.626, Act 2: "Stay, Prince" | — | ||
| 17-16 | Dido and Aeneas, Z.626, Act 2: "Then since our charms have sped": "A Dance" - The Groves Dance | — | ||
| 17-17 | Dido and Aeneas, Z.626, Act 3: Prelude: "Come away, fellow sailors" | — | ||
| 17-18 | Dido and Aeneas, Z.626, Act 3: The Sailors' Dance "See the flags and streamers curling" | — | ||
| 17-19 | Dido and Aeneas, Z.626, Act 3: "Our next motion": "Destructions's our delight" | — | ||
| 17-20 | Dido and Aeneas, Z.626, Act 3: The Witches' Dance | — | ||
| 17-21 | Dido and Aeneas, Z.626, Act 3: "Your counsel all is urg'd in vain": "Great minds against themselves conspire" | — | ||
| 17-22 | Dido and Aeneas, Z.626, Act 3: "Thy hand, Belinda...When I am laid in earth" | — | ||
| 17-23 | Dido and Aeneas, Z.626, Act 3: "With drooping wings...": Cupids´ Dance | — | ||
| 18-1 | Misa mozárabe: I. Praelegendum | — | ||
| 18-2 | Misa mozárabe: II. Tractus | — | ||
| 18-3 | Misa mozárabe: III. Lauda | — | ||
| 18-4 | Misa mozárabe: IV. Missa (Preces: Ecclesiam sanctam catholicam) | — | ||
| 18-5 | Misa mozárabe: V. Nomina Offerentium | — | ||
| 18-6 | Misa mozárabe: VI. Pacem meam | — | ||
| 18-7 | Misa mozárabe: VII. Illatio | — | ||
| 18-8 | Misa mozárabe: VIII. Sanctus | — | ||
| 18-9 | Misa mozárabe: IX. Post Sanctus | — | ||
| 18-10 | Misa mozárabe: X. Credo | — | ||
| 18-11 | Misa mozárabe: 1I. Pater Noster | — | ||
| 18-12 | Misa mozárabe: 1II. Ad confractionem: Gustate | — | ||
| 18-13 | Melodìas litúrgicas: I. Kyrie I (Deus miserator) | — | ||
| 18-14 | Melodìas litúrgicas: II. Kyrie II (Rex magne) | — | ||
| 18-15 | Melodìas litúrgicas: III. Kyrie V (Conditor poli) | — | ||
| 18-16 | Canto Gregoriano: Gloria | Monks of Silos | T-900.132.794-2 | |
| 18-17 | Melodìas litúrgicas: VI. Sacrificum | — | ||
| 18-18 | Melodìas litúrgicas: VII. Sanctus I | — | ||
| 18-19 | Melodìas litúrgicas: VIII. Agnus I | — | ||
| 18-20 | Melodìas litúrgicas: IX. Agnus II | — | ||
| 18-21 | Melodìas litúrgicas: X. Antiphon (Lauda) | — | ||
| 18-22 | Melodìas litúrgicas: 1I. Lamentatio Jeremiae Prophetae Lectio III, Feria VI | — | ||
| 19-1 | Il Secondo Libro di Toccate, F 3: Toccata Quinta in G "Per l'organo sopta I pedali, e senza" | — | ||
| 19-2 | Il Secondo Libro di Toccate, F 3: Toccata Quarta in A "Per l'organo da sonarsi alla levatione" | — | ||
| 19-3 | Il Secondo Libro di Toccate, F 3: Toccata Prima | — | ||
| 19-4 | Il Secondo Libro di Toccate, F 3: Toccata Terza "Per l'organo da sonarsi alla levatione" | — | ||
| 19-5 | Il Secondo Libro di Toccate, F 3: Toccata Sesta "Per l'organo sopra I pedali, e senza" | — | ||
| 19-6 | Toccata dell'ottavo tono in G | — | ||
| 19-7 | Sonata in E minor "Elevazione" | — | ||
| 19-8 | Canzona in G minor | — | ||
| 19-9 | Pensiero per l'organo II in D | — | ||
| 19-10 | Fuga in G | — | ||
| 19-11 | Sonata in F minor | — | ||
| 19-12 | Fuga in E-flat | — | ||
| 20-1 | Ardebat Vincentius | — | ||
| 20-2 | Tantum ergo | — | ||
| 20-3 | Gaudete astra, Gaudete, Astra: I. Gaudete astra | — | ||
| 20-4 | Gaudete astra, Gaudete, Astra: II. in vallibus ad fontes | — | ||
| 20-5 | Gaudete astra, Gaudete, Astra: III. Rufulsit alma lux | — | ||
| 20-6 | Gaudete astra, Gaudete, Astra: IV. Aura infida | — | ||
| 20-7 | O quam suavis: I. Largo: Andante | — | ||
| 20-8 | O quam suavis: II. Adagio | — | ||
| 20-9 | O quam suavis: III. Andante | — | ||
| 20-10 | O quam suavis: IV. Allegro | — | ||
| 20-11 | Beatus vir, Beatus Vir: I. Beatus vir | — | ||
| 20-12 | Beatus vir, Beatus Vir: II. Exortum est | — | ||
| 20-13 | Beatus vir, Beatus Vir: III. Jucundus homo | — | ||
| 20-14 | Beatus vir, Beatus Vir: IV. Gloria patri: Sicut erat | — | ||
| 20-15 | Tento a 4 em Fa | — | ||
| 20-16 | Tento a 4 de 2o tom | — | ||
| 20-17 | Tento a 4 sobre o Vilanicico "Con qué la lavaré" | — | ||
| 20-18 | Outro Tento a 4 de 8o Tom sobra um Tema de Cancao | — | ||
| 20-19 | Premeiro Tento a 4 em Sol | — | ||
| 20-20 | Premeira Fantasia a 4 de 8o Tom | — | ||
| 20-21 | Cancao a 4 glosada | — | ||
| 21-1 | Violin Concerto no. 1 in A minor, BWV 1041: I. Allegro moderato | — | ||
| 21-2 | Violin Concerto no. 1 in A minor, BWV 1041: II. Andante | — | ||
| 21-3 | Violin Concerto no. 1 in A minor, BWV 1041: III. Allegro assai | — | ||
| 21-4 | Violin Concerto no. 2 in E major, BWV 1042: I. Allegro | — | ||
| 21-5 | Violin Concerto no. 2 in E major, BWV 1042: II. Adagio | — | ||
| 21-6 | Violin Concerto no. 2 in E major, BWV 1042: III. Allegro assai | — | ||
| 21-7 | Double Concerto for 2 Violins, Strings & Continuo in D minor, BWV 1043: I. Vivace | — | ||
| 21-8 | Double Concerto for 2 Violins, Strings & Continuo in D minor, BWV 1043: II. Largo ma non tanto | — | ||
| 21-9 | Double Concerto for 2 Violins, Strings & Continuo in D minor, BWV 1043: III. Allegro | — | ||
| 21-10 | Concerto For Viola d'amore, Lute, Strings And Continuo in D minor, RV 540: I. Allegro | — | ||
| 21-11 | Concerto For Viola d'amore, Lute, Strings And Continuo in D minor, RV 540: II. Largo | — | ||
| 21-12 | Concerto For Viola d'amore, Lute, Strings And Continuo in D minor, RV 540: III. Allegro | — | ||
| 22-1 | Psalm 110: Der Herr sprach zu meinem Herren, SWV 22 | — | ||
| 22-2 | Psalm 2 "Warum toben die Heiden" SWV23 | — | ||
| 22-3 | Psalm 6 "Ach, Herr, straf mich nicht in deinem Zorn" SWV 24 | — | ||
| 22-4 | Psalm 130 "Aus der Tiefe ruf ich, Herr, zu dir" SWV 25 | — | ||
| 22-5 | Psalm 122: "Ich freu mich des, das mir geredt ist" SWV 26 | — | ||
| 22-6 | Psalm 8:"Herr, unser Herrscher, wie herrlich ist dein Name" SWV 27 | — | ||
| 22-7 | Psalm 1 "Wohl dem, der nicht wandelt im Rat der Gottlosen" SWV 28 | — | ||
| 22-8 | Psalm 84 "Wie lieblich sind deine Wohnungen" SWV 29 | — | ||
| 22-9 | Psalm 128: "Wohl dem, der den Herren fürchtet" SWV 30 | — | ||
| 22-10 | Psalm 121 "Ich hebe meine Augen auf zu den Bergen" SWV 31 | — | ||
| 22-11 | Psalm 136: "Danket dem Herren, denn er ist freundlich" SWV 32 | — | ||
| 22-12 | Psalm 23 "Der Herr ist mein Hirt" SWV 33 | — | ||
| 22-13 | Psalm 111 "Ich danke dem Herrn von ganzem Herzen" SWV 34 | — | ||
| 23-1 | Psalm 98 "Singet dem Herrn ein neues Lied" SWV 35 | — | ||
| 23-2 | Psalm 100 "Jauchzet dem Herren, alle Welt" SWV 36 | — | ||
| 23-3 | Psalm 137: "An den Wassern zu Babel sassen wir und weineten" SWV 37 | — | ||
| 23-4 | Psalm 150:"Alleluja, lobet den Herren in seinem Heiligtum" SWV 38 | — | ||
| 23-5 | Concert: "Lobe den Herren, meine Seele" SWV 39 | — | ||
| 23-6 | Motet: "Ist nicht Ephraim mein teurer Sohn" SWV 40 | — | ||
| 23-7 | Canzona "Nun lob, mein Seel, den Herren" SWV 41 | — | ||
| 23-8 | Motet: "Die mit Tränen säen" SWV 42 | — | ||
| 23-9 | Psalm 115: "Nicht uns, Herr, sondern deinem Namen gib Ehre" SWV 43 | — | ||
| 23-10 | Psalm 128 (2nd vers.) "Wohl dem, der den Herren fürchtet" SWV 44 | — | ||
| 23-11 | Psalm 136: "Danket dem Herren, denn er ist freundlich" SWV 45 | — | ||
| 23-12 | Concert: "Zion spricht, der Herr hat mich verlassen" SWV 46 | — | ||
| 23-13 | Concert: "Jauchzet dem Herren, alle Welt, singet, rühmet, lobet" SWV 47 | — | ||
| 24-1 | Sacred Music: Pelajon | — | ||
| 24-2 | Sacred Music: Surja Kanta | — | ||
| 24-3 | Sacred Music: Manuk Angutji | — | ||
| 24-4 | Dance Music: Topeng Tua | — | ||
| 24-5 | Dance Music: Taruna Djaja | — | ||
| 25-1 | Waltz in E major | — | ||
| 25-2 | 11 Mödlinger Tänze, WoO17 (1819), Ed. Hugo Riemann: no. 1: 8 | — | ||
| 25-3 | Deutsche Tänze samt Trios und Coda | — | ||
| 25-4 | Five Minuets and Trios for String Quartet, D 89 | — | ||
| 25-5 | 4 komische Ländler, D 354 | — | ||
| 25-6 | Linzer Tanz. Wiener Polka | — | ||
| 25-7 | Ungarischer Galopp in F major | — | ||
| 26-1 | Lute Music: England: The King of Denmark, His Galliard | — | ||
| 26-2 | Lute Music: England: Lachrimae Antiquae Pavan | — | ||
| 26-3 | Lute Music: England: A Fantasia | — | ||
| 26-4 | Lute Music: England: Lady Hunsdon's Puffe | — | ||
| 26-5 | Lute Music: England: Melancholy Galliard | — | ||
| 26-6 | Lute Music: England: Mrs. Winter's Jump | — | ||
| 26-7 | Lute Music: England: Semper Dowland, Semper Dolens | — | ||
| 26-8 | Lute Music: England: The Earl of Essex, His Galliard | — | ||
| 26-9 | Lute Music: England: Forlorne Hope Fancy | — | ||
| 26-10 | Lute music: England: Mounsiers Almaine | — | ||
| 26-11 | Lute music: England: Pavan | — | ||
| 26-12 | Lute music: England: Almain | — | ||
| 26-13 | Lute music: England: Greensleeves | — | ||
| 26-14 | Lute music: England: Walsingham | — | ||
| 26-15 | Lute music: England: The Squirrel's Toy | — | ||
| 26-16 | Lute music: Sir John Smith his Almaine: England | — | ||
| 26-17 | Lute music: England: Pavan | — | ||
| 26-18 | Lute music: England: Alman | — | ||
| 26-19 | Lute music: England: Galliard | — | ||
| 27-1 | L'Orfeo, SV 318, Prologo: Toccata | — | ||
| 27-2 | L'Orfeo, SV 318, Prologo: Ritornello-Dal mio Permesso amato | — | ||
| 27-3 | L'Orfeo, SV 318, Act 1: "In questo lieto e fortunato giorno": "Vieni, Imeneo" - "Muse, onor di Parnasso" | — | ||
| 27-4 | L'Orfeo, SV 318, Act 1: "Lasciate i monti": "Ma tu, gentil cantor" | — | ||
| 27-5 | L'Orfeo, SV 318, Act 1: "Rosa del ciel": "Io non dirò qual sia" - "Lasciate i monti" - "Vieni, Imeneo" | — | ||
| 27-6 | L'Orfeo, SV 318, Act 1: "Ma se il nostro gioir": "Ecco Orfeo" | — | ||
| 27-7 | L'Orfeo, SV 318, Act 2: Sinfonia: "Ecco pur ch'a voi ritorno" | — | ||
| 27-8 | L'Orfeo, SV 318, Act 2: "Mira che sè n'alletta": "Dunque fa degni, Orfeo" | — | ||
| 27-9 | L'Orfeo, SV 318, Act 2: "Vi ricorda, o bosch'ombrosi": "Mira, deh mira" | — | ||
| 27-10 | L'Orfeo, SV 318, Act 2: "Ahi, caso acerbo": "Tu sei morta" | — | ||
| 27-11 | L'Orfeo, SV 318, Act 2: "Ahi, caso acerbo": "Ma io, che in questa lingua" - Sinfonia | — | ||
| 27-12 | L'Orfeo, SV 318, Act 2: "Chi ne consola, ahi lassi?": "Ahi, caso acerbo" | — | ||
| 28-1 | L'Orfeo, SV 318, Act 3: Sinfonia: "Scorto da te, mio nume" - "Ecco l'atra palude" - "Dove, ah, dove te'n vai" | — | ||
| 28-2 | L'Orfeo, SV 318, Act 3: O tu, ch'innanzi morte | — | ||
| 28-3 | L'Orfeo, SV 318, Act 3: Sinfonia: "Possente spirto" | — | ||
| 28-4 | L'Orfeo, SV 318, Act 3: "Ben mi lusinga": "Ahi, sventurato amante" - Sinfonia - "Ei dorme" | — | ||
| 28-5 | L'Orfeo, SV 318, Act 3: Sinfonia: "Nulla impresa per uom" - Sinfonia | — | ||
| 28-6 | L'Orfeo, SV 318, Act 4: Signor, quell'infelice | — | ||
| 28-7 | L'Orfeo, SV 318, Act 4: "Pietade, oggi, e amore": "Ecco il gentil cantore" | — | ||
| 28-8 | L'Orfeo, SV 318, Act 4: "Qual onor di te": "Rott' hai la legge" | — | ||
| 28-9 | L'Orfeo, SV 318, Act 4: "Ahi, vista troppo dolce": "Torna a L'ombre di morte" - "Dove te'n vai, ma vita" | — | ||
| 28-10 | L'Orfeo, SV 318, Act 4: Sinfonia: "È la virtute un raggio" - Sinfonia | — | ||
| 28-11 | L'Orfeo, SV 318, Act 5: Questi i campi di Tracia | — | ||
| 28-12 | L'Orfeo, SV 318, Act 5: Sinfonia: "Perché a lo sdegno" | — | ||
| 28-13 | L'Orfeo, SV 318, Act 5: "Vanne Orfeo": Moresca | — | ||
| 28-14 | L'Orfeo, SV 318, Act 5: Toccata | — | ||
| 29-1 | String Quartet no. 1 in E-flat major (1814): I. Adagio: Allegro agitato | — | ||
| 29-2 | String Quartet no. 1 in E-flat major (1814): II. Larghetto sans lenteur | — | ||
| 29-3 | String Quartet no. 1 in E-flat major (1814): III. Scherzo: Allegretto moderato | — | ||
| 29-4 | String Quartet no. 1 in E-flat major (1814): IV. Finale: Allegra assai | — | ||
| 29-5 | String Quartet no. 2 in C major (1829): I. Lento: Allegro | — | ||
| 29-6 | String Quartet no. 2 in C major (1829): II. Lento | — | ||
| 29-7 | String Quartet no. 2 in C major (1829): III. Scherzo: Allegro assai | — | ||
| 29-8 | String Quartet no. 2 in C major (1829): IV. Finale: Allegro vivace | — | ||
| 30-1 | String Quartet no. 3 in D minor (1834): I. Allegro comodo | — | ||
| 30-2 | String Quartet no. 3 in D minor (1834): II. Larghetto sostenuto | — | ||
| 30-3 | String Quartet no. 3 in D minor (1834): III. Scherzo | — | ||
| 30-4 | String Quartet no. 3 in D minor (1834): IV. Finale: Allegro risoluto | — | ||
| 30-5 | String Quartet no. 4 in E major (1835): I. Allegro maestoso | — | ||
| 30-6 | String Quartet no. 4 in E major (1835): II. Larghetto | — | ||
| 30-7 | String Quartet no. 4 in E major (1835): III. Scherzo | — | ||
| 30-8 | String Quartet no. 4 in E major (1835): IV. Finale: Allegro assai | — | ||
| 31-1 | String Quartet no. 5 in F major (1835): I. Moderato assai | — | ||
| 31-2 | String Quartet no. 5 in F major (1835): II. Adagio | — | ||
| 31-3 | String Quartet no. 5 in F major (1835): III. Scherzo: Allegro non troppo | — | ||
| 31-4 | String Quartet no. 5 in F major (1835): IV. Finale: Allegro vivace | — | ||
| 31-5 | String Quartet no. 6 in A minor (1837): I. Allegro moderato | — | ||
| 31-6 | String Quartet no. 6 in A minor (1837): II. Andantino grazioso | — | ||
| 31-7 | String Quartet no. 6 in A minor (1837): III. Scherzo: Allegro | — | ||
| 31-8 | String Quartet no. 6 in A minor (1837): IV. Finale: Allegro affettuoso | — | ||
| 32-1 | Sonata for Arpeggione and Piano in A minor, D. 821: I. Allegro moderato | — | ||
| 32-2 | Sonata for Arpeggione and Piano in A minor, D. 821: II. Adagio | — | ||
| 32-3 | Sonata for Arpeggione and Piano in A minor, D. 821: III. Allegretto | — | ||
| 32-4 | Introduction & Variations for flute & piano, D.802 (op. 160) | — | ||
| 33-1 | Viderunt omnes fines terre | Early Music Consort of London, David Munrow | — | |
| 33-2 | Music of the Gothic Era: Notre Dame Period: II. "Alleluya Pascha nostrum" | — | ||
| 33-3 | Music of the Gothic Era: Notre Dame Period: III. "Gaude Maria Virgo" | — | ||
| 33-4 | Music of the Gothic Era: Notre Dame Period: IV. "Locus iste" | — | ||
| 33-5 | Music of the Gothic Era: Notre Dame Period: Viderunt omnes | — | ||
| 33-6 | Music of the Gothic Era: Notre Dame Period: Sederunt principes | — | ||
| 33-7 | Alle psallite cum luya | Early Music Consort of London, David Munrow | — | |
| 33-8 | Music of the Gothic Era: Ars antiqua: Amor potest | — | ||
| 33-9 | Music of the Gothic Era: Ars antiqua: S'on me regarde | — | ||
| 33-10 | In mari miserie | Early Music Consort of London, David Munrow | — | |
| 33-11 | Music of the Gothic Era: Ars antiqua: On parole de batre | — | ||
| 33-12 | Music of the Gothic Era: Ars antiqua: En mai, quant rosier sont | — | ||
| 33-13 | Music of the Gothic Era: Ars antiqua: Dominator Domine | — | ||
| 33-14 | Music of the Gothic Era: Ars antiqua: El mois de mai | — | ||
| 33-15 | Music of the Gothic Era: Ars antiqua: O mitissima | — | ||
| 34-1 | Music of the Gothic Era: Ars antiqua: "Hoquetus I-VII - Neuma / Virgo / in seculum longum / " D'Amiens longum / In seculum" | — | ||
| 34-2 | Aucun ont trouvé | — | ||
| 34-3 | De ma dame vient | — | ||
| 34-4 | J’os bien a m’amie parler | David Munrow, Early Music Consort of London | — | |
| 34-5 | Music of the Gothic Era: Ars antiqua: La mesnie fauveline | — | ||
| 34-6 | Music of the Gothic Era: Ars nova: Quant je le voi | — | ||
| 34-7 | Music of the Gothic Era: Ars nova: Zelus familie | — | ||
| 34-8 | Music of the Gothic Era: Ars nova: Quasi non ministerium | — | ||
| 34-9 | Impudentur circumivi | Early Music Consort of London, David Munrow | — | |
| 34-10 | Cum statua nabucodonasor | Early Music Consort of London, David Munrow | — | |
| 34-11 | Pantheon abluitur | — | ||
| 34-12 | Clap, clap, par un matin | Early Music Consort of London, David Munrow | — | |
| 34-13 | Ida capillorum | — | ||
| 34-14 | Rachel plorat filios | — | ||
| 34-15 | Music of the Gothic Era: Ars nova: Lés l'ormel a la turelle | — | ||
| 34-16 | Music of the Gothic Era: Ars nova: O Philippe, Franci qui generis | — | ||
| 34-17 | Music of the Gothic Era: Ars nova: Febus mundo oriens | — | ||
| 34-18 | Lasse! comment oublieray | — | ||
| 34-19 | Qui es promesses de fortune | James Bowman, Charles Brett, David Munrow, Early Music Consort of London | — | |
| 34-20 | Hoquetus David | — | ||
| 34-21 | Christe, qui lux es | — | ||
| 34-22 | Music of the Gothic Era: Ars nova: Degentis vita | — | ||
| 34-23 | Music of the Gothic Era: Ars nova: Inter densas deserti | — | ||
| 34-24 | Rex Karole, Johannis genite | — | ||
| 35-1 | Missa "L'homme armé super voces musicales": I. Kyrie | — | ||
| 35-2 | Missa "L'homme armé super voces musicales": II. Gloria | — | ||
| 35-3 | Missa "L'homme armé super voces musicales": III. Credo | — | ||
| 35-4 | Missa "L'homme armé super voces musicales": IV. Sanctus | — | ||
| 35-5 | Missa "L'homme armé super voces musicales": V. Agnus Dei | — | ||
| 35-6 | Huc me sydereo / Plangent eum | Pro Cantione Antiqua, Bruno Turner | — | |
| 35-7 | Musae Jovis (Lament on the death of Josquin) | — | ||
| 35-8 | O mors inevitabilis / Requiem aeternam | — | ||
| 36-1 | Praeludium und Fuge in E major | — | ||
| 36-2 | Passacaglia in d minor BuxWV161 | — | ||
| 36-3 | Praeludium and Fuga in g minor (BuxWV 149) | — | ||
| 36-4 | Praeludium und Fuge in E minor (BuxWV 142) | — | ||
| 36-5 | "Warum betrübst du dich, mein Herz" (Cantio sacra) | — | ||
| 36-6 | Präludium und Fuge in d-moll, BuxWV 140 | Helmut Walcha | — | |
| 36-7 | Ciacona in E minor for organ | — | ||
| 36-8 | Praeludium und Fuge in F major BuxWV 145 | — | ||
| 37-1 | Praeludium und Fuge in E minor ("The Great") | — | ||
| 37-2 | "Jesus Christus, unser Heiland" (Choral-Variationen) | — | ||
| 37-3 | Praeludium und Fuge in F-sharp minor BuxWV 146 | — | ||
| 37-4 | Fantasia Chromatica I | — | ||
| 37-5 | Praeludium und Fuge in E minor | — | ||
| 37-6 | Praeludium und Fuge in D major BuxWV 139 | — | ||
| 37-7 | "Komm, Heiliger Geist, Herre Gott" (Choral Prelude) | — | ||
| 37-8 | Praeludium und Fuge in D minor | — | ||
| 37-9 | Praeludium und Fuge in C major | — | ||
| 38-1 | Praeludium und Fuge in G major | — | ||
| 38-2 | Ciacona in C minor BuxWV 159 | — | ||
| 38-3 | Praeludium und Fuge in G minor | — | ||
| 38-4 | Prelude, Fugue and Ciacona in C, BuxWV 137 | — | ||
| 38-5 | "O Lamm Gottes, unschuldig" (Choral Prelude) | — | ||
| 38-6 | Ciacona in F minor | — | ||
| 38-7 | Praeludium und Fuge in E major BuxWV 141 | — | ||
| 39-1 | Wiegenlied, op.13, no. 2 J. 96: Schlaf, Herzenssöhnchen | — | ||
| 39-2 | "Sanftes Licht", op.13, no. 4 J. 72 | — | ||
| 39-3 | Die Schäferstunde, op.13, no. 1 J. 91: Endlich hatte Damon sie gefunden | — | ||
| 39-4 | "Maedel schau mir ins Gesicht", op.13, no. 3 J. 52 | — | ||
| 39-5 | Lied aus Preciosa, op.78 J. 279: Einsam bin ich nicht alleine | — | ||
| 39-6 | Canzonetta, op.29, no. 2 J. 124: Heitere Tage | — | ||
| 39-7 | Canzonetta, op.29, no. 3 J. 120: In euren Blicken | — | ||
| 39-8 | Canzonetta, op.29, no. 1 J. 108: Weh! Dass geschieden | — | ||
| 39-9 | Romanze, J. 195: Ein Koenig einst gefangen | — | ||
| 39-10 | Die Zeit, op.13, no. 5 J. 97: Es sitzt die Zeit im weissen Kleid | — | ||
| 39-11 | Ich sah ein Röschen am Wege stehn, op. 15, no. 5 J.67 | — | ||
| 39-12 | Der kleine Fritz an seine jungen Freunde, op.15, no. 3 J. 74: Ach, wenn ich nur ein Liebchen haette | — | ||
| 39-13 | "Was zieht zu deinem Zauberkreise", op.15, no. 4 J. 68 | — | ||
| 39-14 | Bach, Echo und Kuss, op.71, no. 2 J. 243: Das Maedchen ging die Wiese lang | — | ||
| 39-15 | Liebe: Gluehen, op.25, no. 1 J. 140: In der Berge Riesenschatten | — | ||
| 39-16 | Der arme Minnesaenger, op.25, no. 2 J. 110: Ueber die Berge mit Ungestuem | — | ||
| 39-17 | "Lass mich schlummern, Herzlein, schweige", op.25, no. 3 J. 112 | — | ||
| 39-18 | Bettlerlied, op.25, no. 4 J. 137: Ich und mein junges Weib | — | ||
| 39-19 | Des Künstlers Abschied, op. 71, no. 6, J.105: Auf die stuermische See hinaus | — | ||
| 40-1 | Baryton Trio in D major, Hob. XI:61: I. Allegro | — | ||
| 40-2 | Baryton Trio in D major, Hob. XI:61: II. Andantino | — | ||
| 40-3 | Baryton Trio in D major, Hob. XI:61: III. Menuet: Allegretto | — | ||
| 40-4 | Baryton Trio in D minor, Hob. XI:52: I. Adagio | — | ||
| 40-5 | Baryton Trio in D minor, Hob. XI:52: II. Allegro | — | ||
| 40-6 | Baryton Trio in D minor, Hob. XI:52: III. Menuet alla zippa / Trio al contrario | — | ||
| 40-7 | Baryton Trio in C major, Hob. XI:101, Baryton Trio no. 101 in C: I. Allegro | — | ||
| 40-8 | Baryton Trio in C major, Hob. XI:101, Baryton Trio no. 101 in C: II. Menuet | — | ||
| 40-9 | Baryton Trio in C major, Hob. XI:101, Baryton Trio no. 101 in C: III. Finale: Fuga a 3 soggetti in contrappunto doppio | — | ||
| 40-10 | Baryton Trio in B minor, Hob. XI:96, Baryton Trio no. 96 in B minor: I. Largo | — | ||
| 40-11 | Baryton Trio in B minor, Hob. XI:96, Baryton Trio no. 96 in B minor: II. Allegro | — | ||
| 40-12 | Baryton Trio in B minor, Hob. XI:96, Baryton Trio no. 96 in B minor: III. Menuet | — | ||
| 40-13 | Baryton Trio in D major, Hob. XI:44: I. Allegro di molto | — | ||
| 40-14 | Baryton Trio in D major, Hob. XI:44: II. Adagio | — | ||
| 40-15 | Baryton Trio in D major, Hob. XI:44: III. Menuet | — | ||
| 41-1 | Acis and Galatea, HWV 49, First Version: Sinfonia | — | ||
| 41-2 | Acis and Galatea, HWV 49, First Version: Oh, the pleasure of the plains | — | ||
| 41-3 | Acis and Galatea, HWV 49, First Version: Ye verdant plains | — | ||
| 41-4 | Acis and Galatea, HWV 49, First Version: Hush, ye pretty warbling quire | — | ||
| 41-5 | Acis and Galatea, HWV 49, First Version: Where shall I seek the charming fair | — | ||
| 41-6 | Acis and Galatea, HWV 49, First Version: Stay, shepherd, stay | — | ||
| 41-7 | Acis and Galatea, HWV 49, First Version: Shepherd, what art thou pursuing | — | ||
| 41-8 | Acis and Galatea, HWV 49, First Version: Lo! here my love | — | ||
| 41-9 | Acis and Galatea, HWV 49, First Version: Love in her eyes sits playing | — | ||
| 41-10 | Acis and Galatea, HWV 49, First Version: Oh! didst thou know | — | ||
| 41-11 | Acis and Galatea, HWV 49, First Version: As when the dove laments her love | — | ||
| 41-12 | Acis and Galatea, HWV 49, First Version: Happy we | — | ||
| 42-1 | Acis and Galatea, HWV 49, First Version: Wretched lovers | — | ||
| 42-2 | Acis and Galatea, HWV 49, First Version: I rage, I melt, I burn | — | ||
| 42-3 | Acis and Galatea, HWV 49, First Version: O ruddier than the cherry | — | ||
| 42-4 | Acis and Galatea, HWV 49, First Version: Whither, fairest, art thou running | — | ||
| 42-5 | Acis and Galatea, HWV 49, First Version: Cease to beauty to be suing | — | ||
| 42-6 | Acis and Galatea, HWV 49, First Version: Would you gain the tender creature | — | ||
| 42-7 | Acis and Galatea, HWV 49, First Version: His hideous love | — | ||
| 42-8 | Acis and Galatea, HWV 49, First Version: Love sounds th'alarm | — | ||
| 42-9 | Acis and Galatea, HWV 49, First Version: Consider, fond shepherd | — | ||
| 42-10 | Acis and Galatea, HWV 49, First Version: Cease, o cease | — | ||
| 42-11 | Acis and Galatea, HWV 49, First Version: The flocks shall leave the mountains | — | ||
| 42-12 | Acis and Galatea, HWV 49, First Version: Help, Galatea | — | ||
| 42-13 | Acis and Galatea, HWV 49, First Version: Mourn, all ye Muses | — | ||
| 42-14 | Acis and Galatea, HWV 49, First Version: Must I my Acis still bemoan | — | ||
| 42-15 | Acis and Galatea, HWV 49, First Version: 'Tis done | — | ||
| 42-16 | Acis and Galatea, HWV 49, First Version: Heart, the seat of soft delight | — | ||
| 42-17 | Acis and Galatea, HWV 49, First Version: Galatea, dry thy tears | — | ||
| 43-1 | Lamentation Faste Sur La Mort De Ferdinand III (1657) | — | ||
| 43-2 | Suite no. 1 in E minor: I. Allemande | — | ||
| 43-3 | Suite no. 1 in E minor: II. Gigue | — | ||
| 43-4 | Suite no. 1 in E minor: III. Courante | — | ||
| 43-5 | Suite no. 1 in E minor: IV. Sarabande | — | ||
| 43-6 | Suite no. 2 in A: I. Allemande | — | ||
| 43-7 | Suite no. 2 in A: II. Gigue | — | ||
| 43-8 | Suite no. 2 in A: III. Courante | — | ||
| 43-9 | Suite no. 2 in A: IV. Sarabande | — | ||
| 43-10 | Suite no. 3 in G minor: I. Allemande | — | ||
| 43-11 | Suite no. 3 in G minor: II. Gigue | — | ||
| 43-12 | Suite no. 3 in G minor: III. Courante | — | ||
| 43-13 | Suite no. 3 in G minor: IV. Sarabande | — | ||
| 43-14 | Suite no. 4 in A minor: I. Allemande | — | ||
| 43-15 | Suite no. 4 in A minor: II. Gigue | — | ||
| 43-16 | Suite no. 4 in A minor: III. Courante | — | ||
| 43-17 | Suite no. 4 in A minor: IV. Sarabande | — | ||
| 43-18 | Suite no. 5 in D: I. Allemande | — | ||
| 43-19 | Suite no. 5 in D: II. Gigue | — | ||
| 43-20 | Suite no. 5 in D: III. Courante | — | ||
| 43-21 | Suite no. 5 in D: IV. Sarabande | — | ||
| 43-22 | Suite no. 6 in C: I. Lamento. Sopra la dolorosa perdita della Real Magistà dix Ferdinando IV, Rè de Romani | — | ||
| 43-23 | Suite no. 6 in C: II. Gigue | — | ||
| 43-24 | Suite no. 6 in C: III. Courante | — | ||
| 43-25 | Suite no. 6 in C: IV. Sarabande | — | ||
| 44-1 | Ouverture No. 1, BWV 1066: I. Ouverture | The English Concert, Trevor Pinnock | T-702.622.103-6 | |
| 44-2 | Ouverture No. 1 in C major, BWV 1066: II. Courante | The English Concert, Trevor Pinnock | T-309.901.323-3 | |
| 44-3 | Ouverture No. 1 in C major, BWV 1066: III. Gavotte I/II | The English Concert, Trevor Pinnock | — | |
| 44-4 | Ouverture No. 1 in C major, BWV 1066: IV. Forlane | The English Concert, Trevor Pinnock | — | |
| 44-5 | Ouverture No. 1 in C major, BWV 1066: V. Menuet I/II | The English Concert, Trevor Pinnock | — | |
| 44-6 | Ouverture No. 1 in C major, BWV 1066: VI. Bourree I/II | The English Concert, Trevor Pinnock | — | |
| 44-7 | Ouverture No. 1 in C major, BWV 1066: VII. Passepied I/II | The English Concert, Trevor Pinnock | — | |
| 44-8 | Ouverture No. 2 in B minor, BWV 1067: I. Ouverture | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | T-702.622.103-6 | |
| 44-9 | Ouverture No. 2 in B minor, BWV 1067: II. Rondeau | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | — | |
| 44-10 | Ouverture No. 2 in B minor, BWV 1067: III. Sarabande | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | — | |
| 44-11 | Ouverture No. 2 in B minor, BWV 1067: IV. Bourree I/II | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | — | |
| 44-12 | Ouverture No. 2 in B minor, BWV 1067: V. Polonaise | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | — | |
| 44-13 | Ouverture No. 2 in B minor, BWV 1067: VI. Menuet | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | T-011.654.484-3 | |
| 44-14 | Ouverture no. 2 in B minor, BWV 1067: VII. Badinerie | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | T-011.654.484-3 | |
| 44-15 | Ouverture No. 3 in D major, BWV 1068: I. Ouverture | The English Concert, Trevor Pinnock | T-702.622.103-6 | |
| 44-16 | Suite no. 3 in D, BWV 1068: II. Air | Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert | T-914.248.874-2 | |
| 44-17 | Ouverture No. 3 in D major, BWV 1068: III. Gavotte I/II | The English Concert, Trevor Pinnock | — | |
| 44-18 | Ouverture No. 3 in D major, BWV 1068: IV. Bourree | The English Concert, Trevor Pinnock | — | |
| 44-19 | Ouverture No. 3 in D major, BWV 1068: V. Gigue | The English Concert, Trevor Pinnock | — | |
| 44-20 | Ouverture No. 4 in D major, BWV 1069: I. Ouverture | The English Concert, Trevor Pinnock | T-702.622.103-6 | |
| 44-21 | Ouverture No. 4, BWV 1069: II. Bourree I/II | The English Concert, Trevor Pinnock | — | |
| 44-22 | Ouverture No. 4 in D major, BWV 1069: III. Gavotte | The English Concert, Trevor Pinnock | — | |
| 44-23 | Ouverture No. 4 in D major, BWV 1069: IV. Menuet I/II | The English Concert, Trevor Pinnock | — | |
| 44-24 | Ouverture No. 4 in D major, BWV 1069: V. Rejouissance | The English Concert, Trevor Pinnock | — | |
| 45-1 | Musical Offering, BWV 1079: I. Ricercar a 3 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 45-2 | Musical Offering, BWV 1079: II. Canon perpetuus a 2 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 45-3 | Musical Offering, BWV 1079: III. Canon a 2 violini in unisono | Musica Antiqua Köln, Reinhard Goebel | — | |
| 45-4 | Musical Offering, BWV 1079: IV. Canon a 2 per motum contrarium | Musica Antiqua Köln, Reinhard Goebel | — | |
| 45-5 | Musical Offering, BWV 1079: V. Canon a 2 per augmentationem, contrario motu | Musica Antiqua Köln, Reinhard Goebel | — | |
| 45-6 | Musical Offering, BWV 1079: VI. Canon a 2 per tonos | Musica Antiqua Köln, Reinhard Goebel | — | |
| 45-7 | Musical Offering, BWV 1079: VII. Fuga canonica in epidiapente | Musica Antiqua Köln, Reinhard Goebel | — | |
| 45-8 | Musical Offering, BWV 1079: VIII. Canon perpetuus super thema regium | Musica Antiqua Köln, Reinhard Goebel | — | |
| 45-9 | Musical Offering, BWV 1079: IX. Canon perpetuus | Musica Antiqua Köln, Reinhard Goebel | — | |
| 45-10 | Musical Offering, BWV 1079: Canon a 2 | — | ||
| 45-11 | Musical Offering, BWV 1079: Canon a 4 | — | ||
| 45-12 | Musical Offering, BWV 1079: Sonata a 3: I Largo | — | ||
| 45-13 | Musical Offering, BWV 1079: Sonata a 3: II Allegro | — | ||
| 45-14 | Musical Offering, BWV 1079: Sonata a 3: III Andante | — | ||
| 45-15 | Musical Offering, BWV 1079: Sonata a 3: IV Allegro | — | ||
| 45-16 | Musical Offering, BWV 1079: Ricercar a 6 | — | ||
| 45-17 | Canon trias harmonica a8, BWV 1072 | — | ||
| 45-18 | Canon a4 perpetua, BWV 1073 | — | ||
| 45-19 | Canon a4, BWV 1074 | — | ||
| 45-20 | Canon a2 perpetua, BWV 1075 | — | ||
| 45-21 | Canon triplex a6, BWV 1076 | — | ||
| 45-22 | Canone doppio sopr'il soggetto, BWV 1077 | — | ||
| 45-23 | Kanon zu zwei Stimmen, BWV 1086/1078: Canon Concordia discors, a 2, BWV 1086 | — | ||
| 45-24 | Canon super fa mi a7 post tempus musicum, BWV 1078 | — | ||
| 45-25 | Vierzehn Kanons: I. Canon simplex | — | ||
| 45-26 | Vierzehn Kanons: II. All'roverscio | — | ||
| 45-27 | Vierzehn Kanons: III. Beede vorigen Canons zugleich, Motu recto e contrario | — | ||
| 45-28 | Vierzehn Kanons: IV. Motu contrario e recto | — | ||
| 45-29 | Vierzehn Kanons: V. Canon duplex, a 4 | — | ||
| 45-30 | Vierzehn Kanons: VI. Canon simplex über besagtes Fundament, a 3 | — | ||
| 45-31 | Vierzehn Kanons: VII. Idem, a 3 | — | ||
| 45-32 | Vierzehn Kanons: VIII. Canon simplex, a 3, il soggetto in Alto | — | ||
| 45-33 | Vierzehn Kanons: IX. Canon in unisono post semifusam, a3 | — | ||
| 45-34 | Vierzehn Kanons: 10a. Alio modo, per syncoptiones et per ligatures, a 2 10b. Evolutio | — | ||
| 45-35 | Vierzehn Kanons: 1I. Canon duplex übers Fundament, a 5 | — | ||
| 45-36 | Vierzehn Kanons: 1II. Canon duplex über besagte Fundament-Noten, a 5 | — | ||
| 45-37 | Vierzehn Kanons: 1III. Canon triplex, a 6 | — | ||
| 45-38 | Vierzehn Kanons: 1IV. Canon a 4 per Augmentationem et Deminutionem | — | ||
| 46-1 | Service in B-flat (Z.230): Benedicite omnia opera | — | ||
| 46-2 | Te Deum Laudamus and Jubilate Deo in D major, Z.232: Te Deum Laudamus | — | ||
| 46-3 | Te Deum Laudamus and Jubilate Deo in D major, Z.232: Jubilate Deo | — | ||
| 46-4 | Service in B-flat (Z.230): Cantate Domino | — | ||
| 46-5 | Service in B-flat (Z.230): Deus misereatur | — | ||
| 46-6 | Service in B-flat (Z.230): Magnificat | — | ||
| 46-7 | Service in B-flat (Z.230): Nunc dimittis | — | ||
| 46-8 | Evening Service in G minor (Z.231), Ed. M. Bevan: Magnificat | — | ||
| 46-9 | Evening Service in G minor (Z.231), Ed. M. Bevan: Nunc dimittis | — | ||
| 46-10 | O God, Thou has cast us out, Z.36 | — | ||
| 46-11 | O Lord God of Hosts (Verse Anthem), Z37 | — | ||
| 46-12 | Remember not, Lord, our offences (Z.50) | — | ||
| 46-13 | Lord, how long wilt thou be angry? (Z.25) | — | ||
| 46-14 | O God, Thou Art My God, Z35 | — | ||
| 47-1 | Man that is born of a woman (Z.27) | — | ||
| 47-2 | Thou knowest, Lord, the secrets of our hearts (Z.58c) | — | ||
| 47-3 | Jehova, quam multi sunt hostes mei (Z.135) | — | ||
| 47-4 | My heart is inditing (Z.30) | — | ||
| 47-5 | O sing unto the Lord (Z.34) | — | ||
| 47-6 | "My beloved spake" (Z.28) | — | ||
| 47-7 | They that go down to the sea in ships (Z.57) | — | ||
| 47-8 | Praise the Lord, O Jerusalem (Z.46) | — | ||
| 48-1 | 6 Concerti Armonici, no. 1 in G major: I. Grave | — | ||
| 48-2 | 6 Concerti Armonici, no. 1 in G major: II. Allegro | — | ||
| 48-3 | 6 Concerti Armonici, no. 1 in G major: III. Grave, staccato | — | ||
| 48-4 | 6 Concerti Armonici, no. 1 in G major: IV. Allegro | — | ||
| 48-5 | 6 Concerti Armonici, no. 2 in B-flat major: I. Largo | — | ||
| 48-6 | 6 Concerti Armonici, no. 2 in B-flat major: II. Da capella. Non presto | — | ||
| 48-7 | 6 Concerti Armonici, no. 2 in B-flat major: III. Largo affetuoso | — | ||
| 48-8 | 6 Concerti Armonici, no. 2 in B-flat major: IV. Allegro | — | ||
| 48-9 | 6 Concerti Armonici, no. 3 in A major: I. Grave assai sostenuto - | — | ||
| 48-10 | 6 Concerti Armonici, no. 3 in A major: II. Canone di Palestrina | — | ||
| 48-11 | 6 Concerti Armonici, no. 3 in A major: III. Largo andante | — | ||
| 48-12 | 6 Concerti Armonici, no. 3 in A major: IV. Vivace | — | ||
| 48-13 | 6 Concerti Armonici, no. 4 in G major: I. Adagio | — | ||
| 48-14 | 6 Concerti Armonici, no. 4 in G major: II. Da capella | — | ||
| 48-15 | 6 Concerti Armonici, no. 4 in G major: III. A tempo commodo | — | ||
| 48-16 | 6 Concerti Armonici, no. 4 in G major: IV. A tempo giusto | — | ||
| 48-17 | 6 Concerti Armonici, no. 5 in F minor: I. Largo andante | — | ||
| 48-18 | 6 Concerti Armonici, no. 5 in F minor: II. Da Capella. Presto | — | ||
| 48-19 | 6 Concerti Armonici, no. 5 in F minor: III. Largo affettuoso | — | ||
| 48-20 | 6 Concerti Armonici, no. 5 in F minor: IV. Allegro moderato e staccato | — | ||
| 48-21 | 6 Concerti Armonici, no. 6 in E-flat major: I. Affettuoso | — | ||
| 48-22 | 6 Concerti Armonici, no. 6 in E-flat major: II. Presto: Largo | — | ||
| 48-23 | 6 Concerti Armonici, no. 6 in E-flat major: III. Largo | — | ||
| 48-24 | 6 Concerti Armonici, no. 6 in E-flat major: IV. Vivace | — | ||
| 49-1 | 6 Oboe Concertos "La Cetra", Concerto no. 1 in D major: I. Allegro assai | — | ||
| 49-2 | 6 Oboe Concertos "La Cetra", Concerto no. 1 in D major: II. Larghetto | — | ||
| 49-3 | 6 Oboe Concertos "La Cetra", Concerto no. 1 in D major: III. Vivace | — | ||
| 49-4 | 6 Oboe Concertos "La Cetra", Concerto no. 2 in E major: I. Allegro assai | — | ||
| 49-5 | 6 Oboe Concertos "La Cetra", Concerto no. 2 in E major: II. Moderato | — | ||
| 49-6 | 6 Oboe Concertos "La Cetra", Concerto no. 2 in E major: III. Spiritoso, ma non troppo | — | ||
| 49-7 | 6 Oboe Concertos "La Cetra", Concerto no. 3 in B minor: I. Andante larghetto | — | ||
| 49-8 | 6 Oboe Concertos "La Cetra", Concerto no. 3 in B minor: II. Adagio | — | ||
| 49-9 | 6 Oboe Concertos "La Cetra", Concerto no. 3 in B minor: III. Presto | — | ||
| 49-10 | 6 Oboe Concertos "La Cetra", Concerto no. 4 in E minor: I. Moderato | — | ||
| 49-11 | 6 Oboe Concertos "La Cetra", Concerto no. 4 in E minor: II. Largo appoggiato | — | ||
| 49-12 | 6 Oboe Concertos "La Cetra", Concerto no. 4 in E minor: III. Allegro | — | ||
| 49-13 | 6 Oboe Concertos "La Cetra", Concerto no. 5 in B-flat major: I. Moderato | — | ||
| 49-14 | 6 Oboe Concertos "La Cetra", Concerto no. 5 in B-flat major: II. Larghetto staccato | — | ||
| 49-15 | 6 Oboe Concertos "La Cetra", Concerto no. 5 in B-flat major: III. Presto, ma non molto | — | ||
| 49-16 | 6 Oboe Concertos "La Cetra", Concerto no. 6 in G major: I. Allegro | — | ||
| 49-17 | 6 Oboe Concertos "La Cetra", Concerto no. 6 in G major: II. Larghetto, con sordini | — | ||
| 49-18 | 6 Oboe Concertos "La Cetra", Concerto no. 6 in G major: III. Vivace | — | ||
| 50-1 | Aria della Battaglia à 8 | — | ||
| 50-2 | La Battaglia per cantar e sonar à 8 | — | ||
| 50-3 | Canzon in echo à 8 | — | ||
| 50-4 | Canzon A 12 in Echo | — | ||
| 50-5 | Pianto d'Erinna | — | ||
| 50-6 | Il Lamento: "Su'l Rodano severo" | — | ||
| 50-7 | Pavana: El Bisson (à 4) | — | ||
| 50-8 | Lamento di Iole: "Uccidimi dolore" | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: 2. Andante | Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair | T-802.445.410-3 |
| Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: 1. Allegro | Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair | T-800.184.797-9 |
| Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: 3. Allegro | Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair | — |
| Concerto for Trumpet, Strings and Harpsichord in D major: 1. Adagio | Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair | — |
| Concerto for Trumpet, Strings and Harpsichord in D major: 2. Allegro | Maurice André, Hilde Noe, Münchener Kammerorchester, Hans Stadlmair | — |
