UPC · Release
100 Best Sacred Works
Various Artists
094638922728
18 tracksReleased 2006-01-01EMI Classics
Last verified:
094638922728 is the Universal Product Code (UPC barcode) for the release “100 Best Sacred Works” by Various Artists, released 2006-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC. Tracks include GBAYC0102838, GBAYC0102840, GBAYC0000760.
Format
0Number system
94638Manufacturer
92272Product
8Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
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- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
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Credit Chain
UPC100 Best Sacred Works
ISRC18 recordings
ISWC41 works
IPI7 songwriters
Track List (18)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | Gloria in D, RV589: Gloria in excelsis Deo | Choir of King’s College, Cambridge, Academy of Ancient Music, Stephen Cleobury | T-905452179-8 | |
| 2-2 | Gloria in D major, RV 589: III. Laudamus te | Choir of King’s College, Cambridge, Sarah Fox, Deborah Norman, Academy of Ancient Music, Stephen Cleobury | — | |
| 2-3 | Magnificat in D, BWV 243: I. Magnificat | Choir of King’s College, Cambridge, Academy of Ancient Music, Stephen Cleobury | T9220422173 | |
| 2-4 | For Unto us a child is born (Messiah) | John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras | T0111627203 | |
| 2-5 | Weihnachtsoratorium, BWV 248: No. 4. "Bereite dich, Zion" | Dame Janet Baker, Academy of St Martin in the Fields, Philip Ledger | T0700249611 | |
| 2-6 | Zadok the Priest | Choir of King’s College, Cambridge, Academy of Ancient Music, Stephen Cleobury | T-900138712-8 | |
| 2-7 | Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu" | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum | — | |
| 2-8 | Mass in B minor: Et incarnatus est | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum | — | |
| 2-9 | O Mensch, bewein' dein' Sünde gross | Peter Hurford | — | |
| 2-10 | Cantata No. 140, "Wachet auf, ruft uns die Stimme", BWV 140 (BC A166): "Zion hört die Wächter" | South German Madrigal Choir, Theo Altmeyer, Consortium Musicum, Wolfgang Gönnenwein | — | |
| 2-11 | Matthäus-Passion, BWV 244: Erbarme dich, mein Gott | Stephanie Blythe, Emmanuelle Haïm, Ensemble Orchestral de Paris, John Nelson | — | |
| 2-12 | Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905387081-8 | |
| 2-13 | Music for the Funeral of Queen Mary, Z. 860: "Thou knowest, Lord" | Choir of King’s College, Cambridge, Philip Jones Brass Ensemble, Philip Ledger | — | |
| 2-14 | Hear My Prayer, O Lord | Choir of King’s College, Cambridge, Philip Ledger | T3259089613 | |
| 2-15 | St Matthew Passion: Passion Chorale | Choir of King’s College, Cambridge, Sir David Willcocks | T9025206035 | |
| 2-16 | Crucifixus a 8 | Choir of King’s College, Cambridge, Philip Ledger | — | |
| 2-17 | Le Messie Part 3: No. 43. Aria: I know that my Redeemer liveth | Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras | — | |
| 2-18 | Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | T0715180612 |
Choir of King’s College, Cambridge, Academy of Ancient Music, Stephen Cleobury
Gloria in D major, RV 589: III. Laudamus te
Choir of King’s College, Cambridge, Sarah Fox, Deborah Norman, Academy of Ancient Music, Stephen Cleobury
—
Choir of King’s College, Cambridge, Academy of Ancient Music, Stephen Cleobury
John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras
Dame Janet Baker, Academy of St Martin in the Fields, Philip Ledger
Choir of King’s College, Cambridge, Academy of Ancient Music, Stephen Cleobury
Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu"
Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum
—
Mass in B minor: Et incarnatus est
Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum
—
O Mensch, bewein' dein' Sünde gross
Peter Hurford
—
Cantata No. 140, "Wachet auf, ruft uns die Stimme", BWV 140 (BC A166): "Zion hört die Wächter"
South German Madrigal Choir, Theo Altmeyer, Consortium Musicum, Wolfgang Gönnenwein
—
Matthäus-Passion, BWV 244: Erbarme dich, mein Gott
Stephanie Blythe, Emmanuelle Haïm, Ensemble Orchestral de Paris, John Nelson
—
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Music for the Funeral of Queen Mary, Z. 860: "Thou knowest, Lord"
Choir of King’s College, Cambridge, Philip Jones Brass Ensemble, Philip Ledger
—
Choir of King’s College, Cambridge, Sir David Willcocks
Crucifixus a 8
Choir of King’s College, Cambridge, Philip Ledger
—
Le Messie Part 3: No. 43. Aria: I know that my Redeemer liveth
Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras
—
Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras
Additional database matches (52)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Missa Paschalis à 4: I. Sanctus | The Hilliard Ensemble, Paul Hillier | — |
| Veni sancte spiritus – Veni creator | Paul Hillier, The Hilliard Ensemble | — |
| Regina coeli in B-flat major, K. 127 | Patrizia Kwella, Cologne Chamber Choir, Collegium Cartusianum, Peter Neumann | — |
| Vesperae solennes de confessore, K. 339: V. Laudate Dominum | Barbara Hendricks, Justin Sillman, Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T9001353715 |
| Agnus Dei | Duncan Riddell, National Youth Choir of Great Britain, Paul Beniston, London Philharmonic Orchestra, Karl Jenkins, Mike Brewer OBE | T9001209376 |
| Benedictus (From the Armed Man: A Mass for Peace) | National Youth Choir of Great Britain, Guy Johnston, London Philharmonic Orchestra, Karl Jenkins, Michael C. Brewer | T-927457223-5 |
| Sub tuum praesidium - Gregorian Chant | The Monks and Choirboys of Downside Abbey | T9021123171 |
| Tu es Petrus a 6 (Motets bk II, 1572) | Choir of King’s College, Cambridge | — |
| Hosanna to the Son of David | Choir of King’s College, Cambridge, Sir David Willcocks | T-912.620.171-6 |
| O magnum mysterium | Choir of King’s College, Cambridge, Sir David Willcocks | — |
| Ave verum corpus | Choir of King’s College, Cambridge, Sir David Willcocks | T0318828511 |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — |
| Motet: Absalon, fili mi (a 4) | The Hilliard Ensemble, Paul Hillier | T9001409810 |
| Mass for 4 Voices: V. Agnus Dei | The Hilliard Ensemble, Paul Hillier | — |
| Mass no. 14 in C, K. 317 “Coronation”: Benedictus | Júlia Hamari, Dietrich Fischer-Dieskau, Nicolai Gedda, Edda Moser, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Eugen Jochum | — |
| Spem in alium, P. 299 | Taverner Choir, Andrew Parrott | T9062881032 |
| Mass in C minor, K. 427: II. Gloria: “Laudamus te” | Kiri Te Kanawa, New Philharmonia Orchestra, Raymond Leppard | — |
| Missa l'homme armé: Kyrie | The Hilliard Ensemble, Paul Hillier | T0301024190 |
| Ave verum corpus in D major, K. 618 | Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti | T-011552099-4 |
| Spem in alium, P. 299 | Taverner Choir, Andrew Parrott | — |
| Exsultate, jubilate, K. 165/158a: “Alleluia” | Lucia Popp, English Chamber Orchestra, György Fischer | T9100091654 |
| Mass in G minor: I. Kyrie | David van Asch, Choir of King’s College, Cambridge, Robin Doveton, John Eaton, Nigel Perrin, David Willcocks | — |
| Music for the Funeral of Queen Mary, Z. 860: "Thou knowest, Lord" | Choir of King’s College, Cambridge, Philip Jones Brass Ensemble, Philip Ledger | — |
| Ave verum corpus in D major, K. 618 | Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti | T-323252117-0 |
| Requiem, op. 48: IV. Pie Jesu (1893 version) | Nancy Argenta, Stephen Farr, Bournemouth Sinfonietta, David Hill | T3158247377 |
| Cantique de Jean Racine | Winchester Cathedral Choir, Stephen Farr, David Hill | T3009502841 |
| Requiem for chorus & orchestra: "Requiem aeternam" | Choir of King’s College, Cambridge, City of London Sinfonia, Stephen Cleobury | — |
| For Unto us a child is born (Messiah) | John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras | — |
| Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | — |
| Le Messie Part 3: No. 43. Aria: I know that my Redeemer liveth | Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras | — |
| Buccinate in neomenia tuba | Ambrosian Singers, Denis Stevens | — |
| O nata lux | Choir of King’s College, Cambridge, Philip Ledger | — |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — |
| Ave Maria | Dame Janet Baker, Philip Ledger | T9051333734 |
| Panis Angelicus | Hallé Choir, Hallé Orchestra, Maurice Handford | T9000167113 |
| I Was Glad | Cambridge University Musical Society, Choir of King’s College, Cambridge, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger | T9113436138 |
| Requiem in D minor, K. 626: Introitus: Requiem aeternam | Felicity Lott, London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | T9001378730 |
| Requiem in D minor, K. 626: Kyrie | London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | T0700934184 |
| Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — |
| Requiem in D minor, K. 626: Introitus: Requiem aeternam | Felicity Lott, London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | — |
| Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — |
| Chichester Psalms, for boy soloist, chorus & orchestra: I. Maestoso ma energico (Allegro molto) | John Bowley, Choir of King’s College, Cambridge, Michael Pearce, Daniel Sladden, Peter Winn, Peter Barley, David Corkhill, Rachel Masters, Stephen Cleobury | T0700272009 |
| The Creation, Hob. XXI:2: Part I, no. 8. With verdure clad (Gabriel) | City of Birmingham Symphony Orchestra, Simon Rattle | T9028636955 |
| Missa: Super Bella Amfitrit 'Altera: Gloria | Choir of St John’s College, Cambridge, George Guest | — |
| Requiem, op. 48: In Paradisum | John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks | T-924.489.944-3 |
| Verbum cara factum est | The Clerkes of Oxenford, David Wulstan | — |
| Magnificat (1989) | Choir of King’s College, Cambridge, Stephen Cleobury | T-800.958.642-0 |
| Tye: Mass "Euge bone" a 6: Credo | Christopher Tye | — |
| Agnus Dei | Winchester Cathedral Choir, David Hill | T9011345714 |
| Hosanna to the Son of David | Choir of King’s College, Cambridge, Sir David Willcocks | T-912.620.171-6 |
| Requiem in D minor, K. 626: Kyrie | London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | T0700934184 |
| Requiem, op. 48: In Paradisum | John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks | T-924.489.944-3 |
Missa Paschalis à 4: I. Sanctus
The Hilliard Ensemble, Paul Hillier
—
Veni sancte spiritus – Veni creator
Paul Hillier, The Hilliard Ensemble
—
Regina coeli in B-flat major, K. 127
Patrizia Kwella, Cologne Chamber Choir, Collegium Cartusianum, Peter Neumann
—
Barbara Hendricks, Justin Sillman, Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
Duncan Riddell, National Youth Choir of Great Britain, Paul Beniston, London Philharmonic Orchestra, Karl Jenkins, Mike Brewer OBE
National Youth Choir of Great Britain, Guy Johnston, London Philharmonic Orchestra, Karl Jenkins, Michael C. Brewer
The Monks and Choirboys of Downside Abbey
Tu es Petrus a 6 (Motets bk II, 1572)
Choir of King’s College, Cambridge
—
Choir of King’s College, Cambridge, Sir David Willcocks
O magnum mysterium
Choir of King’s College, Cambridge, Sir David Willcocks
—
Choir of King’s College, Cambridge, Sir David Willcocks
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
—
The Hilliard Ensemble, Paul Hillier
Mass for 4 Voices: V. Agnus Dei
The Hilliard Ensemble, Paul Hillier
—
Mass no. 14 in C, K. 317 “Coronation”: Benedictus
Júlia Hamari, Dietrich Fischer-Dieskau, Nicolai Gedda, Edda Moser, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Eugen Jochum
—
Taverner Choir, Andrew Parrott
Mass in C minor, K. 427: II. Gloria: “Laudamus te”
Kiri Te Kanawa, New Philharmonia Orchestra, Raymond Leppard
—
The Hilliard Ensemble, Paul Hillier
Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti
Spem in alium, P. 299
Taverner Choir, Andrew Parrott
—
Lucia Popp, English Chamber Orchestra, György Fischer
Mass in G minor: I. Kyrie
David van Asch, Choir of King’s College, Cambridge, Robin Doveton, John Eaton, Nigel Perrin, David Willcocks
—
Music for the Funeral of Queen Mary, Z. 860: "Thou knowest, Lord"
Choir of King’s College, Cambridge, Philip Jones Brass Ensemble, Philip Ledger
—
Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti
Nancy Argenta, Stephen Farr, Bournemouth Sinfonietta, David Hill
Winchester Cathedral Choir, Stephen Farr, David Hill
Requiem for chorus & orchestra: "Requiem aeternam"
Choir of King’s College, Cambridge, City of London Sinfonia, Stephen Cleobury
—
For Unto us a child is born (Messiah)
John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras
—
Messiah, HWV 56: No. 44. Hallelujah
Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras
—
Le Messie Part 3: No. 43. Aria: I know that my Redeemer liveth
Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras
—
Buccinate in neomenia tuba
Ambrosian Singers, Denis Stevens
—
O nata lux
Choir of King’s College, Cambridge, Philip Ledger
—
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
—
Dame Janet Baker, Philip Ledger
Hallé Choir, Hallé Orchestra, Maurice Handford
Cambridge University Musical Society, Choir of King’s College, Cambridge, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger
Felicity Lott, London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst
London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst
Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa
London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst
—
Requiem in D minor, K. 626: Introitus: Requiem aeternam
Felicity Lott, London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst
—
Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa
London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst
—
John Bowley, Choir of King’s College, Cambridge, Michael Pearce, Daniel Sladden, Peter Winn, Peter Barley, David Corkhill, Rachel Masters, Stephen Cleobury
City of Birmingham Symphony Orchestra, Simon Rattle
Missa: Super Bella Amfitrit 'Altera: Gloria
Choir of St John’s College, Cambridge, George Guest
—
John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks
Verbum cara factum est
The Clerkes of Oxenford, David Wulstan
—
Choir of King’s College, Cambridge, Stephen Cleobury
Tye: Mass "Euge bone" a 6: Credo
Christopher Tye
—
Winchester Cathedral Choir, David Hill
Choir of King’s College, Cambridge, Sir David Willcocks
London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst
John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks
What other identifiers does this connect to?
Musical Works (ISWC)
T-004020935-5T-011014772-2T-800.958.642-0T-800958642-0T-900065378-1T-905.387.081-8T-905387081-8T-912.620.171-6T-912620171-6T-915711372-9
+31 more
T-924.489.944-3T-924489944-3T0111627203T0115520994T0301024190T0318828511T0700249611T0700272009T0700934184T0715180612T3009502841T3158247377T3232521170T3259089613T9000167113T9001209376T9001353715T9001378730T9001387128T9001409810T9011345714T9021123171T9025206035T9028636955T9051333734T9054521798T9062881032T9100091654T9113436138T9220422173T9274572235
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000028122959000000005295990000000000551650810000000063090593000000006310386800000000631050540000000066830665000000007248167600000000783861270000000078398320
+40 more
00000000784045750000000080039319000000008161053X000000008169715300000000817194980000000081773005000000008234214300000000836551920000000085701295000000010133537X000000010658144900000001066174480000000107213701000000010741734100000001079881440000000108048445000000010871642300000001089353430000000109178196000000010930050X00000001093163170000000109370671000000010938047400000001094265240000000109457427000000010956154X000000010962414100000001098785200000000109957923000000011009692100000001101426250000000110142676000000011029235900000001103401700000000110574145000000011082996100000001108804170000000110928871000000011297410X0000000114409366
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What is UPC 094638922728?
094638922728 is a Universal Product Code (UPC) assigned to 100 Best Sacred Works by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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