UPC · Release
Herbert von Karajan
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The UPC for “Herbert von Karajan: The Complete DECCA Recordings” by Herbert von Karajan is 028948349036. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2020-01-01. Label: Decca. This release contains 470 tracks, each with its own ISRC. Tracks include GBF075910081, GBF075910082, GBF075910083.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) | Wiener Philharmoniker, Herbert von Karajan | — | |
| 2 | Also sprach Zarathustra, op. 30: II. Von den Hinterweltlern | Wiener Philharmoniker, Herbert von Karajan | — | |
| 3 | Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht | Wiener Philharmoniker, Herbert von Karajan | — | |
| 4 | Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften | Wiener Philharmoniker, Herbert von Karajan | — | |
| 5 | Also sprach Zarathustra, op. 30: V. Das Grablied | Wiener Philharmoniker, Herbert von Karajan | — | |
| 6 | Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft | Wiener Philharmoniker, Herbert von Karajan | — | |
| 7 | Also sprach Zarathustra, op. 30: VII. Der Genesende | Wiener Philharmoniker, Herbert von Karajan | — | |
| 8 | Also sprach Zarathustra, op. 30: VIII. Das Tanzlied | Wiener Philharmoniker, Herbert von Karajan | — | |
| 9 | Also sprach Zarathustra, op. 30: IX. Nachtwandlerlied | Wiener Philharmoniker, Herbert von Karajan | — | |
| 2-1 | Don Juan, op. 20 | Wiener Philharmoniker, Herbert von Karajan | T-801.916.776-2 | |
| 2-2 | Tod und Verklärung, Op. 24 | Wiener Philharmoniker, Herbert von Karajan | — | |
| 2-3 | Till Eulenspiegels lustige Streiche, op. 28 | Wiener Philharmoniker, Herbert von Karajan | — | |
| 2-4 | Salome, op. 54: Tanz der sieben Schleier | Wiener Philharmoniker, Herbert von Karajan | — | |
| 3-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Wiener Philharmoniker, Herbert von Karajan | — | |
| 3-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | Wiener Philharmoniker, Herbert von Karajan | T-071.481.827-5 | |
| 3-3 | Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto | Wiener Philharmoniker, Herbert von Karajan | — | |
| 3-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Wiener Philharmoniker, Herbert von Karajan | — | |
| 3-5 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto, Allegro | Wiener Philharmoniker, Herbert von Karajan | T-902.759.514-8 | |
| 3-6 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | Wiener Philharmoniker, Herbert von Karajan | — | |
| 3-7 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | Wiener Philharmoniker, Herbert von Karajan | — | |
| 3-8 | Symphony no. 1 in C minor, op. 68: IV. Adagio - Allegro non troppo, ma con brio | Wiener Philharmoniker, Herbert von Karajan | — | |
| 4-1 | Symphony No. 40 in G minor, K. 550 “Great”: I. Allegro molto | Wiener Philharmoniker, Herbert von Karajan | — | |
| 4-2 | Symphony no. 40 in G minor, K. 550: II. Andante | Wiener Philharmoniker, Herbert von Karajan | T-902.876.200-7 | |
| 4-3 | Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto | Wiener Philharmoniker, Herbert von Karajan | T-902.876.200-7 | |
| 4-4 | Symphony no. 40 in G minor, K. 550: IV. Allegro assai | Wiener Philharmoniker, Herbert von Karajan | — | |
| 4-5 | Symphony no. 104 in D major "London": I. Adagio - Allegro | Wiener Philharmoniker, Herbert von Karajan | — | |
| 4-6 | Symphony no. 104 in D major "London": II. Andante | Wiener Philharmoniker, Herbert von Karajan | T-071.481.827-5 | |
| 4-7 | Symphony no. 104 in D major "London": III. Menuet e trio: Allegro | Wiener Philharmoniker, Herbert von Karajan | T-902.876.200-7 | |
| 4-8 | Symphony no. 104 in D major "London": IV. Finale: Spiritoso | Wiener Philharmoniker, Herbert von Karajan | T-318.676.528-2 | |
| 5-1 | Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace | Wiener Philharmoniker, Herbert von Karajan | — | |
| 5-2 | Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile | Wiener Philharmoniker, Herbert von Karajan | — | |
| 5-3 | Symphony no. 41 in C major, K. 551 "Jupiter": III. Menuetto | Wiener Philharmoniker, Herbert von Karajan | T-902.876.200-7 | |
| 5-4 | Symphony no. 41 in C major, K. 551 "Jupiter": IV. Finale, Molto allegro | Wiener Philharmoniker, Herbert von Karajan | T-312.542.381-2 | |
| 5-5 | Symphony no. 103 in E-flat major, "Drum Roll": I. Adagio, Allegro con spirito | Wiener Philharmoniker, Herbert von Karajan | — | |
| 5-6 | Symphony no. 103 in E-flat major, "Drum Roll": II. Andante più tosto allegretto | Wiener Philharmoniker, Herbert von Karajan | T-910.783.706-9 | |
| 5-7 | Symphony no. 103 in E-flat major, "Drum Roll": III. Menuetto | Wiener Philharmoniker, Herbert von Karajan | — | |
| 5-8 | Symphony no. 103 in E-flat major, "Drum Roll": IV. Finale, Allegro con spirito | Wiener Philharmoniker, Herbert von Karajan | T-318.676.528-2 | |
| 6-1 | Die Fledermaus: Overture | — | ||
| 6-2 | Annen: Polka | Wiener Philharmoniker, Herbert von Karajan | — | |
| 6-3 | Delirien, Walzer op. 212 | Wiener Philharmoniker, Herbert von Karajan | — | |
| 6-4 | Der Zigeunerbaron: Ouverture | Wiener Philharmoniker, Herbert von Karajan | — | |
| 6-5 | Auf der Jagd: Polka | Wiener Philharmoniker, Herbert von Karajan | — | |
| 6-6 | Geschichten aus dem Wienerwald: Walzer | Wiener Philharmoniker, Herbert von Karajan | — | |
| 7-1 | The Planets, op. 32: I. Mars, the Bringer of War | Wiener Philharmoniker, Herbert von Karajan | T-923.663.725-5 | |
| 7-2 | The Planets, op. 32: II. Venus, the Bringer of Peace | Wiener Philharmoniker, Herbert von Karajan | — | |
| 7-3 | The Planets, op. 32: III. Mercury, the Winged Messenger | Wiener Philharmoniker, Herbert von Karajan | — | |
| 7-4 | The Planets, op. 32: IV. Jupiter, the Bringer of Jollity | Wiener Philharmoniker, Herbert von Karajan | T-101.257.909-6 | |
| 7-5 | The Planets, op. 32: V. Saturn, the Bringer of Old Age | Wiener Philharmoniker, Herbert von Karajan | — | |
| 7-6 | The Planets, op. 32: V. Saturn, the Bringer of Old Age | Wiener Philharmoniker, Herbert von Karajan | — | |
| 7-7 | The Planets, op. 32: VII. Neptune, the Mystic | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | — | |
| 7-8 | Peer Gynt Suite no. 1, op. 46: Morning Mood | Wiener Philharmoniker, Herbert von Karajan | — | |
| 7-9 | Music from Peer Gynt, Op. 23: The Death of Ase | Wiener Philharmoniker, Herbert von Karajan | T-912.652.797-7 | |
| 7-10 | Music from Peer Gynt, Op. 23: Anitra's Dance | Wiener Philharmoniker, Herbert von Karajan | T-928.635.589-3 | |
| 7-11 | Music from Peer Gynt, Op. 23: In the Hall of the Mountain King | Wiener Philharmoniker, Herbert von Karajan | — | |
| 7-12 | Music from Peer Gynt, Op. 23: Ingrid's Lament | Wiener Philharmoniker, Herbert von Karajan | T-071.721.093-9 | |
| 7-13 | Music from Peer Gynt, Op. 23: Solveig's Song | Wiener Philharmoniker, Herbert von Karajan | — | |
| 8-1 | Romeo and Juliet, Fantasy Overture (1869-70) | Wiener Philharmoniker, Herbert von Karajan | T-905.031.800-8 | |
| 8-2 | The Nutcracker Suite: Ouverture Miniature | Wiener Philharmoniker, Herbert von Karajan | T-312.199.363-9 | |
| 8-3 | The Nutcracker Suite: Marche (Act I) | Wiener Philharmoniker, Herbert von Karajan | T-304.210.691-8 | |
| 8-4 | The Nutcracker Suite: Dance of the Sugar-Plum Fairy (Act II) | Wiener Philharmoniker, Herbert von Karajan | — | |
| 8-5 | The Nutcracker Suite: Trepak (Russian dance) (Act II) | Wiener Philharmoniker, Herbert von Karajan | T-312.199.363-9 | |
| 8-6 | The Nutcracker Suite: Arab Dance (Act II) | Wiener Philharmoniker, Herbert von Karajan | T-312.199.363-9 | |
| 8-7 | The Nutcracker Suite: Chinese Dance (Act II) | Wiener Philharmoniker, Herbert von Karajan | T-312.199.363-9 | |
| 8-8 | The Nutcracker Suite: Dance of the Reed Pipes (Act II) | Wiener Philharmoniker, Herbert von Karajan | T-900.140.239-7 | |
| 8-9 | The Nutcracker Suite: Waltz of the Flowers (Act II) | Wiener Philharmoniker, Herbert von Karajan | T-312.199.363-9 | |
| 9-1 | Swan Lake Suite: Scene (Act II) | Wiener Philharmoniker, Herbert von Karajan | — | |
| 9-2 | Swan Lake Suite: Valse (Act I) | Wiener Philharmoniker, Herbert von Karajan | — | |
| 9-3 | Swan Lake Suite: Dance of the Little Swans (Act II) | Wiener Philharmoniker, Herbert von Karajan | — | |
| 9-4 | Swan Lake Suite: Scene and Second Dance of the Queen of the Swans (Act II) | Wiener Philharmoniker, Herbert von Karajan | T-900.160.317-4 | |
| 9-5 | Swan Lake Suite: Czardas (Act III) | Wiener Philharmoniker, Herbert von Karajan | T-900.160.317-4 | |
| 9-6 | Swan Lake Suite: Finale (Act IV) | Wiener Philharmoniker, Herbert von Karajan | T-900.160.317-4 | |
| 9-7 | The Sleeping Beauty Suite: Introduction and Lilac Fairy (Prologue) | Wiener Philharmoniker, Herbert von Karajan | — | |
| 9-8 | The Sleeping Beauty Suite: Pas D'Action (Adagio) (Act I) | Wiener Philharmoniker, Herbert von Karajan | T-926.359.944-6 | |
| 9-9 | The Sleeping Beauty Suite: Pas De Caractere (Puss in Boots) (Act III) | Wiener Philharmoniker, Herbert von Karajan | T-905.014.886-2 | |
| 9-10 | The Sleeping Beauty Suite: Panorama (Act II) | Wiener Philharmoniker, Herbert von Karajan | — | |
| 9-11 | The Sleeping Beauty Suite: Valse (Act I) | Wiener Philharmoniker, Herbert von Karajan | T-905.381.461-2 | |
| 10-1 | Giselle: Act I. Introduction | Wiener Philharmoniker, Herbert von Karajan | — | |
| 10-2 | Giselle: Act un. Les vendangeurs | Wiener Philharmoniker, Herbert von Karajan | — | |
| 10-3 | Giselle: Act un. Entree du Prince | Wiener Philharmoniker, Herbert von Karajan | — | |
| 10-4 | Giselle: Act un. Loys seul et entree de Giselle - scene d'amour | Wiener Philharmoniker, Herbert von Karajan | — | |
| 10-5 | Giselle: Act un. Retour des vendangeurs - Valse | Wiener Philharmoniker, Herbert von Karajan | — | |
| 10-6 | Giselle: Act un. Pas de deux | Wiener Philharmoniker, Herbert von Karajan | — | |
| 10-7 | Giselle: Act un. La chasse | Wiener Philharmoniker, Herbert von Karajan | — | |
| 10-8 | Giselle: Act un. Marche des vignerons | Wiener Philharmoniker, Herbert von Karajan | — | |
| 10-9 | Giselle: Act un. Variation de Giselle | Wiener Philharmoniker, Herbert von Karajan | — | |
| 10-10 | Giselle: Act un. Galop general | Wiener Philharmoniker, Herbert von Karajan | — | |
| 10-11 | Giselle: Act un. Final | Wiener Philharmoniker, Herbert von Karajan | — | |
| 10-12 | Giselle: Act duex. Apparition et scene de Myrthe | Wiener Philharmoniker, Herbert von Karajan | — | |
| 10-13 | Giselle: Act duex. Apparition de Giselle | Wiener Philharmoniker, Herbert von Karajan | — | |
| 10-14 | Giselle: Act duex. Entree de Loys - Pas de deux | Wiener Philharmoniker, Herbert von Karajan | — | |
| 10-15 | Giselle: Act duex. Scene des Wilis | Wiener Philharmoniker, Herbert von Karajan | — | |
| 10-16 | Giselle: Act duex. Grand pas de deux | Wiener Philharmoniker, Herbert von Karajan | — | |
| 10-17 | Giselle: Act duex. Variation de Loys | Wiener Philharmoniker, Herbert von Karajan | — | |
| 10-18 | Giselle: Act duex. Variation de Giselle | Wiener Philharmoniker, Herbert von Karajan | — | |
| 10-19 | Giselle: Act duex. Final | Wiener Philharmoniker, Herbert von Karajan | — | |
| 11-1 | Tragic Overture, op. 81 | Wiener Philharmoniker, Herbert von Karajan | — | |
| 11-2 | Symphony no. 3 in F major, op. 90: I. Allegro con brio | Wiener Philharmoniker, Herbert von Karajan | — | |
| 11-3 | Symphony no. 3 in F major, op. 90: II. Andante | Wiener Philharmoniker, Herbert von Karajan | — | |
| 11-4 | Symphony no. 3 in F major, op. 90: III. Poco allegretto | Wiener Philharmoniker, Herbert von Karajan | — | |
| 11-5 | Symphony no. 3 in F major, op. 90: IV. Allegro | Wiener Philharmoniker, Herbert von Karajan | T-318.676.528-2 | |
| 11-6 | Symphony no. 8 in G major, op. 88: I. Allegro con brio | Wiener Philharmoniker, Herbert von Karajan | — | |
| 11-7 | Symphony no. 8 in G major, op. 88: II. Adagio | Wiener Philharmoniker, Herbert von Karajan | — | |
| 11-8 | Symphony no. 8 in G major, op. 88: III. Scherzo - Allegretto grazioso | Wiener Philharmoniker, Herbert von Karajan | — | |
| 11-9 | Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo | Wiener Philharmoniker, Herbert von Karajan | — | |
| 12-1 | Silent Night | Leontyne Price, Wiener Philharmoniker, Herbert von Karajan | T-914.285.596-7 | |
| 12-2 | Hark! The Herald Angels Sing | Leontyne Price, Wiener Philharmoniker, Herbert von Karajan | T-071.425.309-4 | |
| 12-3 | We Three Kings of Orient Are (Arr. Meyer) | — | ||
| 12-4 | Angels We Have Heard on High (Arr. Meyer) | — | ||
| 12-5 | O Tannenbaum | Leontyne Price, Wiener Philharmoniker, Herbert von Karajan | T-700.049.517-2 | |
| 12-6 | God Rest Ye Merry, Gentlemen | Leontyne Price, Wiener Philharmoniker, Herbert von Karajan | T-308.451.509-9 | |
| 12-7 | It Came Upon the Midnight Clear | Leontyne Price, Wiener Philharmoniker, Herbert von Karajan | T-926.890.487-6 | |
| 12-8 | Vom Himmel hoch da komm ich her, BWV 769 (Arr. Meyer) | — | ||
| 12-9 | Sweet Little Jesus Boy (Arr. MacGimsey) | — | ||
| 12-10 | Ave Maria, "Ellens Gesang III", D. 839 | Wiener Philharmoniker, Herbert von Karajan | T-315.963.353-7 | |
| 12-11 | O Holy Night | Leontyne Price, Wiener Philharmoniker, Herbert von Karajan | T-313.004.961-1 | |
| 12-12 | Ave Maria | Leontyne Price, Wiener Philharmoniker, Herbert von Karajan | T-009.147.667-3 | |
| 12-13 | Motet for Soprano & Orchestra in F major, K. 158a/165: IV. “Alleluja” | Leontyne Price, Vienna Philharmonic Orchestra, Herbert von Karajan | T-905.495.559-8 | |
| 13-1 | Aida: Preludio | Wiener Philharmoniker, Herbert von Karajan | T-900.065.376-9 | |
| 13-2 | Aida: Atto I, scena 1. Introduzione e scena “Sì, corre voce che l'Etiope ardisca” (Ramfis, Radamès) | Arnold van Mill, Wiener Philharmoniker, Herbert von Karajan | T-900.065.376-9 | |
| 13-3 | Aida: Atto I, scena 1. “Se quel guerrier io fossi!” … “Celeste Aida” (Radamès) | Carlo Bergonzi, Wiener Philharmoniker, Herbert von Karajan | T-900.065.376-9 | |
| 13-4 | Aida: Atto I, scena 1. Duetto “Quale insolita gioia nel tuo sguardo!” (Amneris, Radamès) / Terzetto: “Vieni, o diletta, appressati” (Amneris, Aida, Radamès) | Carlo Bergonzi, Renata Tebaldi, Giulietta Simionato, Wiener Philharmoniker, Herbert von Karajan | T-900.065.376-9 | |
| 13-5 | Aida: Atto I, scena 1. Scena e pezzo d’assieme: “Alta cagion v’aduna” … “Su! del Nilo al sacro lido” (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani) | Fernando Corena, Wiener Philharmoniker, Herbert von Karajan | T-900.065.376-9 | |
| 13-6 | Aida: Atto I, scena 1. “Ritorna vincitor!” (Aida) | Renata Tebaldi, Wiener Philharmoniker, Herbert von Karajan | T-900.065.376-9 | |
| 13-7 | Aida: Atto I, scena 2. “Possente, possente Fthà … Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse) | Wiener Philharmoniker, Herbert von Karajan | T-900.065.376-9 | |
| 13-8 | Aida: Atto I, scena 2. “Mortal, diletto ai Numi” (Ramfis) | Arnold van Mill, Wiener Philharmoniker, Herbert von Karajan | T-900.065.376-9 | |
| 13-9 | Aida: Atto II, scena 1. Introduzione – Scena e coro di donne "Chi mai fra gl'inni e i plausi" (Schiave, Amneris) | Wiener Philharmoniker, Herbert von Karajan | T-900.065.376-9 | |
| 13-10 | Aida: Atto II, scena 1. “Fu la sorte dell'armi a' tuoi funesta” (Amneris) | Giulietta Simionato, Wiener Philharmoniker, Herbert von Karajan | T-900.065.376-9 | |
| 13-11 | Aida: Atto II, scena 1. “Su! del Nilo al sacro lido” (Coro, Amneris, Aida) | Wiener Philharmoniker, Herbert von Karajan | T-900.065.376-9 | |
| 13-12 | Aida: Atto II, scena 2. “Gloria all'Egitto” (Popolo) | Wiener Philharmoniker, Herbert von Karajan | T-900.065.376-9 | |
| 13-13 | Aida: Atto II, scena 2. Marcia e ballabile (Grand March & Ballet) | Wiener Philharmoniker, Herbert von Karajan | T-006.979.623-1 | |
| 13-14 | Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo) | Wiener Philharmoniker, Herbert von Karajan | T-900.065.376-9 | |
| 13-15 | Aida: Atto II, scena 2. “Salvator della patria” (Il Re, Radamès, Ramfis, Sacerdoti) | Wiener Philharmoniker, Herbert von Karajan | T-900.065.376-9 | |
| 13-16 | Aida: Atto II, scena 2. “Che veggo! ... Egli? ... Mio padre!” (Aida) | Renata Tebaldi, Wiener Philharmoniker, Herbert von Karajan | T-900.065.376-9 | |
| 13-17 | Aida: Atto II, scena 2. “Quest'assisa ch'io vesto vi dica” (Amonasro) | Cornell MacNeil, Wiener Philharmoniker, Herbert von Karajan | T-900.065.376-9 | |
| 13-18 | Aida: Atto II, scena 2. “Ma tu, Re, tu signore possente” (Amonastro) | Cornell MacNeil, Wiener Philharmoniker, Herbert von Karajan | T-900.065.376-9 | |
| 14-1 | Aida: Atto II, scena 2. “O re: pei sacri numi!” (Radamès, il Re, Amneris, coro, Ramfis) | Wiener Philharmoniker, Herbert von Karajan | T-900.065.376-9 | |
| 14-2 | Aida: Atto II, scena 2. “Gloria all'Egitto” (Il re, popolo) | Singverein der Gesellschaft der Musikfreunde Wien, Fernando Corena, Wiener Philharmoniker, Herbert von Karajan | T-900.065.376-9 | |
| 14-3 | Aida: Atto III. “O tu che sei d'Osiride madre immortale” (Sacerdotesse, Sacerdoti) | Eugenia Ratti, Wiener Philharmoniker, Herbert von Karajan | T-900.065.376-9 | |
| 14-4 | Aida: Atto III. “Qui Radamès verrà! ... O patria mia” (Aida) | Renata Tebaldi, Wiener Philharmoniker, Herbert von Karajan | T-900.065.376-9 | |
| 14-5 | Aida: Atto III. “Ciel! mio padre! ... Rivedrai le foreste imbalsamete” (Aida, Amonasro) | Cornell MacNeil, Renata Tebaldi, Wiener Philharmoniker, Herbert von Karajan | T-900.065.376-9 | |
| 14-6 | Aida: Atto III. “Pur ti riveggo, mia dolce Aida” (Radamès) | Carlo Bergonzi, Wiener Philharmoniker, Herbert von Karajan | T-900.065.376-9 | |
| 14-7 | Aida: Atto III. “Fuggiam gli ardori inospiti” (Aida) | Renata Tebaldi, Wiener Philharmoniker, Herbert von Karajan | T-900.065.376-9 | |
| 14-8 | Aida: Atto III. “Tu!... Amonasro!... tu!... il Re?” (Radamès) | Carlo Bergonzi, Wiener Philharmoniker, Herbert von Karajan | T-900.065.376-9 | |
| 14-9 | Aida: Atto IV, scena 1. “L'aborrita rivale a me sfuggia” (Amneris) | Giulietta Simionato, Wiener Philharmoniker, Herbert von Karajan | T-900.065.376-9 | |
| 14-10 | Aida: Atto IV, scena 1. “Già i Sacerdoti adunansi” (Amneris) | Carlo Bergonzi, Giulietta Simionato, Wiener Philharmoniker, Herbert von Karajan | T-900.065.376-9 | |
| 14-11 | Aida: Atto IV, scena 1. “Ohimè!... morir mi sento!” (Amneris) | Giulietta Simionato, Wiener Philharmoniker, Herbert von Karajan | T-900.065.376-9 | |
| 14-12 | Aida: Atto IV, scena 1. “Radamès! Radamès! Radamès! Tu rivelasti” (Ramfis) | Arnold van Mill, Wiener Philharmoniker, Herbert von Karajan | T-900.065.376-9 | |
| 14-13 | Aida: Atto IV, scena 2. “La fatal pietra sovra me si chiuse” (Radamès, Aida) | Carlo Bergonzi, Wiener Philharmoniker, Herbert von Karajan | — | |
| 14-14 | Aida: Atto IV, scena 2. “Presago il core della tua condanna” (Aida) | Renata Tebaldi, Wiener Philharmoniker, Herbert von Karajan | — | |
| 14-15 | Aida: Atto IV, scena 2. “O terra addio – addio valle di pianti” (Aida, Radamès, coro, Amneris) | Carlo Bergonzi, Giulietta Simionato, Singverein der Gesellschaft der Musikfreunde Wien, Renata Tebaldi, Wiener Philharmoniker, Herbert von Karajan | — | |
| 15-1 | Die Fledermaus: Akt I. Ouvertüre | Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan | T-902.772.343-9 | |
| 15-2 | Die Fledermaus: Akt I. „Täubchen, das entflattert ist” (Alfred) | Chor der Wiener Staatsoper, Erika Köth, Giuseppe Zampieri, Wiener Philharmoniker, Herbert von Karajan | — | |
| 15-3 | Die Fledermaus: Akt I. „Da schreibt meine Schwester Ida” (Adele) | Chor der Wiener Staatsoper, Hilde Güden, Erika Köth, Giuseppe Zampieri, Wiener Philharmoniker, Herbert von Karajan | — | |
| 15-4 | Die Fledermaus: Akt I. „Nein, mit solchen Advokaten” (Eisenstein) | Walter Berry, Chor der Wiener Staatsoper, Hilde Güden, Peter Klein, Waldemar Kmentt, Erika Köth, Wiener Philharmoniker, Herbert von Karajan | — | |
| 15-5 | Die Fledermaus: Akt I. „Komm mit mir zum Souper” (Falke) | Walter Berry, Chor der Wiener Staatsoper, Hilde Güden, Waldemar Kmentt, Erika Köth, Wiener Philharmoniker, Herbert von Karajan | — | |
| 15-6 | Die Fledermaus: Akt I. „So muß allein ich bleiben” (Rosalinde) | Chor der Wiener Staatsoper, Hilde Güden, Waldemar Kmentt, Erika Köth, Giuseppe Zampieri, Wiener Philharmoniker, Herbert von Karajan | — | |
| 15-7 | Die Fledermaus: Akt I. „Trinke, Liebchen, trinke schnell” (Alfred) | Chor der Wiener Staatsoper, Hilde Güden, Eberhard Wächter, Giuseppe Zampieri, Wiener Philharmoniker, Herbert von Karajan | — | |
| 15-8 | Die Fledermaus: Akt I. „Ich höre Stimmen; man spricht unten!” (Rosalinde) | Chor der Wiener Staatsoper, Hilde Güden, Eberhard Wächter, Giuseppe Zampieri, Wiener Philharmoniker, Herbert von Karajan | — | |
| 15-9 | Die Fledermaus: Akt I. „Mein Herr, was dächten Sie von mir” (Rosalinde) | Chor der Wiener Staatsoper, Hilde Güden, Eberhard Wächter, Giuseppe Zampieri, Wiener Philharmoniker, Herbert von Karajan | — | |
| 15-10 | Die Fledermaus: Akt I. „Nein, nein, ich zweifle gar nicht mehr” (Frank) | Chor der Wiener Staatsoper, Hilde Güden, Eberhard Wächter, Giuseppe Zampieri, Wiener Philharmoniker, Herbert von Karajan | — | |
| 15-11 | Die Fledermaus: Akt II. „Ein Souper heut' uns winkt” (Gäste) | Walter Berry, Chor der Wiener Staatsoper, B. Fasolt, Waldemar Kmentt, Erika Köth, Regina Resnik, Hedwig Schubert, Wiener Philharmoniker, Herbert von Karajan | — | |
| 15-12 | Die Fledermaus: Akt II. „Ich lade gern mir Gäste ein” (Orlofsky) | Walter Berry, Chor der Wiener Staatsoper, Waldemar Kmentt, Erika Köth, Regina Resnik, Hedwig Schubert, Wiener Philharmoniker, Herbert von Karajan | — | |
| 15-13 | Die Fledermaus: Akt II. „Ach, meine Herr'n und Damen” (Orlofsky) | Walter Berry, Chor der Wiener Staatsoper, Waldemar Kmentt, Erika Köth, Regina Resnik, Wiener Philharmoniker, Herbert von Karajan | — | |
| 15-14 | Die Fledermaus: Akt II. „Mein Herr Marquis” (Adele) | Walter Berry, Chor der Wiener Staatsoper, B. Fasolt, Hilde Güden, Waldemar Kmentt, Erika Köth, Regina Resnik, Hedwig Schubert, Eberhard Wächter, Wiener Philharmoniker, Herbert von Karajan | — | |
| 15-15 | Die Fledermaus: Akt II. „Dieser Anstand so manierlich” (Eisenstein) | Chor der Wiener Staatsoper, Hilde Güden, Waldemar Kmentt, Erika Köth, Regina Resnik, Eberhard Wächter, Wiener Philharmoniker, Herbert von Karajan | — | |
| 15-16 | Die Fledermaus: Akt II. „Klänge der Heimat” (Rosalinde) | Walter Berry, Chor der Wiener Staatsoper, Hilde Güden, Waldemar Kmentt, Regina Resnik, Hedwig Schubert, Wiener Philharmoniker, Herbert von Karajan | — | |
| 15-17 | Die Fledermaus: Akt II. „Im Feuerstrom der Reben” (Orlofsky) | Walter Berry, Chor der Wiener Staatsoper, Hilde Güden, Waldemar Kmentt, Erika Köth, Regina Resnik, Hedwig Schubert, Eberhard Wächter, Wiener Philharmoniker, Herbert von Karajan | — | |
| 16-1 | Die Fledermaus: Akt II. „Herr Chevalier, ich grüße Sie!” (Eisenstein) | Walter Berry, Chor der Wiener Staatsoper, Hilde Güden, Waldemar Kmentt, Erika Köth, Regina Resnik, Eberhard Wächter, Wiener Philharmoniker, Herbert von Karajan | — | |
| 16-2 | Die Lustige Witwe: Vilja-Lied | Chor der Wiener Staatsoper, Renata Tebaldi, Wiener Philharmoniker, Herbert von Karajan | T-900.799.062-7 | |
| 16-3 | Domino | Chor der Wiener Staatsoper, Fernando Corena, Wiener Philharmoniker, Herbert von Karajan | T-900.756.230-3 | |
| 16-4 | I Could Have Danced All Night (from "My Fair Lady") | Chor der Wiener Staatsoper, Birgit Nilsson, Wiener Philharmoniker, Herbert von Karajan | T-070.902.566-0 | |
| 16-5 | Passione | Chor der Wiener Staatsoper, Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan | — | |
| 16-6 | Lullaby | Teresa Berganza, Chor der Wiener Staatsoper, Vienna Philharmonic Orchestra, Herbert von Karajan | T-302.741.291-1 | |
| 16-7 | Il bacio | Chor der Wiener Staatsoper, Joan Sutherland, Wiener Philharmoniker, Herbert von Karajan | T-210.339.597-4 | |
| 16-8 | Das Land des Lächelns: Dein ist mein ganzes Herz | Jussi Björling, Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan | T-802.402.359-5 | |
| 16-9 | Summertime (from "Porgy & Bess") | Chor der Wiener Staatsoper, Leontyne Price, Wiener Philharmoniker, Herbert von Karajan | T-800.364.991-1 | |
| 16-10 | Anything You Can Do (from "Annie Get Your Gun") | Ettore Bastianini, Chor der Wiener Staatsoper, Giulietta Simionato, Wiener Philharmoniker, Herbert von Karajan | T-004.103.084-5 | |
| 16-11 | Wien, Wien, nur du allein | Chor der Wiener Staatsoper, Ljuba Welitsch, Wiener Philharmoniker, Herbert von Karajan | T-001.002.250-0 | |
| 16-12 | Die Fledermaus: Akt II. „Genug damit, genug!” (Orlofsky) | Walter Berry, Chor der Wiener Staatsoper, Hilde Güden, Waldemar Kmentt, Erika Köth, Regina Resnik, Hedwig Schubert, Eberhard Wächter, Wiener Philharmoniker, Herbert von Karajan | — | |
| 16-13 | Die Fledermaus: Akt III. Entr' acte | Wiener Philharmoniker, Herbert von Karajan | — | |
| 16-14 | Die Fledermaus: Akt III. „Herr Direktor! Wo is er denn?” (Frosch) | Chor der Wiener Staatsoper, Erich Kunz, Erika Köth, Hedwig Schubert, Eberhard Wächter, Giuseppe Zampieri, Wiener Philharmoniker, Herbert von Karajan | — | |
| 16-15 | Die Fledermaus: Akt III. „Spiel' ich die Unschuld vom Lande” (Adele) | Chor der Wiener Staatsoper, Hilde Güden, Peter Klein, Waldemar Kmentt, Erich Kunz, Erika Köth, Eberhard Wächter, Giuseppe Zampieri, Wiener Philharmoniker, Herbert von Karajan | — | |
| 16-16 | Die Fledermaus: Akt III. „Ich stehe voll Zagen” (Rosalinde) | Walter Berry, Chor der Wiener Staatsoper, Hilde Güden, Waldemar Kmentt, Erich Kunz, Regina Resnik, Eberhard Wächter, Giuseppe Zampieri, Wiener Philharmoniker, Herbert von Karajan | — | |
| 16-17 | Die Fledermaus: Akt III. „O Fledermaus, o Fledermaus” | Walter Berry, Chor der Wiener Staatsoper, Hilde Güden, Peter Klein, Waldemar Kmentt, Erika Köth, Regina Resnik, Hedwig Schubert, Eberhard Wächter, Giuseppe Zampieri, Wiener Philharmoniker, Herbert von Karajan | — | |
| 17-1 | Otello: Act I. Chorus "Una vela! Una vela!" | Tom Krause, Nello Romanato, Aldo Protti, Athos Cesarini, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | T-703.714.034-6 | |
| 17-2 | Otello: Act I. "Esultate!" | Mario del Monaco, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | T-703.714.085-7 | |
| 17-3 | Otello: Act I. "Roderigo, ebben che pensi?" | Aldo Protti, Athos Cesarini, Wiener Philharmoniker, Herbert von Karajan | — | |
| 17-4 | Otello: Act I. Chorus "Fuoco di gioia!" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | — | |
| 17-5 | Otello: Act I. "Roderigo, beviam!" | Aldo Protti, Nello Romanato, Athos Cesarini, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | — | |
| 17-6 | Otello: Act I. "Inaffia l'ugola! Trinca, tracanna" | Aldo Protti, Nello Romanato, Athos Cesarini, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | — | |
| 17-7 | Otello: Act I. "Capitano, v'attende la fazione ai baluardi" | Tom Krause, Nello Romanato, Aldo Protti, Athos Cesarini, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | — | |
| 17-8 | Otello: Act I. "Abbasso le spade!" | Mario del Monaco, Aldo Protti, Nello Romanato, Tom Krause, Wiener Philharmoniker, Herbert von Karajan | — | |
| 17-9 | Otello: Act I. "Già nella notte densa... venga la morte" | Mario del Monaco, Renata Tebaldi, Wiener Philharmoniker, Herbert von Karajan | — | |
| 17-10 | Otello: Act II. "Non ti crucciar" | Aldo Protti, Nello Romanato, Wiener Philharmoniker, Herbert von Karajan | T-902.086.693-7 | |
| 17-11 | Otello: Act II. "Vanne! Ia tua meta già vedo" | Aldo Protti, Wiener Philharmoniker, Herbert von Karajan | — | |
| 17-12 | Otello: Act II. "Credo in un Dio crudel" | Aldo Protti, Wiener Philharmoniker, Herbert von Karajan | T-703.714.087-9 | |
| 17-13 | Otello: Act II. "Ciò m'accora" | Aldo Protti, Mario del Monaco, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | — | |
| 17-14 | Otello: Act II. "Dove guardi splendono" | Mario del Monaco, Aldo Protti, Renata Tebaldi, Wiener Kinderchor, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | — | |
| 17-15 | Otello: Act II. "D'un uom che geme sotto il tuo disdegno" | Renata Tebaldi, Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan | — | |
| 17-16 | Otello: Act II. "Se inconscia, contro te, sposo, ho peccato" | Renata Tebaldi, Mario del Monaco, Aldo Protti, Ana Raquel Satre, Wiener Philharmoniker, Herbert von Karajan | — | |
| 17-17 | Otello: Act II. "Desdemona rea!" | Mario del Monaco, Aldo Protti, Wiener Philharmoniker, Herbert von Karajan | — | |
| 17-18 | Otello: Act II. "Tu?! Indietro! fuggi!" | Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan | — | |
| 17-19 | Otello: Act II. "Ora e per sempre addio" | Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan | — | |
| 17-20 | Otello: Act II. "Pace, signor" | Aldo Protti, Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan | — | |
| 17-21 | Otello: Act II. "Era la notte, Cassio dormia" | Aldo Protti, Wiener Philharmoniker, Herbert von Karajan | — | |
| 17-22 | Otello: Act II. "Oh! mostruosa colpa!... Ah! mille vite" | Mario del Monaco, Aldo Protti, Wiener Philharmoniker, Herbert von Karajan | — | |
| 17-23 | Otello: Act II. "Si, pel ciel marmoreo giuro!" | Mario del Monaco, Aldo Protti, Wiener Philharmoniker, Herbert von Karajan | — | |
| 18-1 | Otello: Act III. "La vedetta del porto ha segnalato" | Libero Arbace, Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan | — | |
| 18-2 | Otello: Act III. "Continua - Qui trarro cassio e con astute" | Mario del Monaco, Aldo Protti, Wiener Philharmoniker, Herbert von Karajan | — | |
| 18-3 | Otello: Act III. "Dio ti giocondi, o sposo dell'alma" | Renata Tebaldi, Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan | — | |
| 18-4 | Otello: Act III. "Esterrefatta fisso lo sguardo tuo tremendo" | Renata Tebaldi, Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan | — | |
| 18-5 | Otello: Act III. "Dio! Mi potevi scagliar tutti i mali" | Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan | — | |
| 18-6 | Otello: Act III. "Cassio e la! - La cielo! Oh, gioia!" | Aldo Protti, Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan | — | |
| 18-7 | Otello: Act III. "Vieni; l'aula e deserta" | Aldo Protti, Nello Romanato, Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan | — | |
| 18-8 | Otello: Act III. "...e intanto, giacche non si stanca mai" | Aldo Protti, Nello Romanato, Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan | — | |
| 18-9 | Otello: Atto III. “Quest'è il segnale” (Iago, Cassio, Otello) | Konzertvereinigung Wiener Staatsopernchor, Aldo Protti, Nello Romanato, Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan | — | |
| 18-10 | Otello: Act III. "Ballabile" (Ballet Music) | Wiener Philharmoniker, Herbert von Karajan | T-010.287.722-4 | |
| 18-11 | Otello: Act III. "Viva! Evviva!" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | — | |
| 18-12 | Otello: Act III. "Il doge ed il senato salutano l'eroe" | Fernando Corena, Mario del Monaco, Renata Tebaldi, Ana Raquel Satre, Aldo Protti, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | — | |
| 18-13 | Otello: Act III. "Messeri, il doge” … ”Son lieto di vedervi” | Mario del Monaco, Athos Cesarini, Aldo Protti, Nello Romanato, Wiener Philharmoniker, Herbert von Karajan | — | |
| 18-14 | Otello: Act III. "A terra! ...si ...nel livido fango" | Renata Tebaldi, Wiener Philharmoniker, Herbert von Karajan | — | |
| 18-15 | Otello: Act III. "Quell' innocente un fremito" | Athos Cesarini, Konzertvereinigung Wiener Staatsopernchor, Fernando Corena, Aldo Protti, Nello Romanato, Ana Raquel Satre, Renata Tebaldi, Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan | — | |
| 18-16 | Otello: Act III. "Fuggite! - Ciel!" | Mario del Monaco, Aldo Protti, Fernando Corena, Renata Tebaldi, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | — | |
| 18-17 | Otello: Act IV. "Era piu calmo?" | Ana Raquel Satre, Renata Tebaldi, Wiener Philharmoniker, Herbert von Karajan | — | |
| 18-18 | Otello: Act IV. "Mia madre aveva una povera ancella" | Renata Tebaldi, Wiener Philharmoniker, Herbert von Karajan | — | |
| 18-19 | Otello: Act IV. "Piangea cantando nell'erma landa" | Renata Tebaldi, Ana Raquel Satre, Wiener Philharmoniker, Herbert von Karajan | — | |
| 18-20 | Otello: Act IV. "Ave Maria, piena di grazia, eletta" | Renata Tebaldi, Wiener Philharmoniker, Herbert von Karajan | — | |
| 18-21 | Otello: Act IV. "Chi è là? Otello?" | Mario del Monaco, Renata Tebaldi, Wiener Philharmoniker, Herbert von Karajan | T-070.906.808-5 | |
| 18-22 | Otello: Act IV. "Diceste questa sera le vostre preci?" | Mario del Monaco, Renata Tebaldi, Wiener Philharmoniker, Herbert von Karajan | — | |
| 18-23 | Otello: Act IV. "Aprite! Aprite! - Chi è là ?" | Ana Raquel Satre, Mario del Monaco, Renata Tebaldi, Nello Romanato, Aldo Protti, Fernando Corena, Tom Krause, Wiener Philharmoniker, Herbert von Karajan | — | |
| 18-24 | Otello: Act IV. "Nium mi tema se anco armato mi vede" | Mario del Monaco, Nello Romanato, Fernando Corena, Tom Krause, Wiener Philharmoniker, Herbert von Karajan | — | |
| 19-1 | Tosca: Atto I. “Ah! Finalmente!” (Angelotti) | Carlo Cava, Wiener Philharmoniker, Herbert von Karajan | — | |
| 19-2 | Tosca: Atto I. “E sempre lava!” (Sagrestano, Cavaradossi) | Fernando Corena, Giuseppe Di Stefano, Wiener Philharmoniker, Herbert von Karajan | — | |
| 19-3 | Tosca: Atto I. “Dammi i colori!” / “Recondita armonia” (Cavaradossi, Sagrestano) | Giuseppe Di Stefano, Fernando Corena, Wiener Philharmoniker, Herbert von Karajan | — | |
| 19-4 | Tosca: Atto I. “Voi! Cavaradossi!” (Angelotti, Cavaradossi, Tosca) | Carlo Cava, Giuseppe Di Stefano, Leontyne Price, Wiener Philharmoniker, Herbert von Karajan | — | |
| 19-5 | Tosca: Atto I. “Mario! Mario! Mario!” (Tosca, Cavaradossi) | Leontyne Price, Giuseppe Di Stefano, Wiener Philharmoniker, Herbert von Karajan | — | |
| 19-6 | Tosca: Atto I. “È buona la mia Tosca” (Cavaradossi, Angelotti) | Giuseppe Di Stefano, Carlo Cava, Wiener Philharmoniker, Herbert von Karajan | — | |
| 19-7 | Tosca: Atto I. “Sommo giubilo, Eccellenza!” (Sagrestano) | Fernando Corena, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | — | |
| 19-8 | Tosca: Atto I. “Un tal baccano in chiesa!” (Scarpia, Sagrestano, Spoletta) | Giuseppe Taddei, Fernando Corena, Piero de Palma, Wiener Philharmoniker, Herbert von Karajan | — | |
| 19-9 | Tosca: Atto I. “Or tutto è chiaro” (Scarpia, Tosca) | Giuseppe Taddei, Fernando Corena, Leontyne Price, Wiener Philharmoniker, Herbert von Karajan | T-031.724.638-0 | |
| 19-10 | Tosca: Atto I. “Tre sbirri, una carrozza” (Scarpia, Spoletta) | Giuseppe Taddei, Piero de Palma, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | — | |
| 20-1 | Tosca: Atto II. “Tosca è un buon falco!” (Scarpia, Sciarrone) | Giuseppe Taddei, Leonardo Monreale, Wiener Philharmoniker, Herbert von Karajan | — | |
| 20-2 | Tosca: Atto II. “Ha più forte sapore” (Scarpia, Sciarrone) | Giuseppe Taddei, Leonardo Monreale, Wiener Philharmoniker, Herbert von Karajan | — | |
| 20-3 | Tosca: Atto II. “O galantuomo, come andò la caccia?” (Scarpia, Spoletta, Cavaradossi, Tosca) | Giuseppe Taddei, Piero de Palma, Giuseppe Di Stefano, Leontyne Price, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | — | |
| 20-4 | Tosca: Atto II. “Ov’è Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca) | Giuseppe Taddei, Giuseppe Di Stefano, Piero de Palma, Leontyne Price, Wiener Philharmoniker, Herbert von Karajan | — | |
| 20-5 | Tosca: Atto II. “Sciarrone, che dice il Cavalier?” (Scarpia, Sciarrone, Tosca, Cavaradossi) | Giuseppe Taddei, Leonardo Monreale, Leontyne Price, Giuseppe Di Stefano, Wiener Philharmoniker, Herbert von Karajan | — | |
| 20-6 | Tosca: Atto II. “Orsù, Tosca, parlate” (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone) | Giuseppe Taddei, Leontyne Price, Giuseppe Di Stefano, Piero de Palma, Leonardo Monreale, Wiener Philharmoniker, Herbert von Karajan | — | |
| 20-7 | Tosca: Atto II. “Floria” … “Amore” (Cavaradossi, Tosca, Scarpia, Sciarrone) | Giuseppe Di Stefano, Leontyne Price, Giuseppe Taddei, Leonardo Monreale, Wiener Philharmoniker, Herbert von Karajan | T-031.724.638-0 | |
| 20-8 | Tosca: Atto II. “Vittoria! Vittoria!” (Cavaradossi, Tosca, Scarpia) | Giuseppe Di Stefano, Leontyne Price, Giuseppe Taddei, Wiener Philharmoniker, Herbert von Karajan | — | |
| 20-9 | Tosca: Atto II. “Quanto?” (Tosca, Scarpia) | Leontyne Price, Giuseppe Taddei, Wiener Philharmoniker, Herbert von Karajan | T-031.724.638-0 | |
| 20-10 | Tosca: Atto II. “Vissi d’arte” (Tosca, Scarpia) | Leontyne Price, Giuseppe Taddei, Wiener Philharmoniker, Herbert von Karajan | T-900.162.132-5 | |
| 20-11 | Tosca: Atto II. “Chi è la?” (Scarpia, Spoletta, Tosca) | Giuseppe Taddei, Piero de Palma, Leontyne Price, Wiener Philharmoniker, Herbert von Karajan | — | |
| 20-12 | Tosca: Atto II. “Io tenni la promessa” (Scarpia, Tosca) | Giuseppe Taddei, Leontyne Price, Wiener Philharmoniker, Herbert von Karajan | — | |
| 20-13 | Tosca: Atto III. “Io de’ sospiri” (Un pastore) | Herbert Weiss, Wiener Philharmoniker, Herbert von Karajan | — | |
| 20-14 | Tosca: Atto III. “Mario Cavaradossi?” (Carceriere, Cavaradossi) | Alfredo Mariotti, Giuseppe Di Stefano, Wiener Philharmoniker, Herbert von Karajan | — | |
| 20-15 | Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | Giuseppe Di Stefano, Wiener Philharmoniker, Herbert von Karajan | T-910.067.947-8 | |
| 20-16 | Tosca: Atto III. “Ah! Franchigia a Floria Tosca” (Cavaradossi, Tosca) | Giuseppe Di Stefano, Leontyne Price, Wiener Philharmoniker, Herbert von Karajan | — | |
| 20-17 | Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca, Carceriere) | Giuseppe Di Stefano, Leontyne Price, Alfredo Mariotti, Wiener Philharmoniker, Herbert von Karajan | T-031.724.638-0 | |
| 20-18 | Tosca: Atto III. “Come è lunga l’attesa!” (Tosca) | Leontyne Price, Wiener Philharmoniker, Herbert von Karajan | — | |
| 20-19 | Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Sciarrone, Spoleta) | Leontyne Price, Leonardo Monreale, Piero de Palma, Wiener Philharmoniker, Herbert von Karajan | — | |
| 22-1 | Carmen: Ouverture | Wiener Philharmoniker, Herbert von Karajan | T-912.619.086-1 | |
| 22-2 | Carmen : Acte I. « Sur la place, chacun passe » | — | ||
| 22-3 | Carmen : Acte I. « Regardez donc cette petite » | — | ||
| 22-4 | Carmen : Acte I. « Avec la garde montante » | — | ||
| 22-5 | Carmen : Acte I. « C'est bien là » | — | ||
| 22-6 | Carmen : Acte I. Chorus of Cigarette Girls « La cloche à sonné » | — | ||
| 22-7 | Carmen : Acte I. « La voilà, la voilà » | — | ||
| 22-8 | Carmen : Acte I. Habanera. « L'amour est un oiseau rebelle » | Wilhelm Pitz, Konzertvereinigung Wiener Staatsopernchor, Leontyne Price, Vienna Philharmonic Orchestra, Herbert von Karajan | T-305.625.648-1 | |
| 22-9 | Carmen : Acte I. « Carmen ! sur tes pas » | — | ||
| 22-10 | Carmen : Acte I. « Quels regards ! Quelle effronterie ! » | — | ||
| 22-11 | Carmen : Acte I. « Parle-moi de ma mère ! » | — | ||
| 22-12 | Carmen : Acte I. « Reste là maintenant, pendant que je lirai » | — | ||
| 22-13 | Carmen : Acte I. « Que se passe-t-il donc là-bas ? » | — | ||
| 22-14 | Carmen : Acte I. « Mon officier, c'était une querelle » | — | ||
| 22-15 | Carmen : Acte I. « Tralalalala, coupe-moi, brûle-moi » | — | ||
| 22-16 | Carmen : Acte I. Seguidilla. « Près des remparts de Séville » | — | ||
| 22-17 | Carmen : Acte I. « Voici l'ordre: partez » | — | ||
| 24-1 | Carmen : Entr'acte | — | ||
| 24-2 | Carmen : Acte II. Gypsy Song. « Les tringles des sistres tintaient » | — | ||
| 24-3 | Carmen : Acte II. « Messieurs, Pastia me dit » | — | ||
| 24-4 | Carmen : Acte II. « Vivat! Vivat le Toréro! » | — | ||
| 24-5 | Carmen : Acte II. Toreador Song. « Votre toast, je peux vous le rendre » | Wilhelm Pitz, Bernard Demigny, Monique Linval, Geneviève Macaux, Leontyne Price, Frank Schooten, Chor der Wiener Staatsoper, Robert Merrill, Vienna Philharmonic Orchestra, Herbert von Karajan | T-900.149.622-6 | |
| 24-6 | Carmen : Acte II. « La belle, un mot » | — | ||
| 24-7 | Carmen : Acte II. « Eh bien, vite, quelles nouvelles ? » | — | ||
| 24-8 | Carmen : Acte II. Quintette. « Nous avons en tête une affaire » | — | ||
| 24-9 | Carmen : Acte II. « Mais qui donc attends-tu ? » | — | ||
| 24-10 | Carmen : Acte II. « Halte là ! Qui va là ? » | — | ||
| 24-11 | Carmen : Acte II. « Enfin c'est toi ! » | — | ||
| 24-12 | Carmen : Acte II. « Lalalala - Attends un peu, Carmen » | — | ||
| 24-13 | Carmen : Acte II. Flower Song. « Le fleur que tu m'avais jetée » | — | ||
| 24-14 | Carmen : Acte II. « Non! Tu ne m'aimes pas » | — | ||
| 24-15 | Carmen : Acte II. « Holà ! Carmen ! Holà ! Holà ! » | — | ||
| 24-16 | Carmen : Acte II. « Bel officier, bel officier » | — | ||
| 25-1 | Carmen : Entr'acte | — | ||
| 25-2 | Carmen : Acte III. « Écoute, écoute, compagnon, écoute » | — | ||
| 25-3 | Carmen : Acte III. « Reposons-nous une heure ici » | — | ||
| 25-4 | Carmen : Acte III. Card Scene « Mêlons ! Coupons ! » | — | ||
| 25-5 | Carmen : Acte III. « Eh bien? - Eh bien » | — | ||
| 25-6 | Carmen : Acte III. « Quant au douanier, c'est notre affaire » | — | ||
| 25-7 | Carmen : Acte III. « C'est des contrebandiers » | — | ||
| 25-8 | Carmen : Acte III. Micaëla's Air « Je dis que rien ne m'épouvante » | — | ||
| 25-9 | Carmen : Acte III. « Je ne me trompe pas » | — | ||
| 25-10 | Carmen : Acte III. « Je suis Escamillo, toréro de Grenade! » | — | ||
| 25-11 | Carmen : Acte III. « Holà, holà, José ! » | — | ||
| 25-12 | Carmen : Acte III. « Moi, je viens te chercher! » | — | ||
| 25-13 | Carmen : Acte III. « Hélas, José ! » | — | ||
| 25-14 | Carmen: Entr'acte | — | ||
| 25-15 | Carmen : Acte IV. « À deux cuartos ! » | — | ||
| 25-16 | Carmen : Acte IV. « Les voici ! Voici la quadrille ! » | — | ||
| 25-17 | Carmen : Acte IV. « Si tu m'aimes, Carmen » | — | ||
| 25-18 | Carmen : Acte IV. « C'est toi ! - C'est moi ! » | — | ||
| 25-19 | Carmen : Acte IV. « Où vas-tu ? - Laisse-moi ! » | — | ||
| 26-1 | Boris Godunov: Prologue, Scene 1. "Nu, shtozh vy?" (police officer) | — | ||
| 26-2 | Boris Godunov: Prologue, Scene 1. "Na kovó ty nas pokidáesh" (chorus) | — | ||
| 26-3 | Boris Godunov: Prologue, Scene 1. "Mityúkh, a Mityúkh, chevó oryóm?" (chorus, police officer) | — | ||
| 26-4 | Boris Godunov: Prologue, Scene 1. "Pravoslávnyye" (Shchelkalov) | — | ||
| 26-5 | Boris Godunov: Prologue, Scene 1. "Sláva tebyé" (chorus) | — | ||
| 26-6 | Boris Godunov: Prologue, Scene 2. "Da zdrávstvuet tsar Boris Feódorovich!" (Shuisky, chorus) | — | ||
| 26-7 | Boris Godunov: Prologue, Scene 2. "Skorbit dúsha!" (Boris, chorus) | — | ||
| 26-8 | Boris Godunov: Act I, Scene 1. "Yeshchó odnó poslyédnye skazánye" (Pimen) | — | ||
| 26-9 | Boris Godunov: Act I, Scene 1. "Bózhe krépky, právy" (chorus, Pimen, Grigory) | — | ||
| 26-10 | Boris Godunov: Act I, Scene 1. "Nye syétuy, brat" (Pimen, Grigory, chorus) | — | ||
| 26-11 | Boris Godunov: Act I, Scene 2. "Poymála ya" (hostess, Missail, Varlaam) | — | ||
| 26-12 | Boris Godunov: Act I, Scene 2. "Shtozh ty prizadúmalsa" (Varlaam, Grigory, hostess) | — | ||
| 26-13 | Boris Godunov: Act I, Scene 2. "Kak vo górode býlo vo Kazáne" (Varlaam , Grigory, Missail) | — | ||
| 26-14 | Boris Godunov: Act I, Scene 2. "Kak yédet yon" (Varlaam, Grigory, hostess) | — | ||
| 26-15 | Boris Godunov: Act I, Scene 2. "Vy shto za lyúdi?" (police officer, Varlaam, Missail, Grigory, hostess) | — | ||
| 26-16 | Boris Godunov: Act I, Scene 2. "Chúdova monastyryá nedostóyny" (Grigory, police officer, Varlaam) | — | ||
| 27-1 | Boris Godunov: Act 2. "Gdye ty, zhenikh moy" (Xenia, nurse) | — | ||
| 27-2 | Boris Godunov: Act 2. "Kak komár drová rubil" (nurse, Fyodor) | — | ||
| 27-3 | Boris Godunov: Act 2. "Skázochka pro to i pro syo" (Fyodor, nurse) | — | ||
| 27-4 | Boris Godunov: Act 2. "Akhty! / Chevó?" (nurse, Boris, Xenia, Fyodor) | — | ||
| 27-5 | Boris Godunov: Act 2. "Dostig ya výshey vlásti" (Boris) | — | ||
| 27-6 | Boris Godunov: Act 2. "Ay, kysh!" (chorus, Boris, Boyar, Fyodor) | — | ||
| 27-7 | Boris Godunov: Act 2. "Pópinka nash sidyél" (Fyodor, Boris) | — | ||
| 27-8 | Boris Godunov: Act 2. "Veliky gosudár, chelóm byu" (Shuisky, Boris, Fyodor) | — | ||
| 27-9 | Boris Godunov: Act 2. "Ukh! tyazheló! Day dukh perevedú" (Boris) | — | ||
| 27-10 | Boris Godunov: Atto terzo, Quadro primo. "Na Vislye lazúrnoy" (chorus, Marina) | — | ||
| 27-11 | Boris Godunov: Atto terzo, Quadro primo. "Dovól'no! Krasótka pánna blagodárna" (Marina) | — | ||
| 27-12 | Boris Godunov: Atto terzo, Quadro primo. "Skúchno Marinye" (Marina) | — | ||
| 27-13 | Boris Godunov: Atto terzo, Quadro primo. "Akh, éto vy, moy otyéts!" (Marina, Rangoni) | — | ||
| 27-14 | Boris Godunov: Atto terzo, Quadro primo. "Krasóyu svoyéyu plení samozvántsa!" (Rangoni, Marina) | — | ||
| 27-15 | Boris Godunov: Atto terzo, Quadro secondo. "V pólnoch ... v sadú ... u fontána" (pretender Dimitri) | — | ||
| 27-16 | Boris Godunov: Atto terzo, Quadro secondo. "Tsaryévich! / Opyát' za mnoy!" (Rangoni, pretender Dimitri) | — | ||
| 27-17 | Boris Godunov: Atto terzo, Quadro secondo. "Da po tebyé odnóm i dyen" (Rangoni, pretender Dimitri) | — | ||
| 27-18 | Boris Godunov: Atto terzo, Quadro secondo. "Smiryénny, gryéshny bogomólyets" (Rangoni, pretender Dimitri) | — | ||
| 27-19 | Boris Godunov: Atto terzo, Quadro secondo. "Váshey strásti ya nye vyéryu" (Marina, chorus) | — | ||
| 27-20 | Boris Godunov: Atto terzo, Quadro secondo. "Iezuit lukávy krépko szhal menyá" (pretender Dimitri) | — | ||
| 28-1 | Boris Godunov Atto terzo, Quadro secondo. "O kak tomítel'no i vyálo" (pretender Dimitri, Marina) | — | ||
| 28-2 | Boris Godunov Atto terzo, Quadro secondo. "O tsaryévich, umolyáyu" (Marina, pretender Dimitri) | — | ||
| 28-3 | Boris Godunov Act 4, Scene 1. "Shto, otoshlá, obyédnya?" (chorus) | — | ||
| 28-4 | Boris Godunov Act 4, Scene 1. "Trrr, trrr, trrr, trrr! Zhelyézny kolpák" (chorus) | — | ||
| 28-5 | Boris Godunov Act 4, Scene 1. "Kormílyets-bátyushka, podáy Khrista rádi" (chorus) | — | ||
| 28-6 | Boris Godunov Act 4, Scene 2. "Shtozh? poydóm na golosá, boyáre" (chorus, Shuisky) | — | ||
| 28-7 | Boris Godunov Act 4, Scene 2. "Pozapozdál malyénko" (Shuisky, chorus, Boris) | — | ||
| 28-8 | Boris Godunov Act 4, Scene 2. "Kto govorít: ubíytsa?" (Boris, Shuisky, Pimen) | — | ||
| 28-9 | Boris Godunov Act 4, Scene 2. "Odnázhdy, v vechérniy chas" (Pimen, Boris) | — | ||
| 28-10 | Boris Godunov Act 4, Scene 2. "Proshcháy, moy syn" (Boris) | — | ||
| 28-11 | Boris Godunov Act 4, Scene 2. "Zvon! Pogrebál'ny zvon!" (Boris, chorus, Fyodor) | — | ||
| 28-12 | Boris Godunov Act 4, Scene 3. "Valí syudá! Na pyen sadí" (chorus) | — | ||
| 28-13 | Boris Godunov Act 4, Scene 3. "Sólntse, luná pomyérknuli" (Missail, Varlaam) | — | ||
| 28-14 | Boris Godunov Act 4, Scene 3. "Gaydá! Rashkodílas, razgulyálas" (chorus) | — | ||
| 28-15 | Boris Godunov Act 4, Scene 3. "Domine, Domine, salvum fac" (Lavitsky, Chernikovsky) | — | ||
| 28-16 | Boris Godunov Act 4, Scene 3. "Sláva tebyé, tsaryévichu" (Missail, Varlaam) | — | ||
| 28-17 | Boris Godunov Act 4, Scene 3. Lyéytes, lyéytes, slyózy górkiye" (chorus) | — | ||
| 29-1 | La bohème: Atto I. “Questo mar rosso” (Marcello) | Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Nicolaï Ghiaurov, Rolando Panerai, Luciano Pavarotti, Schöneberger Sängerknaben, Berliner Philharmoniker, Herbert von Karajan | — | |
| 29-2 | La bohème: Atto I. “Pensier profondo!” (Colline) | Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Nicolaï Ghiaurov, Rolando Panerai, Luciano Pavarotti, Schöneberger Sängerknaben, Berliner Philharmoniker, Herbert von Karajan | — | |
| 29-3 | La bohème: Atto I. “Abbasso, abbasso l'autor!” (Rodolfo) | Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Nicolaï Ghiaurov, Gianni Maffeo, Rolando Panerai, Luciano Pavarotti, Schöneberger Sängerknaben, Berliner Philharmoniker, Herbert von Karajan | — | |
| 29-4 | La bohème: Atto I. “Si può” (Benoit) | Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Nicolaï Ghiaurov, Gianni Maffeo, Rolando Panerai, Luciano Pavarotti, Schöneberger Sängerknaben, Michel Sénéchal, Berliner Philharmoniker, Herbert von Karajan | — | |
| 29-5 | La bohème: Atto I. “Io resto” (Rodolfo) | Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Nicolaï Ghiaurov, Gianni Maffeo, Rolando Panerai, Luciano Pavarotti, Schöneberger Sängerknaben, Berliner Philharmoniker, Herbert von Karajan | — | |
| 29-6 | La bohème: Atto I. “Chi è là?” (Rodolfo) | Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Mirella Freni, Nicolaï Ghiaurov, Rolando Panerai, Luciano Pavarotti, Schöneberger Sängerknaben, Berliner Philharmoniker, Herbert von Karajan | — | |
| 29-7 | La bohème: Atto I. “Si sente meglio” (Rodolfo) | Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Mirella Freni, Luciano Pavarotti, Schöneberger Sängerknaben, Berliner Philharmoniker, Herbert von Karajan | — | |
| 29-8 | La bohème: Atto I. “Che gelida manina” (Rodolfo) | Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — | |
| 29-9 | La bohème: Atto I. “Sì, mi chiamano Mimì” (Mimì, Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — | |
| 29-10 | La bohème: Atto I. “O soave fanciulla” (Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | T-913.732.535-0 | |
| 29-11 | La bohème: Atto II. “Aranci, datteri!” (Venditori ambulanti) | Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Mirella Freni, Nicolaï Ghiaurov, Gianni Maffeo, Rolando Panerai, Luciano Pavarotti, Schöneberger Sängerknaben, Berliner Philharmoniker, Herbert von Karajan | — | |
| 29-12 | La bohème: Atto II. “Chi guardi?” (Rodolfo) | Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Mirella Freni, Nicolaï Ghiaurov, Gianni Maffeo, Rolando Panerai, Luciano Pavarotti, Gernot Pietsch, Schöneberger Sängerknaben, Berliner Philharmoniker, Herbert von Karajan | — | |
| 29-13 | La bohème: Atto II. “Viva Parpignol!” (Fanciulli, fanciulle) | Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Mirella Freni, Nicolaï Ghiaurov, Gianni Maffeo, Rolando Panerai, Luciano Pavarotti, Schöneberger Sängerknaben, Berliner Philharmoniker, Herbert von Karajan | — | |
| 29-14 | La bohème: Atto II. “Oh!... Essa!... Musetta!” (Rodolfo, Schaunard, Colline, Marcello) | Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Mirella Freni, Nicolaï Ghiaurov, Elizabeth Harwood, Gianni Maffeo, Rolando Panerai, Luciano Pavarotti, Schöneberger Sängerknaben, Michel Sénéchal, Berliner Philharmoniker, Herbert von Karajan | — | |
| 29-15 | La bohème: Atto II. “Quando m'en vo” (Musetta) | Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Mirella Freni, Nicolaï Ghiaurov, Elizabeth Harwood, Gianni Maffeo, Rolando Panerai, Luciano Pavarotti, Schöneberger Sängerknaben, Michel Sénéchal, Berliner Philharmoniker, Herbert von Karajan | T-920.080.546-5 | |
| 29-16 | La bohème: Atto II. “Chi l’ha richiesto?” (Colline) | Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Mirella Freni, Nicolaï Ghiaurov, Elizabeth Harwood, Gianni Maffeo, Rolando Panerai, Luciano Pavarotti, Schöneberger Sängerknaben, Berliner Philharmoniker, Herbert von Karajan | — | |
| 30-1 | La Bohème: Quadro terzo. "Ohè là, le guardie! Aprite!" (spazzini, un doganiere, voci dalla taverna, Musetta, lattivendole, carrettieri, contadine) | — | ||
| 30-2 | La Bohème: Quadro terzo. "Sa dirmi, scusi, qual è l’osteria" (Mimì, sergente, doganiere) | — | ||
| 30-3 | La bohème: Atto III. “Mimì! - Speravo di trovarvi qui” (Marcello) | Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Mirella Freni, Rolando Panerai, Schöneberger Sängerknaben, Berliner Philharmoniker, Herbert von Karajan | — | |
| 30-4 | La bohème: Atto III. “Marcello. Finalmente!” (Rodolfo) | Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Mirella Freni, Rolando Panerai, Luciano Pavarotti, Schöneberger Sängerknaben, Berliner Philharmoniker, Herbert von Karajan | — | |
| 30-5 | La bohème: Atto III. “Mimì è una civetta” (Rodolfo) | Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Rolando Panerai, Luciano Pavarotti, Schöneberger Sängerknaben, Berliner Philharmoniker, Herbert von Karajan | — | |
| 30-6 | La bohème: Atto III. “Mimì è tanto malate!” (Rodolfo) | Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Mirella Freni, Rolando Panerai, Luciano Pavarotti, Schöneberger Sängerknaben, Berliner Philharmoniker, Herbert von Karajan | — | |
| 30-7 | La bohème: Atto III. “Donde lieta uscì” (Mimì) | Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Mirella Freni, Schöneberger Sängerknaben, Berliner Philharmoniker, Herbert von Karajan | — | |
| 30-8 | La bohème: Atto III. “Dunque è proprio finita” (Rodolfo, Mimi, Marcello, Musetta) | Mirella Freni, Elizabeth Harwood, Rolando Panerai, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — | |
| 30-9 | La bohème: Atto IV. “In un coupé?” (Marcello) | Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Rolando Panerai, Luciano Pavarotti, Schöneberger Sängerknaben, Berliner Philharmoniker, Herbert von Karajan | — | |
| 30-10 | La bohème: Atto IV. “O Mimì, tu più non torni” (Rodolfo) | Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Nicolaï Ghiaurov, Gianni Maffeo, Rolando Panerai, Luciano Pavarotti, Schöneberger Sängerknaben, Berliner Philharmoniker, Herbert von Karajan | — | |
| 30-11 | La bohème: Atto IV. “Gavotta! Minuetto!” (Colline, Marcello) | Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Nicolaï Ghiaurov, Gianni Maffeo, Rolando Panerai, Luciano Pavarotti, Schöneberger Sängerknaben, Berliner Philharmoniker, Herbert von Karajan | — | |
| 30-12 | La Bohème: Quadro quarto. "C’è Mimì che mi segue e che sta male" (Musetta, Rodolfo, Schaunard, Mimì, Marcello, Colline) | — | ||
| 30-13 | La Bohème: Quadro quarto. "Vecchia zimarra, senti" (Colline, Schaunard) | — | ||
| 30-14 | La bohème: Atto IV. “Sono andati? Fingevo di dormire” (Mimì) | Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Mirella Freni, Luciano Pavarotti, Schöneberger Sängerknaben, Berliner Philharmoniker, Herbert von Karajan | — | |
| 30-15 | La bohème: Atto IV. “Che avvien?” (Schaunard) | Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Mirella Freni, Nicolaï Ghiaurov, Elizabeth Harwood, Gianni Maffeo, Rolando Panerai, Luciano Pavarotti, Schöneberger Sängerknaben, Berliner Philharmoniker, Herbert von Karajan | — | |
| 31-1 | Madama Butterfly: Atto I. “… E soffitto e pareti” (Pinkerton) | Luciano Pavarotti, Michel Sénéchal, Wiener Philharmoniker, Herbert von Karajan | T-070.247.946-6 | |
| 31-2 | Madama Butterfly: Atto I. “Sorride Vostro Onore?” (Suzuki) | Robert Kerns, Christa Ludwig, Luciano Pavarotti, Michel Sénéchal, Wiener Philharmoniker, Herbert von Karajan | — | |
| 31-3 | Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton) | Robert Kerns, Luciano Pavarotti, Wiener Philharmoniker, Herbert von Karajan | — | |
| 31-4 | Madama Butterfly: Atto I. “America for ever” (Pinkerton) | Luciano Pavarotti, Michel Sénéchal, Robert Kerns, Wiener Philharmoniker, Herbert von Karajan | — | |
| 31-5 | Madama Butterfly: Atto I. “Ier l'altro il Consolato” (Sharpless) | Luciano Pavarotti, Wiener Philharmoniker, Herbert von Karajan | — | |
| 31-6 | Madama Butterfly: Atto I. “Ecco. Son giunte al sommo del pendio” (Goro) | Mirella Freni, Robert Kerns, Konzertvereinigung Wiener Staatsopernchor, Michel Sénéchal, Wiener Philharmoniker, Herbert von Karajan | — | |
| 31-7 | Madama Butterfly: Atto I. “Gran ventura” (Butterfly) | Mirella Freni, Robert Kerns, Konzertvereinigung Wiener Staatsopernchor, Luciano Pavarotti, Michel Sénéchal, Wiener Philharmoniker, Herbert von Karajan | — | |
| 31-8 | Madama Butterfly: Atto I. “L'Imperial Commissario” (Goro) | Mirella Freni, Martha Heigl, Konzertvereinigung Wiener Staatsopernchor, Erna Maria Mühlberger, Luciano Pavarotti, Wolfgang Schneider, Michel Sénéchal, Wiener Philharmoniker, Herbert von Karajan | — | |
| 31-9 | Madama Butterfly: Atto I. “Vieni, amor mio!” (Pinkerton) | Mirella Freni, Luciano Pavarotti, Michel Sénéchal, Wiener Philharmoniker, Herbert von Karajan | — | |
| 31-10 | Madama Butterfly: Atto I. “Ieri son salita tutta sola in segreto alla Missione” (Butterfly) | Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | — | |
| 31-11 | Madama Butterfly: Atto I. “Tutti zitti!” (Goro) | Hans Helm, Robert Kerns, Konzertvereinigung Wiener Staatsopernchor, Luciano Pavarotti, Michel Sénéchal, Wiener Philharmoniker, Herbert von Karajan | — | |
| 31-12 | Madama Butterfly: Atto I. “O Kami! O Kami!” (Amiche) | Mirella Freni, Martha Heigl, Konzertvereinigung Wiener Staatsopernchor, Luciano Pavarotti, Marius Rintzler, Wolfgang Schneider, Michel Sénéchal, Wiener Philharmoniker, Herbert von Karajan | — | |
| 31-13 | Madama Butterfly: Atto I. “Cio-Cio-San!” (Parenti, amiche) | Konzertvereinigung Wiener Staatsopernchor, Luciano Pavarotti, Marius Rintzler, Wiener Philharmoniker, Herbert von Karajan | — | |
| 31-14 | Madama Butterfly: Atto I. “Bimba, bimba, non piangere” (Pinkerton) | Mirella Freni, Konzertvereinigung Wiener Staatsopernchor, Christa Ludwig, Luciano Pavarotti, Wiener Philharmoniker, Herbert von Karajan | — | |
| 31-15 | Madama Butterfly: Atto I. “Viene la sera” (Pinkerton) | Luciano Pavarotti, Christa Ludwig, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | — | |
| 31-16 | Madama Butterfly: Atto I. “Vogliatemi bene” (Love Duet) | Mirella Freni, Luciano Pavarotti, Wiener Philharmoniker, Herbert von Karajan | — | |
| 31-17 | Madama Butterfly: Atto II. “E Izaghi ed Izanami” (Suzuki) | Mirella Freni, Christa Ludwig, Wiener Philharmoniker, Herbert von Karajan | — | |
| 31-18 | Madame Butterfly: “Un bel dì” | Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | T-070.182.950-6 | |
| 32-1 | Madama Butterfly: Atto II, parte 1. “C'è. Entrate” (Goro) | Robert Kerns, Giorgio Stendoro, Michel Sénéchal, Wiener Philharmoniker, Herbert von Karajan | — | |
| 32-2 | Madama Butterfly: Atto II, parte 1. “Si sa che aprir la porta” (Butterfly) | Mirella Freni, Robert Kerns, Wiener Philharmoniker, Herbert von Karajan | — | |
| 32-3 | Madama Butterfly: Atto II, parte 1. “Udiste?” (Goro) | Mirella Freni, Robert Kerns, Giorgio Stendoro, Michel Sénéchal, Wiener Philharmoniker, Herbert von Karajan | — | |
| 32-4 | Madama Butterfly: Atto II, parte 1. “Ora a noi. Sedete qui” (Sharpless) | Mirella Freni, Robert Kerns, Wiener Philharmoniker, Herbert von Karajan | — | |
| 32-5 | Madama Butterfly: Atto II, parte 1. “Ebbene, che fareste, Madama Butterfly?” (Sharpless) | Mirella Freni, Robert Kerns, Wiener Philharmoniker, Herbert von Karajan | — | |
| 32-6 | Madama Butterfly: Atto II, parte 1. “E questo? E questo?” (Butterfly) | Mirella Freni, Robert Kerns, Wiener Philharmoniker, Herbert von Karajan | — | |
| 32-7 | Madama Butterfly: Atto II, parte 1. “Che tua madre dovrà prenderti in braccio” (Butterfly) | Mirella Freni, Robert Kerns, Wiener Philharmoniker, Herbert von Karajan | — | |
| 32-8 | Madama Butterfly: Atto II, parte 1. “Vespa! Rospo maledetto!” (Suzuki, Butterfly, Goro) | Mirella Freni, Evamaria Hurdes, Christa Ludwig, Michel Sénéchal, Wiener Philharmoniker, Herbert von Karajan | — | |
| 32-9 | Madama Butterfly: Atto II, parte 1. “Una nave da Guerra” (Suzuki) | Mirella Freni, Christa Ludwig, Wiener Philharmoniker, Herbert von Karajan | — | |
| 32-10 | Madama Butterfly: Atto II. “Scuoti quella fronda” (Flower Duet) | Mirella Freni, Christa Ludwig, Wiener Philharmoniker, Herbert von Karajan | T-930.400.038-2 | |
| 32-11 | Madama Butterfly: Atto II, parte 1. “Or vienmi ad adornar” (Butterfly) | Mirella Freni, Siegfried Rudolf Frese, Christa Ludwig, Wiener Philharmoniker, Herbert von Karajan | — | |
| 32-12 | Madama Butterfly: Atto II. Chorus “Coro a bocca chiusa” (Humming Chorus) | Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan | T-011.275.282-5 | |
| 32-13 | Madama Butterfly: Atto II, parte 2. Intermezzo | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | — | |
| 32-14 | Madama Butterfly: Atto II, parte 2. (fischi d'uccelli dal giardino) | Wiener Philharmoniker, Herbert von Karajan | T-913.424.764-6 | |
| 32-15 | Madama Butterfly: Atto II, parte 2. “Già il sole!” (Suzuki) | Mirella Freni, Christa Ludwig, Wiener Philharmoniker, Herbert von Karajan | — | |
| 32-16 | Madama Butterfly: Atto II, parte 2. “Chi sia?” (Suzuki) | Robert Kerns, Christa Ludwig, Wiener Philharmoniker, Herbert von Karajan | — | |
| 32-17 | Madama Butterfly: Atto II, parte 2. “Io so che alle sue pene” (Sharpless) | Robert Kerns, Luciano Pavarotti, Wiener Philharmoniker, Herbert von Karajan | — | |
| 32-18 | Madama Butterfly: Atto II, parte 2. “Non ve l'avevo detto?” (Sharpless) | Robert Kerns, Luciano Pavarotti, Wiener Philharmoniker, Herbert von Karajan | — | |
| 32-19 | Madama Butterfly: Atto II, parte 2. “Addio fiorito asil” (Pinkerton) | Robert Kerns, Christa Ludwig, Luciano Pavarotti, Elke Schary, Wiener Philharmoniker, Herbert von Karajan | — | |
| 32-20 | Madama Butterfly: Atto II, parte 2. “Suzuki! Suzuki! Dove sei?” (Butterfly) | Mirella Freni, Christa Ludwig, Wiener Philharmoniker, Herbert von Karajan | — | |
| 32-21 | Madama Butterfly: Atto II, parte 2. “Tu, Suzuki, che sei tanto buona” (Butterfly) | Mirella Freni, Robert Kerns, Christa Ludwig, Elke Schary, Wiener Philharmoniker, Herbert von Karajan | — | |
| 32-22 | Madama Butterfly: Atto II, parte 2. “Come una mosca prigioniera” (Suzuki) | Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | — | |
| 32-23 | Madama Butterfly: Atto II, parte 2. “Con onor muore” (Butterfly) | Mirella Freni, Luciano Pavarotti, Wiener Philharmoniker, Herbert von Karajan | — | |
| 33-1 | The Marriage of Figaro - Overture | Wiener Philharmoniker, Herbert von Karajan | T-902.772.343-9 | |
| 33-2 | Le nozze di Figaro, K 492: Atto primo. N. 1 Duettino: "Cinque, dieci, venti, trenta" (Figaro, Susanna) / Recitativo: "Cosa stai misurando" (Susanna, Figaro) | — | ||
| 33-3 | Le nozze di Figaro, K 492: Atto primo. N. 2 Duettino: "Se a caso madama" (Figaro, Susanna) / Recitativo: "Or bene, ascolta, e taci (Susanna, Figaro) | — | ||
| 33-4 | Le nozze di Figaro, K 492: Atto primo. Recitativo: "Bravo, signor padrone" (Figaro) / N. 3 Cavatina: "Se vuol ballare, signor contino" (Figaro) / Recitativo: "Ed aspettaste il giorno" (Bartolo, Marcellina) | — | ||
| 33-5 | Le nozze di Figaro, K 492: Atto primo. N. 4 Aria: "La vendetta, oh, la vendetta" (Bartolo) / Recitativo: "Tutto ancor non ho perso" (Marcellina, Susanna) | — | ||
| 33-6 | Le nozze di Figaro, K 492: Atto primo. N. 5 Duettino: "Via, resti servita" (Marcellina, Susanna) / Recitativo: "Va' là, vecchia pedante" (Susanna, Cherubino) | — | ||
| 33-7 | Le nozze di Figaro, K 492: Atto primo. N. 6 Aria: "Non so più cosa son, cosa faccio" (Cherubino) / Recitativo: "Ah, son perduto!" (Cherubino, Susanna, conte, Basilio) / "Susanna, il ciel vi salvi!" (Casilio, Susanna, conte) | — | ||
| 33-8 | Le nozze di Figaro, K 492: Atto primo. No. 7 Terzetto: "Cosa sento! Tosto andate" (conte, Basilio, Susanna) / Recitativo: "Basilio, in traccia tosto di Figaro volate" (Conte, Susanna, Cherubino, Basilio) / N. 8 Coro: "Giovani liete, fiori spargete" (contadini, contadine) / Recitativo: "Cos'è questa commedia?" (conte, Figaro, Susanna) / N. 9 Coro "Giovani liete, fiori spargete" (contadini, contadine) / Recitativo: "Evviva! / E void nopn applaudite?" (Figaro, Susanna, Basilio, Cherubino, conte) | — | ||
| 33-9 | Le nozze di Figaro, K 492: Atto primo. N. 10 Aira: "Non più andrai, farfallone amoroso" (Figaro) | — | ||
| 33-10 | Le nozze di Figaro, K 492: Atto secondo. N. 11 Cavatina: "Porgi, amor, qualche ristoro" (contessa) / Recitativo: "Vieni, cara Susanna" (contessa, Susanna, Figaro) / "Quanto duolmi, Susanna" (contessa, Susanna, Cherubino) | — | ||
| 33-11 | Le nozze di Figaro, K 492: Atto secondo. N. 12 Aretta: "Voi che sapete che cosa è amor" (Cherubino) / Recitativo: "Bravo! Che bella voce!" (contessa, Susanna, Cherubino) | — | ||
| 33-12 | Le nozze di Figaro, K 492: Atto secondo. N. 13 Aria: "Venite, inginocchiatevi" (Susanna) / Recitativo: "Quante buffonerie!" (contessa, Susanna, Cherubino) / Chi picchia alla mia porta?" (contessa, conte, Cherubino) | — | ||
| 33-13 | Le nozze di Figaro, K 492: Atto secondo. Recitativo: "Che novità! Non fu mai vostra usanza" (conte, contessa) | — | ||
| 33-14 | Le nozze di Figaro, K 492: Atto secondo. N. 14 Terzetto: "Susanna, or via, sortite!" (conte, contessa, Susanna) / Recitativo: "Dunque voi non aprite?" (conte, contessa) | — | ||
| 33-15 | Le nozze di Figaro, K 492: Atto secondo. N. 15 Duettino: "Aprite, presto, aprite" (Susanna, Cherubino) / Recitativo: "Oh, guarda il demonietto!" (Susanna) | — | ||
| 34-1 | Le nozze di Figaro, K 492: Atto secondo. Recitativo: "Tutto è come io lasciai" (conte, contessa) | — | ||
| 34-2 | Le nozze di Figaro, K 492: Atto secondo. N. 16 Finale: "Esci, omai, garzon, malnato" (conte, contessa) / "Signore! Cos'è quel stupore?" (Susanna, conte, contessa) / "Susanna, son morta" (contessa, Susanna, conte) | — | ||
| 34-3 | Le nozze di Figaro, K 492: Atto secondo. N. 16 Finale: "Signori, di fuori son già i suonatori (Figaro, conte, Susanna, contessa) / "Conoscete, signor Figaro" (conte, Figaro, Susanna, contessa) / "Ah, signore, signor! / Che cosa è stato?" (Antonio, conte, Susanna, contessa, Figaro) / "Vostre dunque saran queste carte" (Antonio, conte, Figaro, Susanna, contessa) | — | ||
| 34-4 | Le nozze di Figaro, K 492: Atto secondo. N. 16 Finale: "Voi signor, che guisto siete" (Marcellina, Basilio, Bartolo, conte, Susanna, contessa, Figaro) | — | ||
| 34-5 | Le nozze di Figaro, K 492: Atto terzo. Recitativo: "Che imbarazzo è mai questo! (conte) / "Via, fatti core" (contessa, conte, Susanna) | — | ||
| 34-6 | Le nozze di Figaro, K 492: Atto terzo. N. 17 Duettino: "Crudel! Perché fubira farnu languir cosa?" (conte, Susanna) / Recitativo: "E perché fosti meco stamattina si austera?" | — | ||
| 34-7 | Le nozze di Figaro, K 492: Atto terzo. N. 18 Recitativo ed aria: "Hai già vinta la causa!" (conte) / "Vedrò mentr'io sospiro" (conte) / "Andiamo, andiam, bel paggio" (Barbarina, Cherubino) | — | ||
| 34-8 | Le nozze di Figaro, K 492: Atto terzo. N. 20 Recitativo ed aria: "E Susanna non vien" (contessa) / "Dove sono i bei momenti" (contessa) / Recitativo: "È decisa la lite" (Don Curzio, Marcellina, Figaro, conte, Bartolo) | — | ||
| 34-9 | Le nozze di Figaro, K 492: Atto terzo. N. 19 Sestetto: "Riconosci in questo amplesso" (Marcellina, Figaro, Bartolo, Don Curzio, conte, Susanna) / Recitativo: "Eccovi, o caro amico" (Marcellina, Bartolo, Susanna, Figaro) / "Io vi dico, signor" (Antonio, conte) | — | ||
| 34-10 | Le nozze di Figaro, K 492: Atto terzo. "Cosa mi narri!" (contessa, Susanna) / N. 21 Duettino: "Sull'aria ... Che soave zeffiretto" (Susanna, contessa) / Recitativo: "Piegato è il foglio" (Susanna, contessa) / N. 22 Coro: "Ricevete, o padroncina" (contadine) / Recitativo: " Queste sono, madama, le ragazze del loco" (Barbarina, contessa, Susanna) / "Eh cospettaccio! è questo l'uffiziale" (Antonio, contessa, Susanna, conte, Cherubino, Barbarina) / "Signor... se trattenete tutte queste ragazze" (Figaro, conte, contessa, Susanna, Antonio) | — | ||
| 34-11 | Le nozze di Figaro, K 492: Atto terzo. N. 23 Finale: "Ecco la marcia, andiamo (Figaro, Susanna, conte, contessa) / "Amanti costanti, seguaci, d'onor" (contadine, contadini) / "Eh già, solita usanza" (conte, Figaro) / Recitativo: "Andate, amici" (conte, coro) | — | ||
| 35-1 | Le nozze di Figaro, K 492: Atto quarto. N. 24 Cavatina: "L'ho perduta, me meschina!" (Barbarina) / Recitativo: "Barbarina, cos'hai?" (Figaro, Barbarina, Marcellina) | — | ||
| 35-2 | Le nozze di Figaro, K 492: Atto quarto. N. 25 Aria: "Il capro e la capretta" (Marcellina) / Recitativo: "Nel padiglione a manca" (Barbarina, Figaro, Basilio, Bartolo) | — | ||
| 35-3 | Le nozze di Figaro, K 492: Atto quarto. N. 26 Aria: "In quegli anni in cui vai poco" (Basilio) | — | ||
| 35-4 | Le nozze di Figaro, K 492: Atto quarto. N. 27 Recitativo ed aria: "Tutto è disposto" (Figaro) / "Oh Susanna, Susanna, quanta pena mi costi!" (Figaro) / "Aprite un po' quegli occhi" (Figaro) / Recitativo: "Signora, ella mi disse" (Susanna, Marcellina) / "Madama, voi tremate" (Susanna, contessa, Figaro) | — | ||
| 35-5 | Le nozze di Figaro, K 492: Atto quarto. N. 28 Recitativo ed aria: "Giunse alfin il momento" (Susanna) / "Deh vieni, non tardar" (Susanna) / Recitativo: "Perfida! E in quella forma meco mentia?" (Figaro, Cherubino, contessa) | — | ||
| 35-6 | Le nozze di Figaro, K 492: Atto quarto. N. 29 Finale: "Pian pianin le andrò più presso" (Cherubino, contessa, conte) / "Ecco qui la mia Susanna" (conte, Susanna, Figaro, Cherubino, contessa) / "Tutto è tranquillo e placido" (Figaro, Susanna) / "Pace, pace, mio dolce tesoro" (Figaro, Susanna, conte) | — | ||
| 35-7 | Le nozze di Figaro, K 492: Atto quarto. N. 29 Finale: "Gente, gente, al'armi, all'armi!" (conte, Figaro, Basilio, Antonio, Susanna, Don Curzio, Bartolo, Cherubino, contessa) | — |
Musical Works (ISWC)
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Identifier Graph
028948349036 is a Universal Product Code (UPC) assigned to Herbert von Karajan: The Complete DECCA Recordings by Herbert von Karajan. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 470 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Herbert von Karajan: The Complete DECCA Recordings” by Herbert von Karajan is 028948349036. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2020-01-01. Label: Decca. This release contains 470 tracks, each with its own ISRC. Tracks include GBF075910081, GBF075910082, GBF075910083.
