UPC · Release
Various Artists
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The UPC for “100 chefs‐d’œuvre de la musique classique” by Various Artists is 2024190030928. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1992-01-01. This release contains 100 tracks, each with its own ISRC. Tracks include DEF058730506, DEF058502610, DEF058330011.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Die Walküre: Act III. The Ride of the Valkyries / Act III, Scene I. "Hojotoho! Hojotoho!" (8 Walküren) | Ruthild Engert-Ely, Linda Kelm, Diane Kesling, Marilyn Mims, Marita Napier, Meredith Parsons, Reinhild Runkel, Anne Wilkens, Metropolitan Opera Orchestra, James Levine | — | |
| 2 | Boléro | Berliner Philharmoniker, Herbert von Karajan | T-003.006.377-4 | |
| 3 | 1812: "Finale" | — | ||
| 4 | Carmina Burana: "O Fortuna" | — | ||
| 5 | Water Music. Suite in D / G major, HWV 349 / 350: XI. Alla Hornpipe | Trevor Pinnock, The English Concert | T-905.384.308-6 | |
| 6 | Romeo & Juliet, op. 64: Act I, Scene II. No. 13 The knights’ dance (Juliet and Paris’s dance). Allegro pesante | Boston Symphony Orchestra, Seiji Ozawa | T-003.506.743-6 | |
| 7 | Gaîté parisienne : Cancan-allegro | — | ||
| 8 | Danses polovtsienne | — | ||
| 9 | Hungarian Dances, WoO 1: No. 6 in D major: Vivace | Wiener Philharmoniker, Claudio Abbado | — | |
| 10 | Carmen : "Prélude" | — | ||
| 11 | Also sprach Zarathustra, op. 30: I. Einleitung | Berliner Philharmoniker, Herbert von Karajan | T-011.355.807-8 | |
| 12 | Symphonic Dances from “West Side Story”: Scherzo (Vivace leggiero) | Los Angeles Philharmonic, Leonard Bernstein | — | |
| 13 | Symphonie No. 35 en Ré majeur, K 385 : Allegro con spirito | — | ||
| 14 | Musique de table : "Conclusion en Si bémol majeur" | — | ||
| 2-1 | Marche de Radetzky | — | ||
| 2-2 | Danse hongroise No. 1 | — | ||
| 2-3 | Casse-Noisette : "Valse des fleurs" | — | ||
| 2-4 | Sonate "Clair de lune" No. 14 : Adagio sostenuto | — | ||
| 2-5 | Le beau Danube bleu | — | ||
| 2-6 | Prélude No. 15 | — | ||
| 2-7 | Concerto pour piano No. 23 : Adagio | — | ||
| 2-8 | Pavane, Op. 50 : Andante molto moderato | — | ||
| 2-9 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air | Musica Antiqua Köln, Reinhard Goebel | T-914.248.874-2 | |
| 2-10 | Les Contes d'Hoffmann : "Barcarolle" | — | ||
| 2-11 | Peer Gynt: "Morning Mood" | — | ||
| 2-12 | Finlandia, Op. 26 | — | ||
| 2-13 | Suite no. 1 G-Dur, BWV 1007: I. Prélude | Mischa Maisky | T-031.846.802-8 | |
| 2-14 | Tableaux d'une exposition : "Promenade" | — | ||
| 3-1 | Adagio en Fa mineur | — | ||
| 3-2 | La Fille aux cheveux de lin | — | ||
| 3-3 | Lettre à Élise | — | ||
| 3-4 | Concerto pour piano No. 21, K. 467: II. Andante | — | ||
| 3-5 | Prélude No. 10, Op. 32 : Lento | — | ||
| 3-6 | Moments musicaux No. 3 en Fa mineur, D780 | — | ||
| 3-7 | Nocturne No. 2 en Fa dièse majeur, Op. 15 | — | ||
| 3-8 | Kinderszenen, op. 15: I. Von fremden Ländern und Menschen | Martha Argerich | T-314.629.927-2 | |
| 3-9 | Concerto d'Aranjuez : Adagio | — | ||
| 3-10 | Canon | — | ||
| 3-11 | Carnaval des animaux : "Le cygne" | — | ||
| 3-12 | Concerto pour clarinette en la majeur, K. 622: II. Adagio | — | ||
| 3-13 | Toccata et fugue en ré mineur, BWV565 | — | ||
| 3-14 | L'Art de la Fugue : "Contrepoint n°13" | — | ||
| 3-15 | Étude pour guitare | — | ||
| 4-1 | Le Messie "He was despised" | — | ||
| 4-2 | Requiem "Dies Irae" | — | ||
| 4-3 | Messe du pape Marcel "Sanctus" | — | ||
| 4-4 | Miserere | — | ||
| 4-5 | Requiem "Lacrimosa" | — | ||
| 4-6 | Requiem "Confutatis" | — | ||
| 4-7 | Stabat Mater: Duetto. Grave. "Stabat Mater dolorosa" | Margaret Marshall, Lucia Valentini Terrani, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | T-905.680.072-7 | |
| 4-8 | Stabat Mater: Duetto. Largo – Allegro. "Quis est homo, qui non fleret" | Margaret Marshall, Lucia Valentini Terrani, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | — | |
| 4-9 | Stabat-Mater "Quando corpus morietur" | — | ||
| 4-10 | Stabat-Mater "Paradisi Gloria / Amen" | — | ||
| 4-11 | Stabat-Mater -Andante Mosso "Eja, Mater, Fons Amoris" | — | ||
| 4-12 | La création "Vollendet ist das grosse Werk" | — | ||
| 4-13 | Mass in B minor BWV 232: IV. Gloria: Gloria in excelsis (attacca) | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | T-010.963.456-1 | |
| 4-14 | Oratorio de Noël "Nun seid ihr wohl gerochen" | — | ||
| 4-15 | Johannes-Passion, BWV 245: Zweiter Teil: 32. Arie (Bass): Mein Teurer Heiland / Mit Choral: Jesu, Der Du Warest Tot | Cornelius Hauptmann, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | — | |
| 4-16 | passion selon Saint-Mathieu "Herzleibster Jesu, was hast du verbrochen" | — | ||
| 4-17 | Passion selon Saint-Mathieu "Ich will bei dir stehen" | — | ||
| 4-18 | Un Requiem Allemand "Wie lieblich sind deine wohnungen" | — | ||
| 4-19 | Gloria en ré majeur "Gloria en excelsis deo" | — | ||
| 4-20 | Missa in Angustiis messe "Nelson"-"Sanctus Dominicus-Pleni sunt coeli" | — | ||
| 4-21 | Te Deum "Te deum Laudamus" | — | ||
| 4-22 | Dixit Dominus "Spiritoso" | — | ||
| 4-23 | Salve Regina | — | ||
| 5-1 | Turandot : “Nessun dorma !” | — | ||
| 5-2 | La Bohème: Atto I. “Che gelida manina!” (Rodolfo) | Jerry Hadley, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein | — | |
| 5-3 | L'elixir d'amour: “Una furtiva lacrima” | — | ||
| 5-4 | Le trouvère: “Di quelle pira” | — | ||
| 5-5 | Le trouvère: “Vedi ! Le fosche notturne spoglie” | — | ||
| 5-6 | Aïda: “Se quel guerrier io fossi... Celeste Aïda” | — | ||
| 5-7 | Aïda: “Gloria all'Egitto” | — | ||
| 5-8 | Nabucco: “Va pensiero” | — | ||
| 5-9 | Carmen : « La fleur que tu m'avais jetée » | — | ||
| 5-10 | Carmen : « L'amour est un oiseau rebelle » | — | ||
| 5-11 | Carmen : « Avec la garde montante » | — | ||
| 5-12 | Madame Butterfly: “Un bel di vedremo” | — | ||
| 5-13 | La flûte enchantée: “Bei Männern, welche Liebe fühlen” | — | ||
| 5-14 | La flûte enchantée: “Der Hölle Rache” | — | ||
| 5-15 | Guillaume Tell : Ouverture | — | ||
| 5-16 | La Barbier de Séville: Ouverture | — | ||
| 6-1 | Les Quatre Saisons - L'hiver (Largo) | — | ||
| 6-2 | La Fiancée Vendue - Skocna | — | ||
| 6-3 | Sonate N°5 Pour Violon Et Piano - Printemps (Allegro Molto) | — | ||
| 6-4 | Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 1. Allegro maestoso | Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-5 | Feux D'artifice Royaux - Réjouissance | — | ||
| 6-6 | La Pie Voleuse - Ouverture Rossini | — | ||
| 6-7 | Petite Musique De Nuit - Allegro | — | ||
| 6-8 | Caprice for Solo Violin, op. 1 no. 5: Agitato in A minor | Shlomo Mintz | T-902.571.014-9 | |
| 6-9 | Caprice for Solo Violin, op. 1 no. 17: Sostenuto - Andante in E-flat major | Shlomo Mintz | — | |
| 6-10 | Fantaisie Chromatique | — | ||
| 6-11 | Concerto Pour Flûte N°2 En Sol Mineur - La Notte (Presto) | — | ||
| 6-12 | Concerto Pour Violon En Sol Mineur Op. 26 - Finale Allegro | — | ||
| 6-13 | Quatuor À Cordes En Ut Mineur Op. 51 N°1 - Allegro | — | ||
| 6-14 | Fantaisie En Sol Majeur Pour Orgue BWV 572 | — | ||
| 6-15 | Prélude N°12 En Sol # Mineur - Presto | — | ||
| 6-16 | Concerto Pour Violon En Re Mineur Op. 47 - Allegro Ma Non Tanto | — | ||
| 6-17 | Concerto Pour Flûte À Bec, Cordes Et Clavecin En Do Majeur - Allegro Non MoltoRV | — | ||
| 6-18 | Les Quatre Saisons - L'été (Presto) | — |
Identifier Graph
2024190030928 is a Universal Product Code (UPC) assigned to 100 chefs‐d’œuvre de la musique classique by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “100 chefs‐d’œuvre de la musique classique” by Various Artists is 2024190030928. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1992-01-01. This release contains 100 tracks, each with its own ISRC. Tracks include DEF058730506, DEF058502610, DEF058330011.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Die Walküre: Act III. The Ride of the Valkyries / Act III, Scene I. "Hojotoho! Hojotoho!" (8 Walküren) | Ruthild Engert-Ely, Linda Kelm, Diane Kesling, Marilyn Mims, Marita Napier, Meredith Parsons, Reinhild Runkel, Anne Wilkens, Metropolitan Opera Orchestra, James Levine | — | |
| 2 | Boléro | Berliner Philharmoniker, Herbert von Karajan | T-003.006.377-4 | |
| 3 | 1812: "Finale" | — | ||
| 4 | Carmina Burana: "O Fortuna" | — | ||
| 5 | Water Music. Suite in D / G major, HWV 349 / 350: XI. Alla Hornpipe | Trevor Pinnock, The English Concert | T-905.384.308-6 | |
| 6 | Romeo & Juliet, op. 64: Act I, Scene II. No. 13 The knights’ dance (Juliet and Paris’s dance). Allegro pesante | Boston Symphony Orchestra, Seiji Ozawa | T-003.506.743-6 | |
| 7 | Gaîté parisienne : Cancan-allegro | — | ||
| 8 | Danses polovtsienne | — | ||
| 9 | Hungarian Dances, WoO 1: No. 6 in D major: Vivace | Wiener Philharmoniker, Claudio Abbado | — | |
| 10 | Carmen : "Prélude" | — | ||
| 11 | Also sprach Zarathustra, op. 30: I. Einleitung | Berliner Philharmoniker, Herbert von Karajan | T-011.355.807-8 | |
| 12 | Symphonic Dances from “West Side Story”: Scherzo (Vivace leggiero) | Los Angeles Philharmonic, Leonard Bernstein | — | |
| 13 | Symphonie No. 35 en Ré majeur, K 385 : Allegro con spirito | — | ||
| 14 | Musique de table : "Conclusion en Si bémol majeur" | — | ||
| 2-1 | Marche de Radetzky | — | ||
| 2-2 | Danse hongroise No. 1 | — | ||
| 2-3 | Casse-Noisette : "Valse des fleurs" | — | ||
| 2-4 | Sonate "Clair de lune" No. 14 : Adagio sostenuto | — | ||
| 2-5 | Le beau Danube bleu | — | ||
| 2-6 | Prélude No. 15 | — | ||
| 2-7 | Concerto pour piano No. 23 : Adagio | — | ||
| 2-8 | Pavane, Op. 50 : Andante molto moderato | — | ||
| 2-9 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air | Musica Antiqua Köln, Reinhard Goebel | T-914.248.874-2 | |
| 2-10 | Les Contes d'Hoffmann : "Barcarolle" | — | ||
| 2-11 | Peer Gynt: "Morning Mood" | — | ||
| 2-12 | Finlandia, Op. 26 | — | ||
| 2-13 | Suite no. 1 G-Dur, BWV 1007: I. Prélude | Mischa Maisky | T-031.846.802-8 | |
| 2-14 | Tableaux d'une exposition : "Promenade" | — | ||
| 3-1 | Adagio en Fa mineur | — | ||
| 3-2 | La Fille aux cheveux de lin | — | ||
| 3-3 | Lettre à Élise | — | ||
| 3-4 | Concerto pour piano No. 21, K. 467: II. Andante | — | ||
| 3-5 | Prélude No. 10, Op. 32 : Lento | — | ||
| 3-6 | Moments musicaux No. 3 en Fa mineur, D780 | — | ||
| 3-7 | Nocturne No. 2 en Fa dièse majeur, Op. 15 | — | ||
| 3-8 | Kinderszenen, op. 15: I. Von fremden Ländern und Menschen | Martha Argerich | T-314.629.927-2 | |
| 3-9 | Concerto d'Aranjuez : Adagio | — | ||
| 3-10 | Canon | — | ||
| 3-11 | Carnaval des animaux : "Le cygne" | — | ||
| 3-12 | Concerto pour clarinette en la majeur, K. 622: II. Adagio | — | ||
| 3-13 | Toccata et fugue en ré mineur, BWV565 | — | ||
| 3-14 | L'Art de la Fugue : "Contrepoint n°13" | — | ||
| 3-15 | Étude pour guitare | — | ||
| 4-1 | Le Messie "He was despised" | — | ||
| 4-2 | Requiem "Dies Irae" | — | ||
| 4-3 | Messe du pape Marcel "Sanctus" | — | ||
| 4-4 | Miserere | — | ||
| 4-5 | Requiem "Lacrimosa" | — | ||
| 4-6 | Requiem "Confutatis" | — | ||
| 4-7 | Stabat Mater: Duetto. Grave. "Stabat Mater dolorosa" | Margaret Marshall, Lucia Valentini Terrani, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | T-905.680.072-7 | |
| 4-8 | Stabat Mater: Duetto. Largo – Allegro. "Quis est homo, qui non fleret" | Margaret Marshall, Lucia Valentini Terrani, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | — | |
| 4-9 | Stabat-Mater "Quando corpus morietur" | — | ||
| 4-10 | Stabat-Mater "Paradisi Gloria / Amen" | — | ||
| 4-11 | Stabat-Mater -Andante Mosso "Eja, Mater, Fons Amoris" | — | ||
| 4-12 | La création "Vollendet ist das grosse Werk" | — | ||
| 4-13 | Mass in B minor BWV 232: IV. Gloria: Gloria in excelsis (attacca) | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | T-010.963.456-1 | |
| 4-14 | Oratorio de Noël "Nun seid ihr wohl gerochen" | — | ||
| 4-15 | Johannes-Passion, BWV 245: Zweiter Teil: 32. Arie (Bass): Mein Teurer Heiland / Mit Choral: Jesu, Der Du Warest Tot | Cornelius Hauptmann, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | — | |
| 4-16 | passion selon Saint-Mathieu "Herzleibster Jesu, was hast du verbrochen" | — | ||
| 4-17 | Passion selon Saint-Mathieu "Ich will bei dir stehen" | — | ||
| 4-18 | Un Requiem Allemand "Wie lieblich sind deine wohnungen" | — | ||
| 4-19 | Gloria en ré majeur "Gloria en excelsis deo" | — | ||
| 4-20 | Missa in Angustiis messe "Nelson"-"Sanctus Dominicus-Pleni sunt coeli" | — | ||
| 4-21 | Te Deum "Te deum Laudamus" | — | ||
| 4-22 | Dixit Dominus "Spiritoso" | — | ||
| 4-23 | Salve Regina | — | ||
| 5-1 | Turandot : “Nessun dorma !” | — | ||
| 5-2 | La Bohème: Atto I. “Che gelida manina!” (Rodolfo) | Jerry Hadley, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein | — | |
| 5-3 | L'elixir d'amour: “Una furtiva lacrima” | — | ||
| 5-4 | Le trouvère: “Di quelle pira” | — | ||
| 5-5 | Le trouvère: “Vedi ! Le fosche notturne spoglie” | — | ||
| 5-6 | Aïda: “Se quel guerrier io fossi... Celeste Aïda” | — | ||
| 5-7 | Aïda: “Gloria all'Egitto” | — | ||
| 5-8 | Nabucco: “Va pensiero” | — | ||
| 5-9 | Carmen : « La fleur que tu m'avais jetée » | — | ||
| 5-10 | Carmen : « L'amour est un oiseau rebelle » | — | ||
| 5-11 | Carmen : « Avec la garde montante » | — | ||
| 5-12 | Madame Butterfly: “Un bel di vedremo” | — | ||
| 5-13 | La flûte enchantée: “Bei Männern, welche Liebe fühlen” | — | ||
| 5-14 | La flûte enchantée: “Der Hölle Rache” | — | ||
| 5-15 | Guillaume Tell : Ouverture | — | ||
| 5-16 | La Barbier de Séville: Ouverture | — | ||
| 6-1 | Les Quatre Saisons - L'hiver (Largo) | — | ||
| 6-2 | La Fiancée Vendue - Skocna | — | ||
| 6-3 | Sonate N°5 Pour Violon Et Piano - Printemps (Allegro Molto) | — | ||
| 6-4 | Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 1. Allegro maestoso | Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | — | |
| 6-5 | Feux D'artifice Royaux - Réjouissance | — | ||
| 6-6 | La Pie Voleuse - Ouverture Rossini | — | ||
| 6-7 | Petite Musique De Nuit - Allegro | — | ||
| 6-8 | Caprice for Solo Violin, op. 1 no. 5: Agitato in A minor | Shlomo Mintz | T-902.571.014-9 | |
| 6-9 | Caprice for Solo Violin, op. 1 no. 17: Sostenuto - Andante in E-flat major | Shlomo Mintz | — | |
| 6-10 | Fantaisie Chromatique | — | ||
| 6-11 | Concerto Pour Flûte N°2 En Sol Mineur - La Notte (Presto) | — | ||
| 6-12 | Concerto Pour Violon En Sol Mineur Op. 26 - Finale Allegro | — | ||
| 6-13 | Quatuor À Cordes En Ut Mineur Op. 51 N°1 - Allegro | — | ||
| 6-14 | Fantaisie En Sol Majeur Pour Orgue BWV 572 | — | ||
| 6-15 | Prélude N°12 En Sol # Mineur - Presto | — | ||
| 6-16 | Concerto Pour Violon En Re Mineur Op. 47 - Allegro Ma Non Tanto | — | ||
| 6-17 | Concerto Pour Flûte À Bec, Cordes Et Clavecin En Do Majeur - Allegro Non MoltoRV | — | ||
| 6-18 | Les Quatre Saisons - L'été (Presto) | — |
