UPC · Release
Sir Charles Mackerras
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5021732623560 is the Universal Product Code (UPC barcode) for the release “The Complete Warner Classics Edition” by Sir Charles Mackerras, released 2025-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 904 tracks, each with its own ISRC. Tracks include GBAYC2501404, GBAYC2501405, GBAYC2501406.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Music for the Royal Fireworks (original version for wind instruments): Ouverture | — | ||
| 2 | Music for the Royal Fireworks (original version for wind instruments): Bourrée | — | ||
| 3 | Music for the Royal Fireworks (original version for wind instruments): La Paix (Largo Alla Siciliana) | — | ||
| 4 | Music for the Royal Fireworks (original version for wind instruments): La Réjouissance | — | ||
| 5 | Music for the Royal Fireworks (original version for wind instruments): Minuet I | — | ||
| 6 | Music for the Royal Fireworks (original version for wind instruments): Minuet II | — | ||
| 7 | Music for the Royal Fireworks (original version for wind instruments): Minuets I & II (with fireworks and cannon effects) | — | ||
| 8 | Concerto a due Cori in F: Pomposo | — | ||
| 9 | Concerto a due Cori in F: Allegro | — | ||
| 10 | Concerto a due Cori in F: A tempo giusto | — | ||
| 11 | Concerto a due Cori in F: Largo | — | ||
| 12 | Concerto a due Cori in F: Allegro ma non troppo | — | ||
| 13 | Concerto a due Cori in F: Allegro ma non troppo | — | ||
| 14 | Concerto a due Cori in F: Andante larghetto | — | ||
| 15 | Concerto a due Cori in F: Allegro | — | ||
| 16 | Water Music Suite: Allegro | London Symphony Orchestra, Sir Charles Mackerras | — | |
| 17 | Water Music Suite: Bourrée | London Symphony Orchestra, Sir Charles Mackerras | — | |
| 18 | Water Music Suite: Hornpipe | London Symphony Orchestra, Sir Charles Mackerras | — | |
| 19 | Water Music Suite: Allegro deciso | London Symphony Orchestra, Sir Charles Mackerras | — | |
| 20 | Berenice Overture | London Symphony Orchestra, Sir Charles Mackerras | — | |
| 21 | Suite in D Major: IV. Prince of Denmark's March “Trumpet Voluntary” (Arr. Wood) | — | ||
| 22 | Fanfare For God Save The Queen | — | ||
| 23 | The National Anthem God Save The Queen | — | ||
| 2-1 | Messiah, HWV 56: Part The First: Sinfony: Grave – Allegro Moderato | — | ||
| 2-2 | Messiah, HWV 56: Part The First: 1. Accompanied Recitative: “Comfort Ye, My People” (Tenor) | — | ||
| 2-3 | Messiah, HWV 56: Part The First: 2. Aria: “Ev’ry Valley Shall Be Exalted” (Tenor) | — | ||
| 2-4 | Messiah, HWV 56: Part The First: 3. Chorus: “And The Glory Of The Lord” | — | ||
| 2-5 | Messiah, HWV 56: Part The First: 4. Accompanied Recitative: “Thus Saith The Lord Of Hosts” (Bass) | — | ||
| 2-6 | Messiah, HWV 56: Part The First: 5. Aria: “But Who May Abide“ (Countertenor) | — | ||
| 2-7 | Messiah, HWV 56: Part The First: 6. Chorus: “And He Shall Purify” | — | ||
| 2-8 | Messiah, HWV 56: Part The First: 7. Recitative: “Behold, A Virgin Shall Conceive” (Contralto) | — | ||
| 2-9 | Messiah, HWV 56: Part The First: 8.-9. Aria & Chorus: “O Thou That Tellest” (Contralto, Chorus) | — | ||
| 2-10 | Messiah, HWV 56: Part The First: 10. Accompanied Recitative: “For Behold, Darkness Shall Cover The Earth” (Bass) | — | ||
| 2-11 | Messiah, HWV 56: Part The First: 11. Aria: “The People That Walked In Darkness” (Bass) | — | ||
| 2-12 | For Unto us a child is born (Messiah) | John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras | T-011.162.720-3 | |
| 2-13 | Messiah, HWV 56: Part The First: 13. Pifa (Sinfonia Pastorale): Larghetto E Mezzo Piano | — | ||
| 2-14 | Messiah, HWV 56: Part The First: 14. Recitative: “There Were Shepherds Abiding In The Field” (Soprano) | — | ||
| 2-15 | Messiah, HWV 56: Part The First: Accompanied Recitative: “And Lo, The Angel Of The Lord Came Upon Them” (Soprano) | — | ||
| 2-16 | Messiah, HWV 56: Part The First: Recitative: “And The Angel Said Unto Them” (Soprano) | — | ||
| 2-17 | Messiah, HWV 56: Part The First: Accompanied Recitative: “And Suddenly There Was With The Angel A Multitude” (Soprano) | — | ||
| 2-18 | Messiah, HWV 56: Part The First: 15. Chorus: “Glory To God In The Highest” | — | ||
| 2-19 | Messiah, HWV 56: Part The First: 16. Aria: “Rejoice Greatly, O Daugher Of Zion” (Soprano) | — | ||
| 2-20 | Messiah, HWV 56: Part The First: 17. Recitative: “Then Shall The Eyes Of The Blind Be Open’d” (Soprano) | — | ||
| 2-21 | Messiah, HWV 56: Part The First: 18. Aria: “He Shall Feed His Flock” (Soprano) | — | ||
| 2-22 | Messiah, HWV 56: Part The First: 19. Chorus: “His Yoke Is Easy” | — | ||
| 2-23 | Messiah, HWV 56: Part The Second: 20. Chorus: “Behold, The Lamb Of God” | — | ||
| 2-24 | Messiah, HWV 56: Part The Second: 21. Aria: “He Was Despised” (Contralto) | — | ||
| 2-25 | Messiah, HWV 56: Part The Second: 22. Chorus: “Surely He Hath Borne Our Griefs” | — | ||
| 3-1 | Messiah, HWV 56: Part The Second: 23. Chorus “And With His Stripes” | — | ||
| 3-2 | Messiah, HWV 56: Part The Second: 24. Chorus “All We, Like Sheep” | — | ||
| 3-3 | Messiah, HWV 56: Part The Second: 25. Accompanied Recitative “All They That See Him, Laugh Him To Scorn” (Tenor) | — | ||
| 3-4 | Messiah, HWV 56: Part The Second: 26. Chorus “He Trusted In God” | — | ||
| 3-5 | Messiah, HWV 56: Part The Second: 27. Accompanied Recitative “Thy Rebuke Hath Broken His Heart” (Tenor) | — | ||
| 3-6 | Messiah, HWV 56: Part The Second: 28. Arioso “Behold, And See” (Tenor) | — | ||
| 3-7 | Messiah, HWV 56: Part The Second: 29. Accompanied Recitative “He Was Cut Off” (Tenor) | — | ||
| 3-8 | Messiah, HWV 56: Part The Second: 30. Air “But Thou Didst Not Leave His Soul” (Tenor) | — | ||
| 3-9 | Messiah, HWV 56: Part The Second: 31. Chorus “Lift Up Your Heads” | — | ||
| 3-10 | Messiah, HWV 56: Part The Second: 32. Recitative “Unto Which Of The Angels” (Tenor) | — | ||
| 3-11 | Messiah, HWV 56: Part The Second: 33. Chorus “Let All The Angels Of God Worship Him” | — | ||
| 3-12 | Messiah, HWV 56: Part The Second: 34. Air “Thou Art Gone Up On High” (Countertenor) | — | ||
| 3-13 | Messiah, HWV 56: Part The Second: 35. Chorus “The Lord Gave The Word” | — | ||
| 3-14 | Messiah, HWV 56: Part The Second: 36. Duet “How Beautiful Are The Feet” (Countertenor, Soprano) | — | ||
| 3-15 | Messiah, HWV 56: Part The Second: 37. Chorus “Their Sound Is Gone Out” | — | ||
| 3-16 | Messiah, HWV 56: Part The Second: 38. Air “Why Do The Nations” (Bass) | — | ||
| 3-17 | Messiah, HWV 56: Part The Second: 39. Chorus “Let Us Break Their Bonds” | — | ||
| 3-18 | Messiah, HWV 56: Part The Second: 40. Recitative “He That Dwelleth In Heaven” (Tenor) | — | ||
| 3-19 | Messiah, HWV 56: Part The Second: 41. Air “Thou Shalt Break Them” (Tenor) | — | ||
| 3-20 | Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | T-071.518.061-2 | |
| 3-21 | Le Messie Part 3: No. 43. Aria: I know that my Redeemer liveth | Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras | — | |
| 3-22 | Messiah, HWV 56: Part The Third: 44. Chorus “Since By Man Came Death” | — | ||
| 3-23 | Messiah, HWV 56: Part The Third: Chorus “Since By Man Came Also The Resurrection” | — | ||
| 3-24 | Messiah, HWV 56: Part The Third: Chorus “For As In Adam All Die” | — | ||
| 3-25 | Messiah, HWV 56: Part The Third: Chorus “Even So In Christ” | — | ||
| 3-26 | Messiah, HWV 56: Part The Third: 45. Accompanied Recitative “Behold, I Tell You A Mystery” (Bass) | — | ||
| 3-27 | Messiah, HWV 56: Part The Third: 46. Air “The Trumpet Shall Sound” (Bass) | — | ||
| 3-28 | Messiah, HWV 56: Part The Third: 47. Recitative “Then Shall Be Brought To Pass” (Soprano) | — | ||
| 3-29 | Messiah, HWV 56: Part The Third: 48. Duet “O Death, Where Is Thy Sting?” (Countertenor, Tenor) | — | ||
| 3-30 | Messiah, HWV 56: Part The Third: 49. Chorus “But Thanks Be To God” | — | ||
| 3-31 | Messiah, HWV 56: Part The Third: 50. Aria “If God Be For Us” (Soprano) | — | ||
| 3-32 | Messiah, HWV 56: Part The Third: 51. Chorus “Worthy Is The Lamb” | — | ||
| 3-33 | Messiah, HWV 56: Part The Third: 52. Chorus “Amen” | — | ||
| 4-1 | MUSIC FOR THE ROYAL FIREWORKS HWV351 (2001 REMASTERED VERSION): OVERTURE | London Symphony Orchestra, Charles Mackerras | — | |
| 4-2 | MUSIC FOR THE ROYAL FIREWORKS HWV351 (2001 REMASTERED VERSION): BOURRÉE | London Symphony Orchestra, Charles Mackerras | — | |
| 4-3 | HANDEL: MUSIC FOR THE ROYAL FIREWORKS, HWV 351: III. LA PAIX | London Symphony Orchestra, Charles Mackerras | — | |
| 4-4 | MUSIC FOR THE ROYAL FIREWORKS, HWV 351: IV. LA RÉJOUISSANCE | London Symphony Orchestra, Charles Mackerras | — | |
| 4-5 | Music for the Royal Fireworks: V. Minuet I | London Symphony Orchestra, Charles Mackerras | — | |
| 4-6 | MUSIC FOR THE ROYAL FIREWORKS HWV351 (2001 REMASTERED VERSION): MINUET 2 | London Symphony Orchestra, Charles Mackerras | — | |
| 4-7 | Concerto A Due Cori no. 2 In F major Hwv 333 I Pomposo | Sir Charles Mackerras | — | |
| 4-8 | Concerto A Due Cori no. 2 In F major Hwv 333 Ii Allegro | Sir Charles Mackerras | — | |
| 4-9 | Concerto A Due Cori no. 2 In F major Hwv 333 Iii A Tempo Giusto | Sir Charles Mackerras | — | |
| 4-10 | Concerto A Due Cori no. 2 In F major Hwv 333 Iv Largo | Sir Charles Mackerras | — | |
| 4-11 | Concerto A Due Cori no. 2 In F major Hwv 333 V Allegro Ma Non Troppo | Sir Charles Mackerras | — | |
| 4-12 | Concerto A Due Cori no. 2 In F major Hwv 333 Vi A Tempo Ordinario | Sir Charles Mackerras | — | |
| 4-13 | Concerto no. 1 in F: Largo | London Symphony Orchestra, Sir Charles Mackerras | — | |
| 4-14 | Concerto no. 1 in F: Allegro | London Symphony Orchestra, Sir Charles Mackerras | — | |
| 4-15 | Concerto no. 3 in D: Largo | London Symphony Orchestra, Sir Charles Mackerras | — | |
| 4-16 | Concerto no. 3 in D: Allegro | London Symphony Orchestra, Sir Charles Mackerras | — | |
| 4-17 | Concerto no. 3 in D: Air | London Symphony Orchestra, Sir Charles Mackerras | — | |
| 4-18 | Concerto no. 3 in D: Allegro ma non troppo | London Symphony Orchestra, Sir Charles Mackerras | — | |
| 5-1 | Water Music Suite No. 1 in F major, HWV 348: I. Overture (Largo - Allegro) | — | ||
| 5-2 | Water Music Suite No. 1 in F major, HWV 348: II. Adagio e staccato | — | ||
| 5-3 | Water Music Suite No. 1 in F major, HWV 348: III. | — | ||
| 5-4 | Water Music Suite No. 1 in F major, HWV 348: IV. Andante | — | ||
| 5-5 | Water Music Suite No. 1 in F major, HWV 348: III. (da capo) | — | ||
| 5-6 | Water Music Suite No. 1 in F major, HWV 348: V. | — | ||
| 5-7 | Water Music Suite No. 1 in F major, HWV 348: VI. Air | — | ||
| 5-8 | Water Music Suite No. 1 in F major, HWV 348: VII. Minuet | — | ||
| 5-9 | Water Music Suite No. 1 in F major, HWV 348: VIII. Bourrée | — | ||
| 5-10 | Water Music Suite No. 1 in F major, HWV 348: IX. Hornpipe | — | ||
| 5-11 | Water Music Suite No. 1 in F major, HWV 348: X. | — | ||
| 5-12 | Water Music Suite No. 3 in G major, HWV 350: XVI. | — | ||
| 5-13 | Water Music Suite No. 3 in G major, HWV 350: XVII. Rigaudon - Presto | — | ||
| 5-14 | Water Music Suite No. 3 in G major, HWV 350: XVIII. | — | ||
| 5-15 | Water Music Suite No. 3 in G major, HWV 350: XVII. (da capo) | — | ||
| 5-16 | Water Music Suite No. 3 in G major, HWV 350: XIX. Menuet | — | ||
| 5-17 | Water Music Suite No. 3 in G major, HWV 350: XX. | — | ||
| 5-18 | Water Music Suite No. 3 in G major, HWV 350: XXI. | — | ||
| 5-19 | Water Music Suite No. 3 in G major, HWV 350: XXII. | — | ||
| 5-20 | Water Music Suite No. 3 in G major, HWV 350: XXI. (da capo) | — | ||
| 5-21 | Water Music Suite No. 2 in D major, HWV 349: XI. | — | ||
| 5-22 | Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe | Rudolf Beránek, Stanislav Bogunia, Jiří Kaniak, Karel Klement, Miloslav Klement, Vladislav Kozderka, Stanislav Sejpal, Jr., Zdeněk Tylšar, Prague Chamber Orchestra, Charles Mackerras | — | |
| 5-23 | Water Music Suite No. 2 in D major, HWV 349: XIII. Minuet | — | ||
| 5-24 | Water Music Suite No. 2 in D major, HWV 349: XIV. Lentement | — | ||
| 5-25 | Water Music Suite No. 2 in D major, HWV 349: XV. Bourrée | — | ||
| 5-26 | Water Music Suite No. 2 in D major, HWV 349: XIII. (da capo) | — | ||
| 6-1 | Concerto Grosso In B-flat major op. 3 no. 1 Hwv 312 I Allegro | — | ||
| 6-2 | Concerto Grosso In B-flat major op. 3 no. 1 Hwv 312 Ii Largo | — | ||
| 6-3 | Concerto Grosso In B-flat major op. 3 no. 1 Hwv 312 Iii Allegro | — | ||
| 6-4 | Concerto Grosso In B-flat major op. 3 no. 2 Hwv 313 I Vivace | — | ||
| 6-5 | Concerto Grosso In B-flat major op. 3 no. 2 Hwv 313 Ii Largo | — | ||
| 6-6 | Concerto Grosso In B-flat major op. 3 no. 2 Hwv 313 Iii Allegro | — | ||
| 6-7 | Concerto Grosso In B-flat major op. 3 no. 2 Hwv 313 Iv Moderato | — | ||
| 6-8 | Concerto Grosso In B-flat major op. 3 no. 2 Hwv 313 V Allegro | — | ||
| 6-9 | Concerto Grosso In G major op. 3 no. 3 Hwv 314 I Larghetto E Staccato - Allegro | — | ||
| 6-10 | Concerto Grosso In G major op. 3 no. 3 Hwv 314 Ii Andante | — | ||
| 6-11 | Concerto Grosso In G major op. 3 no. 3 Hwv 314 Iii Allegro | — | ||
| 6-12 | Concerto Grosso In F major op. 3 no. 4 Hwv 315 I Andante - Allegro | — | ||
| 6-13 | Concerto Grosso In F major op. 3 no. 4 Hwv 315 Ii Andante | — | ||
| 6-14 | Concerto Grosso In F major op. 3 no. 4 Hwv 315 Iii Allegro | — | ||
| 6-15 | Concerto Grosso In F major op. 3 no. 4 Hwv 315 Iv Minuetto | — | ||
| 6-16 | Concerto Grosso In D minor op. 3 no. 5 Hwv 316 I Largo | — | ||
| 6-17 | Concerto Grosso In D minor op. 3 no. 5 Hwv 316 Ii Fuga Allegro | — | ||
| 6-18 | Concerto Grosso In D minor op. 3 no. 5 Hwv 316 Iii Adagio | — | ||
| 6-19 | Concerto Grosso In D minor op. 3 no. 5 Hwv 316 Iv Allegro Ma Non Troppo | — | ||
| 6-20 | Concerto Grosso In D minor op. 3 no. 5 Hwv 316 V Allegro | — | ||
| 6-21 | Concerto Grosso In D major op. 3 no. 6 Hwv 317 I Vivace | — | ||
| 6-22 | Concerto Grosso In D major op. 3 no. 6 Hwv 317 Ii Allegro | — | ||
| 7-1 | Concerto in D minor for trumpet & organ: I. Largo | — | ||
| 7-2 | Concerto in D minor for trumpet & organ: II. Vivace | — | ||
| 7-3 | Concerto in D minor for trumpet & organ: III. Furioso | — | ||
| 7-4 | Concerto in D minor for trumpet & organ: IV. Adagio | — | ||
| 7-5 | Concerto in D minor for trumpet & organ: V. Alla breve | — | ||
| 7-6 | Trumpet Concerto in B‐flat, op. 7 no. 3: I. Allegro | — | ||
| 7-7 | Trumpet Concerto in B‐flat, op. 7 no. 3: II. Adagio | — | ||
| 7-8 | Trumpet Concerto in B‐flat, op. 7 no. 3: III. Allegro | — | ||
| 7-9 | Trumpet Concerto in D, op. 7 no. 6: I. Allegro | — | ||
| 7-10 | Trumpet Concerto in D, op. 7 no. 6: II. Adagio | — | ||
| 7-11 | Trumpet Concerto in D, op. 7 no. 6: III. Allegro | — | ||
| 7-12 | Trumpet Concerto in D: I. Allegro | — | ||
| 7-13 | Trumpet Concerto in D: II. Grave | — | ||
| 7-14 | Trumpet Concerto in D: III. Aria | — | ||
| 7-15 | Trumpet Concerto in D: IV. Grave | — | ||
| 7-16 | Trumpet Concerto in D: V. Vivace | — | ||
| 7-17 | Trumpet Concerto in E‐flat: I. Allegro | — | ||
| 7-18 | Trumpet Concerto in E‐flat: II. Larghetto | — | ||
| 7-19 | Trumpet Concerto in E‐flat: III. Vivace | — | ||
| 8-1 | March in C major, K. 408 | — | ||
| 8-2 | Divertimento no. 1 in E‐flat major, K. 113: I. Allegro | — | ||
| 8-3 | Divertimento no. 1 in E‐flat major, K. 113: II. Andante | — | ||
| 8-4 | Divertimento no. 1 in E‐flat major, K. 113: III. Menuetto | — | ||
| 8-5 | Divertimento no. 1 in E‐flat major, K. 113: IV. Allegro | — | ||
| 8-6 | 6 German Dances, K. 509: No. 1 in D major | — | ||
| 8-7 | 6 German Dances, K. 509: No. 2 in G major | — | ||
| 8-8 | 6 German Dances, K. 509: No. 3 in E‐flat major | — | ||
| 8-9 | 6 German Dances, K. 509: No. 4 in F major | — | ||
| 8-10 | 6 German Dances, K. 509: No. 5 in A major | — | ||
| 8-11 | 6 German Dances, K. 509: No. 6 in C major | — | ||
| 8-12 | 2 Minuets, K. 604: No. 1 in B‐flat major | — | ||
| 8-13 | 2 Minuets, K. 604: No. 2 in E‐flat major | — | ||
| 8-14 | Les petits riens, K. Anh. 10: Overture. Allegro | — | ||
| 8-15 | Les petits riens, K. Anh. 10: I. Largo | — | ||
| 8-16 | Les petits riens, K. Anh. 10: II. Gavotte | — | ||
| 8-17 | Les petits riens, K. Anh. 10: III. Andantino | — | ||
| 8-18 | Les petits riens, K. Anh. 10: IV. Allegro | — | ||
| 8-19 | Les petits riens, K. Anh. 10: V. Larghetto | — | ||
| 8-20 | Les petits riens, K. Anh. 10: VI. Gavotte joyeuse. Allegro | — | ||
| 8-21 | Les petits riens, K. Anh. 10: VII. Adagio | — | ||
| 8-22 | Les petits riens, K. Anh. 10: VIII. Gigue. Presto | — | ||
| 8-23 | Les petits riens, K. Anh. 10: IX. Gavotte gracieuse | — | ||
| 8-24 | Les petits riens, K. Anh. 10: X. Pantomime | — | ||
| 8-25 | Les petits riens, K. Anh. 10: XI. Passepied | — | ||
| 8-26 | Les petits riens, K. Anh. 10: XII. Gavotte | — | ||
| 8-27 | Les petits riens, K. Anh. 10: XIII. Andante | — | ||
| 8-28 | 3 Marches, K. 408: No. 2 in D major | — | ||
| 9-1 | Concerto for Piano no. 20 in D minor, K. 466: I. Allegro | — | ||
| 9-2 | Concerto for Piano no. 20 in D minor, K. 466: II. Romanze | — | ||
| 9-3 | Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai | — | ||
| 9-4 | Concerto for Piano and Orchestra no. 23 in A major, K. 488: I. Allegro | — | ||
| 9-5 | Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante (Adagio) | — | ||
| 9-6 | Concerto for Piano and Orchestra no. 23 in A major, K. 488: III. Allegro assai | — | ||
| 10-1 | Symphony. no. 36 in C major, K. 425 “Linz”: I. Adagio - Allegro spiritoso | — | ||
| 10-2 | Symphony. no. 36 in C major, K. 425 “Linz”: II. Andante | — | ||
| 10-3 | Symphony. no. 36 in C major, K. 425 “Linz”: III. Minuetto & Trio | — | ||
| 10-4 | Symphony. no. 36 in C major, K. 425 “Linz”: IV. Presto | — | ||
| 10-5 | Symphony. no. 38 in C major, K. 504 “Prague”: I. Adagio – Allegro | — | ||
| 10-6 | Symphony. no. 38 in C major, K. 504 “Prague”: II. Andante | — | ||
| 10-7 | Symphony. no. 38 in C major, K. 504 “Prague”: III. Finale: Presto | — | ||
| 11-1 | Symphony no. 40, K. 550: I. Molto allegro | London Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 11-2 | Symphony no. 40, K. 550: II. Andante | London Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 11-3 | Symphony no. 40, K. 550: III. Menuetto & Trio | London Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 11-4 | Symphony no. 40, K. 550: IV. Allegro assai | London Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 11-5 | Symphony no. 41, K. 551 "Jupiter": I. Allegro vivace | — | ||
| 11-6 | Symphony no. 41, K. 551 "Jupiter": II. Andante cantabile | — | ||
| 11-7 | Symphony no. 41, K. 551 "Jupiter": III. Menuetto (Allegretto) & Trio | — | ||
| 11-8 | Symphony no. 41, K. 551 "Jupiter": IV. Molto allegro | — | ||
| 12-1 | Sinfonia Concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. Anh C 14.01/(K3) 297b/Anh 9 (spurious): I. Allegro | — | ||
| 12-2 | Sinfonia Concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. Anh C 14.01/(K3) 297b/Anh 9 (spurious): II. Adagio | — | ||
| 12-3 | Sinfonia Concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. Anh C 14.01/(K3) 297b/Anh 9 (spurious): III. Andantino con variazioni | — | ||
| 12-4 | Concerto for Flute No. 1 in G major, K. 285c/313: I. Allegro maestoso | — | ||
| 12-5 | Concerto for Flute No. 1 in G major, K. 285c/313: II. Adagio non troppo | — | ||
| 12-6 | Concerto for Flute No. 1 in G major, K. 285c/313: III. Rondo. Tempo di menuetto | — | ||
| 13-1 | Cosi fari tutte: Temerari, sortite...Come scoglio | Barbara Frittoli, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 13-2 | Cosi fari tutte: El parte...Per pieta | Barbara Frittoli, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 13-3 | Le nozze di Figaro: Porgi, amor | Barbara Frittoli, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 13-4 | Le nozze di Figaro: E Susanna non vien!... Dove song | Barbara Frittoli, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 13-5 | Idomeneo, re di Creta: O smania! oh furie!...D'Oreste, d'Alace | Barbara Frittoli, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 13-6 | Don Giovanni: In quali eccessi, o Numi...Mi tradi quell'alma ingrata | Barbara Frittoli, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 13-7 | Don Giovanni: Crudele!...Non mi dir | Barbara Frittoli, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 13-8 | Bella mia fiamma, addio!: Concert aria K 528 | Barbara Frittoli, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 14-1 | Idomeneo, rè di Creta, K. 366: Ouverture | — | ||
| 14-2 | Idomeneo, rè di Creta, K. 366: Act I, Scene I. Recitativo "Quando avran fine omai" (Ilia) | — | ||
| 14-3 | Idomeneo, rè di Creta, K. 366: Act I, Scene I. No. 1 Aria "Padre, germani, addio!" (Ilia) | — | ||
| 14-4 | Idomeneo, rè di Creta, K. 366: Act I, Scene I. Recitativo "Ecco Idamante, ahimé!" (Ilia) | — | ||
| 14-5 | Idomeneo, rè di Creta, K. 366: Act I, Scene II. Recitativo "Radunate i Troiani, ite" (Ilia, Idamante) | — | ||
| 14-6 | Idomeneo, rè di Creta, K. 366: Act I, Scene II. No. 2 Aria "Non ho colpa" (Idamante) | — | ||
| 14-7 | Idomeneo, rè di Creta, K. 366: Act I, Scene II. Recitativo "Ecco il misero" (Ilia, Idamante) | — | ||
| 14-8 | Idomeneo, rè di Creta, K. 366: Act I, Scene III. No. 3 Coro "Godiam la pace" (Coro) | — | ||
| 14-9 | Idomeneo, rè di Creta, K. 366: Act I, Scene IV. Recitativo "Prence, signor, tutta la Grecia oltraggi" (Elettra, Idomeneo, Arbace) | — | ||
| 14-10 | Idomeneo, rè di Creta, K. 366: Act I, Scene VI. Recitativo "Estinto è Idomeneo?" (Elettra) | — | ||
| 14-11 | Idomeneo, rè di Creta, K. 366: Act I, Scene VI. No. 4 Aria "Tutte nel cor vi sento" (Elettra) | — | ||
| 14-12 | Idomeneo, rè di Creta, K. 366: Act I, Scene VII. No. 5 Coro "Pietà! Numi, pietà!" (Coro) | — | ||
| 14-13 | Idomeneo, rè di Creta, K. 366: Act I, Scene VIII. Pantomima e Recitativo "Ecco ci salvi alfin" (Idomeneo) | — | ||
| 14-14 | Idomeneo, rè di Creta, K. 366: Act I, Scene IX. Recitativo "Oh voi, di Marte e di Nettuno all'ire" (Idomeneo) | — | ||
| 14-15 | Idomeneo, rè di Creta, K. 366: Act I, Scene IX. No. 6 Aria "Vedrommi intorno l'ombra dolente" (Idomeneo) | — | ||
| 14-16 | Idomeneo, rè di Creta, K. 366: Act I, Scene IX. Recitativo "Cieli! che veggo!" (Idomeneo, Idamante) | — | ||
| 14-17 | Idomeneo, rè di Creta, K. 366: Act I, Scene X: Recitativo "Spiagge romite, e voi scoscese rupi" (Idamante, Idomeneo) | — | ||
| 14-18 | Idomeneo, rè di Creta, K. 366: Act I, Scene X. No. 7 Aria "Il padre adorato" (Idamante) | — | ||
| 14-19 | Idomeneo, rè di Creta, K. 366: Act I, Scene XI. No. 8 Marcia | — | ||
| 14-20 | Idomeneo, rè di Creta, K. 366: Act I, Scene XI. No. 9 Coro "Nettuno s'onori!" (Coro) | — | ||
| 14-21 | Idomeneo, rè di Creta, K. 366: Act II, Scene I. Recitativo "Siam soli, odimi Arbace" (Idomeneo, Arbace) | — | ||
| 14-22 | Idomeneo, rè di Creta, K. 366: Act II, Scene I. No. 10a Aria. Allegro "Se il tuo duol, se il mio desio" (Arbace) | — | ||
| 14-23 | Idomeneo, rè di Creta, K. 366: Act II, Scene II. Recitativo "Se mai pomposo" (Ilia, Idomeneo) | — | ||
| 14-24 | Idomeneo, rè di Creta, K. 366: Act II, Scene II. No. 11 Aria "Se il padre perdei" (Ilia) | — | ||
| 14-25 | Idomeneo, rè di Creta, K. 366: Act II, Scene III. Recitativo "Qual mi conturba i sensi" (Idomeneo) | — | ||
| 14-26 | Idomeneo, K. 366: "Fuor del mar ho un mar in seno" (Idomeneo) | Ian Bostridge, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 15-1 | Idomeneo, rè di Creta, K. 366: Act II, Scene IV. Recitativo "Frettolosa e giuliva" (Idomeneo, Elettra) | — | ||
| 15-2 | Idomeneo, rè di Creta, K. 366: Act II, Scene IV. No. 13 Aria "Idol mio, se ritroso" (Elettra) | — | ||
| 15-3 | Idomeneo, rè di Creta, K. 366: Act II, Scene IV. No. 14 Marcia e Recitativo "Odo da lunge" (Elettra) | — | ||
| 15-4 | Idomeneo, rè di Creta, K. 366: Act II, Scene V. Recitativo "Sidonie sponde!" (Elettra) | — | ||
| 15-5 | Idomeneo, rè di Creta, K. 366: Act II, Scene VI. No. 15 Coro "Placido è il mar" (Elettra) | — | ||
| 15-6 | Idomeneo, rè di Creta, K. 366: Act II, Scene VII. Recitativo "Vattene, prence" (Idomeneo, Idamante) | — | ||
| 15-7 | Idomeneo, rè di Creta, K. 366: Act II, Scene VII. No. 16 Terzetto "Pria di partir, oh Dio!" (Idamante, Elettra, Idomeneo) | — | ||
| 15-8 | Idomeneo, rè di Creta, K. 366: Act II, Scene VII. No. 17 Coro "Qual nuovo terrore!" (Coro) | — | ||
| 15-9 | Idomeneo, rè di Creta, K. 366: Act II, Scene VII. Recitativo "Eccoti in me, barbaro Nume!" (Idomeneo) | — | ||
| 15-10 | Idomeneo, rè di Creta, K. 366: Act III, Scene I. No. 18 Coro "Corriamo, fuggiamo" (Coro) | — | ||
| 15-11 | Idomeneo, rè di Creta, K. 366: Act III, Scene I. Recitativo "Solitudini amiche" (Ilia) | — | ||
| 15-12 | Idomeneo, K. 366: "Zeffiretti lusinghieri" (Ilia) | Lisa Milne, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 15-13 | Idomeneo, rè di Creta, K. 366: Act III, Scene II. Recitativo "Ei stesso vien" (Ilia) | — | ||
| 15-14 | Idomeneo, rè di Creta, K. 366: Act III, Scene II. Recitativo "Principessa, a' tuoi sguardi" (Idamante, Ilia) | — | ||
| 15-15 | Idomeneo, rè di Creta, K. 366: Act III, Scene II. No. 20a Duetto "S'io non moro a questi accenti" (Idamante, Ilia) | — | ||
| 15-16 | Idomeneo, rè di Creta, K. 366: Act III, Scene III. Recitativo "Cieli! che vedo?" (Idomeneo, Ilia, Idamante, Elettra) | — | ||
| 15-17 | Idomeneo, rè di Creta, K. 366: Act III, Scene III. No. 21 Quartetto "Andrò ramingo e solo" (Idamante, Ilia, Idomeneo, Elettra) | — | ||
| 15-18 | Idomeneo, rè di Creta, K. 366: Act III, Scene IV. Recitativo "Sire, alla reggia tua immensa turba" (Arbace, Ilia,Idomeneo, Elettra) | — | ||
| 15-19 | Idomeneo, rè di Creta, K. 366: Act III, Scene V. Recitativo "Sventurata Sidon!" (Arbace) | — | ||
| 15-20 | Idomeneo, rè di Creta, K. 366: Act III, Scene V. No. 22 Aria "Se colà ne' fati è scritto" (Arbace) | — | ||
| 15-21 | Idomeneo, rè di Creta, K. 366: Act III, Scene VI. No. 23 Recitativo "Volgi intorno lo sguardo" (Gran Sacerdote, Idomeneo) | — | ||
| 15-22 | Idomeneo, rè di Creta, K. 366: Act III, Scene VI. No. 24 Coro "O voto tremendo" (Coro, Gran Sacerdote) | — | ||
| 15-23 | Idomeneo, rè di Creta, K. 366: Act III, Scene VII. No. 25 Marcia | — | ||
| 15-24 | Idomeneo, rè di Creta, K. 366: Act III, Scene VII. No. 26 Cavatina con coro "Accogli, oh re del mar" (Idomeneo, Gran Sacerdote, Coro) | — | ||
| 16-1 | Idomeneo, rè di Creta, K. 366: Act III, Scene VII. Coro "Stupenda vittoria!" (Coro) / Scene VII. Recitativo "Qual risuona qui intorno" (Idomeneo) / Scene VIII. Recitativo "Sire, il prence" (Idomeneo, Arbace) | — | ||
| 16-2 | Idomeneo, rè di Creta, K. 366: Act III, Scene IX. Recitativo "Padre, mio caro padre!" (Idamante, Idomeneo) | — | ||
| 16-3 | Idomeneo, rè di Creta, K. 366: Act III, Scene IX. Recitativo "Oh figlio! Oh caro figlio!" (Idomeneo, Idamante) | — | ||
| 16-4 | Idomeneo, rè di Creta, K. 366: Act III, Scene IX. No. 27a Aria "No, la morte io non pavento" (Idamante) | — | ||
| 16-5 | Idomeneo, rè di Creta, K. 366: Act III, Scene X. Recitativo "Ma, che più tardi?" (Idamante, Idomeneo, Ilia, Gran Sacerdote) | — | ||
| 16-6 | Idomeneo, rè di Creta, K. 366: Act III, Scene X. Dialogue "Ferma, oh sire, che fai?" (Ilia,Idomeneo, Idomante, Ilia, Gran Sacerdote) | — | ||
| 16-7 | Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 28 La Voce "Ha vinto Amore" (La Voce) | — | ||
| 16-8 | Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 29 Recitativo "O ciel pietoso!" (Idomeneo, Idamante, Ilia, Arbace, Elettra) | — | ||
| 16-9 | Idomeneo, rè di Creta, K. 366: Act III, Scene X. "Oh, smania! Oh furie! Oh, disperata Elettra!" (Elettra) | — | ||
| 16-10 | Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 29a Aria "D'Oreste, d'Aiace" (Elettra) | — | ||
| 16-11 | Idomeneo, rè di Creta, K. 366: Act III, Scene XI. No. 30 Recitativo "Popoli, a voi l'ultima legge" (Idomeneo) | — | ||
| 16-12 | Idomeneo, rè di Creta, K. 366: Act III, Scene XI. No. 30a Aria "Torna la pace al core" (Idomeneo) | — | ||
| 16-13 | Idomeneo, rè di Creta, K. 366: Act III, Scene XI. No. 31 Coro "Scenda Amor, scenda Imeneo" (Coro) | — | ||
| 16-14 | Idomeneo, rè di Creta, Ballet, KV 367: I. Chaconne - Pour le Ballet | — | ||
| 16-15 | Idomeneo, rè di Creta, Ballet, KV 367: II. Larghetto - Annonce | — | ||
| 16-16 | Idomeneo, rè di Creta, Ballet, KV 367: III. Le Chaconne, qui reprend - Annonce | — | ||
| 16-17 | Idomeneo, rè di Creta, Ballet, KV 367: IV. Pas seul - Largo | — | ||
| 16-18 | Idomeneo, rè di Creta, Ballet, KV 367: V. Appendice: Ballo delle donne Cretesi - Gavotte | — | ||
| 17-1 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | — | ||
| 17-2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | — | ||
| 17-3 | Symphony no. 1 in C major, op. 21: III. Menuetto & Trio. Allegro molto e vivace | — | ||
| 17-4 | Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace | — | ||
| 17-5 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | — | ||
| 17-6 | Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai | — | ||
| 17-7 | Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo & Trio. Allegro vivace | — | ||
| 17-8 | Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto - Poco andante - Presto | — | ||
| 18-1 | Symphony no. 2 in D major, op. 36: I. Adagio - Allegro con brio | — | ||
| 18-2 | Symphony no. 2 in D major, op. 36: II. Larghetto | — | ||
| 18-3 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | — | ||
| 18-4 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | — | ||
| 18-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | — | ||
| 18-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | — | ||
| 18-7 | Symphony no. 8 in F major, op. 93: III. Tempo in menuetto | — | ||
| 18-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | — | ||
| 19-1 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | — | ||
| 19-2 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | — | ||
| 19-3 | Symphony no. 4 in B-flat major, op. 60: III. Menuetto (Allegro vivace) & Trio (Un poco meno allegro) | — | ||
| 19-4 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | — | ||
| 19-5 | Symphony no. 6 in F major, op. 68 "Pastoral": I. Pleasant, cheerful feelings awakened on arrival in the countryside (Allegro ma non troppo) | — | ||
| 19-6 | Symphony no. 6 in F major, op. 68 "Pastoral": II. Scene by the brook (Andante molto moto) | — | ||
| 19-7 | Symphony no. 6 in F major, op. 68 "Pastoral": III. Merry gathering of the country folk (Allegro) | — | ||
| 19-8 | Symphony no. 6 in F major, op. 68 "Pastoral": IV. Thunder. Storm (Allegro) | — | ||
| 19-9 | Symphony no. 6 in F major, op. 68 "Pastoral": V. Shepherds' song: beneficent feelings, combined with thanks to the deity, after the storm (Allegretto) | — | ||
| 20-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 20-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 20-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | — | ||
| 20-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 20-5 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | — | ||
| 20-6 | Symphony no. 7 in A major, op. 92: II. Allegretto | — | ||
| 20-7 | Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto | — | ||
| 20-8 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | — | ||
| 21-1 | Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo e un poco maestoso | — | ||
| 21-2 | Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace - Presto - Molto vivace - Presto | — | ||
| 21-3 | Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato - Tempo I - Andante moderato - Tempo I - Stesso tempo | — | ||
| 21-4 | Symphony no. 9 in D minor, op. 125 "Choral": IVa. Presto - Allegro ma non troppo - Tempo I - Vivace - Tempo I - Adagio cantabile - Tempo I - Allegro assai - Tempo I - Allegro assai - | — | ||
| 21-5 | Symphony no. 9 in D minor, op. 125 "Choral": IVb. Presto - Recitativo - Allegro assai - | — | ||
| 21-6 | Symphony no. 9 in D minor, op. 125 "Choral": IVc. Allegro assai vivace. Alla marcia - | — | ||
| 21-7 | Symphony no. 9 in D minor, op. 125 "Choral": IVd. Andante maestoso - Adagio ma non troppo, ma divoto - | — | ||
| 21-8 | Symphony no. 9 in D minor, op. 125 "Choral": IVe. Andante energico e sempre ben marcato - | — | ||
| 21-9 | Symphony no. 9 in D minor, op. 125 "Choral": IVf. Allegro ma non tanto - | — | ||
| 21-10 | Symphony no. 9 in D minor, op. 125 "Choral": IVg. Poco allegro, stringendo il tempo, sempre più allegro - | — | ||
| 21-11 | Symphony no. 9 in D minor, op. 125 "Choral": IVh. Presto - | — | ||
| 21-12 | Symphony no. 9 in D minor, op. 125 "Choral": IVi. Maestoso - Prestissimo | — | ||
| 22-1 | Violin Concerto in D, op. 61: I. Allegro ma non troppo | Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras | — | |
| 22-2 | Violin Concerto in D, op. 61: II. Larghetto - | Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras | — | |
| 22-3 | Violin Concerto in D, op. 61: III. Rondo (Allegro) | Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras | — | |
| 22-4 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato - | Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras | — | |
| 22-5 | Violin Concerto in E minor, op. 64: II. Andante | Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras | — | |
| 22-6 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras | — | |
| 23-1 | Symphony no. 5 in B-flat major, D. 485: I. Allegro | — | ||
| 23-2 | Symphony no. 5 in B-flat major, D. 485: II. Andante con moto | — | ||
| 23-3 | Symphony no. 5 in B-flat major, D. 485: III. Menuetto & Trio: Allegro molto | — | ||
| 23-4 | Symphony no. 5 in B-flat major, D. 485: IV. Allegro vivace | — | ||
| 23-5 | Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato | — | ||
| 23-6 | Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto | — | ||
| 23-7 | Symphony no. 8 in B minor, D. 759 "Unfinished": III. Allegro | — | ||
| 23-8 | Symphony no. 8 in B minor, D. 759 "Unfinished": IV. Allegro molto moderato | — | ||
| 23-9 | Rosamunde, incidental music, D. 797: Ballet Music no. 2 in G major | — | ||
| 24-1 | Symphony no. 9 in C major, D. 944 "The Great": I. Andante - Allegro ma non troppo | — | ||
| 24-2 | Symphony no. 9 in C major, D. 944 "The Great": II. Andante con moto | — | ||
| 24-3 | Symphony no. 9 in C major, D. 944 "The Great": III. Scherzo. Allegro vivace - Trio | — | ||
| 24-4 | Symphony no. 9 in C major, D. 944 "The Great": IV. Finale. Allegro vivace | — | ||
| 25-1 | William Tell: Ballet Music | — | ||
| 25-2 | Sylvia, suite (I. Les chasseresses) | New Philharmonia Orchestra, Charles Mackerras | T-070.140.357-7 | |
| 25-3 | Sylvia - Suite: II. Intermezzo et Valse lente | New Philharmonia Orchestra, Charles Mackerras | — | |
| 25-4 | Pizzicati from Sylvia | New Philharmonia Orchestra, Charles Mackerras | T-070.140.357-7 | |
| 25-5 | Sylvia, suite (IV. Cortége de bacchus) | — | ||
| 25-6 | Faust, ballet (No.1, Les nubiennes) | — | ||
| 25-7 | Faust, ballet (No.2, adagio) | — | ||
| 25-8 | Faust, ballet (No.3, Danse antique) | — | ||
| 25-9 | Faust, ballet (No.4, Variation de Cléopâtre) | — | ||
| 25-10 | Faust, ballet (No.5, Les troyennes) | — | ||
| 25-11 | Faust, ballet (No.6, Variation du miroir) | — | ||
| 25-12 | Faust, ballet (No.7, Danse de phryné) | — | ||
| 25-13 | Coppelia, suite (I. prelude & mazurka) | New Philharmonia Orchestra, Charles Mackerras | T-306.310.844-7 | |
| 25-14 | Waltz from 'Coppelia' | New Philharmonia Orchestra, Charles Mackerras | — | |
| 25-15 | Coppelia, suite (III. czárdás) | — | ||
| 26-1 | La Damnation De Faust op. 24 Ballet Music | — | ||
| 26-2 | La Damnation De Faust op. 24 Ballet Music | — | ||
| 26-3 | La Damnation De Faust op. 24 Ballet Music | — | ||
| 26-4 | Les Troyens op. 29 H 133 Act 1 Marche Troyenne | — | ||
| 26-5 | Le Carnaval Romain op. 9 H 95 Overture | — | ||
| 26-6 | Ruslan And Lyudmila Overture | — | ||
| 26-7 | Sorochinsky Fair Gopak Orch Liadov | — | ||
| 26-8 | Concert Waltz no. 1 op. 47 | — | ||
| 26-9 | The Snow Maiden Suite Iv Dance Of The Tumblers | — | ||
| 26-10 | The Tale Of Tsar Saltan Act 3 The Flight Of The Bumblebee | — | ||
| 26-11 | The Red Poppy op. 70 Act 1 Russian Sailors' Dance | — | ||
| 26-12 | Caucasian Sketches Suite no. 1 op. 10 Iv Procession Of The Sardar | — | ||
| 27-1 | Symphony no. 4 in A major op. 90, 'Italian': I. Allegro Vivace - Più Animato | — | ||
| 27-2 | Symphony no. 4 in A major op. 90, 'Italian': II. Andante con moto | — | ||
| 27-3 | Symphony no. 4 in A major op. 90, 'Italian': III. Con moto oderato | — | ||
| 27-4 | Symphony no. 4 in A major op. 90, 'Italian': IV. Saltarello (Presto) | — | ||
| 27-5 | A Midsummer Night's Dream overture, op. 21 | — | ||
| 27-6 | A Midsummer Night's Dream - Incidental Music op. 61: Scherzo : Allegro vivace | — | ||
| 27-7 | A Midsummer Night's Dream - Incidental Music op. 61: Over Hill and Dale : L'istesso tempo - Allegro vivace | — | ||
| 27-8 | A Midsummer Night's Dream - Incidental Music op. 61: Allegro vivace | — | ||
| 27-9 | A Midsummer Night's Dream - Incidental Music op. 61: Intermezzo : Allegro appassionato | — | ||
| 27-10 | Ein Sommernachtstraum: Nocturne | Orchestra of the Age of Enlightenment, Charles Mackerras | — | |
| 27-11 | A Midsummer Night's Dream - Incidental Music op. 61: Dance of the Clowns : Allegro di molto | — | ||
| 27-12 | A Midsummer Night's Dream - Incidental Music op. 61: Wedding March : Allegro vivace | — | ||
| 28-1 | Les Sylphides: Prelude in A major, op. 28 no. 7 (Orch. Jacob) | — | ||
| 28-2 | Les Sylphides: Nocturne in A‐flat major, op. 32 no. 2 (Orch. Jacob) | — | ||
| 28-3 | Les Sylphides: Waltz in G‐flat major, op. 70 no. 1 (Orch. Jacob) | — | ||
| 28-4 | Les Sylphides: Mazurka in D major, op. 33 no. 2 (Orch. Jacob) | — | ||
| 28-5 | Les Sylphides: Mazurka in C major, op. 67 no. 3 (Orch. Jacob) | — | ||
| 28-6 | Les Sylphides: Prelude in A major, op. 28 no. 7 (Reprise) [Orch. Jacob] | — | ||
| 28-7 | Les Sylphides: Waltz in C‐sharp minor, op. 64 no. 2 (Orch. Jacob) | — | ||
| 28-8 | Les Sylphides: Grande valse brillante in E‐flat major, op. 18 (Orch. Jacob) | — | ||
| 28-9 | La Gioconda, op. 9, Act 3: Dance of the Hours | — | ||
| 28-10 | Les Patineurs - Suite From The Ballet I Allegro Moderato E Pesante Un Poco Piu Mosso | — | ||
| 28-11 | Les Patineurs Suite From The Ballet | — | ||
| 28-12 | Les Patineurs Suite From The Ballet | — | ||
| 28-13 | Les Patineurs Suite From The Ballet | — | ||
| 28-14 | Les Patineurs - Suite From The Ballet V Allegro Con Spirito | — | ||
| 28-15 | The Sleeping Beauty op. 66 Act 1 The Spell no. 6 Waltz | — | ||
| 28-16 | Eugene Onegin op. 24 Act 2 Waltz | — | ||
| 28-17 | Swan Lake op. 20 Act 1 no. 2 Waltz | — | ||
| 28-18 | Symphony no. 5 In E minor op. 64 Iii Waltz Allegro Moderato | — | ||
| 28-19 | The Nutcracker Suite op. 71a Waltz Of The Flowers | — | ||
| 29-1 | The Lady and the Fool: Prologue, No. 1, Prelude | — | ||
| 29-2 | The Lady and the Fool: Prologue, No. 2, Adagio | — | ||
| 29-3 | The Lady and the Fool: Prologue, No. 3, Divertissement - Allegretto | — | ||
| 29-4 | The Lady and the Fool: Act I, Part 1 - No. 4, Tarantella And Entrance Of Lady And Clowns | — | ||
| 29-5 | The Lady and the Fool: Act I, Part 1 - No. 5, Commedia | — | ||
| 29-6 | The Lady and the Fool: Act I, Part 1 - No. 5a, Allegro Vivace | — | ||
| 29-7 | The Lady and the Fool: Act I, Part 1 - No. 6, Grand Adage | — | ||
| 29-8 | The Lady and the Fool: Act I, Part 2 - No. 7, Scene And Entree | — | ||
| 29-9 | The Lady and the Fool: Act I, Part 2 - No. 8, Solo ( Signor Midas ) | — | ||
| 29-10 | The Lady and the Fool: Act I, Part 2 - No. 8a Entree And Solo ( Prince Of Arragonza ) | — | ||
| 29-11 | The Lady and the Fool: Act I, Part 2 - No. 9 Dance Of The Debutantes | — | ||
| 29-12 | The Lady and the Fool: Act I, Part 2 - No. 10 Variation ( Capitano Adoncino ) | — | ||
| 29-13 | The Lady and the Fool: Act I, Part 2 - No. 11 Coda ( Pas De Cinq ) | — | ||
| 29-14 | The Lady and the Fool: Epilogue - No. 12 Scene And Pas De Deux | — | ||
| 29-15 | The Lady and the Fool: Epilogue - No. 13 Finale | — | ||
| 29-16 | The Lady and the Fool: Epilogue - No. 14 Adagio Molto Calmo | — | ||
| 30-1 | Il Trovatore Act 3 Pas Des Bohemiens | — | ||
| 30-2 | Il Trovatore Act 3 Gitanilla | — | ||
| 30-3 | Il Trovatore Act 3 Ensemble | — | ||
| 30-4 | Il Trovatore Act 3 La Bohemienne | — | ||
| 30-5 | Il Trovatore Act 3 Galop | — | ||
| 30-6 | I Vespri Siciliani Act 3 Luinverno | — | ||
| 30-7 | I Vespri Siciliani Act 3 La Primavera | — | ||
| 30-8 | I Vespri Siciliani Act 3 Luestate | — | ||
| 30-9 | I Vespri Siciliani Act 3 Luautunno | — | ||
| 30-10 | La Forza Del Destino Overture | — | ||
| 30-11 | Nabucco Overture | — | ||
| 30-12 | Alzira Overture | — | ||
| 30-13 | Luisa Miller Overture | — | ||
| 30-14 | Otello Act 3 Ballet | — | ||
| 30-15 | Lakme Act 2 Entree Et Terana | — | ||
| 30-16 | Lakme Act 2 Rektah | — | ||
| 30-17 | Lakme Act 2 Persian | — | ||
| 30-18 | Lakme Act 2 Coda | — | ||
| 31-1 | Un Ballo in Maschera | Montserrat Caballé, Bernabé Martí, London Symphony Orchestra, Sir Charles Mackerras | — | |
| 31-2 | Un Ballo in Maschera | Montserrat Caballé, Bernabé Martí, London Symphony Orchestra, Sir Charles Mackerras | — | |
| 31-3 | La Bohème: Sì, mi chiamano Mimì | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — | |
| 31-4 | Les Huguenots, Act 4 Scene 6: Duo, "Où courez-vous? Raoul, répondez-moi! … Le danger presse, et le temps vole" (Valentine, Raoul) | Montserrat Caballé, Bernabé Martí, London Symphony Orchestra, Sir Charles Mackerras | — | |
| 31-5 | Les Huguenots, Act 4 Scene 6: "Oui, tu l'as dit ... oui, tu m'aimes!" (Raoul, Valentine) | Montserrat Caballé, Bernabé Martí, London Symphony Orchestra, Sir Charles Mackerras | — | |
| 31-6 | Les Huguenots, Act 4 Scene 6: "Plus d'amour! ... plus d'ivresse!" (Raoul, Valentine) | Montserrat Caballé, Bernabé Martí, London Symphony Orchestra, Sir Charles Mackerras | — | |
| 31-7 | Vicino A Te Andrea Chenier Act4 | — | ||
| 31-8 | Manon Lescaut Dunque Questa Lettiga Tu Tu Amore Tu Act Ii | — | ||
| 31-9 | Poliuto, Act 3 Scene 4: "Donna! Malvagio! Vision gradita!" (Poliuto, Paolina) | Montserrat Caballé, Bernabé Martí, London Symphony Orchestra, Sir Charles Mackerras | — | |
| 31-10 | Poliuto, Act III: Ah fuggi da morte...Il suon dell' arpe angeliche | Montserrat Caballé, Bernabé Martí, London Symphony Orchestra, Sir Charles Mackerras | — | |
| 31-11 | Poliuto, Act III: Ah fuggi da morte...Il suon dell' arpe angeliche | Montserrat Caballé, Bernabé Martí, London Symphony Orchestra, Sir Charles Mackerras | — | |
| 32-1 | Gotterdammerung Prologue Dawn Music | — | ||
| 32-2 | Gotterdammerung Prologue Zu Neuen Thaten Brunnhilde | — | ||
| 32-3 | Gotterdammerung Prologue Mehr Gabst Du Wunderfrau Siegfried Brunnhilde | — | ||
| 32-4 | Gotterdammerung Prologue Siegfriedus Rhine Journey | — | ||
| 32-5 | Gotterdammerung Act 1 Scene 3 Siegfriedus Funeral March | — | ||
| 32-6 | Gotterdammerung Act 1 Scene 3 Starke Scheite Schichet Mir Dort Brunnhilde | — | ||
| 32-7 | Gotterdammerung Act 1 Scene 3 Mein Erbe Nun Nehm' Ich Zu Eigen Brunnhilde | — | ||
| 32-8 | Gotterdammerung Act 1 Scene 3 Fliegt Heim Ihr Raben Brunnhilde | — | ||
| 32-9 | Gotterdammerung Act 1 Scene 3 Zuruck Vom Ring | — | ||
| 33-1 | Gaite Parisienne: Overture From La Vie Parisienne | — | ||
| 33-2 | Gaite Parisienne: Entrance Of The Cocodettes From Mesdames De La Halle - Polka From Voyage Dans La Lune | — | ||
| 33-3 | Gaite Parisienne: Waltz From La Vie Parisienne | — | ||
| 33-4 | Gaite Parisienne: Galop Entree Du Bresilien From La Vie Parisienne | — | ||
| 33-5 | Gaite Parisienne: Waltz From Orphee Aux Enfers | — | ||
| 33-6 | Gaite Parisienne: March From Tromb-al-cazar | — | ||
| 33-7 | Gaite Parisienne: Waltz From La Perichole | — | ||
| 33-8 | Gaite Parisienne: Can-can From Orphee Aux Enfers And Robinson - Quadrille From Orphee Aux Enfers | — | ||
| 33-9 | Gaite Parisienne: Barcarolle From Les Contes D'Hoffmann | — | ||
| 33-10 | Graduation Ball: I. Introduction | — | ||
| 33-11 | Graduation Ball: II. Waltz | — | ||
| 33-12 | Graduation Ball: III. March | — | ||
| 33-13 | Graduation Ball: IV. Scene & Waltz | — | ||
| 33-14 | Graduation Ball: V. Quick March | — | ||
| 33-15 | Graduation Ball: VI. Romantic Pas de deux | — | ||
| 33-16 | Graduation Ball: VII. Quick Waltz | — | ||
| 33-17 | Graduation Ball: VIII. Perpetuum mobile | — | ||
| 33-18 | Graduation Ball: IX. Mazurka | — | ||
| 33-19 | Graduation Ball: X. Grand Galop | — | ||
| 33-20 | Perpetuum Mobile op. 257 With Original Fade Out At The End | — | ||
| 33-21 | Unter Donner Und Blitz op. 324 | — | ||
| 33-22 | Tritsch-tratsch-polka op. 214 | — | ||
| 34-1 | La Source : Music from Act II: Ia. Pas de voiles | — | ||
| 34-2 | La Source : Music from Act II: Ib. Andante | — | ||
| 34-3 | La Source : Music from Act II: Ic. Variation | — | ||
| 34-4 | La Source : Music from Act II: Id. Final. Danse circassienne | — | ||
| 34-5 | La Source : Music from Act II: II. Scene | — | ||
| 34-6 | La Source : Music from Act II: III. Pas de Naila. Scherzo‐Polka | — | ||
| 34-7 | La Source : Music from Act II: IV. Scene et Pas d’action | — | ||
| 34-8 | La Source : Music from Act II: V. Mazurka | — | ||
| 34-9 | La Source : Music from Act II: VI. Scene | — | ||
| 34-10 | La Source : Music from Act II: VII. Marche dansee et Final | — | ||
| 34-11 | Les Deux Pigeons, suite (I. Entrée des tziganes) | — | ||
| 34-12 | Les Deux Pigeons, suite (II. Entrée de Popio) | — | ||
| 34-13 | Les Deux Pigeons, suite (III. Pas des deux pigeons) | — | ||
| 34-14 | Les Deux Pigeons, suite (IV. Théme et variations) | — | ||
| 34-15 | Les Deux Pigeons, suite (V. Divertissement (entrée)) | — | ||
| 34-16 | Les Deux Pigeons, suite (VI. Danse hongroise) | — | ||
| 34-17 | Les Deux Pigeons, suite (VII. finale) | — | ||
| 34-18 | Faust, ballet (No. 1. Les Nubiennes) | — | ||
| 34-19 | Faust, ballet (No. 2. Adagio) | — | ||
| 34-20 | Faust, ballet (No. 3. Danse antique) | — | ||
| 34-21 | Faust, ballet (No. 4. Variation de Cléopâtre) | — | ||
| 34-22 | Faust, ballet (No. 5. Les Troyennes) | — | ||
| 34-23 | Faust, ballet (No. 6. Variation du miroir) | — | ||
| 34-24 | Faust, ballet (No. 7. Danse de Phryné) | — | ||
| 34-25 | Espana | — | ||
| 34-26 | Le Roi malgré lui : Acte II. Fête polonaise | — | ||
| 35-1 | Pictures From an Exhibition: Promenade | — | ||
| 35-2 | Pictures From an Exhibition: Gnomus | — | ||
| 35-3 | Pictures From an Exhibition: Promenade | — | ||
| 35-4 | Pictures From an Exhibition: Il vecchio castello | Royal Liverpool Philharmonic Orchestra, Charles Mackerras | — | |
| 35-5 | Pictures From an Exhibition: Promenade | — | ||
| 35-6 | Pictures From an Exhibition: Tuileries | — | ||
| 35-7 | Pictures From an Exhibition: Bydlo | — | ||
| 35-8 | Pictures From an Exhibition: Promenade | — | ||
| 35-9 | Pictures From an Exhibition: Ballet of the Unhatched Chicks | — | ||
| 35-10 | Pictures From an Exhibition: Two Polish Jews, one rich, the other poor | — | ||
| 35-11 | Pictures From an Exhibition: Limoges | — | ||
| 35-12 | Pictures From an Exhibition: Catacombae | — | ||
| 35-13 | Pictures From an Exhibition: Con mortuis in linqua mortua | — | ||
| 35-14 | Pictures From an Exhibition: The Hut on Hen's Legs | — | ||
| 35-15 | Pictures From an Exhibition: The Heroes' Gate at Kiev | — | ||
| 35-16 | A Night on the Bare Mountain | — | ||
| 35-17 | Prince Igor: Overture | — | ||
| 35-18 | Prince Igor: Polovtsian Dances, Dance I | — | ||
| 35-19 | Prince Igor: Polovtsian Dances, Dance II | — | ||
| 35-20 | Prince Igor: Polovtsian Dances, Dance III | — | ||
| 35-21 | Prince Igor: Polovtsian Dances, Dance IV | — | ||
| 35-22 | Prince Igor: Polovtsian Dances, Dance V | — | ||
| 36-1 | Piano Concerto no. 3 In E-flat Major op. Posth 75 | — | ||
| 36-2 | Concerto Symphonique no. 4 In D minor op. 102 Ii Scherzo | — | ||
| 36-3 | Konzertstück in F Minor, op. 79, J. 282: I. Larghetto affettuoso | — | ||
| 36-4 | Konzertstück in F Minor, op. 79, J. 282: II. Allegro Passionato | — | ||
| 36-5 | Konzertstück in F Minor, op. 79, J. 282: III. Adagio Attacca - Tempo Di Marcia | — | ||
| 36-6 | Wedding Cake op. 76 Caprice-valse | — | ||
| 36-7 | Rapsodia Sinfonica op. 66 | — | ||
| 37-1 | 1812 Overture, Op. 49: Largo | — | ||
| 37-2 | 1812 Overture, Op. 49: Allegro giusto | — | ||
| 37-3 | Russlan and Ludmilla: Overture | — | ||
| 37-4 | Lohengrin: Prelude to Act 3 | — | ||
| 37-5 | Night on the Bare Mountain | — | ||
| 37-6 | Till Eulenspiegels Lustige Streiche, Op. 28 | Royal Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 37-7 | Don Juan, Op. 20 | Royal Philharmonic Orchestra, Sir Charles Mackerras | T-801.916.776-2 | |
| 38-1 | Romance in F minor, op. 11 | — | ||
| 38-2 | Symphony no. 8 in G, op. 88: I Allegro con brio | — | ||
| 38-3 | Symphony no. 8 in G, op. 88: II. Adagio | — | ||
| 38-4 | Symphony no. 8 in G, op. 88: III. Allegretto grazioso | — | ||
| 38-5 | Symphony no. 8 in G, op. 88: IV. Allegro ma non troppo | — | ||
| 38-6 | Symphonic Variations, op. 78: Theme | — | ||
| 38-7 | Symphonic Variations, op. 78: Vars 1-3 | — | ||
| 38-8 | Symphonic Variations, op. 78: Vars 4-6 | — | ||
| 38-9 | Symphonic Variations, op. 78: Vars 7-9 | — | ||
| 38-10 | Symphonic Variations, op. 78: Vars 10-12 | — | ||
| 38-11 | Symphonic Variations, op. 78: Vars 13-15 | — | ||
| 38-12 | Symphonic Variations, op. 78: Vars 16-18 | — | ||
| 38-13 | Symphonic Variations, op. 78: Vars 19-21 | — | ||
| 38-14 | Symphonic Variations, op. 78: Vars 22-24 | — | ||
| 38-15 | Symphonic Variations, op. 78: Vars 25-27 | — | ||
| 38-16 | Symphonic Variations, op. 78: Finale | — | ||
| 39-1 | Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio – Allegro molto | — | ||
| 39-2 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | — | ||
| 39-3 | Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo – Molto vivace | — | ||
| 39-4 | Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | — | ||
| 39-5 | Symphony no. 7 in D minor, op. 70: I. Allegro Maestoso | London Philharmonic Orchestra, Charles Mackerras | — | |
| 39-6 | Symphony no. 7 in D minor, op. 70: II. Poco Adagio | London Philharmonic Orchestra, Charles Mackerras | — | |
| 39-7 | Symphony no. 7 in D minor, op. 70: III. Scherzo (Vivace) | London Philharmonic Orchestra, Charles Mackerras | — | |
| 39-8 | Symphony no. 7 in D minor, op. 70: IV. Allegro | London Philharmonic Orchestra, Charles Mackerras | — | |
| 40-1 | Romance In F minor For Violin And Orchestra, op. 11 | — | ||
| 40-2 | Legends op. 59 B 122: No. 1 In D minor (Allegretto) | — | ||
| 40-3 | Legends op. 59 B 122: No. 2 In G major (Molto Moderato) | — | ||
| 40-4 | Legends op. 59 B 122: No. 3 In G minor (Allegro Giusto) | — | ||
| 40-5 | Legends op. 59 B 122: No. 4 In C major (Molto Maestoso) | — | ||
| 40-6 | Legends op. 59 B 122: No. 5 In A Flat major (Allegretto Giusto) | — | ||
| 40-7 | Legends op. 59 B 122: No. 6 In C Sharp minor (Allegretto Con Moto) | — | ||
| 40-8 | Legends op. 59 B 122: No. 7 In A major (Allegretto Grazioso) | — | ||
| 40-9 | Legends op. 59 B 122: No. 8 In F major (Un Poco Allegretto E Grazioso) | — | ||
| 40-10 | Legends op. 59 B 122: No. 9 In D major (Andante Con Moto) | — | ||
| 40-11 | Legends op. 59 B 122: No. 10 In B Flat minor (Andante) | — | ||
| 40-12 | Nocturne In B major For Strings, op. 40 | — | ||
| 41-1 | Serenade for Strings in E major, op. 22, B. 52: I. Moderato | — | ||
| 41-2 | Serenade for Strings in E major, op. 22, B. 52: II. Tempo di Valse | — | ||
| 41-3 | Serenade for Strings in E major, op. 22, B. 52: III. Scherzo vivace | — | ||
| 41-4 | Serenade for Strings in E major, op. 22, B. 52: IV. Larghetto | — | ||
| 41-5 | Serenade for Strings in E major, op. 22, B. 52: V. Finale. Allegro vivace | — | ||
| 41-6 | Capriccio pour piano (main gauche) & 7 instruments à vent: I. Allegro | — | ||
| 41-7 | Capriccio pour piano (main gauche) & 7 instruments à vent: II. Adagio | — | ||
| 41-8 | Capriccio pour piano (main gauche) & 7 instruments à vent: III. Allegretto | — | ||
| 41-9 | Capriccio pour piano (main gauche) & 7 instruments à vent: IV. Andante | — | ||
| 41-10 | Concertino pour piano & orchestre de chambre: I. Moderato | — | ||
| 41-11 | Concertino pour piano & orchestre de chambre: II. Più mosso | — | ||
| 41-12 | Concertino pour piano & orchestre de chambre: III. Con moto | — | ||
| 41-13 | Concertino pour piano & orchestre de chambre: IV. Allegro | — | ||
| 42-1 | Pineapple Poll (arr. Mackerras): Scene One. Opening Dance | Royal Philharmonic Orchestra, Charles Mackerras | — | |
| 42-2 | Pineapple Poll (arr. Mackerras): Scene One. Poll’s Solo & Pas de deux | Royal Philharmonic Orchestra, Charles Mackerras | — | |
| 42-3 | Pineapple Poll (arr. Mackerras): Scene One. Belaye’s Solo | Royal Philharmonic Orchestra, Charles Mackerras | — | |
| 42-4 | Pineapple Poll (arr. Mackerras): Scene One. Pas de trois | Royal Philharmonic Orchestra, Charles Mackerras | — | |
| 42-5 | Pineapple Poll (arr. Mackerras): Scene One. Finale | Royal Philharmonic Orchestra, Charles Mackerras | — | |
| 42-6 | Pineapple Poll (arr. Mackerras): Scene Two. Poll’s Solo | Royal Philharmonic Orchestra, Charles Mackerras | — | |
| 42-7 | Pineapple Poll (arr. Mackerras): Scene Two. Jasper’s Solo | Royal Philharmonic Orchestra, Charles Mackerras | — | |
| 42-8 | Pineapple Poll (arr. Mackerras): Scene Three. Belaye’s Solo and Sailors’ Dance | Royal Philharmonic Orchestra, Charles Mackerras | — | |
| 42-9 | Pineapple Poll (arr. Mackerras): Scene Three. Poll’s Solo | Royal Philharmonic Orchestra, Charles Mackerras | — | |
| 42-10 | Pineapple Poll (arr. Mackerras): Scene Three. Entry of Belaye with Blanche as Bride | Royal Philharmonic Orchestra, Charles Mackerras | — | |
| 42-11 | Pineapple Poll (arr. Mackerras): Scene Three. Reconciliation | Royal Philharmonic Orchestra, Charles Mackerras | — | |
| 42-12 | Pineapple Poll (arr. Mackerras): Scene Three. Grande Finale | Royal Philharmonic Orchestra, Charles Mackerras | — | |
| 42-13 | Savoy Opera Overtures: The Yeomen of the Guard | — | ||
| 42-14 | The Mikado (or The Town of Tiputu): Overture | Philharmonia Orchestra, Charles Mackerras | — | |
| 42-15 | Savoy Opera Overtures: Iolanthe | — | ||
| 42-16 | Ruddigore (or The Witch’s Curse): Overture | Philharmonia Orchestra, Charles Mackerras | — | |
| 43-1 | Pineapple Poll. Scene 1: I. Opening Dance | — | ||
| 43-2 | Pineapple Poll. Scene 1: II. Poll's Solo & Pas de deux | — | ||
| 43-3 | Pineapple Poll. Scene 1: III. Belaye's Solo | — | ||
| 43-4 | Pineapple Poll. Scene 1: IV. Pas de trois | — | ||
| 43-5 | Pineapple Poll. Scene 1: V. Finale | — | ||
| 43-6 | Pineapple Poll. Scene 2: I. Poll's Solo | — | ||
| 43-7 | Pineapple Poll. Scene 2: II. Jasper's Solo | — | ||
| 43-8 | Pineapple Poll. Scene 3: I. Belaye's Solo & Sailors' Drill | — | ||
| 43-9 | Pineapple Poll. Scene 3: II. Poll's Solo | — | ||
| 43-10 | Pineapple Poll. Scene 3: III. Entry of Belaye with Blanche as Bride | — | ||
| 43-11 | Pineapple Poll. Scene 3: IV. Reconciliation | — | ||
| 43-12 | Pineapple Poll. Scene 3: V. Grand Finale | — | ||
| 44-1 | Pineapple Poll - Suite: I. Opening Dance | London Philharmonic Orchestra, Charles Mackerras | — | |
| 44-2 | Pineapple Poll - Suite: II. Poll’s Solo and Pas de deux | — | ||
| 44-3 | Pineapple Poll - Suite: III. Belaye’s Solo | — | ||
| 44-4 | Pineapple Poll - Suite: IV. Pas de trois | — | ||
| 44-5 | Pineapple Poll - Suite: V. Jasper’s Solo | — | ||
| 44-6 | Pineapple Poll - Suite: VI. Belaye’s Solo and Sailors’ Dance | — | ||
| 44-7 | Pineapple Poll - Suite: VII. Reconciliation | — | ||
| 44-8 | Pineapple Poll - Suite: VIII. Grand Finale | — | ||
| 44-9 | The Lady and the Fool - Suite: I. Tarantella | — | ||
| 44-10 | The Lady and the Fool - Suite: II. Allegretto | — | ||
| 44-11 | The Lady and the Fool - Suite: III. Commedia | — | ||
| 44-12 | The Lady and the Fool - Suite: IV. Grand Adage | London Philharmonic Orchestra, Charles Mackerras | — | |
| 44-13 | The Lady and the Fool - Suite: V. Man’s Solo | — | ||
| 44-14 | The Lady and the Fool - Suite: VI. Pas de deux | — | ||
| 44-15 | The Lady and the Fool - Suite: VII. Finale | — | ||
| 45-1 | Sinfonietta: I. Allegretto | Pro Arte Orchestra of London, Charles Mackerras | T-312.685.492-6 | |
| 45-2 | Sinfonietta: II. Andante | Pro Arte Orchestra of London, Charles Mackerras | T-312.685.492-6 | |
| 45-3 | Sinfonietta: III. Moderato | Pro Arte Orchestra of London, Charles Mackerras | T-312.685.492-6 | |
| 45-4 | Sinfonietta: IV. Allegretto | Pro Arte Orchestra of London, Charles Mackerras | T-312.685.492-6 | |
| 45-5 | Sinfonietta: V. Andante con moto | Pro Arte Orchestra of London, Charles Mackerras | T-312.685.492-6 | |
| 45-6 | The Makropulos Affair - Prelude | — | ||
| 45-7 | Kátya Kabanová - Prelude | — | ||
| 45-8 | From the House of the Dead - Prelude | — | ||
| 45-9 | Prelude To Jealousy (Jenufa) | — | ||
| 46-1 | Falstaff: I. Falstaff and Prince Henry | — | ||
| 46-2 | Falstaff: II/a. Eastcheap - Gadshill - The Boar's Head, revelry and sleep | — | ||
| 46-3 | Falstaff: II/b. Eastcheap - Gadshill - The Boar's Head, revelry and sleep | — | ||
| 46-4 | Falstaff: II/c. Eastcheap - Gadshill - The Boar's Head, revelry and sleep | — | ||
| 46-5 | Falstaff: II/d. Eastcheap - Gadshill - The Boar's Head, revelry and sleep | — | ||
| 46-6 | Falstaff: II/e. Eastcheap - Gadshill - The Boar's Head, revelry and sleep | — | ||
| 46-7 | Falstaff: II/f. Eastcheap - Gadshill - The Boar's Head, revelry and sleep | — | ||
| 46-8 | Falstaff: II/g. Eastcheap - Gadshill - The Boar's Head, revelry and sleep | — | ||
| 46-9 | Falstaff: II/h. Eastcheap - Gadshill - The Boar's Head, revelry and sleep | — | ||
| 46-10 | Falstaff: II/i. Eastcheap - Gadshill - The Boar's Head, revelry and sleep | — | ||
| 46-11 | Falstaff: II/j. Eastcheap - Gadshill - The Boar's Head, revelry and sleep | — | ||
| 46-12 | Falstaff: II/k. Eastcheap - Gadshill - The Boar's Head, revelry and sleep | — | ||
| 46-13 | Falstaff: II/l. Dream Interlude:Jack Falstaff, now Sir John, a boy, and page to Thomas ... | — | ||
| 46-14 | Falstaff: III/a. Falstaff's march - The return through Gloucestershire | — | ||
| 46-15 | Falstaff: III/b. Falstaff's march - The return through Gloucestershire | — | ||
| 46-16 | Falstaff: III/c. Falstaff's march - The return through Gloucestershire | — | ||
| 46-17 | Falstaff: III/d. Falstaff's march - The return through Gloucestershire | — | ||
| 46-18 | Falstaff: III/e. Interlude: Gloucestershire. Shallow's orchard ( Allegretto) | — | ||
| 46-19 | Falstaff: III/f. The new King - The hurried ride to London | — | ||
| 46-20 | Falstaff: III/g. The new King - The hurried ride to London | — | ||
| 46-21 | Falstaff: IV/a. King Henry V's progress - The repudiation of Falstaff, and his death | — | ||
| 46-22 | Falstaff: IV/b. King Henry V's progress - The repudiation of Falstaff, and his death | — | ||
| 46-23 | Falstaff: IV/c. King Henry V's progress - The repudiation of Falstaff, and his death | — | ||
| 46-24 | Falstaff: IV/d. King Henry V's progress - The repudiation of Falstaff, and his death | — | ||
| 46-25 | Falstaff: IV/e. King Henry V's progress - The repudiation of Falstaff, and his death | — | ||
| 46-26 | Falstaff: IV/f. King Henry V's progress - The repudiation of Falstaff, and his death | — | ||
| 46-27 | Falstaff: IV/g. King Henry V's progress - The repudiation of Falstaff, and his death | — | ||
| 46-28 | Falstaff: IV/h. King Henry V's progress - The repudiation of Falstaff, and his death | — | ||
| 46-29 | Enigma Variations: Theme (Enigma): I. C.A.E. (the composer's wife) | — | ||
| 46-30 | Variations on an Original Theme "Enigma", op. 36: II. HDS-P | David Bell, London Philharmonic Orchestra, Charles Mackerras | — | |
| 46-31 | Variations on an Original Theme "Enigma", op. 36: III. RBT | David Bell, London Philharmonic Orchestra, Charles Mackerras | — | |
| 46-32 | Variations on an Original Theme "Enigma", op. 36: IV. WMB | David Bell, London Philharmonic Orchestra, Charles Mackerras | — | |
| 46-33 | Variations on an Original Theme "Enigma", op. 36: V. RPA | David Bell, London Philharmonic Orchestra, Charles Mackerras | — | |
| 46-34 | Variations on an Original Theme "Enigma", op. 36: VI. Ysobel | David Bell, London Philharmonic Orchestra, Charles Mackerras | — | |
| 46-35 | Variations on an Original Theme "Enigma", op. 36: VII. Troyte | David Bell, London Philharmonic Orchestra, Charles Mackerras | — | |
| 46-36 | Variations on an Original Theme "Enigma", op. 36: VIII. WN | David Bell, London Philharmonic Orchestra, Charles Mackerras | — | |
| 46-37 | Variations on an Original Theme "Enigma", op. 36: IX. Nimrod | David Bell, London Philharmonic Orchestra, Charles Mackerras | T-010.115.427-1 | |
| 46-38 | Variations on an Original Theme "Enigma", op. 36: X. Intermezzo: Dorabella | David Bell, London Philharmonic Orchestra, Charles Mackerras | — | |
| 46-39 | Variations on an Original Theme "Enigma", op. 36: XI. GRS | David Bell, London Philharmonic Orchestra, Charles Mackerras | — | |
| 46-40 | Variations on an Original Theme "Enigma", op. 36: XII. BGN | David Bell, London Philharmonic Orchestra, Charles Mackerras | — | |
| 46-41 | Variations on an Original Theme "Enigma", op. 36: XIII. Romanza: *** | David Bell, London Philharmonic Orchestra, Charles Mackerras | — | |
| 46-42 | Enigma Variations: XIV. Finale: E.D.U. | London Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 47-1 | 8 Slavonic Dances op. 46 B 78 no. 1 In C Major | — | ||
| 47-2 | 8 Slavonic Dances op. 46 B 78 no. 2 In E Minor | — | ||
| 47-3 | 8 Slavonic Dances op. 46 B 78 no. 3 In A-flat Major | — | ||
| 47-4 | 8 Slavonic Dances op. 72 B 145 no. 2 In E Minor | — | ||
| 47-5 | The Bartered Bride Polka | — | ||
| 47-6 | The Bartered Bride Furiant | — | ||
| 47-7 | Hungarian Dances Woo 1 no. 5 In G Minor Orch Parlow | — | ||
| 47-8 | Hungarian Dances Woo 1 no. 6 In D Major Orch Parlow | — | ||
| 47-9 | 6 Romanian Folk Dances Sz 56 Orch Szekely | — | ||
| 47-10 | 2 Romanian Rhapsodies op. 11 no. 1 In A Major | — | ||
| 48-1 | Romance, op. 62 | — | ||
| 48-2 | Cello Concerto in D major: I. Allegro moderato (cadenza: Sir Charles Mackerras) | Julian Lloyd Webber, London Symphony Orchestra, Charles Mackerras | — | |
| 48-3 | Cello Concerto in D major: II. Andante espressivo | Julian Lloyd Webber, London Symphony Orchestra, Charles Mackerras | T-307.241.800-5 | |
| 48-4 | Cello Concerto in D major: III. Molto vivace | Julian Lloyd Webber, London Symphony Orchestra, Charles Mackerras | — | |
| 48-5 | Cello Concerto no. 2 in E minor, op. 30: I. Allegro impetuoso | — | ||
| 48-6 | Cello Concerto no. 2 in E minor, op. 30: II. Lento - Andante tranquillo | — | ||
| 48-7 | Cello Concerto no. 2 in E minor, op. 30: III. Allegro (Tempo I) | — | ||
| 49-1 | Turandot: “Signore, ascolta!” | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T-005.000.838-2 | |
| 49-2 | Turandot: Tu che di gel sei cinta | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T-005.000.838-2 | |
| 49-3 | Madama Butterfly: Atto II. “Un bel dì vedremo” | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — | |
| 49-4 | Madama Butterfly: “Tu, tu piccolo iddio” (Death of Butterfly) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — | |
| 49-5 | IN QUELLE TRINE MORBIDE | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — | |
| 49-6 | MANON LESCAUT (1987 DIGITAL REMASTER): SOLA, PERDUTA, ABBANDONATA | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — | |
| 49-7 | Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T-901.222.501-3 | |
| 49-8 | Tosca: “Vissi d'arte” | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — | |
| 49-9 | La Bohème: Sì, mi chiamano Mimì | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — | |
| 49-10 | La bohème: “Donde lieta uscì” (Mimi’s Farewell) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — | |
| 49-11 | Le Villi: “Se come voi piccina” | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — | |
| 49-12 | La Rondine: Chi il bel sogno di Doretta | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — | |
| 50-1 | Symphony no. 1 in D Major "Titan": I. Langsam. Schleppend | — | ||
| 50-2 | Symphony no. 1 in D Major "Titan": II. Kräftig bewegt, doch nicht zu schnell | — | ||
| 50-3 | Symphony no. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen | — | ||
| 50-4 | Symphony no. 1 in D Major "Titan": IV. Stürmisch bewegt | — | ||
| 51-1 | Symphony No. 5: I. Trauermarsch (In gemessenem Schritt - Streng - Wie ein Kondukt) | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | T-926.359.926-4 | |
| 51-2 | Symphony No. 5: II. Stürmisch bewegt, mit größter Vehemenz | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 51-3 | Symphony No. 5: III. Scherzo (Kräftig, nicht zu schnell) | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 51-4 | Symphony No. 5: IV. Adagietto (Sehr langsam) | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 51-5 | Symphony No. 5: V. Rondo-Finale (Allegro) | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 52-1 | Revelge | — | ||
| 52-2 | Das Irdische Leben | — | ||
| 52-3 | Verlorne Müh | — | ||
| 52-4 | Rheinlegendchen | — | ||
| 52-5 | Der Tamboursg'sell | — | ||
| 52-6 | Der Schildwache Nachtlied | — | ||
| 52-7 | Wer Hat Dies Liedlein Erdacht? | — | ||
| 52-8 | Lob Des Hohen Verstandes | — | ||
| 52-9 | Des Antonius Von Padua Fischpredigt | — | ||
| 52-10 | Lied Des Verfolgten Im Turm | — | ||
| 52-11 | Trost Im Unglück | — | ||
| 52-12 | Wo Die Schönen Trompeten Blasen | — | ||
| 52-13 | An die Hoffnung, op. 124 | — | ||
| 52-14 | 7 Frühe Lieder: I. Nacht | — | ||
| 52-15 | 7 Frühe Lieder: II. Schilflied | — | ||
| 52-16 | 7 Frühe Lieder: III. Die Nachtigall | — | ||
| 53-1 | Paris: The Song of a Great City | Royal Liverpool Philharmonic Orchestra, Charles Mackerras | — | |
| 53-2 | Concerto for Violin, Cello, and Orchestra: I. Quietly – | — | ||
| 53-3 | Concerto for Violin, Cello, and Orchestra: II. Slowly and quietly – | — | ||
| 53-4 | Concerto for Violin, Cello, and Orchestra: III. Accel....Tempo I | — | ||
| 53-5 | Cello Concerto: I. Slow – | — | ||
| 53-6 | Cello Concerto: II. Becoming slower – | — | ||
| 53-7 | Cello Concerto: III. Very quietly – | — | ||
| 53-8 | Cello Concerto: IV. Con moto tranquillo – | — | ||
| 53-9 | Cello Concerto: V. With animation (Allegramente) | — | ||
| 54-1 | Symphony no. 3 in A minor, op. 44: I. Lento - Allegro moderato | — | ||
| 54-2 | Symphony no. 3 in A minor, op. 44: II. Adagio ma non troppo - Allegro vivace | — | ||
| 54-3 | Symphony no. 3 in A minor, op. 44: III. Allegro - Allegro vivace | — | ||
| 54-4 | Symphonic Dances, op. 45: I. Non allegro | — | ||
| 54-5 | Symphonic Dances, op. 45: II. Andante con moto | — | ||
| 54-6 | Symphonic Dances, op. 45: III. Lento assai | — | ||
| 55-1 | The Planets: Mars, the Bringer of War | — | ||
| 55-2 | The Planets: Venus, the Bringer of Peace | Royal Liverpool Philharmonic Orchestra, Charles Mackerras | — | |
| 55-3 | The Planets: Mercury, the Winged Messenger | — | ||
| 55-4 | The Planets: Jupiter, the Bringer of Jollity | — | ||
| 55-5 | The Planets: Saturn, the Bringer of Old Age | — | ||
| 55-6 | The Planets: Uranus, the Magician | — | ||
| 55-7 | The Planets: Neptune, the Mystic | — | ||
| 55-8 | Ballet Music from The Perfect Fool | — | ||
| 56-1 | Il segreto di Susanna: Overture | — | ||
| 56-2 | I quattro rusteghi: Overture | — | ||
| 56-3 | I quattro rusteghi: Intermezzo | — | ||
| 56-4 | I gioielli della Madonna: Festa popolare | — | ||
| 56-5 | I gioielli della Madonna: Intermezzo no. 1 | — | ||
| 56-6 | I gioielli della Madonna: Intermezzo no. 2 | — | ||
| 56-7 | I gioielli della Madonna: Danza napolitana | — | ||
| 56-8 | La Fille du régiment : Ouverture | — | ||
| 56-9 | Don Pasquale: Overture | — | ||
| 56-10 | El sombrero de tres picos, Pt. 2: I. Danza de los vecinos | — | ||
| 56-11 | El sombrero de tres picos, Pt. 2: II: Danza del molinero | — | ||
| 56-12 | El sombrero de tres picos, Pt. 2: III. Danza final | — | ||
| 56-13 | The Bartered Bride: Overture | — | ||
| 56-14 | Schwanda, the Bagpiper: Polka and Fugue | — | ||
| 57-1 | Comedy Overture "The Tinker's Wedding" | — | ||
| 57-2 | Symphony no. 31 | — | ||
| 57-3 | Symphony no. 7 in C: I. Allegro moderato | — | ||
| 57-4 | Symphony no. 7 in C: II. Allegro maestoso ma moderato | — | ||
| 57-5 | Symphony no. 7 in C: III. Adagio - Allegro moderato - Adagio | — | ||
| 57-6 | Symphony no. 7 in C: IV. Epilogue "Once Upon a Time" | — | ||
| 58-1 | The Rite of Spring: Part One, Adoration of the Earth: Introduction | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 58-2 | The Rite of Spring: Part One, Adoration of the Earth: The Augurs of Spring – Dance of the Maidens | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 58-3 | The Rite of Spring: Part One, Adoration of the Earth: Ritual of Abduction | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 58-4 | The Rite of Spring: Part One, Adoration of the Earth: Spring Rounds | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 58-5 | The Rite of Spring: Part One, Adoration of the Earth: Ritual of the Rival Tribes | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 58-6 | The Rite of Spring: Part One, Adoration of the Earth: Procession of the Sage | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 58-7 | The Rite of Spring: Part One, Adoration of the Earth: Adoration of the Earth | London Philharmonic Orchestra, Charles Mackerras | — | |
| 58-8 | The Rite of Spring: Part One, Adoration of the Earth: Dance of the Earth | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 58-9 | The Rite of Spring: Part Two, The Sacrifice: Introduction | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 58-10 | The Rite of Spring: Part Two, The Sacrifice: Mystic Circles of the Maidens | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 58-11 | The Rite of Spring: Part Two, The Sacrifice: Glorification of the Chosen One | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 58-12 | The Rite of Spring: Part Two, The Sacrifice: Evocation of the Ancestors | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 58-13 | The Rite of Spring: Part Two, The Sacrifice: Ritual of the Ancestors | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 58-14 | The Rite of Spring: Part Two, The Sacrifice: Sacrificial Dance (The Chosen One) | London Philharmonic Orchestra, Charles Mackerras | — | |
| 58-15 | Fireworks, op. 4 | — | ||
| 58-16 | Circus Polka | — | ||
| 58-17 | Greeting Prelude “Happy Birthday” | — | ||
| 59-1 | The Merrymakers (Miniature Overture) | London Symphony Orchestra, Charles Mackerras | — | |
| 59-2 | At the Dance (from Summer Days Suite) | London Symphony Orchestra, Charles Mackerras | — | |
| 59-3 | Man from the Sea (from Three Men Suite) | — | ||
| 59-4 | London Again I Oxford Street March | — | ||
| 59-5 | The Three Bears Phantasy | London Symphony Orchestra, Charles Mackerras | — | |
| 59-6 | By the Sleepy Lagoon | London Symphony Orchestra, Charles Mackerras | T-900.031.136-4 | |
| 59-7 | The Three Elizabeths: III. Queen Elysabeth March | — | ||
| 59-8 | Donna Diana | — | ||
| 59-9 | Overture "Der Schuss von der Kanzel" (The Hunting Parson) | — | ||
| 59-10 | El Salon Mexico | — | ||
| 59-11 | Quiet City - Concert Version | — | ||
| 59-12 | Rodeo Hoe Down | — | ||
| 59-13 | Serenade For Strings, op. 11: III. Scherzo | — | ||
| 59-14 | Serenade For Strings, op. 11: IV. March | — | ||
| 60-1 | Symphony no. 1 in B flat minor: I. Allegro assai | — | ||
| 60-2 | Symphony no. 1 in B flat minor: II. Presto, con malizia | — | ||
| 60-3 | Symphony no. 1 in B flat minor: III. Andante con malinconia | — | ||
| 60-4 | Symphony no. 1 in B flat minor: IV. Maestoso - Brioso ed ardentemente - Vivacissimo - Maestoso | — | ||
| 60-5 | Siesta | — | ||
| 60-6 | Symphony no. 2: I. Allegro molto | — | ||
| 60-7 | Symphony no. 2: II. Lento assai | — | ||
| 60-8 | Symphony no. 2: III. Passacaglia: Theme (risoluto), Variantions, Fugato and Coda (Scherzando - Presto) | — | ||
| 61-1 | Stille Nacht, heilige Nacht | — | ||
| 61-2 | O Come All Ye Faithful | — | ||
| 61-3 | O du fröhliche | — | ||
| 61-4 | Sandmännchen | — | ||
| 61-5 | In einem kühlen Grunde | — | ||
| 61-6 | Panis Angelicus | — | ||
| 61-7 | The First Nowell | — | ||
| 61-8 | In dulci jubilo | — | ||
| 61-9 | Weihnachten | — | ||
| 61-10 | Vom Himmel hoch | — | ||
| 61-11 | I Saw Three Ships | — | ||
| 61-12 | Maria auf dem Berge | — | ||
| 61-13 | Easter Alleluia | — | ||
| 62-1 | Bingo | — | ||
| 62-2 | Ar Hyd Y Nos | — | ||
| 62-3 | King Arthurus Servants | — | ||
| 62-4 | Grad Geal Mo Chridh | — | ||
| 62-5 | The Helston Furry Dance | — | ||
| 62-6 | Dafydd Y Garreg Wen | — | ||
| 62-7 | The Foggy Foggy Dew | — | ||
| 62-8 | Mo Nighhenn Chruinn Donn | — | ||
| 62-9 | The Shuttering Lovers | — | ||
| 62-10 | The Maypole Song | — | ||
| 62-11 | Leezie Lindsay | — | ||
| 62-12 | I Will Give My Love An Apple | — | ||
| 62-13 | O Love It Is A Killing Thing | — | ||
| 62-14 | Buy Broom Buzzems | — | ||
| 62-15 | O Waly Waly | — | ||
| 62-16 | Fine Flowurs In The Valley | — | ||
| 62-17 | She Moved Throu The Fair | — | ||
| 62-18 | Thereus None To Soothe | — | ||
| 62-19 | The Briery Bush | — | ||
| 62-20 | Clancy Of The Overflow | — | ||
| 62-21 | Mandalay Scena - Medley | — | ||
| 63-1 | Binge The Story Of Cock Robin | — | ||
| 63-2 | Doctor Foster Arr Hugues | — | ||
| 63-3 | Sing A Song Of Sixpence Arr Mackerras | — | ||
| 63-4 | Oranges And Lemons | — | ||
| 63-5 | Matilda Arr Mackerras | — | ||
| 63-6 | Little Jack Horner Arr Mackerras | — | ||
| 63-7 | The Jolly Beggar Arr Hely-hutchinson | — | ||
| 63-8 | A Good Roarin' Fire | — | ||
| 63-9 | Jack And Jill Arr Mackerras | — | ||
| 63-10 | Old Mother Hubbard Arr Mackerras | — | ||
| 63-11 | Henry King Arr Mackerras | — | ||
| 63-12 | The Great Meet Pie | — | ||
| 63-13 | The Owl And The Pussy Cat | — | ||
| 63-14 | The Table And The Chair | — | ||
| 63-15 | The Duck And The Kangaroo | — | ||
| 63-16 | The Harrinu Heed | — | ||
| 63-17 | The Grand Old Duke Of York | — | ||
| 63-18 | The Bay Of Biscay | — | ||
| 63-19 | Cherry Ripe | — | ||
| 63-20 | It Was A Lover And His Lass | — | ||
| 63-21 | The Miller Of Dee | — | ||
| 63-22 | Oh The Oak And The Ash | — | ||
| 63-23 | Sigh No More Ladies | — | ||
| 63-24 | Early One Morning | — | ||
| 63-25 | The Bailiff'S Daughter Of Islington | — | ||
| 63-26 | Charlie Is My Darling | — | ||
| 63-27 | A-hunting We Will Go | — | ||
| 63-28 | The Ash Grove | — | ||
| 63-29 | Heart Of Oak | — | ||
| 63-30 | Ye Banks And Braes | — | ||
| 63-31 | The Keel Row | — | ||
| 63-32 | John Peel | — | ||
| 63-33 | Where The Bee Sucks | — | ||
| 63-34 | The Vicar Of Bray | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Sylvia - Suite: II. Intermezzo et Valse lente | New Philharmonia Orchestra, Charles Mackerras | T-070.140.357-7 |
| La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — |
| La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — |
| For Unto us a child is born (Messiah) | John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras | — |
| Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | — |
| Le Messie Part 3: No. 43. Aria: I know that my Redeemer liveth | Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5021732623560 is a Universal Product Code (UPC) assigned to The Complete Warner Classics Edition by Sir Charles Mackerras. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 904 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5021732623560 is the Universal Product Code (UPC barcode) for the release “The Complete Warner Classics Edition” by Sir Charles Mackerras, released 2025-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 904 tracks, each with its own ISRC. Tracks include GBAYC2501404, GBAYC2501405, GBAYC2501406.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Music for the Royal Fireworks (original version for wind instruments): Ouverture | — | ||
| 2 | Music for the Royal Fireworks (original version for wind instruments): Bourrée | — | ||
| 3 | Music for the Royal Fireworks (original version for wind instruments): La Paix (Largo Alla Siciliana) | — | ||
| 4 | Music for the Royal Fireworks (original version for wind instruments): La Réjouissance | — | ||
| 5 | Music for the Royal Fireworks (original version for wind instruments): Minuet I | — | ||
| 6 | Music for the Royal Fireworks (original version for wind instruments): Minuet II | — | ||
| 7 | Music for the Royal Fireworks (original version for wind instruments): Minuets I & II (with fireworks and cannon effects) | — | ||
| 8 | Concerto a due Cori in F: Pomposo | — | ||
| 9 | Concerto a due Cori in F: Allegro | — | ||
| 10 | Concerto a due Cori in F: A tempo giusto | — | ||
| 11 | Concerto a due Cori in F: Largo | — | ||
| 12 | Concerto a due Cori in F: Allegro ma non troppo | — | ||
| 13 | Concerto a due Cori in F: Allegro ma non troppo | — | ||
| 14 | Concerto a due Cori in F: Andante larghetto | — | ||
| 15 | Concerto a due Cori in F: Allegro | — | ||
| 16 | Water Music Suite: Allegro | London Symphony Orchestra, Sir Charles Mackerras | — | |
| 17 | Water Music Suite: Bourrée | London Symphony Orchestra, Sir Charles Mackerras | — | |
| 18 | Water Music Suite: Hornpipe | London Symphony Orchestra, Sir Charles Mackerras | — | |
| 19 | Water Music Suite: Allegro deciso | London Symphony Orchestra, Sir Charles Mackerras | — | |
| 20 | Berenice Overture | London Symphony Orchestra, Sir Charles Mackerras | — | |
| 21 | Suite in D Major: IV. Prince of Denmark's March “Trumpet Voluntary” (Arr. Wood) | — | ||
| 22 | Fanfare For God Save The Queen | — | ||
| 23 | The National Anthem God Save The Queen | — | ||
| 2-1 | Messiah, HWV 56: Part The First: Sinfony: Grave – Allegro Moderato | — | ||
| 2-2 | Messiah, HWV 56: Part The First: 1. Accompanied Recitative: “Comfort Ye, My People” (Tenor) | — | ||
| 2-3 | Messiah, HWV 56: Part The First: 2. Aria: “Ev’ry Valley Shall Be Exalted” (Tenor) | — | ||
| 2-4 | Messiah, HWV 56: Part The First: 3. Chorus: “And The Glory Of The Lord” | — | ||
| 2-5 | Messiah, HWV 56: Part The First: 4. Accompanied Recitative: “Thus Saith The Lord Of Hosts” (Bass) | — | ||
| 2-6 | Messiah, HWV 56: Part The First: 5. Aria: “But Who May Abide“ (Countertenor) | — | ||
| 2-7 | Messiah, HWV 56: Part The First: 6. Chorus: “And He Shall Purify” | — | ||
| 2-8 | Messiah, HWV 56: Part The First: 7. Recitative: “Behold, A Virgin Shall Conceive” (Contralto) | — | ||
| 2-9 | Messiah, HWV 56: Part The First: 8.-9. Aria & Chorus: “O Thou That Tellest” (Contralto, Chorus) | — | ||
| 2-10 | Messiah, HWV 56: Part The First: 10. Accompanied Recitative: “For Behold, Darkness Shall Cover The Earth” (Bass) | — | ||
| 2-11 | Messiah, HWV 56: Part The First: 11. Aria: “The People That Walked In Darkness” (Bass) | — | ||
| 2-12 | For Unto us a child is born (Messiah) | John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras | T-011.162.720-3 | |
| 2-13 | Messiah, HWV 56: Part The First: 13. Pifa (Sinfonia Pastorale): Larghetto E Mezzo Piano | — | ||
| 2-14 | Messiah, HWV 56: Part The First: 14. Recitative: “There Were Shepherds Abiding In The Field” (Soprano) | — | ||
| 2-15 | Messiah, HWV 56: Part The First: Accompanied Recitative: “And Lo, The Angel Of The Lord Came Upon Them” (Soprano) | — | ||
| 2-16 | Messiah, HWV 56: Part The First: Recitative: “And The Angel Said Unto Them” (Soprano) | — | ||
| 2-17 | Messiah, HWV 56: Part The First: Accompanied Recitative: “And Suddenly There Was With The Angel A Multitude” (Soprano) | — | ||
| 2-18 | Messiah, HWV 56: Part The First: 15. Chorus: “Glory To God In The Highest” | — | ||
| 2-19 | Messiah, HWV 56: Part The First: 16. Aria: “Rejoice Greatly, O Daugher Of Zion” (Soprano) | — | ||
| 2-20 | Messiah, HWV 56: Part The First: 17. Recitative: “Then Shall The Eyes Of The Blind Be Open’d” (Soprano) | — | ||
| 2-21 | Messiah, HWV 56: Part The First: 18. Aria: “He Shall Feed His Flock” (Soprano) | — | ||
| 2-22 | Messiah, HWV 56: Part The First: 19. Chorus: “His Yoke Is Easy” | — | ||
| 2-23 | Messiah, HWV 56: Part The Second: 20. Chorus: “Behold, The Lamb Of God” | — | ||
| 2-24 | Messiah, HWV 56: Part The Second: 21. Aria: “He Was Despised” (Contralto) | — | ||
| 2-25 | Messiah, HWV 56: Part The Second: 22. Chorus: “Surely He Hath Borne Our Griefs” | — | ||
| 3-1 | Messiah, HWV 56: Part The Second: 23. Chorus “And With His Stripes” | — | ||
| 3-2 | Messiah, HWV 56: Part The Second: 24. Chorus “All We, Like Sheep” | — | ||
| 3-3 | Messiah, HWV 56: Part The Second: 25. Accompanied Recitative “All They That See Him, Laugh Him To Scorn” (Tenor) | — | ||
| 3-4 | Messiah, HWV 56: Part The Second: 26. Chorus “He Trusted In God” | — | ||
| 3-5 | Messiah, HWV 56: Part The Second: 27. Accompanied Recitative “Thy Rebuke Hath Broken His Heart” (Tenor) | — | ||
| 3-6 | Messiah, HWV 56: Part The Second: 28. Arioso “Behold, And See” (Tenor) | — | ||
| 3-7 | Messiah, HWV 56: Part The Second: 29. Accompanied Recitative “He Was Cut Off” (Tenor) | — | ||
| 3-8 | Messiah, HWV 56: Part The Second: 30. Air “But Thou Didst Not Leave His Soul” (Tenor) | — | ||
| 3-9 | Messiah, HWV 56: Part The Second: 31. Chorus “Lift Up Your Heads” | — | ||
| 3-10 | Messiah, HWV 56: Part The Second: 32. Recitative “Unto Which Of The Angels” (Tenor) | — | ||
| 3-11 | Messiah, HWV 56: Part The Second: 33. Chorus “Let All The Angels Of God Worship Him” | — | ||
| 3-12 | Messiah, HWV 56: Part The Second: 34. Air “Thou Art Gone Up On High” (Countertenor) | — | ||
| 3-13 | Messiah, HWV 56: Part The Second: 35. Chorus “The Lord Gave The Word” | — | ||
| 3-14 | Messiah, HWV 56: Part The Second: 36. Duet “How Beautiful Are The Feet” (Countertenor, Soprano) | — | ||
| 3-15 | Messiah, HWV 56: Part The Second: 37. Chorus “Their Sound Is Gone Out” | — | ||
| 3-16 | Messiah, HWV 56: Part The Second: 38. Air “Why Do The Nations” (Bass) | — | ||
| 3-17 | Messiah, HWV 56: Part The Second: 39. Chorus “Let Us Break Their Bonds” | — | ||
| 3-18 | Messiah, HWV 56: Part The Second: 40. Recitative “He That Dwelleth In Heaven” (Tenor) | — | ||
| 3-19 | Messiah, HWV 56: Part The Second: 41. Air “Thou Shalt Break Them” (Tenor) | — | ||
| 3-20 | Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | T-071.518.061-2 | |
| 3-21 | Le Messie Part 3: No. 43. Aria: I know that my Redeemer liveth | Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras | — | |
| 3-22 | Messiah, HWV 56: Part The Third: 44. Chorus “Since By Man Came Death” | — | ||
| 3-23 | Messiah, HWV 56: Part The Third: Chorus “Since By Man Came Also The Resurrection” | — | ||
| 3-24 | Messiah, HWV 56: Part The Third: Chorus “For As In Adam All Die” | — | ||
| 3-25 | Messiah, HWV 56: Part The Third: Chorus “Even So In Christ” | — | ||
| 3-26 | Messiah, HWV 56: Part The Third: 45. Accompanied Recitative “Behold, I Tell You A Mystery” (Bass) | — | ||
| 3-27 | Messiah, HWV 56: Part The Third: 46. Air “The Trumpet Shall Sound” (Bass) | — | ||
| 3-28 | Messiah, HWV 56: Part The Third: 47. Recitative “Then Shall Be Brought To Pass” (Soprano) | — | ||
| 3-29 | Messiah, HWV 56: Part The Third: 48. Duet “O Death, Where Is Thy Sting?” (Countertenor, Tenor) | — | ||
| 3-30 | Messiah, HWV 56: Part The Third: 49. Chorus “But Thanks Be To God” | — | ||
| 3-31 | Messiah, HWV 56: Part The Third: 50. Aria “If God Be For Us” (Soprano) | — | ||
| 3-32 | Messiah, HWV 56: Part The Third: 51. Chorus “Worthy Is The Lamb” | — | ||
| 3-33 | Messiah, HWV 56: Part The Third: 52. Chorus “Amen” | — | ||
| 4-1 | MUSIC FOR THE ROYAL FIREWORKS HWV351 (2001 REMASTERED VERSION): OVERTURE | London Symphony Orchestra, Charles Mackerras | — | |
| 4-2 | MUSIC FOR THE ROYAL FIREWORKS HWV351 (2001 REMASTERED VERSION): BOURRÉE | London Symphony Orchestra, Charles Mackerras | — | |
| 4-3 | HANDEL: MUSIC FOR THE ROYAL FIREWORKS, HWV 351: III. LA PAIX | London Symphony Orchestra, Charles Mackerras | — | |
| 4-4 | MUSIC FOR THE ROYAL FIREWORKS, HWV 351: IV. LA RÉJOUISSANCE | London Symphony Orchestra, Charles Mackerras | — | |
| 4-5 | Music for the Royal Fireworks: V. Minuet I | London Symphony Orchestra, Charles Mackerras | — | |
| 4-6 | MUSIC FOR THE ROYAL FIREWORKS HWV351 (2001 REMASTERED VERSION): MINUET 2 | London Symphony Orchestra, Charles Mackerras | — | |
| 4-7 | Concerto A Due Cori no. 2 In F major Hwv 333 I Pomposo | Sir Charles Mackerras | — | |
| 4-8 | Concerto A Due Cori no. 2 In F major Hwv 333 Ii Allegro | Sir Charles Mackerras | — | |
| 4-9 | Concerto A Due Cori no. 2 In F major Hwv 333 Iii A Tempo Giusto | Sir Charles Mackerras | — | |
| 4-10 | Concerto A Due Cori no. 2 In F major Hwv 333 Iv Largo | Sir Charles Mackerras | — | |
| 4-11 | Concerto A Due Cori no. 2 In F major Hwv 333 V Allegro Ma Non Troppo | Sir Charles Mackerras | — | |
| 4-12 | Concerto A Due Cori no. 2 In F major Hwv 333 Vi A Tempo Ordinario | Sir Charles Mackerras | — | |
| 4-13 | Concerto no. 1 in F: Largo | London Symphony Orchestra, Sir Charles Mackerras | — | |
| 4-14 | Concerto no. 1 in F: Allegro | London Symphony Orchestra, Sir Charles Mackerras | — | |
| 4-15 | Concerto no. 3 in D: Largo | London Symphony Orchestra, Sir Charles Mackerras | — | |
| 4-16 | Concerto no. 3 in D: Allegro | London Symphony Orchestra, Sir Charles Mackerras | — | |
| 4-17 | Concerto no. 3 in D: Air | London Symphony Orchestra, Sir Charles Mackerras | — | |
| 4-18 | Concerto no. 3 in D: Allegro ma non troppo | London Symphony Orchestra, Sir Charles Mackerras | — | |
| 5-1 | Water Music Suite No. 1 in F major, HWV 348: I. Overture (Largo - Allegro) | — | ||
| 5-2 | Water Music Suite No. 1 in F major, HWV 348: II. Adagio e staccato | — | ||
| 5-3 | Water Music Suite No. 1 in F major, HWV 348: III. | — | ||
| 5-4 | Water Music Suite No. 1 in F major, HWV 348: IV. Andante | — | ||
| 5-5 | Water Music Suite No. 1 in F major, HWV 348: III. (da capo) | — | ||
| 5-6 | Water Music Suite No. 1 in F major, HWV 348: V. | — | ||
| 5-7 | Water Music Suite No. 1 in F major, HWV 348: VI. Air | — | ||
| 5-8 | Water Music Suite No. 1 in F major, HWV 348: VII. Minuet | — | ||
| 5-9 | Water Music Suite No. 1 in F major, HWV 348: VIII. Bourrée | — | ||
| 5-10 | Water Music Suite No. 1 in F major, HWV 348: IX. Hornpipe | — | ||
| 5-11 | Water Music Suite No. 1 in F major, HWV 348: X. | — | ||
| 5-12 | Water Music Suite No. 3 in G major, HWV 350: XVI. | — | ||
| 5-13 | Water Music Suite No. 3 in G major, HWV 350: XVII. Rigaudon - Presto | — | ||
| 5-14 | Water Music Suite No. 3 in G major, HWV 350: XVIII. | — | ||
| 5-15 | Water Music Suite No. 3 in G major, HWV 350: XVII. (da capo) | — | ||
| 5-16 | Water Music Suite No. 3 in G major, HWV 350: XIX. Menuet | — | ||
| 5-17 | Water Music Suite No. 3 in G major, HWV 350: XX. | — | ||
| 5-18 | Water Music Suite No. 3 in G major, HWV 350: XXI. | — | ||
| 5-19 | Water Music Suite No. 3 in G major, HWV 350: XXII. | — | ||
| 5-20 | Water Music Suite No. 3 in G major, HWV 350: XXI. (da capo) | — | ||
| 5-21 | Water Music Suite No. 2 in D major, HWV 349: XI. | — | ||
| 5-22 | Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe | Rudolf Beránek, Stanislav Bogunia, Jiří Kaniak, Karel Klement, Miloslav Klement, Vladislav Kozderka, Stanislav Sejpal, Jr., Zdeněk Tylšar, Prague Chamber Orchestra, Charles Mackerras | — | |
| 5-23 | Water Music Suite No. 2 in D major, HWV 349: XIII. Minuet | — | ||
| 5-24 | Water Music Suite No. 2 in D major, HWV 349: XIV. Lentement | — | ||
| 5-25 | Water Music Suite No. 2 in D major, HWV 349: XV. Bourrée | — | ||
| 5-26 | Water Music Suite No. 2 in D major, HWV 349: XIII. (da capo) | — | ||
| 6-1 | Concerto Grosso In B-flat major op. 3 no. 1 Hwv 312 I Allegro | — | ||
| 6-2 | Concerto Grosso In B-flat major op. 3 no. 1 Hwv 312 Ii Largo | — | ||
| 6-3 | Concerto Grosso In B-flat major op. 3 no. 1 Hwv 312 Iii Allegro | — | ||
| 6-4 | Concerto Grosso In B-flat major op. 3 no. 2 Hwv 313 I Vivace | — | ||
| 6-5 | Concerto Grosso In B-flat major op. 3 no. 2 Hwv 313 Ii Largo | — | ||
| 6-6 | Concerto Grosso In B-flat major op. 3 no. 2 Hwv 313 Iii Allegro | — | ||
| 6-7 | Concerto Grosso In B-flat major op. 3 no. 2 Hwv 313 Iv Moderato | — | ||
| 6-8 | Concerto Grosso In B-flat major op. 3 no. 2 Hwv 313 V Allegro | — | ||
| 6-9 | Concerto Grosso In G major op. 3 no. 3 Hwv 314 I Larghetto E Staccato - Allegro | — | ||
| 6-10 | Concerto Grosso In G major op. 3 no. 3 Hwv 314 Ii Andante | — | ||
| 6-11 | Concerto Grosso In G major op. 3 no. 3 Hwv 314 Iii Allegro | — | ||
| 6-12 | Concerto Grosso In F major op. 3 no. 4 Hwv 315 I Andante - Allegro | — | ||
| 6-13 | Concerto Grosso In F major op. 3 no. 4 Hwv 315 Ii Andante | — | ||
| 6-14 | Concerto Grosso In F major op. 3 no. 4 Hwv 315 Iii Allegro | — | ||
| 6-15 | Concerto Grosso In F major op. 3 no. 4 Hwv 315 Iv Minuetto | — | ||
| 6-16 | Concerto Grosso In D minor op. 3 no. 5 Hwv 316 I Largo | — | ||
| 6-17 | Concerto Grosso In D minor op. 3 no. 5 Hwv 316 Ii Fuga Allegro | — | ||
| 6-18 | Concerto Grosso In D minor op. 3 no. 5 Hwv 316 Iii Adagio | — | ||
| 6-19 | Concerto Grosso In D minor op. 3 no. 5 Hwv 316 Iv Allegro Ma Non Troppo | — | ||
| 6-20 | Concerto Grosso In D minor op. 3 no. 5 Hwv 316 V Allegro | — | ||
| 6-21 | Concerto Grosso In D major op. 3 no. 6 Hwv 317 I Vivace | — | ||
| 6-22 | Concerto Grosso In D major op. 3 no. 6 Hwv 317 Ii Allegro | — | ||
| 7-1 | Concerto in D minor for trumpet & organ: I. Largo | — | ||
| 7-2 | Concerto in D minor for trumpet & organ: II. Vivace | — | ||
| 7-3 | Concerto in D minor for trumpet & organ: III. Furioso | — | ||
| 7-4 | Concerto in D minor for trumpet & organ: IV. Adagio | — | ||
| 7-5 | Concerto in D minor for trumpet & organ: V. Alla breve | — | ||
| 7-6 | Trumpet Concerto in B‐flat, op. 7 no. 3: I. Allegro | — | ||
| 7-7 | Trumpet Concerto in B‐flat, op. 7 no. 3: II. Adagio | — | ||
| 7-8 | Trumpet Concerto in B‐flat, op. 7 no. 3: III. Allegro | — | ||
| 7-9 | Trumpet Concerto in D, op. 7 no. 6: I. Allegro | — | ||
| 7-10 | Trumpet Concerto in D, op. 7 no. 6: II. Adagio | — | ||
| 7-11 | Trumpet Concerto in D, op. 7 no. 6: III. Allegro | — | ||
| 7-12 | Trumpet Concerto in D: I. Allegro | — | ||
| 7-13 | Trumpet Concerto in D: II. Grave | — | ||
| 7-14 | Trumpet Concerto in D: III. Aria | — | ||
| 7-15 | Trumpet Concerto in D: IV. Grave | — | ||
| 7-16 | Trumpet Concerto in D: V. Vivace | — | ||
| 7-17 | Trumpet Concerto in E‐flat: I. Allegro | — | ||
| 7-18 | Trumpet Concerto in E‐flat: II. Larghetto | — | ||
| 7-19 | Trumpet Concerto in E‐flat: III. Vivace | — | ||
| 8-1 | March in C major, K. 408 | — | ||
| 8-2 | Divertimento no. 1 in E‐flat major, K. 113: I. Allegro | — | ||
| 8-3 | Divertimento no. 1 in E‐flat major, K. 113: II. Andante | — | ||
| 8-4 | Divertimento no. 1 in E‐flat major, K. 113: III. Menuetto | — | ||
| 8-5 | Divertimento no. 1 in E‐flat major, K. 113: IV. Allegro | — | ||
| 8-6 | 6 German Dances, K. 509: No. 1 in D major | — | ||
| 8-7 | 6 German Dances, K. 509: No. 2 in G major | — | ||
| 8-8 | 6 German Dances, K. 509: No. 3 in E‐flat major | — | ||
| 8-9 | 6 German Dances, K. 509: No. 4 in F major | — | ||
| 8-10 | 6 German Dances, K. 509: No. 5 in A major | — | ||
| 8-11 | 6 German Dances, K. 509: No. 6 in C major | — | ||
| 8-12 | 2 Minuets, K. 604: No. 1 in B‐flat major | — | ||
| 8-13 | 2 Minuets, K. 604: No. 2 in E‐flat major | — | ||
| 8-14 | Les petits riens, K. Anh. 10: Overture. Allegro | — | ||
| 8-15 | Les petits riens, K. Anh. 10: I. Largo | — | ||
| 8-16 | Les petits riens, K. Anh. 10: II. Gavotte | — | ||
| 8-17 | Les petits riens, K. Anh. 10: III. Andantino | — | ||
| 8-18 | Les petits riens, K. Anh. 10: IV. Allegro | — | ||
| 8-19 | Les petits riens, K. Anh. 10: V. Larghetto | — | ||
| 8-20 | Les petits riens, K. Anh. 10: VI. Gavotte joyeuse. Allegro | — | ||
| 8-21 | Les petits riens, K. Anh. 10: VII. Adagio | — | ||
| 8-22 | Les petits riens, K. Anh. 10: VIII. Gigue. Presto | — | ||
| 8-23 | Les petits riens, K. Anh. 10: IX. Gavotte gracieuse | — | ||
| 8-24 | Les petits riens, K. Anh. 10: X. Pantomime | — | ||
| 8-25 | Les petits riens, K. Anh. 10: XI. Passepied | — | ||
| 8-26 | Les petits riens, K. Anh. 10: XII. Gavotte | — | ||
| 8-27 | Les petits riens, K. Anh. 10: XIII. Andante | — | ||
| 8-28 | 3 Marches, K. 408: No. 2 in D major | — | ||
| 9-1 | Concerto for Piano no. 20 in D minor, K. 466: I. Allegro | — | ||
| 9-2 | Concerto for Piano no. 20 in D minor, K. 466: II. Romanze | — | ||
| 9-3 | Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai | — | ||
| 9-4 | Concerto for Piano and Orchestra no. 23 in A major, K. 488: I. Allegro | — | ||
| 9-5 | Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante (Adagio) | — | ||
| 9-6 | Concerto for Piano and Orchestra no. 23 in A major, K. 488: III. Allegro assai | — | ||
| 10-1 | Symphony. no. 36 in C major, K. 425 “Linz”: I. Adagio - Allegro spiritoso | — | ||
| 10-2 | Symphony. no. 36 in C major, K. 425 “Linz”: II. Andante | — | ||
| 10-3 | Symphony. no. 36 in C major, K. 425 “Linz”: III. Minuetto & Trio | — | ||
| 10-4 | Symphony. no. 36 in C major, K. 425 “Linz”: IV. Presto | — | ||
| 10-5 | Symphony. no. 38 in C major, K. 504 “Prague”: I. Adagio – Allegro | — | ||
| 10-6 | Symphony. no. 38 in C major, K. 504 “Prague”: II. Andante | — | ||
| 10-7 | Symphony. no. 38 in C major, K. 504 “Prague”: III. Finale: Presto | — | ||
| 11-1 | Symphony no. 40, K. 550: I. Molto allegro | London Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 11-2 | Symphony no. 40, K. 550: II. Andante | London Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 11-3 | Symphony no. 40, K. 550: III. Menuetto & Trio | London Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 11-4 | Symphony no. 40, K. 550: IV. Allegro assai | London Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 11-5 | Symphony no. 41, K. 551 "Jupiter": I. Allegro vivace | — | ||
| 11-6 | Symphony no. 41, K. 551 "Jupiter": II. Andante cantabile | — | ||
| 11-7 | Symphony no. 41, K. 551 "Jupiter": III. Menuetto (Allegretto) & Trio | — | ||
| 11-8 | Symphony no. 41, K. 551 "Jupiter": IV. Molto allegro | — | ||
| 12-1 | Sinfonia Concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. Anh C 14.01/(K3) 297b/Anh 9 (spurious): I. Allegro | — | ||
| 12-2 | Sinfonia Concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. Anh C 14.01/(K3) 297b/Anh 9 (spurious): II. Adagio | — | ||
| 12-3 | Sinfonia Concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. Anh C 14.01/(K3) 297b/Anh 9 (spurious): III. Andantino con variazioni | — | ||
| 12-4 | Concerto for Flute No. 1 in G major, K. 285c/313: I. Allegro maestoso | — | ||
| 12-5 | Concerto for Flute No. 1 in G major, K. 285c/313: II. Adagio non troppo | — | ||
| 12-6 | Concerto for Flute No. 1 in G major, K. 285c/313: III. Rondo. Tempo di menuetto | — | ||
| 13-1 | Cosi fari tutte: Temerari, sortite...Come scoglio | Barbara Frittoli, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 13-2 | Cosi fari tutte: El parte...Per pieta | Barbara Frittoli, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 13-3 | Le nozze di Figaro: Porgi, amor | Barbara Frittoli, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 13-4 | Le nozze di Figaro: E Susanna non vien!... Dove song | Barbara Frittoli, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 13-5 | Idomeneo, re di Creta: O smania! oh furie!...D'Oreste, d'Alace | Barbara Frittoli, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 13-6 | Don Giovanni: In quali eccessi, o Numi...Mi tradi quell'alma ingrata | Barbara Frittoli, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 13-7 | Don Giovanni: Crudele!...Non mi dir | Barbara Frittoli, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 13-8 | Bella mia fiamma, addio!: Concert aria K 528 | Barbara Frittoli, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 14-1 | Idomeneo, rè di Creta, K. 366: Ouverture | — | ||
| 14-2 | Idomeneo, rè di Creta, K. 366: Act I, Scene I. Recitativo "Quando avran fine omai" (Ilia) | — | ||
| 14-3 | Idomeneo, rè di Creta, K. 366: Act I, Scene I. No. 1 Aria "Padre, germani, addio!" (Ilia) | — | ||
| 14-4 | Idomeneo, rè di Creta, K. 366: Act I, Scene I. Recitativo "Ecco Idamante, ahimé!" (Ilia) | — | ||
| 14-5 | Idomeneo, rè di Creta, K. 366: Act I, Scene II. Recitativo "Radunate i Troiani, ite" (Ilia, Idamante) | — | ||
| 14-6 | Idomeneo, rè di Creta, K. 366: Act I, Scene II. No. 2 Aria "Non ho colpa" (Idamante) | — | ||
| 14-7 | Idomeneo, rè di Creta, K. 366: Act I, Scene II. Recitativo "Ecco il misero" (Ilia, Idamante) | — | ||
| 14-8 | Idomeneo, rè di Creta, K. 366: Act I, Scene III. No. 3 Coro "Godiam la pace" (Coro) | — | ||
| 14-9 | Idomeneo, rè di Creta, K. 366: Act I, Scene IV. Recitativo "Prence, signor, tutta la Grecia oltraggi" (Elettra, Idomeneo, Arbace) | — | ||
| 14-10 | Idomeneo, rè di Creta, K. 366: Act I, Scene VI. Recitativo "Estinto è Idomeneo?" (Elettra) | — | ||
| 14-11 | Idomeneo, rè di Creta, K. 366: Act I, Scene VI. No. 4 Aria "Tutte nel cor vi sento" (Elettra) | — | ||
| 14-12 | Idomeneo, rè di Creta, K. 366: Act I, Scene VII. No. 5 Coro "Pietà! Numi, pietà!" (Coro) | — | ||
| 14-13 | Idomeneo, rè di Creta, K. 366: Act I, Scene VIII. Pantomima e Recitativo "Ecco ci salvi alfin" (Idomeneo) | — | ||
| 14-14 | Idomeneo, rè di Creta, K. 366: Act I, Scene IX. Recitativo "Oh voi, di Marte e di Nettuno all'ire" (Idomeneo) | — | ||
| 14-15 | Idomeneo, rè di Creta, K. 366: Act I, Scene IX. No. 6 Aria "Vedrommi intorno l'ombra dolente" (Idomeneo) | — | ||
| 14-16 | Idomeneo, rè di Creta, K. 366: Act I, Scene IX. Recitativo "Cieli! che veggo!" (Idomeneo, Idamante) | — | ||
| 14-17 | Idomeneo, rè di Creta, K. 366: Act I, Scene X: Recitativo "Spiagge romite, e voi scoscese rupi" (Idamante, Idomeneo) | — | ||
| 14-18 | Idomeneo, rè di Creta, K. 366: Act I, Scene X. No. 7 Aria "Il padre adorato" (Idamante) | — | ||
| 14-19 | Idomeneo, rè di Creta, K. 366: Act I, Scene XI. No. 8 Marcia | — | ||
| 14-20 | Idomeneo, rè di Creta, K. 366: Act I, Scene XI. No. 9 Coro "Nettuno s'onori!" (Coro) | — | ||
| 14-21 | Idomeneo, rè di Creta, K. 366: Act II, Scene I. Recitativo "Siam soli, odimi Arbace" (Idomeneo, Arbace) | — | ||
| 14-22 | Idomeneo, rè di Creta, K. 366: Act II, Scene I. No. 10a Aria. Allegro "Se il tuo duol, se il mio desio" (Arbace) | — | ||
| 14-23 | Idomeneo, rè di Creta, K. 366: Act II, Scene II. Recitativo "Se mai pomposo" (Ilia, Idomeneo) | — | ||
| 14-24 | Idomeneo, rè di Creta, K. 366: Act II, Scene II. No. 11 Aria "Se il padre perdei" (Ilia) | — | ||
| 14-25 | Idomeneo, rè di Creta, K. 366: Act II, Scene III. Recitativo "Qual mi conturba i sensi" (Idomeneo) | — | ||
| 14-26 | Idomeneo, K. 366: "Fuor del mar ho un mar in seno" (Idomeneo) | Ian Bostridge, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 15-1 | Idomeneo, rè di Creta, K. 366: Act II, Scene IV. Recitativo "Frettolosa e giuliva" (Idomeneo, Elettra) | — | ||
| 15-2 | Idomeneo, rè di Creta, K. 366: Act II, Scene IV. No. 13 Aria "Idol mio, se ritroso" (Elettra) | — | ||
| 15-3 | Idomeneo, rè di Creta, K. 366: Act II, Scene IV. No. 14 Marcia e Recitativo "Odo da lunge" (Elettra) | — | ||
| 15-4 | Idomeneo, rè di Creta, K. 366: Act II, Scene V. Recitativo "Sidonie sponde!" (Elettra) | — | ||
| 15-5 | Idomeneo, rè di Creta, K. 366: Act II, Scene VI. No. 15 Coro "Placido è il mar" (Elettra) | — | ||
| 15-6 | Idomeneo, rè di Creta, K. 366: Act II, Scene VII. Recitativo "Vattene, prence" (Idomeneo, Idamante) | — | ||
| 15-7 | Idomeneo, rè di Creta, K. 366: Act II, Scene VII. No. 16 Terzetto "Pria di partir, oh Dio!" (Idamante, Elettra, Idomeneo) | — | ||
| 15-8 | Idomeneo, rè di Creta, K. 366: Act II, Scene VII. No. 17 Coro "Qual nuovo terrore!" (Coro) | — | ||
| 15-9 | Idomeneo, rè di Creta, K. 366: Act II, Scene VII. Recitativo "Eccoti in me, barbaro Nume!" (Idomeneo) | — | ||
| 15-10 | Idomeneo, rè di Creta, K. 366: Act III, Scene I. No. 18 Coro "Corriamo, fuggiamo" (Coro) | — | ||
| 15-11 | Idomeneo, rè di Creta, K. 366: Act III, Scene I. Recitativo "Solitudini amiche" (Ilia) | — | ||
| 15-12 | Idomeneo, K. 366: "Zeffiretti lusinghieri" (Ilia) | Lisa Milne, Scottish Chamber Orchestra, Charles Mackerras | — | |
| 15-13 | Idomeneo, rè di Creta, K. 366: Act III, Scene II. Recitativo "Ei stesso vien" (Ilia) | — | ||
| 15-14 | Idomeneo, rè di Creta, K. 366: Act III, Scene II. Recitativo "Principessa, a' tuoi sguardi" (Idamante, Ilia) | — | ||
| 15-15 | Idomeneo, rè di Creta, K. 366: Act III, Scene II. No. 20a Duetto "S'io non moro a questi accenti" (Idamante, Ilia) | — | ||
| 15-16 | Idomeneo, rè di Creta, K. 366: Act III, Scene III. Recitativo "Cieli! che vedo?" (Idomeneo, Ilia, Idamante, Elettra) | — | ||
| 15-17 | Idomeneo, rè di Creta, K. 366: Act III, Scene III. No. 21 Quartetto "Andrò ramingo e solo" (Idamante, Ilia, Idomeneo, Elettra) | — | ||
| 15-18 | Idomeneo, rè di Creta, K. 366: Act III, Scene IV. Recitativo "Sire, alla reggia tua immensa turba" (Arbace, Ilia,Idomeneo, Elettra) | — | ||
| 15-19 | Idomeneo, rè di Creta, K. 366: Act III, Scene V. Recitativo "Sventurata Sidon!" (Arbace) | — | ||
| 15-20 | Idomeneo, rè di Creta, K. 366: Act III, Scene V. No. 22 Aria "Se colà ne' fati è scritto" (Arbace) | — | ||
| 15-21 | Idomeneo, rè di Creta, K. 366: Act III, Scene VI. No. 23 Recitativo "Volgi intorno lo sguardo" (Gran Sacerdote, Idomeneo) | — | ||
| 15-22 | Idomeneo, rè di Creta, K. 366: Act III, Scene VI. No. 24 Coro "O voto tremendo" (Coro, Gran Sacerdote) | — | ||
| 15-23 | Idomeneo, rè di Creta, K. 366: Act III, Scene VII. No. 25 Marcia | — | ||
| 15-24 | Idomeneo, rè di Creta, K. 366: Act III, Scene VII. No. 26 Cavatina con coro "Accogli, oh re del mar" (Idomeneo, Gran Sacerdote, Coro) | — | ||
| 16-1 | Idomeneo, rè di Creta, K. 366: Act III, Scene VII. Coro "Stupenda vittoria!" (Coro) / Scene VII. Recitativo "Qual risuona qui intorno" (Idomeneo) / Scene VIII. Recitativo "Sire, il prence" (Idomeneo, Arbace) | — | ||
| 16-2 | Idomeneo, rè di Creta, K. 366: Act III, Scene IX. Recitativo "Padre, mio caro padre!" (Idamante, Idomeneo) | — | ||
| 16-3 | Idomeneo, rè di Creta, K. 366: Act III, Scene IX. Recitativo "Oh figlio! Oh caro figlio!" (Idomeneo, Idamante) | — | ||
| 16-4 | Idomeneo, rè di Creta, K. 366: Act III, Scene IX. No. 27a Aria "No, la morte io non pavento" (Idamante) | — | ||
| 16-5 | Idomeneo, rè di Creta, K. 366: Act III, Scene X. Recitativo "Ma, che più tardi?" (Idamante, Idomeneo, Ilia, Gran Sacerdote) | — | ||
| 16-6 | Idomeneo, rè di Creta, K. 366: Act III, Scene X. Dialogue "Ferma, oh sire, che fai?" (Ilia,Idomeneo, Idomante, Ilia, Gran Sacerdote) | — | ||
| 16-7 | Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 28 La Voce "Ha vinto Amore" (La Voce) | — | ||
| 16-8 | Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 29 Recitativo "O ciel pietoso!" (Idomeneo, Idamante, Ilia, Arbace, Elettra) | — | ||
| 16-9 | Idomeneo, rè di Creta, K. 366: Act III, Scene X. "Oh, smania! Oh furie! Oh, disperata Elettra!" (Elettra) | — | ||
| 16-10 | Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 29a Aria "D'Oreste, d'Aiace" (Elettra) | — | ||
| 16-11 | Idomeneo, rè di Creta, K. 366: Act III, Scene XI. No. 30 Recitativo "Popoli, a voi l'ultima legge" (Idomeneo) | — | ||
| 16-12 | Idomeneo, rè di Creta, K. 366: Act III, Scene XI. No. 30a Aria "Torna la pace al core" (Idomeneo) | — | ||
| 16-13 | Idomeneo, rè di Creta, K. 366: Act III, Scene XI. No. 31 Coro "Scenda Amor, scenda Imeneo" (Coro) | — | ||
| 16-14 | Idomeneo, rè di Creta, Ballet, KV 367: I. Chaconne - Pour le Ballet | — | ||
| 16-15 | Idomeneo, rè di Creta, Ballet, KV 367: II. Larghetto - Annonce | — | ||
| 16-16 | Idomeneo, rè di Creta, Ballet, KV 367: III. Le Chaconne, qui reprend - Annonce | — | ||
| 16-17 | Idomeneo, rè di Creta, Ballet, KV 367: IV. Pas seul - Largo | — | ||
| 16-18 | Idomeneo, rè di Creta, Ballet, KV 367: V. Appendice: Ballo delle donne Cretesi - Gavotte | — | ||
| 17-1 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | — | ||
| 17-2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | — | ||
| 17-3 | Symphony no. 1 in C major, op. 21: III. Menuetto & Trio. Allegro molto e vivace | — | ||
| 17-4 | Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace | — | ||
| 17-5 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | — | ||
| 17-6 | Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai | — | ||
| 17-7 | Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo & Trio. Allegro vivace | — | ||
| 17-8 | Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto - Poco andante - Presto | — | ||
| 18-1 | Symphony no. 2 in D major, op. 36: I. Adagio - Allegro con brio | — | ||
| 18-2 | Symphony no. 2 in D major, op. 36: II. Larghetto | — | ||
| 18-3 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | — | ||
| 18-4 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | — | ||
| 18-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | — | ||
| 18-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | — | ||
| 18-7 | Symphony no. 8 in F major, op. 93: III. Tempo in menuetto | — | ||
| 18-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | — | ||
| 19-1 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | — | ||
| 19-2 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | — | ||
| 19-3 | Symphony no. 4 in B-flat major, op. 60: III. Menuetto (Allegro vivace) & Trio (Un poco meno allegro) | — | ||
| 19-4 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | — | ||
| 19-5 | Symphony no. 6 in F major, op. 68 "Pastoral": I. Pleasant, cheerful feelings awakened on arrival in the countryside (Allegro ma non troppo) | — | ||
| 19-6 | Symphony no. 6 in F major, op. 68 "Pastoral": II. Scene by the brook (Andante molto moto) | — | ||
| 19-7 | Symphony no. 6 in F major, op. 68 "Pastoral": III. Merry gathering of the country folk (Allegro) | — | ||
| 19-8 | Symphony no. 6 in F major, op. 68 "Pastoral": IV. Thunder. Storm (Allegro) | — | ||
| 19-9 | Symphony no. 6 in F major, op. 68 "Pastoral": V. Shepherds' song: beneficent feelings, combined with thanks to the deity, after the storm (Allegretto) | — | ||
| 20-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 20-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 20-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | — | ||
| 20-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 20-5 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | — | ||
| 20-6 | Symphony no. 7 in A major, op. 92: II. Allegretto | — | ||
| 20-7 | Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto | — | ||
| 20-8 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | — | ||
| 21-1 | Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo e un poco maestoso | — | ||
| 21-2 | Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace - Presto - Molto vivace - Presto | — | ||
| 21-3 | Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato - Tempo I - Andante moderato - Tempo I - Stesso tempo | — | ||
| 21-4 | Symphony no. 9 in D minor, op. 125 "Choral": IVa. Presto - Allegro ma non troppo - Tempo I - Vivace - Tempo I - Adagio cantabile - Tempo I - Allegro assai - Tempo I - Allegro assai - | — | ||
| 21-5 | Symphony no. 9 in D minor, op. 125 "Choral": IVb. Presto - Recitativo - Allegro assai - | — | ||
| 21-6 | Symphony no. 9 in D minor, op. 125 "Choral": IVc. Allegro assai vivace. Alla marcia - | — | ||
| 21-7 | Symphony no. 9 in D minor, op. 125 "Choral": IVd. Andante maestoso - Adagio ma non troppo, ma divoto - | — | ||
| 21-8 | Symphony no. 9 in D minor, op. 125 "Choral": IVe. Andante energico e sempre ben marcato - | — | ||
| 21-9 | Symphony no. 9 in D minor, op. 125 "Choral": IVf. Allegro ma non tanto - | — | ||
| 21-10 | Symphony no. 9 in D minor, op. 125 "Choral": IVg. Poco allegro, stringendo il tempo, sempre più allegro - | — | ||
| 21-11 | Symphony no. 9 in D minor, op. 125 "Choral": IVh. Presto - | — | ||
| 21-12 | Symphony no. 9 in D minor, op. 125 "Choral": IVi. Maestoso - Prestissimo | — | ||
| 22-1 | Violin Concerto in D, op. 61: I. Allegro ma non troppo | Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras | — | |
| 22-2 | Violin Concerto in D, op. 61: II. Larghetto - | Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras | — | |
| 22-3 | Violin Concerto in D, op. 61: III. Rondo (Allegro) | Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras | — | |
| 22-4 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato - | Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras | — | |
| 22-5 | Violin Concerto in E minor, op. 64: II. Andante | Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras | — | |
| 22-6 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras | — | |
| 23-1 | Symphony no. 5 in B-flat major, D. 485: I. Allegro | — | ||
| 23-2 | Symphony no. 5 in B-flat major, D. 485: II. Andante con moto | — | ||
| 23-3 | Symphony no. 5 in B-flat major, D. 485: III. Menuetto & Trio: Allegro molto | — | ||
| 23-4 | Symphony no. 5 in B-flat major, D. 485: IV. Allegro vivace | — | ||
| 23-5 | Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato | — | ||
| 23-6 | Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto | — | ||
| 23-7 | Symphony no. 8 in B minor, D. 759 "Unfinished": III. Allegro | — | ||
| 23-8 | Symphony no. 8 in B minor, D. 759 "Unfinished": IV. Allegro molto moderato | — | ||
| 23-9 | Rosamunde, incidental music, D. 797: Ballet Music no. 2 in G major | — | ||
| 24-1 | Symphony no. 9 in C major, D. 944 "The Great": I. Andante - Allegro ma non troppo | — | ||
| 24-2 | Symphony no. 9 in C major, D. 944 "The Great": II. Andante con moto | — | ||
| 24-3 | Symphony no. 9 in C major, D. 944 "The Great": III. Scherzo. Allegro vivace - Trio | — | ||
| 24-4 | Symphony no. 9 in C major, D. 944 "The Great": IV. Finale. Allegro vivace | — | ||
| 25-1 | William Tell: Ballet Music | — | ||
| 25-2 | Sylvia, suite (I. Les chasseresses) | New Philharmonia Orchestra, Charles Mackerras | T-070.140.357-7 | |
| 25-3 | Sylvia - Suite: II. Intermezzo et Valse lente | New Philharmonia Orchestra, Charles Mackerras | — | |
| 25-4 | Pizzicati from Sylvia | New Philharmonia Orchestra, Charles Mackerras | T-070.140.357-7 | |
| 25-5 | Sylvia, suite (IV. Cortége de bacchus) | — | ||
| 25-6 | Faust, ballet (No.1, Les nubiennes) | — | ||
| 25-7 | Faust, ballet (No.2, adagio) | — | ||
| 25-8 | Faust, ballet (No.3, Danse antique) | — | ||
| 25-9 | Faust, ballet (No.4, Variation de Cléopâtre) | — | ||
| 25-10 | Faust, ballet (No.5, Les troyennes) | — | ||
| 25-11 | Faust, ballet (No.6, Variation du miroir) | — | ||
| 25-12 | Faust, ballet (No.7, Danse de phryné) | — | ||
| 25-13 | Coppelia, suite (I. prelude & mazurka) | New Philharmonia Orchestra, Charles Mackerras | T-306.310.844-7 | |
| 25-14 | Waltz from 'Coppelia' | New Philharmonia Orchestra, Charles Mackerras | — | |
| 25-15 | Coppelia, suite (III. czárdás) | — | ||
| 26-1 | La Damnation De Faust op. 24 Ballet Music | — | ||
| 26-2 | La Damnation De Faust op. 24 Ballet Music | — | ||
| 26-3 | La Damnation De Faust op. 24 Ballet Music | — | ||
| 26-4 | Les Troyens op. 29 H 133 Act 1 Marche Troyenne | — | ||
| 26-5 | Le Carnaval Romain op. 9 H 95 Overture | — | ||
| 26-6 | Ruslan And Lyudmila Overture | — | ||
| 26-7 | Sorochinsky Fair Gopak Orch Liadov | — | ||
| 26-8 | Concert Waltz no. 1 op. 47 | — | ||
| 26-9 | The Snow Maiden Suite Iv Dance Of The Tumblers | — | ||
| 26-10 | The Tale Of Tsar Saltan Act 3 The Flight Of The Bumblebee | — | ||
| 26-11 | The Red Poppy op. 70 Act 1 Russian Sailors' Dance | — | ||
| 26-12 | Caucasian Sketches Suite no. 1 op. 10 Iv Procession Of The Sardar | — | ||
| 27-1 | Symphony no. 4 in A major op. 90, 'Italian': I. Allegro Vivace - Più Animato | — | ||
| 27-2 | Symphony no. 4 in A major op. 90, 'Italian': II. Andante con moto | — | ||
| 27-3 | Symphony no. 4 in A major op. 90, 'Italian': III. Con moto oderato | — | ||
| 27-4 | Symphony no. 4 in A major op. 90, 'Italian': IV. Saltarello (Presto) | — | ||
| 27-5 | A Midsummer Night's Dream overture, op. 21 | — | ||
| 27-6 | A Midsummer Night's Dream - Incidental Music op. 61: Scherzo : Allegro vivace | — | ||
| 27-7 | A Midsummer Night's Dream - Incidental Music op. 61: Over Hill and Dale : L'istesso tempo - Allegro vivace | — | ||
| 27-8 | A Midsummer Night's Dream - Incidental Music op. 61: Allegro vivace | — | ||
| 27-9 | A Midsummer Night's Dream - Incidental Music op. 61: Intermezzo : Allegro appassionato | — | ||
| 27-10 | Ein Sommernachtstraum: Nocturne | Orchestra of the Age of Enlightenment, Charles Mackerras | — | |
| 27-11 | A Midsummer Night's Dream - Incidental Music op. 61: Dance of the Clowns : Allegro di molto | — | ||
| 27-12 | A Midsummer Night's Dream - Incidental Music op. 61: Wedding March : Allegro vivace | — | ||
| 28-1 | Les Sylphides: Prelude in A major, op. 28 no. 7 (Orch. Jacob) | — | ||
| 28-2 | Les Sylphides: Nocturne in A‐flat major, op. 32 no. 2 (Orch. Jacob) | — | ||
| 28-3 | Les Sylphides: Waltz in G‐flat major, op. 70 no. 1 (Orch. Jacob) | — | ||
| 28-4 | Les Sylphides: Mazurka in D major, op. 33 no. 2 (Orch. Jacob) | — | ||
| 28-5 | Les Sylphides: Mazurka in C major, op. 67 no. 3 (Orch. Jacob) | — | ||
| 28-6 | Les Sylphides: Prelude in A major, op. 28 no. 7 (Reprise) [Orch. Jacob] | — | ||
| 28-7 | Les Sylphides: Waltz in C‐sharp minor, op. 64 no. 2 (Orch. Jacob) | — | ||
| 28-8 | Les Sylphides: Grande valse brillante in E‐flat major, op. 18 (Orch. Jacob) | — | ||
| 28-9 | La Gioconda, op. 9, Act 3: Dance of the Hours | — | ||
| 28-10 | Les Patineurs - Suite From The Ballet I Allegro Moderato E Pesante Un Poco Piu Mosso | — | ||
| 28-11 | Les Patineurs Suite From The Ballet | — | ||
| 28-12 | Les Patineurs Suite From The Ballet | — | ||
| 28-13 | Les Patineurs Suite From The Ballet | — | ||
| 28-14 | Les Patineurs - Suite From The Ballet V Allegro Con Spirito | — | ||
| 28-15 | The Sleeping Beauty op. 66 Act 1 The Spell no. 6 Waltz | — | ||
| 28-16 | Eugene Onegin op. 24 Act 2 Waltz | — | ||
| 28-17 | Swan Lake op. 20 Act 1 no. 2 Waltz | — | ||
| 28-18 | Symphony no. 5 In E minor op. 64 Iii Waltz Allegro Moderato | — | ||
| 28-19 | The Nutcracker Suite op. 71a Waltz Of The Flowers | — | ||
| 29-1 | The Lady and the Fool: Prologue, No. 1, Prelude | — | ||
| 29-2 | The Lady and the Fool: Prologue, No. 2, Adagio | — | ||
| 29-3 | The Lady and the Fool: Prologue, No. 3, Divertissement - Allegretto | — | ||
| 29-4 | The Lady and the Fool: Act I, Part 1 - No. 4, Tarantella And Entrance Of Lady And Clowns | — | ||
| 29-5 | The Lady and the Fool: Act I, Part 1 - No. 5, Commedia | — | ||
| 29-6 | The Lady and the Fool: Act I, Part 1 - No. 5a, Allegro Vivace | — | ||
| 29-7 | The Lady and the Fool: Act I, Part 1 - No. 6, Grand Adage | — | ||
| 29-8 | The Lady and the Fool: Act I, Part 2 - No. 7, Scene And Entree | — | ||
| 29-9 | The Lady and the Fool: Act I, Part 2 - No. 8, Solo ( Signor Midas ) | — | ||
| 29-10 | The Lady and the Fool: Act I, Part 2 - No. 8a Entree And Solo ( Prince Of Arragonza ) | — | ||
| 29-11 | The Lady and the Fool: Act I, Part 2 - No. 9 Dance Of The Debutantes | — | ||
| 29-12 | The Lady and the Fool: Act I, Part 2 - No. 10 Variation ( Capitano Adoncino ) | — | ||
| 29-13 | The Lady and the Fool: Act I, Part 2 - No. 11 Coda ( Pas De Cinq ) | — | ||
| 29-14 | The Lady and the Fool: Epilogue - No. 12 Scene And Pas De Deux | — | ||
| 29-15 | The Lady and the Fool: Epilogue - No. 13 Finale | — | ||
| 29-16 | The Lady and the Fool: Epilogue - No. 14 Adagio Molto Calmo | — | ||
| 30-1 | Il Trovatore Act 3 Pas Des Bohemiens | — | ||
| 30-2 | Il Trovatore Act 3 Gitanilla | — | ||
| 30-3 | Il Trovatore Act 3 Ensemble | — | ||
| 30-4 | Il Trovatore Act 3 La Bohemienne | — | ||
| 30-5 | Il Trovatore Act 3 Galop | — | ||
| 30-6 | I Vespri Siciliani Act 3 Luinverno | — | ||
| 30-7 | I Vespri Siciliani Act 3 La Primavera | — | ||
| 30-8 | I Vespri Siciliani Act 3 Luestate | — | ||
| 30-9 | I Vespri Siciliani Act 3 Luautunno | — | ||
| 30-10 | La Forza Del Destino Overture | — | ||
| 30-11 | Nabucco Overture | — | ||
| 30-12 | Alzira Overture | — | ||
| 30-13 | Luisa Miller Overture | — | ||
| 30-14 | Otello Act 3 Ballet | — | ||
| 30-15 | Lakme Act 2 Entree Et Terana | — | ||
| 30-16 | Lakme Act 2 Rektah | — | ||
| 30-17 | Lakme Act 2 Persian | — | ||
| 30-18 | Lakme Act 2 Coda | — | ||
| 31-1 | Un Ballo in Maschera | Montserrat Caballé, Bernabé Martí, London Symphony Orchestra, Sir Charles Mackerras | — | |
| 31-2 | Un Ballo in Maschera | Montserrat Caballé, Bernabé Martí, London Symphony Orchestra, Sir Charles Mackerras | — | |
| 31-3 | La Bohème: Sì, mi chiamano Mimì | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — | |
| 31-4 | Les Huguenots, Act 4 Scene 6: Duo, "Où courez-vous? Raoul, répondez-moi! … Le danger presse, et le temps vole" (Valentine, Raoul) | Montserrat Caballé, Bernabé Martí, London Symphony Orchestra, Sir Charles Mackerras | — | |
| 31-5 | Les Huguenots, Act 4 Scene 6: "Oui, tu l'as dit ... oui, tu m'aimes!" (Raoul, Valentine) | Montserrat Caballé, Bernabé Martí, London Symphony Orchestra, Sir Charles Mackerras | — | |
| 31-6 | Les Huguenots, Act 4 Scene 6: "Plus d'amour! ... plus d'ivresse!" (Raoul, Valentine) | Montserrat Caballé, Bernabé Martí, London Symphony Orchestra, Sir Charles Mackerras | — | |
| 31-7 | Vicino A Te Andrea Chenier Act4 | — | ||
| 31-8 | Manon Lescaut Dunque Questa Lettiga Tu Tu Amore Tu Act Ii | — | ||
| 31-9 | Poliuto, Act 3 Scene 4: "Donna! Malvagio! Vision gradita!" (Poliuto, Paolina) | Montserrat Caballé, Bernabé Martí, London Symphony Orchestra, Sir Charles Mackerras | — | |
| 31-10 | Poliuto, Act III: Ah fuggi da morte...Il suon dell' arpe angeliche | Montserrat Caballé, Bernabé Martí, London Symphony Orchestra, Sir Charles Mackerras | — | |
| 31-11 | Poliuto, Act III: Ah fuggi da morte...Il suon dell' arpe angeliche | Montserrat Caballé, Bernabé Martí, London Symphony Orchestra, Sir Charles Mackerras | — | |
| 32-1 | Gotterdammerung Prologue Dawn Music | — | ||
| 32-2 | Gotterdammerung Prologue Zu Neuen Thaten Brunnhilde | — | ||
| 32-3 | Gotterdammerung Prologue Mehr Gabst Du Wunderfrau Siegfried Brunnhilde | — | ||
| 32-4 | Gotterdammerung Prologue Siegfriedus Rhine Journey | — | ||
| 32-5 | Gotterdammerung Act 1 Scene 3 Siegfriedus Funeral March | — | ||
| 32-6 | Gotterdammerung Act 1 Scene 3 Starke Scheite Schichet Mir Dort Brunnhilde | — | ||
| 32-7 | Gotterdammerung Act 1 Scene 3 Mein Erbe Nun Nehm' Ich Zu Eigen Brunnhilde | — | ||
| 32-8 | Gotterdammerung Act 1 Scene 3 Fliegt Heim Ihr Raben Brunnhilde | — | ||
| 32-9 | Gotterdammerung Act 1 Scene 3 Zuruck Vom Ring | — | ||
| 33-1 | Gaite Parisienne: Overture From La Vie Parisienne | — | ||
| 33-2 | Gaite Parisienne: Entrance Of The Cocodettes From Mesdames De La Halle - Polka From Voyage Dans La Lune | — | ||
| 33-3 | Gaite Parisienne: Waltz From La Vie Parisienne | — | ||
| 33-4 | Gaite Parisienne: Galop Entree Du Bresilien From La Vie Parisienne | — | ||
| 33-5 | Gaite Parisienne: Waltz From Orphee Aux Enfers | — | ||
| 33-6 | Gaite Parisienne: March From Tromb-al-cazar | — | ||
| 33-7 | Gaite Parisienne: Waltz From La Perichole | — | ||
| 33-8 | Gaite Parisienne: Can-can From Orphee Aux Enfers And Robinson - Quadrille From Orphee Aux Enfers | — | ||
| 33-9 | Gaite Parisienne: Barcarolle From Les Contes D'Hoffmann | — | ||
| 33-10 | Graduation Ball: I. Introduction | — | ||
| 33-11 | Graduation Ball: II. Waltz | — | ||
| 33-12 | Graduation Ball: III. March | — | ||
| 33-13 | Graduation Ball: IV. Scene & Waltz | — | ||
| 33-14 | Graduation Ball: V. Quick March | — | ||
| 33-15 | Graduation Ball: VI. Romantic Pas de deux | — | ||
| 33-16 | Graduation Ball: VII. Quick Waltz | — | ||
| 33-17 | Graduation Ball: VIII. Perpetuum mobile | — | ||
| 33-18 | Graduation Ball: IX. Mazurka | — | ||
| 33-19 | Graduation Ball: X. Grand Galop | — | ||
| 33-20 | Perpetuum Mobile op. 257 With Original Fade Out At The End | — | ||
| 33-21 | Unter Donner Und Blitz op. 324 | — | ||
| 33-22 | Tritsch-tratsch-polka op. 214 | — | ||
| 34-1 | La Source : Music from Act II: Ia. Pas de voiles | — | ||
| 34-2 | La Source : Music from Act II: Ib. Andante | — | ||
| 34-3 | La Source : Music from Act II: Ic. Variation | — | ||
| 34-4 | La Source : Music from Act II: Id. Final. Danse circassienne | — | ||
| 34-5 | La Source : Music from Act II: II. Scene | — | ||
| 34-6 | La Source : Music from Act II: III. Pas de Naila. Scherzo‐Polka | — | ||
| 34-7 | La Source : Music from Act II: IV. Scene et Pas d’action | — | ||
| 34-8 | La Source : Music from Act II: V. Mazurka | — | ||
| 34-9 | La Source : Music from Act II: VI. Scene | — | ||
| 34-10 | La Source : Music from Act II: VII. Marche dansee et Final | — | ||
| 34-11 | Les Deux Pigeons, suite (I. Entrée des tziganes) | — | ||
| 34-12 | Les Deux Pigeons, suite (II. Entrée de Popio) | — | ||
| 34-13 | Les Deux Pigeons, suite (III. Pas des deux pigeons) | — | ||
| 34-14 | Les Deux Pigeons, suite (IV. Théme et variations) | — | ||
| 34-15 | Les Deux Pigeons, suite (V. Divertissement (entrée)) | — | ||
| 34-16 | Les Deux Pigeons, suite (VI. Danse hongroise) | — | ||
| 34-17 | Les Deux Pigeons, suite (VII. finale) | — | ||
| 34-18 | Faust, ballet (No. 1. Les Nubiennes) | — | ||
| 34-19 | Faust, ballet (No. 2. Adagio) | — | ||
| 34-20 | Faust, ballet (No. 3. Danse antique) | — | ||
| 34-21 | Faust, ballet (No. 4. Variation de Cléopâtre) | — | ||
| 34-22 | Faust, ballet (No. 5. Les Troyennes) | — | ||
| 34-23 | Faust, ballet (No. 6. Variation du miroir) | — | ||
| 34-24 | Faust, ballet (No. 7. Danse de Phryné) | — | ||
| 34-25 | Espana | — | ||
| 34-26 | Le Roi malgré lui : Acte II. Fête polonaise | — | ||
| 35-1 | Pictures From an Exhibition: Promenade | — | ||
| 35-2 | Pictures From an Exhibition: Gnomus | — | ||
| 35-3 | Pictures From an Exhibition: Promenade | — | ||
| 35-4 | Pictures From an Exhibition: Il vecchio castello | Royal Liverpool Philharmonic Orchestra, Charles Mackerras | — | |
| 35-5 | Pictures From an Exhibition: Promenade | — | ||
| 35-6 | Pictures From an Exhibition: Tuileries | — | ||
| 35-7 | Pictures From an Exhibition: Bydlo | — | ||
| 35-8 | Pictures From an Exhibition: Promenade | — | ||
| 35-9 | Pictures From an Exhibition: Ballet of the Unhatched Chicks | — | ||
| 35-10 | Pictures From an Exhibition: Two Polish Jews, one rich, the other poor | — | ||
| 35-11 | Pictures From an Exhibition: Limoges | — | ||
| 35-12 | Pictures From an Exhibition: Catacombae | — | ||
| 35-13 | Pictures From an Exhibition: Con mortuis in linqua mortua | — | ||
| 35-14 | Pictures From an Exhibition: The Hut on Hen's Legs | — | ||
| 35-15 | Pictures From an Exhibition: The Heroes' Gate at Kiev | — | ||
| 35-16 | A Night on the Bare Mountain | — | ||
| 35-17 | Prince Igor: Overture | — | ||
| 35-18 | Prince Igor: Polovtsian Dances, Dance I | — | ||
| 35-19 | Prince Igor: Polovtsian Dances, Dance II | — | ||
| 35-20 | Prince Igor: Polovtsian Dances, Dance III | — | ||
| 35-21 | Prince Igor: Polovtsian Dances, Dance IV | — | ||
| 35-22 | Prince Igor: Polovtsian Dances, Dance V | — | ||
| 36-1 | Piano Concerto no. 3 In E-flat Major op. Posth 75 | — | ||
| 36-2 | Concerto Symphonique no. 4 In D minor op. 102 Ii Scherzo | — | ||
| 36-3 | Konzertstück in F Minor, op. 79, J. 282: I. Larghetto affettuoso | — | ||
| 36-4 | Konzertstück in F Minor, op. 79, J. 282: II. Allegro Passionato | — | ||
| 36-5 | Konzertstück in F Minor, op. 79, J. 282: III. Adagio Attacca - Tempo Di Marcia | — | ||
| 36-6 | Wedding Cake op. 76 Caprice-valse | — | ||
| 36-7 | Rapsodia Sinfonica op. 66 | — | ||
| 37-1 | 1812 Overture, Op. 49: Largo | — | ||
| 37-2 | 1812 Overture, Op. 49: Allegro giusto | — | ||
| 37-3 | Russlan and Ludmilla: Overture | — | ||
| 37-4 | Lohengrin: Prelude to Act 3 | — | ||
| 37-5 | Night on the Bare Mountain | — | ||
| 37-6 | Till Eulenspiegels Lustige Streiche, Op. 28 | Royal Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 37-7 | Don Juan, Op. 20 | Royal Philharmonic Orchestra, Sir Charles Mackerras | T-801.916.776-2 | |
| 38-1 | Romance in F minor, op. 11 | — | ||
| 38-2 | Symphony no. 8 in G, op. 88: I Allegro con brio | — | ||
| 38-3 | Symphony no. 8 in G, op. 88: II. Adagio | — | ||
| 38-4 | Symphony no. 8 in G, op. 88: III. Allegretto grazioso | — | ||
| 38-5 | Symphony no. 8 in G, op. 88: IV. Allegro ma non troppo | — | ||
| 38-6 | Symphonic Variations, op. 78: Theme | — | ||
| 38-7 | Symphonic Variations, op. 78: Vars 1-3 | — | ||
| 38-8 | Symphonic Variations, op. 78: Vars 4-6 | — | ||
| 38-9 | Symphonic Variations, op. 78: Vars 7-9 | — | ||
| 38-10 | Symphonic Variations, op. 78: Vars 10-12 | — | ||
| 38-11 | Symphonic Variations, op. 78: Vars 13-15 | — | ||
| 38-12 | Symphonic Variations, op. 78: Vars 16-18 | — | ||
| 38-13 | Symphonic Variations, op. 78: Vars 19-21 | — | ||
| 38-14 | Symphonic Variations, op. 78: Vars 22-24 | — | ||
| 38-15 | Symphonic Variations, op. 78: Vars 25-27 | — | ||
| 38-16 | Symphonic Variations, op. 78: Finale | — | ||
| 39-1 | Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio – Allegro molto | — | ||
| 39-2 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | — | ||
| 39-3 | Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo – Molto vivace | — | ||
| 39-4 | Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | — | ||
| 39-5 | Symphony no. 7 in D minor, op. 70: I. Allegro Maestoso | London Philharmonic Orchestra, Charles Mackerras | — | |
| 39-6 | Symphony no. 7 in D minor, op. 70: II. Poco Adagio | London Philharmonic Orchestra, Charles Mackerras | — | |
| 39-7 | Symphony no. 7 in D minor, op. 70: III. Scherzo (Vivace) | London Philharmonic Orchestra, Charles Mackerras | — | |
| 39-8 | Symphony no. 7 in D minor, op. 70: IV. Allegro | London Philharmonic Orchestra, Charles Mackerras | — | |
| 40-1 | Romance In F minor For Violin And Orchestra, op. 11 | — | ||
| 40-2 | Legends op. 59 B 122: No. 1 In D minor (Allegretto) | — | ||
| 40-3 | Legends op. 59 B 122: No. 2 In G major (Molto Moderato) | — | ||
| 40-4 | Legends op. 59 B 122: No. 3 In G minor (Allegro Giusto) | — | ||
| 40-5 | Legends op. 59 B 122: No. 4 In C major (Molto Maestoso) | — | ||
| 40-6 | Legends op. 59 B 122: No. 5 In A Flat major (Allegretto Giusto) | — | ||
| 40-7 | Legends op. 59 B 122: No. 6 In C Sharp minor (Allegretto Con Moto) | — | ||
| 40-8 | Legends op. 59 B 122: No. 7 In A major (Allegretto Grazioso) | — | ||
| 40-9 | Legends op. 59 B 122: No. 8 In F major (Un Poco Allegretto E Grazioso) | — | ||
| 40-10 | Legends op. 59 B 122: No. 9 In D major (Andante Con Moto) | — | ||
| 40-11 | Legends op. 59 B 122: No. 10 In B Flat minor (Andante) | — | ||
| 40-12 | Nocturne In B major For Strings, op. 40 | — | ||
| 41-1 | Serenade for Strings in E major, op. 22, B. 52: I. Moderato | — | ||
| 41-2 | Serenade for Strings in E major, op. 22, B. 52: II. Tempo di Valse | — | ||
| 41-3 | Serenade for Strings in E major, op. 22, B. 52: III. Scherzo vivace | — | ||
| 41-4 | Serenade for Strings in E major, op. 22, B. 52: IV. Larghetto | — | ||
| 41-5 | Serenade for Strings in E major, op. 22, B. 52: V. Finale. Allegro vivace | — | ||
| 41-6 | Capriccio pour piano (main gauche) & 7 instruments à vent: I. Allegro | — | ||
| 41-7 | Capriccio pour piano (main gauche) & 7 instruments à vent: II. Adagio | — | ||
| 41-8 | Capriccio pour piano (main gauche) & 7 instruments à vent: III. Allegretto | — | ||
| 41-9 | Capriccio pour piano (main gauche) & 7 instruments à vent: IV. Andante | — | ||
| 41-10 | Concertino pour piano & orchestre de chambre: I. Moderato | — | ||
| 41-11 | Concertino pour piano & orchestre de chambre: II. Più mosso | — | ||
| 41-12 | Concertino pour piano & orchestre de chambre: III. Con moto | — | ||
| 41-13 | Concertino pour piano & orchestre de chambre: IV. Allegro | — | ||
| 42-1 | Pineapple Poll (arr. Mackerras): Scene One. Opening Dance | Royal Philharmonic Orchestra, Charles Mackerras | — | |
| 42-2 | Pineapple Poll (arr. Mackerras): Scene One. Poll’s Solo & Pas de deux | Royal Philharmonic Orchestra, Charles Mackerras | — | |
| 42-3 | Pineapple Poll (arr. Mackerras): Scene One. Belaye’s Solo | Royal Philharmonic Orchestra, Charles Mackerras | — | |
| 42-4 | Pineapple Poll (arr. Mackerras): Scene One. Pas de trois | Royal Philharmonic Orchestra, Charles Mackerras | — | |
| 42-5 | Pineapple Poll (arr. Mackerras): Scene One. Finale | Royal Philharmonic Orchestra, Charles Mackerras | — | |
| 42-6 | Pineapple Poll (arr. Mackerras): Scene Two. Poll’s Solo | Royal Philharmonic Orchestra, Charles Mackerras | — | |
| 42-7 | Pineapple Poll (arr. Mackerras): Scene Two. Jasper’s Solo | Royal Philharmonic Orchestra, Charles Mackerras | — | |
| 42-8 | Pineapple Poll (arr. Mackerras): Scene Three. Belaye’s Solo and Sailors’ Dance | Royal Philharmonic Orchestra, Charles Mackerras | — | |
| 42-9 | Pineapple Poll (arr. Mackerras): Scene Three. Poll’s Solo | Royal Philharmonic Orchestra, Charles Mackerras | — | |
| 42-10 | Pineapple Poll (arr. Mackerras): Scene Three. Entry of Belaye with Blanche as Bride | Royal Philharmonic Orchestra, Charles Mackerras | — | |
| 42-11 | Pineapple Poll (arr. Mackerras): Scene Three. Reconciliation | Royal Philharmonic Orchestra, Charles Mackerras | — | |
| 42-12 | Pineapple Poll (arr. Mackerras): Scene Three. Grande Finale | Royal Philharmonic Orchestra, Charles Mackerras | — | |
| 42-13 | Savoy Opera Overtures: The Yeomen of the Guard | — | ||
| 42-14 | The Mikado (or The Town of Tiputu): Overture | Philharmonia Orchestra, Charles Mackerras | — | |
| 42-15 | Savoy Opera Overtures: Iolanthe | — | ||
| 42-16 | Ruddigore (or The Witch’s Curse): Overture | Philharmonia Orchestra, Charles Mackerras | — | |
| 43-1 | Pineapple Poll. Scene 1: I. Opening Dance | — | ||
| 43-2 | Pineapple Poll. Scene 1: II. Poll's Solo & Pas de deux | — | ||
| 43-3 | Pineapple Poll. Scene 1: III. Belaye's Solo | — | ||
| 43-4 | Pineapple Poll. Scene 1: IV. Pas de trois | — | ||
| 43-5 | Pineapple Poll. Scene 1: V. Finale | — | ||
| 43-6 | Pineapple Poll. Scene 2: I. Poll's Solo | — | ||
| 43-7 | Pineapple Poll. Scene 2: II. Jasper's Solo | — | ||
| 43-8 | Pineapple Poll. Scene 3: I. Belaye's Solo & Sailors' Drill | — | ||
| 43-9 | Pineapple Poll. Scene 3: II. Poll's Solo | — | ||
| 43-10 | Pineapple Poll. Scene 3: III. Entry of Belaye with Blanche as Bride | — | ||
| 43-11 | Pineapple Poll. Scene 3: IV. Reconciliation | — | ||
| 43-12 | Pineapple Poll. Scene 3: V. Grand Finale | — | ||
| 44-1 | Pineapple Poll - Suite: I. Opening Dance | London Philharmonic Orchestra, Charles Mackerras | — | |
| 44-2 | Pineapple Poll - Suite: II. Poll’s Solo and Pas de deux | — | ||
| 44-3 | Pineapple Poll - Suite: III. Belaye’s Solo | — | ||
| 44-4 | Pineapple Poll - Suite: IV. Pas de trois | — | ||
| 44-5 | Pineapple Poll - Suite: V. Jasper’s Solo | — | ||
| 44-6 | Pineapple Poll - Suite: VI. Belaye’s Solo and Sailors’ Dance | — | ||
| 44-7 | Pineapple Poll - Suite: VII. Reconciliation | — | ||
| 44-8 | Pineapple Poll - Suite: VIII. Grand Finale | — | ||
| 44-9 | The Lady and the Fool - Suite: I. Tarantella | — | ||
| 44-10 | The Lady and the Fool - Suite: II. Allegretto | — | ||
| 44-11 | The Lady and the Fool - Suite: III. Commedia | — | ||
| 44-12 | The Lady and the Fool - Suite: IV. Grand Adage | London Philharmonic Orchestra, Charles Mackerras | — | |
| 44-13 | The Lady and the Fool - Suite: V. Man’s Solo | — | ||
| 44-14 | The Lady and the Fool - Suite: VI. Pas de deux | — | ||
| 44-15 | The Lady and the Fool - Suite: VII. Finale | — | ||
| 45-1 | Sinfonietta: I. Allegretto | Pro Arte Orchestra of London, Charles Mackerras | T-312.685.492-6 | |
| 45-2 | Sinfonietta: II. Andante | Pro Arte Orchestra of London, Charles Mackerras | T-312.685.492-6 | |
| 45-3 | Sinfonietta: III. Moderato | Pro Arte Orchestra of London, Charles Mackerras | T-312.685.492-6 | |
| 45-4 | Sinfonietta: IV. Allegretto | Pro Arte Orchestra of London, Charles Mackerras | T-312.685.492-6 | |
| 45-5 | Sinfonietta: V. Andante con moto | Pro Arte Orchestra of London, Charles Mackerras | T-312.685.492-6 | |
| 45-6 | The Makropulos Affair - Prelude | — | ||
| 45-7 | Kátya Kabanová - Prelude | — | ||
| 45-8 | From the House of the Dead - Prelude | — | ||
| 45-9 | Prelude To Jealousy (Jenufa) | — | ||
| 46-1 | Falstaff: I. Falstaff and Prince Henry | — | ||
| 46-2 | Falstaff: II/a. Eastcheap - Gadshill - The Boar's Head, revelry and sleep | — | ||
| 46-3 | Falstaff: II/b. Eastcheap - Gadshill - The Boar's Head, revelry and sleep | — | ||
| 46-4 | Falstaff: II/c. Eastcheap - Gadshill - The Boar's Head, revelry and sleep | — | ||
| 46-5 | Falstaff: II/d. Eastcheap - Gadshill - The Boar's Head, revelry and sleep | — | ||
| 46-6 | Falstaff: II/e. Eastcheap - Gadshill - The Boar's Head, revelry and sleep | — | ||
| 46-7 | Falstaff: II/f. Eastcheap - Gadshill - The Boar's Head, revelry and sleep | — | ||
| 46-8 | Falstaff: II/g. Eastcheap - Gadshill - The Boar's Head, revelry and sleep | — | ||
| 46-9 | Falstaff: II/h. Eastcheap - Gadshill - The Boar's Head, revelry and sleep | — | ||
| 46-10 | Falstaff: II/i. Eastcheap - Gadshill - The Boar's Head, revelry and sleep | — | ||
| 46-11 | Falstaff: II/j. Eastcheap - Gadshill - The Boar's Head, revelry and sleep | — | ||
| 46-12 | Falstaff: II/k. Eastcheap - Gadshill - The Boar's Head, revelry and sleep | — | ||
| 46-13 | Falstaff: II/l. Dream Interlude:Jack Falstaff, now Sir John, a boy, and page to Thomas ... | — | ||
| 46-14 | Falstaff: III/a. Falstaff's march - The return through Gloucestershire | — | ||
| 46-15 | Falstaff: III/b. Falstaff's march - The return through Gloucestershire | — | ||
| 46-16 | Falstaff: III/c. Falstaff's march - The return through Gloucestershire | — | ||
| 46-17 | Falstaff: III/d. Falstaff's march - The return through Gloucestershire | — | ||
| 46-18 | Falstaff: III/e. Interlude: Gloucestershire. Shallow's orchard ( Allegretto) | — | ||
| 46-19 | Falstaff: III/f. The new King - The hurried ride to London | — | ||
| 46-20 | Falstaff: III/g. The new King - The hurried ride to London | — | ||
| 46-21 | Falstaff: IV/a. King Henry V's progress - The repudiation of Falstaff, and his death | — | ||
| 46-22 | Falstaff: IV/b. King Henry V's progress - The repudiation of Falstaff, and his death | — | ||
| 46-23 | Falstaff: IV/c. King Henry V's progress - The repudiation of Falstaff, and his death | — | ||
| 46-24 | Falstaff: IV/d. King Henry V's progress - The repudiation of Falstaff, and his death | — | ||
| 46-25 | Falstaff: IV/e. King Henry V's progress - The repudiation of Falstaff, and his death | — | ||
| 46-26 | Falstaff: IV/f. King Henry V's progress - The repudiation of Falstaff, and his death | — | ||
| 46-27 | Falstaff: IV/g. King Henry V's progress - The repudiation of Falstaff, and his death | — | ||
| 46-28 | Falstaff: IV/h. King Henry V's progress - The repudiation of Falstaff, and his death | — | ||
| 46-29 | Enigma Variations: Theme (Enigma): I. C.A.E. (the composer's wife) | — | ||
| 46-30 | Variations on an Original Theme "Enigma", op. 36: II. HDS-P | David Bell, London Philharmonic Orchestra, Charles Mackerras | — | |
| 46-31 | Variations on an Original Theme "Enigma", op. 36: III. RBT | David Bell, London Philharmonic Orchestra, Charles Mackerras | — | |
| 46-32 | Variations on an Original Theme "Enigma", op. 36: IV. WMB | David Bell, London Philharmonic Orchestra, Charles Mackerras | — | |
| 46-33 | Variations on an Original Theme "Enigma", op. 36: V. RPA | David Bell, London Philharmonic Orchestra, Charles Mackerras | — | |
| 46-34 | Variations on an Original Theme "Enigma", op. 36: VI. Ysobel | David Bell, London Philharmonic Orchestra, Charles Mackerras | — | |
| 46-35 | Variations on an Original Theme "Enigma", op. 36: VII. Troyte | David Bell, London Philharmonic Orchestra, Charles Mackerras | — | |
| 46-36 | Variations on an Original Theme "Enigma", op. 36: VIII. WN | David Bell, London Philharmonic Orchestra, Charles Mackerras | — | |
| 46-37 | Variations on an Original Theme "Enigma", op. 36: IX. Nimrod | David Bell, London Philharmonic Orchestra, Charles Mackerras | T-010.115.427-1 | |
| 46-38 | Variations on an Original Theme "Enigma", op. 36: X. Intermezzo: Dorabella | David Bell, London Philharmonic Orchestra, Charles Mackerras | — | |
| 46-39 | Variations on an Original Theme "Enigma", op. 36: XI. GRS | David Bell, London Philharmonic Orchestra, Charles Mackerras | — | |
| 46-40 | Variations on an Original Theme "Enigma", op. 36: XII. BGN | David Bell, London Philharmonic Orchestra, Charles Mackerras | — | |
| 46-41 | Variations on an Original Theme "Enigma", op. 36: XIII. Romanza: *** | David Bell, London Philharmonic Orchestra, Charles Mackerras | — | |
| 46-42 | Enigma Variations: XIV. Finale: E.D.U. | London Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 47-1 | 8 Slavonic Dances op. 46 B 78 no. 1 In C Major | — | ||
| 47-2 | 8 Slavonic Dances op. 46 B 78 no. 2 In E Minor | — | ||
| 47-3 | 8 Slavonic Dances op. 46 B 78 no. 3 In A-flat Major | — | ||
| 47-4 | 8 Slavonic Dances op. 72 B 145 no. 2 In E Minor | — | ||
| 47-5 | The Bartered Bride Polka | — | ||
| 47-6 | The Bartered Bride Furiant | — | ||
| 47-7 | Hungarian Dances Woo 1 no. 5 In G Minor Orch Parlow | — | ||
| 47-8 | Hungarian Dances Woo 1 no. 6 In D Major Orch Parlow | — | ||
| 47-9 | 6 Romanian Folk Dances Sz 56 Orch Szekely | — | ||
| 47-10 | 2 Romanian Rhapsodies op. 11 no. 1 In A Major | — | ||
| 48-1 | Romance, op. 62 | — | ||
| 48-2 | Cello Concerto in D major: I. Allegro moderato (cadenza: Sir Charles Mackerras) | Julian Lloyd Webber, London Symphony Orchestra, Charles Mackerras | — | |
| 48-3 | Cello Concerto in D major: II. Andante espressivo | Julian Lloyd Webber, London Symphony Orchestra, Charles Mackerras | T-307.241.800-5 | |
| 48-4 | Cello Concerto in D major: III. Molto vivace | Julian Lloyd Webber, London Symphony Orchestra, Charles Mackerras | — | |
| 48-5 | Cello Concerto no. 2 in E minor, op. 30: I. Allegro impetuoso | — | ||
| 48-6 | Cello Concerto no. 2 in E minor, op. 30: II. Lento - Andante tranquillo | — | ||
| 48-7 | Cello Concerto no. 2 in E minor, op. 30: III. Allegro (Tempo I) | — | ||
| 49-1 | Turandot: “Signore, ascolta!” | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T-005.000.838-2 | |
| 49-2 | Turandot: Tu che di gel sei cinta | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T-005.000.838-2 | |
| 49-3 | Madama Butterfly: Atto II. “Un bel dì vedremo” | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — | |
| 49-4 | Madama Butterfly: “Tu, tu piccolo iddio” (Death of Butterfly) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — | |
| 49-5 | IN QUELLE TRINE MORBIDE | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — | |
| 49-6 | MANON LESCAUT (1987 DIGITAL REMASTER): SOLA, PERDUTA, ABBANDONATA | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — | |
| 49-7 | Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T-901.222.501-3 | |
| 49-8 | Tosca: “Vissi d'arte” | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — | |
| 49-9 | La Bohème: Sì, mi chiamano Mimì | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — | |
| 49-10 | La bohème: “Donde lieta uscì” (Mimi’s Farewell) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — | |
| 49-11 | Le Villi: “Se come voi piccina” | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — | |
| 49-12 | La Rondine: Chi il bel sogno di Doretta | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — | |
| 50-1 | Symphony no. 1 in D Major "Titan": I. Langsam. Schleppend | — | ||
| 50-2 | Symphony no. 1 in D Major "Titan": II. Kräftig bewegt, doch nicht zu schnell | — | ||
| 50-3 | Symphony no. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen | — | ||
| 50-4 | Symphony no. 1 in D Major "Titan": IV. Stürmisch bewegt | — | ||
| 51-1 | Symphony No. 5: I. Trauermarsch (In gemessenem Schritt - Streng - Wie ein Kondukt) | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | T-926.359.926-4 | |
| 51-2 | Symphony No. 5: II. Stürmisch bewegt, mit größter Vehemenz | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 51-3 | Symphony No. 5: III. Scherzo (Kräftig, nicht zu schnell) | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 51-4 | Symphony No. 5: IV. Adagietto (Sehr langsam) | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 51-5 | Symphony No. 5: V. Rondo-Finale (Allegro) | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 52-1 | Revelge | — | ||
| 52-2 | Das Irdische Leben | — | ||
| 52-3 | Verlorne Müh | — | ||
| 52-4 | Rheinlegendchen | — | ||
| 52-5 | Der Tamboursg'sell | — | ||
| 52-6 | Der Schildwache Nachtlied | — | ||
| 52-7 | Wer Hat Dies Liedlein Erdacht? | — | ||
| 52-8 | Lob Des Hohen Verstandes | — | ||
| 52-9 | Des Antonius Von Padua Fischpredigt | — | ||
| 52-10 | Lied Des Verfolgten Im Turm | — | ||
| 52-11 | Trost Im Unglück | — | ||
| 52-12 | Wo Die Schönen Trompeten Blasen | — | ||
| 52-13 | An die Hoffnung, op. 124 | — | ||
| 52-14 | 7 Frühe Lieder: I. Nacht | — | ||
| 52-15 | 7 Frühe Lieder: II. Schilflied | — | ||
| 52-16 | 7 Frühe Lieder: III. Die Nachtigall | — | ||
| 53-1 | Paris: The Song of a Great City | Royal Liverpool Philharmonic Orchestra, Charles Mackerras | — | |
| 53-2 | Concerto for Violin, Cello, and Orchestra: I. Quietly – | — | ||
| 53-3 | Concerto for Violin, Cello, and Orchestra: II. Slowly and quietly – | — | ||
| 53-4 | Concerto for Violin, Cello, and Orchestra: III. Accel....Tempo I | — | ||
| 53-5 | Cello Concerto: I. Slow – | — | ||
| 53-6 | Cello Concerto: II. Becoming slower – | — | ||
| 53-7 | Cello Concerto: III. Very quietly – | — | ||
| 53-8 | Cello Concerto: IV. Con moto tranquillo – | — | ||
| 53-9 | Cello Concerto: V. With animation (Allegramente) | — | ||
| 54-1 | Symphony no. 3 in A minor, op. 44: I. Lento - Allegro moderato | — | ||
| 54-2 | Symphony no. 3 in A minor, op. 44: II. Adagio ma non troppo - Allegro vivace | — | ||
| 54-3 | Symphony no. 3 in A minor, op. 44: III. Allegro - Allegro vivace | — | ||
| 54-4 | Symphonic Dances, op. 45: I. Non allegro | — | ||
| 54-5 | Symphonic Dances, op. 45: II. Andante con moto | — | ||
| 54-6 | Symphonic Dances, op. 45: III. Lento assai | — | ||
| 55-1 | The Planets: Mars, the Bringer of War | — | ||
| 55-2 | The Planets: Venus, the Bringer of Peace | Royal Liverpool Philharmonic Orchestra, Charles Mackerras | — | |
| 55-3 | The Planets: Mercury, the Winged Messenger | — | ||
| 55-4 | The Planets: Jupiter, the Bringer of Jollity | — | ||
| 55-5 | The Planets: Saturn, the Bringer of Old Age | — | ||
| 55-6 | The Planets: Uranus, the Magician | — | ||
| 55-7 | The Planets: Neptune, the Mystic | — | ||
| 55-8 | Ballet Music from The Perfect Fool | — | ||
| 56-1 | Il segreto di Susanna: Overture | — | ||
| 56-2 | I quattro rusteghi: Overture | — | ||
| 56-3 | I quattro rusteghi: Intermezzo | — | ||
| 56-4 | I gioielli della Madonna: Festa popolare | — | ||
| 56-5 | I gioielli della Madonna: Intermezzo no. 1 | — | ||
| 56-6 | I gioielli della Madonna: Intermezzo no. 2 | — | ||
| 56-7 | I gioielli della Madonna: Danza napolitana | — | ||
| 56-8 | La Fille du régiment : Ouverture | — | ||
| 56-9 | Don Pasquale: Overture | — | ||
| 56-10 | El sombrero de tres picos, Pt. 2: I. Danza de los vecinos | — | ||
| 56-11 | El sombrero de tres picos, Pt. 2: II: Danza del molinero | — | ||
| 56-12 | El sombrero de tres picos, Pt. 2: III. Danza final | — | ||
| 56-13 | The Bartered Bride: Overture | — | ||
| 56-14 | Schwanda, the Bagpiper: Polka and Fugue | — | ||
| 57-1 | Comedy Overture "The Tinker's Wedding" | — | ||
| 57-2 | Symphony no. 31 | — | ||
| 57-3 | Symphony no. 7 in C: I. Allegro moderato | — | ||
| 57-4 | Symphony no. 7 in C: II. Allegro maestoso ma moderato | — | ||
| 57-5 | Symphony no. 7 in C: III. Adagio - Allegro moderato - Adagio | — | ||
| 57-6 | Symphony no. 7 in C: IV. Epilogue "Once Upon a Time" | — | ||
| 58-1 | The Rite of Spring: Part One, Adoration of the Earth: Introduction | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 58-2 | The Rite of Spring: Part One, Adoration of the Earth: The Augurs of Spring – Dance of the Maidens | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 58-3 | The Rite of Spring: Part One, Adoration of the Earth: Ritual of Abduction | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 58-4 | The Rite of Spring: Part One, Adoration of the Earth: Spring Rounds | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 58-5 | The Rite of Spring: Part One, Adoration of the Earth: Ritual of the Rival Tribes | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 58-6 | The Rite of Spring: Part One, Adoration of the Earth: Procession of the Sage | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 58-7 | The Rite of Spring: Part One, Adoration of the Earth: Adoration of the Earth | London Philharmonic Orchestra, Charles Mackerras | — | |
| 58-8 | The Rite of Spring: Part One, Adoration of the Earth: Dance of the Earth | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 58-9 | The Rite of Spring: Part Two, The Sacrifice: Introduction | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 58-10 | The Rite of Spring: Part Two, The Sacrifice: Mystic Circles of the Maidens | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 58-11 | The Rite of Spring: Part Two, The Sacrifice: Glorification of the Chosen One | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 58-12 | The Rite of Spring: Part Two, The Sacrifice: Evocation of the Ancestors | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 58-13 | The Rite of Spring: Part Two, The Sacrifice: Ritual of the Ancestors | London Philharmonic Orchestra, Charles Mackerras | T-070.257.887-7 | |
| 58-14 | The Rite of Spring: Part Two, The Sacrifice: Sacrificial Dance (The Chosen One) | London Philharmonic Orchestra, Charles Mackerras | — | |
| 58-15 | Fireworks, op. 4 | — | ||
| 58-16 | Circus Polka | — | ||
| 58-17 | Greeting Prelude “Happy Birthday” | — | ||
| 59-1 | The Merrymakers (Miniature Overture) | London Symphony Orchestra, Charles Mackerras | — | |
| 59-2 | At the Dance (from Summer Days Suite) | London Symphony Orchestra, Charles Mackerras | — | |
| 59-3 | Man from the Sea (from Three Men Suite) | — | ||
| 59-4 | London Again I Oxford Street March | — | ||
| 59-5 | The Three Bears Phantasy | London Symphony Orchestra, Charles Mackerras | — | |
| 59-6 | By the Sleepy Lagoon | London Symphony Orchestra, Charles Mackerras | T-900.031.136-4 | |
| 59-7 | The Three Elizabeths: III. Queen Elysabeth March | — | ||
| 59-8 | Donna Diana | — | ||
| 59-9 | Overture "Der Schuss von der Kanzel" (The Hunting Parson) | — | ||
| 59-10 | El Salon Mexico | — | ||
| 59-11 | Quiet City - Concert Version | — | ||
| 59-12 | Rodeo Hoe Down | — | ||
| 59-13 | Serenade For Strings, op. 11: III. Scherzo | — | ||
| 59-14 | Serenade For Strings, op. 11: IV. March | — | ||
| 60-1 | Symphony no. 1 in B flat minor: I. Allegro assai | — | ||
| 60-2 | Symphony no. 1 in B flat minor: II. Presto, con malizia | — | ||
| 60-3 | Symphony no. 1 in B flat minor: III. Andante con malinconia | — | ||
| 60-4 | Symphony no. 1 in B flat minor: IV. Maestoso - Brioso ed ardentemente - Vivacissimo - Maestoso | — | ||
| 60-5 | Siesta | — | ||
| 60-6 | Symphony no. 2: I. Allegro molto | — | ||
| 60-7 | Symphony no. 2: II. Lento assai | — | ||
| 60-8 | Symphony no. 2: III. Passacaglia: Theme (risoluto), Variantions, Fugato and Coda (Scherzando - Presto) | — | ||
| 61-1 | Stille Nacht, heilige Nacht | — | ||
| 61-2 | O Come All Ye Faithful | — | ||
| 61-3 | O du fröhliche | — | ||
| 61-4 | Sandmännchen | — | ||
| 61-5 | In einem kühlen Grunde | — | ||
| 61-6 | Panis Angelicus | — | ||
| 61-7 | The First Nowell | — | ||
| 61-8 | In dulci jubilo | — | ||
| 61-9 | Weihnachten | — | ||
| 61-10 | Vom Himmel hoch | — | ||
| 61-11 | I Saw Three Ships | — | ||
| 61-12 | Maria auf dem Berge | — | ||
| 61-13 | Easter Alleluia | — | ||
| 62-1 | Bingo | — | ||
| 62-2 | Ar Hyd Y Nos | — | ||
| 62-3 | King Arthurus Servants | — | ||
| 62-4 | Grad Geal Mo Chridh | — | ||
| 62-5 | The Helston Furry Dance | — | ||
| 62-6 | Dafydd Y Garreg Wen | — | ||
| 62-7 | The Foggy Foggy Dew | — | ||
| 62-8 | Mo Nighhenn Chruinn Donn | — | ||
| 62-9 | The Shuttering Lovers | — | ||
| 62-10 | The Maypole Song | — | ||
| 62-11 | Leezie Lindsay | — | ||
| 62-12 | I Will Give My Love An Apple | — | ||
| 62-13 | O Love It Is A Killing Thing | — | ||
| 62-14 | Buy Broom Buzzems | — | ||
| 62-15 | O Waly Waly | — | ||
| 62-16 | Fine Flowurs In The Valley | — | ||
| 62-17 | She Moved Throu The Fair | — | ||
| 62-18 | Thereus None To Soothe | — | ||
| 62-19 | The Briery Bush | — | ||
| 62-20 | Clancy Of The Overflow | — | ||
| 62-21 | Mandalay Scena - Medley | — | ||
| 63-1 | Binge The Story Of Cock Robin | — | ||
| 63-2 | Doctor Foster Arr Hugues | — | ||
| 63-3 | Sing A Song Of Sixpence Arr Mackerras | — | ||
| 63-4 | Oranges And Lemons | — | ||
| 63-5 | Matilda Arr Mackerras | — | ||
| 63-6 | Little Jack Horner Arr Mackerras | — | ||
| 63-7 | The Jolly Beggar Arr Hely-hutchinson | — | ||
| 63-8 | A Good Roarin' Fire | — | ||
| 63-9 | Jack And Jill Arr Mackerras | — | ||
| 63-10 | Old Mother Hubbard Arr Mackerras | — | ||
| 63-11 | Henry King Arr Mackerras | — | ||
| 63-12 | The Great Meet Pie | — | ||
| 63-13 | The Owl And The Pussy Cat | — | ||
| 63-14 | The Table And The Chair | — | ||
| 63-15 | The Duck And The Kangaroo | — | ||
| 63-16 | The Harrinu Heed | — | ||
| 63-17 | The Grand Old Duke Of York | — | ||
| 63-18 | The Bay Of Biscay | — | ||
| 63-19 | Cherry Ripe | — | ||
| 63-20 | It Was A Lover And His Lass | — | ||
| 63-21 | The Miller Of Dee | — | ||
| 63-22 | Oh The Oak And The Ash | — | ||
| 63-23 | Sigh No More Ladies | — | ||
| 63-24 | Early One Morning | — | ||
| 63-25 | The Bailiff'S Daughter Of Islington | — | ||
| 63-26 | Charlie Is My Darling | — | ||
| 63-27 | A-hunting We Will Go | — | ||
| 63-28 | The Ash Grove | — | ||
| 63-29 | Heart Of Oak | — | ||
| 63-30 | Ye Banks And Braes | — | ||
| 63-31 | The Keel Row | — | ||
| 63-32 | John Peel | — | ||
| 63-33 | Where The Bee Sucks | — | ||
| 63-34 | The Vicar Of Bray | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Sylvia - Suite: II. Intermezzo et Valse lente | New Philharmonia Orchestra, Charles Mackerras | T-070.140.357-7 |
| La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — |
| La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — |
| For Unto us a child is born (Messiah) | John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras | — |
| Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | — |
| Le Messie Part 3: No. 43. Aria: I know that my Redeemer liveth | Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras | — |
