UPC · Release
Herbert Blomstedt
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028948532810 is the Universal Product Code (UPC barcode) for the release “Complete Decca Recordings” by Herbert Blomstedt, released 2023-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 296 tracks, each with its own ISRC. Tracks include GBF079010301, GBF079010302, GBF079010303.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Kossuth, Symphonic Poem for Large Orchestra, Sz. 21: I. Kossuth | — | ||
| 2 | Kossuth, Symphonic Poem for Large Orchestra, Sz. 21: II. Mi bú nehezedik a lelkedre, édes férjem? | — | ||
| 3 | Kossuth, Symphonic Poem for Large Orchestra, Sz. 21: III. Veszélyben a haza! | — | ||
| 4 | Kossuth, Symphonic Poem for Large Orchestra, Sz. 21: IV. Hajdan jobb idõket éltünk… | — | ||
| 5 | Kossuth, Symphonic Poem for Large Orchestra, Sz. 21: V. Majd rosszra fordult sorsunk… | — | ||
| 6 | Kossuth, Symphonic Poem for Large Orchestra, Sz. 21: VI. Harcra fel! | — | ||
| 7 | Kossuth, Symphonic Poem for Large Orchestra, Sz. 21: VII. Jöjjetek, jöjjetek! Szép magyar vitézek, szép magyar leventék! | — | ||
| 8 | Kossuth, Symphonic Poem for Large Orchestra, Sz. 21: VIII. … | — | ||
| 9 | Kossuth, Symphonic Poem for Large Orchestra, Sz. 21: IX. Mindennek vége! | — | ||
| 10 | Kossuth, Symphonic Poem for Large Orchestra, Sz. 21: X. Csöndes minden, csöndes… | — | ||
| 11 | Concerto for Orchestra, Sz. 116: I. Introduzione: Andante non troppo – Allegro vivace | — | ||
| 12 | Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie: Allegretto scherzando | — | ||
| 13 | Concerto for Orchestra, Sz. 116: III. Elegia: Andante, non troppo | — | ||
| 14 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto: Allegretto | — | ||
| 15 | Concerto for Orchestra, Sz. 116: V. Finale: Pesante – Presto | — | ||
| 2-1 | SYMPHONY NO.1 IN C MAJOR, OP.21: 1. ADAGIO MOLTO - ALLEGRO CON BRIO | San Francisco Symphony, Herbert Blomstedt | T-915.714.772-3 | |
| 2-2 | 2. ANDANTE CANTABILE CON MOTO | San Francisco Symphony, Herbert Blomstedt | — | |
| 2-3 | 3. MENUETTO (ALLEGRO MOLTO E VIVACE) | San Francisco Symphony, Herbert Blomstedt | — | |
| 2-4 | 4. FINALE (ADAGIO - ALLEGRO MOLTO E VIVACE) | San Francisco Symphony, Herbert Blomstedt | T-318.676.528-2 | |
| 2-5 | 1. ALLEGRO CON BRIO | San Francisco Symphony, Herbert Blomstedt | — | |
| 2-6 | 2. MARCIA FUNÈBRE (ADAGIO ASSAI) | San Francisco Symphony, Herbert Blomstedt | — | |
| 2-7 | 3. SCHERZO (ALLEGRO VIVACE) | San Francisco Symphony, Herbert Blomstedt | — | |
| 2-8 | 4. FINALE (ALLEGRO MOLTO) | San Francisco Symphony, Herbert Blomstedt | T-318.676.528-2 | |
| 3-1 | Symphony no. 1 “Sinfonie sérieuse”: I. Allegro con energia | — | ||
| 3-2 | Symphony no. 1 “Sinfonie sérieuse”: II. Adagio maestoso | — | ||
| 3-3 | Symphony no. 1 “Sinfonie sérieuse”: III. Stretto | — | ||
| 3-4 | Symphony no. 1 “Sinfonie sérieuse”: IV. Finale: Adagio – Allegro molto | — | ||
| 3-5 | Symphony no. 4: I. Allegro risoluto | — | ||
| 3-6 | Symphony no. 4: II. Adagio | — | ||
| 3-7 | Symphony no. 4: III. Scherzo: Allegro molto | — | ||
| 3-8 | Symphony no. 4: IV. Finale: Allegro vivace | — | ||
| 4-1 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | — | ||
| 4-2 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | — | ||
| 4-3 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso – Poco meno presto – Tempo I | — | ||
| 4-4 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato – Più allegro | — | ||
| 4-5 | Warum ist das Licht gegeben dem Mühseligen, op. 74 no. 1: I. Warum ist das Licht gegeben dem Mühseligen? | — | ||
| 4-6 | Warum ist das Licht gegeben dem Mühseligen, op. 74 no. 1: II. Lasset uns unser Herz samt den Händen aufheben | — | ||
| 4-7 | Warum ist das Licht gegeben dem Mühseligen, op. 74 no. 1: III. Siehe, wir preisen selig, die erduldet haben | — | ||
| 4-8 | Warum ist das Licht gegeben dem Mühseligen, op. 74 no. 1: IV. Chorale: Mit Fried’ und Freud’ ich fahr’ dahin | — | ||
| 4-9 | Fest- und Gedenksprüche, op. 109: I. Unsere Väter hofften auf dich | — | ||
| 4-10 | Fest- und Gedenksprüche, op. 109: II. Wenn ein starker Gewappneter | — | ||
| 4-11 | Fest- und Gedenksprüche, op. 109: III. Wo ist ein so herrlich Volk | — | ||
| 4-12 | 3 Motetten, op. 110: I. Ich aber bin elend | — | ||
| 4-13 | 3 Motetten, op. 110: II. Ach, arme Welt | — | ||
| 4-14 | 3 Motetten, op. 110: III. Wenn wir in höchsten Nöten sein | — | ||
| 5-1 | Schicksalslied, op. 54 | — | ||
| 5-2 | Rhapsody for Alto, Chorus and Orchestra, op. 53 | — | ||
| 5-3 | Begräbnisgesang, op. 13 | — | ||
| 5-4 | Nänie, op. 82 | — | ||
| 5-5 | Gesang der Parzen, op. 89 | — | ||
| 6-1 | Ein Deutsches Requiem, op. 45: I. Selig sind, die da Leid tragen | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | T-003.036.740-8 | |
| 6-2 | Ein Deutsches Requiem, op. 45: II. Denn alles Fleisch es ist wie Gras | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 6-3 | Ein Deutsches Requiem, op. 45: III. Herr, lehre doch mich | Wolfgang Holzmair, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 6-4 | Ein Deutsches Requiem, op. 45: IV. Wie lieblich sind Deine Wohnungen | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 6-5 | Ein Deutsches Requiem, op. 45: V. Ihr habt nun Traurigkeit - Ich will euch trösten | Elizabeth Norberg-Schulz, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 6-6 | Ein Deutsches Requiem, op. 45: VI. Denn wir haben hie keine bleibende Statt - Siehe, ich sage euch ein Geheimnis | Wolfgang Holzmair, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 6-7 | Ein Deutsches Requiem, op. 45: VII. Selig sind die Toten, die in dem Herren sterben | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 7-1 | Symphony no. 4 in E‐flat, WAB 104 “Romantic”: I. Bewegt, nicht zu schnell | — | ||
| 7-2 | Symphony no. 4 in E‐flat, WAB 104 “Romantic”: II. Andante quasi allegretto | — | ||
| 7-3 | Symphony no. 4 in E‐flat, WAB 104 “Romantic”: III. Scherzo: Bewegt | — | ||
| 7-4 | Symphony no. 4 in E‐flat, WAB 104 “Romantic”: IV. Finale: Bewegt, doch nicht zu schnell | — | ||
| 8-1 | Siegfried Idyll in E major, WWV 103 | San Francisco Symphony, Herbert Blomstedt | T-306.482.955-2 | |
| 8-2 | Symphony no. 6 in A, WAB 106: I. Majestoso | — | ||
| 8-3 | Symphony no. 6 in A, WAB 106: II. Adagio: Sehr feierlich | — | ||
| 8-4 | Symphony no. 6 in A, WAB 106: III. Scherzo: Nicht schnell – Trio: Langsam | — | ||
| 8-5 | Symphony no. 6 in A, WAB 106: IV. Finale: Bewegt, doch nicht zu schnell | — | ||
| 9-1 | Symphony no. 9 in D minor, WAB 109: I. Feierlich, misterioso | — | ||
| 9-2 | Symphony no. 9 in D minor, WAB 109: II. Scherzo: Bewegt, lebhaft – Trio: Schnell – Scherzo da capo | — | ||
| 9-3 | Symphony no. 9 in D minor, WAB 109: III. Adagio: Langsam, feierlich | — | ||
| 9-4 | Adagio from String Quintet in F, WAB 112 | — | ||
| 10-1 | Piano Concerto in A minor, op. 16: I. Allegro molto moderato | — | ||
| 10-2 | Piano Concerto in A minor, op. 16: II. Adagio | — | ||
| 10-3 | Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato – Quasi presto – Andante maestoso | — | ||
| 10-4 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso | — | ||
| 10-5 | Piano Concerto no. 1 in E minor, op. 11: II. Romance: Larghetto | — | ||
| 10-6 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo: Vivace | — | ||
| 11-1 | Maskarade, CNW 2: Overture | — | ||
| 11-2 | Peer Gynt Suite: Morgenstimmung | San Francisco Symphony, Herbert Blomstedt | — | |
| 11-3 | Peer Gynt Suite no. 1, op. 46: II. Åses Død | — | ||
| 11-4 | Peer Gynt Suite no. 1, op. 46: III. Anitras Dans | — | ||
| 11-5 | Peer Gynt Suite: In der Halle des Bergkönigs | San Francisco Symphony, Herbert Blomstedt | T-011.778.125-5 | |
| 11-6 | Peer Gynt Suite no. 2, op. 55: I. Bruderovet, Ingrids Klage | — | ||
| 11-7 | Peer Gynt Suite no. 2, op. 55: II. Arabisk Dans | — | ||
| 11-8 | Peer Gynt Suite no. 2, op. 55: III. Peer Gynts Hjemfart, Stormfull Aften på Havet | — | ||
| 11-9 | Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song | San Francisco Symphony, Herbert Blomstedt | T-300.003.632-4 | |
| 11-10 | Aladdin Suite, op. 34 CNW 17: I. Orientalsk Festmarch | — | ||
| 11-11 | Aladdin Suite, op. 34: II. Aladdin’s Dream and Dance of the Morning Mist | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 11-12 | Aladdin Suite, op. 34 CNW 17: III. Hindu Dans | — | ||
| 11-13 | Aladdin Suite, op. 34 CNW 17: IV. Kineserdans | — | ||
| 11-14 | Aladdin Suite, op. 34 CNW 17: V. Torvet i Ispahan | — | ||
| 11-15 | Aladdin Suite, op. 34 CNW 17: VI. Fangernes Dans | — | ||
| 11-16 | Aladdin Suite, op. 34 CNW 17: VII. Negerdans | — | ||
| 12-1 | Peer Gynt, op. 23: No. 1: I Byllupsgården (Forspil til Akt I) | — | ||
| 12-2 | Peer Gynt, op. 23: No. 4: Bruderovet, Ingrids Klage (Forspil til Akt II) | — | ||
| 12-3 | Peer Gynt, op. 23: No. 5: Peer Gynt og Sæterjentene | — | ||
| 12-4 | Peer Gynt Suite: In der Halle des Bergkönigs | San Francisco Symphony, Herbert Blomstedt | T-011.778.125-5 | |
| 12-5 | Peer Gynt, op. 23: No. 9: Dans av Dovregubbens Datter | — | ||
| 12-6 | Peer Gynt, op. 23: No. 10: Peer Gynt Jages av Troll – No. 11: Peer Gynt og Bøygen | — | ||
| 12-7 | Peer Gynt, op. 23: No. 12: Åses død (Forspil til Akt III) | — | ||
| 12-8 | Peer Gynt Suite: Morgenstimmung | San Francisco Symphony, Herbert Blomstedt | — | |
| 12-9 | Peer Gynt, op. 23: No. 14: Tyven og Heleren | — | ||
| 12-10 | Peer Gynt, op. 23: No. 15: Arabisk Dans | — | ||
| 12-11 | Peer Gynt, op. 23: No. 16: Anitras Dans | — | ||
| 12-12 | Peer Gynt, op. 23: No. 17: Peer Gynts Serenade | — | ||
| 12-13 | Peer Gynt, op. 23: No. 19: Solveigs Sang | — | ||
| 12-14 | Peer Gynt, op. 23: No. 21: Peer Gynts Hjemfart, Stormfull Aften på Havet | — | ||
| 12-15 | Peer Gynt, op. 23: No. 22: Skipsforliset | — | ||
| 12-16 | Peer Gynt, op. 23: No. 23: Solveig Synger i Hytten | — | ||
| 12-17 | Peer Gynt, op. 23: No. 24: Nattscene | — | ||
| 12-18 | Peer Gynt, op. 23: No. 25: Pinsesalme “Velsignede Morgen” | — | ||
| 12-19 | Peer Gynt, op. 23: No. 26: Solveigs Vuggevise | — | ||
| 13-1 | Oboe Concerto: I. Aria | — | ||
| 13-2 | Oboe Concerto: II. Passacaglia | — | ||
| 13-3 | Oboe Concerto: III. Fantasia | — | ||
| 13-4 | Symphony no. 2: I. Dawn | — | ||
| 13-5 | Symphony no. 2: II. Daylight | — | ||
| 13-6 | Symphony no. 2: III. Dusk | — | ||
| 13-7 | Symphony no. 2: IV. Darkness | — | ||
| 13-8 | Symphony no. 2: I. Molto agitato | — | ||
| 13-9 | Symphony no. 2: II. Allegretto capriccioso | — | ||
| 13-10 | Symphony no. 2: III. Adagio, tranquillo ed espressivo | — | ||
| 13-11 | Symphony no. 2: IV. Allegramente | — | ||
| 14-1 | Symphonie "Mathis Der Maler": I. Engelskonzert | San Francisco Symphony, Herbert Blomstedt | — | |
| 14-2 | Symphonie "Mathis Der Maler": II. Grablegung | San Francisco Symphony, Herbert Blomstedt | T-801.268.672-6 | |
| 14-3 | Symphonie "Mathis Der Maler": III. Versuchung des heiligen Antonius | San Francisco Symphony, Herbert Blomstedt | — | |
| 14-4 | Trauermusik | — | ||
| 14-5 | Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro | — | ||
| 14-6 | Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Scherzo (Turandot): Moderato – Lively | — | ||
| 14-7 | Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | — | ||
| 14-8 | Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch | — | ||
| 15-1 | Konzertmusik, op. 50: I. Mäßig schnell, mit Kraft – Sehr breit, aber stets fließend | — | ||
| 15-2 | Konzertmusik, op. 50: II. Lebhaft – Langsam – Im ersten Zeitmaß | — | ||
| 15-3 | Der Schwanendreher: I. “Zwischen Berg und tiefem Tal”: Langsam – Mäßig bewegt, mit Kraft | — | ||
| 15-4 | Der Schwanendreher: II. “Nun laube, Lindlein, laube”: Sehr ruhig – Fugato: “Der Gutzgauch auf dem Zaune saß” | — | ||
| 15-5 | Der Schwanendreher: III. Variationen: “Seid ihr niche der Schwanendreher”: Mäßig schnell | — | ||
| 15-6 | Nobilissima visione: I. Einleitung und Rondo | — | ||
| 15-7 | Nobilissima visione: II. Marsch und Pastorale | — | ||
| 15-8 | Nobilissima visione: III. Passacaglia | — | ||
| 16-1 | Symphonia Serena: I. Moderately fast | — | ||
| 16-2 | Symphonia Serena: II. Geschwindmarsch By Beethoven. Paraphrase: Rather fast | — | ||
| 16-3 | Symphonia Serena: III. Colloquy: Quiet | — | ||
| 16-4 | Symphonia Serena: IV. Finale: Gay | — | ||
| 16-5 | Symphony "Die Harmonie der Welt":1. Musica Instrumentalis. Breit | Gewandhausorchester Leipzig, Herbert Blomstedt | — | |
| 16-6 | Symphony "Die Harmonie der Welt": 2. Musica Humana. Sehr getragen | Gewandhausorchester Leipzig, Herbert Blomstedt | — | |
| 16-7 | Symphony "Die Harmonie der Welt": 3. Musica Mundana. Sehr breit - Passacaglia. Ruhig bewegt | Gewandhausorchester Leipzig, Herbert Blomstedt | — | |
| 17-1 | Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso | — | ||
| 17-2 | Symphony no. 2 in C minor “Resurrection”: II. Andante moderato | — | ||
| 17-3 | Symphony no. 2 in C minor “Resurrection”: III. In ruhig fließender Bewegung | — | ||
| 17-4 | Symphony no. 2 in C minor “Resurrection”: IV. “Urlicht”: Sehr feierlich, aber schlicht | — | ||
| 17-5 | Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzo | — | ||
| 18-1 | Symphony no. 3 in A minor, op. 56, MWV N18 “Scottish”: I. Andante con moto – Allegro un poco agitato – Assai animato – Andante come prima | — | ||
| 18-2 | Symphony no. 3 in A minor, op. 56, MWV N18 “Scottish”: II. Vivace non troppo | — | ||
| 18-3 | Symphony no. 3 in A minor, op. 56, MWV N18 “Scottish”: III. Adagio | — | ||
| 18-4 | Symphony no. 3 in A minor, op. 56, MWV N18 “Scottish”: IV. Allegro vivacissimo – Allegro maestoso assai | — | ||
| 18-5 | Symphony no. 4 in A major, op. 90, MWV N16 “Italian”: I. Allegro vivace | — | ||
| 18-6 | Symphony no. 4 in A major, op. 90, MWV N16 “Italian”: II. Andante con moto | — | ||
| 18-7 | Symphony no. 4 in A major, op. 90, MWV N16 “Italian”: III. Con moto moderato | — | ||
| 18-8 | Symphony no. 4 in A major, op. 90, MWV N16 “Italian”: IV. Saltarello: Presto | — | ||
| 19-1 | Piano Concerto no. 1 in G minor, op. 25, MWV O7: I. Molto allegro con fuoco | — | ||
| 19-2 | Piano Concerto no. 1 in G minor, op. 25, MWV O7: II. Andante | — | ||
| 19-3 | Piano Concerto no. 1 in G minor, op. 25, MWV O7: III. Presto – Molto allegro e vivace | — | ||
| 19-4 | Variations sérieuses, op. 54, MWV U156 | — | ||
| 19-5 | Rondo capriccioso, op. 14, MWV U67 | — | ||
| 19-6 | Piano Concerto no. 2 in D minor, op. 40, MWV O11: I. Allegro appassionato | — | ||
| 19-7 | Piano Concerto no. 2 in D minor, op. 40, MWV O11: II. Adagio: Molto sostenuto | — | ||
| 19-8 | Piano Concerto no. 2 in D minor, op. 40, MWV O11: III. Presto scherzando | — | ||
| 20-1 | Symphony no. 1 in G minor, op. 7, CNW 25: I. Allegro orgoglioso | — | ||
| 20-2 | Symphony no. 1 in G minor, op. 7, CNW 25: II. Andante | — | ||
| 20-3 | Symphony no. 1 in G minor, op. 7, CNW 25: III. Allegro comodo | — | ||
| 20-4 | Symphony no. 1 in G minor, op. 7, CNW 25: IV. Finale | — | ||
| 20-5 | Symphony no. 6 "Sinfonia semplice", FS 116: I. Tempo giusto | San Francisco Symphony, Herbert Blomstedt | — | |
| 20-6 | Symphony no. 6 "Sinfonia semplice", FS 116: II. Humoreske: Allegretto | San Francisco Symphony, Herbert Blomstedt | — | |
| 20-7 | Symphony no. 6 "Sinfonia semplice", FS 116: III. Proposta seria: Adagio | San Francisco Symphony, Herbert Blomstedt | — | |
| 20-8 | Symphony no. 6 "Sinfonia semplice", FS 116: IV. Tema con variazioni: Allegro | San Francisco Symphony, Herbert Blomstedt | — | |
| 21-1 | Symphony no. 2 “The Four Temperaments”, op. 16: I. Allegro collerico | San Francisco Symphony, Herbert Blomstedt | — | |
| 21-2 | Symphony no. 2 “The Four Temperaments”, op. 16: II. Allegro comodo e flemmatico | San Francisco Symphony, Herbert Blomstedt | — | |
| 21-3 | Symphony no. 2 “The Four Temperaments”, op. 16: III. Andante malincolico | San Francisco Symphony, Herbert Blomstedt | — | |
| 21-4 | Symphony no. 2 “The Four Temperaments”, op. 16: IV. Allegro sanguineo | San Francisco Symphony, Herbert Blomstedt | — | |
| 21-5 | Symphony no. 3 “Sinfonia espansiva”, op. 27: I. Allegro espansivo | San Francisco Symphony, Herbert Blomstedt | — | |
| 21-6 | Symphony no. 3 “Sinfonia espansiva”, op. 27: II. Andante pastorale | Kevin McMillan, Nancy Wait-Kromm, San Francisco Symphony, Herbert Blomstedt | — | |
| 21-7 | Symphony no. 3 “Sinfonia espansiva”, op. 27: III. Allegretto un poco | San Francisco Symphony, Herbert Blomstedt | — | |
| 21-8 | Symphony no. 3 “Sinfonia espansiva”, op. 27: IV. Finale. Allegro | San Francisco Symphony, Herbert Blomstedt | T-318.676.528-2 | |
| 22-1 | Symphony no. 4 “The Inextinguishable”: I. Allegro | San Francisco Symphony, Herbert Blomstedt | — | |
| 22-2 | Symphony no. 4 “The Inextinguishable”: II. Poco allegretto | San Francisco Symphony, Herbert Blomstedt | — | |
| 22-3 | Symphony no. 4 “The Inextinguishable”: III. Poco adagio quasi andante | San Francisco Symphony, Herbert Blomstedt | — | |
| 22-4 | Symphony no. 4 “The Inextinguishable”: IV. Con anima – Allegro | San Francisco Symphony, Herbert Blomstedt | T-312.542.381-2 | |
| 22-5 | Symphony no. 5: Ia. Tempo giusto | San Francisco Symphony, Herbert Blomstedt | — | |
| 22-6 | Symphony no. 5: Ib. Adagio non troppo | San Francisco Symphony, Herbert Blomstedt | — | |
| 22-7 | Symphony no. 5: IIa. Allegro | San Francisco Symphony, Herbert Blomstedt | — | |
| 22-8 | Symphony no. 5: IIb. Presto | San Francisco Symphony, Herbert Blomstedt | — | |
| 22-9 | Symphony no. 5: IIc. Andante un poco tranquillo | San Francisco Symphony, Herbert Blomstedt | — | |
| 22-10 | Symphony no. 5: IId. Allegro | San Francisco Symphony, Herbert Blomstedt | — | |
| 23-1 | Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 23-2 | Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 23-3 | Carmina Burana: I. Primo vere: Veris leta facies | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 23-4 | Carmina Burana: I. Primo vere: Omnia Sol temperat | Kevin McMillan, San Francisco Symphony, Herbert Blomstedt | — | |
| 23-5 | Carmina Burana: I. Primo vere: Ecce gratum | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 23-6 | Carmina Burana: Uf dem anger: Tanz | San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 23-7 | Carmina Burana: Uf dem anger: Floret silva nobilis | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 23-8 | Carmina Burana: Uf dem anger: Chramer, gip die varwe mir | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 23-9 | Carmina Burana: Uf dem Anger: Reie: Swaz hie gat umbe / Chume, chum, geselle min / Swaz hie gat umbe | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 23-10 | Carmina Burana: Uf dem anger: Were diu werlt alle min | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 23-11 | Carmina Burana: II. In Taberna: Estuans interius | Kevin McMillan, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 23-12 | Carmina Burana: II. In Taberna: Olim lacus colueram | San Francisco Symphony Chorus, John Daniecki, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 23-13 | Carmina Burana: II. In Taberna: Ego sum abbas | San Francisco Symphony Chorus, Kevin McMillan, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 23-14 | Carmina Burana: II. In Taberna: In taberna quando sumus | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 23-15 | Carmina Burana: III. Cour d’amours: Amor volat undique | Lynne Dawson, San Francisco Boys Chorus, San Francisco Girls Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 23-16 | Carmina Burana: III. Cour d’amours: Dies, nox et omnia | Kevin McMillan, San Francisco Symphony, Herbert Blomstedt | — | |
| 23-17 | Carmina Burana: III. Cour d’amours: Stetit puella | Lynne Dawson, San Francisco Symphony, Herbert Blomstedt | — | |
| 23-18 | Carmina Burana: III. Cour d’amours: Circa mea pectora | San Francisco Symphony Chorus, Kevin McMillan, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 23-19 | Carmina Burana: III. Cour d’amours: Si puer cum puellula | Kevin McMillan, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 23-20 | Carmina Burana: III. Cour d’amours: Veni, veni, venias | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 23-21 | Carmina Burana: III. Cour d’amours: In trutina | Lynne Dawson, San Francisco Symphony, Herbert Blomstedt | — | |
| 23-22 | Carmina Burana: III. Cour d’amours: Tempus est iocundum | Lynne Dawson, Kevin McMillan, San Francisco Boys Chorus, San Francisco Girls Chorus, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 23-23 | Carmina Burana: III. Cour d’amours: Dulcissime | Lynne Dawson, San Francisco Symphony, Herbert Blomstedt | — | |
| 23-24 | Carmina Burana: Blanziflor et Helena: Ave, formosissima | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 24-1 | Rosamunde Overture (Overture to “Die Zauberharfe”, D. 644) | — | ||
| 24-2 | Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato | — | ||
| 24-3 | Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto | — | ||
| 24-4 | Symphony no. 5 in B‐flat, D. 485: I. Allegro | — | ||
| 24-5 | Symphony no. 5 in B‐flat, D. 485: II. Andante con moto | — | ||
| 24-6 | Symphony no. 5 in B‐flat, D. 485: III. Menuetto: Allegro molto | — | ||
| 24-7 | Symphony no. 5 in B‐flat, D. 485: IV. Allegro vivace | — | ||
| 25-1 | Overture in C major, D 591 “In the Italian style” | San Francisco Symphony, Herbert Blomstedt | — | |
| 25-2 | Symphony no. 9 in C major, D 944 “Great”: I. Andante - Allegro ma non troppo | San Francisco Symphony, Herbert Blomstedt | — | |
| 25-3 | Symphony no. 9 in C major, D 944 “Great”: II. Andante con moto | San Francisco Symphony, Herbert Blomstedt | — | |
| 25-4 | Symphony no. 9 in C major, D 944 “Great”: III. Scherzo: Allegro vivace | San Francisco Symphony, Herbert Blomstedt | — | |
| 25-5 | Symphony no. 9 in C major, D 944 “Great”: IV. Finale: Allegro vivace | San Francisco Symphony, Herbert Blomstedt | — | |
| 26-1 | Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo – Allegro energico | — | ||
| 26-2 | Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento) | — | ||
| 26-3 | Symphony no. 1 in E minor, op. 39: III. Scherzo: Allegro | — | ||
| 26-4 | Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia) | — | ||
| 26-5 | Symphony no. 7 in C major, op. 105 | — | ||
| 27-1 | Symphony no. 2 in D, op. 43: I. Allegretto – Poco allegro – Tranquillo, ma poco a poco ravvivando il tempo al allegro | — | ||
| 27-2 | Symphony no. 2 in D, op. 43: II. Tempo andante, ma rubato – Andante sostenuto | — | ||
| 27-3 | Symphony no. 2 in D, op. 43: III. Vivacissimo – Lento e suave – Largamente | — | ||
| 27-4 | Symphony no. 2 in D, op. 43: IV. Finale. Allegro moderato | — | ||
| 27-5 | Tapiola, op. 112 | — | ||
| 27-6 | Valse triste, op. 44 | — | ||
| 28-1 | Symphony no. 3 in C major, op. 52: I. Allegro moderato | San Francisco Symphony, Herbert Blomstedt | — | |
| 28-2 | Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto | San Francisco Symphony, Herbert Blomstedt | — | |
| 28-3 | Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (ma non tanto) | San Francisco Symphony, Herbert Blomstedt | — | |
| 28-4 | Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato | San Francisco Symphony, Herbert Blomstedt | — | |
| 28-5 | Symphony no. 6 in D minor, op. 104: II. Allegretto moderato | San Francisco Symphony, Herbert Blomstedt | — | |
| 28-6 | Symphony no. 6 in D minor, op. 104: III. Poco vivace | San Francisco Symphony, Herbert Blomstedt | — | |
| 28-7 | Symphony no. 6 in D minor, op. 104: IV. Allegro molto | San Francisco Symphony, Herbert Blomstedt | — | |
| 29-1 | Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio | — | ||
| 29-2 | Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace | — | ||
| 29-3 | Symphony no. 4 in A minor, op. 63: III. Il tempo largo | — | ||
| 29-4 | Symphony no. 4 in A minor, op. 63: IV. Allegro | — | ||
| 29-5 | Symphony no. 5 in E‐flat, op. 82: I. Tempo molto moderato – Largamente – Allegro moderato | — | ||
| 29-6 | Symphony no. 5 in E‐flat, op. 82: II. Andante mosso, quasi allegretto | — | ||
| 29-7 | Symphony no. 5 in E‐flat, op. 82: III. Allegro molto | — | ||
| 30-1 | Also sprach Zarathustra, op. 30, TrV 176: I. Einleitung, oder Sonnenaufgang | — | ||
| 30-2 | Also sprach Zarathustra, op. 30, TrV 176: II. Von den Hinterweltlern | — | ||
| 30-3 | Also sprach Zarathustra, op. 30, TrV 176: III. Von der großen Sehnsucht | — | ||
| 30-4 | Also sprach Zarathustra, op. 30, TrV 176: IV. Von den Freuden und Leidenschaften | — | ||
| 30-5 | Also sprach Zarathustra, op. 30, TrV 176: V. Das Grablied | — | ||
| 30-6 | Also sprach Zarathustra, op. 30, TrV 176: VI. Von der Wissenschaft | — | ||
| 30-7 | Also sprach Zarathustra, op. 30, TrV 176: VII. Der Genesende | — | ||
| 30-8 | Also sprach Zarathustra, op. 30, TrV 176: VIII. Das Tanzlied | — | ||
| 30-9 | Also sprach Zarathustra, op. 30, TrV 176: IX. Das Nachtwandlerlied | — | ||
| 30-10 | Tod und Verklärung, op. 24, TrV 158 | — | ||
| 30-11 | Till Eulenspiegels lustige Streiche, op. 28, TrV 171 | — | ||
| 31-1 | Don Juan, op. 20, TrV 156 | — | ||
| 31-2 | Eine Alpensinfonie, op. 64, TrV 233: I. Nacht | — | ||
| 31-3 | Eine Alpensinfonie, op. 64, TrV 233: II. Sonnenaufgang | — | ||
| 31-4 | Eine Alpensinfonie, op. 64, TrV 233: III. Der Anstieg | — | ||
| 31-5 | Eine Alpensinfonie, op. 64, TrV 233: IV. Eintritt in den Wald – V. Wanderung neben dem Bache | — | ||
| 31-6 | Eine Alpensinfonie, op. 64, TrV 233: VI. Am Wasserfall | — | ||
| 31-7 | Eine Alpensinfonie, op. 64, TrV 233: VII. Erscheinung | — | ||
| 31-8 | Eine Alpensinfonie, op. 64, TrV 233: VIII. Auf blumigen Wiesen | — | ||
| 31-9 | Eine Alpensinfonie, op. 64, TrV 233: IX. Auf der Alm | — | ||
| 31-10 | Eine Alpensinfonie, op. 64, TrV 233: X. Durch Dickicht und Gestrüpp auf Irrwegen | — | ||
| 31-11 | Eine Alpensinfonie, op. 64, TrV 233: XI. Auf dem Gletscher | — | ||
| 31-12 | Eine Alpensinfonie, op. 64, TrV 233: XII. Gefahrvolle Augenblicke – XIII. Auf dem Gipfel | — | ||
| 31-13 | Eine Alpensinfonie, op. 64, TrV 233: XIV. Vision | — | ||
| 31-14 | Eine Alpensinfonie, op. 64, TrV 233: XV. Nebel steigen auf | — | ||
| 31-15 | Eine Alpensinfonie, op. 64, TrV 233: XVI. Die Sonne verdüstert sich allmählich | — | ||
| 31-16 | Eine Alpensinfonie, op. 64, TrV 233: XVII. Elegie | — | ||
| 31-17 | Eine Alpensinfonie, op. 64, TrV 233: XVIII. Stille vor dem Sturm | — | ||
| 31-18 | Eine Alpensinfonie, op. 64, TrV 233: XIX. Gewitter und Sturm, Abstieg | — | ||
| 31-19 | Eine Alpensinfonie, op. 64, TrV 233: XX. Sonnenuntergang | — | ||
| 31-20 | Eine Alpensinfonie, op. 64, TrV 233: XXI. Ausklang | — | ||
| 31-21 | Eine Alpensinfonie, op. 64, TrV 233: XXII. Nacht | — | ||
| 32-1 | Ein Heldenleben, op. 40, TrV 190: I. Der Held | — | ||
| 32-2 | Ein Heldenleben, op. 40, TrV 190: II. Des Helden Widersacher | — | ||
| 32-3 | Ein Heldenleben, op. 40, TrV 190: III. Des Helden Gefährtin | — | ||
| 32-4 | Ein Heldenleben, op. 40, TrV 190: IV. Des Helden Walstatt | — | ||
| 32-5 | Ein Heldenleben, op. 40, TrV 190: V. Des Helden Friedenswerke | — | ||
| 32-6 | Ein Heldenleben, op. 40, TrV 190: VI. Des Helden Weltflucht und Vollendung | — | ||
| 32-7 | Metamorphosen, TrV 290 | — | ||
| 33-1 | Burleske for piano and orchestra in D minor, TrV 145 | — | ||
| 33-2 | First Sequence of Waltzes from “Der Rosenkavalier”, op. 59, TrV 227 | — | ||
| 33-3 | Introduction (Sextet) from Capriccio, op. 85, TrV 279 | — | ||
| 33-4 | Second Sequence of Waltzes from “Der Rosenkavalier”, op. 59, TrV 227 | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 |
Musical Works (ISWC)
Identifier Graph
028948532810 is a Universal Product Code (UPC) assigned to Complete Decca Recordings by Herbert Blomstedt. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 296 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028948532810 is the Universal Product Code (UPC barcode) for the release “Complete Decca Recordings” by Herbert Blomstedt, released 2023-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 296 tracks, each with its own ISRC. Tracks include GBF079010301, GBF079010302, GBF079010303.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Kossuth, Symphonic Poem for Large Orchestra, Sz. 21: I. Kossuth | — | ||
| 2 | Kossuth, Symphonic Poem for Large Orchestra, Sz. 21: II. Mi bú nehezedik a lelkedre, édes férjem? | — | ||
| 3 | Kossuth, Symphonic Poem for Large Orchestra, Sz. 21: III. Veszélyben a haza! | — | ||
| 4 | Kossuth, Symphonic Poem for Large Orchestra, Sz. 21: IV. Hajdan jobb idõket éltünk… | — | ||
| 5 | Kossuth, Symphonic Poem for Large Orchestra, Sz. 21: V. Majd rosszra fordult sorsunk… | — | ||
| 6 | Kossuth, Symphonic Poem for Large Orchestra, Sz. 21: VI. Harcra fel! | — | ||
| 7 | Kossuth, Symphonic Poem for Large Orchestra, Sz. 21: VII. Jöjjetek, jöjjetek! Szép magyar vitézek, szép magyar leventék! | — | ||
| 8 | Kossuth, Symphonic Poem for Large Orchestra, Sz. 21: VIII. … | — | ||
| 9 | Kossuth, Symphonic Poem for Large Orchestra, Sz. 21: IX. Mindennek vége! | — | ||
| 10 | Kossuth, Symphonic Poem for Large Orchestra, Sz. 21: X. Csöndes minden, csöndes… | — | ||
| 11 | Concerto for Orchestra, Sz. 116: I. Introduzione: Andante non troppo – Allegro vivace | — | ||
| 12 | Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie: Allegretto scherzando | — | ||
| 13 | Concerto for Orchestra, Sz. 116: III. Elegia: Andante, non troppo | — | ||
| 14 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto: Allegretto | — | ||
| 15 | Concerto for Orchestra, Sz. 116: V. Finale: Pesante – Presto | — | ||
| 2-1 | SYMPHONY NO.1 IN C MAJOR, OP.21: 1. ADAGIO MOLTO - ALLEGRO CON BRIO | San Francisco Symphony, Herbert Blomstedt | T-915.714.772-3 | |
| 2-2 | 2. ANDANTE CANTABILE CON MOTO | San Francisco Symphony, Herbert Blomstedt | — | |
| 2-3 | 3. MENUETTO (ALLEGRO MOLTO E VIVACE) | San Francisco Symphony, Herbert Blomstedt | — | |
| 2-4 | 4. FINALE (ADAGIO - ALLEGRO MOLTO E VIVACE) | San Francisco Symphony, Herbert Blomstedt | T-318.676.528-2 | |
| 2-5 | 1. ALLEGRO CON BRIO | San Francisco Symphony, Herbert Blomstedt | — | |
| 2-6 | 2. MARCIA FUNÈBRE (ADAGIO ASSAI) | San Francisco Symphony, Herbert Blomstedt | — | |
| 2-7 | 3. SCHERZO (ALLEGRO VIVACE) | San Francisco Symphony, Herbert Blomstedt | — | |
| 2-8 | 4. FINALE (ALLEGRO MOLTO) | San Francisco Symphony, Herbert Blomstedt | T-318.676.528-2 | |
| 3-1 | Symphony no. 1 “Sinfonie sérieuse”: I. Allegro con energia | — | ||
| 3-2 | Symphony no. 1 “Sinfonie sérieuse”: II. Adagio maestoso | — | ||
| 3-3 | Symphony no. 1 “Sinfonie sérieuse”: III. Stretto | — | ||
| 3-4 | Symphony no. 1 “Sinfonie sérieuse”: IV. Finale: Adagio – Allegro molto | — | ||
| 3-5 | Symphony no. 4: I. Allegro risoluto | — | ||
| 3-6 | Symphony no. 4: II. Adagio | — | ||
| 3-7 | Symphony no. 4: III. Scherzo: Allegro molto | — | ||
| 3-8 | Symphony no. 4: IV. Finale: Allegro vivace | — | ||
| 4-1 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | — | ||
| 4-2 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | — | ||
| 4-3 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso – Poco meno presto – Tempo I | — | ||
| 4-4 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato – Più allegro | — | ||
| 4-5 | Warum ist das Licht gegeben dem Mühseligen, op. 74 no. 1: I. Warum ist das Licht gegeben dem Mühseligen? | — | ||
| 4-6 | Warum ist das Licht gegeben dem Mühseligen, op. 74 no. 1: II. Lasset uns unser Herz samt den Händen aufheben | — | ||
| 4-7 | Warum ist das Licht gegeben dem Mühseligen, op. 74 no. 1: III. Siehe, wir preisen selig, die erduldet haben | — | ||
| 4-8 | Warum ist das Licht gegeben dem Mühseligen, op. 74 no. 1: IV. Chorale: Mit Fried’ und Freud’ ich fahr’ dahin | — | ||
| 4-9 | Fest- und Gedenksprüche, op. 109: I. Unsere Väter hofften auf dich | — | ||
| 4-10 | Fest- und Gedenksprüche, op. 109: II. Wenn ein starker Gewappneter | — | ||
| 4-11 | Fest- und Gedenksprüche, op. 109: III. Wo ist ein so herrlich Volk | — | ||
| 4-12 | 3 Motetten, op. 110: I. Ich aber bin elend | — | ||
| 4-13 | 3 Motetten, op. 110: II. Ach, arme Welt | — | ||
| 4-14 | 3 Motetten, op. 110: III. Wenn wir in höchsten Nöten sein | — | ||
| 5-1 | Schicksalslied, op. 54 | — | ||
| 5-2 | Rhapsody for Alto, Chorus and Orchestra, op. 53 | — | ||
| 5-3 | Begräbnisgesang, op. 13 | — | ||
| 5-4 | Nänie, op. 82 | — | ||
| 5-5 | Gesang der Parzen, op. 89 | — | ||
| 6-1 | Ein Deutsches Requiem, op. 45: I. Selig sind, die da Leid tragen | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | T-003.036.740-8 | |
| 6-2 | Ein Deutsches Requiem, op. 45: II. Denn alles Fleisch es ist wie Gras | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 6-3 | Ein Deutsches Requiem, op. 45: III. Herr, lehre doch mich | Wolfgang Holzmair, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 6-4 | Ein Deutsches Requiem, op. 45: IV. Wie lieblich sind Deine Wohnungen | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 6-5 | Ein Deutsches Requiem, op. 45: V. Ihr habt nun Traurigkeit - Ich will euch trösten | Elizabeth Norberg-Schulz, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 6-6 | Ein Deutsches Requiem, op. 45: VI. Denn wir haben hie keine bleibende Statt - Siehe, ich sage euch ein Geheimnis | Wolfgang Holzmair, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 6-7 | Ein Deutsches Requiem, op. 45: VII. Selig sind die Toten, die in dem Herren sterben | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 7-1 | Symphony no. 4 in E‐flat, WAB 104 “Romantic”: I. Bewegt, nicht zu schnell | — | ||
| 7-2 | Symphony no. 4 in E‐flat, WAB 104 “Romantic”: II. Andante quasi allegretto | — | ||
| 7-3 | Symphony no. 4 in E‐flat, WAB 104 “Romantic”: III. Scherzo: Bewegt | — | ||
| 7-4 | Symphony no. 4 in E‐flat, WAB 104 “Romantic”: IV. Finale: Bewegt, doch nicht zu schnell | — | ||
| 8-1 | Siegfried Idyll in E major, WWV 103 | San Francisco Symphony, Herbert Blomstedt | T-306.482.955-2 | |
| 8-2 | Symphony no. 6 in A, WAB 106: I. Majestoso | — | ||
| 8-3 | Symphony no. 6 in A, WAB 106: II. Adagio: Sehr feierlich | — | ||
| 8-4 | Symphony no. 6 in A, WAB 106: III. Scherzo: Nicht schnell – Trio: Langsam | — | ||
| 8-5 | Symphony no. 6 in A, WAB 106: IV. Finale: Bewegt, doch nicht zu schnell | — | ||
| 9-1 | Symphony no. 9 in D minor, WAB 109: I. Feierlich, misterioso | — | ||
| 9-2 | Symphony no. 9 in D minor, WAB 109: II. Scherzo: Bewegt, lebhaft – Trio: Schnell – Scherzo da capo | — | ||
| 9-3 | Symphony no. 9 in D minor, WAB 109: III. Adagio: Langsam, feierlich | — | ||
| 9-4 | Adagio from String Quintet in F, WAB 112 | — | ||
| 10-1 | Piano Concerto in A minor, op. 16: I. Allegro molto moderato | — | ||
| 10-2 | Piano Concerto in A minor, op. 16: II. Adagio | — | ||
| 10-3 | Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato – Quasi presto – Andante maestoso | — | ||
| 10-4 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso | — | ||
| 10-5 | Piano Concerto no. 1 in E minor, op. 11: II. Romance: Larghetto | — | ||
| 10-6 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo: Vivace | — | ||
| 11-1 | Maskarade, CNW 2: Overture | — | ||
| 11-2 | Peer Gynt Suite: Morgenstimmung | San Francisco Symphony, Herbert Blomstedt | — | |
| 11-3 | Peer Gynt Suite no. 1, op. 46: II. Åses Død | — | ||
| 11-4 | Peer Gynt Suite no. 1, op. 46: III. Anitras Dans | — | ||
| 11-5 | Peer Gynt Suite: In der Halle des Bergkönigs | San Francisco Symphony, Herbert Blomstedt | T-011.778.125-5 | |
| 11-6 | Peer Gynt Suite no. 2, op. 55: I. Bruderovet, Ingrids Klage | — | ||
| 11-7 | Peer Gynt Suite no. 2, op. 55: II. Arabisk Dans | — | ||
| 11-8 | Peer Gynt Suite no. 2, op. 55: III. Peer Gynts Hjemfart, Stormfull Aften på Havet | — | ||
| 11-9 | Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song | San Francisco Symphony, Herbert Blomstedt | T-300.003.632-4 | |
| 11-10 | Aladdin Suite, op. 34 CNW 17: I. Orientalsk Festmarch | — | ||
| 11-11 | Aladdin Suite, op. 34: II. Aladdin’s Dream and Dance of the Morning Mist | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 11-12 | Aladdin Suite, op. 34 CNW 17: III. Hindu Dans | — | ||
| 11-13 | Aladdin Suite, op. 34 CNW 17: IV. Kineserdans | — | ||
| 11-14 | Aladdin Suite, op. 34 CNW 17: V. Torvet i Ispahan | — | ||
| 11-15 | Aladdin Suite, op. 34 CNW 17: VI. Fangernes Dans | — | ||
| 11-16 | Aladdin Suite, op. 34 CNW 17: VII. Negerdans | — | ||
| 12-1 | Peer Gynt, op. 23: No. 1: I Byllupsgården (Forspil til Akt I) | — | ||
| 12-2 | Peer Gynt, op. 23: No. 4: Bruderovet, Ingrids Klage (Forspil til Akt II) | — | ||
| 12-3 | Peer Gynt, op. 23: No. 5: Peer Gynt og Sæterjentene | — | ||
| 12-4 | Peer Gynt Suite: In der Halle des Bergkönigs | San Francisco Symphony, Herbert Blomstedt | T-011.778.125-5 | |
| 12-5 | Peer Gynt, op. 23: No. 9: Dans av Dovregubbens Datter | — | ||
| 12-6 | Peer Gynt, op. 23: No. 10: Peer Gynt Jages av Troll – No. 11: Peer Gynt og Bøygen | — | ||
| 12-7 | Peer Gynt, op. 23: No. 12: Åses død (Forspil til Akt III) | — | ||
| 12-8 | Peer Gynt Suite: Morgenstimmung | San Francisco Symphony, Herbert Blomstedt | — | |
| 12-9 | Peer Gynt, op. 23: No. 14: Tyven og Heleren | — | ||
| 12-10 | Peer Gynt, op. 23: No. 15: Arabisk Dans | — | ||
| 12-11 | Peer Gynt, op. 23: No. 16: Anitras Dans | — | ||
| 12-12 | Peer Gynt, op. 23: No. 17: Peer Gynts Serenade | — | ||
| 12-13 | Peer Gynt, op. 23: No. 19: Solveigs Sang | — | ||
| 12-14 | Peer Gynt, op. 23: No. 21: Peer Gynts Hjemfart, Stormfull Aften på Havet | — | ||
| 12-15 | Peer Gynt, op. 23: No. 22: Skipsforliset | — | ||
| 12-16 | Peer Gynt, op. 23: No. 23: Solveig Synger i Hytten | — | ||
| 12-17 | Peer Gynt, op. 23: No. 24: Nattscene | — | ||
| 12-18 | Peer Gynt, op. 23: No. 25: Pinsesalme “Velsignede Morgen” | — | ||
| 12-19 | Peer Gynt, op. 23: No. 26: Solveigs Vuggevise | — | ||
| 13-1 | Oboe Concerto: I. Aria | — | ||
| 13-2 | Oboe Concerto: II. Passacaglia | — | ||
| 13-3 | Oboe Concerto: III. Fantasia | — | ||
| 13-4 | Symphony no. 2: I. Dawn | — | ||
| 13-5 | Symphony no. 2: II. Daylight | — | ||
| 13-6 | Symphony no. 2: III. Dusk | — | ||
| 13-7 | Symphony no. 2: IV. Darkness | — | ||
| 13-8 | Symphony no. 2: I. Molto agitato | — | ||
| 13-9 | Symphony no. 2: II. Allegretto capriccioso | — | ||
| 13-10 | Symphony no. 2: III. Adagio, tranquillo ed espressivo | — | ||
| 13-11 | Symphony no. 2: IV. Allegramente | — | ||
| 14-1 | Symphonie "Mathis Der Maler": I. Engelskonzert | San Francisco Symphony, Herbert Blomstedt | — | |
| 14-2 | Symphonie "Mathis Der Maler": II. Grablegung | San Francisco Symphony, Herbert Blomstedt | T-801.268.672-6 | |
| 14-3 | Symphonie "Mathis Der Maler": III. Versuchung des heiligen Antonius | San Francisco Symphony, Herbert Blomstedt | — | |
| 14-4 | Trauermusik | — | ||
| 14-5 | Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro | — | ||
| 14-6 | Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Scherzo (Turandot): Moderato – Lively | — | ||
| 14-7 | Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | — | ||
| 14-8 | Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch | — | ||
| 15-1 | Konzertmusik, op. 50: I. Mäßig schnell, mit Kraft – Sehr breit, aber stets fließend | — | ||
| 15-2 | Konzertmusik, op. 50: II. Lebhaft – Langsam – Im ersten Zeitmaß | — | ||
| 15-3 | Der Schwanendreher: I. “Zwischen Berg und tiefem Tal”: Langsam – Mäßig bewegt, mit Kraft | — | ||
| 15-4 | Der Schwanendreher: II. “Nun laube, Lindlein, laube”: Sehr ruhig – Fugato: “Der Gutzgauch auf dem Zaune saß” | — | ||
| 15-5 | Der Schwanendreher: III. Variationen: “Seid ihr niche der Schwanendreher”: Mäßig schnell | — | ||
| 15-6 | Nobilissima visione: I. Einleitung und Rondo | — | ||
| 15-7 | Nobilissima visione: II. Marsch und Pastorale | — | ||
| 15-8 | Nobilissima visione: III. Passacaglia | — | ||
| 16-1 | Symphonia Serena: I. Moderately fast | — | ||
| 16-2 | Symphonia Serena: II. Geschwindmarsch By Beethoven. Paraphrase: Rather fast | — | ||
| 16-3 | Symphonia Serena: III. Colloquy: Quiet | — | ||
| 16-4 | Symphonia Serena: IV. Finale: Gay | — | ||
| 16-5 | Symphony "Die Harmonie der Welt":1. Musica Instrumentalis. Breit | Gewandhausorchester Leipzig, Herbert Blomstedt | — | |
| 16-6 | Symphony "Die Harmonie der Welt": 2. Musica Humana. Sehr getragen | Gewandhausorchester Leipzig, Herbert Blomstedt | — | |
| 16-7 | Symphony "Die Harmonie der Welt": 3. Musica Mundana. Sehr breit - Passacaglia. Ruhig bewegt | Gewandhausorchester Leipzig, Herbert Blomstedt | — | |
| 17-1 | Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso | — | ||
| 17-2 | Symphony no. 2 in C minor “Resurrection”: II. Andante moderato | — | ||
| 17-3 | Symphony no. 2 in C minor “Resurrection”: III. In ruhig fließender Bewegung | — | ||
| 17-4 | Symphony no. 2 in C minor “Resurrection”: IV. “Urlicht”: Sehr feierlich, aber schlicht | — | ||
| 17-5 | Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzo | — | ||
| 18-1 | Symphony no. 3 in A minor, op. 56, MWV N18 “Scottish”: I. Andante con moto – Allegro un poco agitato – Assai animato – Andante come prima | — | ||
| 18-2 | Symphony no. 3 in A minor, op. 56, MWV N18 “Scottish”: II. Vivace non troppo | — | ||
| 18-3 | Symphony no. 3 in A minor, op. 56, MWV N18 “Scottish”: III. Adagio | — | ||
| 18-4 | Symphony no. 3 in A minor, op. 56, MWV N18 “Scottish”: IV. Allegro vivacissimo – Allegro maestoso assai | — | ||
| 18-5 | Symphony no. 4 in A major, op. 90, MWV N16 “Italian”: I. Allegro vivace | — | ||
| 18-6 | Symphony no. 4 in A major, op. 90, MWV N16 “Italian”: II. Andante con moto | — | ||
| 18-7 | Symphony no. 4 in A major, op. 90, MWV N16 “Italian”: III. Con moto moderato | — | ||
| 18-8 | Symphony no. 4 in A major, op. 90, MWV N16 “Italian”: IV. Saltarello: Presto | — | ||
| 19-1 | Piano Concerto no. 1 in G minor, op. 25, MWV O7: I. Molto allegro con fuoco | — | ||
| 19-2 | Piano Concerto no. 1 in G minor, op. 25, MWV O7: II. Andante | — | ||
| 19-3 | Piano Concerto no. 1 in G minor, op. 25, MWV O7: III. Presto – Molto allegro e vivace | — | ||
| 19-4 | Variations sérieuses, op. 54, MWV U156 | — | ||
| 19-5 | Rondo capriccioso, op. 14, MWV U67 | — | ||
| 19-6 | Piano Concerto no. 2 in D minor, op. 40, MWV O11: I. Allegro appassionato | — | ||
| 19-7 | Piano Concerto no. 2 in D minor, op. 40, MWV O11: II. Adagio: Molto sostenuto | — | ||
| 19-8 | Piano Concerto no. 2 in D minor, op. 40, MWV O11: III. Presto scherzando | — | ||
| 20-1 | Symphony no. 1 in G minor, op. 7, CNW 25: I. Allegro orgoglioso | — | ||
| 20-2 | Symphony no. 1 in G minor, op. 7, CNW 25: II. Andante | — | ||
| 20-3 | Symphony no. 1 in G minor, op. 7, CNW 25: III. Allegro comodo | — | ||
| 20-4 | Symphony no. 1 in G minor, op. 7, CNW 25: IV. Finale | — | ||
| 20-5 | Symphony no. 6 "Sinfonia semplice", FS 116: I. Tempo giusto | San Francisco Symphony, Herbert Blomstedt | — | |
| 20-6 | Symphony no. 6 "Sinfonia semplice", FS 116: II. Humoreske: Allegretto | San Francisco Symphony, Herbert Blomstedt | — | |
| 20-7 | Symphony no. 6 "Sinfonia semplice", FS 116: III. Proposta seria: Adagio | San Francisco Symphony, Herbert Blomstedt | — | |
| 20-8 | Symphony no. 6 "Sinfonia semplice", FS 116: IV. Tema con variazioni: Allegro | San Francisco Symphony, Herbert Blomstedt | — | |
| 21-1 | Symphony no. 2 “The Four Temperaments”, op. 16: I. Allegro collerico | San Francisco Symphony, Herbert Blomstedt | — | |
| 21-2 | Symphony no. 2 “The Four Temperaments”, op. 16: II. Allegro comodo e flemmatico | San Francisco Symphony, Herbert Blomstedt | — | |
| 21-3 | Symphony no. 2 “The Four Temperaments”, op. 16: III. Andante malincolico | San Francisco Symphony, Herbert Blomstedt | — | |
| 21-4 | Symphony no. 2 “The Four Temperaments”, op. 16: IV. Allegro sanguineo | San Francisco Symphony, Herbert Blomstedt | — | |
| 21-5 | Symphony no. 3 “Sinfonia espansiva”, op. 27: I. Allegro espansivo | San Francisco Symphony, Herbert Blomstedt | — | |
| 21-6 | Symphony no. 3 “Sinfonia espansiva”, op. 27: II. Andante pastorale | Kevin McMillan, Nancy Wait-Kromm, San Francisco Symphony, Herbert Blomstedt | — | |
| 21-7 | Symphony no. 3 “Sinfonia espansiva”, op. 27: III. Allegretto un poco | San Francisco Symphony, Herbert Blomstedt | — | |
| 21-8 | Symphony no. 3 “Sinfonia espansiva”, op. 27: IV. Finale. Allegro | San Francisco Symphony, Herbert Blomstedt | T-318.676.528-2 | |
| 22-1 | Symphony no. 4 “The Inextinguishable”: I. Allegro | San Francisco Symphony, Herbert Blomstedt | — | |
| 22-2 | Symphony no. 4 “The Inextinguishable”: II. Poco allegretto | San Francisco Symphony, Herbert Blomstedt | — | |
| 22-3 | Symphony no. 4 “The Inextinguishable”: III. Poco adagio quasi andante | San Francisco Symphony, Herbert Blomstedt | — | |
| 22-4 | Symphony no. 4 “The Inextinguishable”: IV. Con anima – Allegro | San Francisco Symphony, Herbert Blomstedt | T-312.542.381-2 | |
| 22-5 | Symphony no. 5: Ia. Tempo giusto | San Francisco Symphony, Herbert Blomstedt | — | |
| 22-6 | Symphony no. 5: Ib. Adagio non troppo | San Francisco Symphony, Herbert Blomstedt | — | |
| 22-7 | Symphony no. 5: IIa. Allegro | San Francisco Symphony, Herbert Blomstedt | — | |
| 22-8 | Symphony no. 5: IIb. Presto | San Francisco Symphony, Herbert Blomstedt | — | |
| 22-9 | Symphony no. 5: IIc. Andante un poco tranquillo | San Francisco Symphony, Herbert Blomstedt | — | |
| 22-10 | Symphony no. 5: IId. Allegro | San Francisco Symphony, Herbert Blomstedt | — | |
| 23-1 | Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 23-2 | Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 23-3 | Carmina Burana: I. Primo vere: Veris leta facies | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 23-4 | Carmina Burana: I. Primo vere: Omnia Sol temperat | Kevin McMillan, San Francisco Symphony, Herbert Blomstedt | — | |
| 23-5 | Carmina Burana: I. Primo vere: Ecce gratum | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 23-6 | Carmina Burana: Uf dem anger: Tanz | San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 23-7 | Carmina Burana: Uf dem anger: Floret silva nobilis | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 23-8 | Carmina Burana: Uf dem anger: Chramer, gip die varwe mir | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 23-9 | Carmina Burana: Uf dem Anger: Reie: Swaz hie gat umbe / Chume, chum, geselle min / Swaz hie gat umbe | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 23-10 | Carmina Burana: Uf dem anger: Were diu werlt alle min | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 23-11 | Carmina Burana: II. In Taberna: Estuans interius | Kevin McMillan, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 23-12 | Carmina Burana: II. In Taberna: Olim lacus colueram | San Francisco Symphony Chorus, John Daniecki, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 23-13 | Carmina Burana: II. In Taberna: Ego sum abbas | San Francisco Symphony Chorus, Kevin McMillan, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 23-14 | Carmina Burana: II. In Taberna: In taberna quando sumus | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 23-15 | Carmina Burana: III. Cour d’amours: Amor volat undique | Lynne Dawson, San Francisco Boys Chorus, San Francisco Girls Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 23-16 | Carmina Burana: III. Cour d’amours: Dies, nox et omnia | Kevin McMillan, San Francisco Symphony, Herbert Blomstedt | — | |
| 23-17 | Carmina Burana: III. Cour d’amours: Stetit puella | Lynne Dawson, San Francisco Symphony, Herbert Blomstedt | — | |
| 23-18 | Carmina Burana: III. Cour d’amours: Circa mea pectora | San Francisco Symphony Chorus, Kevin McMillan, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 23-19 | Carmina Burana: III. Cour d’amours: Si puer cum puellula | Kevin McMillan, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 23-20 | Carmina Burana: III. Cour d’amours: Veni, veni, venias | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 23-21 | Carmina Burana: III. Cour d’amours: In trutina | Lynne Dawson, San Francisco Symphony, Herbert Blomstedt | — | |
| 23-22 | Carmina Burana: III. Cour d’amours: Tempus est iocundum | Lynne Dawson, Kevin McMillan, San Francisco Boys Chorus, San Francisco Girls Chorus, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | — | |
| 23-23 | Carmina Burana: III. Cour d’amours: Dulcissime | Lynne Dawson, San Francisco Symphony, Herbert Blomstedt | — | |
| 23-24 | Carmina Burana: Blanziflor et Helena: Ave, formosissima | San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt | T-800.639.771-4 | |
| 24-1 | Rosamunde Overture (Overture to “Die Zauberharfe”, D. 644) | — | ||
| 24-2 | Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato | — | ||
| 24-3 | Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto | — | ||
| 24-4 | Symphony no. 5 in B‐flat, D. 485: I. Allegro | — | ||
| 24-5 | Symphony no. 5 in B‐flat, D. 485: II. Andante con moto | — | ||
| 24-6 | Symphony no. 5 in B‐flat, D. 485: III. Menuetto: Allegro molto | — | ||
| 24-7 | Symphony no. 5 in B‐flat, D. 485: IV. Allegro vivace | — | ||
| 25-1 | Overture in C major, D 591 “In the Italian style” | San Francisco Symphony, Herbert Blomstedt | — | |
| 25-2 | Symphony no. 9 in C major, D 944 “Great”: I. Andante - Allegro ma non troppo | San Francisco Symphony, Herbert Blomstedt | — | |
| 25-3 | Symphony no. 9 in C major, D 944 “Great”: II. Andante con moto | San Francisco Symphony, Herbert Blomstedt | — | |
| 25-4 | Symphony no. 9 in C major, D 944 “Great”: III. Scherzo: Allegro vivace | San Francisco Symphony, Herbert Blomstedt | — | |
| 25-5 | Symphony no. 9 in C major, D 944 “Great”: IV. Finale: Allegro vivace | San Francisco Symphony, Herbert Blomstedt | — | |
| 26-1 | Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo – Allegro energico | — | ||
| 26-2 | Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento) | — | ||
| 26-3 | Symphony no. 1 in E minor, op. 39: III. Scherzo: Allegro | — | ||
| 26-4 | Symphony no. 1 in E minor, op. 39: IV. Finale (quasi una fantasia) | — | ||
| 26-5 | Symphony no. 7 in C major, op. 105 | — | ||
| 27-1 | Symphony no. 2 in D, op. 43: I. Allegretto – Poco allegro – Tranquillo, ma poco a poco ravvivando il tempo al allegro | — | ||
| 27-2 | Symphony no. 2 in D, op. 43: II. Tempo andante, ma rubato – Andante sostenuto | — | ||
| 27-3 | Symphony no. 2 in D, op. 43: III. Vivacissimo – Lento e suave – Largamente | — | ||
| 27-4 | Symphony no. 2 in D, op. 43: IV. Finale. Allegro moderato | — | ||
| 27-5 | Tapiola, op. 112 | — | ||
| 27-6 | Valse triste, op. 44 | — | ||
| 28-1 | Symphony no. 3 in C major, op. 52: I. Allegro moderato | San Francisco Symphony, Herbert Blomstedt | — | |
| 28-2 | Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto | San Francisco Symphony, Herbert Blomstedt | — | |
| 28-3 | Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (ma non tanto) | San Francisco Symphony, Herbert Blomstedt | — | |
| 28-4 | Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato | San Francisco Symphony, Herbert Blomstedt | — | |
| 28-5 | Symphony no. 6 in D minor, op. 104: II. Allegretto moderato | San Francisco Symphony, Herbert Blomstedt | — | |
| 28-6 | Symphony no. 6 in D minor, op. 104: III. Poco vivace | San Francisco Symphony, Herbert Blomstedt | — | |
| 28-7 | Symphony no. 6 in D minor, op. 104: IV. Allegro molto | San Francisco Symphony, Herbert Blomstedt | — | |
| 29-1 | Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio | — | ||
| 29-2 | Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace | — | ||
| 29-3 | Symphony no. 4 in A minor, op. 63: III. Il tempo largo | — | ||
| 29-4 | Symphony no. 4 in A minor, op. 63: IV. Allegro | — | ||
| 29-5 | Symphony no. 5 in E‐flat, op. 82: I. Tempo molto moderato – Largamente – Allegro moderato | — | ||
| 29-6 | Symphony no. 5 in E‐flat, op. 82: II. Andante mosso, quasi allegretto | — | ||
| 29-7 | Symphony no. 5 in E‐flat, op. 82: III. Allegro molto | — | ||
| 30-1 | Also sprach Zarathustra, op. 30, TrV 176: I. Einleitung, oder Sonnenaufgang | — | ||
| 30-2 | Also sprach Zarathustra, op. 30, TrV 176: II. Von den Hinterweltlern | — | ||
| 30-3 | Also sprach Zarathustra, op. 30, TrV 176: III. Von der großen Sehnsucht | — | ||
| 30-4 | Also sprach Zarathustra, op. 30, TrV 176: IV. Von den Freuden und Leidenschaften | — | ||
| 30-5 | Also sprach Zarathustra, op. 30, TrV 176: V. Das Grablied | — | ||
| 30-6 | Also sprach Zarathustra, op. 30, TrV 176: VI. Von der Wissenschaft | — | ||
| 30-7 | Also sprach Zarathustra, op. 30, TrV 176: VII. Der Genesende | — | ||
| 30-8 | Also sprach Zarathustra, op. 30, TrV 176: VIII. Das Tanzlied | — | ||
| 30-9 | Also sprach Zarathustra, op. 30, TrV 176: IX. Das Nachtwandlerlied | — | ||
| 30-10 | Tod und Verklärung, op. 24, TrV 158 | — | ||
| 30-11 | Till Eulenspiegels lustige Streiche, op. 28, TrV 171 | — | ||
| 31-1 | Don Juan, op. 20, TrV 156 | — | ||
| 31-2 | Eine Alpensinfonie, op. 64, TrV 233: I. Nacht | — | ||
| 31-3 | Eine Alpensinfonie, op. 64, TrV 233: II. Sonnenaufgang | — | ||
| 31-4 | Eine Alpensinfonie, op. 64, TrV 233: III. Der Anstieg | — | ||
| 31-5 | Eine Alpensinfonie, op. 64, TrV 233: IV. Eintritt in den Wald – V. Wanderung neben dem Bache | — | ||
| 31-6 | Eine Alpensinfonie, op. 64, TrV 233: VI. Am Wasserfall | — | ||
| 31-7 | Eine Alpensinfonie, op. 64, TrV 233: VII. Erscheinung | — | ||
| 31-8 | Eine Alpensinfonie, op. 64, TrV 233: VIII. Auf blumigen Wiesen | — | ||
| 31-9 | Eine Alpensinfonie, op. 64, TrV 233: IX. Auf der Alm | — | ||
| 31-10 | Eine Alpensinfonie, op. 64, TrV 233: X. Durch Dickicht und Gestrüpp auf Irrwegen | — | ||
| 31-11 | Eine Alpensinfonie, op. 64, TrV 233: XI. Auf dem Gletscher | — | ||
| 31-12 | Eine Alpensinfonie, op. 64, TrV 233: XII. Gefahrvolle Augenblicke – XIII. Auf dem Gipfel | — | ||
| 31-13 | Eine Alpensinfonie, op. 64, TrV 233: XIV. Vision | — | ||
| 31-14 | Eine Alpensinfonie, op. 64, TrV 233: XV. Nebel steigen auf | — | ||
| 31-15 | Eine Alpensinfonie, op. 64, TrV 233: XVI. Die Sonne verdüstert sich allmählich | — | ||
| 31-16 | Eine Alpensinfonie, op. 64, TrV 233: XVII. Elegie | — | ||
| 31-17 | Eine Alpensinfonie, op. 64, TrV 233: XVIII. Stille vor dem Sturm | — | ||
| 31-18 | Eine Alpensinfonie, op. 64, TrV 233: XIX. Gewitter und Sturm, Abstieg | — | ||
| 31-19 | Eine Alpensinfonie, op. 64, TrV 233: XX. Sonnenuntergang | — | ||
| 31-20 | Eine Alpensinfonie, op. 64, TrV 233: XXI. Ausklang | — | ||
| 31-21 | Eine Alpensinfonie, op. 64, TrV 233: XXII. Nacht | — | ||
| 32-1 | Ein Heldenleben, op. 40, TrV 190: I. Der Held | — | ||
| 32-2 | Ein Heldenleben, op. 40, TrV 190: II. Des Helden Widersacher | — | ||
| 32-3 | Ein Heldenleben, op. 40, TrV 190: III. Des Helden Gefährtin | — | ||
| 32-4 | Ein Heldenleben, op. 40, TrV 190: IV. Des Helden Walstatt | — | ||
| 32-5 | Ein Heldenleben, op. 40, TrV 190: V. Des Helden Friedenswerke | — | ||
| 32-6 | Ein Heldenleben, op. 40, TrV 190: VI. Des Helden Weltflucht und Vollendung | — | ||
| 32-7 | Metamorphosen, TrV 290 | — | ||
| 33-1 | Burleske for piano and orchestra in D minor, TrV 145 | — | ||
| 33-2 | First Sequence of Waltzes from “Der Rosenkavalier”, op. 59, TrV 227 | — | ||
| 33-3 | Introduction (Sextet) from Capriccio, op. 85, TrV 279 | — | ||
| 33-4 | Second Sequence of Waltzes from “Der Rosenkavalier”, op. 59, TrV 227 | — |
