UPC · Release
Faszination Klassik
Various Artists
028948010233
155 tracksReleased 2008-01-01Deutsche Grammophon
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028948010233 is the Universal Product Code (UPC barcode) for the release “Faszination Klassik” by Various Artists, released 2008-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 155 tracks, each with its own ISRC. Tracks include DEF058200410, DEF056301103, DEF056301104.
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UPCFaszination Klassik
ISRC98 recordings
ISWC30 works
IPI8 songwriters
Track List (155)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Brandenburgisches Konzert Nr. 3: III. Allegro | The English Concert, Trevor Pinnock | — | |
| 2 | Feuerwerksmusik: 3. La Paix. Largo alla Siciliana | Wolfgang Meyer, Berliner Philharmoniker, Rafael Kubelík | T-904.378.740-2 | |
| 3 | Feuerwerksmusik: 4. La Réjouissance. Allegro | Wolfgang Meyer, Berliner Philharmoniker, Rafael Kubelík | — | |
| 4 | Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: II. Largo Ma Non Tanto | George Malcolm, David Oistrakh, Igor Oistrakh, Royal Philharmonic Orchestra, Sir Eugene Goossens | — | |
| 5 | Concertos for Violin, Strings and Continuo “Le quattro stagioni”, op. 8: Concerto no. 1 in E major “La primavera”, RV 269: 1. Allegro | Gidon Kremer, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | T-902.685.630-4 | |
| 6 | Oboe Concerto in D minor: II. Adagio | Heinz Holliger, I Musici | T-001.439.586-8 | |
| 7 | Canon in D | Edward Brewer, Orpheus Chamber Orchestra | T-900.057.914-6 | |
| 8 | Trumpet Concerto in D major "Estienne Roger 188": I. Allegro | Maurice André, Hedwig Bilgram, English Chamber Orchestra, Charles Mackerras | — | |
| 9 | Water Music. Suite in F major, HWV 348: V. Air | The English Concert, Trevor Pinnock | T-306.036.936-6 | |
| 10 | Water Music. Suite in D / G major, HWV 349 / 350: XI. Alla Hornpipe | Trevor Pinnock, The English Concert | T-905.384.308-6 | |
| 11 | Chacony in G minor | Edward Brewer, Orpheus Chamber Orchestra | T-070.906.808-5 | |
| 12 | Adagio for Strings and Organ in G minor: Adagio | Edward Brewer, Eriko Sato, Orpheus Chamber Orchestra | T-005.001.197-6 | |
| 13 | Flötenkonzert D-dur, op. 10 no. 3, RV 428 "Il gardellino": 1. Allegro | Patrick Gallois, Orpheus Chamber Orchestra | T-911.640.004-5 | |
| 14 | Concerto for Lute, Violins and Basso continuo in D major, RV 93: II. Largo | Göran Söllscher, Camerata Bern, Thomas Füri | T-001.322.740-1 | |
| 15 | Concerto grosso G-Moll Op. 6 No. 8 - 5. Allegro | — | ||
| 16 | Concerto in F: I. Largo | Michala Petri, Klaus Thunemann, Academy of St Martin in the Fields, Iona Brown | T-001.322.740-1 | |
| 17 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air | Orpheus Chamber Orchestra | T-914.248.874-2 | |
| 2-1 | Symphonie No.5 c-moll op. 67 - 1. Allegro con brio | Gewandhausorchester Leipzig, Kurt Masur | — | |
| 2-2 | Symphony no. 94 in G major, Hob. I:94 "Surprise”: II. Andante | London Philharmonic Orchestra, Eugen Jochum | — | |
| 2-3 | Menuetto from String Quintet in E major, op. 11 no. 5, G. 275 | Mischa Maisky, Orpheus Chamber Orchestra | — | |
| 2-4 | Konzert für Klarinette und Orchester A-dur, KV 622: II. Adagio | Alfred Prinz, Wiener Philharmoniker, Karl Böhm | — | |
| 2-5 | Symphony no. 41 in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto & Trio | Academy of St Martin-in-the-Fields, Sir Neville Marriner | — | |
| 2-6 | Klavierkonzert Nr. 5 Es-Dur, op. 73: II. Adagio | Christoph Eschenbach, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-7 | Trompetenkonzert Es-dur - 3. Rondo | Pierre Thibaud, English Chamber Orchestra, Marius Constant | — | |
| 2-8 | Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante | Wiener Philharmoniker, James Levine | — | |
| 2-9 | Concerto for Violin and Orchestra no. 3 in G major, K. 216 "Strassburg": III. Rondeau. Allegro | Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | — | |
| 2-10 | Symphony no. 8 in B minor, D. 759 “Unfinished”: 1. Allegro moderato | Berliner Philharmoniker, Lorin Maazel | — | |
| 2-11 | La scala di seta: Overture | Chamber Orchestra of Europe, Claudio Abbado | T-305.157.600-8 | |
| 3-1 | Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning | Gothenburg Symphony Orchestra, Neeme Järvi | — | |
| 3-2 | Symphonie No. 3 F-Dur Op. 90: III. Poco Allegretto | — | ||
| 3-3 | A Midsummer Night’s Dream, op. 61: No. 5. Intermezzo | Chicago Symphony Orchestra, James Levine | T-905.312.587-4 | |
| 3-4 | Symphonie No. 1 B-Dur Op. 38 "Frühlings-Symphonie": IV. Allegro animato e grazioso | — | ||
| 3-5 | Ungarische Rhapsodie No. 2 Cis-Moll (Anfang) | — | ||
| 3-6 | Klavierkonzert No. 2 F-Moll Op. 21: III. Allegro vivace | — | ||
| 3-7 | Mein Vaterland: Die Moldau (Anfang) | — | ||
| 3-8 | Symphonie No. 9 E-Moll Op. 95 "Aus Der Neuen Welt": III. Scherzo. Molto vivace | — | ||
| 3-9 | Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | Shlomo Mintz, Chicago Symphony Orchestra, Claudio Abbado | — | |
| 3-10 | Symphony no. 4 in E-flat major "Romantic": 2. Andante quasi Allegretto | Berliner Philharmoniker, Eugen Jochum | — | |
| 3-11 | Klavierkonzert No. 1 B-Moll Op. 23: III. Allegro con fuoco | — | ||
| 4-1 | Turandot: “Nessun dorma” | José Carreras, London Philharmonic Orchestra, Jesús López Cobos | T-005.000.838-2 | |
| 4-2 | Tosca: Atto II. “Vissi d’arte, vissi d’amore” (Tosca, Scarpia) | Mirella Freni, Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 4-3 | Carmen : Acte II. « La fleur que tu m'avais jetée » | Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | T-928.635.311-5 | |
| 4-4 | Roméo et Juliette: Act 1. "Ah, je veux vivre" | Montserrat Caballé, Philharmonia Orchestra, Reynald Giovaninetti | — | |
| 4-5 | L’elisir d’amore: Atto II. “Una furtiva lagrima” | Gösta Winbergh, Orchestra del Maggio Musicale Fiorentino, Gabriele Ferro | T-902.504.007-7 | |
| 4-6 | Die Zauberflöte: „Dies Bildnis ist bezaubernd schön“ (Tamino) | Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | T-306.483.079-7 | |
| 4-7 | Don Giovanni, ossia Il dissoluto punito, K 527: Atto I. N. 7 Duettino: “Là ci darem la mano” (Don Giovanni, Zerlina) | Edith Mathis, Sherrill Milnes, Wiener Philharmoniker, Karl Böhm | — | |
| 4-8 | Il barbiere di Siviglia: “Largo al factotum” | Hermann Prey, London Symphony Orchestra, Claudio Abbado | T-902.187.409-9 | |
| 4-9 | La traviata: Preludio | Bayerisches Staatsorchester, Carlos Kleiber | — | |
| 4-10 | Nabucco: “Va pensiero sull’ali dorate“ | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | — | |
| 4-11 | Pagliacci | José Carreras, London Symphony Orchestra, Jesús López Cobos | — | |
| 4-12 | Die Entführung aus dem Serail: No. 19 Arie "Ha, wie will ich trumphieren" | Kurt Moll, Staatskapelle Dresden, Karl Böhm | — | |
| 4-13 | Le nozze di Figaro, K. 492: Act I. no. 9. Aria "Non più andrai, farfallone amoroso" (Figaro) | Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm | T-009.157.866-3 | |
| 4-14 | Orfeo ed Euridice: "Che farò senza Euridice?" (Orfeo) | Anne Sofie von Otter, The English Concert, Trevor Pinnock | — | |
| 4-15 | La Bohème: Act I. "Che gelida manina" (Rodolfo) | Roberto Alagna, Orchestra del Teatro alla Scala di Milano, Riccardo Chailly | — | |
| 4-16 | Madama Butterfly: Atto II. “Un bel dì vedremo” | Mirella Freni, Philharmonia Orchestra, Giuseppe Sinopoli | T-314.728.609-3 | |
| 4-17 | Rigoletto: Atto III, scena 1. Canzone: La donna è mobile | Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | — | |
| 4-18 | Aida: “Gloria all’Egitto” | Romano Gandolfi, Coro del Teatro alla Scala di Milano, Nicolaï Ghiaurov, Orchestra del Teatro alla Scala di Milano, Claudio Abbado | T-310.527.191-4 | |
| 4-19 | Aida: Triumphal Scene | Orchestra del Teatro alla Scala di Milano, Claudio Abbado | T-900.065.376-9 | |
| 5-1 | Die Fledermaus: Ouvertüre | Bayerisches Staatsorchester, Carlos Kleiber | T-909.574.378-5 | |
| 5-2 | Die Fledermaus: Komm mit mir zum Souper | — | ||
| 5-3 | Die Fledermaus: Akt I. Nr. 5 Finale „Trinke, Liebchen, trinke schnell“ | René Kollo, Júlia Várady, Bayerisches Staatsorchester, Carlos Kleiber | — | |
| 5-4 | Das Land des Lächelns: Dein ist mein ganzes Herz | Plácido Domingo, London Symphony Orchestra, Karl-Heinz Loges | T-802.402.359-5 | |
| 5-5 | Die lustige Witwe: Lippen schweigen | — | ||
| 5-6 | Paganini: Gern hab' ich die Frau'n geküßt | — | ||
| 5-7 | Die schöne Helena: Dem Mann die Treue zu bewahren | — | ||
| 5-8 | Die Zirkusprinzessin: Wenn man das Leben durch's Champagnerglas betrachtet - Zwei Märchenaugen | — | ||
| 5-9 | Gräfin Mariza: Wenn es Abend wird - Grüß' mir die süßen, die reizenden Frauen | — | ||
| 5-10 | Wiener Blut: Wiener Blut | — | ||
| 5-11 | Boccaccio: Hab' ich nur deine Liebe | — | ||
| 5-12 | Der Vetter aus Dingsda: Ich bin nur ein armer Wandergesell | — | ||
| 5-13 | Der Bettelstudent: Ich knüpfte manche zarte Bande | — | ||
| 5-14 | Der Vogelhändler: Schenkt man sich Rosen in Tirol | — | ||
| 5-15 | Eine Nacht in Venedig: Ach, wie so herrlich zu schau'n | — | ||
| 5-16 | Die lustige Witwe: Akt I. O Vaterland - Da geh' ich zu Maxim | — | ||
| 5-17 | Die Fledermaus: Akt II. Klänge der Heimat | — | ||
| 5-18 | Der Zigeunerbaron: Als flotter Geist - Ja, das alles auf Ehr' | — | ||
| 5-19 | Die Fledermaus: Spiel' ich die Unschuld vom Lande | — | ||
| 5-20 | Viktoria und ihr Husar: Reich mir zum Abschied noch einmal die Hände | — | ||
| 6-1 | Die Schöpfung - Die Himmel erzählen die Ehre Gottes | — | ||
| 6-2 | Mass in B minor BWV 232: XXIV. Sanctus: Benedictus, qui venit | Wynford Evans, Lisa Beznosiuk, English Baroque Soloists, Sir John Eliot Gardiner | T-050.283.177-7 | |
| 6-3 | Donna, che in ciel, Marien-Kantate HWV 233 - Maria salue e speme | — | ||
| 6-4 | Ave verum corpus, KV 618 | Regensburger Domchor, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | — | |
| 6-5 | Miserere | Choir of Westminster Abbey, Simon Preston | T-900.079.512-0 | |
| 6-6 | Ave Maria | Singgemeinschaft R. Lamy, Fritz Wunderlich, Symphonieorchester Graunke, Hans Carste | — | |
| 6-7 | Cantate BWV 147, Choral "Jésus que ma joie demeure" | Münchener Bach-Chor, Munich Bach Orchestra, Solistengemeinschaft der Bachwoche Ansbach, Karl Richter | T-905.387.081-8 | |
| 6-8 | Vesperae solennes de confessore in C major, K 339: V. Laudate Dominum omnes gentes (Ps. 116/117) | Barbara Bonney, The English Concert Choir, The English Concert, Trevor Pinnock | T-900.135.371-5 | |
| 6-9 | Agnus Dei | — | ||
| 6-10 | Ave Maria, WAB 6 | Wolfgang Schubert, Chor des Bayerischen Rundfunks, Eugen Jochum | — | |
| 6-11 | Massa da Requiem - Ingemisco | — | ||
| 6-12 | Requiem Op. 48 - Pie Jesu | — | ||
| 6-13 | Messe C-Moll KV 427 »Große Messe« - Gloria: Laudamus te | — | ||
| 6-14 | Stabat Mater - Sancta Mater istud agas | — | ||
| 6-15 | Messiah, HWV 56: Part II. Chorus: “Hallelujah” | The John Alldis Choir, London Philharmonic Orchestra, Karl Richter | — | |
| 7-1 | West Side Story: Tonight | José Carreras, Robert Farnon & His Orchestra | T-901.072.962-1 | |
| 7-2 | Kiss Me Kate: So in Love | — | ||
| 7-3 | Carousel: You'll Never Walk Alone | — | ||
| 7-4 | The Wizard of Oz: Somewhere Over the Rainbow | — | ||
| 7-5 | My Fair Lady: On the Street Where You Live | — | ||
| 7-6 | My Fair Lady: I Could Have Danced All Night | — | ||
| 7-7 | The Lion King: Can You Feel the Love Tonight | — | ||
| 7-8 | Sunset Boulevard: With One Look | — | ||
| 7-9 | Cats: Memory | — | ||
| 7-10 | Cabaret: Mein Herr | Ute Lemper | — | |
| 7-11 | Cotton Club Paradise: Stormy Weather | — | ||
| 7-12 | Girl Crazy: I Got Rhythm | — | ||
| 7-13 | Show Boat: Ol' Man River | — | ||
| 7-14 | Be My Love | Plácido Domingo, London Symphony Orchestra, Karl-Heinz Loges | T-070.010.575-4 | |
| 7-15 | Aspects of Love: Love Changes Everything | — | ||
| 7-16 | Das Phantom der Oper: The Music of the Night | — | ||
| 7-17 | Anatevka - Fiddler on the Roof: If I Were a Rich Man | — | ||
| 7-18 | Oklahoma! Oklahoma | — | ||
| 8-1 | Aufforderung zum Tanz Op. 65 | — | ||
| 8-2 | The Nutcracker, Op. 71: Suite. II. Danses Caractéristiques: d. Arab Dance | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 8-3 | Schwanensee: Tanz der kleinen Schwäne | — | ||
| 8-4 | Schwanensee: Walzer | — | ||
| 8-5 | Gaîte parisienne: Vivi - Barcarole - Allegro moderato | — | ||
| 8-6 | Zar und Zimmermann: Holzschuhtanz | — | ||
| 8-7 | Les Sylphides: Walzer | — | ||
| 8-8 | La Gioconda: Danza delle ore | Gothenburg Symphony Orchestra, Neeme Järvi | T-316.992.933-9 | |
| 8-9 | Romeo & Juliet, op. 64: Act I, Scene II. No. 13 The knights’ dance (Juliet and Paris’s dance). Allegro pesante | Boston Symphony Orchestra, Seiji Ozawa | T-003.506.743-6 | |
| 8-10 | Aida: Ballett | Romano Gandolfi, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Claudio Abbado | T-010.287.722-4 | |
| 8-11 | Gayaneh : Danse du sabre | Leningrad Philharmonic Orchestra, Gennadi Rozhdestvensky | T-801.025.525-2 | |
| 8-12 | Faust (Margarethe): Walzer | — | ||
| 8-13 | Prodaná nevěsta: Skočná | Wiener Philharmoniker, James Levine | T-914.218.474-5 | |
| 8-14 | The Nutcracker Suite, op. 71: III. Flower Waltz | Boston Symphony Orchestra, Seiji Ozawa | T-910.950.463-4 | |
| 9-1 | Le nozze di Figaro, K. 492: Overture | Orchester der Deutschen Oper Berlin, Karl Böhm | T-900.133.397-7 | |
| 9-2 | Quintette à cordes n°5 : "Menuet" | Orpheus Chamber Orchestra | T-918.132.804-1 | |
| 9-3 | Piano Concerto no. 21 in C major, K. 467: II. Andante | András Schiff, Camerata Salzburg, Sándor Végh | T-010.194.871-3 | |
| 9-4 | Symphony no. 104 in D major, Hob. I:104 “London”: III. Menuet: Allegro – Trio – Menuet | London Philharmonic Orchestra, Eugen Jochum | — | |
| 9-5 | Rigoletto: Atto I. Ballata: "Questa o quella" | Plácido Domingo, Orchester der Wiener Staatsoper, Vienna Philharmonic Orchestra, Carlo Maria Giulini | T-001.455.377-5 | |
| 9-6 | La Wally: "Ebben?... Ne andro lontana" | Renée Fleming, London Philharmonic Orchestra, Charles Mackerras | T-905.172.381-0 | |
| 9-7 | Cavalleria rusticana: Intermezzo sinfonico | Göteborgs Symfoniker, Neeme Järvi | T-915.740.432-5 | |
| 9-8 | Swan Lake, op. 20: Act II: no. 10: Scène. Moderato | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 9-9 | Gianni Schicchi: Aria “O mio babbino caro” (Lauretta) | Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | — | |
| 9-10 | Symphony No. 5 in C minor: IV. Adagietto. Sehr langsam | Philharmonia Orchestra, Giuseppe Sinopoli | T-800.652.468-2 | |
| 9-11 | Andrea Chénier: La mamma morta | Montserrat Caballé, National Philharmonic Orchestra, Riccardo Chailly | — | |
| 9-12 | Adagio for Strings, op. 11 | Academy of St Martin in the Fields, Sir Neville Marriner | T-070.000.199-5 | |
| 9-13 | Die Walküre - Walkürenritt - 'Apocalypse Now' | Koninklijk Concertgebouworkest, Riccardo Chailly | T-902.771.445-0 | |
| 9-14 | Requiem in D minor, K. 626: 3. Sequentia: Dies irae | Norbert Balatsch, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Karl Böhm | — | |
| 9-15 | Pomp and Circumstance: no. 1 in D major, op. 39 | Philharmonia Orchestra, Giuseppe Sinopoli | — | |
| 10-1 | Thais - Meditation | — | ||
| 10-2 | Peer Gynt Suite Nr. 2, op. 55: IV. Solvejgs Lied | Gothenburg Symphony Orchestra, Neeme Järvi | T-300.003.632-4 | |
| 10-3 | Ein Sommernachtstraum. Trauermarsch: Andante comodo | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | T-900.795.649-2 | |
| 10-4 | Oboe Concerto in D minor: Adagio | Douglas Boyd, The Chamber Orchestra of Europe | — | |
| 10-5 | La Vierge: Scene 4: The Assumption - Dernier sommeil de la Vierge | Leo Winland, Göteborgs Symfoniker, Neeme Järvi | T-003.008.352-3 | |
| 10-6 | Concerto for Violoncello and Orchestra in B-flat major: I. Allegro moderato | Matt Haimovitz, English Chamber Orchestra, Andrew Davis | — | |
| 10-7 | Horn Concerto no. 3 in E-flat major, K 447: I. Allegro | William Purvis, Orpheus Chamber Orchestra | — | |
| 10-8 | Brandenburgisches Konzert No. 5 - D-Dur BWV 1050 - 2. Affettuoso | — | ||
| 10-9 | Kinderszenen, op. 15: VII. Träumerei | Martha Argerich | — | |
| 10-10 | Concerto for Piano no. 27 in B-flat major, K. 595: II. Larghetto | Friedrich Gulda, Wiener Philharmoniker, Claudio Abbado | T-800.132.125-2 | |
| 10-11 | Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Emil Gilels | — | |
| 10-12 | Toccata. Adagio & Fuge BWV 564 - 2. Adagio | — | ||
| 10-13 | Sonata Es-dur: 2. Andante | Camerata Bern, Thomas Füri | — | |
| 10-14 | Fantasia on "Greensleeves" | Orpheus Chamber Orchestra | — | |
| 10-15 | Le Carnaval des animaux: XIII. Le Cygne | Mischa Maisky, Orchestre de Paris, Semyon Bychkov | T-317.671.333-6 |
Brandenburgisches Konzert Nr. 3: III. Allegro
The English Concert, Trevor Pinnock
—
Wolfgang Meyer, Berliner Philharmoniker, Rafael Kubelík
Feuerwerksmusik: 4. La Réjouissance. Allegro
Wolfgang Meyer, Berliner Philharmoniker, Rafael Kubelík
—
Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: II. Largo Ma Non Tanto
George Malcolm, David Oistrakh, Igor Oistrakh, Royal Philharmonic Orchestra, Sir Eugene Goossens
—
Gidon Kremer, Leslie Pearson, London Symphony Orchestra, Claudio Abbado
Trumpet Concerto in D major "Estienne Roger 188": I. Allegro
Maurice André, Hedwig Bilgram, English Chamber Orchestra, Charles Mackerras
—
Trevor Pinnock, The English Concert
Edward Brewer, Eriko Sato, Orpheus Chamber Orchestra
Patrick Gallois, Orpheus Chamber Orchestra
Göran Söllscher, Camerata Bern, Thomas Füri
Concerto grosso G-Moll Op. 6 No. 8 - 5. Allegro
—
Michala Petri, Klaus Thunemann, Academy of St Martin in the Fields, Iona Brown
Symphonie No.5 c-moll op. 67 - 1. Allegro con brio
Gewandhausorchester Leipzig, Kurt Masur
—
Symphony no. 94 in G major, Hob. I:94 "Surprise”: II. Andante
London Philharmonic Orchestra, Eugen Jochum
—
Menuetto from String Quintet in E major, op. 11 no. 5, G. 275
Mischa Maisky, Orpheus Chamber Orchestra
—
Konzert für Klarinette und Orchester A-dur, KV 622: II. Adagio
Alfred Prinz, Wiener Philharmoniker, Karl Böhm
—
Symphony no. 41 in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto & Trio
Academy of St Martin-in-the-Fields, Sir Neville Marriner
—
Klavierkonzert Nr. 5 Es-Dur, op. 73: II. Adagio
Christoph Eschenbach, Boston Symphony Orchestra, Seiji Ozawa
—
Trompetenkonzert Es-dur - 3. Rondo
Pierre Thibaud, English Chamber Orchestra, Marius Constant
—
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante
Wiener Philharmoniker, James Levine
—
Concerto for Violin and Orchestra no. 3 in G major, K. 216 "Strassburg": III. Rondeau. Allegro
Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt
—
Symphony no. 8 in B minor, D. 759 “Unfinished”: 1. Allegro moderato
Berliner Philharmoniker, Lorin Maazel
—
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
Gothenburg Symphony Orchestra, Neeme Järvi
—
Symphonie No. 3 F-Dur Op. 90: III. Poco Allegretto
—
Chicago Symphony Orchestra, James Levine
Symphonie No. 1 B-Dur Op. 38 "Frühlings-Symphonie": IV. Allegro animato e grazioso
—
Ungarische Rhapsodie No. 2 Cis-Moll (Anfang)
—
Klavierkonzert No. 2 F-Moll Op. 21: III. Allegro vivace
—
Mein Vaterland: Die Moldau (Anfang)
—
Symphonie No. 9 E-Moll Op. 95 "Aus Der Neuen Welt": III. Scherzo. Molto vivace
—
Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace
Shlomo Mintz, Chicago Symphony Orchestra, Claudio Abbado
—
Symphony no. 4 in E-flat major "Romantic": 2. Andante quasi Allegretto
Berliner Philharmoniker, Eugen Jochum
—
Klavierkonzert No. 1 B-Moll Op. 23: III. Allegro con fuoco
—
José Carreras, London Philharmonic Orchestra, Jesús López Cobos
Tosca: Atto II. “Vissi d’arte, vissi d’amore” (Tosca, Scarpia)
Mirella Freni, Philharmonia Orchestra, Giuseppe Sinopoli
—
Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini
Roméo et Juliette: Act 1. "Ah, je veux vivre"
Montserrat Caballé, Philharmonia Orchestra, Reynald Giovaninetti
—
Gösta Winbergh, Orchestra del Maggio Musicale Fiorentino, Gabriele Ferro
Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm
Don Giovanni, ossia Il dissoluto punito, K 527: Atto I. N. 7 Duettino: “Là ci darem la mano” (Don Giovanni, Zerlina)
Edith Mathis, Sherrill Milnes, Wiener Philharmoniker, Karl Böhm
—
Hermann Prey, London Symphony Orchestra, Claudio Abbado
La traviata: Preludio
Bayerisches Staatsorchester, Carlos Kleiber
—
Nabucco: “Va pensiero sull’ali dorate“
Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli
—
Pagliacci
José Carreras, London Symphony Orchestra, Jesús López Cobos
—
Die Entführung aus dem Serail: No. 19 Arie "Ha, wie will ich trumphieren"
Kurt Moll, Staatskapelle Dresden, Karl Böhm
—
Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm
Orfeo ed Euridice: "Che farò senza Euridice?" (Orfeo)
Anne Sofie von Otter, The English Concert, Trevor Pinnock
—
La Bohème: Act I. "Che gelida manina" (Rodolfo)
Roberto Alagna, Orchestra del Teatro alla Scala di Milano, Riccardo Chailly
—
Mirella Freni, Philharmonia Orchestra, Giuseppe Sinopoli
Rigoletto: Atto III, scena 1. Canzone: La donna è mobile
Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini
—
Romano Gandolfi, Coro del Teatro alla Scala di Milano, Nicolaï Ghiaurov, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
Die Fledermaus: Komm mit mir zum Souper
—
Die Fledermaus: Akt I. Nr. 5 Finale „Trinke, Liebchen, trinke schnell“
René Kollo, Júlia Várady, Bayerisches Staatsorchester, Carlos Kleiber
—
Plácido Domingo, London Symphony Orchestra, Karl-Heinz Loges
Die lustige Witwe: Lippen schweigen
—
Paganini: Gern hab' ich die Frau'n geküßt
—
Die schöne Helena: Dem Mann die Treue zu bewahren
—
Die Zirkusprinzessin: Wenn man das Leben durch's Champagnerglas betrachtet - Zwei Märchenaugen
—
Gräfin Mariza: Wenn es Abend wird - Grüß' mir die süßen, die reizenden Frauen
—
Wiener Blut: Wiener Blut
—
Boccaccio: Hab' ich nur deine Liebe
—
Der Vetter aus Dingsda: Ich bin nur ein armer Wandergesell
—
Der Bettelstudent: Ich knüpfte manche zarte Bande
—
Der Vogelhändler: Schenkt man sich Rosen in Tirol
—
Eine Nacht in Venedig: Ach, wie so herrlich zu schau'n
—
Die lustige Witwe: Akt I. O Vaterland - Da geh' ich zu Maxim
—
Die Fledermaus: Akt II. Klänge der Heimat
—
Der Zigeunerbaron: Als flotter Geist - Ja, das alles auf Ehr'
—
Die Fledermaus: Spiel' ich die Unschuld vom Lande
—
Viktoria und ihr Husar: Reich mir zum Abschied noch einmal die Hände
—
Die Schöpfung - Die Himmel erzählen die Ehre Gottes
—
Wynford Evans, Lisa Beznosiuk, English Baroque Soloists, Sir John Eliot Gardiner
Donna, che in ciel, Marien-Kantate HWV 233 - Maria salue e speme
—
Ave verum corpus, KV 618
Regensburger Domchor, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
—
Ave Maria
Singgemeinschaft R. Lamy, Fritz Wunderlich, Symphonieorchester Graunke, Hans Carste
—
Münchener Bach-Chor, Munich Bach Orchestra, Solistengemeinschaft der Bachwoche Ansbach, Karl Richter
Barbara Bonney, The English Concert Choir, The English Concert, Trevor Pinnock
Agnus Dei
—
Ave Maria, WAB 6
Wolfgang Schubert, Chor des Bayerischen Rundfunks, Eugen Jochum
—
Massa da Requiem - Ingemisco
—
Requiem Op. 48 - Pie Jesu
—
Messe C-Moll KV 427 »Große Messe« - Gloria: Laudamus te
—
Stabat Mater - Sancta Mater istud agas
—
Messiah, HWV 56: Part II. Chorus: “Hallelujah”
The John Alldis Choir, London Philharmonic Orchestra, Karl Richter
—
Kiss Me Kate: So in Love
—
Carousel: You'll Never Walk Alone
—
The Wizard of Oz: Somewhere Over the Rainbow
—
My Fair Lady: On the Street Where You Live
—
My Fair Lady: I Could Have Danced All Night
—
The Lion King: Can You Feel the Love Tonight
—
Sunset Boulevard: With One Look
—
Cats: Memory
—
Cabaret: Mein Herr
Ute Lemper
—
Cotton Club Paradise: Stormy Weather
—
Girl Crazy: I Got Rhythm
—
Show Boat: Ol' Man River
—
Aspects of Love: Love Changes Everything
—
Das Phantom der Oper: The Music of the Night
—
Anatevka - Fiddler on the Roof: If I Were a Rich Man
—
Oklahoma! Oklahoma
—
Aufforderung zum Tanz Op. 65
—
The Nutcracker, Op. 71: Suite. II. Danses Caractéristiques: d. Arab Dance
Boston Symphony Orchestra, Seiji Ozawa
—
Schwanensee: Tanz der kleinen Schwäne
—
Schwanensee: Walzer
—
Gaîte parisienne: Vivi - Barcarole - Allegro moderato
—
Zar und Zimmermann: Holzschuhtanz
—
Les Sylphides: Walzer
—
Boston Symphony Orchestra, Seiji Ozawa
Romano Gandolfi, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
Faust (Margarethe): Walzer
—
Boston Symphony Orchestra, Seiji Ozawa
András Schiff, Camerata Salzburg, Sándor Végh
Symphony no. 104 in D major, Hob. I:104 “London”: III. Menuet: Allegro – Trio – Menuet
London Philharmonic Orchestra, Eugen Jochum
—
Plácido Domingo, Orchester der Wiener Staatsoper, Vienna Philharmonic Orchestra, Carlo Maria Giulini
Renée Fleming, London Philharmonic Orchestra, Charles Mackerras
Swan Lake, op. 20: Act II: no. 10: Scène. Moderato
Boston Symphony Orchestra, Seiji Ozawa
—
Gianni Schicchi: Aria “O mio babbino caro” (Lauretta)
Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti
—
Philharmonia Orchestra, Giuseppe Sinopoli
Andrea Chénier: La mamma morta
Montserrat Caballé, National Philharmonic Orchestra, Riccardo Chailly
—
Koninklijk Concertgebouworkest, Riccardo Chailly
Requiem in D minor, K. 626: 3. Sequentia: Dies irae
Norbert Balatsch, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Karl Böhm
—
Pomp and Circumstance: no. 1 in D major, op. 39
Philharmonia Orchestra, Giuseppe Sinopoli
—
Thais - Meditation
—
Gothenburg Symphony Orchestra, Neeme Järvi
Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
Oboe Concerto in D minor: Adagio
Douglas Boyd, The Chamber Orchestra of Europe
—
Leo Winland, Göteborgs Symfoniker, Neeme Järvi
Concerto for Violoncello and Orchestra in B-flat major: I. Allegro moderato
Matt Haimovitz, English Chamber Orchestra, Andrew Davis
—
Horn Concerto no. 3 in E-flat major, K 447: I. Allegro
William Purvis, Orpheus Chamber Orchestra
—
Brandenburgisches Konzert No. 5 - D-Dur BWV 1050 - 2. Affettuoso
—
Kinderszenen, op. 15: VII. Träumerei
Martha Argerich
—
Friedrich Gulda, Wiener Philharmoniker, Claudio Abbado
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
Emil Gilels
—
Toccata. Adagio & Fuge BWV 564 - 2. Adagio
—
Sonata Es-dur: 2. Andante
Camerata Bern, Thomas Füri
—
Fantasia on "Greensleeves"
Orpheus Chamber Orchestra
—
Mischa Maisky, Orchestre de Paris, Semyon Bychkov
Additional database matches (8)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: III. Allegro | David Oistrakh, Igor Oistrakh, Royal Philharmonic Orchestra, Sir Eugene Goossens | — |
| Symphony no. 4 in E-flat major "Romantic": 3. Scherzo. Bewegt - Trio. Nicht zu schnell. Keinesfalls scheppend | Berliner Philharmoniker, Eugen Jochum | — |
| La traviata: “Libiamo ne lieti calici“ (Brindisi) | Wolfgang Baumgart, Chor der Bayerischen Staatsoper, Ileana Cotrubaș, Plácido Domingo, Alfredo Giacomotti, Bruno Grella, Walter Gullino, Stefania Malagú, Bayerisches Staatsorchester, Carlos Kleiber | T-906.859.796-6 |
| Rigoletto: Atto III, scena 1. Canzone: La donna è mobile | Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | — |
| Rigoletto: Atto III. “La donna è mobile” | Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini | T-318.237.508-8 |
| Concerto No. 3 in G major, BWV 1048: I. ohne Satzbezeichnung | The English Concert, Trevor Pinnock | — |
| Horn Concerto no. 3 in E-flat major, K 447: II. Romance. Larghetto | William Purvis, Orpheus Chamber Orchestra | — |
| Concerto for Violoncello and Orchestra in B-flat major: II. Adagio non troppo | Matt Haimovitz, English Chamber Orchestra, Andrew Davis | — |
Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: III. Allegro
David Oistrakh, Igor Oistrakh, Royal Philharmonic Orchestra, Sir Eugene Goossens
—
Symphony no. 4 in E-flat major "Romantic": 3. Scherzo. Bewegt - Trio. Nicht zu schnell. Keinesfalls scheppend
Berliner Philharmoniker, Eugen Jochum
—
Wolfgang Baumgart, Chor der Bayerischen Staatsoper, Ileana Cotrubaș, Plácido Domingo, Alfredo Giacomotti, Bruno Grella, Walter Gullino, Stefania Malagú, Bayerisches Staatsorchester, Carlos Kleiber
Rigoletto: Atto III, scena 1. Canzone: La donna è mobile
Plácido Domingo, Piero Cappuccilli, Nicolaï Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini
—
Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini
Concerto No. 3 in G major, BWV 1048: I. ohne Satzbezeichnung
The English Concert, Trevor Pinnock
—
Horn Concerto no. 3 in E-flat major, K 447: II. Romance. Larghetto
William Purvis, Orpheus Chamber Orchestra
—
Concerto for Violoncello and Orchestra in B-flat major: II. Adagio non troppo
Matt Haimovitz, English Chamber Orchestra, Andrew Davis
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-001.322.740-1T-001.439.586-8T-001.455.377-5T-003.008.352-3T-003.506.743-6T-005.001.197-6T-010.038.645-5T-010.519.159-0T-010.695.641-5T-010.860.260-3
+20 more
T-010.976.460-4T-011.363.225-9T-011.478.222-7T-037.659.054-3T-070.000.199-5T-070.010.575-4T-070.000.199-5T-070.010.575-4T-070.136.283-5T-070.137.905-6T-070.158.462-4T-070.158.980-1T-070.159.949-6T-070.211.146-3T-070.248.859-2T-070.902.566-0T-070.902.956-0T-072.911.566-5T-300.003.632-4T-305.157.600-8
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055145451000000005514618X00000000551640890000000055169015000000005517910900000000551864560000000055353517000000006097350X00000000630419430000000063083983
+20 more
00000000630860090000000073637732000000007366918700000000756293060000000077319555000000007839301X00000000783981440000000078398216000000007990190100000000814744430000000081610652000000008162448000000000816924320000000081823770000000008185716100000000836489610000000083849456000000008398109400000000841465170000000106717684
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What is UPC 028948010233?
028948010233 is a Universal Product Code (UPC) assigned to Faszination Klassik by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 155 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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