UPC · Release
Mozart: The Essentials
Wolfgang Amadeus Mozart
028947983897
25 tracksReleased 2017-09-01
Last verified:
028947983897 is the Universal Product Code (UPC barcode) for the release “Mozart: The Essentials” by Wolfgang Amadeus Mozart, released 2017-09-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 25 tracks, each with its own ISRC. Tracks include DEF058201661, DEF059002160, DEN960600790.
Format
0Number system
28947Manufacturer
98389Product
7Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCMozart: The Essentials
ISRC25 recordings
ISWC18 works
Track List (25)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro | Wiener Philharmoniker, James Levine | T-070161055-0 | |
| 2 | Divertimento in D major, K. 136/125a: II. Andante | Hagen Quartett | — | |
| 3 | Die Zauberflöte, K. 620: Act I, Scene II. No. 1 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno) | Thomas Quasthoff, Staatskapelle Dresden, Sebastian Weigle | — | |
| 4 | Sonata A major, KV 331: III. Alla Turca (Allegretto) | Friedrich Gulda | T-912655618-1 | |
| 5 | Sonata in C major, K. 545: I. Allegro | Maria João Pires | T-007303107-8 | |
| 6 | Symphony no. 25 in G minor, K.183: 1. Allegro Con Brio | Wiener Philharmoniker, James Levine | — | |
| 7 | Symphony no. 40 in G minor, K.550: 1. Molto Allegro | Wiener Philharmoniker, James Levine | — | |
| 8 | Requiem in D Minor, K.626: 3. Sequentia: VI. Lacrimosa (from “Amadeus”) | Norbert Balatsch, Konzertvereinigung Wiener Staatsopernchor, Hans Haselböck, Wiener Philharmoniker, Karl Böhm | T-000698858-4 | |
| 9 | Così fan tutte, K. 588: Ouvertura | Benjamin Bayl, Richard Lester, Chamber Orchestra of Europe, Yannick Nézet-Séguin | T-902763968-5 | |
| 10 | Piano Concerto no. 21 in C, K. 467: 2. Andante | Anda Géza, Camerata Salzburg | T-010194871-3 | |
| 11 | Horn Concerto No. 4 in E flat, K. 495: III. Rondo (Allegro vivace) | David Jolley, Orpheus Chamber Orchestra | — | |
| 12 | Exsultate, jubilate, K 165: IV. Alleluia | Barbara Bonney, The English Concert Choir, The English Concert, Trevor Pinnock | T-905495559-8 | |
| 13 | Ein Madchen oder Weibchen (Die Zauberflote) | Bryn Terfel, Duncan Williams, Scottish Chamber Orchestra, Sir Charles Mackerras | T-802587503-1 | |
| 14 | Le nozze di Figaro, K. 492: Overture | Orchester der Deutschen Oper Berlin, Karl Böhm | T-900133397-7 | |
| 15 | Don Giovanni, K. 527: Act 1: "Là ci darem la mano" | Bryn Terfel, Miah Persson, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 16 | Divertimento no. 11 for Oboe, 2 Horns & Strings in D major, K. 251 "Nannerl Septet": III. Andantino | Orpheus Chamber Orchestra | — | |
| 17 | Concerto for Flute, Harp and Orchestra in C, K.299: 2. Andantino | James Galway, Catrin Finch, Sinfonia Varsovia | T-911534020-0 | |
| 18 | Piano Sonata no. 8 in A minor, K. 310: III. Presto | Hélène Grimaud | T-902717414-7 | |
| 19 | Symphony no. 33 in B-flat major, K. 319: IV. Finale (Allegro assai) | Orpheus Chamber Orchestra | T-306395786-4 | |
| 20 | Le nozze di Figaro, K. 492: Act III. no. 20. Duettino (“Sull’aria”) - “Che soave zeffiretto” (Susanna, Contessa) | Gundula Janowitz, Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm | T-900134451-0 | |
| 21 | Vesperae solennes de confessore in C major, K 339: V. Laudate Dominum omnes gentes (Ps. 116/117) | Barbara Bonney, The English Concert Choir, The English Concert, Trevor Pinnock | T9001353715 | |
| 22 | Die Zauberflöte: Act II. Nr. 14 Arie: »Der Hölle Rache kocht in meinem Herzen« (Die Königin der Nacht) | Roberta Peters, Berliner Philharmoniker, Karl Böhm | T-918245117-8 | |
| 23 | Sonata in A minor, K. 310: I. Allegro maestoso | Maria João Pires | — | |
| 24 | Concerto for Violin and Orchestra no. 3 in G major, K. 216 "Strassburg": II. Adagio | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | T-312542566-9 | |
| 25 | Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai | Martha Argerich, Orchestra Mozart, Claudio Abbado | — |
Wiener Philharmoniker, James Levine
Divertimento in D major, K. 136/125a: II. Andante
Hagen Quartett
—
Die Zauberflöte, K. 620: Act I, Scene II. No. 1 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno)
Thomas Quasthoff, Staatskapelle Dresden, Sebastian Weigle
—
Symphony no. 25 in G minor, K.183: 1. Allegro Con Brio
Wiener Philharmoniker, James Levine
—
Symphony no. 40 in G minor, K.550: 1. Molto Allegro
Wiener Philharmoniker, James Levine
—
Norbert Balatsch, Konzertvereinigung Wiener Staatsopernchor, Hans Haselböck, Wiener Philharmoniker, Karl Böhm
Benjamin Bayl, Richard Lester, Chamber Orchestra of Europe, Yannick Nézet-Séguin
Horn Concerto No. 4 in E flat, K. 495: III. Rondo (Allegro vivace)
David Jolley, Orpheus Chamber Orchestra
—
Barbara Bonney, The English Concert Choir, The English Concert, Trevor Pinnock
Bryn Terfel, Duncan Williams, Scottish Chamber Orchestra, Sir Charles Mackerras
Don Giovanni, K. 527: Act 1: "Là ci darem la mano"
Bryn Terfel, Miah Persson, Scottish Chamber Orchestra, Charles Mackerras
—
Divertimento no. 11 for Oboe, 2 Horns & Strings in D major, K. 251 "Nannerl Septet": III. Andantino
Orpheus Chamber Orchestra
—
James Galway, Catrin Finch, Sinfonia Varsovia
Orpheus Chamber Orchestra
Gundula Janowitz, Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm
Barbara Bonney, The English Concert Choir, The English Concert, Trevor Pinnock
Roberta Peters, Berliner Philharmoniker, Karl Böhm
Sonata in A minor, K. 310: I. Allegro maestoso
Maria João Pires
—
Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt
Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai
Martha Argerich, Orchestra Mozart, Claudio Abbado
—
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Divertimento no. 11 for Oboe, 2 Horns & Strings in D major, K. 251 "Nannerl Septet": III. Andantino | Orpheus Chamber Orchestra | — |
| Divertimento in D major, K. 136/125a: III. Presto | Hagen Quartett | T-312438541-3 |
| Le nozze di Figaro, K. 492: Act III. no. 20. Duettino (“Sull’aria”) - “Che soave zeffiretto” (Susanna, Contessa) | Gundula Janowitz, Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm | T-011696191-1 |
Divertimento no. 11 for Oboe, 2 Horns & Strings in D major, K. 251 "Nannerl Septet": III. Andantino
Orpheus Chamber Orchestra
—
Gundula Janowitz, Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
0000000026111834000000005550430300000000572483580000000083544572000000010729637500000001086359570000000109350136000000010937431400000001093866300000000109405387
+32 more
0000000109645962000000011015406000000001101773930000000110625600000000011079141400000001109287400000000110928863000000011440624500000001144062610000000114439047000000011443908X000000011448517400000001145046970000000114725481000000011490456X000000011580933700000001176723700000000119337031000000011944868X00000001195660880000000120191498000000012021393300000001209597190000000120978012000000012100896600000001211442470000000121336687000000012277145300000001232169530000000123312435000000012348662X0000000407356245
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What is UPC 028947983897?
028947983897 is a Universal Product Code (UPC) assigned to Mozart: The Essentials by Wolfgang Amadeus Mozart. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 25 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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