UPC · Release
André Previn
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The UPC for “The Classic André Previn - The Complete RCA And Columbia Album Collection” by André Previn is 190758316727. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2018-01-01. Label: Sony Classical. This release contains 415 tracks, each with its own ISRC. Tracks include USSM16001527, USSM16001528, USSM16001529.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto in F major, for Piano & Orchestra: I. Allegro | André Previn, André Kostelanetz & His Orchestra | — | |
| 2 | Concerto in F major, for Piano & Orchestra: II. Adagio | André Previn, Uan Rasey, André Kostelanetz & His Orchestra | T-301.188.596-0 | |
| 3 | Piano Concerto in F: III. Allegro agitato | André Previn, André Kostelanetz & His Orchestra | — | |
| 4 | Rhapsody in Blue | — | ||
| 2-1 | Piano Sonata no. 3 in B‐flat major, IPH 115: I. Ruhig bewegt | André Previn | — | |
| 2-2 | Piano Sonata no. 3 in B‐flat major, IPH 115: II. Sehr lebhaft | André Previn | — | |
| 2-3 | Piano Sonata no. 3 in B‐flat major, IPH 115: III. Mäßig schnell | André Previn | — | |
| 2-4 | Piano Sonata no. 3 in B‐flat major, IPH 115: IV. Fugue – Lebhaft | André Previn | — | |
| 2-5 | Four Excursions, op. 20: No. 1. Un poco allegro | André Previn | — | |
| 2-6 | Four Excursions, op. 20: No. 2. In Slow Blues Tempo | André Previn | — | |
| 2-7 | Four Excursions, op. 20: No. 3. Allegretto | André Previn | — | |
| 2-8 | Four Excursions, op. 20: No. 4. Allegro molto | André Previn | — | |
| 2-9 | Prelude no. 7 | André Previn | — | |
| 3-1 | Trois pièces, FP. 48: I. Pastorale. Calme et mystérieux | — | ||
| 3-2 | Trois pièces, FP. 48: II. Hymne. Modéré | — | ||
| 3-3 | Trois pièces, FP. 48: III. Toccata. Très animé | — | ||
| 3-4 | Mélancolie, FP. 105: “Très modéré” - Remastered | — | ||
| 3-5 | Suite française d’après Claude Gervaise, FP. 80: I. Bransle de Bourgogne | — | ||
| 3-6 | Suite française d’après Claude Gervaise, FP. 80: II. Pavane | — | ||
| 3-7 | Suite française d’après Claude Gervaise, FP. 80: III. Petite marche militaire | — | ||
| 3-8 | Suite française d’après Claude Gervaise, FP. 80: IV. Complainte | — | ||
| 3-9 | Suite française d’après Claude Gervaise, FP. 80: V. Bransle de Champagne | — | ||
| 3-10 | Suite française d’après Claude Gervaise, FP. 80: VI. Sicilienne | — | ||
| 3-11 | Suite française d’après Claude Gervaise, FP. 80: VII. Carillon | — | ||
| 3-12 | Presto in B‐Flat Major, FP. 70 - Remastered | — | ||
| 3-13 | 3 Pièces pour piano, Op. 49: I. Allegro con brio | — | ||
| 3-14 | 3 Pièces pour piano, Op. 49: II. Allegro grazioso | — | ||
| 3-15 | 3 Pièces pour piano, Op. 49: III. Allegro con spirito | — | ||
| 3-16 | Sonatine, Op. 16: Movement I | — | ||
| 3-17 | Sonatine, Op. 16: Movement II | — | ||
| 4-1 | Piano Concerto No. 1, Op. 35: I. Allegro moderato | — | ||
| 4-2 | Piano Concerto No. 1, Op. 35: II. Lento | — | ||
| 4-3 | Piano Concerto No. 1, Op. 35: III. Moderato | — | ||
| 4-4 | Piano Concerto No. 1, Op. 35: IV. Allegro con brio | — | ||
| 4-5 | Concerto for 2 Pianos, FP. 61: I. Allegro ma non troppo | — | ||
| 4-6 | Concerto for 2 Pianos, FP. 61: II. Larghetto | — | ||
| 4-7 | Concerto for 2 Pianos, FP. 61: III. Allegro molto | — | ||
| 5-1 | Piano Trio no. 1 in D Minor, op. 49: I. Molto allegro ed agitato | — | ||
| 5-2 | Piano Trio no. 1 in D Minor, op. 49: II. Andante con moto tranquillo | — | ||
| 5-3 | Piano Trio no. 1 in D Minor, op. 49: III. Scherzo: Leggiero e vivace | — | ||
| 5-4 | Piano Trio no. 1 in D Minor, op. 49: IV. Finale: Allegro assai appasionato | — | ||
| 5-5 | Piano Trio no. 1 in D Minor, op. 120: I. Allegro ma non troppo | — | ||
| 5-6 | Piano Trio no. 1 in D Minor, op. 120: II. Andantino | — | ||
| 5-7 | Piano Trio no. 1 in D Minor, op. 120: III. Allegro vivo | — | ||
| 6-1 | The Red Pony: I. Morning on the Ranch | Saint Louis Symphony Orchestra, André Previn | — | |
| 6-2 | The Red Pony: II. The Gift | Saint Louis Symphony Orchestra, André Previn | — | |
| 6-3 | The Red Pony: III. Dream March and Circus Music | Saint Louis Symphony Orchestra, André Previn | — | |
| 6-4 | The Red Pony: IV. Walk to the Bunkhouse | Saint Louis Symphony Orchestra, André Previn | — | |
| 6-5 | The Red Pony: V. Grandfather’s Story | Saint Louis Symphony Orchestra, André Previn | — | |
| 6-6 | The Red Pony: VI. Happy Ending | Saint Louis Symphony Orchestra, André Previn | — | |
| 6-7 | Sinfonia Da Requiem, op. 20: I. Lacrymosa | Saint Louis Symphony Orchestra, André Previn | — | |
| 6-8 | Sinfonia Da Requiem, op. 20: II. Dies Irae | Saint Louis Symphony Orchestra, André Previn | — | |
| 6-9 | Sinfonia Da Requiem, op. 20: III. Requiem Aeternum | Saint Louis Symphony Orchestra, André Previn | — | |
| 7-1 | Variations on “Ah! Vous Dirai‐Je, Maman”, K. 265 | — | ||
| 7-2 | Six Children’s Pieces, Op. 72: I. Allegro non troppo | — | ||
| 7-3 | Six Children’s Pieces, Op. 72: II. Andante sostenuto | — | ||
| 7-4 | Six Children’s Pieces, Op. 72: III. Allegretto | — | ||
| 7-5 | Six Children’s Pieces, Op. 72: IV. Andante con moto | — | ||
| 7-6 | Six Children’s Pieces, Op. 72: V. Allegro assai | — | ||
| 7-7 | Six Children’s Pieces, Op. 72: VI. Vivace | — | ||
| 7-8 | Two Piano Pieces: I. Ein Kinderscherz | — | ||
| 7-9 | Two Piano Pieces: II. Intermezzo | — | ||
| 7-10 | Piano Pieces for Advanced Children or Retarded Adults: Five Songs Without Mendelssohn | — | ||
| 7-11 | Piano Pieces for Advanced Children or Retarded Adults: Six Technical Studies (Which Will Teach You Nothing) | — | ||
| 7-12 | Piano Pieces for Advanced Children or Retarded Adults: Eight Studies in Musicology (Which Will Teach You a Great Deal) | — | ||
| 8-1 | Piano Concerto No. 1, Op. 1 : I. Vivace - Moderato | — | ||
| 8-2 | Piano Concerto No. 1, Op. 1 : II. Andante | — | ||
| 8-3 | Piano Concerto No. 1, Op. 1 : III. Allegro vivace | — | ||
| 8-4 | Piano Concerto No. 4, Op. 40 : l. Allegro vivace | — | ||
| 8-5 | Piano Concerto No. 4, Op. 40 : II. Largo | — | ||
| 8-6 | Piano Concerto No. 4, Op. 40 : III. Allegro vivace | — | ||
| 9-1 | Piano Concerto in D flat major, Op.38 - I. Allegro ma non troppo e maestoso | — | ||
| 9-2 | Piano Concerto in D flat major, Op.38 - II. Andante con anima | — | ||
| 9-3 | Piano Concerto in D flat major, Op.38 - III. Allegro brillante | — | ||
| 9-4 | Scherzo fantastique, B 78 | — | ||
| 10-1 | Symphony no. 5: I. Moderato | — | ||
| 10-2 | Symphony no. 5: II. Allegretto | — | ||
| 10-3 | Symphony no. 5: III. Largo | — | ||
| 10-4 | Symphony no. 5: IV. Allegro non troppo | — | ||
| 11-1 | Symphony no. 2 in C Minor, op. 17 “Little Russian”: I. Andante sostenuto - Allegro comodo | — | ||
| 11-2 | Symphony no. 2 in C Minor, op. 17 “Little Russian”: II. Andante marziale, quasi moderato | — | ||
| 11-3 | Symphony no. 2 in C Minor, op. 17 “Little Russian”: III. Scherzo. Allegro molto vivace | — | ||
| 11-4 | Symphony no. 2 in C Minor, op. 17 “Little Russian”: IV. Finale. Moderato assai - Allegro vivo | — | ||
| 11-5 | Russian Folk Songs for Orchestra, op. 58: Religious Chant | — | ||
| 11-6 | Russian Folk Songs for Orchestra, op. 58: Christmas Carol | — | ||
| 11-7 | Russian Folk Songs for Orchestra, op. 58: Plaintive Melody | — | ||
| 11-8 | Russian Folk Songs for Orchestra, op. 58: I Danced with a Mosquito | — | ||
| 11-9 | Russian Folk Songs for Orchestra, op. 58: Legend of the Biirds | — | ||
| 11-10 | Russian Folk Songs for Orchestra, op. 58: Cradle Song | — | ||
| 11-11 | Russian Folk Songs for Orchestra, op. 58: A Round Dance | — | ||
| 11-12 | Russian Folk Songs for Orchestra, op. 58: Village Dance Song | — | ||
| 12-1 | Symphony no. 2: I. Largo | London Symphony Orchestra, André Previn | T-005.005.728-7 | |
| 12-2 | Symphony no. 2: II. Allegro molto | London Symphony Orchestra, André Previn | — | |
| 12-3 | Symphony no. 2: III. Adagio | London Symphony Orchestra, André Previn | — | |
| 12-4 | Symphony no. 2: IV. Allegro vivace | London Symphony Orchestra, André Previn | — | |
| 13-1 | Sonata in A for Violin and Piano: I: Allegretto ben moderato | — | ||
| 13-2 | Sonata in A for Violin and Piano: II: Allegro | — | ||
| 13-3 | Sonata in A for Violin and Piano: III: Recitativo -- Fantasia | — | ||
| 13-4 | Sonata in A for Violin and Piano: IV: Allegretto poco mosso | — | ||
| 13-5 | Sonata for Violin and Piano: I: Allegro Vivo | — | ||
| 13-6 | Sonata for Violin and Piano: I: II: Intermède. Fantasque et léger | — | ||
| 13-7 | Sonata for Violin and Piano: I: III: Finale: Très animé | — | ||
| 14-1 | Symphony no. 1 in B-flat minor: I. Allegro assai | London Symphony Orchestra, André Previn | — | |
| 14-2 | Symphony no. 1 in B-flat minor: II. Presto, con malizia | London Symphony Orchestra, André Previn | — | |
| 14-3 | Symphony no. 1 in B-flat minor: III. Andante con malincolia | London Symphony Orchestra, André Previn | — | |
| 14-4 | Symphony no. 1 in B-flat minor: IV. Maestoso; Brioso ed ardentemente | London Symphony Orchestra, André Previn | — | |
| 15-1 | Symphony no. 1 in G minor, op. 7: I. Allegro orgoglioso | — | ||
| 15-2 | Symphony no. 1 in G minor, op. 7: II. Andante | — | ||
| 15-3 | Symphony no. 1 in G minor, op. 7: III. Allegro comodo | — | ||
| 15-4 | Symphony no. 1 in G minor, op. 7: IV. Finale: Allegro con fuoco | — | ||
| 15-5 | Saul and David: Prelude to Act II | — | ||
| 16-1 | L’Horloge de flore | — | ||
| 16-2 | Gymnopédie No. 1 for Orchestra | — | ||
| 16-3 | Gymnopédie No. 2 | — | ||
| 16-4 | Symphonie concertante: I. Allegro con moto | — | ||
| 16-5 | Symphonie concertante: II. Adagio, ma non troppo | — | ||
| 16-6 | Symphonie concertante: III. Allegro brillante | — | ||
| 17-1 | Right As The Rain (from "Bloomer Girl") | Leontyne Price, André Previn | — | |
| 17-2 | Sunrise, Sunset (from "Fiddler on the Roof") | Leontyne Price, André Previn | T-914.161.562-5 | |
| 17-3 | It's Good To Have You Near Again | Leontyne Price | — | |
| 17-4 | It Never Entered My Mind (from "Higher and Higher") | Leontyne Price, André Previn | T-070.907.143-1 | |
| 17-5 | Nobody's Heart (from "By Jupiter") | Leontyne Price, André Previn | — | |
| 17-6 | My Melancholy Baby | Leontyne Price, Ray Brown, Shelly Manne, André Previn | — | |
| 17-7 | A Sleepin' Bee (from "House of Flowers") | Leontyne Price, André Previn | — | |
| 17-8 | Falling In Love Again (from "Der blaue Engel") | Leontyne Price, André Previn | T-070.026.688-1 | |
| 17-9 | They Didn't Believe Me (from "The Girl from Utah") | Leontyne Price, Ray Brown, Shelly Manne, André Previn | — | |
| 17-10 | Hello, Young Lovers (from "The King and I") | Leontyne Price, André Previn | — | |
| 17-11 | Love Walked In (from "The Goldwyn Follies") | Leontyne Price, Ray Brown, Shelly Manne, André Previn | T-011.143.770-7 | |
| 17-12 | Where, I Wonder | Leontyne Price, André Previn | — | |
| 18-1 | Symphony no. 3 in A minor, op. 44: I. Lento - Allegro moderato | London Symphony Orchestra, André Previn | — | |
| 18-2 | Symphony no. 3 in A minor, op. 44: II. Adagio ma non troppo - Allegro vivace | London Symphony Orchestra, André Previn | — | |
| 18-3 | Symphony no. 3 in A minor, op. 44: III. Allegro - Allegro vivace - Allegro - Allegretto - Allegro vivace | London Symphony Orchestra, André Previn | — | |
| 18-4 | Fantasy for Orchestra, op. 7 “The Rock” | London Symphony Orchestra, André Previn | — | |
| 19-1 | The Impresario, K.486: Overture | English Chamber Orchestra, André Previn | — | |
| 19-2 | The Impresario, K.486: Prologue | Sherrill Milnes, Leo McKern, Richard Lewis, Reri Grist, English Chamber Orchestra, André Previn | T-919.161.125-3 | |
| 19-3 | The Impresario, K.486: no. 1 Arietta - A Girl Was I | Sherrill Milnes, Leo McKern, Reri Grist, English Chamber Orchestra, André Previn | — | |
| 19-4 | The Impresario, K.486: no. 2 Rondo - I Want Mine | Sherrill Milnes, Leo McKern, Richard Lewis, Reri Grist, Judith Raskin, English Chamber Orchestra, André Previn | — | |
| 19-5 | The Impresario, K.486: no. 3 Trio - The Argument | Sherrill Milnes, Leo McKern, Richard Lewis, Reri Grist, Judith Raskin, English Chamber Orchestra, André Previn | — | |
| 19-6 | The Impresario, K.486: no. 4 - The Play’s the Thing | Sherrill Milnes, Richard Lewis, Reri Grist, Judith Raskin, English Chamber Orchestra, André Previn | — | |
| 20-1 | Scheherazade, Op. 35: The Sea and Sinbad's Ship | John Georgiadis, London Symphony Orchestra, André Previn | — | |
| 20-2 | Scheherazade, Op. 35: The Story of the Kalender Prince | John Georgiadis, London Symphony Orchestra, André Previn | — | |
| 20-3 | Scheherazade, Op. 35: The Young Prince and the Young Princess | John Georgiadis, London Symphony Orchestra, André Previn | — | |
| 20-4 | Scheherazade, Op. 35: Festival in Bagdad; The Sea; The Ship Goes to Pieces on a Rock; Surmounted by a Bronze Warrior (Shipwreck); Conclusion | John Georgiadis, London Symphony Orchestra, André Previn | — | |
| 20-5 | Tsar Saltan, Op. 57: March | London Symphony Orchestra, André Previn | — | |
| 20-6 | Le Vol du bourdon | London Symphony Orchestra, André Previn | T-071.520.252-0 | |
| 21-1 | Symphonie espagnole in D minor, op. 21: I. Allegro non troppo | Itzhak Perlman, London Symphony Orchestra, André Previn | — | |
| 21-2 | Symphonie espagnole in D minor, op. 21: II. Scherzando. Allegro molto | Itzhak Perlman, London Symphony Orchestra, André Previn | — | |
| 21-3 | Symphonie espagnole in D minor, op. 21: III. Intermezzo. Allegro non troppo | Itzhak Perlman, London Symphony Orchestra, André Previn | — | |
| 21-4 | Symphonie espagnole in D minor, op. 21: IV. Andante | Itzhak Perlman, London Symphony Orchestra, André Previn | T-003.055.867-8 | |
| 21-5 | Symphonie espagnole in D minor, op. 21: V. Rondo. Allegro | Itzhak Perlman, London Symphony Orchestra, André Previn | — | |
| 21-6 | Tzigane | Itzhak Perlman, London Symphony Orchestra, André Previn | T-003.017.816-5 | |
| 22-1 | Symphony No. 7, "Sinfonia antartica": Spoken introduction | — | ||
| 22-2 | Symphony No. 7, "Sinfonia antartica": Prelude: Andante maestoso | — | ||
| 22-3 | Symphony No. 7, "Sinfonia antartica": Spoken introduction | — | ||
| 22-4 | Symphony No. 7, "Sinfonia antartica": Scherzo: Moderato; Poco animato | — | ||
| 22-5 | Symphony No. 7, "Sinfonia antartica": Spoken introduction | — | ||
| 22-6 | Symphony No. 7, "Sinfonia antartica": Landscape: Lento | — | ||
| 22-7 | Symphony No. 7, "Sinfonia antartica": Spoken introduction | — | ||
| 22-8 | Symphony No. 7, "Sinfonia antartica": Intermezzo: Andante Sostenuto | — | ||
| 22-9 | Symphony No. 7, "Sinfonia antartica": Spoken introduction | — | ||
| 22-10 | Symphony No. 7, "Sinfonia antartica": Epilogue: Alla marcia moderato (ma non troppo) | — | ||
| 23-1 | Symphony no. 6 in E Minor: I. Allegro | — | ||
| 23-2 | Symphony no. 6 in E Minor: II. Moderato | — | ||
| 23-3 | Symphony no. 6 in E Minor: III. Scherzo - Allegro vivace | — | ||
| 23-4 | Symphony no. 6 in E Minor: IV. Epiologue - Moderato | — | ||
| 23-5 | Symphony no. 8 in D Minor: I. Fantasia - Variazioni senza Tema | — | ||
| 23-6 | Symphony no. 8 in D Minor: II. Scherzo all marcia - per stromenti a fiato | — | ||
| 23-7 | Symphony no. 8 in D Minor: III. Cavatina - per stromenti ad arco | — | ||
| 23-8 | Symphony no. 8 in D Minor: IV. Toccata | — | ||
| 24-1 | Der Rosenkavalier Suite, op. 59 | — | ||
| 24-2 | Don Juan, op. 20 | — | ||
| 24-3 | München, TrV. 274 “Gedächtniswalzer” | — | ||
| 25-1 | Symphony No. 1 "A Sea Symphony": I. A Song for All Seas, All Ships | Heather Harper, London Symphony Chorus, John Shirley-Quirk, London Symphony Orchestra, André Previn | — | |
| 25-2 | Symphony No. 1 "A Sea Symphony": II. On the Beach at Night, Alone | Heather Harper, London Symphony Chorus, John Shirley-Quirk, London Symphony Orchestra, André Previn | — | |
| 25-3 | Symphony No. 1 "A Sea Symphony": III. Scherzo: The Waves | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 25-4 | Symphony No. 1 "A Sea Symphony": IV. The Explorers | Heather Harper, London Symphony Chorus, John Shirley-Quirk, London Symphony Orchestra, André Previn | — | |
| 26-1 | Concerto Accademico, IRV. 12: I. Allegro pesante | — | ||
| 26-2 | Concerto Accademico, IRV. 12: II. Adagio | — | ||
| 26-3 | Concerto Accademico, IRV. 12: III. Presto | — | ||
| 26-4 | Symphony No. 4 in F Minor, IRV. 85: I. Allegro | — | ||
| 26-5 | Symphony No. 4 in F Minor, IRV. 85: II. Andante moderato | — | ||
| 26-6 | Symphony No. 4 in F Minor, IRV. 85: III. Scherzo | — | ||
| 26-7 | Symphony No. 4 in F Minor, IRV. 85: IV. Finale con Epilogo fugato - Allegro molto | — | ||
| 27-1 | Concerto for Guitar and Orchestra: Allegro Preciso | — | ||
| 27-2 | Concerto for Guitar and Orchestra: Andantino e andante - Cadenza | — | ||
| 27-3 | Concerto for Guitar and Orchestra: Allegretto non troppo | — | ||
| 27-4 | Twelve Etudes: No. 8. Moderato | — | ||
| 27-5 | Five Preludes: No. 1 in E minor. Andantino espressivo | — | ||
| 27-6 | Five Preludes: No. 5 in D. Andantino | — | ||
| 27-7 | Five Preludes: No. 3 in A minor. Andante - Molto adagio - Andante | — | ||
| 27-8 | Five Preludes: No. 4 in E minor. Lento - Animato - Moderato - Lento | — | ||
| 27-9 | Five Preludes: No. 2 in E. Poco animato | — | ||
| 27-10 | Schottisch-Chôro | — | ||
| 28-1 | Piano Concerto no. 1 in G Minor, op. 25: I. Molto allegro con fuoco | — | ||
| 28-2 | Piano Concerto no. 1 in G Minor, op. 25: II. Andante | — | ||
| 28-3 | Piano Concerto no. 1 in G Minor, op. 25: III. Presto. Molto allegro e vivace | — | ||
| 28-4 | Fantasia in F‐Sharp Minor, op. 28 “Sonate écossaise”: I. Con moto agitato - Andante | — | ||
| 28-5 | Fantasia in F‐Sharp Minor, op. 28 “Sonate écossaise”: II. Allegro con moto | — | ||
| 28-6 | Fantasia in F‐Sharp Minor, op. 28 “Sonate écossaise”: III. Presto | — | ||
| 28-7 | Variations sérieuses in D Minor, op. 54: Andante sostenuto | — | ||
| 28-8 | Variations sérieuses in D Minor, op. 54: Variation I | — | ||
| 28-9 | Variations sérieuses in D Minor, op. 54: Variation II - Un poco più animato | — | ||
| 28-10 | Variations sérieuses in D Minor, op. 54: Variation III - Più animato | — | ||
| 28-11 | Variations sérieuses in D Minor, op. 54: Variation IV - Sempre staccato e leggiero | — | ||
| 28-12 | Variations sérieuses in D Minor, op. 54: Variation V - Agitato | — | ||
| 28-13 | Variations sérieuses in D Minor, op. 54: Variation VI - A tempo | — | ||
| 28-14 | Variations sérieuses in D Minor, op. 54: Variation VII - Con fuoco | — | ||
| 28-15 | Variations sérieuses in D Minor, op. 54: Variation VIII - Allegro vivace | — | ||
| 28-16 | Variations sérieuses in D Minor, op. 54: Variation IX | — | ||
| 28-17 | Variations sérieuses in D Minor, op. 54: Variation X - Moderato | — | ||
| 28-18 | Variations sérieuses in D Minor, op. 54: Variation XI - Cantabile | — | ||
| 28-19 | Variations sérieuses in D Minor, op. 54: Variation XII - Tempo di tema | — | ||
| 28-20 | Variations sérieuses in D Minor, op. 54: Variation XIII - Sempre assai leggiero | — | ||
| 28-21 | Variations sérieuses in D Minor, op. 54: Variation XIV - Adagio | — | ||
| 28-22 | Variations sérieuses in D Minor, op. 54: Variation XV - Poco a poco più agitato | — | ||
| 28-23 | Variations sérieuses in D Minor, op. 54: Variation XVI - Allegro vivace | — | ||
| 28-24 | Variations sérieuses in D Minor, op. 54: Variation XVII | — | ||
| 28-25 | Variations sérieuses in D Minor, op. 54: Presto | — | ||
| 29-1 | The Wasps: I. Overture | — | ||
| 29-2 | Symphony No. 5 in D Major, IRV. 86: I. Preludio | — | ||
| 29-3 | Symphony No. 5 in D Major, IRV. 86: II. Scherzo - Presto misterioso | — | ||
| 29-4 | Symphony No. 5 in D Major, IRV. 86: III. Romanza - Lento | — | ||
| 29-5 | Symphony No. 5 in D Major, IRV. 86: IV. Passacaglia - Moderato | — | ||
| 30-1 | Three Portraits from “The England of Elizabeth”: 1. Explorer | — | ||
| 30-2 | Three Portraits from “The England of Elizabeth”: 2. Poet | — | ||
| 30-3 | Three Portraits from “The England of Elizabeth”: 3. Queen | — | ||
| 30-4 | Symphony no. 9 in E Minor, IRV. 89: I. Moderato maestoso | — | ||
| 30-5 | Symphony no. 9 in E Minor, IRV. 89: II. Andante sostenuto | — | ||
| 30-6 | Symphony no. 9 in E Minor, IRV. 89: III. Scherzo - Allegro pesante | — | ||
| 30-7 | Symphony no. 9 in E Minor, IRV. 89: IV. Andante tranquillo | — | ||
| 31-1 | Pastoral Symphony (Symphony no. 3), IRV. 57: I. Molto moderato | — | ||
| 31-2 | Pastoral Symphony (Symphony no. 3), IRV. 57: II. Lento moderato | — | ||
| 31-3 | Pastoral Symphony (Symphony no. 3), IRV. 57: III. Moderato pesante | — | ||
| 31-4 | Pastoral Symphony (Symphony no. 3), IRV. 57: IV. Lento | — | ||
| 31-5 | Concerto for Bass Tuba and Orchestra in F Minor, IRV. 92: I. Allegro moderato | — | ||
| 31-6 | Concerto for Bass Tuba and Orchestra in F Minor, IRV. 92: II. Romanza - Andante sostenuto | — | ||
| 31-7 | Concerto for Bass Tuba and Orchestra in F Minor, IRV. 92: III. Finale - Ronda a la tedesca | — | ||
| 32-1 | Symphony no. 2 "A London Symphony": I. Lento - Allegro risoluto | London Symphony Orchestra, André Previn | — | |
| 32-2 | Symphony no. 2 "A London Symphony": II. Lento | London Symphony Orchestra, André Previn | — | |
| 32-3 | Symphony no. 2 "A London Symphony": III. Scherzo (Nocturne) | London Symphony Orchestra, André Previn | — | |
| 32-4 | Symphony no. 2 "A London Symphony": IV. Andante con moto - Maestoso alla marcia - Allegro - Lento - Epilogue | London Symphony Orchestra, André Previn | — | |
| 33-1 | Concerto for Guitar and Orchestra - 1. Allegretto | John Williams, London Symphony Orchestra, André Previn | — | |
| 33-2 | Concerto for Guitar and Orchestra - 2. Adagio | John Williams, London Symphony Orchestra, André Previn | — | |
| 33-3 | Concerto for Guitar and Orchestra - 3. Slowly and Reflectively (Andante) | John Williams, London Symphony Orchestra, André Previn | — | |
| 33-4 | Concierto del sur: I. Allegretto | John Williams, London Symphony Orchestra, André Previn | — | |
| 33-5 | Concierto del sur: II. Andante | John Williams, London Symphony Orchestra, André Previn | — | |
| 33-6 | Concierto del sur: III. Allegro moderato e festivo | John Williams, London Symphony Orchestra, André Previn | — | |
| 34-1 | Symphony No. 4 in A Major, Op. 90 “Italian”: I. Allegro vivace | — | ||
| 34-2 | Symphony No. 4 in A Major, Op. 90 “Italian”: II. Andante con moto | — | ||
| 34-3 | Symphony No. 4 in A Major, Op. 90 “Italian”: III. Con moto moderato | — | ||
| 34-4 | Symphony No. 4 in A Major, Op. 90 “Italian”: IV. Saltarello. Presto | — | ||
| 34-5 | Ruy Blas, Op. 95 (Overture) | — | ||
| 34-6 | “Classical” Symphony No. 1 in D Major, Op. 25: I. Allegro | — | ||
| 34-7 | “Classical” Symphony No. 1 in D Major, Op. 25: II. Larghetto | — | ||
| 34-8 | “Classical” Symphony No. 1 in D Major, Op. 25: III. Gavotte: Non troppo allegro | — | ||
| 34-9 | “Classical” Symphony No. 1 in D Major, Op. 25: IV. Finale: Molto vivace | — | ||
| 35-1 | Every Good Boy Deserves Favour: Prologue | — | ||
| 35-2 | Every Good Boy Deserves Favour: I. Very Slowly, Subito Allegro | — | ||
| 35-3 | Every Good Boy Deserves Favour: II. Thank You | — | ||
| 35-4 | Every Good Boy Deserves Favour: III. Papa | — | ||
| 35-5 | Every Good Boy Deserves Favour: IV. Tempo to Suit Action | — | ||
| 35-6 | Every Good Boy Deserves Favour: V. I Have no Orchestra | — | ||
| 35-7 | Every Good Boy Deserves Favour: VI. How Did it All Begin | — | ||
| 35-8 | Every Good Boy Deserves Favour: VII. Everything Will be All Right | — | ||
| 35-9 | Every Good Boy Deserves Favour: VIII. He Derserves a Father | — | ||
| 35-10 | Every Good Boy Deserves Favour: IX. | — | ||
| 35-11 | Every Good Boy Deserves Favour: X. Bloody Orchestra | — | ||
| 35-12 | Every Good Boy Deserves Favour: XI‐XII. Yes Sir | — | ||
| 35-13 | Every Good Boy Deserves Favour: XIII. There Was Nothing Else to Do | — | ||
| 35-14 | Every Good Boy Deserves Favour: XIV. You Must not be Rigid | — | ||
| 35-15 | Every Good Boy Deserves Favour: XV. Yes, Colonel Doctor | — | ||
| 36-1 | Concerto for Violin and Orchestra: I. Introduction | — | ||
| 36-2 | Concerto for Violin and Orchestra: II. Intermezzo (A) | — | ||
| 36-3 | Concerto for Violin and Orchestra: III. Fantasia | — | ||
| 36-4 | Concerto for Violin and Orchestra: IV. Intermezzo (B) | — | ||
| 36-5 | Concerto for Violin and Orchestra: V. Epilogue | — | ||
| 37-1 | Piano Concerto No. 2 in F Minor, Op. 21: I. Maestoso | — | ||
| 37-2 | Piano Concerto No. 2 in F Minor, Op. 21: II. Larghetto | — | ||
| 37-3 | Piano Concerto No. 2 in F Minor, Op. 21: III. Allegro vivace | — | ||
| 37-4 | Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | — | ||
| 37-5 | Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | — | ||
| 37-6 | Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | — | ||
| 38-1 | Concerto for Violoncello and Orchestra, Op. 85: I. Adagio - Moderato / II. Lento - Allegro Molto | — | ||
| 38-2 | Concerto for Cello and Orchestra in E minor, op. 85: III. Adagio | Yo-Yo Ma, London Symphony Orchestra, André Previn | T-010.115.155-6 | |
| 38-3 | Concerto for Cello and Orchestra in E minor, op. 85: IV. Allegro - Moderato - Allegro, ma non troppo | Yo-Yo Ma, London Symphony Orchestra, André Previn | T-010.115.154-5 | |
| 38-4 | Concerto for Cello and Orchestra: I. Moderato | Yo-Yo Ma, London Symphony Orchestra, André Previn | — | |
| 38-5 | Concerto for Cello and Orchestra: II. Allegro appassionato | Yo-Yo Ma, London Symphony Orchestra, André Previn | — | |
| 38-6 | Concerto for Cello and Orchestra: III. Lento - con moto - Risoluto tempo giusto. Brioso - Allegro molto - Rapsodicamente - a tempo di Nº6, Iº Mov. ma un po´più lento - Adagio | Yo-Yo Ma, London Symphony Orchestra, André Previn | — | |
| 39-1 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 39-2 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo | — | ||
| 39-3 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | — | ||
| 39-4 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio | — | ||
| 39-5 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: II. Adagio | — | ||
| 39-6 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro | — | ||
| 40-1 | Concerto No. 5 in E-flat major, Op. 73: I. Allegro | — | ||
| 40-2 | Concerto No. 5 in E-flat major, Op. 73: II. Adagio un poco mosso | — | ||
| 40-3 | Concerto No. 5 in E-flat major, Op. 73: III. Rondo: Allegro | — | ||
| 41-1 | Concerto No. 3, Op. 37 in c-moll: I. Allegro con brio | — | ||
| 41-2 | Concerto No. 3, Op. 37 in c-moll: II. Largo | — | ||
| 41-3 | Concerto No. 3, Op. 37 in c-moll: III. Rondo: Allegro | — | ||
| 41-4 | Concerto No .4, Op. 58 in G-dur: I. Allegro moderato | — | ||
| 41-5 | Concerto No. 4, Op. 58 in G-dur: II. Andante con moto | — | ||
| 41-6 | Concerto No. 4, Op. 58 in G-dur: III. Rondo: Vivace | — | ||
| 42-1 | Symphony no. 6 in F Major, op. 68 “Pastoral”: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande | — | ||
| 42-2 | Symphony no. 6 in F Major, op. 68 “Pastoral”: II. Scene am Bach | — | ||
| 42-3 | Symphony no. 6 in F Major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute | — | ||
| 42-4 | Symphony no. 6 in F Major, op. 68 “Pastoral”: IV. Gewitter. Sturm | — | ||
| 42-5 | Symphony no. 6 in F Major, op. 68 “Pastoral”: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm | — | ||
| 42-6 | Egmont Overture, op. 84 | — | ||
| 43-1 | Symphony no. 7, op. 92 in A: I. Poco sostenuto: Vivace | — | ||
| 43-2 | Symphony no. 7, op. 92 in A: II. Allegretto | — | ||
| 43-3 | Symphony no. 7, op. 92 in A: III. Presto | — | ||
| 43-4 | Symphony no. 7, op. 92 in A: IV. Allegro con brio | — | ||
| 43-5 | Coriolan Overture, op.62 | — | ||
| 43-6 | Prometheus Overture, op.43 | André Previn, Royal Philharmonic Orchestra | — | |
| 44-1 | Violin Concerto in D major, op. 61: I - Allegro Ma Non Troppo | — | ||
| 44-2 | Violin Concerto in D major, op. 61: II - Larghetto | — | ||
| 44-3 | Violin Concerto in D major, op. 61: III - Rondo: Allegro | — | ||
| 44-4 | Romance, op. 40, in G major | — | ||
| 44-5 | Romance, op. 50, in F major | — | ||
| 45-1 | Symphony No. 5 in C minor, Op. 67: I. Allegro con brio | — | ||
| 45-2 | Symphony No. 5 in C minor, Op. 67: II. Andante con moto | — | ||
| 45-3 | Symphony No. 5 in C minor, Op. 67: III. Allegro | — | ||
| 45-4 | Symphony No. 5 in C minor, Op. 67: IV. Allegro | — | ||
| 45-5 | Overture "Fidelio", Op. 72b | — | ||
| 45-6 | Overture "Leonore" No. 3, Op. 72a | — | ||
| 46-1 | Symphony no. 4 in B‐Flat Major, op. 60: I. Adagio - Allegro vivace | — | ||
| 46-2 | Symphony no. 4 in B‐Flat Major, op. 60: II. Adagio | — | ||
| 46-3 | Symphony no. 4 in B‐Flat Major, op. 60: III. Allegro vivace | — | ||
| 46-4 | Symphony no. 4 in B‐Flat Major, op. 60: IV. Allegro ma non troppo | — | ||
| 46-5 | Symphony no. 8 in F Major, op. 93: I. Allegro vivace e con brio | — | ||
| 46-6 | Symphony no. 8 in F Major, op. 93: II. Allegretto scherzando | — | ||
| 46-7 | Symphony no. 8 in F Major, op. 93: III. Tempo di Menuetto | — | ||
| 46-8 | Symphony no. 8 in F Major, op. 93: IV. Allegro vivace | — | ||
| 47-1 | Mary's Little Boy Child | — | ||
| 47-2 | The Twelve Days of Christmas | — | ||
| 47-3 | Gesu Bambino | — | ||
| 47-4 | Exsultate Jubilate, K 165 (158a): Alleluia | Kathleen Battle, Orchestra of St. Luke’s, André Previn | T-910.009.165-4 | |
| 47-5 | Es ist ein Ros entsprungen | — | ||
| 47-6 | Lieutenant Kijé Suite, op. 60: No. 4. Troika | — | ||
| 47-7 | American Songs | — | ||
| 47-8 | Joy to the World! | — | ||
| 47-9 | Silent Night | — | ||
| 47-10 | The Sound of Music: My Favorite Things | — | ||
| 47-11 | Winter Wonderland | — | ||
| 47-12 | The Christmas Song / Have Yourself a Merry Little Christmas | — | ||
| 47-13 | Hänsel und Gretel: Abendsegen "Evening Prayer" | — | ||
| 47-14 | Maria Wiegenlied, op. 76 no. 52 | — | ||
| 47-15 | We Three Kings of Orient Are | — | ||
| 47-16 | Christmas Songs | — | ||
| 48-1 | Piano Quartet in E flat major, Op. 47: Sostenuto assai; Allegro ma non troppo | — | ||
| 48-2 | Piano Quartet in E flat major, Op. 47: Scherzo: Molto vivace | — | ||
| 48-3 | Piano Quartet in E flat major, Op. 47: Andante cantabile | — | ||
| 48-4 | Piano Quartet in E flat major, Op. 47: Finale: Vivace | — | ||
| 48-5 | Piano Quartet in C minor, WoO 32: Allegro molto affettuoso | — | ||
| 48-6 | Piano Quartet in C minor, WoO 32: Minuetto: Presto | — | ||
| 48-7 | Piano Quartet in C minor, Woo 32: Andante | — | ||
| 48-8 | Piano Quartet in C minor, WoO 32: Allegro giusto -- Presto | — | ||
| 49-1 | Symphony no. 9 in D Minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | — | ||
| 49-2 | Symphony no. 9 in D Minor, op. 125 “Choral”: II. Scherzo. Molto vivace - Presto | — | ||
| 49-3 | Symphony no. 9 in D Minor, op. 125 “Choral”: III. Adagio molto e cantabile - Andante moderato | — | ||
| 49-4 | Symphony no. 9 in D Minor, op. 125 “Choral”: IV. Presto - Allegro assai | — | ||
| 49-5 | Symphony no. 9 in D Minor, op. 125 “Choral”: Presto “O Freunde, nicht diese Töne!” | — | ||
| 49-6 | Symphony no. 9 in D Minor, op. 125 “Choral”: Allegro assai vivace “Froh, froh, wie seine Sonnen” | — | ||
| 49-7 | Symphony no. 9 in D Minor, op. 125 “Choral”: Andante maestoso “Seid umschlungen Millionen!” | — | ||
| 49-8 | Symphony no. 9 in D Minor, op. 125 “Choral”: Allegro energico, sempre ben marcato “Freude, schöner Götterfunken” | — | ||
| 49-9 | Symphony no. 9 in D Minor, op. 125 “Choral”: Allegro ma non tanto “Freude, Tochter aus Elysium!” | — | ||
| 50-1 | Piano Quartet in G Minor, K. 478: I. Allegro | André Previn, Young Uck Kim, Heiichiro Ohyama, Gary Hoffman | — | |
| 50-2 | Piano Quartet in G Minor, K. 478: II. Andante | André Previn, Young Uck Kim, Heiichiro Ohyama, Gary Hoffman | — | |
| 50-3 | Piano Quartet in G Minor, K. 478: III. Rondo (Allegro) | André Previn, Young Uck Kim, Heiichiro Ohyama, Gary Hoffman | — | |
| 50-4 | Piano Quartet in E‐Flat Major, K. 493: I. Allegro | André Previn, Young Uck Kim, Heiichiro Ohyama, Gary Hoffman | — | |
| 50-5 | Piano Quartet in E‐Flat Major, K. 493: II. Larghetto | André Previn, Young Uck Kim, Heiichiro Ohyama, Gary Hoffman | T-926.819.124-8 | |
| 50-6 | Piano Quartet in E‐Flat Major, K. 493: III. Allegretto | André Previn, Young Uck Kim, Heiichiro Ohyama, Gary Hoffman | — | |
| 51-1 | Concerto for Two Pianos, K. 365 in E-flat major: I. Allegro | Alicia de Larrocha, André Previn, Orchestra of St. Luke’s | — | |
| 51-2 | Concerto for Two Pianos, K. 365 in E-flat major: II. Andante | Alicia de Larrocha, André Previn, Orchestra of St. Luke’s | — | |
| 51-3 | Concerto for Two Pianos, K. 365 in E-flat major: III. Rondo: Allegro | Alicia de Larrocha, André Previn, Orchestra of St. Luke’s | T-902.773.746-8 | |
| 51-4 | Sonata for Two Pianos, K. 448 in D major: I. Allegro con spirito | Alicia de Larrocha, André Previn | — | |
| 51-5 | Sonata for Two Pianos, K. 448 in D major: II. Andante | Alicia de Larrocha, André Previn | T-312.439.084-3 | |
| 51-6 | Sonata for Two Pianos, K. 448 in D major: III. Allegro molto | Alicia de Larrocha, André Previn | — | |
| 52-1 | Trio: Modéré | — | ||
| 52-2 | Trio: Pantoum: Assez Vif | — | ||
| 52-3 | Trio: Passacaille: Très Large | — | ||
| 52-4 | Trio: Final: Animé | — | ||
| 52-5 | Trio No.1 In G: Andantino Con Moto Allegro | — | ||
| 52-6 | Trio No.1 In G: Scherzo • Intermezzo: Moderato Con Allegro | — | ||
| 52-7 | Trio No.1 In G: Andante Espressivo | — | ||
| 52-8 | Trio No.1 In G: Finale: Appassionato | — | ||
| 53-1 | Sextet, FP. 100: I. Allegro Vivace | — | ||
| 53-2 | Sextet, FP. 100: II. Divertissement. Andantino | — | ||
| 53-3 | Sextet, FP. 100: III. Finale. Prestissimo | — | ||
| 53-4 | La création du monde, op. 81b - Suite de concert en ré: Prélude: Modéré | — | ||
| 53-5 | La création du monde, op. 81b - Suite de concert en ré: Fugue | — | ||
| 53-6 | La création du monde, op. 81b - Suite de concert en ré: Romance: Tendre et doux | — | ||
| 53-7 | La création du monde, op. 81b - Suite de concert en ré: Scherzo | — | ||
| 53-8 | La création du monde, op. 81b - Suite de concert en ré: Final: Modéré | — | ||
| 53-9 | Septet, op. 65: I. Préambule | — | ||
| 53-10 | Septet, op. 65: II. Menuet | — | ||
| 53-11 | Septet, op. 65: III. Intermède | — | ||
| 53-12 | Septet, op. 65: IV. Gavotte et Final | — | ||
| 54-1 | Sonata for cello & piano: I. Vivace - Andante espressivo - Allegro | — | ||
| 54-2 | Sonata for cello & piano: II. Adagio | — | ||
| 54-3 | Sonata for cello & piano: III. Allegretto - Fast | — | ||
| 54-4 | 4 Songs after Poems by Toni Morrison for Soprano, Cello & Piano: I. Mercy (Slowly) | — | ||
| 54-5 | 4 Songs after Poems by Toni Morrison for Soprano, Cello & Piano: II. Stones (Bright and Sassy) | — | ||
| 54-6 | 4 Songs after Poems by Toni Morrison for Soprano, Cello & Piano: III. Shelter (Gently) | — | ||
| 54-7 | 4 Songs after Poems by Toni Morrison for Soprano, Cello & Piano: IV. The Lacemaker (Slowly) | — | ||
| 54-8 | Two Remembrances for Soprano, Alto Flute & Piano: I. A Love Song | — | ||
| 54-9 | Two Remembrances for Soprano, Alto Flute & Piano: II. Lyric | — | ||
| 54-10 | Vocalise for Soprano, Cello & Piano | — | ||
| 55-1 | Concerto for Viola & Orchestra : I. Andante comodo | — | ||
| 55-2 | Concerto for Viola & Orchestra : II. Vivo con molto preciso | — | ||
| 55-3 | Concerto for Viola & Orchestra : III. Allegro moderato | — | ||
| 55-4 | Concerto for Violin & Orchestra, Op. 123 : I. Allegro moderato | — | ||
| 55-5 | Concerto for Violin & Orchestra, Op. 123 : II. Adagio | — | ||
| 55-6 | Concerto for Violin & Orchestra, Op. 123 : III. Allegro non troppo | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concierto del sur: I. Allegretto | John Williams, London Symphony Orchestra, André Previn | — |
| Concierto del sur: II. Andante | John Williams, London Symphony Orchestra, André Previn | — |
| Concierto del sur: III. Allegro moderato e festivo | John Williams, London Symphony Orchestra, André Previn | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
190758316727 is a Universal Product Code (UPC) assigned to The Classic André Previn - The Complete RCA And Columbia Album Collection by André Previn. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 415 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Classic André Previn - The Complete RCA And Columbia Album Collection” by André Previn is 190758316727. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2018-01-01. Label: Sony Classical. This release contains 415 tracks, each with its own ISRC. Tracks include USSM16001527, USSM16001528, USSM16001529.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto in F major, for Piano & Orchestra: I. Allegro | André Previn, André Kostelanetz & His Orchestra | — | |
| 2 | Concerto in F major, for Piano & Orchestra: II. Adagio | André Previn, Uan Rasey, André Kostelanetz & His Orchestra | T-301.188.596-0 | |
| 3 | Piano Concerto in F: III. Allegro agitato | André Previn, André Kostelanetz & His Orchestra | — | |
| 4 | Rhapsody in Blue | — | ||
| 2-1 | Piano Sonata no. 3 in B‐flat major, IPH 115: I. Ruhig bewegt | André Previn | — | |
| 2-2 | Piano Sonata no. 3 in B‐flat major, IPH 115: II. Sehr lebhaft | André Previn | — | |
| 2-3 | Piano Sonata no. 3 in B‐flat major, IPH 115: III. Mäßig schnell | André Previn | — | |
| 2-4 | Piano Sonata no. 3 in B‐flat major, IPH 115: IV. Fugue – Lebhaft | André Previn | — | |
| 2-5 | Four Excursions, op. 20: No. 1. Un poco allegro | André Previn | — | |
| 2-6 | Four Excursions, op. 20: No. 2. In Slow Blues Tempo | André Previn | — | |
| 2-7 | Four Excursions, op. 20: No. 3. Allegretto | André Previn | — | |
| 2-8 | Four Excursions, op. 20: No. 4. Allegro molto | André Previn | — | |
| 2-9 | Prelude no. 7 | André Previn | — | |
| 3-1 | Trois pièces, FP. 48: I. Pastorale. Calme et mystérieux | — | ||
| 3-2 | Trois pièces, FP. 48: II. Hymne. Modéré | — | ||
| 3-3 | Trois pièces, FP. 48: III. Toccata. Très animé | — | ||
| 3-4 | Mélancolie, FP. 105: “Très modéré” - Remastered | — | ||
| 3-5 | Suite française d’après Claude Gervaise, FP. 80: I. Bransle de Bourgogne | — | ||
| 3-6 | Suite française d’après Claude Gervaise, FP. 80: II. Pavane | — | ||
| 3-7 | Suite française d’après Claude Gervaise, FP. 80: III. Petite marche militaire | — | ||
| 3-8 | Suite française d’après Claude Gervaise, FP. 80: IV. Complainte | — | ||
| 3-9 | Suite française d’après Claude Gervaise, FP. 80: V. Bransle de Champagne | — | ||
| 3-10 | Suite française d’après Claude Gervaise, FP. 80: VI. Sicilienne | — | ||
| 3-11 | Suite française d’après Claude Gervaise, FP. 80: VII. Carillon | — | ||
| 3-12 | Presto in B‐Flat Major, FP. 70 - Remastered | — | ||
| 3-13 | 3 Pièces pour piano, Op. 49: I. Allegro con brio | — | ||
| 3-14 | 3 Pièces pour piano, Op. 49: II. Allegro grazioso | — | ||
| 3-15 | 3 Pièces pour piano, Op. 49: III. Allegro con spirito | — | ||
| 3-16 | Sonatine, Op. 16: Movement I | — | ||
| 3-17 | Sonatine, Op. 16: Movement II | — | ||
| 4-1 | Piano Concerto No. 1, Op. 35: I. Allegro moderato | — | ||
| 4-2 | Piano Concerto No. 1, Op. 35: II. Lento | — | ||
| 4-3 | Piano Concerto No. 1, Op. 35: III. Moderato | — | ||
| 4-4 | Piano Concerto No. 1, Op. 35: IV. Allegro con brio | — | ||
| 4-5 | Concerto for 2 Pianos, FP. 61: I. Allegro ma non troppo | — | ||
| 4-6 | Concerto for 2 Pianos, FP. 61: II. Larghetto | — | ||
| 4-7 | Concerto for 2 Pianos, FP. 61: III. Allegro molto | — | ||
| 5-1 | Piano Trio no. 1 in D Minor, op. 49: I. Molto allegro ed agitato | — | ||
| 5-2 | Piano Trio no. 1 in D Minor, op. 49: II. Andante con moto tranquillo | — | ||
| 5-3 | Piano Trio no. 1 in D Minor, op. 49: III. Scherzo: Leggiero e vivace | — | ||
| 5-4 | Piano Trio no. 1 in D Minor, op. 49: IV. Finale: Allegro assai appasionato | — | ||
| 5-5 | Piano Trio no. 1 in D Minor, op. 120: I. Allegro ma non troppo | — | ||
| 5-6 | Piano Trio no. 1 in D Minor, op. 120: II. Andantino | — | ||
| 5-7 | Piano Trio no. 1 in D Minor, op. 120: III. Allegro vivo | — | ||
| 6-1 | The Red Pony: I. Morning on the Ranch | Saint Louis Symphony Orchestra, André Previn | — | |
| 6-2 | The Red Pony: II. The Gift | Saint Louis Symphony Orchestra, André Previn | — | |
| 6-3 | The Red Pony: III. Dream March and Circus Music | Saint Louis Symphony Orchestra, André Previn | — | |
| 6-4 | The Red Pony: IV. Walk to the Bunkhouse | Saint Louis Symphony Orchestra, André Previn | — | |
| 6-5 | The Red Pony: V. Grandfather’s Story | Saint Louis Symphony Orchestra, André Previn | — | |
| 6-6 | The Red Pony: VI. Happy Ending | Saint Louis Symphony Orchestra, André Previn | — | |
| 6-7 | Sinfonia Da Requiem, op. 20: I. Lacrymosa | Saint Louis Symphony Orchestra, André Previn | — | |
| 6-8 | Sinfonia Da Requiem, op. 20: II. Dies Irae | Saint Louis Symphony Orchestra, André Previn | — | |
| 6-9 | Sinfonia Da Requiem, op. 20: III. Requiem Aeternum | Saint Louis Symphony Orchestra, André Previn | — | |
| 7-1 | Variations on “Ah! Vous Dirai‐Je, Maman”, K. 265 | — | ||
| 7-2 | Six Children’s Pieces, Op. 72: I. Allegro non troppo | — | ||
| 7-3 | Six Children’s Pieces, Op. 72: II. Andante sostenuto | — | ||
| 7-4 | Six Children’s Pieces, Op. 72: III. Allegretto | — | ||
| 7-5 | Six Children’s Pieces, Op. 72: IV. Andante con moto | — | ||
| 7-6 | Six Children’s Pieces, Op. 72: V. Allegro assai | — | ||
| 7-7 | Six Children’s Pieces, Op. 72: VI. Vivace | — | ||
| 7-8 | Two Piano Pieces: I. Ein Kinderscherz | — | ||
| 7-9 | Two Piano Pieces: II. Intermezzo | — | ||
| 7-10 | Piano Pieces for Advanced Children or Retarded Adults: Five Songs Without Mendelssohn | — | ||
| 7-11 | Piano Pieces for Advanced Children or Retarded Adults: Six Technical Studies (Which Will Teach You Nothing) | — | ||
| 7-12 | Piano Pieces for Advanced Children or Retarded Adults: Eight Studies in Musicology (Which Will Teach You a Great Deal) | — | ||
| 8-1 | Piano Concerto No. 1, Op. 1 : I. Vivace - Moderato | — | ||
| 8-2 | Piano Concerto No. 1, Op. 1 : II. Andante | — | ||
| 8-3 | Piano Concerto No. 1, Op. 1 : III. Allegro vivace | — | ||
| 8-4 | Piano Concerto No. 4, Op. 40 : l. Allegro vivace | — | ||
| 8-5 | Piano Concerto No. 4, Op. 40 : II. Largo | — | ||
| 8-6 | Piano Concerto No. 4, Op. 40 : III. Allegro vivace | — | ||
| 9-1 | Piano Concerto in D flat major, Op.38 - I. Allegro ma non troppo e maestoso | — | ||
| 9-2 | Piano Concerto in D flat major, Op.38 - II. Andante con anima | — | ||
| 9-3 | Piano Concerto in D flat major, Op.38 - III. Allegro brillante | — | ||
| 9-4 | Scherzo fantastique, B 78 | — | ||
| 10-1 | Symphony no. 5: I. Moderato | — | ||
| 10-2 | Symphony no. 5: II. Allegretto | — | ||
| 10-3 | Symphony no. 5: III. Largo | — | ||
| 10-4 | Symphony no. 5: IV. Allegro non troppo | — | ||
| 11-1 | Symphony no. 2 in C Minor, op. 17 “Little Russian”: I. Andante sostenuto - Allegro comodo | — | ||
| 11-2 | Symphony no. 2 in C Minor, op. 17 “Little Russian”: II. Andante marziale, quasi moderato | — | ||
| 11-3 | Symphony no. 2 in C Minor, op. 17 “Little Russian”: III. Scherzo. Allegro molto vivace | — | ||
| 11-4 | Symphony no. 2 in C Minor, op. 17 “Little Russian”: IV. Finale. Moderato assai - Allegro vivo | — | ||
| 11-5 | Russian Folk Songs for Orchestra, op. 58: Religious Chant | — | ||
| 11-6 | Russian Folk Songs for Orchestra, op. 58: Christmas Carol | — | ||
| 11-7 | Russian Folk Songs for Orchestra, op. 58: Plaintive Melody | — | ||
| 11-8 | Russian Folk Songs for Orchestra, op. 58: I Danced with a Mosquito | — | ||
| 11-9 | Russian Folk Songs for Orchestra, op. 58: Legend of the Biirds | — | ||
| 11-10 | Russian Folk Songs for Orchestra, op. 58: Cradle Song | — | ||
| 11-11 | Russian Folk Songs for Orchestra, op. 58: A Round Dance | — | ||
| 11-12 | Russian Folk Songs for Orchestra, op. 58: Village Dance Song | — | ||
| 12-1 | Symphony no. 2: I. Largo | London Symphony Orchestra, André Previn | T-005.005.728-7 | |
| 12-2 | Symphony no. 2: II. Allegro molto | London Symphony Orchestra, André Previn | — | |
| 12-3 | Symphony no. 2: III. Adagio | London Symphony Orchestra, André Previn | — | |
| 12-4 | Symphony no. 2: IV. Allegro vivace | London Symphony Orchestra, André Previn | — | |
| 13-1 | Sonata in A for Violin and Piano: I: Allegretto ben moderato | — | ||
| 13-2 | Sonata in A for Violin and Piano: II: Allegro | — | ||
| 13-3 | Sonata in A for Violin and Piano: III: Recitativo -- Fantasia | — | ||
| 13-4 | Sonata in A for Violin and Piano: IV: Allegretto poco mosso | — | ||
| 13-5 | Sonata for Violin and Piano: I: Allegro Vivo | — | ||
| 13-6 | Sonata for Violin and Piano: I: II: Intermède. Fantasque et léger | — | ||
| 13-7 | Sonata for Violin and Piano: I: III: Finale: Très animé | — | ||
| 14-1 | Symphony no. 1 in B-flat minor: I. Allegro assai | London Symphony Orchestra, André Previn | — | |
| 14-2 | Symphony no. 1 in B-flat minor: II. Presto, con malizia | London Symphony Orchestra, André Previn | — | |
| 14-3 | Symphony no. 1 in B-flat minor: III. Andante con malincolia | London Symphony Orchestra, André Previn | — | |
| 14-4 | Symphony no. 1 in B-flat minor: IV. Maestoso; Brioso ed ardentemente | London Symphony Orchestra, André Previn | — | |
| 15-1 | Symphony no. 1 in G minor, op. 7: I. Allegro orgoglioso | — | ||
| 15-2 | Symphony no. 1 in G minor, op. 7: II. Andante | — | ||
| 15-3 | Symphony no. 1 in G minor, op. 7: III. Allegro comodo | — | ||
| 15-4 | Symphony no. 1 in G minor, op. 7: IV. Finale: Allegro con fuoco | — | ||
| 15-5 | Saul and David: Prelude to Act II | — | ||
| 16-1 | L’Horloge de flore | — | ||
| 16-2 | Gymnopédie No. 1 for Orchestra | — | ||
| 16-3 | Gymnopédie No. 2 | — | ||
| 16-4 | Symphonie concertante: I. Allegro con moto | — | ||
| 16-5 | Symphonie concertante: II. Adagio, ma non troppo | — | ||
| 16-6 | Symphonie concertante: III. Allegro brillante | — | ||
| 17-1 | Right As The Rain (from "Bloomer Girl") | Leontyne Price, André Previn | — | |
| 17-2 | Sunrise, Sunset (from "Fiddler on the Roof") | Leontyne Price, André Previn | T-914.161.562-5 | |
| 17-3 | It's Good To Have You Near Again | Leontyne Price | — | |
| 17-4 | It Never Entered My Mind (from "Higher and Higher") | Leontyne Price, André Previn | T-070.907.143-1 | |
| 17-5 | Nobody's Heart (from "By Jupiter") | Leontyne Price, André Previn | — | |
| 17-6 | My Melancholy Baby | Leontyne Price, Ray Brown, Shelly Manne, André Previn | — | |
| 17-7 | A Sleepin' Bee (from "House of Flowers") | Leontyne Price, André Previn | — | |
| 17-8 | Falling In Love Again (from "Der blaue Engel") | Leontyne Price, André Previn | T-070.026.688-1 | |
| 17-9 | They Didn't Believe Me (from "The Girl from Utah") | Leontyne Price, Ray Brown, Shelly Manne, André Previn | — | |
| 17-10 | Hello, Young Lovers (from "The King and I") | Leontyne Price, André Previn | — | |
| 17-11 | Love Walked In (from "The Goldwyn Follies") | Leontyne Price, Ray Brown, Shelly Manne, André Previn | T-011.143.770-7 | |
| 17-12 | Where, I Wonder | Leontyne Price, André Previn | — | |
| 18-1 | Symphony no. 3 in A minor, op. 44: I. Lento - Allegro moderato | London Symphony Orchestra, André Previn | — | |
| 18-2 | Symphony no. 3 in A minor, op. 44: II. Adagio ma non troppo - Allegro vivace | London Symphony Orchestra, André Previn | — | |
| 18-3 | Symphony no. 3 in A minor, op. 44: III. Allegro - Allegro vivace - Allegro - Allegretto - Allegro vivace | London Symphony Orchestra, André Previn | — | |
| 18-4 | Fantasy for Orchestra, op. 7 “The Rock” | London Symphony Orchestra, André Previn | — | |
| 19-1 | The Impresario, K.486: Overture | English Chamber Orchestra, André Previn | — | |
| 19-2 | The Impresario, K.486: Prologue | Sherrill Milnes, Leo McKern, Richard Lewis, Reri Grist, English Chamber Orchestra, André Previn | T-919.161.125-3 | |
| 19-3 | The Impresario, K.486: no. 1 Arietta - A Girl Was I | Sherrill Milnes, Leo McKern, Reri Grist, English Chamber Orchestra, André Previn | — | |
| 19-4 | The Impresario, K.486: no. 2 Rondo - I Want Mine | Sherrill Milnes, Leo McKern, Richard Lewis, Reri Grist, Judith Raskin, English Chamber Orchestra, André Previn | — | |
| 19-5 | The Impresario, K.486: no. 3 Trio - The Argument | Sherrill Milnes, Leo McKern, Richard Lewis, Reri Grist, Judith Raskin, English Chamber Orchestra, André Previn | — | |
| 19-6 | The Impresario, K.486: no. 4 - The Play’s the Thing | Sherrill Milnes, Richard Lewis, Reri Grist, Judith Raskin, English Chamber Orchestra, André Previn | — | |
| 20-1 | Scheherazade, Op. 35: The Sea and Sinbad's Ship | John Georgiadis, London Symphony Orchestra, André Previn | — | |
| 20-2 | Scheherazade, Op. 35: The Story of the Kalender Prince | John Georgiadis, London Symphony Orchestra, André Previn | — | |
| 20-3 | Scheherazade, Op. 35: The Young Prince and the Young Princess | John Georgiadis, London Symphony Orchestra, André Previn | — | |
| 20-4 | Scheherazade, Op. 35: Festival in Bagdad; The Sea; The Ship Goes to Pieces on a Rock; Surmounted by a Bronze Warrior (Shipwreck); Conclusion | John Georgiadis, London Symphony Orchestra, André Previn | — | |
| 20-5 | Tsar Saltan, Op. 57: March | London Symphony Orchestra, André Previn | — | |
| 20-6 | Le Vol du bourdon | London Symphony Orchestra, André Previn | T-071.520.252-0 | |
| 21-1 | Symphonie espagnole in D minor, op. 21: I. Allegro non troppo | Itzhak Perlman, London Symphony Orchestra, André Previn | — | |
| 21-2 | Symphonie espagnole in D minor, op. 21: II. Scherzando. Allegro molto | Itzhak Perlman, London Symphony Orchestra, André Previn | — | |
| 21-3 | Symphonie espagnole in D minor, op. 21: III. Intermezzo. Allegro non troppo | Itzhak Perlman, London Symphony Orchestra, André Previn | — | |
| 21-4 | Symphonie espagnole in D minor, op. 21: IV. Andante | Itzhak Perlman, London Symphony Orchestra, André Previn | T-003.055.867-8 | |
| 21-5 | Symphonie espagnole in D minor, op. 21: V. Rondo. Allegro | Itzhak Perlman, London Symphony Orchestra, André Previn | — | |
| 21-6 | Tzigane | Itzhak Perlman, London Symphony Orchestra, André Previn | T-003.017.816-5 | |
| 22-1 | Symphony No. 7, "Sinfonia antartica": Spoken introduction | — | ||
| 22-2 | Symphony No. 7, "Sinfonia antartica": Prelude: Andante maestoso | — | ||
| 22-3 | Symphony No. 7, "Sinfonia antartica": Spoken introduction | — | ||
| 22-4 | Symphony No. 7, "Sinfonia antartica": Scherzo: Moderato; Poco animato | — | ||
| 22-5 | Symphony No. 7, "Sinfonia antartica": Spoken introduction | — | ||
| 22-6 | Symphony No. 7, "Sinfonia antartica": Landscape: Lento | — | ||
| 22-7 | Symphony No. 7, "Sinfonia antartica": Spoken introduction | — | ||
| 22-8 | Symphony No. 7, "Sinfonia antartica": Intermezzo: Andante Sostenuto | — | ||
| 22-9 | Symphony No. 7, "Sinfonia antartica": Spoken introduction | — | ||
| 22-10 | Symphony No. 7, "Sinfonia antartica": Epilogue: Alla marcia moderato (ma non troppo) | — | ||
| 23-1 | Symphony no. 6 in E Minor: I. Allegro | — | ||
| 23-2 | Symphony no. 6 in E Minor: II. Moderato | — | ||
| 23-3 | Symphony no. 6 in E Minor: III. Scherzo - Allegro vivace | — | ||
| 23-4 | Symphony no. 6 in E Minor: IV. Epiologue - Moderato | — | ||
| 23-5 | Symphony no. 8 in D Minor: I. Fantasia - Variazioni senza Tema | — | ||
| 23-6 | Symphony no. 8 in D Minor: II. Scherzo all marcia - per stromenti a fiato | — | ||
| 23-7 | Symphony no. 8 in D Minor: III. Cavatina - per stromenti ad arco | — | ||
| 23-8 | Symphony no. 8 in D Minor: IV. Toccata | — | ||
| 24-1 | Der Rosenkavalier Suite, op. 59 | — | ||
| 24-2 | Don Juan, op. 20 | — | ||
| 24-3 | München, TrV. 274 “Gedächtniswalzer” | — | ||
| 25-1 | Symphony No. 1 "A Sea Symphony": I. A Song for All Seas, All Ships | Heather Harper, London Symphony Chorus, John Shirley-Quirk, London Symphony Orchestra, André Previn | — | |
| 25-2 | Symphony No. 1 "A Sea Symphony": II. On the Beach at Night, Alone | Heather Harper, London Symphony Chorus, John Shirley-Quirk, London Symphony Orchestra, André Previn | — | |
| 25-3 | Symphony No. 1 "A Sea Symphony": III. Scherzo: The Waves | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 25-4 | Symphony No. 1 "A Sea Symphony": IV. The Explorers | Heather Harper, London Symphony Chorus, John Shirley-Quirk, London Symphony Orchestra, André Previn | — | |
| 26-1 | Concerto Accademico, IRV. 12: I. Allegro pesante | — | ||
| 26-2 | Concerto Accademico, IRV. 12: II. Adagio | — | ||
| 26-3 | Concerto Accademico, IRV. 12: III. Presto | — | ||
| 26-4 | Symphony No. 4 in F Minor, IRV. 85: I. Allegro | — | ||
| 26-5 | Symphony No. 4 in F Minor, IRV. 85: II. Andante moderato | — | ||
| 26-6 | Symphony No. 4 in F Minor, IRV. 85: III. Scherzo | — | ||
| 26-7 | Symphony No. 4 in F Minor, IRV. 85: IV. Finale con Epilogo fugato - Allegro molto | — | ||
| 27-1 | Concerto for Guitar and Orchestra: Allegro Preciso | — | ||
| 27-2 | Concerto for Guitar and Orchestra: Andantino e andante - Cadenza | — | ||
| 27-3 | Concerto for Guitar and Orchestra: Allegretto non troppo | — | ||
| 27-4 | Twelve Etudes: No. 8. Moderato | — | ||
| 27-5 | Five Preludes: No. 1 in E minor. Andantino espressivo | — | ||
| 27-6 | Five Preludes: No. 5 in D. Andantino | — | ||
| 27-7 | Five Preludes: No. 3 in A minor. Andante - Molto adagio - Andante | — | ||
| 27-8 | Five Preludes: No. 4 in E minor. Lento - Animato - Moderato - Lento | — | ||
| 27-9 | Five Preludes: No. 2 in E. Poco animato | — | ||
| 27-10 | Schottisch-Chôro | — | ||
| 28-1 | Piano Concerto no. 1 in G Minor, op. 25: I. Molto allegro con fuoco | — | ||
| 28-2 | Piano Concerto no. 1 in G Minor, op. 25: II. Andante | — | ||
| 28-3 | Piano Concerto no. 1 in G Minor, op. 25: III. Presto. Molto allegro e vivace | — | ||
| 28-4 | Fantasia in F‐Sharp Minor, op. 28 “Sonate écossaise”: I. Con moto agitato - Andante | — | ||
| 28-5 | Fantasia in F‐Sharp Minor, op. 28 “Sonate écossaise”: II. Allegro con moto | — | ||
| 28-6 | Fantasia in F‐Sharp Minor, op. 28 “Sonate écossaise”: III. Presto | — | ||
| 28-7 | Variations sérieuses in D Minor, op. 54: Andante sostenuto | — | ||
| 28-8 | Variations sérieuses in D Minor, op. 54: Variation I | — | ||
| 28-9 | Variations sérieuses in D Minor, op. 54: Variation II - Un poco più animato | — | ||
| 28-10 | Variations sérieuses in D Minor, op. 54: Variation III - Più animato | — | ||
| 28-11 | Variations sérieuses in D Minor, op. 54: Variation IV - Sempre staccato e leggiero | — | ||
| 28-12 | Variations sérieuses in D Minor, op. 54: Variation V - Agitato | — | ||
| 28-13 | Variations sérieuses in D Minor, op. 54: Variation VI - A tempo | — | ||
| 28-14 | Variations sérieuses in D Minor, op. 54: Variation VII - Con fuoco | — | ||
| 28-15 | Variations sérieuses in D Minor, op. 54: Variation VIII - Allegro vivace | — | ||
| 28-16 | Variations sérieuses in D Minor, op. 54: Variation IX | — | ||
| 28-17 | Variations sérieuses in D Minor, op. 54: Variation X - Moderato | — | ||
| 28-18 | Variations sérieuses in D Minor, op. 54: Variation XI - Cantabile | — | ||
| 28-19 | Variations sérieuses in D Minor, op. 54: Variation XII - Tempo di tema | — | ||
| 28-20 | Variations sérieuses in D Minor, op. 54: Variation XIII - Sempre assai leggiero | — | ||
| 28-21 | Variations sérieuses in D Minor, op. 54: Variation XIV - Adagio | — | ||
| 28-22 | Variations sérieuses in D Minor, op. 54: Variation XV - Poco a poco più agitato | — | ||
| 28-23 | Variations sérieuses in D Minor, op. 54: Variation XVI - Allegro vivace | — | ||
| 28-24 | Variations sérieuses in D Minor, op. 54: Variation XVII | — | ||
| 28-25 | Variations sérieuses in D Minor, op. 54: Presto | — | ||
| 29-1 | The Wasps: I. Overture | — | ||
| 29-2 | Symphony No. 5 in D Major, IRV. 86: I. Preludio | — | ||
| 29-3 | Symphony No. 5 in D Major, IRV. 86: II. Scherzo - Presto misterioso | — | ||
| 29-4 | Symphony No. 5 in D Major, IRV. 86: III. Romanza - Lento | — | ||
| 29-5 | Symphony No. 5 in D Major, IRV. 86: IV. Passacaglia - Moderato | — | ||
| 30-1 | Three Portraits from “The England of Elizabeth”: 1. Explorer | — | ||
| 30-2 | Three Portraits from “The England of Elizabeth”: 2. Poet | — | ||
| 30-3 | Three Portraits from “The England of Elizabeth”: 3. Queen | — | ||
| 30-4 | Symphony no. 9 in E Minor, IRV. 89: I. Moderato maestoso | — | ||
| 30-5 | Symphony no. 9 in E Minor, IRV. 89: II. Andante sostenuto | — | ||
| 30-6 | Symphony no. 9 in E Minor, IRV. 89: III. Scherzo - Allegro pesante | — | ||
| 30-7 | Symphony no. 9 in E Minor, IRV. 89: IV. Andante tranquillo | — | ||
| 31-1 | Pastoral Symphony (Symphony no. 3), IRV. 57: I. Molto moderato | — | ||
| 31-2 | Pastoral Symphony (Symphony no. 3), IRV. 57: II. Lento moderato | — | ||
| 31-3 | Pastoral Symphony (Symphony no. 3), IRV. 57: III. Moderato pesante | — | ||
| 31-4 | Pastoral Symphony (Symphony no. 3), IRV. 57: IV. Lento | — | ||
| 31-5 | Concerto for Bass Tuba and Orchestra in F Minor, IRV. 92: I. Allegro moderato | — | ||
| 31-6 | Concerto for Bass Tuba and Orchestra in F Minor, IRV. 92: II. Romanza - Andante sostenuto | — | ||
| 31-7 | Concerto for Bass Tuba and Orchestra in F Minor, IRV. 92: III. Finale - Ronda a la tedesca | — | ||
| 32-1 | Symphony no. 2 "A London Symphony": I. Lento - Allegro risoluto | London Symphony Orchestra, André Previn | — | |
| 32-2 | Symphony no. 2 "A London Symphony": II. Lento | London Symphony Orchestra, André Previn | — | |
| 32-3 | Symphony no. 2 "A London Symphony": III. Scherzo (Nocturne) | London Symphony Orchestra, André Previn | — | |
| 32-4 | Symphony no. 2 "A London Symphony": IV. Andante con moto - Maestoso alla marcia - Allegro - Lento - Epilogue | London Symphony Orchestra, André Previn | — | |
| 33-1 | Concerto for Guitar and Orchestra - 1. Allegretto | John Williams, London Symphony Orchestra, André Previn | — | |
| 33-2 | Concerto for Guitar and Orchestra - 2. Adagio | John Williams, London Symphony Orchestra, André Previn | — | |
| 33-3 | Concerto for Guitar and Orchestra - 3. Slowly and Reflectively (Andante) | John Williams, London Symphony Orchestra, André Previn | — | |
| 33-4 | Concierto del sur: I. Allegretto | John Williams, London Symphony Orchestra, André Previn | — | |
| 33-5 | Concierto del sur: II. Andante | John Williams, London Symphony Orchestra, André Previn | — | |
| 33-6 | Concierto del sur: III. Allegro moderato e festivo | John Williams, London Symphony Orchestra, André Previn | — | |
| 34-1 | Symphony No. 4 in A Major, Op. 90 “Italian”: I. Allegro vivace | — | ||
| 34-2 | Symphony No. 4 in A Major, Op. 90 “Italian”: II. Andante con moto | — | ||
| 34-3 | Symphony No. 4 in A Major, Op. 90 “Italian”: III. Con moto moderato | — | ||
| 34-4 | Symphony No. 4 in A Major, Op. 90 “Italian”: IV. Saltarello. Presto | — | ||
| 34-5 | Ruy Blas, Op. 95 (Overture) | — | ||
| 34-6 | “Classical” Symphony No. 1 in D Major, Op. 25: I. Allegro | — | ||
| 34-7 | “Classical” Symphony No. 1 in D Major, Op. 25: II. Larghetto | — | ||
| 34-8 | “Classical” Symphony No. 1 in D Major, Op. 25: III. Gavotte: Non troppo allegro | — | ||
| 34-9 | “Classical” Symphony No. 1 in D Major, Op. 25: IV. Finale: Molto vivace | — | ||
| 35-1 | Every Good Boy Deserves Favour: Prologue | — | ||
| 35-2 | Every Good Boy Deserves Favour: I. Very Slowly, Subito Allegro | — | ||
| 35-3 | Every Good Boy Deserves Favour: II. Thank You | — | ||
| 35-4 | Every Good Boy Deserves Favour: III. Papa | — | ||
| 35-5 | Every Good Boy Deserves Favour: IV. Tempo to Suit Action | — | ||
| 35-6 | Every Good Boy Deserves Favour: V. I Have no Orchestra | — | ||
| 35-7 | Every Good Boy Deserves Favour: VI. How Did it All Begin | — | ||
| 35-8 | Every Good Boy Deserves Favour: VII. Everything Will be All Right | — | ||
| 35-9 | Every Good Boy Deserves Favour: VIII. He Derserves a Father | — | ||
| 35-10 | Every Good Boy Deserves Favour: IX. | — | ||
| 35-11 | Every Good Boy Deserves Favour: X. Bloody Orchestra | — | ||
| 35-12 | Every Good Boy Deserves Favour: XI‐XII. Yes Sir | — | ||
| 35-13 | Every Good Boy Deserves Favour: XIII. There Was Nothing Else to Do | — | ||
| 35-14 | Every Good Boy Deserves Favour: XIV. You Must not be Rigid | — | ||
| 35-15 | Every Good Boy Deserves Favour: XV. Yes, Colonel Doctor | — | ||
| 36-1 | Concerto for Violin and Orchestra: I. Introduction | — | ||
| 36-2 | Concerto for Violin and Orchestra: II. Intermezzo (A) | — | ||
| 36-3 | Concerto for Violin and Orchestra: III. Fantasia | — | ||
| 36-4 | Concerto for Violin and Orchestra: IV. Intermezzo (B) | — | ||
| 36-5 | Concerto for Violin and Orchestra: V. Epilogue | — | ||
| 37-1 | Piano Concerto No. 2 in F Minor, Op. 21: I. Maestoso | — | ||
| 37-2 | Piano Concerto No. 2 in F Minor, Op. 21: II. Larghetto | — | ||
| 37-3 | Piano Concerto No. 2 in F Minor, Op. 21: III. Allegro vivace | — | ||
| 37-4 | Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | — | ||
| 37-5 | Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | — | ||
| 37-6 | Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | — | ||
| 38-1 | Concerto for Violoncello and Orchestra, Op. 85: I. Adagio - Moderato / II. Lento - Allegro Molto | — | ||
| 38-2 | Concerto for Cello and Orchestra in E minor, op. 85: III. Adagio | Yo-Yo Ma, London Symphony Orchestra, André Previn | T-010.115.155-6 | |
| 38-3 | Concerto for Cello and Orchestra in E minor, op. 85: IV. Allegro - Moderato - Allegro, ma non troppo | Yo-Yo Ma, London Symphony Orchestra, André Previn | T-010.115.154-5 | |
| 38-4 | Concerto for Cello and Orchestra: I. Moderato | Yo-Yo Ma, London Symphony Orchestra, André Previn | — | |
| 38-5 | Concerto for Cello and Orchestra: II. Allegro appassionato | Yo-Yo Ma, London Symphony Orchestra, André Previn | — | |
| 38-6 | Concerto for Cello and Orchestra: III. Lento - con moto - Risoluto tempo giusto. Brioso - Allegro molto - Rapsodicamente - a tempo di Nº6, Iº Mov. ma un po´più lento - Adagio | Yo-Yo Ma, London Symphony Orchestra, André Previn | — | |
| 39-1 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 39-2 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo | — | ||
| 39-3 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | — | ||
| 39-4 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio | — | ||
| 39-5 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: II. Adagio | — | ||
| 39-6 | Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro | — | ||
| 40-1 | Concerto No. 5 in E-flat major, Op. 73: I. Allegro | — | ||
| 40-2 | Concerto No. 5 in E-flat major, Op. 73: II. Adagio un poco mosso | — | ||
| 40-3 | Concerto No. 5 in E-flat major, Op. 73: III. Rondo: Allegro | — | ||
| 41-1 | Concerto No. 3, Op. 37 in c-moll: I. Allegro con brio | — | ||
| 41-2 | Concerto No. 3, Op. 37 in c-moll: II. Largo | — | ||
| 41-3 | Concerto No. 3, Op. 37 in c-moll: III. Rondo: Allegro | — | ||
| 41-4 | Concerto No .4, Op. 58 in G-dur: I. Allegro moderato | — | ||
| 41-5 | Concerto No. 4, Op. 58 in G-dur: II. Andante con moto | — | ||
| 41-6 | Concerto No. 4, Op. 58 in G-dur: III. Rondo: Vivace | — | ||
| 42-1 | Symphony no. 6 in F Major, op. 68 “Pastoral”: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande | — | ||
| 42-2 | Symphony no. 6 in F Major, op. 68 “Pastoral”: II. Scene am Bach | — | ||
| 42-3 | Symphony no. 6 in F Major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute | — | ||
| 42-4 | Symphony no. 6 in F Major, op. 68 “Pastoral”: IV. Gewitter. Sturm | — | ||
| 42-5 | Symphony no. 6 in F Major, op. 68 “Pastoral”: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm | — | ||
| 42-6 | Egmont Overture, op. 84 | — | ||
| 43-1 | Symphony no. 7, op. 92 in A: I. Poco sostenuto: Vivace | — | ||
| 43-2 | Symphony no. 7, op. 92 in A: II. Allegretto | — | ||
| 43-3 | Symphony no. 7, op. 92 in A: III. Presto | — | ||
| 43-4 | Symphony no. 7, op. 92 in A: IV. Allegro con brio | — | ||
| 43-5 | Coriolan Overture, op.62 | — | ||
| 43-6 | Prometheus Overture, op.43 | André Previn, Royal Philharmonic Orchestra | — | |
| 44-1 | Violin Concerto in D major, op. 61: I - Allegro Ma Non Troppo | — | ||
| 44-2 | Violin Concerto in D major, op. 61: II - Larghetto | — | ||
| 44-3 | Violin Concerto in D major, op. 61: III - Rondo: Allegro | — | ||
| 44-4 | Romance, op. 40, in G major | — | ||
| 44-5 | Romance, op. 50, in F major | — | ||
| 45-1 | Symphony No. 5 in C minor, Op. 67: I. Allegro con brio | — | ||
| 45-2 | Symphony No. 5 in C minor, Op. 67: II. Andante con moto | — | ||
| 45-3 | Symphony No. 5 in C minor, Op. 67: III. Allegro | — | ||
| 45-4 | Symphony No. 5 in C minor, Op. 67: IV. Allegro | — | ||
| 45-5 | Overture "Fidelio", Op. 72b | — | ||
| 45-6 | Overture "Leonore" No. 3, Op. 72a | — | ||
| 46-1 | Symphony no. 4 in B‐Flat Major, op. 60: I. Adagio - Allegro vivace | — | ||
| 46-2 | Symphony no. 4 in B‐Flat Major, op. 60: II. Adagio | — | ||
| 46-3 | Symphony no. 4 in B‐Flat Major, op. 60: III. Allegro vivace | — | ||
| 46-4 | Symphony no. 4 in B‐Flat Major, op. 60: IV. Allegro ma non troppo | — | ||
| 46-5 | Symphony no. 8 in F Major, op. 93: I. Allegro vivace e con brio | — | ||
| 46-6 | Symphony no. 8 in F Major, op. 93: II. Allegretto scherzando | — | ||
| 46-7 | Symphony no. 8 in F Major, op. 93: III. Tempo di Menuetto | — | ||
| 46-8 | Symphony no. 8 in F Major, op. 93: IV. Allegro vivace | — | ||
| 47-1 | Mary's Little Boy Child | — | ||
| 47-2 | The Twelve Days of Christmas | — | ||
| 47-3 | Gesu Bambino | — | ||
| 47-4 | Exsultate Jubilate, K 165 (158a): Alleluia | Kathleen Battle, Orchestra of St. Luke’s, André Previn | T-910.009.165-4 | |
| 47-5 | Es ist ein Ros entsprungen | — | ||
| 47-6 | Lieutenant Kijé Suite, op. 60: No. 4. Troika | — | ||
| 47-7 | American Songs | — | ||
| 47-8 | Joy to the World! | — | ||
| 47-9 | Silent Night | — | ||
| 47-10 | The Sound of Music: My Favorite Things | — | ||
| 47-11 | Winter Wonderland | — | ||
| 47-12 | The Christmas Song / Have Yourself a Merry Little Christmas | — | ||
| 47-13 | Hänsel und Gretel: Abendsegen "Evening Prayer" | — | ||
| 47-14 | Maria Wiegenlied, op. 76 no. 52 | — | ||
| 47-15 | We Three Kings of Orient Are | — | ||
| 47-16 | Christmas Songs | — | ||
| 48-1 | Piano Quartet in E flat major, Op. 47: Sostenuto assai; Allegro ma non troppo | — | ||
| 48-2 | Piano Quartet in E flat major, Op. 47: Scherzo: Molto vivace | — | ||
| 48-3 | Piano Quartet in E flat major, Op. 47: Andante cantabile | — | ||
| 48-4 | Piano Quartet in E flat major, Op. 47: Finale: Vivace | — | ||
| 48-5 | Piano Quartet in C minor, WoO 32: Allegro molto affettuoso | — | ||
| 48-6 | Piano Quartet in C minor, WoO 32: Minuetto: Presto | — | ||
| 48-7 | Piano Quartet in C minor, Woo 32: Andante | — | ||
| 48-8 | Piano Quartet in C minor, WoO 32: Allegro giusto -- Presto | — | ||
| 49-1 | Symphony no. 9 in D Minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | — | ||
| 49-2 | Symphony no. 9 in D Minor, op. 125 “Choral”: II. Scherzo. Molto vivace - Presto | — | ||
| 49-3 | Symphony no. 9 in D Minor, op. 125 “Choral”: III. Adagio molto e cantabile - Andante moderato | — | ||
| 49-4 | Symphony no. 9 in D Minor, op. 125 “Choral”: IV. Presto - Allegro assai | — | ||
| 49-5 | Symphony no. 9 in D Minor, op. 125 “Choral”: Presto “O Freunde, nicht diese Töne!” | — | ||
| 49-6 | Symphony no. 9 in D Minor, op. 125 “Choral”: Allegro assai vivace “Froh, froh, wie seine Sonnen” | — | ||
| 49-7 | Symphony no. 9 in D Minor, op. 125 “Choral”: Andante maestoso “Seid umschlungen Millionen!” | — | ||
| 49-8 | Symphony no. 9 in D Minor, op. 125 “Choral”: Allegro energico, sempre ben marcato “Freude, schöner Götterfunken” | — | ||
| 49-9 | Symphony no. 9 in D Minor, op. 125 “Choral”: Allegro ma non tanto “Freude, Tochter aus Elysium!” | — | ||
| 50-1 | Piano Quartet in G Minor, K. 478: I. Allegro | André Previn, Young Uck Kim, Heiichiro Ohyama, Gary Hoffman | — | |
| 50-2 | Piano Quartet in G Minor, K. 478: II. Andante | André Previn, Young Uck Kim, Heiichiro Ohyama, Gary Hoffman | — | |
| 50-3 | Piano Quartet in G Minor, K. 478: III. Rondo (Allegro) | André Previn, Young Uck Kim, Heiichiro Ohyama, Gary Hoffman | — | |
| 50-4 | Piano Quartet in E‐Flat Major, K. 493: I. Allegro | André Previn, Young Uck Kim, Heiichiro Ohyama, Gary Hoffman | — | |
| 50-5 | Piano Quartet in E‐Flat Major, K. 493: II. Larghetto | André Previn, Young Uck Kim, Heiichiro Ohyama, Gary Hoffman | T-926.819.124-8 | |
| 50-6 | Piano Quartet in E‐Flat Major, K. 493: III. Allegretto | André Previn, Young Uck Kim, Heiichiro Ohyama, Gary Hoffman | — | |
| 51-1 | Concerto for Two Pianos, K. 365 in E-flat major: I. Allegro | Alicia de Larrocha, André Previn, Orchestra of St. Luke’s | — | |
| 51-2 | Concerto for Two Pianos, K. 365 in E-flat major: II. Andante | Alicia de Larrocha, André Previn, Orchestra of St. Luke’s | — | |
| 51-3 | Concerto for Two Pianos, K. 365 in E-flat major: III. Rondo: Allegro | Alicia de Larrocha, André Previn, Orchestra of St. Luke’s | T-902.773.746-8 | |
| 51-4 | Sonata for Two Pianos, K. 448 in D major: I. Allegro con spirito | Alicia de Larrocha, André Previn | — | |
| 51-5 | Sonata for Two Pianos, K. 448 in D major: II. Andante | Alicia de Larrocha, André Previn | T-312.439.084-3 | |
| 51-6 | Sonata for Two Pianos, K. 448 in D major: III. Allegro molto | Alicia de Larrocha, André Previn | — | |
| 52-1 | Trio: Modéré | — | ||
| 52-2 | Trio: Pantoum: Assez Vif | — | ||
| 52-3 | Trio: Passacaille: Très Large | — | ||
| 52-4 | Trio: Final: Animé | — | ||
| 52-5 | Trio No.1 In G: Andantino Con Moto Allegro | — | ||
| 52-6 | Trio No.1 In G: Scherzo • Intermezzo: Moderato Con Allegro | — | ||
| 52-7 | Trio No.1 In G: Andante Espressivo | — | ||
| 52-8 | Trio No.1 In G: Finale: Appassionato | — | ||
| 53-1 | Sextet, FP. 100: I. Allegro Vivace | — | ||
| 53-2 | Sextet, FP. 100: II. Divertissement. Andantino | — | ||
| 53-3 | Sextet, FP. 100: III. Finale. Prestissimo | — | ||
| 53-4 | La création du monde, op. 81b - Suite de concert en ré: Prélude: Modéré | — | ||
| 53-5 | La création du monde, op. 81b - Suite de concert en ré: Fugue | — | ||
| 53-6 | La création du monde, op. 81b - Suite de concert en ré: Romance: Tendre et doux | — | ||
| 53-7 | La création du monde, op. 81b - Suite de concert en ré: Scherzo | — | ||
| 53-8 | La création du monde, op. 81b - Suite de concert en ré: Final: Modéré | — | ||
| 53-9 | Septet, op. 65: I. Préambule | — | ||
| 53-10 | Septet, op. 65: II. Menuet | — | ||
| 53-11 | Septet, op. 65: III. Intermède | — | ||
| 53-12 | Septet, op. 65: IV. Gavotte et Final | — | ||
| 54-1 | Sonata for cello & piano: I. Vivace - Andante espressivo - Allegro | — | ||
| 54-2 | Sonata for cello & piano: II. Adagio | — | ||
| 54-3 | Sonata for cello & piano: III. Allegretto - Fast | — | ||
| 54-4 | 4 Songs after Poems by Toni Morrison for Soprano, Cello & Piano: I. Mercy (Slowly) | — | ||
| 54-5 | 4 Songs after Poems by Toni Morrison for Soprano, Cello & Piano: II. Stones (Bright and Sassy) | — | ||
| 54-6 | 4 Songs after Poems by Toni Morrison for Soprano, Cello & Piano: III. Shelter (Gently) | — | ||
| 54-7 | 4 Songs after Poems by Toni Morrison for Soprano, Cello & Piano: IV. The Lacemaker (Slowly) | — | ||
| 54-8 | Two Remembrances for Soprano, Alto Flute & Piano: I. A Love Song | — | ||
| 54-9 | Two Remembrances for Soprano, Alto Flute & Piano: II. Lyric | — | ||
| 54-10 | Vocalise for Soprano, Cello & Piano | — | ||
| 55-1 | Concerto for Viola & Orchestra : I. Andante comodo | — | ||
| 55-2 | Concerto for Viola & Orchestra : II. Vivo con molto preciso | — | ||
| 55-3 | Concerto for Viola & Orchestra : III. Allegro moderato | — | ||
| 55-4 | Concerto for Violin & Orchestra, Op. 123 : I. Allegro moderato | — | ||
| 55-5 | Concerto for Violin & Orchestra, Op. 123 : II. Adagio | — | ||
| 55-6 | Concerto for Violin & Orchestra, Op. 123 : III. Allegro non troppo | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concierto del sur: I. Allegretto | John Williams, London Symphony Orchestra, André Previn | — |
| Concierto del sur: II. Andante | John Williams, London Symphony Orchestra, André Previn | — |
| Concierto del sur: III. Allegro moderato e festivo | John Williams, London Symphony Orchestra, André Previn | — |
