UPC · Release
Faszination Klassik
Various Artists
028948010233
19 tracksReleased 2008-01-01Deutsche Grammophon
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028948010233 is the Universal Product Code (UPC barcode) for the release “Faszination Klassik” by Various Artists, released 2008-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 19 tracks, each with its own ISRC. Tracks include NLA507823405, DEF059030912, DEF058001720.
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UPCFaszination Klassik
ISRC19 recordings
ISWC94 works
IPI8 songwriters
Track List (19)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 4-1 | Turandot: “Nessun dorma” | José Carreras, London Philharmonic Orchestra, Jesús López Cobos | T0050008382 | |
| 4-2 | Tosca: Atto II. “Vissi d’arte, vissi d’amore” (Tosca, Scarpia) | Mirella Freni, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 4-3 | Carmen : Acte II. « La fleur que tu m'avais jetée » | Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | T9286353115 | |
| 4-4 | Roméo et Juliette: Act 1. "Ah, je veux vivre" | Montserrat Caballé, Philharmonia Orchestra, Reynald Giovaninetti | — | |
| 4-5 | L’elisir d’amore: Atto II. “Una furtiva lagrima” | Gösta Winbergh, Orchestra del Maggio Musicale Fiorentino, Gabriele Ferro | T9025040077 | |
| 4-6 | Die Zauberflöte: „Dies Bildnis ist bezaubernd schön“ (Tamino) | Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | T-306483079-7 | |
| 4-7 | Don Giovanni, ossia Il dissoluto punito, K 527: Atto I. N. 7 Duettino: “Là ci darem la mano” (Don Giovanni, Zerlina) | Edith Mathis, Sherrill Milnes, Wiener Philharmoniker, Karl Böhm | — | |
| 4-8 | Il barbiere di Siviglia: “Largo al factotum” | Hermann Prey, London Symphony Orchestra, Claudio Abbado | T9021874099 | |
| 4-9 | La traviata: Preludio | Bayerisches Staatsorchester, Carlos Kleiber | — | |
| 4-10 | Nabucco: “Va pensiero sull’ali dorate“ | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | — | |
| 4-11 | Pagliacci | José Carreras, London Symphony Orchestra, Jesús López Cobos | — | |
| 4-12 | Die Entführung aus dem Serail: No. 19 Arie "Ha, wie will ich trumphieren" | Kurt Moll, Staatskapelle Dresden, Karl Böhm | — | |
| 4-13 | Le nozze di Figaro, K. 492: Act I. no. 9. Aria "Non più andrai, farfallone amoroso" (Figaro) | Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm | T0091578663 | |
| 4-14 | Orfeo ed Euridice: "Che farò senza Euridice?" (Orfeo) | Anne Sofie von Otter, The English Concert, Trevor Pinnock | — | |
| 4-15 | La Bohème: Act I. "Che gelida manina" (Rodolfo) | Roberto Alagna, Orchestra del Teatro alla Scala di Milano, Riccardo Chailly | — | |
| 4-16 | Madama Butterfly: Atto II. “Un bel dì vedremo” | Mirella Freni, Philharmonia Orchestra, Giuseppe Sinopoli | T3147286093 | |
| 4-17 | Rigoletto: Atto III, scena 1. Canzone: La donna è mobile | Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | — | |
| 4-18 | Aida: “Gloria all’Egitto” | Romano Gandolfi, Coro del Teatro alla Scala di Milano, Nicolaï Ghiaurov, Orchestra del Teatro alla Scala di Milano, Claudio Abbado | T3105271914 | |
| 4-19 | Aida: Triumphal Scene | Orchestra del Teatro alla Scala di Milano, Claudio Abbado | T-900065376-9 |
Tosca: Atto II. “Vissi d’arte, vissi d’amore” (Tosca, Scarpia)
Mirella Freni, Philharmonia Orchestra, Giuseppe Sinopoli
—
Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini
Roméo et Juliette: Act 1. "Ah, je veux vivre"
Montserrat Caballé, Philharmonia Orchestra, Reynald Giovaninetti
—
Gösta Winbergh, Orchestra del Maggio Musicale Fiorentino, Gabriele Ferro
Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm
Don Giovanni, ossia Il dissoluto punito, K 527: Atto I. N. 7 Duettino: “Là ci darem la mano” (Don Giovanni, Zerlina)
Edith Mathis, Sherrill Milnes, Wiener Philharmoniker, Karl Böhm
—
Hermann Prey, London Symphony Orchestra, Claudio Abbado
La traviata: Preludio
Bayerisches Staatsorchester, Carlos Kleiber
—
Nabucco: “Va pensiero sull’ali dorate“
Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli
—
Pagliacci
José Carreras, London Symphony Orchestra, Jesús López Cobos
—
Die Entführung aus dem Serail: No. 19 Arie "Ha, wie will ich trumphieren"
Kurt Moll, Staatskapelle Dresden, Karl Böhm
—
Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm
Orfeo ed Euridice: "Che farò senza Euridice?" (Orfeo)
Anne Sofie von Otter, The English Concert, Trevor Pinnock
—
La Bohème: Act I. "Che gelida manina" (Rodolfo)
Roberto Alagna, Orchestra del Teatro alla Scala di Milano, Riccardo Chailly
—
Mirella Freni, Philharmonia Orchestra, Giuseppe Sinopoli
Rigoletto: Atto III, scena 1. Canzone: La donna è mobile
Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini
—
Romano Gandolfi, Coro del Teatro alla Scala di Milano, Nicolaï Ghiaurov, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
Additional database matches (87)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony no. 8 in B minor, D. 759 “Unfinished”: 1. Allegro moderato | Berliner Philharmoniker, Lorin Maazel | — |
| Gayaneh : Danse du sabre | Leningrad Philharmonic Orchestra, Gennadi Rozhdestvensky | T-801025525-2 |
| Cantate BWV 147, Choral "Jésus que ma joie demeure" | Münchener Bach-Chor, Munich Bach Orchestra, Solistengemeinschaft der Bachwoche Ansbach, Karl Richter | T-905.387.081-8 |
| Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: II. Largo Ma Non Tanto | George Malcolm, David Oistrakh, Igor Oistrakh, Royal Philharmonic Orchestra, Sir Eugene Goossens | — |
| Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: III. Allegro | David Oistrakh, Igor Oistrakh, Royal Philharmonic Orchestra, Sir Eugene Goossens | — |
| Feuerwerksmusik: 3. La Paix. Largo alla Siciliana | Wolfgang Meyer, Berliner Philharmoniker, Rafael Kubelík | T-904378740-2 |
| Feuerwerksmusik: 4. La Réjouissance. Allegro | Wolfgang Meyer, Berliner Philharmoniker, Rafael Kubelík | — |
| Ein Sommernachtstraum. Trauermarsch: Andante comodo | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | T9007956492 |
| Symphony no. 4 in E-flat major "Romantic": 2. Andante quasi Allegretto | Berliner Philharmoniker, Eugen Jochum | — |
| Symphony no. 4 in E-flat major "Romantic": 3. Scherzo. Bewegt - Trio. Nicht zu schnell. Keinesfalls scheppend | Berliner Philharmoniker, Eugen Jochum | — |
| Ave Maria, WAB 6 | Wolfgang Schubert, Chor des Bayerischen Rundfunks, Eugen Jochum | — |
| Ave verum corpus, KV 618 | Regensburger Domchor, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | — |
| Le nozze di Figaro, K. 492: Overture | Orchester der Deutschen Oper Berlin, Karl Böhm | T-900133397-7 |
| Symphony no. 104 in D major, Hob. I:104 “London”: III. Menuet: Allegro – Trio – Menuet | London Philharmonic Orchestra, Eugen Jochum | — |
| Trompetenkonzert Es-dur - 3. Rondo | Pierre Thibaud, English Chamber Orchestra, Marius Constant | — |
| Requiem in D minor, K. 626: 3. Sequentia: Dies irae | Norbert Balatsch, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Karl Böhm | — |
| Symphony no. 94 in G major, Hob. I:94 "Surprise”: II. Andante | London Philharmonic Orchestra, Eugen Jochum | — |
| Konzert für Klarinette und Orchester A-dur, KV 622: II. Adagio | Alfred Prinz, Wiener Philharmoniker, Karl Böhm | — |
| Messiah, HWV 56: Part II. Chorus: “Hallelujah” | The John Alldis Choir, London Philharmonic Orchestra, Karl Richter | — |
| Klavierkonzert Nr. 5 Es-Dur, op. 73: II. Adagio | Christoph Eschenbach, Boston Symphony Orchestra, Seiji Ozawa | — |
| Concerto for Piano no. 27 in B-flat major, K. 595: II. Larghetto | Friedrich Gulda, Wiener Philharmoniker, Claudio Abbado | T-800132125-2 |
| Die Fledermaus: Ouvertüre | Bayerisches Staatsorchester, Carlos Kleiber | T-909574378-5 |
| Die Fledermaus: Akt I. Nr. 5 Finale „Trinke, Liebchen, trinke schnell“ | René Kollo, Júlia Várady, Bayerisches Staatsorchester, Carlos Kleiber | — |
| Trumpet Concerto in D major "Estienne Roger 188": I. Allegro | Maurice André, Hedwig Bilgram, English Chamber Orchestra, Charles Mackerras | — |
| Das Land des Lächelns: Dein ist mein ganzes Herz | Plácido Domingo, London Symphony Orchestra, Karl-Heinz Loges | T-802.402.359-5 |
| Be My Love | Plácido Domingo, London Symphony Orchestra, Karl-Heinz Loges | T-070.010.575-4 |
| La traviata: “Libiamo ne lieti calici“ (Brindisi) | Wolfgang Baumgart, Chor der Bayerischen Staatsoper, Ileana Cotrubaș, Plácido Domingo, Alfredo Giacomotti, Bruno Grella, Walter Gullino, Stefania Malagú, Bayerisches Staatsorchester, Carlos Kleiber | T-906859796-6 |
| Swan Lake, op. 20: Act II: no. 10: Scène. Moderato | Boston Symphony Orchestra, Seiji Ozawa | — |
| Rigoletto: Atto III, scena 1. Canzone: La donna è mobile | Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | — |
| Rigoletto: Atto I. Ballata: "Questa o quella" | Plácido Domingo, Orchester der Wiener Staatsoper, Vienna Philharmonic Orchestra, Carlo Maria Giulini | T-001455377-5 |
| Rigoletto: Atto III. “La donna è mobile” | Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini | T-318237508-8 |
| Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | Shlomo Mintz, Chicago Symphony Orchestra, Claudio Abbado | — |
| Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Emil Gilels | — |
| Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 1 in E major “La primavera”, RV 269: 1. Allegro | Gidon Kremer, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | T-902685630-4 |
| Aida: Ballett | Romano Gandolfi, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Claudio Abbado | T0102877224 |
| Brandenburgisches Konzert Nr. 3: III. Allegro | The English Concert, Trevor Pinnock | — |
| Concerto No. 3 in G major, BWV 1048: I. ohne Satzbezeichnung | The English Concert, Trevor Pinnock | — |
| Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante | Wiener Philharmoniker, James Levine | — |
| Sonata Es-dur: 2. Andante | Camerata Bern, Thomas Füri | — |
| Water Music. Suite in F major, HWV 348: V. Air | The English Concert, Trevor Pinnock | T3060369366 |
| Water Music. Suite in D / G major, HWV 349 / 350: XI. Alla Hornpipe | Trevor Pinnock, The English Concert | T-905384308-6 |
| Kinderszenen, op. 15: VII. Träumerei | Martha Argerich | — |
| A Midsummer Night’s Dream, op. 61: No. 5. Intermezzo | Chicago Symphony Orchestra, James Levine | T9053125874 |
| Concerto for Lute, Violins and Basso continuo in D major, RV 93: II. Largo | Göran Söllscher, Camerata Bern, Thomas Füri | T-001322740-1 |
| Concerto for Violin and Orchestra no. 3 in G major, K. 216 "Strassburg": III. Rondeau. Allegro | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — |
| Symphony No. 5 in C minor: IV. Adagietto. Sehr langsam | Philharmonia Orchestra, Giuseppe Sinopoli | T8006524682 |
| Miserere | Choir of Westminster Abbey, Simon Preston | T9000795120 |
| Fantasia on "Greensleeves" | Orpheus Chamber Orchestra | — |
| Mass in B minor BWV 232: XXIV. Sanctus: Benedictus, qui venit | Wynford Evans, Lisa Beznosiuk, English Baroque Soloists, Sir John Eliot Gardiner | T0502831777 |
| Prodaná nevěsta: Skočná | Wiener Philharmoniker, James Levine | T9142184745 |
| Romeo & Juliet, op. 64: Act I, Scene II. No. 13 The knights’ dance (Juliet and Paris’s dance). Allegro pesante | Boston Symphony Orchestra, Seiji Ozawa | T-003506743-6 |
| Horn Concerto no. 3 in E-flat major, K 447: I. Allegro | William Purvis, Orpheus Chamber Orchestra | — |
| Horn Concerto no. 3 in E-flat major, K 447: II. Romance. Larghetto | William Purvis, Orpheus Chamber Orchestra | — |
| Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning | Gothenburg Symphony Orchestra, Neeme Järvi | — |
| Cavalleria rusticana: Intermezzo sinfonico | Göteborgs Symfoniker, Neeme Järvi | T-915740432-5 |
| La Gioconda: Danza delle ore | Gothenburg Symphony Orchestra, Neeme Järvi | T-316992933-9 |
| Oboe Concerto in D minor: Adagio | Douglas Boyd, The Chamber Orchestra of Europe | — |
| Concerto for Violoncello and Orchestra in B-flat major: I. Allegro moderato | Matt Haimovitz, English Chamber Orchestra, Andrew Davis | — |
| Concerto for Violoncello and Orchestra in B-flat major: II. Adagio non troppo | Matt Haimovitz, English Chamber Orchestra, Andrew Davis | — |
| Canon in D | Edward Brewer, Orpheus Chamber Orchestra | T9000579146 |
| Adagio for Strings and Organ in G minor: Adagio | Edward Brewer, Eriko Sato, Orpheus Chamber Orchestra | T-005001197-6 |
| Chacony in G minor | Edward Brewer, Orpheus Chamber Orchestra | T0709068085 |
| Orchestral Suite no. 3 in D major, BWV 1068: II. Air | Orpheus Chamber Orchestra | T-914.248.874-2 |
| La scala di seta: Overture | Chamber Orchestra of Europe, Claudio Abbado | T-305157600-8 |
| The Nutcracker, Op. 71: Suite. II. Danses Caractéristiques: d. Arab Dance | Boston Symphony Orchestra, Seiji Ozawa | — |
| The Nutcracker Suite, op. 71: III. Flower Waltz | Boston Symphony Orchestra, Seiji Ozawa | T-910950463-4 |
| Pomp and Circumstance: no. 1 in D major, op. 39 | Philharmonia Orchestra, Giuseppe Sinopoli | — |
| Le Carnaval des animaux: XIII. Le Cygne | Mischa Maisky, Orchestre de Paris, Semyon Bychkov | T-317671333-6 |
| Peer Gynt Suite Nr. 2, op. 55: IV. Solvejgs Lied | Gothenburg Symphony Orchestra, Neeme Järvi | T-300003632-4 |
| Quintette à cordes n°5 : "Menuet" | Orpheus Chamber Orchestra | T9181328041 |
| Flötenkonzert D-dur, op. 10 no. 3, RV 428 "Il gardellino": 1. Allegro | Patrick Gallois, Orpheus Chamber Orchestra | T9116400045 |
| Vesperae solennes de confessore in C major, K 339: V. Laudate Dominum omnes gentes (Ps. 116/117) | Barbara Bonney, The English Concert Choir, The English Concert, Trevor Pinnock | T9001353715 |
| Menuetto from String Quintet in E major, op. 11 no. 5, G. 275 | Mischa Maisky, Orpheus Chamber Orchestra | — |
| La Vierge: Scene 4: The Assumption - Dernier sommeil de la Vierge | Leo Winland, Göteborgs Symfoniker, Neeme Järvi | T-003008352-3 |
| Ave Maria | Singgemeinschaft R. Lamy, Fritz Wunderlich, Symphonieorchester Graunke, Hans Carste | — |
| La Wally: "Ebben?... Ne andro lontana" | Renée Fleming, London Philharmonic Orchestra, Charles Mackerras | T9051723810 |
| Andrea Chénier: La mamma morta | Montserrat Caballé, National Philharmonic Orchestra, Riccardo Chailly | — |
| Piano Concerto no. 21 in C major, K. 467: II. Andante | András Schiff, Camerata Salzburg, Sándor Végh | T0101948713 |
| Gianni Schicchi: Aria “O mio babbino caro” (Lauretta) | Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | — |
| Die Walküre - Walkürenritt - 'Apocalypse Now' | Koninklijk Concertgebouworkest, Riccardo Chailly | T9027714450 |
| Cabaret: Mein Herr | Ute Lemper | — |
| Symphony no. 41 in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto & Trio | Academy of St Martin-in-the-Fields, Sir Neville Marriner | — |
| Concerto in F: I. Largo | Michala Petri, Klaus Thunemann, Academy of St Martin in the Fields, Iona Brown | T0013227401 |
| West Side Story: Tonight | José Carreras, Robert Farnon & His Orchestra | T-901.072.962-1 |
| Oboe Concerto in D minor: II. Adagio | Heinz Holliger, I Musici | T-001439586-8 |
| Adagio for Strings, op. 11 | Academy of St Martin in the Fields, Sir Neville Marriner | T-070.000.199-5 |
| Symphonie No.5 c-moll op. 67 - 1. Allegro con brio | Gewandhausorchester Leipzig, Kurt Masur | — |
Symphony no. 8 in B minor, D. 759 “Unfinished”: 1. Allegro moderato
Berliner Philharmoniker, Lorin Maazel
—
Leningrad Philharmonic Orchestra, Gennadi Rozhdestvensky
Münchener Bach-Chor, Munich Bach Orchestra, Solistengemeinschaft der Bachwoche Ansbach, Karl Richter
Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: II. Largo Ma Non Tanto
George Malcolm, David Oistrakh, Igor Oistrakh, Royal Philharmonic Orchestra, Sir Eugene Goossens
—
Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: III. Allegro
David Oistrakh, Igor Oistrakh, Royal Philharmonic Orchestra, Sir Eugene Goossens
—
Wolfgang Meyer, Berliner Philharmoniker, Rafael Kubelík
Feuerwerksmusik: 4. La Réjouissance. Allegro
Wolfgang Meyer, Berliner Philharmoniker, Rafael Kubelík
—
Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
Symphony no. 4 in E-flat major "Romantic": 2. Andante quasi Allegretto
Berliner Philharmoniker, Eugen Jochum
—
Symphony no. 4 in E-flat major "Romantic": 3. Scherzo. Bewegt - Trio. Nicht zu schnell. Keinesfalls scheppend
Berliner Philharmoniker, Eugen Jochum
—
Ave Maria, WAB 6
Wolfgang Schubert, Chor des Bayerischen Rundfunks, Eugen Jochum
—
Ave verum corpus, KV 618
Regensburger Domchor, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
—
Orchester der Deutschen Oper Berlin, Karl Böhm
Symphony no. 104 in D major, Hob. I:104 “London”: III. Menuet: Allegro – Trio – Menuet
London Philharmonic Orchestra, Eugen Jochum
—
Trompetenkonzert Es-dur - 3. Rondo
Pierre Thibaud, English Chamber Orchestra, Marius Constant
—
Requiem in D minor, K. 626: 3. Sequentia: Dies irae
Norbert Balatsch, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Karl Böhm
—
Symphony no. 94 in G major, Hob. I:94 "Surprise”: II. Andante
London Philharmonic Orchestra, Eugen Jochum
—
Konzert für Klarinette und Orchester A-dur, KV 622: II. Adagio
Alfred Prinz, Wiener Philharmoniker, Karl Böhm
—
Messiah, HWV 56: Part II. Chorus: “Hallelujah”
The John Alldis Choir, London Philharmonic Orchestra, Karl Richter
—
Klavierkonzert Nr. 5 Es-Dur, op. 73: II. Adagio
Christoph Eschenbach, Boston Symphony Orchestra, Seiji Ozawa
—
Friedrich Gulda, Wiener Philharmoniker, Claudio Abbado
Bayerisches Staatsorchester, Carlos Kleiber
Die Fledermaus: Akt I. Nr. 5 Finale „Trinke, Liebchen, trinke schnell“
René Kollo, Júlia Várady, Bayerisches Staatsorchester, Carlos Kleiber
—
Trumpet Concerto in D major "Estienne Roger 188": I. Allegro
Maurice André, Hedwig Bilgram, English Chamber Orchestra, Charles Mackerras
—
Plácido Domingo, London Symphony Orchestra, Karl-Heinz Loges
Plácido Domingo, London Symphony Orchestra, Karl-Heinz Loges
Wolfgang Baumgart, Chor der Bayerischen Staatsoper, Ileana Cotrubaș, Plácido Domingo, Alfredo Giacomotti, Bruno Grella, Walter Gullino, Stefania Malagú, Bayerisches Staatsorchester, Carlos Kleiber
Swan Lake, op. 20: Act II: no. 10: Scène. Moderato
Boston Symphony Orchestra, Seiji Ozawa
—
Rigoletto: Atto III, scena 1. Canzone: La donna è mobile
Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini
—
Plácido Domingo, Orchester der Wiener Staatsoper, Vienna Philharmonic Orchestra, Carlo Maria Giulini
Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini
Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace
Shlomo Mintz, Chicago Symphony Orchestra, Claudio Abbado
—
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
Emil Gilels
—
Gidon Kremer, Leslie Pearson, London Symphony Orchestra, Claudio Abbado
Romano Gandolfi, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
Brandenburgisches Konzert Nr. 3: III. Allegro
The English Concert, Trevor Pinnock
—
Concerto No. 3 in G major, BWV 1048: I. ohne Satzbezeichnung
The English Concert, Trevor Pinnock
—
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante
Wiener Philharmoniker, James Levine
—
Sonata Es-dur: 2. Andante
Camerata Bern, Thomas Füri
—
The English Concert, Trevor Pinnock
Trevor Pinnock, The English Concert
Kinderszenen, op. 15: VII. Träumerei
Martha Argerich
—
Chicago Symphony Orchestra, James Levine
Göran Söllscher, Camerata Bern, Thomas Füri
Concerto for Violin and Orchestra no. 3 in G major, K. 216 "Strassburg": III. Rondeau. Allegro
Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt
—
Philharmonia Orchestra, Giuseppe Sinopoli
Choir of Westminster Abbey, Simon Preston
Fantasia on "Greensleeves"
Orpheus Chamber Orchestra
—
Wynford Evans, Lisa Beznosiuk, English Baroque Soloists, Sir John Eliot Gardiner
Wiener Philharmoniker, James Levine
Boston Symphony Orchestra, Seiji Ozawa
Horn Concerto no. 3 in E-flat major, K 447: I. Allegro
William Purvis, Orpheus Chamber Orchestra
—
Horn Concerto no. 3 in E-flat major, K 447: II. Romance. Larghetto
William Purvis, Orpheus Chamber Orchestra
—
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
Gothenburg Symphony Orchestra, Neeme Järvi
—
Göteborgs Symfoniker, Neeme Järvi
Gothenburg Symphony Orchestra, Neeme Järvi
Oboe Concerto in D minor: Adagio
Douglas Boyd, The Chamber Orchestra of Europe
—
Concerto for Violoncello and Orchestra in B-flat major: I. Allegro moderato
Matt Haimovitz, English Chamber Orchestra, Andrew Davis
—
Concerto for Violoncello and Orchestra in B-flat major: II. Adagio non troppo
Matt Haimovitz, English Chamber Orchestra, Andrew Davis
—
Edward Brewer, Orpheus Chamber Orchestra
Edward Brewer, Eriko Sato, Orpheus Chamber Orchestra
Edward Brewer, Orpheus Chamber Orchestra
Orpheus Chamber Orchestra
Chamber Orchestra of Europe, Claudio Abbado
The Nutcracker, Op. 71: Suite. II. Danses Caractéristiques: d. Arab Dance
Boston Symphony Orchestra, Seiji Ozawa
—
Boston Symphony Orchestra, Seiji Ozawa
Pomp and Circumstance: no. 1 in D major, op. 39
Philharmonia Orchestra, Giuseppe Sinopoli
—
Mischa Maisky, Orchestre de Paris, Semyon Bychkov
Gothenburg Symphony Orchestra, Neeme Järvi
Orpheus Chamber Orchestra
Patrick Gallois, Orpheus Chamber Orchestra
Barbara Bonney, The English Concert Choir, The English Concert, Trevor Pinnock
Menuetto from String Quintet in E major, op. 11 no. 5, G. 275
Mischa Maisky, Orpheus Chamber Orchestra
—
Leo Winland, Göteborgs Symfoniker, Neeme Järvi
Ave Maria
Singgemeinschaft R. Lamy, Fritz Wunderlich, Symphonieorchester Graunke, Hans Carste
—
Renée Fleming, London Philharmonic Orchestra, Charles Mackerras
Andrea Chénier: La mamma morta
Montserrat Caballé, National Philharmonic Orchestra, Riccardo Chailly
—
András Schiff, Camerata Salzburg, Sándor Végh
Gianni Schicchi: Aria “O mio babbino caro” (Lauretta)
Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti
—
Koninklijk Concertgebouworkest, Riccardo Chailly
Cabaret: Mein Herr
Ute Lemper
—
Symphony no. 41 in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto & Trio
Academy of St Martin-in-the-Fields, Sir Neville Marriner
—
Michala Petri, Klaus Thunemann, Academy of St Martin in the Fields, Iona Brown
José Carreras, Robert Farnon & His Orchestra
Heinz Holliger, I Musici
Academy of St Martin in the Fields, Sir Neville Marriner
Symphonie No.5 c-moll op. 67 - 1. Allegro con brio
Gewandhausorchester Leipzig, Kurt Masur
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-010038645-5T-010519159-0T-010695641-5T-010860260-3T-010976460-4T-011363225-9T-011478222-7T-037659054-3T-070.000.199-5T-070.010.575-4
+84 more
T-070000199-5T-070010575-4T-070136283-5T-070137905-6T-070158462-4T-070158980-1T-070159949-6T-070211146-3T-070248859-2T-070902566-0T-070902956-0T-072911566-5T-801.025.525-2T-801025525-2T-802.402.359-5T-802253289-5T-802402359-5T-900302123-6T-900302128-1T-900302134-9T-900302135-0T-900303413-7T-900303414-8T-900303415-9T-900303416-0T-900303417-1T-900303721-6T-901.072.962-1T-901072962-1T-901134571-4T-905.387.081-8T-905387081-8T-905497446-8T-914.248.874-2T-914248874-2T-914729240-8T-915711225-9T-917476067-9T-917913607-3T0013227401T0014395868T0014553775T0030083523T0035067436T0050008382T0050011976T0091578663T0101948713T0102877224T0502831777T0709068085T3000036324T3051576008T3060369366T3064830797T3105271914T3147286093T3169929339T3176713336T3182375088T8001321252T8006524682T9000579146T9000653769T9000795120T9001333977T9001353715T9007956492T9021874099T9025040077T9026856304T9027714450T9043787402T9051723810T9053125874T9053843086T9068597966T9095743785T9109504634T9116400045T9142184745T9157404325T9181328041T9286353115
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055145451000000005514618X0000000055164089000000005516901500000000551791090000000055353517000000006097350X000000006304194300000000630839830000000063086009
+40 more
0000000073637732000000007366918700000000756293060000000077319555000000007839301X0000000078398144000000007839821600000000799019010000000081474443000000008161065200000000816244800000000081692432000000008182377000000000818571610000000083648961000000008384945600000000839810940000000106717684000000010721405000000001072620360000000107911729000000010801990000000001085508490000000108600439000000010860227400000001086344790000000108635957000000010865363700000001086984560000000108754075000000010882350100000001088546310000000108854674000000010888658800000001089353780000000109045246000000010914421X000000010916098100000001091781960000000109207006
Identifier Graph
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What is UPC 028948010233?
028948010233 is a Universal Product Code (UPC) assigned to Faszination Klassik by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 19 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm