UPC · Release
Wolfgang Amadeus Mozart
Last verified:
The UPC for “Best Mozart 100” by Wolfgang Amadeus Mozart is 094633038127. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2005-01-01. Label: EMI. This release contains 100 tracks, each with its own ISRC. Tracks include GBAYC1402011, GBAYC0101143, GBAYC8701909.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 40 in G minor with clarinets, K. 550: I. Allegro molto | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2 | Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio | Jack Brymer, Royal Philharmonic Orchestra, Sir Thomas Beecham | — | |
| 3 | Symphony no. 25, K. 183: I. Allegro con brio (excerpt) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4 | Klavierkonzert Nr. 21 C-dur, KV 467: II. Andante | Christian Zacharias, Symphonieorchester des Bayerischen Rundfunks, David Zinman | T-010.194.871-3 | |
| 5 | Symphony no. 35 in D major, K. 385 "Haffner": IV. Finale. Presto | English Chamber Orchestra, Jeffrey Tate | — | |
| 6 | Concerto No. 3 in G major for Violin, K. 216 "Strassburg": II. Adagio | Frank Peter Zimmermann, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | T-312.542.566-9 | |
| 7 | Divertimento no. 17 for 2 horns & strings in D major, K. 334 (K. 320b): Menuetto | Stockholm Chamber Orchestra, Franz Welser-Möst | — | |
| 8 | Symphony no. 41 in C major, K. 551 "Jupiter": IV. Allegro molto | Berliner Philharmoniker, Herbert von Karajan | — | |
| 9 | Concerto for Piano no. 23 in A major, K. 488: II. Andante | Daniel Barenboim, English Chamber Orchestra | T-914.012.216-3 | |
| 10 | Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.662.096-6 | |
| 11 | Concerto for Flute and Harp in C major, K. 299: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — | |
| 12 | Sinfonia Concertante in E-flat for Violin, Viola and Orchestra, K. 364: III. Presto | Anne-Sophie Mutter, Bruno Giuranna, Academy of St Martin in the Fields, Sir Neville Marriner | T-010.194.421-1 | |
| 2-1 | Le nozze di Figaro, K. 492: Sinfonia | Wiener Philharmoniker, Riccardo Muti | — | |
| 2-2 | Le nozze di Figaro, K. 492: “Non più andrai” (Figaro) | Sir Thomas Allen, Wiener Philharmoniker, Riccardo Muti | T-011.664.128-1 | |
| 2-3 | Le nozze di Figaro, Atto II. No. 11 Cavatina "Porgi, amor qualche ristoro" (La Contessa) | Margaret Price, Wiener Philharmoniker, Riccardo Muti | T-905.466.790-2 | |
| 2-4 | Le Nozze di Figaro, K. 492: "Voi che sapete" (Cherubino) | Ann Murray, Wiener Philharmoniker, Riccardo Muti | T-929.689.299-4 | |
| 2-5 | Le Nozze di Figaro, K. 492: "Hai già vinta la causa!... Vedrò mentr'io sospiro" (Count) | Jorma Hynninen, Wiener Philharmoniker, Riccardo Muti | — | |
| 2-6 | Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Aria "Dove sono i bei momenti" (La Contessa) | Margaret Price, Wiener Philharmoniker, Riccardo Muti | — | |
| 2-7 | Le nozze di Figaro, K. 492: Act III: Canzonette sull'aria (Susanna, La Contessa d'Almaviva) | Wiener Philharmoniker, Konzertvereinigung Wiener Staatsopernchor, Riccardo Muti | — | |
| 2-8 | Le nozze di Figaro, K. 492: Act VI: Deh, vieni, non tardar (Susanna) | Kathleen Battle, Wiener Philharmoniker, Riccardo Muti | T-001.424.370-9 | |
| 2-9 | Cosi fan tutte, K. 588: "Bella vita militar" (Chorus) | Chor der Wiener Staatsoper, Wiener Philharmoniker, Riccardo Muti | — | |
| 2-10 | Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | T-902.525.648-8 | |
| 2-11 | Cosi fan tutte, K. 588: "Smanie implacabili" (Dorabella) | Agnes Baltsa, Wiener Philharmoniker, Riccardo Muti | — | |
| 2-12 | Cosi fan tutte, K. 588: "L'intatta fede...Come scoglio" (Fiordiligi) | Margaret Marshall, Wiener Philharmoniker, Riccardo Muti | — | |
| 2-13 | Cosi fan tutte, K. 588: "Un'aura amorosa" (Ferrando) | Francisco Araiza, Wiener Philharmoniker, Riccardo Muti | T-071.553.169-3 | |
| 2-14 | Don Giovanni: Atto I. “Madamina, il catalogo è questo” | Samuel Ramey, Wiener Philharmoniker, Riccardo Muti | T-929.621.870-7 | |
| 2-15 | Don Giovanni: Atto I. “Là ci darem la mano” | Susanne Mentzer, William Shimell, Wiener Philharmoniker, Riccardo Muti | — | |
| 2-16 | Don Giovanni: Atto I. “Or sai chi l’onore” | Cheryl Studer, Wiener Philharmoniker, Riccardo Muti | T-929.613.726-3 | |
| 2-17 | Don Giovanni: Atto I. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] | Frank Lopardo, Wiener Philharmoniker, Riccardo Muti | — | |
| 2-18 | Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) | William Shimell, Wiener Philharmoniker, Riccardo Muti | T-306.940.815-3 | |
| 2-19 | Don Giovanni: Atto II. “Deh, vieni alla finestra” | William Shimell, Wiener Philharmoniker, Riccardo Muti | T-306.483.075-3 | |
| 2-20 | Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) | Susanne Mentzer, Wiener Philharmoniker, Riccardo Muti | T-921.158.751-8 | |
| 2-21 | Don Giovanni: Atto II. Recitativo e aria “In quali eccessi, o Numi… Mi tradi quell’alma ingrata” (Donna Elvia) | Carol Vaness, Wiener Philharmoniker, Riccardo Muti | — | |
| 2-22 | Don Giovanni: Atto II. “Questo è il fin” | Donna Anna, Susanne Mentzer, Cheryl Studer, Carol Vaness, Wiener Philharmoniker, Riccardo Muti | — | |
| 3-1 | Der Schauspieldirektor, K. 486: Overture | Academy of St. Martin-in-the-Fields, Neville Marriner | T-001.420.887-7 | |
| 3-2 | Idomeneo, K. 366: "Fuor del mar ho un mar in seno" (Idomeneo) | Ian Bostridge, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 3-3 | Idomeneo, K. 366: "Zeffiretti lusinghieri" (Ilia) | Lisa Milne, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 3-4 | Die Entführung aus dem Serail, K. 384: "Konstanze, dich wieder zu sehen, dich!" (Belmonte) | Nicolai Gedda, Wiener Philharmoniker, Josef Krips | T-910.405.802-8 | |
| 3-5 | Die Entführung aus dem Serail, K. 384: "Martern aller Arten" (Konstanze) | Anneliese Rothenberger, Wiener Philharmoniker, Josef Krips | — | |
| 3-6 | Die Entführung aus dem Serail, K. 384: "Welche Wonne, welche Lust" (Blonde) | Lucia Popp, Wiener Philharmoniker, Josef Krips | — | |
| 3-7 | Die Entführung aus dem Serail, K. 384: "Vivat Bacchus" (Osmin & Pedrillo) | Gottlob Frick, Gerhard Unger, Wiener Philharmoniker, Josef Krips | T-910.405.802-8 | |
| 3-8 | Die Entführung aus dem Serail, K. 384: "O, wie will ich triumphieren" (Osmin) | Gottlob Frick, Wiener Philharmoniker, Josef Krips | — | |
| 3-9 | Die Zauberflöte K620: Overture | — | ||
| 3-10 | Die Zauberflöte: Akt I. „Der Vogelfänger bin ich ja” | Wolfgang Brendel, Chor des Bayerischen Rundfunks, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — | |
| 3-11 | Die Zauberflöte: Akt I. No. 3: Aria: „Dies Bildnis ist bezaubernd schön” (Tamino) | Siegfried Jerusalem, Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink | — | |
| 3-12 | Die Zauberflöte: Akt I. „Bei Männern, welche Liebe fühlen” | Wolfgang Brendel, Chor des Bayerischen Rundfunks, Lucia Popp, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — | |
| 3-13 | Die Zauberflöte: Akt I. No. 8 : Finale: „Schnelle Füsse, rascher Mut” (Pamina, Monostatos) | Bernard Haitink, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Lucia Popp | — | |
| 3-14 | Die Zauberflöte: Akt II. „O Isis und Osiris” | Roland Bracht, Chor des Bayerischen Rundfunks, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — | |
| 3-15 | Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | T-918.245.117-8 | |
| 3-16 | Die Zauberflöte: Akt II. No. 17: Aria: „Ach ich fühl's, es ist verschwunden!“ (Pamina) | Lucia Popp, Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink | — | |
| 3-17 | Die Zauberflöte: Akt II. „Ein Mädchen oder Weibchen” | Wolfgang Brendel, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — | |
| 3-18 | Die Zauberflöte: Akt II. „Pa-pa-gena! Pa-pa-geno!” | Wolfgang Brendel, Chor des Bayerischen Rundfunks, Brigitte Linder, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — | |
| 3-19 | O du eselhafter Martin, K. 560 | Convivium musicum München, Xaver Mayer | — | |
| 3-20 | Bona nox, bist a rechta Ox, K. 561 | Convivium musicum München, Xaver Mayer | T-321.626.057-6 | |
| 3-21 | Essen und trinken, K. 234 | Convivium musicum München, Xaver Mayer | — | |
| 4-1 | Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto | Andrei Gavrilov | — | |
| 4-2 | Serenade no. 10 in B‐flat, K. 361 (370 a) “Gran Partita”: III. Adagio | Bläserensemble Sabine Meyer | — | |
| 4-3 | La tartine de beurre | Emile Naoumoff | — | |
| 4-4 | Sonata for Violin & Piano No. 28 in E minor, K. 300c/304: I. Allegro | Frank Peter Zimmermann, Alexander Lonquich | T-010.194.424-4 | |
| 4-5 | Variations for Piano on "Ah! Vous dirais-je maman" in C major, KV 265 | Aldo Ciccolini | — | |
| 4-6 | Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-7 | Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-8 | Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": III. Minuetto. Allegretto | Academy of St Martin in the Fields, Sir Neville Marriner | T-700.095.171-5 | |
| 4-9 | Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-10 | 3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-11 | Fantasia for Piano in D minor, K. 385g/397 (fragment) | Alexander Lonquich | — | |
| 4-12 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563: VI. Allegro | Gérard Caussé, Augustin Dumay, Gary Hoffman | — | |
| 4-13 | Masonic Funeral Music for Orchestra in C minor, K. 479a/477 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-14 | Sonata for Piano no. 16 in C major, K. 545 "Sonata semplice": I. Allegro | Jean-Bernard Pommier | — | |
| 4-15 | Piano Sonata in C, K. 545: II. Andante | Jean-Bernard Pommier | T-301.694.697-3 | |
| 4-16 | Piano Sonata no. 16 in C major, K. 545 "Semplice": III. Rondo. Allegretto | Jean-Bernard Pommier | — | |
| 5-1 | Sonata for 2 Pianos in D major, K. 375a/448: I. Allegro con spirito | Marie-Luise Hinrichs, Christian Zacharias | — | |
| 5-2 | Clarinet Quintet in A major, K. 581 "Stadler": II. Larghetto | Sabine Meyer, Wiener Streichsextett | T-926.819.124-8 | |
| 5-3 | Serenade for winds in C minor K388: III. Menuetto in canone | — | ||
| 5-4 | Quartet for flute, violin, viola & cello No. 2 in G major, K. 285a: I. Andante | The Nash Ensemble | — | |
| 5-5 | Quintet for Piano, Oboe, Clarinet, Horn & Bassoon in E-flat major, K. 452: III. Rondo. Allegretto | Lamar Crowson, Peter Graeme, Gervase de Peyer, Neill Sanders, William Waterhouse, Melos Ensemble | — | |
| 5-6 | Duo for Violin & Viola No. 1 in G major, K. 423: II. Adagio | Gérard Caussé, Augustin Dumay | — | |
| 5-7 | Sonata for Piano no. 8 in A minor, K. 300d/310: III. Presto | Daniel Barenboim | — | |
| 5-8 | String Quartet no. 17 in B-flat major, K. 458 "Hunt": IV. Allegro assai | Alban Berg Quartett | T-306.395.786-4 | |
| 5-9 | Quartet for Oboe, Violin, Viola & Cello in F major, K. 370: III. Rondeau: Allegro | The Nash Ensemble | — | |
| 5-10 | Concerto for Piano No. 26 in D major, K. 537 "Coronation": II. Larghetto | Christian Zacharias, Symphonieorchester des Bayerischen Rundfunks, David Zinman | T-926.819.124-8 | |
| 5-11 | Violin Concerto no. 5 in A major, K. 219: III. Rondeau: Tempo di Menuetto | Christian Tetzlaff, Deutsche Kammerphilharmonie Bremen | — | |
| 5-12 | Minuet for Piano in D major, K. 576b/355 | Alexander Lonquich | — | |
| 5-13 | Serenade no. 11 for Winds in E-flat major, K. 375: V. Allegro | Consortium Classicum | — | |
| 5-14 | Ein musikalischer Spass, K. 522: I. Allegro | Herbert Blendinger, Herbert Duft, Werner Grobholz, Volker Hardt, Hans Pizka, Ingo Sinnhoffer, Sinnhoffer Kammerorchester München | T-900.143.513-8 | |
| 5-15 | Ein musikalischer Spass, K. 522: IV. Presto | Herbert Blendinger, Herbert Duft, Werner Grobholz, Volker Hardt, Hans Pizka, Ingo Sinnhoffer, Sinnhoffer Kammerorchester München | T-900.143.513-8 | |
| 6-1 | Requiem in D minor, K. 626: Introitus: Requiem aeternam | Felicity Lott, London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | T-900.137.873-0 | |
| 6-2 | Requiem in D minor, K. 626: Kyrie | London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | T-070.093.418-4 | |
| 6-3 | Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — | |
| 6-4 | Vesperae solennes de confessore, K. 339: V. Laudate Dominum | Barbara Hendricks, Justin Sillman, Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T-900.135.371-5 | |
| 6-5 | Ave verum corpus in D major, K. 618 | Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti | T-011.552.099-4 | |
| 6-6 | Litaniae lauretanae, K. 195/186d: V. Agnus Dei | Academy of St. Martin in the Fields Chorus, Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-7 | Mass in C minor, K. 427: III. Credo: Et incarnatus est | Ileana Cotrubaş, New Philharmonia Orchestra, Raymond Leppard | T-924.224.927-0 | |
| 6-8 | Mass no. 14 in C, K. 317 “Coronation”: Benedictus | Júlia Hamari, Dietrich Fischer-Dieskau, Nicolai Gedda, Edda Moser, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Eugen Jochum | — | |
| 6-9 | Exsultate jubilate, K. 158a/165 | Lucia Popp, English Chamber Orchestra, György Fischer | — | |
| 6-10 | Regina coeli in B-flat major, K. 127 | Patrizia Kwella, Cologne Chamber Choir, Collegium Cartusianum, Peter Neumann | — | |
| 6-11 | Sancta Maria, mater Dei, K. 273 | Cologne Chamber Choir, Collegium Cartusianum, Peter Neumann | — | |
| 6-12 | Cantata “Grabmusik”, K. 42/35a: IV. “Geliebte Seel', was redest du? … Betracht dies Herz” (Angel) | Barbara Hendricks, Justin Sillman, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-13 | An die Freundschaft, K. 148/125h | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 6-14 | Die Zauberflöte, K. 620: Nur stille...Die Strahlen der Sonne | Chor der Bayerischen Staatsoper, Kurt Moll, Bayerisches Staatsorchester, Wolfgang Sawallisch | — |
Identifier Graph
094633038127 is a Universal Product Code (UPC) assigned to Best Mozart 100 by Wolfgang Amadeus Mozart. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Variations for Piano on "Ah! Vous dirais-je maman" in C major, KV 265 | Aldo Ciccolini | T-003.979.618-3 |
| 3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — |
| Die Zauberflöte: Akt I. „Der Vogelfänger bin ich ja” | Wolfgang Brendel, Chor des Bayerischen Rundfunks, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | T-071.522.859-3 |
| Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | — |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Le nozze di Figaro, K. 492: “Non più andrai” (Figaro) | Sir Thomas Allen, Wiener Philharmoniker, Riccardo Muti | — |
| Le Nozze di Figaro, K. 492: "Voi che sapete" (Cherubino) | Ann Murray, Wiener Philharmoniker, Riccardo Muti | — |
| Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Aria "Dove sono i bei momenti" (La Contessa) | Margaret Price, Wiener Philharmoniker, Riccardo Muti | — |
| 3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “Best Mozart 100” by Wolfgang Amadeus Mozart is 094633038127. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2005-01-01. Label: EMI. This release contains 100 tracks, each with its own ISRC. Tracks include GBAYC1402011, GBAYC0101143, GBAYC8701909.
