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The Warner Classics Edition: EMI Classics, Teldec, Erato, Warner Classics
Martha Argerich
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5021732408884 is the Universal Product Code (UPC barcode) for the release “The Warner Classics Edition: EMI Classics, Teldec, Erato, Warner Classics” by Martha Argerich, released 2025-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 48 tracks, each with its own ISRC. Tracks include GBAYC1002880, GBAYC1002881, CH8291600570.
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Track List (48)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 35-1 | Adagio and Allegro, op. 70: Langsam, mit innigem Ausdruck | Martha Argerich, Gautier Capuçon | — | |
| 35-2 | Adagio and Allegro, op. 70: Allegro, rasch und feurig | Martha Argerich, Gautier Capuçon | — | |
| 35-3 | Six Canonic Etudes, op. 56: I. Pas trop vite | Martha Argerich, Lilya Zilberstein | — | |
| 35-4 | Six Canonic Etudes, op. 56: II. Avec beaucoup d'expression | Martha Argerich, Lilya Zilberstein | — | |
| 35-5 | Six Canonic Etudes, op. 56: III. Andantino | Martha Argerich, Lilya Zilberstein | — | |
| 35-6 | Six Canonic Etudes, op. 56: IV. Espressivo | Martha Argerich, Lilya Zilberstein | — | |
| 35-7 | Six Canonic Etudes, op. 56: V. Pas trop vite | Martha Argerich, Lilya Zilberstein | — | |
| 35-8 | Six Canonic Etudes, op. 56: VI. Adagio | Martha Argerich, Lilya Zilberstein | — | |
| 35-9 | Fantasiestücke, Op. 73 (version for flugelhorn and piano): I. Zart und mit Ausdruck | Martha Argerich, Sergei Nakariakov | — | |
| 35-10 | Fantasiestücke, Op. 73 (version for flugelhorn and piano): II. Lebhaft, leicht | Martha Argerich, Sergei Nakariakov | — | |
| 35-11 | Fantasiestücke, Op. 73 (version for flugelhorn and piano): III. Rasch und mit Feuer | Martha Argerich, Sergei Nakariakov | — | |
| 35-12 | Concerto pathétique, Sz. 258: I. Allegro energico-Grandioso | Martha Argerich, Lilya Zilberstein | — | |
| 35-13 | Concerto pathétique, Sz. 258: II. Quasi fantasia-Andante sostenuoto-Allegro agitato assai | Martha Argerich, Lilya Zilberstein | — | |
| 35-14 | Concerto pathétique, Sz. 258: III. Andante, quasi marcia funebre-Più mosso-Allegro trionfante | Martha Argerich, Lilya Zilberstein | — | |
| 35-15 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Chorale 'St Anthony': Andante | Martha Argerich, Polina Leschenko | — | |
| 35-16 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation I: Andante con moto | Martha Argerich, Polina Leschenko | — | |
| 35-17 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation II: Vivace | Martha Argerich, Polina Leschenko | T3221842026 | |
| 35-18 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation III: Con moto | Martha Argerich, Polina Leschenko | T3221842026 | |
| 35-19 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation IV: Andante | Martha Argerich, Polina Leschenko | T3221842026 | |
| 35-20 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation V: Poco presto | Martha Argerich, Polina Leschenko | T3221842026 | |
| 35-21 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation VI: Vivace | Martha Argerich, Polina Leschenko | — | |
| 35-22 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation VII: Grazioso | Martha Argerich, Polina Leschenko | — | |
| 35-23 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation VIII: Poco presto | Martha Argerich, Polina Leschenko | — | |
| 35-24 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Finale: Andante | Martha Argerich, Polina Leschenko | T3221842026 | |
| 38-1 | Carnival of the Animals: I. Introduction and Royal March of the Lion: Andante maestoso | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T0049767169 | |
| 38-2 | Carnival of the Animals: II. Hens and Cockerels: Allegro moderato | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T0049767169 | |
| 38-3 | Carnival of the Animals: III. Wild Asses: Presto furioso | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T0049767169 | |
| 38-4 | Carnival of the Animals: IV. Tortoises: Andante maestoso | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T0049767169 | |
| 38-5 | Carnival of the Animals: V. The Elephant: Allegretto pomposo | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T0049767169 | |
| 38-6 | Carnival of the Animals: VI. Kangaroos: Moderato | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T0049767169 | |
| 38-7 | Carnival of the Animals: VII. Aquarium: Andantino | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T0049767169 | |
| 38-8 | Carnival of the Animals: VIII. Personages with Long Ears: Tempo ad libitum | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T0049767169 | |
| 38-9 | Carnival of the Animals: IX. The Cuckoo in the Depths of the Woods: Andante | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T0049767169 | |
| 38-10 | Carnival of the Animals: X. Aviary: Moderato grazioso | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T0049767169 | |
| 38-11 | Carnival of the Animals: XI. Pianists: Allegro moderato | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T0049767169 | |
| 38-12 | Carnival of the Animals: XII. Fossils: Allegro ridicolo | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T0049767169 | |
| 38-13 | Carnival of the Animals: XIII. The Swan: Andantion grazioso | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T0049767169 | |
| 38-14 | Carnival of the Animals: XIV. Finale: Molto vivace | Martha Argerich, Andrey Baranov, Lyda Chen, Alexandre Debrus, Gregorio Di Trapani, Enrico Fagone, Corrado Giufferdi, Michael Guttman, Alfred Rutz, Lilya Zilberstein | T0049767169 | |
| 38-15 | Petite Suite for piano four hands: I. En bateau | Martha Argerich, Cristina Marton | — | |
| 38-16 | Petite Suite for piano four hands: II. Cortège | Martha Argerich, Cristina Marton | — | |
| 38-17 | Petite Suite for piano four hands: III. Menuet | Martha Argerich, Cristina Marton | — | |
| 38-18 | Petite Suite for piano four hands: IV. Ballet | Martha Argerich, Cristina Marton | — | |
| 38-19 | En blanc et noir: I. Avec amportement | Martha Argerich, Stephen Kovacevich | — | |
| 38-20 | En blanc et noir: II. Lent - Sombre | Martha Argerich, Stephen Kovacevich | — | |
| 38-21 | En blanc et noir: III. Scherzando | Martha Argerich, Stephen Kovacevich | — | |
| 38-22 | Piano Concerto in G: I. Allegramente | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | T3051992899 | |
| 38-23 | Piano Concerto in G: II. Adagio assai | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | T3051944657 | |
| 38-24 | Piano Concerto in G: III. Presto | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | T3051992957 |
Additional database matches (441)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | Martha Argerich, Orchestra della Svizzera italiana, Herbert Soudant | — |
| Piano Concerto no. 1 in C major, op. 15: II. Largo | Martha Argerich, Orchestra della Svizzera italiana, Herbert Soudant | — |
| Piano Concerto no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | Martha Argerich, Orchestra della Svizzera italiana, Herbert Soudant | — |
| Cello Sonata no. 2 in G minor, op. 5, no. 2: I. Adagio sostenuto ed expressivo | Martha Argerich, Mischa Maisky | — |
| Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: I-ii. Allegro molto più tosto presto | Martha Argerich, Mischa Maisky | — |
| Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | Martha Argerich, Mischa Maisky | — |
| Symphonic Dances for 2 Pianos, op. 45: I. Non allegro - Lento - Tempo I | Martha Argerich, Nelson Goerner | — |
| Symphonic Dances for 2 Pianos, op. 45: II. Andante con moto (Tempo di valse) | Martha Argerich, Nelson Goerner | — |
| Symphonic Dances for 2 Pianos, op. 45: III. Lento assai - L'istesso tempo, ma agitato | Martha Argerich, Nelson Goerner | — |
| Piano Concerto no. 20 in D minor, K 466: I. Allegro | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — |
| Piano Concerto no. 20 in D minor, K 466: II. Romance | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — |
| Piano Concerto no. 20 in D minor, K 466: III. Rondo: Allegro assai | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — |
| Piano Sonata, FP 8: I. Prélude: Modéré | Martha Argerich, Dagmar Clottu | — |
| Piano Sonata, FP 8: II. Rustique: Naïf et lent | Martha Argerich, Dagmar Clottu | — |
| Piano Sonata, FP 8: III. Final: Très vitè | Martha Argerich, Dagmar Clottu | — |
| Violin Sonata no. 5, op. 53: I. Andante con moto | Gidon Kremer, Martha Argerich | — |
| Violin Sonata no. 5, op. 53: II. Allegro molto | Gidon Kremer, Martha Argerich | — |
| Violin Sonata no. 5, op. 53: III. Allegro moderato | Gidon Kremer, Martha Argerich | — |
| Violin Sonata no. 5, op. 53: IV. Allegro — Andante — Allegretto — Andante | Gidon Kremer, Martha Argerich | — |
| Romanian Folk Dances, Sz. 56 | Martha Argerich, Géza Hosszu-Legocky | — |
| Porteña: I. Porteña | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — |
| Porteña: II. Nocturnal | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — |
| Porteña: III. Cadenza | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — |
| Porteña: IV. Porteña (quasi jidish) | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — |
| Porteña: V. Secuencia (quasi) canónica | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — |
| Porteña: VI. Gardeliana | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — |
| Porteña: VII. Malandra | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — |
| Porteña: VIII. Tanghora | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — |
| Porteña: IX. Bajofondo | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — |
| Porteña: X. Corrientes y 9 de julio | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — |
| Porteña: XI. Finale | Martha Argerich, Eduardo Hubert, Orchestra della Svizzera italiana, Alexander Vedernikov | — |
| Gaspard de la nuit: I. Ondine | Martha Argerich | — |
| Gaspard de la nuit: II. Le Gibet | Martha Argerich | — |
| Gaspard de la nuit: III. Scarbo | Martha Argerich | — |
| Sonata for Two Pianos in D, K448 (375a): I. Allegro con spirito | Martha Argerich, Sergei Babayan | — |
| Sonata for Two Pianos in D, K448 (375a): II. Andante | Martha Argerich, Sergei Babayan | — |
| Sonata for Two Pianos in D, K448 (375a): III. Molto allegro | Martha Argerich, Sergei Babayan | — |
| Choral Fantasy, op. 80: I. Adagio | Coro della Radio Svizzera, Lugano, Martha Argerich, Orchestra della Svizzera italiana, Diego Fasolis | — |
| Violin Sonata in C minor, BWV 1017: I. Largo | Martha Argerich, Tedi Papavrami | — |
| Violin Sonata in C minor, BWV 1017: II. Allegro | Martha Argerich, Tedi Papavrami | — |
| Violin Sonata in C minor, BWV 1017: III. Adagio | Martha Argerich, Tedi Papavrami | — |
| Violin Sonata in C minor, BWV 1017: IV. Allegro | Martha Argerich, Tedi Papavrami | — |
| Prélude à l'après-midi d'un faune | Martha Argerich, Stephen Kovacevich | — |
| Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: I. Thema. Andante | Martha Argerich, Mischa Maisky | — |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 1: Variation I | Martha Argerich, Mischa Maisky | — |
| Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: III. Variation II | Martha Argerich, Mischa Maisky | — |
| Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: IV. Variation III | Martha Argerich, Mischa Maisky | — |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 4: Variation IV | Martha Argerich, Mischa Maisky | — |
| Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: VI. Variation V | Martha Argerich, Mischa Maisky | — |
| Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: VII. Variation VI | Martha Argerich, Mischa Maisky | — |
| Beethoven: Variations (7) on "Bei Männern, welche Liebe fühlen", for Cello and Piano, WoO 46: Variation VII | Martha Argerich, Mischa Maisky | — |
| Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80: II. Finale (Allegro - Meno allegro - Marcia, assai vivace) | Coro della Radio Svizzera, Lugano, Martha Argerich, Orchestra della Svizzera italiana, Diego Fasolis | — |
| Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80: III. Allegretto ma non troppo quasi andante con moto | Coro della Radio Svizzera, Lugano, Martha Argerich, Orchestra della Svizzera italiana, Diego Fasolis | — |
| 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: I. Thema. Allegretto. | Martha Argerich, Alexander Mogilevsky | — |
| 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: II. Variation I | Martha Argerich, Alexander Mogilevsky | — |
| 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: III. Variation II | Martha Argerich, Alexander Mogilevsky | — |
| 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: IV. Variation III | Martha Argerich, Alexander Mogilevsky | — |
| 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: V. Variation IV | Martha Argerich, Alexander Mogilevsky | — |
| 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: VI. Variation V | Martha Argerich, Alexander Mogilevsky | — |
| 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: VII. Variation VI | Martha Argerich, Alexander Mogilevsky | — |
| 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: VIII. Variation VII | Martha Argerich, Alexander Mogilevsky | — |
| 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: IX. Variation VIII | Martha Argerich, Alexander Mogilevsky | — |
| Variations on a Theme by Haydn for 2 Pianos, op 56b: I. Theme. Chorale St. Antoni | Nicholas Angelich, Martha Argerich | — |
| Variations on a Theme by Haydn for 2 Pianos, op 56b: II. Variation I (Andante con moto) | Nicholas Angelich, Martha Argerich | — |
| Variations on a Theme by Haydn for 2 Pianos, op 56b: III. Variation II (Vivace) | Nicholas Angelich, Martha Argerich | — |
| Variations on a Theme by Haydn for 2 Pianos, op 56b: IV. Variation III (Con moto) | Nicholas Angelich, Martha Argerich | — |
| Variations on a Theme by Haydn for 2 Pianos, op 56b: V. Variation IV (Andante) | Nicholas Angelich, Martha Argerich | — |
| Variations on a Theme by Haydn for 2 Pianos, op 56b: VI. Variation V (Poco presto) | Nicholas Angelich, Martha Argerich | — |
| Variations on a Theme by Haydn for 2 Pianos, op 56b: VII. Variation VI (Vivace) | Nicholas Angelich, Martha Argerich | — |
| Variations on a Theme by Haydn for 2 Pianos, op 56b: VIII. Variation VII (Grazioso) | Nicholas Angelich, Martha Argerich | — |
| Variations on a Theme by Haydn for 2 Pianos, op 56b: IX. Variation VIII (Poco presto) | Nicholas Angelich, Martha Argerich | — |
| Variations on a Theme by Haydn for 2 Pianos, op 56b: X. Finale (Andante) | Nicholas Angelich, Martha Argerich | T3221842026 |
| Variations on a Theme by Joseph Haydn, op. 56b: I. Theme ''Chorale St.Antoni'': Andante | Martha Argerich, Alexandre Rabinovitch | — |
| Variations on a Theme by Joseph Haydn, op. 56b: II. Variation I: Andante con moto | Martha Argerich, Alexandre Rabinovitch | — |
| Variations on a Theme by Joseph Haydn, op. 56b: III. Variation II: Vivace | Martha Argerich, Alexandre Rabinovitch | — |
| Variations on a Theme by Joseph Haydn, op. 56b: IV. Variation III: Con moto | Martha Argerich, Alexandre Rabinovitch | — |
| Variations on a Theme by Joseph Haydn, op. 56b: V. Variation IV: Andante | Martha Argerich, Alexandre Rabinovitch | — |
| Variations on a Theme by Joseph Haydn, op. 56b: VI. Variation V: Poco presto | Martha Argerich, Alexandre Rabinovitch | — |
| Variations on a Theme by Joseph Haydn, op. 56b: VII. Variation VI: Vivace | Martha Argerich, Alexandre Rabinovitch | — |
| Variations on a Theme by Joseph Haydn, op. 56b: VIII. Variation VII: Grazioso | Martha Argerich, Alexandre Rabinovitch | — |
| Variations on a Theme by Joseph Haydn, op. 56b: IX. Variation VIII: Poco presto | Martha Argerich, Alexandre Rabinovitch | — |
| Variations on a Theme by Joseph Haydn, op. 56b: X. Finale: Andante | Martha Argerich, Alexandre Rabinovitch | — |
| Sonata for two pianos in F minor, op. 34b: I. Allegro non troppo | Martha Argerich, Alexandre Rabinovitch | — |
| Sonata for two pianos in F minor, op. 34b: II. Andante, un poco adagio | Martha Argerich, Alexandre Rabinovitch | — |
| Sonata for two pianos in F minor, op. 34b: IV. Finale: Poco sustenuto - Allegro non troppo | Martha Argerich, Alexandre Rabinovitch | — |
| Waltzes, op. 39 no. 1 in B major: Tempo giusto | Martha Argerich, Alexandre Rabinovitch | — |
| Waltzes, op. 39 no. 2 in E major | Martha Argerich, Alexandre Rabinovitch | — |
| Waltzes, op. 39 no. 3 in B minor | Martha Argerich, Alexandre Rabinovitch | — |
| Waltzes, op. 39 no. 4 in G-sharp minor | Martha Argerich, Alexandre Rabinovitch | — |
| Waltzes, op. 39 no. 5 In A-flat major | Martha Argerich, Alexandre Rabinovitch | — |
| Suite no. 1, op. 5 "Fantaisie-tableaux": I. Barcarolle | Martha Argerich, Alexandre Rabinovitch | — |
| Suite no. 1, op. 5 "Fantaisie-tableaux": II. La nuit...L'amour | Martha Argerich, Alexandre Rabinovitch | — |
| Suite no. 1, op. 5 "Fantaisie-tableaux": III. Les larmes | Martha Argerich, Alexandre Rabinovitch | — |
| Suite no. 1, op. 5 "Fantaisie-tableaux": IV. Pâques | Martha Argerich, Alexandre Rabinovitch | — |
| Suite no. 2, op. 17: I. Introduction | Martha Argerich, Alexandre Rabinovitch | — |
| Suite no. 2, op. 17: II. Valse | Martha Argerich, Alexandre Rabinovitch | — |
| Suite no. 2, op. 17: III. Romance | Martha Argerich, Alexandre Rabinovitch | — |
| Suite no. 2, op. 17: IV. Tarantella | Martha Argerich, Alexandre Rabinovitch | — |
| Symphonic Dances, op. 45: I. Non allegro | Martha Argerich, Alexandre Rabinovitch | — |
| Symphonic Dances, op. 45: II. Andante con moto | Martha Argerich, Alexandre Rabinovitch | — |
| Symphonic Dances, op. 45: III. Lento assai | Martha Argerich, Alexandre Rabinovitch | — |
| Sonata in D major, KV 448: I. Allegro con spirito | Martha Argerich, Alexandre Rabinovitch | — |
| Sonata in D major, KV 448: II. Andante | Martha Argerich, Alexandre Rabinovitch | T-312439084-3 |
| Sonata in D major, KV 448: III. Allegro molto | Martha Argerich, Alexandre Rabinovitch | — |
| Andante and Variations for Piano with 4 Hands in G major, K. 501 | Martha Argerich, Alexandre Rabinovitch | T9029197395 |
| Sonata for Piano with 4 Hands in C major, K. 521: I. Allegro | Martha Argerich, Alexandre Rabinovitch | — |
| Sonata for Piano with 4 Hands in C major, K. 521: II. Andante | Martha Argerich, Alexandre Rabinovitch | — |
| Sonata for Piano with 4 Hands in C major, K. 521: III. Allegretto | Martha Argerich, Alexandre Rabinovitch | — |
| Sonata for Piano with 4 Hands in D major, K. 123a/381: I. Allegro | Martha Argerich, Alexandre Rabinovitch | T3124390796 |
| Sonata for Piano with 4 Hands in D major, K. 123a/381: II. Andante | Martha Argerich, Alexandre Rabinovitch | T3124390843 |
| Sonata for Piano with 4 Hands in D major, K. 123a/381: III. Allegro molto | Martha Argerich, Alexandre Rabinovitch | — |
| Piano Concerto in A minor, op. 54: I. Allegro affettuoso | Martha Argerich, Chamber Orchestra of Europe, Nikolaus Harnoncourt, Orchestra della Svizzera italiana, Alexandre Rabinovitch-Barakovsky | T-909264262-1 |
| Piano Concerto in A minor, op. 54: II. Intermezzo. Andantino grazioso | Martha Argerich, Chamber Orchestra of Europe, Nikolaus Harnoncourt | T9092642621 |
| Piano Concerto in A minor, op. 54: III. Allegro vivace | Martha Argerich, Chamber Orchestra of Europe, Nikolaus Harnoncourt, Orchestra della Svizzera italiana, Alexandre Rabinovitch-Barakovsky | T9092642621 |
| Violin Concerto in D minor, WoO 23: I. In kräftige, nicht zu schnellem Tempo | Gidon Kremer, Chamber Orchestra of Europe, Nikolaus Harnoncourt | — |
| Violin Concerto in D minor, WoO 23: II. Langsam | Gidon Kremer, Chamber Orchestra of Europe, Nikolaus Harnoncourt | — |
| Violin Concerto in D minor, WoO 23: III. Lebhaft, doch nicht schnell | Gidon Kremer, Chamber Orchestra of Europe, Nikolaus Harnoncourt | — |
| Concerto for Piano no. 20 in D minor, K. 466: I. Allegro | Martha Argerich, Orchestra di Padova e del Veneto, Alexandre Rabinovitch | — |
| Concerto for Piano no. 20 in D minor, K. 466: II. Romance | Martha Argerich, Orchestra di Padova e del Veneto, Alexandre Rabinovitch | — |
| Concerto for Piano no. 20 in D minor, K. 466: III. Allegro assai | Martha Argerich, Orchestra di Padova e del Veneto, Alexandre Rabinovitch | — |
| Concerto for Piano No. 19 in F major, K. 459: I. Allegro | Alexandre Rabinovitch, Orchestra di Padova e del Veneto | — |
| Concerto for Piano No. 19 in F major, K. 459: II. Allegretto | Alexandre Rabinovitch, Orchestra di Padova e del Veneto | — |
| Concerto for Piano No. 19 in F major, K. 459: III. Allegro assai | Alexandre Rabinovitch, Orchestra di Padova e del Veneto | — |
| Concerto for Two Pianos No. 10 in E-flat major, K. 316a/365: I. Allegro | Martha Argerich, Alexandre Rabinovitch, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | — |
| Concerto for Two Pianos No. 10 in E-flat major, K. 316a/365: II. Andante | Martha Argerich, Alexandre Rabinovitch, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | — |
| Concerto for Two Pianos No. 10 in E-flat major, K. 316a/365: III. Rondeau: Allegro | Martha Argerich, Alexandre Rabinovitch, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | — |
| Noches en los jardines de España: En el Generalife | Martha Argerich, Orchestre de Paris, Daniel Barenboim | — |
| Noches en los jardines de España: Danza lejana - En los jardines de la sierra de Córdoba | Martha Argerich, Orchestre de Paris, Daniel Barenboim | — |
| Iberia: Evocation | Orchestre de Paris, Daniel Barenboim | T0415387313 |
| Iberia: El puerto | Orchestre de Paris, Daniel Barenboim | T0415387313 |
| Iberia: El Albaicín | Orchestre de Paris, Daniel Barenboim | T0415387313 |
| Iberia: Fête-Dieu à Séville | Orchestre de Paris, Daniel Barenboim | — |
| Iberia: Triana | Orchestre de Paris, Daniel Barenboim | — |
| Piano Concerto in A minor, op. 54: II. Intermezzo (Andantino grazioso) | Martha Argerich, Orchestra della Svizzera italiana, Alexandre Rabinovitch-Barakovsky | T9092642621 |
| Piano Quintet in E-flat major, Op. 44: I. Allegro brillante | Martha Argerich, Renaud Capuçon, Mark Drobinsky, Nora Romanoff-Schwarzberg, Dora Schwarzberg | — |
| Piano Quintet in E-flat major, Op. 44: II. In modo d'una marcia - Un poco largamente | Martha Argerich, Renaud Capuçon, Mark Drobinsky, Nora Romanoff-Schwarzberg, Dora Schwarzberg | — |
| Piano Quintet in E-flat major, Op. 44: III. Scherzo: Molto vivace | Martha Argerich, Renaud Capuçon, Mark Drobinsky, Nora Romanoff-Schwarzberg, Dora Schwarzberg | — |
| Piano Quintet in E-flat Major, op. 44: IV. Allegro ma non troppo | Robert Schumann | — |
| Concerto for Piano, Violin, and Cello in C major, op. 56 "Triple": I. Allegro | Martha Argerich, Renaud Capuçon, Mischa Maisky, Orchestra della Svizzera italiana, Александр Рабинович-Бараковский | — |
| Concerto for Piano, Violin, and Cello in C major, op. 56 “Triple Concerto”: II. Largo | Martha Argerich, Renaud Capuçon, Mischa Maisky, Orchestra della Svizzera italiana, Alexander Rabinovitch-Barakovsky | — |
| Concerto for Piano, Violin, and Cello in C major, op. 56 "Triple": III. Rondo alla polacca | Martha Argerich, Renaud Capuçon, Mischa Maisky, Orchestra della Svizzera italiana, Александр Рабинович-Бараковский | — |
| Haydn: Piano Trio No. 39 in G major, Hob.XV:25 'Gypsy': I. Andante | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — |
| Haydn: Piano Trio No. 39 in G major, Hob.XV:25 'Gypsy': II. Poco adagio | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — |
| Haydn: Piano Trio No. 39 in G major, Hob.XV:25 'Gypsy': III. Rondo all'ongarese. Presto | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — |
| Six Morceaux, op. 11: I. Barcarolle | Martha Argerich, Lilya Zilberstein | — |
| 6 Duets, op. 11: II. Scherzo | Lilya Zilberstein, Martha Argerich | — |
| Six Morceaux, op. 11: III. Thème russe | Martha Argerich, Lilya Zilberstein | — |
| 6 Duets, op. 11: IV. Valse | Lilya Zilberstein, Martha Argerich | — |
| Six Morceaux, op. 11: V. Romance | Martha Argerich, Lilya Zilberstein | — |
| 6 Duets, op. 11: VI. Slava (Gloria) | Lilya Zilberstein, Martha Argerich | — |
| Variations on a Theme by Paganini | Martha Argerich, Giorgia Tomassi | — |
| The Nutcracker Suite, op. 71a: I. Ouverture miniature | Martha Argerich, Ana Mirabela Dina | — |
| The Nutcracker Suite, op. 71a: II. Danses caractéristiques: a. Marche: Tempo di marcia viva | Martha Argerich, Ana Mirabela Dina | — |
| The Nutcracker Suite, op. 71a: II. Danses caractéristiques: b. Danse fe la fée dragée: Andante non troppo | Martha Argerich, Ana Mirabela Dina | — |
| The Nutcracker Suite, op. 71a: II. Danses caractéristiques: c. Danse russe - Trépak: Tempo di trepak, Molto vivace | Martha Argerich, Ana Mirabela Dina | — |
| The Nutcracker Suite, op. 71a: II. Danses caractéristiques: d. Danse arabe: Allegretto | Martha Argerich, Ana Mirabela Dina | — |
| The Nutcracker Suite, op. 71a: II. Danses caractéristiques: e. Danse chinoise: Allegro moderato | Martha Argerich, Ana Mirabela Dina | — |
| The Nutcracker Suite, op. 71a: II. Danses caractéristiques: f. Danse des mirlitons: Moderato assai | Martha Argerich, Ana Mirabela Dina | — |
| The Nutcracker Suite, op. 71a: III. Valse des fleurs | Martha Argerich, Ana Mirabela Dina | — |
| Suite for 2 Pianos no. 2, op. 17: I. Introduction | Martha Argerich, Gabriela Montero | — |
| Suite for 2 Pianos no. 2, op. 17: II. Valse | Martha Argerich, Gabriela Montero | — |
| Suite for Two Pianos No. 2 in C major, Op. 17: III. Romance (Andantino) | Martha Argerich, Gabriela Montero | — |
| Suite for 2 Pianos no. 2, op. 17: IV. Tarentelle | Martha Argerich, Gabriela Montero | — |
| Symphony no. 1 in D, op. 25 "Classical": I. Allegro | Martha Argerich, Yefim Bronfman | — |
| Symphony no. 1 in D, op. 25 "Classical": II. Larghetto | Martha Argerich, Yefim Bronfman | — |
| Symphony no. 1 in D, op. 25 "Classical": III. Gavotte: Non troppo allegro | Martha Argerich, Yefim Bronfman | — |
| Symphony no. 1 in D, op. 25 "Classical": IV. Finale: Molto vivace | Martha Argerich, Yefim Bronfman | — |
| Piano Trio No. 2 in E minor, Op. 67: I. Andante - Moderato | Martha Argerich, Gautier Capuçon, Maxim Vengerov | — |
| Piano Trio no. 2 in E minor, op. 67: II. Allegro non troppo | Martha Argerich, Gautier Capuçon, Maxim Vengerov | — |
| Piano Trio No. 2 in E minor, Op. 67: III. Largo | Martha Argerich, Gautier Capuçon, Maxim Vengerov | — |
| Piano Trio No. 2 in E minor, Op. 67: IV. Allegretto | Martha Argerich, Gautier Capuçon, Maxim Vengerov | T0030558678 |
| Violin Sonata No. 1 in A minor, Op. 105: I. Mit leidenschaflichem Ausdruck | Martha Argerich, Géza Hosszu-Legocky | — |
| Violin Sonata No. 1 in A minor, Op. 105: II. Allegretto | Martha Argerich, Géza Hosszu-Legocky | — |
| Violin Sonata No. 1 in A minor, op. 105: III. Lebhaft | Robert Schumann | — |
| Piano Quartet in C major, Wo036 No. 3: I. Allegro vivace | Martha Argerich, Gautier Capuçon, Renaud Capuçon, Lida Chen | — |
| Piano Quartet in C major, Wo036 No. 3: II. Adagio con espressione | Martha Argerich, Gautier Capuçon, Renaud Capuçon, Lida Chen | — |
| Piano Quartet in C major, Wo036 No. 3: III. Finale: Allegro | Martha Argerich, Gautier Capuçon, Renaud Capuçon, Lida Chen | — |
| Piano Sonata in C, K545: I. Allegro | Piotr Anderszewski, Martha Argerich | — |
| Piano Sonata in C, K545: II. Andante | Piotr Anderszewski, Martha Argerich | — |
| Piano Sonata in C, K545: III. Rondo: Allegretto | Piotr Anderszewski, Martha Argerich | — |
| Tres romances argentinos, op. 2: I. Las niñas de Santa Fe | Martha Argerich, Mauricio Vallina | T-037005703-6 |
| Tres romances argentinos, op. 2: II. Muchacho jujeño | Martha Argerich, Mauricio Vallina | T0370057036 |
| Tres romances argentinos, op. 2: III. Baile en Cuyo | Martha Argerich, Mauricio Vallina | — |
| Piano Quartet in E-flat, op. 47: I. Sostenuto assai | Martha Argerich, Renaud Capuçon, Lida Chen, Gautier Capuçon | — |
| Piano Quartet in E-flat, op. 47: II. Scherzo | Martha Argerich, Renaud Capuçon, Lida Chen, Gautier Capuçon | — |
| Piano Quartet in E-flat, op. 47: III. Andante cantabile | Martha Argerich, Renaud Capuçon, Lida Chen, Gautier Capuçon | — |
| Piano Quartet in E-flat major, Op. 47: IV. Finale: Vivace | Martha Argerich, Gautier Capuçon, Renaud Capuçon, Lida Chen | — |
| Concerto for Piano, Trumpet and Strings in C minor, op. 35: I. Allegro moderato | Martha Argerich, Sergei Nakariakov, Orchestra della Svizzera italiana, Александр Александрович Ведерников | — |
| Concerto for Piano, Trumpet and Strings in C minor, op. 35: II. Lento largo | Martha Argerich, Sergei Nakariakov, Orchestra della Svizzera italiana, Александр Александрович Ведерников | — |
| Concerto for Piano, Trumpet and Strings in C minor, op. 35: III. Moderato | Martha Argerich, Sergei Nakariakov, Orchestra della Svizzera italiana, Александр Александрович Ведерников | — |
| Concerto for Piano, Trumpet and Strings in C minor, op. 35: IV. Allegro con brio | Martha Argerich, Sergei Nakariakov, Orchestra della Svizzera italiana, Александр Александрович Ведерников | — |
| Concertino in A minor, op. 94 for Two Pianos: Adagio - Allegretto - Adagio - Allegro - Adagio - Allegretto | Martha Argerich, Lilya Zilberstein | — |
| Quintet for Piano and Strings in G minor, op. 57: I. Prelude. Lento | Martha Argerich, Renaud Capuçon, Lyda Chen, Mischa Maisky, Alissa Margulis | — |
| Quintet for Piano and Strings in G minor, op. 57: II. Fugue. Adagio | Martha Argerich, Renaud Capuçon, Lyda Chen, Mischa Maisky, Alissa Margulis | — |
| Quintet for Piano and Strings in G minor, op. 57: III. Scherzo. Allegretto | Martha Argerich, Renaud Capuçon, Lyda Chen, Mischa Maisky, Alissa Margulis | — |
| Quintet for Piano and Strings in G minor, op. 57: IV. Intermezzo. Lento | Martha Argerich, Renaud Capuçon, Lyda Chen, Mischa Maisky, Alissa Margulis | — |
| Quintet for Piano and Strings in G minor, op. 57: V. Finale. Allegretto | Martha Argerich, Renaud Capuçon, Lyda Chen, Mischa Maisky, Alissa Margulis | — |
| Piano Trio in D major, Op. 70, No. 1 "Ghost": I. Allegro vivace e con brio | Martha Argerich, Renaud Capuçon, Mischa Maisky | — |
| Trio avec piano en ré majeur, op. 70 no. 1 « des esprits » : II. Largo assai ed espressivo | Martha Argerich, Renaud Capuçon, Mischa Maisky | — |
| Piano Trio in D major, Op. 70, No. 1 "Ghost": III. Presto | Martha Argerich, Renaud Capuçon, Mischa Maisky | — |
| Fantasie für eine Orgelwalze | Martha Argerich, Lilya Zilberstein | — |
| Kinderszenen, op. 15: I. Von fremden Ländern und Menschen | Martha Argerich | T3146299272 |
| Kinderszenen, op. 15: II. Kuriose Geschichte | Martha Argerich | — |
| Kinderszenen, op. 15: III. Hasche-Mann | Martha Argerich | — |
| Kinderszenen, op. 15: IV. Bittendes Kind | Martha Argerich | — |
| Kinderszenen, op. 15: V. Glückes genug | Martha Argerich | — |
| Kinderszenen, op. 15: VI. Wichtige Begebenheit | Martha Argerich | — |
| Kinderszenen, op. 15: No. 7. Träumerei | Martha Argerich | — |
| Kinderszenen, op. 15: VIII. Am Kamin | Martha Argerich | — |
| Kinderszenen, op. 15: IX. Ritter vom Steckenpferd | Martha Argerich | — |
| Kinderszenen, op. 15: X. Fast zu ernst | Martha Argerich | — |
| Kinderszenen, op. 15: XI. Fürchtenmachen | Martha Argerich | — |
| Kinderszenen, op. 15: XII. Kind im Einschlummern | Martha Argerich | — |
| Kinderszenen, op. 15: XIII. Der Dichter spricht | Martha Argerich | — |
| Ma mère l'Oye Suite: I. Pavane de la belle au bois dormant: Lent | Martha Argerich, Alexander Mogilevsky | — |
| Ma mère l'Oye Suite: II. Petit Poucet: Très modéré | Martha Argerich, Alexander Mogilevsky | — |
| Ma mère l'Oye Suite: III. Laideronnette, impératrice des pagodes: Mouvement de marche | Martha Argerich, Alexander Mogilevsky | — |
| Ma mère l'Oye Suite: IV. Les Entretiens de la Belle et de la Bête: Mouvement de valse modéré | Martha Argerich, Alexander Mogilevsky | — |
| Ma mère l'Oye Suite: V. Le Jardin féerique: Lent et grave | Martha Argerich, Alexander Mogilevsky | — |
| Violin Sonata No. 1, Sz75: I. Allegro appassionato | Martha Argerich, Renaud Capuçon | — |
| Violin Sonata No. 1, Sz75: II. Adagio | Martha Argerich, Renaud Capuçon | — |
| Violin Sonata No. 1, Sz75: III. Allegro | Martha Argerich, Renaud Capuçon | — |
| Variations on a Theme by Paganini | Martha Argerich, Mauricio Vallina | T9059827586 |
| Violin Sonata no. 2 in D minor, op. 121: I | Martha Argerich, Renaud Capuçon | — |
| Sonata for Violin and Piano no. 2 in D minor, op. 121: II. Sehr lebhaft | Martha Argerich, Renaud Capuçon | — |
| Violin Sonata no. 2 in D minor, op. 121: III | Martha Argerich, Renaud Capuçon | — |
| Violin Sonata no. 2 in D minor, op. 121: IV | Martha Argerich, Renaud Capuçon | — |
| Suite no. 1, op. 5 for Two Pianos: I. Barcarolle | Martha Argerich, Lilya Zilberstein | — |
| Suite for 2 Pianos no. 1 in G minor, op. 5: II. La nuit… l’amour | Lilya Zilberstein, Martha Argerich | — |
| Suite no. 1, op. 5 for Two Pianos: III. Les Larmes | Martha Argerich, Lilya Zilberstein | — |
| Suite for 2 Pianos no. 1 in G minor, op. 5: IV. Pâques | Lilya Zilberstein, Martha Argerich | — |
| Concertino for piano, two violins, viola, clarinet, horn and bassoon: I. Moderato | Martha Argerich, Corrado Giufferdi, Vincent Godel, Lucia Hall, Alissa Margulis, Nora Romanoff-Schwarzberg, Zora Slokar | — |
| Concertino for piano, two violins, viola, clarinet, horn and bassoon: II. Piu mosso | Martha Argerich, Corrado Giufferdi, Vincent Godel, Lucia Hall, Alissa Margulis, Nora Romanoff-Schwarzberg, Zora Slokar | — |
| Concertino for piano, two violins, viola, clarinet, horn and bassoon: III. Con moto | Martha Argerich, Corrado Giufferdi, Vincent Godel, Lucia Hall, Alissa Margulis, Nora Romanoff-Schwarzberg, Zora Slokar | — |
| Concertino for piano, two violins, viola, clarinet, horn and bassoon: IV. Allegro | Martha Argerich, Corrado Giufferdi, Vincent Godel, Lucia Hall, Alissa Margulis, Nora Romanoff-Schwarzberg, Zora Slokar | — |
| Three Tangos: Tres minutos con la realidad | Martha Argerich, Eduardo Hubert | T9102621227 |
| Three Tangos: Oblivion | Martha Argerich, Eduardo Hubert | T-900.775.163-5 |
| Three Tangos: Libertango | Martha Argerich, Eduardo Hubert | T-900.764.940-3 |
| Fantasia Elvetica: I. Maestoso | Martha Argerich, Alexander Mogilevsky, Orchestra della Svizzera italiana, Mikhail Pletnev | — |
| Fantasia Elvetica: II. Tranquillo | Martha Argerich, Alexander Mogilevsky, Orchestra della Svizzera italiana, Mikhail Pletnev | — |
| Fantasia Elvetica: III. Temps di marcia - Andante | Martha Argerich, Alexander Mogilevsky, Orchestra della Svizzera italiana, Mikhail Pletnev | — |
| Fantasia Elvetica: IV. Tempo di polka - Più vivo - Allegro | Martha Argerich, Alexander Mogilevsky, Orchestra della Svizzera italiana, Mikhail Pletnev | — |
| Fantasiestücke, Op. 88: I. Romanze: Nicht schnell, mit innigem Ausdruck | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — |
| Fantasiestücke, Op. 88: II. Humoreske: Lebhaft | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — |
| Fantasiestücke, Op. 88: III. Duett: Langsam und mit Ausdruck | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — |
| Fantasiestücke, Op. 88: IV. Finale: Im Marsch-Tempo | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — |
| A Midsummer Night's Dream, op. 21 (Incidental Music): Overture | Martha Argerich, Cristina Marton | — |
| A Midsummer Night's Dream, op. 21 (Incidental Music): Scherzo | Martha Argerich, Cristina Marton | — |
| Introduction et polonaise brillante in C Major, op. 3: I. Introductions | Martha Argerich, Gautier Capuçon | — |
| Introduction et polonaise brillante in C Major, op. 3: II. Alla polacca - Allegro con spirito | Martha Argerich, Gautier Capuçon | — |
| Noches en los jardines de España: I. En el Generalife | Martha Argerich | — |
| Noches en los jardines de España: II. Danza lejana | Martha Argerich | — |
| Noches en los jardines de España: III. En los jardines de la Sierra de Córdoba | Martha Argerich | T-041489075-7 |
| Réminiscences de Don Juan for Two Pianos, S 656: I. Grave | Martha Argerich, Mauricio Vallina | — |
| Réminiscences de Don Juan for Two Pianos, S 656: II. Duetto: Andantino | Martha Argerich, Mauricio Vallina | — |
| Réminiscences de Don Juan for Two Pianos, S 656: III. Allegretto | Martha Argerich, Mauricio Vallina | — |
| Réminiscences de Don Juan for Two Pianos, S 656: IV. Presto | Martha Argerich, Mauricio Vallina | — |
| Violin Sonata no. 1 in A minor, op. 105: Mit leidenschaftlichem Ausdruck | Martha Argerich, Renaud Capuçon | — |
| Violin Sonata no. 1 in A minor, op. 105: Allegretto | Martha Argerich, Renaud Capuçon | — |
| Violin Sonata no. 1 in A minor, op. 105: Lebhaft | Martha Argerich, Renaud Capuçon | — |
| Piano Concerto no. 1 in E minor, op. 11: Allegro maestoso | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — |
| Piano Concerto no. 1 in E minor, op. 11: Romance: Larghetto | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | T3083813694 |
| Piano Concerto no. 1 in E minor, op. 11: Rondo: Vivace | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — |
| Les Préludes S97 | Martha Argerich, Daniel Rivera | — |
| Sonata for Two Pianos and Percussion, Sz 110: Assai lento - Allegro molto | Martha Argerich, Danilo Grassi, Stephen Kovacevich, Louis Sauvaître | — |
| Sonata for Two Pianos and Percussion, Sz 110: Lento ma non troppo - Un poco più andante - Agitato | Martha Argerich, Danilo Grassi, Stephen Kovacevich, Louis Sauvaître | — |
| Sonata for Two Pianos and Percussion, Sz 110: Allegro non troppo | Martha Argerich, Danilo Grassi, Stephen Kovacevich, Louis Sauvaître | — |
| Violin Sonata no. 8 in G, op. 30 no. 3: I. Allegro assai | Martha Argerich, Renaud Capuçon | — |
| Violin Sonata no. 8 in G, op. 30 no. 3: II. Tempo di menuetto, ma molto moderato e grazioso | Martha Argerich, Renaud Capuçon | — |
| Violin Sonata No. 8 in G Major, Op. 30 No. 3: III. Allegro vivace (Live) | Martha Argerich, Renaud Capuçon | — |
| Sonata for Piano 4-Hands in F Major, K. 497: I. Adagio - Allegro molto | Martha Argerich, Cristina Marton | — |
| Sonata for Piano 4-Hands in F Major, K. 497: II. Andante | Martha Argerich, Cristina Marton | — |
| Sonata for Piano 4-Hands in F Major, K. 497: III. Allegro | Martha Argerich, Cristina Marton | — |
| Fantasiestücke für Cello und Klavier, op. 73: I. Zart und mit Ausdruck | Martha Argerich, Gautier Capuçon | — |
| Fantasiestücke für Cello und Klavier, op. 73: II. Lebhaft, leicht | Martha Argerich, Gautier Capuçon | — |
| Fantasiestücke für Cello und Klavier, op. 73: III. Rasch un mit Feuer | Martha Argerich, Gautier Capuçon | — |
| La Valse | Martha Argerich, Sergio Tiempo | T0031079885 |
| Piano Quintet in G minor, op. 34: I. Allegro | Martha Argerich, Gautier Capuçon, Lida Chen, Lucia Hall, Dora Schwarzberg | — |
| Piano Quintet in G minor, op. 34: II. Adagio | Martha Argerich, Gautier Capuçon, Lida Chen, Lucia Hall, Dora Schwarzberg | — |
| Piano Quintet in G minor, op. 34: III. Scherzo: Presto | Martha Argerich, Gautier Capuçon, Lida Chen, Lucia Hall, Dora Schwarzberg | — |
| Piano Quintet in G minor, op. 34: IV. Finale | Martha Argerich, Gautier Capuçon, Lida Chen, Lucia Hall, Dora Schwarzberg | — |
| Sonata in D, K. 381: I. Allegro | Martha Argerich, Maria João Pires | — |
| Sonata in D, K. 381: II. Andante | Martha Argerich, Maria João Pires | — |
| Sonata in D, K. 381: III. Allegro molto | Martha Argerich, Maria João Pires | — |
| Fünf Stücke im Volkston, op. 102: I. Mit Humor: Vanitas vanitatum | Martha Argerich, Gautier Capuçon | — |
| Fünf Stücke im Volkston, op. 102: II. Langsam | Martha Argerich, Gautier Capuçon | — |
| Fünf Stücke im Volkston, op. 102: III. Nicht schnell, mit viel Ton zu spielen | Martha Argerich, Gautier Capuçon | — |
| Fünf Stücke im Volkston, op. 102: IV. Nicht zu rasch | Martha Argerich, Gautier Capuçon | — |
| Fünf Stücke im Volkston, op. 102: V. Stark and markirt | Martha Argerich, Gautier Capuçon | — |
| Piano Concerto no. 25 in C, K. 503: I. Allegro maestoso | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — |
| Piano Concerto no. 25 in C, K. 503: II. Andante | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — |
| Piano Concerto no. 25 in C, K. 503: III. Allegretto | Martha Argerich, Orchestra della Svizzera italiana, Jacek Kaspszyk | — |
| Sonata in E minor | Martha Argerich, Anton Gerzenberg, Daniel Gerzenberg, Lilya Zilberstein | — |
| Rondo in C | Martha Argerich, Anton Gerzenberg, Daniel Gerzenberg, Lilya Zilberstein | — |
| Violin Sonata no. 2 in D, op. 94bis: I. Moderato | Martha Argerich, Renaud Capuçon | — |
| Violin Sonata no. 2 in D, op. 94bis: II. Presto - Poco più mosso del-Tempo I | Martha Argerich, Renaud Capuçon | — |
| Violin Sonata no. 2 in D, op. 94bis: III. Andante | Martha Argerich, Renaud Capuçon | — |
| Violin Sonata no. 2 in D, op. 94bis: IV. Allegro con brio - Poco meno mosso-Tempo I | Martha Argerich, Renaud Capuçon | — |
| Taquito militar | Martha Argerich, Ale Petrasso | — |
| Sonata for Violin and Piano no. 9 in A major, op. 47 "Kreutzer": III. Finale: Presto | Itzhak Perlman, Martha Argerich | — |
| Violin Sonata no. 4 in C minor, BWV 1017: 2. Allegro | Martha Argerich, Itzhak Perlman | — |
| Symphony No. 3 in C Minor, Op. 78, "Organ Symphony": I. Adagio - Allegro moderato | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — |
| Symphony No. 3 in C Minor, Op. 78, "Organ Symphony": Poco adagio | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — |
| Symphony No. 3 in C Minor, Op. 78, "Organ Symphony": II. Allegro moderato - Presto | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — |
| Symphony No. 3 in C Minor, Op. 78, "Organ Symphony": Maestoso - Allegro | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — |
| The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: I. Introduction et Marche royale du lion | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — |
| The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: II. Poules et Coqs | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — |
| The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: III. Hémiones | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — |
| The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: IV. Tortues | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — |
| The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: V. L'Éléphant | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — |
| The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: VI. Kangourous | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — |
| The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: VII. Aquarium | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — |
| The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: VIII. Personnages à longues oreilles | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — |
| The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: IX. Le Coucou au fond des bois | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — |
| The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: X. Volière | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — |
| The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: XI. Pianistes | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — |
| The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: XII. Fossiles | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — |
| The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: XIII. Le Cygne | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — |
| The Carnival of the Animals Zoological fantasy for 2 Pianos & Ensemble: XIV. Final | Martha Argerich, Sir Antonio Pappano, Soloists of Orchestra dell’Accademia Nazionale di Santa Cecilia | — |
| 5 Variations in G Major for Piano 4-Hands, K. 501: I. Thema. Andante | Martha Argerich, Stephen Kovacevich | — |
| 5 Variations in G Major for Piano 4-Hands, K. 501: II. Variation I | Martha Argerich, Stephen Kovacevich | — |
| 5 Variations in G Major for Piano 4-Hands, K. 501: III. Variation II | Martha Argerich, Stephen Kovacevich | — |
| 5 Variations in G Major for Piano 4-Hands, K. 501. IV. Variation III | Martha Argerich, Stephen Kovacevich | — |
| 5 Variations in G Major for Piano 4-Hands, K. 501: V. Variation IV | Martha Argerich, Stephen Kovacevich | — |
| 5 Variations in G Major for Piano 4-Hands, K. 501: VI. Variation V | Martha Argerich, Stephen Kovacevich | — |
| Andante und Variationen for 2 Pianos in B-flat Major, op. 46: I. Andante espressivo - Più animato | Martha Argerich, Gabriela Montero | — |
| Andante und Variationen for 2 Pianos in B-flat Major, op. 46: II. Più lento - Animato | Martha Argerich, Gabriela Montero | — |
| Andante und Variationen for 2 Pianos in B-flat Major, op. 46: III. Doppio movimento - Più adagio | Martha Argerich, Gabriela Montero | — |
| Fünf Stücke im Volkston, op. 102: I. Mit Humor: Vanitas vanitatum | Martha Argerich, Gautier Capuçon | — |
| Fünf Stücke im Volkston, op. 102: II. Langsam | Martha Argerich, Gautier Capuçon | — |
| Fünf Stücke im Volkston, op. 102: III. Nicht schnell, mit viel Ton zu spielen | Martha Argerich, Gautier Capuçon | — |
| Fünf Stücke im Volkston, op. 102: IV. Nicht zu rasch | Martha Argerich, Gautier Capuçon | — |
| Fünf Stücke im Volkston, op. 102: V. Stark and markirt | Martha Argerich, Gautier Capuçon | — |
| La plus que lente - Valse | Martha Argerich, Mischa Maisky | T-306482600-8 |
| Cello Sonata in A major: I. Allegretto | Martha Argerich, Mischa Maisky | — |
| Cello Sonata in A major: II. Allegro | Martha Argerich, Mischa Maisky | — |
| Cello Sonata in A major: III. Recitativo - Fantasia (Ben moderato) | Martha Argerich, Mischa Maisky | — |
| Cello Sonata in A major: IV. Allegretto poco mosso | Martha Argerich, Mischa Maisky | — |
| Cello Sonata in D minor: I. Prologue (Lent - Sostenuto e molto risoluto) | Martha Argerich, Mischa Maisky | — |
| Cello Sonata in D minor: II. Sérénade et Final (Modérément animé - Animé) | Martha Argerich, Mischa Maisky | — |
| Préludes I : No. 12. Minstrels | Martha Argerich, Mischa Maisky | — |
| Visions de l'Amen: I. Amen de la Création | Martha Argerich, Alexandre Rabinovitch | T0030182241 |
| Visions de l'Amen: II. Amen des étoiles, de la planète à l'anneau | Martha Argerich, Alexandre Rabinovitch | T0030182241 |
| Visions de l'Amen: III. Amen de l'agonie de Jésus | Martha Argerich, Alexandre Rabinovitch | T0030182241 |
| Visions de l'Amen: IV. Amen du Désir | Martha Argerich, Alexandre Rabinovitch | T0030182241 |
| Visions de l'Amen: V. Amen des Anges, des Saints, du chant des oiseaux | Martha Argerich, Alexandre Rabinovitch | T0030182241 |
| Visions de l'Amen: VI. Amen du Jugement | Martha Argerich, Alexandre Rabinovitch | T0030182241 |
| Visions de l'Amen: VII. Amen de la Consommation | Martha Argerich, Alexandre Rabinovitch | T0030182241 |
| Klavierquintett Es-dur, op. 44: I. Allegro brillante | Martha Argerich, Lucy Hall, Nobuko Imai, Mischa Maisky, Dora Schwarzberg | — |
| Klavierquintett Es-dur, op. 44: II. In modo d'una marcia. Un poco largamente | Martha Argerich, Lucy Hall, Nobuko Imai, Mischa Maisky, Dora Schwarzberg | — |
| Klavierquintett Es-dur, op. 44: III. Scherzo. Molto vivace | Martha Argerich, Lucy Hall, Nobuko Imai, Mischa Maisky, Dora Schwarzberg | — |
| Klavierquintett Es-dur, op. 44: IV. Allegro, ma non troppo | Martha Argerich, Lucy Hall, Nobuko Imai, Mischa Maisky, Dora Schwarzberg | — |
| Andante und Variationen, op. 46: Più lento - Animato | Martha Argerich, Natalia Gutman, Mischa Maisky, Marie Luise Neunecker, Alexandre Rabinovitch | — |
| Andante und Variationen, op. 46: Più lento - Animato | Martha Argerich, Natalia Gutman, Mischa Maisky, Marie Luise Neunecker, Alexandre Rabinovitch | — |
| Andante und Variationen, op. 46: Doppio movimento - Tempo primo - Più adagio | Martha Argerich, Natalia Gutman, Mischa Maisky, Marie Luise Neunecker, Alexandre Rabinovitch | — |
| Fantasiestücke, op. 73: I. Zart und mit Ausdruck | Martha Argerich, Natalia Gutman | — |
| Fantasiestücke, op. 73: II. Lebhaft, leicht | Martha Argerich, Natalia Gutman | — |
| Fantasiestücke, op. 73: III. Rasch und mit Feuer | Martha Argerich, Natalia Gutman | — |
| Märchenbilder, op. 113: I. Nicht schnell | Martha Argerich, Nobuko Imai | — |
| Märchenbilder, op. 113: II. Lebhaft | Martha Argerich, Nobuko Imai | — |
| Märchenbilder, op. 113: III. Rasch | Martha Argerich, Nobuko Imai | — |
| Märchenbilder, op. 113: IV. Langsam, mit melancholischem Ausdruck | Martha Argerich, Nobuko Imai | — |
| Klavierkonzert Nr. 1 Des-Dur, op. 10: I. Allegro brioso | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — |
| Klavierkonzert Nr. 1 Des-Dur, op. 10: II. Andante assai | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — |
| Klavierkonzert Nr. 1 Des-Dur, op. 10: III. Allegro scherzando | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — |
| Klavierkonzert Nr. 3, Sz. 119: I. Allegretto | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — |
| Klavierkonzert Nr. 3, Sz. 119: II. Adagio religioso - [Poco più mosso] - Tempo I | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — |
| Klavierkonzert Nr. 3, Sz. 119: III. [Allegro vivace] - [Presto] | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — |
| Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — |
| Piano Concerto no. 3 in C major, op. 26: II. Tema: Andantino - Variation I: L'istesso tempo - Variation II: Allegro - Variation III: Allegro moderato. Poco meno mosso - Variation IV: Andante meditativo - Variation V: Allegro giusto - Tema: L'istesso tempo | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — |
| Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo - meno mosso - Allegro | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | — |
| Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso | Martha Argerich | T3095545845 |
| Piano Sonata no. 3 in B minor, op. 58: II. Scherzo: Molto vivace | Martha Argerich | T9115175821 |
| Piano Sonata no. 3 in B minor, op. 58: III. Largo | Martha Argerich | T9115175821 |
| Piano Sonata no. 3 in B minor, op. 58: IV. Finale: Presto, non tanto | Martha Argerich | T3095545787 |
| Mazurka no. 36 in A minor, op. 59 no. 1 | Martha Argerich | T9180638011 |
| Mazurka no. 37 in A‐flat major, op. 59 no. 2 | Martha Argerich | — |
| Mazurka no. 38 in F‐sharp minor, op. 59 no. 3 | Martha Argerich | T9180638011 |
| Nocturne no. 4 in F major, op. 15 no. 1 | Martha Argerich | T-306230833-8 |
| Scherzo no. 3 in C‐sharp minor, op. 39 | Martha Argerich | T9180638011 |
| Polonaise no. 6 in A‐flat major, op. 53 | Martha Argerich | — |
| Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): I. Allegro non troppo | Martha Argerich, Lilya Zilberstein | — |
| Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): II. Andante, un poco adagio | Martha Argerich, Lilya Zilberstein | — |
| Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): III. Scherzo: Allegro | Martha Argerich, Lilya Zilberstein | — |
| Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): IV. Finale: Poco sostenuto - Allegro non troppo - Presto non troppo | Martha Argerich, Lilya Zilberstein | — |
| Piano Trio No. 1 in D minor, Op. 49: I. Molto allegro, agitato | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — |
| Piano Trio No. 1 in D minor, Op. 49: II. Andante con moto, tranquillo | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — |
| Trio avec piano no. 1 en ré mineur, op. 49 : III. Scherzo : Leggiero e vivace | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — |
| Piano Trio No. 1 in D minor, Op. 49: IV. Finale: Allegro assai appassionato | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — |
| Partita no. 2 in C minor, BWV 826: I. Sinfonia - Grave. Adagio | Martha Argerich | — |
| Partita no. 2 in C minor, BWV 826: I. Andante | Martha Argerich | — |
| Partita no. 2 in C minor, BWV 826: II. Allemande | Martha Argerich | — |
| Partita no. 2 in C minor, BWV 826: III. Courante | Martha Argerich | — |
| Partita no. 2 in C minor, BWV 826: IV. Sarabande | Martha Argerich | — |
| Partita no. 2 in C minor, BWV 826: V. Rondeau - VI. Capriccio | Martha Argerich | — |
| Nocturne no. 13 in C minor, op. 48 no. 1 | Martha Argerich | T7028841092 |
| Scherzo no. 3 in C-sharp minor, op. 39 | Martha Argerich | T-918063801-1 |
| Sonata, Sz. 80: I. Allegro moderato | Martha Argerich | — |
| Sonata, Sz. 80: II. Sostenuto e pensante | Martha Argerich | — |
| Sonata, Sz. 80: III. Allegro molto | Martha Argerich | — |
| Danzas argentinas, op. 2: I. Danza del viejo boyero | Martha Argerich | T0700383534 |
| Danzas argentinas, op. 2: II. Danza de la moza donosa | Martha Argerich | T0700383534 |
| Danzas argentinas, op. 2: III. Danza del gaucho matrero | Martha Argerich | T0700383534 |
| Piano Sonata no. 7 in B-flat, op. 83: I. Allegro inquieto - Andantino | Martha Argerich | — |
| Piano Sonata no. 7 in B-flat, op. 83: II Andante caloroso | Martha Argerich | — |
| Piano Sonata no. 7 in B-flat, op. 83: III. Preciptato | Martha Argerich | — |
| Keyboard Sonata in D minor, Kk. 141 / L. 422 | Martha Argerich | — |
| Bourée from English Suite no. 2 in A minor, BWV 807 | Martha Argerich | — |
| Piano Concerto no. 25 in C major, K. 503: I. Allegro maestoso | Martha Argerich, Nederlands Kamerorkest, Szymon Goldberg | — |
| Piano Concerto no. 25 in C major, K. 503: II. Andante | Martha Argerich, Nederlands Kamerorkest, Szymon Goldberg | — |
| Piano Concerto no. 25 in C major, K. 503: III. Allegretto | Martha Argerich, Nederlands Kamerorkest, Szymon Goldberg | — |
| Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | Martha Argerich, Koninklijk Concertgebouworkest, Heinz Wallberg | — |
| Piano Concerto no. 1 in C major, op. 15: II. Largo | Martha Argerich, Koninklijk Concertgebouworkest, Heinz Wallberg | — |
| Piano Concerto no. 1 in C major, op. 15: III. Rondo (Allegro scherzando) | Martha Argerich, Koninklijk Concertgebouworkest, Heinz Wallberg | — |
| Fantasiestücke, op. 12: I. Des Abends | Martha Argerich | — |
| Fantasiestücke, op. 12: II. Aufschwung | Martha Argerich | — |
| Fantasiestücke, op. 12: III. Warum? | Martha Argerich | — |
| Fantasiestücke, op. 12: IV. Grillen | Martha Argerich | — |
| Fantasiestücke, op. 12: V. In der Nacht | Martha Argerich | — |
| Fantasiestücke, op. 12: VI. Fabel | Martha Argerich | — |
| Fantasiestücke, op. 12: VII. Traumeswirren | Martha Argerich | — |
| Fantasiestücke, op. 12: VIII. Ende von Lied | Martha Argerich | — |
| Sonatine: I. Modéré | Martha Argerich | — |
| Sonatine: II. Mouvement de menuet | Martha Argerich | T0030163906 |
| Sonatine: III. Animé | Martha Argerich | T0030163906 |
| Beethoven: Piano Trio No. 4 in B flat major, Op. 11 'Gassenhauer', for violin, cello & piano: I. Allegro con brio | Martha Argerich, Marek Denemark, Mark Drobinsky | — |
| Beethoven: Piano Trio No. 4 in B flat major, Op. 11 'Gassenhauer', for violin, cello & piano: II. Adagio con espressione | Martha Argerich, Marek Denemark, Mark Drobinsky | — |
| Beethoven: Piano Trio No. 4 in B flat major, Op. 11 'Gassenhauer', for violin, cello & piano: III. Tema con variazioni | Martha Argerich, Marek Denemark, Mark Drobinsky | — |
| Symphony no. 6 in F, op. 68 “Pastoral” I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande.: Allegro ma non troppo | Martha Argerich, Theodosia Ntokou | — |
| Symphony no. 6 in F, op. 68 “Pastoral” II. Szene am Bach.: Andante molto moto | Martha Argerich, Theodosia Ntokou | — |
| Symphony no. 6 in F, op. 68 “Pastoral” III. Lustiges Zusammensein der Landleute.: Allegro | Martha Argerich, Theodosia Ntokou | — |
| Symphony no. 6 in F, op. 68 “Pastoral” IV. Gewitter. Sturm.: Allegro | Martha Argerich, Theodosia Ntokou | — |
| Symphony no. 6 in F, op. 68 “Pastoral” V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm.: Allegretto | Martha Argerich, Theodosia Ntokou | — |
| Piano Sonata no. 17 in D minor, op. 31 no. 2 “Tempest”: I. Largo – Allegro | Theodosia Ntokou | — |
| Piano Sonata no. 17 in D minor, op. 31 no. 2 “Tempest”: II. Adagio | Theodosia Ntokou | — |
| Piano Sonata no. 17 in D minor, op. 31 no. 2 “Tempest”: III. Allegretto | Theodosia Ntokou | — |
| Gaspard de la nuit: I. Ondine (Lent) | Martha Argerich | T9027774909 |
| Gaspard de la nuit: II. Le Gibet (Très lent) | Martha Argerich | T9027774909 |
| Gaspard de la nuit: III. Scarbo (Modéré - Vif) | Martha Argerich | T9027774909 |
| Piano Concerto in A minor, op. 54: I. Allegro affettuoso | Martha Argerich, Orchestra della Svizzera italiana, Alexandre Rabinovitch-Barakovsky | T9092642621 |
| Piano Concerto in A minor, op. 54: III. Allegro vivace | Martha Argerich, Orchestra della Svizzera italiana, Alexandre Rabinovitch-Barakovsky | T9092642621 |
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5021732408884 is a Universal Product Code (UPC) assigned to The Warner Classics Edition: EMI Classics, Teldec, Erato, Warner Classics by Martha Argerich. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
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