UPC · Release
Various Artists
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The UPC for “Best Classics 100, Volume 2” by Various Artists is 094637087220. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2006-08-28. This release contains 99 tracks, each with its own ISRC. Tracks include GBAYC8300002, GBAYC9100962, GBAYC8501542.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Carmen - Act 1, Prelude | Orchestre national de France | — | |
| 2 | Die Walküre: Act 3: Ride of the Valkyries | Oslo Philharmonic Orchestra, Mariss Jansons | T-070.257.887-7 | |
| 3 | Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti | T-800.639.771-4 | |
| 4 | Tsar Saltan: The Flight of the Bumble-bee (Act 3) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5 | Pictures at an Exhibition: IX. "The Hut on Fowl's Legs": Allegro con brio, feroce - Andante mosso - Allegro | Oslo Philharmonic Orchestra, Mariss Jansons | — | |
| 6 | Pictures at an Exhibition: The Great Gate of Kiev | Oslo Philharmonic Orchestra, Mariss Jansons | — | |
| 7 | Russlan and Ludmilla: Overture | Bayerisches Staatsorchester, Wolfgang Sawallisch | T-070.160.184-4 | |
| 8 | Suite for Jazz Orchestra no. 2, op. 50b: VI. Waltz: Tempo di valse | The Philadelphia Orchestra, Mariss Jansons | — | |
| 9 | Boléro (conclusion) | London Symphony Orchestra, André Previn | T-003.006.377-4 | |
| 10 | Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne spoglie” (Anvil Chorus) | Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Riccardo Muti | T-305.625.664-1 | |
| 11 | The Planets Suite for Orchestra, op. 32: Mars, the Bringer of War | Philharmonia Orchestra, Simon Rattle | T-923.663.725-5 | |
| 12 | Symphonie fantastique, op. 14: IV. Marche au supplice. Allegro non troppo | Orchestre national de France, Leonard Bernstein | — | |
| 13 | William Tell Overture | London Philharmonia Orchestra, Riccardo Muti | T-902.808.179-0 | |
| 14 | Gayaneh: Sabre Dance | Royal Philharmonic Orchestra, Yuri Temirkanov | T-801.025.525-2 | |
| 16 | Night on the Bare Mountain | Royal Philharmonic Orchestra, Georges Prêtre | T-070.152.461-9 | |
| 17 | Le Sacre du printemps: Première Partie: L'adoration de la terre. Danse sacrale (L'èlue) | City of Birmingham Symphony Orchestra, Simon Rattle | T-070.257.887-7 | |
| 2-1 | Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | Mark Bennett, Philip Pickett, Celia Nicklin, Kenneth Sillito, George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-2 | The Four Seasons. Concerto no. 4 in F minor (Winter): II. Largo | Anne-Sophie Mutter, Wiener Philharmoniker, Herbert von Karajan | — | |
| 2-3 | Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe | Rudolf Beránek, Stanislav Bogunia, Jiří Kaniak, Karel Klement, Miloslav Klement, Vladislav Kozderka, Stanislav Sejpal, Jr., Zdeněk Tylšar, Prague Chamber Orchestra, Charles Mackerras | — | |
| 2-4 | Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo | Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-5 | Music for the Royal Fireworks, HWV 351: IV. La Rejouissance (Allegro) | Menuhin Festival Orchestra, Yehudi Menuhin | — | |
| 2-6 | Serenade in D major, KV 239, "Serenata notturna": I. Marcia (Maestoso) | Bath Festival Orchestra, Yehudi Menuhin | — | |
| 2-7 | Bagatelle for Piano in A minor ("Für Elise"), WoO 59 | Dame Moura Lympany | T-031.590.855-4 | |
| 2-8 | Le Nozze di Figaro, K. 492: "Voi che sapete" (Cherubino) | Ann Murray, Wiener Philharmoniker, Riccardo Muti | T-929.689.299-4 | |
| 2-9 | Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso | Walter Gieseking, Philharmonia Orchestra, Alceo Galliera | — | |
| 2-10 | Frühlingslied, op. 62 no. 6 | Daniel Adni | T-915.714.795-0 | |
| 2-11 | Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile | Walter Gieseking | T-306.482.598-1 | |
| 2-12 | Serenade for Strings in C. II, Valse, Moderato | City of London Sinfonia, Richard Hickox | — | |
| 2-13 | Tosca: Atto II. “Vissi d’arte” (Tosca) | Angela Gheorghiu, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano | T-031.724.638-0 | |
| 2-14 | Prelude in C‐sharp minor, op. 3, no. 2 | Dame Moura Lympany | — | |
| 2-15 | Wiener Blut (Waltz) (extract) | Wiener Johann Strauss Orchester, Willi Boskovsky | — | |
| 2-16 | Vier letzte Lieder, TrV 296: Beim Schlafengehen (conclusion) | Lucia Popp, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 2-17 | Ma vlast: Vltava (extract) | Staatskapelle Dresden, Paavo Berglund | — | |
| 2-18 | Symphony No. 4 in F minor, Op. 36: IV. Finale. Allegro con fuoco | The Philadelphia Orchestra, Riccardo Muti | — | |
| 3-1 | Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-2 | Lohengrin, Akt III: Treulich geführt, “Bridal Chorus” | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | — | |
| 3-3 | Carmen: Act 3 Prelude "Intermezzo" | Orchestre national de France, Seiji Ozawa | T-902.300.465-1 | |
| 3-4 | Nocturne for Piano no. 2 in E‐flat major, op. 9/2, CT. 109 | John Ogdon | T-316.578.060-5 | |
| 3-5 | Les contes d'Hoffmann, Act 4: Barcarolle. "Belle nuit, ô nuit d'amour" (Instrumental Version) | Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | T-900.010.201-2 | |
| 3-6 | Vocalise, op. 34 no. 14 | Natalie Dessay, Berliner Sinfonie-Orchester, Michael Schønwandt | T-900.222.366-7 | |
| 3-7 | Liebesträume, S. 541: No. 3 in A-flat major (Poco allegro con affetto) | Kun Woo Paik | T-800.758.671-3 | |
| 3-8 | The Planets: Venus, the Bringer of Peace | Royal Liverpool Philharmonic Orchestra, Charles Mackerras | — | |
| 3-9 | Pavane in F-sharp minor, op. 50 | Gareth Morris, New Philharmonia Orchestra, Sir David Willcocks | T-909.340.218-7 | |
| 3-10 | Martha: Akt III. „Ach so fromm“ | Fritz Wunderlich, Berliner Symphoniker, Berislav Klobučar | — | |
| 3-11 | A Midsummer Night's Dream, op. 61: Wedding March | Rotterdam Philharmonic Orchestra, Jeffrey Tate | T-801.353.603-4 | |
| 3-12 | Summertime (Porgy and Bess) | Kiri Te Kanawa, New York Choral Artists, New Princess Theater Orchestra, John McGlinn | T-900.757.862-3 | |
| 3-13 | Dolly, op. 56. I. Berceuse | Jean-Philippe Collard, Bruno Rigutto | — | |
| 3-14 | Tristan und Isolde - Mild und Liese (Liebestod) | Cheryl Studer, Symphonieorchester des Bayerischen Rundfunks, Jeffrey Tate | — | |
| 3-15 | The Firebird (L'Oiseau De Feu) (Conclusion) | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 4-1 | Te Deum (Opening) (Arr. Defaye) | Maurice André | T-902.305.790-1 | |
| 4-2 | Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro | William Bennett, Iona Brown, George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-3 | Italian Concerto. I, Allegro | Richard Egarr | — | |
| 4-4 | Guitar Concerto in D: II. Largo (arr. Pujol) | Sharon Isbin, Orchestre de Chambre de Lausanne, Lawrence Foster | — | |
| 4-5 | Suite Nº 1 in G major, BWV 1007: Prelude | Paul Tortelier | — | |
| 4-6 | Concerto for Flute (on Oboe) no. 2 in D major, K. 285d/314: III. Rondo. Allegretto | Ransom Wilson, London Symphony Orchestra, Raymond Leppard | — | |
| 4-7 | Carnival of the Animals (Le Carnaval des animaux): The Swan (Ly Cygne) | — | ||
| 4-8 | Suite española No. 1 Op. 47 (arr. Byzantine): III. Sevilla (Sevillanas) | Julian Byzantine | — | |
| 4-9 | Liebesfreud | Rodney Friend, Michael Isador | T-801.289.652-6 | |
| 4-10 | Trumpet concerto in E-flat: III. Rondo (Allegro molto) | Maurice André, Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-11 | The Four Seasons: Concerto no. 2 in G minor, RV 270 "Summer": III. L'orage: Presto | Anne-Sophie Mutter, Wiener Philharmoniker, Herbert von Karajan | — | |
| 4-12 | Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-919.860.418-1 | |
| 4-13 | Arabesque no. 1 | Markus Klinko | T-329.530.213-1 | |
| 4-14 | Zigeunerweisen, op. 20 | Anne-Sophie Mutter, Orchestre national de France, Seiji Ozawa | T-921.161.772-0 | |
| 4-15 | Horn Concerto No. 4 in E-flat major, K. 495: II. Romanze. Andante cantabile | Radovan Vlatković, English Chamber Orchestra, Jeffrey Tate | — | |
| 4-16 | Violin Concerto in D major, Op. 35: I. Allegro moderato (Conclusion) | Ulf Hoelscher, Philharmonia Orchestra, Okko Kamu | — | |
| 5-1 | Clarinet Quintet in A major, K. 581 "Stadler": II. Larghetto | Sabine Meyer, Wiener Streichsextett | T-926.819.124-8 | |
| 5-2 | Kinderszenen, Op. 15: Träumerei | Dame Moura Lympany | — | |
| 5-3 | Pie Jesu (Requiem) | Jane Gilchrist | T-010.065.879-4 | |
| 5-4 | Piano Concerto no. 20 in D minor | Annie Fischer, Philharmonia Orchestra, Sir Adrian Boult | — | |
| 5-5 | Berceuse for piano in D-flat major, op. 57 | Peter Donohoe | — | |
| 5-6 | Ein Sommernachtstraum: Nocturne | Orchestra of the Age of Enlightenment, Charles Mackerras | — | |
| 5-7 | Salut d'amour, op. 12 | Northern Sinfonia of England, Richard Hickox | T-900.035.228-3 | |
| 5-8 | Étude in E major, op. 10 no. 3 “Tristesse”: Lento ma non troppo | John Ogdon | T-039.190.232-1 | |
| 5-9 | Serenade no. 10 in B‐flat, K. 361 (370 a) “Gran Partita”: III. Adagio | Bläserensemble Sabine Meyer | — | |
| 5-10 | Incidental Music to Peer Gynt, Op. 23: X. Solveig's Song | Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-11 | Carnival of the Animals: Aquarium | Philip Fowke, Peter Katin, Royal Scottish National Orchestra, Sir Alexander Gibson | — | |
| 5-12 | La Fille aux cheveux de lin | Dame Moura Lympany | — | |
| 5-13 | Raindrop: Prelude | Dmitri Alexeev | — | |
| 5-14 | Ständchen D. 954, No. 4 | Barbara Hendricks, Radu Lupu | T-900.088.315-8 | |
| 5-15 | Gymnopédie no. 1 | Aldo Ciccolini | T-920.980.498-8 | |
| 5-16 | Pavane pour une infante défunte | New Philharmonia Orchestra, Lorin Maazel | T-003.013.767-7 | |
| 6-1 | Candide: Overture | Bournemouth Symphony Orchestra, Andrew Litton | T-903.288.559-9 | |
| 6-2 | 3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-3 | Waltz no. 15 in A‐flat major | Adolph Drescher, Dame Moura Lympany | T-306.229.926-3 | |
| 6-4 | Heidenröslein | Dietrich Fischer-Dieskau, Gerald Moore | T-031.780.288-2 | |
| 6-5 | Minuet In G | Vrouwenkoor Malle Babbe | T-902.137.279-2 | |
| 6-6 | Liebesleid | Rodney Friend, Michael Isador | — | |
| 6-7 | Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto | Andrei Gavrilov | — | |
| 6-8 | Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur) | Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | T-305.625.648-1 | |
| 6-9 | Humoresque no. 7 for piano in G flat major, B. 187/7 (op. 101/7) | Dame Moura Lympany | T-106.687.877-9 | |
| 6-10 | La Rondine: Chi il bel sogno di Doretta | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — | |
| 6-11 | Waltz in C-sharp minor, op. 64 no. 2 | Dmitri Alexeev | T-922.054.556-2 | |
| 6-12 | Memories of the Alhambra (Recuerdos de la Alhambra) | Christopher Parkening | — | |
| 6-13 | Polonaise no. 6 in A‐flat major, op. 53 | Martha Argerich | — | |
| 6-14 | Tritsch-Tratsch Polka, op. 214 | Philharmonia Orchestra, Berliner Philharmoniker, Herbert von Karajan | T-001.252.407-0 | |
| 6-15 | Pini di Roma: I. I pini di Villa Borghese | London Symphony Orchestra, Lamberto Gardelli | — | |
| 6-16 | Peter and the Wolf (Extract) | London Philharmonic Orchestra, Sian Edwards | T-917.805.753-9 | |
| 6-17 | Orfée aux enfers : Overture | Philharmonia Orchestra, Herbert von Karajan | T-900.155.831-2 | |
| 6-18 | Die Meistersinger Von Nürnberg - Act I. Prelude | Berliner Philharmoniker, Herbert von Karajan | — |
Identifier Graph
094637087220 is a Universal Product Code (UPC) assigned to Best Classics 100, Volume 2 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 99 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Gymnopédie no. 1 | Aldo Ciccolini | T-050.018.340-3 |
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| 3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — |
| Carmen: Act 3 Prelude "Intermezzo" | Orchestre national de France, Seiji Ozawa | — |
| Tsar Saltan: The Flight of the Bumble-bee (Act 3) | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.520.252-0 |
| Le Nozze di Figaro, K. 492: "Voi che sapete" (Cherubino) | Ann Murray, Wiener Philharmoniker, Riccardo Muti | — |
| 3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Symphonie fantastique, op. 14: IV. Marche au supplice. Allegro non troppo | Orchestre national de France, Leonard Bernstein | T-922.067.243-5 |
| Orfée aux enfers : Overture | Philharmonia Orchestra, Herbert von Karajan | — |
| Minuet in G major, WoO 10 no. 2 | Dame Moura Lympany | — |
| Humoresque no. 7 for piano in G flat major, B. 187/7 (op. 101/7) | Dame Moura Lympany | T-106.610.454-7 |
| La Fille aux cheveux de lin | Dame Moura Lympany | — |
| La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — |
| Rhapsody in Blue - Jazz Band Version (Arr. Grofé) (Opening) | Wayne Marshall, City of Birmingham Symphony Orchestra, Simon Rattle | T-070.126.537-3 |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “Best Classics 100, Volume 2” by Various Artists is 094637087220. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2006-08-28. This release contains 99 tracks, each with its own ISRC. Tracks include GBAYC8300002, GBAYC9100962, GBAYC8501542.
