UPC · Release
100 Best Mozart
Wolfgang Amadeus Mozart, Various Artists
190295476656
100 tracksReleased 2019-04-05
Last verified:
190295476656 is the Universal Product Code (UPC barcode) for the release “100 Best Mozart” by Wolfgang Amadeus Mozart, Various Artists, released 2019-04-05. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include GBAYD8400063, GBAYC0101143, GBAYC8701909.
Format
1Number system
90295Manufacturer
47665Product
6Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPC100 Best Mozart
ISRC100 recordings
ISWC37 works
IPI1 songwriter
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony No.40 in G minor K550 I: Molto allegro | English Chamber Orchestra, Jeffrey Tate | — | |
| 2 | Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio | Jack Brymer, Royal Philharmonic Orchestra, Sir Thomas Beecham | — | |
| 3 | Symphony no. 25, K. 183: I. Allegro con brio (excerpt) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4 | Klavierkonzert Nr. 21 C-dur, KV 467: II. Andante | Christian Zacharias, Symphonieorchester des Bayerischen Rundfunks, David Zinman | T-010.194.871-3 | |
| 5 | Symphony no. 35 in D major, K. 385 "Haffner": IV. Finale. Presto | English Chamber Orchestra, Jeffrey Tate | — | |
| 6 | Concerto No. 3 in G major for Violin, K. 216 "Strassburg": II. Adagio | Frank Peter Zimmermann, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | T-312.542.566-9 | |
| 7 | Divertimento no. 17 for 2 horns & strings in D major, K. 334 (K. 320b): Menuetto | Stockholm Chamber Orchestra, Franz Welser-Möst | — | |
| 8 | Symphony No.41 in C K551 'Jupiter' IV: Finale: Allegro | English Chamber Orchestra, Jeffrey Tate | — | |
| 9 | Concerto for Piano no. 23 in A major, K. 488: II. Andante | Daniel Barenboim, English Chamber Orchestra | T-914.012.216-3 | |
| 10 | Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.662.096-6 | |
| 11 | Concerto for Flute and Harp in C major, K. 299: II. Andantino | Jean-Pierre Rampal, Lily Laskine, Orchestre de chambre Jean-François Paillard, Jean-François Paillard | T-911.534.020-0 | |
| 12 | Sinfonia Concertante in E-flat for Violin, Viola and Orchestra, K. 364: III. Presto | Anne-Sophie Mutter, Bruno Giuranna, Academy of St Martin in the Fields, Sir Neville Marriner | T-010.194.421-1 | |
| 13 | Le nozze di Figaro, K. 492: Sinfonia | Wiener Philharmoniker, Riccardo Muti | — | |
| 14 | Le nozze di Figaro, K. 492: “Non più andrai” (Figaro) | Sir Thomas Allen, Wiener Philharmoniker, Riccardo Muti | T-011.664.128-1 | |
| 15 | Le nozze di Figaro, Atto II. No. 11 Cavatina "Porgi, amor qualche ristoro" (La Contessa) | Margaret Price, Wiener Philharmoniker, Riccardo Muti | T-905.466.790-2 | |
| 16 | Le Nozze di Figaro, K. 492: "Voi che sapete" (Cherubino) | Ann Murray, Wiener Philharmoniker, Riccardo Muti | T-929.689.299-4 | |
| 17 | Le Nozze di Figaro, K. 492: "Hai già vinta la causa!... Vedrò mentr'io sospiro" (Count) | Jorma Hynninen, Wiener Philharmoniker, Riccardo Muti | — | |
| 18 | Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Aria "Dove sono i bei momenti" (La Contessa) | Margaret Price, Wiener Philharmoniker, Riccardo Muti | — | |
| 19 | Le nozze di Figaro, K. 492: Act III: Canzonette sull'aria (Susanna, La Contessa d'Almaviva) | Wiener Philharmoniker, Konzertvereinigung Wiener Staatsopernchor, Riccardo Muti | — | |
| 20 | Le nozze di Figaro, K. 492: Act VI: Deh, vieni, non tardar (Susanna) | Kathleen Battle, Wiener Philharmoniker, Riccardo Muti | T-001.424.370-9 | |
| 21 | Cosi fan tutte, K. 588: "Bella vita militar" (Chorus) | Chor der Wiener Staatsoper, Wiener Philharmoniker, Riccardo Muti | — | |
| 22 | Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | T-902.525.648-8 | |
| 23 | Cosi fan tutte, K. 588: "Smanie implacabili" (Dorabella) | Agnes Baltsa, Wiener Philharmoniker, Riccardo Muti | — | |
| 24 | Cosi fan tutte, K. 588: "L'intatta fede...Come scoglio" (Fiordiligi) | Margaret Marshall, Wiener Philharmoniker, Riccardo Muti | — | |
| 25 | Cosi fan tutte, K. 588: "Un'aura amorosa" (Ferrando) | Francisco Araiza, Wiener Philharmoniker, Riccardo Muti | T-071.553.169-3 | |
| 26 | Don Giovanni: Atto I. “Madamina, il catalogo è questo” | Samuel Ramey, Wiener Philharmoniker, Riccardo Muti | T-929.621.870-7 | |
| 27 | Don Giovanni: Atto I. “Là ci darem la mano” | Susanne Mentzer, William Shimell, Wiener Philharmoniker, Riccardo Muti | — | |
| 28 | Don Giovanni: Atto I. “Or sai chi l’onore” | Cheryl Studer, Wiener Philharmoniker, Riccardo Muti | T-929.613.726-3 | |
| 29 | Don Giovanni: Atto I. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] | Frank Lopardo, Wiener Philharmoniker, Riccardo Muti | — | |
| 30 | Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) | William Shimell, Wiener Philharmoniker, Riccardo Muti | T-306.940.815-3 | |
| 31 | Don Giovanni: Atto II. “Deh, vieni alla finestra” | William Shimell, Wiener Philharmoniker, Riccardo Muti | T-306.483.075-3 | |
| 32 | Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) | Susanne Mentzer, Wiener Philharmoniker, Riccardo Muti | T-921.158.751-8 | |
| 33 | Don Giovanni: Atto II. Recitativo e aria “In quali eccessi, o Numi… Mi tradi quell’alma ingrata” (Donna Elvia) | Carol Vaness, Wiener Philharmoniker, Riccardo Muti | — | |
| 34 | Don Giovanni: Atto II. “Questo è il fin” | Donna Anna, Susanne Mentzer, Cheryl Studer, Carol Vaness, Wiener Philharmoniker, Riccardo Muti | — | |
| 35 | Der Schauspieldirektor, K. 486: Overture | Academy of St. Martin-in-the-Fields, Neville Marriner | T-001.420.887-7 | |
| 36 | Idomeneo, K. 366: "Fuor del mar ho un mar in seno" (Idomeneo) | Ian Bostridge, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 37 | Idomeneo, K. 366: "Zeffiretti lusinghieri" (Ilia) | Lisa Milne, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 38 | Die Entführung aus dem Serail, K. 384: "Konstanze, dich wieder zu sehen, dich!" (Belmonte) | Nicolai Gedda, Wiener Philharmoniker, Josef Krips | T-910.405.802-8 | |
| 39 | Die Entführung aus dem Serail, K. 384: "Martern aller Arten" (Konstanze) | Anneliese Rothenberger, Wiener Philharmoniker, Josef Krips | — | |
| 40 | Die Entführung aus dem Serail, K. 384: "Welche Wonne, welche Lust" (Blonde) | Lucia Popp, Wiener Philharmoniker, Josef Krips | — | |
| 41 | Die Entführung aus dem Serail, K. 384: "Vivat Bacchus" (Osmin & Pedrillo) | Gottlob Frick, Gerhard Unger, Wiener Philharmoniker, Josef Krips | T-910.405.802-8 | |
| 42 | Die Entführung aus dem Serail, K. 384: "O, wie will ich triumphieren" (Osmin) | Gottlob Frick, Wiener Philharmoniker, Josef Krips | — | |
| 43 | Die Zauberflöte, K. 620: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-309.829.044-5 | |
| 44 | Die Zauberflöte: Akt I. „Der Vogelfänger bin ich ja” | Wolfgang Brendel, Chor des Bayerischen Rundfunks, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — | |
| 45 | Die Zauberflöte: Akt I. No. 3: Aria: „Dies Bildnis ist bezaubernd schön” (Tamino) | Siegfried Jerusalem, Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink | — | |
| 46 | Die Zauberflöte: Akt I. „Bei Männern, welche Liebe fühlen” | Wolfgang Brendel, Chor des Bayerischen Rundfunks, Lucia Popp, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — | |
| 47 | Die Zauberflöte: Akt I. No. 8 : Finale: „Schnelle Füsse, rascher Mut” (Pamina, Monostatos) | Bernard Haitink, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Lucia Popp | — | |
| 48 | Die Zauberflöte: Akt II. „O Isis und Osiris” | Roland Bracht, Chor des Bayerischen Rundfunks, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — | |
| 49 | Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | T-918.245.117-8 | |
| 50 | Die Zauberflöte: Akt II. No. 17: Aria: „Ach ich fühl's, es ist verschwunden!“ (Pamina) | Lucia Popp, Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink | — | |
| 51 | Die Zauberflöte: Akt II. „Ein Mädchen oder Weibchen” | Wolfgang Brendel, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — | |
| 52 | Die Zauberflöte: Akt II. „Pa-pa-gena! Pa-pa-geno!” | Wolfgang Brendel, Chor des Bayerischen Rundfunks, Brigitte Linder, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — | |
| 53 | O du eselhafter Martin, K. 560 | Convivium musicum München, Xaver Mayer | — | |
| 54 | Bona nox, bist a rechta Ox, K. 561 | Convivium musicum München, Xaver Mayer | T-321.626.057-6 | |
| 55 | Essen und trinken, K. 234 | Convivium musicum München, Xaver Mayer | — | |
| 56 | Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto | Andrei Gavrilov | — | |
| 57 | Serenade no. 10 in B‐flat, K. 361 (370 a) “Gran Partita”: III. Adagio | Bläserensemble Sabine Meyer | — | |
| 58 | La tartine de beurre | Emile Naoumoff | — | |
| 59 | Sonata for Violin & Piano No. 28 in E minor, K. 300c/304: I. Allegro | Frank Peter Zimmermann, Alexander Lonquich | T-010.194.424-4 | |
| 60 | Variations for Piano on "Ah! Vous dirais-je maman" in C major, KV 265 | Aldo Ciccolini | — | |
| 61 | Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 62 | Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 63 | Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": III. Minuetto. Allegretto | Academy of St Martin in the Fields, Sir Neville Marriner | T-700.095.171-5 | |
| 64 | Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 65 | 3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 66 | Fantasia for Piano in D minor, K. 385g/397 (fragment) | Alexander Lonquich | — | |
| 67 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563: VI. Allegro | Gérard Caussé, Augustin Dumay, Gary Hoffman | — | |
| 68 | Masonic Funeral Music for Orchestra in C minor, K. 479a/477 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 69 | Sonata for Piano no. 16 in C major, K. 545 "Sonata semplice": I. Allegro | Jean-Bernard Pommier | — | |
| 70 | Piano Sonata in C, K. 545: II. Andante | Jean-Bernard Pommier | T-301.694.697-3 | |
| 71 | Piano Sonata no. 16 in C major, K. 545 "Semplice": III. Rondo. Allegretto | Jean-Bernard Pommier | — | |
| 72 | Sonata for 2 Pianos in D major, K. 375a/448: I. Allegro con spirito | Marie-Luise Hinrichs, Christian Zacharias | — | |
| 73 | Clarinet Quintet in A major, K. 581 "Stadler": II. Larghetto | Sabine Meyer, Wiener Streichsextett | T-926.819.124-8 | |
| 74 | Serenade No. 12 in C Minor, K. 388 (384a): III. Menuetto in canone | Bläserensemble Sabine Meyer | — | |
| 75 | Quartet for flute, violin, viola & cello No. 2 in G major, K. 285a: I. Andante | The Nash Ensemble | — | |
| 76 | Quintet for Piano, Oboe, Clarinet, Horn & Bassoon in E-flat major, K. 452: III. Rondo. Allegretto | Lamar Crowson, Peter Graeme, Gervase de Peyer, Neill Sanders, William Waterhouse, Melos Ensemble | — | |
| 77 | Duo for Violin & Viola No. 1 in G major, K. 423: II. Adagio | Gérard Caussé, Augustin Dumay | — | |
| 78 | Sonata for Piano no. 8 in A minor, K. 300d/310: III. Presto | Daniel Barenboim | — | |
| 79 | String Quartet no. 17 in B-flat major, K. 458 "Hunt": IV. Allegro assai | Alban Berg Quartett | T-306.395.786-4 | |
| 80 | Quartet for Oboe, Violin, Viola & Cello in F major, K. 370: III. Rondeau: Allegro | The Nash Ensemble | — | |
| 81 | Concerto for Piano No. 26 in D major, K. 537 "Coronation": II. Larghetto | Christian Zacharias, Symphonieorchester des Bayerischen Rundfunks, David Zinman | T-926.819.124-8 | |
| 82 | Violin Concerto no. 5 in A major, K. 219: III. Rondeau: Tempo di Menuetto | Christian Tetzlaff, Deutsche Kammerphilharmonie Bremen | — | |
| 83 | Minuet for Piano in D major, K. 576b/355 | Alexander Lonquich | — | |
| 84 | Serenade no. 11 for Winds in E-flat major, K. 375: V. Allegro | Consortium Classicum | — | |
| 85 | Ein musikalischer Spass, K. 522: I. Allegro | Herbert Blendinger, Herbert Duft, Werner Grobholz, Volker Hardt, Hans Pizka, Ingo Sinnhoffer, Sinnhoffer Kammerorchester München | T-900.143.513-8 | |
| 86 | Ein musikalischer Spass, K. 522: IV. Presto | Herbert Blendinger, Herbert Duft, Werner Grobholz, Volker Hardt, Hans Pizka, Ingo Sinnhoffer, Sinnhoffer Kammerorchester München | T-900.143.513-8 | |
| 87 | Requiem in D minor, K. 626: Introitus: Requiem aeternam | Felicity Lott, London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | T-900.137.873-0 | |
| 88 | Requiem in D minor, K. 626: Kyrie | London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | T-070.093.418-4 | |
| 89 | Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — | |
| 90 | Vesperae solennes de confessore, K. 339: V. Laudate Dominum | Barbara Hendricks, Justin Sillman, Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T-900.135.371-5 | |
| 91 | Ave verum corpus in D major, K. 618 | Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti | T-011.552.099-4 | |
| 92 | Litaniae lauretanae, K. 195/186d: V. Agnus Dei | Academy of St. Martin in the Fields Chorus, Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 93 | Mass in C minor, K. 427: III. Credo: Et incarnatus est | Ileana Cotrubaş, New Philharmonia Orchestra, Raymond Leppard | T-924.224.927-0 | |
| 94 | Mass no. 14 in C, K. 317 “Coronation”: Benedictus | Júlia Hamari, Dietrich Fischer-Dieskau, Nicolai Gedda, Edda Moser, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Eugen Jochum | — | |
| 95 | Exsultate jubilate, K. 158a/165 | Lucia Popp, English Chamber Orchestra, György Fischer | — | |
| 96 | Regina coeli in B-flat major, K. 127 | Patrizia Kwella, Cologne Chamber Choir, Collegium Cartusianum, Peter Neumann | — | |
| 97 | Sancta Maria, mater Dei, K. 273 | Cologne Chamber Choir, Collegium Cartusianum, Peter Neumann | — | |
| 98 | Cantata “Grabmusik”, K. 42/35a: IV. “Geliebte Seel', was redest du? … Betracht dies Herz” (Angel) | Barbara Hendricks, Justin Sillman, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 99 | An die Freundschaft, K. 148/125h | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 100 | Die Zauberflöte, K. 620: Nur stille...Die Strahlen der Sonne | Chor der Bayerischen Staatsoper, Kurt Moll, Bayerisches Staatsorchester, Wolfgang Sawallisch | — |
Symphony No.40 in G minor K550 I: Molto allegro
English Chamber Orchestra, Jeffrey Tate
—
Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio
Jack Brymer, Royal Philharmonic Orchestra, Sir Thomas Beecham
—
Symphony no. 25, K. 183: I. Allegro con brio (excerpt)
Academy of St Martin in the Fields, Sir Neville Marriner
—
Christian Zacharias, Symphonieorchester des Bayerischen Rundfunks, David Zinman
Symphony no. 35 in D major, K. 385 "Haffner": IV. Finale. Presto
English Chamber Orchestra, Jeffrey Tate
—
Frank Peter Zimmermann, Württembergisches Kammerorchester Heilbronn, Jörg Faerber
Divertimento no. 17 for 2 horns & strings in D major, K. 334 (K. 320b): Menuetto
Stockholm Chamber Orchestra, Franz Welser-Möst
—
Symphony No.41 in C K551 'Jupiter' IV: Finale: Allegro
English Chamber Orchestra, Jeffrey Tate
—
Daniel Barenboim, English Chamber Orchestra
Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner
Jean-Pierre Rampal, Lily Laskine, Orchestre de chambre Jean-François Paillard, Jean-François Paillard
Anne-Sophie Mutter, Bruno Giuranna, Academy of St Martin in the Fields, Sir Neville Marriner
Le nozze di Figaro, K. 492: Sinfonia
Wiener Philharmoniker, Riccardo Muti
—
Sir Thomas Allen, Wiener Philharmoniker, Riccardo Muti
Margaret Price, Wiener Philharmoniker, Riccardo Muti
Ann Murray, Wiener Philharmoniker, Riccardo Muti
Le Nozze di Figaro, K. 492: "Hai già vinta la causa!... Vedrò mentr'io sospiro" (Count)
Jorma Hynninen, Wiener Philharmoniker, Riccardo Muti
—
Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Aria "Dove sono i bei momenti" (La Contessa)
Margaret Price, Wiener Philharmoniker, Riccardo Muti
—
Le nozze di Figaro, K. 492: Act III: Canzonette sull'aria (Susanna, La Contessa d'Almaviva)
Wiener Philharmoniker, Konzertvereinigung Wiener Staatsopernchor, Riccardo Muti
—
Kathleen Battle, Wiener Philharmoniker, Riccardo Muti
Cosi fan tutte, K. 588: "Bella vita militar" (Chorus)
Chor der Wiener Staatsoper, Wiener Philharmoniker, Riccardo Muti
—
Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti
Cosi fan tutte, K. 588: "Smanie implacabili" (Dorabella)
Agnes Baltsa, Wiener Philharmoniker, Riccardo Muti
—
Cosi fan tutte, K. 588: "L'intatta fede...Come scoglio" (Fiordiligi)
Margaret Marshall, Wiener Philharmoniker, Riccardo Muti
—
Francisco Araiza, Wiener Philharmoniker, Riccardo Muti
Samuel Ramey, Wiener Philharmoniker, Riccardo Muti
Don Giovanni: Atto I. “Là ci darem la mano”
Susanne Mentzer, William Shimell, Wiener Philharmoniker, Riccardo Muti
—
Cheryl Studer, Wiener Philharmoniker, Riccardo Muti
Don Giovanni: Atto I. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a]
Frank Lopardo, Wiener Philharmoniker, Riccardo Muti
—
William Shimell, Wiener Philharmoniker, Riccardo Muti
William Shimell, Wiener Philharmoniker, Riccardo Muti
Susanne Mentzer, Wiener Philharmoniker, Riccardo Muti
Don Giovanni: Atto II. Recitativo e aria “In quali eccessi, o Numi… Mi tradi quell’alma ingrata” (Donna Elvia)
Carol Vaness, Wiener Philharmoniker, Riccardo Muti
—
Don Giovanni: Atto II. “Questo è il fin”
Donna Anna, Susanne Mentzer, Cheryl Studer, Carol Vaness, Wiener Philharmoniker, Riccardo Muti
—
Academy of St. Martin-in-the-Fields, Neville Marriner
Idomeneo, K. 366: "Fuor del mar ho un mar in seno" (Idomeneo)
Ian Bostridge, Scottish Chamber Orchestra, Charles Mackerras
—
Idomeneo, K. 366: "Zeffiretti lusinghieri" (Ilia)
Lisa Milne, Scottish Chamber Orchestra, Charles Mackerras
—
Nicolai Gedda, Wiener Philharmoniker, Josef Krips
Die Entführung aus dem Serail, K. 384: "Martern aller Arten" (Konstanze)
Anneliese Rothenberger, Wiener Philharmoniker, Josef Krips
—
Die Entführung aus dem Serail, K. 384: "Welche Wonne, welche Lust" (Blonde)
Lucia Popp, Wiener Philharmoniker, Josef Krips
—
Gottlob Frick, Gerhard Unger, Wiener Philharmoniker, Josef Krips
Die Entführung aus dem Serail, K. 384: "O, wie will ich triumphieren" (Osmin)
Gottlob Frick, Wiener Philharmoniker, Josef Krips
—
Academy of St Martin in the Fields, Sir Neville Marriner
Die Zauberflöte: Akt I. „Der Vogelfänger bin ich ja”
Wolfgang Brendel, Chor des Bayerischen Rundfunks, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink
—
Die Zauberflöte: Akt I. No. 3: Aria: „Dies Bildnis ist bezaubernd schön” (Tamino)
Siegfried Jerusalem, Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink
—
Die Zauberflöte: Akt I. „Bei Männern, welche Liebe fühlen”
Wolfgang Brendel, Chor des Bayerischen Rundfunks, Lucia Popp, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink
—
Die Zauberflöte: Akt I. No. 8 : Finale: „Schnelle Füsse, rascher Mut” (Pamina, Monostatos)
Bernard Haitink, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Lucia Popp
—
Die Zauberflöte: Akt II. „O Isis und Osiris”
Roland Bracht, Chor des Bayerischen Rundfunks, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink
—
Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night)
Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink
Die Zauberflöte: Akt II. No. 17: Aria: „Ach ich fühl's, es ist verschwunden!“ (Pamina)
Lucia Popp, Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink
—
Die Zauberflöte: Akt II. „Ein Mädchen oder Weibchen”
Wolfgang Brendel, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink
—
Die Zauberflöte: Akt II. „Pa-pa-gena! Pa-pa-geno!”
Wolfgang Brendel, Chor des Bayerischen Rundfunks, Brigitte Linder, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink
—
O du eselhafter Martin, K. 560
Convivium musicum München, Xaver Mayer
—
Essen und trinken, K. 234
Convivium musicum München, Xaver Mayer
—
Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto
Andrei Gavrilov
—
Serenade no. 10 in B‐flat, K. 361 (370 a) “Gran Partita”: III. Adagio
Bläserensemble Sabine Meyer
—
La tartine de beurre
Emile Naoumoff
—
Frank Peter Zimmermann, Alexander Lonquich
Variations for Piano on "Ah! Vous dirais-je maman" in C major, KV 265
Aldo Ciccolini
—
Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
—
Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante)
Academy of St Martin in the Fields, Sir Neville Marriner
—
Academy of St Martin in the Fields, Sir Neville Marriner
Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
—
3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication)
Academy of St Martin in the Fields, Sir Neville Marriner
—
Fantasia for Piano in D minor, K. 385g/397 (fragment)
Alexander Lonquich
—
Divertimento for Violin, Viola & Cello in E-flat major, K. 563: VI. Allegro
Gérard Caussé, Augustin Dumay, Gary Hoffman
—
Masonic Funeral Music for Orchestra in C minor, K. 479a/477
Academy of St Martin in the Fields, Sir Neville Marriner
—
Sonata for Piano no. 16 in C major, K. 545 "Sonata semplice": I. Allegro
Jean-Bernard Pommier
—
Piano Sonata no. 16 in C major, K. 545 "Semplice": III. Rondo. Allegretto
Jean-Bernard Pommier
—
Sonata for 2 Pianos in D major, K. 375a/448: I. Allegro con spirito
Marie-Luise Hinrichs, Christian Zacharias
—
Sabine Meyer, Wiener Streichsextett
Serenade No. 12 in C Minor, K. 388 (384a): III. Menuetto in canone
Bläserensemble Sabine Meyer
—
Quartet for flute, violin, viola & cello No. 2 in G major, K. 285a: I. Andante
The Nash Ensemble
—
Quintet for Piano, Oboe, Clarinet, Horn & Bassoon in E-flat major, K. 452: III. Rondo. Allegretto
Lamar Crowson, Peter Graeme, Gervase de Peyer, Neill Sanders, William Waterhouse, Melos Ensemble
—
Duo for Violin & Viola No. 1 in G major, K. 423: II. Adagio
Gérard Caussé, Augustin Dumay
—
Sonata for Piano no. 8 in A minor, K. 300d/310: III. Presto
Daniel Barenboim
—
Alban Berg Quartett
Quartet for Oboe, Violin, Viola & Cello in F major, K. 370: III. Rondeau: Allegro
The Nash Ensemble
—
Christian Zacharias, Symphonieorchester des Bayerischen Rundfunks, David Zinman
Violin Concerto no. 5 in A major, K. 219: III. Rondeau: Tempo di Menuetto
Christian Tetzlaff, Deutsche Kammerphilharmonie Bremen
—
Minuet for Piano in D major, K. 576b/355
Alexander Lonquich
—
Serenade no. 11 for Winds in E-flat major, K. 375: V. Allegro
Consortium Classicum
—
Herbert Blendinger, Herbert Duft, Werner Grobholz, Volker Hardt, Hans Pizka, Ingo Sinnhoffer, Sinnhoffer Kammerorchester München
Herbert Blendinger, Herbert Duft, Werner Grobholz, Volker Hardt, Hans Pizka, Ingo Sinnhoffer, Sinnhoffer Kammerorchester München
Felicity Lott, London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst
London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst
Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa
London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst
—
Barbara Hendricks, Justin Sillman, Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti
Litaniae lauretanae, K. 195/186d: V. Agnus Dei
Academy of St. Martin in the Fields Chorus, Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner
—
Ileana Cotrubaş, New Philharmonia Orchestra, Raymond Leppard
Mass no. 14 in C, K. 317 “Coronation”: Benedictus
Júlia Hamari, Dietrich Fischer-Dieskau, Nicolai Gedda, Edda Moser, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Eugen Jochum
—
Exsultate jubilate, K. 158a/165
Lucia Popp, English Chamber Orchestra, György Fischer
—
Regina coeli in B-flat major, K. 127
Patrizia Kwella, Cologne Chamber Choir, Collegium Cartusianum, Peter Neumann
—
Sancta Maria, mater Dei, K. 273
Cologne Chamber Choir, Collegium Cartusianum, Peter Neumann
—
Cantata “Grabmusik”, K. 42/35a: IV. “Geliebte Seel', was redest du? … Betracht dies Herz” (Angel)
Barbara Hendricks, Justin Sillman, Academy of St Martin in the Fields, Sir Neville Marriner
—
An die Freundschaft, K. 148/125h
Dietrich Fischer-Dieskau, Daniel Barenboim
—
Die Zauberflöte, K. 620: Nur stille...Die Strahlen der Sonne
Chor der Bayerischen Staatsoper, Kurt Moll, Bayerisches Staatsorchester, Wolfgang Sawallisch
—
Additional database matches (19)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Variations for Piano on "Ah! Vous dirais-je maman" in C major, KV 265 | Aldo Ciccolini | T-003.979.618-3 |
| 3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — |
| Die Zauberflöte: Akt I. „Der Vogelfänger bin ich ja” | Wolfgang Brendel, Chor des Bayerischen Rundfunks, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | T-071.522.859-3 |
| Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | — |
| Le nozze di Figaro, K. 492: “Non più andrai” (Figaro) | Sir Thomas Allen, Wiener Philharmoniker, Riccardo Muti | — |
| Le Nozze di Figaro, K. 492: "Voi che sapete" (Cherubino) | Ann Murray, Wiener Philharmoniker, Riccardo Muti | — |
| Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Aria "Dove sono i bei momenti" (La Contessa) | Margaret Price, Wiener Philharmoniker, Riccardo Muti | — |
| 3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Ave verum corpus in D major, K. 618 | Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti | T-323.252.117-0 |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| 3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Concerto for Piano no. 23 in A major, K. 488: II. Andante | Daniel Barenboim, English Chamber Orchestra | T-915.711.586-1 |
| Requiem in D minor, K. 626: Introitus: Requiem aeternam | Felicity Lott, London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | — |
| Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — |
3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication)
Academy of St Martin in the Fields, Sir Neville Marriner
—
Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night)
Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink
—
Die Zauberflöte: Akt I. „Der Vogelfänger bin ich ja”
Wolfgang Brendel, Chor des Bayerischen Rundfunks, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink
—
Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night)
Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink
Così fan tutte: Atto I, scena 6: “Soave sia il vento”
Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti
—
Le nozze di Figaro, K. 492: “Non più andrai” (Figaro)
Sir Thomas Allen, Wiener Philharmoniker, Riccardo Muti
—
Le Nozze di Figaro, K. 492: "Voi che sapete" (Cherubino)
Ann Murray, Wiener Philharmoniker, Riccardo Muti
—
Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Aria "Dove sono i bei momenti" (La Contessa)
Margaret Price, Wiener Philharmoniker, Riccardo Muti
—
3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication)
Academy of St Martin in the Fields, Sir Neville Marriner
—
Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
—
Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti
Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
—
Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante)
Academy of St Martin in the Fields, Sir Neville Marriner
—
Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
—
3 German Dances for Orchestra in C major, K. 605 "Die Schlittenfahrt": III. German Dance & Trio & Coda. (No tempo indication)
Academy of St Martin in the Fields, Sir Neville Marriner
—
Daniel Barenboim, English Chamber Orchestra
Requiem in D minor, K. 626: Introitus: Requiem aeternam
Felicity Lott, London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst
—
Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa
London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-001.420.887-7T-001.424.370-9T-003.979.618-3T-010.194.421-1T-010.194.424-4T-010.194.871-3T-011.552.099-4T-011.664.128-1T-041.662.096-6T-070.093.418-4
+27 more
T-071.522.859-3T-071.553.169-3T-301.694.697-3T-306.395.786-4T-306.483.075-3T-306.940.815-3T-309.829.044-5T-312.542.566-9T-321.626.057-6T-323.252.117-0T-700.095.171-5T-900.135.371-5T-900.137.873-0T-900.143.513-8T-902.525.648-8T-905.466.790-2T-910.405.802-8T-911.534.020-0T-914.012.216-3T-915.711.586-1T-918.245.117-8T-921.158.751-8T-924.224.927-0T-926.819.124-8T-929.613.726-3T-929.621.870-7T-929.689.299-4
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000551355440000000055189622000000005519566X000000005550350300000000630440950000000063102996000000007225713X0000000078393861000000007974757X0000000080969305
+40 more
00000000810627720000000081255953000000008169715300000000817191480000000083361557000000008391646000000000839840250000000106581449000000010741734100000001080484450000000108548327000000010855902600000001086174410000000108633564000000010866418400000001086751070000000108906243000000010901159900000001090587330000000109178196000000010920127X000000010937067100000001093754050000000109380474000000010943151800000001095351810000000109624141000000010980009600000001100624810000000110154060000000011023199400000001105741450000000110633483000000011075076X000000011082996100000001108636920000000110864863000000011088040900000001109287910000000110934796
Identifier Graph
People also ask
SourcesMLCMusicBrainz2 sources
Verified on
What is UPC 190295476656?
190295476656 is a Universal Product Code (UPC) assigned to 100 Best Mozart by Wolfgang Amadeus Mozart, Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm