UPC · Release
100 Best Sacred Works
Various Artists
094638922728
100 tracksReleased 2006-01-01EMI Classics
Last verified:
094638922728 is the Universal Product Code (UPC barcode) for the release “100 Best Sacred Works” by Various Artists, released 2006-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include GBAAA9901609, GBAYC8300202, DEA348702013.
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Credit Chain
UPC100 Best Sacred Works
ISRC58 recordings
ISWC30 works
IPI7 songwriters
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sub tuum praesidium - Gregorian Chant | The Monks and Choirboys of Downside Abbey | T-902.112.317-1 | |
| 2 | Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — | |
| 3 | Veni sancte spiritus – Veni creator | Paul Hillier, The Hilliard Ensemble | — | |
| 4 | O nata lux | Choir of King’s College, Cambridge, Philip Ledger | — | |
| 5 | Verbum cara factum est | The Clerkes of Oxenford, David Wulstan | — | |
| 6 | Buccinate in neomenia tuba | Ambrosian Singers, Denis Stevens | — | |
| 7 | O magnum mysterium | Choir of King’s College, Cambridge, Sir David Willcocks | — | |
| 8 | Ave verum corpus | Choir of King’s College, Cambridge, Sir David Willcocks | T-031.882.851-1 | |
| 9 | Tu es Petrus a 6 (Motets bk II, 1572) | Choir of King’s College, Cambridge | — | |
| 10 | Missa l'homme armé: Kyrie | The Hilliard Ensemble, Paul Hillier | T-030.102.419-0 | |
| 11 | Missa: Super Bella Amfitrit 'Altera: Gloria | Choir of St John’s College, Cambridge, George Guest | — | |
| 12 | Tye: Mass "Euge bone" a 6: Credo | Christopher Tye | — | |
| 13 | Missa Paschalis à 4: I. Sanctus | The Hilliard Ensemble, Paul Hillier | — | |
| 14 | Mass for 4 Voices: V. Agnus Dei | The Hilliard Ensemble, Paul Hillier | — | |
| 15 | Motet: Absalon, fili mi (a 4) | The Hilliard Ensemble, Paul Hillier | T-900.140.981-0 | |
| 16 | Hosanna to the Son of David | Choir of King’s College, Cambridge, Sir David Willcocks | T-912.620.171-6 | |
| 17 | Spem in alium, P. 299 | Taverner Choir, Andrew Parrott | T-906.288.103-2 | |
| 2-1 | Gloria in D, RV589: Gloria in excelsis Deo | Choir of King’s College, Cambridge, Academy of Ancient Music, Stephen Cleobury | T-905.452.179-8 | |
| 2-2 | Gloria in D major, RV 589: III. Laudamus te | Choir of King’s College, Cambridge, Sarah Fox, Deborah Norman, Academy of Ancient Music, Stephen Cleobury | — | |
| 2-3 | Magnificat in D, BWV 243: I. Magnificat | Choir of King’s College, Cambridge, Academy of Ancient Music, Stephen Cleobury | T-922.042.217-3 | |
| 2-4 | For Unto us a child is born (Messiah) | John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras | T-011.162.720-3 | |
| 2-5 | Weihnachtsoratorium, BWV 248: No. 4. "Bereite dich, Zion" | Dame Janet Baker, Academy of St Martin in the Fields, Philip Ledger | T-070.024.961-1 | |
| 2-6 | Zadok the Priest | Choir of King’s College, Cambridge, Academy of Ancient Music, Stephen Cleobury | T-900.138.712-8 | |
| 2-7 | Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum | — | |
| 2-8 | Mass in B minor: Et incarnatus est | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum | — | |
| 2-9 | O Mensch, bewein' dein' Sünde gross | Peter Hurford | — | |
| 2-10 | Cantata No. 140, "Wachet auf, ruft uns die Stimme", BWV 140 (BC A166): "Zion hört die Wächter" | South German Madrigal Choir, Theo Altmeyer, Consortium Musicum, Wolfgang Gönnenwein | — | |
| 2-11 | Matthäus-Passion, BWV 244: Erbarme dich, mein Gott | Stephanie Blythe, Emmanuelle Haïm, Ensemble Orchestral de Paris, John Nelson | — | |
| 2-12 | Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905.387.081-8 | |
| 2-13 | Music for the Funeral of Queen Mary, Z. 860: "Thou knowest, Lord" | Choir of King’s College, Cambridge, Philip Jones Brass Ensemble, Philip Ledger | — | |
| 2-14 | Hear My Prayer, O Lord | Choir of King’s College, Cambridge, Philip Ledger | T-325.908.961-3 | |
| 2-15 | St Matthew Passion: Passion Chorale | Choir of King’s College, Cambridge, Sir David Willcocks | T-902.520.603-5 | |
| 2-16 | Crucifixus a 8 | Choir of King’s College, Cambridge, Philip Ledger | — | |
| 2-17 | Le Messie Part 3: No. 43. Aria: I know that my Redeemer liveth | Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras | — | |
| 2-18 | Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | T-071.518.061-2 | |
| 3-1 | Requiem in D minor, K. 626: Introitus: Requiem aeternam | Felicity Lott, London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | T-900.137.873-0 | |
| 3-2 | Requiem in D minor, K. 626: Kyrie | London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | T-070.093.418-4 | |
| 3-3 | Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — | |
| 3-4 | Vesperae solennes de confessore, K. 339: V. Laudate Dominum | Barbara Hendricks, Justin Sillman, Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T-900.135.371-5 | |
| 3-5 | Regina coeli in B-flat major, K. 127 | Patrizia Kwella, Cologne Chamber Choir, Collegium Cartusianum, Peter Neumann | — | |
| 3-6 | Mass in C minor, K. 427: II. Gloria: “Laudamus te” | Kiri Te Kanawa, New Philharmonia Orchestra, Raymond Leppard | — | |
| 3-7 | Mass no. 14 in C, K. 317 “Coronation”: Benedictus | Júlia Hamari, Dietrich Fischer-Dieskau, Nicolai Gedda, Edda Moser, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Eugen Jochum | — | |
| 3-8 | Exsultate, jubilate, K. 165/158a: “Alleluia” | Lucia Popp, English Chamber Orchestra, György Fischer | T-910.009.165-4 | |
| 3-9 | Ave verum corpus in D major, K. 618 | Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti | T-011.552.099-4 | |
| 3-10 | The Creation, Hob. XXI:2: Part I, no. 8. With verdure clad (Gabriel) | City of Birmingham Symphony Orchestra, Simon Rattle | T-902.863.695-5 | |
| 3-11 | The Creation: The Heavens Are Telling | — | ||
| 3-12 | Mass No.11 in D minor ‘Nelson’: Kyrie | — | ||
| 3-13 | Mass No.11 in D minor ‘Nelson’: Gloria in excelsis Deo | — | ||
| 3-14 | Mass in C - Kyrie | — | ||
| 3-15 | Die ehre gottes aus der natur | — | ||
| 3-16 | Missa Solemnis - Gloria | — | ||
| 4-1 | Te Deum - Prelude | — | ||
| 4-2 | Ave Maria | Dame Janet Baker, Philip Ledger | T-905.133.373-4 | |
| 4-3 | Messe solennelle de Sainte Cécile: Credo – opening | — | ||
| 4-4 | Messe solennelle de Sainte Cécile: Sanctus | — | ||
| 4-5 | The Shepherds' Farewell | — | ||
| 4-6 | Te Deum - Tu Christe, Rex gloriae | — | ||
| 4-7 | Requiem, op. 48: IV. Pie Jesu (1893 version) | Nancy Argenta, Stephen Farr, Bournemouth Sinfonietta, David Hill | T-315.824.737-7 | |
| 4-8 | Requiem Ubit caritas | — | ||
| 4-9 | Cantique de Jean Racine | Winchester Cathedral Choir, Stephen Farr, David Hill | T-300.950.284-1 | |
| 4-10 | Panis Angelicus | Hallé Choir, Hallé Orchestra, Maurice Handford | T-900.016.711-3 | |
| 4-11 | Gloria (Laudamus te) | — | ||
| 4-12 | Vinea mea electo | — | ||
| 4-13 | Priere à Notre-Dame | — | ||
| 4-14 | O sacrum convivium | — | ||
| 4-15 | Requiem: Sanctus | — | ||
| 4-16 | Requiem: Libera me | — | ||
| 4-17 | Requiem, op. 48: In Paradisum | John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks | T-924.489.944-3 | |
| 5-1 | Mass in E-flat: Sanctus | — | ||
| 5-2 | Elijah: O rest in the Lord | — | ||
| 5-3 | Elijah: And then shall your light break forth | — | ||
| 5-4 | Stabat mater: Cujus animam | — | ||
| 5-5 | Gott ist mein Hirt | — | ||
| 5-6 | Deutsche Messe: Heilig, heilig, heilig | — | ||
| 5-7 | Ave Maria | — | ||
| 5-8 | Ave verum corpus | — | ||
| 5-9 | Nun danket alle Gott | — | ||
| 5-10 | Ave Maria | — | ||
| 5-11 | Evening Hymn | — | ||
| 5-12 | Requiem: Recordare | — | ||
| 5-13 | Requiem: Ingemisco | — | ||
| 5-14 | Requiem: Lux aeterna | — | ||
| 5-15 | Ein deutsches Requiem: Wie lieblich sind deine Wohnungen | — | ||
| 5-16 | Messa di Gloria: Gloria | — | ||
| 5-17 | I Was Glad | Cambridge University Musical Society, Choir of King’s College, Cambridge, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger | T-911.343.613-8 | |
| 6-1 | Agnus Dei | Duncan Riddell, National Youth Choir of Great Britain, Paul Beniston, London Philharmonic Orchestra, Karl Jenkins, Mike Brewer OBE | T-900.120.937-6 | |
| 6-2 | Ave Maria | — | ||
| 6-3 | Chichester Psalms, for boy soloist, chorus & orchestra: I. Maestoso ma energico (Allegro molto) | John Bowley, Choir of King’s College, Cambridge, Michael Pearce, Daniel Sladden, Peter Winn, Peter Barley, David Corkhill, Rachel Masters, Stephen Cleobury | T-070.027.200-9 | |
| 6-4 | Pie Jesu | — | ||
| 6-5 | Voca Me | — | ||
| 6-6 | Ave Maria | — | ||
| 6-7 | Mass in G minor: I. Kyrie | David van Asch, Choir of King’s College, Cambridge, Robin Doveton, John Eaton, Nigel Perrin, David Willcocks | — | |
| 6-8 | Totus tuus | — | ||
| 6-9 | Magnificat (1989) | Choir of King’s College, Cambridge, Stephen Cleobury | T-800.958.642-0 | |
| 6-10 | Ave Maria | — | ||
| 6-11 | Song for Athene | — | ||
| 6-12 | Nunc Dimitis | — | ||
| 6-13 | Requiem for chorus & orchestra: "Requiem aeternam" | Choir of King’s College, Cambridge, City of London Sinfonia, Stephen Cleobury | — | |
| 6-14 | Agnus Dei | Winchester Cathedral Choir, David Hill | T-901.134.571-4 | |
| 6-15 | Benedictus (From the Armed Man: A Mass for Peace) | National Youth Choir of Great Britain, Guy Johnston, London Philharmonic Orchestra, Karl Jenkins, Michael C. Brewer | T-927.457.223-5 |
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
—
Veni sancte spiritus – Veni creator
Paul Hillier, The Hilliard Ensemble
—
O nata lux
Choir of King’s College, Cambridge, Philip Ledger
—
Verbum cara factum est
The Clerkes of Oxenford, David Wulstan
—
Buccinate in neomenia tuba
Ambrosian Singers, Denis Stevens
—
O magnum mysterium
Choir of King’s College, Cambridge, Sir David Willcocks
—
Tu es Petrus a 6 (Motets bk II, 1572)
Choir of King’s College, Cambridge
—
Missa: Super Bella Amfitrit 'Altera: Gloria
Choir of St John’s College, Cambridge, George Guest
—
Tye: Mass "Euge bone" a 6: Credo
Christopher Tye
—
Missa Paschalis à 4: I. Sanctus
The Hilliard Ensemble, Paul Hillier
—
Mass for 4 Voices: V. Agnus Dei
The Hilliard Ensemble, Paul Hillier
—
Choir of King’s College, Cambridge, Academy of Ancient Music, Stephen Cleobury
Gloria in D major, RV 589: III. Laudamus te
Choir of King’s College, Cambridge, Sarah Fox, Deborah Norman, Academy of Ancient Music, Stephen Cleobury
—
Choir of King’s College, Cambridge, Academy of Ancient Music, Stephen Cleobury
John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras
Dame Janet Baker, Academy of St Martin in the Fields, Philip Ledger
Choir of King’s College, Cambridge, Academy of Ancient Music, Stephen Cleobury
Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu"
Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum
—
Mass in B minor: Et incarnatus est
Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum
—
O Mensch, bewein' dein' Sünde gross
Peter Hurford
—
Cantata No. 140, "Wachet auf, ruft uns die Stimme", BWV 140 (BC A166): "Zion hört die Wächter"
South German Madrigal Choir, Theo Altmeyer, Consortium Musicum, Wolfgang Gönnenwein
—
Matthäus-Passion, BWV 244: Erbarme dich, mein Gott
Stephanie Blythe, Emmanuelle Haïm, Ensemble Orchestral de Paris, John Nelson
—
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Music for the Funeral of Queen Mary, Z. 860: "Thou knowest, Lord"
Choir of King’s College, Cambridge, Philip Jones Brass Ensemble, Philip Ledger
—
Choir of King’s College, Cambridge, Sir David Willcocks
Crucifixus a 8
Choir of King’s College, Cambridge, Philip Ledger
—
Le Messie Part 3: No. 43. Aria: I know that my Redeemer liveth
Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras
—
Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras
Felicity Lott, London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst
London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst
Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa
London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst
—
Barbara Hendricks, Justin Sillman, Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
Regina coeli in B-flat major, K. 127
Patrizia Kwella, Cologne Chamber Choir, Collegium Cartusianum, Peter Neumann
—
Mass in C minor, K. 427: II. Gloria: “Laudamus te”
Kiri Te Kanawa, New Philharmonia Orchestra, Raymond Leppard
—
Mass no. 14 in C, K. 317 “Coronation”: Benedictus
Júlia Hamari, Dietrich Fischer-Dieskau, Nicolai Gedda, Edda Moser, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Eugen Jochum
—
Lucia Popp, English Chamber Orchestra, György Fischer
Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti
City of Birmingham Symphony Orchestra, Simon Rattle
The Creation: The Heavens Are Telling
—
Mass No.11 in D minor ‘Nelson’: Kyrie
—
Mass No.11 in D minor ‘Nelson’: Gloria in excelsis Deo
—
Mass in C - Kyrie
—
Die ehre gottes aus der natur
—
Missa Solemnis - Gloria
—
Te Deum - Prelude
—
Messe solennelle de Sainte Cécile: Credo – opening
—
Messe solennelle de Sainte Cécile: Sanctus
—
The Shepherds' Farewell
—
Te Deum - Tu Christe, Rex gloriae
—
Nancy Argenta, Stephen Farr, Bournemouth Sinfonietta, David Hill
Requiem Ubit caritas
—
Gloria (Laudamus te)
—
Vinea mea electo
—
Priere à Notre-Dame
—
O sacrum convivium
—
Requiem: Sanctus
—
Requiem: Libera me
—
John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks
Mass in E-flat: Sanctus
—
Elijah: O rest in the Lord
—
Elijah: And then shall your light break forth
—
Stabat mater: Cujus animam
—
Gott ist mein Hirt
—
Deutsche Messe: Heilig, heilig, heilig
—
Ave Maria
—
Ave verum corpus
—
Nun danket alle Gott
—
Ave Maria
—
Evening Hymn
—
Requiem: Recordare
—
Requiem: Ingemisco
—
Requiem: Lux aeterna
—
Ein deutsches Requiem: Wie lieblich sind deine Wohnungen
—
Messa di Gloria: Gloria
—
Cambridge University Musical Society, Choir of King’s College, Cambridge, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger
Duncan Riddell, National Youth Choir of Great Britain, Paul Beniston, London Philharmonic Orchestra, Karl Jenkins, Mike Brewer OBE
Ave Maria
—
John Bowley, Choir of King’s College, Cambridge, Michael Pearce, Daniel Sladden, Peter Winn, Peter Barley, David Corkhill, Rachel Masters, Stephen Cleobury
Pie Jesu
—
Voca Me
—
Ave Maria
—
Mass in G minor: I. Kyrie
David van Asch, Choir of King’s College, Cambridge, Robin Doveton, John Eaton, Nigel Perrin, David Willcocks
—
Totus tuus
—
Ave Maria
—
Song for Athene
—
Nunc Dimitis
—
Requiem for chorus & orchestra: "Requiem aeternam"
Choir of King’s College, Cambridge, City of London Sinfonia, Stephen Cleobury
—
National Youth Choir of Great Britain, Guy Johnston, London Philharmonic Orchestra, Karl Jenkins, Michael C. Brewer
Additional database matches (9)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Spem in alium, P. 299 | Taverner Choir, Andrew Parrott | — |
| Music for the Funeral of Queen Mary, Z. 860: "Thou knowest, Lord" | Choir of King’s College, Cambridge, Philip Jones Brass Ensemble, Philip Ledger | — |
| Ave verum corpus in D major, K. 618 | Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti | T-323.252.117-0 |
| For Unto us a child is born (Messiah) | John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras | — |
| Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | — |
| Le Messie Part 3: No. 43. Aria: I know that my Redeemer liveth | Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras | — |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — |
| Requiem in D minor, K. 626: Introitus: Requiem aeternam | Felicity Lott, London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | — |
| Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — |
Spem in alium, P. 299
Taverner Choir, Andrew Parrott
—
Music for the Funeral of Queen Mary, Z. 860: "Thou knowest, Lord"
Choir of King’s College, Cambridge, Philip Jones Brass Ensemble, Philip Ledger
—
Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti
For Unto us a child is born (Messiah)
John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras
—
Messiah, HWV 56: No. 44. Hallelujah
Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras
—
Le Messie Part 3: No. 43. Aria: I know that my Redeemer liveth
Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras
—
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
—
Requiem in D minor, K. 626: Introitus: Requiem aeternam
Felicity Lott, London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst
—
Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa
London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-004.020.935-5T-011.014.772-2T-011.552.099-4T-323.252.117-0T-800.958.642-0T-800.958.642-0T-900.065.378-1T-900.138.712-8T-905.387.081-8T-905.387.081-8
+20 more
T-905.452.179-8T-912.620.171-6T-912.620.171-6T-915.711.372-9T-924.489.944-3T-924.489.944-3T-927.457.223-5T-011.162.720-3T-011.552.099-4T-030.102.419-0T-031.882.851-1T-070.024.961-1T-070.027.200-9T-070.093.418-4T-071.518.061-2T-300.950.284-1T-315.824.737-7T-323.252.117-0T-325.908.961-3T-900.016.711-3
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000028122959000000005295990000000000551650810000000063090593000000006310386800000000631050540000000066830665000000007248167600000000736495300000000078386127
+20 more
000000007839832000000000784045750000000080039319000000008161053X000000008169715300000000817194980000000081773005000000008234214300000000836551920000000085701295000000010133537X000000010658144900000001066174480000000107213701000000010741734100000001079881440000000108048445000000010871642300000001089353430000000109178196
Identifier Graph
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What is UPC 094638922728?
094638922728 is a Universal Product Code (UPC) assigned to 100 Best Sacred Works by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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