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Mozart
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094634678926 is the Universal Product Code (UPC barcode) for the release “Ses 100 chefs-d'œuvre” by Mozart, released 2005-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 22 tracks, each with its own ISRC. Tracks include GBAYC8600623, GBAYC8600643, GBAYC8600645.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | Le nozze di Figaro, K. 492: Sinfonia | Wiener Philharmoniker, Riccardo Muti | — | |
| 2-2 | Le nozze di Figaro, K. 492: “Non più andrai” (Figaro) | Sir Thomas Allen, Wiener Philharmoniker, Riccardo Muti | T0116641281 | |
| 2-3 | Le nozze di Figaro, Atto II. No. 11 Cavatina "Porgi, amor qualche ristoro" (La Contessa) | Margaret Price, Wiener Philharmoniker, Riccardo Muti | T-905466790-2 | |
| 2-4 | Le Nozze di Figaro, K. 492: "Voi che sapete" (Cherubino) | Ann Murray, Wiener Philharmoniker, Riccardo Muti | T-929689299-4 | |
| 2-5 | Le Nozze di Figaro, K. 492: "Hai già vinta la causa!... Vedrò mentr'io sospiro" (Count) | Jorma Hynninen, Wiener Philharmoniker, Riccardo Muti | — | |
| 2-6 | Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Aria "Dove sono i bei momenti" (La Contessa) | Margaret Price, Wiener Philharmoniker, Riccardo Muti | — | |
| 2-7 | Le nozze di Figaro, K. 492: Act III: Canzonette sull'aria (Susanna, La Contessa d'Almaviva) | Wiener Philharmoniker, Konzertvereinigung Wiener Staatsopernchor, Riccardo Muti | — | |
| 2-8 | Le nozze di Figaro, K. 492: Act VI: Deh, vieni, non tardar (Susanna) | Kathleen Battle, Wiener Philharmoniker, Riccardo Muti | T0014243709 | |
| 2-9 | Cosi fan tutte, K. 588: "Bella vita militar" (Chorus) | Chor der Wiener Staatsoper, Wiener Philharmoniker, Riccardo Muti | — | |
| 2-10 | Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | T9025256488 | |
| 2-11 | Cosi fan tutte, K. 588: "Smanie implacabili" (Dorabella) | Agnes Baltsa, Wiener Philharmoniker, Riccardo Muti | — | |
| 2-12 | Cosi fan tutte, K. 588: "L'intatta fede...Come scoglio" (Fiordiligi) | Margaret Marshall, Wiener Philharmoniker, Riccardo Muti | — | |
| 2-13 | Cosi fan tutte, K. 588: "Un'aura amorosa" (Ferrando) | Francisco Araiza, Wiener Philharmoniker, Riccardo Muti | T0715531693 | |
| 2-14 | Don Giovanni: Atto I. “Madamina, il catalogo è questo” | Samuel Ramey, Wiener Philharmoniker, Riccardo Muti | T-929621870-7 | |
| 2-15 | Don Giovanni: Atto I. “Là ci darem la mano” | Susanne Mentzer, William Shimell, Wiener Philharmoniker, Riccardo Muti | — | |
| 2-16 | Don Giovanni: Atto I. “Or sai chi l’onore” | Cheryl Studer, Wiener Philharmoniker, Riccardo Muti | T-929613726-3 | |
| 2-17 | Don Giovanni: Atto I. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] | Frank Lopardo, Wiener Philharmoniker, Riccardo Muti | — | |
| 2-18 | Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) | William Shimell, Wiener Philharmoniker, Riccardo Muti | T3069408153 | |
| 2-19 | Don Giovanni: Atto II. “Deh, vieni alla finestra” | William Shimell, Wiener Philharmoniker, Riccardo Muti | T3064830753 | |
| 2-20 | Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) | Susanne Mentzer, Wiener Philharmoniker, Riccardo Muti | T9211587518 | |
| 2-21 | Don Giovanni: Atto II. Recitativo e aria “In quali eccessi, o Numi… Mi tradi quell’alma ingrata” (Donna Elvia) | Carol Vaness, Wiener Philharmoniker, Riccardo Muti | — | |
| 2-22 | Don Giovanni: Atto II. “Questo è il fin” | Donna Anna, Susanne Mentzer, Cheryl Studer, Carol Vaness, Wiener Philharmoniker, Riccardo Muti | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Die Zauberflöte, K. 620: Nur stille...Die Strahlen der Sonne | Chor der Bayerischen Staatsoper, Kurt Moll, Bayerisches Staatsorchester, Wolfgang Sawallisch | — |
| O du eselhafter Martin, K. 560 | Convivium musicum München, Xaver Mayer | — |
| Essen und trinken, K. 234 | Convivium musicum München, Xaver Mayer | — |
| Bona nox, bist a rechta Ox, K. 561 | Convivium musicum München, Xaver Mayer | T3216260576 |
| Ein musikalischer Spass, K. 522: I. Allegro | Herbert Blendinger, Herbert Duft, Werner Grobholz, Volker Hardt, Hans Pizka, Ingo Sinnhoffer, Sinnhoffer Kammerorchester München | T9001435138 |
| Ein musikalischer Spass, K. 522: IV. Presto | Herbert Blendinger, Herbert Duft, Werner Grobholz, Volker Hardt, Hans Pizka, Ingo Sinnhoffer, Sinnhoffer Kammerorchester München | T9001435138 |
| Klavierkonzert Nr. 21 C-dur, KV 467: II. Andante | Christian Zacharias, Symphonieorchester des Bayerischen Rundfunks, David Zinman | T0101948713 |
| Sonata for 2 Pianos in D major, K. 375a/448: I. Allegro con spirito | Marie-Luise Hinrichs, Christian Zacharias | — |
| Serenade no. 11 for Winds in E-flat major, K. 375: V. Allegro | Consortium Classicum | — |
| Concerto No. 3 in G major for Violin, K. 216 "Strassburg": II. Adagio | Frank Peter Zimmermann, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | T-312542566-9 |
| Concerto for Piano No. 26 in D major, K. 537 "Coronation": II. Larghetto | Christian Zacharias, Symphonieorchester des Bayerischen Rundfunks, David Zinman | T9268191248 |
| Clarinet Quintet in A major, K. 581 "Stadler": II. Larghetto | Sabine Meyer, Wiener Streichsextett | T-926819124-8 |
| Regina coeli in B-flat major, K. 127 | Patrizia Kwella, Cologne Chamber Choir, Collegium Cartusianum, Peter Neumann | — |
| Sancta Maria, mater Dei, K. 273 | Cologne Chamber Choir, Collegium Cartusianum, Peter Neumann | — |
| Sonata for Violin & Piano No. 28 in E minor, K. 300c/304: I. Allegro | Frank Peter Zimmermann, Alexander Lonquich | T-010194424-4 |
| Minuet for Piano in D major, K. 576b/355 | Alexander Lonquich | — |
| Fantasia for Piano in D minor, K. 385g/397 (fragment) | Alexander Lonquich | — |
| Serenade no. 10 in B‐flat, K. 361 (370 a) “Gran Partita”: III. Adagio | Bläserensemble Sabine Meyer | — |
| Variations for Piano on "Ah! Vous dirais-je maman" in C major, KV 265 | Aldo Ciccolini | — |
| Variations for Piano on "Ah! Vous dirais-je maman" in C major, KV 265 | Aldo Ciccolini | T0039796183 |
| La tartine de beurre | Emile Naoumoff | — |
| Cantata “Grabmusik”, K. 42/35a: IV. “Geliebte Seel', was redest du? … Betracht dies Herz” (Angel) | Barbara Hendricks, Justin Sillman, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Litaniae lauretanae, K. 195/186d: V. Agnus Dei | Academy of St. Martin in the Fields Chorus, Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Vesperae solennes de confessore, K. 339: V. Laudate Dominum | Barbara Hendricks, Justin Sillman, Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T9001353715 |
| Divertimento for Violin, Viola & Cello in E-flat major, K. 563: VI. Allegro | Gérard Caussé, Augustin Dumay, Gary Hoffman | — |
| Duo for Violin & Viola No. 1 in G major, K. 423: II. Adagio | Gérard Caussé, Augustin Dumay | — |
| Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio | Jack Brymer, Royal Philharmonic Orchestra, Sir Thomas Beecham | — |
| Idomeneo, K. 366: "Fuor del mar ho un mar in seno" (Idomeneo) | Ian Bostridge, Scottish Chamber Orchestra, Charles Mackerras | — |
| Idomeneo, K. 366: "Zeffiretti lusinghieri" (Ilia) | Lisa Milne, Scottish Chamber Orchestra, Charles Mackerras | — |
| An die Freundschaft, K. 148/125h | Dietrich Fischer-Dieskau, Daniel Barenboim | — |
| 3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Concerto for Flute and Harp in C major, K. 299: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 40 in G minor with clarinets, K. 550: I. Allegro molto | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 41 in C major, K. 551 "Jupiter": IV. Allegro molto | Berliner Philharmoniker, Herbert von Karajan | — |
| 3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | T9182451178 |
| Die Zauberflöte: Akt I. „Der Vogelfänger bin ich ja” | Wolfgang Brendel, Chor des Bayerischen Rundfunks, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — |
| Der Schauspieldirektor, K. 486: Overture | Academy of St. Martin-in-the-Fields, Neville Marriner | T0014208877 |
| Die Zauberflöte: Akt I. „Der Vogelfänger bin ich ja” | Wolfgang Brendel, Chor des Bayerischen Rundfunks, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — |
| Die Zauberflöte: Akt I. No. 3: Aria: „Dies Bildnis ist bezaubernd schön” (Tamino) | Siegfried Jerusalem, Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink | — |
| Die Zauberflöte: Akt I. „Bei Männern, welche Liebe fühlen” | Wolfgang Brendel, Chor des Bayerischen Rundfunks, Lucia Popp, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — |
| Die Zauberflöte: Akt II. „O Isis und Osiris” | Roland Bracht, Chor des Bayerischen Rundfunks, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | T-071522859-3 |
| Die Zauberflöte: Akt II. No. 17: Aria: „Ach ich fühl's, es ist verschwunden!“ (Pamina) | Lucia Popp, Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink | — |
| Die Zauberflöte: Akt II. „Ein Mädchen oder Weibchen” | Wolfgang Brendel, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — |
| Die Zauberflöte: Akt II. „Pa-pa-gena! Pa-pa-geno!” | Wolfgang Brendel, Chor des Bayerischen Rundfunks, Brigitte Linder, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — |
| Die Zauberflöte: Akt I. No. 8 : Finale: „Schnelle Füsse, rascher Mut” (Pamina, Monostatos) | Bernard Haitink, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Lucia Popp | — |
| Sonata for Piano no. 16 in C major, K. 545 "Sonata semplice": I. Allegro | Jean-Bernard Pommier | — |
| Piano Sonata in C, K. 545: II. Andante | Jean-Bernard Pommier | T3016946973 |
| Piano Sonata no. 16 in C major, K. 545 "Semplice": III. Rondo. Allegretto | Jean-Bernard Pommier | — |
| Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | — |
| Sonata for Piano no. 8 in A minor, K. 300d/310: III. Presto | Daniel Barenboim | — |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Mass no. 14 in C, K. 317 “Coronation”: Benedictus | Júlia Hamari, Dietrich Fischer-Dieskau, Nicolai Gedda, Edda Moser, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Eugen Jochum | — |
| Le nozze di Figaro, K. 492: “Non più andrai” (Figaro) | Sir Thomas Allen, Wiener Philharmoniker, Riccardo Muti | — |
| Le Nozze di Figaro, K. 492: "Voi che sapete" (Cherubino) | Ann Murray, Wiener Philharmoniker, Riccardo Muti | — |
| Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Aria "Dove sono i bei momenti" (La Contessa) | Margaret Price, Wiener Philharmoniker, Riccardo Muti | — |
| 3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Ave verum corpus in D major, K. 618 | Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti | T-011552099-4 |
| Symphony no. 25, K. 183: I. Allegro con brio (excerpt) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | T-041662096-6 |
| Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto | Andrei Gavrilov | — |
| Concerto for Piano no. 23 in A major, K. 488: II. Andante | Daniel Barenboim, English Chamber Orchestra | T-914012216-3 |
| Exsultate jubilate, K. 158a/165 | Lucia Popp, English Chamber Orchestra, György Fischer | — |
| Quartet for flute, violin, viola & cello No. 2 in G major, K. 285a: I. Andante | The Nash Ensemble | — |
| Divertimento no. 17 for 2 horns & strings in D major, K. 334 (K. 320b): Menuetto | Stockholm Chamber Orchestra, Franz Welser-Möst | — |
| Masonic Funeral Music for Orchestra in C minor, K. 479a/477 | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Die Entführung aus dem Serail, K. 384: "Konstanze, dich wieder zu sehen, dich!" (Belmonte) | Nicolai Gedda, Wiener Philharmoniker, Josef Krips | T9104058028 |
| Die Entführung aus dem Serail, K. 384: "Martern aller Arten" (Konstanze) | Anneliese Rothenberger, Wiener Philharmoniker, Josef Krips | — |
| Die Entführung aus dem Serail, K. 384: "Welche Wonne, welche Lust" (Blonde) | Lucia Popp, Wiener Philharmoniker, Josef Krips | — |
| Die Entführung aus dem Serail, K. 384: "Vivat Bacchus" (Osmin & Pedrillo) | Gottlob Frick, Gerhard Unger, Wiener Philharmoniker, Josef Krips | T9104058028 |
| Die Entführung aus dem Serail, K. 384: "O, wie will ich triumphieren" (Osmin) | Gottlob Frick, Wiener Philharmoniker, Josef Krips | — |
| Quartet for Oboe, Violin, Viola & Cello in F major, K. 370: III. Rondeau: Allegro | The Nash Ensemble | — |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": III. Minuetto. Allegretto | Academy of St Martin in the Fields, Sir Neville Marriner | T7000951715 |
| Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| String Quartet no. 17 in B-flat major, K. 458 "Hunt": IV. Allegro assai | Alban Berg Quartett | T3063957864 |
| Sinfonia Concertante in E-flat for Violin, Viola and Orchestra, K. 364: III. Presto | Anne-Sophie Mutter, Bruno Giuranna, Academy of St Martin in the Fields, Sir Neville Marriner | T0101944211 |
| Ave verum corpus in D major, K. 618 | Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti | T-323252117-0 |
| Violin Concerto no. 5 in A major, K. 219: III. Rondeau: Tempo di Menuetto | Christian Tetzlaff, Deutsche Kammerphilharmonie Bremen | — |
| Symphony no. 41 in C major, K. 551 "Jupiter": IV. Allegro molto | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony no. 40 in G minor with clarinets, K. 550: I. Allegro molto | Berliner Philharmoniker, Herbert von Karajan | — |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Concerto for Piano no. 23 in A major, K. 488: II. Andante | Daniel Barenboim, English Chamber Orchestra | T9157115861 |
| Quintet for Piano, Oboe, Clarinet, Horn & Bassoon in E-flat major, K. 452: III. Rondo. Allegretto | Lamar Crowson, Peter Graeme, Gervase de Peyer, Neill Sanders, William Waterhouse, Melos Ensemble | — |
| Mass in C minor, K. 427: III. Credo: Et incarnatus est | Ileana Cotrubaş, New Philharmonia Orchestra, Raymond Leppard | T9242249270 |
| Symphony no. 35 in D major, K. 385 "Haffner": IV. Finale. Presto | English Chamber Orchestra, Jeffrey Tate | — |
| Requiem in D minor, K. 626: Introitus: Requiem aeternam | Felicity Lott, London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | T9001378730 |
| Requiem in D minor, K. 626: Kyrie | London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | T0700934184 |
| Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — |
| Requiem in D minor, K. 626: Introitus: Requiem aeternam | Felicity Lott, London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | — |
| Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — |
| Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | T0416620966 |
| Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": III. Minuetto. Allegretto | Academy of St Martin in the Fields, Sir Neville Marriner | T7000951715 |
| Requiem in D minor, K. 626: Kyrie | London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | T0700934184 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
094634678926 is a Universal Product Code (UPC) assigned to Ses 100 chefs-d'œuvre by Mozart. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 22 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
094634678926 is the Universal Product Code (UPC barcode) for the release “Ses 100 chefs-d'œuvre” by Mozart, released 2005-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 22 tracks, each with its own ISRC. Tracks include GBAYC8600623, GBAYC8600643, GBAYC8600645.
