Notes.fmCredits.fm
Credits.fm
Zubin Mehta: The Complete Columbia Album Collection

UPC · Release

Zubin Mehta: The Complete Columbia Album Collection

Zubin Mehta, New York Philharmonic, Israel Philharmonic Orchestra, Wiener Philharmoniker, Berliner Philharmoniker, Los Angeles Philharmonic, New Philharmonia Orchestra

190759376621
888 tracksReleased 2019-01-01Sony Classical

Last verified:

190759376621 is the Universal Product Code (UPC barcode) for the release “Zubin Mehta: The Complete Columbia Album Collection” by Zubin Mehta, New York Philharmonic, Israel Philharmonic Orchestra, Wiener Philharmoniker, Berliner Philharmoniker, Los Angeles Philharmonic, New Philharmonia Orchestra, released 2019-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 888 tracks, each with its own ISRC. Tracks include USBC10000832, USSM16300247, USBC19200325.

Format

1Number system
90759Manufacturer
37662Product
1Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCZubin Mehta: The Complete Columbia Album Collection
ISRC61 recordings
ISWC30 works
IPI3 songwriters

Track List (888)

Feste Romane : I. Circenses
Feste Romane : I. Circenses
—
Feste Romane : II. Giubilio
Feste Romane : II. Giubilio
—
Feste Romane : III. L' Ottorbrata
Feste Romane : III. L' Ottorbrata
—
Feste Romane : IV. La Befana
Feste Romane : IV. La Befana
—
Don Juan, Op. 20, TrV 156
Don Juan, Op. 20, TrV 156
—
Il trovatore: Atto I, Scena I. "All'erta, all'erta!" (Ferrando, retainers, soldiers)
Il trovatore: Atto I, Scena I. "All'erta, all'erta!" (Ferrando, retainers, soldiers)
—
Il trovatore: Atto I, Scena I. "Di due figli vivea" (Ferrando, retainers, soldiers)
Il trovatore: Atto I, Scena I. "Di due figli vivea" (Ferrando, retainers, soldiers)
—
Il trovatore: Atto I, Scena II. "Che più t'arresti?" (Inez, Leanora)
Il trovatore: Atto I, Scena II. "Che più t'arresti?" (Inez, Leanora)
—
Il trovatore: Atto I, Scena II. "Tacea la notte placida" (Leonora, Inez)
Il trovatore: Atto I, Scena II. "Tacea la notte placida" (Leonora, Inez)
—
Il trovatore: Atto I, Scena II. "Di tale amor, che dirsi" (Leonora, Inez)
Il trovatore: Atto I, Scena II. "Di tale amor, che dirsi" (Leonora, Inez)
—
Il trovatore: Atto I, Scena II. "Tace la notte!" (Count)
Il trovatore: Atto I, Scena II. "Tace la notte!" (Count)
—
Il trovatore: Atto I, Scena II. "Deserto sulla terra" (Manrico, Count)
Il trovatore: Atto I, Scena II. "Deserto sulla terra" (Manrico, Count)
—
Il trovatore: Atto I, Scena II. "Non m'inganno" (Count, Leonora, Manrico)
Il trovatore: Atto I, Scena II. "Non m'inganno" (Count, Leonora, Manrico)
—
Il trovatore: Atto I, Scena II. "Di geloso amor sprezzato" (Count, Leonora, Manrico)
Il trovatore: Atto I, Scena II. "Di geloso amor sprezzato" (Count, Leonora, Manrico)
—
Il trovatore: Atto II, Scena I. "Vedi! La fosche notturne spoglie" (gypsies)
Il trovatore: Atto II, Scena I. "Vedi! La fosche notturne spoglie" (gypsies)
John McCarthy, Ambrosian Singers, Philharmonia Orchestra, Zubin Mehta
—
Il trovatore: Atto II, Scena I. "Stride la vampa!" (Azucena, gypsies, Manrico, an old gypsy)
Il trovatore: Atto II, Scena I. "Stride la vampa!" (Azucena, gypsies, Manrico, an old gypsy)
—
Il trovatore: Atto II, Scena I. "Soli or siamo!" (Manrico, Azucena)
Il trovatore: Atto II, Scena I. "Soli or siamo!" (Manrico, Azucena)
—
Il trovatore: Atto II, Scena I. "Condotta ell'era in ceppi" (Azucena, Manrico)
Il trovatore: Atto II, Scena I. "Condotta ell'era in ceppi" (Azucena, Manrico)
—
Il trovatore: Atto II, Scena I. "Non son tuo figlio?" (Manrico, Azucena)
Il trovatore: Atto II, Scena I. "Non son tuo figlio?" (Manrico, Azucena)
—
Il trovatore: Atto II, Scena I. "Mal reggendo all'aspro assalto" (Manrico, Azucena)
Il trovatore: Atto II, Scena I. "Mal reggendo all'aspro assalto" (Manrico, Azucena)
—
Il trovatore: Atto II, Scena I. "Inoltra il piè" (Manrico, messenger, Azucena)
Il trovatore: Atto II, Scena I. "Inoltra il piè" (Manrico, messenger, Azucena)
—
Il trovatore: Atto II, Scena I. "Perigliarti ancor languente" (Azucena, Manrico)
Il trovatore: Atto II, Scena I. "Perigliarti ancor languente" (Azucena, Manrico)
—
Il trovatore: Atto II, Scena II. "Tutto è deserto" (Count, Ferrando)
Il trovatore: Atto II, Scena II. "Tutto è deserto" (Count, Ferrando)
—
Il trovatore: Atto II, Scena II. "Il balen del suo sorriso" (Count)
Il trovatore: Atto II, Scena II. "Il balen del suo sorriso" (Count)
—
Il trovatore: Atto II, Scena II. "Quel suono! Oh ciel!" (Count, Ferrando, retainers)
Il trovatore: Atto II, Scena II. "Quel suono! Oh ciel!" (Count, Ferrando, retainers)
—
Il trovatore: Atto II, Scena II. "Per me ora fatale" (Count, Ferrando, retainers)
Il trovatore: Atto II, Scena II. "Per me ora fatale" (Count, Ferrando, retainers)
—
Il trovatore: Atto II, Scena II. "Ah! se l'error t'ingombra" (nuns, Count, Ferrando, retainers)
Il trovatore: Atto II, Scena II. "Ah! se l'error t'ingombra" (nuns, Count, Ferrando, retainers)
—
Il trovatore: Atto II, Scena II. "Perché piangete" ... "O dolci amiche" (Leonora, Inez, Count, nuns)
Il trovatore: Atto II, Scena II. "Perché piangete" ... "O dolci amiche" (Leonora, Inez, Count, nuns)
—
Il trovatore: Atto II, Scena II. "E deggio e posso crederlo?" (Leonora, Count, Manrico, Inez, nuns, Ferrando, soldiers, Ruiz)
Il trovatore: Atto II, Scena II. "E deggio e posso crederlo?" (Leonora, Count, Manrico, Inez, nuns, Ferrando, soldiers, Ruiz)
—
Il trovatore: Atto III, Scena I. "Or co' dadi, ma fra poco" (soldiers, Ferrandao)
Il trovatore: Atto III, Scena I. "Or co' dadi, ma fra poco" (soldiers, Ferrandao)
—
Il trovatore: Atto III, Scena I. "Squilli, echeggi la tromba guerriera" (Ferrando, soldiers)
Il trovatore: Atto III, Scena I. "Squilli, echeggi la tromba guerriera" (Ferrando, soldiers)
—
Il trovatore: Atto III, Scena I. "In braccio al mio rival!" (Count, Ferrando, Azucena, soldiers)
Il trovatore: Atto III, Scena I. "In braccio al mio rival!" (Count, Ferrando, Azucena, soldiers)
—
Il trovatore: Atto III, Scena II. "Quale d'armi fragor poc'anzi intesi?" (Leonora, Manrico)
Il trovatore: Atto III, Scena II. "Quale d'armi fragor poc'anzi intesi?" (Leonora, Manrico)
—
Il trovatore: Atto III, Scena II. "Ah si, ben mio, coll'essere io tuo" (Manrico)
Il trovatore: Atto III, Scena II. "Ah si, ben mio, coll'essere io tuo" (Manrico)
—
Il trovatore: Atto III, Scena II. "L'onda de' suoni mistici pura discenda al cor!" (Leonora, Manrico, Ruiz)
Il trovatore: Atto III, Scena II. "L'onda de' suoni mistici pura discenda al cor!" (Leonora, Manrico, Ruiz)
—
Il trovatore: Atto III, Scena II. "Di quella pira l'orrendo foco" (Manrico, Leonora, Ruiz, armed men)
Il trovatore: Atto III, Scena II. "Di quella pira l'orrendo foco" (Manrico, Leonora, Ruiz, armed men)
—
Il trovatore: Atto IV, Scena I. "Siam giunti: ecco la torre" (Ruiz, Leonora)
Il trovatore: Atto IV, Scena I. "Siam giunti: ecco la torre" (Ruiz, Leonora)
—
Il trovatore: Atto IV, Scena I. "D'amor sull'ali rosee" (Leonora)
Il trovatore: Atto IV, Scena I. "D'amor sull'ali rosee" (Leonora)
—
Il trovatore: Atto IV, Scena I. "Miserere d' un'alma già vicina" ... "Quel son, quelle preci" (Leonora, Manrico, choir)
Il trovatore: Atto IV, Scena I. "Miserere d' un'alma già vicina" ... "Quel son, quelle preci" (Leonora, Manrico, choir)
—
Il trovatore: Atto IV, Scena I. "Tu vedrai che amore in terra" (Leonora)
Il trovatore: Atto IV, Scena I. "Tu vedrai che amore in terra" (Leonora)
—
Il trovatore: Atto IV, Scena I. "Udiste? Come albeggi, la scure al figlio" (Count, Leonora)
Il trovatore: Atto IV, Scena I. "Udiste? Come albeggi, la scure al figlio" (Count, Leonora)
—
Il trovatore: Atto IV, Scena I. "Mira, di acerbe lagrime" (Leonora, Count)
Il trovatore: Atto IV, Scena I. "Mira, di acerbe lagrime" (Leonora, Count)
—
Il trovatore: Atto IV, Scena I. "Vivrà! ... Contende il giubilo" (Leonora, Count)
Il trovatore: Atto IV, Scena I. "Vivrà! ... Contende il giubilo" (Leonora, Count)
—
Il trovatore: Atto IV, Scena II. "Madre, non dormi?" (Manrico, Azucena)
Il trovatore: Atto IV, Scena II. "Madre, non dormi?" (Manrico, Azucena)
—
Il trovatore: Atto IV, Scena II. "Ai nostri monti ritorneremo" (Azucena, Manrico)
Il trovatore: Atto IV, Scena II. "Ai nostri monti ritorneremo" (Azucena, Manrico)
—
Il trovatore: Atto IV, Scena II. "Che! ... Non m'inganna!" (Manrico, Leonora, Azucena, Count)
Il trovatore: Atto IV, Scena II. "Che! ... Non m'inganna!" (Manrico, Leonora, Azucena, Count)
—
Tosca: Atto I. “Ah! Finalmente!”
Tosca: Atto I. “Ah! Finalmente!”
—
Tosca: Atto I. “E sempre lava”
Tosca: Atto I. “E sempre lava”
—
Tosca: Atto I. “Damni i colori!”
Tosca: Atto I. “Damni i colori!”
—
Tosca: Atto I. “Voi! Cavaradossi!”
Tosca: Atto I. “Voi! Cavaradossi!”
—
Tosca: Atto I. “Mario! Mario! Mario!”
Tosca: Atto I. “Mario! Mario! Mario!”
—
Tosca: Atto I. “Non la sospiri la nostra casetta”
Tosca: Atto I. “Non la sospiri la nostra casetta”
—
Tosca: Atto I. “Or lasciami al lavoro”
Tosca: Atto I. “Or lasciami al lavoro”
—
Tosca: Atto I. “Ah, quegli occhi!”
Tosca: Atto I. “Ah, quegli occhi!”
—
Tosca: Atto I. “È buona la mia Tosca”
Tosca: Atto I. “È buona la mia Tosca”
—
Tosca: Atto I. “Tutta qui la cantoria! Presto!”
Tosca: Atto I. “Tutta qui la cantoria! Presto!”
—
Tosca: Atto I. “Un tal baccano in chiesa!”
Tosca: Atto I. “Un tal baccano in chiesa!”
—
Tosca: Atto I. “Tosca? Che non mi veda”
Tosca: Atto I. “Tosca? Che non mi veda”
—
Tosca: Atto I. “Tre sbirri, una carrozza”
Tosca: Atto I. “Tre sbirri, una carrozza”
—
Tosca: Atto II. “Tosca è un buon falco!”
Tosca: Atto II. “Tosca è un buon falco!”
—
Tosca: Atto II. “O galantuomo”
Tosca: Atto II. “O galantuomo”
—
Tosca: Atto II. “Egli è là – sale ascende l’uman cantico”
Tosca: Atto II. “Egli è là – sale ascende l’uman cantico”
—
Tosca: Atto II. “Dov’è Angelotti?”
Tosca: Atto II. “Dov’è Angelotti?”
—
Tosca: Atto II. “Ed or fra noi parliam”
Tosca: Atto II. “Ed or fra noi parliam”
—
Tosca: Atto II. “Ahimè! – Mario consenti ch’io parli?”
Tosca: Atto II. “Ahimè! – Mario consenti ch’io parli?”
—
Tosca: Atto II. “Nel pozzo… Nel giardino”
Tosca: Atto II. “Nel pozzo… Nel giardino”
—
Tosca: Atto II. “Floria! – amore”
Tosca: Atto II. “Floria! – amore”
—
Tosca: Atto II. “Vittoria! Vittoria!”
Tosca: Atto II. “Vittoria! Vittoria!”
—
Tosca: Atto II. “Quanto?” … “Quanto?” … “Il prezzo!”
Tosca: Atto II. “Quanto?” … “Quanto?” … “Il prezzo!”
—
Tosca: Atto II. “Ah! Piuttosto giù m’avvento”
Tosca: Atto II. “Ah! Piuttosto giù m’avvento”
—
Tosca: Atto II. “Vissi d’arte, vissi d’amore”
Tosca: Atto II. “Vissi d’arte, vissi d’amore”
—
Tosca: Atto II. “Risolvi? Mi vuoi supplice”
Tosca: Atto II. “Risolvi? Mi vuoi supplice”
—
Tosca: Atto II. “Tosca, finalmente mia!”
Tosca: Atto II. “Tosca, finalmente mia!”
—
Tosca: Atto III. “Io de’ sospiri”
Tosca: Atto III. “Io de’ sospiri”
—
Tosca: Atto III. “Mario Cavaradossi? A voi”
Tosca: Atto III. “Mario Cavaradossi? A voi”
—
Tosca: Atto III. “E lucevan le stelle”
Tosca: Atto III. “E lucevan le stelle”
—
Tosca: Atto III. “Ah! Franchigia a Floria Tosca”
Tosca: Atto III. “Ah! Franchigia a Floria Tosca”
—
Tosca: Atto III. “Il tuo sangue o il mio amore volea”
Tosca: Atto III. “Il tuo sangue o il mio amore volea”
—
Tosca: Atto III. “O dolce mani”
Tosca: Atto III. “O dolce mani”
—
Tosca: Atto III. “Senti l’ora è vicina”
Tosca: Atto III. “Senti l’ora è vicina”
—
Tosca: Atto III. “Com’è lunga l’attesa!”
Tosca: Atto III. “Com’è lunga l’attesa!”
—
Tosca: Atto III. “Presto, su! Mario!”
Tosca: Atto III. “Presto, su! Mario!”
—
The Rite of Spring: Adoration of the Earth: Introduction: Lento
The Rite of Spring: Adoration of the Earth: Introduction: Lento
—
The Rite of Spring: Adoration of the Earth:The Augurs of Spring (Dance of the Young Girls)
The Rite of Spring: Adoration of the Earth:The Augurs of Spring (Dance of the Young Girls)
—
The Rite of Spring: Adoration of the Earth: Mock Abduction
The Rite of Spring: Adoration of the Earth: Mock Abduction
—
The Rite of Spring: Adoration of the Earth: Spring Round Dances
The Rite of Spring: Adoration of the Earth: Spring Round Dances
—
The Rite of Spring: Adoration of the Earth: Games of the Rival Tribes
The Rite of Spring: Adoration of the Earth: Games of the Rival Tribes
—
The Rite of Spring: Adoration of the Earth: Procession of the Wise Elder
The Rite of Spring: Adoration of the Earth: Procession of the Wise Elder
—
The Rite of Spring: Adoration of the Earth: Adoration of the Earth (The Wise Elder)
The Rite of Spring: Adoration of the Earth: Adoration of the Earth (The Wise Elder)
—
The Rite of Spring: Adoration of the Earth: Dance of the Earth
The Rite of Spring: Adoration of the Earth: Dance of the Earth
—
The Rite of Spring: The Sacrifice: Introduction: Largo
The Rite of Spring: The Sacrifice: Introduction: Largo
—
The Rite of Spring: The Sacrifice: Mystical Circles of the Young Girls
The Rite of Spring: The Sacrifice: Mystical Circles of the Young Girls
—
The Rite of Spring: The Sacrifice: Glorification of the Chosen Victim
The Rite of Spring: The Sacrifice: Glorification of the Chosen Victim
—
The Rite of Spring: The Sacrifice: Summoning of the Ancestors
The Rite of Spring: The Sacrifice: Summoning of the Ancestors
—
The Rite of Spring: The Sacrifice: Ritual of the Ancestors
The Rite of Spring: The Sacrifice: Ritual of the Ancestors
—
The Rite of Spring: The Sacrifice: Sacrificial Dance (The Chosen Victim)
The Rite of Spring: The Sacrifice: Sacrificial Dance (The Chosen Victim)
—
Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo
Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo
—
Concerto for Violin and Orchestra in D major, op. 77: II. Adagio
Concerto for Violin and Orchestra in D major, op. 77: II. Adagio
—
Concerto for Violin and Orchestra in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto
Concerto for Violin and Orchestra in D major, op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto
—
Symphony no. 2 in D major, op. 73: I. Allegro non troppo
Symphony no. 2 in D major, op. 73: I. Allegro non troppo
—
Symphony no. 2 in D major, op. 73: II. Adagio non troppo
Symphony no. 2 in D major, op. 73: II. Adagio non troppo
—
Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (quasi andantino)
Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (quasi andantino)
—
Symphony no. 2 in D major, op. 73: IV. Allegro con spirito
Symphony no. 2 in D major, op. 73: IV. Allegro con spirito
New York Philharmonic, Zubin Mehta
—
Violin Concerto No. 1 in G minor, Op. 26: I. Vorspiel: Allegro moderato
Violin Concerto No. 1 in G minor, Op. 26: I. Vorspiel: Allegro moderato
—
Concerto for Violin and Orchestra no. 1 in G minor, op. 26: II. Adagio
Concerto for Violin and Orchestra no. 1 in G minor, op. 26: II. Adagio
Pinchas Zukerman, London Philharmonic Orchestra, Zubin Mehta
—
Violin Concerto No. 1 in G minor, Op. 26: III. Finale: Allegro energico
Violin Concerto No. 1 in G minor, Op. 26: III. Finale: Allegro energico
—
Symphonie espagnole in D minor, Op. 21: I. Allegro non troppo
Symphonie espagnole in D minor, Op. 21: I. Allegro non troppo
—
Symphonie espagnole in D minor, Op. 21: II. Scherzando: Allegro molto
Symphonie espagnole in D minor, Op. 21: II. Scherzando: Allegro molto
—
Symphonie espagnole in D minor, Op. 21: III. Intermezzo: Allegretto non troppo
Symphonie espagnole in D minor, Op. 21: III. Intermezzo: Allegretto non troppo
—
Symphonie espagnole in D minor, Op. 21: IV. Andante
Symphonie espagnole in D minor, Op. 21: IV. Andante
—
Symphonie espagnole in D minor, Op. 21: V. Rondo: Allegro
Symphonie espagnole in D minor, Op. 21: V. Rondo: Allegro
—
Music from the Woody Allen film Manhattan: Rhapsody in Blue
Music from the Woody Allen film Manhattan: Rhapsody in Blue
—
Music from the Woody Allen film Manhattan: Land of the Gay Caballero
Music from the Woody Allen film Manhattan: Land of the Gay Caballero
—
Music from the Woody Allen film Manhattan: Someone to Watch over Me
Music from the Woody Allen film Manhattan: Someone to Watch over Me
—
Music from the Woody Allen film Manhattan: I've Got a Crush on You
Music from the Woody Allen film Manhattan: I've Got a Crush on You
—
Music from the Woody Allen film Manhattan: Do, Do, Do
Music from the Woody Allen film Manhattan: Do, Do, Do
—
Music from the Woody Allen film Manhattan: Mine
Music from the Woody Allen film Manhattan: Mine
—
Music from the Woody Allen film Manhattan: He Loves and She Loves
Music from the Woody Allen film Manhattan: He Loves and She Loves
—
Music from the Woody Allen film Manhattan: Bronco Busters
Music from the Woody Allen film Manhattan: Bronco Busters
—
Music from the Woody Allen film Manhattan: Oh, Lady Be Good!
Music from the Woody Allen film Manhattan: Oh, Lady Be Good!
—
Music from the Woody Allen film Manhattan: 'S Wonderful
Music from the Woody Allen film Manhattan: 'S Wonderful
—
Music from the Woody Allen film Manhattan: Love Is Here to Stay
Music from the Woody Allen film Manhattan: Love Is Here to Stay
—
Music from the Woody Allen film Manhattan: Sweet and Low-Down
Music from the Woody Allen film Manhattan: Sweet and Low-Down
—
Music from the Woody Allen film Manhattan: Blue Blue Blue
Music from the Woody Allen film Manhattan: Blue Blue Blue
—
Music from the Woody Allen film Manhattan: Embraceable You
Music from the Woody Allen film Manhattan: Embraceable You
—
Music from the Woody Allen film Manhattan: He Loves and She Loves
Music from the Woody Allen film Manhattan: He Loves and She Loves
—
Music from the Woody Allen film Manhattan: Love Is Sweeping the Country - Land of the Gay Caballero (Medley)
Music from the Woody Allen film Manhattan: Love Is Sweeping the Country - Land of the Gay Caballero (Medley)
—
Music from the Woody Allen film Manhattan: Strike Up the Band
Music from the Woody Allen film Manhattan: Strike Up the Band
—
Music from the Woody Allen film Manhattan: But Not for Me
Music from the Woody Allen film Manhattan: But Not for Me
—
Violin Concerto No. 2, Sz 112: I. Allegro non troppo
Violin Concerto No. 2, Sz 112: I. Allegro non troppo
—
Violin Concerto No. 2, Sz 112: II. Andante tranquillo
Violin Concerto No. 2, Sz 112: II. Andante tranquillo
—
Violin Concerto No. 2, Sz 112: III. Allegro molto
Violin Concerto No. 2, Sz 112: III. Allegro molto
—
Pictures at an Exhibition: Promenade
Pictures at an Exhibition: Promenade
—
Pictures at an Exhibition: I. Gnomus
Pictures at an Exhibition: I. Gnomus
—
Pictures at an Exhibition: Promenade
Pictures at an Exhibition: Promenade
—
Pictures at an Exhibition: II. Il vecchio castello
Pictures at an Exhibition: II. Il vecchio castello
—
Pictures at an Exhibition: Promenade
Pictures at an Exhibition: Promenade
—
Pictures at an Exhibition: III. Tuileries
Pictures at an Exhibition: III. Tuileries
—
Pictures at an Exhibition: IV. Bidło
Pictures at an Exhibition: IV. Bidło
—
Pictures at an Exhibition: Promenade
Pictures at an Exhibition: Promenade
—
Pictures at an Exhibition: V. Ballet des poussins dans leurs coques
Pictures at an Exhibition: V. Ballet des poussins dans leurs coques
—
Pictures at an Exhibition: VI. Samuel Goldenberg und Schmuÿle
Pictures at an Exhibition: VI. Samuel Goldenberg und Schmuÿle
—
Pictures at an Exhibition: VII. Limoges - Le Marché
Pictures at an Exhibition: VII. Limoges - Le Marché
—
Pictures at an Exhibition: VIII. Catacombae (Sepulcrum romanum)
Pictures at an Exhibition: VIII. Catacombae (Sepulcrum romanum)
—
Pictures at an Exhibition: Cum mortuis in lingua mortua
Pictures at an Exhibition: Cum mortuis in lingua mortua
—
Pictures at an Exhibition: IX. La Cabane sur des pattes de poule (Baba-Yaga)
Pictures at an Exhibition: IX. La Cabane sur des pattes de poule (Baba-Yaga)
—
Pictures at an Exhibition: X. La Grande Porte de Kiev
Pictures at an Exhibition: X. La Grande Porte de Kiev
—
La Valse, M. 72
La Valse, M. 72
—
Symphony no. 4 in E minor, op. 98: I. Allegro non troppo
Symphony no. 4 in E minor, op. 98: I. Allegro non troppo
—
Symphony no. 4 in E minor, op. 98: II. Andante moderato
Symphony no. 4 in E minor, op. 98: II. Andante moderato
—
Symphony no. 4 in E minor, op. 98: III. Allegro giocoso
Symphony no. 4 in E minor, op. 98: III. Allegro giocoso
—
Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato
Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato
—
Petrushka: Scene I: The Shrove-Tide Fair: Vivace
Petrushka: Scene I: The Shrove-Tide Fair: Vivace
—
Petrushka: Scene I: The Shrove-Tide Fair: The Magic Trick
Petrushka: Scene I: The Shrove-Tide Fair: The Magic Trick
—
Petrushka: Scene I: The Shrove-Tide Fair: Russian Dance
Petrushka: Scene I: The Shrove-Tide Fair: Russian Dance
—
Petrushka: Scene II: Petrouchka's Room
Petrushka: Scene II: Petrouchka's Room
—
Petrushka: Scene III: The Moor's Room: Feroce stringendo
Petrushka: Scene III: The Moor's Room: Feroce stringendo
—
Petrushka: Scene III: The Moor's Room: Dance of the Ballerina
Petrushka: Scene III: The Moor's Room: Dance of the Ballerina
—
Petrushka: Scene III: The Moor's Room: Valse
Petrushka: Scene III: The Moor's Room: Valse
—
Petrushka: Scene IV: The Fair Toward Evening: Con moto
Petrushka: Scene IV: The Fair Toward Evening: Con moto
—
Petrushka: Scene IV: The Fair Toward Evening: Wet-Nurses' Dance
Petrushka: Scene IV: The Fair Toward Evening: Wet-Nurses' Dance
—
Petrushka: Scene IV: The Fair Toward Evening: Peasant with Bear
Petrushka: Scene IV: The Fair Toward Evening: Peasant with Bear
—
Petrushka: Scene IV: The Fair Toward Evening: Gypsies
Petrushka: Scene IV: The Fair Toward Evening: Gypsies
—
Petrushka: Scene IV: The Fair Toward Evening: Dance of the Coachmen
Petrushka: Scene IV: The Fair Toward Evening: Dance of the Coachmen
—
Petrushka: Scene IV: The Fair Toward Evening: Masqueraders
Petrushka: Scene IV: The Fair Toward Evening: Masqueraders
—
Petrushka: Scene IV: The Fair Toward Evening: Scuffle
Petrushka: Scene IV: The Fair Toward Evening: Scuffle
—
Petrushka: Scene IV: The Fair Toward Evening: Death of Petrouchka
Petrushka: Scene IV: The Fair Toward Evening: Death of Petrouchka
—
Petrushka: Scene IV: The Fair Toward Evening: Petrouchka's Ghost
Petrushka: Scene IV: The Fair Toward Evening: Petrouchka's Ghost
—
Symphony no. 3: I. Allegro con brio
Symphony no. 3: I. Allegro con brio
—
Symphony no. 3: II. Marcia funebre - Adagio assai
Symphony no. 3: II. Marcia funebre - Adagio assai
—
Symphony no. 3: III. Scherzo - Allegro Vivace - Trio
Symphony no. 3: III. Scherzo - Allegro Vivace - Trio
—
Symphony no. 3: IV. Finale - Allegro Molto - Poco Andante - Presto
Symphony no. 3: IV. Finale - Allegro Molto - Poco Andante - Presto
—
Concerto no. 1 for Piano & Orchestra in E minor, op. 11: I. Allegro maestoso
Concerto no. 1 for Piano & Orchestra in E minor, op. 11: I. Allegro maestoso
—
Concerto no. 1 for Piano & Orchestra in E minor, op. 11: II. Romanze: Larghetto
Concerto no. 1 for Piano & Orchestra in E minor, op. 11: II. Romanze: Larghetto
—
Concerto no. 1 for Piano & Orchestra in E minor, op. 11: III. Rondo: Vivace
Concerto no. 1 for Piano & Orchestra in E minor, op. 11: III. Rondo: Vivace
—
Also sprach Zarathustra, Op. 30: Einleitung
Also sprach Zarathustra, Op. 30: Einleitung
—
Also sprach Zarathustra, Op. 30: Von den Hinterweltlern
Also sprach Zarathustra, Op. 30: Von den Hinterweltlern
—
Also sprach Zarathustra, Op. 30: Von der großen Sehnsucht
Also sprach Zarathustra, Op. 30: Von der großen Sehnsucht
—
Also sprach Zarathustra, Op. 30: Von den Freuden und Leidenschaften
Also sprach Zarathustra, Op. 30: Von den Freuden und Leidenschaften
—
Also sprach Zarathustra, Op. 30: Das Grablied
Also sprach Zarathustra, Op. 30: Das Grablied
—
Also sprach Zarathustra, Op. 30: Von der Wissenschaft
Also sprach Zarathustra, Op. 30: Von der Wissenschaft
—
Also sprach Zarathustra, Op. 30: Der Genesende
Also sprach Zarathustra, Op. 30: Der Genesende
—
Also sprach Zarathustra, Op. 30: Ziemlich langsam - Schnell
Also sprach Zarathustra, Op. 30: Ziemlich langsam - Schnell
—
Also sprach Zarathustra, Op. 30: Das Tanzlied
Also sprach Zarathustra, Op. 30: Das Tanzlied
—
Also sprach Zarathustra, Op. 30: Nachtwandlerlied
Also sprach Zarathustra, Op. 30: Nachtwandlerlied
—
Also sprach Zarathustra, Op. 30: Langsam
Also sprach Zarathustra, Op. 30: Langsam
—
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito
Emil Gilels, New York Philharmonic, Zubin Mehta
—
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice
Emil Gilels, New York Philharmonic, Zubin Mehta
—
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco
Emil Gilels, New York Philharmonic, Zubin Mehta
—
Prelude No. 10 in E minor, BWV 855
Prelude No. 10 in E minor, BWV 855
Emil Gilels
—
Concerto for Violin, Cello and Orchestra in A minor, op. 102 “Double Concerto”: I. Allegro
Concerto for Violin, Cello and Orchestra in A minor, op. 102 “Double Concerto”: I. Allegro
—
Concerto for Violin, Cello and Orchestra in A minor, op. 102 “Double Concerto”: II. Andante
Concerto for Violin, Cello and Orchestra in A minor, op. 102 “Double Concerto”: II. Andante
—
Concerto for Violin, Cello and Orchestra in A minor, op. 102 “Double Concerto”: III. Vivace non troppo
Concerto for Violin, Cello and Orchestra in A minor, op. 102 “Double Concerto”: III. Vivace non troppo
—
Academic Festival Overture, op. 80
Academic Festival Overture, op. 80
—
Concerto for Two Violins in D minor, BWV 1043: I. Vivace
Concerto for Two Violins in D minor, BWV 1043: I. Vivace
Itzhak Perlman, Isaac Stern, New York Philharmonic, Zubin Mehta
—
Concerto for Two Violins in D minor, BWV 1043: II. Largo ma non tanto
Concerto for Two Violins in D minor, BWV 1043: II. Largo ma non tanto
Itzhak Perlman, Isaac Stern, New York Philharmonic, Zubin Mehta
—
Concerto for Two Violins in D minor, BWV 1043: III. Allegro
Concerto for Two Violins in D minor, BWV 1043: III. Allegro
Itzhak Perlman, Isaac Stern, New York Philharmonic, Zubin Mehta
—
Concerto for Three Violins F1 No. 34: I. Allegro
Concerto for Three Violins F1 No. 34: I. Allegro
Itzhak Perlman, Isaac Stern, Pinchas Zukerman, New York Philharmonic, Zubin Mehta
T-902.836.120-8
Concerto for Three Violins F1 No. 34: II. Andante
Concerto for Three Violins F1 No. 34: II. Andante
Itzhak Perlman, Isaac Stern, Pinchas Zukerman, New York Philharmonic, Zubin Mehta
—
Concerto for Three Violins F1 No. 34: III. Allegro
Concerto for Three Violins F1 No. 34: III. Allegro
Itzhak Perlman, Isaac Stern, Pinchas Zukerman, New York Philharmonic, Zubin Mehta
—
Sinfonia Concertante for Violin and Viola, K. 364: I. Allegro maestoso
Sinfonia Concertante for Violin and Viola, K. 364: I. Allegro maestoso
—
Sinfonia Concertante for Violin and Viola, K. 364: II. Andante
Sinfonia Concertante for Violin and Viola, K. 364: II. Andante
—
Sinfonia Concertante for Violin and Viola, K. 364: III. Presto
Sinfonia Concertante for Violin and Viola, K. 364: III. Presto
—
Concerto for Piano no. 2 in B-flat major, op. 83: I. Allegro non troppo
Concerto for Piano no. 2 in B-flat major, op. 83: I. Allegro non troppo
—
Concerto for Piano no. 2 in B-flat major, op. 83: II. Allegro appassionato
Concerto for Piano no. 2 in B-flat major, op. 83: II. Allegro appassionato
—
Concerto for Piano no. 2 in B-flat major, op. 83: III. Andante - Più adagio
Concerto for Piano no. 2 in B-flat major, op. 83: III. Andante - Più adagio
—
Concerto for Piano no. 2 in B-flat major, op. 83: IV. Allegretto grazioso
Concerto for Piano no. 2 in B-flat major, op. 83: IV. Allegretto grazioso
—
Messa da Requiem: I. Requiem & Kyrie
Messa da Requiem: I. Requiem & Kyrie
—
Messa da Requiem: II. Dies irae: Dies irae, dies illa
Messa da Requiem: II. Dies irae: Dies irae, dies illa
—
Messa da Requiem: II. Tuba mirum spargens sonum
Messa da Requiem: II. Tuba mirum spargens sonum
—
Messa da Requiem: II. Liber scriptus proferetur
Messa da Requiem: II. Liber scriptus proferetur
—
Messa da Requiem: II. Quid sum miser
Messa da Requiem: II. Quid sum miser
—
Messa da Requiem: II. Rex tremendae majestatis
Messa da Requiem: II. Rex tremendae majestatis
—
Messa da Requiem: II. Recordare, Jesu pie
Messa da Requiem: II. Recordare, Jesu pie
—
Messa da Requiem: II. Ingemisco tamquam reus
Messa da Requiem: II. Ingemisco tamquam reus
—
Messa da Requiem: II. Confutatis maledictis
Messa da Requiem: II. Confutatis maledictis
—
Messa da Requiem: II. Lacrymosa dies illa
Messa da Requiem: II. Lacrymosa dies illa
—
Messa da Requiem: III. Offertorio
Messa da Requiem: III. Offertorio
—
Messa da Requiem: IV. Sanctus
Messa da Requiem: IV. Sanctus
—
Messa da Requiem: V. Agnus Dei
Messa da Requiem: V. Agnus Dei
—
Messa da Requiem: VI. Lux aeterna
Messa da Requiem: VI. Lux aeterna
—
Messa da Requiem: VII. Libera me
Messa da Requiem: VII. Libera me
—
Concerto for Piano no. 1 in D minor, op. 15: I. Maestoso
Concerto for Piano no. 1 in D minor, op. 15: I. Maestoso
—
Concerto for Piano no. 1 in D minor, op. 15: II. Adagio
Concerto for Piano no. 1 in D minor, op. 15: II. Adagio
—
Concerto for Piano no. 1 in D minor, op. 15: III. Rondo
Concerto for Piano no. 1 in D minor, op. 15: III. Rondo
—
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio
—
Symphony No. 5 in C Minor, Op. 67: II. Andante con moto
Symphony No. 5 in C Minor, Op. 67: II. Andante con moto
—
Symphony No. 5 in C Minor, Op. 67: III. Scherzo, Allegro
Symphony No. 5 in C Minor, Op. 67: III. Scherzo, Allegro
—
Symphony No. 5 in C Minor, Op. 67: IV. Allegro
Symphony No. 5 in C Minor, Op. 67: IV. Allegro
—
Symphony No. 8 in F Major, Op. 93: I. Allegro vivace e con brio
Symphony No. 8 in F Major, Op. 93: I. Allegro vivace e con brio
—
Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando
Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando
—
Symphony No. 8 in F Major, Op. 93: III. Tempo di menuetto
Symphony No. 8 in F Major, Op. 93: III. Tempo di menuetto
—
Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace
Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace
—
Symphony no. 1 "Titan": I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemachlich
Symphony no. 1 "Titan": I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemachlich
—
Symphony no. 1 "Titan": II. Kraftig bewegt, doch nicht zu schnell
Symphony no. 1 "Titan": II. Kraftig bewegt, doch nicht zu schnell
—
Symphony no. 1 "Titan": III. Feierlich und gemessen, ohne zu shleppen
Symphony no. 1 "Titan": III. Feierlich und gemessen, ohne zu shleppen
—
Symphony no. 1 "Titan": IV. Sturmisch bewegt - Energisch
Symphony no. 1 "Titan": IV. Sturmisch bewegt - Energisch
—
Tristan und Isolde: Prelude / Liebestod
Tristan und Isolde: Prelude / Liebestod
—
Der fliegende Holländer: Senta's Ballad
Der fliegende Holländer: Senta's Ballad
—
Tannhäuser: Aria 'Dich, teure Halle'
Tannhäuser: Aria 'Dich, teure Halle'
—
Die Götterdämmerung: Brunnhilde's Immolation Scene
Die Götterdämmerung: Brunnhilde's Immolation Scene
—
Concerto for Violin and Orchestra no. 1 in D major, op. 19: I. Andantino - Andante assai
Concerto for Violin and Orchestra no. 1 in D major, op. 19: I. Andantino - Andante assai
—
Concerto for Violin and Orchestra no. 1 in D major, op. 19: II. Scherzo. Vivacissimo
Concerto for Violin and Orchestra no. 1 in D major, op. 19: II. Scherzo. Vivacissimo
—
Concerto for Violin and Orchestra no. 1 in D major, op. 19: III. Moderato - Allegro moderato - Moderato - Più tranquillo
Concerto for Violin and Orchestra no. 1 in D major, op. 19: III. Moderato - Allegro moderato - Moderato - Più tranquillo
—
Concerto for Violin and Orchestra no. 2 in G minor, op. 63: I. Allegro moderato
Concerto for Violin and Orchestra no. 2 in G minor, op. 63: I. Allegro moderato
—
Concerto for Violin and Orchestra no. 2 in G minor, op. 63: II. Andante assai - Allegretto - Andante assai
Concerto for Violin and Orchestra no. 2 in G minor, op. 63: II. Andante assai - Allegretto - Andante assai
—
Concerto for Violin and Orchestra no. 2 in G minor, op. 63: III. Allegro, ben marcato
Concerto for Violin and Orchestra no. 2 in G minor, op. 63: III. Allegro, ben marcato
—
Ein Heldenleben, Op. 40: Der Held
Ein Heldenleben, Op. 40: Der Held
—
Ein Heldenleben, Op. 40: Des Helden Widersacher
Ein Heldenleben, Op. 40: Des Helden Widersacher
—
Ein Heldenleben, Op. 40: Des Helden Gefährtin
Ein Heldenleben, Op. 40: Des Helden Gefährtin
—
Ein Heldenleben, Op. 40: Des Helden Walstatt
Ein Heldenleben, Op. 40: Des Helden Walstatt
—
Ein Heldenleben, Op. 40: Des Helden Friedenswerke
Ein Heldenleben, Op. 40: Des Helden Friedenswerke
—
Ein Heldenleben, Op. 40: Des Helden Weltflucht und Vollendung
Ein Heldenleben, Op. 40: Des Helden Weltflucht und Vollendung
—
Symphony No.9 Op. 125 "Choral/Corale" in D Minor - Allegro Ma Non Troppo, Un Poco Maestoso
Symphony No.9 Op. 125 "Choral/Corale" in D Minor - Allegro Ma Non Troppo, Un Poco Maestoso
—
Symphony No.9 Op. 125 "Choral/Corale" in D Minor - Molto Vivace; Presto; Molto Vivace
Symphony No.9 Op. 125 "Choral/Corale" in D Minor - Molto Vivace; Presto; Molto Vivace
New York Philharmonic, Zubin Mehta
—
Symphony No.9 Op. 125 "Choral/Corale" in D Minor - Adagio Molto E Cantabile; Andante Moderato
Symphony No.9 Op. 125 "Choral/Corale" in D Minor - Adagio Molto E Cantabile; Andante Moderato
—
Symphony No.9 Op. 125 "Choral/Corale" in D Minor - Presto; Allegro Assai
Symphony No.9 Op. 125 "Choral/Corale" in D Minor - Presto; Allegro Assai
—
Choral Fantasia in C minor, op. 80: I. Adagio
Choral Fantasia in C minor, op. 80: I. Adagio
—
Choral Fantasia in C minor, op. 80: II. Allegro
Choral Fantasia in C minor, op. 80: II. Allegro
—
Choral Fantasia in C minor, op. 80: III. Meno allegro
Choral Fantasia in C minor, op. 80: III. Meno allegro
—
Choral Fantasia in C minor, op. 80: IV. Adagio ma non troppo
Choral Fantasia in C minor, op. 80: IV. Adagio ma non troppo
—
Choral Fantasia in C minor, op. 80: V. Marcia, assai vivace
Choral Fantasia in C minor, op. 80: V. Marcia, assai vivace
—
Choral Fantasia in C minor, op. 80: VI. Allegretto ma non troppo
Choral Fantasia in C minor, op. 80: VI. Allegretto ma non troppo
—
Choral Fantasia in C minor, op. 80: VII. Presto
Choral Fantasia in C minor, op. 80: VII. Presto
—
Das Rheingold: Entrance of the Gods into Valhalla
Das Rheingold: Entrance of the Gods into Valhalla
—
Die Walküre: The Ride of the Valkyries
Die Walküre: The Ride of the Valkyries
—
Die Walküre: Magic Fire Music
Die Walküre: Magic Fire Music
—
Siegfried: Forest Murmurs
Siegfried: Forest Murmurs
—
Götterdämmerung: Dawn and Siegfried's Rhine Journey
Götterdämmerung: Dawn and Siegfried's Rhine Journey
—
Götterdämmerung: Siegfried's Funeral Music
Götterdämmerung: Siegfried's Funeral Music
—
Symphony no. 3 in F major, op. 90: I. Allegro con brio
Symphony no. 3 in F major, op. 90: I. Allegro con brio
—
Symphony no. 3 in F major, op. 90: II. Andante
Symphony no. 3 in F major, op. 90: II. Andante
—
Symphony no. 3 in F major, op. 90: III. Poco allegretto
Symphony no. 3 in F major, op. 90: III. Poco allegretto
—
Symphony no. 3 in F major, op. 90: IV. Allegro
Symphony no. 3 in F major, op. 90: IV. Allegro
—
Variations on a Theme by Joseph Haydn, op. 56a: Thema - Chorale St. Antoni
Variations on a Theme by Joseph Haydn, op. 56a: Thema - Chorale St. Antoni
—
Variations on a Theme by Joseph Haydn, op. 56a: Variation I
Variations on a Theme by Joseph Haydn, op. 56a: Variation I
—
Variations on a Theme by Joseph Haydn, op. 56a: Variation II
Variations on a Theme by Joseph Haydn, op. 56a: Variation II
—
Variations on a Theme by Joseph Haydn, op. 56a: Variation III
Variations on a Theme by Joseph Haydn, op. 56a: Variation III
—
Variations on a Theme by Joseph Haydn, op. 56a: Variation IV
Variations on a Theme by Joseph Haydn, op. 56a: Variation IV
—
Variations on a Theme by Joseph Haydn, op. 56a: Variation V
Variations on a Theme by Joseph Haydn, op. 56a: Variation V
—
Variations on a Theme by Joseph Haydn, op. 56a: Variation VI
Variations on a Theme by Joseph Haydn, op. 56a: Variation VI
—
Variations on a Theme by Joseph Haydn, op. 56a: Variation VII
Variations on a Theme by Joseph Haydn, op. 56a: Variation VII
—
Variations on a Theme by Joseph Haydn, op. 56a: Variation VIII
Variations on a Theme by Joseph Haydn, op. 56a: Variation VIII
—
Variations on a Theme by Joseph Haydn, op. 56a: Finale
Variations on a Theme by Joseph Haydn, op. 56a: Finale
—
Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato
Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato
—
Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante
Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante
—
Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo
Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo
—
Sérénade Mélancolique, op. 26
Sérénade Mélancolique, op. 26
—
Mélodie, op. 42 no. 3
Mélodie, op. 42 no. 3
—
Die Walküre, WWV 86B : Vorspiel
Die Walküre, WWV 86B : Vorspiel
—
Die Walküre, WWV 86B : "Wes Herd dies auch sei, hier muss ich rasten"
Die Walküre, WWV 86B : "Wes Herd dies auch sei, hier muss ich rasten"
—
Die Walküre, WWV 86B : "Müd am Herd fand ich den Mann"
Die Walküre, WWV 86B : "Müd am Herd fand ich den Mann"
—
Die Walküre, WWV 86B : "Friedmund darf ich nicht heißen"
Die Walküre, WWV 86B : "Friedmund darf ich nicht heißen"
—
Die Walküre, WWV 86B : "Ich weiß ein wildes Geschlecht"
Die Walküre, WWV 86B : "Ich weiß ein wildes Geschlecht"
—
Die Walküre, WWV 86B : "Ein Schwert verhieß mir der Vater"
Die Walküre, WWV 86B : "Ein Schwert verhieß mir der Vater"
—
Die Walküre, WWV 86B : "Schläfst du, Gast?"
Die Walküre, WWV 86B : "Schläfst du, Gast?"
—
Die Walküre, WWV 86B : "Der Männer Sippe saß hier im Saal"
Die Walküre, WWV 86B : "Der Männer Sippe saß hier im Saal"
—
Die Walküre, WWV 86B : "Winterstürme wichen dem Wonnemond"
Die Walküre, WWV 86B : "Winterstürme wichen dem Wonnemond"
—
Die Walküre, WWV 86B : "Du bist der Lenz"
Die Walküre, WWV 86B : "Du bist der Lenz"
—
Die Walküre, WWV 86B : "War Wälse dein Vater, und bist du ein Wälsung"
Die Walküre, WWV 86B : "War Wälse dein Vater, und bist du ein Wälsung"
—
Die Walküre, WWV 86B : "Siegmund, den Wälsung, siehst du, Weib!"
Die Walküre, WWV 86B : "Siegmund, den Wälsung, siehst du, Weib!"
—
Symphonia Domestica, op. 53: Bewegt
Symphonia Domestica, op. 53: Bewegt
Berliner Philharmoniker, Zubin Mehta
—
Symphonia Domestica, op. 53: Sehr lebhaft
Symphonia Domestica, op. 53: Sehr lebhaft
Berliner Philharmoniker, Zubin Mehta
—
Symphonia Domestica, op. 53: Ruhig
Symphonia Domestica, op. 53: Ruhig
Berliner Philharmoniker, Zubin Mehta
—
Symphonia Domestica, op. 53: Scherzo (munter)
Symphonia Domestica, op. 53: Scherzo (munter)
Berliner Philharmoniker, Zubin Mehta
—
Symphonia Domestica, op. 53: Etwas ruhiger
Symphonia Domestica, op. 53: Etwas ruhiger
Berliner Philharmoniker, Zubin Mehta
—
Symphonia Domestica, op. 53: Wiegenlied: Mäßig langsam
Symphonia Domestica, op. 53: Wiegenlied: Mäßig langsam
Berliner Philharmoniker, Zubin Mehta
—
Symphonia Domestica, op. 53: Mäßig langsam und sehr ruhig
Symphonia Domestica, op. 53: Mäßig langsam und sehr ruhig
Berliner Philharmoniker, Zubin Mehta
—
Symphonia Domestica, op. 53: Mäßig langsam
Symphonia Domestica, op. 53: Mäßig langsam
Berliner Philharmoniker, Zubin Mehta
—
Symphonia Domestica, op. 53: Mäßig langsam
Symphonia Domestica, op. 53: Mäßig langsam
Berliner Philharmoniker, Zubin Mehta
—
Symphonia Domestica, op. 53: Finale: Sehr lebhaft
Symphonia Domestica, op. 53: Finale: Sehr lebhaft
Berliner Philharmoniker, Zubin Mehta
—
Symphonia Domestica, op. 53: A tempo, ruhig und einfach
Symphonia Domestica, op. 53: A tempo, ruhig und einfach
Berliner Philharmoniker, Zubin Mehta
—
Symphonia Domestica, op. 53: Sehr lebhaft und lustig
Symphonia Domestica, op. 53: Sehr lebhaft und lustig
Berliner Philharmoniker, Zubin Mehta
—
Burleske for Piano and Orchestra in D minor: Allegro vivace
Burleske for Piano and Orchestra in D minor: Allegro vivace
Berliner Philharmoniker, Zubin Mehta
—
Burleske for Piano and Orchestra in D minor: Tranquillo
Burleske for Piano and Orchestra in D minor: Tranquillo
Berliner Philharmoniker, Zubin Mehta
T-801.162.741-2
Burleske for Piano and Orchestra in D minor: (Cadenza)
Burleske for Piano and Orchestra in D minor: (Cadenza)
Berliner Philharmoniker, Zubin Mehta
T-801.162.741-2
Burleske for Piano and Orchestra in D minor: Solo
Burleske for Piano and Orchestra in D minor: Solo
Berliner Philharmoniker, Zubin Mehta
—
Burleske for Piano and Orchestra in D minor: Solo
Burleske for Piano and Orchestra in D minor: Solo
Berliner Philharmoniker, Zubin Mehta
—
Burleske for Piano and Orchestra in D minor: poco piu tranquillo
Burleske for Piano and Orchestra in D minor: poco piu tranquillo
Berliner Philharmoniker, Zubin Mehta
—
Burleske for Piano and Orchestra in D minor: Sempre quasi Cadenza
Burleske for Piano and Orchestra in D minor: Sempre quasi Cadenza
Berliner Philharmoniker, Zubin Mehta
—
Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto
Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto
—
Symphony no. 1 in C minor, op. 68: II. Andante sostenuto
Symphony no. 1 in C minor, op. 68: II. Andante sostenuto
—
Symphony no. 1 in C minor, op. 68: III. Un poco Allegretto e grazioso
Symphony no. 1 in C minor, op. 68: III. Un poco Allegretto e grazioso
—
Symphony no. 1 in C minor, op. 68: IV. Adagio - Più andante - Allegro non troppo, ma con brio
Symphony no. 1 in C minor, op. 68: IV. Adagio - Più andante - Allegro non troppo, ma con brio
—
Heritage : Part I: In The Beginning: Overture
Heritage : Part I: In The Beginning: Overture
—
Heritage : Part I: In The Beginning: Ancient People....Noah's Covenant
Heritage : Part I: In The Beginning: Ancient People....Noah's Covenant
—
Heritage : Part I: In The Beginning: Exodus From Egypt
Heritage : Part I: In The Beginning: Exodus From Egypt
—
Heritage : Part I: In The Beginning: Dance: Before The Golden Calf
Heritage : Part I: In The Beginning: Dance: Before The Golden Calf
—
Heritage : Part I: In The Beginning: The Ten Commandments
Heritage : Part I: In The Beginning: The Ten Commandments
—
Heritage : Part I: In The Beginning: March: Judges And Kings
Heritage : Part I: In The Beginning: March: Judges And Kings
—
Heritage : Part I: In The Beginning: Exile: By The Rivers Of Babylon And Destruction Of The Temple
Heritage : Part I: In The Beginning: Exile: By The Rivers Of Babylon And Destruction Of The Temple
—
Heritage : Part I: In The Beginning: Lament And Survival...Heritage
Heritage : Part I: In The Beginning: Lament And Survival...Heritage
—
Heritage : Part II: The Living Legacy: Prelude
Heritage : Part II: The Living Legacy: Prelude
—
Heritage : Part II: The Living Legacy: Heritage
Heritage : Part II: The Living Legacy: Heritage
—
Heritage : Part II: The Living Legacy: Diaspora
Heritage : Part II: The Living Legacy: Diaspora
—
Heritage : Part II: The Living Legacy: Christianity
Heritage : Part II: The Living Legacy: Christianity
—
Heritage : Part II: The Living Legacy: Islam
Heritage : Part II: The Living Legacy: Islam
—
Heritage : Part II: The Living Legacy: Moorish Spain....Moorish Dance
Heritage : Part II: The Living Legacy: Moorish Spain....Moorish Dance
—
Heritage : Part II: The Living Legacy: Ashkenazim
Heritage : Part II: The Living Legacy: Ashkenazim
—
Heritage : Part II: The Living Legacy: Shtetl
Heritage : Part II: The Living Legacy: Shtetl
—
Heritage : Part II: The Living Legacy: America
Heritage : Part II: The Living Legacy: America
—
Heritage : Part II: The Living Legacy: Holocaust
Heritage : Part II: The Living Legacy: Holocaust
—
Heritage : Part II: The Living Legacy: Israel: A People...A Heritage Reunited
Heritage : Part II: The Living Legacy: Israel: A People...A Heritage Reunited
—
Scheherezade: I. Largo e maestoso; Allegro non troppo
Scheherezade: I. Largo e maestoso; Allegro non troppo
—
Scheherezade: II. Lento; Andantino; Allegro molto
Scheherezade: II. Lento; Andantino; Allegro molto
—
Scheherezade: III. Andantino, quasi allegretto
Scheherezade: III. Andantino, quasi allegretto
—
Scheherezade: IV. Allegro molto; Vivo; Allegro non troppo e maestoso
Scheherezade: IV. Allegro molto; Vivo; Allegro non troppo e maestoso
—
Russian Easter Overture
Russian Easter Overture
—
Concerto No. 3 in D minor for Piano & Orchestra, Op.30: I. Allegro ma non tanto
Concerto No. 3 in D minor for Piano & Orchestra, Op.30: I. Allegro ma non tanto
—
Concerto No. 3 in D minor for Piano & Orchestra, Op.30: II. Intermezzo: Adagio
Concerto No. 3 in D minor for Piano & Orchestra, Op.30: II. Intermezzo: Adagio
—
Concerto No. 3 in D minor for Piano & Orchestra, Op.30: III. Finale. Alla breve
Concerto No. 3 in D minor for Piano & Orchestra, Op.30: III. Finale. Alla breve
—
Rhapsody On A Theme Of Paganini, Op.43: I. Introduction
Rhapsody On A Theme Of Paganini, Op.43: I. Introduction
—
Rhapsody On A Theme Of Paganini, Op.43: II. Variation No. 1
Rhapsody On A Theme Of Paganini, Op.43: II. Variation No. 1
—
Rhapsody On A Theme Of Paganini, Op.43: III. Variation No. 2
Rhapsody On A Theme Of Paganini, Op.43: III. Variation No. 2
—
Rhapsody On A Theme Of Paganini, Op.43: IV. Variation No. 3
Rhapsody On A Theme Of Paganini, Op.43: IV. Variation No. 3
—
Rhapsody On A Theme Of Paganini, Op.43: V. Variation No. 4
Rhapsody On A Theme Of Paganini, Op.43: V. Variation No. 4
—
Rhapsody On A Theme Of Paganini, Op.43: VI. Variation No. 5
Rhapsody On A Theme Of Paganini, Op.43: VI. Variation No. 5
—
Rhapsody On A Theme Of Paganini, Op.43: VII. Variation No. 6
Rhapsody On A Theme Of Paganini, Op.43: VII. Variation No. 6
—
Rhapsody On A Theme Of Paganini, Op.43: VIII. Variation No. 7
Rhapsody On A Theme Of Paganini, Op.43: VIII. Variation No. 7
—
Rhapsody On A Theme Of Paganini, Op.43: IX. Variation No. 8
Rhapsody On A Theme Of Paganini, Op.43: IX. Variation No. 8
—
Rhapsody On A Theme Of Paganini, Op.43: X. Variation No. 9
Rhapsody On A Theme Of Paganini, Op.43: X. Variation No. 9
—
Rhapsody On A Theme Of Paganini, Op.43: XI. Variation No. 10
Rhapsody On A Theme Of Paganini, Op.43: XI. Variation No. 10
—
Rhapsody On A Theme Of Paganini, Op.43: XII. Variation No. 11
Rhapsody On A Theme Of Paganini, Op.43: XII. Variation No. 11
—
Rhapsody On A Theme Of Paganini, Op.43: XIII. Variation No. 12
Rhapsody On A Theme Of Paganini, Op.43: XIII. Variation No. 12
—
Rhapsody On A Theme Of Paganini, Op.43: XIV. Variation No. 13
Rhapsody On A Theme Of Paganini, Op.43: XIV. Variation No. 13
—
Rhapsody On A Theme Of Paganini, Op.43: XV. Variation No. 14
Rhapsody On A Theme Of Paganini, Op.43: XV. Variation No. 14
—
Rhapsody On A Theme Of Paganini, Op.43: XVI. Variation No. 15
Rhapsody On A Theme Of Paganini, Op.43: XVI. Variation No. 15
—
Rhapsody On A Theme Of Paganini, Op.43: XVII. Variation No. 16
Rhapsody On A Theme Of Paganini, Op.43: XVII. Variation No. 16
—
Rhapsody On A Theme Of Paganini, Op.43: XVIII. Variation No. 17
Rhapsody On A Theme Of Paganini, Op.43: XVIII. Variation No. 17
—
Rhapsody On A Theme Of Paganini, Op.43: XIX. Variation No. 18
Rhapsody On A Theme Of Paganini, Op.43: XIX. Variation No. 18
—
Rhapsody On A Theme Of Paganini, Op.43: XX. Variation No. 19
Rhapsody On A Theme Of Paganini, Op.43: XX. Variation No. 19
—
Rhapsody On A Theme Of Paganini, Op.43: XXI. Variation No. 20
Rhapsody On A Theme Of Paganini, Op.43: XXI. Variation No. 20
—
Rhapsody On A Theme Of Paganini, Op.43: XXII. Variation No. 21
Rhapsody On A Theme Of Paganini, Op.43: XXII. Variation No. 21
—
Rhapsody On A Theme Of Paganini, Op.43: XXIII. Variation No. 22
Rhapsody On A Theme Of Paganini, Op.43: XXIII. Variation No. 22
—
Rhapsody On A Theme Of Paganini, Op.43: XXIV. Variation No. 23
Rhapsody On A Theme Of Paganini, Op.43: XXIV. Variation No. 23
—
Rhapsody On A Theme Of Paganini, Op.43: XXV. Variation No. 24
Rhapsody On A Theme Of Paganini, Op.43: XXV. Variation No. 24
—
Fedora, Act 2: "Amor ti vieta"
Fedora, Act 2: "Amor ti vieta"
—
Giuditta: "Freunde, das Leben ist lebenswert
Giuditta: "Freunde, das Leben ist lebenswert
—
Donna Diana: Overture
Donna Diana: Overture
—
L'amico Fritz: Suzel, Buon Di "Cherry Duet"
L'amico Fritz: Suzel, Buon Di "Cherry Duet"
—
Capriccio Espagnol, Op. 34 : I. Alborada. Vivo e strepitoso
Capriccio Espagnol, Op. 34 : I. Alborada. Vivo e strepitoso
—
Capriccio Espagnol, Op. 34 : II. Variations. Andante con moto
Capriccio Espagnol, Op. 34 : II. Variations. Andante con moto
—
Capriccio Espagnol, Op. 34 : III. Alborada. Vivo e strepitoso
Capriccio Espagnol, Op. 34 : III. Alborada. Vivo e strepitoso
—
Capriccio Espagnol, Op. 34 : IV. Scene and Gypsy Song. Allegro
Capriccio Espagnol, Op. 34 : IV. Scene and Gypsy Song. Allegro
—
Capriccio Espagnol, Op. 34 : V. Fandango of the Asturias
Capriccio Espagnol, Op. 34 : V. Fandango of the Asturias
—
Granada
Granada
—
Frühlingsstimmen, Op. 410
Frühlingsstimmen, Op. 410
—
La traviata: Act II: "Lunge da lei ... De'miei bollenti spiriti"
La traviata: Act II: "Lunge da lei ... De'miei bollenti spiriti"
—
Ideale
Ideale
—
Gianni Schicchi: "O mio babbino caro"
Gianni Schicchi: "O mio babbino caro"
—
Musica proibita, Op. 5
Musica proibita, Op. 5
—
Concerto for Flute no. 1 in G major, K. 285c/313: I. Allegro maestoso
Concerto for Flute no. 1 in G major, K. 285c/313: I. Allegro maestoso
—
Concerto for Flute no. 1 in G major, K. 285c/313: II. Adagio non troppo
Concerto for Flute no. 1 in G major, K. 285c/313: II. Adagio non troppo
—
Concerto for Flute no. 1 in G major, K. 285c/313: III. Rondo. Tempo di menuetto
Concerto for Flute no. 1 in G major, K. 285c/313: III. Rondo. Tempo di menuetto
—
Concerto for Flute no. 2 in D major, K. 285d/314: I. Allegro aperto
Concerto for Flute no. 2 in D major, K. 285d/314: I. Allegro aperto
—
Concerto for Flute no. 2 in D major, K. 285d/314: II. Adagio ma non troppo
Concerto for Flute no. 2 in D major, K. 285d/314: II. Adagio ma non troppo
—
Concerto for Flute no. 2 in D major, K. 285d/314: III. Rondo. Allegretto
Concerto for Flute no. 2 in D major, K. 285d/314: III. Rondo. Allegretto
—
Concerto for Flute & Orchestra in C major, K. 285e/315: Andante
Concerto for Flute & Orchestra in C major, K. 285e/315: Andante
—
Rondo for Flute & orchestra in D major, K.Anh.184: Allegretto grazioso
Rondo for Flute & orchestra in D major, K.Anh.184: Allegretto grazioso
—
Concerto for Violin & Orchestra in A minor, Op. 53: I. Allegro
Concerto for Violin & Orchestra in A minor, Op. 53: I. Allegro
—
Concerto for Violin & Orchestra in A minor, Op. 53: II. Adagio
Concerto for Violin & Orchestra in A minor, Op. 53: II. Adagio
—
Concerto for Violin & Orchestra in A minor, Op. 53: III. Finale
Concerto for Violin & Orchestra in A minor, Op. 53: III. Finale
—
Romance for Violin & Orchestra in F minor, Op. 11
Romance for Violin & Orchestra in F minor, Op. 11
—
Overture in A major, Op. 92 "Carnival"
Overture in A major, Op. 92 "Carnival"
—
Hungarian Rhapsody no. 1
Hungarian Rhapsody no. 1
—
Hungarian Rhapsody no. 2
Hungarian Rhapsody no. 2
—
Hungarian Rhapsody no. 3
Hungarian Rhapsody no. 3
—
Hungarian Rhapsody no. 4
Hungarian Rhapsody no. 4
—
Hungarian Rhapsody no. 5
Hungarian Rhapsody no. 5
—
Hungarian Rhapsody no. 6 “Carnival in Pest”
Hungarian Rhapsody no. 6 “Carnival in Pest”
—
Dichter und Bauer
Dichter und Bauer
—
Tantalusqualen
Tantalusqualen
—
Banditenstreiche
Banditenstreiche
—
Die schöne Galathée
Die schöne Galathée
—
Pique Dame
Pique Dame
—
Leichte Kavallerie
Leichte Kavallerie
—
Wiener Jubel
Wiener Jubel
—
Ein Morgen, ein Mittag, ein Abend in Wien
Ein Morgen, ein Mittag, ein Abend in Wien
—
Eine Alpensinfonie, op. 64, 1. Night
Eine Alpensinfonie, op. 64, 1. Night
—
Eine Alpensinfonie, op. 64, 2. Sunrise
Eine Alpensinfonie, op. 64, 2. Sunrise
—
Eine Alpensinfonie, op. 64, 3. The Ascent
Eine Alpensinfonie, op. 64, 3. The Ascent
—
Eine Alpensinfonie, op. 64, 4. Entry into the Wood
Eine Alpensinfonie, op. 64, 4. Entry into the Wood
—
Eine Alpensinfonie, op. 64, 5. Wandering by the Side of the Brook
Eine Alpensinfonie, op. 64, 5. Wandering by the Side of the Brook
—
Eine Alpensinfonie, op. 64, 6. At the Waterfall
Eine Alpensinfonie, op. 64, 6. At the Waterfall
—
Eine Alpensinfonie, op. 64, 7. Apparition
Eine Alpensinfonie, op. 64, 7. Apparition
—
Eine Alpensinfonie, op. 64, 8. On Flowering Meadows
Eine Alpensinfonie, op. 64, 8. On Flowering Meadows
—
Eine Alpensinfonie, op. 64, 9. On the Alpine Pasture
Eine Alpensinfonie, op. 64, 9. On the Alpine Pasture
—
Eine Alpensinfonie, op. 64, 10. Through Thicket and Undergrowth on the Wrong Way
Eine Alpensinfonie, op. 64, 10. Through Thicket and Undergrowth on the Wrong Way
—
Eine Alpensinfonie, op. 64, 11. On the Glacier
Eine Alpensinfonie, op. 64, 11. On the Glacier
—
Eine Alpensinfonie, op. 64, 12. Dangerous Moments
Eine Alpensinfonie, op. 64, 12. Dangerous Moments
—
Eine Alpensinfonie, op. 64, 13. On the Summit
Eine Alpensinfonie, op. 64, 13. On the Summit
—
Eine Alpensinfonie, op. 64, 14. Vision
Eine Alpensinfonie, op. 64, 14. Vision
—
Eine Alpensinfonie, op. 64, 15. Mists Rise
Eine Alpensinfonie, op. 64, 15. Mists Rise
—
Eine Alpensinfonie, op. 64, 16. The Sun Gradually Becomes Obscured
Eine Alpensinfonie, op. 64, 16. The Sun Gradually Becomes Obscured
—
Eine Alpensinfonie, op. 64, 17. Elegy
Eine Alpensinfonie, op. 64, 17. Elegy
—
Eine Alpensinfonie, op. 64, 18. Calm before the Storm
Eine Alpensinfonie, op. 64, 18. Calm before the Storm
—
Eine Alpensinfonie, op. 64, 19. Thunder and Tempest; Descent
Eine Alpensinfonie, op. 64, 19. Thunder and Tempest; Descent
—
Eine Alpensinfonie, op. 64, 20. Sunset
Eine Alpensinfonie, op. 64, 20. Sunset
—
Eine Alpensinfonie, op. 64, 21. Waning Tones
Eine Alpensinfonie, op. 64, 21. Waning Tones
—
Eine Alpensinfonie, op. 64, 22. Night
Eine Alpensinfonie, op. 64, 22. Night
—
Horn Concerto, no. 1 in E flat major, op. 11, I. Allegro
Horn Concerto, no. 1 in E flat major, op. 11, I. Allegro
—
Horn Concerto, no. 1 in E flat major, op. 11, II. Andante
Horn Concerto, no. 1 in E flat major, op. 11, II. Andante
—
Horn Concerto, no. 1 in E flat major, op. 11, III. Allegro
Horn Concerto, no. 1 in E flat major, op. 11, III. Allegro
—
Concerto for Orchestra, Sz. 116 : I. Introduzione. Andante non troppo
Concerto for Orchestra, Sz. 116 : I. Introduzione. Andante non troppo
—
Concerto for Orchestra, Sz. 116 : II. Giuoco delle coppie. Allegretto scherzando
Concerto for Orchestra, Sz. 116 : II. Giuoco delle coppie. Allegretto scherzando
—
Concerto for Orchestra, Sz. 116 : III. Elegia. Andante, non troppo
Concerto for Orchestra, Sz. 116 : III. Elegia. Andante, non troppo
—
Concerto for Orchestra, Sz. 116 : IV. Intermezzo interrotto. Allegretto
Concerto for Orchestra, Sz. 116 : IV. Intermezzo interrotto. Allegretto
—
Concerto for Orchestra, Sz. 116 : V. Finale. Pesante - Presto
Concerto for Orchestra, Sz. 116 : V. Finale. Pesante - Presto
—
The Miraculous Mandarin, Sz. 73
The Miraculous Mandarin, Sz. 73
—
Concerto No. 1 for Piano & Orchestra in E minor, Op. 11: I. Allegro maestoso
Concerto No. 1 for Piano & Orchestra in E minor, Op. 11: I. Allegro maestoso
—
Concerto No. 1 for Piano & Orchestra in E minor, Op. 11: II. Romanze: Larghetto
Concerto No. 1 for Piano & Orchestra in E minor, Op. 11: II. Romanze: Larghetto
—
Concerto No. 1 for Piano & Orchestra in E minor, Op. 11: III. Rondo: Vivace
Concerto No. 1 for Piano & Orchestra in E minor, Op. 11: III. Rondo: Vivace
—
Concerto No. 2 for Piano & Orchestra in F minor, Op. 21: I. Maestoso
Concerto No. 2 for Piano & Orchestra in F minor, Op. 21: I. Maestoso
—
Concerto No. 2 for Piano & Orchestra in F minor, Op. 21: II. Larghetto
Concerto No. 2 for Piano & Orchestra in F minor, Op. 21: II. Larghetto
—
Concerto No. 2 for Piano & Orchestra in F minor, Op. 21: III. Allegro vivace
Concerto No. 2 for Piano & Orchestra in F minor, Op. 21: III. Allegro vivace
—
Symphony No. 8 in C Minor, WAB 108 : I. Allegro moderato
Symphony No. 8 in C Minor, WAB 108 : I. Allegro moderato
—
Symphony No. 8 in C Minor, WAB 108 : II. Scherzo. Allegro moderato - Trio. Langsam
Symphony No. 8 in C Minor, WAB 108 : II. Scherzo. Allegro moderato - Trio. Langsam
—
Symphony No. 8 in C Minor, WAB 108 : III. Adagio. Feierlich langsam, doch nicht schleppend
Symphony No. 8 in C Minor, WAB 108 : III. Adagio. Feierlich langsam, doch nicht schleppend
—
Symphony No. 8 in C Minor, WAB 108 : IV. Finale. Feierlich, nicht schnell
Symphony No. 8 in C Minor, WAB 108 : IV. Finale. Feierlich, nicht schnell
—
Symphony in D Minor 'Nullte', WAB 100 : I. Allegro
Symphony in D Minor 'Nullte', WAB 100 : I. Allegro
—
Symphony in D Minor 'Nullte', WAB 100 : II. Andante
Symphony in D Minor 'Nullte', WAB 100 : II. Andante
—
Symphony in D Minor 'Nullte', WAB 100 : III. Scherzo. Presto
Symphony in D Minor 'Nullte', WAB 100 : III. Scherzo. Presto
—
Symphony in D Minor 'Nullte', WAB 100 : IV. Finale. Moderato
Symphony in D Minor 'Nullte', WAB 100 : IV. Finale. Moderato
—
Pelleas und Melisande, op. 5: Anfang
Pelleas und Melisande, op. 5: Anfang
—
Pelleas und Melisande, op. 5: Heftig
Pelleas und Melisande, op. 5: Heftig
—
Pelleas und Melisande, op. 5: Lebhaft
Pelleas und Melisande, op. 5: Lebhaft
—
Pelleas und Melisande, op. 5: Sehr rasch
Pelleas und Melisande, op. 5: Sehr rasch
—
Pelleas und Melisande, op. 5: Sehr langsam
Pelleas und Melisande, op. 5: Sehr langsam
—
Pelleas und Melisande, op. 5: Sehr langsam, gedehnt
Pelleas und Melisande, op. 5: Sehr langsam, gedehnt
—
Pelleas und Melisande, op. 5: Ein wenig bewegt
Pelleas und Melisande, op. 5: Ein wenig bewegt
—
Pelleas und Melisande, op. 5: Langsam
Pelleas und Melisande, op. 5: Langsam
—
Pelleas und Melisande, op. 5: Ein wenig bewegter
Pelleas und Melisande, op. 5: Ein wenig bewegter
—
Pelleas und Melisande, op. 5: Sehr langsam
Pelleas und Melisande, op. 5: Sehr langsam
—
Pelleas und Melisande, op. 5: Langsam
Pelleas und Melisande, op. 5: Langsam
—
Pelleas und Melisande, op. 5: In gehender Bewegung
Pelleas und Melisande, op. 5: In gehender Bewegung
—
Pelleas und Melisande, op. 5: Breit
Pelleas und Melisande, op. 5: Breit
—
Pelleas und Melisande, op. 46: Act I, Scene I. Introduction, At The Castle Gate
Pelleas und Melisande, op. 46: Act I, Scene I. Introduction, At The Castle Gate
—
Pelleas und Melisande, op. 46: Act I, Scene II. Introduction, Melisande
Pelleas und Melisande, op. 46: Act I, Scene II. Introduction, Melisande
—
Pelleas und Melisande, op. 46: Act II, Scene I. Am Wunderborn im Park
Pelleas und Melisande, op. 46: Act II, Scene I. Am Wunderborn im Park
Israel Philharmonic Orchestra, Zubin Mehta
—
Pelleas und Melisande, op. 46: Act V, Scene II. The Death Of Mélisande
Pelleas und Melisande, op. 46: Act V, Scene II. The Death Of Mélisande
—
Pelléas et Mélisande, op. 80: I. Prélude. Quasi Adagio
Pelléas et Mélisande, op. 80: I. Prélude. Quasi Adagio
—
Pelléas et Mélisande, op. 80: II. La Fileuse. Andantino quasi Allegretto
Pelléas et Mélisande, op. 80: II. La Fileuse. Andantino quasi Allegretto
—
Pelléas et Mélisande, op. 80: III. Sicilienne. Allegretto molto moderato
Pelléas et Mélisande, op. 80: III. Sicilienne. Allegretto molto moderato
—
Pelléas et Mélisande, op. 80: IV. La mort de Mélisande. Molto Adagio
Pelléas et Mélisande, op. 80: IV. La mort de Mélisande. Molto Adagio
—
Violin Concerto no. 1, Sz. 36: I. Andante sostenuto
Violin Concerto no. 1, Sz. 36: I. Andante sostenuto
—
Violin Concerto no. 1, Sz. 36: II. Allegro giocoso
Violin Concerto no. 1, Sz. 36: II. Allegro giocoso
—
Violin Concerto no. 2 in B minor, Sz. 112: I. Allegro non troppo
Violin Concerto no. 2 in B minor, Sz. 112: I. Allegro non troppo
—
Violin Concerto no. 2 in B minor, Sz. 112: II. Andante tranquillo
Violin Concerto no. 2 in B minor, Sz. 112: II. Andante tranquillo
—
Violin Concerto no. 2 in B minor, Sz. 112: III. Allegro molto
Violin Concerto no. 2 in B minor, Sz. 112: III. Allegro molto
—
Psalm
Psalm
—
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
—
Symphony no. 5 in C minor, op. 67: II. Andante con moto
Symphony no. 5 in C minor, op. 67: II. Andante con moto
—
Symphony no. 5 in C minor, op. 67: III. Allegro
Symphony no. 5 in C minor, op. 67: III. Allegro
—
Symphony no. 5 in C minor, op. 67: IV. Allegro
Symphony no. 5 in C minor, op. 67: IV. Allegro
—
La Valse
La Valse
—
Salome, Op. 54, TrV 215, Scene I: "Wie schön ist die Prinzessin Salome heute nacht!"
Salome, Op. 54, TrV 215, Scene I: "Wie schön ist die Prinzessin Salome heute nacht!"
—
Salome, Op. 54, TrV 215, Scene I: "Nach mir wird Einer kommen"
Salome, Op. 54, TrV 215, Scene I: "Nach mir wird Einer kommen"
—
Salome, Op. 54, TrV 215, Scene II: "Ich will nicht bleiben"
Salome, Op. 54, TrV 215, Scene II: "Ich will nicht bleiben"
—
Salome, Op. 54, TrV 215, Scene II: "Siehe, der Herr ist gekommen,..."
Salome, Op. 54, TrV 215, Scene II: "Siehe, der Herr ist gekommen,..."
—
Salome, Op. 54, TrV 215, Scene II: "Du wirst das für mich tun, Narraboth, nicht wahr?"
Salome, Op. 54, TrV 215, Scene II: "Du wirst das für mich tun, Narraboth, nicht wahr?"
—
Salome, Op. 54, TrV 215, Scene II: "Ah!" - Orchestral Interlude
Salome, Op. 54, TrV 215, Scene II: "Ah!" - Orchestral Interlude
—
Salome, Op. 54, TrV 215, Scene III: "Wo ist er, dessen Sündenbecher jetzt voll ist?"
Salome, Op. 54, TrV 215, Scene III: "Wo ist er, dessen Sündenbecher jetzt voll ist?"
—
Salome, Op. 54, TrV 215, Scene III: "Er ist schrecklich"
Salome, Op. 54, TrV 215, Scene III: "Er ist schrecklich"
—
Salome, Op. 54, TrV 215, Scene III: "Jochanaan!"
Salome, Op. 54, TrV 215, Scene III: "Jochanaan!"
—
Salome, Op. 54, TrV 215, Scene III: "Niemals, Tochter Babylons,...."
Salome, Op. 54, TrV 215, Scene III: "Niemals, Tochter Babylons,...."
—
Salome, Op. 54, TrV 215, Orchestral Interlude
Salome, Op. 54, TrV 215, Orchestral Interlude
—
Salome, Op. 54, TrV 215, Scene IV: "Wo ist Salome? Wo ist die Prinzessin?"
Salome, Op. 54, TrV 215, Scene IV: "Wo ist Salome? Wo ist die Prinzessin?"
—
Salome, Op. 54, TrV 215, Scene IV: "Salome, komm, trink Wein mit mir,..."
Salome, Op. 54, TrV 215, Scene IV: "Salome, komm, trink Wein mit mir,..."
—
Salome, Op. 54, TrV 215, Scene IV: "Wahrhaftig, Herr, es wäre besser,..."
Salome, Op. 54, TrV 215, Scene IV: "Wahrhaftig, Herr, es wäre besser,..."
—
Salome, Op. 54, TrV 215, Scene IV: "Siehe, der Tag ist nahe,..."
Salome, Op. 54, TrV 215, Scene IV: "Siehe, der Tag ist nahe,..."
—
Salome, Op. 54, TrV 215, Scene IV: "Tanz für mich, Salome."
Salome, Op. 54, TrV 215, Scene IV: "Tanz für mich, Salome."
—
Salome, Op. 54, TrV 215, Scene IV: Salomes Tanz
Salome, Op. 54, TrV 215, Scene IV: Salomes Tanz
—
Salome, Op. 54, TrV 215, Scene IV: "Ah! Herrlich!"
Salome, Op. 54, TrV 215, Scene IV: "Ah! Herrlich!"
—
Salome, Op. 54, TrV 215, Scene IV: "Still, sprich nicht zu mir!"
Salome, Op. 54, TrV 215, Scene IV: "Still, sprich nicht zu mir!"
—
Salome, Op. 54, TrV 215, Scene IV: "Wer hat meinen Ring genommen?"
Salome, Op. 54, TrV 215, Scene IV: "Wer hat meinen Ring genommen?"
—
Salome, Op. 54, TrV 215, Scene IV: "Es ist kein Laut zu vernehmen"
Salome, Op. 54, TrV 215, Scene IV: "Es ist kein Laut zu vernehmen"
—
Salome, Op. 54, TrV 215, Scene IV: "Ah! du wolltest mich nicht deinen Mund küssen lassen"
Salome, Op. 54, TrV 215, Scene IV: "Ah! du wolltest mich nicht deinen Mund küssen lassen"
—
Salome, Op. 54, TrV 215, Scene IV: "Sie ist ein Ungeheuer, deine Tochter."
Salome, Op. 54, TrV 215, Scene IV: "Sie ist ein Ungeheuer, deine Tochter."
—
Salome, Op. 54, TrV 215, Scene IV: "Ah! Ich habe deinen Mund geküsst, Jochanaan."
Salome, Op. 54, TrV 215, Scene IV: "Ah! Ich habe deinen Mund geküsst, Jochanaan."
—
Tannhäuser: Ouvertüre und Venusbergmusik
Tannhäuser: Ouvertüre und Venusbergmusik
—
Parsifal: Vorspiel zum 1. Aufzug
Parsifal: Vorspiel zum 1. Aufzug
—
Parsifal: Karfreitagszauber
Parsifal: Karfreitagszauber
—
Rienzi: Ouvertüre
Rienzi: Ouvertüre
—
Violin Concerto, op. 61: I. Allegro ma non troppo
Violin Concerto, op. 61: I. Allegro ma non troppo
—
Violin Concerto, op. 61: II. Larghetto
Violin Concerto, op. 61: II. Larghetto
—
Violin Concerto, op. 61: III. Rondo. Allegro
Violin Concerto, op. 61: III. Rondo. Allegro
—
Sonata no. 10 for Piano and Violin, op. 96: I. Allegro moderato
Sonata no. 10 for Piano and Violin, op. 96: I. Allegro moderato
—
Sonata no. 10 for Piano and Violin, op. 96: II. Adagio espressivo
Sonata no. 10 for Piano and Violin, op. 96: II. Adagio espressivo
—
Sonata no. 10 for Piano and Violin, op. 96: III. Scherzo. Allegro
Sonata no. 10 for Piano and Violin, op. 96: III. Scherzo. Allegro
—
Sonata no. 10 for Piano and Violin, op. 96: IV. Poco allegretto
Sonata no. 10 for Piano and Violin, op. 96: IV. Poco allegretto
—
Violin Concerto No. 3, Op. 61 : I. Allegro non troppo
Violin Concerto No. 3, Op. 61 : I. Allegro non troppo
—
Violin Concerto No. 3, Op. 61 : II. Andantino quasi allegretto
Violin Concerto No. 3, Op. 61 : II. Andantino quasi allegretto
—
Violin Concerto No. 3, Op. 61 : III. Molto moderato e maestoso - Allegro non troppo - Piu allegro
Violin Concerto No. 3, Op. 61 : III. Molto moderato e maestoso - Allegro non troppo - Piu allegro
—
Violin Concerto No. 2, Op. 22 : I. Allegro moderato
Violin Concerto No. 2, Op. 22 : I. Allegro moderato
—
Violin Concerto No. 2, Op. 22 : II. Romance - Andante non troppo
Violin Concerto No. 2, Op. 22 : II. Romance - Andante non troppo
—
Violin Concerto No. 2, Op. 22 : III. Allegro con fuoco - Allegro moderato (a la Zingara)
Violin Concerto No. 2, Op. 22 : III. Allegro con fuoco - Allegro moderato (a la Zingara)
—
Symphony No. 1 in C Minor, Op. 68: I. Un poco sostenuto - Allegro
Symphony No. 1 in C Minor, Op. 68: I. Un poco sostenuto - Allegro
—
Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto
Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto
—
Symphony No. 1 in C Minor, Op. 68: III. Un poco allegretto e grazioso
Symphony No. 1 in C Minor, Op. 68: III. Un poco allegretto e grazioso
—
Symphony No. 1 in C Minor, Op. 68: IV. Adagio - Piu Andante - Allegro non troppo, ma con brio
Symphony No. 1 in C Minor, Op. 68: IV. Adagio - Piu Andante - Allegro non troppo, ma con brio
—
Symphony No. 2 in D Major, Op. 73: I. Allegro non troppo
Symphony No. 2 in D Major, Op. 73: I. Allegro non troppo
—
Symphony No. 2 in D Major, Op. 73: II. Adagio non troppo
Symphony No. 2 in D Major, Op. 73: II. Adagio non troppo
—
Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso (Quasi Andantino) - Presto ma non assai
Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso (Quasi Andantino) - Presto ma non assai
—
Symphony No. 2 in D Major, Op. 73: IV. Allegro con spirito
Symphony No. 2 in D Major, Op. 73: IV. Allegro con spirito
—
Tragic Overture in D Minor, Op. 81: Allegro ma non troppo
Tragic Overture in D Minor, Op. 81: Allegro ma non troppo
—
Symphony No. 3 in F Major, Op. 90: I. Allegro con brio
Symphony No. 3 in F Major, Op. 90: I. Allegro con brio
—
Symphony No. 3 in F Major, Op. 90: II. Andante
Symphony No. 3 in F Major, Op. 90: II. Andante
—
Symphony No. 3 in F Major, Op. 90: III. Poco Allegretto
Symphony No. 3 in F Major, Op. 90: III. Poco Allegretto
—
Symphony No. 3 in F Major, Op. 90: IV. Allegro
Symphony No. 3 in F Major, Op. 90: IV. Allegro
—
Variations on a Theme by Joseph Haydn, Op. 56a: Thema - Chorale St. Antoni - Andante
Variations on a Theme by Joseph Haydn, Op. 56a: Thema - Chorale St. Antoni - Andante
—
Variations on a Theme by Joseph Haydn, Op. 56a: Variation I: Poco piu animato
Variations on a Theme by Joseph Haydn, Op. 56a: Variation I: Poco piu animato
—
Variations on a Theme by Joseph Haydn, Op. 56a: Variation II: Piu vivace
Variations on a Theme by Joseph Haydn, Op. 56a: Variation II: Piu vivace
—
Variations on a Theme by Joseph Haydn, Op. 56a: Variation III: Con moto
Variations on a Theme by Joseph Haydn, Op. 56a: Variation III: Con moto
—
Variations on a Theme by Joseph Haydn, Op. 56a: Variation IV: Andante con moto
Variations on a Theme by Joseph Haydn, Op. 56a: Variation IV: Andante con moto
—
Variations on a Theme by Joseph Haydn, Op. 56a: Variation V: Vivace
Variations on a Theme by Joseph Haydn, Op. 56a: Variation V: Vivace
—
Variations on a Theme by Joseph Haydn, Op. 56a: Variation VI: Vivace
Variations on a Theme by Joseph Haydn, Op. 56a: Variation VI: Vivace
—
Variations on a Theme by Joseph Haydn, Op. 56a: Variation VII: Grazioso
Variations on a Theme by Joseph Haydn, Op. 56a: Variation VII: Grazioso
—
Variations on a Theme by Joseph Haydn, Op. 56a: Variation VIII: Presto non troppo
Variations on a Theme by Joseph Haydn, Op. 56a: Variation VIII: Presto non troppo
—
Variations on a Theme by Joseph Haydn, Op. 56a: Finale - Andante
Variations on a Theme by Joseph Haydn, Op. 56a: Finale - Andante
—
Symphony No. 4 in E Minor, Op. 98: I. Allegro non troppo
Symphony No. 4 in E Minor, Op. 98: I. Allegro non troppo
—
Symphony No. 4 in E Minor, Op. 98: II. Andante moderato
Symphony No. 4 in E Minor, Op. 98: II. Andante moderato
—
Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso - Poco meno presto
Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso - Poco meno presto
—
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato - Piu Allegro
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato - Piu Allegro
—
Gurre-lieder: Erster Teil. Orchestervorspiel
Gurre-lieder: Erster Teil. Orchestervorspiel
—
Gurre-lieder: Erster Teil. "Nun dämpft die Daemm'rung" (Waldemar)
Gurre-lieder: Erster Teil. "Nun dämpft die Daemm'rung" (Waldemar)
—
Gurre-lieder: Erster Teil. "O, wenn des Mondes Strahlen" (Tove)
Gurre-lieder: Erster Teil. "O, wenn des Mondes Strahlen" (Tove)
—
Gurre-lieder: Erster Teil. "Ross! Mein Ross!" (Waldemar)
Gurre-lieder: Erster Teil. "Ross! Mein Ross!" (Waldemar)
—
Gurre-lieder: Erster Teil. "Sterne jubeln" (Tove)
Gurre-lieder: Erster Teil. "Sterne jubeln" (Tove)
—
Gurre-lieder: Erster Teil. "So tanzen die Engel vor Gottes Thron nicht" (Waldemar)
Gurre-lieder: Erster Teil. "So tanzen die Engel vor Gottes Thron nicht" (Waldemar)
—
Gurre-lieder: Erster Teil. "Nun sag ich dir zum ersten Mal" (Tove)
Gurre-lieder: Erster Teil. "Nun sag ich dir zum ersten Mal" (Tove)
—
Gurre=lieder: Erster Teil. "Es ist Mitternachtszeit" (Waldemar)
Gurre=lieder: Erster Teil. "Es ist Mitternachtszeit" (Waldemar)
—
Gurre-lieder: Erster Teil. "Du sendest mir einen Liebesblick" (Tove)
Gurre-lieder: Erster Teil. "Du sendest mir einen Liebesblick" (Tove)
—
Gurre-lieder: Erster Teil. "Du wunderlische Tove!" (Waldemar)
Gurre-lieder: Erster Teil. "Du wunderlische Tove!" (Waldemar)
—
Gurre-lieder: Erster Teil. Orchesterzwischenspiel
Gurre-lieder: Erster Teil. Orchesterzwischenspiel
—
Gurre-lieder: Erster Teil. "Tauben von Gurre!" (Waldtaube)
Gurre-lieder: Erster Teil. "Tauben von Gurre!" (Waldtaube)
—
Gurre-lieder: Zweiter Teil. "Herrgott, weißt du, was du tatest" (Waldemar)
Gurre-lieder: Zweiter Teil. "Herrgott, weißt du, was du tatest" (Waldemar)
—
Gurre-lieder: Dritter Teil. "Erwacht, König Waldemars Mannen" (Waldemar)
Gurre-lieder: Dritter Teil. "Erwacht, König Waldemars Mannen" (Waldemar)
—
Gurre-lieder: Dritter Teil. "Deckel des Sarges klappert" (Bauer)
Gurre-lieder: Dritter Teil. "Deckel des Sarges klappert" (Bauer)
—
Gurre-lieder: Dritter Teil. "Gegrüßt, o König" (Waldermars Mannen)
Gurre-lieder: Dritter Teil. "Gegrüßt, o König" (Waldermars Mannen)
—
Gurre-lieder: Dritter Teil. "Mit Toves Stimme flüstert der Wald" (Waldemar)
Gurre-lieder: Dritter Teil. "Mit Toves Stimme flüstert der Wald" (Waldemar)
—
Gurre-lieder: Dritter Teil. "Ein seltsamer Vogel ist so'n Aal" (Klaus-Narr)
Gurre-lieder: Dritter Teil. "Ein seltsamer Vogel ist so'n Aal" (Klaus-Narr)
—
Gurre-lieder: Dritter Teil. "Du strenger Richter droben" (Waldemar)
Gurre-lieder: Dritter Teil. "Du strenger Richter droben" (Waldemar)
—
Gurre-lieder: Dritter Teil. "Der Hahn erhebt den Kopf zur Kraht" (Waldermars Mannen)
Gurre-lieder: Dritter Teil. "Der Hahn erhebt den Kopf zur Kraht" (Waldermars Mannen)
—
Gurre-lieder: Dritte Teil. Des Sommers Wilde Jagd: Vorspiel
Gurre-lieder: Dritte Teil. Des Sommers Wilde Jagd: Vorspiel
—
Gurre-lieder: Dritte Teil. Des Sommers Wilde Jagd: "Herr Gänseßuss, Frau Gänsekraut" (Sprecher)
Gurre-lieder: Dritte Teil. Des Sommers Wilde Jagd: "Herr Gänseßuss, Frau Gänsekraut" (Sprecher)
—
Gurre-lieder: Dritte Teil. Des Sommers Wilde Jagd: "Seht die Sonne" (Chor)
Gurre-lieder: Dritte Teil. Des Sommers Wilde Jagd: "Seht die Sonne" (Chor)
—
Walzerfolge aus "Der Rosenkavalier" (Akt I & II)
Walzerfolge aus "Der Rosenkavalier" (Akt I & II)
—
Symphonisches Fragment aus "Die Liebe der Danae". Molto vivace
Symphonisches Fragment aus "Die Liebe der Danae". Molto vivace
—
Symphonisches Fragment aus "Die Liebe der Danae". Piu tranquillo
Symphonisches Fragment aus "Die Liebe der Danae". Piu tranquillo
—
Symphonische Zwischenspiele aus "Intermezzo" I. Reisefieber und Walzerszene
Symphonische Zwischenspiele aus "Intermezzo" I. Reisefieber und Walzerszene
—
Symphonische Zwischenspiele aus "Intermezzo" II. Träumerei am Kamin
Symphonische Zwischenspiele aus "Intermezzo" II. Träumerei am Kamin
—
Symphonische Zwischenspiele aus "Intermezzo" III. Am Spieltisch
Symphonische Zwischenspiele aus "Intermezzo" III. Am Spieltisch
—
Symphonische Zwischenspiele aus "Intermezzo" IV. Fröhlicher Beschluß
Symphonische Zwischenspiele aus "Intermezzo" IV. Fröhlicher Beschluß
—
Symphonische Fantasie aus "Die Frau ohne Schatten"
Symphonische Fantasie aus "Die Frau ohne Schatten"
—
Piano Concerto No. 1 in D-flat major, Op. 10: I. Allegro brioso
Piano Concerto No. 1 in D-flat major, Op. 10: I. Allegro brioso
—
Piano Concerto No. 1 in D-flat major, Op. 10: II. Meno mosso
Piano Concerto No. 1 in D-flat major, Op. 10: II. Meno mosso
—
Piano Concerto No. 1 in D-flat major, Op. 10: III. Andante assai
Piano Concerto No. 1 in D-flat major, Op. 10: III. Andante assai
—
Piano Concerto No. 1 in D-flat major, Op. 10: IV. Allegro scherzando
Piano Concerto No. 1 in D-flat major, Op. 10: IV. Allegro scherzando
—
Piano Concerto No. 3 in C major, Op. 26: I. Andante - Allegro
Piano Concerto No. 3 in C major, Op. 26: I. Andante - Allegro
—
Piano Concerto No. 3 in C major, Op. 26: II. Tema: Andantino
Piano Concerto No. 3 in C major, Op. 26: II. Tema: Andantino
—
Piano Concerto No. 3 in C major, Op. 26: II. Var. 1
Piano Concerto No. 3 in C major, Op. 26: II. Var. 1
—
Piano Concerto No. 3 in C major, Op. 26: II. Var. 2
Piano Concerto No. 3 in C major, Op. 26: II. Var. 2
—
Piano Concerto No. 3 in C major, Op. 26: II. Var. 3
Piano Concerto No. 3 in C major, Op. 26: II. Var. 3
—
Piano Concerto No. 3 in C major, Op. 26: II. Var. 4
Piano Concerto No. 3 in C major, Op. 26: II. Var. 4
—
Piano Concerto No. 3 in C major, Op. 26: II. Var. 5
Piano Concerto No. 3 in C major, Op. 26: II. Var. 5
—
Piano Concerto No. 3 in C major, Op. 26: III. Tema: Allegro giusto
Piano Concerto No. 3 in C major, Op. 26: III. Tema: Allegro giusto
—
Piano Concerto No. 3 in C major, Op. 26: IV. Allegro ma non troppo
Piano Concerto No. 3 in C major, Op. 26: IV. Allegro ma non troppo
—
Piano Concerto No. 5 in G major, Op. 55: I. Allegro con brio
Piano Concerto No. 5 in G major, Op. 55: I. Allegro con brio
—
Piano Concerto No. 5 in G major, Op. 55: II. Moderato ben accentuato
Piano Concerto No. 5 in G major, Op. 55: II. Moderato ben accentuato
—
Piano Concerto No. 5 in G major, Op. 55: III. Toccata: Allegro con fuoco
Piano Concerto No. 5 in G major, Op. 55: III. Toccata: Allegro con fuoco
—
Piano Concerto No. 5 in G major, Op. 55: IV. Larghetto
Piano Concerto No. 5 in G major, Op. 55: IV. Larghetto
—
Piano Concerto No. 5 in G major, Op. 55: V. Vivo
Piano Concerto No. 5 in G major, Op. 55: V. Vivo
—
Symphony No. 3 in D Minor : I. Kräftig, Entschieden
Symphony No. 3 in D Minor : I. Kräftig, Entschieden
—
Symphony No. 3 in D Minor : II. Tempo di Minuetto
Symphony No. 3 in D Minor : II. Tempo di Minuetto
—
Symphony No. 3 in D Minor : III. Comodo, Scherzando. Ohne Hast
Symphony No. 3 in D Minor : III. Comodo, Scherzando. Ohne Hast
—
Symphony No. 3 in D Minor : IV. Sehr Langsam. Misterioso. Durchaus Leise
Symphony No. 3 in D Minor : IV. Sehr Langsam. Misterioso. Durchaus Leise
—
Symphony No. 3 in D Minor : V. Lustig im Tempo und keck im Ausdruck
Symphony No. 3 in D Minor : V. Lustig im Tempo und keck im Ausdruck
—
Symphony No. 3 in D Minor : VI. Langsam, Ruhevoll. Empfunden
Symphony No. 3 in D Minor : VI. Langsam, Ruhevoll. Empfunden
—
Symphony No. 10 (Adagio)
Symphony No. 10 (Adagio)
—
Le nozze di Figaro: Sinfonia
Le nozze di Figaro: Sinfonia
—
Le nozze di Figaro: Atto I, no. 1. “Duettino: Cinque… dieci… venti… trenta…”
Le nozze di Figaro: Atto I, no. 1. “Duettino: Cinque… dieci… venti… trenta…”
—
Le nozze di Figaro: Atto I. Recitativo: “Cosa stai misurando”
Le nozze di Figaro: Atto I. Recitativo: “Cosa stai misurando”
—
Le nozze di Figaro: Atto I, no. 2. Duettino: “Se a caso madama”
Le nozze di Figaro: Atto I, no. 2. Duettino: “Se a caso madama”
—
Le nozze di Figaro: Atto I. Recitativo: “Or bene; ascolto, e taci!”
Le nozze di Figaro: Atto I. Recitativo: “Or bene; ascolto, e taci!”
—
Le nozze di Figaro: Atto I, no. 3. Cavatina: “Se vuol ballare”
Le nozze di Figaro: Atto I, no. 3. Cavatina: “Se vuol ballare”
—
Le nozze di Figaro: Atto I. Recitativo: “Ed aspettaste il giorno”
Le nozze di Figaro: Atto I. Recitativo: “Ed aspettaste il giorno”
—
Le nozze di Figaro: Atto I, no. 4. Aria: “La vendetta, oh, la vendetta!”
Le nozze di Figaro: Atto I, no. 4. Aria: “La vendetta, oh, la vendetta!”
—
Le nozze di Figaro: Atto I. Recitativo: “Tutto ancor non ho perso”
Le nozze di Figaro: Atto I. Recitativo: “Tutto ancor non ho perso”
—
Le nozze di Figaro: Atto I, no. 5. Duettino: “Via resti servita”
Le nozze di Figaro: Atto I, no. 5. Duettino: “Via resti servita”
—
Le nozze di Figaro: Atto I. Recitativo: “Va’ la, vecchia pedante”
Le nozze di Figaro: Atto I. Recitativo: “Va’ la, vecchia pedante”
—
Le nozze di Figaro: Atto I, no. 6. Aria: “Non so piu cosa son”
Le nozze di Figaro: Atto I, no. 6. Aria: “Non so piu cosa son”
—
Le nozze di Figaro: Atto I. Recitativo: “Ah, son perduto!”
Le nozze di Figaro: Atto I. Recitativo: “Ah, son perduto!”
—
Le nozze di Figaro: Atto I, no. 7. Terzetto: “Cosa sento! Tosto andate”
Le nozze di Figaro: Atto I, no. 7. Terzetto: “Cosa sento! Tosto andate”
—
Le nozze di Figaro: Atto I. Recitativo: “Basilio, in traccia tosto”
Le nozze di Figaro: Atto I. Recitativo: “Basilio, in traccia tosto”
—
Le nozze di Figaro: Atto I, no. 8. Coro: “Giovani liete”
Le nozze di Figaro: Atto I, no. 8. Coro: “Giovani liete”
—
Le nozze di Figaro: Atto I. Recitativo: “Cos’ e questa commedia?”
Le nozze di Figaro: Atto I. Recitativo: “Cos’ e questa commedia?”
—
Le nozze di Figaro: Atto I, no. 9. Coro: “Giovani liete”
Le nozze di Figaro: Atto I, no. 9. Coro: “Giovani liete”
—
Le nozze di Figaro: Atto I. Recitativo: “Evviva!”
Le nozze di Figaro: Atto I. Recitativo: “Evviva!”
—
Le nozze di Figaro: Atto I, no. 10. Aria: “Non piu andrai, farfallone amoroso”
Le nozze di Figaro: Atto I, no. 10. Aria: “Non piu andrai, farfallone amoroso”
—
Le nozze di Figaro: Atto II, no. 11. Cavatina: “Porgi, amor, qualche ristoro”
Le nozze di Figaro: Atto II, no. 11. Cavatina: “Porgi, amor, qualche ristoro”
—
Le nozze di Figaro: Atto II. Recitativo: “Vieni, cara Susanna”
Le nozze di Figaro: Atto II. Recitativo: “Vieni, cara Susanna”
—
Le nozze di Figaro: Atto II. Recitativo: “Quanto duolmi, Susanna”
Le nozze di Figaro: Atto II. Recitativo: “Quanto duolmi, Susanna”
—
Le nozze di Figaro: Atto II, no. 12. Arietta: “Voi che sapete”
Le nozze di Figaro: Atto II, no. 12. Arietta: “Voi che sapete”
—
Le nozze di Figaro: Atto II. Recitativo: “Bravo! Che bella voce!”
Le nozze di Figaro: Atto II. Recitativo: “Bravo! Che bella voce!”
—
Le nozze di Figaro: Atto II, no. 13. Aria: “Venite, inginocchiatevi”
Le nozze di Figaro: Atto II, no. 13. Aria: “Venite, inginocchiatevi”
—
Le nozze di Figaro: Atto II. Recitativo: “Quante buffonerie!”
Le nozze di Figaro: Atto II. Recitativo: “Quante buffonerie!”
—
Le nozze di Figaro: Atto II. Recitativo: “Che novita!”
Le nozze di Figaro: Atto II. Recitativo: “Che novita!”
—
Le nozze di Figaro: Atto II, no. 14. Terzetto: “Susanna, or via, sortite”
Le nozze di Figaro: Atto II, no. 14. Terzetto: “Susanna, or via, sortite”
—
Le nozze di Figaro: Atto II. Recitativo: “Dunque voi non aprite?”
Le nozze di Figaro: Atto II. Recitativo: “Dunque voi non aprite?”
—
Le nozze di Figaro: Atto II, no. 15. Duettino: “Aprite, presto, aprite”
Le nozze di Figaro: Atto II, no. 15. Duettino: “Aprite, presto, aprite”
—
Le nozze di Figaro: Atto II. Recitativo: “Oh, guarda il demonietto!”
Le nozze di Figaro: Atto II. Recitativo: “Oh, guarda il demonietto!”
—
Le nozze di Figaro: Atto II. Recitativo: “Tutto e come il lasciai”
Le nozze di Figaro: Atto II. Recitativo: “Tutto e come il lasciai”
—
Le nozze di Figaro: Atto II, no. 16. Finale: “Esci omai, garzon malnato”
Le nozze di Figaro: Atto II, no. 16. Finale: “Esci omai, garzon malnato”
—
Le nozze di Figaro: Atto II. “Susanna!…Signore”
Le nozze di Figaro: Atto II. “Susanna!…Signore”
—
Le nozze di Figaro: Atto II. “Susanna, son morta”
Le nozze di Figaro: Atto II. “Susanna, son morta”
—
Le nozze di Figaro: Atto II. “Signori, di fuori”
Le nozze di Figaro: Atto II. “Signori, di fuori”
—
Le nozze di Figaro: Atto II. “Ah, signor…signor…”
Le nozze di Figaro: Atto II. “Ah, signor…signor…”
—
Le nozze di Figaro: Atto II. “Voi signor, che giusto siete”
Le nozze di Figaro: Atto II. “Voi signor, che giusto siete”
—
Le nozze di Figaro: Atto III. Recitativo: “Che imbarazzo e mai questo!”
Le nozze di Figaro: Atto III. Recitativo: “Che imbarazzo e mai questo!”
—
Le nozze di Figaro: Atto III, no. 17. Duettino: “Crudel! Perche finora”
Le nozze di Figaro: Atto III, no. 17. Duettino: “Crudel! Perche finora”
—
Le nozze di Figaro: Atto III. Recitativo: “E perche fosti meco”
Le nozze di Figaro: Atto III. Recitativo: “E perche fosti meco”
—
Le nozze di Figaro: Atto III, no. 18. Recitativo ed aria: “Hai gia vinta la causa! – Vedro mentre io sospiro”
Le nozze di Figaro: Atto III, no. 18. Recitativo ed aria: “Hai gia vinta la causa! – Vedro mentre io sospiro”
—
Le nozze di Figaro: Atto III. Recitativo: “E decisa la lite”
Le nozze di Figaro: Atto III. Recitativo: “E decisa la lite”
—
Le nozze di Figaro: Atto III, no. 19. Sestetto: “Riconosci in questo amplesso”
Le nozze di Figaro: Atto III, no. 19. Sestetto: “Riconosci in questo amplesso”
—
Le nozze di Figaro: Atto III. Recitativo: “Eccovi, oh caro amico”
Le nozze di Figaro: Atto III. Recitativo: “Eccovi, oh caro amico”
—
Le nozze di Figaro: Atto III. Recitativo: “Andiam, andiam, bel paggio”
Le nozze di Figaro: Atto III. Recitativo: “Andiam, andiam, bel paggio”
—
Le nozze di Figaro: Atto III, no. 20. Recitativo ed aria: “E Susanna non vien! – Dove sono I bei momenti”
Le nozze di Figaro: Atto III, no. 20. Recitativo ed aria: “E Susanna non vien! – Dove sono I bei momenti”
—
Le nozze di Figaro: Atto III. Recitativo: “Io vi dico, signor”
Le nozze di Figaro: Atto III. Recitativo: “Io vi dico, signor”
—
Le nozze di Figaro: Atto III. Recitativo: “Cosa mi narri”
Le nozze di Figaro: Atto III. Recitativo: “Cosa mi narri”
—
Le nozze di Figaro: Atto III, no. 21. Duettino: “Sull’aria…che soave zeffiretto”
Le nozze di Figaro: Atto III, no. 21. Duettino: “Sull’aria…che soave zeffiretto”
—
Le nozze di Figaro: Atto III. Recitativo: “Piegato e il foglio”
Le nozze di Figaro: Atto III. Recitativo: “Piegato e il foglio”
—
Le nozze di Figaro: Atto III, no. 22. Coro: “Ricevete, oh padroncina”
Le nozze di Figaro: Atto III, no. 22. Coro: “Ricevete, oh padroncina”
—
Le nozze di Figaro: Atto III. Recitativo: “Queste sono, madama”
Le nozze di Figaro: Atto III. Recitativo: “Queste sono, madama”
—
Le nozze di Figaro: Atto III, no. 23. Finale: “Ecco la marcia, andiamo”
Le nozze di Figaro: Atto III, no. 23. Finale: “Ecco la marcia, andiamo”
—
Le nozze di Figaro: Atto IV, no. 24. Cavatina: “L’ho perduta… me meschina…”
Le nozze di Figaro: Atto IV, no. 24. Cavatina: “L’ho perduta… me meschina…”
—
Le nozze di Figaro: Atto IV. Recitativo: “Barbarina, cos’hai?”
Le nozze di Figaro: Atto IV. Recitativo: “Barbarina, cos’hai?”
—
Le nozze di Figaro: Atto IV. “Madre!…Figlio!”
Le nozze di Figaro: Atto IV. “Madre!…Figlio!”
—
Le nozze di Figaro: Atto IV. Recitativo: “Presto avvertiam susanna”
Le nozze di Figaro: Atto IV. Recitativo: “Presto avvertiam susanna”
—
Le nozze di Figaro: Atto IV, no. 25. Aria: “Il capro e la capretta”
Le nozze di Figaro: Atto IV, no. 25. Aria: “Il capro e la capretta”
—
Le nozze di Figaro: Atto IV. Recitativo: “Nel padiglione a manca”
Le nozze di Figaro: Atto IV. Recitativo: “Nel padiglione a manca”
—
Le nozze di Figaro: Atto IV, no. 26. Aria: “In quegl’anni, in cui val poco”
Le nozze di Figaro: Atto IV, no. 26. Aria: “In quegl’anni, in cui val poco”
—
Le nozze di Figaro: Atto IV, no. 27. Recitativo ed aria: “Tutto e disposto – Aprite un po’ quegl’occhi”
Le nozze di Figaro: Atto IV, no. 27. Recitativo ed aria: “Tutto e disposto – Aprite un po’ quegl’occhi”
—
Le nozze di Figaro: Atto IV. Recitativo: “Signora, ella mi disse”
Le nozze di Figaro: Atto IV. Recitativo: “Signora, ella mi disse”
—
Le nozze di Figaro: Atto IV, no. 28. Recitativo ed aria: “Giunse alfin il momento – Deh vieni, non tardar”
Le nozze di Figaro: Atto IV, no. 28. Recitativo ed aria: “Giunse alfin il momento – Deh vieni, non tardar”
—
Le nozze di Figaro: Atto IV. Recitativo: “Perfida, e in quella forma”
Le nozze di Figaro: Atto IV. Recitativo: “Perfida, e in quella forma”
—
Le nozze di Figaro: Atto IV, no. 29. Finale: “Pian pianin le andro piu presso”
Le nozze di Figaro: Atto IV, no. 29. Finale: “Pian pianin le andro piu presso”
—
Le nozze di Figaro: Atto IV. “Ecco qui la mia Susanna!”
Le nozze di Figaro: Atto IV. “Ecco qui la mia Susanna!”
—
Le nozze di Figaro: Atto IV. “Tutto e tranquillo e placido”
Le nozze di Figaro: Atto IV. “Tutto e tranquillo e placido”
—
Le nozze di Figaro: Atto IV. “Pace, pace, mio dolce tesoro”
Le nozze di Figaro: Atto IV. “Pace, pace, mio dolce tesoro”
—
Le nozze di Figaro: Atto IV. “Gente, gente, all’armi, all’armi!”
Le nozze di Figaro: Atto IV. “Gente, gente, all’armi, all’armi!”
—
Appendice: Atto III, no. 18. Recitativo ed aria: “Hai gia vinta la causa! – Vedro mentre io sospiro”
Appendice: Atto III, no. 18. Recitativo ed aria: “Hai gia vinta la causa! – Vedro mentre io sospiro”
—
Má vlast: Vyšehrad - The High Castle
Má vlast: Vyšehrad - The High Castle
—
Má vlast: Vltava - The Moldau
Má vlast: Vltava - The Moldau
—
Má vlast: Šárka
Má vlast: Šárka
—
Má vlast: Z českých luhů a hájů - From Bohemia's Woods and Fields
Má vlast: Z českých luhů a hájů - From Bohemia's Woods and Fields
—
Má vlast: Tábor
Má vlast: Tábor
—
Má vlast: Blaník
Má vlast: Blaník
—
Concerto for Violin and Orchestra in D minor, op. 47: I. Allegro moderato
Concerto for Violin and Orchestra in D minor, op. 47: I. Allegro moderato
Midori, Israel Philharmonic Orchestra, Zubin Mehta
—
Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto
Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto
Midori, Israel Philharmonic Orchestra, Zubin Mehta
—
Concerto for Violin and Orchestra in D minor, op. 47: III. Allegro, ma non tanto
Concerto for Violin and Orchestra in D minor, op. 47: III. Allegro, ma non tanto
Midori, Israel Philharmonic Orchestra, Zubin Mehta
—
Scottish Fantasy for Violin and Orchestra, op. 46: Introduction. Grave
Scottish Fantasy for Violin and Orchestra, op. 46: Introduction. Grave
Midori, Israel Philharmonic Orchestra, Zubin Mehta
—
Scottish Fantasy for Violin and Orchestra, op. 46: I. Adagio cantabile
Scottish Fantasy for Violin and Orchestra, op. 46: I. Adagio cantabile
Midori, Israel Philharmonic Orchestra, Zubin Mehta
—
Scottish Fantasy for Violin and Orchestra, op. 46: II. Allegro
Scottish Fantasy for Violin and Orchestra, op. 46: II. Allegro
Midori, Israel Philharmonic Orchestra, Zubin Mehta
—
Scottish Fantasy for Violin and Orchestra, op. 46: III. Andante sostenuto
Scottish Fantasy for Violin and Orchestra, op. 46: III. Andante sostenuto
Midori, Israel Philharmonic Orchestra, Zubin Mehta
—
Scottish Fantasy for Violin and Orchestra, op. 46: IV. Finale. Allegro guerriero
Scottish Fantasy for Violin and Orchestra, op. 46: IV. Finale. Allegro guerriero
Midori, Israel Philharmonic Orchestra, Zubin Mehta
—
Piano Concerto No. 2 in G minor, Op. 16: I. Andantino
Piano Concerto No. 2 in G minor, Op. 16: I. Andantino
—
Piano Concerto No. 2 in G minor, Op. 16: II. Scherzo. Vivace
Piano Concerto No. 2 in G minor, Op. 16: II. Scherzo. Vivace
—
Piano Concerto No. 2 in G minor, Op. 16: III. Intermezzo. Allegro moderato
Piano Concerto No. 2 in G minor, Op. 16: III. Intermezzo. Allegro moderato
—
Piano Concerto No. 2 in G minor, Op. 16: IV. Finale. Allegro tempestoso
Piano Concerto No. 2 in G minor, Op. 16: IV. Finale. Allegro tempestoso
—
Piano Concerto No. 4 in B-flat major, Op. 53 "For the Left Hand": I. Vivace
Piano Concerto No. 4 in B-flat major, Op. 53 "For the Left Hand": I. Vivace
—
Piano Concerto No. 4 in B-flat major, Op. 53 "For the Left Hand": II. Andante
Piano Concerto No. 4 in B-flat major, Op. 53 "For the Left Hand": II. Andante
—
Piano Concerto No. 4 in B-flat major, Op. 53 "For the Left Hand": III. Moderato
Piano Concerto No. 4 in B-flat major, Op. 53 "For the Left Hand": III. Moderato
—
Piano Concerto No. 4 in B-flat major, Op. 53 "For the Left Hand": IV. Vivace
Piano Concerto No. 4 in B-flat major, Op. 53 "For the Left Hand": IV. Vivace
—
Overture on Hebrew Themes for Clarinet, String Quartet and Piano, Op. 34
Overture on Hebrew Themes for Clarinet, String Quartet and Piano, Op. 34
—
Ein Heldenleben, Op. 40, TrV 190: Der Held
Ein Heldenleben, Op. 40, TrV 190: Der Held
—
Ein Heldenleben, Op. 40, TrV 190: Des Helden Widersacher
Ein Heldenleben, Op. 40, TrV 190: Des Helden Widersacher
—
Ein Heldenleben, Op. 40, TrV 190: Des Helden Gefährtin
Ein Heldenleben, Op. 40, TrV 190: Des Helden Gefährtin
—
Ein Heldenleben, Op. 40, TrV 190: Des Helden Walstatt
Ein Heldenleben, Op. 40, TrV 190: Des Helden Walstatt
—
Ein Heldenleben, Op. 40, TrV 190: Des Helden Friedenswerke
Ein Heldenleben, Op. 40, TrV 190: Des Helden Friedenswerke
—
Ein Heldenleben, Op. 40, TrV 190: Des Helden Weltflucht und Vollendung
Ein Heldenleben, Op. 40, TrV 190: Des Helden Weltflucht und Vollendung
—
Horn Concerto No. 2 in E-Flat Major, TrV 283: I. Allegro
Horn Concerto No. 2 in E-Flat Major, TrV 283: I. Allegro
—
Horn Concerto No. 2 in E-Flat Major, TrV 283: II. Andante con moto
Horn Concerto No. 2 in E-Flat Major, TrV 283: II. Andante con moto
—
Horn Concerto No. 2 in E-Flat Major, TrV 283: III. Rondo. Allegro molto
Horn Concerto No. 2 in E-Flat Major, TrV 283: III. Rondo. Allegro molto
—
Serenade in B-flat major, K. 361 (370a), "Gran Partita": I. Largo – Molto allegro
Serenade in B-flat major, K. 361 (370a), "Gran Partita": I. Largo – Molto allegro
—
Serenade in B-flat major, K. 361 (370a), "Gran Partita": II. Menuetto – Trio I – Trio II
Serenade in B-flat major, K. 361 (370a), "Gran Partita": II. Menuetto – Trio I – Trio II
—
Serenade in B-flat major, K. 361 (370a), "Gran Partita": III. Adagio
Serenade in B-flat major, K. 361 (370a), "Gran Partita": III. Adagio
—
Serenade in B-flat major, K. 361 (370a), "Gran Partita": IV. Menuetto. Allegretto – Trio I – Trio II
Serenade in B-flat major, K. 361 (370a), "Gran Partita": IV. Menuetto. Allegretto – Trio I – Trio II
—
Serenade in B-flat major, K. 361 (370a), "Gran Partita": V. Romance. Adagio – Allegretto – Adagio
Serenade in B-flat major, K. 361 (370a), "Gran Partita": V. Romance. Adagio – Allegretto – Adagio
—
Serenade in B-flat major, K. 361 (370a), "Gran Partita": VI. Tema con variazioni: Tema. Andante
Serenade in B-flat major, K. 361 (370a), "Gran Partita": VI. Tema con variazioni: Tema. Andante
—
Serenade in B-flat major, K. 361 (370a), "Gran Partita": VI. Tema con variazioni: Var. 1
Serenade in B-flat major, K. 361 (370a), "Gran Partita": VI. Tema con variazioni: Var. 1
—
Serenade in B-flat major, K. 361 (370a), "Gran Partita": VI. Tema con variazioni: Var. 2
Serenade in B-flat major, K. 361 (370a), "Gran Partita": VI. Tema con variazioni: Var. 2
—
Serenade in B-flat major, K. 361 (370a), "Gran Partita": VI. Tema con variazioni: Var. 3
Serenade in B-flat major, K. 361 (370a), "Gran Partita": VI. Tema con variazioni: Var. 3
—
Serenade in B-flat major, K. 361 (370a), "Gran Partita": VI. Tema con variazioni: Var. 4
Serenade in B-flat major, K. 361 (370a), "Gran Partita": VI. Tema con variazioni: Var. 4
—
Serenade in B-flat major, K. 361 (370a), "Gran Partita": VI. Tema con variazioni: Var. 5
Serenade in B-flat major, K. 361 (370a), "Gran Partita": VI. Tema con variazioni: Var. 5
—
Serenade in B-flat major, K. 361 (370a), "Gran Partita": VI. Tema con variazioni: Var. 6
Serenade in B-flat major, K. 361 (370a), "Gran Partita": VI. Tema con variazioni: Var. 6
—
Serenade in B-flat major, K. 361 (370a), "Gran Partita": VII. Finale. Molto allegro
Serenade in B-flat major, K. 361 (370a), "Gran Partita": VII. Finale. Molto allegro
—
Concerto for Violin and Orchestra in D major, Op. 77: I. Allegro non troppo
Concerto for Violin and Orchestra in D major, Op. 77: I. Allegro non troppo
—
Concerto for Violin and Orchestra in D major, Op. 77: II. Adagio
Concerto for Violin and Orchestra in D major, Op. 77: II. Adagio
—
Concerto for Violin and Orchestra in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto
Concerto for Violin and Orchestra in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto
—
Violin Concerto No. 1 in G minor, Op. 26: I. Vorspiel. Allegro moderato
Violin Concerto No. 1 in G minor, Op. 26: I. Vorspiel. Allegro moderato
—
Violin Concerto No. 1 in G minor, Op. 26: II. Adagio
Violin Concerto No. 1 in G minor, Op. 26: II. Adagio
—
Violin Concerto No. 1 in G minor, Op. 26: III. Finale. Allegro energico
Violin Concerto No. 1 in G minor, Op. 26: III. Finale. Allegro energico
—
Les Préludes, Symphonic Poem for Orchestra, S. 97 (LW G3)
Les Préludes, Symphonic Poem for Orchestra, S. 97 (LW G3)
—
Orpheus, Symphonic Poem for Orchestra, S. 98 (LW G9)
Orpheus, Symphonic Poem for Orchestra, S. 98 (LW G9)
—
Mazeppa, Symphonic Poem for Orchestra, S. 100 (LW G7)
Mazeppa, Symphonic Poem for Orchestra, S. 100 (LW G7)
—
Hamlet, Symphonic Poem for Orchestra, S. 104 (LW G22)
Hamlet, Symphonic Poem for Orchestra, S. 104 (LW G22)
—
Hunnenschlacht, Symphonic Poem for Orchestra, S. 105 (LW G17)
Hunnenschlacht, Symphonic Poem for Orchestra, S. 105 (LW G17)
—
Concerto In D Minor For Two Violins And Orchestra, BWV 1043: I. Vivace
Concerto In D Minor For Two Violins And Orchestra, BWV 1043: I. Vivace
—
Concerto In D Minor For Two Violins And Orchestra, BWV 1043: II. Largo, Ma Non Tanto
Concerto In D Minor For Two Violins And Orchestra, BWV 1043: II. Largo, Ma Non Tanto
—
Concerto In D Minor For Two Violins And Orchestra, BWV 1043: III. Allegro
Concerto In D Minor For Two Violins And Orchestra, BWV 1043: III. Allegro
—
Concerto In B Minor For Four Violins And Orchestra, RV 580 (Op. 3, No. 10): I. Allegro
Concerto In B Minor For Four Violins And Orchestra, RV 580 (Op. 3, No. 10): I. Allegro
—
Concerto In B Minor For Four Violins And Orchestra, RV 580 (Op. 3, No. 10): II. Largo
Concerto In B Minor For Four Violins And Orchestra, RV 580 (Op. 3, No. 10): II. Largo
—
Concerto In B Minor For Four Violins And Orchestra, RV 580 (Op. 3, No. 10): III. Allegro
Concerto In B Minor For Four Violins And Orchestra, RV 580 (Op. 3, No. 10): III. Allegro
—
Symphony No. 2 In D, Op. 73: I. Allegro Non Troppo
Symphony No. 2 In D, Op. 73: I. Allegro Non Troppo
—
Symphony No. 2 In D, Op. 73: II. Adagio Non Troppo
Symphony No. 2 In D, Op. 73: II. Adagio Non Troppo
—
Symphony No. 2 In D, Op. 73: III. Allegretto Grazioso
Symphony No. 2 In D, Op. 73: III. Allegretto Grazioso
—
Symphony No. 2 In D, Op. 73: IV. Allegro Con Spirito
Symphony No. 2 In D, Op. 73: IV. Allegro Con Spirito
—
Hatikvah (from ’’The Stars Salute Israel at 30″)
Hatikvah (from ’’The Stars Salute Israel at 30″)
Barbra Streisand
—
Salome, Op. 54: "Ah! Du wolltest mich nicht deinen Mund küssen lassen, Jochanaan!"
Salome, Op. 54: "Ah! Du wolltest mich nicht deinen Mund küssen lassen, Jochanaan!"
—
Guntram, Op. 25: "Fass' ich sie bang"
Guntram, Op. 25: "Fass' ich sie bang"
—
Lucio Silla, K. 135: "Ah corri, vola - Quest'improvviso tremito che in sen di più s'avanza"
Lucio Silla, K. 135: "Ah corri, vola - Quest'improvviso tremito che in sen di più s'avanza"
—
Don Giovanni, K. 527: "Crudele! Ah no, mio bene!".."Non mi dir"
Don Giovanni, K. 527: "Crudele! Ah no, mio bene!".."Non mi dir"
—
Ariadne auf Naxos, Op. 60: "Es gibt ein Reich, wo alles rein ist"
Ariadne auf Naxos, Op. 60: "Es gibt ein Reich, wo alles rein ist"
—
Idomeneo, K. 366: "Oh smania! Oh furie"
Idomeneo, K. 366: "Oh smania! Oh furie"
—
Arabella, Op. 79: "Mein Elemer! Das hat so einen sonderbaren Klang!"
Arabella, Op. 79: "Mein Elemer! Das hat so einen sonderbaren Klang!"
—
Don Giovanni, K. 527: "Or sai chi l'onore"
Don Giovanni, K. 527: "Or sai chi l'onore"
—
Idomeneo, K. 366: "Idol mio, se ritroso"
Idomeneo, K. 366: "Idol mio, se ritroso"
—
Die ägyptische Helena, Op. 75: "Zweite Brautnacht!"
Die ägyptische Helena, Op. 75: "Zweite Brautnacht!"
—
Violin Concerto in E Minor, Op. 64 : I. Allegro molto appassionato
Violin Concerto in E Minor, Op. 64 : I. Allegro molto appassionato
—
Violin Concerto in E Minor, Op. 64 : II. Andante
Violin Concerto in E Minor, Op. 64 : II. Andante
—
Violin Concerto in E Minor, Op. 64 : III. Allegretto non troppo - Allegro molto vivace
Violin Concerto in E Minor, Op. 64 : III. Allegretto non troppo - Allegro molto vivace
—
Violin Concerto in D Major, Op. 61 (Cadenza: Fritz Kreisler) : I. Allegro ma non troppo (Cadenza: Fritz Kreisler)
Violin Concerto in D Major, Op. 61 (Cadenza: Fritz Kreisler) : I. Allegro ma non troppo (Cadenza: Fritz Kreisler)
—
Violin Concerto in D Major, Op. 61 : II. Larghetto
Violin Concerto in D Major, Op. 61 : II. Larghetto
—
Violin Concerto in D Major, Op. 61 (Cadenza: Fritz Kreisler) : III. Rondo: Allegro (Cadenza: Fritz Kreisler)
Violin Concerto in D Major, Op. 61 (Cadenza: Fritz Kreisler) : III. Rondo: Allegro (Cadenza: Fritz Kreisler)
—
Piano Concerto no. 1 in D minor, op. 15: I. Maestoso
Piano Concerto no. 1 in D minor, op. 15: I. Maestoso
Arthur Rubinstein, Israel Philharmonic Orchestra, Zubin Mehta
—
Piano Concerto no. 1 in D minor, op. 15: II. Adagio
Piano Concerto no. 1 in D minor, op. 15: II. Adagio
Arthur Rubinstein, Israel Philharmonic Orchestra, Zubin Mehta
—
Piano Concerto no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo
Piano Concerto no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo
Arthur Rubinstein, Israel Philharmonic Orchestra, Zubin Mehta
T-031.682.208-8
Concerto for Piano and Orchestra no. 3 in D minor, op. 30: I. Allegro ma non tanto
Concerto for Piano and Orchestra no. 3 in D minor, op. 30: I. Allegro ma non tanto
Vladimir Horowitz, New York Philharmonic, Zubin Mehta
—
Concerto for Piano and Orchestra no. 3 in D minor, op. 30: II. Intermezzo. Adagio –
Concerto for Piano and Orchestra no. 3 in D minor, op. 30: II. Intermezzo. Adagio –
Vladimir Horowitz, New York Philharmonic, Zubin Mehta
—
Concerto for Piano and Orchestra no. 3 in D minor, op. 30: III. Finale. Alla breve
Concerto for Piano and Orchestra no. 3 in D minor, op. 30: III. Finale. Alla breve
Vladimir Horowitz, New York Philharmonic, Zubin Mehta
—
Concerto for Piano and Orchestra No. 1 in D Minor, Op. 15 : I. Maestoso
Concerto for Piano and Orchestra No. 1 in D Minor, Op. 15 : I. Maestoso
—
Concerto for Piano and Orchestra No. 1 in D Minor, Op. 15 : II. Adagio
Concerto for Piano and Orchestra No. 1 in D Minor, Op. 15 : II. Adagio
—
Concerto for Piano and Orchestra No. 1 in D Minor, Op. 15 : III. Rondo - Allegro non troppo
Concerto for Piano and Orchestra No. 1 in D Minor, Op. 15 : III. Rondo - Allegro non troppo
—
Concerto for Piano and Orchestra No. 2 in B-Flat Major, Op. 83 : I. Allegro non troppo
Concerto for Piano and Orchestra No. 2 in B-Flat Major, Op. 83 : I. Allegro non troppo
—
Concerto for Piano and Orchestra No. 2 in B-Flat Major, Op. 83 : II. Allegro appassionato
Concerto for Piano and Orchestra No. 2 in B-Flat Major, Op. 83 : II. Allegro appassionato
—
Concerto for Piano and Orchestra No. 2 in B-Flat Major, Op. 83 : III. Andante
Concerto for Piano and Orchestra No. 2 in B-Flat Major, Op. 83 : III. Andante
—
Concerto for Piano and Orchestra No. 2 in B-Flat Major, Op. 83 : IV. Allegretto grazioso
Concerto for Piano and Orchestra No. 2 in B-Flat Major, Op. 83 : IV. Allegretto grazioso
—
The Gypsy Baron: Entrance March
The Gypsy Baron: Entrance March
—
Polka Mazur, op. 282: The Emancipated Woman
Polka Mazur, op. 282: The Emancipated Woman
—
Red Indian Galop, Op. 111
Red Indian Galop, Op. 111
—
Simplicius, Op. 427: Little Danube Woman (Waltz on Themes from Simplicius)
Simplicius, Op. 427: Little Danube Woman (Waltz on Themes from Simplicius)
—
Sport Polka (Quickly), Op. 170
Sport Polka (Quickly), Op. 170
—
Polka Mazur, Op. 73: Sympathy
Polka Mazur, Op. 73: Sympathy
—
Vienna Blood (Waltz), Op. 354
Vienna Blood (Waltz), Op. 354
—
Indigo And The Forty Thieves, Op. 348: At the Double-Quick Step
Indigo And The Forty Thieves, Op. 348: At the Double-Quick Step
—
Tales From The Vienna Woods, Op. 325
Tales From The Vienna Woods, Op. 325
—
Chit-Chat, Op. 214: Chit-Chat (Quick Polka)
Chit-Chat, Op. 214: Chit-Chat (Quick Polka)
—
Explosion Polka, Op. 43
Explosion Polka, Op. 43
—
Letter To The Editor, Op. 240
Letter To The Editor, Op. 240
—
On The Beautiful Blue Danube, Op. 314
On The Beautiful Blue Danube, Op. 314
—
Radetzky March, Op. 228
Radetzky March, Op. 228
—
Reiter-Marsch, op. 428
Reiter-Marsch, op. 428
—
Arm in Arm, op. 215: Polka schnell
Arm in Arm, op. 215: Polka schnell
—
Favorit-Polka, op. 201
Favorit-Polka, op. 201
—
Morgenblätter, op. 279: Walzer
Morgenblätter, op. 279: Walzer
—
Process-Polka, op. 294: Polka schnell
Process-Polka, op. 294: Polka schnell
—
Mephistos Höllenrufe, op. 101: Walzer
Mephistos Höllenrufe, op. 101: Walzer
—
Perpetuum mobile, op. 257: Musikalischer Scherz
Perpetuum mobile, op. 257: Musikalischer Scherz
—
Thalia, op. 195: Polka mazur
Thalia, op. 195: Polka mazur
—
Electrisch: Polka schnell
Electrisch: Polka schnell
—
Alice-Polka, op. 238
Alice-Polka, op. 238
—
Russische Marsch-Phantasie, op. 353
Russische Marsch-Phantasie, op. 353
—
Mein Lebenslauf ist Lieb’ un Lust! op. 133: Polka schnell
Mein Lebenslauf ist Lieb’ un Lust! op. 133: Polka schnell
—
Schützen-Quadrille
Schützen-Quadrille
—
Auf Ferienreisen, op. 133: Polka schnell
Auf Ferienreisen, op. 133: Polka schnell
—
An der schönen, blauen Donau, op. 314: Walzer
An der schönen, blauen Donau, op. 314: Walzer
—
Radetzky-Marsch, op. 228
Radetzky-Marsch, op. 228
—
Wo uns're Fahne weht, Marsch, Op. 473
Wo uns're Fahne weht, Marsch, Op. 473
—
Nachtfalter, Walzer, Op. 157
Nachtfalter, Walzer, Op. 157
—
Kleiner Anzeiger, Galopp
Kleiner Anzeiger, Galopp
—
Die Schwebende, Polka Mazur, Op. 110
Die Schwebende, Polka Mazur, Op. 110
—
Jocus Polka, Polka schnell, Op. 216
Jocus Polka, Polka schnell, Op. 216
—
Nordseebilder, Walzer, Op. 390
Nordseebilder, Walzer, Op. 390
—
Tritsch Tratsch Polka, Polka schnell, Op. 214
Tritsch Tratsch Polka, Polka schnell, Op. 214
—
Ouvertüre zur Operette "Prinz Methusalem"
Ouvertüre zur Operette "Prinz Methusalem"
—
Wiener Bonbons, Walzer, Op. 307
Wiener Bonbons, Walzer, Op. 307
—
Marianka Polka, Op. 173
Marianka Polka, Op. 173
—
In der Heimat, Polka Mazur, Op. 231
In der Heimat, Polka Mazur, Op. 231
—
Annen Polka, Op. 117
Annen Polka, Op. 117
—
Plappermäulchen (Musikalischer Scherz), Polka schnell, Op. 245
Plappermäulchen (Musikalischer Scherz), Polka schnell, Op. 245
—
Neue Melodien-Quadrille, Op. 254
Neue Melodien-Quadrille, Op. 254
—
Rosen aus dem Süden, Walzer, Op. 388
Rosen aus dem Süden, Walzer, Op. 388
—
Bahn frei, Polka schnell, Op. 45
Bahn frei, Polka schnell, Op. 45
—
Nur fort, Polka schnell, Op. 383
Nur fort, Polka schnell, Op. 383
—
An der schönen blauen Donau, Walzer, Op. 314
An der schönen blauen Donau, Walzer, Op. 314
—
Radetzky-Marsch, Op. 228
Radetzky-Marsch, Op. 228
—
Zivio! Marsch, Op. 456
Zivio! Marsch, Op. 456
—
Flattergeister, Waltz, Op. 62
Flattergeister, Waltz, Op. 62
—
Moulinet-polka française, Op. 57
Moulinet-polka française, Op. 57
—
Elfenreigen
Elfenreigen
—
Delirien Waltz, Op. 212
Delirien Waltz, Op. 212
—
Einzugs-Galopp, Op. 35
Einzugs-Galopp, Op. 35
—
Overture to the operetta Waldmeister
Overture to the operetta Waldmeister
—
Irenen-Polka, Polka française, Op. 113
Irenen-Polka, Polka française, Op. 113
—
Wo die Zitronen blüh'n, Op.364
Wo die Zitronen blüh'n, Op.364
—
Ohne Bremse Polka schnell, Op. 238
Ohne Bremse Polka schnell, Op. 238
—
Stadt und Land, Op. 322
Stadt und Land, Op. 322
—
Matrosen-Polka, Op. 52
Matrosen-Polka, Op. 52
—
Dynamiden, Op. 173
Dynamiden, Op. 173
—
Erinnerungen an Ernst (Der Karvneval von Venedig), Fantasie, Op. 126
Erinnerungen an Ernst (Der Karvneval von Venedig), Fantasie, Op. 126
—
Furioso-Galopp, Op. 114
Furioso-Galopp, Op. 114
—
Leichtfüssig (Polka schnell)
Leichtfüssig (Polka schnell)
—
New Year's Address
New Year's Address
—
An der schönen blauen Donau, Op. 314
An der schönen blauen Donau, Op. 314
—
Radetzky-Marsch, Op. 228 (Arr. Leopold Weninger)
Radetzky-Marsch, Op. 228 (Arr. Leopold Weninger)
—
Ein Morgen, ein Mittag, ein Abend in Wien: Ouvertüre
Ein Morgen, ein Mittag, ein Abend in Wien: Ouvertüre
—
Märchen aus dem Orient
Märchen aus dem Orient
—
Wiener Leben, op. 218
Wiener Leben, op. 218
—
Wo man lacht und lebt, op. 108
Wo man lacht und lebt, op. 108
—
Dorfschwalben aus Österreich, op. 164
Dorfschwalben aus Österreich, op. 164
—
Vom Donaustrande, op. 356
Vom Donaustrande, op. 356
—
Perpetuum mobile, op. 257
Perpetuum mobile, op. 257
—
Accelerationen, op. 234
Accelerationen, op. 234
—
Electro-magnetische Polka, op. 110
Electro-magnetische Polka, op. 110
—
Mit Dampf, op. 70
Mit Dampf, op. 70
—
An der Elbe, op. 477
An der Elbe, op. 477
—
Champagner-Galopp
Champagner-Galopp
—
Studenten-Polka, op. 263
Studenten-Polka, op. 263
—
Freiheits-Marsch, op. 226
Freiheits-Marsch, op. 226
—
Annen-Polka, op. 117
Annen-Polka, op. 117
—
Wein, Weib und Gesang, op. 333
Wein, Weib und Gesang, op. 333
—
Mit Chic, op. 221
Mit Chic, op. 221
—
Explosions-Polka, op. 43
Explosions-Polka, op. 43
—
Neujahrsgruss
Neujahrsgruss
—
An der schönen blauen Donau, op. 314
An der schönen blauen Donau, op. 314
—
Radetzky-Marsch, op. 228
Radetzky-Marsch, op. 228
—
Wiener Philharmoniker Fanfare
Wiener Philharmoniker Fanfare
Wiener Philharmoniker, Zubin Mehta
T-801.916.720-6
Maskerade: Overtüre
Maskerade: Overtüre
Wiener Philharmoniker, Zubin Mehta
—
Concerto for Piano and Orchestra in A minor, op. 16: I. Allegro molto moderato
Concerto for Piano and Orchestra in A minor, op. 16: I. Allegro molto moderato
Rudolf Buchbinder, Wiener Philharmoniker, Zubin Mehta
T-902.781.050-0
Concerto for Piano and Orchestra in A minor, op. 16: II. Adagio - attacca
Concerto for Piano and Orchestra in A minor, op. 16: II. Adagio - attacca
Rudolf Buchbinder, Wiener Philharmoniker, Zubin Mehta
—
Concerto for Piano and Orchestra in A minor, op. 16: III. Allegro moderato molto e marcato - Quasi Presto - Andante maestoso
Concerto for Piano and Orchestra in A minor, op. 16: III. Allegro moderato molto e marcato - Quasi Presto - Andante maestoso
Rudolf Buchbinder, Wiener Philharmoniker, Zubin Mehta
—
Frühlingsrauschen, op. 32/3: Agitato
Frühlingsrauschen, op. 32/3: Agitato
Wiener Philharmoniker, Zubin Mehta
—
Peer Gynt Suite no. 1, op. 46: I. Morning Mood
Peer Gynt Suite no. 1, op. 46: I. Morning Mood
Wiener Philharmoniker, Zubin Mehta
—
Peer Gynt Suite no. 1, op. 46: II. Åse's Death
Peer Gynt Suite no. 1, op. 46: II. Åse's Death
Wiener Philharmoniker, Zubin Mehta
—
Peer Gynt Suite no. 1, op. 46: III. Anitra's Dance
Peer Gynt Suite no. 1, op. 46: III. Anitra's Dance
Wiener Philharmoniker, Zubin Mehta
—
Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King
Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King
Wiener Philharmoniker, Zubin Mehta
—
Finlandia, op. 26: Tone Poem
Finlandia, op. 26: Tone Poem
Wiener Philharmoniker, Zubin Mehta
T-910.256.702-2
Kopenhagener Eisenbahn-Dampf-Galopp
Kopenhagener Eisenbahn-Dampf-Galopp
Wiener Philharmoniker, Zubin Mehta
—

Additional database matches (3)

Concerto for Three Violins F1 No. 34: I. Allegro
Itzhak Perlman, Isaac Stern, Pinchas Zukerman, New York Philharmonic, Zubin Mehta
—
Concerto for Three Violins F1 No. 34: II. Andante
Itzhak Perlman, Isaac Stern, Pinchas Zukerman, New York Philharmonic, Zubin Mehta
—
Concerto for Three Violins F1 No. 34: III. Allegro
Itzhak Perlman, Isaac Stern, Pinchas Zukerman, New York Philharmonic, Zubin Mehta
—

What other identifiers does this connect to?

Musical Works (ISWC)

T-010.244.926-2T-010.433.771-4T-010.433.969-6T-010.433.984-5T-010.436.010-2T-010.446.677-4T-010.770.254-4T-011.615.052-7T-031.895.671-6T-070.012.886-4
+20 more
T-070.039.179-2T-070.049.355-5T-070.097.321-2T-070.109.406-5T-070.126.537-3T-070.136.682-6T-070.138.064-4T-070.907.749-5T-800.365.038-3T-800.365.157-9T-800.366.772-0T-801.164.092-0T-801.916.720-6T-802.016.992-1T-802.704.407-2T-900.080.887-7T-900.304.378-5T-900.755.970-8T-900.758.634-7T-900.761.881-7

Songwriters/Publishers (IPI)

000040287310002976275500032371022

Creative Contributors (ISNI)

000000005513500X00000000551558870000000055185007000000005519603X00000000630906490000000063104967000000007365855X000000007838070200000000798088620000000081706195
+40 more
000000008176969800000000818302760000000084110979000000010661744800000001086536450000000108694244000000010893537800000001090115990000000109127612000000010928449000000001092939280000000109368205000000010937377600000001094046080000000109426524000000010944653300000001094653120000000109535130000000010961645900000001096952810000000110600286000000011075837400000001107914570000000110887360000000011437175900000001143979670000000114499517000000011455126600000001146207940000000114683947000000011471979400000001147198660000000114729319000000011480044500000001148028380000000114924341000000011506961500000001150728570000000116062562000000011695726X

Credits Graph

People also ask

What is UPC 190759376621?
UPC 190759376621 is the Universal Product Code (barcode) for "Zubin Mehta: The Complete Columbia Album Collection" by Zubin Mehta, New York Philharmonic, Israel Philharmonic Orchestra, Wiener Philharmoniker, Berliner Philharmoniker, Los Angeles Philharmonic, New Philharmonia Orchestra, released on Sony Classical.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 190759376621?
UPC 190759376621 contains 888 tracks, each with its own ISRC.
SourcesMLCMusicBrainzDiscogs3 sources

Verified on

What is UPC 190759376621?

190759376621 is a Universal Product Code (UPC) assigned to Zubin Mehta: The Complete Columbia Album Collection by Zubin Mehta, New York Philharmonic, Israel Philharmonic Orchestra, Wiener Philharmoniker, Berliner Philharmoniker, Los Angeles Philharmonic, New Philharmonia Orchestra. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 888 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm