UPC · Release
Various Artists
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028947962205 is the Universal Product Code (UPC barcode) for the release “111: The Violin: Legendary Recordings” by Various Artists, released 2016-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 482 tracks, each with its own ISRC. Tracks include DEF057730801, DEF057730802, DEF057730803.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 24 Capricci per violino solo, op. 1: 1. Andante. E-dur | Salvatore Accardo | T-010.437.719-6 | |
| 2 | 24 Capricci per violino solo, op. 1: 2. Moderato. h-moll | Salvatore Accardo | — | |
| 3 | 24 Capricci per violino solo, op. 1: 3. Sostenuto - Presto - Sostenuto. e-moll | Salvatore Accardo | — | |
| 4 | 24 Capricci per violino solo, op. 1: 4. Maestoso. c-moll | Salvatore Accardo | — | |
| 5 | 24 Capricci per violino solo, op. 1: 5. Agitato. a-moll | Salvatore Accardo | T-902.571.014-9 | |
| 6 | 24 Capricci per violino solo, op. 1: 6. Lento. g-moll | Salvatore Accardo | — | |
| 7 | 24 Capricci per violino solo, op. 1: 7. Posato. a-moll | Salvatore Accardo | — | |
| 8 | 24 Capricci per violino solo, op. 1: 8. Maestoso. Es-dur | Salvatore Accardo | — | |
| 9 | 24 Capricci per violino solo, op. 1: 9. Allegretto. E-dur | Salvatore Accardo | T-010.437.719-6 | |
| 10 | 24 Capricci per violino solo, op. 1: 10. Vivace. g-moll | Salvatore Accardo | — | |
| 11 | 24 Capricci per violino solo, op. 1: 11. Andante - Presto - Tempo I. C-dur | Salvatore Accardo | — | |
| 12 | 24 Capricci per violino solo, op. 1: 12. Allegro. As-dur | Salvatore Accardo | T-906.148.797-6 | |
| 13 | 24 Capricci per violino solo, op. 1: 13. Allegro. B-dur | Salvatore Accardo | T-902.571.014-9 | |
| 14 | 24 Capricci per violino solo, op. 1: 14. Moderato. Es-dur | Salvatore Accardo | T-906.148.797-6 | |
| 15 | 24 Capricci per violino solo, op. 1: 15. Posato. e-moll | Salvatore Accardo | — | |
| 16 | 24 Capricci per violino solo, op. 1: 16. Presto. g-moll | Salvatore Accardo | — | |
| 17 | 24 Capricci per violino solo, op. 1: 17. Sostenuto - Andante. Es-dur | Salvatore Accardo | — | |
| 18 | 24 Capricci per violino solo, op. 1: 18. Corrente - Allegro. C-dur | Salvatore Accardo | — | |
| 19 | 24 Capricci per violino solo, op. 1: 19. Lento - Allegro assai. Es-dur | Salvatore Accardo | T-906.148.797-6 | |
| 20 | 24 Capricci per violino solo, op. 1: 20. Allegretto. D-dur | Salvatore Accardo | — | |
| 21 | 24 Capricci per violino solo, op. 1: 21. Amoroso - Presto. A-dur | Salvatore Accardo | T-902.571.014-9 | |
| 22 | 24 Capricci per violino solo, op. 1: 22. Marcato. F-dur | Salvatore Accardo | — | |
| 23 | 24 Capricci per violino solo, op. 1: 23. Posato. Es-dur | Salvatore Accardo | T-906.148.797-6 | |
| 24 | Caprice Op. 1, No. 24 pour violon seul | Salvatore Accardo | T-902.571.014-9 | |
| 2-1 | Violin Concerto no. 1 in D major, op. 6: III. Rondo: Allegro spiritoso | Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser | — | |
| 2-2 | Violin Concerto no. 1 in D major, op. 6: III. Rondo: Allegro spiritoso | Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser | — | |
| 2-3 | Violin Concerto no. 1 in D major, op. 6: III. Rondo: Allegro spiritoso | Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser | — | |
| 2-4 | Concerto N. 2 Op. 7: III. Rondò "La Campanella" | Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser | — | |
| 2-5 | Concerto N. 2 Op. 7: III. Rondò "La Campanella" | Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser | — | |
| 2-6 | Concerto N. 2 Op. 7: III. Rondò "La Campanella" | Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser | — | |
| 3-1 | Violin Concerto no. 1, op. 77: I. Nocturne: Moderato | Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | — | |
| 3-2 | Violin Concerto no. 1, op. 77: II. Scherzo: Allegro | Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | — | |
| 3-3 | Violin Concerto no. 1, op. 77: III. Passacaglia: Andante - Cadenza | Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | — | |
| 3-4 | Violin Concerto no. 1, op. 77: IV. Burlesque: Allegro con brio - Presto | Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | — | |
| 3-5 | V & V | Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | T-801.794.611-2 | |
| 3-6 | Seven Dolls' Dances: Lyrical Waltz | Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | — | |
| 3-7 | Spiegel im Spiegel | Lisa Batiashvili, Hélène Grimaud | — | |
| 3-8 | Vocalise, op. 34 no. 14 | Lisa Batiashvili, Hélène Grimaud | T-900.222.366-7 | |
| 4-1 | Concerto for Violin and Strings in B-flat major, RV 583 "in due cori": I. Largo e spiccato - Allegro non molto | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 4-2 | Concerto for Violin and Strings in B-flat major, RV 583 "in due cori": II. Andante | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 4-3 | Concerto for Violin and Strings in B-flat major, RV 583 "in due cori": III. Allegro | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 4-4 | Concerto for Violin, Strings and Continuo in E minor, RV 278: I. Allegro molto - Andantino | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 4-5 | Concerto for Violin, Strings and Continuo in E minor, RV 278: II. Largo | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | T-911.640.005-6 | |
| 4-6 | Concerto for Violin, Strings and Continuo in E minor, RV 278: III. Allegro | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 4-7 | Concerto for Violin in G major, Op. 3 No. 9: I. Allegro - Capriccio - Cadenza - Allegro | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 4-8 | Concerto for Violin in G major, Op. 3 No. 9: II. Largo | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 4-9 | Concerto for Violin in G major, Op. 3 No. 9: III. Allegro - Capriccio - Allegro | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | T-306.395.786-4 | |
| 4-10 | Concerto for Violin, Strings and Continuo in A major, D 96: I. Allegro | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 4-11 | Concerto for Violin, Strings and Continuo in A major, D 96: II. Adagio | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 4-12 | Concerto for Violin, Strings and Continuo in A major, D 96: III. [Presto] | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 4-13 | Concerto for Violin, Strings and Continuo in A major, D 96: II. Largo andante in E major[Alternative] | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 5-1 | Violin Concerto in C major, Hob. VIIa:1: I. Allegro moderato: 1. Cadenza | Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia | — | |
| 5-2 | Violin Concerto in C major, Hob. VIIa:1: II. Cadenza | Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia | — | |
| 5-3 | Violin Concerto in C major, Hob. VIIa:1: III. Finale (Presto) | Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia | — | |
| 5-4 | Violin Concerto in A, Hob. VIIa:3: I. Moderato | Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia | — | |
| 5-5 | Violin Concerto in A, Hob. VIIa:3: II. Adagio: 2. Cadenza | Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia | — | |
| 5-6 | Violin Concerto in A, Hob. VIIa:3: III. Finale (Allegro): 3. Cadenza | Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia | — | |
| 5-7 | Violin Concerto in G, Hob. VIIa:4: I. Allegro moderato | Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia | — | |
| 5-8 | Violin Concerto in G, Hob. VIIa:4: II. Adagio: 2. Cadenza | Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia | — | |
| 5-9 | Violin Concerto in G, Hob. VIIa:4: III. Allegro | Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia | — | |
| 6-1 | Sonate für Violine und Klavier Es-dur, op. 18: 1. Allegro, ma non troppo | Kyung Wha Chung, Krystian Zimerman | — | |
| 6-2 | Sonate für Violine und Klavier Es-dur, op. 18: 2. Improvisation. Andante cantabile | Kyung Wha Chung, Krystian Zimerman | — | |
| 6-3 | Sonate für Violine und Klavier Es-dur, op. 18: 3. Finale. Andante - Allegro | Kyung Wha Chung, Krystian Zimerman | — | |
| 6-4 | Sonate für Violine und Klavier h-moll: 1. Moderato | Kyung Wha Chung, Krystian Zimerman | — | |
| 6-5 | Sonate für Violine und Klavier h-moll: 2. Andante espressivo | Kyung Wha Chung, Krystian Zimerman | — | |
| 6-6 | Sonate für Violine und Klavier h-moll: 3. (Passacaglia). Allegro moderato ma energico | Kyung Wha Chung, Krystian Zimerman | — | |
| 7-1 | Violin Sonata in A: I. Allegro moderato | Augustin Dumay, Maria João Pires | T-312.207.822-8 | |
| 7-2 | Violin Sonata in A: II. Allegro | Augustin Dumay, Maria João Pires | — | |
| 7-3 | Violin Sonata in A: III. Recitativo, Fantasia | Augustin Dumay, Maria João Pires | — | |
| 7-4 | Violin Sonata in A: IV. Allegro poco mosso | Augustin Dumay, Maria João Pires | — | |
| 7-5 | Sonata for Violin and Piano in G minor, L. 140: I. Allegro vivo | Augustin Dumay, Maria João Pires | — | |
| 7-6 | Violin Sonata in G minor: II. Intermède | Augustin Dumay, Maria João Pires | — | |
| 7-7 | Violin Sonata in G minor: III. Finale: Très Animé | Augustin Dumay, Maria João Pires | — | |
| 7-8 | Berceuse sur le nom de Gabriel Fauré | Augustin Dumay, Maria João Pires | — | |
| 7-9 | Pièce en forme de Habañera | Augustin Dumay, Maria João Pires | — | |
| 7-10 | Tzigane | Augustin Dumay, Maria João Pires | T-003.017.816-5 | |
| 8-1 | Sonate pour violon et piano n° 1 en la mineur, op. 105: 1. Mit leidenschaftlichem Ausdruck | Christian Ferras, Pierre Barbizet | — | |
| 8-2 | Sonate pour violon et piano n° 1 en la mineur, op. 105: 2. Allegretto | Christian Ferras, Pierre Barbizet | — | |
| 8-3 | Sonate pour violon et piano n° 1 en la mineur, op. 105: 3. Lebhaft | Christian Ferras, Pierre Barbizet | — | |
| 8-4 | Romances pour violon et piano, op. 94: N° 1: Nicht schnell (Moderato) | Christian Ferras, Pierre Barbizet | — | |
| 8-5 | Romances pour violon et piano, op. 94: N° 2: Einfach, innig (Semplice, affetuoso) | Pierre Barbizet, Christian Ferras | T-312.439.208-7 | |
| 8-6 | Romances pour violon et piano, op. 94: N° 3: Nicht schnell (Moderato) | Christian Ferras, Pierre Barbizet | — | |
| 8-7 | Sonate pour violon et piano, op. 121: I. Ziemlich langsam - Lebhaft | Christian Ferras, Pierre Barbizet | — | |
| 8-8 | Sonate pour violon et piano, op. 121: II. Sehr lebhaft | Christian Ferras, Pierre Barbizet | — | |
| 8-9 | Sonate pour violon et piano, op. 121: III. Leise, einfach | Christian Ferras, Pierre Barbizet | — | |
| 8-10 | Sonate pour violon et piano, op. 121: IV. Bewegt | Christian Ferras, Pierre Barbizet | — | |
| 9-1 | Sonata for Violin and Piano no. 5 in F, op. 24: "Spring": I. Allegro | David Garrett, Alexander Markovich | T-011.422.353-8 | |
| 9-2 | Sonata for Violin and Piano no. 5 in F, op. 24: "Spring": II. Adagio molto espressivo | David Garrett, Alexander Markovich | — | |
| 9-3 | Sonata for Violin and Piano no. 5 in F, op. 24: "Spring": III. Scherzo (Allegro molto) | David Garrett, Alexander Markovich | — | |
| 9-4 | Sonata for Violin and Piano no. 5 in F, op. 24: "Spring": IV. Rondo (Allegro ma non troppo) | David Garrett, Alexander Markovich | T-031.682.208-8 | |
| 9-5 | Partita for Violin Solo no. 2 in D minor, BWV 1004: I. Allemande | David Garrett | — | |
| 9-6 | Partita for Violin Solo no. 2 in D minor, BWV 1004: II. Corrente | David Garrett | — | |
| 9-7 | Partita for Violin Solo no. 2 in D minor, BWV 1004: III. Sarabande | David Garrett | — | |
| 9-8 | Partita for Violin Solo no. 2 in D minor, BWV 1004: IV. Giga | David Garrett | — | |
| 9-9 | Partita for Violin Solo no. 2 in D minor, BWV 1004: V. Ciaccona | David Garrett | — | |
| 9-10 | Adagio for Violin and Orchestra in E, K. 261: Adagio | David Garrett, Alexander Markovich | T-318.588.465-1 | |
| 10-1 | Sonata con tre violini (XXI from Canzoni et Sonate, 1615) | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10-2 | Sonata sopra l'aria di Ruggiero | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10-3 | Sonate a tre violini | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10-4 | Passacaglio a 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10-5 | Sonata sopra la Monica | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10-6 | Ecco a tre violini | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10-7 | Capriccio | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10-8 | Sonata detta la Polaca | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10-9 | Sonata a tre violini | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-1 | Sonata for Violin and Harpsichord no. 1 in B minor, BWV 1014: I. Adagio | Reinhard Goebel, Robert Hill | — | |
| 11-2 | Sonata for Violin and Harpsichord no. 1 in B minor, BWV 1014: II. Allegro | Reinhard Goebel, Robert Hill | — | |
| 11-3 | Sonata for Violin and Harpsichord no. 1 in B minor, BWV 1014: III. Andante | Reinhard Goebel, Robert Hill | T-801.724.839-5 | |
| 11-4 | Sonata for Violin and Harpsichord no. 1 in B minor, BWV 1014: IV. Allegro | Reinhard Goebel, Robert Hill | T-318.676.528-2 | |
| 11-5 | Sonata for Violin and Harpsichord no. 2 in A major, BWV 1015: I. [without tempo indication] | Reinhard Goebel, Robert Hill | T-800.184.797-9 | |
| 11-6 | Sonata for Violin and Harpsichord no. 2 in A major, BWV 1015: II. Allegro assai | Reinhard Goebel, Robert Hill | — | |
| 11-7 | Sonata for Violin and Harpsichord no. 2 in A major, BWV 1015: III. Andante un poco | Reinhard Goebel, Robert Hill | — | |
| 11-8 | Sonata for Violin and Harpsichord no. 2 in A major, BWV 1015: IV. Presto | Reinhard Goebel, Robert Hill | T-318.676.528-2 | |
| 11-9 | Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: I. Adagio | Reinhard Goebel, Robert Hill | — | |
| 11-10 | Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: II. Allegro | Reinhard Goebel, Robert Hill | — | |
| 11-11 | Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: III. Adagio ma non tanto | Reinhard Goebel, Robert Hill | — | |
| 11-12 | Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: IV. Allegro | Reinhard Goebel, Robert Hill | T-318.676.528-2 | |
| 11-13 | Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: I. Siciliano (Largo) | Reinhard Goebel, Robert Hill | — | |
| 11-14 | Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: II. Allegro | Reinhard Goebel, Robert Hill | — | |
| 11-15 | Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: III. Adagio ma non tanto | Reinhard Goebel, Robert Hill | — | |
| 11-16 | Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: IV. Allegro assai | Reinhard Goebel, Robert Hill | T-318.676.528-2 | |
| 11-17 | Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: I. Largo | Reinhard Goebel, Robert Hill | T-070.160.313-5 | |
| 11-18 | Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: II. Allegro | Reinhard Goebel, Robert Hill | — | |
| 11-19 | Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: III. Adagio | Reinhard Goebel, Robert Hill | — | |
| 11-20 | Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: IV. Vivace | Reinhard Goebel, Robert Hill | — | |
| 12-1 | Concerto for Violin and Orchestra in B minor, op. 61: I. Allegro | Hilary Hahn, London Symphony Orchestra, Sir Colin Davis | — | |
| 12-2 | Concerto for Violin and Orchestra in B minor, op. 61: II. Andante | Hilary Hahn, London Symphony Orchestra, Sir Colin Davis | — | |
| 12-3 | Concerto for Violin and Orchestra in B minor, op. 61: III. Allegro molto | Hilary Hahn, London Symphony Orchestra, Sir Colin Davis | — | |
| 12-4 | The Lark Ascending | Hilary Hahn, London Symphony Orchestra, Sir Colin Davis | — | |
| 13-1 | Concerto for violin and orchestra, op. 36: I. Poco allegro | Hilary Hahn, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 13-2 | Concerto for violin and orchestra, op. 36: II. Andante grazioso | Hilary Hahn, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 13-3 | Concerto for violin and orchestra, op. 36: III. Finale. Allegro | Hilary Hahn, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 13-4 | Concerto for violin and orchestra in D minor, op. 47: I. Allegro moderato | Hilary Hahn, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 13-5 | Concerto for violin and orchestra in D minor, op. 47: II. Adagio di molto | Hilary Hahn, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 13-6 | Concerto for violin and orchestra in D minor, op. 47: III. Allegro, ma non tanto | Hilary Hahn, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 14-1 | From the Canebrake, op. 5 no. 1 | Jascha Heifetz, Milton Kaye | — | |
| 14-2 | Jamaican Rumba | Jascha Heifetz, Milton Kaye | — | |
| 14-3 | Beau Soir | Jascha Heifetz, Milton Kaye | — | |
| 14-4 | Pièce en forme de habanera | Jascha Heifetz, Milton Kaye | T-307.747.531-7 | |
| 14-5 | Levee Dance op. 27 no. 2 | Jascha Heifetz, Milton Kaye | — | |
| 14-6 | Paraphrase on “Largo al factotum” from G. Rossini’s opera “Il barbiere di Siviglia” | Jascha Heifetz, Milton Kaye | — | |
| 14-7 | Jeannie With the Light Brown Hair | Jascha Heifetz, Milton Kaye | T-909.701.482-9 | |
| 14-8 | A la valse | Jascha Heifetz, Milton Kaye | — | |
| 14-9 | Humoresque in G-flat major, op. 101 no. 7 | Jascha Heifetz, Milton Kaye | — | |
| 14-10 | Gweedore Brae | Jascha Heifetz, Milton Kaye | — | |
| 14-11 | Old Folks at Home | Jascha Heifetz, Milton Kaye | — | |
| 14-12 | Traditional: Deep River | Jascha Heifetz, Milton Kaye | — | |
| 14-13 | Viennese · Wienerisch | Jascha Heifetz, Milton Kaye | — | |
| 14-14 | White Christmas | Jascha Heifetz, Salvador Camarata | T-004.026.559-5 | |
| 14-15 | Porgy and Bess: Summertime | Jascha Heifetz, Emanuel Bay | T-909.513.321-4 | |
| 14-16 | Porgy and Bess: A Woman Is A Sometime Thing | Jascha Heifetz, Emanuel Bay | T-901.121.953-7 | |
| 14-17 | Porgy and Bess: My Man’s Gone Now | Jascha Heifetz, Emanuel Bay | T-070.024.203-0 | |
| 14-18 | Porgy and Bess, opera: Act II, Scene II. "It Ain't Necessarily So" | Jascha Heifetz, Emanuel Bay | T-900.757.862-3 | |
| 14-19 | Porgy and Bess: Tempo di Blues “There’s A Boat That’s Leavin’ Soon For New York” | Jascha Heifetz, Emanuel Bay | T-070.178.366-5 | |
| 14-20 | Porgy and Bess: Bess, You Is My Woman Now | Jascha Heifetz, Emanuel Bay | T-900.082.355-2 | |
| 14-21 | Three Preludes: I. Allegro ben ritmato e deciso | Jascha Heifetz, Emanuel Bay | — | |
| 14-22 | Three Preludes: II. Andante con moto e poco rubato | Jascha Heifetz, Emanuel Bay | — | |
| 14-23 | Three Preludes: III. Allegro ben ritmato e deciso | Jascha Heifetz, Emanuel Bay | — | |
| 15-1 | An Outlandish Suite: No. 2. Florida Night Song | Jascha Heifetz, Emanuel Bay | — | |
| 15-2 | Golliwog’s Cakewalk | Emanuel Bay, Jascha Heifetz | — | |
| 15-3 | Clair de lune | Jascha Heifetz, Emanuel Bay | — | |
| 15-4 | Ao pé da fogueira | Jascha Heifetz, Emanuel Bay | — | |
| 15-5 | Huella, op. 49 (Canción argentina) | Jascha Heifetz, Emanuel Bay | — | |
| 15-6 | Prelude in C-sharp minor, op. 34 no. 10 | Jascha Heifetz, Emanuel Bay | — | |
| 15-7 | Prelude in D-flat major, op. 34 no. 15 | Jascha Heifetz, Emanuel Bay | — | |
| 15-8 | Waves at Play | Jascha Heifetz, Emanuel Bay | — | |
| 15-9 | March (from The Love for Three Oranges) | Jascha Heifetz, Emanuel Bay | — | |
| 15-10 | Masks, from Romeo and Juliet | Jascha Heifetz, Emanuel Bay | — | |
| 15-11 | Hexapoda (5 Studies in Jitteroptera): Gut-Bucket Gus | Jascha Heifetz, Emanuel Bay | — | |
| 15-12 | Hexapoda (5 Studies in Jitteroptera): Jane Shakes Her Hair | Jascha Heifetz, Emanuel Bay | — | |
| 15-13 | Hexapoda (5 Studies in Jitteroptera): Betty and Harold Close Their Eyes | Jascha Heifetz, Emanuel Bay | — | |
| 15-14 | Hexapoda: 4. Jim Jives | Jascha Heifetz, Emanuel Bay | — | |
| 15-15 | Hexapoda: 5. ...Till Dawn Sunday | Jascha Heifetz, Emanuel Bay | — | |
| 15-16 | The Ballad of Mack the Knife, from The Threepenny Opera | Jascha Heifetz, Emanuel Bay | — | |
| 15-17 | Mélodie in E-flat (no. 3, Souvenir d'un lieu cher, op. 42) | Jascha Heifetz, Emanuel Bay | — | |
| 15-18 | Nocturne in E-flat, op. 55 no. 2 | Jascha Heifetz, Emanuel Bay | — | |
| 15-19 | Mélodie, from Orphée et Euridice | Jascha Heifetz, Emanuel Bay | — | |
| 15-20 | Bird as prophet, from Waldszenen | Jascha Heifetz, Emanuel Bay | — | |
| 15-21 | Hymn to the Sun, from The Golden Cockerel | Jascha Heifetz, Emanuel Bay | — | |
| 15-22 | Dance no. 4 | Jascha Heifetz, Emanuel Bay | — | |
| 15-23 | Hungarian Dance no. 7 in A major | Jascha Heifetz, Emanuel Bay | — | |
| 15-24 | The Swan (from Carnival of the Animals) | Jascha Heifetz, Emanuel Bay | — | |
| 15-25 | Size Pictures, op. 30: No. 4. Hills | Jascha Heifetz, Emanuel Bay | — | |
| 15-26 | Small Concert Pieces, op. 21: No. 4. Moto perpetuo | Emanuel Bay, Jascha Heifetz | T-070.110.285-3 | |
| 15-27 | Lullaby (from Jocelyn) | Bing Crosby, Emanuel Bay, Jascha Heifetz, Victor Young | — | |
| 15-28 | Where My Caravan Has Rested | Bing Crosby, Emanuel Bay, Jascha Heifetz, Victor Young | — | |
| 15-29 | When You Make Love to Me (Don’t Make Believe) | Jim Hoyl | T-070.199.264-4 | |
| 16-1 | Imitazione delle campane | Daniel Hope, Deutsches Kammerorchester Berlin, Simon Halsey | — | |
| 16-2 | I giorni | Jacques Ammon, Daniel Hope, Deutsches Kammerorchester Berlin, Simon Halsey | T-005.514.580-6 | |
| 16-3 | Echorus | Daniel Hope, Chie Peters, Deutsches Kammerorchester Berlin, Simon Halsey | T-072.523.714-8 | |
| 16-4 | Cantique de Jean Racine, op. 11 | Daniel Hope, Deutsches Kammerorchester Berlin, Rundfunkchor Berlin, Simon Halsey | T-300.950.284-1 | |
| 16-5 | Adagio sognando From 24 Preludes, op. 46 | Daniel Hope, Jacques Ammon | — | |
| 16-6 | Fratres | Deutsches Kammerorchester Berlin, Simon Halsey, Daniel Hope | — | |
| 16-8 | Musica universalis | Daniel Hope, Jacques Ammon, Chie Peters, Deutsches Kammerorchester Berlin, Simon Halsey | T-910.217.475-4 | |
| 16-9 | Spheres | Daniel Hope, Deutsches Kammerorchester Berlin, Simon Halsey | — | |
| 16-10 | Berlin by Overnight | Daniel Hope, Jochen Carls | T-011.711.552-2 | |
| 16-11 | Biafra | Daniel Hope, Jacques Ammon, Deutsches Kammerorchester Berlin, Simon Halsey | — | |
| 16-12 | Lento | Daniel Hope, Deutsches Kammerorchester Berlin, Rundfunkchor Berlin, Simon Halsey | T-001.409.983-2 | |
| 16-13 | Passaggio | Jacques Ammon, Daniel Hope | T-005.003.099-3 | |
| 16-14 | Andante From 24 Preludes, op. 46 | Daniel Hope, Jacques Ammon | — | |
| 16-16 | Prelude in E minor, BWV 855 | Juan Lucas Aisemberg, Daniel Hope, Christiane Starke | T-918.063.729-0 | |
| 16-17 | Trysting Fields From “Drowning by Numbers” | Daniel Hope, Juan Lucas Aisemberg, Deutsches Kammerorchester Berlin, Simon Halsey | T-010.021.626-9 | |
| 16-18 | Faust / Episode 2 - Nachspiel | Daniel Hope, Deutsches Kammerorchester Berlin, Simon Halsey | T-803.194.238-9 | |
| 17-1 | Concerto for Violin and Orchestra: I. ♩ = 104 – ♩ = 120 | Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi | T-922.975.221-0 | |
| 17-2 | Concerto for Violin and Orchestra: II. ♩ = ca. 108 | Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi | T-922.975.221-0 | |
| 17-3 | Concerto for Violin and Orchestra: III. ♩ = ca. 150 – Coda: Poco meno ♩ = 104 | Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 17-4 | Violin Concerto: I. Twilight: Free and Spacious – attacca: | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 17-5 | Violin Concerto: II. Toccata-Chaconne: Very Fast | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 17-6 | Violin Concerto: III. Romance without Words: Hardly Moving | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 17-7 | Violin Concerto: IV. Midnight: Slow | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 17-8 | Violin Concerto: V. Toccata-Rondo: Very Fast | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 17-9 | Violin Concerto: VI. Dawn: Wistful | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 17-10 | Serenade after Plato’s “Symposium”: I. Phaedrus – Pausanias: Lento – Allegro marcato | Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein | T-071.000.879-9 | |
| 17-11 | Serenade after Plato’s “Symposium”: II. Aristophanes: Allegretto | Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein | T-071.000.879-9 | |
| 17-12 | Serenade after Plato’s “Symposium”: III. Eryximachus: Presto | Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein | T-071.000.879-9 | |
| 17-13 | Serenade after Plato’s “Symposium”: IV. Agathon: Adagio | Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 17-14 | Serenade after Plato’s “Symposium”: V. Socrates – Alcibiades: Molto tenuto – Allegro molto vivace | Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein | T-071.000.879-9 | |
| 18-1 | Sonate Nr. 9 A-Dur, op. 47 "Kreutzer-Sonate": I. Adagio sostenuto - Presto | Martha Argerich, Gidon Kremer | — | |
| 18-2 | Sonate Nr. 9 A-Dur, op. 47 "Kreutzer-Sonate": II. Andante con variazioni I-IV | Martha Argerich, Gidon Kremer | — | |
| 18-3 | Sonate Nr. 9 A-Dur, op. 47 "Kreutzer-Sonate": III. Finale. Presto | Martha Argerich, Gidon Kremer | — | |
| 18-4 | Sonate Nr. 10 G-Dur, op. 96: I. Allegro moderato | Martha Argerich, Gidon Kremer | T-902.685.630-4 | |
| 18-5 | Sonate Nr. 10 G-Dur, op. 96: II. Adagio espressivo | Martha Argerich, Gidon Kremer | T-909.876.999-4 | |
| 18-6 | Sonate Nr. 10 G-Dur, op. 96: III. Scherzo. Allegro | Martha Argerich, Gidon Kremer | — | |
| 18-7 | Sonate Nr. 10 G-Dur, op. 96: IV. Poco allegretto | Martha Argerich, Gidon Kremer | — | |
| 19-1 | Violin Concerto in A minor, op. 53: 1. Allegro ma non troppo - Quasi moderato | Johanna Martzy, RIAS Symphony Orchestra Berlin, Ferenc Fricsay | — | |
| 19-2 | Violin Concerto in A minor, op. 53: 2. Adagio, ma non troppo | Johanna Martzy, RIAS Symphony Orchestra Berlin, Ferenc Fricsay | — | |
| 19-3 | Violin Concerto in A minor, op. 53: 3. Finale (Allegro giocoso, ma non troppo) | Johanna Martzy, RIAS Symphony Orchestra Berlin, Ferenc Fricsay | — | |
| 19-4 | Violin Concerto no. 1 in G minor, op. 26: 1. Vorspiel (Allegro moderato) | Erica Morini, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 19-5 | Violin Concerto no. 1 in G minor, op. 26: 2. Adagio | Erica Morini, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | T-071.481.827-5 | |
| 19-6 | Violin Concerto no. 1 in G minor, op. 26: 3. Finale (Allegro energico) | Erica Morini, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | T-700.095.171-5 | |
| 19-7 | Violin Concerto in A minor, op. 82: 1. Moderato | Erica Morini, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 19-8 | Violin Concerto in A minor, op. 82: 2. Andante sostenuto | Erica Morini, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 19-9 | Violin Concerto in A minor, op. 82: Tempo I | Erica Morini, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 19-10 | Violin Concerto in A minor, op. 82: Cadenza | Erica Morini, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 19-11 | Violin Concerto in A minor, op. 82: 3. Allegro | Erica Morini, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 20-1 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 1 in D major: I. Grave: Allegro | Garo Atmacayan, Huguette Dreyfus, Eduard Melkus | — | |
| 20-2 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 1 in D major: II. Allegro | Garo Atmacayan, Huguette Dreyfus, Eduard Melkus | — | |
| 20-3 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 1 in D major: III. Allegro | Garo Atmacayan, Huguette Dreyfus, Eduard Melkus | — | |
| 20-4 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 1 in D major: IV. Adagio | Garo Atmacayan, Huguette Dreyfus, Eduard Melkus | — | |
| 20-5 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 1 in D major: V. Allegro | Garo Atmacayan, Huguette Dreyfus, Eduard Melkus | — | |
| 20-6 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 2 in B-flat major: I. Grave: Allegro | Huguette Dreyfus, Eduard Melkus, Karl Scheit | — | |
| 20-7 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 2 in B-flat major: II. Vivace | Huguette Dreyfus, Eduard Melkus, Karl Scheit | — | |
| 20-8 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 2 in B-flat major: III. Adagio | Huguette Dreyfus, Eduard Melkus, Karl Scheit | — | |
| 20-9 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 2 in B-flat major: IV. Vivace | Huguette Dreyfus, Eduard Melkus, Karl Scheit | — | |
| 20-10 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 2 in B-flat major: V. Vivace | Huguette Dreyfus, Eduard Melkus, Karl Scheit | — | |
| 20-11 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 3 in C major: I. Adagio | Huguette Dreyfus, Eduard Melkus | — | |
| 20-12 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 3 in C major: II. Allegro | Huguette Dreyfus, Eduard Melkus | — | |
| 20-13 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 3 in C major: III. Adagio | Huguette Dreyfus, Eduard Melkus | — | |
| 20-14 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 3 in C major: IV. Allegro | Huguette Dreyfus, Eduard Melkus | — | |
| 20-15 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 3 in C major: V. Giga (allegro) | Huguette Dreyfus, Eduard Melkus | — | |
| 20-16 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 7 in D minor: I. Preludio (vivace) | Garo Atmacayan, Eduard Melkus, Capella Academica Wien | — | |
| 20-17 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 7 in D minor: II. Corrente (allegro) | Garo Atmacayan, Eduard Melkus, Capella Academica Wien | — | |
| 20-18 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 7 in D minor: III. Sarabande (largo) | Garo Atmacayan, Eduard Melkus, Capella Academica Wien | — | |
| 20-19 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 7 in D minor: IV. Giga (allegro) | Garo Atmacayan, Eduard Melkus, Capella Academica Wien | — | |
| 20-20 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 8 in E minor: I. Preludio (largo) | Garo Atmacayan, Eduard Melkus, Karl Scheit | — | |
| 20-21 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 8 in E minor: II. Allemanda (allegro) | Garo Atmacayan, Eduard Melkus, Karl Scheit | — | |
| 20-22 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 8 in E minor: III. Sarabande (largo) | Garo Atmacayan, Eduard Melkus, Karl Scheit | — | |
| 20-23 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 8 in E minor: IV. Giga (allegro) | Garo Atmacayan, Eduard Melkus, Karl Scheit | — | |
| 20-24 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 9 in A major: I. Preludio (largo) | Garo Atmacayan, Huguette Dreyfus, Eduard Melkus | — | |
| 20-25 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 9 in A major: II. Giga (allegro) | Garo Atmacayan, Huguette Dreyfus, Eduard Melkus | — | |
| 20-26 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 9 in A major: III. Adagio: Tempo di Gavotte (allegro) | Garo Atmacayan, Huguette Dreyfus, Eduard Melkus | — | |
| 20-27 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 9 in A major: IV. Tempo di Gavotta. Allegro | Garo Atmacayan, Huguette Dreyfus, Eduard Melkus | — | |
| 20-28 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 11 in E major: I. Preludio (adagio) | Huguette Dreyfus, Eduard Melkus | — | |
| 20-29 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 11 in E major: II. Allegro | Huguette Dreyfus, Eduard Melkus | — | |
| 20-30 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 11 in E major: III. Adagio: Vivace | Huguette Dreyfus, Eduard Melkus | — | |
| 20-31 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 11 in E major: IV. Gavotta (allegro) | Huguette Dreyfus, Eduard Melkus | — | |
| 20-32 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 11 in E major: V. Gavotta. Allegro | Huguette Dreyfus, Eduard Melkus | — | |
| 20-33 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 12 in d minor: I. Adagio: Allegro - Adagio - Vivace - Allegro - Andante - Allegro - Adagio - Allegro | Garo Atmacayan, Huguette Dreyfus, Eduard Melkus | — | |
| 21-1 | Sonata for Violin and Piano no. 6 in A, op. 30 no. 1: 1. Allegro | Yehudi Menuhin, Wilhelm Kempff | — | |
| 21-2 | Sonata for Violin and Piano no. 6 in A, op. 30 no. 1: 2. Adagio | Yehudi Menuhin, Wilhelm Kempff | T-001.397.158-8 | |
| 21-3 | Sonata for Violin and Piano no. 6 in A, op. 30 no. 1: 3. Allegretto con variazioni | Yehudi Menuhin, Wilhelm Kempff | — | |
| 21-4 | Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: 1. Allegro con brio | Yehudi Menuhin, Wilhelm Kempff | — | |
| 21-5 | Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: 2. Adagio cantabile | Yehudi Menuhin, Wilhelm Kempff | T-001.397.158-8 | |
| 21-6 | Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: 3. Scherzo (Allegro) | Yehudi Menuhin, Wilhelm Kempff | — | |
| 21-7 | Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: 4. Finale (Allegro) | Yehudi Menuhin, Wilhelm Kempff | T-318.676.528-2 | |
| 21-8 | Sonata for Violin and Piano no. 8 in G, op. 30 no. 3: 1. Allegro assai | Yehudi Menuhin, Wilhelm Kempff | — | |
| 21-9 | Sonata for Violin and Piano no. 8 in G, op. 30 no. 3: 2. Tempo di minuetto, ma molto moderato e grazioso | Yehudi Menuhin, Wilhelm Kempff | — | |
| 21-10 | Sonata for Violin and Piano no. 8 in G, op. 30 no. 3: 3. Allegro vivace | Yehudi Menuhin, Wilhelm Kempff | — | |
| 22-1 | Concerto for Violin and Orchestra no. 1 in D major, op. 35: II. Canzonetta. Andante | Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado | — | |
| 22-2 | Concerto for Violin and Orchestra no. 1 in D major, op. 35: II. Canzonetta. Andante | Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado | — | |
| 22-3 | Concerto for Violin and Orchestra no. 1 in D major, op. 35: II. Canzonetta. Andante | Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado | — | |
| 22-4 | Sonata in A for Violin and Basso continuo, op. 1 no. 1 (arr. Nathan Milstein): I. Andante | Nathan Milstein, Georges Pludermacher | T-070.160.313-5 | |
| 22-5 | Sonata in A for Violin and Basso continuo, op. 1 no. 1 (arr. Nathan Milstein): II. Vivace | Nathan Milstein, Georges Pludermacher | — | |
| 22-6 | Sonata in A for Violin and Basso continuo, op. 1 no. 1 (arr. Nathan Milstein): III. Allegro | Nathan Milstein, Georges Pludermacher | — | |
| 22-7 | Rondo in B minor, D. 895, op. 70: I. Andante | Nathan Milstein, Georges Pludermacher | T-070.160.313-5 | |
| 22-8 | Rondo in B minor, D. 895, op. 70: II. Allegro | Nathan Milstein, Georges Pludermacher | — | |
| 22-9 | Paganiniana (Variations) for Violin Solo | Nathan Milstein | — | |
| 22-10 | 6 Consolations, S. 172, Transcription For Violin: Nathan Milstein: no. 3 in D-flat major (Lento, placido) | Nathan Milstein, Georges Pludermacher | T-306.229.968-3 | |
| 22-11 | Chanson russe: Arr. Dushkin From "Mavra" | Nathan Milstein, Georges Pludermacher | — | |
| 22-12 | Il Pleut Dans La Ville | Nathan Milstein, Georges Pludermacher | — | |
| 22-13 | Sorochintsy Fair: Hopak | Nathan Milstein, Georges Pludermacher | — | |
| 23-1 | Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appassionato | Shlomo Mintz, Chicago Symphony Orchestra, Claudio Abbado | — | |
| 23-2 | Concerto for Violin and Orchestra in E minor, op. 64: II. Andante | Shlomo Mintz, Chicago Symphony Orchestra, Claudio Abbado | T-071.481.827-5 | |
| 23-3 | Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | Shlomo Mintz, Chicago Symphony Orchestra, Claudio Abbado | — | |
| 23-4 | Concerto for Violin and Orchestra no. 1 in G minor, op. 26: I. Vorspiel. Allegro moderato - attacca: | Shlomo Mintz, Chicago Symphony Orchestra, Claudio Abbado | — | |
| 23-5 | Concerto for Violin and Orchestra no. 1 in G minor, op. 26: II. Adagio | Shlomo Mintz, Chicago Symphony Orchestra, Claudio Abbado | T-071.481.827-5 | |
| 23-6 | Violinkonzert Nr. 1 g-Moll, op. 26: III. Allegro energico | Shlomo Mintz, Chicago Symphony Orchestra, Claudio Abbado | T-700.095.171-5 | |
| 23-7 | Caprice viennois, op. 2: Allegro molto moderato - Andante con moto - Presto - Andante con moto - Più vivo - Tempo I | Clifford Benson, Shlomo Mintz | — | |
| 23-8 | Liebeslied | Clifford Benson, Shlomo Mintz | — | |
| 23-9 | Liebesfreud | Clifford Benson, Shlomo Mintz | T-801.289.652-6 | |
| 24-1 | Sonata for Violin and Piano no. 1 in A, op. 13: I. Allegro molto | Shlomo Mintz, Yefim Bronfman | — | |
| 24-2 | Sonata for Violin and Piano no. 1 in A, op. 13: II. Andante | Shlomo Mintz, Yefim Bronfman | — | |
| 24-3 | Sonata for Violin and Piano no. 1 in A, op. 13: III. Allegro vivo | Shlomo Mintz, Yefim Bronfman | — | |
| 24-4 | Sonata for Violin and Piano no. 1 in A, op. 13: IV. Allegro quasi presto | Shlomo Mintz, Yefim Bronfman | — | |
| 24-5 | Sonata for Violin and Piano no. 2 in E minor, op. 108: I. Allegro non troppo | Shlomo Mintz, Yefim Bronfman | — | |
| 24-6 | Sonata for Violin and Piano no. 2 in E minor, op. 108: II. Andante | Shlomo Mintz, Yefim Bronfman | — | |
| 24-7 | Sonata for Violin and Piano no. 2 in E minor, op. 108: III. Finale (Allegro non troppo) | Shlomo Mintz, Yefim Bronfman | — | |
| 25-1 | Violin Sonata no. 17 in C major, K. 296: I. Allegro vivace | Erica Morini, Rudolf Firkušný | — | |
| 25-2 | Violin Sonata no. 17 in C major, K. 296: II. Andante sostenuto | Erica Morini, Rudolf Firkušný | — | |
| 25-3 | Violin Sonata no. 17 in C major, K. 296: III. Rondo. Allegro | Erica Morini, Rudolf Firkušný | — | |
| 25-4 | Sonata for Violin and Piano no. 3 in E-flat, op. 12 No.3: I. Allegro con spirito | Erica Morini, Rudolf Firkušný | — | |
| 25-5 | Sonata for Violin and Piano no. 3 in E-flat, op. 12 No.3: II. Adagio con molt' espressione | Erica Morini, Rudolf Firkušný | — | |
| 25-6 | Sonata for Violin and Piano no. 3 in E-flat, op. 12 No.3: III. Rondo (Allegro molto) | Erica Morini, Rudolf Firkušný | — | |
| 25-7 | Violin Sonata in D major, RV 10: I. Allegro: II. Allegro | Erica Morini, Leon Pommers | — | |
| 25-8 | Violin Sonata in D major, RV 10: III. Adagio: IV. Allegro | Erica Morini, Leon Pommers | — | |
| 25-9 | Sonata For Violin And Continuo in G minor, op. 1, B.g10: "Didone abbandonata": I. Affettuoso | Erica Morini, Leon Pommers | — | |
| 25-10 | Sonata For Violin And Continuo in G minor, op. 1, B.g10: "Didone abbandonata": II. Presto | Erica Morini, Leon Pommers | — | |
| 25-11 | Sonata For Violin And Continuo in G minor, op. 1, B.g10: "Didone abbandonata": III. Allegro | Erica Morini, Leon Pommers | — | |
| 26-1 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo | Anne-Sophie Mutter, New York Philharmonic, Kurt Masur | — | |
| 26-2 | Violin Concerto in D major, op. 61: II. Larghetto | Anne-Sophie Mutter, New York Philharmonic, Kurt Masur | — | |
| 26-3 | Violin Concerto in D major, op. 61: III. Rondo. Allegro (Cadenza by Fritz Kreisler) | Anne-Sophie Mutter, New York Philharmonic, Kurt Masur | — | |
| 26-4 | Romance for Violin and Orchestra no. 1 in G major, op. 40 | Anne-Sophie Mutter, New York Philharmonic, Kurt Masur | — | |
| 26-5 | Violin Romance no. 2 in F major, op. 50 | Anne-Sophie Mutter, New York Philharmonic, Kurt Masur | — | |
| 27-1 | Konzert für Violine und Orchester D‐Dur op. 77: I. Allegro non troppo | Anne-Sophie Mutter, New York Philharmonic, Kurt Masur | T-902.764.002-4 | |
| 27-2 | Konzert für Violine und Orchester D‐Dur op. 77: II. Adagio | Anne-Sophie Mutter, Joseph Robinson, New York Philharmonic, Kurt Masur | T-304.292.274-3 | |
| 27-3 | Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto | Anne-Sophie Mutter, New York Philharmonic, Kurt Masur | — | |
| 27-4 | Fantasy for Violin and Orchestra in C major, op. 131 | Anne-Sophie Mutter, New York Philharmonic, Kurt Masur | — | |
| 28-1 | Sur le même accord | Orchestre National de France, Kurt Masur, Anne-Sophie Mutter | — | |
| 28-2 | Violin Concerto no. 2, Sz. 112: I. Allegro non troppo | Anne-Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 28-3 | Violin Concerto no. 2, Sz. 112: II. Andante tranquillo | Anne-Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 28-4 | Violin Concerto no. 2, Sz. 112: III. Allegro molto | Anne-Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 28-5 | Concerto en re for Violin and Orchestra: I. Toccata | Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher | T-002.139.790-9 | |
| 28-6 | Concerto en re for Violin and Orchestra: II. Aria I | Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher | T-070.940.139-7 | |
| 28-7 | Violin Concerto in D major: III. Aria II | Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher | — | |
| 28-8 | Concerto en re for Violin and Orchestra: IV. Capriccio | Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher | — | |
| 29-1 | Konzert für Violine und Orchester D-Dur, Op. 77: I. Allegro non troppo | David Oistrakh, Staatskapelle Dresden, Franz Konwitschny | — | |
| 29-2 | Konzert für Violine und Orchester D-Dur, Op. 77: II. Adagio | David Oistrakh, Staatskapelle Dresden, Franz Konwitschny | T-071.481.827-5 | |
| 29-3 | Konzert für Violine und Orchester D-Dur, Op. 77: III. Allegro giocoso, ma non troppo vivace | David Oistrakh, Staatskapelle Dresden, Franz Konwitschny | — | |
| 29-4 | Violin Concerto in D major, op. 35: 1. Allegro moderato | David Oistrakh, Staatskapelle Dresden, Franz Konwitschny | T-902.685.630-4 | |
| 29-5 | Violin Concerto in D major, op. 35: 2. Canzonetta. Andante | David Oistrakh, Staatskapelle Dresden, Franz Konwitschny | — | |
| 29-6 | Violin Concerto in D major, op. 35: 3. Finale. Allegro vivacissimo | David Oistrakh, Staatskapelle Dresden, Franz Konwitschny | — | |
| 30-1 | Violin Concerto no. 3 in B minor, op. 61: I. Allegro non troppo | Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | — | |
| 30-2 | Violin Concerto no. 3 in B minor, op. 61: II. Andantino quasi allegretto | Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | — | |
| 30-3 | Violin Concerto no. 3 in B minor, op. 61: III. Molto moderato e maestoso - Allegro non troppo - Più allegro | Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | — | |
| 30-4 | Concerto for Violin and Orchestra no. 2 in D minor, op. 22: I. Allegro moderato | Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | — | |
| 30-5 | Concerto for Violin and Orchestra no. 2 in D minor, op. 22: II. Romance. Andante non troppo | Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | — | |
| 30-6 | Concerto for Violin and Orchestra no. 2 in D minor, op. 22: III. Allegro con fuoco - Allegro moderato (à la zingara) | Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | — | |
| 31-1 | Violinkonzert "Dem Andenken eines Engels": I. Andante - Allegretto | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | T-070.160.313-5 | |
| 31-2 | Violinkonzert "Dem Andenken eines Engels": II. Allegro - Adagio - (Coda) | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 31-3 | Violin Concerto in D major: I. Toccata | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 31-4 | Violin Concerto in D major: II. Aria I | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 31-5 | Violin Concerto in D major: III. Aria II | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 31-6 | Violin Concerto in D major: IV. Capriccio | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 31-7 | Tzigane | Itzhak Perlman, Myor Rosen, New York Philharmonic, Zubin Mehta | T-003.017.816-5 | |
| 32-1 | Sonata no. 9 for Violin and Piano in A major, op. 47 "Kreutzer": I. Adagio sostenuto - Presto | Wilhelm Kempff, Georg Kulenkampff | — | |
| 32-2 | Sonata no. 9 for Violin and Piano in A major, op. 47 "Kreutzer": II. Andante con variazioni | Wilhelm Kempff, Georg Kulenkampff | — | |
| 32-3 | Sonata no. 9 for Violin and Piano in A major, op. 47 "Kreutzer": III. Finale. Presto | Wilhelm Kempff, Georg Kulenkampff | — | |
| 32-4 | Sonatina For Violin And Piano in G, op. 100, B. 120: I. Allegro risoluto | Váša Příhoda, Michael Raucheisen | — | |
| 32-5 | Sonatina For Violin And Piano in G, op. 100, B. 120: II. Larghetto | Váša Příhoda, Michael Raucheisen | — | |
| 32-6 | Sonatina For Violin And Piano in G, op. 100, B. 120: III. Scherzo. Molto vivace | Váša Příhoda, Michael Raucheisen | — | |
| 32-7 | Sonatina For Violin And Piano in G, op. 100, B. 120: IV. Finale. Allegro | Váša Příhoda, Michael Raucheisen | — | |
| 32-8 | From The Homeland, JB 1:118: Two Pieces For Violine & Piano: Andantino - Moderato | Váša Příhoda, Otto Graef | — | |
| 33-1 | Praeludium And Allegro in The Style Of Pugnani | Ruggiero Ricci, Brooks Smith | — | |
| 33-2 | Siciliano And Rigaudon in The Style Of Francoeur | Ruggiero Ricci, Brooks Smith | — | |
| 33-3 | Chanson Louis XIII and Pavane | Ruggiero Ricci, Brooks Smith | — | |
| 33-4 | Rondino on a Theme by Beethoven: Allegretto grazioso | Ruggiero Ricci, Brooks Smith | — | |
| 33-5 | Variations on a Theme by Corelli | Ruggiero Ricci, Brooks Smith | — | |
| 33-6 | Recitativo and Scherzo-Caprice, op. 6 | Ruggiero Ricci, Brooks Smith | — | |
| 33-7 | Caprice viennois op.2 | Ruggiero Ricci, Brooks Smith | — | |
| 33-8 | Tambourin chinois | Ruggiero Ricci, Brooks Smith | T-800.157.688-2 | |
| 33-9 | Liebesfreud | Ruggiero Ricci, Brooks Smith, Fritz Kreisler, Haddon Squire | T-801.289.652-6 | |
| 33-10 | Liebesleid | Ruggiero Ricci, Brooks Smith | — | |
| 33-11 | Schön Rosmarin | Ruggiero Ricci, Brooks Smith | — | |
| 33-12 | La Gitana | Ruggiero Ricci, Brooks Smith | — | |
| 33-13 | The Old Refrain: arranged by Fritz Kreisler | Ruggiero Ricci, Brooks Smith | — | |
| 33-14 | La Chasse (in the style of Cartier) | Ruggiero Ricci, Brooks Smith | — | |
| 33-16 | Liebesleid | Fritz Kreisler, Haddon Squire | — | |
| 33-17 | Schön Rosmarin | Fritz Kreisler, George Falkenstein | — | |
| 33-18 | Tambourin chinois | Fritz Kreisler, Haddon Squire | — | |
| 33-19 | Andantino in the style of Padre Martini | Fritz Kreisler, George Falkenstein | — | |
| 33-20 | Chant sans paroles, op. 2, no. 3 (Song Without Words, Op.2 & 3) | Fritz Kreisler, George Falkenstein | — | |
| 34-1 | Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo | Wolfgang Schneiderhan, Berliner Philharmoniker, Eugen Jochum | — | |
| 34-2 | Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto | Wolfgang Schneiderhan, Berliner Philharmoniker, Eugen Jochum | — | |
| 34-3 | Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro | Wolfgang Schneiderhan, Berliner Philharmoniker, Eugen Jochum | — | |
| 34-4 | Konzert für Violine und Orchester Nr. 5 A-Dur, KV 219: I. Allegro aperto | Wolfgang Schneiderhan, Berliner Philharmoniker | — | |
| 34-5 | Konzert für Violine und Orchester Nr. 5 A-Dur, KV 219: I. Allegro aperto | Wolfgang Schneiderhan, Berliner Philharmoniker | — | |
| 34-6 | Konzert für Violine und Orchester Nr. 5 A-Dur, KV 219: I. Allegro aperto | Wolfgang Schneiderhan, Berliner Philharmoniker | — | |
| 35-1 | Violin Concerto, op. 14: I. Allegro | Gil Shaham, London Symphony Orchestra, André Previn | T-070.160.313-5 | |
| 35-2 | Violin Concerto, op. 14: II. Andante | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 35-3 | Violin Concerto, op. 14: III. Presto in moto perpetuo | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 35-4 | Violin Concerto in D major, op. 35: I. Moderato nobile | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 35-5 | Violin Concerto in D major, op. 35: II. Romance: Andante | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 35-6 | Violin Concerto in D major, op. 35: III. Finale: Allegro assai vivace | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 35-7 | Much Ado about Nothing, op. 11: I. The Maiden in the Bridal Chamber: Lento - Molto moderato, with charm and grace | Gil Shaham, André Previn | — | |
| 35-8 | Much Ado about Nothing, op. 11: II. Dogberry and Verges. March of the Watch: In the tempo of a grotesque funeral march | Gil Shaham, André Previn | — | |
| 35-9 | Much Ado about Nothing, op. 11: III. Scene in the Garden: Molto espressivo (broad, but not too slow) | Gil Shaham, André Previn | — | |
| 35-10 | Much Ado about Nothing, op. 11: IV. Masquerade: Hornpipe: Animato | Gil Shaham, André Previn | T-902.876.200-7 | |
| 36-1 | Concerto for Violin no. 1, op. 19: I. Andantino | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 36-2 | Concerto for Violin no. 1, op. 19: II. Scherzo: Vivacissimo | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 36-3 | Concerto for Violin no. 1, op. 19: III. Moderato | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 36-4 | Concerto for Violin no. 2, op. 63: I. Allegro moderato | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 36-5 | Concerto for Violin no. 2, op. 63: II. Andante assai | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 36-6 | Concerto for Violin no. 2, op. 63: III. Allegro, ben marcato | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 36-7 | Sonata for Solo Violin, op. 115: I. Moderato | Gil Shaham | — | |
| 36-8 | Sonata for Solo Violin, op. 115: II. Andante dolce | Gil Shaham | — | |
| 36-9 | Sonata for Solo Violin, op. 115: III. Con brio | Gil Shaham | — | |
| 37-1 | Concerto for Violin, Strings and Continuo in A minor, BWV 1041: I. | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 37-2 | Concerto for Violin, Strings and Continuo in A minor, BWV 1041: I. | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 37-3 | Concerto for Violin, Strings and Continuo in A minor, BWV 1041: I. | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 37-4 | Concerto for Violin, Strings and Continuo in E major, BWV 1042: II. Adagio | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 37-5 | Concerto for Violin, Strings and Continuo in E major, BWV 1042: II. Adagio | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 37-6 | Concerto for Violin, Strings and Continuo in E major, BWV 1042: II. Adagio | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 37-7 | Concerto for 2 Violins in D minor, BWV 1043: III. Allegro | Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | — | |
| 37-8 | Concerto for 2 Violins in D minor, BWV 1043: III. Allegro | Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | — | |
| 37-9 | Concerto for 2 Violins in D minor, BWV 1043: III. Allegro | Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | — | |
| 38-1 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-306.395.786-4 | |
| 38-2 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": II. Largo e pianissimo sempre | Trevor Pinnock, Simon Standage, The English Concert | T-911.640.005-6 | |
| 38-3 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": III. Danza pastorale. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-902.836.120-8 | |
| 38-4 | Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": I. Allegro non molto | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 38-5 | Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": II. Adagio - Presto | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 38-6 | Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": III. Presto | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 38-7 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": I. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-911.640.004-5 | |
| 38-8 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": II. Adagio | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 38-9 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": III. Allegro | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 38-10 | Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": I. Allegro non molto | Trevor Pinnock, Simon Standage, The English Concert | T-307.175.172-5 | |
| 38-11 | Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": II. Largo | Trevor Pinnock, Simon Standage, The English Concert | T-307.175.181-6 | |
| 38-12 | Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": III. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-902.836.120-8 | |
| 38-13 | Concerto for Oboe, Violin and Strings in B-flat major, RV 548: I. (Allegro) | David Reichenberg, Simon Standage, The English Concert, Trevor Pinnock | T-910.793.958-2 | |
| 38-14 | Concerto for Oboe, Violin and Strings in B-flat major, RV 548: II. Largo | David Reichenberg, Simon Standage, The English Concert, Trevor Pinnock | T-911.640.005-6 | |
| 38-15 | Concerto for Oboe, Violin, Strings and Continuo in B-flat, RV 548: 3. Allegro | David Reichenberg, Simon Standage, The English Concert, Trevor Pinnock | T-902.836.120-8 | |
| 38-16 | Concerto for 2 Violins and Strings in G major, RV 516: I. Allegro molto | Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | — | |
| 38-17 | Concerto for 2 Violins, Strings and Continuo in G major, RV 516: 2. Andante (molto) | Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | — | |
| 38-18 | Concerto for 2 Violins and Strings in G major, RV 516: III. Allegro | Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | T-902.836.120-8 | |
| 39-1 | Sonata no. 1 in G minor, BWV 1001: I. Adagio | Henryk Szeryng | T-001.397.158-8 | |
| 39-2 | Sonata no. 1 in G minor, BWV 1001: II. Fuga: Allegro | Henryk Szeryng | T-905.386.501-3 | |
| 39-3 | Sonata no. 1 in G minor, BWV 1001: III. Siciliana | Henryk Szeryng | — | |
| 39-4 | Sonata no. 1 in G minor, BWV 1001: IV. Presto | Henryk Szeryng | T-318.676.528-2 | |
| 39-5 | Partita no. 1 in B minor, BWV 1002: I. Allemanda | Henryk Szeryng | — | |
| 39-6 | Partita no. 1 in B minor, BWV 1002: II. Double | Henryk Szeryng | T-920.218.518-0 | |
| 39-7 | Partita no. 1 in B minor, BWV 1002: III. Corrente | Henryk Szeryng | — | |
| 39-8 | Partita no. 1 in B minor, BWV 1002: IV. Double: Presto | Henryk Szeryng | T-920.218.518-0 | |
| 39-9 | Partita no. 1 in B minor, BWV 1002: V. Sarabande | Henryk Szeryng | — | |
| 39-10 | Partita no. 1 in B minor, BWV 1002: VI. Double (2) | Henryk Szeryng | T-920.218.518-0 | |
| 39-11 | Partita no. 1 in B minor, BWV 1002: VII. Tempo Di Borea | Henryk Szeryng | — | |
| 39-12 | Partita no. 1 in B minor, BWV 1002: VIII. Double (3) | Henryk Szeryng | T-920.218.518-0 | |
| 39-13 | Sonata no. 2 in A minor, BWV 1003: I. Grave | Henryk Szeryng | T-903.514.416-2 | |
| 39-14 | Sonata no. 2 in A minor, BWV 1003: II. Fuga | Henryk Szeryng | — | |
| 39-15 | Sonata no. 2 in A minor, BWV 1003: III. Andante | Henryk Szeryng | — | |
| 39-16 | Sonata no. 2 in A minor, BWV 1003: IV. Allegro | Henryk Szeryng | T-306.395.786-4 | |
| 40-1 | Partita no. 2 in D minor, BWV 1004: I. Allemanda | Henryk Szeryng | — | |
| 40-2 | Partita no. 2 in D minor, BWV 1004: II. Corrente | Henryk Szeryng | — | |
| 40-3 | Partita no. 2 in D minor, BWV 1004: III. Sarabanda | Henryk Szeryng | — | |
| 40-4 | Partita no. 2 in D minor, BWV 1004: IV. Gigue | Henryk Szeryng | — | |
| 40-5 | Partita no. 2 in D minor, BWV 1004: V. Chaconne | Henryk Szeryng | — | |
| 40-6 | Sonata no. 3 in C major, BWV 1005: I. Adagio | Henryk Szeryng | — | |
| 40-7 | Sonata no. 3 in C major, BWV 1005: II. Fugue: Allabreve | Henryk Szeryng | — | |
| 40-8 | Sonata no. 3 in C major, BWV 1005: III. Largo | Henryk Szeryng | T-310.505.152-9 | |
| 40-9 | Sonata no. 3 in C major, BWV 1005: IV. Allegro assai | Henryk Szeryng | T-306.395.786-4 | |
| 40-10 | Partita no. 3 in E major, BWV 1006: I. Prelude | Henryk Szeryng | — | |
| 40-11 | Partita no. 3 in E major, BWV 1006: II. Loure | Henryk Szeryng | — | |
| 40-12 | Partita no. 3 in E major, BWV 1006: III. Gavotte & Rondo | Henryk Szeryng | — | |
| 40-13 | Partita no. 3 in E major, BWV 1006: IV. Menuet I & II | Henryk Szeryng | — | |
| 40-14 | Partita no. 3 in E major, BWV 1006: V. Bouree | Henryk Szeryng | — | |
| 40-15 | Partita no. 3 in E major, BWV 1006: VI. Gigue | Henryk Szeryng | — | |
| 41-1 | Sonata for Violin and Piano no. 1, BB 84 (Sz. 75): I. Allegro appassionato | Tibor Varga, Edith Farnadi | — | |
| 41-2 | Sonata for Violin and Piano no. 1, BB 84 (Sz. 75): II. Adagio | Tibor Varga, Edith Farnadi | — | |
| 41-3 | Sonata for Violin and Piano no. 1, BB 84 (Sz. 75): III. Allegro | Tibor Varga, Edith Farnadi | — | |
| 41-4 | Sonata for Solo Violin, BB 124, Sz. 117: I. Tempo di ciaccona | Tibor Varga | — | |
| 41-5 | Sonata for Solo Violin, BB 124, Sz. 117: II. Fuga (Risoluto, non troppo vivo) | Tibor Varga | — | |
| 41-6 | Sonata for Solo Violin, BB 124, Sz. 117: III. Melodia (Adagio) | Tibor Varga | — | |
| 41-7 | Sonata for Solo Violin, BB 124, Sz. 117: IV. Presto | Tibor Varga | T-003.055.867-8 | |
| 42-1 | Sonate für Klavier und Violine G-dur op. 78: I. Vivace ma non troppo | Daniel Barenboim, Pinchas Zukerman | — | |
| 42-2 | Sonate für Klavier und Violine G-dur op. 78: II. Adagio | Daniel Barenboim, Pinchas Zukerman | — | |
| 42-3 | Sonate für Klavier und Violine G-dur op. 78: III. Allegro molto moderato | Daniel Barenboim, Pinchas Zukerman | — | |
| 42-4 | Sonate für Klavier und Violine A-dur op. 100: I. Allegro amabile | Pinchas Zukerman, Daniel Barenboim | T-329.366.957-1 | |
| 42-5 | Sonate für Klavier und Violine A-dur op. 100: II. Andante tranquillo – Vivace – Andante – Vivace di più – Andante – Vivace | Pinchas Zukerman, Daniel Barenboim | T-329.366.955-9 | |
| 42-6 | Sonate für Klavier und Violine A-dur op. 100: III. Allegretto grazioso (quasi Andante) | Pinchas Zukerman, Daniel Barenboim | T-329.366.956-0 | |
| 42-7 | Sonate für Klavier und Violine d-moll op. 108: I. Allegro | Pinchas Zukerman, Daniel Barenboim | T-070.160.313-5 | |
| 42-8 | Sonate für Klavier und Violine d-moll op. 108: II. Adagio | Pinchas Zukerman, Daniel Barenboim | — | |
| 42-9 | Sonate für Klavier und Violine d-moll op. 108: III. Un poco presto e con sentimento | Pinchas Zukerman, Daniel Barenboim | — | |
| 42-10 | Sonate für Klavier und Violine d-moll op. 108: IV. Presto agitato | Pinchas Zukerman, Daniel Barenboim | — | |
| 42-11 | "F-A-E" Sonata for Piano and Violin, WoO posth. 2: 3. Scherzo. Allegro — Trio. Più Moderato | Daniel Barenboim, Pinchas Zukerman | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Liebesfreud | Fritz Kreisler, Haddon Squire | T-801.289.652-6 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
028947962205 is a Universal Product Code (UPC) assigned to 111: The Violin: Legendary Recordings by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 482 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028947962205 is the Universal Product Code (UPC barcode) for the release “111: The Violin: Legendary Recordings” by Various Artists, released 2016-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 482 tracks, each with its own ISRC. Tracks include DEF057730801, DEF057730802, DEF057730803.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 24 Capricci per violino solo, op. 1: 1. Andante. E-dur | Salvatore Accardo | T-010.437.719-6 | |
| 2 | 24 Capricci per violino solo, op. 1: 2. Moderato. h-moll | Salvatore Accardo | — | |
| 3 | 24 Capricci per violino solo, op. 1: 3. Sostenuto - Presto - Sostenuto. e-moll | Salvatore Accardo | — | |
| 4 | 24 Capricci per violino solo, op. 1: 4. Maestoso. c-moll | Salvatore Accardo | — | |
| 5 | 24 Capricci per violino solo, op. 1: 5. Agitato. a-moll | Salvatore Accardo | T-902.571.014-9 | |
| 6 | 24 Capricci per violino solo, op. 1: 6. Lento. g-moll | Salvatore Accardo | — | |
| 7 | 24 Capricci per violino solo, op. 1: 7. Posato. a-moll | Salvatore Accardo | — | |
| 8 | 24 Capricci per violino solo, op. 1: 8. Maestoso. Es-dur | Salvatore Accardo | — | |
| 9 | 24 Capricci per violino solo, op. 1: 9. Allegretto. E-dur | Salvatore Accardo | T-010.437.719-6 | |
| 10 | 24 Capricci per violino solo, op. 1: 10. Vivace. g-moll | Salvatore Accardo | — | |
| 11 | 24 Capricci per violino solo, op. 1: 11. Andante - Presto - Tempo I. C-dur | Salvatore Accardo | — | |
| 12 | 24 Capricci per violino solo, op. 1: 12. Allegro. As-dur | Salvatore Accardo | T-906.148.797-6 | |
| 13 | 24 Capricci per violino solo, op. 1: 13. Allegro. B-dur | Salvatore Accardo | T-902.571.014-9 | |
| 14 | 24 Capricci per violino solo, op. 1: 14. Moderato. Es-dur | Salvatore Accardo | T-906.148.797-6 | |
| 15 | 24 Capricci per violino solo, op. 1: 15. Posato. e-moll | Salvatore Accardo | — | |
| 16 | 24 Capricci per violino solo, op. 1: 16. Presto. g-moll | Salvatore Accardo | — | |
| 17 | 24 Capricci per violino solo, op. 1: 17. Sostenuto - Andante. Es-dur | Salvatore Accardo | — | |
| 18 | 24 Capricci per violino solo, op. 1: 18. Corrente - Allegro. C-dur | Salvatore Accardo | — | |
| 19 | 24 Capricci per violino solo, op. 1: 19. Lento - Allegro assai. Es-dur | Salvatore Accardo | T-906.148.797-6 | |
| 20 | 24 Capricci per violino solo, op. 1: 20. Allegretto. D-dur | Salvatore Accardo | — | |
| 21 | 24 Capricci per violino solo, op. 1: 21. Amoroso - Presto. A-dur | Salvatore Accardo | T-902.571.014-9 | |
| 22 | 24 Capricci per violino solo, op. 1: 22. Marcato. F-dur | Salvatore Accardo | — | |
| 23 | 24 Capricci per violino solo, op. 1: 23. Posato. Es-dur | Salvatore Accardo | T-906.148.797-6 | |
| 24 | Caprice Op. 1, No. 24 pour violon seul | Salvatore Accardo | T-902.571.014-9 | |
| 2-1 | Violin Concerto no. 1 in D major, op. 6: III. Rondo: Allegro spiritoso | Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser | — | |
| 2-2 | Violin Concerto no. 1 in D major, op. 6: III. Rondo: Allegro spiritoso | Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser | — | |
| 2-3 | Violin Concerto no. 1 in D major, op. 6: III. Rondo: Allegro spiritoso | Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser | — | |
| 2-4 | Concerto N. 2 Op. 7: III. Rondò "La Campanella" | Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser | — | |
| 2-5 | Concerto N. 2 Op. 7: III. Rondò "La Campanella" | Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser | — | |
| 2-6 | Concerto N. 2 Op. 7: III. Rondò "La Campanella" | Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser | — | |
| 3-1 | Violin Concerto no. 1, op. 77: I. Nocturne: Moderato | Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | — | |
| 3-2 | Violin Concerto no. 1, op. 77: II. Scherzo: Allegro | Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | — | |
| 3-3 | Violin Concerto no. 1, op. 77: III. Passacaglia: Andante - Cadenza | Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | — | |
| 3-4 | Violin Concerto no. 1, op. 77: IV. Burlesque: Allegro con brio - Presto | Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | — | |
| 3-5 | V & V | Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | T-801.794.611-2 | |
| 3-6 | Seven Dolls' Dances: Lyrical Waltz | Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | — | |
| 3-7 | Spiegel im Spiegel | Lisa Batiashvili, Hélène Grimaud | — | |
| 3-8 | Vocalise, op. 34 no. 14 | Lisa Batiashvili, Hélène Grimaud | T-900.222.366-7 | |
| 4-1 | Concerto for Violin and Strings in B-flat major, RV 583 "in due cori": I. Largo e spiccato - Allegro non molto | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 4-2 | Concerto for Violin and Strings in B-flat major, RV 583 "in due cori": II. Andante | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 4-3 | Concerto for Violin and Strings in B-flat major, RV 583 "in due cori": III. Allegro | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 4-4 | Concerto for Violin, Strings and Continuo in E minor, RV 278: I. Allegro molto - Andantino | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 4-5 | Concerto for Violin, Strings and Continuo in E minor, RV 278: II. Largo | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | T-911.640.005-6 | |
| 4-6 | Concerto for Violin, Strings and Continuo in E minor, RV 278: III. Allegro | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 4-7 | Concerto for Violin in G major, Op. 3 No. 9: I. Allegro - Capriccio - Cadenza - Allegro | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 4-8 | Concerto for Violin in G major, Op. 3 No. 9: II. Largo | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 4-9 | Concerto for Violin in G major, Op. 3 No. 9: III. Allegro - Capriccio - Allegro | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | T-306.395.786-4 | |
| 4-10 | Concerto for Violin, Strings and Continuo in A major, D 96: I. Allegro | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 4-11 | Concerto for Violin, Strings and Continuo in A major, D 96: II. Adagio | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 4-12 | Concerto for Violin, Strings and Continuo in A major, D 96: III. [Presto] | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 4-13 | Concerto for Violin, Strings and Continuo in A major, D 96: II. Largo andante in E major[Alternative] | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 5-1 | Violin Concerto in C major, Hob. VIIa:1: I. Allegro moderato: 1. Cadenza | Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia | — | |
| 5-2 | Violin Concerto in C major, Hob. VIIa:1: II. Cadenza | Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia | — | |
| 5-3 | Violin Concerto in C major, Hob. VIIa:1: III. Finale (Presto) | Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia | — | |
| 5-4 | Violin Concerto in A, Hob. VIIa:3: I. Moderato | Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia | — | |
| 5-5 | Violin Concerto in A, Hob. VIIa:3: II. Adagio: 2. Cadenza | Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia | — | |
| 5-6 | Violin Concerto in A, Hob. VIIa:3: III. Finale (Allegro): 3. Cadenza | Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia | — | |
| 5-7 | Violin Concerto in G, Hob. VIIa:4: I. Allegro moderato | Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia | — | |
| 5-8 | Violin Concerto in G, Hob. VIIa:4: II. Adagio: 2. Cadenza | Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia | — | |
| 5-9 | Violin Concerto in G, Hob. VIIa:4: III. Allegro | Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia | — | |
| 6-1 | Sonate für Violine und Klavier Es-dur, op. 18: 1. Allegro, ma non troppo | Kyung Wha Chung, Krystian Zimerman | — | |
| 6-2 | Sonate für Violine und Klavier Es-dur, op. 18: 2. Improvisation. Andante cantabile | Kyung Wha Chung, Krystian Zimerman | — | |
| 6-3 | Sonate für Violine und Klavier Es-dur, op. 18: 3. Finale. Andante - Allegro | Kyung Wha Chung, Krystian Zimerman | — | |
| 6-4 | Sonate für Violine und Klavier h-moll: 1. Moderato | Kyung Wha Chung, Krystian Zimerman | — | |
| 6-5 | Sonate für Violine und Klavier h-moll: 2. Andante espressivo | Kyung Wha Chung, Krystian Zimerman | — | |
| 6-6 | Sonate für Violine und Klavier h-moll: 3. (Passacaglia). Allegro moderato ma energico | Kyung Wha Chung, Krystian Zimerman | — | |
| 7-1 | Violin Sonata in A: I. Allegro moderato | Augustin Dumay, Maria João Pires | T-312.207.822-8 | |
| 7-2 | Violin Sonata in A: II. Allegro | Augustin Dumay, Maria João Pires | — | |
| 7-3 | Violin Sonata in A: III. Recitativo, Fantasia | Augustin Dumay, Maria João Pires | — | |
| 7-4 | Violin Sonata in A: IV. Allegro poco mosso | Augustin Dumay, Maria João Pires | — | |
| 7-5 | Sonata for Violin and Piano in G minor, L. 140: I. Allegro vivo | Augustin Dumay, Maria João Pires | — | |
| 7-6 | Violin Sonata in G minor: II. Intermède | Augustin Dumay, Maria João Pires | — | |
| 7-7 | Violin Sonata in G minor: III. Finale: Très Animé | Augustin Dumay, Maria João Pires | — | |
| 7-8 | Berceuse sur le nom de Gabriel Fauré | Augustin Dumay, Maria João Pires | — | |
| 7-9 | Pièce en forme de Habañera | Augustin Dumay, Maria João Pires | — | |
| 7-10 | Tzigane | Augustin Dumay, Maria João Pires | T-003.017.816-5 | |
| 8-1 | Sonate pour violon et piano n° 1 en la mineur, op. 105: 1. Mit leidenschaftlichem Ausdruck | Christian Ferras, Pierre Barbizet | — | |
| 8-2 | Sonate pour violon et piano n° 1 en la mineur, op. 105: 2. Allegretto | Christian Ferras, Pierre Barbizet | — | |
| 8-3 | Sonate pour violon et piano n° 1 en la mineur, op. 105: 3. Lebhaft | Christian Ferras, Pierre Barbizet | — | |
| 8-4 | Romances pour violon et piano, op. 94: N° 1: Nicht schnell (Moderato) | Christian Ferras, Pierre Barbizet | — | |
| 8-5 | Romances pour violon et piano, op. 94: N° 2: Einfach, innig (Semplice, affetuoso) | Pierre Barbizet, Christian Ferras | T-312.439.208-7 | |
| 8-6 | Romances pour violon et piano, op. 94: N° 3: Nicht schnell (Moderato) | Christian Ferras, Pierre Barbizet | — | |
| 8-7 | Sonate pour violon et piano, op. 121: I. Ziemlich langsam - Lebhaft | Christian Ferras, Pierre Barbizet | — | |
| 8-8 | Sonate pour violon et piano, op. 121: II. Sehr lebhaft | Christian Ferras, Pierre Barbizet | — | |
| 8-9 | Sonate pour violon et piano, op. 121: III. Leise, einfach | Christian Ferras, Pierre Barbizet | — | |
| 8-10 | Sonate pour violon et piano, op. 121: IV. Bewegt | Christian Ferras, Pierre Barbizet | — | |
| 9-1 | Sonata for Violin and Piano no. 5 in F, op. 24: "Spring": I. Allegro | David Garrett, Alexander Markovich | T-011.422.353-8 | |
| 9-2 | Sonata for Violin and Piano no. 5 in F, op. 24: "Spring": II. Adagio molto espressivo | David Garrett, Alexander Markovich | — | |
| 9-3 | Sonata for Violin and Piano no. 5 in F, op. 24: "Spring": III. Scherzo (Allegro molto) | David Garrett, Alexander Markovich | — | |
| 9-4 | Sonata for Violin and Piano no. 5 in F, op. 24: "Spring": IV. Rondo (Allegro ma non troppo) | David Garrett, Alexander Markovich | T-031.682.208-8 | |
| 9-5 | Partita for Violin Solo no. 2 in D minor, BWV 1004: I. Allemande | David Garrett | — | |
| 9-6 | Partita for Violin Solo no. 2 in D minor, BWV 1004: II. Corrente | David Garrett | — | |
| 9-7 | Partita for Violin Solo no. 2 in D minor, BWV 1004: III. Sarabande | David Garrett | — | |
| 9-8 | Partita for Violin Solo no. 2 in D minor, BWV 1004: IV. Giga | David Garrett | — | |
| 9-9 | Partita for Violin Solo no. 2 in D minor, BWV 1004: V. Ciaccona | David Garrett | — | |
| 9-10 | Adagio for Violin and Orchestra in E, K. 261: Adagio | David Garrett, Alexander Markovich | T-318.588.465-1 | |
| 10-1 | Sonata con tre violini (XXI from Canzoni et Sonate, 1615) | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10-2 | Sonata sopra l'aria di Ruggiero | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10-3 | Sonate a tre violini | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10-4 | Passacaglio a 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10-5 | Sonata sopra la Monica | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10-6 | Ecco a tre violini | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10-7 | Capriccio | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10-8 | Sonata detta la Polaca | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10-9 | Sonata a tre violini | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-1 | Sonata for Violin and Harpsichord no. 1 in B minor, BWV 1014: I. Adagio | Reinhard Goebel, Robert Hill | — | |
| 11-2 | Sonata for Violin and Harpsichord no. 1 in B minor, BWV 1014: II. Allegro | Reinhard Goebel, Robert Hill | — | |
| 11-3 | Sonata for Violin and Harpsichord no. 1 in B minor, BWV 1014: III. Andante | Reinhard Goebel, Robert Hill | T-801.724.839-5 | |
| 11-4 | Sonata for Violin and Harpsichord no. 1 in B minor, BWV 1014: IV. Allegro | Reinhard Goebel, Robert Hill | T-318.676.528-2 | |
| 11-5 | Sonata for Violin and Harpsichord no. 2 in A major, BWV 1015: I. [without tempo indication] | Reinhard Goebel, Robert Hill | T-800.184.797-9 | |
| 11-6 | Sonata for Violin and Harpsichord no. 2 in A major, BWV 1015: II. Allegro assai | Reinhard Goebel, Robert Hill | — | |
| 11-7 | Sonata for Violin and Harpsichord no. 2 in A major, BWV 1015: III. Andante un poco | Reinhard Goebel, Robert Hill | — | |
| 11-8 | Sonata for Violin and Harpsichord no. 2 in A major, BWV 1015: IV. Presto | Reinhard Goebel, Robert Hill | T-318.676.528-2 | |
| 11-9 | Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: I. Adagio | Reinhard Goebel, Robert Hill | — | |
| 11-10 | Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: II. Allegro | Reinhard Goebel, Robert Hill | — | |
| 11-11 | Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: III. Adagio ma non tanto | Reinhard Goebel, Robert Hill | — | |
| 11-12 | Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: IV. Allegro | Reinhard Goebel, Robert Hill | T-318.676.528-2 | |
| 11-13 | Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: I. Siciliano (Largo) | Reinhard Goebel, Robert Hill | — | |
| 11-14 | Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: II. Allegro | Reinhard Goebel, Robert Hill | — | |
| 11-15 | Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: III. Adagio ma non tanto | Reinhard Goebel, Robert Hill | — | |
| 11-16 | Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: IV. Allegro assai | Reinhard Goebel, Robert Hill | T-318.676.528-2 | |
| 11-17 | Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: I. Largo | Reinhard Goebel, Robert Hill | T-070.160.313-5 | |
| 11-18 | Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: II. Allegro | Reinhard Goebel, Robert Hill | — | |
| 11-19 | Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: III. Adagio | Reinhard Goebel, Robert Hill | — | |
| 11-20 | Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: IV. Vivace | Reinhard Goebel, Robert Hill | — | |
| 12-1 | Concerto for Violin and Orchestra in B minor, op. 61: I. Allegro | Hilary Hahn, London Symphony Orchestra, Sir Colin Davis | — | |
| 12-2 | Concerto for Violin and Orchestra in B minor, op. 61: II. Andante | Hilary Hahn, London Symphony Orchestra, Sir Colin Davis | — | |
| 12-3 | Concerto for Violin and Orchestra in B minor, op. 61: III. Allegro molto | Hilary Hahn, London Symphony Orchestra, Sir Colin Davis | — | |
| 12-4 | The Lark Ascending | Hilary Hahn, London Symphony Orchestra, Sir Colin Davis | — | |
| 13-1 | Concerto for violin and orchestra, op. 36: I. Poco allegro | Hilary Hahn, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 13-2 | Concerto for violin and orchestra, op. 36: II. Andante grazioso | Hilary Hahn, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 13-3 | Concerto for violin and orchestra, op. 36: III. Finale. Allegro | Hilary Hahn, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 13-4 | Concerto for violin and orchestra in D minor, op. 47: I. Allegro moderato | Hilary Hahn, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 13-5 | Concerto for violin and orchestra in D minor, op. 47: II. Adagio di molto | Hilary Hahn, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 13-6 | Concerto for violin and orchestra in D minor, op. 47: III. Allegro, ma non tanto | Hilary Hahn, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 14-1 | From the Canebrake, op. 5 no. 1 | Jascha Heifetz, Milton Kaye | — | |
| 14-2 | Jamaican Rumba | Jascha Heifetz, Milton Kaye | — | |
| 14-3 | Beau Soir | Jascha Heifetz, Milton Kaye | — | |
| 14-4 | Pièce en forme de habanera | Jascha Heifetz, Milton Kaye | T-307.747.531-7 | |
| 14-5 | Levee Dance op. 27 no. 2 | Jascha Heifetz, Milton Kaye | — | |
| 14-6 | Paraphrase on “Largo al factotum” from G. Rossini’s opera “Il barbiere di Siviglia” | Jascha Heifetz, Milton Kaye | — | |
| 14-7 | Jeannie With the Light Brown Hair | Jascha Heifetz, Milton Kaye | T-909.701.482-9 | |
| 14-8 | A la valse | Jascha Heifetz, Milton Kaye | — | |
| 14-9 | Humoresque in G-flat major, op. 101 no. 7 | Jascha Heifetz, Milton Kaye | — | |
| 14-10 | Gweedore Brae | Jascha Heifetz, Milton Kaye | — | |
| 14-11 | Old Folks at Home | Jascha Heifetz, Milton Kaye | — | |
| 14-12 | Traditional: Deep River | Jascha Heifetz, Milton Kaye | — | |
| 14-13 | Viennese · Wienerisch | Jascha Heifetz, Milton Kaye | — | |
| 14-14 | White Christmas | Jascha Heifetz, Salvador Camarata | T-004.026.559-5 | |
| 14-15 | Porgy and Bess: Summertime | Jascha Heifetz, Emanuel Bay | T-909.513.321-4 | |
| 14-16 | Porgy and Bess: A Woman Is A Sometime Thing | Jascha Heifetz, Emanuel Bay | T-901.121.953-7 | |
| 14-17 | Porgy and Bess: My Man’s Gone Now | Jascha Heifetz, Emanuel Bay | T-070.024.203-0 | |
| 14-18 | Porgy and Bess, opera: Act II, Scene II. "It Ain't Necessarily So" | Jascha Heifetz, Emanuel Bay | T-900.757.862-3 | |
| 14-19 | Porgy and Bess: Tempo di Blues “There’s A Boat That’s Leavin’ Soon For New York” | Jascha Heifetz, Emanuel Bay | T-070.178.366-5 | |
| 14-20 | Porgy and Bess: Bess, You Is My Woman Now | Jascha Heifetz, Emanuel Bay | T-900.082.355-2 | |
| 14-21 | Three Preludes: I. Allegro ben ritmato e deciso | Jascha Heifetz, Emanuel Bay | — | |
| 14-22 | Three Preludes: II. Andante con moto e poco rubato | Jascha Heifetz, Emanuel Bay | — | |
| 14-23 | Three Preludes: III. Allegro ben ritmato e deciso | Jascha Heifetz, Emanuel Bay | — | |
| 15-1 | An Outlandish Suite: No. 2. Florida Night Song | Jascha Heifetz, Emanuel Bay | — | |
| 15-2 | Golliwog’s Cakewalk | Emanuel Bay, Jascha Heifetz | — | |
| 15-3 | Clair de lune | Jascha Heifetz, Emanuel Bay | — | |
| 15-4 | Ao pé da fogueira | Jascha Heifetz, Emanuel Bay | — | |
| 15-5 | Huella, op. 49 (Canción argentina) | Jascha Heifetz, Emanuel Bay | — | |
| 15-6 | Prelude in C-sharp minor, op. 34 no. 10 | Jascha Heifetz, Emanuel Bay | — | |
| 15-7 | Prelude in D-flat major, op. 34 no. 15 | Jascha Heifetz, Emanuel Bay | — | |
| 15-8 | Waves at Play | Jascha Heifetz, Emanuel Bay | — | |
| 15-9 | March (from The Love for Three Oranges) | Jascha Heifetz, Emanuel Bay | — | |
| 15-10 | Masks, from Romeo and Juliet | Jascha Heifetz, Emanuel Bay | — | |
| 15-11 | Hexapoda (5 Studies in Jitteroptera): Gut-Bucket Gus | Jascha Heifetz, Emanuel Bay | — | |
| 15-12 | Hexapoda (5 Studies in Jitteroptera): Jane Shakes Her Hair | Jascha Heifetz, Emanuel Bay | — | |
| 15-13 | Hexapoda (5 Studies in Jitteroptera): Betty and Harold Close Their Eyes | Jascha Heifetz, Emanuel Bay | — | |
| 15-14 | Hexapoda: 4. Jim Jives | Jascha Heifetz, Emanuel Bay | — | |
| 15-15 | Hexapoda: 5. ...Till Dawn Sunday | Jascha Heifetz, Emanuel Bay | — | |
| 15-16 | The Ballad of Mack the Knife, from The Threepenny Opera | Jascha Heifetz, Emanuel Bay | — | |
| 15-17 | Mélodie in E-flat (no. 3, Souvenir d'un lieu cher, op. 42) | Jascha Heifetz, Emanuel Bay | — | |
| 15-18 | Nocturne in E-flat, op. 55 no. 2 | Jascha Heifetz, Emanuel Bay | — | |
| 15-19 | Mélodie, from Orphée et Euridice | Jascha Heifetz, Emanuel Bay | — | |
| 15-20 | Bird as prophet, from Waldszenen | Jascha Heifetz, Emanuel Bay | — | |
| 15-21 | Hymn to the Sun, from The Golden Cockerel | Jascha Heifetz, Emanuel Bay | — | |
| 15-22 | Dance no. 4 | Jascha Heifetz, Emanuel Bay | — | |
| 15-23 | Hungarian Dance no. 7 in A major | Jascha Heifetz, Emanuel Bay | — | |
| 15-24 | The Swan (from Carnival of the Animals) | Jascha Heifetz, Emanuel Bay | — | |
| 15-25 | Size Pictures, op. 30: No. 4. Hills | Jascha Heifetz, Emanuel Bay | — | |
| 15-26 | Small Concert Pieces, op. 21: No. 4. Moto perpetuo | Emanuel Bay, Jascha Heifetz | T-070.110.285-3 | |
| 15-27 | Lullaby (from Jocelyn) | Bing Crosby, Emanuel Bay, Jascha Heifetz, Victor Young | — | |
| 15-28 | Where My Caravan Has Rested | Bing Crosby, Emanuel Bay, Jascha Heifetz, Victor Young | — | |
| 15-29 | When You Make Love to Me (Don’t Make Believe) | Jim Hoyl | T-070.199.264-4 | |
| 16-1 | Imitazione delle campane | Daniel Hope, Deutsches Kammerorchester Berlin, Simon Halsey | — | |
| 16-2 | I giorni | Jacques Ammon, Daniel Hope, Deutsches Kammerorchester Berlin, Simon Halsey | T-005.514.580-6 | |
| 16-3 | Echorus | Daniel Hope, Chie Peters, Deutsches Kammerorchester Berlin, Simon Halsey | T-072.523.714-8 | |
| 16-4 | Cantique de Jean Racine, op. 11 | Daniel Hope, Deutsches Kammerorchester Berlin, Rundfunkchor Berlin, Simon Halsey | T-300.950.284-1 | |
| 16-5 | Adagio sognando From 24 Preludes, op. 46 | Daniel Hope, Jacques Ammon | — | |
| 16-6 | Fratres | Deutsches Kammerorchester Berlin, Simon Halsey, Daniel Hope | — | |
| 16-8 | Musica universalis | Daniel Hope, Jacques Ammon, Chie Peters, Deutsches Kammerorchester Berlin, Simon Halsey | T-910.217.475-4 | |
| 16-9 | Spheres | Daniel Hope, Deutsches Kammerorchester Berlin, Simon Halsey | — | |
| 16-10 | Berlin by Overnight | Daniel Hope, Jochen Carls | T-011.711.552-2 | |
| 16-11 | Biafra | Daniel Hope, Jacques Ammon, Deutsches Kammerorchester Berlin, Simon Halsey | — | |
| 16-12 | Lento | Daniel Hope, Deutsches Kammerorchester Berlin, Rundfunkchor Berlin, Simon Halsey | T-001.409.983-2 | |
| 16-13 | Passaggio | Jacques Ammon, Daniel Hope | T-005.003.099-3 | |
| 16-14 | Andante From 24 Preludes, op. 46 | Daniel Hope, Jacques Ammon | — | |
| 16-16 | Prelude in E minor, BWV 855 | Juan Lucas Aisemberg, Daniel Hope, Christiane Starke | T-918.063.729-0 | |
| 16-17 | Trysting Fields From “Drowning by Numbers” | Daniel Hope, Juan Lucas Aisemberg, Deutsches Kammerorchester Berlin, Simon Halsey | T-010.021.626-9 | |
| 16-18 | Faust / Episode 2 - Nachspiel | Daniel Hope, Deutsches Kammerorchester Berlin, Simon Halsey | T-803.194.238-9 | |
| 17-1 | Concerto for Violin and Orchestra: I. ♩ = 104 – ♩ = 120 | Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi | T-922.975.221-0 | |
| 17-2 | Concerto for Violin and Orchestra: II. ♩ = ca. 108 | Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi | T-922.975.221-0 | |
| 17-3 | Concerto for Violin and Orchestra: III. ♩ = ca. 150 – Coda: Poco meno ♩ = 104 | Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 17-4 | Violin Concerto: I. Twilight: Free and Spacious – attacca: | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 17-5 | Violin Concerto: II. Toccata-Chaconne: Very Fast | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 17-6 | Violin Concerto: III. Romance without Words: Hardly Moving | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 17-7 | Violin Concerto: IV. Midnight: Slow | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 17-8 | Violin Concerto: V. Toccata-Rondo: Very Fast | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 17-9 | Violin Concerto: VI. Dawn: Wistful | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 17-10 | Serenade after Plato’s “Symposium”: I. Phaedrus – Pausanias: Lento – Allegro marcato | Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein | T-071.000.879-9 | |
| 17-11 | Serenade after Plato’s “Symposium”: II. Aristophanes: Allegretto | Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein | T-071.000.879-9 | |
| 17-12 | Serenade after Plato’s “Symposium”: III. Eryximachus: Presto | Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein | T-071.000.879-9 | |
| 17-13 | Serenade after Plato’s “Symposium”: IV. Agathon: Adagio | Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 17-14 | Serenade after Plato’s “Symposium”: V. Socrates – Alcibiades: Molto tenuto – Allegro molto vivace | Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein | T-071.000.879-9 | |
| 18-1 | Sonate Nr. 9 A-Dur, op. 47 "Kreutzer-Sonate": I. Adagio sostenuto - Presto | Martha Argerich, Gidon Kremer | — | |
| 18-2 | Sonate Nr. 9 A-Dur, op. 47 "Kreutzer-Sonate": II. Andante con variazioni I-IV | Martha Argerich, Gidon Kremer | — | |
| 18-3 | Sonate Nr. 9 A-Dur, op. 47 "Kreutzer-Sonate": III. Finale. Presto | Martha Argerich, Gidon Kremer | — | |
| 18-4 | Sonate Nr. 10 G-Dur, op. 96: I. Allegro moderato | Martha Argerich, Gidon Kremer | T-902.685.630-4 | |
| 18-5 | Sonate Nr. 10 G-Dur, op. 96: II. Adagio espressivo | Martha Argerich, Gidon Kremer | T-909.876.999-4 | |
| 18-6 | Sonate Nr. 10 G-Dur, op. 96: III. Scherzo. Allegro | Martha Argerich, Gidon Kremer | — | |
| 18-7 | Sonate Nr. 10 G-Dur, op. 96: IV. Poco allegretto | Martha Argerich, Gidon Kremer | — | |
| 19-1 | Violin Concerto in A minor, op. 53: 1. Allegro ma non troppo - Quasi moderato | Johanna Martzy, RIAS Symphony Orchestra Berlin, Ferenc Fricsay | — | |
| 19-2 | Violin Concerto in A minor, op. 53: 2. Adagio, ma non troppo | Johanna Martzy, RIAS Symphony Orchestra Berlin, Ferenc Fricsay | — | |
| 19-3 | Violin Concerto in A minor, op. 53: 3. Finale (Allegro giocoso, ma non troppo) | Johanna Martzy, RIAS Symphony Orchestra Berlin, Ferenc Fricsay | — | |
| 19-4 | Violin Concerto no. 1 in G minor, op. 26: 1. Vorspiel (Allegro moderato) | Erica Morini, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 19-5 | Violin Concerto no. 1 in G minor, op. 26: 2. Adagio | Erica Morini, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | T-071.481.827-5 | |
| 19-6 | Violin Concerto no. 1 in G minor, op. 26: 3. Finale (Allegro energico) | Erica Morini, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | T-700.095.171-5 | |
| 19-7 | Violin Concerto in A minor, op. 82: 1. Moderato | Erica Morini, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 19-8 | Violin Concerto in A minor, op. 82: 2. Andante sostenuto | Erica Morini, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 19-9 | Violin Concerto in A minor, op. 82: Tempo I | Erica Morini, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 19-10 | Violin Concerto in A minor, op. 82: Cadenza | Erica Morini, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 19-11 | Violin Concerto in A minor, op. 82: 3. Allegro | Erica Morini, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 20-1 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 1 in D major: I. Grave: Allegro | Garo Atmacayan, Huguette Dreyfus, Eduard Melkus | — | |
| 20-2 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 1 in D major: II. Allegro | Garo Atmacayan, Huguette Dreyfus, Eduard Melkus | — | |
| 20-3 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 1 in D major: III. Allegro | Garo Atmacayan, Huguette Dreyfus, Eduard Melkus | — | |
| 20-4 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 1 in D major: IV. Adagio | Garo Atmacayan, Huguette Dreyfus, Eduard Melkus | — | |
| 20-5 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 1 in D major: V. Allegro | Garo Atmacayan, Huguette Dreyfus, Eduard Melkus | — | |
| 20-6 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 2 in B-flat major: I. Grave: Allegro | Huguette Dreyfus, Eduard Melkus, Karl Scheit | — | |
| 20-7 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 2 in B-flat major: II. Vivace | Huguette Dreyfus, Eduard Melkus, Karl Scheit | — | |
| 20-8 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 2 in B-flat major: III. Adagio | Huguette Dreyfus, Eduard Melkus, Karl Scheit | — | |
| 20-9 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 2 in B-flat major: IV. Vivace | Huguette Dreyfus, Eduard Melkus, Karl Scheit | — | |
| 20-10 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 2 in B-flat major: V. Vivace | Huguette Dreyfus, Eduard Melkus, Karl Scheit | — | |
| 20-11 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 3 in C major: I. Adagio | Huguette Dreyfus, Eduard Melkus | — | |
| 20-12 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 3 in C major: II. Allegro | Huguette Dreyfus, Eduard Melkus | — | |
| 20-13 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 3 in C major: III. Adagio | Huguette Dreyfus, Eduard Melkus | — | |
| 20-14 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 3 in C major: IV. Allegro | Huguette Dreyfus, Eduard Melkus | — | |
| 20-15 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 3 in C major: V. Giga (allegro) | Huguette Dreyfus, Eduard Melkus | — | |
| 20-16 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 7 in D minor: I. Preludio (vivace) | Garo Atmacayan, Eduard Melkus, Capella Academica Wien | — | |
| 20-17 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 7 in D minor: II. Corrente (allegro) | Garo Atmacayan, Eduard Melkus, Capella Academica Wien | — | |
| 20-18 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 7 in D minor: III. Sarabande (largo) | Garo Atmacayan, Eduard Melkus, Capella Academica Wien | — | |
| 20-19 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 7 in D minor: IV. Giga (allegro) | Garo Atmacayan, Eduard Melkus, Capella Academica Wien | — | |
| 20-20 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 8 in E minor: I. Preludio (largo) | Garo Atmacayan, Eduard Melkus, Karl Scheit | — | |
| 20-21 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 8 in E minor: II. Allemanda (allegro) | Garo Atmacayan, Eduard Melkus, Karl Scheit | — | |
| 20-22 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 8 in E minor: III. Sarabande (largo) | Garo Atmacayan, Eduard Melkus, Karl Scheit | — | |
| 20-23 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 8 in E minor: IV. Giga (allegro) | Garo Atmacayan, Eduard Melkus, Karl Scheit | — | |
| 20-24 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 9 in A major: I. Preludio (largo) | Garo Atmacayan, Huguette Dreyfus, Eduard Melkus | — | |
| 20-25 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 9 in A major: II. Giga (allegro) | Garo Atmacayan, Huguette Dreyfus, Eduard Melkus | — | |
| 20-26 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 9 in A major: III. Adagio: Tempo di Gavotte (allegro) | Garo Atmacayan, Huguette Dreyfus, Eduard Melkus | — | |
| 20-27 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 9 in A major: IV. Tempo di Gavotta. Allegro | Garo Atmacayan, Huguette Dreyfus, Eduard Melkus | — | |
| 20-28 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 11 in E major: I. Preludio (adagio) | Huguette Dreyfus, Eduard Melkus | — | |
| 20-29 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 11 in E major: II. Allegro | Huguette Dreyfus, Eduard Melkus | — | |
| 20-30 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 11 in E major: III. Adagio: Vivace | Huguette Dreyfus, Eduard Melkus | — | |
| 20-31 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 11 in E major: IV. Gavotta (allegro) | Huguette Dreyfus, Eduard Melkus | — | |
| 20-32 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 11 in E major: V. Gavotta. Allegro | Huguette Dreyfus, Eduard Melkus | — | |
| 20-33 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 12 in d minor: I. Adagio: Allegro - Adagio - Vivace - Allegro - Andante - Allegro - Adagio - Allegro | Garo Atmacayan, Huguette Dreyfus, Eduard Melkus | — | |
| 21-1 | Sonata for Violin and Piano no. 6 in A, op. 30 no. 1: 1. Allegro | Yehudi Menuhin, Wilhelm Kempff | — | |
| 21-2 | Sonata for Violin and Piano no. 6 in A, op. 30 no. 1: 2. Adagio | Yehudi Menuhin, Wilhelm Kempff | T-001.397.158-8 | |
| 21-3 | Sonata for Violin and Piano no. 6 in A, op. 30 no. 1: 3. Allegretto con variazioni | Yehudi Menuhin, Wilhelm Kempff | — | |
| 21-4 | Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: 1. Allegro con brio | Yehudi Menuhin, Wilhelm Kempff | — | |
| 21-5 | Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: 2. Adagio cantabile | Yehudi Menuhin, Wilhelm Kempff | T-001.397.158-8 | |
| 21-6 | Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: 3. Scherzo (Allegro) | Yehudi Menuhin, Wilhelm Kempff | — | |
| 21-7 | Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: 4. Finale (Allegro) | Yehudi Menuhin, Wilhelm Kempff | T-318.676.528-2 | |
| 21-8 | Sonata for Violin and Piano no. 8 in G, op. 30 no. 3: 1. Allegro assai | Yehudi Menuhin, Wilhelm Kempff | — | |
| 21-9 | Sonata for Violin and Piano no. 8 in G, op. 30 no. 3: 2. Tempo di minuetto, ma molto moderato e grazioso | Yehudi Menuhin, Wilhelm Kempff | — | |
| 21-10 | Sonata for Violin and Piano no. 8 in G, op. 30 no. 3: 3. Allegro vivace | Yehudi Menuhin, Wilhelm Kempff | — | |
| 22-1 | Concerto for Violin and Orchestra no. 1 in D major, op. 35: II. Canzonetta. Andante | Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado | — | |
| 22-2 | Concerto for Violin and Orchestra no. 1 in D major, op. 35: II. Canzonetta. Andante | Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado | — | |
| 22-3 | Concerto for Violin and Orchestra no. 1 in D major, op. 35: II. Canzonetta. Andante | Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado | — | |
| 22-4 | Sonata in A for Violin and Basso continuo, op. 1 no. 1 (arr. Nathan Milstein): I. Andante | Nathan Milstein, Georges Pludermacher | T-070.160.313-5 | |
| 22-5 | Sonata in A for Violin and Basso continuo, op. 1 no. 1 (arr. Nathan Milstein): II. Vivace | Nathan Milstein, Georges Pludermacher | — | |
| 22-6 | Sonata in A for Violin and Basso continuo, op. 1 no. 1 (arr. Nathan Milstein): III. Allegro | Nathan Milstein, Georges Pludermacher | — | |
| 22-7 | Rondo in B minor, D. 895, op. 70: I. Andante | Nathan Milstein, Georges Pludermacher | T-070.160.313-5 | |
| 22-8 | Rondo in B minor, D. 895, op. 70: II. Allegro | Nathan Milstein, Georges Pludermacher | — | |
| 22-9 | Paganiniana (Variations) for Violin Solo | Nathan Milstein | — | |
| 22-10 | 6 Consolations, S. 172, Transcription For Violin: Nathan Milstein: no. 3 in D-flat major (Lento, placido) | Nathan Milstein, Georges Pludermacher | T-306.229.968-3 | |
| 22-11 | Chanson russe: Arr. Dushkin From "Mavra" | Nathan Milstein, Georges Pludermacher | — | |
| 22-12 | Il Pleut Dans La Ville | Nathan Milstein, Georges Pludermacher | — | |
| 22-13 | Sorochintsy Fair: Hopak | Nathan Milstein, Georges Pludermacher | — | |
| 23-1 | Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appassionato | Shlomo Mintz, Chicago Symphony Orchestra, Claudio Abbado | — | |
| 23-2 | Concerto for Violin and Orchestra in E minor, op. 64: II. Andante | Shlomo Mintz, Chicago Symphony Orchestra, Claudio Abbado | T-071.481.827-5 | |
| 23-3 | Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | Shlomo Mintz, Chicago Symphony Orchestra, Claudio Abbado | — | |
| 23-4 | Concerto for Violin and Orchestra no. 1 in G minor, op. 26: I. Vorspiel. Allegro moderato - attacca: | Shlomo Mintz, Chicago Symphony Orchestra, Claudio Abbado | — | |
| 23-5 | Concerto for Violin and Orchestra no. 1 in G minor, op. 26: II. Adagio | Shlomo Mintz, Chicago Symphony Orchestra, Claudio Abbado | T-071.481.827-5 | |
| 23-6 | Violinkonzert Nr. 1 g-Moll, op. 26: III. Allegro energico | Shlomo Mintz, Chicago Symphony Orchestra, Claudio Abbado | T-700.095.171-5 | |
| 23-7 | Caprice viennois, op. 2: Allegro molto moderato - Andante con moto - Presto - Andante con moto - Più vivo - Tempo I | Clifford Benson, Shlomo Mintz | — | |
| 23-8 | Liebeslied | Clifford Benson, Shlomo Mintz | — | |
| 23-9 | Liebesfreud | Clifford Benson, Shlomo Mintz | T-801.289.652-6 | |
| 24-1 | Sonata for Violin and Piano no. 1 in A, op. 13: I. Allegro molto | Shlomo Mintz, Yefim Bronfman | — | |
| 24-2 | Sonata for Violin and Piano no. 1 in A, op. 13: II. Andante | Shlomo Mintz, Yefim Bronfman | — | |
| 24-3 | Sonata for Violin and Piano no. 1 in A, op. 13: III. Allegro vivo | Shlomo Mintz, Yefim Bronfman | — | |
| 24-4 | Sonata for Violin and Piano no. 1 in A, op. 13: IV. Allegro quasi presto | Shlomo Mintz, Yefim Bronfman | — | |
| 24-5 | Sonata for Violin and Piano no. 2 in E minor, op. 108: I. Allegro non troppo | Shlomo Mintz, Yefim Bronfman | — | |
| 24-6 | Sonata for Violin and Piano no. 2 in E minor, op. 108: II. Andante | Shlomo Mintz, Yefim Bronfman | — | |
| 24-7 | Sonata for Violin and Piano no. 2 in E minor, op. 108: III. Finale (Allegro non troppo) | Shlomo Mintz, Yefim Bronfman | — | |
| 25-1 | Violin Sonata no. 17 in C major, K. 296: I. Allegro vivace | Erica Morini, Rudolf Firkušný | — | |
| 25-2 | Violin Sonata no. 17 in C major, K. 296: II. Andante sostenuto | Erica Morini, Rudolf Firkušný | — | |
| 25-3 | Violin Sonata no. 17 in C major, K. 296: III. Rondo. Allegro | Erica Morini, Rudolf Firkušný | — | |
| 25-4 | Sonata for Violin and Piano no. 3 in E-flat, op. 12 No.3: I. Allegro con spirito | Erica Morini, Rudolf Firkušný | — | |
| 25-5 | Sonata for Violin and Piano no. 3 in E-flat, op. 12 No.3: II. Adagio con molt' espressione | Erica Morini, Rudolf Firkušný | — | |
| 25-6 | Sonata for Violin and Piano no. 3 in E-flat, op. 12 No.3: III. Rondo (Allegro molto) | Erica Morini, Rudolf Firkušný | — | |
| 25-7 | Violin Sonata in D major, RV 10: I. Allegro: II. Allegro | Erica Morini, Leon Pommers | — | |
| 25-8 | Violin Sonata in D major, RV 10: III. Adagio: IV. Allegro | Erica Morini, Leon Pommers | — | |
| 25-9 | Sonata For Violin And Continuo in G minor, op. 1, B.g10: "Didone abbandonata": I. Affettuoso | Erica Morini, Leon Pommers | — | |
| 25-10 | Sonata For Violin And Continuo in G minor, op. 1, B.g10: "Didone abbandonata": II. Presto | Erica Morini, Leon Pommers | — | |
| 25-11 | Sonata For Violin And Continuo in G minor, op. 1, B.g10: "Didone abbandonata": III. Allegro | Erica Morini, Leon Pommers | — | |
| 26-1 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo | Anne-Sophie Mutter, New York Philharmonic, Kurt Masur | — | |
| 26-2 | Violin Concerto in D major, op. 61: II. Larghetto | Anne-Sophie Mutter, New York Philharmonic, Kurt Masur | — | |
| 26-3 | Violin Concerto in D major, op. 61: III. Rondo. Allegro (Cadenza by Fritz Kreisler) | Anne-Sophie Mutter, New York Philharmonic, Kurt Masur | — | |
| 26-4 | Romance for Violin and Orchestra no. 1 in G major, op. 40 | Anne-Sophie Mutter, New York Philharmonic, Kurt Masur | — | |
| 26-5 | Violin Romance no. 2 in F major, op. 50 | Anne-Sophie Mutter, New York Philharmonic, Kurt Masur | — | |
| 27-1 | Konzert für Violine und Orchester D‐Dur op. 77: I. Allegro non troppo | Anne-Sophie Mutter, New York Philharmonic, Kurt Masur | T-902.764.002-4 | |
| 27-2 | Konzert für Violine und Orchester D‐Dur op. 77: II. Adagio | Anne-Sophie Mutter, Joseph Robinson, New York Philharmonic, Kurt Masur | T-304.292.274-3 | |
| 27-3 | Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto | Anne-Sophie Mutter, New York Philharmonic, Kurt Masur | — | |
| 27-4 | Fantasy for Violin and Orchestra in C major, op. 131 | Anne-Sophie Mutter, New York Philharmonic, Kurt Masur | — | |
| 28-1 | Sur le même accord | Orchestre National de France, Kurt Masur, Anne-Sophie Mutter | — | |
| 28-2 | Violin Concerto no. 2, Sz. 112: I. Allegro non troppo | Anne-Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 28-3 | Violin Concerto no. 2, Sz. 112: II. Andante tranquillo | Anne-Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 28-4 | Violin Concerto no. 2, Sz. 112: III. Allegro molto | Anne-Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 28-5 | Concerto en re for Violin and Orchestra: I. Toccata | Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher | T-002.139.790-9 | |
| 28-6 | Concerto en re for Violin and Orchestra: II. Aria I | Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher | T-070.940.139-7 | |
| 28-7 | Violin Concerto in D major: III. Aria II | Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher | — | |
| 28-8 | Concerto en re for Violin and Orchestra: IV. Capriccio | Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher | — | |
| 29-1 | Konzert für Violine und Orchester D-Dur, Op. 77: I. Allegro non troppo | David Oistrakh, Staatskapelle Dresden, Franz Konwitschny | — | |
| 29-2 | Konzert für Violine und Orchester D-Dur, Op. 77: II. Adagio | David Oistrakh, Staatskapelle Dresden, Franz Konwitschny | T-071.481.827-5 | |
| 29-3 | Konzert für Violine und Orchester D-Dur, Op. 77: III. Allegro giocoso, ma non troppo vivace | David Oistrakh, Staatskapelle Dresden, Franz Konwitschny | — | |
| 29-4 | Violin Concerto in D major, op. 35: 1. Allegro moderato | David Oistrakh, Staatskapelle Dresden, Franz Konwitschny | T-902.685.630-4 | |
| 29-5 | Violin Concerto in D major, op. 35: 2. Canzonetta. Andante | David Oistrakh, Staatskapelle Dresden, Franz Konwitschny | — | |
| 29-6 | Violin Concerto in D major, op. 35: 3. Finale. Allegro vivacissimo | David Oistrakh, Staatskapelle Dresden, Franz Konwitschny | — | |
| 30-1 | Violin Concerto no. 3 in B minor, op. 61: I. Allegro non troppo | Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | — | |
| 30-2 | Violin Concerto no. 3 in B minor, op. 61: II. Andantino quasi allegretto | Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | — | |
| 30-3 | Violin Concerto no. 3 in B minor, op. 61: III. Molto moderato e maestoso - Allegro non troppo - Più allegro | Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | — | |
| 30-4 | Concerto for Violin and Orchestra no. 2 in D minor, op. 22: I. Allegro moderato | Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | — | |
| 30-5 | Concerto for Violin and Orchestra no. 2 in D minor, op. 22: II. Romance. Andante non troppo | Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | — | |
| 30-6 | Concerto for Violin and Orchestra no. 2 in D minor, op. 22: III. Allegro con fuoco - Allegro moderato (à la zingara) | Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | — | |
| 31-1 | Violinkonzert "Dem Andenken eines Engels": I. Andante - Allegretto | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | T-070.160.313-5 | |
| 31-2 | Violinkonzert "Dem Andenken eines Engels": II. Allegro - Adagio - (Coda) | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 31-3 | Violin Concerto in D major: I. Toccata | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 31-4 | Violin Concerto in D major: II. Aria I | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 31-5 | Violin Concerto in D major: III. Aria II | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 31-6 | Violin Concerto in D major: IV. Capriccio | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 31-7 | Tzigane | Itzhak Perlman, Myor Rosen, New York Philharmonic, Zubin Mehta | T-003.017.816-5 | |
| 32-1 | Sonata no. 9 for Violin and Piano in A major, op. 47 "Kreutzer": I. Adagio sostenuto - Presto | Wilhelm Kempff, Georg Kulenkampff | — | |
| 32-2 | Sonata no. 9 for Violin and Piano in A major, op. 47 "Kreutzer": II. Andante con variazioni | Wilhelm Kempff, Georg Kulenkampff | — | |
| 32-3 | Sonata no. 9 for Violin and Piano in A major, op. 47 "Kreutzer": III. Finale. Presto | Wilhelm Kempff, Georg Kulenkampff | — | |
| 32-4 | Sonatina For Violin And Piano in G, op. 100, B. 120: I. Allegro risoluto | Váša Příhoda, Michael Raucheisen | — | |
| 32-5 | Sonatina For Violin And Piano in G, op. 100, B. 120: II. Larghetto | Váša Příhoda, Michael Raucheisen | — | |
| 32-6 | Sonatina For Violin And Piano in G, op. 100, B. 120: III. Scherzo. Molto vivace | Váša Příhoda, Michael Raucheisen | — | |
| 32-7 | Sonatina For Violin And Piano in G, op. 100, B. 120: IV. Finale. Allegro | Váša Příhoda, Michael Raucheisen | — | |
| 32-8 | From The Homeland, JB 1:118: Two Pieces For Violine & Piano: Andantino - Moderato | Váša Příhoda, Otto Graef | — | |
| 33-1 | Praeludium And Allegro in The Style Of Pugnani | Ruggiero Ricci, Brooks Smith | — | |
| 33-2 | Siciliano And Rigaudon in The Style Of Francoeur | Ruggiero Ricci, Brooks Smith | — | |
| 33-3 | Chanson Louis XIII and Pavane | Ruggiero Ricci, Brooks Smith | — | |
| 33-4 | Rondino on a Theme by Beethoven: Allegretto grazioso | Ruggiero Ricci, Brooks Smith | — | |
| 33-5 | Variations on a Theme by Corelli | Ruggiero Ricci, Brooks Smith | — | |
| 33-6 | Recitativo and Scherzo-Caprice, op. 6 | Ruggiero Ricci, Brooks Smith | — | |
| 33-7 | Caprice viennois op.2 | Ruggiero Ricci, Brooks Smith | — | |
| 33-8 | Tambourin chinois | Ruggiero Ricci, Brooks Smith | T-800.157.688-2 | |
| 33-9 | Liebesfreud | Ruggiero Ricci, Brooks Smith, Fritz Kreisler, Haddon Squire | T-801.289.652-6 | |
| 33-10 | Liebesleid | Ruggiero Ricci, Brooks Smith | — | |
| 33-11 | Schön Rosmarin | Ruggiero Ricci, Brooks Smith | — | |
| 33-12 | La Gitana | Ruggiero Ricci, Brooks Smith | — | |
| 33-13 | The Old Refrain: arranged by Fritz Kreisler | Ruggiero Ricci, Brooks Smith | — | |
| 33-14 | La Chasse (in the style of Cartier) | Ruggiero Ricci, Brooks Smith | — | |
| 33-16 | Liebesleid | Fritz Kreisler, Haddon Squire | — | |
| 33-17 | Schön Rosmarin | Fritz Kreisler, George Falkenstein | — | |
| 33-18 | Tambourin chinois | Fritz Kreisler, Haddon Squire | — | |
| 33-19 | Andantino in the style of Padre Martini | Fritz Kreisler, George Falkenstein | — | |
| 33-20 | Chant sans paroles, op. 2, no. 3 (Song Without Words, Op.2 & 3) | Fritz Kreisler, George Falkenstein | — | |
| 34-1 | Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo | Wolfgang Schneiderhan, Berliner Philharmoniker, Eugen Jochum | — | |
| 34-2 | Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto | Wolfgang Schneiderhan, Berliner Philharmoniker, Eugen Jochum | — | |
| 34-3 | Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro | Wolfgang Schneiderhan, Berliner Philharmoniker, Eugen Jochum | — | |
| 34-4 | Konzert für Violine und Orchester Nr. 5 A-Dur, KV 219: I. Allegro aperto | Wolfgang Schneiderhan, Berliner Philharmoniker | — | |
| 34-5 | Konzert für Violine und Orchester Nr. 5 A-Dur, KV 219: I. Allegro aperto | Wolfgang Schneiderhan, Berliner Philharmoniker | — | |
| 34-6 | Konzert für Violine und Orchester Nr. 5 A-Dur, KV 219: I. Allegro aperto | Wolfgang Schneiderhan, Berliner Philharmoniker | — | |
| 35-1 | Violin Concerto, op. 14: I. Allegro | Gil Shaham, London Symphony Orchestra, André Previn | T-070.160.313-5 | |
| 35-2 | Violin Concerto, op. 14: II. Andante | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 35-3 | Violin Concerto, op. 14: III. Presto in moto perpetuo | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 35-4 | Violin Concerto in D major, op. 35: I. Moderato nobile | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 35-5 | Violin Concerto in D major, op. 35: II. Romance: Andante | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 35-6 | Violin Concerto in D major, op. 35: III. Finale: Allegro assai vivace | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 35-7 | Much Ado about Nothing, op. 11: I. The Maiden in the Bridal Chamber: Lento - Molto moderato, with charm and grace | Gil Shaham, André Previn | — | |
| 35-8 | Much Ado about Nothing, op. 11: II. Dogberry and Verges. March of the Watch: In the tempo of a grotesque funeral march | Gil Shaham, André Previn | — | |
| 35-9 | Much Ado about Nothing, op. 11: III. Scene in the Garden: Molto espressivo (broad, but not too slow) | Gil Shaham, André Previn | — | |
| 35-10 | Much Ado about Nothing, op. 11: IV. Masquerade: Hornpipe: Animato | Gil Shaham, André Previn | T-902.876.200-7 | |
| 36-1 | Concerto for Violin no. 1, op. 19: I. Andantino | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 36-2 | Concerto for Violin no. 1, op. 19: II. Scherzo: Vivacissimo | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 36-3 | Concerto for Violin no. 1, op. 19: III. Moderato | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 36-4 | Concerto for Violin no. 2, op. 63: I. Allegro moderato | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 36-5 | Concerto for Violin no. 2, op. 63: II. Andante assai | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 36-6 | Concerto for Violin no. 2, op. 63: III. Allegro, ben marcato | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 36-7 | Sonata for Solo Violin, op. 115: I. Moderato | Gil Shaham | — | |
| 36-8 | Sonata for Solo Violin, op. 115: II. Andante dolce | Gil Shaham | — | |
| 36-9 | Sonata for Solo Violin, op. 115: III. Con brio | Gil Shaham | — | |
| 37-1 | Concerto for Violin, Strings and Continuo in A minor, BWV 1041: I. | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 37-2 | Concerto for Violin, Strings and Continuo in A minor, BWV 1041: I. | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 37-3 | Concerto for Violin, Strings and Continuo in A minor, BWV 1041: I. | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 37-4 | Concerto for Violin, Strings and Continuo in E major, BWV 1042: II. Adagio | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 37-5 | Concerto for Violin, Strings and Continuo in E major, BWV 1042: II. Adagio | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 37-6 | Concerto for Violin, Strings and Continuo in E major, BWV 1042: II. Adagio | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 37-7 | Concerto for 2 Violins in D minor, BWV 1043: III. Allegro | Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | — | |
| 37-8 | Concerto for 2 Violins in D minor, BWV 1043: III. Allegro | Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | — | |
| 37-9 | Concerto for 2 Violins in D minor, BWV 1043: III. Allegro | Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | — | |
| 38-1 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-306.395.786-4 | |
| 38-2 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": II. Largo e pianissimo sempre | Trevor Pinnock, Simon Standage, The English Concert | T-911.640.005-6 | |
| 38-3 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": III. Danza pastorale. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-902.836.120-8 | |
| 38-4 | Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": I. Allegro non molto | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 38-5 | Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": II. Adagio - Presto | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 38-6 | Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": III. Presto | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 38-7 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": I. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-911.640.004-5 | |
| 38-8 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": II. Adagio | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 38-9 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": III. Allegro | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 38-10 | Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": I. Allegro non molto | Trevor Pinnock, Simon Standage, The English Concert | T-307.175.172-5 | |
| 38-11 | Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": II. Largo | Trevor Pinnock, Simon Standage, The English Concert | T-307.175.181-6 | |
| 38-12 | Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": III. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-902.836.120-8 | |
| 38-13 | Concerto for Oboe, Violin and Strings in B-flat major, RV 548: I. (Allegro) | David Reichenberg, Simon Standage, The English Concert, Trevor Pinnock | T-910.793.958-2 | |
| 38-14 | Concerto for Oboe, Violin and Strings in B-flat major, RV 548: II. Largo | David Reichenberg, Simon Standage, The English Concert, Trevor Pinnock | T-911.640.005-6 | |
| 38-15 | Concerto for Oboe, Violin, Strings and Continuo in B-flat, RV 548: 3. Allegro | David Reichenberg, Simon Standage, The English Concert, Trevor Pinnock | T-902.836.120-8 | |
| 38-16 | Concerto for 2 Violins and Strings in G major, RV 516: I. Allegro molto | Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | — | |
| 38-17 | Concerto for 2 Violins, Strings and Continuo in G major, RV 516: 2. Andante (molto) | Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | — | |
| 38-18 | Concerto for 2 Violins and Strings in G major, RV 516: III. Allegro | Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | T-902.836.120-8 | |
| 39-1 | Sonata no. 1 in G minor, BWV 1001: I. Adagio | Henryk Szeryng | T-001.397.158-8 | |
| 39-2 | Sonata no. 1 in G minor, BWV 1001: II. Fuga: Allegro | Henryk Szeryng | T-905.386.501-3 | |
| 39-3 | Sonata no. 1 in G minor, BWV 1001: III. Siciliana | Henryk Szeryng | — | |
| 39-4 | Sonata no. 1 in G minor, BWV 1001: IV. Presto | Henryk Szeryng | T-318.676.528-2 | |
| 39-5 | Partita no. 1 in B minor, BWV 1002: I. Allemanda | Henryk Szeryng | — | |
| 39-6 | Partita no. 1 in B minor, BWV 1002: II. Double | Henryk Szeryng | T-920.218.518-0 | |
| 39-7 | Partita no. 1 in B minor, BWV 1002: III. Corrente | Henryk Szeryng | — | |
| 39-8 | Partita no. 1 in B minor, BWV 1002: IV. Double: Presto | Henryk Szeryng | T-920.218.518-0 | |
| 39-9 | Partita no. 1 in B minor, BWV 1002: V. Sarabande | Henryk Szeryng | — | |
| 39-10 | Partita no. 1 in B minor, BWV 1002: VI. Double (2) | Henryk Szeryng | T-920.218.518-0 | |
| 39-11 | Partita no. 1 in B minor, BWV 1002: VII. Tempo Di Borea | Henryk Szeryng | — | |
| 39-12 | Partita no. 1 in B minor, BWV 1002: VIII. Double (3) | Henryk Szeryng | T-920.218.518-0 | |
| 39-13 | Sonata no. 2 in A minor, BWV 1003: I. Grave | Henryk Szeryng | T-903.514.416-2 | |
| 39-14 | Sonata no. 2 in A minor, BWV 1003: II. Fuga | Henryk Szeryng | — | |
| 39-15 | Sonata no. 2 in A minor, BWV 1003: III. Andante | Henryk Szeryng | — | |
| 39-16 | Sonata no. 2 in A minor, BWV 1003: IV. Allegro | Henryk Szeryng | T-306.395.786-4 | |
| 40-1 | Partita no. 2 in D minor, BWV 1004: I. Allemanda | Henryk Szeryng | — | |
| 40-2 | Partita no. 2 in D minor, BWV 1004: II. Corrente | Henryk Szeryng | — | |
| 40-3 | Partita no. 2 in D minor, BWV 1004: III. Sarabanda | Henryk Szeryng | — | |
| 40-4 | Partita no. 2 in D minor, BWV 1004: IV. Gigue | Henryk Szeryng | — | |
| 40-5 | Partita no. 2 in D minor, BWV 1004: V. Chaconne | Henryk Szeryng | — | |
| 40-6 | Sonata no. 3 in C major, BWV 1005: I. Adagio | Henryk Szeryng | — | |
| 40-7 | Sonata no. 3 in C major, BWV 1005: II. Fugue: Allabreve | Henryk Szeryng | — | |
| 40-8 | Sonata no. 3 in C major, BWV 1005: III. Largo | Henryk Szeryng | T-310.505.152-9 | |
| 40-9 | Sonata no. 3 in C major, BWV 1005: IV. Allegro assai | Henryk Szeryng | T-306.395.786-4 | |
| 40-10 | Partita no. 3 in E major, BWV 1006: I. Prelude | Henryk Szeryng | — | |
| 40-11 | Partita no. 3 in E major, BWV 1006: II. Loure | Henryk Szeryng | — | |
| 40-12 | Partita no. 3 in E major, BWV 1006: III. Gavotte & Rondo | Henryk Szeryng | — | |
| 40-13 | Partita no. 3 in E major, BWV 1006: IV. Menuet I & II | Henryk Szeryng | — | |
| 40-14 | Partita no. 3 in E major, BWV 1006: V. Bouree | Henryk Szeryng | — | |
| 40-15 | Partita no. 3 in E major, BWV 1006: VI. Gigue | Henryk Szeryng | — | |
| 41-1 | Sonata for Violin and Piano no. 1, BB 84 (Sz. 75): I. Allegro appassionato | Tibor Varga, Edith Farnadi | — | |
| 41-2 | Sonata for Violin and Piano no. 1, BB 84 (Sz. 75): II. Adagio | Tibor Varga, Edith Farnadi | — | |
| 41-3 | Sonata for Violin and Piano no. 1, BB 84 (Sz. 75): III. Allegro | Tibor Varga, Edith Farnadi | — | |
| 41-4 | Sonata for Solo Violin, BB 124, Sz. 117: I. Tempo di ciaccona | Tibor Varga | — | |
| 41-5 | Sonata for Solo Violin, BB 124, Sz. 117: II. Fuga (Risoluto, non troppo vivo) | Tibor Varga | — | |
| 41-6 | Sonata for Solo Violin, BB 124, Sz. 117: III. Melodia (Adagio) | Tibor Varga | — | |
| 41-7 | Sonata for Solo Violin, BB 124, Sz. 117: IV. Presto | Tibor Varga | T-003.055.867-8 | |
| 42-1 | Sonate für Klavier und Violine G-dur op. 78: I. Vivace ma non troppo | Daniel Barenboim, Pinchas Zukerman | — | |
| 42-2 | Sonate für Klavier und Violine G-dur op. 78: II. Adagio | Daniel Barenboim, Pinchas Zukerman | — | |
| 42-3 | Sonate für Klavier und Violine G-dur op. 78: III. Allegro molto moderato | Daniel Barenboim, Pinchas Zukerman | — | |
| 42-4 | Sonate für Klavier und Violine A-dur op. 100: I. Allegro amabile | Pinchas Zukerman, Daniel Barenboim | T-329.366.957-1 | |
| 42-5 | Sonate für Klavier und Violine A-dur op. 100: II. Andante tranquillo – Vivace – Andante – Vivace di più – Andante – Vivace | Pinchas Zukerman, Daniel Barenboim | T-329.366.955-9 | |
| 42-6 | Sonate für Klavier und Violine A-dur op. 100: III. Allegretto grazioso (quasi Andante) | Pinchas Zukerman, Daniel Barenboim | T-329.366.956-0 | |
| 42-7 | Sonate für Klavier und Violine d-moll op. 108: I. Allegro | Pinchas Zukerman, Daniel Barenboim | T-070.160.313-5 | |
| 42-8 | Sonate für Klavier und Violine d-moll op. 108: II. Adagio | Pinchas Zukerman, Daniel Barenboim | — | |
| 42-9 | Sonate für Klavier und Violine d-moll op. 108: III. Un poco presto e con sentimento | Pinchas Zukerman, Daniel Barenboim | — | |
| 42-10 | Sonate für Klavier und Violine d-moll op. 108: IV. Presto agitato | Pinchas Zukerman, Daniel Barenboim | — | |
| 42-11 | "F-A-E" Sonata for Piano and Violin, WoO posth. 2: 3. Scherzo. Allegro — Trio. Più Moderato | Daniel Barenboim, Pinchas Zukerman | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Liebesfreud | Fritz Kreisler, Haddon Squire | T-801.289.652-6 |
