UPC · Release
100 chefs‐d’œuvre de la musique classique
Various Artists
2024190030928
14 tracksReleased 1992-01-01
Last verified:
2024190030928 is the Universal Product Code (UPC barcode) for the release “100 chefs‐d’œuvre de la musique classique” by Various Artists, released 1992-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 14 tracks, each with its own ISRC. Tracks include DEF058730506, DEF058502610, DEF058330011.
Format
202GS1 prefix
4190Company prefix
03092Product
8Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPC100 chefs‐d’œuvre de la musique classique
ISRC7 recordings
ISWC12 works
IPI2 songwriters
Track List (14)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Die Walküre: Act III. The Ride of the Valkyries / Act III, Scene I. "Hojotoho! Hojotoho!" (8 Walküren) | Ruthild Engert-Ely, Linda Kelm, Diane Kesling, Marilyn Mims, Marita Napier, Meredith Parsons, Reinhild Runkel, Anne Wilkens, Metropolitan Opera Orchestra, James Levine | — | |
| 2 | Boléro | Berliner Philharmoniker, Herbert von Karajan | T-003006377-4 | |
| 3 | 1812: "Finale" | — | ||
| 4 | Carmina Burana: "O Fortuna" | — | ||
| 5 | Water Music. Suite in D / G major, HWV 349 / 350: XI. Alla Hornpipe | Trevor Pinnock, The English Concert | T-905384308-6 | |
| 6 | Romeo & Juliet, op. 64: Act I, Scene II. No. 13 The knights’ dance (Juliet and Paris’s dance). Allegro pesante | Boston Symphony Orchestra, Seiji Ozawa | T-003506743-6 | |
| 7 | Gaîté parisienne : Cancan-allegro | — | ||
| 8 | Danses polovtsienne | — | ||
| 9 | Hungarian Dances, WoO 1: No. 6 in D major: Vivace | Wiener Philharmoniker, Claudio Abbado | — | |
| 10 | Carmen : "Prélude" | — | ||
| 11 | Also sprach Zarathustra, op. 30: I. Einleitung | Berliner Philharmoniker, Herbert von Karajan | T-011355807-8 | |
| 12 | Symphonic Dances from “West Side Story”: Scherzo (Vivace leggiero) | Los Angeles Philharmonic, Leonard Bernstein | — | |
| 13 | Symphonie No. 35 en Ré majeur, K 385 : Allegro con spirito | — | ||
| 14 | Musique de table : "Conclusion en Si bémol majeur" | — |
Die Walküre: Act III. The Ride of the Valkyries / Act III, Scene I. "Hojotoho! Hojotoho!" (8 Walküren)
Ruthild Engert-Ely, Linda Kelm, Diane Kesling, Marilyn Mims, Marita Napier, Meredith Parsons, Reinhild Runkel, Anne Wilkens, Metropolitan Opera Orchestra, James Levine
—
1812: "Finale"
—
Carmina Burana: "O Fortuna"
—
Trevor Pinnock, The English Concert
Boston Symphony Orchestra, Seiji Ozawa
Gaîté parisienne : Cancan-allegro
—
Danses polovtsienne
—
Hungarian Dances, WoO 1: No. 6 in D major: Vivace
Wiener Philharmoniker, Claudio Abbado
—
Carmen : "Prélude"
—
Berliner Philharmoniker, Herbert von Karajan
Symphonic Dances from “West Side Story”: Scherzo (Vivace leggiero)
Los Angeles Philharmonic, Leonard Bernstein
—
Symphonie No. 35 en Ré majeur, K 385 : Allegro con spirito
—
Musique de table : "Conclusion en Si bémol majeur"
—
Additional database matches (11)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Caprice for Solo Violin, op. 1 no. 5: Agitato in A minor | Shlomo Mintz | T9025710149 |
| Caprice for Solo Violin, op. 1 no. 17: Sostenuto - Andante in E-flat major | Shlomo Mintz | — |
| Kinderszenen, op. 15: I. Von fremden Ländern und Menschen | Martha Argerich | T-314629927-2 |
| Stabat Mater: Duetto. Grave. "Stabat Mater dolorosa" | Margaret Marshall, Lucia Valentini Terrani, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | T-905680072-7 |
| Stabat Mater: Duetto. Largo – Allegro. "Quis est homo, qui non fleret" | Margaret Marshall, Lucia Valentini Terrani, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | — |
| Suite no. 1 G-Dur, BWV 1007: I. Prélude | Mischa Maisky | T-031846802-8 |
| Orchestral Suite no. 3 in D major, BWV 1068: II. Air | Musica Antiqua Köln, Reinhard Goebel | T-914.248.874-2 |
| Mass in B minor BWV 232: IV. Gloria: Gloria in excelsis (attacca) | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | T0109634561 |
| Johannes-Passion, BWV 245: Zweiter Teil: 32. Arie (Bass): Mein Teurer Heiland / Mit Choral: Jesu, Der Du Warest Tot | Cornelius Hauptmann, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | — |
| Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 1. Allegro maestoso | Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | — |
| La Bohème: Atto I. “Che gelida manina!” (Rodolfo) | Jerry Hadley, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein | — |
Caprice for Solo Violin, op. 1 no. 17: Sostenuto - Andante in E-flat major
Shlomo Mintz
—
Margaret Marshall, Lucia Valentini Terrani, Leslie Pearson, London Symphony Orchestra, Claudio Abbado
Stabat Mater: Duetto. Largo – Allegro. "Quis est homo, qui non fleret"
Margaret Marshall, Lucia Valentini Terrani, Leslie Pearson, London Symphony Orchestra, Claudio Abbado
—
Mischa Maisky
Musica Antiqua Köln, Reinhard Goebel
Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
Johannes-Passion, BWV 245: Zweiter Teil: 32. Arie (Bass): Mein Teurer Heiland / Mit Choral: Jesu, Der Du Warest Tot
Cornelius Hauptmann, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
—
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 1. Allegro maestoso
Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa
—
La Bohème: Atto I. “Che gelida manina!” (Rodolfo)
Jerry Hadley, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000040148713000000005514032700000000551488200000000055160395000000005517117400000000551714570000000063086009000000007839865400000001092070060000000109350136
+31 more
0000000109373776000000010941680100000001094465330000000109680944000000011017745700000001102923240000000110823228000000011443908X0000000114502341000000011469112X0000000114738645000000011474369800000001149606170000000117802614000000011941043800000001195736080000000120191498000000012095971900000001209780120000000121039156000000012108747300000001211233660000000121144247000000012138248000000001214258070000000121695196000000012187344X00000001226015850000000122771453000000012348662X0000000368573393
Identifier Graph
People also ask
SourcesMLCMusicBrainzNotes3 sources
Verified on
What is UPC 2024190030928?
2024190030928 is a Universal Product Code (UPC) assigned to 100 chefs‐d’œuvre de la musique classique by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 14 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm