UPC · Release
111: The Violin: Legendary Recordings
Various Artists
028947962205
482 tracksReleased 2016-01-01Deutsche Grammophon
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028947962205 is the Universal Product Code (UPC barcode) for the release “111: The Violin: Legendary Recordings” by Various Artists, released 2016-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 482 tracks, each with its own ISRC. Tracks include DEF057730801, DEF057730802, DEF057730803.
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UPC111: The Violin: Legendary Recordings
ISRC482 recordings
ISWC80 works
IPI7 songwriters
Track List (482)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 24 Capricci per violino solo, op. 1: 1. Andante. E-dur | Salvatore Accardo | T-010.437.719-6 | |
| 2 | 24 Capricci per violino solo, op. 1: 2. Moderato. h-moll | Salvatore Accardo | — | |
| 3 | 24 Capricci per violino solo, op. 1: 3. Sostenuto - Presto - Sostenuto. e-moll | Salvatore Accardo | — | |
| 4 | 24 Capricci per violino solo, op. 1: 4. Maestoso. c-moll | Salvatore Accardo | — | |
| 5 | 24 Capricci per violino solo, op. 1: 5. Agitato. a-moll | Salvatore Accardo | T-902.571.014-9 | |
| 6 | 24 Capricci per violino solo, op. 1: 6. Lento. g-moll | Salvatore Accardo | — | |
| 7 | 24 Capricci per violino solo, op. 1: 7. Posato. a-moll | Salvatore Accardo | — | |
| 8 | 24 Capricci per violino solo, op. 1: 8. Maestoso. Es-dur | Salvatore Accardo | — | |
| 9 | 24 Capricci per violino solo, op. 1: 9. Allegretto. E-dur | Salvatore Accardo | T-010.437.719-6 | |
| 10 | 24 Capricci per violino solo, op. 1: 10. Vivace. g-moll | Salvatore Accardo | — | |
| 11 | 24 Capricci per violino solo, op. 1: 11. Andante - Presto - Tempo I. C-dur | Salvatore Accardo | — | |
| 12 | 24 Capricci per violino solo, op. 1: 12. Allegro. As-dur | Salvatore Accardo | T-906.148.797-6 | |
| 13 | 24 Capricci per violino solo, op. 1: 13. Allegro. B-dur | Salvatore Accardo | T-902.571.014-9 | |
| 14 | 24 Capricci per violino solo, op. 1: 14. Moderato. Es-dur | Salvatore Accardo | T-906.148.797-6 | |
| 15 | 24 Capricci per violino solo, op. 1: 15. Posato. e-moll | Salvatore Accardo | — | |
| 16 | 24 Capricci per violino solo, op. 1: 16. Presto. g-moll | Salvatore Accardo | — | |
| 17 | 24 Capricci per violino solo, op. 1: 17. Sostenuto - Andante. Es-dur | Salvatore Accardo | — | |
| 18 | 24 Capricci per violino solo, op. 1: 18. Corrente - Allegro. C-dur | Salvatore Accardo | — | |
| 19 | 24 Capricci per violino solo, op. 1: 19. Lento - Allegro assai. Es-dur | Salvatore Accardo | T-906.148.797-6 | |
| 20 | 24 Capricci per violino solo, op. 1: 20. Allegretto. D-dur | Salvatore Accardo | — | |
| 21 | 24 Capricci per violino solo, op. 1: 21. Amoroso - Presto. A-dur | Salvatore Accardo | T-902.571.014-9 | |
| 22 | 24 Capricci per violino solo, op. 1: 22. Marcato. F-dur | Salvatore Accardo | — | |
| 23 | 24 Capricci per violino solo, op. 1: 23. Posato. Es-dur | Salvatore Accardo | T-906.148.797-6 | |
| 24 | Caprice Op. 1, No. 24 pour violon seul | Salvatore Accardo | T-902.571.014-9 | |
| 2-1 | Violin Concerto no. 1 in D major, op. 6: III. Rondo: Allegro spiritoso | Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser | — | |
| 2-2 | Violin Concerto no. 1 in D major, op. 6: III. Rondo: Allegro spiritoso | Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser | — | |
| 2-3 | Violin Concerto no. 1 in D major, op. 6: III. Rondo: Allegro spiritoso | Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser | — | |
| 2-4 | Concerto N. 2 Op. 7: III. Rondò "La Campanella" | Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser | — | |
| 2-5 | Concerto N. 2 Op. 7: III. Rondò "La Campanella" | Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser | — | |
| 2-6 | Concerto N. 2 Op. 7: III. Rondò "La Campanella" | Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser | — | |
| 3-1 | Violin Concerto no. 1, op. 77: I. Nocturne: Moderato | Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | — | |
| 3-2 | Violin Concerto no. 1, op. 77: II. Scherzo: Allegro | Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | — | |
| 3-3 | Violin Concerto no. 1, op. 77: III. Passacaglia: Andante - Cadenza | Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | — | |
| 3-4 | Violin Concerto no. 1, op. 77: IV. Burlesque: Allegro con brio - Presto | Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | — | |
| 3-5 | V & V | Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | T-801.794.611-2 | |
| 3-6 | Seven Dolls' Dances: Lyrical Waltz | Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | — | |
| 3-7 | Spiegel im Spiegel | Lisa Batiashvili, Hélène Grimaud | — | |
| 3-8 | Vocalise, op. 34 no. 14 | Lisa Batiashvili, Hélène Grimaud | T-900.222.366-7 | |
| 4-1 | Concerto for Violin and Strings in B-flat major, RV 583 "in due cori": I. Largo e spiccato - Allegro non molto | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 4-2 | Concerto for Violin and Strings in B-flat major, RV 583 "in due cori": II. Andante | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 4-3 | Concerto for Violin and Strings in B-flat major, RV 583 "in due cori": III. Allegro | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 4-4 | Concerto for Violin, Strings and Continuo in E minor, RV 278: I. Allegro molto - Andantino | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 4-5 | Concerto for Violin, Strings and Continuo in E minor, RV 278: II. Largo | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | T-911.640.005-6 | |
| 4-6 | Concerto for Violin, Strings and Continuo in E minor, RV 278: III. Allegro | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 4-7 | Concerto for Violin in G major, Op. 3 No. 9: I. Allegro - Capriccio - Cadenza - Allegro | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 4-8 | Concerto for Violin in G major, Op. 3 No. 9: II. Largo | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 4-9 | Concerto for Violin in G major, Op. 3 No. 9: III. Allegro - Capriccio - Allegro | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | T-306.395.786-4 | |
| 4-10 | Concerto for Violin, Strings and Continuo in A major, D 96: I. Allegro | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 4-11 | Concerto for Violin, Strings and Continuo in A major, D 96: II. Adagio | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 4-12 | Concerto for Violin, Strings and Continuo in A major, D 96: III. [Presto] | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 4-13 | Concerto for Violin, Strings and Continuo in A major, D 96: II. Largo andante in E major[Alternative] | Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | — | |
| 5-1 | Violin Concerto in C major, Hob. VIIa:1: I. Allegro moderato: 1. Cadenza | Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia | — | |
| 5-2 | Violin Concerto in C major, Hob. VIIa:1: II. Cadenza | Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia | — | |
| 5-3 | Violin Concerto in C major, Hob. VIIa:1: III. Finale (Presto) | Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia | — | |
| 5-4 | Violin Concerto in A, Hob. VIIa:3: I. Moderato | Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia | — | |
| 5-5 | Violin Concerto in A, Hob. VIIa:3: II. Adagio: 2. Cadenza | Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia | — | |
| 5-6 | Violin Concerto in A, Hob. VIIa:3: III. Finale (Allegro): 3. Cadenza | Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia | — | |
| 5-7 | Violin Concerto in G, Hob. VIIa:4: I. Allegro moderato | Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia | — | |
| 5-8 | Violin Concerto in G, Hob. VIIa:4: II. Adagio: 2. Cadenza | Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia | — | |
| 5-9 | Violin Concerto in G, Hob. VIIa:4: III. Allegro | Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia | — | |
| 6-1 | Sonate für Violine und Klavier Es-dur, op. 18: 1. Allegro, ma non troppo | Kyung Wha Chung, Krystian Zimerman | — | |
| 6-2 | Sonate für Violine und Klavier Es-dur, op. 18: 2. Improvisation. Andante cantabile | Kyung Wha Chung, Krystian Zimerman | — | |
| 6-3 | Sonate für Violine und Klavier Es-dur, op. 18: 3. Finale. Andante - Allegro | Kyung Wha Chung, Krystian Zimerman | — | |
| 6-4 | Sonate für Violine und Klavier h-moll: 1. Moderato | Kyung Wha Chung, Krystian Zimerman | — | |
| 6-5 | Sonate für Violine und Klavier h-moll: 2. Andante espressivo | Kyung Wha Chung, Krystian Zimerman | — | |
| 6-6 | Sonate für Violine und Klavier h-moll: 3. (Passacaglia). Allegro moderato ma energico | Kyung Wha Chung, Krystian Zimerman | — | |
| 7-1 | Violin Sonata in A: I. Allegro moderato | Augustin Dumay, Maria João Pires | T-312.207.822-8 | |
| 7-2 | Violin Sonata in A: II. Allegro | Augustin Dumay, Maria João Pires | — | |
| 7-3 | Violin Sonata in A: III. Recitativo, Fantasia | Augustin Dumay, Maria João Pires | — | |
| 7-4 | Violin Sonata in A: IV. Allegro poco mosso | Augustin Dumay, Maria João Pires | — | |
| 7-5 | Sonata for Violin and Piano in G minor, L. 140: I. Allegro vivo | Augustin Dumay, Maria João Pires | — | |
| 7-6 | Violin Sonata in G minor: II. Intermède | Augustin Dumay, Maria João Pires | — | |
| 7-7 | Violin Sonata in G minor: III. Finale: Très Animé | Augustin Dumay, Maria João Pires | — | |
| 7-8 | Berceuse sur le nom de Gabriel Fauré | Augustin Dumay, Maria João Pires | — | |
| 7-9 | Pièce en forme de Habañera | Augustin Dumay, Maria João Pires | — | |
| 7-10 | Tzigane | Augustin Dumay, Maria João Pires | T-003.017.816-5 | |
| 8-1 | Sonate pour violon et piano n° 1 en la mineur, op. 105: 1. Mit leidenschaftlichem Ausdruck | Christian Ferras, Pierre Barbizet | — | |
| 8-2 | Sonate pour violon et piano n° 1 en la mineur, op. 105: 2. Allegretto | Christian Ferras, Pierre Barbizet | — | |
| 8-3 | Sonate pour violon et piano n° 1 en la mineur, op. 105: 3. Lebhaft | Christian Ferras, Pierre Barbizet | — | |
| 8-4 | Romances pour violon et piano, op. 94: N° 1: Nicht schnell (Moderato) | Christian Ferras, Pierre Barbizet | — | |
| 8-5 | Romances pour violon et piano, op. 94: N° 2: Einfach, innig (Semplice, affetuoso) | Pierre Barbizet, Christian Ferras | T-312.439.208-7 | |
| 8-6 | Romances pour violon et piano, op. 94: N° 3: Nicht schnell (Moderato) | Christian Ferras, Pierre Barbizet | — | |
| 8-7 | Sonate pour violon et piano, op. 121: I. Ziemlich langsam - Lebhaft | Christian Ferras, Pierre Barbizet | — | |
| 8-8 | Sonate pour violon et piano, op. 121: II. Sehr lebhaft | Christian Ferras, Pierre Barbizet | — | |
| 8-9 | Sonate pour violon et piano, op. 121: III. Leise, einfach | Christian Ferras, Pierre Barbizet | — | |
| 8-10 | Sonate pour violon et piano, op. 121: IV. Bewegt | Christian Ferras, Pierre Barbizet | — | |
| 9-1 | Sonata for Violin and Piano no. 5 in F, op. 24: "Spring": I. Allegro | David Garrett, Alexander Markovich | T-011.422.353-8 | |
| 9-2 | Sonata for Violin and Piano no. 5 in F, op. 24: "Spring": II. Adagio molto espressivo | David Garrett, Alexander Markovich | — | |
| 9-3 | Sonata for Violin and Piano no. 5 in F, op. 24: "Spring": III. Scherzo (Allegro molto) | David Garrett, Alexander Markovich | — | |
| 9-4 | Sonata for Violin and Piano no. 5 in F, op. 24: "Spring": IV. Rondo (Allegro ma non troppo) | David Garrett, Alexander Markovich | T-031.682.208-8 | |
| 9-5 | Partita for Violin Solo no. 2 in D minor, BWV 1004: I. Allemande | David Garrett | — | |
| 9-6 | Partita for Violin Solo no. 2 in D minor, BWV 1004: II. Corrente | David Garrett | — | |
| 9-7 | Partita for Violin Solo no. 2 in D minor, BWV 1004: III. Sarabande | David Garrett | — | |
| 9-8 | Partita for Violin Solo no. 2 in D minor, BWV 1004: IV. Giga | David Garrett | — | |
| 9-9 | Partita for Violin Solo no. 2 in D minor, BWV 1004: V. Ciaccona | David Garrett | — | |
| 9-10 | Adagio for Violin and Orchestra in E, K. 261: Adagio | David Garrett, Alexander Markovich | T-318.588.465-1 | |
| 10-1 | Sonata con tre violini (XXI from Canzoni et Sonate, 1615) | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10-2 | Sonata sopra l'aria di Ruggiero | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10-3 | Sonate a tre violini | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10-4 | Passacaglio a 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10-5 | Sonata sopra la Monica | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10-6 | Ecco a tre violini | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10-7 | Capriccio | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10-8 | Sonata detta la Polaca | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10-9 | Sonata a tre violini | Musica Antiqua Köln, Reinhard Goebel | — | |
| 11-1 | Sonata for Violin and Harpsichord no. 1 in B minor, BWV 1014: I. Adagio | Reinhard Goebel, Robert Hill | — | |
| 11-2 | Sonata for Violin and Harpsichord no. 1 in B minor, BWV 1014: II. Allegro | Reinhard Goebel, Robert Hill | — | |
| 11-3 | Sonata for Violin and Harpsichord no. 1 in B minor, BWV 1014: III. Andante | Reinhard Goebel, Robert Hill | T-801.724.839-5 | |
| 11-4 | Sonata for Violin and Harpsichord no. 1 in B minor, BWV 1014: IV. Allegro | Reinhard Goebel, Robert Hill | T-318.676.528-2 | |
| 11-5 | Sonata for Violin and Harpsichord no. 2 in A major, BWV 1015: I. [without tempo indication] | Reinhard Goebel, Robert Hill | T-800.184.797-9 | |
| 11-6 | Sonata for Violin and Harpsichord no. 2 in A major, BWV 1015: II. Allegro assai | Reinhard Goebel, Robert Hill | — | |
| 11-7 | Sonata for Violin and Harpsichord no. 2 in A major, BWV 1015: III. Andante un poco | Reinhard Goebel, Robert Hill | — | |
| 11-8 | Sonata for Violin and Harpsichord no. 2 in A major, BWV 1015: IV. Presto | Reinhard Goebel, Robert Hill | T-318.676.528-2 | |
| 11-9 | Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: I. Adagio | Reinhard Goebel, Robert Hill | — | |
| 11-10 | Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: II. Allegro | Reinhard Goebel, Robert Hill | — | |
| 11-11 | Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: III. Adagio ma non tanto | Reinhard Goebel, Robert Hill | — | |
| 11-12 | Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: IV. Allegro | Reinhard Goebel, Robert Hill | T-318.676.528-2 | |
| 11-13 | Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: I. Siciliano (Largo) | Reinhard Goebel, Robert Hill | — | |
| 11-14 | Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: II. Allegro | Reinhard Goebel, Robert Hill | — | |
| 11-15 | Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: III. Adagio ma non tanto | Reinhard Goebel, Robert Hill | — | |
| 11-16 | Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: IV. Allegro assai | Reinhard Goebel, Robert Hill | T-318.676.528-2 | |
| 11-17 | Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: I. Largo | Reinhard Goebel, Robert Hill | T-070.160.313-5 | |
| 11-18 | Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: II. Allegro | Reinhard Goebel, Robert Hill | — | |
| 11-19 | Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: III. Adagio | Reinhard Goebel, Robert Hill | — | |
| 11-20 | Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: IV. Vivace | Reinhard Goebel, Robert Hill | — | |
| 12-1 | Concerto for Violin and Orchestra in B minor, op. 61: I. Allegro | Hilary Hahn, London Symphony Orchestra, Sir Colin Davis | — | |
| 12-2 | Concerto for Violin and Orchestra in B minor, op. 61: II. Andante | Hilary Hahn, London Symphony Orchestra, Sir Colin Davis | — | |
| 12-3 | Concerto for Violin and Orchestra in B minor, op. 61: III. Allegro molto | Hilary Hahn, London Symphony Orchestra, Sir Colin Davis | — | |
| 12-4 | The Lark Ascending | Hilary Hahn, London Symphony Orchestra, Sir Colin Davis | — | |
| 13-1 | Concerto for violin and orchestra, op. 36: I. Poco allegro | Hilary Hahn, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 13-2 | Concerto for violin and orchestra, op. 36: II. Andante grazioso | Hilary Hahn, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 13-3 | Concerto for violin and orchestra, op. 36: III. Finale. Allegro | Hilary Hahn, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 13-4 | Concerto for violin and orchestra in D minor, op. 47: I. Allegro moderato | Hilary Hahn, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 13-5 | Concerto for violin and orchestra in D minor, op. 47: II. Adagio di molto | Hilary Hahn, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 13-6 | Concerto for violin and orchestra in D minor, op. 47: III. Allegro, ma non tanto | Hilary Hahn, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen | — | |
| 14-1 | From the Canebrake, op. 5 no. 1 | Jascha Heifetz, Milton Kaye | — | |
| 14-2 | Jamaican Rumba | Jascha Heifetz, Milton Kaye | — | |
| 14-3 | Beau Soir | Jascha Heifetz, Milton Kaye | — | |
| 14-4 | Pièce en forme de habanera | Jascha Heifetz, Milton Kaye | T-307.747.531-7 | |
| 14-5 | Levee Dance op. 27 no. 2 | Jascha Heifetz, Milton Kaye | — | |
| 14-6 | Paraphrase on “Largo al factotum” from G. Rossini’s opera “Il barbiere di Siviglia” | Jascha Heifetz, Milton Kaye | — | |
| 14-7 | Jeannie With the Light Brown Hair | Jascha Heifetz, Milton Kaye | T-909.701.482-9 | |
| 14-8 | A la valse | Jascha Heifetz, Milton Kaye | — | |
| 14-9 | Humoresque in G-flat major, op. 101 no. 7 | Jascha Heifetz, Milton Kaye | — | |
| 14-10 | Gweedore Brae | Jascha Heifetz, Milton Kaye | — | |
| 14-11 | Old Folks at Home | Jascha Heifetz, Milton Kaye | — | |
| 14-12 | Traditional: Deep River | Jascha Heifetz, Milton Kaye | — | |
| 14-13 | Viennese · Wienerisch | Jascha Heifetz, Milton Kaye | — | |
| 14-14 | White Christmas | Jascha Heifetz, Salvador Camarata | T-004.026.559-5 | |
| 14-15 | Porgy and Bess: Summertime | Jascha Heifetz, Emanuel Bay | T-909.513.321-4 | |
| 14-16 | Porgy and Bess: A Woman Is A Sometime Thing | Jascha Heifetz, Emanuel Bay | T-901.121.953-7 | |
| 14-17 | Porgy and Bess: My Man’s Gone Now | Jascha Heifetz, Emanuel Bay | T-070.024.203-0 | |
| 14-18 | Porgy and Bess, opera: Act II, Scene II. "It Ain't Necessarily So" | Jascha Heifetz, Emanuel Bay | T-900.757.862-3 | |
| 14-19 | Porgy and Bess: Tempo di Blues “There’s A Boat That’s Leavin’ Soon For New York” | Jascha Heifetz, Emanuel Bay | T-070.178.366-5 | |
| 14-20 | Porgy and Bess: Bess, You Is My Woman Now | Jascha Heifetz, Emanuel Bay | T-900.082.355-2 | |
| 14-21 | Three Preludes: I. Allegro ben ritmato e deciso | Jascha Heifetz, Emanuel Bay | — | |
| 14-22 | Three Preludes: II. Andante con moto e poco rubato | Jascha Heifetz, Emanuel Bay | — | |
| 14-23 | Three Preludes: III. Allegro ben ritmato e deciso | Jascha Heifetz, Emanuel Bay | — | |
| 15-1 | An Outlandish Suite: No. 2. Florida Night Song | Jascha Heifetz, Emanuel Bay | — | |
| 15-2 | Golliwog’s Cakewalk | Emanuel Bay, Jascha Heifetz | — | |
| 15-3 | Clair de lune | Jascha Heifetz, Emanuel Bay | — | |
| 15-4 | Ao pé da fogueira | Jascha Heifetz, Emanuel Bay | — | |
| 15-5 | Huella, op. 49 (Canción argentina) | Jascha Heifetz, Emanuel Bay | — | |
| 15-6 | Prelude in C-sharp minor, op. 34 no. 10 | Jascha Heifetz, Emanuel Bay | — | |
| 15-7 | Prelude in D-flat major, op. 34 no. 15 | Jascha Heifetz, Emanuel Bay | — | |
| 15-8 | Waves at Play | Jascha Heifetz, Emanuel Bay | — | |
| 15-9 | March (from The Love for Three Oranges) | Jascha Heifetz, Emanuel Bay | — | |
| 15-10 | Masks, from Romeo and Juliet | Jascha Heifetz, Emanuel Bay | — | |
| 15-11 | Hexapoda (5 Studies in Jitteroptera): Gut-Bucket Gus | Jascha Heifetz, Emanuel Bay | — | |
| 15-12 | Hexapoda (5 Studies in Jitteroptera): Jane Shakes Her Hair | Jascha Heifetz, Emanuel Bay | — | |
| 15-13 | Hexapoda (5 Studies in Jitteroptera): Betty and Harold Close Their Eyes | Jascha Heifetz, Emanuel Bay | — | |
| 15-14 | Hexapoda: 4. Jim Jives | Jascha Heifetz, Emanuel Bay | — | |
| 15-15 | Hexapoda: 5. ...Till Dawn Sunday | Jascha Heifetz, Emanuel Bay | — | |
| 15-16 | The Ballad of Mack the Knife, from The Threepenny Opera | Jascha Heifetz, Emanuel Bay | — | |
| 15-17 | Mélodie in E-flat (no. 3, Souvenir d'un lieu cher, op. 42) | Jascha Heifetz, Emanuel Bay | — | |
| 15-18 | Nocturne in E-flat, op. 55 no. 2 | Jascha Heifetz, Emanuel Bay | — | |
| 15-19 | Mélodie, from Orphée et Euridice | Jascha Heifetz, Emanuel Bay | — | |
| 15-20 | Bird as prophet, from Waldszenen | Jascha Heifetz, Emanuel Bay | — | |
| 15-21 | Hymn to the Sun, from The Golden Cockerel | Jascha Heifetz, Emanuel Bay | — | |
| 15-22 | Dance no. 4 | Jascha Heifetz, Emanuel Bay | — | |
| 15-23 | Hungarian Dance no. 7 in A major | Jascha Heifetz, Emanuel Bay | — | |
| 15-24 | The Swan (from Carnival of the Animals) | Jascha Heifetz, Emanuel Bay | — | |
| 15-25 | Size Pictures, op. 30: No. 4. Hills | Jascha Heifetz, Emanuel Bay | — | |
| 15-26 | Small Concert Pieces, op. 21: No. 4. Moto perpetuo | Emanuel Bay, Jascha Heifetz | T-070.110.285-3 | |
| 15-27 | Lullaby (from Jocelyn) | Bing Crosby, Emanuel Bay, Jascha Heifetz, Victor Young | — | |
| 15-28 | Where My Caravan Has Rested | Bing Crosby, Emanuel Bay, Jascha Heifetz, Victor Young | — | |
| 15-29 | When You Make Love to Me (Don’t Make Believe) | Jim Hoyl | T-070.199.264-4 | |
| 16-1 | Imitazione delle campane | Daniel Hope, Deutsches Kammerorchester Berlin, Simon Halsey | — | |
| 16-2 | I giorni | Jacques Ammon, Daniel Hope, Deutsches Kammerorchester Berlin, Simon Halsey | T-005.514.580-6 | |
| 16-3 | Echorus | Daniel Hope, Chie Peters, Deutsches Kammerorchester Berlin, Simon Halsey | T-072.523.714-8 | |
| 16-4 | Cantique de Jean Racine, op. 11 | Daniel Hope, Deutsches Kammerorchester Berlin, Rundfunkchor Berlin, Simon Halsey | T-300.950.284-1 | |
| 16-5 | Adagio sognando From 24 Preludes, op. 46 | Daniel Hope, Jacques Ammon | — | |
| 16-6 | Fratres | Deutsches Kammerorchester Berlin, Simon Halsey, Daniel Hope | — | |
| 16-8 | Musica universalis | Daniel Hope, Jacques Ammon, Chie Peters, Deutsches Kammerorchester Berlin, Simon Halsey | T-910.217.475-4 | |
| 16-9 | Spheres | Daniel Hope, Deutsches Kammerorchester Berlin, Simon Halsey | — | |
| 16-10 | Berlin by Overnight | Daniel Hope, Jochen Carls | T-011.711.552-2 | |
| 16-11 | Biafra | Daniel Hope, Jacques Ammon, Deutsches Kammerorchester Berlin, Simon Halsey | — | |
| 16-12 | Lento | Daniel Hope, Deutsches Kammerorchester Berlin, Rundfunkchor Berlin, Simon Halsey | T-001.409.983-2 | |
| 16-13 | Passaggio | Jacques Ammon, Daniel Hope | T-005.003.099-3 | |
| 16-14 | Andante From 24 Preludes, op. 46 | Daniel Hope, Jacques Ammon | — | |
| 16-16 | Prelude in E minor, BWV 855 | Juan Lucas Aisemberg, Daniel Hope, Christiane Starke | T-918.063.729-0 | |
| 16-17 | Trysting Fields From “Drowning by Numbers” | Daniel Hope, Juan Lucas Aisemberg, Deutsches Kammerorchester Berlin, Simon Halsey | T-010.021.626-9 | |
| 16-18 | Faust / Episode 2 - Nachspiel | Daniel Hope, Deutsches Kammerorchester Berlin, Simon Halsey | T-803.194.238-9 | |
| 17-1 | Concerto for Violin and Orchestra: I. ♩ = 104 – ♩ = 120 | Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi | T-922.975.221-0 | |
| 17-2 | Concerto for Violin and Orchestra: II. ♩ = ca. 108 | Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi | T-922.975.221-0 | |
| 17-3 | Concerto for Violin and Orchestra: III. ♩ = ca. 150 – Coda: Poco meno ♩ = 104 | Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi | — | |
| 17-4 | Violin Concerto: I. Twilight: Free and Spacious – attacca: | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 17-5 | Violin Concerto: II. Toccata-Chaconne: Very Fast | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 17-6 | Violin Concerto: III. Romance without Words: Hardly Moving | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 17-7 | Violin Concerto: IV. Midnight: Slow | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 17-8 | Violin Concerto: V. Toccata-Rondo: Very Fast | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 17-9 | Violin Concerto: VI. Dawn: Wistful | Gidon Kremer, New York Philharmonic, Leonard Bernstein | — | |
| 17-10 | Serenade after Plato’s “Symposium”: I. Phaedrus – Pausanias: Lento – Allegro marcato | Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein | T-071.000.879-9 | |
| 17-11 | Serenade after Plato’s “Symposium”: II. Aristophanes: Allegretto | Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein | T-071.000.879-9 | |
| 17-12 | Serenade after Plato’s “Symposium”: III. Eryximachus: Presto | Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein | T-071.000.879-9 | |
| 17-13 | Serenade after Plato’s “Symposium”: IV. Agathon: Adagio | Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 17-14 | Serenade after Plato’s “Symposium”: V. Socrates – Alcibiades: Molto tenuto – Allegro molto vivace | Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein | T-071.000.879-9 | |
| 18-1 | Sonate Nr. 9 A-Dur, op. 47 "Kreutzer-Sonate": I. Adagio sostenuto - Presto | Martha Argerich, Gidon Kremer | — | |
| 18-2 | Sonate Nr. 9 A-Dur, op. 47 "Kreutzer-Sonate": II. Andante con variazioni I-IV | Martha Argerich, Gidon Kremer | — | |
| 18-3 | Sonate Nr. 9 A-Dur, op. 47 "Kreutzer-Sonate": III. Finale. Presto | Martha Argerich, Gidon Kremer | — | |
| 18-4 | Sonate Nr. 10 G-Dur, op. 96: I. Allegro moderato | Martha Argerich, Gidon Kremer | T-902.685.630-4 | |
| 18-5 | Sonate Nr. 10 G-Dur, op. 96: II. Adagio espressivo | Martha Argerich, Gidon Kremer | T-909.876.999-4 | |
| 18-6 | Sonate Nr. 10 G-Dur, op. 96: III. Scherzo. Allegro | Martha Argerich, Gidon Kremer | — | |
| 18-7 | Sonate Nr. 10 G-Dur, op. 96: IV. Poco allegretto | Martha Argerich, Gidon Kremer | — | |
| 19-1 | Violin Concerto in A minor, op. 53: 1. Allegro ma non troppo - Quasi moderato | Johanna Martzy, RIAS Symphony Orchestra Berlin, Ferenc Fricsay | — | |
| 19-2 | Violin Concerto in A minor, op. 53: 2. Adagio, ma non troppo | Johanna Martzy, RIAS Symphony Orchestra Berlin, Ferenc Fricsay | — | |
| 19-3 | Violin Concerto in A minor, op. 53: 3. Finale (Allegro giocoso, ma non troppo) | Johanna Martzy, RIAS Symphony Orchestra Berlin, Ferenc Fricsay | — | |
| 19-4 | Violin Concerto no. 1 in G minor, op. 26: 1. Vorspiel (Allegro moderato) | Erica Morini, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 19-5 | Violin Concerto no. 1 in G minor, op. 26: 2. Adagio | Erica Morini, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | T-071.481.827-5 | |
| 19-6 | Violin Concerto no. 1 in G minor, op. 26: 3. Finale (Allegro energico) | Erica Morini, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | T-700.095.171-5 | |
| 19-7 | Violin Concerto in A minor, op. 82: 1. Moderato | Erica Morini, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 19-8 | Violin Concerto in A minor, op. 82: 2. Andante sostenuto | Erica Morini, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 19-9 | Violin Concerto in A minor, op. 82: Tempo I | Erica Morini, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 19-10 | Violin Concerto in A minor, op. 82: Cadenza | Erica Morini, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 19-11 | Violin Concerto in A minor, op. 82: 3. Allegro | Erica Morini, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | — | |
| 20-1 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 1 in D major: I. Grave: Allegro | Garo Atmacayan, Huguette Dreyfus, Eduard Melkus | — | |
| 20-2 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 1 in D major: II. Allegro | Garo Atmacayan, Huguette Dreyfus, Eduard Melkus | — | |
| 20-3 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 1 in D major: III. Allegro | Garo Atmacayan, Huguette Dreyfus, Eduard Melkus | — | |
| 20-4 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 1 in D major: IV. Adagio | Garo Atmacayan, Huguette Dreyfus, Eduard Melkus | — | |
| 20-5 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 1 in D major: V. Allegro | Garo Atmacayan, Huguette Dreyfus, Eduard Melkus | — | |
| 20-6 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 2 in B-flat major: I. Grave: Allegro | Huguette Dreyfus, Eduard Melkus, Karl Scheit | — | |
| 20-7 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 2 in B-flat major: II. Vivace | Huguette Dreyfus, Eduard Melkus, Karl Scheit | — | |
| 20-8 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 2 in B-flat major: III. Adagio | Huguette Dreyfus, Eduard Melkus, Karl Scheit | — | |
| 20-9 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 2 in B-flat major: IV. Vivace | Huguette Dreyfus, Eduard Melkus, Karl Scheit | — | |
| 20-10 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 2 in B-flat major: V. Vivace | Huguette Dreyfus, Eduard Melkus, Karl Scheit | — | |
| 20-11 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 3 in C major: I. Adagio | Huguette Dreyfus, Eduard Melkus | — | |
| 20-12 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 3 in C major: II. Allegro | Huguette Dreyfus, Eduard Melkus | — | |
| 20-13 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 3 in C major: III. Adagio | Huguette Dreyfus, Eduard Melkus | — | |
| 20-14 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 3 in C major: IV. Allegro | Huguette Dreyfus, Eduard Melkus | — | |
| 20-15 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 3 in C major: V. Giga (allegro) | Huguette Dreyfus, Eduard Melkus | — | |
| 20-16 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 7 in D minor: I. Preludio (vivace) | Garo Atmacayan, Eduard Melkus, Capella Academica Wien | — | |
| 20-17 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 7 in D minor: II. Corrente (allegro) | Garo Atmacayan, Eduard Melkus, Capella Academica Wien | — | |
| 20-18 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 7 in D minor: III. Sarabande (largo) | Garo Atmacayan, Eduard Melkus, Capella Academica Wien | — | |
| 20-19 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 7 in D minor: IV. Giga (allegro) | Garo Atmacayan, Eduard Melkus, Capella Academica Wien | — | |
| 20-20 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 8 in E minor: I. Preludio (largo) | Garo Atmacayan, Eduard Melkus, Karl Scheit | — | |
| 20-21 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 8 in E minor: II. Allemanda (allegro) | Garo Atmacayan, Eduard Melkus, Karl Scheit | — | |
| 20-22 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 8 in E minor: III. Sarabande (largo) | Garo Atmacayan, Eduard Melkus, Karl Scheit | — | |
| 20-23 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 8 in E minor: IV. Giga (allegro) | Garo Atmacayan, Eduard Melkus, Karl Scheit | — | |
| 20-24 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 9 in A major: I. Preludio (largo) | Garo Atmacayan, Huguette Dreyfus, Eduard Melkus | — | |
| 20-25 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 9 in A major: II. Giga (allegro) | Garo Atmacayan, Huguette Dreyfus, Eduard Melkus | — | |
| 20-26 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 9 in A major: III. Adagio: Tempo di Gavotte (allegro) | Garo Atmacayan, Huguette Dreyfus, Eduard Melkus | — | |
| 20-27 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 9 in A major: IV. Tempo di Gavotta. Allegro | Garo Atmacayan, Huguette Dreyfus, Eduard Melkus | — | |
| 20-28 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 11 in E major: I. Preludio (adagio) | Huguette Dreyfus, Eduard Melkus | — | |
| 20-29 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 11 in E major: II. Allegro | Huguette Dreyfus, Eduard Melkus | — | |
| 20-30 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 11 in E major: III. Adagio: Vivace | Huguette Dreyfus, Eduard Melkus | — | |
| 20-31 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 11 in E major: IV. Gavotta (allegro) | Huguette Dreyfus, Eduard Melkus | — | |
| 20-32 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 11 in E major: V. Gavotta. Allegro | Huguette Dreyfus, Eduard Melkus | — | |
| 20-33 | 12 Sonate a Violino e Cembalo, op. 5: Sonata no. 12 in d minor: I. Adagio: Allegro - Adagio - Vivace - Allegro - Andante - Allegro - Adagio - Allegro | Garo Atmacayan, Huguette Dreyfus, Eduard Melkus | — | |
| 21-1 | Sonata for Violin and Piano no. 6 in A, op. 30 no. 1: 1. Allegro | Yehudi Menuhin, Wilhelm Kempff | — | |
| 21-2 | Sonata for Violin and Piano no. 6 in A, op. 30 no. 1: 2. Adagio | Yehudi Menuhin, Wilhelm Kempff | T-001.397.158-8 | |
| 21-3 | Sonata for Violin and Piano no. 6 in A, op. 30 no. 1: 3. Allegretto con variazioni | Yehudi Menuhin, Wilhelm Kempff | — | |
| 21-4 | Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: 1. Allegro con brio | Yehudi Menuhin, Wilhelm Kempff | — | |
| 21-5 | Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: 2. Adagio cantabile | Yehudi Menuhin, Wilhelm Kempff | T-001.397.158-8 | |
| 21-6 | Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: 3. Scherzo (Allegro) | Yehudi Menuhin, Wilhelm Kempff | — | |
| 21-7 | Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: 4. Finale (Allegro) | Yehudi Menuhin, Wilhelm Kempff | T-318.676.528-2 | |
| 21-8 | Sonata for Violin and Piano no. 8 in G, op. 30 no. 3: 1. Allegro assai | Yehudi Menuhin, Wilhelm Kempff | — | |
| 21-9 | Sonata for Violin and Piano no. 8 in G, op. 30 no. 3: 2. Tempo di minuetto, ma molto moderato e grazioso | Yehudi Menuhin, Wilhelm Kempff | — | |
| 21-10 | Sonata for Violin and Piano no. 8 in G, op. 30 no. 3: 3. Allegro vivace | Yehudi Menuhin, Wilhelm Kempff | — | |
| 22-1 | Concerto for Violin and Orchestra no. 1 in D major, op. 35: II. Canzonetta. Andante | Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado | — | |
| 22-2 | Concerto for Violin and Orchestra no. 1 in D major, op. 35: II. Canzonetta. Andante | Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado | — | |
| 22-3 | Concerto for Violin and Orchestra no. 1 in D major, op. 35: II. Canzonetta. Andante | Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado | — | |
| 22-4 | Sonata in A for Violin and Basso continuo, op. 1 no. 1 (arr. Nathan Milstein): I. Andante | Nathan Milstein, Georges Pludermacher | T-070.160.313-5 | |
| 22-5 | Sonata in A for Violin and Basso continuo, op. 1 no. 1 (arr. Nathan Milstein): II. Vivace | Nathan Milstein, Georges Pludermacher | — | |
| 22-6 | Sonata in A for Violin and Basso continuo, op. 1 no. 1 (arr. Nathan Milstein): III. Allegro | Nathan Milstein, Georges Pludermacher | — | |
| 22-7 | Rondo in B minor, D. 895, op. 70: I. Andante | Nathan Milstein, Georges Pludermacher | T-070.160.313-5 | |
| 22-8 | Rondo in B minor, D. 895, op. 70: II. Allegro | Nathan Milstein, Georges Pludermacher | — | |
| 22-9 | Paganiniana (Variations) for Violin Solo | Nathan Milstein | — | |
| 22-10 | 6 Consolations, S. 172, Transcription For Violin: Nathan Milstein: no. 3 in D-flat major (Lento, placido) | Nathan Milstein, Georges Pludermacher | T-306.229.968-3 | |
| 22-11 | Chanson russe: Arr. Dushkin From "Mavra" | Nathan Milstein, Georges Pludermacher | — | |
| 22-12 | Il Pleut Dans La Ville | Nathan Milstein, Georges Pludermacher | — | |
| 22-13 | Sorochintsy Fair: Hopak | Nathan Milstein, Georges Pludermacher | — | |
| 23-1 | Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appassionato | Shlomo Mintz, Chicago Symphony Orchestra, Claudio Abbado | — | |
| 23-2 | Concerto for Violin and Orchestra in E minor, op. 64: II. Andante | Shlomo Mintz, Chicago Symphony Orchestra, Claudio Abbado | T-071.481.827-5 | |
| 23-3 | Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | Shlomo Mintz, Chicago Symphony Orchestra, Claudio Abbado | — | |
| 23-4 | Concerto for Violin and Orchestra no. 1 in G minor, op. 26: I. Vorspiel. Allegro moderato - attacca: | Shlomo Mintz, Chicago Symphony Orchestra, Claudio Abbado | — | |
| 23-5 | Concerto for Violin and Orchestra no. 1 in G minor, op. 26: II. Adagio | Shlomo Mintz, Chicago Symphony Orchestra, Claudio Abbado | T-071.481.827-5 | |
| 23-6 | Violinkonzert Nr. 1 g-Moll, op. 26: III. Allegro energico | Shlomo Mintz, Chicago Symphony Orchestra, Claudio Abbado | T-700.095.171-5 | |
| 23-7 | Caprice viennois, op. 2: Allegro molto moderato - Andante con moto - Presto - Andante con moto - Più vivo - Tempo I | Clifford Benson, Shlomo Mintz | — | |
| 23-8 | Liebeslied | Clifford Benson, Shlomo Mintz | — | |
| 23-9 | Liebesfreud | Clifford Benson, Shlomo Mintz | T-801.289.652-6 | |
| 24-1 | Sonata for Violin and Piano no. 1 in A, op. 13: I. Allegro molto | Shlomo Mintz, Yefim Bronfman | — | |
| 24-2 | Sonata for Violin and Piano no. 1 in A, op. 13: II. Andante | Shlomo Mintz, Yefim Bronfman | — | |
| 24-3 | Sonata for Violin and Piano no. 1 in A, op. 13: III. Allegro vivo | Shlomo Mintz, Yefim Bronfman | — | |
| 24-4 | Sonata for Violin and Piano no. 1 in A, op. 13: IV. Allegro quasi presto | Shlomo Mintz, Yefim Bronfman | — | |
| 24-5 | Sonata for Violin and Piano no. 2 in E minor, op. 108: I. Allegro non troppo | Shlomo Mintz, Yefim Bronfman | — | |
| 24-6 | Sonata for Violin and Piano no. 2 in E minor, op. 108: II. Andante | Shlomo Mintz, Yefim Bronfman | — | |
| 24-7 | Sonata for Violin and Piano no. 2 in E minor, op. 108: III. Finale (Allegro non troppo) | Shlomo Mintz, Yefim Bronfman | — | |
| 25-1 | Violin Sonata no. 17 in C major, K. 296: I. Allegro vivace | Erica Morini, Rudolf Firkušný | — | |
| 25-2 | Violin Sonata no. 17 in C major, K. 296: II. Andante sostenuto | Erica Morini, Rudolf Firkušný | — | |
| 25-3 | Violin Sonata no. 17 in C major, K. 296: III. Rondo. Allegro | Erica Morini, Rudolf Firkušný | — | |
| 25-4 | Sonata for Violin and Piano no. 3 in E-flat, op. 12 No.3: I. Allegro con spirito | Erica Morini, Rudolf Firkušný | — | |
| 25-5 | Sonata for Violin and Piano no. 3 in E-flat, op. 12 No.3: II. Adagio con molt' espressione | Erica Morini, Rudolf Firkušný | — | |
| 25-6 | Sonata for Violin and Piano no. 3 in E-flat, op. 12 No.3: III. Rondo (Allegro molto) | Erica Morini, Rudolf Firkušný | — | |
| 25-7 | Violin Sonata in D major, RV 10: I. Allegro: II. Allegro | Erica Morini, Leon Pommers | — | |
| 25-8 | Violin Sonata in D major, RV 10: III. Adagio: IV. Allegro | Erica Morini, Leon Pommers | — | |
| 25-9 | Sonata For Violin And Continuo in G minor, op. 1, B.g10: "Didone abbandonata": I. Affettuoso | Erica Morini, Leon Pommers | — | |
| 25-10 | Sonata For Violin And Continuo in G minor, op. 1, B.g10: "Didone abbandonata": II. Presto | Erica Morini, Leon Pommers | — | |
| 25-11 | Sonata For Violin And Continuo in G minor, op. 1, B.g10: "Didone abbandonata": III. Allegro | Erica Morini, Leon Pommers | — | |
| 26-1 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo | Anne-Sophie Mutter, New York Philharmonic, Kurt Masur | — | |
| 26-2 | Violin Concerto in D major, op. 61: II. Larghetto | Anne-Sophie Mutter, New York Philharmonic, Kurt Masur | — | |
| 26-3 | Violin Concerto in D major, op. 61: III. Rondo. Allegro (Cadenza by Fritz Kreisler) | Anne-Sophie Mutter, New York Philharmonic, Kurt Masur | — | |
| 26-4 | Romance for Violin and Orchestra no. 1 in G major, op. 40 | Anne-Sophie Mutter, New York Philharmonic, Kurt Masur | — | |
| 26-5 | Violin Romance no. 2 in F major, op. 50 | Anne-Sophie Mutter, New York Philharmonic, Kurt Masur | — | |
| 27-1 | Konzert für Violine und Orchester D‐Dur op. 77: I. Allegro non troppo | Anne-Sophie Mutter, New York Philharmonic, Kurt Masur | T-902.764.002-4 | |
| 27-2 | Konzert für Violine und Orchester D‐Dur op. 77: II. Adagio | Anne-Sophie Mutter, Joseph Robinson, New York Philharmonic, Kurt Masur | T-304.292.274-3 | |
| 27-3 | Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto | Anne-Sophie Mutter, New York Philharmonic, Kurt Masur | — | |
| 27-4 | Fantasy for Violin and Orchestra in C major, op. 131 | Anne-Sophie Mutter, New York Philharmonic, Kurt Masur | — | |
| 28-1 | Sur le même accord | Orchestre National de France, Kurt Masur, Anne-Sophie Mutter | — | |
| 28-2 | Violin Concerto no. 2, Sz. 112: I. Allegro non troppo | Anne-Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 28-3 | Violin Concerto no. 2, Sz. 112: II. Andante tranquillo | Anne-Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 28-4 | Violin Concerto no. 2, Sz. 112: III. Allegro molto | Anne-Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 28-5 | Concerto en re for Violin and Orchestra: I. Toccata | Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher | T-002.139.790-9 | |
| 28-6 | Concerto en re for Violin and Orchestra: II. Aria I | Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher | T-070.940.139-7 | |
| 28-7 | Violin Concerto in D major: III. Aria II | Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher | — | |
| 28-8 | Concerto en re for Violin and Orchestra: IV. Capriccio | Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher | — | |
| 29-1 | Konzert für Violine und Orchester D-Dur, Op. 77: I. Allegro non troppo | David Oistrakh, Staatskapelle Dresden, Franz Konwitschny | — | |
| 29-2 | Konzert für Violine und Orchester D-Dur, Op. 77: II. Adagio | David Oistrakh, Staatskapelle Dresden, Franz Konwitschny | T-071.481.827-5 | |
| 29-3 | Konzert für Violine und Orchester D-Dur, Op. 77: III. Allegro giocoso, ma non troppo vivace | David Oistrakh, Staatskapelle Dresden, Franz Konwitschny | — | |
| 29-4 | Violin Concerto in D major, op. 35: 1. Allegro moderato | David Oistrakh, Staatskapelle Dresden, Franz Konwitschny | T-902.685.630-4 | |
| 29-5 | Violin Concerto in D major, op. 35: 2. Canzonetta. Andante | David Oistrakh, Staatskapelle Dresden, Franz Konwitschny | — | |
| 29-6 | Violin Concerto in D major, op. 35: 3. Finale. Allegro vivacissimo | David Oistrakh, Staatskapelle Dresden, Franz Konwitschny | — | |
| 30-1 | Violin Concerto no. 3 in B minor, op. 61: I. Allegro non troppo | Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | — | |
| 30-2 | Violin Concerto no. 3 in B minor, op. 61: II. Andantino quasi allegretto | Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | — | |
| 30-3 | Violin Concerto no. 3 in B minor, op. 61: III. Molto moderato e maestoso - Allegro non troppo - Più allegro | Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | — | |
| 30-4 | Concerto for Violin and Orchestra no. 2 in D minor, op. 22: I. Allegro moderato | Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | — | |
| 30-5 | Concerto for Violin and Orchestra no. 2 in D minor, op. 22: II. Romance. Andante non troppo | Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | — | |
| 30-6 | Concerto for Violin and Orchestra no. 2 in D minor, op. 22: III. Allegro con fuoco - Allegro moderato (à la zingara) | Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | — | |
| 31-1 | Violinkonzert "Dem Andenken eines Engels": I. Andante - Allegretto | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | T-070.160.313-5 | |
| 31-2 | Violinkonzert "Dem Andenken eines Engels": II. Allegro - Adagio - (Coda) | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 31-3 | Violin Concerto in D major: I. Toccata | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 31-4 | Violin Concerto in D major: II. Aria I | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 31-5 | Violin Concerto in D major: III. Aria II | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 31-6 | Violin Concerto in D major: IV. Capriccio | Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 31-7 | Tzigane | Itzhak Perlman, Myor Rosen, New York Philharmonic, Zubin Mehta | T-003.017.816-5 | |
| 32-1 | Sonata no. 9 for Violin and Piano in A major, op. 47 "Kreutzer": I. Adagio sostenuto - Presto | Wilhelm Kempff, Georg Kulenkampff | — | |
| 32-2 | Sonata no. 9 for Violin and Piano in A major, op. 47 "Kreutzer": II. Andante con variazioni | Wilhelm Kempff, Georg Kulenkampff | — | |
| 32-3 | Sonata no. 9 for Violin and Piano in A major, op. 47 "Kreutzer": III. Finale. Presto | Wilhelm Kempff, Georg Kulenkampff | — | |
| 32-4 | Sonatina For Violin And Piano in G, op. 100, B. 120: I. Allegro risoluto | Váša Příhoda, Michael Raucheisen | — | |
| 32-5 | Sonatina For Violin And Piano in G, op. 100, B. 120: II. Larghetto | Váša Příhoda, Michael Raucheisen | — | |
| 32-6 | Sonatina For Violin And Piano in G, op. 100, B. 120: III. Scherzo. Molto vivace | Váša Příhoda, Michael Raucheisen | — | |
| 32-7 | Sonatina For Violin And Piano in G, op. 100, B. 120: IV. Finale. Allegro | Váša Příhoda, Michael Raucheisen | — | |
| 32-8 | From The Homeland, JB 1:118: Two Pieces For Violine & Piano: Andantino - Moderato | Váša Příhoda, Otto Graef | — | |
| 33-1 | Praeludium And Allegro in The Style Of Pugnani | Ruggiero Ricci, Brooks Smith | — | |
| 33-2 | Siciliano And Rigaudon in The Style Of Francoeur | Ruggiero Ricci, Brooks Smith | — | |
| 33-3 | Chanson Louis XIII and Pavane | Ruggiero Ricci, Brooks Smith | — | |
| 33-4 | Rondino on a Theme by Beethoven: Allegretto grazioso | Ruggiero Ricci, Brooks Smith | — | |
| 33-5 | Variations on a Theme by Corelli | Ruggiero Ricci, Brooks Smith | — | |
| 33-6 | Recitativo and Scherzo-Caprice, op. 6 | Ruggiero Ricci, Brooks Smith | — | |
| 33-7 | Caprice viennois op.2 | Ruggiero Ricci, Brooks Smith | — | |
| 33-8 | Tambourin chinois | Ruggiero Ricci, Brooks Smith | T-800.157.688-2 | |
| 33-9 | Liebesfreud | Ruggiero Ricci, Brooks Smith, Fritz Kreisler, Haddon Squire | T-801.289.652-6 | |
| 33-10 | Liebesleid | Ruggiero Ricci, Brooks Smith | — | |
| 33-11 | Schön Rosmarin | Ruggiero Ricci, Brooks Smith | — | |
| 33-12 | La Gitana | Ruggiero Ricci, Brooks Smith | — | |
| 33-13 | The Old Refrain: arranged by Fritz Kreisler | Ruggiero Ricci, Brooks Smith | — | |
| 33-14 | La Chasse (in the style of Cartier) | Ruggiero Ricci, Brooks Smith | — | |
| 33-16 | Liebesleid | Fritz Kreisler, Haddon Squire | — | |
| 33-17 | Schön Rosmarin | Fritz Kreisler, George Falkenstein | — | |
| 33-18 | Tambourin chinois | Fritz Kreisler, Haddon Squire | — | |
| 33-19 | Andantino in the style of Padre Martini | Fritz Kreisler, George Falkenstein | — | |
| 33-20 | Chant sans paroles, op. 2, no. 3 (Song Without Words, Op.2 & 3) | Fritz Kreisler, George Falkenstein | — | |
| 34-1 | Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo | Wolfgang Schneiderhan, Berliner Philharmoniker, Eugen Jochum | — | |
| 34-2 | Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto | Wolfgang Schneiderhan, Berliner Philharmoniker, Eugen Jochum | — | |
| 34-3 | Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro | Wolfgang Schneiderhan, Berliner Philharmoniker, Eugen Jochum | — | |
| 34-4 | Konzert für Violine und Orchester Nr. 5 A-Dur, KV 219: I. Allegro aperto | Wolfgang Schneiderhan, Berliner Philharmoniker | — | |
| 34-5 | Konzert für Violine und Orchester Nr. 5 A-Dur, KV 219: I. Allegro aperto | Wolfgang Schneiderhan, Berliner Philharmoniker | — | |
| 34-6 | Konzert für Violine und Orchester Nr. 5 A-Dur, KV 219: I. Allegro aperto | Wolfgang Schneiderhan, Berliner Philharmoniker | — | |
| 35-1 | Violin Concerto, op. 14: I. Allegro | Gil Shaham, London Symphony Orchestra, André Previn | T-070.160.313-5 | |
| 35-2 | Violin Concerto, op. 14: II. Andante | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 35-3 | Violin Concerto, op. 14: III. Presto in moto perpetuo | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 35-4 | Violin Concerto in D major, op. 35: I. Moderato nobile | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 35-5 | Violin Concerto in D major, op. 35: II. Romance: Andante | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 35-6 | Violin Concerto in D major, op. 35: III. Finale: Allegro assai vivace | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 35-7 | Much Ado about Nothing, op. 11: I. The Maiden in the Bridal Chamber: Lento - Molto moderato, with charm and grace | Gil Shaham, André Previn | — | |
| 35-8 | Much Ado about Nothing, op. 11: II. Dogberry and Verges. March of the Watch: In the tempo of a grotesque funeral march | Gil Shaham, André Previn | — | |
| 35-9 | Much Ado about Nothing, op. 11: III. Scene in the Garden: Molto espressivo (broad, but not too slow) | Gil Shaham, André Previn | — | |
| 35-10 | Much Ado about Nothing, op. 11: IV. Masquerade: Hornpipe: Animato | Gil Shaham, André Previn | T-902.876.200-7 | |
| 36-1 | Concerto for Violin no. 1, op. 19: I. Andantino | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 36-2 | Concerto for Violin no. 1, op. 19: II. Scherzo: Vivacissimo | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 36-3 | Concerto for Violin no. 1, op. 19: III. Moderato | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 36-4 | Concerto for Violin no. 2, op. 63: I. Allegro moderato | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 36-5 | Concerto for Violin no. 2, op. 63: II. Andante assai | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 36-6 | Concerto for Violin no. 2, op. 63: III. Allegro, ben marcato | Gil Shaham, London Symphony Orchestra, André Previn | — | |
| 36-7 | Sonata for Solo Violin, op. 115: I. Moderato | Gil Shaham | — | |
| 36-8 | Sonata for Solo Violin, op. 115: II. Andante dolce | Gil Shaham | — | |
| 36-9 | Sonata for Solo Violin, op. 115: III. Con brio | Gil Shaham | — | |
| 37-1 | Concerto for Violin, Strings and Continuo in A minor, BWV 1041: I. | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 37-2 | Concerto for Violin, Strings and Continuo in A minor, BWV 1041: I. | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 37-3 | Concerto for Violin, Strings and Continuo in A minor, BWV 1041: I. | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 37-4 | Concerto for Violin, Strings and Continuo in E major, BWV 1042: II. Adagio | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 37-5 | Concerto for Violin, Strings and Continuo in E major, BWV 1042: II. Adagio | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 37-6 | Concerto for Violin, Strings and Continuo in E major, BWV 1042: II. Adagio | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 37-7 | Concerto for 2 Violins in D minor, BWV 1043: III. Allegro | Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | — | |
| 37-8 | Concerto for 2 Violins in D minor, BWV 1043: III. Allegro | Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | — | |
| 37-9 | Concerto for 2 Violins in D minor, BWV 1043: III. Allegro | Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | — | |
| 38-1 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-306.395.786-4 | |
| 38-2 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": II. Largo e pianissimo sempre | Trevor Pinnock, Simon Standage, The English Concert | T-911.640.005-6 | |
| 38-3 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": III. Danza pastorale. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-902.836.120-8 | |
| 38-4 | Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": I. Allegro non molto | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 38-5 | Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": II. Adagio - Presto | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 38-6 | Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": III. Presto | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 38-7 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": I. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-911.640.004-5 | |
| 38-8 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": II. Adagio | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 38-9 | Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": III. Allegro | Trevor Pinnock, Simon Standage, The English Concert | — | |
| 38-10 | Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": I. Allegro non molto | Trevor Pinnock, Simon Standage, The English Concert | T-307.175.172-5 | |
| 38-11 | Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": II. Largo | Trevor Pinnock, Simon Standage, The English Concert | T-307.175.181-6 | |
| 38-12 | Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": III. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-902.836.120-8 | |
| 38-13 | Concerto for Oboe, Violin and Strings in B-flat major, RV 548: I. (Allegro) | David Reichenberg, Simon Standage, The English Concert, Trevor Pinnock | T-910.793.958-2 | |
| 38-14 | Concerto for Oboe, Violin and Strings in B-flat major, RV 548: II. Largo | David Reichenberg, Simon Standage, The English Concert, Trevor Pinnock | T-911.640.005-6 | |
| 38-15 | Concerto for Oboe, Violin, Strings and Continuo in B-flat, RV 548: 3. Allegro | David Reichenberg, Simon Standage, The English Concert, Trevor Pinnock | T-902.836.120-8 | |
| 38-16 | Concerto for 2 Violins and Strings in G major, RV 516: I. Allegro molto | Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | — | |
| 38-17 | Concerto for 2 Violins, Strings and Continuo in G major, RV 516: 2. Andante (molto) | Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | — | |
| 38-18 | Concerto for 2 Violins and Strings in G major, RV 516: III. Allegro | Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | T-902.836.120-8 | |
| 39-1 | Sonata no. 1 in G minor, BWV 1001: I. Adagio | Henryk Szeryng | T-001.397.158-8 | |
| 39-2 | Sonata no. 1 in G minor, BWV 1001: II. Fuga: Allegro | Henryk Szeryng | T-905.386.501-3 | |
| 39-3 | Sonata no. 1 in G minor, BWV 1001: III. Siciliana | Henryk Szeryng | — | |
| 39-4 | Sonata no. 1 in G minor, BWV 1001: IV. Presto | Henryk Szeryng | T-318.676.528-2 | |
| 39-5 | Partita no. 1 in B minor, BWV 1002: I. Allemanda | Henryk Szeryng | — | |
| 39-6 | Partita no. 1 in B minor, BWV 1002: II. Double | Henryk Szeryng | T-920.218.518-0 | |
| 39-7 | Partita no. 1 in B minor, BWV 1002: III. Corrente | Henryk Szeryng | — | |
| 39-8 | Partita no. 1 in B minor, BWV 1002: IV. Double: Presto | Henryk Szeryng | T-920.218.518-0 | |
| 39-9 | Partita no. 1 in B minor, BWV 1002: V. Sarabande | Henryk Szeryng | — | |
| 39-10 | Partita no. 1 in B minor, BWV 1002: VI. Double (2) | Henryk Szeryng | T-920.218.518-0 | |
| 39-11 | Partita no. 1 in B minor, BWV 1002: VII. Tempo Di Borea | Henryk Szeryng | — | |
| 39-12 | Partita no. 1 in B minor, BWV 1002: VIII. Double (3) | Henryk Szeryng | T-920.218.518-0 | |
| 39-13 | Sonata no. 2 in A minor, BWV 1003: I. Grave | Henryk Szeryng | T-903.514.416-2 | |
| 39-14 | Sonata no. 2 in A minor, BWV 1003: II. Fuga | Henryk Szeryng | — | |
| 39-15 | Sonata no. 2 in A minor, BWV 1003: III. Andante | Henryk Szeryng | — | |
| 39-16 | Sonata no. 2 in A minor, BWV 1003: IV. Allegro | Henryk Szeryng | T-306.395.786-4 | |
| 40-1 | Partita no. 2 in D minor, BWV 1004: I. Allemanda | Henryk Szeryng | — | |
| 40-2 | Partita no. 2 in D minor, BWV 1004: II. Corrente | Henryk Szeryng | — | |
| 40-3 | Partita no. 2 in D minor, BWV 1004: III. Sarabanda | Henryk Szeryng | — | |
| 40-4 | Partita no. 2 in D minor, BWV 1004: IV. Gigue | Henryk Szeryng | — | |
| 40-5 | Partita no. 2 in D minor, BWV 1004: V. Chaconne | Henryk Szeryng | — | |
| 40-6 | Sonata no. 3 in C major, BWV 1005: I. Adagio | Henryk Szeryng | — | |
| 40-7 | Sonata no. 3 in C major, BWV 1005: II. Fugue: Allabreve | Henryk Szeryng | — | |
| 40-8 | Sonata no. 3 in C major, BWV 1005: III. Largo | Henryk Szeryng | T-310.505.152-9 | |
| 40-9 | Sonata no. 3 in C major, BWV 1005: IV. Allegro assai | Henryk Szeryng | T-306.395.786-4 | |
| 40-10 | Partita no. 3 in E major, BWV 1006: I. Prelude | Henryk Szeryng | — | |
| 40-11 | Partita no. 3 in E major, BWV 1006: II. Loure | Henryk Szeryng | — | |
| 40-12 | Partita no. 3 in E major, BWV 1006: III. Gavotte & Rondo | Henryk Szeryng | — | |
| 40-13 | Partita no. 3 in E major, BWV 1006: IV. Menuet I & II | Henryk Szeryng | — | |
| 40-14 | Partita no. 3 in E major, BWV 1006: V. Bouree | Henryk Szeryng | — | |
| 40-15 | Partita no. 3 in E major, BWV 1006: VI. Gigue | Henryk Szeryng | — | |
| 41-1 | Sonata for Violin and Piano no. 1, BB 84 (Sz. 75): I. Allegro appassionato | Tibor Varga, Edith Farnadi | — | |
| 41-2 | Sonata for Violin and Piano no. 1, BB 84 (Sz. 75): II. Adagio | Tibor Varga, Edith Farnadi | — | |
| 41-3 | Sonata for Violin and Piano no. 1, BB 84 (Sz. 75): III. Allegro | Tibor Varga, Edith Farnadi | — | |
| 41-4 | Sonata for Solo Violin, BB 124, Sz. 117: I. Tempo di ciaccona | Tibor Varga | — | |
| 41-5 | Sonata for Solo Violin, BB 124, Sz. 117: II. Fuga (Risoluto, non troppo vivo) | Tibor Varga | — | |
| 41-6 | Sonata for Solo Violin, BB 124, Sz. 117: III. Melodia (Adagio) | Tibor Varga | — | |
| 41-7 | Sonata for Solo Violin, BB 124, Sz. 117: IV. Presto | Tibor Varga | T-003.055.867-8 | |
| 42-1 | Sonate für Klavier und Violine G-dur op. 78: I. Vivace ma non troppo | Daniel Barenboim, Pinchas Zukerman | — | |
| 42-2 | Sonate für Klavier und Violine G-dur op. 78: II. Adagio | Daniel Barenboim, Pinchas Zukerman | — | |
| 42-3 | Sonate für Klavier und Violine G-dur op. 78: III. Allegro molto moderato | Daniel Barenboim, Pinchas Zukerman | — | |
| 42-4 | Sonate für Klavier und Violine A-dur op. 100: I. Allegro amabile | Pinchas Zukerman, Daniel Barenboim | T-329.366.957-1 | |
| 42-5 | Sonate für Klavier und Violine A-dur op. 100: II. Andante tranquillo – Vivace – Andante – Vivace di più – Andante – Vivace | Pinchas Zukerman, Daniel Barenboim | T-329.366.955-9 | |
| 42-6 | Sonate für Klavier und Violine A-dur op. 100: III. Allegretto grazioso (quasi Andante) | Pinchas Zukerman, Daniel Barenboim | T-329.366.956-0 | |
| 42-7 | Sonate für Klavier und Violine d-moll op. 108: I. Allegro | Pinchas Zukerman, Daniel Barenboim | T-070.160.313-5 | |
| 42-8 | Sonate für Klavier und Violine d-moll op. 108: II. Adagio | Pinchas Zukerman, Daniel Barenboim | — | |
| 42-9 | Sonate für Klavier und Violine d-moll op. 108: III. Un poco presto e con sentimento | Pinchas Zukerman, Daniel Barenboim | — | |
| 42-10 | Sonate für Klavier und Violine d-moll op. 108: IV. Presto agitato | Pinchas Zukerman, Daniel Barenboim | — | |
| 42-11 | "F-A-E" Sonata for Piano and Violin, WoO posth. 2: 3. Scherzo. Allegro — Trio. Più Moderato | Daniel Barenboim, Pinchas Zukerman | — |
24 Capricci per violino solo, op. 1: 2. Moderato. h-moll
Salvatore Accardo
—
24 Capricci per violino solo, op. 1: 3. Sostenuto - Presto - Sostenuto. e-moll
Salvatore Accardo
—
24 Capricci per violino solo, op. 1: 4. Maestoso. c-moll
Salvatore Accardo
—
24 Capricci per violino solo, op. 1: 6. Lento. g-moll
Salvatore Accardo
—
24 Capricci per violino solo, op. 1: 7. Posato. a-moll
Salvatore Accardo
—
24 Capricci per violino solo, op. 1: 8. Maestoso. Es-dur
Salvatore Accardo
—
24 Capricci per violino solo, op. 1: 10. Vivace. g-moll
Salvatore Accardo
—
24 Capricci per violino solo, op. 1: 11. Andante - Presto - Tempo I. C-dur
Salvatore Accardo
—
24 Capricci per violino solo, op. 1: 15. Posato. e-moll
Salvatore Accardo
—
24 Capricci per violino solo, op. 1: 16. Presto. g-moll
Salvatore Accardo
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24 Capricci per violino solo, op. 1: 17. Sostenuto - Andante. Es-dur
Salvatore Accardo
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24 Capricci per violino solo, op. 1: 18. Corrente - Allegro. C-dur
Salvatore Accardo
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24 Capricci per violino solo, op. 1: 20. Allegretto. D-dur
Salvatore Accardo
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24 Capricci per violino solo, op. 1: 22. Marcato. F-dur
Salvatore Accardo
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Violin Concerto no. 1 in D major, op. 6: III. Rondo: Allegro spiritoso
Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser
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Violin Concerto no. 1 in D major, op. 6: III. Rondo: Allegro spiritoso
Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser
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Violin Concerto no. 1 in D major, op. 6: III. Rondo: Allegro spiritoso
Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser
—
Concerto N. 2 Op. 7: III. Rondò "La Campanella"
Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser
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Concerto N. 2 Op. 7: III. Rondò "La Campanella"
Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser
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Concerto N. 2 Op. 7: III. Rondò "La Campanella"
Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser
—
Violin Concerto no. 1, op. 77: I. Nocturne: Moderato
Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen
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Violin Concerto no. 1, op. 77: II. Scherzo: Allegro
Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen
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Violin Concerto no. 1, op. 77: III. Passacaglia: Andante - Cadenza
Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen
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Violin Concerto no. 1, op. 77: IV. Burlesque: Allegro con brio - Presto
Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen
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Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen
Seven Dolls' Dances: Lyrical Waltz
Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen
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Spiegel im Spiegel
Lisa Batiashvili, Hélène Grimaud
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Concerto for Violin and Strings in B-flat major, RV 583 "in due cori": I. Largo e spiccato - Allegro non molto
Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon
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Concerto for Violin and Strings in B-flat major, RV 583 "in due cori": II. Andante
Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon
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Concerto for Violin and Strings in B-flat major, RV 583 "in due cori": III. Allegro
Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon
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Concerto for Violin, Strings and Continuo in E minor, RV 278: I. Allegro molto - Andantino
Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon
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Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon
Concerto for Violin, Strings and Continuo in E minor, RV 278: III. Allegro
Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon
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Concerto for Violin in G major, Op. 3 No. 9: I. Allegro - Capriccio - Cadenza - Allegro
Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon
—
Concerto for Violin in G major, Op. 3 No. 9: II. Largo
Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon
—
Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon
Concerto for Violin, Strings and Continuo in A major, D 96: I. Allegro
Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon
—
Concerto for Violin, Strings and Continuo in A major, D 96: II. Adagio
Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon
—
Concerto for Violin, Strings and Continuo in A major, D 96: III. [Presto]
Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon
—
Concerto for Violin, Strings and Continuo in A major, D 96: II. Largo andante in E major[Alternative]
Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon
—
Violin Concerto in C major, Hob. VIIa:1: I. Allegro moderato: 1. Cadenza
Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia
—
Violin Concerto in C major, Hob. VIIa:1: II. Cadenza
Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia
—
Violin Concerto in C major, Hob. VIIa:1: III. Finale (Presto)
Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia
—
Violin Concerto in A, Hob. VIIa:3: I. Moderato
Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia
—
Violin Concerto in A, Hob. VIIa:3: II. Adagio: 2. Cadenza
Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia
—
Violin Concerto in A, Hob. VIIa:3: III. Finale (Allegro): 3. Cadenza
Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia
—
Violin Concerto in G, Hob. VIIa:4: I. Allegro moderato
Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia
—
Violin Concerto in G, Hob. VIIa:4: II. Adagio: 2. Cadenza
Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia
—
Violin Concerto in G, Hob. VIIa:4: III. Allegro
Giuliano Carmignola, Orchestre des Champs-Élysées, Alessandro Moccia
—
Sonate für Violine und Klavier Es-dur, op. 18: 1. Allegro, ma non troppo
Kyung Wha Chung, Krystian Zimerman
—
Sonate für Violine und Klavier Es-dur, op. 18: 2. Improvisation. Andante cantabile
Kyung Wha Chung, Krystian Zimerman
—
Sonate für Violine und Klavier Es-dur, op. 18: 3. Finale. Andante - Allegro
Kyung Wha Chung, Krystian Zimerman
—
Sonate für Violine und Klavier h-moll: 1. Moderato
Kyung Wha Chung, Krystian Zimerman
—
Sonate für Violine und Klavier h-moll: 2. Andante espressivo
Kyung Wha Chung, Krystian Zimerman
—
Sonate für Violine und Klavier h-moll: 3. (Passacaglia). Allegro moderato ma energico
Kyung Wha Chung, Krystian Zimerman
—
Violin Sonata in A: II. Allegro
Augustin Dumay, Maria João Pires
—
Violin Sonata in A: III. Recitativo, Fantasia
Augustin Dumay, Maria João Pires
—
Violin Sonata in A: IV. Allegro poco mosso
Augustin Dumay, Maria João Pires
—
Sonata for Violin and Piano in G minor, L. 140: I. Allegro vivo
Augustin Dumay, Maria João Pires
—
Violin Sonata in G minor: II. Intermède
Augustin Dumay, Maria João Pires
—
Violin Sonata in G minor: III. Finale: Très Animé
Augustin Dumay, Maria João Pires
—
Berceuse sur le nom de Gabriel Fauré
Augustin Dumay, Maria João Pires
—
Pièce en forme de Habañera
Augustin Dumay, Maria João Pires
—
Sonate pour violon et piano n° 1 en la mineur, op. 105: 1. Mit leidenschaftlichem Ausdruck
Christian Ferras, Pierre Barbizet
—
Sonate pour violon et piano n° 1 en la mineur, op. 105: 2. Allegretto
Christian Ferras, Pierre Barbizet
—
Sonate pour violon et piano n° 1 en la mineur, op. 105: 3. Lebhaft
Christian Ferras, Pierre Barbizet
—
Romances pour violon et piano, op. 94: N° 1: Nicht schnell (Moderato)
Christian Ferras, Pierre Barbizet
—
Pierre Barbizet, Christian Ferras
Romances pour violon et piano, op. 94: N° 3: Nicht schnell (Moderato)
Christian Ferras, Pierre Barbizet
—
Sonate pour violon et piano, op. 121: I. Ziemlich langsam - Lebhaft
Christian Ferras, Pierre Barbizet
—
Sonate pour violon et piano, op. 121: II. Sehr lebhaft
Christian Ferras, Pierre Barbizet
—
Sonate pour violon et piano, op. 121: III. Leise, einfach
Christian Ferras, Pierre Barbizet
—
Sonate pour violon et piano, op. 121: IV. Bewegt
Christian Ferras, Pierre Barbizet
—
David Garrett, Alexander Markovich
Sonata for Violin and Piano no. 5 in F, op. 24: "Spring": II. Adagio molto espressivo
David Garrett, Alexander Markovich
—
Sonata for Violin and Piano no. 5 in F, op. 24: "Spring": III. Scherzo (Allegro molto)
David Garrett, Alexander Markovich
—
David Garrett, Alexander Markovich
Partita for Violin Solo no. 2 in D minor, BWV 1004: I. Allemande
David Garrett
—
Partita for Violin Solo no. 2 in D minor, BWV 1004: II. Corrente
David Garrett
—
Partita for Violin Solo no. 2 in D minor, BWV 1004: III. Sarabande
David Garrett
—
Partita for Violin Solo no. 2 in D minor, BWV 1004: IV. Giga
David Garrett
—
Partita for Violin Solo no. 2 in D minor, BWV 1004: V. Ciaccona
David Garrett
—
David Garrett, Alexander Markovich
Sonata con tre violini (XXI from Canzoni et Sonate, 1615)
Musica Antiqua Köln, Reinhard Goebel
—
Sonata sopra l'aria di Ruggiero
Musica Antiqua Köln, Reinhard Goebel
—
Sonate a tre violini
Musica Antiqua Köln, Reinhard Goebel
—
Passacaglio a 4
Musica Antiqua Köln, Reinhard Goebel
—
Sonata sopra la Monica
Musica Antiqua Köln, Reinhard Goebel
—
Ecco a tre violini
Musica Antiqua Köln, Reinhard Goebel
—
Capriccio
Musica Antiqua Köln, Reinhard Goebel
—
Sonata detta la Polaca
Musica Antiqua Köln, Reinhard Goebel
—
Sonata a tre violini
Musica Antiqua Köln, Reinhard Goebel
—
Sonata for Violin and Harpsichord no. 1 in B minor, BWV 1014: I. Adagio
Reinhard Goebel, Robert Hill
—
Sonata for Violin and Harpsichord no. 1 in B minor, BWV 1014: II. Allegro
Reinhard Goebel, Robert Hill
—
Reinhard Goebel, Robert Hill
Reinhard Goebel, Robert Hill
Reinhard Goebel, Robert Hill
Sonata for Violin and Harpsichord no. 2 in A major, BWV 1015: II. Allegro assai
Reinhard Goebel, Robert Hill
—
Sonata for Violin and Harpsichord no. 2 in A major, BWV 1015: III. Andante un poco
Reinhard Goebel, Robert Hill
—
Reinhard Goebel, Robert Hill
Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: I. Adagio
Reinhard Goebel, Robert Hill
—
Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: II. Allegro
Reinhard Goebel, Robert Hill
—
Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: III. Adagio ma non tanto
Reinhard Goebel, Robert Hill
—
Reinhard Goebel, Robert Hill
Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: I. Siciliano (Largo)
Reinhard Goebel, Robert Hill
—
Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: II. Allegro
Reinhard Goebel, Robert Hill
—
Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: III. Adagio ma non tanto
Reinhard Goebel, Robert Hill
—
Reinhard Goebel, Robert Hill
Reinhard Goebel, Robert Hill
Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: II. Allegro
Reinhard Goebel, Robert Hill
—
Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: III. Adagio
Reinhard Goebel, Robert Hill
—
Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: IV. Vivace
Reinhard Goebel, Robert Hill
—
Concerto for Violin and Orchestra in B minor, op. 61: I. Allegro
Hilary Hahn, London Symphony Orchestra, Sir Colin Davis
—
Concerto for Violin and Orchestra in B minor, op. 61: II. Andante
Hilary Hahn, London Symphony Orchestra, Sir Colin Davis
—
Concerto for Violin and Orchestra in B minor, op. 61: III. Allegro molto
Hilary Hahn, London Symphony Orchestra, Sir Colin Davis
—
The Lark Ascending
Hilary Hahn, London Symphony Orchestra, Sir Colin Davis
—
Concerto for violin and orchestra, op. 36: I. Poco allegro
Hilary Hahn, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen
—
Concerto for violin and orchestra, op. 36: II. Andante grazioso
Hilary Hahn, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen
—
Concerto for violin and orchestra, op. 36: III. Finale. Allegro
Hilary Hahn, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen
—
Concerto for violin and orchestra in D minor, op. 47: I. Allegro moderato
Hilary Hahn, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen
—
Concerto for violin and orchestra in D minor, op. 47: II. Adagio di molto
Hilary Hahn, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen
—
Concerto for violin and orchestra in D minor, op. 47: III. Allegro, ma non tanto
Hilary Hahn, Sveriges Radios Symfoniorkester, Esa-Pekka Salonen
—
From the Canebrake, op. 5 no. 1
Jascha Heifetz, Milton Kaye
—
Jamaican Rumba
Jascha Heifetz, Milton Kaye
—
Beau Soir
Jascha Heifetz, Milton Kaye
—
Levee Dance op. 27 no. 2
Jascha Heifetz, Milton Kaye
—
Paraphrase on “Largo al factotum” from G. Rossini’s opera “Il barbiere di Siviglia”
Jascha Heifetz, Milton Kaye
—
A la valse
Jascha Heifetz, Milton Kaye
—
Humoresque in G-flat major, op. 101 no. 7
Jascha Heifetz, Milton Kaye
—
Gweedore Brae
Jascha Heifetz, Milton Kaye
—
Old Folks at Home
Jascha Heifetz, Milton Kaye
—
Traditional: Deep River
Jascha Heifetz, Milton Kaye
—
Viennese · Wienerisch
Jascha Heifetz, Milton Kaye
—
Jascha Heifetz, Emanuel Bay
Jascha Heifetz, Emanuel Bay
Three Preludes: I. Allegro ben ritmato e deciso
Jascha Heifetz, Emanuel Bay
—
Three Preludes: II. Andante con moto e poco rubato
Jascha Heifetz, Emanuel Bay
—
Three Preludes: III. Allegro ben ritmato e deciso
Jascha Heifetz, Emanuel Bay
—
An Outlandish Suite: No. 2. Florida Night Song
Jascha Heifetz, Emanuel Bay
—
Golliwog’s Cakewalk
Emanuel Bay, Jascha Heifetz
—
Clair de lune
Jascha Heifetz, Emanuel Bay
—
Ao pé da fogueira
Jascha Heifetz, Emanuel Bay
—
Huella, op. 49 (Canción argentina)
Jascha Heifetz, Emanuel Bay
—
Prelude in C-sharp minor, op. 34 no. 10
Jascha Heifetz, Emanuel Bay
—
Prelude in D-flat major, op. 34 no. 15
Jascha Heifetz, Emanuel Bay
—
Waves at Play
Jascha Heifetz, Emanuel Bay
—
March (from The Love for Three Oranges)
Jascha Heifetz, Emanuel Bay
—
Masks, from Romeo and Juliet
Jascha Heifetz, Emanuel Bay
—
Hexapoda (5 Studies in Jitteroptera): Gut-Bucket Gus
Jascha Heifetz, Emanuel Bay
—
Hexapoda (5 Studies in Jitteroptera): Jane Shakes Her Hair
Jascha Heifetz, Emanuel Bay
—
Hexapoda (5 Studies in Jitteroptera): Betty and Harold Close Their Eyes
Jascha Heifetz, Emanuel Bay
—
Hexapoda: 4. Jim Jives
Jascha Heifetz, Emanuel Bay
—
Hexapoda: 5. ...Till Dawn Sunday
Jascha Heifetz, Emanuel Bay
—
The Ballad of Mack the Knife, from The Threepenny Opera
Jascha Heifetz, Emanuel Bay
—
Mélodie in E-flat (no. 3, Souvenir d'un lieu cher, op. 42)
Jascha Heifetz, Emanuel Bay
—
Nocturne in E-flat, op. 55 no. 2
Jascha Heifetz, Emanuel Bay
—
Mélodie, from Orphée et Euridice
Jascha Heifetz, Emanuel Bay
—
Bird as prophet, from Waldszenen
Jascha Heifetz, Emanuel Bay
—
Hymn to the Sun, from The Golden Cockerel
Jascha Heifetz, Emanuel Bay
—
Dance no. 4
Jascha Heifetz, Emanuel Bay
—
Hungarian Dance no. 7 in A major
Jascha Heifetz, Emanuel Bay
—
The Swan (from Carnival of the Animals)
Jascha Heifetz, Emanuel Bay
—
Size Pictures, op. 30: No. 4. Hills
Jascha Heifetz, Emanuel Bay
—
Lullaby (from Jocelyn)
Bing Crosby, Emanuel Bay, Jascha Heifetz, Victor Young
—
Where My Caravan Has Rested
Bing Crosby, Emanuel Bay, Jascha Heifetz, Victor Young
—
Imitazione delle campane
Daniel Hope, Deutsches Kammerorchester Berlin, Simon Halsey
—
Daniel Hope, Deutsches Kammerorchester Berlin, Rundfunkchor Berlin, Simon Halsey
Adagio sognando From 24 Preludes, op. 46
Daniel Hope, Jacques Ammon
—
Fratres
Deutsches Kammerorchester Berlin, Simon Halsey, Daniel Hope
—
Daniel Hope, Jacques Ammon, Chie Peters, Deutsches Kammerorchester Berlin, Simon Halsey
Spheres
Daniel Hope, Deutsches Kammerorchester Berlin, Simon Halsey
—
Biafra
Daniel Hope, Jacques Ammon, Deutsches Kammerorchester Berlin, Simon Halsey
—
Daniel Hope, Deutsches Kammerorchester Berlin, Rundfunkchor Berlin, Simon Halsey
Andante From 24 Preludes, op. 46
Daniel Hope, Jacques Ammon
—
Daniel Hope, Juan Lucas Aisemberg, Deutsches Kammerorchester Berlin, Simon Halsey
Daniel Hope, Deutsches Kammerorchester Berlin, Simon Halsey
Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi
Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi
Concerto for Violin and Orchestra: III. ♩ = ca. 150 – Coda: Poco meno ♩ = 104
Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi
—
Violin Concerto: I. Twilight: Free and Spacious – attacca:
Gidon Kremer, New York Philharmonic, Leonard Bernstein
—
Violin Concerto: II. Toccata-Chaconne: Very Fast
Gidon Kremer, New York Philharmonic, Leonard Bernstein
—
Violin Concerto: III. Romance without Words: Hardly Moving
Gidon Kremer, New York Philharmonic, Leonard Bernstein
—
Violin Concerto: IV. Midnight: Slow
Gidon Kremer, New York Philharmonic, Leonard Bernstein
—
Violin Concerto: V. Toccata-Rondo: Very Fast
Gidon Kremer, New York Philharmonic, Leonard Bernstein
—
Violin Concerto: VI. Dawn: Wistful
Gidon Kremer, New York Philharmonic, Leonard Bernstein
—
Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein
Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein
Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein
Serenade after Plato’s “Symposium”: IV. Agathon: Adagio
Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein
—
Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein
Sonate Nr. 9 A-Dur, op. 47 "Kreutzer-Sonate": I. Adagio sostenuto - Presto
Martha Argerich, Gidon Kremer
—
Sonate Nr. 9 A-Dur, op. 47 "Kreutzer-Sonate": II. Andante con variazioni I-IV
Martha Argerich, Gidon Kremer
—
Sonate Nr. 9 A-Dur, op. 47 "Kreutzer-Sonate": III. Finale. Presto
Martha Argerich, Gidon Kremer
—
Sonate Nr. 10 G-Dur, op. 96: III. Scherzo. Allegro
Martha Argerich, Gidon Kremer
—
Sonate Nr. 10 G-Dur, op. 96: IV. Poco allegretto
Martha Argerich, Gidon Kremer
—
Violin Concerto in A minor, op. 53: 1. Allegro ma non troppo - Quasi moderato
Johanna Martzy, RIAS Symphony Orchestra Berlin, Ferenc Fricsay
—
Violin Concerto in A minor, op. 53: 2. Adagio, ma non troppo
Johanna Martzy, RIAS Symphony Orchestra Berlin, Ferenc Fricsay
—
Violin Concerto in A minor, op. 53: 3. Finale (Allegro giocoso, ma non troppo)
Johanna Martzy, RIAS Symphony Orchestra Berlin, Ferenc Fricsay
—
Violin Concerto no. 1 in G minor, op. 26: 1. Vorspiel (Allegro moderato)
Erica Morini, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay
—
Erica Morini, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay
Erica Morini, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay
Violin Concerto in A minor, op. 82: 1. Moderato
Erica Morini, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay
—
Violin Concerto in A minor, op. 82: 2. Andante sostenuto
Erica Morini, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay
—
Violin Concerto in A minor, op. 82: Tempo I
Erica Morini, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay
—
Violin Concerto in A minor, op. 82: Cadenza
Erica Morini, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay
—
Violin Concerto in A minor, op. 82: 3. Allegro
Erica Morini, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 1 in D major: I. Grave: Allegro
Garo Atmacayan, Huguette Dreyfus, Eduard Melkus
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 1 in D major: II. Allegro
Garo Atmacayan, Huguette Dreyfus, Eduard Melkus
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 1 in D major: III. Allegro
Garo Atmacayan, Huguette Dreyfus, Eduard Melkus
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 1 in D major: IV. Adagio
Garo Atmacayan, Huguette Dreyfus, Eduard Melkus
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 1 in D major: V. Allegro
Garo Atmacayan, Huguette Dreyfus, Eduard Melkus
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 2 in B-flat major: I. Grave: Allegro
Huguette Dreyfus, Eduard Melkus, Karl Scheit
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 2 in B-flat major: II. Vivace
Huguette Dreyfus, Eduard Melkus, Karl Scheit
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 2 in B-flat major: III. Adagio
Huguette Dreyfus, Eduard Melkus, Karl Scheit
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 2 in B-flat major: IV. Vivace
Huguette Dreyfus, Eduard Melkus, Karl Scheit
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 2 in B-flat major: V. Vivace
Huguette Dreyfus, Eduard Melkus, Karl Scheit
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 3 in C major: I. Adagio
Huguette Dreyfus, Eduard Melkus
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 3 in C major: II. Allegro
Huguette Dreyfus, Eduard Melkus
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 3 in C major: III. Adagio
Huguette Dreyfus, Eduard Melkus
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 3 in C major: IV. Allegro
Huguette Dreyfus, Eduard Melkus
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 3 in C major: V. Giga (allegro)
Huguette Dreyfus, Eduard Melkus
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 7 in D minor: I. Preludio (vivace)
Garo Atmacayan, Eduard Melkus, Capella Academica Wien
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 7 in D minor: II. Corrente (allegro)
Garo Atmacayan, Eduard Melkus, Capella Academica Wien
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 7 in D minor: III. Sarabande (largo)
Garo Atmacayan, Eduard Melkus, Capella Academica Wien
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 7 in D minor: IV. Giga (allegro)
Garo Atmacayan, Eduard Melkus, Capella Academica Wien
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 8 in E minor: I. Preludio (largo)
Garo Atmacayan, Eduard Melkus, Karl Scheit
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 8 in E minor: II. Allemanda (allegro)
Garo Atmacayan, Eduard Melkus, Karl Scheit
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 8 in E minor: III. Sarabande (largo)
Garo Atmacayan, Eduard Melkus, Karl Scheit
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 8 in E minor: IV. Giga (allegro)
Garo Atmacayan, Eduard Melkus, Karl Scheit
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 9 in A major: I. Preludio (largo)
Garo Atmacayan, Huguette Dreyfus, Eduard Melkus
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 9 in A major: II. Giga (allegro)
Garo Atmacayan, Huguette Dreyfus, Eduard Melkus
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 9 in A major: III. Adagio: Tempo di Gavotte (allegro)
Garo Atmacayan, Huguette Dreyfus, Eduard Melkus
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 9 in A major: IV. Tempo di Gavotta. Allegro
Garo Atmacayan, Huguette Dreyfus, Eduard Melkus
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 11 in E major: I. Preludio (adagio)
Huguette Dreyfus, Eduard Melkus
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 11 in E major: II. Allegro
Huguette Dreyfus, Eduard Melkus
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 11 in E major: III. Adagio: Vivace
Huguette Dreyfus, Eduard Melkus
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 11 in E major: IV. Gavotta (allegro)
Huguette Dreyfus, Eduard Melkus
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 11 in E major: V. Gavotta. Allegro
Huguette Dreyfus, Eduard Melkus
—
12 Sonate a Violino e Cembalo, op. 5: Sonata no. 12 in d minor: I. Adagio: Allegro - Adagio - Vivace - Allegro - Andante - Allegro - Adagio - Allegro
Garo Atmacayan, Huguette Dreyfus, Eduard Melkus
—
Sonata for Violin and Piano no. 6 in A, op. 30 no. 1: 1. Allegro
Yehudi Menuhin, Wilhelm Kempff
—
Yehudi Menuhin, Wilhelm Kempff
Sonata for Violin and Piano no. 6 in A, op. 30 no. 1: 3. Allegretto con variazioni
Yehudi Menuhin, Wilhelm Kempff
—
Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: 1. Allegro con brio
Yehudi Menuhin, Wilhelm Kempff
—
Yehudi Menuhin, Wilhelm Kempff
Sonata for Violin and Piano no. 7 in C minor, op. 30 no. 2: 3. Scherzo (Allegro)
Yehudi Menuhin, Wilhelm Kempff
—
Yehudi Menuhin, Wilhelm Kempff
Sonata for Violin and Piano no. 8 in G, op. 30 no. 3: 1. Allegro assai
Yehudi Menuhin, Wilhelm Kempff
—
Sonata for Violin and Piano no. 8 in G, op. 30 no. 3: 2. Tempo di minuetto, ma molto moderato e grazioso
Yehudi Menuhin, Wilhelm Kempff
—
Sonata for Violin and Piano no. 8 in G, op. 30 no. 3: 3. Allegro vivace
Yehudi Menuhin, Wilhelm Kempff
—
Concerto for Violin and Orchestra no. 1 in D major, op. 35: II. Canzonetta. Andante
Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado
—
Concerto for Violin and Orchestra no. 1 in D major, op. 35: II. Canzonetta. Andante
Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado
—
Concerto for Violin and Orchestra no. 1 in D major, op. 35: II. Canzonetta. Andante
Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado
—
Nathan Milstein, Georges Pludermacher
Sonata in A for Violin and Basso continuo, op. 1 no. 1 (arr. Nathan Milstein): II. Vivace
Nathan Milstein, Georges Pludermacher
—
Sonata in A for Violin and Basso continuo, op. 1 no. 1 (arr. Nathan Milstein): III. Allegro
Nathan Milstein, Georges Pludermacher
—
Rondo in B minor, D. 895, op. 70: II. Allegro
Nathan Milstein, Georges Pludermacher
—
Paganiniana (Variations) for Violin Solo
Nathan Milstein
—
Nathan Milstein, Georges Pludermacher
Chanson russe: Arr. Dushkin From "Mavra"
Nathan Milstein, Georges Pludermacher
—
Il Pleut Dans La Ville
Nathan Milstein, Georges Pludermacher
—
Sorochintsy Fair: Hopak
Nathan Milstein, Georges Pludermacher
—
Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appassionato
Shlomo Mintz, Chicago Symphony Orchestra, Claudio Abbado
—
Shlomo Mintz, Chicago Symphony Orchestra, Claudio Abbado
Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace
Shlomo Mintz, Chicago Symphony Orchestra, Claudio Abbado
—
Concerto for Violin and Orchestra no. 1 in G minor, op. 26: I. Vorspiel. Allegro moderato - attacca:
Shlomo Mintz, Chicago Symphony Orchestra, Claudio Abbado
—
Shlomo Mintz, Chicago Symphony Orchestra, Claudio Abbado
Shlomo Mintz, Chicago Symphony Orchestra, Claudio Abbado
Caprice viennois, op. 2: Allegro molto moderato - Andante con moto - Presto - Andante con moto - Più vivo - Tempo I
Clifford Benson, Shlomo Mintz
—
Liebeslied
Clifford Benson, Shlomo Mintz
—
Sonata for Violin and Piano no. 1 in A, op. 13: I. Allegro molto
Shlomo Mintz, Yefim Bronfman
—
Sonata for Violin and Piano no. 1 in A, op. 13: II. Andante
Shlomo Mintz, Yefim Bronfman
—
Sonata for Violin and Piano no. 1 in A, op. 13: III. Allegro vivo
Shlomo Mintz, Yefim Bronfman
—
Sonata for Violin and Piano no. 1 in A, op. 13: IV. Allegro quasi presto
Shlomo Mintz, Yefim Bronfman
—
Sonata for Violin and Piano no. 2 in E minor, op. 108: I. Allegro non troppo
Shlomo Mintz, Yefim Bronfman
—
Sonata for Violin and Piano no. 2 in E minor, op. 108: II. Andante
Shlomo Mintz, Yefim Bronfman
—
Sonata for Violin and Piano no. 2 in E minor, op. 108: III. Finale (Allegro non troppo)
Shlomo Mintz, Yefim Bronfman
—
Violin Sonata no. 17 in C major, K. 296: I. Allegro vivace
Erica Morini, Rudolf Firkušný
—
Violin Sonata no. 17 in C major, K. 296: II. Andante sostenuto
Erica Morini, Rudolf Firkušný
—
Violin Sonata no. 17 in C major, K. 296: III. Rondo. Allegro
Erica Morini, Rudolf Firkušný
—
Sonata for Violin and Piano no. 3 in E-flat, op. 12 No.3: I. Allegro con spirito
Erica Morini, Rudolf Firkušný
—
Sonata for Violin and Piano no. 3 in E-flat, op. 12 No.3: II. Adagio con molt' espressione
Erica Morini, Rudolf Firkušný
—
Sonata for Violin and Piano no. 3 in E-flat, op. 12 No.3: III. Rondo (Allegro molto)
Erica Morini, Rudolf Firkušný
—
Violin Sonata in D major, RV 10: I. Allegro: II. Allegro
Erica Morini, Leon Pommers
—
Violin Sonata in D major, RV 10: III. Adagio: IV. Allegro
Erica Morini, Leon Pommers
—
Sonata For Violin And Continuo in G minor, op. 1, B.g10: "Didone abbandonata": I. Affettuoso
Erica Morini, Leon Pommers
—
Sonata For Violin And Continuo in G minor, op. 1, B.g10: "Didone abbandonata": II. Presto
Erica Morini, Leon Pommers
—
Sonata For Violin And Continuo in G minor, op. 1, B.g10: "Didone abbandonata": III. Allegro
Erica Morini, Leon Pommers
—
Violin Concerto in D major, op. 61: I. Allegro ma non troppo
Anne-Sophie Mutter, New York Philharmonic, Kurt Masur
—
Violin Concerto in D major, op. 61: II. Larghetto
Anne-Sophie Mutter, New York Philharmonic, Kurt Masur
—
Violin Concerto in D major, op. 61: III. Rondo. Allegro (Cadenza by Fritz Kreisler)
Anne-Sophie Mutter, New York Philharmonic, Kurt Masur
—
Romance for Violin and Orchestra no. 1 in G major, op. 40
Anne-Sophie Mutter, New York Philharmonic, Kurt Masur
—
Violin Romance no. 2 in F major, op. 50
Anne-Sophie Mutter, New York Philharmonic, Kurt Masur
—
Anne-Sophie Mutter, New York Philharmonic, Kurt Masur
Anne-Sophie Mutter, Joseph Robinson, New York Philharmonic, Kurt Masur
Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto
Anne-Sophie Mutter, New York Philharmonic, Kurt Masur
—
Fantasy for Violin and Orchestra in C major, op. 131
Anne-Sophie Mutter, New York Philharmonic, Kurt Masur
—
Sur le même accord
Orchestre National de France, Kurt Masur, Anne-Sophie Mutter
—
Violin Concerto no. 2, Sz. 112: I. Allegro non troppo
Anne-Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa
—
Violin Concerto no. 2, Sz. 112: II. Andante tranquillo
Anne-Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa
—
Violin Concerto no. 2, Sz. 112: III. Allegro molto
Anne-Sophie Mutter, Boston Symphony Orchestra, Seiji Ozawa
—
Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher
Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher
Violin Concerto in D major: III. Aria II
Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher
—
Concerto en re for Violin and Orchestra: IV. Capriccio
Anne-Sophie Mutter, Philharmonia Orchestra, Paul Sacher
—
Konzert für Violine und Orchester D-Dur, Op. 77: I. Allegro non troppo
David Oistrakh, Staatskapelle Dresden, Franz Konwitschny
—
David Oistrakh, Staatskapelle Dresden, Franz Konwitschny
Konzert für Violine und Orchester D-Dur, Op. 77: III. Allegro giocoso, ma non troppo vivace
David Oistrakh, Staatskapelle Dresden, Franz Konwitschny
—
David Oistrakh, Staatskapelle Dresden, Franz Konwitschny
Violin Concerto in D major, op. 35: 2. Canzonetta. Andante
David Oistrakh, Staatskapelle Dresden, Franz Konwitschny
—
Violin Concerto in D major, op. 35: 3. Finale. Allegro vivacissimo
David Oistrakh, Staatskapelle Dresden, Franz Konwitschny
—
Violin Concerto no. 3 in B minor, op. 61: I. Allegro non troppo
Itzhak Perlman, Orchestre de Paris, Daniel Barenboim
—
Violin Concerto no. 3 in B minor, op. 61: II. Andantino quasi allegretto
Itzhak Perlman, Orchestre de Paris, Daniel Barenboim
—
Violin Concerto no. 3 in B minor, op. 61: III. Molto moderato e maestoso - Allegro non troppo - Più allegro
Itzhak Perlman, Orchestre de Paris, Daniel Barenboim
—
Concerto for Violin and Orchestra no. 2 in D minor, op. 22: I. Allegro moderato
Itzhak Perlman, Orchestre de Paris, Daniel Barenboim
—
Concerto for Violin and Orchestra no. 2 in D minor, op. 22: II. Romance. Andante non troppo
Itzhak Perlman, Orchestre de Paris, Daniel Barenboim
—
Concerto for Violin and Orchestra no. 2 in D minor, op. 22: III. Allegro con fuoco - Allegro moderato (à la zingara)
Itzhak Perlman, Orchestre de Paris, Daniel Barenboim
—
Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa
Violinkonzert "Dem Andenken eines Engels": II. Allegro - Adagio - (Coda)
Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa
—
Violin Concerto in D major: I. Toccata
Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa
—
Violin Concerto in D major: II. Aria I
Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa
—
Violin Concerto in D major: III. Aria II
Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa
—
Violin Concerto in D major: IV. Capriccio
Itzhak Perlman, Boston Symphony Orchestra, Seiji Ozawa
—
Sonata no. 9 for Violin and Piano in A major, op. 47 "Kreutzer": I. Adagio sostenuto - Presto
Wilhelm Kempff, Georg Kulenkampff
—
Sonata no. 9 for Violin and Piano in A major, op. 47 "Kreutzer": II. Andante con variazioni
Wilhelm Kempff, Georg Kulenkampff
—
Sonata no. 9 for Violin and Piano in A major, op. 47 "Kreutzer": III. Finale. Presto
Wilhelm Kempff, Georg Kulenkampff
—
Sonatina For Violin And Piano in G, op. 100, B. 120: I. Allegro risoluto
Váša Příhoda, Michael Raucheisen
—
Sonatina For Violin And Piano in G, op. 100, B. 120: II. Larghetto
Váša Příhoda, Michael Raucheisen
—
Sonatina For Violin And Piano in G, op. 100, B. 120: III. Scherzo. Molto vivace
Váša Příhoda, Michael Raucheisen
—
Sonatina For Violin And Piano in G, op. 100, B. 120: IV. Finale. Allegro
Váša Příhoda, Michael Raucheisen
—
From The Homeland, JB 1:118: Two Pieces For Violine & Piano: Andantino - Moderato
Váša Příhoda, Otto Graef
—
Praeludium And Allegro in The Style Of Pugnani
Ruggiero Ricci, Brooks Smith
—
Siciliano And Rigaudon in The Style Of Francoeur
Ruggiero Ricci, Brooks Smith
—
Chanson Louis XIII and Pavane
Ruggiero Ricci, Brooks Smith
—
Rondino on a Theme by Beethoven: Allegretto grazioso
Ruggiero Ricci, Brooks Smith
—
Variations on a Theme by Corelli
Ruggiero Ricci, Brooks Smith
—
Recitativo and Scherzo-Caprice, op. 6
Ruggiero Ricci, Brooks Smith
—
Caprice viennois op.2
Ruggiero Ricci, Brooks Smith
—
Liebesleid
Ruggiero Ricci, Brooks Smith
—
Schön Rosmarin
Ruggiero Ricci, Brooks Smith
—
La Gitana
Ruggiero Ricci, Brooks Smith
—
The Old Refrain: arranged by Fritz Kreisler
Ruggiero Ricci, Brooks Smith
—
La Chasse (in the style of Cartier)
Ruggiero Ricci, Brooks Smith
—
Liebesleid
Fritz Kreisler, Haddon Squire
—
Schön Rosmarin
Fritz Kreisler, George Falkenstein
—
Tambourin chinois
Fritz Kreisler, Haddon Squire
—
Andantino in the style of Padre Martini
Fritz Kreisler, George Falkenstein
—
Chant sans paroles, op. 2, no. 3 (Song Without Words, Op.2 & 3)
Fritz Kreisler, George Falkenstein
—
Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo
Wolfgang Schneiderhan, Berliner Philharmoniker, Eugen Jochum
—
Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto
Wolfgang Schneiderhan, Berliner Philharmoniker, Eugen Jochum
—
Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro
Wolfgang Schneiderhan, Berliner Philharmoniker, Eugen Jochum
—
Konzert für Violine und Orchester Nr. 5 A-Dur, KV 219: I. Allegro aperto
Wolfgang Schneiderhan, Berliner Philharmoniker
—
Konzert für Violine und Orchester Nr. 5 A-Dur, KV 219: I. Allegro aperto
Wolfgang Schneiderhan, Berliner Philharmoniker
—
Konzert für Violine und Orchester Nr. 5 A-Dur, KV 219: I. Allegro aperto
Wolfgang Schneiderhan, Berliner Philharmoniker
—
Gil Shaham, London Symphony Orchestra, André Previn
Violin Concerto, op. 14: II. Andante
Gil Shaham, London Symphony Orchestra, André Previn
—
Violin Concerto, op. 14: III. Presto in moto perpetuo
Gil Shaham, London Symphony Orchestra, André Previn
—
Violin Concerto in D major, op. 35: I. Moderato nobile
Gil Shaham, London Symphony Orchestra, André Previn
—
Violin Concerto in D major, op. 35: II. Romance: Andante
Gil Shaham, London Symphony Orchestra, André Previn
—
Violin Concerto in D major, op. 35: III. Finale: Allegro assai vivace
Gil Shaham, London Symphony Orchestra, André Previn
—
Much Ado about Nothing, op. 11: I. The Maiden in the Bridal Chamber: Lento - Molto moderato, with charm and grace
Gil Shaham, André Previn
—
Much Ado about Nothing, op. 11: II. Dogberry and Verges. March of the Watch: In the tempo of a grotesque funeral march
Gil Shaham, André Previn
—
Much Ado about Nothing, op. 11: III. Scene in the Garden: Molto espressivo (broad, but not too slow)
Gil Shaham, André Previn
—
Gil Shaham, André Previn
Concerto for Violin no. 1, op. 19: I. Andantino
Gil Shaham, London Symphony Orchestra, André Previn
—
Concerto for Violin no. 1, op. 19: II. Scherzo: Vivacissimo
Gil Shaham, London Symphony Orchestra, André Previn
—
Concerto for Violin no. 1, op. 19: III. Moderato
Gil Shaham, London Symphony Orchestra, André Previn
—
Concerto for Violin no. 2, op. 63: I. Allegro moderato
Gil Shaham, London Symphony Orchestra, André Previn
—
Concerto for Violin no. 2, op. 63: II. Andante assai
Gil Shaham, London Symphony Orchestra, André Previn
—
Concerto for Violin no. 2, op. 63: III. Allegro, ben marcato
Gil Shaham, London Symphony Orchestra, André Previn
—
Sonata for Solo Violin, op. 115: I. Moderato
Gil Shaham
—
Sonata for Solo Violin, op. 115: II. Andante dolce
Gil Shaham
—
Sonata for Solo Violin, op. 115: III. Con brio
Gil Shaham
—
Concerto for Violin, Strings and Continuo in A minor, BWV 1041: I.
Trevor Pinnock, Simon Standage, The English Concert
—
Concerto for Violin, Strings and Continuo in A minor, BWV 1041: I.
Trevor Pinnock, Simon Standage, The English Concert
—
Concerto for Violin, Strings and Continuo in A minor, BWV 1041: I.
Trevor Pinnock, Simon Standage, The English Concert
—
Concerto for Violin, Strings and Continuo in E major, BWV 1042: II. Adagio
Trevor Pinnock, Simon Standage, The English Concert
—
Concerto for Violin, Strings and Continuo in E major, BWV 1042: II. Adagio
Trevor Pinnock, Simon Standage, The English Concert
—
Concerto for Violin, Strings and Continuo in E major, BWV 1042: II. Adagio
Trevor Pinnock, Simon Standage, The English Concert
—
Concerto for 2 Violins in D minor, BWV 1043: III. Allegro
Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock
—
Concerto for 2 Violins in D minor, BWV 1043: III. Allegro
Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock
—
Concerto for 2 Violins in D minor, BWV 1043: III. Allegro
Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock
—
Trevor Pinnock, Simon Standage, The English Concert
Trevor Pinnock, Simon Standage, The English Concert
Trevor Pinnock, Simon Standage, The English Concert
Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": I. Allegro non molto
Trevor Pinnock, Simon Standage, The English Concert
—
Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": II. Adagio - Presto
Trevor Pinnock, Simon Standage, The English Concert
—
Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": III. Presto
Trevor Pinnock, Simon Standage, The English Concert
—
Trevor Pinnock, Simon Standage, The English Concert
Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": II. Adagio
Trevor Pinnock, Simon Standage, The English Concert
—
Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": III. Allegro
Trevor Pinnock, Simon Standage, The English Concert
—
Trevor Pinnock, Simon Standage, The English Concert
Trevor Pinnock, Simon Standage, The English Concert
Trevor Pinnock, Simon Standage, The English Concert
David Reichenberg, Simon Standage, The English Concert, Trevor Pinnock
David Reichenberg, Simon Standage, The English Concert, Trevor Pinnock
David Reichenberg, Simon Standage, The English Concert, Trevor Pinnock
Concerto for 2 Violins and Strings in G major, RV 516: I. Allegro molto
Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock
—
Concerto for 2 Violins, Strings and Continuo in G major, RV 516: 2. Andante (molto)
Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock
—
Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock
Sonata no. 1 in G minor, BWV 1001: III. Siciliana
Henryk Szeryng
—
Partita no. 1 in B minor, BWV 1002: I. Allemanda
Henryk Szeryng
—
Partita no. 1 in B minor, BWV 1002: III. Corrente
Henryk Szeryng
—
Partita no. 1 in B minor, BWV 1002: V. Sarabande
Henryk Szeryng
—
Partita no. 1 in B minor, BWV 1002: VII. Tempo Di Borea
Henryk Szeryng
—
Sonata no. 2 in A minor, BWV 1003: II. Fuga
Henryk Szeryng
—
Sonata no. 2 in A minor, BWV 1003: III. Andante
Henryk Szeryng
—
Partita no. 2 in D minor, BWV 1004: I. Allemanda
Henryk Szeryng
—
Partita no. 2 in D minor, BWV 1004: II. Corrente
Henryk Szeryng
—
Partita no. 2 in D minor, BWV 1004: III. Sarabanda
Henryk Szeryng
—
Partita no. 2 in D minor, BWV 1004: IV. Gigue
Henryk Szeryng
—
Partita no. 2 in D minor, BWV 1004: V. Chaconne
Henryk Szeryng
—
Sonata no. 3 in C major, BWV 1005: I. Adagio
Henryk Szeryng
—
Sonata no. 3 in C major, BWV 1005: II. Fugue: Allabreve
Henryk Szeryng
—
Partita no. 3 in E major, BWV 1006: I. Prelude
Henryk Szeryng
—
Partita no. 3 in E major, BWV 1006: II. Loure
Henryk Szeryng
—
Partita no. 3 in E major, BWV 1006: III. Gavotte & Rondo
Henryk Szeryng
—
Partita no. 3 in E major, BWV 1006: IV. Menuet I & II
Henryk Szeryng
—
Partita no. 3 in E major, BWV 1006: V. Bouree
Henryk Szeryng
—
Partita no. 3 in E major, BWV 1006: VI. Gigue
Henryk Szeryng
—
Sonata for Violin and Piano no. 1, BB 84 (Sz. 75): I. Allegro appassionato
Tibor Varga, Edith Farnadi
—
Sonata for Violin and Piano no. 1, BB 84 (Sz. 75): II. Adagio
Tibor Varga, Edith Farnadi
—
Sonata for Violin and Piano no. 1, BB 84 (Sz. 75): III. Allegro
Tibor Varga, Edith Farnadi
—
Sonata for Solo Violin, BB 124, Sz. 117: I. Tempo di ciaccona
Tibor Varga
—
Sonata for Solo Violin, BB 124, Sz. 117: II. Fuga (Risoluto, non troppo vivo)
Tibor Varga
—
Sonata for Solo Violin, BB 124, Sz. 117: III. Melodia (Adagio)
Tibor Varga
—
Sonate für Klavier und Violine G-dur op. 78: I. Vivace ma non troppo
Daniel Barenboim, Pinchas Zukerman
—
Sonate für Klavier und Violine G-dur op. 78: II. Adagio
Daniel Barenboim, Pinchas Zukerman
—
Sonate für Klavier und Violine G-dur op. 78: III. Allegro molto moderato
Daniel Barenboim, Pinchas Zukerman
—
Pinchas Zukerman, Daniel Barenboim
Pinchas Zukerman, Daniel Barenboim
Pinchas Zukerman, Daniel Barenboim
Pinchas Zukerman, Daniel Barenboim
Sonate für Klavier und Violine d-moll op. 108: II. Adagio
Pinchas Zukerman, Daniel Barenboim
—
Sonate für Klavier und Violine d-moll op. 108: III. Un poco presto e con sentimento
Pinchas Zukerman, Daniel Barenboim
—
Sonate für Klavier und Violine d-moll op. 108: IV. Presto agitato
Pinchas Zukerman, Daniel Barenboim
—
"F-A-E" Sonata for Piano and Violin, WoO posth. 2: 3. Scherzo. Allegro — Trio. Più Moderato
Daniel Barenboim, Pinchas Zukerman
—
Additional database matches (28)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Liebesfreud | Fritz Kreisler, Haddon Squire | T-801.289.652-6 |
| Eliza Aria From “Wild Swans Suite” | Jacques Ammon, Daniel Hope | T-300.502.398-9 |
| Benedictus From “The Armed Man” | Daniel Hope, Deutsches Kammerorchester Berlin, Rundfunkchor Berlin, Simon Halsey | T-927.457.223-5 |
| Konzert für Violine und Orchester Nr. 5 A-Dur, KV 219: I. Allegro aperto | Wolfgang Schneiderhan, Berliner Philharmoniker | T-318.583.906-5 |
| Konzert für Violine und Orchester Nr. 5 A-Dur, KV 219: II. Adagio | Wolfgang Schneiderhan, Berliner Philharmoniker | T-902.574.467-6 |
| Konzert für Violine und Orchester Nr. 5 A-Dur, KV 219: III. Rondeau. Tempo di Menuetto | Wolfgang Schneiderhan, Berliner Philharmoniker | — |
| Violin Concerto no. 1 in D major, op. 6: I. Allegro maestoso (cadenza: Shmuel Ashkenasi) | Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser | — |
| Violin Concerto no. 1 in D major, op. 6: II. Adagio | Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser | — |
| Violin Concerto no. 1 in D major, op. 6: III. Rondo: Allegro spiritoso | Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser | — |
| Violin Concerto no. 2 in B minor, op. 7 "La campanella": I. Allegro maestoso (cadenza: Shmuel Ashkenasi) | Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser | — |
| Violin Concerto no. 2 in B minor, op. 7 "La campanella": II. Adagio | Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser | — |
| Concerto N. 2 Op. 7: III. Rondò "La Campanella" | Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser | — |
| Concerto for Violin and Orchestra no. 1 in D major, op. 35: I. Allegro moderato | Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado | — |
| Concerto for Violin and Orchestra no. 1 in D major, op. 35: II. Canzonetta. Andante | Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado | — |
| Concerto for Violin and Orchestra no. 1 in D major, op. 35: III. Finale. Allegro vivacissimo | Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado | — |
| Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro | Trevor Pinnock, Simon Standage, The English Concert | — |
| Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": I. Allegro non molto | Trevor Pinnock, Simon Standage, The English Concert | — |
| Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": III. Allegro | Trevor Pinnock, Simon Standage, The English Concert | — |
| Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": III. Allegro | Trevor Pinnock, Simon Standage, The English Concert | — |
| Concerto for Violin, Strings and Continuo in E major, BWV 1042: I. Allegro | Trevor Pinnock, Simon Standage, The English Concert | T-070.161.055-0 |
| Concerto for Violin, Strings and Continuo in E major, BWV 1042: II. Adagio | Trevor Pinnock, Simon Standage, The English Concert | T-309.901.323-3 |
| Concerto for Violin, Strings and Continuo in E major, BWV 1042: III. Allegro assai | Trevor Pinnock, Simon Standage, The English Concert | T-306.395.786-4 |
| Concerto for 2 Violins in D minor, BWV 1043: I. Vivace | Trevor Pinnock, Simon Standage, Elizabeth Wilcock, The English Concert | — |
| Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto | Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | T-106.677.153-5 |
| Concerto for 2 Violins in D minor, BWV 1043: III. Allegro | Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | T-306.395.786-4 |
| Concerto for Violin, Strings and Continuo in A minor, BWV 1041: I. | Trevor Pinnock, Simon Standage, The English Concert | T-801.411.105-9 |
| Concerto for Violin, Strings and Continuo in A minor, BWV 1041: II. Andante | Trevor Pinnock, Simon Standage, The English Concert | T-309.901.323-3 |
| Concerto for Violin, Strings and Continuo in A minor, BWV 1041: III. Allegro assai | Trevor Pinnock, Simon Standage, The English Concert | T-306.395.786-4 |
Fritz Kreisler, Haddon Squire
Jacques Ammon, Daniel Hope
Daniel Hope, Deutsches Kammerorchester Berlin, Rundfunkchor Berlin, Simon Halsey
Wolfgang Schneiderhan, Berliner Philharmoniker
Wolfgang Schneiderhan, Berliner Philharmoniker
Konzert für Violine und Orchester Nr. 5 A-Dur, KV 219: III. Rondeau. Tempo di Menuetto
Wolfgang Schneiderhan, Berliner Philharmoniker
—
Violin Concerto no. 1 in D major, op. 6: I. Allegro maestoso (cadenza: Shmuel Ashkenasi)
Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser
—
Violin Concerto no. 1 in D major, op. 6: II. Adagio
Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser
—
Violin Concerto no. 1 in D major, op. 6: III. Rondo: Allegro spiritoso
Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser
—
Violin Concerto no. 2 in B minor, op. 7 "La campanella": I. Allegro maestoso (cadenza: Shmuel Ashkenasi)
Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser
—
Violin Concerto no. 2 in B minor, op. 7 "La campanella": II. Adagio
Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser
—
Concerto N. 2 Op. 7: III. Rondò "La Campanella"
Shmuel Ashkenasi, Wiener Symphoniker, Heribert Esser
—
Concerto for Violin and Orchestra no. 1 in D major, op. 35: I. Allegro moderato
Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado
—
Concerto for Violin and Orchestra no. 1 in D major, op. 35: II. Canzonetta. Andante
Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado
—
Concerto for Violin and Orchestra no. 1 in D major, op. 35: III. Finale. Allegro vivacissimo
Nathan Milstein, Vienna Philharmonic Orchestra, Claudio Abbado
—
Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro
Trevor Pinnock, Simon Standage, The English Concert
—
Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": I. Allegro non molto
Trevor Pinnock, Simon Standage, The English Concert
—
Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": III. Allegro
Trevor Pinnock, Simon Standage, The English Concert
—
Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": III. Allegro
Trevor Pinnock, Simon Standage, The English Concert
—
Trevor Pinnock, Simon Standage, The English Concert
Trevor Pinnock, Simon Standage, The English Concert
Trevor Pinnock, Simon Standage, The English Concert
Concerto for 2 Violins in D minor, BWV 1043: I. Vivace
Trevor Pinnock, Simon Standage, Elizabeth Wilcock, The English Concert
—
Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock
Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock
Trevor Pinnock, Simon Standage, The English Concert
Trevor Pinnock, Simon Standage, The English Concert
Trevor Pinnock, Simon Standage, The English Concert
What other identifiers does this connect to?
Musical Works (ISWC)
T-004.026.559-5T-004.026.559-5T-010.021.626-9T-010.021.626-9T-070.199.660-2T-801.289.652-6T-801.794.611-2T-801.289.652-6T-801.794.611-2T-905.386.501-3
+70 more
T-905.386.501-3T-913.258.753-2T-001.397.158-8T-001.409.983-2T-002.139.790-9T-003.055.867-8T-005.003.099-3T-005.514.580-6T-010.437.719-6T-011.422.353-8T-011.711.552-2T-031.682.208-8T-070.024.203-0T-070.110.285-3T-070.160.313-5T-070.161.055-0T-070.178.366-5T-070.199.264-4T-070.940.139-7T-071.000.879-9T-071.481.827-5T-072.523.714-8T-106.677.153-5T-300.502.398-9T-300.950.284-1T-304.292.274-3T-306.229.968-3T-306.395.786-4T-307.175.172-5T-307.175.181-6T-307.747.531-7T-309.901.323-3T-310.505.152-9T-312.207.822-8T-312.439.208-7T-318.583.906-5T-318.588.465-1T-318.676.528-2T-329.366.955-9T-329.366.956-0T-329.366.957-1T-700.095.171-5T-800.157.688-2T-800.184.797-9T-801.411.105-9T-801.724.839-5T-803.194.238-9T-900.082.355-2T-900.222.366-7T-900.757.862-3T-901.121.953-7T-902.571.014-9T-902.574.467-6T-902.685.630-4T-902.764.002-4T-902.836.120-8T-902.876.200-7T-903.514.416-2T-906.148.797-6T-909.513.321-4T-909.701.482-9T-909.876.999-4T-910.217.475-4T-910.793.958-2T-911.640.004-5T-911.640.005-6T-918.063.729-0T-920.218.518-0T-922.975.221-0T-927.457.223-5
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000005512989X0000000055138200000000005514222600000000551733130000000059411104000000006308598900000000630906490000000063095503000000006310721X0000000078391727
+40 more
00000000801586090000000080784896000000008090737400000000811710470000000081187700000000008158478100000000816117270000000081818146000000008359913500000000836685240000000083682684000000008390287800000000839824920000000084043761000000009609606X0000000108577654000000010869408400000001087063640000000108802188000000010917819600000001092070060000000109350136000000010935867200000001093737760000000109374314000000010937740000000001093866300000000109416801000000010943348400000001094421370000000109465312000000010996437300000001101774570000000110232022000000011029232400000001103269770000000110332568000000011079141400000001107914570000000110823228
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What is UPC 028947962205?
028947962205 is a Universal Product Code (UPC) assigned to 111: The Violin: Legendary Recordings by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
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