UPC · Release
The Complete Warner Classics Edition
Sir Charles Mackerras
5021732623560
18 tracksReleased 2025-01-01Warner Classics
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5021732623560 is the Universal Product Code (UPC barcode) for the release “The Complete Warner Classics Edition” by Sir Charles Mackerras, released 2025-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC. Tracks include GBAYC0100336, GBAYC0100337, GBAYC0100338.
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UPCThe Complete Warner Classics Edition
ISRC18 recordings
ISWC22 works
Track List (18)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 4-1 | MUSIC FOR THE ROYAL FIREWORKS HWV351 (2001 REMASTERED VERSION): OVERTURE | London Symphony Orchestra, Charles Mackerras | — | |
| 4-2 | MUSIC FOR THE ROYAL FIREWORKS HWV351 (2001 REMASTERED VERSION): BOURRÉE | London Symphony Orchestra, Charles Mackerras | — | |
| 4-3 | HANDEL: MUSIC FOR THE ROYAL FIREWORKS, HWV 351: III. LA PAIX | London Symphony Orchestra, Charles Mackerras | — | |
| 4-4 | MUSIC FOR THE ROYAL FIREWORKS, HWV 351: IV. LA RÉJOUISSANCE | London Symphony Orchestra, Charles Mackerras | — | |
| 4-5 | Music for the Royal Fireworks: V. Minuet I | London Symphony Orchestra, Charles Mackerras | — | |
| 4-6 | MUSIC FOR THE ROYAL FIREWORKS HWV351 (2001 REMASTERED VERSION): MINUET 2 | London Symphony Orchestra, Charles Mackerras | — | |
| 4-7 | Concerto A Due Cori no. 2 In F major Hwv 333 I Pomposo | Sir Charles Mackerras | — | |
| 4-8 | Concerto A Due Cori no. 2 In F major Hwv 333 Ii Allegro | Sir Charles Mackerras | — | |
| 4-9 | Concerto A Due Cori no. 2 In F major Hwv 333 Iii A Tempo Giusto | Sir Charles Mackerras | — | |
| 4-10 | Concerto A Due Cori no. 2 In F major Hwv 333 Iv Largo | Sir Charles Mackerras | — | |
| 4-11 | Concerto A Due Cori no. 2 In F major Hwv 333 V Allegro Ma Non Troppo | Sir Charles Mackerras | — | |
| 4-12 | Concerto A Due Cori no. 2 In F major Hwv 333 Vi A Tempo Ordinario | Sir Charles Mackerras | — | |
| 4-13 | Concerto no. 1 in F: Largo | London Symphony Orchestra, Sir Charles Mackerras | — | |
| 4-14 | Concerto no. 1 in F: Allegro | London Symphony Orchestra, Sir Charles Mackerras | — | |
| 4-15 | Concerto no. 3 in D: Largo | London Symphony Orchestra, Sir Charles Mackerras | — | |
| 4-16 | Concerto no. 3 in D: Allegro | London Symphony Orchestra, Sir Charles Mackerras | — | |
| 4-17 | Concerto no. 3 in D: Air | London Symphony Orchestra, Sir Charles Mackerras | — | |
| 4-18 | Concerto no. 3 in D: Allegro ma non troppo | London Symphony Orchestra, Sir Charles Mackerras | — |
MUSIC FOR THE ROYAL FIREWORKS HWV351 (2001 REMASTERED VERSION): OVERTURE
London Symphony Orchestra, Charles Mackerras
—
MUSIC FOR THE ROYAL FIREWORKS HWV351 (2001 REMASTERED VERSION): BOURRÉE
London Symphony Orchestra, Charles Mackerras
—
HANDEL: MUSIC FOR THE ROYAL FIREWORKS, HWV 351: III. LA PAIX
London Symphony Orchestra, Charles Mackerras
—
MUSIC FOR THE ROYAL FIREWORKS, HWV 351: IV. LA RÉJOUISSANCE
London Symphony Orchestra, Charles Mackerras
—
Music for the Royal Fireworks: V. Minuet I
London Symphony Orchestra, Charles Mackerras
—
MUSIC FOR THE ROYAL FIREWORKS HWV351 (2001 REMASTERED VERSION): MINUET 2
London Symphony Orchestra, Charles Mackerras
—
Concerto A Due Cori no. 2 In F major Hwv 333 I Pomposo
Sir Charles Mackerras
—
Concerto A Due Cori no. 2 In F major Hwv 333 Ii Allegro
Sir Charles Mackerras
—
Concerto A Due Cori no. 2 In F major Hwv 333 Iii A Tempo Giusto
Sir Charles Mackerras
—
Concerto A Due Cori no. 2 In F major Hwv 333 Iv Largo
Sir Charles Mackerras
—
Concerto A Due Cori no. 2 In F major Hwv 333 V Allegro Ma Non Troppo
Sir Charles Mackerras
—
Concerto A Due Cori no. 2 In F major Hwv 333 Vi A Tempo Ordinario
Sir Charles Mackerras
—
Concerto no. 1 in F: Largo
London Symphony Orchestra, Sir Charles Mackerras
—
Concerto no. 1 in F: Allegro
London Symphony Orchestra, Sir Charles Mackerras
—
Concerto no. 3 in D: Largo
London Symphony Orchestra, Sir Charles Mackerras
—
Concerto no. 3 in D: Allegro
London Symphony Orchestra, Sir Charles Mackerras
—
Concerto no. 3 in D: Air
London Symphony Orchestra, Sir Charles Mackerras
—
Concerto no. 3 in D: Allegro ma non troppo
London Symphony Orchestra, Sir Charles Mackerras
—
Additional database matches (131)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Don Juan, Op. 20 | Royal Philharmonic Orchestra, Sir Charles Mackerras | T-801.916.776-2 |
| Till Eulenspiegels Lustige Streiche, Op. 28 | Royal Philharmonic Orchestra, Sir Charles Mackerras | — |
| Cosi fari tutte: Temerari, sortite...Come scoglio | Barbara Frittoli, Scottish Chamber Orchestra, Charles Mackerras | — |
| Cosi fari tutte: El parte...Per pieta | Barbara Frittoli, Scottish Chamber Orchestra, Charles Mackerras | — |
| Le nozze di Figaro: Porgi, amor | Barbara Frittoli, Scottish Chamber Orchestra, Charles Mackerras | — |
| Le nozze di Figaro: E Susanna non vien!... Dove song | Barbara Frittoli, Scottish Chamber Orchestra, Charles Mackerras | — |
| Idomeneo, re di Creta: O smania! oh furie!...D'Oreste, d'Alace | Barbara Frittoli, Scottish Chamber Orchestra, Charles Mackerras | — |
| Don Giovanni: In quali eccessi, o Numi...Mi tradi quell'alma ingrata | Barbara Frittoli, Scottish Chamber Orchestra, Charles Mackerras | — |
| Don Giovanni: Crudele!...Non mi dir | Barbara Frittoli, Scottish Chamber Orchestra, Charles Mackerras | — |
| Bella mia fiamma, addio!: Concert aria K 528 | Barbara Frittoli, Scottish Chamber Orchestra, Charles Mackerras | — |
| Idomeneo, K. 366: "Fuor del mar ho un mar in seno" (Idomeneo) | Ian Bostridge, Scottish Chamber Orchestra, Charles Mackerras | — |
| Idomeneo, K. 366: "Zeffiretti lusinghieri" (Ilia) | Lisa Milne, Scottish Chamber Orchestra, Charles Mackerras | — |
| Sylvia - Suite: II. Intermezzo et Valse lente | New Philharmonia Orchestra, Charles Mackerras | — |
| Madama Butterfly: Atto II. “Un bel dì vedremo” | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — |
| Madama Butterfly: “Tu, tu piccolo iddio” (Death of Butterfly) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — |
| Turandot: “Signore, ascolta!” | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T0050008382 |
| Turandot: Tu che di gel sei cinta | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T0050008382 |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T-901222501-3 |
| Tosca: “Vissi d'arte” | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — |
| La Bohème: Sì, mi chiamano Mimì | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — |
| La bohème: “Donde lieta uscì” (Mimi’s Farewell) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — |
| Sylvia, suite (I. Les chasseresses) | New Philharmonia Orchestra, Charles Mackerras | T0701403577 |
| Sylvia - Suite: II. Intermezzo et Valse lente | New Philharmonia Orchestra, Charles Mackerras | T0701403577 |
| Pizzicati from Sylvia | New Philharmonia Orchestra, Charles Mackerras | T0701403577 |
| La Rondine: Chi il bel sogno di Doretta | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — |
| Poliuto, Act III: Ah fuggi da morte...Il suon dell' arpe angeliche | Montserrat Caballé, Bernabé Martí, London Symphony Orchestra, Sir Charles Mackerras | — |
| Water Music Suite: Allegro | London Symphony Orchestra, Sir Charles Mackerras | — |
| Water Music Suite: Bourrée | London Symphony Orchestra, Sir Charles Mackerras | — |
| Water Music Suite: Hornpipe | London Symphony Orchestra, Sir Charles Mackerras | — |
| Water Music Suite: Allegro deciso | London Symphony Orchestra, Sir Charles Mackerras | — |
| Berenice Overture | London Symphony Orchestra, Sir Charles Mackerras | — |
| La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — |
| Ein Sommernachtstraum: Nocturne | Orchestra of the Age of Enlightenment, Charles Mackerras | — |
| Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | T0715180612 |
| Le Messie Part 3: No. 43. Aria: I know that my Redeemer liveth | Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras | — |
| IN QUELLE TRINE MORBIDE | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — |
| MANON LESCAUT (1987 DIGITAL REMASTER): SOLA, PERDUTA, ABBANDONATA | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — |
| Le Villi: “Se come voi piccina” | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — |
| The Planets: Venus, the Bringer of Peace | Royal Liverpool Philharmonic Orchestra, Charles Mackerras | — |
| Coppelia, suite (I. prelude & mazurka) | New Philharmonia Orchestra, Charles Mackerras | T3063108447 |
| Waltz from 'Coppelia' | New Philharmonia Orchestra, Charles Mackerras | — |
| The Merrymakers (Miniature Overture) | London Symphony Orchestra, Charles Mackerras | — |
| By the Sleepy Lagoon | London Symphony Orchestra, Charles Mackerras | T-900031136-4 |
| The Three Bears Phantasy | London Symphony Orchestra, Charles Mackerras | — |
| At the Dance (from Summer Days Suite) | London Symphony Orchestra, Charles Mackerras | — |
| Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe | Rudolf Beránek, Stanislav Bogunia, Jiří Kaniak, Karel Klement, Miloslav Klement, Vladislav Kozderka, Stanislav Sejpal, Jr., Zdeněk Tylšar, Prague Chamber Orchestra, Charles Mackerras | — |
| For Unto us a child is born (Messiah) | John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras | T0111627203 |
| Pictures From an Exhibition: Il vecchio castello | Royal Liverpool Philharmonic Orchestra, Charles Mackerras | — |
| Poliuto, Act 3 Scene 4: "Donna! Malvagio! Vision gradita!" (Poliuto, Paolina) | Montserrat Caballé, Bernabé Martí, London Symphony Orchestra, Sir Charles Mackerras | — |
| Les Huguenots, Act 4 Scene 6: Duo, "Où courez-vous? Raoul, répondez-moi! … Le danger presse, et le temps vole" (Valentine, Raoul) | Montserrat Caballé, Bernabé Martí, London Symphony Orchestra, Sir Charles Mackerras | — |
| Les Huguenots, Act 4 Scene 6: "Oui, tu l'as dit ... oui, tu m'aimes!" (Raoul, Valentine) | Montserrat Caballé, Bernabé Martí, London Symphony Orchestra, Sir Charles Mackerras | — |
| Les Huguenots, Act 4 Scene 6: "Plus d'amour! ... plus d'ivresse!" (Raoul, Valentine) | Montserrat Caballé, Bernabé Martí, London Symphony Orchestra, Sir Charles Mackerras | — |
| Un Ballo in Maschera | Montserrat Caballé, Bernabé Martí, London Symphony Orchestra, Sir Charles Mackerras | — |
| La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — |
| For Unto us a child is born (Messiah) | John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras | — |
| Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | — |
| Le Messie Part 3: No. 43. Aria: I know that my Redeemer liveth | Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras | — |
| Pineapple Poll (arr. Mackerras): Scene One. Opening Dance | Royal Philharmonic Orchestra, Charles Mackerras | — |
| Pineapple Poll (arr. Mackerras): Scene One. Poll’s Solo & Pas de deux | Royal Philharmonic Orchestra, Charles Mackerras | — |
| Pineapple Poll (arr. Mackerras): Scene One. Belaye’s Solo | Royal Philharmonic Orchestra, Charles Mackerras | — |
| Pineapple Poll (arr. Mackerras): Scene One. Pas de trois | Royal Philharmonic Orchestra, Charles Mackerras | — |
| Pineapple Poll (arr. Mackerras): Scene One. Finale | Royal Philharmonic Orchestra, Charles Mackerras | — |
| Pineapple Poll (arr. Mackerras): Scene Two. Poll’s Solo | Royal Philharmonic Orchestra, Charles Mackerras | — |
| Pineapple Poll (arr. Mackerras): Scene Two. Jasper’s Solo | Royal Philharmonic Orchestra, Charles Mackerras | — |
| Pineapple Poll (arr. Mackerras): Scene Three. Belaye’s Solo and Sailors’ Dance | Royal Philharmonic Orchestra, Charles Mackerras | — |
| Pineapple Poll (arr. Mackerras): Scene Three. Poll’s Solo | Royal Philharmonic Orchestra, Charles Mackerras | — |
| Pineapple Poll (arr. Mackerras): Scene Three. Entry of Belaye with Blanche as Bride | Royal Philharmonic Orchestra, Charles Mackerras | — |
| Pineapple Poll (arr. Mackerras): Scene Three. Reconciliation | Royal Philharmonic Orchestra, Charles Mackerras | — |
| Pineapple Poll (arr. Mackerras): Scene Three. Grande Finale | Royal Philharmonic Orchestra, Charles Mackerras | — |
| Ruddigore (or The Witch’s Curse): Overture | Philharmonia Orchestra, Charles Mackerras | — |
| The Mikado (or The Town of Tiputu): Overture | Philharmonia Orchestra, Charles Mackerras | — |
| The Lady and the Fool - Suite: IV. Grand Adage | London Philharmonic Orchestra, Charles Mackerras | — |
| Sinfonietta: I. Allegretto | Pro Arte Orchestra of London, Charles Mackerras | T3126854926 |
| Sinfonietta: II. Andante | Pro Arte Orchestra of London, Charles Mackerras | T3126854926 |
| Sinfonietta: III. Moderato | Pro Arte Orchestra of London, Charles Mackerras | T3126854926 |
| Sinfonietta: IV. Allegretto | Pro Arte Orchestra of London, Charles Mackerras | T3126854926 |
| Sinfonietta: V. Andante con moto | Pro Arte Orchestra of London, Charles Mackerras | T3126854926 |
| Variations on an Original Theme "Enigma", op. 36: II. HDS-P | David Bell, London Philharmonic Orchestra, Charles Mackerras | — |
| Variations on an Original Theme "Enigma", op. 36: III. RBT | David Bell, London Philharmonic Orchestra, Charles Mackerras | — |
| Variations on an Original Theme "Enigma", op. 36: IV. WMB | David Bell, London Philharmonic Orchestra, Charles Mackerras | — |
| Variations on an Original Theme "Enigma", op. 36: V. RPA | David Bell, London Philharmonic Orchestra, Charles Mackerras | — |
| Variations on an Original Theme "Enigma", op. 36: VI. Ysobel | David Bell, London Philharmonic Orchestra, Charles Mackerras | — |
| Variations on an Original Theme "Enigma", op. 36: VII. Troyte | David Bell, London Philharmonic Orchestra, Charles Mackerras | — |
| Variations on an Original Theme "Enigma", op. 36: VIII. WN | David Bell, London Philharmonic Orchestra, Charles Mackerras | — |
| Variations on an Original Theme "Enigma", op. 36: IX. Nimrod | David Bell, London Philharmonic Orchestra, Charles Mackerras | T-010.115.427-1 |
| Variations on an Original Theme "Enigma", op. 36: X. Intermezzo: Dorabella | David Bell, London Philharmonic Orchestra, Charles Mackerras | — |
| Variations on an Original Theme "Enigma", op. 36: XI. GRS | David Bell, London Philharmonic Orchestra, Charles Mackerras | — |
| Variations on an Original Theme "Enigma", op. 36: XII. BGN | David Bell, London Philharmonic Orchestra, Charles Mackerras | — |
| Variations on an Original Theme "Enigma", op. 36: XIII. Romanza: *** | David Bell, London Philharmonic Orchestra, Charles Mackerras | — |
| Enigma Variations: XIV. Finale: E.D.U. | London Philharmonic Orchestra, Sir Charles Mackerras | — |
| Cello Concerto in D major: I. Allegro moderato (cadenza: Sir Charles Mackerras) | Julian Lloyd Webber, London Symphony Orchestra, Charles Mackerras | — |
| Cello Concerto in D major: II. Andante espressivo | Julian Lloyd Webber, London Symphony Orchestra, Charles Mackerras | T3072418005 |
| Cello Concerto in D major: III. Molto vivace | Julian Lloyd Webber, London Symphony Orchestra, Charles Mackerras | — |
| The Rite of Spring: Part One, Adoration of the Earth: Introduction | London Philharmonic Orchestra, Charles Mackerras | T0702578877 |
| The Rite of Spring: Part One, Adoration of the Earth: The Augurs of Spring – Dance of the Maidens | London Philharmonic Orchestra, Charles Mackerras | T0702578877 |
| The Rite of Spring: Part One, Adoration of the Earth: Ritual of Abduction | London Philharmonic Orchestra, Charles Mackerras | T0702578877 |
| The Rite of Spring: Part One, Adoration of the Earth: Spring Rounds | London Philharmonic Orchestra, Charles Mackerras | T0702578877 |
| The Rite of Spring: Part One, Adoration of the Earth: Ritual of the Rival Tribes | London Philharmonic Orchestra, Charles Mackerras | T0702578877 |
| The Rite of Spring: Part One, Adoration of the Earth: Procession of the Sage | London Philharmonic Orchestra, Charles Mackerras | T0702578877 |
| The Rite of Spring: Part One, Adoration of the Earth: Adoration of the Earth | London Philharmonic Orchestra, Charles Mackerras | — |
| The Rite of Spring: Part One, Adoration of the Earth: Dance of the Earth | London Philharmonic Orchestra, Charles Mackerras | T0702578877 |
| The Rite of Spring: Part Two, The Sacrifice: Introduction | London Philharmonic Orchestra, Charles Mackerras | T0702578877 |
| The Rite of Spring: Part Two, The Sacrifice: Mystic Circles of the Maidens | London Philharmonic Orchestra, Charles Mackerras | T0702578877 |
| The Rite of Spring: Part Two, The Sacrifice: Glorification of the Chosen One | London Philharmonic Orchestra, Charles Mackerras | T0702578877 |
| The Rite of Spring: Part Two, The Sacrifice: Evocation of the Ancestors | London Philharmonic Orchestra, Charles Mackerras | T0702578877 |
| The Rite of Spring: Part Two, The Sacrifice: Ritual of the Ancestors | London Philharmonic Orchestra, Charles Mackerras | T0702578877 |
| The Rite of Spring: Part Two, The Sacrifice: Sacrificial Dance (The Chosen One) | London Philharmonic Orchestra, Charles Mackerras | — |
| Symphony no. 40, K. 550: I. Molto allegro | London Philharmonic Orchestra, Sir Charles Mackerras | — |
| Symphony no. 40, K. 550: II. Andante | London Philharmonic Orchestra, Sir Charles Mackerras | — |
| Symphony no. 40, K. 550: III. Menuetto & Trio | London Philharmonic Orchestra, Sir Charles Mackerras | — |
| Symphony no. 40, K. 550: IV. Allegro assai | London Philharmonic Orchestra, Sir Charles Mackerras | — |
| Symphony No. 5: I. Trauermarsch (In gemessenem Schritt - Streng - Wie ein Kondukt) | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | T9263599264 |
| Symphony No. 5: II. Stürmisch bewegt, mit größter Vehemenz | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | — |
| Symphony No. 5: III. Scherzo (Kräftig, nicht zu schnell) | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | — |
| Symphony No. 5: IV. Adagietto (Sehr langsam) | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | — |
| Symphony No. 5: V. Rondo-Finale (Allegro) | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | — |
| Symphony no. 7 in D minor, op. 70: I. Allegro Maestoso | London Philharmonic Orchestra, Charles Mackerras | — |
| Symphony no. 7 in D minor, op. 70: II. Poco Adagio | London Philharmonic Orchestra, Charles Mackerras | — |
| Symphony no. 7 in D minor, op. 70: III. Scherzo (Vivace) | London Philharmonic Orchestra, Charles Mackerras | — |
| Symphony no. 7 in D minor, op. 70: IV. Allegro | London Philharmonic Orchestra, Charles Mackerras | — |
| Paris: The Song of a Great City | Royal Liverpool Philharmonic Orchestra, Charles Mackerras | — |
| Violin Concerto in E minor, op. 64: I. Allegro molto appassionato - | Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras | — |
| Violin Concerto in E minor, op. 64: II. Andante | Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras | — |
| Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras | — |
| Violin Concerto in D, op. 61: I. Allegro ma non troppo | Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras | — |
| Violin Concerto in D, op. 61: II. Larghetto - | Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras | — |
| Violin Concerto in D, op. 61: III. Rondo (Allegro) | Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras | — |
| Pineapple Poll - Suite: I. Opening Dance | London Philharmonic Orchestra, Charles Mackerras | — |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T9012225013 |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T9012225013 |
| Pizzicati from Sylvia | New Philharmonia Orchestra, Charles Mackerras | T0701403577 |
Royal Philharmonic Orchestra, Sir Charles Mackerras
Till Eulenspiegels Lustige Streiche, Op. 28
Royal Philharmonic Orchestra, Sir Charles Mackerras
—
Cosi fari tutte: Temerari, sortite...Come scoglio
Barbara Frittoli, Scottish Chamber Orchestra, Charles Mackerras
—
Cosi fari tutte: El parte...Per pieta
Barbara Frittoli, Scottish Chamber Orchestra, Charles Mackerras
—
Le nozze di Figaro: Porgi, amor
Barbara Frittoli, Scottish Chamber Orchestra, Charles Mackerras
—
Le nozze di Figaro: E Susanna non vien!... Dove song
Barbara Frittoli, Scottish Chamber Orchestra, Charles Mackerras
—
Idomeneo, re di Creta: O smania! oh furie!...D'Oreste, d'Alace
Barbara Frittoli, Scottish Chamber Orchestra, Charles Mackerras
—
Don Giovanni: In quali eccessi, o Numi...Mi tradi quell'alma ingrata
Barbara Frittoli, Scottish Chamber Orchestra, Charles Mackerras
—
Don Giovanni: Crudele!...Non mi dir
Barbara Frittoli, Scottish Chamber Orchestra, Charles Mackerras
—
Bella mia fiamma, addio!: Concert aria K 528
Barbara Frittoli, Scottish Chamber Orchestra, Charles Mackerras
—
Idomeneo, K. 366: "Fuor del mar ho un mar in seno" (Idomeneo)
Ian Bostridge, Scottish Chamber Orchestra, Charles Mackerras
—
Idomeneo, K. 366: "Zeffiretti lusinghieri" (Ilia)
Lisa Milne, Scottish Chamber Orchestra, Charles Mackerras
—
Sylvia - Suite: II. Intermezzo et Valse lente
New Philharmonia Orchestra, Charles Mackerras
—
Madama Butterfly: Atto II. “Un bel dì vedremo”
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
—
Madama Butterfly: “Tu, tu piccolo iddio” (Death of Butterfly)
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
—
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Tosca: “Vissi d'arte”
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
—
La Bohème: Sì, mi chiamano Mimì
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
—
La bohème: “Donde lieta uscì” (Mimi’s Farewell)
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
—
New Philharmonia Orchestra, Charles Mackerras
New Philharmonia Orchestra, Charles Mackerras
New Philharmonia Orchestra, Charles Mackerras
La Rondine: Chi il bel sogno di Doretta
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
—
Poliuto, Act III: Ah fuggi da morte...Il suon dell' arpe angeliche
Montserrat Caballé, Bernabé Martí, London Symphony Orchestra, Sir Charles Mackerras
—
Water Music Suite: Allegro
London Symphony Orchestra, Sir Charles Mackerras
—
Water Music Suite: Bourrée
London Symphony Orchestra, Sir Charles Mackerras
—
Water Music Suite: Hornpipe
London Symphony Orchestra, Sir Charles Mackerras
—
Water Music Suite: Allegro deciso
London Symphony Orchestra, Sir Charles Mackerras
—
Berenice Overture
London Symphony Orchestra, Sir Charles Mackerras
—
La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda)
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
—
Ein Sommernachtstraum: Nocturne
Orchestra of the Age of Enlightenment, Charles Mackerras
—
Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras
Le Messie Part 3: No. 43. Aria: I know that my Redeemer liveth
Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras
—
IN QUELLE TRINE MORBIDE
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
—
MANON LESCAUT (1987 DIGITAL REMASTER): SOLA, PERDUTA, ABBANDONATA
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
—
Le Villi: “Se come voi piccina”
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
—
The Planets: Venus, the Bringer of Peace
Royal Liverpool Philharmonic Orchestra, Charles Mackerras
—
New Philharmonia Orchestra, Charles Mackerras
Waltz from 'Coppelia'
New Philharmonia Orchestra, Charles Mackerras
—
The Merrymakers (Miniature Overture)
London Symphony Orchestra, Charles Mackerras
—
London Symphony Orchestra, Charles Mackerras
The Three Bears Phantasy
London Symphony Orchestra, Charles Mackerras
—
At the Dance (from Summer Days Suite)
London Symphony Orchestra, Charles Mackerras
—
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe
Rudolf Beránek, Stanislav Bogunia, Jiří Kaniak, Karel Klement, Miloslav Klement, Vladislav Kozderka, Stanislav Sejpal, Jr., Zdeněk Tylšar, Prague Chamber Orchestra, Charles Mackerras
—
John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras
Pictures From an Exhibition: Il vecchio castello
Royal Liverpool Philharmonic Orchestra, Charles Mackerras
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Poliuto, Act 3 Scene 4: "Donna! Malvagio! Vision gradita!" (Poliuto, Paolina)
Montserrat Caballé, Bernabé Martí, London Symphony Orchestra, Sir Charles Mackerras
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Les Huguenots, Act 4 Scene 6: Duo, "Où courez-vous? Raoul, répondez-moi! … Le danger presse, et le temps vole" (Valentine, Raoul)
Montserrat Caballé, Bernabé Martí, London Symphony Orchestra, Sir Charles Mackerras
—
Les Huguenots, Act 4 Scene 6: "Oui, tu l'as dit ... oui, tu m'aimes!" (Raoul, Valentine)
Montserrat Caballé, Bernabé Martí, London Symphony Orchestra, Sir Charles Mackerras
—
Les Huguenots, Act 4 Scene 6: "Plus d'amour! ... plus d'ivresse!" (Raoul, Valentine)
Montserrat Caballé, Bernabé Martí, London Symphony Orchestra, Sir Charles Mackerras
—
Un Ballo in Maschera
Montserrat Caballé, Bernabé Martí, London Symphony Orchestra, Sir Charles Mackerras
—
La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda)
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
—
For Unto us a child is born (Messiah)
John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras
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Messiah, HWV 56: No. 44. Hallelujah
Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras
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Le Messie Part 3: No. 43. Aria: I know that my Redeemer liveth
Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras
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Pineapple Poll (arr. Mackerras): Scene One. Opening Dance
Royal Philharmonic Orchestra, Charles Mackerras
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Pineapple Poll (arr. Mackerras): Scene One. Poll’s Solo & Pas de deux
Royal Philharmonic Orchestra, Charles Mackerras
—
Pineapple Poll (arr. Mackerras): Scene One. Belaye’s Solo
Royal Philharmonic Orchestra, Charles Mackerras
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Pineapple Poll (arr. Mackerras): Scene One. Pas de trois
Royal Philharmonic Orchestra, Charles Mackerras
—
Pineapple Poll (arr. Mackerras): Scene One. Finale
Royal Philharmonic Orchestra, Charles Mackerras
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Pineapple Poll (arr. Mackerras): Scene Two. Poll’s Solo
Royal Philharmonic Orchestra, Charles Mackerras
—
Pineapple Poll (arr. Mackerras): Scene Two. Jasper’s Solo
Royal Philharmonic Orchestra, Charles Mackerras
—
Pineapple Poll (arr. Mackerras): Scene Three. Belaye’s Solo and Sailors’ Dance
Royal Philharmonic Orchestra, Charles Mackerras
—
Pineapple Poll (arr. Mackerras): Scene Three. Poll’s Solo
Royal Philharmonic Orchestra, Charles Mackerras
—
Pineapple Poll (arr. Mackerras): Scene Three. Entry of Belaye with Blanche as Bride
Royal Philharmonic Orchestra, Charles Mackerras
—
Pineapple Poll (arr. Mackerras): Scene Three. Reconciliation
Royal Philharmonic Orchestra, Charles Mackerras
—
Pineapple Poll (arr. Mackerras): Scene Three. Grande Finale
Royal Philharmonic Orchestra, Charles Mackerras
—
Ruddigore (or The Witch’s Curse): Overture
Philharmonia Orchestra, Charles Mackerras
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The Mikado (or The Town of Tiputu): Overture
Philharmonia Orchestra, Charles Mackerras
—
The Lady and the Fool - Suite: IV. Grand Adage
London Philharmonic Orchestra, Charles Mackerras
—
Pro Arte Orchestra of London, Charles Mackerras
Pro Arte Orchestra of London, Charles Mackerras
Pro Arte Orchestra of London, Charles Mackerras
Pro Arte Orchestra of London, Charles Mackerras
Pro Arte Orchestra of London, Charles Mackerras
Variations on an Original Theme "Enigma", op. 36: II. HDS-P
David Bell, London Philharmonic Orchestra, Charles Mackerras
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Variations on an Original Theme "Enigma", op. 36: III. RBT
David Bell, London Philharmonic Orchestra, Charles Mackerras
—
Variations on an Original Theme "Enigma", op. 36: IV. WMB
David Bell, London Philharmonic Orchestra, Charles Mackerras
—
Variations on an Original Theme "Enigma", op. 36: V. RPA
David Bell, London Philharmonic Orchestra, Charles Mackerras
—
Variations on an Original Theme "Enigma", op. 36: VI. Ysobel
David Bell, London Philharmonic Orchestra, Charles Mackerras
—
Variations on an Original Theme "Enigma", op. 36: VII. Troyte
David Bell, London Philharmonic Orchestra, Charles Mackerras
—
Variations on an Original Theme "Enigma", op. 36: VIII. WN
David Bell, London Philharmonic Orchestra, Charles Mackerras
—
David Bell, London Philharmonic Orchestra, Charles Mackerras
Variations on an Original Theme "Enigma", op. 36: X. Intermezzo: Dorabella
David Bell, London Philharmonic Orchestra, Charles Mackerras
—
Variations on an Original Theme "Enigma", op. 36: XI. GRS
David Bell, London Philharmonic Orchestra, Charles Mackerras
—
Variations on an Original Theme "Enigma", op. 36: XII. BGN
David Bell, London Philharmonic Orchestra, Charles Mackerras
—
Variations on an Original Theme "Enigma", op. 36: XIII. Romanza: ***
David Bell, London Philharmonic Orchestra, Charles Mackerras
—
Enigma Variations: XIV. Finale: E.D.U.
London Philharmonic Orchestra, Sir Charles Mackerras
—
Cello Concerto in D major: I. Allegro moderato (cadenza: Sir Charles Mackerras)
Julian Lloyd Webber, London Symphony Orchestra, Charles Mackerras
—
Julian Lloyd Webber, London Symphony Orchestra, Charles Mackerras
Cello Concerto in D major: III. Molto vivace
Julian Lloyd Webber, London Symphony Orchestra, Charles Mackerras
—
London Philharmonic Orchestra, Charles Mackerras
London Philharmonic Orchestra, Charles Mackerras
London Philharmonic Orchestra, Charles Mackerras
London Philharmonic Orchestra, Charles Mackerras
London Philharmonic Orchestra, Charles Mackerras
London Philharmonic Orchestra, Charles Mackerras
The Rite of Spring: Part One, Adoration of the Earth: Adoration of the Earth
London Philharmonic Orchestra, Charles Mackerras
—
London Philharmonic Orchestra, Charles Mackerras
London Philharmonic Orchestra, Charles Mackerras
London Philharmonic Orchestra, Charles Mackerras
London Philharmonic Orchestra, Charles Mackerras
London Philharmonic Orchestra, Charles Mackerras
London Philharmonic Orchestra, Charles Mackerras
The Rite of Spring: Part Two, The Sacrifice: Sacrificial Dance (The Chosen One)
London Philharmonic Orchestra, Charles Mackerras
—
Symphony no. 40, K. 550: I. Molto allegro
London Philharmonic Orchestra, Sir Charles Mackerras
—
Symphony no. 40, K. 550: II. Andante
London Philharmonic Orchestra, Sir Charles Mackerras
—
Symphony no. 40, K. 550: III. Menuetto & Trio
London Philharmonic Orchestra, Sir Charles Mackerras
—
Symphony no. 40, K. 550: IV. Allegro assai
London Philharmonic Orchestra, Sir Charles Mackerras
—
Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras
Symphony No. 5: II. Stürmisch bewegt, mit größter Vehemenz
Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras
—
Symphony No. 5: III. Scherzo (Kräftig, nicht zu schnell)
Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras
—
Symphony No. 5: IV. Adagietto (Sehr langsam)
Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras
—
Symphony No. 5: V. Rondo-Finale (Allegro)
Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras
—
Symphony no. 7 in D minor, op. 70: I. Allegro Maestoso
London Philharmonic Orchestra, Charles Mackerras
—
Symphony no. 7 in D minor, op. 70: II. Poco Adagio
London Philharmonic Orchestra, Charles Mackerras
—
Symphony no. 7 in D minor, op. 70: III. Scherzo (Vivace)
London Philharmonic Orchestra, Charles Mackerras
—
Symphony no. 7 in D minor, op. 70: IV. Allegro
London Philharmonic Orchestra, Charles Mackerras
—
Paris: The Song of a Great City
Royal Liverpool Philharmonic Orchestra, Charles Mackerras
—
Violin Concerto in E minor, op. 64: I. Allegro molto appassionato -
Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras
—
Violin Concerto in E minor, op. 64: II. Andante
Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras
—
Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace
Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras
—
Violin Concerto in D, op. 61: I. Allegro ma non troppo
Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras
—
Violin Concerto in D, op. 61: II. Larghetto -
Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras
—
Violin Concerto in D, op. 61: III. Rondo (Allegro)
Monica Huggett, Orchestra of the Age of Enlightenment, Sir Charles Mackerras
—
Pineapple Poll - Suite: I. Opening Dance
London Philharmonic Orchestra, Charles Mackerras
—
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
New Philharmonia Orchestra, Charles Mackerras
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
0000000055532259000000005687702100000000593930060000000063098368000000006309843X00000000631013280000000078404137000000008092032500000000816971530000000081876995
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0000000082231865000000008350277800000000835761870000000083593227000000008365519200000000839810940000000106617448000000010690945900000001080615190000000108694148000000010874333300000001091275240000000109282073000000010938414100000001094167210000000109426524000000010964596200000001101540600000000110633483000000011075076X000000011297410X0000000114373762000000011439796700000001145329540000000114679366000000011472548100000001147668490000000115713378000000011638462500000001181007880000000118103241000000011945353400000001195461750000000119550553000000012032126400000001203442630000000120960728000000012106800200000001216150370000000121677377
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What is UPC 5021732623560?
5021732623560 is a Universal Product Code (UPC) assigned to The Complete Warner Classics Edition by Sir Charles Mackerras. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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