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Requiem / Pavane / Pelléas et Mélisande

UPC · Release

Requiem / Pavane / Pelléas et Mélisande

Gabriel Fauré, Carlo Maria Giulini, Seiji Ozawa

028948079360
14 tracks

Last verified: September 12, 2026

028948079360 is the Universal Product Code (UPC barcode) for the release “Requiem / Pavane / Pelléas et Mélisande” by Gabriel Fauré, Carlo Maria Giulini, Seiji Ozawa. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 14 tracks, each with its own ISRC. Tracks include DEF058600842, DEF058600843, DEF058600844.

Format

0Number system
28948Manufacturer
07936Product
0Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCRequiem / Pavane / Pelléas et Mélisande
ISRC13 recordings
ISWC14 works

Track List (14)

#Track TitleArtist(s)ISWC
Requiem, op. 48: I. Introït et Kyrie “Requiem aeternam dona eis, Domine” – “Kyrie eleison”1Requiem, op. 48: I. Introït et Kyrie “Requiem aeternam dona eis, Domine” – “Kyrie eleison”Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria GiuliniT-900.175.670-3
Requiem, op. 48: II. Offertoire “O Domine Jesu Christe, Rex gloriae”2Requiem, op. 48: II. Offertoire “O Domine Jesu Christe, Rex gloriae”Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini—
Requiem, op. 48: III. Sanctus “Sanctus, Sanctus, Sanctus Dominus, Deus Sabaoth”3Requiem, op. 48: III. Sanctus “Sanctus, Sanctus, Sanctus Dominus, Deus Sabaoth”Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria GiuliniT-003.012.217-8
Requiem, op. 48: IV. Pie Jesu “Pie Jesu Domine”4Requiem, op. 48: IV. Pie Jesu “Pie Jesu Domine”Horst Neumann, Andreas Schmidt, Kathleen Battle, Philharmonia Chorus, Timothy Farrell, Philharmonia Orchestra, Carlo Maria GiuliniT-010.065.879-4
Requiem, op. 48: V. Agnus Dei “Agnus Dei, qui tollis peccata mundi”5Requiem, op. 48: V. Agnus Dei “Agnus Dei, qui tollis peccata mundi”Horst Neumann, Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Timothy Farrell, Philharmonia Orchestra, Carlo Maria GiuliniT-926.356.677-4
Requiem, op. 48: VI. Libera me “Libera me, Domine, de morte aeterna”6Requiem, op. 48: VI. Libera me “Libera me, Domine, de morte aeterna”Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini—
Requiem, op. 48: VII. In Paradisum “In Paradisum deducant angeli”7Requiem, op. 48: VII. In Paradisum “In Paradisum deducant angeli”Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria GiuliniT-924.489.944-3
Pavane, op. 508Pavane, op. 50John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji OzawaT-909.340.218-7
Pelléas et Mélisande, op. 80: I. Prélude: Quasi adagio9Pelléas et Mélisande, op. 80: I. Prélude: Quasi adagioBoston Symphony Orchestra, Seiji OzawaT-004.021.527-7
Pelléas et Mélisande, op. 80: II. Fileuse: Andantino quasi allegretto10Pelléas et Mélisande, op. 80: II. Fileuse: Andantino quasi allegrettoBoston Symphony Orchestra, Seiji OzawaT-004.021.527-7
Pelléas et Mélisande, op. 80: III. Chanson de Mélisande11Pelléas et Mélisande, op. 80: III. Chanson de MélisandeLorraine Hunt, Boston Symphony Orchestra, Seiji OzawaT-003.018.951-5
Pelléas et Mélisande, op. 80: IV. Sicilienne: Allegretto molto moderato12Pelléas et Mélisande, op. 80: IV. Sicilienne: Allegretto molto moderatoBoston Symphony Orchestra, Seiji OzawaT-004.021.527-7
Pelléas et Mélisande, op. 80: V. La Mort de Mélisande: Molto adagio13Pelléas et Mélisande, op. 80: V. La Mort de Mélisande: Molto adagioBoston Symphony Orchestra, Seiji Ozawa—
Elègie pour Violoncelle et orchestre, Op. 24: Molto adagio14Elègie pour Violoncelle et orchestre, Op. 24: Molto adagio—
Requiem, op. 48: I. Introït et Kyrie “Requiem aeternam dona eis, Domine” – “Kyrie eleison”
Requiem, op. 48: I. Introït et Kyrie “Requiem aeternam dona eis, Domine” – “Kyrie eleison”
Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini
T-900.175.670-3
Requiem, op. 48: II. Offertoire “O Domine Jesu Christe, Rex gloriae”
Requiem, op. 48: II. Offertoire “O Domine Jesu Christe, Rex gloriae”
Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini
—
Requiem, op. 48: III. Sanctus “Sanctus, Sanctus, Sanctus Dominus, Deus Sabaoth”
Requiem, op. 48: III. Sanctus “Sanctus, Sanctus, Sanctus Dominus, Deus Sabaoth”
Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini
T-003.012.217-8
Requiem, op. 48: IV. Pie Jesu “Pie Jesu Domine”
Requiem, op. 48: IV. Pie Jesu “Pie Jesu Domine”
Horst Neumann, Andreas Schmidt, Kathleen Battle, Philharmonia Chorus, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini
T-010.065.879-4
Requiem, op. 48: V. Agnus Dei “Agnus Dei, qui tollis peccata mundi”
Requiem, op. 48: V. Agnus Dei “Agnus Dei, qui tollis peccata mundi”
Horst Neumann, Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini
T-926.356.677-4
Requiem, op. 48: VI. Libera me “Libera me, Domine, de morte aeterna”
Requiem, op. 48: VI. Libera me “Libera me, Domine, de morte aeterna”
Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini
—
Requiem, op. 48: VII. In Paradisum “In Paradisum deducant angeli”
Requiem, op. 48: VII. In Paradisum “In Paradisum deducant angeli”
Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini
T-924.489.944-3
Pavane, op. 50
Pavane, op. 50
John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
T-909.340.218-7
Pelléas et Mélisande, op. 80: I. Prélude: Quasi adagio
Pelléas et Mélisande, op. 80: I. Prélude: Quasi adagio
Boston Symphony Orchestra, Seiji Ozawa
T-004.021.527-7
Pelléas et Mélisande, op. 80: II. Fileuse: Andantino quasi allegretto
Pelléas et Mélisande, op. 80: II. Fileuse: Andantino quasi allegretto
Boston Symphony Orchestra, Seiji Ozawa
T-004.021.527-7
Pelléas et Mélisande, op. 80: III. Chanson de Mélisande
Pelléas et Mélisande, op. 80: III. Chanson de Mélisande
Lorraine Hunt, Boston Symphony Orchestra, Seiji Ozawa
T-003.018.951-5
Pelléas et Mélisande, op. 80: IV. Sicilienne: Allegretto molto moderato
Pelléas et Mélisande, op. 80: IV. Sicilienne: Allegretto molto moderato
Boston Symphony Orchestra, Seiji Ozawa
T-004.021.527-7
Pelléas et Mélisande, op. 80: V. La Mort de Mélisande: Molto adagio
Pelléas et Mélisande, op. 80: V. La Mort de Mélisande: Molto adagio
Boston Symphony Orchestra, Seiji Ozawa
—
Elègie pour Violoncelle et orchestre, Op. 24: Molto adagio
Elègie pour Violoncelle et orchestre, Op. 24: Molto adagio
—

What other identifiers does this connect to?

Musical Works (ISWC)

T-003.012.217-8T-003.012.217-8T-003.018.951-5T-004.021.527-7T-909.340.218-7T-924.489.944-3T-924.489.944-3T-926.356.677-4T-926.356.677-4T-003.018.951-5
+4 more
T-004.021.527-7T-010.065.879-4T-900.175.670-3T-909.340.218-7

Creative Contributors (ISNI)

000000005516408900000000798308160000000081255830000000010941680100000001102319940000000110823228000000011795153X000000011954617500000001195491140000000120958484
+2 more
00000001216150370000000121754651
SourcesMusicBrainzMLCNotesMusicBrainz✓4 sources

Verified on

  • MusicBrainz release search

Identifier Graph

UPCRequiem / Pavan…ISRCRequiem, op. 48…ISRCRequiem, op. 48…ISRCRequiem, op. 48…ISRCRequiem, op. 48…ISRCRequiem, op. 48…

People also ask

What is UPC 028948079360?+
UPC 028948079360 is the Universal Product Code (barcode) for "Requiem / Pavane / Pelléas et Mélisande" by Gabriel Fauré, Carlo Maria Giulini, Seiji Ozawa.
What is a UPC code in music?+
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?+
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 028948079360?+
UPC 028948079360 contains 14 tracks, each with its own ISRC.

What is UPC 028948079360?

028948079360 is a Universal Product Code (UPC) assigned to Requiem / Pavane / Pelléas et Mélisande by Gabriel Fauré, Carlo Maria Giulini, Seiji Ozawa. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 14 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm

Gabriel Fauré, Carlo Maria Giulini, Seiji Ozawa

028948079360 is the Universal Product Code (UPC barcode) for the release “Requiem / Pavane / Pelléas et Mélisande” by Gabriel Fauré, Carlo Maria Giulini, Seiji Ozawa. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 14 tracks, each with its own ISRC. Tracks include DEF058600842, DEF058600843, DEF058600844.

Track List (14)

#Track TitleArtist(s)ISWC
Requiem, op. 48: I. Introït et Kyrie “Requiem aeternam dona eis, Domine” – “Kyrie eleison”1Requiem, op. 48: I. Introït et Kyrie “Requiem aeternam dona eis, Domine” – “Kyrie eleison”Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria GiuliniT-900.175.670-3
Requiem, op. 48: II. Offertoire “O Domine Jesu Christe, Rex gloriae”2Requiem, op. 48: II. Offertoire “O Domine Jesu Christe, Rex gloriae”Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini—
Requiem, op. 48: III. Sanctus “Sanctus, Sanctus, Sanctus Dominus, Deus Sabaoth”3Requiem, op. 48: III. Sanctus “Sanctus, Sanctus, Sanctus Dominus, Deus Sabaoth”Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria GiuliniT-003.012.217-8
Requiem, op. 48: IV. Pie Jesu “Pie Jesu Domine”4Requiem, op. 48: IV. Pie Jesu “Pie Jesu Domine”Horst Neumann, Andreas Schmidt, Kathleen Battle, Philharmonia Chorus, Timothy Farrell, Philharmonia Orchestra, Carlo Maria GiuliniT-010.065.879-4
Requiem, op. 48: V. Agnus Dei “Agnus Dei, qui tollis peccata mundi”5Requiem, op. 48: V. Agnus Dei “Agnus Dei, qui tollis peccata mundi”Horst Neumann, Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Timothy Farrell, Philharmonia Orchestra, Carlo Maria GiuliniT-926.356.677-4
Requiem, op. 48: VI. Libera me “Libera me, Domine, de morte aeterna”6Requiem, op. 48: VI. Libera me “Libera me, Domine, de morte aeterna”Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini—
Requiem, op. 48: VII. In Paradisum “In Paradisum deducant angeli”7Requiem, op. 48: VII. In Paradisum “In Paradisum deducant angeli”Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria GiuliniT-924.489.944-3
Pavane, op. 508Pavane, op. 50John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji OzawaT-909.340.218-7
Pelléas et Mélisande, op. 80: I. Prélude: Quasi adagio9Pelléas et Mélisande, op. 80: I. Prélude: Quasi adagioBoston Symphony Orchestra, Seiji OzawaT-004.021.527-7
Pelléas et Mélisande, op. 80: II. Fileuse: Andantino quasi allegretto10Pelléas et Mélisande, op. 80: II. Fileuse: Andantino quasi allegrettoBoston Symphony Orchestra, Seiji OzawaT-004.021.527-7
Pelléas et Mélisande, op. 80: III. Chanson de Mélisande11Pelléas et Mélisande, op. 80: III. Chanson de MélisandeLorraine Hunt, Boston Symphony Orchestra, Seiji OzawaT-003.018.951-5
Pelléas et Mélisande, op. 80: IV. Sicilienne: Allegretto molto moderato12Pelléas et Mélisande, op. 80: IV. Sicilienne: Allegretto molto moderatoBoston Symphony Orchestra, Seiji OzawaT-004.021.527-7
Pelléas et Mélisande, op. 80: V. La Mort de Mélisande: Molto adagio13Pelléas et Mélisande, op. 80: V. La Mort de Mélisande: Molto adagioBoston Symphony Orchestra, Seiji Ozawa—
Elègie pour Violoncelle et orchestre, Op. 24: Molto adagio14Elègie pour Violoncelle et orchestre, Op. 24: Molto adagio—
Requiem, op. 48: I. Introït et Kyrie “Requiem aeternam dona eis, Domine” – “Kyrie eleison”
Requiem, op. 48: I. Introït et Kyrie “Requiem aeternam dona eis, Domine” – “Kyrie eleison”
Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini
T-900.175.670-3
Requiem, op. 48: II. Offertoire “O Domine Jesu Christe, Rex gloriae”
Requiem, op. 48: II. Offertoire “O Domine Jesu Christe, Rex gloriae”
Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini
—
Requiem, op. 48: III. Sanctus “Sanctus, Sanctus, Sanctus Dominus, Deus Sabaoth”
Requiem, op. 48: III. Sanctus “Sanctus, Sanctus, Sanctus Dominus, Deus Sabaoth”
Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini
T-003.012.217-8
Requiem, op. 48: IV. Pie Jesu “Pie Jesu Domine”
Requiem, op. 48: IV. Pie Jesu “Pie Jesu Domine”
Horst Neumann, Andreas Schmidt, Kathleen Battle, Philharmonia Chorus, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini
T-010.065.879-4
Requiem, op. 48: V. Agnus Dei “Agnus Dei, qui tollis peccata mundi”
Requiem, op. 48: V. Agnus Dei “Agnus Dei, qui tollis peccata mundi”
Horst Neumann, Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini
T-926.356.677-4
Requiem, op. 48: VI. Libera me “Libera me, Domine, de morte aeterna”
Requiem, op. 48: VI. Libera me “Libera me, Domine, de morte aeterna”
Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini
—
Requiem, op. 48: VII. In Paradisum “In Paradisum deducant angeli”
Requiem, op. 48: VII. In Paradisum “In Paradisum deducant angeli”
Kathleen Battle, Andreas Schmidt, Philharmonia Chorus, Orchestra, Carlo Maria Giulini
T-924.489.944-3
Pavane, op. 50
Pavane, op. 50
John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
T-909.340.218-7
Pelléas et Mélisande, op. 80: I. Prélude: Quasi adagio
Pelléas et Mélisande, op. 80: I. Prélude: Quasi adagio
Boston Symphony Orchestra, Seiji Ozawa
T-004.021.527-7
Pelléas et Mélisande, op. 80: II. Fileuse: Andantino quasi allegretto
Pelléas et Mélisande, op. 80: II. Fileuse: Andantino quasi allegretto
Boston Symphony Orchestra, Seiji Ozawa
T-004.021.527-7
Pelléas et Mélisande, op. 80: III. Chanson de Mélisande
Pelléas et Mélisande, op. 80: III. Chanson de Mélisande
Lorraine Hunt, Boston Symphony Orchestra, Seiji Ozawa
T-003.018.951-5
Pelléas et Mélisande, op. 80: IV. Sicilienne: Allegretto molto moderato
Pelléas et Mélisande, op. 80: IV. Sicilienne: Allegretto molto moderato
Boston Symphony Orchestra, Seiji Ozawa
T-004.021.527-7
Pelléas et Mélisande, op. 80: V. La Mort de Mélisande: Molto adagio
Pelléas et Mélisande, op. 80: V. La Mort de Mélisande: Molto adagio
Boston Symphony Orchestra, Seiji Ozawa
—
Elègie pour Violoncelle et orchestre, Op. 24: Molto adagio
Elègie pour Violoncelle et orchestre, Op. 24: Molto adagio
—