UPC · Release
Gabriel Fauré, Carlo Maria Giulini, Seiji Ozawa
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The UPC for “Requiem / Pavane / Pelléas et Mélisande” by Gabriel Fauré, Carlo Maria Giulini, Seiji Ozawa is 028948079360. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 14 tracks, each with its own ISRC. Tracks include DEF058600842, DEF058600843, DEF058600844.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Requiem, op. 48: I. Introït et Kyrie “Requiem aeternam dona eis, Domine” – “Kyrie eleison” | Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini | T-900.175.670-3 | |
| 2 | Requiem, op. 48: II. Offertoire “O Domine Jesu Christe, Rex gloriae” | Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini | — | |
| 3 | Requiem, op. 48: III. Sanctus “Sanctus, Sanctus, Sanctus Dominus, Deus Sabaoth” | Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini | T-003.012.217-8 | |
| 4 | Requiem, op. 48: IV. Pie Jesu “Pie Jesu Domine” | Horst Neumann, Andreas Schmidt, Kathleen Battle, Philharmonia Chorus, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini | T-010.065.879-4 | |
| 5 | Requiem, op. 48: V. Agnus Dei “Agnus Dei, qui tollis peccata mundi” | Horst Neumann, Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini | T-926.356.677-4 | |
| 6 | Requiem, op. 48: VI. Libera me “Libera me, Domine, de morte aeterna” | Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini | — | |
| 7 | Requiem, op. 48: VII. In Paradisum “In Paradisum deducant angeli” | Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini | T-924.489.944-3 | |
| 8 | Pavane, op. 50 | John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa | T-909.340.218-7 | |
| 9 | Pelléas et Mélisande, op. 80: I. Prélude: Quasi adagio | Boston Symphony Orchestra, Seiji Ozawa | T-004.021.527-7 | |
| 10 | Pelléas et Mélisande, op. 80: II. Fileuse: Andantino quasi allegretto | Boston Symphony Orchestra, Seiji Ozawa | T-004.021.527-7 | |
| 11 | Pelléas et Mélisande, op. 80: III. Chanson de Mélisande | Lorraine Hunt, Boston Symphony Orchestra, Seiji Ozawa | T-003.018.951-5 | |
| 12 | Pelléas et Mélisande, op. 80: IV. Sicilienne: Allegretto molto moderato | Boston Symphony Orchestra, Seiji Ozawa | T-004.021.527-7 | |
| 13 | Pelléas et Mélisande, op. 80: V. La Mort de Mélisande: Molto adagio | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 14 | Elègie pour Violoncelle et orchestre, Op. 24: Molto adagio | — |
Identifier Graph
028948079360 is a Universal Product Code (UPC) assigned to Requiem / Pavane / Pelléas et Mélisande by Gabriel Fauré, Carlo Maria Giulini, Seiji Ozawa. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 14 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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Songwriters/Publishers (IPI)
The UPC for “Requiem / Pavane / Pelléas et Mélisande” by Gabriel Fauré, Carlo Maria Giulini, Seiji Ozawa is 028948079360. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 14 tracks, each with its own ISRC. Tracks include DEF058600842, DEF058600843, DEF058600844.
