UPC · Release
Meister Singer
Reinhard J. Brembeck
4018492242651
16 tracksReleased 2010-01-01Süddeutsche Zeitung Klassik
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4018492242651 is the Universal Product Code (UPC barcode) for the release “Meister Singer” by Reinhard J. Brembeck, released 2010-01-01 on Süddeutsche Zeitung Klassik. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 16 tracks, each with its own ISRC. Tracks include FRZ140726030, DEF057402090, FRZ140527190.
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8492Company prefix
24265Product
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Credit Chain
UPCMeister Singer
ISRC13 recordings
ISWC23 works
IPI13 songwriters
Track List (16)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 18-1 | The First Booke of Songs or Ayres, Nr. 6: "Now, o now I needs must part" | Andreas Scholl, Concerto di Viole | — | |
| 18-2 | Rückert-Lieder: "Ich bin der Welt abhanden gekommen" | Christa Ludwig, Berliner Philharmoniker, Herbert von Karajan | — | |
| 18-3 | La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio" (Sesto) | Bernarda Fink, Freiburger Barockorchester, René Jacobs | — | |
| 18-4 | Schwanengesang, Nr. 7: "Abschied" | Peter Schreier, András Schiff | T3129534421 | |
| 18-5 | Vier letzte Lieder: III. Beim Schlafengehen | Lisa della Casa, Wiener Philharmoniker, Karl Böhm | — | |
| 18-6 | Vier letzte Lieder: II. September | Lisa della Casa, Wiener Philharmoniker, Karl Böhm | T8000014938 | |
| 18-7 | Vier letzte Lieder: I. Frühling | Lisa della Casa, Wiener Philharmoniker, Karl Böhm | — | |
| 18-8 | Vier letzte Lieder: IV. Im Abendrot | Lisa della Casa, Wiener Philharmoniker, Karl Böhm | — | |
| 18-9 | Dido & Æneas, Akt III: "When I am laid in earth" | Barbara Bonney, Christopher Hogwood, Academy of Ancient Music | T9054545947 | |
| 18-10 | Winterreise, Nr. 1: "Gute Nacht" | Christine Schäfer, Eric Schneider | — | |
| 18-11 | Les Troyens, Nr. 48: "Adieu fière cité" | Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | — | |
| 18-12 | Fünf Lieder, op. 40 Nr. 3: "Der Soldat" | Christian Gerhaher, Gerold Huber | — | |
| 18-13 | Don Carlo: "Non pianger" | — | ||
| 18-14 | Des Knaben Wunderhorn: "Der Tamboursg’sell" | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 18-15 | Finalszene, Aïda: "La fatal pietra" | — | ||
| 18-16 | Adiós muchachos | — |
The First Booke of Songs or Ayres, Nr. 6: "Now, o now I needs must part"
Andreas Scholl, Concerto di Viole
—
Rückert-Lieder: "Ich bin der Welt abhanden gekommen"
Christa Ludwig, Berliner Philharmoniker, Herbert von Karajan
—
La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio" (Sesto)
Bernarda Fink, Freiburger Barockorchester, René Jacobs
—
Vier letzte Lieder: III. Beim Schlafengehen
Lisa della Casa, Wiener Philharmoniker, Karl Böhm
—
Vier letzte Lieder: I. Frühling
Lisa della Casa, Wiener Philharmoniker, Karl Böhm
—
Vier letzte Lieder: IV. Im Abendrot
Lisa della Casa, Wiener Philharmoniker, Karl Böhm
—
Barbara Bonney, Christopher Hogwood, Academy of Ancient Music
Winterreise, Nr. 1: "Gute Nacht"
Christine Schäfer, Eric Schneider
—
Les Troyens, Nr. 48: "Adieu fière cité"
Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
—
Fünf Lieder, op. 40 Nr. 3: "Der Soldat"
Christian Gerhaher, Gerold Huber
—
Don Carlo: "Non pianger"
—
Des Knaben Wunderhorn: "Der Tamboursg’sell"
Dietrich Fischer-Dieskau, Daniel Barenboim
—
Finalszene, Aïda: "La fatal pietra"
—
Adiós muchachos
—
Additional database matches (161)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Silbermond-Arie Rusalka, Akt I: "Měsíčku na nebi hlubokém" | Milada Šubrtová, Orchestr Národního divadla, Zdeněk Chalabala | — |
| Die Nacht, op. 10 Nr. 3 | Edita Gruberová, Friedrich Haider | — |
| Winterreise, op. 89, D. 911: No. 11. Frühlingstraum | Christoph Prégardien, Andreas Staier | — |
| Artaserse, Akt II: "Palido il sole" | Jochen Kowalski, Deutsches Symphonie-Orchester Berlin, Heinz Fricke | — |
| Stripsody | Cathy Berberian | — |
| Qui veut chasser une migraine | Nigel Rogers, Anthony Bailes | — |
| Hölderlin-Lieder II, Nr. 12: "Der Kirchhof" | Christoph Prégardien, Siegfried Mauser | — |
| Belsatzar, op. 57 | Christian Gerhaher, Gerold Huber | — |
| Zueignung, Op. 10 No. 1 | Heinrich Schlusnus, Richard Strauss | — |
| Jedermann-Monologe, Nr. 2: "Ach Gott, wie graust mir vor dem Tod" | Dietrich Fischer-Dieskau, Berliner Philharmoniker, Frank Martin | — |
| Die Zauberflöte: „Dies Bildnis ist bezaubernd schön“ (Tamino) | Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | T-306483079-7 |
| Wozzeck, Akt II: "Was die Steine glänzen" | Walter Berry, Christel Goltz, Orchester der Wiener Staatsoper, Karl Böhm | — |
| Die schöne Müllerin, D. 795: 1. Das Wandern | Fritz Wunderlich, Hubert Giesen | — |
| Altenberg Lieder, op. 4: No. 1. Seele, wie bist du schöner | London Symphony Orchestra, Claudio Abbado, Margaret Price | — |
| Altenberg Lieder, op. 4: No. 2. Sahst du nach dem Gewitterregen den Wald | London Symphony Orchestra, Claudio Abbado, Margaret Price | — |
| Altenberg Lieder, op. 4: No. 3. Über die Grenzen des All | London Symphony Orchestra, Claudio Abbado, Margaret Price | — |
| Altenberg Lieder, op. 4: No. 4. Nichts ist gekommen | London Symphony Orchestra, Claudio Abbado, Margaret Price | — |
| Altenberg Lieder, op. 4: No. 5. Hier ist Friede | London Symphony Orchestra, Claudio Abbado, Margaret Price | — |
| Lucia di Lammermoor, Teil II, Akt II: "Tombe degli avi miei" | Carlo Bergonzi, London Symphony Orchestra, Thomas Schippers | — |
| Lucia di Lammermoor, Teil II, Akt II: "Fra poco a me ricovero" | Carlo Bergonzi, London Symphony Orchestra, Thomas Schippers | — |
| Die Entführung aus dem Serail: No. 19 Arie "Ha, wie will ich trumphieren" | Kurt Moll, Staatskapelle Dresden, Karl Böhm | — |
| Cantigas de Santa María, Nr. 10: "Rosa das rosas" | Teresa Berganza | — |
| Lear, Teil 2: "Mein lieber Vater" | Júlia Várady, Bayerisches Staatsorchester, Gerd Albrecht | — |
| Lear, Teil 2: "Sturm, dem Regen und den Blitzen" | Júlia Várady, Bayerisches Staatsorchester, Gerd Albrecht | — |
| Uber allen Gipfeln ist Ruh | Brigitte Fassbaender, Irwin Gage | — |
| Orfeo, Akt III: "Possente spirto" | Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner | T7029289996 |
| Symphony no. 14, op. 135: I. De profundis. Adagio | Сергей Петрович Лейферкус, Göteborgs Symfoniker, Neeme Järvi | — |
| Songs of Travel: The Vagabond | Bryn Terfel, Malcolm Martineau | — |
| Pierrot lunaire, op. 21: III. Teil: 19. Serenade | Christine Schäfer, Ensemble InterContemporain, Pierre Boulez | T0710008799 |
| The Rake’s Progress, Akt III: "I burn" | Bryn Terfel, London Symphony Orchestra, Sir John Eliot Gardiner | — |
| Folksongs II: "Il est quelqu’un sur terre" | Anne Sofie von Otter, Bengt Forsberg | — |
| Iphigénie en Tauride, Akt II: "Dieux protecteurs" | Simon Keenlyside, Les Musiciens du Louvre, Marc Minkowski | — |
| Iphigénie en Tauride, Akt II: "Le calme rentre" | Simon Keenlyside, Les Musiciens du Louvre, Marc Minkowski | — |
| L’incoronazione di Poppea, Akt III: "Pur ti miro" | Anna Caterina Antonacci, David Daniels, Bayerisches Staatsorchester, Ivor Bolton | — |
| Pli selon Pli: II. Improvisation sur Mallarmé I: "Le vierge, le vivace et le bel aujourd'hui" | Christine Schäfer, Ensemble intercontemporain, Pierre Boulez | — |
| La damnation de Faust, Teil IV: "Nature immense" | Ben Heppner, London Symphony Orchestra, 정명훈 | — |
| St. Matthew Passion, BWV 244: Teil II, No. 49. Aria (Soprano I) "Aus Liebe will mein Heiland sterben" | Deborah York, Paul McCreesh, Gabrieli Consort & Players | — |
| Ach, dass ich Wassers g'nug hätte | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — |
| Serse, HWV 40: Act 1, Accompagnato: "Frondi tenere e belle" (Serse) | Rolando Villazón, Gabrieli Players, Paul McCreesh | — |
| Serse, Akt I: “Ombra mai fu” | Rolando Villazón, Gabrieli Players, Paul McCreesh | T9050639775 |
| Las mujeres y cuerdas | Marta Almajano, José Miguel Moreno | — |
| Orlando Furioso: Act II, Scene XIII. Recitativo (Orlando) | Marie-Nicole Lemieux, Ensemble Matheus, Jean-Christophe Spinosi | — |
| Wahnsinnsszene des Orlando aus Orlando furioso, Akt II: "Io ti getto" | Marie-Nicole Lemieux, Jean-Christophe Spinosi, Ensemble Matheus | — |
| Sonata Decimaquinta a quattro | Claudio Monteverdi | — |
| Il Combattimento di Tancredi e Clorinda: "Tancredi, che Clorinda un homo stima" | Rinaldo Alessandrini, Concerto Italiano | — |
| Il Combattimento di Tancredi e Clorinda: Sinfonia | Rinaldo Alessandrini, Concerto Italiano | — |
| Il Combattimento di Tancredi e Clorinda: "Non schivar, non parar" | Rinaldo Alessandrini, Concerto Italiano | — |
| Il Combattimento di Tancredi e Clorinda: "E stanco e anelante" | Rinaldo Alessandrini, Concerto Italiano | — |
| Il Combattimento di Tancredi e Clorinda: "Così tacendo e rimirando" | Rinaldo Alessandrini, Concerto Italiano | — |
| Il Combattimento di Tancredi e Clorinda: "Torna l'ira nei cori, e li trasporta" | Rinaldo Alessandrini, Concerto Italiano | — |
| Il Combattimento di Tancredi e Clorinda: "Ma ecco homai" | Rinaldo Alessandrini, Concerto Italiano | — |
| Il Combattimento di Tancredi e Clorinda: "Amico, hai vinto" | Rinaldo Alessandrini, Concerto Italiano | — |
| Il Combattimento di Tancredi e Clorinda: "In queste voci languide" | Rinaldo Alessandrini, Concerto Italiano | — |
| Stabat mater, Nr. 1: "Grave" | Gemma Bertagnolli, Sara Mingardo, Rinaldo Alessandrini, Concerto Italiano | — |
| À sa guitare | Mady Mesplé, Gabriel Tacchino | — |
| Don Carlos : Acte IV, scène 2. Mort de Rodrigue « C’est moi, Carlos » (Rodrigue, Don Carlos) | Roberto Alagna, Thomas Hampson, Orchestre de Paris, Antonio Pappano | — |
| Don Carlos : Acte IV, scène 2. « Oui, Carlos ! C’est mon jour suprême » (Rodrigue, Don Carlos) | Roberto Alagna, Thomas Hampson, Orchestre de Paris, Antonio Pappano | — |
| Don Carlos : Acte IV. Mort de Rodrigue: « Carlos, écoute » | Roberto Alagna, Thomas Hampson, Orchestre de Paris, Antonio Pappano | — |
| Récitation 13 | Martine Viard | — |
| Griselda, Akt II: "Mi rivedi, o selva ombrosa" | Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs | — |
| Prometheus | Dietrich Henschel, Deutsches Symphonie-Orchester Berlin, Kent Nagano | — |
| Die junge Nonne | Bernarda Fink, Gerold Huber | — |
| King Arthur, Z. 628 No. 38: Aria "Fairest isle" | Alfred Deller, William Christie, Wieland Kuijken | — |
| The Comical History of Don Quixote, Akt V: "From rosy bow’rs" | Alfred Deller | — |
| Eile, mich, Gott, zu erretten - SWV 282 | Sebastian Hennig, René Jacobs, William Christie, Christophe Coin, Konrad Junghänel, Mihoko Kimura, Staas Swierstra | — |
| IX. Madrigalbuch: "Zefiro torna" | Concerto Vocale, René Jacobs, Helga Müller-Molinari | — |
| Giulio Cesare, Akt I: "Va tacito" | Jennifer Larmore, Concerto Köln, René Jacobs | — |
| Psyché | Victoria de los Ángeles, Orquestra de Cambra Teatre Lliure, Josep Pons | T0420385881 |
| Stabat Mater, RV 621: I. Stabat mater dolorosa. Largo | Andreas Scholl, Ensemble 415, Chiara Banchini | — |
| Platée, Akt I: "Quittez, Nymphes" | Gilles Ragon, Marc Minkowski | — |
| Médée, Akt III: "Quel prix de mon amour" | Lorraine Hunt, Les Arts Florissants, William Christie | — |
| Exsultate, jubilate, KV 165: "Exsultate, jubilate" | Teresa Stich-Randall, Kammerorchester des Saarländischen Rundfunks, Karl Ristenpart | — |
| Exsultate, jubilate, KV 165: "Fulget amica" | Teresa Stich-Randall, Kammerorchester des Saarländischen Rundfunks, Karl Ristenpart | — |
| Exsultate, jubilate, KV 165: "Tu Virginum" | Teresa Stich-Randall, Kammerorchester des Saarländischen Rundfunks, Karl Ristenpart | — |
| Exsultate, jubilate, KV 165: "Alleluia" | Teresa Stich-Randall, Kammerorchester des Saarländischen Rundfunks, Karl Ristenpart | — |
| Sechs Gesänge aus dem Arabischen: VI. Das Paradies | Ian Bostridge, Julius Drake | — |
| Carmina Burana: III. Cours d’amour: Stetit puella | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T8006397714 |
| Sea Pictures, op. 37: I. Sea Slumber-Song | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: II. In Haven (Capri) | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: III. Sabbath Morning at Sea | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: V. The Swimmer | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Armide, Akt II: "Enfin il est en ma puissance" | Véronique Gens, Les Talens Lyriques, Christophe Rousset | — |
| Hercules, Akt III: "Where shall I fly" | Joyce DiDonato, Christophe Rousset, Les Talens Lyriques | — |
| Le nozze di Figaro, Akt III: "E Susanna non vien!" | Diana Damrau, Jérémie Rhorer, Le Cercle de l'Harmonie | — |
| Le nozze di Figaro, Akt III: "Dove sono i bei momenti" | Diana Damrau, Jérémie Rhorer, Le Cercle de l'Harmonie | — |
| IX. Madrigalbuch: "Ohimè ch’io cado" | Philippe Jaroussky, Christina Pluhar | — |
| Turandot: Atto II, scena 2. “In questa reggia” | Eva Turner, Orchestra del Teatro alla Scala di Milano, Lorenzo Molajoli | T0050008382 |
| Mélodies persanes op. 26 Nr. 6: Tournoiement « Songe d’Opium » | Philippe Jaroussky, Jérôme Ducros | — |
| Sea Pictures, op. 37: I. Sea Slumber-Song | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: II. In Haven (Capri) | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: III. Sabbath Morning at Sea | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: V. The Swimmer | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Ein deutsches Requiem Op.45: V. Ihr habt nun Traurigkeit | Otto Klemperer, Philharmonia Orchestra | — |
| Le nozze di Figaro, K. 492: “Non più andrai” (Figaro) | Sir Thomas Allen, Wiener Philharmoniker, Riccardo Muti | T0116641281 |
| Le nozze di Figaro, K. 492: “Non più andrai” (Figaro) | Sir Thomas Allen, Wiener Philharmoniker, Riccardo Muti | — |
| I puritani, Akt I: "Son vergin vezzosa" | Montserrat Caballé, Philharmonia Orchestra, Riccardo Muti | T8017440620 |
| Fünf Satiren, op. 109 Nr. 4: "Missverständnis" | Галина Павловна Вишневская, Мстислав Ростропович | — |
| Ein deutsches Requiem Op.45: V. Ihr habt nun Traurigkeit | Otto Klemperer, Philharmonia Orchestra | — |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: I. Sea Slumber-Song | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: II. In Haven (Capri) | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: III. Sabbath Morning at Sea | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: V. The Swimmer | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Werther : Acte III. « Pourquoi me réveiller » | Chœurs du Théâtre National de l'Opéra-Comique, Georges Thill, Elie Cohen, Orchestre du Théâtre National de l'Opéra-Comique | — |
| Guglielmo Tell, Akt IV: "Non mi lasciar" | Juan Diego Flórez | — |
| Guglielmo Tell, Akt IV: "O muto asil" | Juan Diego Flórez | — |
| Guglielmo Tell, Akt IV: "Vendetta!" | Juan Diego Flórez | — |
| Guglielmo Tell, Akt IV: "Carriam! voliam!" | Juan Diego Flórez | — |
| Lakmé, Akt II: "Où va la jeune Hindoue" (Glöckchenarie) | Mado Robin, Georges Sébastian, Orchestre du Théâtre National de l'Opéra-Comique | — |
| Schwanengesang, Nr. 13: "Der Doppelgänger" | Hans Hotter, Hermann von Nordberg | — |
| Huit scènes de Faust, op. 1 Nr. 8. "Sérénade de Méphistophélès" | John Mark Ainsley, Davis Joachim | — |
| The Cypress Curten of the Night | Barbara Bonney, Jacob Heringman | — |
| Rigoletto: Atto III. “La donna è mobile” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | T-912866624-0 |
| La bohème: Atto I. “O soave fanciulla” (Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | T9137325350 |
| Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “When most I wink, then do mine eyes best see” | Peter Pears, William Waterhouse, Osian Ellis, Barry Tuckwell, Denis Blyth, Roger Lord, Alexander Murray, Gervase de Peyer, London Symphony Orchestra, Benjamin Britten | — |
| Shéhérazade : Asie | Régine Crespin, Orchestre de la Suisse Romande, Ernest Ansermet | T-003015891-8 |
| Shéhérazade : La Flûte enchantée | Régine Crespin, Orchestre de la Suisse Romande, Ernest Ansermet | T0030158918 |
| Shéhérazade : L’Indifférent | Régine Crespin, L’Orchestre de la Suisse Romande, Ernest Ansermet | T0030158918 |
| Winterreise, D. 911: Der Leiermann | Peter Pears, Benjamin Britten | T0090514069 |
| Rigoletto: Atto III. “La donna è mobile” | Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | T-922850296-3 |
| La bohème: Atto I. “O soave fanciulla” (Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | T-900134452-1 |
| Erwartung: Scene 1, Hier hinein? Man sieht den Weg nicht.. | Anja Silja, Wiener Philharmoniker, Christoph von Dohnányi | — |
| Erwartung: Scene 2, Ist das noch der Weg? Hier is es eben | Anja Silja, Wiener Philharmoniker, Christoph von Dohnányi | — |
| Erwartung: Scene 3, Da kommt ein Licht! | Anja Silja, Wiener Philharmoniker, Christoph von Dohnányi | — |
| Erwartung, op. 17: "Er ist auch nicht da" | Anja Silja, Wiener Philharmoniker, Christoph von Dohnányi | — |
| Un grand sommeil noir | Mireille Delunsch, Koninklijk Concertgebouworkest, Riccardo Chailly | — |
| Winterreise, D. 911: Der Leiermann | Peter Pears, Benjamin Britten | — |
| La bohème: Atto I. “O soave fanciulla” (Rodolfo) | Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | — |
| Pagliacci: Vesti la giubba | Enrico Caruso, Salvatore Cottone | — |
| Rigoletto, Act IV: Quartet: Bella figlia dell’amore | Enrico Caruso, Amelita Galli-Curci, Giuseppe De Luca, Flora Perini, Victor Orchestra, Josef Pasternack | — |
| Rachel, quand du seigneur | Enrico Caruso, Victor Orchestra, Josef Pasternack | — |
| Domine Deus | Enrico Caruso, Victor Orchestra, Josef Pasternack | — |
| Kafka-Fragmente, IV/6: "In memoriam Joannis Pilinszky" | Adrienne Csengery, András Keller | — |
| Rigoletto, Akt I: "Giovanna, ho dei rimorsi/Signor nè principe io lo vorrei" | Alfredo Kraus, Renata Scotto, Orchestra del Maggio Musicale Fiorentino, Gianandrea Gavazzeni | — |
| Madonna, il tuo bel viso | Derek Lee Ragin, Peter Croton | — |
| Les pêcheurs de perles, Akt I: "À cette voix" | Léopold Simoneau, Orchestre Lamoureux, Jean Fournet | — |
| Les Pêcheurs de perles : Acte I. « Je crois entendre encore » (Nadir) | Léopold Simoneau, Orchestre Lamoureux, Jean Fournet | T7024245738 |
| Peter Grimes, Akt III: "Grimes! Grimes!" | Jon Vickers, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | — |
| Peter Grimes, Akt III: "Peter, we’ve come to take you home" | Jon Vickers, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | — |
| Otello, Akt III: "Non arrestare il colpo" | José Carreras, Frederica von Stade, Philharmonia Orchestra, Jesús López Cobos | — |
| Otello, Akt III: "Notte per me funesta" | José Carreras, Frederica von Stade, Philharmonia Orchestra, Jesús López Cobos | — |
| Second Booke of Songs or Ayres, Nr. 10: "O sweet woods" | Emma Kirkby, Anthony Rooley | — |
| Beautiful Dreamer | Thomas Hampson, David Alpher, Molly Mason, Michael Parloff, Jay Ungar | T0301109512 |
| Porgy & Bess: "Summertime" | Leontyne Price, David Garvey | T0701382402 |
| La damnation de Faust, Teil IV: "D’amour l’ardente flamme" | Suzanne Danco, Boston Symphony Orchestra, Charles Munch | — |
| First Booke of Songs or Ayres, Nr. 20: "Come, heavy sleep" | Peter Pears, Julian Bream | T9316414730 |
| A Musicall Banquet, Nr. 10: "In darkness let me dwell" | Peter Pears, Julian Bream | — |
| Otello, Akt IV: "Niun mi tema" | Jon Vickers, Orchestra del Teatro dell'Opera di Roma, Tullio Serafin | — |
| Manon, Akt II: "Instant charmant/En fermant les yeux" | Ramón Vargas, Münchner Rundfunkorchester, Marcello Viotti | — |
| Giulio Cesare, Akt I: "Son nata/nato a lagrimar" | Lorraine Hunt Lieberson, Drew Minter, Peter Serkin | — |
| Château de l'âme: I. La liane | Dawn Upshaw, Women Members of the Finnish Radio Chamber Choir, Radion sinfoniaorkesteri, Esa-Pekka Salonen | — |
| Les Nuits d'été, op. 7. No. 1: Villanelle | Eleanor Steber, Columbia Symphony Orchestra, Dimitri Mitropoulos | — |
| Les Nuits d'été, op. 7. No. 2: Le spectre de la rose | Eleanor Steber, Columbia Symphony Orchestra, Dimitri Mitropoulos | — |
| Les Nuits d'été, op. 7. No. 3: Sur les lagunes | Eleanor Steber, Columbia Symphony Orchestra, Dimitri Mitropoulos | — |
| Les Nuits d'été, op. 7. No. 4: Absence | Eleanor Steber, Columbia Symphony Orchestra, Dimitri Mitropoulos | — |
| Les Nuits d'été, op. 7. No. 5: Au cimetière (Clair de lune) | Eleanor Steber, Columbia Symphony Orchestra, Dimitri Mitropoulos | — |
| Les Nuits d'été, op. 7. No. 6: L'île inconnue | Eleanor Steber, Columbia Symphony Orchestra, Dimitri Mitropoulos | — |
| Die sieben Todsünden, Prolog: "Meine Schwester und ich" | Lotte Lenya, Wilhelm Brückner-Rüggeberg | — |
Silbermond-Arie Rusalka, Akt I: "Měsíčku na nebi hlubokém"
Milada Šubrtová, Orchestr Národního divadla, Zdeněk Chalabala
—
Die Nacht, op. 10 Nr. 3
Edita Gruberová, Friedrich Haider
—
Winterreise, op. 89, D. 911: No. 11. Frühlingstraum
Christoph Prégardien, Andreas Staier
—
Artaserse, Akt II: "Palido il sole"
Jochen Kowalski, Deutsches Symphonie-Orchester Berlin, Heinz Fricke
—
Stripsody
Cathy Berberian
—
Qui veut chasser une migraine
Nigel Rogers, Anthony Bailes
—
Hölderlin-Lieder II, Nr. 12: "Der Kirchhof"
Christoph Prégardien, Siegfried Mauser
—
Belsatzar, op. 57
Christian Gerhaher, Gerold Huber
—
Zueignung, Op. 10 No. 1
Heinrich Schlusnus, Richard Strauss
—
Jedermann-Monologe, Nr. 2: "Ach Gott, wie graust mir vor dem Tod"
Dietrich Fischer-Dieskau, Berliner Philharmoniker, Frank Martin
—
Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm
Wozzeck, Akt II: "Was die Steine glänzen"
Walter Berry, Christel Goltz, Orchester der Wiener Staatsoper, Karl Böhm
—
Die schöne Müllerin, D. 795: 1. Das Wandern
Fritz Wunderlich, Hubert Giesen
—
Altenberg Lieder, op. 4: No. 1. Seele, wie bist du schöner
London Symphony Orchestra, Claudio Abbado, Margaret Price
—
Altenberg Lieder, op. 4: No. 2. Sahst du nach dem Gewitterregen den Wald
London Symphony Orchestra, Claudio Abbado, Margaret Price
—
Altenberg Lieder, op. 4: No. 3. Über die Grenzen des All
London Symphony Orchestra, Claudio Abbado, Margaret Price
—
Altenberg Lieder, op. 4: No. 4. Nichts ist gekommen
London Symphony Orchestra, Claudio Abbado, Margaret Price
—
Altenberg Lieder, op. 4: No. 5. Hier ist Friede
London Symphony Orchestra, Claudio Abbado, Margaret Price
—
Lucia di Lammermoor, Teil II, Akt II: "Tombe degli avi miei"
Carlo Bergonzi, London Symphony Orchestra, Thomas Schippers
—
Lucia di Lammermoor, Teil II, Akt II: "Fra poco a me ricovero"
Carlo Bergonzi, London Symphony Orchestra, Thomas Schippers
—
Die Entführung aus dem Serail: No. 19 Arie "Ha, wie will ich trumphieren"
Kurt Moll, Staatskapelle Dresden, Karl Böhm
—
Cantigas de Santa María, Nr. 10: "Rosa das rosas"
Teresa Berganza
—
Lear, Teil 2: "Mein lieber Vater"
Júlia Várady, Bayerisches Staatsorchester, Gerd Albrecht
—
Lear, Teil 2: "Sturm, dem Regen und den Blitzen"
Júlia Várady, Bayerisches Staatsorchester, Gerd Albrecht
—
Uber allen Gipfeln ist Ruh
Brigitte Fassbaender, Irwin Gage
—
Anthony Rolfe Johnson, English Baroque Soloists, Sir John Eliot Gardiner
Symphony no. 14, op. 135: I. De profundis. Adagio
Сергей Петрович Лейферкус, Göteborgs Symfoniker, Neeme Järvi
—
Songs of Travel: The Vagabond
Bryn Terfel, Malcolm Martineau
—
Christine Schäfer, Ensemble InterContemporain, Pierre Boulez
The Rake’s Progress, Akt III: "I burn"
Bryn Terfel, London Symphony Orchestra, Sir John Eliot Gardiner
—
Folksongs II: "Il est quelqu’un sur terre"
Anne Sofie von Otter, Bengt Forsberg
—
Iphigénie en Tauride, Akt II: "Dieux protecteurs"
Simon Keenlyside, Les Musiciens du Louvre, Marc Minkowski
—
Iphigénie en Tauride, Akt II: "Le calme rentre"
Simon Keenlyside, Les Musiciens du Louvre, Marc Minkowski
—
L’incoronazione di Poppea, Akt III: "Pur ti miro"
Anna Caterina Antonacci, David Daniels, Bayerisches Staatsorchester, Ivor Bolton
—
Pli selon Pli: II. Improvisation sur Mallarmé I: "Le vierge, le vivace et le bel aujourd'hui"
Christine Schäfer, Ensemble intercontemporain, Pierre Boulez
—
La damnation de Faust, Teil IV: "Nature immense"
Ben Heppner, London Symphony Orchestra, 정명훈
—
St. Matthew Passion, BWV 244: Teil II, No. 49. Aria (Soprano I) "Aus Liebe will mein Heiland sterben"
Deborah York, Paul McCreesh, Gabrieli Consort & Players
—
Ach, dass ich Wassers g'nug hätte
Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel
—
Serse, HWV 40: Act 1, Accompagnato: "Frondi tenere e belle" (Serse)
Rolando Villazón, Gabrieli Players, Paul McCreesh
—
Rolando Villazón, Gabrieli Players, Paul McCreesh
Las mujeres y cuerdas
Marta Almajano, José Miguel Moreno
—
Orlando Furioso: Act II, Scene XIII. Recitativo (Orlando)
Marie-Nicole Lemieux, Ensemble Matheus, Jean-Christophe Spinosi
—
Wahnsinnsszene des Orlando aus Orlando furioso, Akt II: "Io ti getto"
Marie-Nicole Lemieux, Jean-Christophe Spinosi, Ensemble Matheus
—
Sonata Decimaquinta a quattro
Claudio Monteverdi
—
Il Combattimento di Tancredi e Clorinda: "Tancredi, che Clorinda un homo stima"
Rinaldo Alessandrini, Concerto Italiano
—
Il Combattimento di Tancredi e Clorinda: Sinfonia
Rinaldo Alessandrini, Concerto Italiano
—
Il Combattimento di Tancredi e Clorinda: "Non schivar, non parar"
Rinaldo Alessandrini, Concerto Italiano
—
Il Combattimento di Tancredi e Clorinda: "E stanco e anelante"
Rinaldo Alessandrini, Concerto Italiano
—
Il Combattimento di Tancredi e Clorinda: "Così tacendo e rimirando"
Rinaldo Alessandrini, Concerto Italiano
—
Il Combattimento di Tancredi e Clorinda: "Torna l'ira nei cori, e li trasporta"
Rinaldo Alessandrini, Concerto Italiano
—
Il Combattimento di Tancredi e Clorinda: "Ma ecco homai"
Rinaldo Alessandrini, Concerto Italiano
—
Il Combattimento di Tancredi e Clorinda: "Amico, hai vinto"
Rinaldo Alessandrini, Concerto Italiano
—
Il Combattimento di Tancredi e Clorinda: "In queste voci languide"
Rinaldo Alessandrini, Concerto Italiano
—
Stabat mater, Nr. 1: "Grave"
Gemma Bertagnolli, Sara Mingardo, Rinaldo Alessandrini, Concerto Italiano
—
À sa guitare
Mady Mesplé, Gabriel Tacchino
—
Don Carlos : Acte IV, scène 2. Mort de Rodrigue « C’est moi, Carlos » (Rodrigue, Don Carlos)
Roberto Alagna, Thomas Hampson, Orchestre de Paris, Antonio Pappano
—
Don Carlos : Acte IV, scène 2. « Oui, Carlos ! C’est mon jour suprême » (Rodrigue, Don Carlos)
Roberto Alagna, Thomas Hampson, Orchestre de Paris, Antonio Pappano
—
Don Carlos : Acte IV. Mort de Rodrigue: « Carlos, écoute »
Roberto Alagna, Thomas Hampson, Orchestre de Paris, Antonio Pappano
—
Récitation 13
Martine Viard
—
Griselda, Akt II: "Mi rivedi, o selva ombrosa"
Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs
—
Prometheus
Dietrich Henschel, Deutsches Symphonie-Orchester Berlin, Kent Nagano
—
Die junge Nonne
Bernarda Fink, Gerold Huber
—
King Arthur, Z. 628 No. 38: Aria "Fairest isle"
Alfred Deller, William Christie, Wieland Kuijken
—
The Comical History of Don Quixote, Akt V: "From rosy bow’rs"
Alfred Deller
—
Eile, mich, Gott, zu erretten - SWV 282
Sebastian Hennig, René Jacobs, William Christie, Christophe Coin, Konrad Junghänel, Mihoko Kimura, Staas Swierstra
—
IX. Madrigalbuch: "Zefiro torna"
Concerto Vocale, René Jacobs, Helga Müller-Molinari
—
Giulio Cesare, Akt I: "Va tacito"
Jennifer Larmore, Concerto Köln, René Jacobs
—
Victoria de los Ángeles, Orquestra de Cambra Teatre Lliure, Josep Pons
Stabat Mater, RV 621: I. Stabat mater dolorosa. Largo
Andreas Scholl, Ensemble 415, Chiara Banchini
—
Platée, Akt I: "Quittez, Nymphes"
Gilles Ragon, Marc Minkowski
—
Médée, Akt III: "Quel prix de mon amour"
Lorraine Hunt, Les Arts Florissants, William Christie
—
Exsultate, jubilate, KV 165: "Exsultate, jubilate"
Teresa Stich-Randall, Kammerorchester des Saarländischen Rundfunks, Karl Ristenpart
—
Exsultate, jubilate, KV 165: "Fulget amica"
Teresa Stich-Randall, Kammerorchester des Saarländischen Rundfunks, Karl Ristenpart
—
Exsultate, jubilate, KV 165: "Tu Virginum"
Teresa Stich-Randall, Kammerorchester des Saarländischen Rundfunks, Karl Ristenpart
—
Exsultate, jubilate, KV 165: "Alleluia"
Teresa Stich-Randall, Kammerorchester des Saarländischen Rundfunks, Karl Ristenpart
—
Sechs Gesänge aus dem Arabischen: VI. Das Paradies
Ian Bostridge, Julius Drake
—
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
Sea Pictures, op. 37: I. Sea Slumber-Song
Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Sea Pictures, op. 37: II. In Haven (Capri)
Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Sea Pictures, op. 37: III. Sabbath Morning at Sea
Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Sea Pictures, op. 37: IV. Where Corals Lie
Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Sea Pictures, op. 37: V. The Swimmer
Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Armide, Akt II: "Enfin il est en ma puissance"
Véronique Gens, Les Talens Lyriques, Christophe Rousset
—
Hercules, Akt III: "Where shall I fly"
Joyce DiDonato, Christophe Rousset, Les Talens Lyriques
—
Le nozze di Figaro, Akt III: "E Susanna non vien!"
Diana Damrau, Jérémie Rhorer, Le Cercle de l'Harmonie
—
Le nozze di Figaro, Akt III: "Dove sono i bei momenti"
Diana Damrau, Jérémie Rhorer, Le Cercle de l'Harmonie
—
IX. Madrigalbuch: "Ohimè ch’io cado"
Philippe Jaroussky, Christina Pluhar
—
Eva Turner, Orchestra del Teatro alla Scala di Milano, Lorenzo Molajoli
Mélodies persanes op. 26 Nr. 6: Tournoiement « Songe d’Opium »
Philippe Jaroussky, Jérôme Ducros
—
Sea Pictures, op. 37: I. Sea Slumber-Song
Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Sea Pictures, op. 37: II. In Haven (Capri)
Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Sea Pictures, op. 37: III. Sabbath Morning at Sea
Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Sea Pictures, op. 37: IV. Where Corals Lie
Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Sea Pictures, op. 37: V. The Swimmer
Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Ein deutsches Requiem Op.45: V. Ihr habt nun Traurigkeit
Otto Klemperer, Philharmonia Orchestra
—
Sir Thomas Allen, Wiener Philharmoniker, Riccardo Muti
Le nozze di Figaro, K. 492: “Non più andrai” (Figaro)
Sir Thomas Allen, Wiener Philharmoniker, Riccardo Muti
—
Montserrat Caballé, Philharmonia Orchestra, Riccardo Muti
Fünf Satiren, op. 109 Nr. 4: "Missverständnis"
Галина Павловна Вишневская, Мстислав Ростропович
—
Ein deutsches Requiem Op.45: V. Ihr habt nun Traurigkeit
Otto Klemperer, Philharmonia Orchestra
—
Sea Pictures, op. 37: IV. Where Corals Lie
Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Sea Pictures, op. 37: I. Sea Slumber-Song
Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Sea Pictures, op. 37: II. In Haven (Capri)
Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Sea Pictures, op. 37: III. Sabbath Morning at Sea
Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Sea Pictures, op. 37: IV. Where Corals Lie
Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Sea Pictures, op. 37: V. The Swimmer
Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Werther : Acte III. « Pourquoi me réveiller »
Chœurs du Théâtre National de l'Opéra-Comique, Georges Thill, Elie Cohen, Orchestre du Théâtre National de l'Opéra-Comique
—
Guglielmo Tell, Akt IV: "Non mi lasciar"
Juan Diego Flórez
—
Guglielmo Tell, Akt IV: "O muto asil"
Juan Diego Flórez
—
Guglielmo Tell, Akt IV: "Vendetta!"
Juan Diego Flórez
—
Guglielmo Tell, Akt IV: "Carriam! voliam!"
Juan Diego Flórez
—
Lakmé, Akt II: "Où va la jeune Hindoue" (Glöckchenarie)
Mado Robin, Georges Sébastian, Orchestre du Théâtre National de l'Opéra-Comique
—
Schwanengesang, Nr. 13: "Der Doppelgänger"
Hans Hotter, Hermann von Nordberg
—
Huit scènes de Faust, op. 1 Nr. 8. "Sérénade de Méphistophélès"
John Mark Ainsley, Davis Joachim
—
The Cypress Curten of the Night
Barbara Bonney, Jacob Heringman
—
Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge
Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “When most I wink, then do mine eyes best see”
Peter Pears, William Waterhouse, Osian Ellis, Barry Tuckwell, Denis Blyth, Roger Lord, Alexander Murray, Gervase de Peyer, London Symphony Orchestra, Benjamin Britten
—
Régine Crespin, Orchestre de la Suisse Romande, Ernest Ansermet
Régine Crespin, Orchestre de la Suisse Romande, Ernest Ansermet
Régine Crespin, L’Orchestre de la Suisse Romande, Ernest Ansermet
Peter Pears, Benjamin Britten
Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge
Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
Erwartung: Scene 1, Hier hinein? Man sieht den Weg nicht..
Anja Silja, Wiener Philharmoniker, Christoph von Dohnányi
—
Erwartung: Scene 2, Ist das noch der Weg? Hier is es eben
Anja Silja, Wiener Philharmoniker, Christoph von Dohnányi
—
Erwartung: Scene 3, Da kommt ein Licht!
Anja Silja, Wiener Philharmoniker, Christoph von Dohnányi
—
Erwartung, op. 17: "Er ist auch nicht da"
Anja Silja, Wiener Philharmoniker, Christoph von Dohnányi
—
Un grand sommeil noir
Mireille Delunsch, Koninklijk Concertgebouworkest, Riccardo Chailly
—
Winterreise, D. 911: Der Leiermann
Peter Pears, Benjamin Britten
—
La bohème: Atto I. “O soave fanciulla” (Rodolfo)
Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan
—
Pagliacci: Vesti la giubba
Enrico Caruso, Salvatore Cottone
—
Rigoletto, Act IV: Quartet: Bella figlia dell’amore
Enrico Caruso, Amelita Galli-Curci, Giuseppe De Luca, Flora Perini, Victor Orchestra, Josef Pasternack
—
Rachel, quand du seigneur
Enrico Caruso, Victor Orchestra, Josef Pasternack
—
Domine Deus
Enrico Caruso, Victor Orchestra, Josef Pasternack
—
Kafka-Fragmente, IV/6: "In memoriam Joannis Pilinszky"
Adrienne Csengery, András Keller
—
Rigoletto, Akt I: "Giovanna, ho dei rimorsi/Signor nè principe io lo vorrei"
Alfredo Kraus, Renata Scotto, Orchestra del Maggio Musicale Fiorentino, Gianandrea Gavazzeni
—
Madonna, il tuo bel viso
Derek Lee Ragin, Peter Croton
—
Les pêcheurs de perles, Akt I: "À cette voix"
Léopold Simoneau, Orchestre Lamoureux, Jean Fournet
—
Léopold Simoneau, Orchestre Lamoureux, Jean Fournet
Peter Grimes, Akt III: "Grimes! Grimes!"
Jon Vickers, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
—
Peter Grimes, Akt III: "Peter, we’ve come to take you home"
Jon Vickers, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
—
Otello, Akt III: "Non arrestare il colpo"
José Carreras, Frederica von Stade, Philharmonia Orchestra, Jesús López Cobos
—
Otello, Akt III: "Notte per me funesta"
José Carreras, Frederica von Stade, Philharmonia Orchestra, Jesús López Cobos
—
Second Booke of Songs or Ayres, Nr. 10: "O sweet woods"
Emma Kirkby, Anthony Rooley
—
Thomas Hampson, David Alpher, Molly Mason, Michael Parloff, Jay Ungar
Leontyne Price, David Garvey
La damnation de Faust, Teil IV: "D’amour l’ardente flamme"
Suzanne Danco, Boston Symphony Orchestra, Charles Munch
—
Peter Pears, Julian Bream
A Musicall Banquet, Nr. 10: "In darkness let me dwell"
Peter Pears, Julian Bream
—
Otello, Akt IV: "Niun mi tema"
Jon Vickers, Orchestra del Teatro dell'Opera di Roma, Tullio Serafin
—
Manon, Akt II: "Instant charmant/En fermant les yeux"
Ramón Vargas, Münchner Rundfunkorchester, Marcello Viotti
—
Giulio Cesare, Akt I: "Son nata/nato a lagrimar"
Lorraine Hunt Lieberson, Drew Minter, Peter Serkin
—
Château de l'âme: I. La liane
Dawn Upshaw, Women Members of the Finnish Radio Chamber Choir, Radion sinfoniaorkesteri, Esa-Pekka Salonen
—
Les Nuits d'été, op. 7. No. 1: Villanelle
Eleanor Steber, Columbia Symphony Orchestra, Dimitri Mitropoulos
—
Les Nuits d'été, op. 7. No. 2: Le spectre de la rose
Eleanor Steber, Columbia Symphony Orchestra, Dimitri Mitropoulos
—
Les Nuits d'été, op. 7. No. 3: Sur les lagunes
Eleanor Steber, Columbia Symphony Orchestra, Dimitri Mitropoulos
—
Les Nuits d'été, op. 7. No. 4: Absence
Eleanor Steber, Columbia Symphony Orchestra, Dimitri Mitropoulos
—
Les Nuits d'été, op. 7. No. 5: Au cimetière (Clair de lune)
Eleanor Steber, Columbia Symphony Orchestra, Dimitri Mitropoulos
—
Les Nuits d'été, op. 7. No. 6: L'île inconnue
Eleanor Steber, Columbia Symphony Orchestra, Dimitri Mitropoulos
—
Die sieben Todsünden, Prolog: "Meine Schwester und ich"
Lotte Lenya, Wilhelm Brückner-Rüggeberg
—
What other identifiers does this connect to?
Musical Works (ISWC)
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Creative Contributors (ISNI)
0000000015605951000000002452427200000000400621270000000055121345000000005513865700000000551442480000000055147772000000005515426X00000000551550510000000055156900
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0000000055158607000000005515972200000000551693730000000055173460000000005518264X0000000055187387000000005518985X00000000554781330000000055536989000000005887764X000000005888003X0000000059195851000000005922211900000000592597390000000059336378000000006097350X000000006155834000000000615993370000000063011998000000006301796X00000000631134680000000066610929000000007144055700000000719121630000000072455726000000007320987700000000736000590000000073639842000000007365524400000000773564870000000078224953000000007839057200000000783956560000000078410203000000007843620000000000786786210000000079730225000000007977851X0000000079830816000000008077126X
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4018492242651 is a Universal Product Code (UPC) assigned to Meister Singer by Reinhard J. Brembeck. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
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