UPC · Release
Martha Argerich
Last verified:
The UPC for “The Warner Classics Edition: EMI Classics, Teldec, Erato, Warner Classics” by Martha Argerich is 5021732408884. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2025-01-01. Label: Warner Classics. This release contains 553 tracks, each with its own ISRC. Tracks include GBAYC9900056, GBAYC9900057, GBAYC9900058.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso | Martha Argerich | T-309.554.584-5 | |
| 2 | Piano Sonata no. 3 in B minor, op. 58: II. Scherzo: Molto vivace | Martha Argerich | T-911.517.582-1 | |
| 3 | Piano Sonata no. 3 in B minor, op. 58: III. Largo | Martha Argerich | T-911.517.582-1 | |
| 4 | Piano Sonata no. 3 in B minor, op. 58: IV. Finale: Presto, non tanto | Martha Argerich | T-309.554.578-7 | |
| 5 | Mazurka no. 36 in A minor, op. 59 no. 1 | Martha Argerich | T-918.063.801-1 | |
| 6 | Mazurka no. 37 in A‐flat major, op. 59 no. 2 | Martha Argerich | — | |
| 7 | Mazurka no. 38 in F‐sharp minor, op. 59 no. 3 | Martha Argerich | T-918.063.801-1 | |
| 8 | Nocturne no. 4 in F major, op. 15 no. 1 | Martha Argerich | T-306.230.833-8 | |
| 9 | Scherzo no. 3 in C‐sharp minor, op. 39 | Martha Argerich | T-918.063.801-1 | |
| 10 | Polonaise no. 6 in A‐flat major, op. 53 | Martha Argerich | — | |
| 2-1 | Partita no. 2 in C minor, BWV 826: I. Sinfonia - Grave. Adagio | Martha Argerich | — | |
| 2-2 | Partita no. 2 in C minor, BWV 826: I. Andante | Martha Argerich | — | |
| 2-3 | Partita no. 2 in C minor, BWV 826: II. Allemande | Martha Argerich | — | |
| 2-4 | Partita no. 2 in C minor, BWV 826: III. Courante | Martha Argerich | — | |
| 2-5 | Partita no. 2 in C minor, BWV 826: IV. Sarabande | Martha Argerich | — | |
| 2-6 | Partita no. 2 in C minor, BWV 826: V. Rondeau - VI. Capriccio | Martha Argerich | — | |
| 2-7 | Nocturne no. 13 in C minor, op. 48 no. 1 | Martha Argerich | T-702.884.109-2 | |
| 2-8 | Scherzo no. 3 in C-sharp minor, op. 39 | Martha Argerich | T-918.063.801-1 | |
| 2-9 | Sonata, Sz. 80: I. Allegro moderato | Martha Argerich | — | |
| 2-10 | Sonata, Sz. 80: II. Sostenuto e pensante | Martha Argerich | — | |
| 2-11 | Sonata, Sz. 80: III. Allegro molto | Martha Argerich | — | |
| 2-12 | Danzas argentinas, op. 2: I. Danza del viejo boyero | Martha Argerich | T-070.038.353-4 | |
| 2-13 | Danzas argentinas, op. 2: II. Danza de la moza donosa | Martha Argerich | T-070.038.353-4 | |
| 2-14 | Danzas argentinas, op. 2: III. Danza del gaucho matrero | Martha Argerich | T-070.038.353-4 | |
| 2-15 | Piano Sonata no. 7 in B-flat, op. 83: I. Allegro inquieto - Andantino | Martha Argerich | — | |
| 2-16 | Piano Sonata no. 7 in B-flat, op. 83: II Andante caloroso | Martha Argerich | — | |
| 2-17 | Piano Sonata no. 7 in B-flat, op. 83: III. Preciptato | Martha Argerich | — | |
| 2-18 | Keyboard Sonata in D minor, Kk. 141 / L. 422 | Martha Argerich | — | |
| 2-19 | Bourée from English Suite no. 2 in A minor, BWV 807 | Martha Argerich | — | |
| 3-1 | Fantasiestücke, op. 12: I. Des Abends | Martha Argerich | — | |
| 3-2 | Fantasiestücke, op. 12: II. Aufschwung | Martha Argerich | — | |
| 3-3 | Fantasiestücke, op. 12: III. Warum? | Martha Argerich | — | |
| 3-4 | Fantasiestücke, op. 12: IV. Grillen | Martha Argerich | — | |
| 3-5 | Fantasiestücke, op. 12: V. In der Nacht | Martha Argerich | — | |
| 3-6 | Fantasiestücke, op. 12: VI. Fabel | Martha Argerich | — | |
| 3-7 | Fantasiestücke, op. 12: VII. Traumeswirren | Martha Argerich | — | |
| 3-8 | Fantasiestücke, op. 12: VIII. Ende von Lied | Martha Argerich | — | |
| 3-9 | Sonatine: I. Modéré | Martha Argerich | T-003.016.390-6 | |
| 3-10 | Sonatine: II. Mouvement de menuet | Martha Argerich | T-003.016.390-6 | |
| 3-11 | Sonatine: III. Animé | Martha Argerich | T-003.016.390-6 | |
| 3-12 | Gaspard de la nuit: I. Ondine (Lent) | Martha Argerich | T-902.777.490-9 | |
| 3-13 | Gaspard de la nuit: II. Le Gibet (Très lent) | Martha Argerich | T-902.777.490-9 | |
| 3-14 | Gaspard de la nuit: III. Scarbo (Modéré - Vif) | Martha Argerich | T-902.777.490-9 | |
| 4-1 | Piano Concerto no. 25 in C major, K. 503: I. Allegro maestoso | Martha Argerich, Nederlands Kamerorkest, Szymon Goldberg | — | |
| 4-2 | Piano Concerto no. 25 in C major, K. 503: II. Andante | Martha Argerich, Nederlands Kamerorkest, Szymon Goldberg | — | |
| 4-3 | Piano Concerto no. 25 in C major, K. 503: III. Allegretto | Martha Argerich, Nederlands Kamerorkest, Szymon Goldberg | — | |
| 4-4 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | Martha Argerich, Koninklijk Concertgebouworkest, Heinz Wallberg | — | |
| 4-5 | Piano Concerto no. 1 in C major, op. 15: II. Largo | Martha Argerich, Koninklijk Concertgebouworkest, Heinz Wallberg | — | |
| 4-6 | Piano Concerto no. 1 in C major, op. 15: III. Rondo (Allegro scherzando) | Martha Argerich, Koninklijk Concertgebouworkest, Heinz Wallberg | — | |
| 5-1 | Cello Sonata in A major: I. Allegretto | Martha Argerich, Mischa Maisky | — | |
| 5-2 | Cello Sonata in A major: II. Allegro | Martha Argerich, Mischa Maisky | — | |
| 5-3 | Cello Sonata in A major: III. Recitativo - Fantasia (Ben moderato) | Martha Argerich, Mischa Maisky | — | |
| 5-4 | Cello Sonata in A major: IV. Allegretto poco mosso | Martha Argerich, Mischa Maisky | — | |
| 5-5 | Cello Sonata in D minor: I. Prologue (Lent - Sostenuto e molto risoluto) | Martha Argerich, Mischa Maisky | — | |
| 5-6 | Cello Sonata in D minor: II. Sérénade et Final (Modérément animé - Animé) | Martha Argerich, Mischa Maisky | — | |
| 5-7 | La plus que lente - Valse | Martha Argerich, Mischa Maisky | T-306.482.600-8 | |
| 5-8 | Préludes I : No. 12. Minstrels | Martha Argerich, Mischa Maisky | — | |
| 6-1 | Noches en los jardines de España: En el Generalife | Martha Argerich, Orchestre de Paris, Daniel Barenboim | — | |
| 6-2 | Noches en los jardines de España: Danza lejana - En los jardines de la sierra de Córdoba | Martha Argerich, Orchestre de Paris, Daniel Barenboim | — | |
| 6-3 | Iberia: Evocation | Orchestre de Paris, Daniel Barenboim | T-041.538.731-3 | |
| 6-4 | Iberia: El puerto | Orchestre de Paris, Daniel Barenboim | T-041.538.731-3 | |
| 6-5 | Iberia: El Albaicín | Orchestre de Paris, Daniel Barenboim | T-041.538.731-3 | |
| 6-6 | Iberia: Fête-Dieu à Séville | Orchestre de Paris, Daniel Barenboim | — | |
| 6-7 | Iberia: Triana | Orchestre de Paris, Daniel Barenboim | — | |
| 7-1 | Visions de l'Amen: I. Amen de la Création | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 7-2 | Visions de l'Amen: II. Amen des étoiles, de la planète à l'anneau | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 7-3 | Visions de l'Amen: III. Amen de l'agonie de Jésus | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 7-4 | Visions de l'Amen: IV. Amen du Désir | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 7-5 | Visions de l'Amen: V. Amen des Anges, des Saints, du chant des oiseaux | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 7-6 | Visions de l'Amen: VI. Amen du Jugement | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 7-7 | Visions de l'Amen: VII. Amen de la Consommation | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 8-1 | Suite no. 1, op. 5 "Fantaisie-tableaux": I. Barcarolle | Martha Argerich, Alexandre Rabinovitch | — | |
| 8-2 | Suite no. 1, op. 5 "Fantaisie-tableaux": II. La nuit...L'amour | Martha Argerich, Alexandre Rabinovitch | — | |
| 8-3 | Suite no. 1, op. 5 "Fantaisie-tableaux": III. Les larmes | Martha Argerich, Alexandre Rabinovitch | — | |
| 8-4 | Suite no. 1, op. 5 "Fantaisie-tableaux": IV. Pâques | Martha Argerich, Alexandre Rabinovitch | — | |
| 8-5 | Suite no. 2, op. 17: I. Introduction | Martha Argerich, Alexandre Rabinovitch | — | |
| 8-6 | Suite no. 2, op. 17: II. Valse | Martha Argerich, Alexandre Rabinovitch | — | |
| 8-7 | Suite no. 2, op. 17: III. Romance | Martha Argerich, Alexandre Rabinovitch | — | |
| 8-8 | Suite no. 2, op. 17: IV. Tarantella | Martha Argerich, Alexandre Rabinovitch | — | |
| 9-1 | Sonata in D major, KV 448: I. Allegro con spirito | Martha Argerich, Alexandre Rabinovitch | — | |
| 9-2 | Sonata in D major, KV 448: II. Andante | Martha Argerich, Alexandre Rabinovitch | T-312.439.084-3 | |
| 9-3 | Sonata in D major, KV 448: III. Allegro molto | Martha Argerich, Alexandre Rabinovitch | — | |
| 9-4 | Andante and Variations for Piano with 4 Hands in G major, K. 501 | Martha Argerich, Alexandre Rabinovitch | T-902.919.739-5 | |
| 9-5 | Sonata for Piano with 4 Hands in C major, K. 521: I. Allegro | Martha Argerich, Alexandre Rabinovitch | — | |
| 9-6 | Sonata for Piano with 4 Hands in C major, K. 521: II. Andante | Martha Argerich, Alexandre Rabinovitch | — | |
| 9-7 | Sonata for Piano with 4 Hands in C major, K. 521: III. Allegretto | Martha Argerich, Alexandre Rabinovitch | — | |
| 9-8 | Sonata for Piano with 4 Hands in D major, K. 123a/381: I. Allegro | Martha Argerich, Alexandre Rabinovitch | T-312.439.079-6 | |
| 9-9 | Sonata for Piano with 4 Hands in D major, K. 123a/381: II. Andante | Martha Argerich, Alexandre Rabinovitch | T-312.439.084-3 | |
| 9-10 | Sonata for Piano with 4 Hands in D major, K. 123a/381: III. Allegro molto | Martha Argerich, Alexandre Rabinovitch | — | |
| 10-1 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | Martha Argerich, Chamber Orchestra of Europe, Nikolaus Harnoncourt | T-909.264.262-1 | |
| 10-2 | Piano Concerto in A minor, op. 54: II. Intermezzo. Andantino grazioso | Martha Argerich, Chamber Orchestra of Europe, Nikolaus Harnoncourt | T-909.264.262-1 | |
| 10-3 | Piano Concerto in A minor, op. 54: III. Allegro vivace | Martha Argerich, Chamber Orchestra of Europe, Nikolaus Harnoncourt | T-909.264.262-1 | |
| 10-4 | Violin Concerto in D minor, WoO 23: I. In kräftige, nicht zu schnellem Tempo | Gidon Kremer, Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 10-5 | Violin Concerto in D minor, WoO 23: II. Langsam | Gidon Kremer, Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 10-6 | Violin Concerto in D minor, WoO 23: III. Lebhaft, doch nicht schnell | Gidon Kremer, Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 11-1 | Variations on a Theme by Joseph Haydn, op. 56b: I. Theme ''Chorale St.Antoni'': Andante | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-2 | Variations on a Theme by Joseph Haydn, op. 56b: II. Variation I: Andante con moto | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-3 | Variations on a Theme by Joseph Haydn, op. 56b: III. Variation II: Vivace | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-4 | Variations on a Theme by Joseph Haydn, op. 56b: IV. Variation III: Con moto | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-5 | Variations on a Theme by Joseph Haydn, op. 56b: V. Variation IV: Andante | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-6 | Variations on a Theme by Joseph Haydn, op. 56b: VI. Variation V: Poco presto | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-7 | Variations on a Theme by Joseph Haydn, op. 56b: VII. Variation VI: Vivace | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-8 | Variations on a Theme by Joseph Haydn, op. 56b: VIII. Variation VII: Grazioso | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-9 | Variations on a Theme by Joseph Haydn, op. 56b: IX. Variation VIII: Poco presto | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-10 | Variations on a Theme by Joseph Haydn, op. 56b: X. Finale: Andante | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-11 | Sonata for two pianos in F minor, op. 34b: I. Allegro non troppo | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-12 | Sonata for two pianos in F minor, op. 34b: II. Andante, un poco adagio | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-13 | Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): III. Scherzo: Allegro | Martha Argerich, Lilya Zilberstein | — | |
| 11-14 | Sonata for two pianos in F minor, op. 34b: IV. Finale: Poco sustenuto - Allegro non troppo | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-15 | Waltzes, op. 39 no. 1 in B major: Tempo giusto | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-16 | Waltzes, op. 39 no. 2 in E major | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-17 | Waltzes, op. 39 no. 3 in B minor | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-18 | Waltzes, op. 39 no. 4 in G-sharp minor | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-19 | Waltzes, op. 39 no. 5 In A-flat major | Martha Argerich, Alexandre Rabinovitch | — | |
| 12-1 | Klavierquintett Es-dur, op. 44: I. Allegro brillante | Martha Argerich, Lucy Hall, Nobuko Imai, Mischa Maisky, Dora Schwarzberg | — | |
| 12-2 | Klavierquintett Es-dur, op. 44: II. In modo d'una marcia. Un poco largamente | Martha Argerich, Lucy Hall, Nobuko Imai, Mischa Maisky, Dora Schwarzberg | — | |
| 12-3 | Klavierquintett Es-dur, op. 44: III. Scherzo. Molto vivace | Martha Argerich, Lucy Hall, Nobuko Imai, Mischa Maisky, Dora Schwarzberg | — | |
| 12-4 | Klavierquintett Es-dur, op. 44: IV. Allegro, ma non troppo | Martha Argerich, Lucy Hall, Nobuko Imai, Mischa Maisky, Dora Schwarzberg | — | |
| 12-5 | Andante und Variationen, op. 46: Sostenuto - Andante espressivo - Un poco più animato - Più animato - Più lento - Un poco più lento | — | ||
| 12-6 | Andante und Variationen, op. 46: Più lento - Animato | Martha Argerich, Natalia Gutman, Mischa Maisky, Marie Luise Neunecker, Alexandre Rabinovitch | — | |
| 12-7 | Andante und Variationen, op. 46: Doppio movimento - Tempo primo - Più adagio | Martha Argerich, Natalia Gutman, Mischa Maisky, Marie Luise Neunecker, Alexandre Rabinovitch | — | |
| 12-8 | Fantasiestücke, op. 73: I. Zart und mit Ausdruck | Martha Argerich, Natalia Gutman | — | |
| 12-9 | Fantasiestücke, op. 73: II. Lebhaft, leicht | Martha Argerich, Natalia Gutman | — | |
| 12-10 | Fantasiestücke, op. 73: III. Rasch und mit Feuer | Martha Argerich, Natalia Gutman | — | |
| 12-11 | Märchenbilder, op. 113: I. Nicht schnell | Martha Argerich, Nobuko Imai | — | |
| 12-12 | Märchenbilder, op. 113: II. Lebhaft | Martha Argerich, Nobuko Imai | — | |
| 12-13 | Märchenbilder, op. 113: III. Rasch | Martha Argerich, Nobuko Imai | — | |
| 12-14 | Märchenbilder, op. 113: IV. Langsam, mit melancholischem Ausdruck | Martha Argerich, Nobuko Imai | — | |
| 13-1 | Concerto for Piano no. 20 in D minor, K. 466: I. Allegro | Martha Argerich, Orchestra di Padova e del Veneto, Alexandre Rabinovitch | — | |
| 13-2 | Concerto for Piano no. 20 in D minor, K. 466: II. Romance | Martha Argerich, Orchestra di Padova e del Veneto, Alexandre Rabinovitch | — | |
| 13-3 | Concerto for Piano no. 20 in D minor, K. 466: III. Allegro assai | Martha Argerich, Orchestra di Padova e del Veneto, Alexandre Rabinovitch | — | |
| 13-4 | Concerto for Piano No. 19 in F major, K. 459: I. Allegro | Alexandre Rabinovitch, Orchestra di Padova e del Veneto | — | |
| 13-5 | Concerto for Piano No. 19 in F major, K. 459: II. Allegretto | Alexandre Rabinovitch, Orchestra di Padova e del Veneto | — | |
| 13-6 | Concerto for Piano No. 19 in F major, K. 459: III. Allegro assai | Alexandre Rabinovitch, Orchestra di Padova e del Veneto | — | |
| 13-7 | Concerto for Two Pianos No. 10 in E-flat major, K. 316a/365: I. Allegro | Martha Argerich, Alexandre Rabinovitch, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | — | |
| 13-8 | Concerto for Two Pianos No. 10 in E-flat major, K. 316a/365: II. Andante | Martha Argerich, Alexandre Rabinovitch, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | — | |
| 13-9 | Concerto for Two Pianos No. 10 in E-flat major, K. 316a/365: III. Rondeau: Allegro | Martha Argerich, Alexandre Rabinovitch, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | — | |
| 14-1 | L’Apprenti sorcier (arr. for 2 pianos by Alexandre Rabinovitch) | — | ||
| 14-2 | Sinfonia domestica, op. 53 (arr. for 2 pianos by Otto Singer) – I. Thema. Bewegt – II. Thema. Sehr lebhaft – III. Thema. Ruhig | — | ||
| 14-3 | Sinfonia domestica, op. 53 (arr. for 2 pianos by Otto Singer) – Scherzo. Munter | — | ||
| 14-4 | Sinfonia domestica, op. 53 (arr. for 2 pianos by Otto Singer) – Wiegenlied. Mäßig langsam | — | ||
| 14-5 | Sinfonia domestica, op. 53 (arr. for 2 pianos by Otto Singer) – Adagio. Langsam | — | ||
| 14-6 | Sinfonia domestica, op. 53 (arr. for 2 pianos by Otto Singer) – Finale. Sehr lebhaft | — | ||
| 14-7 | La Valse (arr. for 2 pianos by the composer) | — | ||
| 15-1 | Klavierkonzert Nr. 1 Des-Dur, op. 10: I. Allegro brioso | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15-2 | Klavierkonzert Nr. 1 Des-Dur, op. 10: II. Andante assai | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15-3 | Klavierkonzert Nr. 1 Des-Dur, op. 10: III. Allegro scherzando | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15-4 | Klavierkonzert Nr. 3, Sz. 119: I. Allegretto | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15-5 | Klavierkonzert Nr. 3, Sz. 119: II. Adagio religioso - [Poco più mosso] - Tempo I | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15-6 | Klavierkonzert Nr. 3, Sz. 119: III. [Allegro vivace] - [Presto] | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15-7 | Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15-8 | Piano Concerto no. 3 in C major, op. 26: II. Tema: Andantino - Variation I: L'istesso tempo - Variation II: Allegro - Variation III: Allegro moderato. Poco meno mosso - Variation IV: Andante meditativo - Variation V: Allegro giusto - Tema: L'istesso tempo | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15-9 | Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo - meno mosso - Allegro | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 16-1 | Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": I. Adagio sostenuto - Presto | — | ||
| 16-2 | Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": II. Andante con variazioni | — | ||
| 16-3 | Sonata for Violin and Piano no. 9 in A major, op. 47 "Kreutzer": III. Finale: Presto | Itzhak Perlman, Martha Argerich | — | |
| 16-4 | Sonata for Violin and Piano in A major: I. Allegretto ben moderato | — | ||
| 16-5 | Sonata for Violin and Piano in A major: II. Allegro | — | ||
| 16-6 | Sonata for Violin and Piano in A major: III. Recitative - Fantasia. Ben moderato - Molto lento | — | ||
| 16-7 | Sonata for Violin and Piano in A major: IV. Allegretto poco mosso | — | ||
| 17-1 | Duo, op. 7: I. Allegro serioso, non troppo | — | ||
| 17-2 | Duo, op. 7: II. Adagio – Andante – Tempo I | — | ||
| 17-3 | Duo, op. 7: III. Maestoso e largamente, ma non troppo lento – Presto | — | ||
| 17-4 | Contrasts, Sz111: I. Verbunkos (Recruiting Dance) | — | ||
| 17-5 | Contrasts, Sz111: II. Pihenö (Relaxation) | — | ||
| 17-6 | Contrasts, Sz111: III. Sebes (Fast Dance) | — | ||
| 17-7 | Concerto pathétique in E minor, S258 | — | ||
| 18-1 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso | — | ||
| 18-2 | Piano Concerto no. 1 in E minor, op. 11: II. Romanze. Larghetto | — | ||
| 18-3 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo. Vivace | — | ||
| 18-4 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | — | ||
| 18-5 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | — | ||
| 18-6 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 19-1 | Violin Sonata no. 2 in D minor, op. 121: I. Ziemlich langsam und energisch - Lebhaft | — | ||
| 19-2 | Violin Sonata no. 2 in D minor, op. 121: II. Sehr lebhaft | — | ||
| 19-3 | Violin Sonata no. 2 in D minor, op. 121: III. Leise, einfach (Etwas lebhafter - Etwas bewegter - Tempo wie vorher) | — | ||
| 19-4 | Violin Sonata no. 2 in D minor, op. 121: IV. Bewegt | — | ||
| 19-5 | Sonata for Solo Violin, Sz. 117: I. Tempo di ciaccona | — | ||
| 19-6 | Sonata for Solo Violin, Sz. 117: II. Fuga - Risoluto, non troppo vivo | — | ||
| 19-7 | Sonata for Solo Violin, Sz. 117: III. Melodia - Adagio | — | ||
| 19-8 | Sonata for Solo Violin, Sz. 117: IV. Presto | — | ||
| 20-1 | Kinderszenen, op. 15 no. 1: Von fremden Ländern und Menschen | — | ||
| 20-2 | Kinderszenen, op. 15 no. 2: Kuriose Geschichte | — | ||
| 20-3 | Kinderszenen, op. 15 no. 3: Hasche-Mann | — | ||
| 20-4 | Kinderszenen, op. 15 no. 4: Bittendes Kind | — | ||
| 20-5 | Kinderszenen, op. 15 no. 5: Glückes genug | — | ||
| 20-6 | Kinderszenen, op. 15 no. 6: Wichtige Begebenheit | — | ||
| 20-7 | Kinderszenen, op. 15 no. 7: Träumerei | — | ||
| 20-8 | Kinderszenen, op. 15 no. 8: Am Kamin | — | ||
| 20-9 | Kinderszenen, op. 15 no. 9: Ritter vom Steckenpferd | — | ||
| 20-10 | Kinderszenen, op. 15 no. 10: Fast zu ernst | — | ||
| 20-11 | Kinderszenen, op. 15 no. 11: Fürchtenmachen | — | ||
| 20-12 | Kinderszenen, op. 15 no. 12: Kind im Einschlummern | — | ||
| 20-13 | Kinderszenen, op. 15 no. 13: Der Dichter spricht | — | ||
| 20-14 | Violin Sonata no. 1 in C-sharp minor, Sz. 75: I. Allegro appassionato | — | ||
| 20-15 | Violin Sonata no. 1 in C-sharp minor, Sz. 75: II. Adagio | — | ||
| 20-16 | Violin Sonata no. 1 in C-sharp minor, Sz. 75: III. Allegro | — | ||
| 20-17 | Liebesleid | — | ||
| 20-18 | Schön Rosmarin | — | ||
| 21-1 | Violin Sonata no. 1 in A minor, op. 105: 1. Mit meidenschaftlichem Ausdruck | — | ||
| 21-2 | Violin Sonata no. 1 in A minor, op. 105: 2. Allegretto | — | ||
| 21-3 | Violin Sonata no. 1 in A minor, op. 105: 3. Lebhaft | — | ||
| 21-4 | Fantasiestücke, op. 73: 1. Zart und mit Ausdruck | — | ||
| 21-5 | Fantasiestücke, op. 73: 2. Lebhaft, leicht | — | ||
| 21-6 | Fantasiestücke, op. 73: 3. Rasch und mit Feuer | — | ||
| 21-7 | Sonatensatz in C minor, op. Posth. "FAE Sonata" (Scherzo) | — | ||
| 21-8 | Violin Sonata no. 4 in C minor, BWV 1017: 1. Siciliano | — | ||
| 21-9 | Violin Sonata no. 4 in C minor, BWV 1017: 2. Allegro | Martha Argerich, Itzhak Perlman | — | |
| 21-10 | Violin Sonata no. 4 in C minor, BWV 1017: 3. Adagio ma non tanto | — | ||
| 21-11 | Violin Sonata no. 4 in C minor, BWV 1017: 4. Allegro assai | — | ||
| 22-1 | Symphony No. 3 in C Minor, Op. 78, "Organ Symphony": I. Adagio - Allegro moderato | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-2 | Symphony No. 3 in C Minor, Op. 78, "Organ Symphony": Poco adagio | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-3 | Symphony No. 3 in C Minor, Op. 78, "Organ Symphony": II. Allegro moderato - Presto | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-4 | Symphony No. 3 in C Minor, Op. 78, "Organ Symphony": Maestoso - Allegro | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-5 | The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: I. Introduction et Marche royale du lion | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-6 | The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: II. Poules et Coqs | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-7 | The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: III. Hémiones | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-8 | The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: IV. Tortues | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-9 | The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: V. L'Éléphant | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-10 | The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: VI. Kangourous | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-11 | The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: VII. Aquarium | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-12 | The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: VIII. Personnages à longues oreilles | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-13 | The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: IX. Le Coucou au fond des bois | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-14 | The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: X. Volière | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-15 | The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: XI. Pianistes | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-16 | The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: XII. Fossiles | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-17 | The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: XIII. Le Cygne | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-18 | The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: XIV. Final | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 23-1 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato | — | ||
| 23-2 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | — | ||
| 23-3 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | — | ||
| 23-4 | Symphonic Dances, op. 45: I. Non allegro | — | ||
| 23-5 | Symphonic Dances, op. 45: II. Andante con moto (Tempo di Valse) | — | ||
| 23-6 | Symphonic Dances, op. 45: III. Lento assai – Allegro vivace – Lento assai, come prima – Allegro vivace | — | ||
| 24-1 | Symphony no. 6 in F, op. 68 “Pastoral” I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande.: Allegro ma non troppo | Martha Argerich, Theodosia Ntokou | — | |
| 24-2 | Symphony no. 6 in F, op. 68 “Pastoral” II. Szene am Bach.: Andante molto moto | Martha Argerich, Theodosia Ntokou | — | |
| 24-3 | Symphony no. 6 in F, op. 68 “Pastoral” III. Lustiges Zusammensein der Landleute.: Allegro | Martha Argerich, Theodosia Ntokou | — | |
| 24-4 | Symphony no. 6 in F, op. 68 “Pastoral” IV. Gewitter. Sturm.: Allegro | Martha Argerich, Theodosia Ntokou | — | |
| 24-5 | Symphony no. 6 in F, op. 68 “Pastoral” V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm.: Allegretto | Martha Argerich, Theodosia Ntokou | — | |
| 24-6 | Piano Sonata no. 17 in D minor, op. 31 no. 2 “Tempest”: I. Largo – Allegro | Theodosia Ntokou | T-318.053.300-6 | |
| 24-7 | Piano Sonata no. 17 in D minor, op. 31 no. 2 “Tempest”: II. Adagio | Theodosia Ntokou | — | |
| 24-8 | Piano Sonata no. 17 in D minor, op. 31 no. 2 “Tempest”: III. Allegretto | Theodosia Ntokou | — | |
| 25-1 | Piano Concerto no. 20 in D minor, K 466: I. Allegro | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — | |
| 25-2 | Piano Concerto no. 20 in D minor, K 466: II. Romance | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — | |
| 25-3 | Piano Concerto no. 20 in D minor, K 466: III. Rondo: Allegro assai | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — | |
| 25-4 | Piano Sonata in C, K545: I. Allegro | Piotr Anderszewski, Martha Argerich | — | |
| 25-5 | Piano Sonata in C, K545: II. Andante | Piotr Anderszewski, Martha Argerich | — | |
| 25-6 | Piano Sonata in C, K545: III. Rondo: Allegretto | Piotr Anderszewski, Martha Argerich | — | |
| 25-7 | Piano Concerto no. 25 in C, K. 503: I. Allegro maestoso | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — | |
| 25-8 | Piano Concerto no. 25 in C, K. 503: II. Andante | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — | |
| 25-9 | Piano Concerto no. 25 in C, K. 503: III. Allegretto | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — | |
| 26-1 | Sonata in D, K. 381: I. Allegro | Martha Argerich, Maria João Pires | — | |
| 26-2 | Sonata in D, K. 381: II. Andante | Martha Argerich, Maria João Pires | — | |
| 26-3 | Sonata in D, K. 381: III. Allegro molto | Martha Argerich, Maria João Pires | — | |
| 26-4 | Sonata for Two Pianos in D, K448 (375a): I. Allegro con spirito | Martha Argerich, Sergei Babayan | — | |
| 26-5 | Sonata for Two Pianos in D, K448 (375a): II. Andante | Martha Argerich, Sergei Babayan | — | |
| 26-6 | Sonata for Two Pianos in D, K448 (375a): III. Molto allegro | Martha Argerich, Sergei Babayan | — | |
| 26-7 | Fantasie für eine Orgelwalze | Martha Argerich, Lilya Zilberstein | — | |
| 26-8 | Sonata for Piano 4-Hands in F Major, K. 497: I. Adagio - Allegro molto | Martha Argerich, Cristina Marton | — | |
| 26-9 | Sonata for Piano 4-Hands in F Major, K. 497: II. Andante | Martha Argerich, Cristina Marton | — | |
| 26-10 | Sonata for Piano 4-Hands in F Major, K. 497: III. Allegro | Martha Argerich, Cristina Marton | — | |
| 27-1 | 5 Variations in G Major for Piano 4-Hands, K. 501: I. Thema. Andante | Martha Argerich, Stephen Kovacevich | — | |
| 27-2 | 5 Variations in G Major for Piano 4-Hands, K. 501: II. Variation I | Martha Argerich, Stephen Kovacevich | — | |
| 27-3 | 5 Variations in G Major for Piano 4-Hands, K. 501: III. Variation II | Martha Argerich, Stephen Kovacevich | — | |
| 27-4 | 5 Variations in G Major for Piano 4-Hands, K. 501. IV. Variation III | Martha Argerich, Stephen Kovacevich | — | |
| 27-5 | 5 Variations in G Major for Piano 4-Hands, K. 501: V. Variation IV | Martha Argerich, Stephen Kovacevich | — | |
| 27-6 | 5 Variations in G Major for Piano 4-Hands, K. 501: VI. Variation V | Martha Argerich, Stephen Kovacevich | — | |
| 27-7 | Haydn: Piano Trio No. 39 in G major, Hob.XV:25 'Gypsy': I. Andante | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 27-8 | Haydn: Piano Trio No. 39 in G major, Hob.XV:25 'Gypsy': II. Poco adagio | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 27-9 | Haydn: Piano Trio No. 39 in G major, Hob.XV:25 'Gypsy': III. Rondo all'ongarese. Presto | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 27-10 | Violin Sonata no. 8 in G, op. 30 no. 3: I. Allegro assai | Martha Argerich, Renaud Capuçon | — | |
| 27-11 | Violin Sonata no. 8 in G, op. 30 no. 3: II. Tempo di menuetto, ma molto moderato e grazioso | Martha Argerich, Renaud Capuçon | — | |
| 27-12 | Violin Sonata No. 8 in G Major, Op. 30 No. 3: III. Allegro vivace (Live) | Martha Argerich, Renaud Capuçon | — | |
| 27-13 | Beethoven: Piano Trio No. 4 in B flat major, Op. 11 'Gassenhauer', for violin, cello & piano: I. Allegro con brio | Martha Argerich, Marek Denemark, Mark Drobinsky | — | |
| 27-14 | Beethoven: Piano Trio No. 4 in B flat major, Op. 11 'Gassenhauer', for violin, cello & piano: II. Adagio con espressione | Martha Argerich, Marek Denemark, Mark Drobinsky | — | |
| 27-15 | Beethoven: Piano Trio No. 4 in B flat major, Op. 11 'Gassenhauer', for violin, cello & piano: III. Tema con variazioni | Martha Argerich, Marek Denemark, Mark Drobinsky | — | |
| 27-16 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: I. Thema. Andante | Martha Argerich, Mischa Maisky | — | |
| 27-17 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 1: Variation I | Martha Argerich, Mischa Maisky | — | |
| 27-18 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: III. Variation II | Martha Argerich, Mischa Maisky | — | |
| 27-19 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: IV. Variation III | Martha Argerich, Mischa Maisky | — | |
| 27-20 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 4: Variation IV | Martha Argerich, Mischa Maisky | — | |
| 27-21 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: VI. Variation V | Martha Argerich, Mischa Maisky | — | |
| 27-22 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: VII. Variation VI | Martha Argerich, Mischa Maisky | — | |
| 27-23 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: Variation VII | Martha Argerich, Mischa Maisky | — | |
| 28-1 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | Martha Argerich, Orchestra della Svizzera italiana, Herbert Soudant | — | |
| 28-2 | Piano Concerto no. 1 in C major, op. 15: II. Largo | Martha Argerich, Orchestra della Svizzera italiana, Herbert Soudant | — | |
| 28-3 | Piano Concerto no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | Martha Argerich, Orchestra della Svizzera italiana, Herbert Soudant | — | |
| 28-4 | Piano Quartet in C major, Wo036 No. 3: I. Allegro vivace | Martha Argerich, Gautier Capuçon, Renaud Capuçon, Lida Chen | — | |
| 28-5 | Piano Quartet in C major, Wo036 No. 3: II. Adagio con espressione | Martha Argerich, Gautier Capuçon, Renaud Capuçon, Lida Chen | — | |
| 28-6 | Piano Quartet in C major, Wo036 No. 3: III. Finale: Allegro | Martha Argerich, Gautier Capuçon, Renaud Capuçon, Lida Chen | — | |
| 28-7 | Piano Trio in D major, Op. 70, No. 1 "Ghost": I. Allegro vivace e con brio | Martha Argerich, Renaud Capuçon, Mischa Maisky | — | |
| 28-8 | Trio avec piano en ré majeur, op. 70 no. 1 « des esprits » : II. Largo assai ed espressivo | Martha Argerich, Renaud Capuçon, Mischa Maisky | — | |
| 28-9 | Piano Trio in D major, Op. 70, No. 1 "Ghost": III. Presto | Martha Argerich, Renaud Capuçon, Mischa Maisky | — | |
| 29-1 | Concerto for Piano, Violin, and Cello in C major, op. 56 "Triple": I. Allegro | Martha Argerich, Renaud Capuçon, Mischa Maisky, Orchestra della Svizzera italiana, Александр Рабинович-Бараковский | — | |
| 29-2 | Concerto for Piano, Violin, and Cello in C major, op. 56 “Triple Concerto”: II. Largo | Martha Argerich, Renaud Capuçon, Mischa Maisky, Orchestra della Svizzera italiana, Alexander Rabinovitch-Barakovsky | — | |
| 29-3 | Concerto for Piano, Violin, and Cello in C major, op. 56 "Triple": III. Rondo alla polacca | Martha Argerich, Renaud Capuçon, Mischa Maisky, Orchestra della Svizzera italiana, Александр Рабинович-Бараковский | — | |
| 29-4 | Cello Sonata no. 2 in G minor, op. 5, no. 2: I. Adagio sostenuto ed expressivo | Martha Argerich, Mischa Maisky | — | |
| 29-5 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I-ii. Allegro molto più tosto presto | Martha Argerich, Mischa Maisky | — | |
| 29-6 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | Martha Argerich, Mischa Maisky | — | |
| 29-7 | Choral Fantasy, op. 80: I. Adagio | Coro della Radio Svizzera, Lugano, Martha Argerich, Orchestra della Svizzera italiana, Diego Fasolis | — | |
| 29-8 | Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80: II. Finale (Allegro - Meno allegro - Marcia, assai vivace) | Coro della Radio Svizzera, Lugano, Martha Argerich, Orchestra della Svizzera italiana, Diego Fasolis | — | |
| 29-9 | Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80: III. Allegretto ma non troppo quasi andante con moto | Coro della Radio Svizzera, Lugano, Martha Argerich, Orchestra della Svizzera italiana, Diego Fasolis | — | |
| 30-1 | Violin Sonata in C minor, BWV 1017: I. Largo | Martha Argerich, Tedi Papavrami | — | |
| 30-2 | Violin Sonata in C minor, BWV 1017: II. Allegro | Martha Argerich, Tedi Papavrami | — | |
| 30-3 | Violin Sonata in C minor, BWV 1017: III. Adagio | Martha Argerich, Tedi Papavrami | — | |
| 30-4 | Violin Sonata in C minor, BWV 1017: IV. Allegro | Martha Argerich, Tedi Papavrami | — | |
| 30-5 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: I. Thema. Allegretto. | Martha Argerich, Alexander Mogilevsky | — | |
| 30-6 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: II. Variation I | Martha Argerich, Alexander Mogilevsky | — | |
| 30-7 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: III. Variation II | Martha Argerich, Alexander Mogilevsky | — | |
| 30-8 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: IV. Variation III | Martha Argerich, Alexander Mogilevsky | — | |
| 30-9 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: V. Variation IV | Martha Argerich, Alexander Mogilevsky | — | |
| 30-10 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: VI. Variation V | Martha Argerich, Alexander Mogilevsky | — | |
| 30-11 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: VII. Variation VI | Martha Argerich, Alexander Mogilevsky | — | |
| 30-12 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: VIII. Variation VII | Martha Argerich, Alexander Mogilevsky | — | |
| 30-13 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: IX. Variation VIII | Martha Argerich, Alexander Mogilevsky | — | |
| 30-14 | A Midsummer Night's Dream, op. 21 (Incidental Music): Overture | Martha Argerich, Cristina Marton | — | |
| 30-15 | A Midsummer Night's Dream, op. 21 (Incidental Music): Scherzo | Martha Argerich, Cristina Marton | — | |
| 30-16 | Piano Trio No. 1 in D minor, Op. 49: I. Molto allegro, agitato | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 30-17 | Piano Trio No. 1 in D minor, Op. 49: II. Andante con moto, tranquillo | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 30-18 | Trio avec piano no. 1 en ré mineur, op. 49 : III. Scherzo : Leggiero e vivace | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 30-19 | Piano Trio No. 1 in D minor, Op. 49: IV. Finale: Allegro assai appassionato | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 31-1 | Piano Concerto no. 1 in E minor, op. 11: Allegro maestoso | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — | |
| 31-2 | Piano Concerto no. 1 in E minor, op. 11: Romance: Larghetto | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | T-308.381.369-4 | |
| 31-3 | Piano Concerto no. 1 in E minor, op. 11: Rondo: Vivace | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — | |
| 31-4 | Introduction et polonaise brillante in C Major, op. 3: I. Introductions | Martha Argerich, Gautier Capuçon | — | |
| 31-5 | Introduction et polonaise brillante in C Major, op. 3: II. Alla polacca - Allegro con spirito | Martha Argerich, Gautier Capuçon | — | |
| 31-6 | Les Préludes S97 | Martha Argerich, Daniel Rivera | — | |
| 31-7 | Réminiscences de Don Juan for Two Pianos, S 656: I. Grave | Martha Argerich, Mauricio Vallina | — | |
| 31-8 | Réminiscences de Don Juan for Two Pianos, S 656: II. Duetto: Andantino | Martha Argerich, Mauricio Vallina | — | |
| 31-9 | Réminiscences de Don Juan for Two Pianos, S 656: III. Allegretto | Martha Argerich, Mauricio Vallina | — | |
| 31-10 | Réminiscences de Don Juan for Two Pianos, S 656: IV. Presto | Martha Argerich, Mauricio Vallina | — | |
| 32-1 | Kinderszenen, op. 15: I. Von fremden Ländern und Menschen | Martha Argerich | T-314.629.927-2 | |
| 32-2 | Kinderszenen, op. 15: II. Kuriose Geschichte | Martha Argerich | T-330.117.394-0 | |
| 32-3 | Kinderszenen, op. 15: III. Hasche-Mann | Martha Argerich | — | |
| 32-4 | Kinderszenen, op. 15: IV. Bittendes Kind | Martha Argerich | — | |
| 32-5 | Kinderszenen, op. 15: V. Glückes genug | Martha Argerich | — | |
| 32-6 | Kinderszenen, op. 15: VI. Wichtige Begebenheit | Martha Argerich | — | |
| 32-7 | Kinderszenen, op. 15: No. 7. Träumerei | Martha Argerich | — | |
| 32-8 | Kinderszenen, op. 15: VIII. Am Kamin | Martha Argerich | — | |
| 32-9 | Kinderszenen, op. 15: IX. Ritter vom Steckenpferd | Martha Argerich | — | |
| 32-10 | Kinderszenen, op. 15: X. Fast zu ernst | Martha Argerich | — | |
| 32-11 | Kinderszenen, op. 15: XI. Fürchtenmachen | Martha Argerich | — | |
| 32-12 | Kinderszenen, op. 15: XII. Kind im Einschlummern | Martha Argerich | — | |
| 32-13 | Kinderszenen, op. 15: XIII. Der Dichter spricht | Martha Argerich | — | |
| 32-14 | Fantasiestücke für Cello und Klavier, op. 73: I. Zart und mit Ausdruck | Martha Argerich, Gautier Capuçon | — | |
| 32-15 | Fantasiestücke für Cello und Klavier, op. 73: II. Lebhaft, leicht | Martha Argerich, Gautier Capuçon | — | |
| 32-16 | Fantasiestücke für Cello und Klavier, op. 73: III. Rasch un mit Feuer | Martha Argerich, Gautier Capuçon | — | |
| 32-17 | Violin Sonata no. 1 in A minor, op. 105: Mit leidenschaftlichem Ausdruck | Martha Argerich, Renaud Capuçon | — | |
| 32-18 | Violin Sonata no. 1 in A minor, op. 105: Allegretto | Martha Argerich, Renaud Capuçon | — | |
| 32-19 | Violin Sonata no. 1 in A minor, op. 105: Lebhaft | Martha Argerich, Renaud Capuçon | — | |
| 32-20 | Violin Sonata no. 2 in D minor, op. 121: I | Martha Argerich, Renaud Capuçon | — | |
| 32-21 | Sonata for Violin and Piano no. 2 in D minor, op. 121: II. Sehr lebhaft | Martha Argerich, Renaud Capuçon | — | |
| 32-22 | Violin Sonata no. 2 in D minor, op. 121: III | Martha Argerich, Renaud Capuçon | — | |
| 32-23 | Violin Sonata no. 2 in D minor, op. 121: IV | Martha Argerich, Renaud Capuçon | — | |
| 33-1 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | Martha Argerich, Orchestra della Svizzera italiana, Alexandre Rabinovitch-Barakovsky | T-909.264.262-1 | |
| 33-2 | Piano Concerto in A minor, op. 54: II. Intermezzo (Andantino grazioso) | Martha Argerich, Orchestra della Svizzera italiana, Alexandre Rabinovitch-Barakovsky | T-909.264.262-1 | |
| 33-3 | Piano Concerto in A minor, op. 54: III. Allegro vivace | Martha Argerich, Orchestra della Svizzera italiana, Alexandre Rabinovitch-Barakovsky | T-909.264.262-1 | |
| 33-4 | Fantasiestücke, Op. 88: I. Romanze: Nicht schnell, mit innigem Ausdruck | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 33-5 | Fantasiestücke, Op. 88: II. Humoreske: Lebhaft | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 33-6 | Fantasiestücke, Op. 88: III. Duett: Langsam und mit Ausdruck | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 33-7 | Fantasiestücke, Op. 88: IV. Finale: Im Marsch-Tempo | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 33-8 | Piano Quartet in E-flat, op. 47: I. Sostenuto assai | Martha Argerich, Renaud Capuçon, Lida Chen, Gautier Capuçon | — | |
| 33-9 | Piano Quartet in E-flat, op. 47: II. Scherzo | Martha Argerich, Renaud Capuçon, Lida Chen, Gautier Capuçon | — | |
| 33-10 | Piano Quartet in E-flat, op. 47: III. Andante cantabile | Martha Argerich, Renaud Capuçon, Lida Chen, Gautier Capuçon | — | |
| 33-11 | Piano Quartet in E-flat major, Op. 47: IV. Finale: Vivace | Martha Argerich, Gautier Capuçon, Renaud Capuçon, Lida Chen | — | |
| 34-1 | Andante und Variationen for 2 Pianos in B-flat Major, op. 46: I. Andante espressivo - Più animato | Martha Argerich, Gabriela Montero | — | |
| 34-2 | Andante und Variationen for 2 Pianos in B-flat Major, op. 46: II. Più lento - Animato | Martha Argerich, Gabriela Montero | — | |
| 34-3 | Andante und Variationen for 2 Pianos in B-flat Major, op. 46: III. Doppio movimento - Più adagio | Martha Argerich, Gabriela Montero | — | |
| 34-4 | Piano Quintet in E-flat major, Op. 44: I. Allegro brillante | Martha Argerich, Renaud Capuçon, Mark Drobinsky, Nora Romanoff-Schwarzberg, Dora Schwarzberg | — | |
| 34-5 | Piano Quintet in E-flat major, Op. 44: II. In modo d'una marcia - Un poco largamente | Martha Argerich, Renaud Capuçon, Mark Drobinsky, Nora Romanoff-Schwarzberg, Dora Schwarzberg | — | |
| 34-6 | Piano Quintet in E-flat major, Op. 44: III. Scherzo: Molto vivace | Martha Argerich, Renaud Capuçon, Mark Drobinsky, Nora Romanoff-Schwarzberg, Dora Schwarzberg | — | |
| 34-7 | Piano Quintet in E-flat Major, op. 44: IV. Allegro ma non troppo | Robert Schumann | — | |
| 34-8 | Violin Sonata No. 1 in A minor, Op. 105: I. Mit leidenschaflichem Ausdruck | Martha Argerich, Géza Hosszu-Legocky | — | |
| 34-9 | Violin Sonata No. 1 in A minor, Op. 105: II. Allegretto | Martha Argerich, Géza Hosszu-Legocky | — | |
| 34-10 | Violin Sonata No. 1 in A minor, op. 105: III. Lebhaft | Robert Schumann | — | |
| 34-11 | Fünf Stücke im Volkston, op. 102: I. Mit Humor: Vanitas vanitatum | Martha Argerich, Gautier Capuçon | — | |
| 34-12 | Fünf Stücke im Volkston, op. 102: II. Langsam | Martha Argerich, Gautier Capuçon | — | |
| 34-13 | Fünf Stücke im Volkston, op. 102: III. Nicht schnell, mit viel Ton zu spielen | Martha Argerich, Gautier Capuçon | — | |
| 34-14 | Fünf Stücke im Volkston, op. 102: IV. Nicht zu rasch | Martha Argerich, Gautier Capuçon | — | |
| 34-15 | Fünf Stücke im Volkston, op. 102: V. Stark and markirt | Martha Argerich, Gautier Capuçon | — | |
| 35-1 | Adagio and Allegro, op. 70: Langsam, mit innigem Ausdruck | Martha Argerich, Gautier Capuçon | — | |
| 35-2 | Adagio and Allegro, op. 70: Allegro, rasch und feurig | Martha Argerich, Gautier Capuçon | — | |
| 35-3 | Six Canonic Etudes, op. 56: I. Pas trop vite | Martha Argerich, Lilya Zilberstein | — | |
| 35-4 | Six Canonic Etudes, op. 56: II. Avec beaucoup d'expression | Martha Argerich, Lilya Zilberstein | — | |
| 35-5 | Six Canonic Etudes, op. 56: III. Andantino | Martha Argerich, Lilya Zilberstein | — | |
| 35-6 | Six Canonic Etudes, op. 56: IV. Espressivo | Martha Argerich, Lilya Zilberstein | — | |
| 35-7 | Six Canonic Etudes, op. 56: V. Pas trop vite | Martha Argerich, Lilya Zilberstein | — | |
| 35-8 | Six Canonic Etudes, op. 56: VI. Adagio | Martha Argerich, Lilya Zilberstein | — | |
| 35-9 | Fantasiestücke, Op. 73 (version for flugelhorn and piano): I. Zart und mit Ausdruck | Martha Argerich, Sergei Nakariakov | — | |
| 35-10 | Fantasiestücke, Op. 73 (version for flugelhorn and piano): II. Lebhaft, leicht | Martha Argerich, Sergei Nakariakov | — | |
| 35-11 | Fantasiestücke, Op. 73 (version for flugelhorn and piano): III. Rasch und mit Feuer | Martha Argerich, Sergei Nakariakov | — | |
| 35-12 | Concerto pathétique, Sz. 258: I. Allegro energico-Grandioso | Martha Argerich, Lilya Zilberstein | — | |
| 35-13 | Concerto pathétique, Sz. 258: II. Quasi fantasia-Andante sostenuoto-Allegro agitato assai | Martha Argerich, Lilya Zilberstein | — | |
| 35-14 | Concerto pathétique, Sz. 258: III. Andante, quasi marcia funebre-Più mosso-Allegro trionfante | Martha Argerich, Lilya Zilberstein | — | |
| 35-15 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Chorale 'St Anthony': Andante | Martha Argerich, Polina Leschenko | — | |
| 35-16 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation I: Andante con moto | Martha Argerich, Polina Leschenko | — | |
| 35-17 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation II: Vivace | Martha Argerich, Polina Leschenko | T-322.184.202-6 | |
| 35-18 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation III: Con moto | Martha Argerich, Polina Leschenko | T-322.184.202-6 | |
| 35-19 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation IV: Andante | Martha Argerich, Polina Leschenko | T-322.184.202-6 | |
| 35-20 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation V: Poco presto | Martha Argerich, Polina Leschenko | T-322.184.202-6 | |
| 35-21 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation VI: Vivace | Martha Argerich, Polina Leschenko | — | |
| 35-22 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation VII: Grazioso | Martha Argerich, Polina Leschenko | — | |
| 35-23 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation VIII: Poco presto | Martha Argerich, Polina Leschenko | — | |
| 35-24 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Finale: Andante | Martha Argerich, Polina Leschenko | T-322.184.202-6 | |
| 36-1 | Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): I. Allegro non troppo | Martha Argerich, Lilya Zilberstein | — | |
| 36-2 | Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): II. Andante, un poco adagio | Martha Argerich, Lilya Zilberstein | — | |
| 36-3 | Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): III. Scherzo: Allegro | Martha Argerich, Lilya Zilberstein | — | |
| 36-4 | Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): IV. Finale: Poco sostenuto - Allegro non troppo - Presto non troppo | Martha Argerich, Lilya Zilberstein | — | |
| 36-5 | Variations on a Theme by Haydn for 2 Pianos, op 56b: I. Theme. Chorale St. Antoni | Nicholas Angelich, Martha Argerich | — | |
| 36-6 | Variations on a Theme by Haydn for 2 Pianos, op 56b: II. Variation I (Andante con moto) | Nicholas Angelich, Martha Argerich | — | |
| 36-7 | Variations on a Theme by Haydn for 2 Pianos, op 56b: III. Variation II (Vivace) | Nicholas Angelich, Martha Argerich | — | |
| 36-8 | Variations on a Theme by Haydn for 2 Pianos, op 56b: IV. Variation III (Con moto) | Nicholas Angelich, Martha Argerich | — | |
| 36-9 | Variations on a Theme by Haydn for 2 Pianos, op 56b: V. Variation IV (Andante) | Nicholas Angelich, Martha Argerich | — | |
| 36-10 | Variations on a Theme by Haydn for 2 Pianos, op 56b: VI. Variation V (Poco presto) | Nicholas Angelich, Martha Argerich | — | |
| 36-11 | Variations on a Theme by Haydn for 2 Pianos, op 56b: VII. Variation VI (Vivace) | Nicholas Angelich, Martha Argerich | — | |
| 36-12 | Variations on a Theme by Haydn for 2 Pianos, op 56b: VIII. Variation VII (Grazioso) | Nicholas Angelich, Martha Argerich | — | |
| 36-13 | Variations on a Theme by Haydn for 2 Pianos, op 56b: IX. Variation VIII (Poco presto) | Nicholas Angelich, Martha Argerich | — | |
| 36-14 | Variations on a Theme by Haydn for 2 Pianos, op 56b: X. Finale (Andante) | Nicholas Angelich, Martha Argerich | T-322.184.202-6 | |
| 37-1 | The Nutcracker Suite, op. 71a: I. Ouverture miniature | Martha Argerich, Ana Mirabela Dina | — | |
| 37-2 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: a. Marche: Tempo di marcia viva | Martha Argerich, Ana Mirabela Dina | — | |
| 37-3 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: b. Danse fe la fée dragée: Andante non troppo | Martha Argerich, Ana Mirabela Dina | — | |
| 37-4 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: c. Danse russe - Trépak: Tempo di trepak, Molto vivace | Martha Argerich, Ana Mirabela Dina | — | |
| 37-5 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: d. Danse arabe: Allegretto | Martha Argerich, Ana Mirabela Dina | — | |
| 37-6 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: e. Danse chinoise: Allegro moderato | Martha Argerich, Ana Mirabela Dina | — | |
| 37-7 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: f. Danse des mirlitons: Moderato assai | Martha Argerich, Ana Mirabela Dina | — | |
| 37-8 | The Nutcracker Suite, op. 71a: III. Valse des fleurs | Martha Argerich, Ana Mirabela Dina | — | |
| 37-9 | Sonata in E minor | Martha Argerich, Anton Gerzenberg, Daniel Gerzenberg, Lilya Zilberstein | — | |
| 37-10 | Rondo in C | Martha Argerich, Anton Gerzenberg, Daniel Gerzenberg, Lilya Zilberstein | — | |
| 37-11 | Piano Quintet in G minor, op. 34: I. Allegro | Martha Argerich, Gautier Capuçon, Lida Chen, Lucia Hall, Dora Schwarzberg | — | |
| 37-12 | Piano Quintet in G minor, op. 34: II. Adagio | Martha Argerich, Gautier Capuçon, Lida Chen, Lucia Hall, Dora Schwarzberg | — | |
| 37-13 | Piano Quintet in G minor, op. 34: III. Scherzo: Presto | Martha Argerich, Gautier Capuçon, Lida Chen, Lucia Hall, Dora Schwarzberg | — | |
| 37-14 | Piano Quintet in G minor, op. 34: IV. Finale | Martha Argerich, Gautier Capuçon, Lida Chen, Lucia Hall, Dora Schwarzberg | — | |
| 38-1 | Carnival of the Animals: I. Introduction and Royal March of the Lion: Andante maestoso | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 38-2 | Carnival of the Animals: II. Hens and Cockerels: Allegro moderato | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 38-3 | Carnival of the Animals: III. Wild Asses: Presto furioso | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 38-4 | Carnival of the Animals: IV. Tortoises: Andante maestoso | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 38-5 | Carnival of the Animals: V. The Elephant: Allegretto pomposo | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 38-6 | Carnival of the Animals: VI. Kangaroos: Moderato | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 38-7 | Carnival of the Animals: VII. Aquarium: Andantino | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 38-8 | Carnival of the Animals: VIII. Personages with Long Ears: Tempo ad libitum | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 38-9 | Carnival of the Animals: IX. The Cuckoo in the Depths of the Woods: Andante | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 38-10 | Carnival of the Animals: X. Aviary: Moderato grazioso | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 38-11 | Carnival of the Animals: XI. Pianists: Allegro moderato | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 38-12 | Carnival of the Animals: XII. Fossils: Allegro ridicolo | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 38-13 | Carnival of the Animals: XIII. The Swan: Andantion grazioso | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 38-14 | Carnival of the Animals: XIV. Finale: Molto vivace | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 38-15 | Petite Suite for piano four hands: I. En bateau | Martha Argerich, Cristina Marton | — | |
| 38-16 | Petite Suite for piano four hands: II. Cortège | Martha Argerich, Cristina Marton | — | |
| 38-17 | Petite Suite for piano four hands: III. Menuet | Martha Argerich, Cristina Marton | — | |
| 38-18 | Petite Suite for piano four hands: IV. Ballet | Martha Argerich, Cristina Marton | — | |
| 38-19 | En blanc et noir: I. Avec amportement | Martha Argerich, Stephen Kovacevich | — | |
| 38-20 | En blanc et noir: II. Lent - Sombre | Martha Argerich, Stephen Kovacevich | — | |
| 38-21 | En blanc et noir: III. Scherzando | Martha Argerich, Stephen Kovacevich | — | |
| 38-22 | Piano Concerto in G: I. Allegramente | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | T-305.199.289-9 | |
| 38-23 | Piano Concerto in G: II. Adagio assai | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | T-305.194.465-7 | |
| 38-24 | Piano Concerto in G: III. Presto | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | T-305.199.295-7 | |
| 39-1 | Gaspard de la nuit: I. Ondine | Martha Argerich | — | |
| 39-2 | Gaspard de la nuit: II. Le Gibet | Martha Argerich | — | |
| 39-3 | Gaspard de la nuit: III. Scarbo | Martha Argerich | — | |
| 39-4 | La Valse | Martha Argerich, Sergio Tiempo | T-003.107.988-5 | |
| 39-5 | Ma mère l'Oye Suite: I. Pavane de la belle au bois dormant: Lent | Martha Argerich, Alexander Mogilevsky | T-004.018.862-2 | |
| 39-6 | Ma mère l'Oye Suite: II. Petit Poucet: Très modéré | Martha Argerich, Alexander Mogilevsky | T-004.018.862-2 | |
| 39-7 | Ma mère l'Oye Suite: III. Laideronnette, impératrice des pagodes: Mouvement de marche | Martha Argerich, Alexander Mogilevsky | T-004.018.862-2 | |
| 39-8 | Ma mère l'Oye Suite: IV. Les Entretiens de la Belle et de la Bête: Mouvement de valse modéré | Martha Argerich, Alexander Mogilevsky | T-004.018.862-2 | |
| 39-9 | Ma mère l'Oye Suite: V. Le Jardin féerique: Lent et grave | Martha Argerich, Alexander Mogilevsky | T-004.018.862-2 | |
| 39-10 | Piano Concerto in G: I. Allegramente | Martha Argerich, Orchestra della Svizzera italiana, Alexander Vedernikov | T-305.199.289-9 | |
| 39-11 | Piano Concerto in G: II. Adagio assai | Martha Argerich, Orchestra della Svizzera italiana, Alexander Vedernikov | T-305.194.465-7 | |
| 39-12 | Piano Concerto in G: III. Presto | Martha Argerich, Orchestra della Svizzera italiana, Alexander Vedernikov | T-305.199.295-7 | |
| 39-13 | Prélude à l'après-midi d'un faune | Martha Argerich, Stephen Kovacevich | — | |
| 40-1 | Symphonic Dances for 2 Pianos, op. 45: I. Non allegro - Lento - Tempo I | Martha Argerich, Nelson Goerner | — | |
| 40-2 | Symphonic Dances for 2 Pianos, op. 45: II. Andante con moto (Tempo di valse) | Martha Argerich, Nelson Goerner | — | |
| 40-3 | Symphonic Dances for 2 Pianos, op. 45: III. Lento assai - L'istesso tempo, ma agitato | Martha Argerich, Nelson Goerner | — | |
| 40-4 | Suite no. 1, op. 5 for Two Pianos: I. Barcarolle | Martha Argerich, Lilya Zilberstein | — | |
| 40-5 | Suite for 2 Pianos no. 1 in G minor, op. 5: II. La nuit… l’amour | Lilya Zilberstein, Martha Argerich | — | |
| 40-6 | Suite no. 1, op. 5 for Two Pianos: III. Les Larmes | Martha Argerich, Lilya Zilberstein | — | |
| 40-7 | Suite for 2 Pianos no. 1 in G minor, op. 5: IV. Pâques | Lilya Zilberstein, Martha Argerich | — | |
| 40-8 | Suite for 2 Pianos no. 2, op. 17: I. Introduction | Martha Argerich, Gabriela Montero | — | |
| 40-9 | Suite for 2 Pianos no. 2, op. 17: II. Valse | Martha Argerich, Gabriela Montero | — | |
| 40-10 | Suite for Two Pianos No. 2 in C major, Op. 17: III. Romance (Andantino) | Martha Argerich, Gabriela Montero | — | |
| 40-11 | Suite for 2 Pianos no. 2, op. 17: IV. Tarentelle | Martha Argerich, Gabriela Montero | — | |
| 41-1 | Symphony no. 1 in D, op. 25 "Classical": I. Allegro | Martha Argerich, Yefim Bronfman | — | |
| 41-2 | Symphony no. 1 in D, op. 25 "Classical": II. Larghetto | Martha Argerich, Yefim Bronfman | — | |
| 41-3 | Symphony no. 1 in D, op. 25 "Classical": III. Gavotte: Non troppo allegro | Martha Argerich, Yefim Bronfman | — | |
| 41-4 | Symphony no. 1 in D, op. 25 "Classical": IV. Finale: Molto vivace | Martha Argerich, Yefim Bronfman | — | |
| 41-5 | Violin Sonata no. 2 in D, op. 94bis: I. Moderato | Martha Argerich, Renaud Capuçon | — | |
| 41-6 | Violin Sonata no. 2 in D, op. 94bis: II. Presto - Poco più mosso del-Tempo I | Martha Argerich, Renaud Capuçon | — | |
| 41-7 | Violin Sonata no. 2 in D, op. 94bis: III. Andante | Martha Argerich, Renaud Capuçon | — | |
| 41-8 | Violin Sonata no. 2 in D, op. 94bis: IV. Allegro con brio - Poco meno mosso-Tempo I | Martha Argerich, Renaud Capuçon | — | |
| 41-9 | Six Morceaux, op. 11: I. Barcarolle | Martha Argerich, Lilya Zilberstein | — | |
| 41-10 | 6 Duets, op. 11: II. Scherzo | Lilya Zilberstein, Martha Argerich | — | |
| 41-11 | Six Morceaux, op. 11: III. Thème russe | Martha Argerich, Lilya Zilberstein | — | |
| 41-12 | 6 Duets, op. 11: IV. Valse | Lilya Zilberstein, Martha Argerich | — | |
| 41-13 | Six Morceaux, op. 11: V. Romance | Martha Argerich, Lilya Zilberstein | — | |
| 41-14 | 6 Duets, op. 11: VI. Slava (Gloria) | Lilya Zilberstein, Martha Argerich | — | |
| 42-1 | Romanian Folk Dances, Sz. 56 | Martha Argerich, Géza Hosszu-Legocky | — | |
| 42-2 | Sonata for Two Pianos and Percussion, Sz 110: Assai lento - Allegro molto | Martha Argerich, Danilo Grassi, Stephen Kovacevich, Louis Sauvaître | — | |
| 42-3 | Sonata for Two Pianos and Percussion, Sz 110: Lento ma non troppo - Un poco più andante - Agitato | Martha Argerich, Danilo Grassi, Stephen Kovacevich, Louis Sauvaître | — | |
| 42-4 | Sonata for Two Pianos and Percussion, Sz 110: Allegro non troppo | Martha Argerich, Danilo Grassi, Stephen Kovacevich, Louis Sauvaître | — | |
| 42-5 | Violin Sonata No. 1, Sz75: I. Allegro appassionato | Martha Argerich, Renaud Capuçon | — | |
| 42-6 | Violin Sonata No. 1, Sz75: II. Adagio | Martha Argerich, Renaud Capuçon | — | |
| 42-7 | Violin Sonata No. 1, Sz75: III. Allegro | Martha Argerich, Renaud Capuçon | — | |
| 43-1 | Concerto for Piano, Trumpet and Strings in C minor, op. 35: I. Allegro moderato | Martha Argerich, Sergei Nakariakov, Orchestra della Svizzera italiana, Александр Александрович Ведерников | — | |
| 43-2 | Concerto for Piano, Trumpet and Strings in C minor, op. 35: II. Lento largo | Martha Argerich, Sergei Nakariakov, Orchestra della Svizzera italiana, Александр Александрович Ведерников | — | |
| 43-3 | Concerto for Piano, Trumpet and Strings in C minor, op. 35: III. Moderato | Martha Argerich, Sergei Nakariakov, Orchestra della Svizzera italiana, Александр Александрович Ведерников | — | |
| 43-4 | Concerto for Piano, Trumpet and Strings in C minor, op. 35: IV. Allegro con brio | Martha Argerich, Sergei Nakariakov, Orchestra della Svizzera italiana, Александр Александрович Ведерников | — | |
| 43-5 | Concertino in A minor, op. 94 for Two Pianos: Adagio - Allegretto - Adagio - Allegro - Adagio - Allegretto | Martha Argerich, Lilya Zilberstein | — | |
| 43-6 | Quintet for Piano and Strings in G minor, op. 57: I. Prelude. Lento | Martha Argerich, Renaud Capuçon, Lyda Chen, Mischa Maisky, Alissa Margulis | — | |
| 43-7 | Quintet for Piano and Strings in G minor, op. 57: II. Fugue. Adagio | Martha Argerich, Renaud Capuçon, Lyda Chen, Mischa Maisky, Alissa Margulis | — | |
| 43-8 | Quintet for Piano and Strings in G minor, op. 57: III. Scherzo. Allegretto | Martha Argerich, Renaud Capuçon, Lyda Chen, Mischa Maisky, Alissa Margulis | — | |
| 43-9 | Quintet for Piano and Strings in G minor, op. 57: IV. Intermezzo. Lento | Martha Argerich, Renaud Capuçon, Lyda Chen, Mischa Maisky, Alissa Margulis | — | |
| 43-10 | Quintet for Piano and Strings in G minor, op. 57: V. Finale. Allegretto | Martha Argerich, Renaud Capuçon, Lyda Chen, Mischa Maisky, Alissa Margulis | — | |
| 44-1 | Piano Trio No. 2 in E minor, Op. 67: I. Andante - Moderato | Martha Argerich, Gautier Capuçon, Maxim Vengerov | — | |
| 44-2 | Piano Trio no. 2 in E minor, op. 67: II. Allegro non troppo | Martha Argerich, Gautier Capuçon, Maxim Vengerov | — | |
| 44-3 | Piano Trio No. 2 in E minor, Op. 67: III. Largo | Martha Argerich, Gautier Capuçon, Maxim Vengerov | — | |
| 44-4 | Piano Trio No. 2 in E minor, Op. 67: IV. Allegretto | Martha Argerich, Gautier Capuçon, Maxim Vengerov | T-003.055.867-8 | |
| 44-5 | Piano Sonata, FP 8: I. Prélude: Modéré | Martha Argerich, Dagmar Clottu | — | |
| 44-6 | Piano Sonata, FP 8: II. Rustique: Naïf et lent | Martha Argerich, Dagmar Clottu | — | |
| 44-7 | Piano Sonata, FP 8: III. Final: Très vitè | Martha Argerich, Dagmar Clottu | — | |
| 44-8 | Concertino for piano, two violins, viola, clarinet, horn and bassoon: I. Moderato | Martha Argerich, Corrado Giufferdi, Vincent Godel, Lucia Hall, Alissa Margulis, Nora Romanoff-Schwarzberg, Zora Slokar | — | |
| 44-9 | Concertino for piano, two violins, viola, clarinet, horn and bassoon: II. Piu mosso | Martha Argerich, Corrado Giufferdi, Vincent Godel, Lucia Hall, Alissa Margulis, Nora Romanoff-Schwarzberg, Zora Slokar | — | |
| 44-10 | Concertino for piano, two violins, viola, clarinet, horn and bassoon: III. Con moto | Martha Argerich, Corrado Giufferdi, Vincent Godel, Lucia Hall, Alissa Margulis, Nora Romanoff-Schwarzberg, Zora Slokar | — | |
| 44-11 | Concertino for piano, two violins, viola, clarinet, horn and bassoon: IV. Allegro | Martha Argerich, Corrado Giufferdi, Vincent Godel, Lucia Hall, Alissa Margulis, Nora Romanoff-Schwarzberg, Zora Slokar | — | |
| 44-12 | Variations on a Theme by Paganini | Martha Argerich, Giorgia Tomassi | — | |
| 45-1 | Violin Sonata no. 5, op. 53: I. Andante con moto | Gidon Kremer, Martha Argerich | — | |
| 45-2 | Violin Sonata no. 5, op. 53: II. Allegro molto | Gidon Kremer, Martha Argerich | — | |
| 45-3 | Violin Sonata no. 5, op. 53: III. Allegro moderato | Gidon Kremer, Martha Argerich | — | |
| 45-4 | Violin Sonata no. 5, op. 53: IV. Allegro — Andante — Allegretto — Andante | Gidon Kremer, Martha Argerich | — | |
| 45-5 | Variations on a Theme by Paganini | Martha Argerich, Mauricio Vallina | T-905.982.758-6 | |
| 45-6 | Fantasia Elvetica: I. Maestoso | Martha Argerich, Alexander Mogilevsky, Orchestra della Svizzera italiana, Mikhail Pletnev | — | |
| 45-7 | Fantasia Elvetica: II. Tranquillo | Martha Argerich, Alexander Mogilevsky, Orchestra della Svizzera italiana, Mikhail Pletnev | — | |
| 45-8 | Fantasia Elvetica: III. Temps di marcia - Andante | Martha Argerich, Alexander Mogilevsky, Orchestra della Svizzera italiana, Mikhail Pletnev | — | |
| 45-9 | Fantasia Elvetica: IV. Tempo di polka - Più vivo - Allegro | Martha Argerich, Alexander Mogilevsky, Orchestra della Svizzera italiana, Mikhail Pletnev | — | |
| 46-1 | Noches en los jardines de España: I. En el Generalife | Martha Argerich | — | |
| 46-2 | Noches en los jardines de España: II. Danza lejana | Martha Argerich | — | |
| 46-3 | Noches en los jardines de España: III. En los jardines de la Sierra de Córdoba | Martha Argerich | T-041.489.075-7 | |
| 46-4 | Taquito militar | Martha Argerich, Ale Petrasso | — | |
| 46-5 | Porteña: I. Porteña | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 46-6 | Porteña: II. Nocturnal | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 46-7 | Porteña: III. Cadenza | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 46-8 | Porteña: IV. Porteña (quasi jidish) | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 46-9 | Porteña: V. Secuencia (quasi) canónica | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 46-10 | Porteña: VI. Gardeliana | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 46-11 | Porteña: VII. Malandra | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 46-12 | Porteña: VIII. Tanghora | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 46-13 | Porteña: IX. Bajofondo | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 46-14 | Porteña: X. Corrientes y 9 de julio | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 46-15 | Porteña: XI. Finale | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 46-16 | Tres romances argentinos, op. 2: I. Las niñas de Santa Fe | Martha Argerich, Mauricio Vallina | T-037.005.703-6 | |
| 46-17 | Tres romances argentinos, op. 2: II. Muchacho jujeño | Martha Argerich, Mauricio Vallina | T-037.005.703-6 | |
| 46-18 | Tres romances argentinos, op. 2: III. Baile en Cuyo | Martha Argerich, Mauricio Vallina | — | |
| 46-19 | Three Tangos: Tres minutos con la realidad | Martha Argerich, Eduardo Hubert | T-910.262.122-7 | |
| 46-20 | Three Tangos: Oblivion | Martha Argerich, Eduardo Hubert | T-900.775.163-5 | |
| 46-21 | Three Tangos: Libertango | Martha Argerich, Eduardo Hubert | T-900.764.940-3 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
5021732408884 is a Universal Product Code (UPC) assigned to The Warner Classics Edition: EMI Classics, Teldec, Erato, Warner Classics by Martha Argerich. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 553 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Warner Classics Edition: EMI Classics, Teldec, Erato, Warner Classics” by Martha Argerich is 5021732408884. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2025-01-01. Label: Warner Classics. This release contains 553 tracks, each with its own ISRC. Tracks include GBAYC9900056, GBAYC9900057, GBAYC9900058.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso | Martha Argerich | T-309.554.584-5 | |
| 2 | Piano Sonata no. 3 in B minor, op. 58: II. Scherzo: Molto vivace | Martha Argerich | T-911.517.582-1 | |
| 3 | Piano Sonata no. 3 in B minor, op. 58: III. Largo | Martha Argerich | T-911.517.582-1 | |
| 4 | Piano Sonata no. 3 in B minor, op. 58: IV. Finale: Presto, non tanto | Martha Argerich | T-309.554.578-7 | |
| 5 | Mazurka no. 36 in A minor, op. 59 no. 1 | Martha Argerich | T-918.063.801-1 | |
| 6 | Mazurka no. 37 in A‐flat major, op. 59 no. 2 | Martha Argerich | — | |
| 7 | Mazurka no. 38 in F‐sharp minor, op. 59 no. 3 | Martha Argerich | T-918.063.801-1 | |
| 8 | Nocturne no. 4 in F major, op. 15 no. 1 | Martha Argerich | T-306.230.833-8 | |
| 9 | Scherzo no. 3 in C‐sharp minor, op. 39 | Martha Argerich | T-918.063.801-1 | |
| 10 | Polonaise no. 6 in A‐flat major, op. 53 | Martha Argerich | — | |
| 2-1 | Partita no. 2 in C minor, BWV 826: I. Sinfonia - Grave. Adagio | Martha Argerich | — | |
| 2-2 | Partita no. 2 in C minor, BWV 826: I. Andante | Martha Argerich | — | |
| 2-3 | Partita no. 2 in C minor, BWV 826: II. Allemande | Martha Argerich | — | |
| 2-4 | Partita no. 2 in C minor, BWV 826: III. Courante | Martha Argerich | — | |
| 2-5 | Partita no. 2 in C minor, BWV 826: IV. Sarabande | Martha Argerich | — | |
| 2-6 | Partita no. 2 in C minor, BWV 826: V. Rondeau - VI. Capriccio | Martha Argerich | — | |
| 2-7 | Nocturne no. 13 in C minor, op. 48 no. 1 | Martha Argerich | T-702.884.109-2 | |
| 2-8 | Scherzo no. 3 in C-sharp minor, op. 39 | Martha Argerich | T-918.063.801-1 | |
| 2-9 | Sonata, Sz. 80: I. Allegro moderato | Martha Argerich | — | |
| 2-10 | Sonata, Sz. 80: II. Sostenuto e pensante | Martha Argerich | — | |
| 2-11 | Sonata, Sz. 80: III. Allegro molto | Martha Argerich | — | |
| 2-12 | Danzas argentinas, op. 2: I. Danza del viejo boyero | Martha Argerich | T-070.038.353-4 | |
| 2-13 | Danzas argentinas, op. 2: II. Danza de la moza donosa | Martha Argerich | T-070.038.353-4 | |
| 2-14 | Danzas argentinas, op. 2: III. Danza del gaucho matrero | Martha Argerich | T-070.038.353-4 | |
| 2-15 | Piano Sonata no. 7 in B-flat, op. 83: I. Allegro inquieto - Andantino | Martha Argerich | — | |
| 2-16 | Piano Sonata no. 7 in B-flat, op. 83: II Andante caloroso | Martha Argerich | — | |
| 2-17 | Piano Sonata no. 7 in B-flat, op. 83: III. Preciptato | Martha Argerich | — | |
| 2-18 | Keyboard Sonata in D minor, Kk. 141 / L. 422 | Martha Argerich | — | |
| 2-19 | Bourée from English Suite no. 2 in A minor, BWV 807 | Martha Argerich | — | |
| 3-1 | Fantasiestücke, op. 12: I. Des Abends | Martha Argerich | — | |
| 3-2 | Fantasiestücke, op. 12: II. Aufschwung | Martha Argerich | — | |
| 3-3 | Fantasiestücke, op. 12: III. Warum? | Martha Argerich | — | |
| 3-4 | Fantasiestücke, op. 12: IV. Grillen | Martha Argerich | — | |
| 3-5 | Fantasiestücke, op. 12: V. In der Nacht | Martha Argerich | — | |
| 3-6 | Fantasiestücke, op. 12: VI. Fabel | Martha Argerich | — | |
| 3-7 | Fantasiestücke, op. 12: VII. Traumeswirren | Martha Argerich | — | |
| 3-8 | Fantasiestücke, op. 12: VIII. Ende von Lied | Martha Argerich | — | |
| 3-9 | Sonatine: I. Modéré | Martha Argerich | T-003.016.390-6 | |
| 3-10 | Sonatine: II. Mouvement de menuet | Martha Argerich | T-003.016.390-6 | |
| 3-11 | Sonatine: III. Animé | Martha Argerich | T-003.016.390-6 | |
| 3-12 | Gaspard de la nuit: I. Ondine (Lent) | Martha Argerich | T-902.777.490-9 | |
| 3-13 | Gaspard de la nuit: II. Le Gibet (Très lent) | Martha Argerich | T-902.777.490-9 | |
| 3-14 | Gaspard de la nuit: III. Scarbo (Modéré - Vif) | Martha Argerich | T-902.777.490-9 | |
| 4-1 | Piano Concerto no. 25 in C major, K. 503: I. Allegro maestoso | Martha Argerich, Nederlands Kamerorkest, Szymon Goldberg | — | |
| 4-2 | Piano Concerto no. 25 in C major, K. 503: II. Andante | Martha Argerich, Nederlands Kamerorkest, Szymon Goldberg | — | |
| 4-3 | Piano Concerto no. 25 in C major, K. 503: III. Allegretto | Martha Argerich, Nederlands Kamerorkest, Szymon Goldberg | — | |
| 4-4 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | Martha Argerich, Koninklijk Concertgebouworkest, Heinz Wallberg | — | |
| 4-5 | Piano Concerto no. 1 in C major, op. 15: II. Largo | Martha Argerich, Koninklijk Concertgebouworkest, Heinz Wallberg | — | |
| 4-6 | Piano Concerto no. 1 in C major, op. 15: III. Rondo (Allegro scherzando) | Martha Argerich, Koninklijk Concertgebouworkest, Heinz Wallberg | — | |
| 5-1 | Cello Sonata in A major: I. Allegretto | Martha Argerich, Mischa Maisky | — | |
| 5-2 | Cello Sonata in A major: II. Allegro | Martha Argerich, Mischa Maisky | — | |
| 5-3 | Cello Sonata in A major: III. Recitativo - Fantasia (Ben moderato) | Martha Argerich, Mischa Maisky | — | |
| 5-4 | Cello Sonata in A major: IV. Allegretto poco mosso | Martha Argerich, Mischa Maisky | — | |
| 5-5 | Cello Sonata in D minor: I. Prologue (Lent - Sostenuto e molto risoluto) | Martha Argerich, Mischa Maisky | — | |
| 5-6 | Cello Sonata in D minor: II. Sérénade et Final (Modérément animé - Animé) | Martha Argerich, Mischa Maisky | — | |
| 5-7 | La plus que lente - Valse | Martha Argerich, Mischa Maisky | T-306.482.600-8 | |
| 5-8 | Préludes I : No. 12. Minstrels | Martha Argerich, Mischa Maisky | — | |
| 6-1 | Noches en los jardines de España: En el Generalife | Martha Argerich, Orchestre de Paris, Daniel Barenboim | — | |
| 6-2 | Noches en los jardines de España: Danza lejana - En los jardines de la sierra de Córdoba | Martha Argerich, Orchestre de Paris, Daniel Barenboim | — | |
| 6-3 | Iberia: Evocation | Orchestre de Paris, Daniel Barenboim | T-041.538.731-3 | |
| 6-4 | Iberia: El puerto | Orchestre de Paris, Daniel Barenboim | T-041.538.731-3 | |
| 6-5 | Iberia: El Albaicín | Orchestre de Paris, Daniel Barenboim | T-041.538.731-3 | |
| 6-6 | Iberia: Fête-Dieu à Séville | Orchestre de Paris, Daniel Barenboim | — | |
| 6-7 | Iberia: Triana | Orchestre de Paris, Daniel Barenboim | — | |
| 7-1 | Visions de l'Amen: I. Amen de la Création | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 7-2 | Visions de l'Amen: II. Amen des étoiles, de la planète à l'anneau | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 7-3 | Visions de l'Amen: III. Amen de l'agonie de Jésus | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 7-4 | Visions de l'Amen: IV. Amen du Désir | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 7-5 | Visions de l'Amen: V. Amen des Anges, des Saints, du chant des oiseaux | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 7-6 | Visions de l'Amen: VI. Amen du Jugement | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 7-7 | Visions de l'Amen: VII. Amen de la Consommation | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 8-1 | Suite no. 1, op. 5 "Fantaisie-tableaux": I. Barcarolle | Martha Argerich, Alexandre Rabinovitch | — | |
| 8-2 | Suite no. 1, op. 5 "Fantaisie-tableaux": II. La nuit...L'amour | Martha Argerich, Alexandre Rabinovitch | — | |
| 8-3 | Suite no. 1, op. 5 "Fantaisie-tableaux": III. Les larmes | Martha Argerich, Alexandre Rabinovitch | — | |
| 8-4 | Suite no. 1, op. 5 "Fantaisie-tableaux": IV. Pâques | Martha Argerich, Alexandre Rabinovitch | — | |
| 8-5 | Suite no. 2, op. 17: I. Introduction | Martha Argerich, Alexandre Rabinovitch | — | |
| 8-6 | Suite no. 2, op. 17: II. Valse | Martha Argerich, Alexandre Rabinovitch | — | |
| 8-7 | Suite no. 2, op. 17: III. Romance | Martha Argerich, Alexandre Rabinovitch | — | |
| 8-8 | Suite no. 2, op. 17: IV. Tarantella | Martha Argerich, Alexandre Rabinovitch | — | |
| 9-1 | Sonata in D major, KV 448: I. Allegro con spirito | Martha Argerich, Alexandre Rabinovitch | — | |
| 9-2 | Sonata in D major, KV 448: II. Andante | Martha Argerich, Alexandre Rabinovitch | T-312.439.084-3 | |
| 9-3 | Sonata in D major, KV 448: III. Allegro molto | Martha Argerich, Alexandre Rabinovitch | — | |
| 9-4 | Andante and Variations for Piano with 4 Hands in G major, K. 501 | Martha Argerich, Alexandre Rabinovitch | T-902.919.739-5 | |
| 9-5 | Sonata for Piano with 4 Hands in C major, K. 521: I. Allegro | Martha Argerich, Alexandre Rabinovitch | — | |
| 9-6 | Sonata for Piano with 4 Hands in C major, K. 521: II. Andante | Martha Argerich, Alexandre Rabinovitch | — | |
| 9-7 | Sonata for Piano with 4 Hands in C major, K. 521: III. Allegretto | Martha Argerich, Alexandre Rabinovitch | — | |
| 9-8 | Sonata for Piano with 4 Hands in D major, K. 123a/381: I. Allegro | Martha Argerich, Alexandre Rabinovitch | T-312.439.079-6 | |
| 9-9 | Sonata for Piano with 4 Hands in D major, K. 123a/381: II. Andante | Martha Argerich, Alexandre Rabinovitch | T-312.439.084-3 | |
| 9-10 | Sonata for Piano with 4 Hands in D major, K. 123a/381: III. Allegro molto | Martha Argerich, Alexandre Rabinovitch | — | |
| 10-1 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | Martha Argerich, Chamber Orchestra of Europe, Nikolaus Harnoncourt | T-909.264.262-1 | |
| 10-2 | Piano Concerto in A minor, op. 54: II. Intermezzo. Andantino grazioso | Martha Argerich, Chamber Orchestra of Europe, Nikolaus Harnoncourt | T-909.264.262-1 | |
| 10-3 | Piano Concerto in A minor, op. 54: III. Allegro vivace | Martha Argerich, Chamber Orchestra of Europe, Nikolaus Harnoncourt | T-909.264.262-1 | |
| 10-4 | Violin Concerto in D minor, WoO 23: I. In kräftige, nicht zu schnellem Tempo | Gidon Kremer, Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 10-5 | Violin Concerto in D minor, WoO 23: II. Langsam | Gidon Kremer, Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 10-6 | Violin Concerto in D minor, WoO 23: III. Lebhaft, doch nicht schnell | Gidon Kremer, Chamber Orchestra of Europe, Nikolaus Harnoncourt | — | |
| 11-1 | Variations on a Theme by Joseph Haydn, op. 56b: I. Theme ''Chorale St.Antoni'': Andante | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-2 | Variations on a Theme by Joseph Haydn, op. 56b: II. Variation I: Andante con moto | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-3 | Variations on a Theme by Joseph Haydn, op. 56b: III. Variation II: Vivace | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-4 | Variations on a Theme by Joseph Haydn, op. 56b: IV. Variation III: Con moto | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-5 | Variations on a Theme by Joseph Haydn, op. 56b: V. Variation IV: Andante | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-6 | Variations on a Theme by Joseph Haydn, op. 56b: VI. Variation V: Poco presto | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-7 | Variations on a Theme by Joseph Haydn, op. 56b: VII. Variation VI: Vivace | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-8 | Variations on a Theme by Joseph Haydn, op. 56b: VIII. Variation VII: Grazioso | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-9 | Variations on a Theme by Joseph Haydn, op. 56b: IX. Variation VIII: Poco presto | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-10 | Variations on a Theme by Joseph Haydn, op. 56b: X. Finale: Andante | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-11 | Sonata for two pianos in F minor, op. 34b: I. Allegro non troppo | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-12 | Sonata for two pianos in F minor, op. 34b: II. Andante, un poco adagio | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-13 | Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): III. Scherzo: Allegro | Martha Argerich, Lilya Zilberstein | — | |
| 11-14 | Sonata for two pianos in F minor, op. 34b: IV. Finale: Poco sustenuto - Allegro non troppo | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-15 | Waltzes, op. 39 no. 1 in B major: Tempo giusto | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-16 | Waltzes, op. 39 no. 2 in E major | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-17 | Waltzes, op. 39 no. 3 in B minor | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-18 | Waltzes, op. 39 no. 4 in G-sharp minor | Martha Argerich, Alexandre Rabinovitch | — | |
| 11-19 | Waltzes, op. 39 no. 5 In A-flat major | Martha Argerich, Alexandre Rabinovitch | — | |
| 12-1 | Klavierquintett Es-dur, op. 44: I. Allegro brillante | Martha Argerich, Lucy Hall, Nobuko Imai, Mischa Maisky, Dora Schwarzberg | — | |
| 12-2 | Klavierquintett Es-dur, op. 44: II. In modo d'una marcia. Un poco largamente | Martha Argerich, Lucy Hall, Nobuko Imai, Mischa Maisky, Dora Schwarzberg | — | |
| 12-3 | Klavierquintett Es-dur, op. 44: III. Scherzo. Molto vivace | Martha Argerich, Lucy Hall, Nobuko Imai, Mischa Maisky, Dora Schwarzberg | — | |
| 12-4 | Klavierquintett Es-dur, op. 44: IV. Allegro, ma non troppo | Martha Argerich, Lucy Hall, Nobuko Imai, Mischa Maisky, Dora Schwarzberg | — | |
| 12-5 | Andante und Variationen, op. 46: Sostenuto - Andante espressivo - Un poco più animato - Più animato - Più lento - Un poco più lento | — | ||
| 12-6 | Andante und Variationen, op. 46: Più lento - Animato | Martha Argerich, Natalia Gutman, Mischa Maisky, Marie Luise Neunecker, Alexandre Rabinovitch | — | |
| 12-7 | Andante und Variationen, op. 46: Doppio movimento - Tempo primo - Più adagio | Martha Argerich, Natalia Gutman, Mischa Maisky, Marie Luise Neunecker, Alexandre Rabinovitch | — | |
| 12-8 | Fantasiestücke, op. 73: I. Zart und mit Ausdruck | Martha Argerich, Natalia Gutman | — | |
| 12-9 | Fantasiestücke, op. 73: II. Lebhaft, leicht | Martha Argerich, Natalia Gutman | — | |
| 12-10 | Fantasiestücke, op. 73: III. Rasch und mit Feuer | Martha Argerich, Natalia Gutman | — | |
| 12-11 | Märchenbilder, op. 113: I. Nicht schnell | Martha Argerich, Nobuko Imai | — | |
| 12-12 | Märchenbilder, op. 113: II. Lebhaft | Martha Argerich, Nobuko Imai | — | |
| 12-13 | Märchenbilder, op. 113: III. Rasch | Martha Argerich, Nobuko Imai | — | |
| 12-14 | Märchenbilder, op. 113: IV. Langsam, mit melancholischem Ausdruck | Martha Argerich, Nobuko Imai | — | |
| 13-1 | Concerto for Piano no. 20 in D minor, K. 466: I. Allegro | Martha Argerich, Orchestra di Padova e del Veneto, Alexandre Rabinovitch | — | |
| 13-2 | Concerto for Piano no. 20 in D minor, K. 466: II. Romance | Martha Argerich, Orchestra di Padova e del Veneto, Alexandre Rabinovitch | — | |
| 13-3 | Concerto for Piano no. 20 in D minor, K. 466: III. Allegro assai | Martha Argerich, Orchestra di Padova e del Veneto, Alexandre Rabinovitch | — | |
| 13-4 | Concerto for Piano No. 19 in F major, K. 459: I. Allegro | Alexandre Rabinovitch, Orchestra di Padova e del Veneto | — | |
| 13-5 | Concerto for Piano No. 19 in F major, K. 459: II. Allegretto | Alexandre Rabinovitch, Orchestra di Padova e del Veneto | — | |
| 13-6 | Concerto for Piano No. 19 in F major, K. 459: III. Allegro assai | Alexandre Rabinovitch, Orchestra di Padova e del Veneto | — | |
| 13-7 | Concerto for Two Pianos No. 10 in E-flat major, K. 316a/365: I. Allegro | Martha Argerich, Alexandre Rabinovitch, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | — | |
| 13-8 | Concerto for Two Pianos No. 10 in E-flat major, K. 316a/365: II. Andante | Martha Argerich, Alexandre Rabinovitch, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | — | |
| 13-9 | Concerto for Two Pianos No. 10 in E-flat major, K. 316a/365: III. Rondeau: Allegro | Martha Argerich, Alexandre Rabinovitch, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | — | |
| 14-1 | L’Apprenti sorcier (arr. for 2 pianos by Alexandre Rabinovitch) | — | ||
| 14-2 | Sinfonia domestica, op. 53 (arr. for 2 pianos by Otto Singer) – I. Thema. Bewegt – II. Thema. Sehr lebhaft – III. Thema. Ruhig | — | ||
| 14-3 | Sinfonia domestica, op. 53 (arr. for 2 pianos by Otto Singer) – Scherzo. Munter | — | ||
| 14-4 | Sinfonia domestica, op. 53 (arr. for 2 pianos by Otto Singer) – Wiegenlied. Mäßig langsam | — | ||
| 14-5 | Sinfonia domestica, op. 53 (arr. for 2 pianos by Otto Singer) – Adagio. Langsam | — | ||
| 14-6 | Sinfonia domestica, op. 53 (arr. for 2 pianos by Otto Singer) – Finale. Sehr lebhaft | — | ||
| 14-7 | La Valse (arr. for 2 pianos by the composer) | — | ||
| 15-1 | Klavierkonzert Nr. 1 Des-Dur, op. 10: I. Allegro brioso | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15-2 | Klavierkonzert Nr. 1 Des-Dur, op. 10: II. Andante assai | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15-3 | Klavierkonzert Nr. 1 Des-Dur, op. 10: III. Allegro scherzando | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15-4 | Klavierkonzert Nr. 3, Sz. 119: I. Allegretto | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15-5 | Klavierkonzert Nr. 3, Sz. 119: II. Adagio religioso - [Poco più mosso] - Tempo I | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15-6 | Klavierkonzert Nr. 3, Sz. 119: III. [Allegro vivace] - [Presto] | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15-7 | Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15-8 | Piano Concerto no. 3 in C major, op. 26: II. Tema: Andantino - Variation I: L'istesso tempo - Variation II: Allegro - Variation III: Allegro moderato. Poco meno mosso - Variation IV: Andante meditativo - Variation V: Allegro giusto - Tema: L'istesso tempo | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 15-9 | Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo - meno mosso - Allegro | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 16-1 | Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": I. Adagio sostenuto - Presto | — | ||
| 16-2 | Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": II. Andante con variazioni | — | ||
| 16-3 | Sonata for Violin and Piano no. 9 in A major, op. 47 "Kreutzer": III. Finale: Presto | Itzhak Perlman, Martha Argerich | — | |
| 16-4 | Sonata for Violin and Piano in A major: I. Allegretto ben moderato | — | ||
| 16-5 | Sonata for Violin and Piano in A major: II. Allegro | — | ||
| 16-6 | Sonata for Violin and Piano in A major: III. Recitative - Fantasia. Ben moderato - Molto lento | — | ||
| 16-7 | Sonata for Violin and Piano in A major: IV. Allegretto poco mosso | — | ||
| 17-1 | Duo, op. 7: I. Allegro serioso, non troppo | — | ||
| 17-2 | Duo, op. 7: II. Adagio – Andante – Tempo I | — | ||
| 17-3 | Duo, op. 7: III. Maestoso e largamente, ma non troppo lento – Presto | — | ||
| 17-4 | Contrasts, Sz111: I. Verbunkos (Recruiting Dance) | — | ||
| 17-5 | Contrasts, Sz111: II. Pihenö (Relaxation) | — | ||
| 17-6 | Contrasts, Sz111: III. Sebes (Fast Dance) | — | ||
| 17-7 | Concerto pathétique in E minor, S258 | — | ||
| 18-1 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso | — | ||
| 18-2 | Piano Concerto no. 1 in E minor, op. 11: II. Romanze. Larghetto | — | ||
| 18-3 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo. Vivace | — | ||
| 18-4 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | — | ||
| 18-5 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | — | ||
| 18-6 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 19-1 | Violin Sonata no. 2 in D minor, op. 121: I. Ziemlich langsam und energisch - Lebhaft | — | ||
| 19-2 | Violin Sonata no. 2 in D minor, op. 121: II. Sehr lebhaft | — | ||
| 19-3 | Violin Sonata no. 2 in D minor, op. 121: III. Leise, einfach (Etwas lebhafter - Etwas bewegter - Tempo wie vorher) | — | ||
| 19-4 | Violin Sonata no. 2 in D minor, op. 121: IV. Bewegt | — | ||
| 19-5 | Sonata for Solo Violin, Sz. 117: I. Tempo di ciaccona | — | ||
| 19-6 | Sonata for Solo Violin, Sz. 117: II. Fuga - Risoluto, non troppo vivo | — | ||
| 19-7 | Sonata for Solo Violin, Sz. 117: III. Melodia - Adagio | — | ||
| 19-8 | Sonata for Solo Violin, Sz. 117: IV. Presto | — | ||
| 20-1 | Kinderszenen, op. 15 no. 1: Von fremden Ländern und Menschen | — | ||
| 20-2 | Kinderszenen, op. 15 no. 2: Kuriose Geschichte | — | ||
| 20-3 | Kinderszenen, op. 15 no. 3: Hasche-Mann | — | ||
| 20-4 | Kinderszenen, op. 15 no. 4: Bittendes Kind | — | ||
| 20-5 | Kinderszenen, op. 15 no. 5: Glückes genug | — | ||
| 20-6 | Kinderszenen, op. 15 no. 6: Wichtige Begebenheit | — | ||
| 20-7 | Kinderszenen, op. 15 no. 7: Träumerei | — | ||
| 20-8 | Kinderszenen, op. 15 no. 8: Am Kamin | — | ||
| 20-9 | Kinderszenen, op. 15 no. 9: Ritter vom Steckenpferd | — | ||
| 20-10 | Kinderszenen, op. 15 no. 10: Fast zu ernst | — | ||
| 20-11 | Kinderszenen, op. 15 no. 11: Fürchtenmachen | — | ||
| 20-12 | Kinderszenen, op. 15 no. 12: Kind im Einschlummern | — | ||
| 20-13 | Kinderszenen, op. 15 no. 13: Der Dichter spricht | — | ||
| 20-14 | Violin Sonata no. 1 in C-sharp minor, Sz. 75: I. Allegro appassionato | — | ||
| 20-15 | Violin Sonata no. 1 in C-sharp minor, Sz. 75: II. Adagio | — | ||
| 20-16 | Violin Sonata no. 1 in C-sharp minor, Sz. 75: III. Allegro | — | ||
| 20-17 | Liebesleid | — | ||
| 20-18 | Schön Rosmarin | — | ||
| 21-1 | Violin Sonata no. 1 in A minor, op. 105: 1. Mit meidenschaftlichem Ausdruck | — | ||
| 21-2 | Violin Sonata no. 1 in A minor, op. 105: 2. Allegretto | — | ||
| 21-3 | Violin Sonata no. 1 in A minor, op. 105: 3. Lebhaft | — | ||
| 21-4 | Fantasiestücke, op. 73: 1. Zart und mit Ausdruck | — | ||
| 21-5 | Fantasiestücke, op. 73: 2. Lebhaft, leicht | — | ||
| 21-6 | Fantasiestücke, op. 73: 3. Rasch und mit Feuer | — | ||
| 21-7 | Sonatensatz in C minor, op. Posth. "FAE Sonata" (Scherzo) | — | ||
| 21-8 | Violin Sonata no. 4 in C minor, BWV 1017: 1. Siciliano | — | ||
| 21-9 | Violin Sonata no. 4 in C minor, BWV 1017: 2. Allegro | Martha Argerich, Itzhak Perlman | — | |
| 21-10 | Violin Sonata no. 4 in C minor, BWV 1017: 3. Adagio ma non tanto | — | ||
| 21-11 | Violin Sonata no. 4 in C minor, BWV 1017: 4. Allegro assai | — | ||
| 22-1 | Symphony No. 3 in C Minor, Op. 78, "Organ Symphony": I. Adagio - Allegro moderato | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-2 | Symphony No. 3 in C Minor, Op. 78, "Organ Symphony": Poco adagio | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-3 | Symphony No. 3 in C Minor, Op. 78, "Organ Symphony": II. Allegro moderato - Presto | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-4 | Symphony No. 3 in C Minor, Op. 78, "Organ Symphony": Maestoso - Allegro | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-5 | The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: I. Introduction et Marche royale du lion | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-6 | The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: II. Poules et Coqs | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-7 | The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: III. Hémiones | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-8 | The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: IV. Tortues | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-9 | The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: V. L'Éléphant | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-10 | The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: VI. Kangourous | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-11 | The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: VII. Aquarium | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-12 | The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: VIII. Personnages à longues oreilles | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-13 | The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: IX. Le Coucou au fond des bois | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-14 | The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: X. Volière | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-15 | The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: XI. Pianistes | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-16 | The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: XII. Fossiles | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-17 | The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: XIII. Le Cygne | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 22-18 | The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: XIV. Final | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — | |
| 23-1 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato | — | ||
| 23-2 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | — | ||
| 23-3 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | — | ||
| 23-4 | Symphonic Dances, op. 45: I. Non allegro | — | ||
| 23-5 | Symphonic Dances, op. 45: II. Andante con moto (Tempo di Valse) | — | ||
| 23-6 | Symphonic Dances, op. 45: III. Lento assai – Allegro vivace – Lento assai, come prima – Allegro vivace | — | ||
| 24-1 | Symphony no. 6 in F, op. 68 “Pastoral” I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande.: Allegro ma non troppo | Martha Argerich, Theodosia Ntokou | — | |
| 24-2 | Symphony no. 6 in F, op. 68 “Pastoral” II. Szene am Bach.: Andante molto moto | Martha Argerich, Theodosia Ntokou | — | |
| 24-3 | Symphony no. 6 in F, op. 68 “Pastoral” III. Lustiges Zusammensein der Landleute.: Allegro | Martha Argerich, Theodosia Ntokou | — | |
| 24-4 | Symphony no. 6 in F, op. 68 “Pastoral” IV. Gewitter. Sturm.: Allegro | Martha Argerich, Theodosia Ntokou | — | |
| 24-5 | Symphony no. 6 in F, op. 68 “Pastoral” V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm.: Allegretto | Martha Argerich, Theodosia Ntokou | — | |
| 24-6 | Piano Sonata no. 17 in D minor, op. 31 no. 2 “Tempest”: I. Largo – Allegro | Theodosia Ntokou | T-318.053.300-6 | |
| 24-7 | Piano Sonata no. 17 in D minor, op. 31 no. 2 “Tempest”: II. Adagio | Theodosia Ntokou | — | |
| 24-8 | Piano Sonata no. 17 in D minor, op. 31 no. 2 “Tempest”: III. Allegretto | Theodosia Ntokou | — | |
| 25-1 | Piano Concerto no. 20 in D minor, K 466: I. Allegro | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — | |
| 25-2 | Piano Concerto no. 20 in D minor, K 466: II. Romance | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — | |
| 25-3 | Piano Concerto no. 20 in D minor, K 466: III. Rondo: Allegro assai | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — | |
| 25-4 | Piano Sonata in C, K545: I. Allegro | Piotr Anderszewski, Martha Argerich | — | |
| 25-5 | Piano Sonata in C, K545: II. Andante | Piotr Anderszewski, Martha Argerich | — | |
| 25-6 | Piano Sonata in C, K545: III. Rondo: Allegretto | Piotr Anderszewski, Martha Argerich | — | |
| 25-7 | Piano Concerto no. 25 in C, K. 503: I. Allegro maestoso | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — | |
| 25-8 | Piano Concerto no. 25 in C, K. 503: II. Andante | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — | |
| 25-9 | Piano Concerto no. 25 in C, K. 503: III. Allegretto | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — | |
| 26-1 | Sonata in D, K. 381: I. Allegro | Martha Argerich, Maria João Pires | — | |
| 26-2 | Sonata in D, K. 381: II. Andante | Martha Argerich, Maria João Pires | — | |
| 26-3 | Sonata in D, K. 381: III. Allegro molto | Martha Argerich, Maria João Pires | — | |
| 26-4 | Sonata for Two Pianos in D, K448 (375a): I. Allegro con spirito | Martha Argerich, Sergei Babayan | — | |
| 26-5 | Sonata for Two Pianos in D, K448 (375a): II. Andante | Martha Argerich, Sergei Babayan | — | |
| 26-6 | Sonata for Two Pianos in D, K448 (375a): III. Molto allegro | Martha Argerich, Sergei Babayan | — | |
| 26-7 | Fantasie für eine Orgelwalze | Martha Argerich, Lilya Zilberstein | — | |
| 26-8 | Sonata for Piano 4-Hands in F Major, K. 497: I. Adagio - Allegro molto | Martha Argerich, Cristina Marton | — | |
| 26-9 | Sonata for Piano 4-Hands in F Major, K. 497: II. Andante | Martha Argerich, Cristina Marton | — | |
| 26-10 | Sonata for Piano 4-Hands in F Major, K. 497: III. Allegro | Martha Argerich, Cristina Marton | — | |
| 27-1 | 5 Variations in G Major for Piano 4-Hands, K. 501: I. Thema. Andante | Martha Argerich, Stephen Kovacevich | — | |
| 27-2 | 5 Variations in G Major for Piano 4-Hands, K. 501: II. Variation I | Martha Argerich, Stephen Kovacevich | — | |
| 27-3 | 5 Variations in G Major for Piano 4-Hands, K. 501: III. Variation II | Martha Argerich, Stephen Kovacevich | — | |
| 27-4 | 5 Variations in G Major for Piano 4-Hands, K. 501. IV. Variation III | Martha Argerich, Stephen Kovacevich | — | |
| 27-5 | 5 Variations in G Major for Piano 4-Hands, K. 501: V. Variation IV | Martha Argerich, Stephen Kovacevich | — | |
| 27-6 | 5 Variations in G Major for Piano 4-Hands, K. 501: VI. Variation V | Martha Argerich, Stephen Kovacevich | — | |
| 27-7 | Haydn: Piano Trio No. 39 in G major, Hob.XV:25 'Gypsy': I. Andante | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 27-8 | Haydn: Piano Trio No. 39 in G major, Hob.XV:25 'Gypsy': II. Poco adagio | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 27-9 | Haydn: Piano Trio No. 39 in G major, Hob.XV:25 'Gypsy': III. Rondo all'ongarese. Presto | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 27-10 | Violin Sonata no. 8 in G, op. 30 no. 3: I. Allegro assai | Martha Argerich, Renaud Capuçon | — | |
| 27-11 | Violin Sonata no. 8 in G, op. 30 no. 3: II. Tempo di menuetto, ma molto moderato e grazioso | Martha Argerich, Renaud Capuçon | — | |
| 27-12 | Violin Sonata No. 8 in G Major, Op. 30 No. 3: III. Allegro vivace (Live) | Martha Argerich, Renaud Capuçon | — | |
| 27-13 | Beethoven: Piano Trio No. 4 in B flat major, Op. 11 'Gassenhauer', for violin, cello & piano: I. Allegro con brio | Martha Argerich, Marek Denemark, Mark Drobinsky | — | |
| 27-14 | Beethoven: Piano Trio No. 4 in B flat major, Op. 11 'Gassenhauer', for violin, cello & piano: II. Adagio con espressione | Martha Argerich, Marek Denemark, Mark Drobinsky | — | |
| 27-15 | Beethoven: Piano Trio No. 4 in B flat major, Op. 11 'Gassenhauer', for violin, cello & piano: III. Tema con variazioni | Martha Argerich, Marek Denemark, Mark Drobinsky | — | |
| 27-16 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: I. Thema. Andante | Martha Argerich, Mischa Maisky | — | |
| 27-17 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 1: Variation I | Martha Argerich, Mischa Maisky | — | |
| 27-18 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: III. Variation II | Martha Argerich, Mischa Maisky | — | |
| 27-19 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: IV. Variation III | Martha Argerich, Mischa Maisky | — | |
| 27-20 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 4: Variation IV | Martha Argerich, Mischa Maisky | — | |
| 27-21 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: VI. Variation V | Martha Argerich, Mischa Maisky | — | |
| 27-22 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: VII. Variation VI | Martha Argerich, Mischa Maisky | — | |
| 27-23 | Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: Variation VII | Martha Argerich, Mischa Maisky | — | |
| 28-1 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | Martha Argerich, Orchestra della Svizzera italiana, Herbert Soudant | — | |
| 28-2 | Piano Concerto no. 1 in C major, op. 15: II. Largo | Martha Argerich, Orchestra della Svizzera italiana, Herbert Soudant | — | |
| 28-3 | Piano Concerto no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | Martha Argerich, Orchestra della Svizzera italiana, Herbert Soudant | — | |
| 28-4 | Piano Quartet in C major, Wo036 No. 3: I. Allegro vivace | Martha Argerich, Gautier Capuçon, Renaud Capuçon, Lida Chen | — | |
| 28-5 | Piano Quartet in C major, Wo036 No. 3: II. Adagio con espressione | Martha Argerich, Gautier Capuçon, Renaud Capuçon, Lida Chen | — | |
| 28-6 | Piano Quartet in C major, Wo036 No. 3: III. Finale: Allegro | Martha Argerich, Gautier Capuçon, Renaud Capuçon, Lida Chen | — | |
| 28-7 | Piano Trio in D major, Op. 70, No. 1 "Ghost": I. Allegro vivace e con brio | Martha Argerich, Renaud Capuçon, Mischa Maisky | — | |
| 28-8 | Trio avec piano en ré majeur, op. 70 no. 1 « des esprits » : II. Largo assai ed espressivo | Martha Argerich, Renaud Capuçon, Mischa Maisky | — | |
| 28-9 | Piano Trio in D major, Op. 70, No. 1 "Ghost": III. Presto | Martha Argerich, Renaud Capuçon, Mischa Maisky | — | |
| 29-1 | Concerto for Piano, Violin, and Cello in C major, op. 56 "Triple": I. Allegro | Martha Argerich, Renaud Capuçon, Mischa Maisky, Orchestra della Svizzera italiana, Александр Рабинович-Бараковский | — | |
| 29-2 | Concerto for Piano, Violin, and Cello in C major, op. 56 “Triple Concerto”: II. Largo | Martha Argerich, Renaud Capuçon, Mischa Maisky, Orchestra della Svizzera italiana, Alexander Rabinovitch-Barakovsky | — | |
| 29-3 | Concerto for Piano, Violin, and Cello in C major, op. 56 "Triple": III. Rondo alla polacca | Martha Argerich, Renaud Capuçon, Mischa Maisky, Orchestra della Svizzera italiana, Александр Рабинович-Бараковский | — | |
| 29-4 | Cello Sonata no. 2 in G minor, op. 5, no. 2: I. Adagio sostenuto ed expressivo | Martha Argerich, Mischa Maisky | — | |
| 29-5 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I-ii. Allegro molto più tosto presto | Martha Argerich, Mischa Maisky | — | |
| 29-6 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | Martha Argerich, Mischa Maisky | — | |
| 29-7 | Choral Fantasy, op. 80: I. Adagio | Coro della Radio Svizzera, Lugano, Martha Argerich, Orchestra della Svizzera italiana, Diego Fasolis | — | |
| 29-8 | Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80: II. Finale (Allegro - Meno allegro - Marcia, assai vivace) | Coro della Radio Svizzera, Lugano, Martha Argerich, Orchestra della Svizzera italiana, Diego Fasolis | — | |
| 29-9 | Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80: III. Allegretto ma non troppo quasi andante con moto | Coro della Radio Svizzera, Lugano, Martha Argerich, Orchestra della Svizzera italiana, Diego Fasolis | — | |
| 30-1 | Violin Sonata in C minor, BWV 1017: I. Largo | Martha Argerich, Tedi Papavrami | — | |
| 30-2 | Violin Sonata in C minor, BWV 1017: II. Allegro | Martha Argerich, Tedi Papavrami | — | |
| 30-3 | Violin Sonata in C minor, BWV 1017: III. Adagio | Martha Argerich, Tedi Papavrami | — | |
| 30-4 | Violin Sonata in C minor, BWV 1017: IV. Allegro | Martha Argerich, Tedi Papavrami | — | |
| 30-5 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: I. Thema. Allegretto. | Martha Argerich, Alexander Mogilevsky | — | |
| 30-6 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: II. Variation I | Martha Argerich, Alexander Mogilevsky | — | |
| 30-7 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: III. Variation II | Martha Argerich, Alexander Mogilevsky | — | |
| 30-8 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: IV. Variation III | Martha Argerich, Alexander Mogilevsky | — | |
| 30-9 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: V. Variation IV | Martha Argerich, Alexander Mogilevsky | — | |
| 30-10 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: VI. Variation V | Martha Argerich, Alexander Mogilevsky | — | |
| 30-11 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: VII. Variation VI | Martha Argerich, Alexander Mogilevsky | — | |
| 30-12 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: VIII. Variation VII | Martha Argerich, Alexander Mogilevsky | — | |
| 30-13 | 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: IX. Variation VIII | Martha Argerich, Alexander Mogilevsky | — | |
| 30-14 | A Midsummer Night's Dream, op. 21 (Incidental Music): Overture | Martha Argerich, Cristina Marton | — | |
| 30-15 | A Midsummer Night's Dream, op. 21 (Incidental Music): Scherzo | Martha Argerich, Cristina Marton | — | |
| 30-16 | Piano Trio No. 1 in D minor, Op. 49: I. Molto allegro, agitato | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 30-17 | Piano Trio No. 1 in D minor, Op. 49: II. Andante con moto, tranquillo | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 30-18 | Trio avec piano no. 1 en ré mineur, op. 49 : III. Scherzo : Leggiero e vivace | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 30-19 | Piano Trio No. 1 in D minor, Op. 49: IV. Finale: Allegro assai appassionato | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 31-1 | Piano Concerto no. 1 in E minor, op. 11: Allegro maestoso | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — | |
| 31-2 | Piano Concerto no. 1 in E minor, op. 11: Romance: Larghetto | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | T-308.381.369-4 | |
| 31-3 | Piano Concerto no. 1 in E minor, op. 11: Rondo: Vivace | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — | |
| 31-4 | Introduction et polonaise brillante in C Major, op. 3: I. Introductions | Martha Argerich, Gautier Capuçon | — | |
| 31-5 | Introduction et polonaise brillante in C Major, op. 3: II. Alla polacca - Allegro con spirito | Martha Argerich, Gautier Capuçon | — | |
| 31-6 | Les Préludes S97 | Martha Argerich, Daniel Rivera | — | |
| 31-7 | Réminiscences de Don Juan for Two Pianos, S 656: I. Grave | Martha Argerich, Mauricio Vallina | — | |
| 31-8 | Réminiscences de Don Juan for Two Pianos, S 656: II. Duetto: Andantino | Martha Argerich, Mauricio Vallina | — | |
| 31-9 | Réminiscences de Don Juan for Two Pianos, S 656: III. Allegretto | Martha Argerich, Mauricio Vallina | — | |
| 31-10 | Réminiscences de Don Juan for Two Pianos, S 656: IV. Presto | Martha Argerich, Mauricio Vallina | — | |
| 32-1 | Kinderszenen, op. 15: I. Von fremden Ländern und Menschen | Martha Argerich | T-314.629.927-2 | |
| 32-2 | Kinderszenen, op. 15: II. Kuriose Geschichte | Martha Argerich | T-330.117.394-0 | |
| 32-3 | Kinderszenen, op. 15: III. Hasche-Mann | Martha Argerich | — | |
| 32-4 | Kinderszenen, op. 15: IV. Bittendes Kind | Martha Argerich | — | |
| 32-5 | Kinderszenen, op. 15: V. Glückes genug | Martha Argerich | — | |
| 32-6 | Kinderszenen, op. 15: VI. Wichtige Begebenheit | Martha Argerich | — | |
| 32-7 | Kinderszenen, op. 15: No. 7. Träumerei | Martha Argerich | — | |
| 32-8 | Kinderszenen, op. 15: VIII. Am Kamin | Martha Argerich | — | |
| 32-9 | Kinderszenen, op. 15: IX. Ritter vom Steckenpferd | Martha Argerich | — | |
| 32-10 | Kinderszenen, op. 15: X. Fast zu ernst | Martha Argerich | — | |
| 32-11 | Kinderszenen, op. 15: XI. Fürchtenmachen | Martha Argerich | — | |
| 32-12 | Kinderszenen, op. 15: XII. Kind im Einschlummern | Martha Argerich | — | |
| 32-13 | Kinderszenen, op. 15: XIII. Der Dichter spricht | Martha Argerich | — | |
| 32-14 | Fantasiestücke für Cello und Klavier, op. 73: I. Zart und mit Ausdruck | Martha Argerich, Gautier Capuçon | — | |
| 32-15 | Fantasiestücke für Cello und Klavier, op. 73: II. Lebhaft, leicht | Martha Argerich, Gautier Capuçon | — | |
| 32-16 | Fantasiestücke für Cello und Klavier, op. 73: III. Rasch un mit Feuer | Martha Argerich, Gautier Capuçon | — | |
| 32-17 | Violin Sonata no. 1 in A minor, op. 105: Mit leidenschaftlichem Ausdruck | Martha Argerich, Renaud Capuçon | — | |
| 32-18 | Violin Sonata no. 1 in A minor, op. 105: Allegretto | Martha Argerich, Renaud Capuçon | — | |
| 32-19 | Violin Sonata no. 1 in A minor, op. 105: Lebhaft | Martha Argerich, Renaud Capuçon | — | |
| 32-20 | Violin Sonata no. 2 in D minor, op. 121: I | Martha Argerich, Renaud Capuçon | — | |
| 32-21 | Sonata for Violin and Piano no. 2 in D minor, op. 121: II. Sehr lebhaft | Martha Argerich, Renaud Capuçon | — | |
| 32-22 | Violin Sonata no. 2 in D minor, op. 121: III | Martha Argerich, Renaud Capuçon | — | |
| 32-23 | Violin Sonata no. 2 in D minor, op. 121: IV | Martha Argerich, Renaud Capuçon | — | |
| 33-1 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | Martha Argerich, Orchestra della Svizzera italiana, Alexandre Rabinovitch-Barakovsky | T-909.264.262-1 | |
| 33-2 | Piano Concerto in A minor, op. 54: II. Intermezzo (Andantino grazioso) | Martha Argerich, Orchestra della Svizzera italiana, Alexandre Rabinovitch-Barakovsky | T-909.264.262-1 | |
| 33-3 | Piano Concerto in A minor, op. 54: III. Allegro vivace | Martha Argerich, Orchestra della Svizzera italiana, Alexandre Rabinovitch-Barakovsky | T-909.264.262-1 | |
| 33-4 | Fantasiestücke, Op. 88: I. Romanze: Nicht schnell, mit innigem Ausdruck | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 33-5 | Fantasiestücke, Op. 88: II. Humoreske: Lebhaft | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 33-6 | Fantasiestücke, Op. 88: III. Duett: Langsam und mit Ausdruck | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 33-7 | Fantasiestücke, Op. 88: IV. Finale: Im Marsch-Tempo | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — | |
| 33-8 | Piano Quartet in E-flat, op. 47: I. Sostenuto assai | Martha Argerich, Renaud Capuçon, Lida Chen, Gautier Capuçon | — | |
| 33-9 | Piano Quartet in E-flat, op. 47: II. Scherzo | Martha Argerich, Renaud Capuçon, Lida Chen, Gautier Capuçon | — | |
| 33-10 | Piano Quartet in E-flat, op. 47: III. Andante cantabile | Martha Argerich, Renaud Capuçon, Lida Chen, Gautier Capuçon | — | |
| 33-11 | Piano Quartet in E-flat major, Op. 47: IV. Finale: Vivace | Martha Argerich, Gautier Capuçon, Renaud Capuçon, Lida Chen | — | |
| 34-1 | Andante und Variationen for 2 Pianos in B-flat Major, op. 46: I. Andante espressivo - Più animato | Martha Argerich, Gabriela Montero | — | |
| 34-2 | Andante und Variationen for 2 Pianos in B-flat Major, op. 46: II. Più lento - Animato | Martha Argerich, Gabriela Montero | — | |
| 34-3 | Andante und Variationen for 2 Pianos in B-flat Major, op. 46: III. Doppio movimento - Più adagio | Martha Argerich, Gabriela Montero | — | |
| 34-4 | Piano Quintet in E-flat major, Op. 44: I. Allegro brillante | Martha Argerich, Renaud Capuçon, Mark Drobinsky, Nora Romanoff-Schwarzberg, Dora Schwarzberg | — | |
| 34-5 | Piano Quintet in E-flat major, Op. 44: II. In modo d'una marcia - Un poco largamente | Martha Argerich, Renaud Capuçon, Mark Drobinsky, Nora Romanoff-Schwarzberg, Dora Schwarzberg | — | |
| 34-6 | Piano Quintet in E-flat major, Op. 44: III. Scherzo: Molto vivace | Martha Argerich, Renaud Capuçon, Mark Drobinsky, Nora Romanoff-Schwarzberg, Dora Schwarzberg | — | |
| 34-7 | Piano Quintet in E-flat Major, op. 44: IV. Allegro ma non troppo | Robert Schumann | — | |
| 34-8 | Violin Sonata No. 1 in A minor, Op. 105: I. Mit leidenschaflichem Ausdruck | Martha Argerich, Géza Hosszu-Legocky | — | |
| 34-9 | Violin Sonata No. 1 in A minor, Op. 105: II. Allegretto | Martha Argerich, Géza Hosszu-Legocky | — | |
| 34-10 | Violin Sonata No. 1 in A minor, op. 105: III. Lebhaft | Robert Schumann | — | |
| 34-11 | Fünf Stücke im Volkston, op. 102: I. Mit Humor: Vanitas vanitatum | Martha Argerich, Gautier Capuçon | — | |
| 34-12 | Fünf Stücke im Volkston, op. 102: II. Langsam | Martha Argerich, Gautier Capuçon | — | |
| 34-13 | Fünf Stücke im Volkston, op. 102: III. Nicht schnell, mit viel Ton zu spielen | Martha Argerich, Gautier Capuçon | — | |
| 34-14 | Fünf Stücke im Volkston, op. 102: IV. Nicht zu rasch | Martha Argerich, Gautier Capuçon | — | |
| 34-15 | Fünf Stücke im Volkston, op. 102: V. Stark and markirt | Martha Argerich, Gautier Capuçon | — | |
| 35-1 | Adagio and Allegro, op. 70: Langsam, mit innigem Ausdruck | Martha Argerich, Gautier Capuçon | — | |
| 35-2 | Adagio and Allegro, op. 70: Allegro, rasch und feurig | Martha Argerich, Gautier Capuçon | — | |
| 35-3 | Six Canonic Etudes, op. 56: I. Pas trop vite | Martha Argerich, Lilya Zilberstein | — | |
| 35-4 | Six Canonic Etudes, op. 56: II. Avec beaucoup d'expression | Martha Argerich, Lilya Zilberstein | — | |
| 35-5 | Six Canonic Etudes, op. 56: III. Andantino | Martha Argerich, Lilya Zilberstein | — | |
| 35-6 | Six Canonic Etudes, op. 56: IV. Espressivo | Martha Argerich, Lilya Zilberstein | — | |
| 35-7 | Six Canonic Etudes, op. 56: V. Pas trop vite | Martha Argerich, Lilya Zilberstein | — | |
| 35-8 | Six Canonic Etudes, op. 56: VI. Adagio | Martha Argerich, Lilya Zilberstein | — | |
| 35-9 | Fantasiestücke, Op. 73 (version for flugelhorn and piano): I. Zart und mit Ausdruck | Martha Argerich, Sergei Nakariakov | — | |
| 35-10 | Fantasiestücke, Op. 73 (version for flugelhorn and piano): II. Lebhaft, leicht | Martha Argerich, Sergei Nakariakov | — | |
| 35-11 | Fantasiestücke, Op. 73 (version for flugelhorn and piano): III. Rasch und mit Feuer | Martha Argerich, Sergei Nakariakov | — | |
| 35-12 | Concerto pathétique, Sz. 258: I. Allegro energico-Grandioso | Martha Argerich, Lilya Zilberstein | — | |
| 35-13 | Concerto pathétique, Sz. 258: II. Quasi fantasia-Andante sostenuoto-Allegro agitato assai | Martha Argerich, Lilya Zilberstein | — | |
| 35-14 | Concerto pathétique, Sz. 258: III. Andante, quasi marcia funebre-Più mosso-Allegro trionfante | Martha Argerich, Lilya Zilberstein | — | |
| 35-15 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Chorale 'St Anthony': Andante | Martha Argerich, Polina Leschenko | — | |
| 35-16 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation I: Andante con moto | Martha Argerich, Polina Leschenko | — | |
| 35-17 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation II: Vivace | Martha Argerich, Polina Leschenko | T-322.184.202-6 | |
| 35-18 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation III: Con moto | Martha Argerich, Polina Leschenko | T-322.184.202-6 | |
| 35-19 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation IV: Andante | Martha Argerich, Polina Leschenko | T-322.184.202-6 | |
| 35-20 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation V: Poco presto | Martha Argerich, Polina Leschenko | T-322.184.202-6 | |
| 35-21 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation VI: Vivace | Martha Argerich, Polina Leschenko | — | |
| 35-22 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation VII: Grazioso | Martha Argerich, Polina Leschenko | — | |
| 35-23 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation VIII: Poco presto | Martha Argerich, Polina Leschenko | — | |
| 35-24 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Finale: Andante | Martha Argerich, Polina Leschenko | T-322.184.202-6 | |
| 36-1 | Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): I. Allegro non troppo | Martha Argerich, Lilya Zilberstein | — | |
| 36-2 | Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): II. Andante, un poco adagio | Martha Argerich, Lilya Zilberstein | — | |
| 36-3 | Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): III. Scherzo: Allegro | Martha Argerich, Lilya Zilberstein | — | |
| 36-4 | Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): IV. Finale: Poco sostenuto - Allegro non troppo - Presto non troppo | Martha Argerich, Lilya Zilberstein | — | |
| 36-5 | Variations on a Theme by Haydn for 2 Pianos, op 56b: I. Theme. Chorale St. Antoni | Nicholas Angelich, Martha Argerich | — | |
| 36-6 | Variations on a Theme by Haydn for 2 Pianos, op 56b: II. Variation I (Andante con moto) | Nicholas Angelich, Martha Argerich | — | |
| 36-7 | Variations on a Theme by Haydn for 2 Pianos, op 56b: III. Variation II (Vivace) | Nicholas Angelich, Martha Argerich | — | |
| 36-8 | Variations on a Theme by Haydn for 2 Pianos, op 56b: IV. Variation III (Con moto) | Nicholas Angelich, Martha Argerich | — | |
| 36-9 | Variations on a Theme by Haydn for 2 Pianos, op 56b: V. Variation IV (Andante) | Nicholas Angelich, Martha Argerich | — | |
| 36-10 | Variations on a Theme by Haydn for 2 Pianos, op 56b: VI. Variation V (Poco presto) | Nicholas Angelich, Martha Argerich | — | |
| 36-11 | Variations on a Theme by Haydn for 2 Pianos, op 56b: VII. Variation VI (Vivace) | Nicholas Angelich, Martha Argerich | — | |
| 36-12 | Variations on a Theme by Haydn for 2 Pianos, op 56b: VIII. Variation VII (Grazioso) | Nicholas Angelich, Martha Argerich | — | |
| 36-13 | Variations on a Theme by Haydn for 2 Pianos, op 56b: IX. Variation VIII (Poco presto) | Nicholas Angelich, Martha Argerich | — | |
| 36-14 | Variations on a Theme by Haydn for 2 Pianos, op 56b: X. Finale (Andante) | Nicholas Angelich, Martha Argerich | T-322.184.202-6 | |
| 37-1 | The Nutcracker Suite, op. 71a: I. Ouverture miniature | Martha Argerich, Ana Mirabela Dina | — | |
| 37-2 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: a. Marche: Tempo di marcia viva | Martha Argerich, Ana Mirabela Dina | — | |
| 37-3 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: b. Danse fe la fée dragée: Andante non troppo | Martha Argerich, Ana Mirabela Dina | — | |
| 37-4 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: c. Danse russe - Trépak: Tempo di trepak, Molto vivace | Martha Argerich, Ana Mirabela Dina | — | |
| 37-5 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: d. Danse arabe: Allegretto | Martha Argerich, Ana Mirabela Dina | — | |
| 37-6 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: e. Danse chinoise: Allegro moderato | Martha Argerich, Ana Mirabela Dina | — | |
| 37-7 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: f. Danse des mirlitons: Moderato assai | Martha Argerich, Ana Mirabela Dina | — | |
| 37-8 | The Nutcracker Suite, op. 71a: III. Valse des fleurs | Martha Argerich, Ana Mirabela Dina | — | |
| 37-9 | Sonata in E minor | Martha Argerich, Anton Gerzenberg, Daniel Gerzenberg, Lilya Zilberstein | — | |
| 37-10 | Rondo in C | Martha Argerich, Anton Gerzenberg, Daniel Gerzenberg, Lilya Zilberstein | — | |
| 37-11 | Piano Quintet in G minor, op. 34: I. Allegro | Martha Argerich, Gautier Capuçon, Lida Chen, Lucia Hall, Dora Schwarzberg | — | |
| 37-12 | Piano Quintet in G minor, op. 34: II. Adagio | Martha Argerich, Gautier Capuçon, Lida Chen, Lucia Hall, Dora Schwarzberg | — | |
| 37-13 | Piano Quintet in G minor, op. 34: III. Scherzo: Presto | Martha Argerich, Gautier Capuçon, Lida Chen, Lucia Hall, Dora Schwarzberg | — | |
| 37-14 | Piano Quintet in G minor, op. 34: IV. Finale | Martha Argerich, Gautier Capuçon, Lida Chen, Lucia Hall, Dora Schwarzberg | — | |
| 38-1 | Carnival of the Animals: I. Introduction and Royal March of the Lion: Andante maestoso | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 38-2 | Carnival of the Animals: II. Hens and Cockerels: Allegro moderato | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 38-3 | Carnival of the Animals: III. Wild Asses: Presto furioso | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 38-4 | Carnival of the Animals: IV. Tortoises: Andante maestoso | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 38-5 | Carnival of the Animals: V. The Elephant: Allegretto pomposo | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 38-6 | Carnival of the Animals: VI. Kangaroos: Moderato | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 38-7 | Carnival of the Animals: VII. Aquarium: Andantino | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 38-8 | Carnival of the Animals: VIII. Personages with Long Ears: Tempo ad libitum | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 38-9 | Carnival of the Animals: IX. The Cuckoo in the Depths of the Woods: Andante | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 38-10 | Carnival of the Animals: X. Aviary: Moderato grazioso | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 38-11 | Carnival of the Animals: XI. Pianists: Allegro moderato | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 38-12 | Carnival of the Animals: XII. Fossils: Allegro ridicolo | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 38-13 | Carnival of the Animals: XIII. The Swan: Andantion grazioso | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 38-14 | Carnival of the Animals: XIV. Finale: Molto vivace | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T-004.976.716-9 | |
| 38-15 | Petite Suite for piano four hands: I. En bateau | Martha Argerich, Cristina Marton | — | |
| 38-16 | Petite Suite for piano four hands: II. Cortège | Martha Argerich, Cristina Marton | — | |
| 38-17 | Petite Suite for piano four hands: III. Menuet | Martha Argerich, Cristina Marton | — | |
| 38-18 | Petite Suite for piano four hands: IV. Ballet | Martha Argerich, Cristina Marton | — | |
| 38-19 | En blanc et noir: I. Avec amportement | Martha Argerich, Stephen Kovacevich | — | |
| 38-20 | En blanc et noir: II. Lent - Sombre | Martha Argerich, Stephen Kovacevich | — | |
| 38-21 | En blanc et noir: III. Scherzando | Martha Argerich, Stephen Kovacevich | — | |
| 38-22 | Piano Concerto in G: I. Allegramente | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | T-305.199.289-9 | |
| 38-23 | Piano Concerto in G: II. Adagio assai | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | T-305.194.465-7 | |
| 38-24 | Piano Concerto in G: III. Presto | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | T-305.199.295-7 | |
| 39-1 | Gaspard de la nuit: I. Ondine | Martha Argerich | — | |
| 39-2 | Gaspard de la nuit: II. Le Gibet | Martha Argerich | — | |
| 39-3 | Gaspard de la nuit: III. Scarbo | Martha Argerich | — | |
| 39-4 | La Valse | Martha Argerich, Sergio Tiempo | T-003.107.988-5 | |
| 39-5 | Ma mère l'Oye Suite: I. Pavane de la belle au bois dormant: Lent | Martha Argerich, Alexander Mogilevsky | T-004.018.862-2 | |
| 39-6 | Ma mère l'Oye Suite: II. Petit Poucet: Très modéré | Martha Argerich, Alexander Mogilevsky | T-004.018.862-2 | |
| 39-7 | Ma mère l'Oye Suite: III. Laideronnette, impératrice des pagodes: Mouvement de marche | Martha Argerich, Alexander Mogilevsky | T-004.018.862-2 | |
| 39-8 | Ma mère l'Oye Suite: IV. Les Entretiens de la Belle et de la Bête: Mouvement de valse modéré | Martha Argerich, Alexander Mogilevsky | T-004.018.862-2 | |
| 39-9 | Ma mère l'Oye Suite: V. Le Jardin féerique: Lent et grave | Martha Argerich, Alexander Mogilevsky | T-004.018.862-2 | |
| 39-10 | Piano Concerto in G: I. Allegramente | Martha Argerich, Orchestra della Svizzera italiana, Alexander Vedernikov | T-305.199.289-9 | |
| 39-11 | Piano Concerto in G: II. Adagio assai | Martha Argerich, Orchestra della Svizzera italiana, Alexander Vedernikov | T-305.194.465-7 | |
| 39-12 | Piano Concerto in G: III. Presto | Martha Argerich, Orchestra della Svizzera italiana, Alexander Vedernikov | T-305.199.295-7 | |
| 39-13 | Prélude à l'après-midi d'un faune | Martha Argerich, Stephen Kovacevich | — | |
| 40-1 | Symphonic Dances for 2 Pianos, op. 45: I. Non allegro - Lento - Tempo I | Martha Argerich, Nelson Goerner | — | |
| 40-2 | Symphonic Dances for 2 Pianos, op. 45: II. Andante con moto (Tempo di valse) | Martha Argerich, Nelson Goerner | — | |
| 40-3 | Symphonic Dances for 2 Pianos, op. 45: III. Lento assai - L'istesso tempo, ma agitato | Martha Argerich, Nelson Goerner | — | |
| 40-4 | Suite no. 1, op. 5 for Two Pianos: I. Barcarolle | Martha Argerich, Lilya Zilberstein | — | |
| 40-5 | Suite for 2 Pianos no. 1 in G minor, op. 5: II. La nuit… l’amour | Lilya Zilberstein, Martha Argerich | — | |
| 40-6 | Suite no. 1, op. 5 for Two Pianos: III. Les Larmes | Martha Argerich, Lilya Zilberstein | — | |
| 40-7 | Suite for 2 Pianos no. 1 in G minor, op. 5: IV. Pâques | Lilya Zilberstein, Martha Argerich | — | |
| 40-8 | Suite for 2 Pianos no. 2, op. 17: I. Introduction | Martha Argerich, Gabriela Montero | — | |
| 40-9 | Suite for 2 Pianos no. 2, op. 17: II. Valse | Martha Argerich, Gabriela Montero | — | |
| 40-10 | Suite for Two Pianos No. 2 in C major, Op. 17: III. Romance (Andantino) | Martha Argerich, Gabriela Montero | — | |
| 40-11 | Suite for 2 Pianos no. 2, op. 17: IV. Tarentelle | Martha Argerich, Gabriela Montero | — | |
| 41-1 | Symphony no. 1 in D, op. 25 "Classical": I. Allegro | Martha Argerich, Yefim Bronfman | — | |
| 41-2 | Symphony no. 1 in D, op. 25 "Classical": II. Larghetto | Martha Argerich, Yefim Bronfman | — | |
| 41-3 | Symphony no. 1 in D, op. 25 "Classical": III. Gavotte: Non troppo allegro | Martha Argerich, Yefim Bronfman | — | |
| 41-4 | Symphony no. 1 in D, op. 25 "Classical": IV. Finale: Molto vivace | Martha Argerich, Yefim Bronfman | — | |
| 41-5 | Violin Sonata no. 2 in D, op. 94bis: I. Moderato | Martha Argerich, Renaud Capuçon | — | |
| 41-6 | Violin Sonata no. 2 in D, op. 94bis: II. Presto - Poco più mosso del-Tempo I | Martha Argerich, Renaud Capuçon | — | |
| 41-7 | Violin Sonata no. 2 in D, op. 94bis: III. Andante | Martha Argerich, Renaud Capuçon | — | |
| 41-8 | Violin Sonata no. 2 in D, op. 94bis: IV. Allegro con brio - Poco meno mosso-Tempo I | Martha Argerich, Renaud Capuçon | — | |
| 41-9 | Six Morceaux, op. 11: I. Barcarolle | Martha Argerich, Lilya Zilberstein | — | |
| 41-10 | 6 Duets, op. 11: II. Scherzo | Lilya Zilberstein, Martha Argerich | — | |
| 41-11 | Six Morceaux, op. 11: III. Thème russe | Martha Argerich, Lilya Zilberstein | — | |
| 41-12 | 6 Duets, op. 11: IV. Valse | Lilya Zilberstein, Martha Argerich | — | |
| 41-13 | Six Morceaux, op. 11: V. Romance | Martha Argerich, Lilya Zilberstein | — | |
| 41-14 | 6 Duets, op. 11: VI. Slava (Gloria) | Lilya Zilberstein, Martha Argerich | — | |
| 42-1 | Romanian Folk Dances, Sz. 56 | Martha Argerich, Géza Hosszu-Legocky | — | |
| 42-2 | Sonata for Two Pianos and Percussion, Sz 110: Assai lento - Allegro molto | Martha Argerich, Danilo Grassi, Stephen Kovacevich, Louis Sauvaître | — | |
| 42-3 | Sonata for Two Pianos and Percussion, Sz 110: Lento ma non troppo - Un poco più andante - Agitato | Martha Argerich, Danilo Grassi, Stephen Kovacevich, Louis Sauvaître | — | |
| 42-4 | Sonata for Two Pianos and Percussion, Sz 110: Allegro non troppo | Martha Argerich, Danilo Grassi, Stephen Kovacevich, Louis Sauvaître | — | |
| 42-5 | Violin Sonata No. 1, Sz75: I. Allegro appassionato | Martha Argerich, Renaud Capuçon | — | |
| 42-6 | Violin Sonata No. 1, Sz75: II. Adagio | Martha Argerich, Renaud Capuçon | — | |
| 42-7 | Violin Sonata No. 1, Sz75: III. Allegro | Martha Argerich, Renaud Capuçon | — | |
| 43-1 | Concerto for Piano, Trumpet and Strings in C minor, op. 35: I. Allegro moderato | Martha Argerich, Sergei Nakariakov, Orchestra della Svizzera italiana, Александр Александрович Ведерников | — | |
| 43-2 | Concerto for Piano, Trumpet and Strings in C minor, op. 35: II. Lento largo | Martha Argerich, Sergei Nakariakov, Orchestra della Svizzera italiana, Александр Александрович Ведерников | — | |
| 43-3 | Concerto for Piano, Trumpet and Strings in C minor, op. 35: III. Moderato | Martha Argerich, Sergei Nakariakov, Orchestra della Svizzera italiana, Александр Александрович Ведерников | — | |
| 43-4 | Concerto for Piano, Trumpet and Strings in C minor, op. 35: IV. Allegro con brio | Martha Argerich, Sergei Nakariakov, Orchestra della Svizzera italiana, Александр Александрович Ведерников | — | |
| 43-5 | Concertino in A minor, op. 94 for Two Pianos: Adagio - Allegretto - Adagio - Allegro - Adagio - Allegretto | Martha Argerich, Lilya Zilberstein | — | |
| 43-6 | Quintet for Piano and Strings in G minor, op. 57: I. Prelude. Lento | Martha Argerich, Renaud Capuçon, Lyda Chen, Mischa Maisky, Alissa Margulis | — | |
| 43-7 | Quintet for Piano and Strings in G minor, op. 57: II. Fugue. Adagio | Martha Argerich, Renaud Capuçon, Lyda Chen, Mischa Maisky, Alissa Margulis | — | |
| 43-8 | Quintet for Piano and Strings in G minor, op. 57: III. Scherzo. Allegretto | Martha Argerich, Renaud Capuçon, Lyda Chen, Mischa Maisky, Alissa Margulis | — | |
| 43-9 | Quintet for Piano and Strings in G minor, op. 57: IV. Intermezzo. Lento | Martha Argerich, Renaud Capuçon, Lyda Chen, Mischa Maisky, Alissa Margulis | — | |
| 43-10 | Quintet for Piano and Strings in G minor, op. 57: V. Finale. Allegretto | Martha Argerich, Renaud Capuçon, Lyda Chen, Mischa Maisky, Alissa Margulis | — | |
| 44-1 | Piano Trio No. 2 in E minor, Op. 67: I. Andante - Moderato | Martha Argerich, Gautier Capuçon, Maxim Vengerov | — | |
| 44-2 | Piano Trio no. 2 in E minor, op. 67: II. Allegro non troppo | Martha Argerich, Gautier Capuçon, Maxim Vengerov | — | |
| 44-3 | Piano Trio No. 2 in E minor, Op. 67: III. Largo | Martha Argerich, Gautier Capuçon, Maxim Vengerov | — | |
| 44-4 | Piano Trio No. 2 in E minor, Op. 67: IV. Allegretto | Martha Argerich, Gautier Capuçon, Maxim Vengerov | T-003.055.867-8 | |
| 44-5 | Piano Sonata, FP 8: I. Prélude: Modéré | Martha Argerich, Dagmar Clottu | — | |
| 44-6 | Piano Sonata, FP 8: II. Rustique: Naïf et lent | Martha Argerich, Dagmar Clottu | — | |
| 44-7 | Piano Sonata, FP 8: III. Final: Très vitè | Martha Argerich, Dagmar Clottu | — | |
| 44-8 | Concertino for piano, two violins, viola, clarinet, horn and bassoon: I. Moderato | Martha Argerich, Corrado Giufferdi, Vincent Godel, Lucia Hall, Alissa Margulis, Nora Romanoff-Schwarzberg, Zora Slokar | — | |
| 44-9 | Concertino for piano, two violins, viola, clarinet, horn and bassoon: II. Piu mosso | Martha Argerich, Corrado Giufferdi, Vincent Godel, Lucia Hall, Alissa Margulis, Nora Romanoff-Schwarzberg, Zora Slokar | — | |
| 44-10 | Concertino for piano, two violins, viola, clarinet, horn and bassoon: III. Con moto | Martha Argerich, Corrado Giufferdi, Vincent Godel, Lucia Hall, Alissa Margulis, Nora Romanoff-Schwarzberg, Zora Slokar | — | |
| 44-11 | Concertino for piano, two violins, viola, clarinet, horn and bassoon: IV. Allegro | Martha Argerich, Corrado Giufferdi, Vincent Godel, Lucia Hall, Alissa Margulis, Nora Romanoff-Schwarzberg, Zora Slokar | — | |
| 44-12 | Variations on a Theme by Paganini | Martha Argerich, Giorgia Tomassi | — | |
| 45-1 | Violin Sonata no. 5, op. 53: I. Andante con moto | Gidon Kremer, Martha Argerich | — | |
| 45-2 | Violin Sonata no. 5, op. 53: II. Allegro molto | Gidon Kremer, Martha Argerich | — | |
| 45-3 | Violin Sonata no. 5, op. 53: III. Allegro moderato | Gidon Kremer, Martha Argerich | — | |
| 45-4 | Violin Sonata no. 5, op. 53: IV. Allegro — Andante — Allegretto — Andante | Gidon Kremer, Martha Argerich | — | |
| 45-5 | Variations on a Theme by Paganini | Martha Argerich, Mauricio Vallina | T-905.982.758-6 | |
| 45-6 | Fantasia Elvetica: I. Maestoso | Martha Argerich, Alexander Mogilevsky, Orchestra della Svizzera italiana, Mikhail Pletnev | — | |
| 45-7 | Fantasia Elvetica: II. Tranquillo | Martha Argerich, Alexander Mogilevsky, Orchestra della Svizzera italiana, Mikhail Pletnev | — | |
| 45-8 | Fantasia Elvetica: III. Temps di marcia - Andante | Martha Argerich, Alexander Mogilevsky, Orchestra della Svizzera italiana, Mikhail Pletnev | — | |
| 45-9 | Fantasia Elvetica: IV. Tempo di polka - Più vivo - Allegro | Martha Argerich, Alexander Mogilevsky, Orchestra della Svizzera italiana, Mikhail Pletnev | — | |
| 46-1 | Noches en los jardines de España: I. En el Generalife | Martha Argerich | — | |
| 46-2 | Noches en los jardines de España: II. Danza lejana | Martha Argerich | — | |
| 46-3 | Noches en los jardines de España: III. En los jardines de la Sierra de Córdoba | Martha Argerich | T-041.489.075-7 | |
| 46-4 | Taquito militar | Martha Argerich, Ale Petrasso | — | |
| 46-5 | Porteña: I. Porteña | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 46-6 | Porteña: II. Nocturnal | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 46-7 | Porteña: III. Cadenza | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 46-8 | Porteña: IV. Porteña (quasi jidish) | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 46-9 | Porteña: V. Secuencia (quasi) canónica | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 46-10 | Porteña: VI. Gardeliana | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 46-11 | Porteña: VII. Malandra | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 46-12 | Porteña: VIII. Tanghora | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 46-13 | Porteña: IX. Bajofondo | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 46-14 | Porteña: X. Corrientes y 9 de julio | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 46-15 | Porteña: XI. Finale | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — | |
| 46-16 | Tres romances argentinos, op. 2: I. Las niñas de Santa Fe | Martha Argerich, Mauricio Vallina | T-037.005.703-6 | |
| 46-17 | Tres romances argentinos, op. 2: II. Muchacho jujeño | Martha Argerich, Mauricio Vallina | T-037.005.703-6 | |
| 46-18 | Tres romances argentinos, op. 2: III. Baile en Cuyo | Martha Argerich, Mauricio Vallina | — | |
| 46-19 | Three Tangos: Tres minutos con la realidad | Martha Argerich, Eduardo Hubert | T-910.262.122-7 | |
| 46-20 | Three Tangos: Oblivion | Martha Argerich, Eduardo Hubert | T-900.775.163-5 | |
| 46-21 | Three Tangos: Libertango | Martha Argerich, Eduardo Hubert | T-900.764.940-3 |
