UPC · Release
Carlo Maria Giulini
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5021732842015 is the Universal Product Code (UPC barcode) for the release “The Remastered Legacy” by Carlo Maria Giulini. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 41 tracks, each with its own ISRC. Tracks include GBAYC2401811, GBAYC2401422, GBAYC2401808.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Le nozze di Figaro: Atto I. Overture | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 2 | El amor brujo, G. 68: Danza ritual del fuego | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 3 | Ma mère l’Oye, M. 60: III. Laideronnette, impératrice des pagodes | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 4 | Symphony no. 94 in G major, Hob. I:94 "Surprise": III. Menuetto - Trio | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 5 | Petite suite des "Jeux d'enfants", op. 22, WD 39: II. Berceuse "La poupée" | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 6 | The Four Seasons, Violin Concerto in E major, op. 8 no. 1, RV 269 “Spring”: I. Allegro | Manoug Parikian, Philharmonia Orchestra, Carlo Maria Giulini | — |
| 7 | 4 Pezzi sacri: No. 3. Laudi alla Vergine Maria | Philharmonia Chorus, Carlo Maria Giulini | — |
| 8 | Symphony no. 3 in E‐flat major, op. 97 “Rhenish”: III. Nicht schnell | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 10 | Rapsodie espagnole, M. 54: III. Habanera | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 11 | Four Sea Interludes from Peter Grimes op. 33a: III. Moonlight | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 12 | Iphigénie en Tauride, Wq. 46, Act 2: “Dieux qui me poursuivez” (Oreste) | Pierre Mollet, Orchestre de la Société des Concerts du Conservatoire, Carlo Maria Giulini | — |
| 13 | Symphony no. 7 in A major, op. 92: II. Allegretto | Chicago Symphony Orchestra, Carlo Maria Giulini | T-321.302.266-9 |
| 14 | Roméo et Juliette, Op. 17, H. 79: Partie I. Introduction - Combats, tumulte, intervention du Prince | Chicago Symphony Orchestra, Carlo Maria Giulini | — |
| 15 | Requiem in D minor, K. 626: VIII. Lacrimosa | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — |
| 16 | Nocturnes, CD 98, L. 91: No. 2, Fêtes | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 18 | Cello Concerto no. 2 in D major, Hob. VIIb:2: III. Rondo. Allegro | János Starker, Philharmonia Orchestra, Carlo Maria Giulini | — |
| 19 | Symphony no. 6 in F major, op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 20 | Symphony no. 9 in E minor, op. 95, B. 178 “From the New World”: I. Adagio – Allegro molto | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 21 | Piano Concerto no. 9 in E‐flat major, K. 271: I. Allegro | Alexis Weissenberg, Wiener Symphoniker, Carlo Maria Giulini | — |
| 22 | Symphony no. 2 in C minor, op. 17 “Little Russian”: II. Andantino marziale, quasi moderato | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 23 | La serva padrona: Duetto. “Lo conosco a quegli occhietti” (Serpina, Uberto) | Nicola Rossi-Lemeni, Rosanna Carteri, Orchestra del Teatro alla Scala di Milano, Carlo Maria Giulini | — |
| 24 | L’italiana in Algeri, Act 1: “Ai capricci della sorte io so far l’indifferente” (Isabella, Taddeo) | Elio Contamessa, Giulietta Simionato, Marcello Cortis, Orchestra del Teatro alla Scala di Milano, Carlo Maria Giulini | — |
| 25 | Don Giovanni, K. 527, Act 1: “Là ci darem la mano” (Don Giovanni, Zerlina) | Eberhard Wächter, Graziella Sciutti, Philharmonia Orchestra, Carlo Maria Giulini | — |
| 26 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | London Symphony Orchestra, Carlo Maria Giulini | — |
| 27 | Cello Concerto no. 9 in B‐flat major, G. 482: I. Allegro moderato (cadenza by Hutter) | János Starker, Philharmonia Orchestra, Carlo Maria Giulini | — |
| 28 | Symphony no. 3 in F major, op. 90: III. Poco allegretto | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 29 | La Mer, CD 111, L. 109: II. Jeux de vagues | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 30 | Symphony no. 7 in D minor, op. 70, B. 141: IV. Finale. Allegro | London Philharmonic Orchestra, Carlo Maria Giulini | — |
| 31 | Missa solemnis, op. 123: I. Kyrie | Hans Sotin, Heather Harper, Janet Baker, Robert Tear, New Philharmonia Chorus, London Philharmonic Orchestra, Carlo Maria Giulini | — |
| 32 | Miroirs, M. 43: IV. Alborada del gracioso | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 33 | Symphony no. 1 in D Major: II. Kräftig bewegt, doch nicht zu schnell | Chicago Symphony Orchestra, Carlo Maria Giulini | — |
| 34 | Mass in C major, op. 86: V. Agnus Dei | Elly Ameling, Janet Baker, Marius Rintzler, Theo Altmeyer, New Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — |
| 35 | Il barbiere di Siviglia: Overture | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 36 | Piano Concerto no. 2 in B‐flat major, op. 83: III. Andante | Claudio Arrau, Philharmonia Orchestra, Carlo Maria Giulini | T-322.449.900-3 |
| 37 | La forza del destino: Overture | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 38 | Cello Concerto no. 1 in A minor, op. 33: III. Molto allegro | János Starker, Philharmonia Orchestra, Carlo Maria Giulini | — |
| 39 | Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 40 | Night on Bald Mountain | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 41 | Cello Concerto in B minor, op. 104, B. 191: II. Adagio ma non troppo | Mstislav Rostropovich, London Philharmonic Orchestra, Carlo Maria Giulini | — |
| 42 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | Hans Richter-Haaser, Philharmonia Orchestra, Carlo Maria Giulini | — |
| 44 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato | Chicago Symphony Orchestra, Carlo Maria Giulini | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Suite from the Firebird: VI. Finale (1919 version) | Chicago Symphony Orchestra, Carlo Maria Giulini | — |
| Suite from Petrushka: I. Russian Dance (1947 version) | Chicago Symphony Orchestra, Carlo Maria Giulini | — |
| Symphony no. 9 in D minor, WAB 109 (ed. Nowak): II. Scherzo (bewegt, lebhaft) – Trio (schnell) – Scherzo (da capo) | Chicago Symphony Orchestra, Carlo Maria Giulini | — |
| Symphony no. 6 in F major, op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | Philharmonia Orchestra, Carlo Maria Giulini | — |
| Symphony no. 1 in D Major: II. Kräftig bewegt, doch nicht zu schnell | Chicago Symphony Orchestra, Carlo Maria Giulini | — |
| Cello Concerto in B minor, op. 104, B. 191: II. Adagio ma non troppo | Mstislav Rostropovich, London Philharmonic Orchestra, Carlo Maria Giulini | — |
| Cello Concerto in B minor, op. 104, B. 191: II. Adagio ma non troppo | Mstislav Rostropovich, London Philharmonic Orchestra, Carlo Maria Giulini | — |
| Mozart: Le nozze di Figaro, K. 492: Sinfonia. Presto | Wolfgang Amadeus Mozart, Carlo Maria Giulini, Philharmonia Orchestra | — |
| La Mer, CD 111, L. 109: II. Jeux de vagues | Philharmonia Orchestra, Carlo Maria Giulini | — |
| Nocturnes, CD 98, L. 91: No. 2, Fêtes | Philharmonia Orchestra, Carlo Maria Giulini | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5021732842015 is a Universal Product Code (UPC) assigned to The Remastered Legacy by Carlo Maria Giulini. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 41 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5021732842015 is the Universal Product Code (UPC barcode) for the release “The Remastered Legacy” by Carlo Maria Giulini. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 41 tracks, each with its own ISRC. Tracks include GBAYC2401811, GBAYC2401422, GBAYC2401808.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Le nozze di Figaro: Atto I. Overture | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 2 | El amor brujo, G. 68: Danza ritual del fuego | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 3 | Ma mère l’Oye, M. 60: III. Laideronnette, impératrice des pagodes | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 4 | Symphony no. 94 in G major, Hob. I:94 "Surprise": III. Menuetto - Trio | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 5 | Petite suite des "Jeux d'enfants", op. 22, WD 39: II. Berceuse "La poupée" | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 6 | The Four Seasons, Violin Concerto in E major, op. 8 no. 1, RV 269 “Spring”: I. Allegro | Manoug Parikian, Philharmonia Orchestra, Carlo Maria Giulini | — |
| 7 | 4 Pezzi sacri: No. 3. Laudi alla Vergine Maria | Philharmonia Chorus, Carlo Maria Giulini | — |
| 8 | Symphony no. 3 in E‐flat major, op. 97 “Rhenish”: III. Nicht schnell | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 10 | Rapsodie espagnole, M. 54: III. Habanera | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 11 | Four Sea Interludes from Peter Grimes op. 33a: III. Moonlight | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 12 | Iphigénie en Tauride, Wq. 46, Act 2: “Dieux qui me poursuivez” (Oreste) | Pierre Mollet, Orchestre de la Société des Concerts du Conservatoire, Carlo Maria Giulini | — |
| 13 | Symphony no. 7 in A major, op. 92: II. Allegretto | Chicago Symphony Orchestra, Carlo Maria Giulini | T-321.302.266-9 |
| 14 | Roméo et Juliette, Op. 17, H. 79: Partie I. Introduction - Combats, tumulte, intervention du Prince | Chicago Symphony Orchestra, Carlo Maria Giulini | — |
| 15 | Requiem in D minor, K. 626: VIII. Lacrimosa | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — |
| 16 | Nocturnes, CD 98, L. 91: No. 2, Fêtes | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 18 | Cello Concerto no. 2 in D major, Hob. VIIb:2: III. Rondo. Allegro | János Starker, Philharmonia Orchestra, Carlo Maria Giulini | — |
| 19 | Symphony no. 6 in F major, op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 20 | Symphony no. 9 in E minor, op. 95, B. 178 “From the New World”: I. Adagio – Allegro molto | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 21 | Piano Concerto no. 9 in E‐flat major, K. 271: I. Allegro | Alexis Weissenberg, Wiener Symphoniker, Carlo Maria Giulini | — |
| 22 | Symphony no. 2 in C minor, op. 17 “Little Russian”: II. Andantino marziale, quasi moderato | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 23 | La serva padrona: Duetto. “Lo conosco a quegli occhietti” (Serpina, Uberto) | Nicola Rossi-Lemeni, Rosanna Carteri, Orchestra del Teatro alla Scala di Milano, Carlo Maria Giulini | — |
| 24 | L’italiana in Algeri, Act 1: “Ai capricci della sorte io so far l’indifferente” (Isabella, Taddeo) | Elio Contamessa, Giulietta Simionato, Marcello Cortis, Orchestra del Teatro alla Scala di Milano, Carlo Maria Giulini | — |
| 25 | Don Giovanni, K. 527, Act 1: “Là ci darem la mano” (Don Giovanni, Zerlina) | Eberhard Wächter, Graziella Sciutti, Philharmonia Orchestra, Carlo Maria Giulini | — |
| 26 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | London Symphony Orchestra, Carlo Maria Giulini | — |
| 27 | Cello Concerto no. 9 in B‐flat major, G. 482: I. Allegro moderato (cadenza by Hutter) | János Starker, Philharmonia Orchestra, Carlo Maria Giulini | — |
| 28 | Symphony no. 3 in F major, op. 90: III. Poco allegretto | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 29 | La Mer, CD 111, L. 109: II. Jeux de vagues | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 30 | Symphony no. 7 in D minor, op. 70, B. 141: IV. Finale. Allegro | London Philharmonic Orchestra, Carlo Maria Giulini | — |
| 31 | Missa solemnis, op. 123: I. Kyrie | Hans Sotin, Heather Harper, Janet Baker, Robert Tear, New Philharmonia Chorus, London Philharmonic Orchestra, Carlo Maria Giulini | — |
| 32 | Miroirs, M. 43: IV. Alborada del gracioso | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 33 | Symphony no. 1 in D Major: II. Kräftig bewegt, doch nicht zu schnell | Chicago Symphony Orchestra, Carlo Maria Giulini | — |
| 34 | Mass in C major, op. 86: V. Agnus Dei | Elly Ameling, Janet Baker, Marius Rintzler, Theo Altmeyer, New Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — |
| 35 | Il barbiere di Siviglia: Overture | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 36 | Piano Concerto no. 2 in B‐flat major, op. 83: III. Andante | Claudio Arrau, Philharmonia Orchestra, Carlo Maria Giulini | T-322.449.900-3 |
| 37 | La forza del destino: Overture | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 38 | Cello Concerto no. 1 in A minor, op. 33: III. Molto allegro | János Starker, Philharmonia Orchestra, Carlo Maria Giulini | — |
| 39 | Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 40 | Night on Bald Mountain | Philharmonia Orchestra, Carlo Maria Giulini | — |
| 41 | Cello Concerto in B minor, op. 104, B. 191: II. Adagio ma non troppo | Mstislav Rostropovich, London Philharmonic Orchestra, Carlo Maria Giulini | — |
| 42 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | Hans Richter-Haaser, Philharmonia Orchestra, Carlo Maria Giulini | — |
| 44 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato | Chicago Symphony Orchestra, Carlo Maria Giulini | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Suite from the Firebird: VI. Finale (1919 version) | Chicago Symphony Orchestra, Carlo Maria Giulini | — |
| Suite from Petrushka: I. Russian Dance (1947 version) | Chicago Symphony Orchestra, Carlo Maria Giulini | — |
| Symphony no. 9 in D minor, WAB 109 (ed. Nowak): II. Scherzo (bewegt, lebhaft) – Trio (schnell) – Scherzo (da capo) | Chicago Symphony Orchestra, Carlo Maria Giulini | — |
| Symphony no. 6 in F major, op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | Philharmonia Orchestra, Carlo Maria Giulini | — |
| Symphony no. 1 in D Major: II. Kräftig bewegt, doch nicht zu schnell | Chicago Symphony Orchestra, Carlo Maria Giulini | — |
| Cello Concerto in B minor, op. 104, B. 191: II. Adagio ma non troppo | Mstislav Rostropovich, London Philharmonic Orchestra, Carlo Maria Giulini | — |
| Cello Concerto in B minor, op. 104, B. 191: II. Adagio ma non troppo | Mstislav Rostropovich, London Philharmonic Orchestra, Carlo Maria Giulini | — |
| Mozart: Le nozze di Figaro, K. 492: Sinfonia. Presto | Wolfgang Amadeus Mozart, Carlo Maria Giulini, Philharmonia Orchestra | — |
| La Mer, CD 111, L. 109: II. Jeux de vagues | Philharmonia Orchestra, Carlo Maria Giulini | — |
| Nocturnes, CD 98, L. 91: No. 2, Fêtes | Philharmonia Orchestra, Carlo Maria Giulini | — |
