UPC · Album

Complete Recordings on Deutsche Grammophon & Decca

Leonard Bernstein

028947984184
1203 tracksReleased 2018-01-01Deutsche Grammophon

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028947984184 is the Universal Product Code (UPC barcode) for the release Complete Recordings on Deutsche Grammophon & Decca by Leonard Bernstein, released 2018-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 1203 tracks, each with its own ISRC. Tracks include DEA288800303, DEA288800308, DEA288830307.

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Credit Chain

UPCComplete Recordings on Deutsche Grammophon & Decca
ISRC581 recordings
ISWC160 works
IPI5 songwriters

Track List (581)

Requiem in D minor, K. 626: IIIa. Dies irae (Sequenz)
Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Wolfgang Seeliger, Leonard Bernstein
Requiem in D minor, K. 626: IIIf. Lacrimosa (Sequenz)
Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Wolfgang Seeliger, Leonard Bernstein
Requiem in D minor, K. 626: IIIe. Confutatis (Sequenz)
Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Wolfgang Seeliger, Leonard Bernstein
Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 2 in C major, Op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 2 in C major, Op. 61: II. Scherzo: Allegro vivace
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 2 in C major, Op. 61: III. Adagio espressivo
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 2 in C major, Op. 61: IV. Allegro molto vivace
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 4 in E minor, Op. 98: II. Andante moderato
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso - Poco meno presto - Tempo I
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato - Più allegro
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 6 in B minor, Op. 74 "Pathétique": I. Adagio – Allegro non troppo
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 6 in B minor, Op. 74 "Pathétique": II. Allegro con grazia
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 6 in B minor, Op. 74 "Pathétique": III. Allegro molto vivace
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 6 in B minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso – Andante
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 9 in E minor, Op. 95 "From the New World": I. Adagio – Allegro molto
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 9 in E minor, Op. 95 "From the New World": III. Scherzo. Molto vivace
New York Stadium Symphony Orchestra, Leonard Bernstein
Symphony No. 9 in E minor, Op. 95 "From the New World": IV. Allegro con fuoco
New York Stadium Symphony Orchestra, Leonard Bernstein
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "Simplicity itself..." (1st movement)
[dialogue]
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "I always feel this gigantism..." (2nd movement)
[dialogue]
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "We have just been examining..." (3rd movement)
[dialogue]
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "All that we have said..." (4th movement)
[dialogue]
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "The study of Eroica is a lifetime work..."
[dialogue]
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Robert Schumann has been dead..." (3rd movement, opening theme)
[dialogue]
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "To my mind, Schumann follows in this tradition..."
[dialogue]
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Now let's look at the Symphony itself..." (1st movement)
[dialogue]
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "And so we have arrived at the allegro section..." (1st movement, continued)
[dialogue]
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "In the marvelous Scherzo that follows..." (2nd movement)
[dialogue]
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "But perhaps the greatest beauty...." (3rd movement)
[dialogue]
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Even in the final movement...." (4th movement)
[dialogue]
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Brahms' Fourth Symphony in E minor is today ..." (4th movement., opening theme)
[dialogue]
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Our journey begins without introduction..." (1st movement)
[dialogue]
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Do you see now what a symphonic theme is?" (1st movement)
[dialogue]
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Now, think of it - we have so far only had 44 bars of music" (1st movement)
[dialogue]
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Here is that second theme" (1st movement)
[dialogue]
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "This brings us to the development section proper" (1st movement)
[dialogue]
Musical Analysis (Bernstein on Brahms's Symphony No. 4): And here we are back home, ready for the rehearing of the exposition,..." (1st movement)
[dialogue]
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "So we arrive at the coda" (1st movement)
[dialogue]
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Well, we have had a microscopic look at symphonic method" (1st movement)
[dialogue]
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now there is a melody, a pure orchestral song..." (1st movement)
[dialogue]
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now the development section erupts..." (1st movement continued)
[dialogue]
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now one would think that Tchaikovsky had really exploited the device of scales" (2nd movement)
[dialogue]
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Jumping now to the famous third movement, the great March..." (3rd movement)
[dialogue]
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Perhaps the most admirable example of this is to be found in the wonderful last movement, ..." (4th movement)
[dialogue]
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now I don't want to give you the impression that scales are the only unifying force in this work"
[dialogue]
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "Does this music sound like the New World to you?" (3rd movement, Trio II; 1st movement)
[dialogue]
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "We come now to the second movement, which has a charming melody, ..." (2nd movement)
[dialogue]
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The third movement is a marvel of ingenuity and deftness" (3rd movement)
[dialogue]
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "And now the last movement. In general I should say that this is the most Slavic of all" (4th movement)
[dialogue]
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The final claim of those who argue for the New World Symphony as American music, ..." (4th movement, continued)
[dialogue]
Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Allegro impetuoso “Veni, creator spiritus”
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: A tempo. Etwas (aber unmerklich) gemäßigter; immer sehr fließend “Imple superna gratia”
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Tempo I. (Allegro impetuoso) “Infirma nostri corporis”
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Tempo I. (Allegro, etwas hastig)
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Sehr fließend — Noch einmal so langsam als vorher. Nicht schleppend “Infirma nostri corporis”
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Plötzlich sehr breit und leidenschaftlichen Ausdrucks — Mit plötzcheim Aufschwung “Accende lumen sensibus”
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: “Veni, creator spiritus”
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: a tempo “Gloria sit Patri Domino”
Wiener Philharmoniker, Leonard Bernstein
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIa. Poco adagio
Wiener Philharmoniker, Leonard Bernstein
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIb. Più mosso. (Allegro moderato)
Wiener Philharmoniker, Leonard Bernstein
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIc. Wieder langsam. Chor und Echo: "Waldung, sie schwankt heran"
Wiener Philharmoniker, Leonard Bernstein
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IId. Moderato. "Ewiger Wonnebrand"
Wiener Philharmoniker, Leonard Bernstein
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIe. Allegro - (Allegro appassionato) "Wie Felsenabgrund mir zu Füßen"
Wiener Philharmoniker, Leonard Bernstein
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIf. Allegro deciso. (Im Anfang noch nicht eilen) - "Gerettet ist das edle Glied" - "Hände verschlinget euch"
Wiener Philharmoniker, Leonard Bernstein
Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Molto leggiero, Chor der jüngeren Engel: “Jene Rosen aus den Händen”
Wiener Philharmoniker, Leonard Bernstein
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIh. Schon etwas langsamer und immer noch mäßiger "Uns bleibt ein Erdenrest"
Wiener Philharmoniker, Leonard Bernstein
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIi. Im Anfang (die ersten vier Takte) noch etwas gehalten: "Ich spür' soeben, nebelnd um Felsenhöh'" "Freudig empfangen wir"
Wiener Philharmoniker, Leonard Bernstein
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIj. Sempre l'istesso tempo. "Höchste Herrscherin der Welt"
Wiener Philharmoniker, Leonard Bernstein
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIk. Äußerst langsam. Adagissimo. "Dir, der Unberührbaren" "Du schwebst zu Höhen er ewigen Reiche"
Wiener Philharmoniker, Leonard Bernstein
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIl. Fließend "Bei der Liebe, die den Füßen" "Bei dem Bronn, zu dem schon weiland" " Bei dem hochgeweihten Orte"
Wiener Philharmoniker, Leonard Bernstein
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIm. Una poenitentium: "Neige, du Ohnegleichte"
Wiener Philharmoniker, Leonard Bernstein
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIn. Unmerklich frischer: "Er überwächst uns schon" "Vom edlen Geisterchor umgebren"
Wiener Philharmoniker, Leonard Bernstein
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIp. Sehr langsam beginnend "Alles Vergängliche ist nur ein Gleichnis"
Wiener Philharmoniker, Leonard Bernstein
Eine Faust-Symphonie: I. Faust
Boston Symphony Orchestra, Leonard Bernstein
Eine Faust-Symphonie: II. Gretchen
Boston Symphony Orchestra, Leonard Bernstein
Eine Faust-Symphonie: III. Mephistopheles / Schlußchor "Alles Vergängliche ist nur ein Gleichnis"
Boston Symphony Orchestra, Tanglewood Festival Chorus, Leonard Bernstein, Kenneth Riegel
Piano Concerto no. 4 in G major, op. 58: 1. Allegro moderato
Claudio Arrau, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein
Piano Concerto no. 4 in G major, op. 58: 2. Andante con moto
Claudio Arrau, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein
Piano Concerto no. 4 in G major, op. 58: 3. Rondo (Vivace)
Claudio Arrau, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein
Symphony no. 1 "Jeremiah": I. Prophecy. Largamente
Israel Philharmonic Orchestra, Leonard Bernstein
Symphony no. 1 "Jeremiah": II. Profanation. Vivace con brio
Israel Philharmonic Orchestra, Leonard Bernstein
Symphony no. 1 "Jeremiah": III. Lamentation. Lento
Christa Ludwig, Israel Philharmonic Orchestra, Leonard Bernstein
Chichester Psalms: Psalm 108 (verse 2); Psalm 100 (complete) - Maestoso ma energico - Allegro molto
Günther Theuring, Michael Wager, Wiener Jeunesse-Chor, Solist der Wiener Sängerknaben, Israel Philharmonic Orchestra, Leonard Bernstein
Chichester Psalms: Psalm 23 (complete); Psalm 2 (verses 1-4)
Günther Theuring, Michael Wager, Wiener Jeunesse-Chor, Solist der Wiener Sängerknaben, Israel Philharmonic Orchestra, Leonard Bernstein
Chichester Psalms: Psalm 131 (complete); Psalm 133 (verse 1)
Günther Theuring, Wiener Jeunesse-Chor, Solist der Wiener Sängerknaben, Israel Philharmonic Orchestra, Leonard Bernstein
Symphony no. 2 "The Age of Anxiety": Part II. The Masque. Extremly fast
Lukas Foss, Israel Philharmonic Orchestra, Leonard Bernstein
Symphony no. 2 "The Age of Anxiety": Part I. The Prologue. Lento moderato
Lukas Foss, Israel Philharmonic Orchestra, Leonard Bernstein
Symphony no. 2 "The Age of Anxiety": Part I. The Seven Ages. Var. 1-7
Lukas Foss, Israel Philharmonic Orchestra, Leonard Bernstein
Symphony no. 2 "The Age of Anxiety": Part I. The Seven Ages. Var 8-14
Lukas Foss, Israel Philharmonic Orchestra, Leonard Bernstein
Symphony no. 2 "The Age of Anxiety": Part II. The Dirge. Largo
Lukas Foss, Israel Philharmonic Orchestra, Leonard Bernstein
Symphony no. 2 "The Age of Anxiety": Part II. The Epilogue. L'istesso tempo - Adagio - Andante - Con moto
Lukas Foss, Israel Philharmonic Orchestra, Leonard Bernstein
Symphony no. 3 "Kaddish": Kaddish II
Montserrat Caballé, Michael Wager, Israel Philharmonic Orchestra, Leonard Bernstein
Symphony no. 3 "Kaddish": Allegro, con gioia (Kaddish III)
Michael Wager, Wiener Jeunesse-Chor, Israel Philharmonic Orchestra, Leonard Bernstein
Symphony no. 3 "Kaddish": Invocation
Michael Wager, Israel Philharmonic Orchestra, Leonard Bernstein
Symphony no. 3 "Kaddish": Kaddish I
Michael Wager, Wiener Jeunesse-Chor, Israel Philharmonic Orchestra, Leonard Bernstein
Symphony no. 3 "Kaddish": Din-Torah
Michael Wager, Wiener Jeunesse-Chor, Israel Philharmonic Orchestra, Leonard Bernstein
Symphony no. 3 "Kaddish": Scherzo (Kaddish III)
Michael Wager, Israel Philharmonic Orchestra, Leonard Bernstein
Symphony no. 3 "Kaddish": Finale (Kaddish III)
Michael Wager, Wiener Sängerknaben, Israel Philharmonic Orchestra, Leonard Bernstein
Mefistofele: Prologo in cielo: I. Tempo. Preludio e coro
Norbert Balatsch, Elisabeth Ziegler, Chor der Wiener Staatsoper, Nicolaï Ghiaurov, Gumpoldskirchner Spatzen, Wiener Philharmoniker, Leonard Bernstein
Mefistofele: Prologo in cielo: II. Tempo. Scherzo strumentale “Ave, Signor”
Norbert Balatsch, Elisabeth Ziegler, Chor der Wiener Staatsoper, Nicolaï Ghiaurov, Gumpoldskirchner Spatzen, Wiener Philharmoniker, Leonard Bernstein
Mefistofele: Prologo in cielo: Intermezzo dramatico “T’è noto Faust?”
Norbert Balatsch, Elisabeth Ziegler, Chor der Wiener Staatsoper, Nicolaï Ghiaurov, Gumpoldskirchner Spatzen, Wiener Philharmoniker, Leonard Bernstein
Mefistofele: Prologo in cielo: III. Tempo. Scherzo vocale ”Siam nimbi – volanti – dai limbi”
Norbert Balatsch, Elisabeth Ziegler, Chor der Wiener Staatsoper, Nicolaï Ghiaurov, Gumpoldskirchner Spatzen, Wiener Philharmoniker, Leonard Bernstein
Mefistofele: Prologo in cielo: IV. Salmodia finale “Salve Regina! S’innalzi un’eco”
Norbert Balatsch, Elisabeth Ziegler, Chor der Wiener Staatsoper, Nicolaï Ghiaurov, Gumpoldskirchner Spatzen, Wiener Philharmoniker, Leonard Bernstein
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 5 in C minor, op. 67: II. Andante con moto
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 5 in C minor, op. 67: III. Allegro
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 5 in C minor, op. 67: IV. Allegro
Wiener Philharmoniker, Leonard Bernstein
5 Lieder mit Orchesterbegleitung, op. 27 no. 2, TrV 170: Cäcilie
Montserrat Caballé, Orchestre national de France, Leonard Bernstein
5 Lieder mit Orchesterbegleitung, op. 41 no. 1, TrV 195: Wiegenlied
Montserrat Caballé, Orchestre national de France, Leonard Bernstein
5 Lieder mit Orchesterbegleitung, op. 37 no. 2, TrV 187: Ich liebe dich
Montserrat Caballé, Orchestre national de France, Leonard Bernstein
Serenade after Plato’s “Symposium”: II. Aristophanes: Allegretto
Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein
Serenade after Plato’s “Symposium”: IV. Agathon: Adagio
Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein
Serenade after Plato’s “Symposium”: I. Phaedrus – Pausanias: Lento – Allegro marcato
Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein
Serenade after Plato’s “Symposium”: III. Eryximachus: Presto
Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein
Serenade after Plato’s “Symposium”: V. Socrates – Alcibiades: Molto tenuto – Allegro molto vivace
Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein
Ouvertüre zu "Die Geschöpfe des Prometheus" c-Moll, Op. 43
Wiener Philharmoniker, Leonard Bernstein
Die Geschöpfe des Prometheus, Op. 43: No. 16. Finale. Allegretto – Allegro molto - Live
Wiener Philharmoniker, Leonard Bernstein
Die Geschöpfe des Prometheus, Op. 43: No. 14, Solo della Casentini. Andante – Adagio - Live
Wiener Philharmoniker, Leonard Bernstein
Die Geschöpfe des Prometheus, Op. 43: No. 5, Adagio – Andante quasi allegretto - Live
Wiener Philharmoniker, Leonard Bernstein
Ouvertüre zu "König Stephan", Op. 117
Wiener Philharmoniker, Leonard Bernstein
Ouvertüre "Leonore III", Op. 72a
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 1 in C major, op. 21: IV. Adagio – Allegro molto e vivace
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 2 in D major, op. 36: II. Larghetto
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 2 in D major, op. 36: I. Adagio – Allegro con brio
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 2 in D major, op. 36: II. Larghetto
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 2 in D major, op. 36: IV. Allegro molto
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 4 in B-flat major, op. 60: II. Adagio
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo
Wiener Philharmoniker, Leonard Bernstein
Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso
Wiener Philharmoniker, Leonard Bernstein
Symphony No. 6 in F major, Op. 68 "Pastorale": I. Awakening of Cheerful Feelings upon Arrival in the Country: Allegro ma non troppo
Wiener Philharmoniker, Leonard Bernstein
Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso
Wiener Philharmoniker, Leonard Bernstein
Symphony No. 6 in F major, Op. 68 "Pastorale": III. Merry Gathering of Country Folk: Allegro
Wiener Philharmoniker, Leonard Bernstein
Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Storm: Allegro
Wiener Philharmoniker, Leonard Bernstein
Symphony No. 6 in F major, Op. 68 "Pastorale": V. Shepherd's Song: Happy and Thankful Feelings after the Storm: Allegretto
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 7 in A major, op. 92: II. Allegretto
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 7 in A major, op. 92: II. Allegretto
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 7 in A major, op. 92: III. Presto
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 7 in A major, op. 92: IV. Allegro con brio
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 8 in F major, op. 93: IV. Allegro vivace
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 8 in F major, op. 93: II. Allegretto scherzando
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 8 in F major, op. 93: III. Tempo di Menuetto
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 8 in F major, op. 93: IV. Allegro vivace
Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Overture
Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino)
Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene II, no. 6. March
Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene II, no. 7. Aria “Ha! Welch ein Augenblick!” (Pizarro, Chorus)
Chor der Wiener Staatsoper, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene II, no. 9. Recitative “Abscheulicher!” - Aria “Komm, Hoffnung” (Leonore)
Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus “O welche Lust”
Chor der Wiener Staatsoper, Karl Terkal, Alfred Šramek, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act II, Scene I, no. 11. Introduction “Gott! Welch Dunkel hier!” - Aria “In des Lebens Frühlingstagen”
René Kollo, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act II, Scene I, no. 14. Quartet “Er sterbe! Doch er soll erst wissen” - “Vater Rocco! Der Herr Minister ist angekommen” - “Es schlägt der Rache Stunder”
Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, René Kollo, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!”
Gundula Janowitz, René Kollo, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act II, Scene II, no. 16. Finale “Heil sei dem Tag” – “Bestrafet sei der Bösewicht” – “O Gott! Welch ein Augenblick!” – “Wer ein holdes Weib errungen”
Chor der Wiener Staatsoper, Adolf Dallapozza, Dietrich Fischer-Dieskau, Gundula Janowitz, Manfred Jungwirth, René Kollo, Lucia Popp, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene I, no. 2. Aria “O wär’ ich schon mit dir vereint” (Marzelline)
Lucia Popp, Gundula Janowitz, Manfred Jungwirth, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene I, no. 1. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline)
Adolf Dallapozza, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene I. “Armer Jaquino, ich war ihm sonst recht gut” (Marzelline)
Lucia Popp, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene I. “Jaquino!” – “Ja, Meister Rocco?” (Rocco, Jaquino, Marzelline, Leonore)
Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene I. “Höre, Fidelio!” (Rocco, Marzelline)
Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene I, no. 4. Aria “Hat man nicht auch Gold beineben” (Rocco)
Manfred Jungwirth, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene I. “Ihr habt recht, Vater Rocco” (Leonore, Rocco, Marzelline)
Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene I, no. 5. Trio “Gut, Söhnchen, gut” (Rocco, Leonore, Marzelline)
Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene II. “Drei Mann Schildwachen auf den Wall” (Pizarro, Rocco)
Manfred Jungwirth, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene II. “Hauptmann! Besteigen Sie mit einem Trompeter sogleich den Turm” (Pizarro, Rocco)
Manfred Jungwirth, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene II, no. 8. Duet “Jetzt, Alter, hat es Eile!” (Pizarro, Rocco)
Manfred Jungwirth, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene II. “Marzelline!” – “Nein, ich will nicht …” (Jaquino, Marzelline, Rocco, Leonore)
Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative “Nun sprecht, wie ging’s?” (Leonore, Rocco) / no. 10c. Duet “Noch heute! Noch heute!” (Leonore, Rocco) / no. 10d. Duet “Wir müssen gleich zu Werke schreiten” (Rocco, Leonore) / no. 10e. / no. 10f.
Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act I, Scene II, no. 10g. “Leb wohl, du warmes Sonnenlicht” (Soloists & Chorus)
Chor der Wiener Staatsoper, Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act II, Scene I, no. 12. Melodrama “Wie kalt ist es in diesem unterirdischen Gewölbe!” – Duet “Nur hurtig fort, nur frisch gegraben”
Gundula Janowitz, Manfred Jungwirth, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act II, Scene I. “Er erwacht”
Gundula Janowitz, Manfred Jungwirth, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act II, Scene I, no. 13. Trio “Euch werde Lohn in bessem Welten”
Gundula Janowitz, Manfred Jungwirth, René Kollo, Wiener Philharmoniker, Leonard Bernstein
Fidelio, op. 72: Act II, Scene I. “Alles ist bereit”
Gundula Janowitz, Manfred Jungwirth, René Kollo, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie. Kyrie eleison
Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie. Christe eleison
Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie. Kyrie eleison
Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIa. Gloria. Gloria in excelsis Deo
Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIc. Gloria. Qui tollis peccata mundi
Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IId. Gloria. Quoniam tu solus Sanctus
Netherlands Broadcasting Foundation Chorus, Hilverstein, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIe. Gloria. In gloria Dei Patris
Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIf. Gloria. Amen, in gloria dei Patris
Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIa. Credo. Credo in unum Deum
Netherlands Broadcasting Foundation Chorus, Hilverstein, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIb. Credo. Et incarnatus est
Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIc. Credo. Et resurrexit - Et ascendit in coelum
Netherlands Broadcasting Foundation Chorus, Hilverstein, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIId. Credo. Et vitam venturi sauculi
Netherlands Broadcasting Foundation Chorus, Hilverstein, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIe. Credo. Amen, et vitam venturi sauculi. Amen
Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVa. Sanctus. Sanctus, Sanctus, Sanctus Dominus, Desu Sabaoth
Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVb. Sanctus. Pleni sunt coeli et terra - Osanna in excelsis
Netherlands Broadcasting Foundation Chorus, Hilverstein, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVc. Sanctus. Praeludium
Netherlands Broadcasting Foundation Chorus, Hilverstein, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVd. Sanctus. Benedictus qui venit in nomine Domini
Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Herman Krebbers, Koninklijk Concertgebouworkest, Leonard Bernstein
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi
Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem
Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi
Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem
Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein
Symphony no. 9 in D minor, op. 125: II. Molto vivace
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 9 in D minor, op. 125: II. Molto vivace
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 9 in D minor, op. 125: IV. Presto
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 9 in D minor, op. 125: V. Presto "O Freunde, nicht diese Töne!" - Allegro assai
Gwyneth Jones, Hanna Schwarz, René Kollo, Kurt Moll, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Leonard Bernstein
Symphony no. 9: Ode to Joy
Gwyneth Jones, René Kollo, Kurt Moll, Hanna Schwarz, Wiener Philharmoniker, Leonard Bernstein
Egmont, Op. 84: Ouvertüre. Sostenuto, ma non troppo
Wiener Philharmoniker, Leonard Bernstein
Ouvertüre zu "Coriolan", Op. 62
Wiener Philharmoniker, Leonard Bernstein
Three Meditations for Cello and Orchestra: III. Presto / Fast and primitive / Molto adagio
Mstislav Rostropovich, Israel Philharmonic Orchestra, Leonard Bernstein
Three Meditations for Cello and Orchestra: I. Lento assai, molto sostenuto
Mstislav Rostropovich, Israel Philharmonic Orchestra, Leonard Bernstein
Three Meditations for Cello and Orchestra II. Andante sostenuto / Variations I - IV / Coda
Mstislav Rostropovich, Israel Philharmonic Orchestra, Leonard Bernstein
Symphonic Suite from On the Waterfront: I. Andante (with dignity) - Presto barbaro
Israel Philharmonic Orchestra, Leonard Bernstein
Symphonic Suite from On the Waterfront: II. Adagio - Allegro molto agitato - Alla breve (Poco più mosso - Presto come prima)
Israel Philharmonic Orchestra, Leonard Bernstein
Symphonic Suite from On the Waterfront: III. Andante largamente - More Flowing - Lento
Israel Philharmonic Orchestra, Leonard Bernstein
Symphonic Suite from On the Waterfront: IV. Moving forward, with warmth
Israel Philharmonic Orchestra, Leonard Bernstein
Symphonic Suite from On the Waterfront: V. Allegro non troppo, molto marcato
Israel Philharmonic Orchestra, Leonard Bernstein
Symphonic Suite from On the Waterfront: VI. A tempo
Israel Philharmonic Orchestra, Leonard Bernstein
Symphonie en ré mineur: I. Lento - Allegro non troppo
Orchestre National de France, Leonard Bernstein
Symphonie en ré mineur: II. Allegretto -
Orchestre National de France, Leonard Bernstein
Symphonie en ré mineur: III. Allegro non troppo
Orchestre National de France, Leonard Bernstein
On the Town: Three Dance Episodes: I. "The Great Lover". Allegro pesante
Israel Philharmonic Orchestra, Leonard Bernstein
On the Town: Three Dance Episodes: II. "Lonely Town". Pas de deux - Andante - Sostenuto
Israel Philharmonic Orchestra, Leonard Bernstein
On the Town: Three Dance Episodes: III. "Times Square: 1944". Allegro
Israel Philharmonic Orchestra, Leonard Bernstein
Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso
Wiener Philharmoniker, Leonard Bernstein
Symphonie no. 3 en sol mineur, op. 42: I. Allegro vivo
Orchestre National de France, Leonard Bernstein
Symphonie no. 3 en sol mineur, op. 42: II. Adagio
Orchestre National de France, Leonard Bernstein
Symphonie no. 3 en sol mineur, op. 42: III. Vivace
Orchestre National de France, Leonard Bernstein
Symphonie no. 3 en sol mineur, op. 42: IV. Allegro con spirito
Orchestre National de France, Leonard Bernstein
Enigma Variations, op. 36: Var. 8. Allegretto “W.N.”
BBC Symphony Orchestra, Leonard Bernstein
Enigma Variations, op. 36: Var. 10. Intermezzo. Allegretto “Dorabella”
BBC Symphony Orchestra, Leonard Bernstein
Variations on an Original Theme "Enigma", op. 36: XI. (G.R.S.) Allegro di molto
BBC Symphony Orchestra, Leonard Bernstein
Variations on an Original Theme "Enigma", op. 36: XII. (B.G.N.) Andante
BBC Symphony Orchestra, Leonard Bernstein
Variations on an Original Theme "Enigma", op. 36: XIII. Romanza (***) Moderato
BBC Symphony Orchestra, Leonard Bernstein
Variations on an Original Theme "Enigma", op. 36: XIV. Finale (E.D.U.) Allegro - Presto
BBC Symphony Orchestra, Leonard Bernstein
The Crown of India, op. 66: March of the Mogul Emperors
BBC Symphony Orchestra, Leonard Bernstein
Pomp and Circumstance, op. 39: No. 2 in A minor
BBC Symphony Orchestra, Leonard Bernstein
Pomp and Circumstance, op. 39: No. 1 in D major
BBC Symphony Orchestra, Leonard Bernstein
Variations on an Original Theme "Enigma", op. 36: IX. (Nimrod) Adagio
BBC Symphony Orchestra, Leonard Bernstein
Variations on an Original Theme "Enigma", op. 36: IX. (Nimrod) Adagio
BBC Symphony Orchestra, Leonard Bernstein
Enigma Variations, op. 36: Theme. Andante
BBC Symphony Orchestra, Leonard Bernstein
Variations on an Original Theme "Enigma", op. 36: I. (C.A.E.) L'istesso tempo
BBC Symphony Orchestra, Leonard Bernstein
Enigma Variations, op. 36: Var. 2. Allegro “H.D.S-P.”
BBC Symphony Orchestra, Leonard Bernstein
Enigma Variations, op. 36: Var. 3. Allegretto “R.B.T.”
BBC Symphony Orchestra, Leonard Bernstein
Variations on an Original Theme "Enigma", op. 36: IV. (W.M.B.) Allegro di molto
BBC Symphony Orchestra, Leonard Bernstein
Enigma Variations, op. 36: Var. 5. Moderato “R.P.A.”
BBC Symphony Orchestra, Leonard Bernstein
Variations on an Original Theme "Enigma", op. 36: VI. (Ysobel) Andantino
BBC Symphony Orchestra, Leonard Bernstein
Variations on an Original Theme "Enigma", op. 36: VII. (Troyte) Presto
BBC Symphony Orchestra, Leonard Bernstein
Rhapsody in Blue
Los Angeles Philharmonic, Leonard Bernstein
Prelude for Piano no. 2
Los Angeles Philharmonic, Leonard Bernstein
Symphonic Dances from “West Side Story”: Scherzo (Vivace leggiero)
Los Angeles Philharmonic, Leonard Bernstein
Symphonic Dances from “West Side Story”: Finale (Adagio)
Los Angeles Philharmonic, Leonard Bernstein
Appalachian Spring
Los Angeles Philharmonic, Leonard Bernstein
Adagio for Strings, op. 11/2
Los Angeles Philharmonic Orchestra, Leonard Bernstein
Candide: Overture
Israel Philharmonic Orchestra, Leonard Bernstein
Le Sacre du printemps: Partie I. Danse de la Terre
Israel Philharmonic Orchestra, Leonard Bernstein
Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir)
Boris Berman, Israel Philharmonic Orchestra, Leonard Bernstein
Symphony in Three Movements: I. Overture. Allegro
Israel Philharmonic Orchestra, Leonard Bernstein
Symphony in Three Movements: II. Andante
Israel Philharmonic Orchestra, Leonard Bernstein
Symphony in Three Movements: II. Interlude. L'istesso tempo
Israel Philharmonic Orchestra, Leonard Bernstein
Symphony in Three Movements: III. Con moto
Israel Philharmonic Orchestra, Leonard Bernstein
Symphony no. 88 in G major, Hob. I:88: IV. Finale: Allegretto con spirito
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 88 in G major, Hob. I:88: II. Largo
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 88 in G major, Hob. I:88: III. Menuetto: Allegretto
Wiener Philharmoniker, Leonard Bernstein
Symphonie Nr. 40 in g‐moll, KV 550: I. Molto allegro
Wiener Philharmoniker, Leonard Bernstein
Symphonie Nr. 40 in g‐moll, KV 550: II. Andante
Wiener Philharmoniker, Leonard Bernstein
Symphonie Nr. 40 in g‐moll, KV 550: III. Menuetto. Allegretto
Wiener Philharmoniker, Leonard Bernstein
Symphonie Nr. 40 in g‐moll, KV 550: IV. Allegro assai
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 35 for Orchestra in D major, K. 385 "Haffner": IV. Presto
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 41 in C major "Jupiter", K. 551: 1. Allegro vivace
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 41 in C major "Jupiter", K. 551: 2. Andante cantabile
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 41 in C major "Jupiter", K. 551: 3. Menuetto. Allegretto
Wiener Philharmoniker, Leonard Bernstein
Symphony No. 41 in C major, K. 551 “Jupiter”: IV. Allegro molto
Wiener Philharmoniker, Leonard Bernstein
L'Oiseau de feu Suite (1919 version): Finale
Israel Philharmonic Orchestra, Leonard Bernstein
Symphony in C: I. Moderato alla breve
Israel Philharmonic Orchestra, Leonard Bernstein
Symphony in C: II. Larghetto concertante
Israel Philharmonic Orchestra, Leonard Bernstein
Symphony in C: III. Allegretto
Israel Philharmonic Orchestra, Leonard Bernstein
Symphony in C: IV. Largo - Tempo giusto, alla breve
Israel Philharmonic Orchestra, Leonard Bernstein
Hamlet, op. 67
Israel Philharmonic Orchestra, Leonard Bernstein
Marche slave, op. 31
Israel Philharmonic Orchestra, Leonard Bernstein
Capriccio italien, op. 45
Israel Philharmonic Orchestra, Leonard Bernstein
Ouverture solennelle 1812, op. 49: Largo – Andante – Allegro giusto – Largo – Allegro vivace
Israel Philharmonic Orchestra, Leonard Bernstein
Symphony no. 3 in E-flat major, op. 97 "Rhenish": I. Lebhaft
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 3 in E-flat major, op. 97 "Rhenish": II. Scherzo: Sehr mäßig
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 3 in E-flat major, op. 97 "Rhenish": III. Nicht schnell
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 3 in E-flat major, op. 97 "Rhenish": IV. Feierlich - (quasi attacca:)
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 3 in E-flat major, op. 97 "Rhenish": V. Lebhaft
Wiener Philharmoniker, Leonard Bernstein
Konzert für Klavier und Orchester a-Moll, op. 54: I. Allegro affettuoso
Justus Frantz, Wiener Philharmoniker, Leonard Bernstein
Symphony no. 1 in B-flat major, op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 1 in B-flat major, op. 38 "Spring": II. Larghetto - attacca:
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 1 in B‐flat major, op. 38 "Spring": III. Scherzo: Molto vivace
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 1 in B-flat major, op. 38 "Spring": IV. Allegro animato e grazioso
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft - (attacca:)
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 4 in D minor, op. 120: II. Romanze: Ziemlich langsam - (attacca:)
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 4 in D minor, op. 120: III. Scherzo: Lebhaft - Trio - (attacca:)
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft
Wiener Philharmoniker, Leonard Bernstein
Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo
Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman
Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato
Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman
Piano Concerto no. 2 in B-flat major, op. 83: III. Andante
Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman
Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso
Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman
West Side Story: No. 2: Jet Song
Kurt Ollmann, David Livingston, Peter Thom, Stephen Bogardus
West Side Story: No. 3: Something’s Coming
José Carreras
West Side Story: No. 5: Maria
José Carreras, Leonard Bernstein
West Side Story: No. 7: America
Tatiana Troyanos, Louise Edeiken
West Side Story: No. 8: Cool
Kurt Ollmann
West Side Story: No. 9: One Hand, One Heart
Kiri Te Kanawa, José Carreras
West Side Story: No. 10: Tonight (Ensemble)
José Carreras, Richard Harrell, Kurt Ollmann, Kiri Te Kanawa, Tatiana Troyanos, Leonard Bernstein
West Side Story: No. 12: I Feel Pretty
Kiri Te Kanawa, Louise Edeiken, Stella Zambalis, Angelina Réaux
West Side Story: Ballet Sequence: Somewhere
Marilyn Horne, Leonard Bernstein
West Side Story: No. 14: Gee, Officer Krupke!
David Livingston, Marty Nelson, Peter Thom, Stephen Bogardus, Todd Lester
West Side Story: No. 15: A Boy Like That
Tatiana Troyanos, Kiri Te Kanawa
West Side Story: I Have a Love
Kiri Te Kanawa, Tatiana Troyanos
West Side Story: No. 16: Taunting Scene
Leonard Bernstein
West Side Story: No. 17: Finale
Kiri Te Kanawa, José Carreras
West Side Story: No. 4: The Dance at the Gym: Blues
Leonard Bernstein
West Side Story: No. 1: Prologue
Leonard Bernstein
West Side Story: No. 13: Ballet Sequence: Beginning
Kiri Te Kanawa, José Carreras
West Side Story: No. 4: The Dance at the Gym: Promenade
Leonard Bernstein
West Side Story: No. 4: The Dance at the Gym: Mambo
Leonard Bernstein
West Side Story: No. 4: The Dance at the Gym: Cha‐Cha
Leonard Bernstein
West Side Story: No. 4: The Dance at the Gym: Meeting Scene
Leonard Bernstein
West Side Story: No. 4: The Dance at the Gym: Jump
Leonard Bernstein
West Side Story: No. 11: The Rumble
Leonard Bernstein
West Side Story: Ballet Sequence: Transition to Scherzo
Leonard Bernstein
West Side Story: Ballet Sequence: Scherzo
Leonard Bernstein
West Side Story: Ballet Sequence: Procession and Nightmare
Leonard Bernstein
West Side Story: No. 6: Balcony Scene (Tonight)
Kiri Te Kanawa, José Carreras
Symphony no. 3: IV. Molto deliberato (Fanfare) -- Allegro risoluto
New York Philharmonic, Leonard Bernstein
Symphony no. 3: I. Molto moderato
New York Philharmonic, Leonard Bernstein
Symphony no. 3: II. Allegro molto
New York Philharmonic, Leonard Bernstein
Symphony no. 3: III. Andantino quasi allegretto
New York Philharmonic, Leonard Bernstein
Fanfare for the Common Man
New York Philharmonic Orchestra, Leonard Bernstein
Quiet City for Cor Anglais, Trumpet and Strings
Philip Smith, Thomas Stacy, New York Philharmonic, Leonard Bernstein
Konzert für Violoncello und Orchester a-Moll, op. 129: III. Sehr lebhaft
Mischa Maisky, Wiener Philharmoniker, Leonard Bernstein
Konzert für Violoncello und Orchester a-Moll, op. 129: I. Nicht zu schnell
Mischa Maisky, Wiener Philharmoniker, Leonard Bernstein
Konzert für Violoncello und Orchester a-Moll, op. 129: II. Langsam
Mischa Maisky, Wiener Philharmoniker, Leonard Bernstein
Konzert für Violoncello und Orchester a-Moll, op. 129: III. Sehr lebhaft
Mischa Maisky, Wiener Philharmoniker, Leonard Bernstein
Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Allegro, ma non troppo
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 2 in C major, op. 61: II. Scherzo: Allegro vivace
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 2 in C major, op. 61: III. Adagio espressivo
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 94 in G major, Hob. I:94 "Surprise" II. Andante
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 94 in G major, Hob. I:94 "Surprise" I. Adagio. Vivace assai
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 94 in G major "Surprise": Menuet (Allegro molto - Trio - Menuet)
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 94 in G major, Hob. I:94 "Surprise" IV. Finale. Allegro di molto
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 9 op. 70: I. Allegro
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 9 op. 70: I. II. Moderato
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 9 op. 70: I. III. Presto
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 9 op. 70: I. IV. Largo
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 9 op. 70: I. V. Allegretto
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 3, Part I: Passacaglia
New York Philharmonic, Leonard Bernstein
Symphony no. 3, Part I: Fugue
New York Philharmonic, Leonard Bernstein
Symphony no. 3, Part II: Chorale
New York Philharmonic, Leonard Bernstein
Symphony no. 3, Part II: Toccata
New York Philharmonic, Leonard Bernstein
Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato assai - Allegro vivo - Andante come prima - Andante mosso
New York Philharmonic, Leonard Bernstein
Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia
New York Philharmonic, Leonard Bernstein
Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace
New York Philharmonic, Leonard Bernstein
Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale. Adagio lamentoso - Andante
New York Philharmonic, Leonard Bernstein
Symphony no. 6 op. 54: I. Largo
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 6 op. 54: II. Allegro
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 6 op. 54: III. Presto
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 2 in D major, op. 43: I. Allegretto
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 2 in D major, op. 43: III. Vivacissimo (attacca)
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato
Wiener Philharmoniker, Leonard Bernstein
Symphonie nr. 9 e‐Moll, op. 95 »Aus der Neuen Welt«: III. Scherzo. Molto vivace
Israel Philharmonic Orchestra, Leonard Bernstein
A Quiet Place: Act 1: Aria "You're Late"
ORF-Symphonieorchester, Leonard Bernstein
Symphonie No. 2 c-moll: Ic. Schnell
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: Id. Tempo I
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: Ie. Tempo sostenuto
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: IIa. Andante moderato. Sehr gemächlich
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: IIb. Nicht eilen. Sehr gemächlich
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: IIc. In Tempo I zurückkehren
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: IId. Energisch bewegt
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: IIe: Wieder ins Tempo zurückgehen. Tempo I
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: IIIa. In ruhig fließender Bewegung
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: IIIb. Sehr getragen und gesangvoll
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: IIIc. Zum Tempo I zurückkehren
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: Va. Im Tempo des Scherzos. Wild herausfahrend
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: Vb: Langsam
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: Vc. Im Anfang sehr zuückhaltend
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: Vd. Wieder sher breit
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: Ve. Molto ritenuto. Maestoso
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: Vf. Wieder zurückhaltend
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: Vg. Sehr langsam und gedehnt
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: Vh. Langsam. Misterioso "Auferstehn, ja auferstehn wirst du"
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: Vi. Langsam ppp. Nicht schleppen "Wieder aufzublühn wirst du gesät"
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: Vj. Etwas bewegter "O glaube, mein Herz o glaube"
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: IV. "Urlicht" Sehr leicht, aber schlicht "O Röschen rot"
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: Vk. Mit Aufschwung, aber nicht eilen "O Schmerz, du Alldurchdringer"
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: Ia. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
New York Philharmonic, Leonard Bernstein
Symphonie No. 2 c-moll: Ib. Sehr mäßig und zurückhaltend
New York Philharmonic, Leonard Bernstein
Symphony no. 4 in G major: I. Bedächtig, nicht eilen
Koninklijk Concertgebouworkest, Leonard Bernstein
Symphony no. 4 in G major: II. In gemächlicher Bewegung, ohne Hast
Koninklijk Concertgebouworkest, Leonard Bernstein, Jaap van Zweden
Symphony no. 4 in G major: III. Ruhevoll
Koninklijk Concertgebouworkest, Leonard Bernstein
Symphony no. 4 in G major: IV. Sehr behaglich
Koninklijk Concertgebouworkest, Leonard Bernstein, Helmut Wittek
Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 5 in C‐sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 5 in C‐sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 5 in C‐sharp minor: III. Scherzo. Kräftig, nicht zu schnell
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 5 in C‐sharp minor: V. Rondo‐Finale. Allegro – Allegro giocoso. Frisch
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 1 in D major, "Titan": IV. Stürmisch bewegt
Concertgebouworkest Amsterdam, Leonard Bernstein
Symphony no. 1 in D major, "Titan": I. Langsam. Schleppend
Koninklijk Concertgebouworkest, Leonard Bernstein
Symphony no. 1 in D major, "Titan": II. Kräftig bewegt
Koninklijk Concertgebouworkest, Leonard Bernstein
Symphony no. 1 in D major, "Titan": III. Feierlich und gemessen, ohne zu schleppen
Koninklijk Concertgebouworkest, Leonard Bernstein
Symphony no. 3 in D minor: V. Lustig im Tempo und Ausdruck
New York Philharmonic, Leonard Bernstein
Symphony no. 5 in E-flat major, op. 82: Ia. Tempo molto moderato - Largamente -
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 5 in E-flat major, op. 82: Ib. Allegro moderato - Presto
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Misterioso - Un pochettino largamente - Largamente assai
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 2: 1. Andante moderato
New York Philharmonic, Leonard Bernstein
Symphony no. 2: 2. Allegro
New York Philharmonic, Leonard Bernstein
Symphony no. 2: 3. Adagio cantabile
New York Philharmonic, Leonard Bernstein
Symphony no. 2: 4. Lento maestoso
New York Philharmonic, Leonard Bernstein
Symphony no. 2: 5. Allegro molto vivace
New York Philharmonic, Leonard Bernstein
Concerto for Clarinet in A major, K. 622: II. Adagio
Peter Schmidl, Wiener Philharmoniker, Leonard Bernstein
Symphonie no. 3 d-moll: IIIa. Comodo. Scherzando. Ohne Hast
New York Philharmonic, Leonard Bernstein
Symphonie no. 3 d-moll: IIIb. Wieder sehr gemächlich, wir zu Anfang
New York Philharmonic, Leonard Bernstein
Symphonie no. 3 d-moll: IIIc. Etwas zurückhaltend
New York Philharmonic, Leonard Bernstein
Symphonie no. 3 d-moll: IIId. Schnell und schmetternd wie eine Fanfare - Tempo I. Mit geheimnisvoller Hast
New York Philharmonic, Leonard Bernstein
Symphonie no. 3 d-moll: IIIe. Wieder sehr gemächlich, beinahe langsam
New York Philharmonic, Leonard Bernstein
La Bohème: Atto I. “Che gelida manina!” (Rodolfo)
Jerry Hadley, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein
Des Knaben Wunderhorn: 1. Der Schildwache Nachtlied
Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein
Des Knaben Wunderhorn: 2. Wer hat dies Liedlein erdacht?
Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein
Des Knaben Wunderhorn: 3. Der Tamboursg’sell
Andreas Schmidt, Koninklijk Concertgebouworkest, Leonard Bernstein
Des Knaben Wunderhorn: 4. Das irdische Leben
Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein
Des Knaben Wunderhorn: 5. Verlorne Müh’
Lucia Popp, Andreas Schmidt, Koninklijk Concertgebouworkest, Leonard Bernstein
Des Knaben Wunderhorn: 6. Des Antonius von Padua Fischpredigt
Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein
Des Knaben Wunderhorn: 7. Revelge
Andreas Schmidt, Koninklijk Concertgebouworkest, Leonard Bernstein
Des Knaben Wunderhorn: 8. Rheinlegendchen
Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein
Des Knaben Wunderhorn: 9. Lob des hohen Verstandes
Andreas Schmidt, Koninklijk Concertgebouworkest, Leonard Bernstein
Des Knaben Wunderhorn: 10. Wo die schönen Trompeten blasen
Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein
Des Knaben Wunderhorn: 11. Lied des Verfolgten im Turm
Lucia Popp, Andreas Schmidt, Koninklijk Concertgebouworkest, Leonard Bernstein
Des Knaben Wunderhorn: 12. Trost im Unglück
Lucia Popp, Andreas Schmidt, Koninklijk Concertgebouworkest, Leonard Bernstein
Des Knaben Wunderhorn: 13. Urlicht
Lucia Popp, Koninklijk Concertgebouworkest, Leonard Bernstein
Requiem in D minor, K. 626: IIId. Recordare (Sequenz)
Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein
Requiem in D minor, K. 626: IIIe. Confutatis (Sequenz)
Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Wolfgang Seeliger, Leonard Bernstein
Requiem in D minor, K. 626: VIII. Lux aeterna (Communio)
Marie McLaughlin, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Wolfgang Seeliger, Leonard Bernstein
Concerto for Violoncello and Orchestra in B minor, op. 104: III. Finale. Allegro moderato
Mischa Maisky, Israel Philharmonic Orchestra, Leonard Bernstein
Concerto for Violoncello and Orchestra in B minor, op. 104: I. Allegro
Mischa Maisky, Israel Philharmonic Orchestra, Leonard Bernstein
Concerto for Violoncello and Orchestra in B minor, op. 104: II. Adagio, ma no troppo
Mischa Maisky, Israel Philharmonic Orchestra, Leonard Bernstein
Symphony no. 1 in F minor, op. 10: 1. Allegretto - Allegro non troppo
Chicago Symphony Orchestra, Leonard Bernstein
Symphony no. 1 in F minor, op. 10: 2. Allegro
Chicago Symphony Orchestra, Leonard Bernstein
Symphony no. 1 in F minor, op. 10: 3. Lento - Largo
Chicago Symphony Orchestra, Leonard Bernstein
Symphony no. 1 in F minor, op. 10: 4. Allegro molto - Lento - Allegro molto - Adagio - Largo - Presto
Chicago Symphony Orchestra, Leonard Bernstein
Symphony no. 7 in C major "Leningrad", op. 60: 1. Allegretto
Chicago Symphony Orchestra, Leonard Bernstein
Symphony no. 7 in C major "Leningrad", op. 60: 2. Moderato (poco allegretto)
Chicago Symphony Orchestra, Leonard Bernstein
Symphony no. 7 in C major "Leningrad", op. 60: 3. Adagio
Chicago Symphony Orchestra, Leonard Bernstein
Symphony no. 7 in C major "Leningrad", op. 60: 4. Allegro non troppo
Chicago Symphony Orchestra, Leonard Bernstein
Symphony No. 6 A-moll: II. Scherzo. Wuchtig
Wiener Philharmoniker, Leonard Bernstein
Symphony No. 6 A-moll: I. Allegro energico, ma non troppo. Heftig, aber markig
Wiener Philharmoniker, Leonard Bernstein
Symphony No. 6 A-moll: II. Scherzo. Wuchtig
Wiener Philharmoniker, Leonard Bernstein
Symphony No. 6 A-moll: III. Andante moderato
Wiener Philharmoniker, Leonard Bernstein
Symphony No. 6 A-moll: IV. Finale: Allegro moderato - Allegro energico
Wiener Philharmoniker, Leonard Bernstein
Symphony No. 6 A-moll: IV. Finale: Allegro moderato - Allegro energico
Wiener Philharmoniker, Leonard Bernstein
Kindertotenlieder: 1. Nun will die Sonnʼ so hell aufgehn
Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson
Kindertotenlieder: 2. Nun sehʼ ich vohl, warum so dunkle Flammen
Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson
Kindertotenlieder: 3. Wenn dein Mütterlein
Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson
Kindertotenlieder: 4. Oft denkʼ ich, sie sind nur ausgegangen
Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson
Kindertotenlieder: 5. In diesem Wetter, in diesem Braus
Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson
Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima
New York Philharmonic, Leonard Bernstein
Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima - Andante mosso - Allegro non troppo
New York Philharmonic, Leonard Bernstein
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato
New York Philharmonic, Leonard Bernstein
Symphony no. 5 in E minor, op. 64: IV. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto
New York Philharmonic, Leonard Bernstein
Violin Concerto: I. Twilight: Free and Spacious – attacca:
Gidon Kremer, New York Philharmonic, Leonard Bernstein
Violin Concerto: II. Toccata-Chaconne: Very Fast
Gidon Kremer, New York Philharmonic, Leonard Bernstein
Violin Concerto: III. Romance without Words: Hardly Moving
Gidon Kremer, New York Philharmonic, Leonard Bernstein
Violin Concerto: IV. Midnight: Slow
Gidon Kremer, New York Philharmonic, Leonard Bernstein
Violin Concerto: V. Toccata-Rondo: Very Fast
Gidon Kremer, New York Philharmonic, Leonard Bernstein
Violin Concerto: VI. Dawn: Wistful
Gidon Kremer, New York Philharmonic, Leonard Bernstein
Prelude, Fugue, and Riffs: I. Prelude (for the Brass). Fast and exact
Peter Schmidl, Wiener Philharmoniker, Leonard Bernstein
Prelude, Fugue, and Riffs: II. Fugue (for the Saxes). Exactly the same beat
Peter Schmidl, Wiener Philharmoniker, Leonard Bernstein
Prelude, Fugue, and Riffs: III. Riffs (for Everyone)
Peter Schmidl, Wiener Philharmoniker, Leonard Bernstein
Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso
Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein
Symphony no. 9 in D minor, op. 125: II. Molto vivace
Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein
Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile
Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein
Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai
Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein
Romeo & Juliet Overture
New York Philharmonic, Leonard Bernstein
Symphony no. 4 in F minor, op. 36: I. Andante sostenuto – Moderato con anima – Moderato assai, quasi andante – Allegro vivo
New York Philharmonic, Leonard Bernstein
Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone
New York Philharmonic, Leonard Bernstein
Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato - Allegro
New York Philharmonic, Leonard Bernstein
Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco
New York Philharmonic, Leonard Bernstein
Francesca da Rimini, op. 32: Andante lugubre – Allegro vivo – Andante cantabile non troppo – Allegro vivo
New York Philharmonic, Leonard Bernstein
Quartet for Strings no. 16 in F major, op. 135: III. Lento assai e cantante tranquillo
Wiener Philharmoniker, Leonard Bernstein
Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio
Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein
Piano Concerto no. 3 in C minor, op. 37: II. Largo
Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein
Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro
Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein
Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato
Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein
Piano Concerto no. 4 in G major, op. 58: II. Andante con moto
Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein
Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace
Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein
Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: I. Allegro
Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman
Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: II. Adagio un poco moto – attacca
Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman
Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: III. Rondo. Allegro
Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman
Candide: Act I, No. 14. I Am Easily Assimilated (Old Lady’s Tango)
June Anderson, London Symphony Chorus, Christa Ludwig, London Symphony Orchestra, Leonard Bernstein
Candide: Overture
London Symphony Orchestra, Leonard Bernstein
Candide: Act I, No. 2. Life Is Happiness Indeed
June Anderson, Jerry Hadley, Della Jones, Kurt Ollmann, London Symphony Orchestra, Leonard Bernstein
Candide: Act I, No. 3. The Best of All Possible Worlds
June Anderson, Adolph Green, Jerry Hadley, Della Jones, Kurt Ollmann, London Symphony Orchestra, Leonard Bernstein
Candide: Act I, No. 4. Oh, Happy We
June Anderson, Jerry Hadley, London Symphony Orchestra, Leonard Bernstein
Candide: Act I, No. 5. It Must Be So (Candide’s Meditation)
Jerry Hadley, London Symphony Orchestra, Leonard Bernstein
Candide: Act I, No. 6. Westphalia
London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein
Candide: Act I, No. 6a. Battle Music
London Symphony Orchestra, Leonard Bernstein
Candide: Act I, No. 7. Candide’s Lament
Jerry Hadley, London Symphony Orchestra, Leonard Bernstein
Candide: Act I, No. 9. Auto‐da‐fé
Clive Bayley, Lindsay Benson, Adolph Green, Jerry Hadley, Neil Jenkins, London Symphony Chorus, Richard Suart, John Treleaven, London Symphony Orchestra, Leonard Bernstein
Candide: Act I, No. 11. The Paris Waltz
London Symphony Orchestra, Leonard Bernstein
Candide: Act I, No. 12. Glitter and Be Gay
June Anderson, London Symphony Orchestra, Leonard Bernstein
Candide: Act II, No. 17. My Love (Governor’s Serenade)
June Anderson, Nicolai Gedda, London Symphony Orchestra, Leonard Bernstein
Candide: Act II, No. 24. Bon Voyage
Nicolai Gedda, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein
Candide: Act II, No. 27. What’s the Use
Nicolai Gedda, London Symphony Chorus, Christa Ludwig, Kurt Ollmann, John Treleaven, London Symphony Orchestra, Leonard Bernstein
Candide: Act II, No. 29. Nothing More Than This
Jerry Hadley, London Symphony Orchestra, Leonard Bernstein
Candide: Act II, No. 31. Make Our Garden Grow (Finale)
June Anderson, Nicolai Gedda, Adolph Green, Jerry Hadley, Della Jones, London Symphony Chorus, Christa Ludwig, Kurt Ollmann, London Symphony Orchestra, Leonard Bernstein
Candide: Act I, No. 1a. Westphalia Chorale
London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein
Candide: Act I, No. 3a. Universal Good
June Anderson, Jerry Hadley, Della Jones, Kurt Ollmann, London Symphony Orchestra, Leonard Bernstein
Candide: Act I, No. 8. Dear Boy
Adolph Green, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein
Candide: Act I, No. 10. Candide Begins His Travels / Act I, No. 10a. It Must Be Me
Jerry Hadley, London Symphony Orchestra, Leonard Bernstein
Candide: Act I, No. 15. Quartet Finale
June Anderson, Jerry Hadley, London Symphony Chorus, Christa Ludwig, Kurt Ollmann, London Symphony Orchestra, Leonard Bernstein
Candide: Act II, No. 16. Universal Good
London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein
Candide: Act II, No. 18. We Are Women (Polka)
June Anderson, Christa Ludwig, London Symphony Orchestra, Leonard Bernstein
Candide: Act II, No. 19. The Pilgrims’ Procession – Alleluia
Jerry Hadley, Della Jones, London Symphony Chorus, Kurt Ollmann, London Symphony Orchestra, Leonard Bernstein
Candide: Act II, No. 20. Quiet
June Anderson, Nicolai Gedda, Christa Ludwig, London Symphony Orchestra, Leonard Bernstein
Candide: Act II, No. 21. Introduction to Eldorado
London Symphony Orchestra, Leonard Bernstein
Candide: Act II, No. 22. The Ballad of Eldorado
Jerry Hadley, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein
Candide: Act II, No. 23. Words, Words, Words (Martin’s Laughing Song)
Adolph Green, London Symphony Orchestra, Leonard Bernstein
Candide: Act II, No. 25. The Kings’ Barcarolle
Clive Bayley, Lindsay Benson, Adolph Green, Jerry Hadley, Neil Jenkins, Richard Suart, John Treleaven, London Symphony Orchestra, Leonard Bernstein
Candide: Act II, No. 26. Money, Money, Money (Venice Gambling Scene)
London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein
Candide: Act II, No. 28. The Venice Gavotte
June Anderson, Adolph Green, Jerry Hadley, Christa Ludwig, London Symphony Orchestra, Leonard Bernstein
Candide: Act II, No. 30. Universal Good (Life Is Neither)
London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein
Candide: Act I, No. 13. You Were Dead, You Know
June Anderson, Jerry Hadley, London Symphony Orchestra, Leonard Bernstein
Lieder eines fahrenden Gesellen: 1. Wenn mein Schatz Hochzeit macht
Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson
Lieder eines fahrenden Gesellen: 2. Ging heutʼ morgen übers Feld
Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson
Lieder eines fahrenden Gesellen: 3. Ich habʼ ein glühend Messer
Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson
Lieder eines fahrenden Gesellen: 4. Die zwei blauen Augen
Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson
5 Lieder: 1. Liebst du um Schönheit
Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson
5 Lieder: 2. Blicke mir nicht in die Lieder
Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson
5 Lieder: 3. Ich atmetʼ einen linden Duft
Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson
5 Lieder: 5. Um Mitternacht
Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson
5 Lieder: 6. Ich bin der Welt abhanden gekommen
Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson
Motet for Chorus, Strings & Organ in D major, K. 618: "Ave verum corpus", KV618
Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein
Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo - Allegro energico
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento)
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 1 in E minor, op. 39: III. Scherzo (Allegro)
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 1 in E minor, op. 39: IV. Finale (Quasi una fantasia)
Wiener Philharmoniker, Leonard Bernstein
4 Sea Interludes: I. Dawn. Lento e tranquillo
Boston Symphony Orchestra, Leonard Bernstein
4 Sea Interludes: II. Sunday Morning. Allegro spiritoso
Boston Symphony Orchestra, Leonard Bernstein
4 Sea Interludes: III. Moonlight. Andante comodo e rubato
Boston Symphony Orchestra, Leonard Bernstein
4 Sea Interludes: IV. Storm. Presto con fuoco
Boston Symphony Orchestra, Leonard Bernstein
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 "Great": I. "Kyrie"
Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein
Das Lied von der Erde: 1. Das Trinklied vom Jammer der Erde
James King, Wiener Philharmoniker, Leonard Bernstein
Das Lied von der Erde: 2. Der Einsame im Herbst
Dietrich Fischer-Dieskau, Wiener Philharmoniker, Leonard Bernstein
Das Lied von der Erde: 3. Von der Jugend
James King, Wiener Philharmoniker, Leonard Bernstein
Das Lied von der Erde: 4. Von der Schönheit
Dietrich Fischer-Dieskau, Wiener Philharmoniker, Leonard Bernstein
Das Lied von der Erde: 5. Der Trunkene um Frühling
James King, Wiener Philharmoniker, Leonard Bernstein
Das Lied von der Erde: 6. Der Abschied
Dietrich Fischer-Dieskau, Wiener Philharmoniker, Leonard Bernstein
Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: I. Allegro
Wiener Philharmoniker, Leonard Bernstein
Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. [Andante]
Wiener Philharmoniker, Leonard Bernstein
Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: III. Allegro
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 36 “Linz”: I. Adagio -Allegro spiritoso
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 36 “Linz”: II. Andante
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 36 “Linz”: III. Menuetto
Wiener Philharmoniker, Leonard Bernstein
Symphony no. 36 “Linz”: IV. Presto
Wiener Philharmoniker, Leonard Bernstein
On the Town: Ya Got Me
Nancy Walker
On the Town: Opening (extended version)
Lyn Murray Chorus
On the Town: I Can Cook Too
Nancy Walker
On the Town: I Get Carried Away
Betty Comden, Adolph Green
On the Town: Lucky to Be Me
Mary Martin
On the Town: Lonely Town
Mary Martin
Symphony no. 3 in D minor: V. Lustig im Tempo und Ausdruck
New York Philharmonic, Leonard Bernstein
Symphony no. 1 in B‐flat major, op. 38 "Spring": III. Scherzo: Molto vivace
Wiener Philharmoniker, Leonard Bernstein

What other identifiers does this connect to?

Musical Works (ISWC)

T-010.115.427-1T-010.244.926-2T-010115427-1T-010244926-2T-070.000.199-5T-070.001.097-4T-070.001.612-1T-070.011.011-7T-070.012.061-1T-070.012.286-6
+150 more
T-070.025.960-4T-070.054.000-6T-070.063.859-0T-070.064.357-7T-070.088.385-7T-070.107.908-4T-070.108.440-3T-070.111.127-4T-070.113.892-2T-070.125.007-8T-070.125.208-5T-070.127.422-7T-070.136.715-8T-070.136.739-6T-070.158.261-7T-070.159.178-7T-070.166.807-6T-070.182.025-8T-070.198.639-1T-070.211.089-1T-070.902.346-0T-070.902.843-2T-070.903.050-1T-070.907.136-2T-070000199-5T-070001097-4T-070001612-1T-070011011-7T-070012061-1T-070012286-6T-070025960-4T-070026812-7T-070063859-0T-070064357-7T-070088385-7T-070107908-4T-070108440-3T-070111127-4T-070113892-2T-070125007-8T-070125208-5T-070126537-3T-070127422-7T-070133985-6T-070136715-8T-070136739-6T-070158261-7T-070159178-7T-070166807-6T-070182025-8T-070198639-1T-070211089-1T-070902346-0T-070902843-2T-070903050-1T-070907136-2T-071.596.385-1T-071596385-1T-315464192-2T-900.953.062-5T-900953062-5T-901.072.962-1T-901072962-1T-901134571-4T-902.853.673-4T-902.871.372-6T-902853673-4T-902871372-6T-902873849-0T-903.288.559-9T-903288559-9T0012002742T0013971588T0014443174T0015976950T0030558678T0041582642T0050057287T0073031078T0101944299T0316822088T0421463833T0503574773T0700272009T0700967629T0701250045T0701391641T0701591787T0701603135T0701650716T0702758051T0709023460T0709125121T0709211868T0709330073T0710008799T0714818275T3004562505T3012806150T3012809637T3032040425T3043963680T3063957864T3121842119T3124392098T3124392145T3125423812T3131545381T3146383004T3150202301T3162094620T3186765282T3221859098T3224468768T3224469921T3224499003T3232521170T8001321252T8008285868T8013646486T8019744992T9001482888T9001482899T9001675043T9009675869T9022862562T9027485887T9027640024T9028762007T9028933564T9049080731T9095732846T9095743785T9098217993T9098768413T9098768731T9113622610T9126636860T9127478711T9157107501T9157147723T9158661133T9171821855T9186527797T9190813684T9248573957T9263599231T9263623547T9269451561T9286356089

Songwriters/Publishers (IPI)

Creative Contributors (ISNI)

People also ask

What is UPC 028947984184?
UPC 028947984184 is the Universal Product Code (barcode) for "Complete Recordings on Deutsche Grammophon & Decca" by Leonard Bernstein, released on Deutsche Grammophon.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 028947984184?
UPC 028947984184 contains 1203 tracks, each with its own ISRC.
SourcesMLCMusicBrainzNotesDiscogs4 sources

Verified on

What is UPC 028947984184?

028947984184 is a Universal Product Code (UPC) assigned to Complete Recordings on Deutsche Grammophon & Decca by Leonard Bernstein. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 1203 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm