UPC · Release
Johann Sebastian Bach, Seiji Ozawa, Saito Kinen Orchestra
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028948759545 is the Universal Product Code (UPC barcode) for the release “Mass in B Minor, St. Matthew Passion” by Johann Sebastian Bach, Seiji Ozawa, Saito Kinen Orchestra. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 71 tracks, each with its own ISRC. Tracks include GBBBB2013701, GBBBB2013702, GBBBB2013703.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mass in B minor, BWV 232: Kyrie eleison, Chorus | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | T3107770032 |
| 2 | Mass in B minor, BWV 232: Christe eleison, Duet sopranos | Barbara Bonney, Angelika Kirchschlager, Saito Kinen Orchestra, Seiji Ozawa | — |
| 3 | Mass in B minor, BWV 232: Kyrie eleison, Chorus | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | — |
| 4 | Mass in B minor, BWV 232: Gloria in excelsis Deo, Chorus | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | T3064831983 |
| 5 | Mass in B minor, BWV 232: Et in terra pax, Chorus | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | — |
| 6 | Mass in B minor, BWV 232: Laudamus te, Aria soprano II | Barbara Bonney, Saito Kinen Orchestra, Seiji Ozawa | T0709129521 |
| 7 | Mass in B minor, BWV 232: Gratias agimus tibi, Chorus | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | — |
| 8 | Mass in B minor, BWV 232: Domine Deus, Duet Soprano I, tenor | John Mark Ainsley, Barbara Bonney, Saito Kinen Orchestra, Seiji Ozawa | T9264943740 |
| 9 | Mass in B minor, BWV 232: Qui tollis peccata mundi, Chorus | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | — |
| 10 | Mass in B minor, BWV 232: Qui sedes ad dexteram Patris, Aria contra-alto | Angelika Kirchschlager, Saito Kinen Orchestra, Seiji Ozawa | — |
| 11 | Mass in B minor, BWV 232: Quoniam tu solus Sanctus, Aria bass | Alastair Miles, Saito Kinen Orchestra, Seiji Ozawa | — |
| 12 | Mass in B minor, BWV 232: Cum sancto spiritu, Chorus | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | — |
| 13 | Mass in B minor, BWV 232: Credo in unum Deum, Chorus | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | T9001473229 |
| 14 | Mass in B minor, BWV 232: Patrem omnipotentem, Chorus | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | — |
| 15 | Mass in B minor, BWV 232: Et in unum Dominum, Duet soprano I, contra-alto | Barbara Bonney, Angelika Kirchschlager, Saito Kinen Orchestra, Seiji Ozawa | T9001473229 |
| 16 | Mass in B minor, BWV 232: Et incarnatus est, Chorus | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | T3064831949 |
| 17 | Mass in B minor, BWV 232: Crucifixus, Chorus | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | — |
| 18 | Mass in B minor, BWV 232: Et resurrexit, Chorus | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | — |
| 19 | Mass in B minor, BWV 232: Et in Spiritum Sanctum, Aria bass | Alastair Miles, Saito Kinen Orchestra, Seiji Ozawa | T9158661144 |
| 20 | Mass in B minor, BWV 232: Confiteor unum baptisma, Chorus | Saito Kinen Orchestra, Seiji Ozawa | — |
| 21 | Mass in B minor, BWV 232: Et expecto resurrectionem, Chorus | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | — |
| 22 | Mass in B minor, BWV 232: Sanctus, Chorus | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | — |
| 23 | Mass in B minor, BWV 232: Osanna, Chorus | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | — |
| 24 | Mass in B minor, BWV 232: Benedictus, Aria tenor | John Mark Ainsley, Saito Kinen Orchestra, Seiji Ozawa | T0502831777 |
| 25 | Mass in B minor, BWV 232: Osanna, Chorus | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | — |
| 26 | Mass in B minor, BWV 232: Agnus Dei, Aria contra-alto | Angelika Kirchschlager, Saito Kinen Orchestra, Seiji Ozawa | T9293048701 |
| 27 | Mass in B minor, BWV 232: Dona nobis pacem, Chorus | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | T0500517769 |
| 28 | Matthäus-Passion BWV 244: I. Kommt, ihr töchter helft mir klagen | SKF Matsumoto Children’s Choir, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Osawa | — |
| 29 | St. Matthew Passion, BWV 244 - Part One: no. 2 Evangelist, Jesus: “Da Jesus diese Rede vollendet hatte” | John Mark Ainsley, Thomas Quasthoff, Saito Kinen Orchestra, Seiji Ozawa | — |
| 30 | St. Matthew Passion, BWV 244 - Part One: no. 3 Choral: “Herzliebster Jesu, was hast du verbrochen” | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | — |
| 31 | St. Matthew Passion, BWV 244 - Part One: no. 4 Evangelist, Chorus I/II, Jesus: “Da versammelten sich die Hohenpriester” | John Mark Ainsley, Thomas Quasthoff, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | — |
| 32 | Matthäus-Passion BWV 244: V. Du lieber Heiland du | Nathalie Stutzmann, Saito Kinen Orchestra, Seiji Osawa | — |
| 33 | Matthäus-Passion BWV 244: VI. Buß und Reu | Nathalie Stutzmann, Saito Kinen Orchestra, Seiji Osawa | — |
| 34 | St. Matthew Passion, BWV 244 - Part One: no. 7 Evangelist, Judas: “Da ging hin der Zwölfen einer” | John Mark Ainsley, Katsunori Kono, Saito Kinen Orchestra, Seiji Ozawa | — |
| 35 | St. Matthew Passion, BWV 244 - Part One: no. 8 Aria (Soprano): “Blute nur, du liebes Herz” | Christiane Oelze, Saito Kinen Orchestra, Seiji Ozawa | — |
| 36 | St. Matthew Passion, BWV 244 - Part One: no. 9 Evangelist, Chorus I, Jesus: “Aber am ersten Tage der süssen Brot” | John Mark Ainsley, Thomas Quasthoff, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | — |
| 37 | St. Matthew Passion, BWV 244 - Part One: no. 10 Choral: “Ich bin’s, ich sollte büssen” | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | — |
| 38 | Matthäus-Passion BWV 244: XI. Er antwortete und sprach | John Mark Ainsley, Thomas Quasthoff, Saito Kinen Orchestra, Seiji Osawa | — |
| 39 | Matthäus-Passion BWV 244: XII. Wiewohl mein Herz in Tränen schwimmt | Christiane Oelze, Saito Kinen Orchestra, Seiji Osawa | — |
| 40 | Matthäus-Passion BWV 244: XIII. Ich will dir mein Herze schenken | Christiane Oelze, Saito Kinen Orchestra, Seiji Osawa | — |
| 41 | St. Matthew Passion, BWV 244 - Part One: no. 14 Evangelist, Jesus: “Und da sie den Lobgesang gesprochen hatten” | John Mark Ainsley, Thomas Quasthoff, Saito Kinen Orchestra, Seiji Ozawa | — |
| 42 | St. Matthew Passion, BWV 244 - Part One: no. 15 Choral: “Erkenne mich, mein Hüter” | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | — |
| 43 | St. Matthew Passion, BWV 244 - Part One: no. 16 Evangelist, Jesus, Petrus: “Petrus aber antwortete” | John Mark Ainsley, Thomas Quasthoff, Michael Volle, Saito Kinen Orchestra, Seiji Ozawa | — |
| 44 | St. Matthew Passion, BWV 244 - Part One: no. 17 Choral: “Ich will hier bei dir stehen” | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | — |
| 45 | St. Matthew Passion, BWV 244 - Part One: no. 18 Evangelist, Jesus: “Da kam Jesus mit ihnen zu einem Hofe” | John Mark Ainsley, Thomas Quasthoff, Saito Kinen Orchestra, Seiji Ozawa | — |
| 46 | St. Matthew Passion, BWV 244 - Part One: no. 19 Recitative (Tenor, Chorus II): “O Schmerz! hier zittert das gequälte Herz” | Stanford Olsen, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | — |
| 47 | Matthäus-Passion BWV 244: XX. Ich will bei meinem Jesu wachen | Stanford Olsen, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Osawa | — |
| 48 | St. Matthew Passion, BWV 244 - Part One: no. 21 Evangelist, Jesus: “Und ging hin ein wenig” | John Mark Ainsley, Thomas Quasthoff, Saito Kinen Orchestra, Seiji Ozawa | — |
| 49 | St. Matthew Passion, BWV 244 - Part One: no. 22 Recitative (Bass): “Der Heiland fällt vor seinem Vater nieder” | Michael Volle, Saito Kinen Orchestra, Seiji Ozawa | — |
| 50 | St. Matthew Passion, BWV 244 - Part One: no. 23 Aria (Bass): “Gerne will ich mich bequemen” | Michael Volle, Saito Kinen Orchestra, Seiji Ozawa | — |
| 51 | St. Matthew Passion, BWV 244 - Part One: no. 24 Evangelist, Jesus: “Und er kam zu seinen Jüngern” | John Mark Ainsley, Thomas Quasthoff, Saito Kinen Orchestra, Seiji Ozawa | — |
| 52 | St. Matthew Passion, BWV 244 / Part One: no. 25 Choral: “Was mein Gott will, das g’scheh allzeit” | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | — |
| 53 | St. Matthew Passion, BWV 244 - Part One: no. 26 Evangelist, Jesus, Judas: “Und er kam und fand sie aber schlafend” | John Mark Ainsley, Thomas Quasthoff, Katsunori Kono, Saito Kinen Orchestra, Seiji Ozawa | — |
| 54 | Matthäus-Passion BWV 244: XVII. So ist mein Jesus nun gefangen | Christiane Oelze, Nathalie Stutzmann, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Osawa | — |
| 55 | St. Matthew Passion, BWV 244 - Part One: no. 28 Evangelist, Jesus: “Und siehe, einer aus denen” | John Mark Ainsley, Thomas Quasthoff, Saito Kinen Orchestra, Seiji Ozawa | — |
| 56 | St. Matthew Passion, BWV 244 - Part One: no. 29 Choral: “O Mensch, bewein dein Sünde groß” | SKF Matsumoto Children’s Choir, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | — |
| 57 | St. Matthew Passion, BWV 244 - Part Two: no. 30 Aria (Alto, Chorus II): “Ach nun ist mein Jesu hin” | Nathalie Stutzmann, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | — |
| 58 | St. Matthew Passion, BWV 244 - Part Two: no. 31 Evangelist: “Die aber Jesum gegriffen hatten” | John Mark Ainsley, Saito Kinen Orchestra, Seiji Ozawa | — |
| 59 | St. Matthew Passion, BWV 244 - Part Two: no. 32 Choral: “Mir hat die Welt trüglich gericht” | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | — |
| 60 | St. Matthew Passion, BWV 244 - Part Two: no. 33 Evangelist, Pontifex, Testis I/II: “Und wiewohl viel falsche Zeugen herzutraten” | John Mark Ainsley, Michael Volle, Nathalie Stutzmann, Stanford Olsen, Saito Kinen Orchestra, Seiji Ozawa | — |
| 61 | St. Matthew Passion, BWV 244 - Part Two: no. 34 Recitative (Tenor): “Mein Jesus schweigt zu falschen Lügen stille” | Stanford Olsen, Saito Kinen Orchestra, Seiji Ozawa | — |
| 62 | St. Matthew Passion, BWV 244 - Part Two: no. 35 Aria (Tenor): “Geduld” | Stanford Olsen, Saito Kinen Orchestra, Seiji Ozawa | — |
| 63 | St. Matthew Passion, BWV 244 - Part Two: no. 36 Evangelist, Pontifex, Jesus, Chorus I/II: “Und der Hohepriester antwortete” | John Mark Ainsley, Thomas Quasthoff, Michael Volle, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | — |
| 64 | St. Matthew Passion, BWV 244 - Part Two: no. 37 Choral: “Wer hat dich so geschlagen” | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | — |
| 65 | St. Matthew Passion, BWV 244 - Part Two: no. 38 Evangelist, Ancilla I/II, Petrus, Chorus II: “Petrus aber sass draussen im Palast” | John Mark Ainsley, Michael Volle, Christiane Oelze, Nathalie Stutzmann, Tokyo Opera Singers, Seiji Ozawa | — |
| 66 | Matthäus-Passion BWV 244: XXXIX. Erbarme dich, mein Gott | Nathalie Stutzmann, Saito Kinen Orchestra, Seiji Osawa | — |
| 67 | Matthäus-Passion BWV 244: XXXX. Bin ich gleich von dir gewichen | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Osawa | — |
| 68 | St. Matthew Passion, BWV 244 - Part Two: no. 41 Evangelist, Judas, Chorus I/II, Pontifex I/II: “Des Morgens aber hielten alle Hohepriester” | John Mark Ainsley, Katsunori Kono, Kazuhide Omori, Makoto Narita, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | — |
| 69 | Matthäus-Passion BWV 244: XXXXI. Gebt mir meinen Jesum Wieder | Michael Volle, Saito Kinen Orchestra, Seiji Osawa | — |
| 70 | St. Matthew Passion, BWV 244 - Part Two: no. 43 Evangelist, Pilatus, Jesus: “Sie hielten aber einen Rat” | John Mark Ainsley, Thomas Quasthoff, Michael Volle, Saito Kinen Orchestra, Seiji Ozawa | — |
| 71 | St. Matthew Passion, BWV 244 - Part Two: no. 44 Choral: “Befiel du deine Wege” | Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | — |
Musical Works (ISWC)
Identifier Graph
028948759545 is a Universal Product Code (UPC) assigned to Mass in B Minor, St. Matthew Passion by Johann Sebastian Bach, Seiji Ozawa, Saito Kinen Orchestra. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 71 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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