UPC · Release
Johann Sebastian Bach
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5028421931029 is the Universal Product Code (UPC barcode) for the release “Bach Edition” by Johann Sebastian Bach, released 2006-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 361 tracks, each with its own ISRC. Tracks include NLY331603722, NLY331603723, NLY331603724.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Brandenburg Concerto no. 1 in F major, BWV 1046: I. Allegro | Rémy Baudet, Frank de Bruine, Erwin Wieringa, Teunis van der Zwart, Musica Amphion, Pieter-Jan Belder | T-801.411.105-9 | |
| 2 | Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio | Rémy Baudet, Frank de Bruine, Erwin Wieringa, Teunis van der Zwart, Musica Amphion, Pieter-Jan Belder | T-917.755.866-6 | |
| 3 | Brandenburg Concerto no. 1 in F major, BWV 1046: III. Allegro | Rémy Baudet, Frank de Bruine, Erwin Wieringa, Teunis van der Zwart, Musica Amphion, Pieter-Jan Belder | — | |
| 4 | Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Menuetto - Trio I - Menuetto da capo - Polacca - Menuetto da capo - Trio II - Menuetto da capo | Rémy Baudet, Frank de Bruine, Erwin Wieringa, Teunis van der Zwart, Musica Amphion, Pieter-Jan Belder | — | |
| 5 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. Allegro | Rémy Baudet, Pieter-Jan Belder, Frank de Bruine, Will Wroth, Musica Amphion | T-801.411.105-9 | |
| 6 | Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante | Rémy Baudet, Pieter-Jan Belder, Frank de Bruine, Will Wroth, Musica Amphion | — | |
| 7 | Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | Rémy Baudet, Pieter-Jan Belder, Frank de Bruine, Will Wroth, Musica Amphion | — | |
| 8 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro | Rémy Baudet, Marten Boeken, Albert Brüggen, Mariette Holtrop, Richte van der Meer, Irmgard Schaller, Staas Swierstra, Sayuri Yamagata, Rainer Zipperling, Musica Amphion, Pieter-Jan Belder | — | |
| 9 | Brandenburg Concerto no. 3 in G major, BWV 1048: II. Adagio | Rémy Baudet, Marten Boeken, Albert Brüggen, Mariette Holtrop, Richte van der Meer, Irmgard Schaller, Staas Swierstra, Sayuri Yamagata, Rainer Zipperling, Musica Amphion, Pieter-Jan Belder | T-917.755.866-6 | |
| 10 | Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro | Rémy Baudet, Marten Boeken, Albert Brüggen, Mariette Holtrop, Richte van der Meer, Irmgard Schaller, Staas Swierstra, Sayuri Yamagata, Rainer Zipperling, Musica Amphion, Pieter-Jan Belder | — | |
| 2-1 | Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro | Rémy Baudet, Pieter-Jan Belder, Saskia Coolen, Musica Amphion | — | |
| 2-2 | Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante | Rémy Baudet, Pieter-Jan Belder, Saskia Coolen, Musica Amphion | — | |
| 2-3 | Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto | Rémy Baudet, Pieter-Jan Belder, Saskia Coolen, Musica Amphion | — | |
| 2-4 | Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro | Rémy Baudet, Pieter-Jan Belder, Wilbert Hazelzet, Musica Amphion | T-914.323.771-2 | |
| 2-5 | Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affetuoso | — | ||
| 2-6 | Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro | Rémy Baudet, Pieter-Jan Belder, Wilbert Hazelzet, Musica Amphion | — | |
| 2-7 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: I. Allegro | — | ||
| 2-8 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non troppo | — | ||
| 2-9 | Brandenburg Concerto no. 6 in B-Flat major, BWV 1051: III. Allegro | Johannes Boer, Lucia Swarts, Staas Swierstra, Mieneke van der Velden, Sayuri Yamagata, Musica Amphion, Pieter-Jan Belder | — | |
| 3-1 | Ouverture no. 1 in C major, BWV 1066: I. Ouverture | — | ||
| 3-2 | Ouverture no. 1 in C major, BWV 1066: II. Courante | — | ||
| 3-3 | Ouverture no. 1 in C major, BWV 1066: III. Gavotte I & II (alternativement) | — | ||
| 3-4 | Ouverture no. 1 in C major, BWV 1066: IV. Forlane | — | ||
| 3-5 | Ouverture no. 1 in C major, BWV 1066: V. Menuet I & II (alternativement) | — | ||
| 3-6 | Ouverture no. 1 in C major, BWV 1066: VI. Bourée I & II (alternativement) | — | ||
| 3-7 | Ouverture no. 1 in C major, BWV 1066: VII. Passepied I & II | — | ||
| 3-8 | Sinfonia from Cantata, BWV 29 “Wir danken dir, Gott, wir danken dir” | — | ||
| 3-9 | Ouverture no. 2 in B minor, BWV 1067: I. Ouverture | — | ||
| 3-10 | Ouverture no. 2 in B minor, BWV 1067: II. Rondeau | — | ||
| 3-11 | Ouverture no. 2 in B minor, BWV 1067: III. Sarabande | — | ||
| 3-12 | Ouverture no. 2 in B minor, BWV 1067: IV. Bourée I & II (alternativement) | — | ||
| 3-13 | Ouverture no. 2 in B minor, BWV 1067: V. Polonaise | — | ||
| 3-14 | Ouverture no. 2 in B minor, BWV 1067: VI. Menuet | — | ||
| 3-15 | Ouverture no. 2 in B minor, BWV 1067: VII. Badinerie | — | ||
| 4-1 | Orchestral Suite no. 3 in D major, BWV 1068: I. Ouverture | — | ||
| 4-2 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air | — | ||
| 4-3 | Orchestral Suite no. 3 in D major, BWV 1068: III. Gavotte | — | ||
| 4-4 | Orchestral Suite no. 3 in D major, BWV 1068: IV. Bourrée | — | ||
| 4-5 | Orchestral Suite no. 3 in D major, BWV 1068: V. Gigue | — | ||
| 4-6 | Cantata, BWV 146 “Wir müssen durch viel Trübsal in das Reich Gottes eingehen”: Sinfonia | — | ||
| 4-7 | Orchestral Suite no. 4 in D major, BWV 1069: I. Ouverture | — | ||
| 4-8 | Orchestral Suite no. 4 in D major, BWV 1069: II. Bourrée I | — | ||
| 4-9 | Orchestral Suite no. 4 in D major, BWV 1069: III. Gavotte | — | ||
| 4-10 | Orchestral Suite no. 4 in D major, BWV 1069: IV. Menuet (Alternativement) | — | ||
| 4-11 | Orchestral Suite no. 4 in D major, BWV 1069: V. Réjouissance | — | ||
| 5-1 | Violin Concerto in A minor, BWV 1041: I. Allegro | — | ||
| 5-2 | Violin Concerto in A minor, BWV 1041: II. Adagio | — | ||
| 5-3 | Violin Concerto in A minor, BWV 1041: III. Allegro | — | ||
| 5-4 | Violin Concerto in E major, BWV 1042: I. Allegro | — | ||
| 5-5 | Violin Concerto in E major, BWV 1042: II. Adagio | — | ||
| 5-6 | Violin Concerto in E major, BWV 1042: III. Allegro assai | — | ||
| 5-7 | Violin Concerto in D minor, BWV 1052: I. Allegro | — | ||
| 5-8 | Violin Concerto in D minor, BWV 1052: II. Largo | — | ||
| 5-9 | Violin Concerto in D minor, BWV 1052: III. Presto | — | ||
| 5-10 | Violin Concerto in G minor, BWV 1056: I. Allegro | — | ||
| 5-11 | Violin Concerto in G minor, BWV 1056: II. Andante | — | ||
| 5-12 | Violin Concerto in G minor, BWV 1056: III. Allegro assai | — | ||
| 5-13 | Concerto for 3 violins, strings and basso continuo, BWV 1064: I. Allegro | Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists | T-914.323.771-2 | |
| 5-14 | Concerto for 3 violins, strings and basso continuo, BWV 1064: II. Adagio | Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists | T-917.755.866-6 | |
| 5-15 | Concerto for 3 violins, strings and basso continuo, BWV 1064: III. Allegro | Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists | — | |
| 6-1 | Harpsichord Concerto in D minor, BWV 1052: I. Allegro | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 6-2 | Harpsichord Concerto in D minor, BWV 1052: II. Adagio | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | T-917.755.866-6 | |
| 6-3 | Harpsichord Concerto in D minor, BWV 1052: III. Allegro | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 6-4 | Harpsichord Concerto in E major, BWV 1053: I. Without tempo indication | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | T-312.207.924-3 | |
| 6-5 | Harpsichord Concerto in E major, BWV 1053: II. Siciliano | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 6-6 | Harpsichord Concerto in E major, BWV 1053: III. Allegro | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 6-7 | Harpsichord Concerto in D major, BWV 1054: I. Without tempo indication | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | T-801.411.105-9 | |
| 6-8 | Harpsichord Concerto in D major, BWV 1054: II. Adagio e piano sempre | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 6-9 | Harpsichord Concerto in D major, BWV 1054: III. Allegro | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 6-10 | Harpsichord Concerto in A major, BWV 1055: I. Allegro | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | T-914.323.771-2 | |
| 6-11 | Harpsichord Concerto in A major, BWV 1055: II. Larghetto | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 6-12 | Harpsichord Concerto in A major, BWV 1055: III. Allegro ma non tanto | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 7-1 | Harpsichord Concerto in F minor, BWV 1056: I. Without tempo indication | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | T-801.411.105-9 | |
| 7-2 | Harpsichord Concerto in F minor, BWV 1056: II. Largo | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 7-3 | Harpsichord Concerto in F minor, BWV 1056: III. Presto | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 7-4 | Concerto for harpsichord, 2 flutes, strings and basso continuo in F major, BWV 1057: I. Without tempo indication | Christine Schornsheim, Paul Leenhouts, Karel van Steenhoven, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | T-801.411.105-9 | |
| 7-5 | Concerto for harpsichord, 2 flutes, strings and basso continuo in F major, BWV 1057: II. Andante | Christine Schornsheim, Paul Leenhouts, Karel van Steenhoven, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 7-6 | Concerto for harpsichord, 2 flutes, strings and basso continuo in F major, BWV 1057: III. Allegro assai | Christine Schornsheim, Paul Leenhouts, Karel van Steenhoven, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 7-7 | Harpsichord Concerto in G minor, BWV 1058: I. Without tempo indication | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | T-801.411.105-9 | |
| 7-8 | Harpsichord Concerto in G minor, BWV 1058: II. Andante | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 7-9 | Harpsichord Concerto in G minor, BWV 1058: III. Allegro assai | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 7-10 | Concerto for 2 harpsichords, strings and basso continuo in C minor, BWV 1060: I. Allegro | Christine Schornsheim, Armin Thalheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 7-11 | Concerto for 2 harpsichords, strings and basso continuo in C minor, BWV 1060: II. Largo ovvero adagio | Christine Schornsheim, Armin Thalheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 7-12 | Concerto for 2 harpsichords, strings and basso continuo in C minor, BWV 1060: III. Allegro | Christine Schornsheim, Armin Thalheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 7-13 | Concerto for 4 harpsichords, strings and basso continuo in A minor, BWV 1065: I. Without tempo indication | Christine Schornsheim, Armin Thalheim, Mechtild Stark, Violetta Liebsch, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | T-801.411.105-9 | |
| 7-14 | Concerto for 4 harpsichords, strings and basso continuo in A minor, BWV 1065: II. Largo | — | ||
| 7-15 | Concerto for 4 harpsichords, strings and basso continuo in A minor, BWV 1065: III. Allegro | Christine Schornsheim, Armin Thalheim, Mechtild Stark, Violetta Liebsch, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 8-1 | Concerto for 2 harpsichords and strings in C major, BWV 1061: I. Without tempo indication | Pieter-Jan Belder, Menno van Delft, Musica Amphion | T-801.411.105-9 | |
| 8-2 | Concerto for 2 harpsichords and strings in C major, BWV 1061: II. Adagio ovvero largo | Pieter-Jan Belder, Menno van Delft, Musica Amphion | — | |
| 8-3 | Concerto for 2 harpsichords and strings in C major, BWV 1061: III. Fuga | Pieter-Jan Belder, Menno van Delft, Musica Amphion | — | |
| 8-4 | Concerto for 2 harpsichords and strings in C minor, BWV 1062: I. Without tempo indication | Pieter-Jan Belder, Siebe Henstra, Musica Amphion | T-801.411.105-9 | |
| 8-5 | Concerto for 2 harpsichords and strings in C minor, BWV 1062: II. Andante | Pieter-Jan Belder, Siebe Henstra, Musica Amphion | — | |
| 8-6 | Concerto for 2 harpsichords and strings in C minor, BWV 1062: III. Allegro assai | Pieter-Jan Belder, Siebe Henstra, Musica Amphion | — | |
| 8-7 | Concerto for 3 harpsichords and strings in D minor, BWV 1063: I. Without tempo indication | Pieter-Jan Belder, Siebe Henstra, Menno van Delft, Musica Amphion | T-801.411.105-9 | |
| 8-8 | Concerto for 3 harpsichords and strings in D minor, BWV 1063: II. Alla siciliana | Pieter-Jan Belder, Siebe Henstra, Menno van Delft, Musica Amphion | — | |
| 8-9 | Concerto for 3 harpsichords and strings in D minor, BWV 1063: III. Allegro | Pieter-Jan Belder, Siebe Henstra, Menno van Delft, Musica Amphion | — | |
| 8-10 | Concerto for 3 harpsichords and strings in C major, BWV 1064: I. Without tempo indication | Pieter-Jan Belder, Siebe Henstra, Menno van Delft, Musica Amphion | T-801.411.105-9 | |
| 8-11 | Concerto for 3 harpsichords and strings in C major, BWV 1064: II. Adagio | Pieter-Jan Belder, Siebe Henstra, Menno van Delft, Musica Amphion | T-917.755.866-6 | |
| 8-12 | Concerto for 3 harpsichords and strings in C major, BWV 1064: III. Allegro | Pieter-Jan Belder, Siebe Henstra, Menno van Delft, Musica Amphion | — | |
| 9-1 | Concerto for flute, violin, harpsichord, strings and basso continuo in A minor, BWV 1044: I. Allegro | Marieke Schneemann, Elisabeth Perry, Menno van Delft, Netherlands Bach Ensemble, Krijn Koetsveld | — | |
| 9-2 | Concerto for flute, violin, harpsichord, strings and basso continuo in A minor, BWV 1044: II. Adagio | Marieke Schneemann, Elisabeth Perry, Menno van Delft, Netherlands Bach Ensemble, Krijn Koetsveld | T-917.755.866-6 | |
| 9-3 | Concerto for flute, violin, harpsichord, strings and basso continuo in A minor, BWV 1044: III. Alla breve | Marieke Schneemann, Elisabeth Perry, Menno van Delft, Netherlands Bach Ensemble, Krijn Koetsveld | — | |
| 9-4 | Concerto for Oboe, Violin & Strings in D minor, BWV 1060: I. Allegro | Netherlands Bach Ensemble, Daniëlle Kreeft, Juditha Heberlin | — | |
| 9-5 | Concerto for Oboe, Violin & Strings in D minor, BWV 1060: II. Adagio | Netherlands Bach Ensemble, Daniëlle Kreeft, Juditha Heberlin | T-917.755.866-6 | |
| 9-6 | Concerto for Oboe, Violin & Strings in D minor, BWV 1060: III. Allegro | Netherlands Bach Ensemble, Daniëlle Kreeft, Juditha Heberlin | — | |
| 9-7 | Concerto for oboe d’amore, strings and basso continuo in A major, BWV 1055: I. Allegro | — | ||
| 9-8 | Concerto for oboe d’amore, strings and basso continuo in A major, BWV 1055: II. Larghetto | — | ||
| 9-9 | Concerto for oboe d’amore, strings and basso continuo in A major, BWV 1055: III. Allegro ma non tanto | — | ||
| 9-10 | Concerto for 2 violins, strings and basso continuo in D minor, BWV 1043: I. Vivace | — | ||
| 9-11 | Concerto for 2 violins, strings and basso continuo in D minor, BWV 1043: II. Largo | — | ||
| 9-12 | Concerto for 2 violins, strings and basso continuo in D minor, BWV 1043: III. Allegro | — | ||
| 10-1 | Sonata no. 1 in G minor, BWV 1001: I. Adagio | — | ||
| 10-2 | Sonata no. 1 in G minor, BWV 1001: II. Fuga (allegro) | — | ||
| 10-3 | Sonata no. 1 in G minor, BWV 1001: III. Siciliana | — | ||
| 10-4 | Sonata no. 1 in G minor, BWV 1001: IV. Presto | — | ||
| 10-5 | Partita no. 1 in B minor, BWV 1002: I. Allemanda | — | ||
| 10-6 | Partita no. 1 in B minor, BWV 1002: II. Double | — | ||
| 10-7 | Partita no. 1 in B minor, BWV 1002: III. Corrente | — | ||
| 10-8 | Partita no. 1 in B minor, BWV 1002: IV. Double - Presto | — | ||
| 10-9 | Partita no. 1 in B minor, BWV 1002: V. Sarabande | — | ||
| 10-10 | Partita no. 1 in B minor, BWV 1002: VI. Double | — | ||
| 10-11 | Partita no. 1 in B minor, BWV 1002: VII. Tempo di Borea | — | ||
| 10-12 | Partita no. 1 in B minor, BWV 1002: VIII. Double | — | ||
| 10-13 | Sonata no. 2 in A minor, BWV 1003: I. Grave | — | ||
| 10-14 | Sonata no. 2 in A minor, BWV 1003: II. Fuga | — | ||
| 10-15 | Sonata no. 2 in A minor, BWV 1003: III. Andante | — | ||
| 10-16 | Sonata no. 2 in A minor, BWV 1003: IV. Allegro | — | ||
| 11-1 | Partita no. 2 in D minor, BWV 1004: I. Allemanda | — | ||
| 11-2 | Partita no. 2 in D minor, BWV 1004: II. Corrente | — | ||
| 11-3 | Partita no. 2 in D minor, BWV 1004: III. Sarabande | — | ||
| 11-4 | Partita no. 2 in D minor, BWV 1004: IV. Giga | — | ||
| 11-5 | Partita no. 2 in D minor, BWV 1004: V. Ciacona | — | ||
| 11-6 | Sonata no. 3 in C major, BWV 1005: I. Adagio | — | ||
| 11-7 | Sonata no. 3 in C major, BWV 1005: II. Fuga | — | ||
| 11-8 | Sonata no. 3 in C major, BWV 1005: III. Largo | — | ||
| 11-9 | Sonata no. 3 in C major, BWV 1005: IV. Allegro assai | — | ||
| 11-10 | Partita no. 3 in E major, BWV 1006: I. Preludio | — | ||
| 11-11 | Partita no. 3 in E major, BWV 1006: II. Loure | — | ||
| 11-12 | Partita no. 3 in E major, BWV 1006: III. Gavotte en Rondeau | — | ||
| 11-13 | Partita no. 3 in E major, BWV 1006: IV. Menuet I - Menuet II - Menuet I | — | ||
| 11-14 | Partita no. 3 in E major, BWV 1006: V. Bourrée | — | ||
| 11-15 | Partita no. 3 in E major, BWV 1006: VI. Gigue | — | ||
| 12-1 | Suite no. 1 in G major, BWV 1007: I. Prelude | Jaap ter Linden | — | |
| 12-2 | Suite no. 1 in G major, BWV 1007: II. Allemande | Jaap ter Linden | — | |
| 12-3 | Suite no. 1 in G major, BWV 1007: III. Courante | Jaap ter Linden | — | |
| 12-4 | Suite no. 1 in G major, BWV 1007: IV. Sarabande | Jaap ter Linden | — | |
| 12-5 | Suite no. 1 in G major, BWV 1007: V. Minuet I & II | Jaap ter Linden | — | |
| 12-6 | Suite no. 1 in G major, BWV 1007: VI. Gigue | Jaap ter Linden | — | |
| 12-7 | Suite no. 3 in C major, BWV 1009: I. Prelude | Jaap ter Linden | — | |
| 12-8 | Suite no. 3 in C major, BWV 1009: II. Allemande | Jaap ter Linden | — | |
| 12-9 | Suite no. 3 in C major, BWV 1009: III. Courante | Jaap ter Linden | — | |
| 12-10 | Suite no. 3 in C major, BWV 1009: IV. Sarabande | Jaap ter Linden | — | |
| 12-11 | Suite no. 3 in C major, BWV 1009: V. Bourrée I & II | Jaap ter Linden | — | |
| 12-12 | Suite no. 3 in C major, BWV 1009: VI. Gigue | Jaap ter Linden | — | |
| 12-13 | Suite no. 5 in C minor, BWV 1011: I. Prelude | Jaap ter Linden | — | |
| 12-14 | Suite no. 5 in C minor, BWV 1011: II. Allemande | Jaap ter Linden | — | |
| 12-15 | Suite no. 5 in C minor, BWV 1011: III. Courante | Jaap ter Linden | — | |
| 12-16 | Suite no. 5 in C minor, BWV 1011: IV. Sarabande | Jaap ter Linden | — | |
| 12-17 | Suite no. 5 in C minor, BWV 1011: V. Gavotte I & II | Jaap ter Linden | — | |
| 12-18 | Suite no. 5 in C minor, BWV 1011: VI. Gigue | Jaap ter Linden | T-932.549.898-4 | |
| 13-1 | Suite no. 2 in D minor, BWV 1008: I. Prelude | Jaap ter Linden | — | |
| 13-2 | Suite no. 2 in D minor, BWV 1008: II. Allemande | Jaap ter Linden | — | |
| 13-3 | Suite no. 2 in D minor, BWV 1008: III. Courante | Jaap ter Linden | — | |
| 13-4 | Suite no. 2 in D minor, BWV 1008: IV. Sarabande | Jaap ter Linden | — | |
| 13-5 | Suite no. 2 in D minor, BWV 1008: V. Minuet I & II | Jaap ter Linden | — | |
| 13-6 | Suite no. 2 in D minor, BWV 1008: VI. Gigue | Jaap ter Linden | — | |
| 13-7 | Suite no. 4 in E-flat major, BWV 1010: I. Prelude | Jaap ter Linden | — | |
| 13-8 | Suite no. 4 in E-flat major, BWV 1010: II. Allemande | Jaap ter Linden | — | |
| 13-9 | Suite no. 4 in E-flat major, BWV 1010: III. Courante | Jaap ter Linden | — | |
| 13-10 | Suite no. 4 in E-flat major, BWV 1010: IV. Sarabande | Jaap ter Linden | — | |
| 13-11 | Suite no. 4 in E-flat major, BWV 1010: V. Bourrée I & II | Jaap ter Linden | — | |
| 13-12 | Suite no. 4 in E-flat major, BWV 1010: VI. Gigue | Jaap ter Linden | T-932.549.898-4 | |
| 13-13 | Suite no. 6 in D major, BWV 1012: I. Prelude | Jaap ter Linden | — | |
| 13-14 | Suite no. 6 in D major, BWV 1012: II. Allemande | Jaap ter Linden | — | |
| 13-15 | Suite no. 6 in D major, BWV 1012: III. Courante | Jaap ter Linden | — | |
| 13-16 | Suite no. 6 in D major, BWV 1012: IV. Sarabande | Jaap ter Linden | — | |
| 13-17 | Suite no. 6 in D major, BWV 1012: V. Gavotte I & II | Jaap ter Linden | — | |
| 13-18 | Suite no. 6 in D major, BWV 1012: VI. Gigue | Jaap ter Linden | — | |
| 14-1 | Sonata in B minor, BWV 1030: I. Andante | — | ||
| 14-2 | Sonata in B minor, BWV 1030: II. Largo e dolce | — | ||
| 14-3 | Sonata in B minor, BWV 1030: III. Presto | — | ||
| 14-4 | Sonata in E-flat major, BWV 1031: I. Allegro moderato | — | ||
| 14-5 | Sonata in E-flat major, BWV 1031: II. Siciliano | — | ||
| 14-6 | Sonata in E-flat major, BWV 1031: III. Allegro | — | ||
| 14-7 | Sonata in A major, BWV 1032: I. Vivace | — | ||
| 14-8 | Sonata in A major, BWV 1032: II. Largo e dolce | — | ||
| 14-9 | Sonata in A major, BWV 1032: III. Allegro | — | ||
| 15-1 | Sonata in C major, BWV 1033: I. Andante | — | ||
| 15-2 | Sonata in C major, BWV 1033: II. Allegro | — | ||
| 15-3 | Sonata in C major, BWV 1033: III. Adagio | — | ||
| 15-4 | Sonata in C major, BWV 1033: IV. Menuet I & II | — | ||
| 15-5 | Sonata in E minor, BWV 1034: I. Adagio ma non tanto | — | ||
| 15-6 | Sonata in E minor, BWV 1034: II. Allegro | — | ||
| 15-7 | Sonata in E minor, BWV 1034: III. Andante | — | ||
| 15-8 | Sonata in E minor, BWV 1034: IV. Allegro | — | ||
| 15-9 | Sonata in E major, BWV 1035: I. Adagio ma non tanto | — | ||
| 15-10 | Sonata in E major, BWV 1035: II. Allegro | — | ||
| 15-11 | Sonata in E major, BWV 1035: III. Siciliano | — | ||
| 15-12 | Sonata in E major, BWV 1035: IV. Allegro assai | — | ||
| 15-13 | Partita for solo flute in A minor, BWV 1013: I. Allemande | — | ||
| 15-14 | Partita for solo flute in A minor, BWV 1013: II. Corrente | — | ||
| 15-15 | Partita for solo flute in A minor, BWV 1013: III. Sarabande | — | ||
| 15-16 | Partita for solo flute in A minor, BWV 1013: IV. Bourrée anglaise | — | ||
| 16-1 | Suite in G minor for Lute, BWV 995: I. Prelude | — | ||
| 16-2 | Suite in G minor for Lute, BWV 995: II. Allemande | — | ||
| 16-3 | Suite in G minor for Lute, BWV 995: III. Courante | — | ||
| 16-4 | Suite in G minor for Lute, BWV 995: IV. Sarabande | — | ||
| 16-5 | Suite in G minor for Lute, BWV 995: V. Gavottes I & II | — | ||
| 16-6 | Suite in G minor for Lute, BWV 995: VI. Gigue | — | ||
| 16-7 | Suite in E minor for Lute, BWV 996: I. Prelude | — | ||
| 16-8 | Suite in E minor for Lute, BWV 996: II. Allemande | — | ||
| 16-9 | Suite in E minor for Lute, BWV 996: III. Courante | — | ||
| 16-10 | Suite in E minor for Lute, BWV 996: IV. Sarabande | — | ||
| 16-11 | Suite in E minor for Lute, BWV 996: V. Bourée | — | ||
| 16-12 | Suite in E minor for Lute, BWV 996: VI. Gigue | — | ||
| 16-13 | Suite in C minor for Lute, BWV 997: I. Prelude | — | ||
| 16-14 | Suite in C minor for Lute, BWV 997: II. Fugue | — | ||
| 16-15 | Suite in C minor for Lute, BWV 997: III. Sarabande | — | ||
| 16-16 | Suite in C minor for Lute, BWV 997: IV. Gigue-Double | — | ||
| 17-1 | Prelude, Fugue and Allegro in E-flat major, BWV 998: I. Prelude | — | ||
| 17-2 | Prelude, Fugue and Allegro in E-flat major, BWV 998: II. Fugue | — | ||
| 17-3 | Prelude, Fugue and Allegro in E-flat major, BWV 998: III. Allegro | — | ||
| 17-4 | Prelude in C minor, BWV 999 | — | ||
| 17-5 | Fugue in G minor, BWV 1000 | — | ||
| 17-6 | Suite in E major, BWV 1006a: I. Prelude | — | ||
| 17-7 | Suite in E major, BWV 1006a: II. Loure | — | ||
| 17-8 | Suite in E major, BWV 1006a: III. Gavotte en rondeau | — | ||
| 17-9 | Suite in E major, BWV 1006a: IV. Menuet I & II | — | ||
| 17-10 | Suite in E major, BWV 1006a: V. Bourrée | — | ||
| 17-11 | Suite in E major, BWV 1006a: VI. Gigue | — | ||
| 18-1 | Sonata in G major, BWV 1027: I. Adagio | — | ||
| 18-2 | Sonata in G major, BWV 1027: II. Allegro ma non tanto | — | ||
| 18-3 | Sonata in G major, BWV 1027: III. Andante | — | ||
| 18-4 | Sonata in G major, BWV 1027: IV. Allegro moderato | — | ||
| 18-5 | Sonata in D major, BWV 1028: I. Adagio | — | ||
| 18-6 | Sonata in D major, BWV 1028: II. Allegro | — | ||
| 18-7 | Sonata in D major, BWV 1028: III. Andante | — | ||
| 18-8 | Sonata in D major, BWV 1028: IV. Allegro | — | ||
| 18-9 | Prelude and Fugue in A minor, BWV 894: I. Prelude | — | ||
| 18-10 | Prelude and Fugue in A minor, BWV 894: II. Fugue | — | ||
| 18-11 | Sonata in G minor, BWV 1029: I. Vivace | — | ||
| 18-12 | Sonata in G minor, BWV 1029: II. Adagio | — | ||
| 18-13 | Sonata in G minor, BWV 1029: III. Allegro | — | ||
| 19-1 | Musikalisches Opfer BWV1079: Ricercare a 3 | — | ||
| 19-2 | Musikalisches Opfer BWV1079: Ricercare a 6 | — | ||
| 19-3 | Sonata sopr’il Soggetto Reale a Traversa, Violino e Continuo: Largo | — | ||
| 19-4 | Sonata sopr’il Soggetto Reale a Traversa, Violino e Continuo: Allegro | — | ||
| 19-5 | Sonata sopr’il Soggetto Reale a Traversa, Violino e Continuo: Andante | — | ||
| 19-6 | Sonata sopr’il Soggetto Reale a Traversa, Violino e Continuo: Allegro | — | ||
| 19-7 | Thematis Regii, Elaborationes Canonicae: Canon a 2 cancrizans | — | ||
| 19-8 | Thematis Regii, Elaborationes Canonicae: Canon a 2 in unisono | — | ||
| 19-9 | Thematis Regii, Elaborationes Canonicae: Canon a 2 motum contrarium | — | ||
| 19-10 | Thematis Regii, Elaborationes Canonicae: Canon a 2 per augmentationum contrario motu | — | ||
| 19-11 | Thematis Regii, Elaborationes Canonicae: Canon a 2 per tonos | — | ||
| 19-12 | Thematis Regii, Elaborationes Canonicae: Fuga canonica in Epidiapente | — | ||
| 19-13 | Thematis Regii, Elaborationes Canonicae: Canon perpetuus super Thema Regium | — | ||
| 19-14 | Thematis Regii, Elaborationes Canonicae: Canon a 2 | — | ||
| 19-15 | Thematis Regii, Elaborationes Canonicae: Canon a 4 | — | ||
| 19-16 | Thematis Regii, Elaborationes Canonicae: Canon perpetuus | — | ||
| 19-17 | Canons BWV 1072-1078: Canon a 8, BWV 1072 | — | ||
| 19-18 | Canons BWV 1072-1078: Canon a 4, BWV 1073 | — | ||
| 19-19 | Canons BWV 1072-1078: Canon a 4, BWV 1074 (part 1) | — | ||
| 19-20 | Canons BWV 1072-1078: Canon a 4, BWV 1074 (part 2) | — | ||
| 19-21 | Canons BWV 1072-1078: Canon a 2, BWV 1075 | — | ||
| 19-22 | Canons BWV 1072-1078: Canon a 6, BWV 1076 | — | ||
| 19-23 | Canons BWV 1072-1078: Canon a 4, BWV 1077 | — | ||
| 19-24 | Canons BWV 1072-1078: Canon a 7, BWV 1078 | — | ||
| 19-25 | Canons BWV 1072-1078: Canon a 2, BWV deest | — | ||
| 19-26 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon simplex | — | ||
| 19-27 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: All’ roverscio | — | ||
| 19-28 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Beide zugleich, motu recto e contrario | — | ||
| 19-29 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Motu contrario e recto | — | ||
| 19-30 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon duplex a 4 | — | ||
| 19-31 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon simplex über besagtes Fundament a 3 | — | ||
| 19-32 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Idem a 3 | — | ||
| 19-33 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon simplex a 3 | — | ||
| 19-34 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon in unisono post semi fugam a 3 | — | ||
| 19-35 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Alio modo | — | ||
| 19-36 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Evolutio | — | ||
| 19-37 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon duplex a 5 | — | ||
| 19-38 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon duplex a 5 | — | ||
| 19-39 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon triplex a 6 | — | ||
| 19-40 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon a 4 augumentationem et diminutionem | — | ||
| 20-1 | Sonata no. 1, BWV 1014: I. Adagio | — | ||
| 20-2 | Sonata no. 1, BWV 1014: II. Allegro | — | ||
| 20-3 | Sonata no. 1, BWV 1014: III. Andante | — | ||
| 20-4 | Sonata no. 1, BWV 1014: IV. Allegro | — | ||
| 20-5 | Sonata no. 2, BWV 1015: I. Without tempo indication | — | ||
| 20-6 | Sonata no. 2, BWV 1015: II. Allegro assai | — | ||
| 20-7 | Sonata no. 2, BWV 1015: III. Andante | — | ||
| 20-8 | Sonata no. 2, BWV 1015: IV. Presto | — | ||
| 20-9 | Sonata no. 3, BWV 1016: I. Adagio | — | ||
| 20-10 | Sonata no. 3, BWV 1016: II. Allegro | — | ||
| 20-11 | Sonata no. 3, BWV 1016: III. Adagio ma non tanto | — | ||
| 20-12 | Sonata no. 3, BWV 1016: IV. Allegro | — | ||
| 21-1 | Sonata no. 4 in C minor, BWV 1017: I. Siciliano, largo | — | ||
| 21-2 | Sonata no. 4 in C minor, BWV 1017: II. Allegro | — | ||
| 21-3 | Sonata no. 4 in C minor, BWV 1017: III. Adagio | — | ||
| 21-4 | Sonata no. 4 in C minor, BWV 1017: IV. Allegro | — | ||
| 21-5 | Sonata no. 5 in F minor, BWV 1018: I. Largo | — | ||
| 21-6 | Sonata no. 5 in F minor, BWV 1018: II. Allegro | — | ||
| 21-7 | Sonata no. 5 in F minor, BWV 1018: III. Adagio | — | ||
| 21-8 | Sonata no. 5 in F minor, BWV 1018: IV. Vivace | — | ||
| 21-9 | Sonata no. 6 in G major, BWV 1019: I. Allegro | — | ||
| 21-10 | Sonata no. 6 in G major, BWV 1019: II. Largo | — | ||
| 21-11 | Sonata no. 6 in G major, BWV 1019: III. Allegro | — | ||
| 21-12 | Sonata no. 6 in G major, BWV 1019: IV. Adagio | — | ||
| 21-13 | Sonata no. 6 in G major, BWV 1019: V. Allegro | — | ||
| 22-1 | Menuet, BWV Anh. 113 | — | ||
| 22-2 | Menuet, BWV Anh. 114 | — | ||
| 22-3 | Menuet, BWV Anh. 115 | — | ||
| 22-4 | Rondeau, BWV Anh. 183 | — | ||
| 22-5 | Menuet, BWV Anh. 116 | — | ||
| 22-6 | Polonaise, BWV Anh. 117 | — | ||
| 22-7 | Menuet, BWV Anh. 118 | — | ||
| 22-8 | Polonaise BWV Anh. 119 | — | ||
| 22-9 | Choral, Wer nur den lieben Gott lässt walten, BWV 691 | — | ||
| 22-10 | Gib dich zufrieden und sei stille, BWV 510 | — | ||
| 22-11 | Gib dich zufrieden und sei stille, BWV 511 | — | ||
| 22-12 | Gib dich zufrieden und sei stille, BWV 512 | — | ||
| 22-13 | Menuet, BWV Anh. 120 | — | ||
| 22-14 | Menuet, BWV Anh. 121 | — | ||
| 22-15 | Menuet, BWV Anh. 122 | — | ||
| 22-16 | Polonaise, BWV Anh. 123 | — | ||
| 22-17 | Marche, BWV Anh. 124 | — | ||
| 22-18 | Polonaise, BWV Anh. 125 | — | ||
| 22-19 | Aria, So oft ich meine Tobackspfeife, BWV 515a | — | ||
| 22-20 | Menuet, fait par Mons. Böhm | — | ||
| 22-21 | Musette, BWV Anh. 126 | — | ||
| 22-22 | Marche, BWV Anh. 127 | — | ||
| 22-23 | Polonaise, BWV Anh. 128 | — | ||
| 22-24 | Bist du bei mir, BWV 508 | — | ||
| 22-25 | Aria, BWV 988 | — | ||
| 22-26 | Solo per il Cembalo, BWV Anh. 129 | — | ||
| 22-27 | Polonaise, BWV Anh. 130 | — | ||
| 22-28 | Präludium, BWV 846 | — | ||
| 22-29 | BWV Anh. 131 | — | ||
| 22-30 | Aria, Warum betrübst du dich, BWV 516 | — | ||
| 22-31 | Rezitativ und Aria, Ich habe genug, BWV 82 | — | ||
| 22-32 | Schaff’s mit mir, Gott, BWV 514 | — | ||
| 22-33 | Menuet, BWV Anh. 132 | — | ||
| 22-34 | Aria di Giovannini, BWV 518 | — | ||
| 22-35 | Choral, Dir, Dir, Jehova, will ich singen, BWV 299 | — | ||
| 22-36 | Wie wohl ist mir, o Grund der Seelen, BWV 517 | — | ||
| 22-37 | Aria, Gedenke doch, mein Geist, BWV 509 | — | ||
| 22-38 | O Ewigkeit, du Donnerwort, BWV 513 | — | ||
| 23-1 | Sonata for violin and basso continuo in E minor, BWV 1023: I. Prelude - Adagio ma non tanto | — | ||
| 23-2 | Sonata for violin and basso continuo in E minor, BWV 1023: II. Allemande | — | ||
| 23-3 | Sonata for violin and basso continuo in E minor, BWV 1023: III. Gigue | — | ||
| 23-4 | Sonata for violin and basso continuo in G major, BWV 1021: I. Adagio | — | ||
| 23-5 | Sonata for violin and basso continuo in G major, BWV 1021: II. Vivace | — | ||
| 23-6 | Sonata for violin and basso continuo in G major, BWV 1021: III. Largo | — | ||
| 23-7 | Sonata for violin and basso continuo in G major, BWV 1021: IV. Presto | — | ||
| 23-8 | Trio Sonata in G major, BWV 1039: I. Adagio | — | ||
| 23-9 | Trio Sonata in G major, BWV 1039: II. Allegro ma non presto | — | ||
| 23-10 | Trio Sonata in G major, BWV 1039: III. Adagio e piano | — | ||
| 23-11 | Trio Sonata in G major, BWV 1039: IV. Presto | — | ||
| 23-12 | Trio Sonata in G major, BWV 1038: I. Largo | — | ||
| 23-13 | Trio Sonata in G major, BWV 1038: II. Vivace | — | ||
| 23-14 | Trio Sonata in G major, BWV 1038: III. Adagio | — | ||
| 23-15 | Trio Sonata in G major, BWV 1038: IV. Presto | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| BWV 248, Kantate 1, Am ersten Weihnachtsfeiertage. I. Coro: "Jauchzet, frohlocket!" | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Kyrie: Chorus: Kyrie eleison | Orchestra of the Sixteen, Harry Christophers | T-310.777.003-2 |
| Mass in B minor, BWV 232: Kyrie: Duet (soprano I & II): Christe eleison | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Gloria: Chorus: Gloria in excelsis Deo | Orchestra of the Sixteen, Harry Christophers | T-306.483.198-3 |
| Mass in B minor, BWV 232: Gloria: Chorus: Et in terra pax | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Gloria: Aria (soprano II): Laudamus te | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Gloria: Chorus: Gratias agimus | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Gloria: Duet (soprano I, tenor): Domine Deus | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Gloria: Chorus: Qui tollis | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Gloria: Aria (alto): Qui Sedes ad dexteram Patris | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Gloria: Aria (bass): Quoniam to solus Sanctus | Michael George, Roger Montgomery, Orchestra of The Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Gloria: Chorus: Cum Sancto Spiritu | The Sixteen, Orchestra of The Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Credo: Chorus: Credo in unum Deum | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Credo: Chorus: Patrem omnipotentem | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Credo: Duet (soprano I, alto) Et in unum Deum | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Credo: Chorus: et incarnatus est | Orchestra of the Sixteen, Harry Christophers | T-306.483.194-9 |
| Mass in B minor, BWV 232: Credo: Chorus: Crucifixus | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Credo: Chorus: Et resurrexit | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Credo: Aria (bass): Et in spiritum Sanctum | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Credo: Chorus: Confiteor unum baptisma | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Credo: Chorus: Et expecto | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Sanctus: Chorus: Sanctus | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Chorus: Osanna | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Aria (tenor): Benedictus | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Chorus: Osanna | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Aria (alto): Agnus Dei | Orchestra of the Sixteen, Harry Christophers | — |
| Mass in B minor, BWV 232: Chorus: Dona nobis pacem | Orchestra of the Sixteen, Harry Christophers | — |
| Jesu, meine Freude, BWV 227 | Chamber Choir of Europe, Nicol Matt | — |
| Jesu, meine Freude, Cantata BWV 81 | Chamber Choir of Europe, Nicol Matt | — |
| Wachet auf, ruft uns die Stimme, Cantata BWV 140 | Chamber Choir of Europe, Nicol Matt | — |
| Du, o schönes Weltgebäude, Cantata BWV 56 | Chamber Choir of Europe, Nicol Matt | — |
| Christus, der ist mein Leben, BWV 282 | Chamber Choir of Europe, Nicol Matt | — |
| Herzliebster Jesu, was hast du verbrochen, St. Matthew Passion | Chamber Choir of Europe, Nicol Matt | — |
| Nun bitten wir den heiligen Geist, Cantata BWV 169 | Chamber Choir of Europe, Nicol Matt | — |
| Jesu Leiden, Pein und Tod, St. John Passion | Chamber Choir of Europe, Nicol Matt | — |
| Mein' Augen schließ' ich jetzt, BWV 378 | Chamber Choir of Europe, Nicol Matt | — |
| O Welt, ich muß dich lassen, BWV 392 | Chamber Choir of Europe, Nicol Matt | — |
| Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso | Rémy Baudet, Pieter-Jan Belder, Wilbert Hazelzet, Musica Amphion | — |
| Brandenburg Concerto no. 6 in B-Flat major, BWV 1051: I. | Johannes Boer, Lucia Swarts, Staas Swierstra, Mieneke van der Velden, Sayuri Yamagata, Musica Amphion, Pieter-Jan Belder | T-801.411.105-9 |
| Brandenburg Concerto no. 6 in B-Flat major, BWV 1051: II. Adagio ma non tanto | Johannes Boer, Lucia Swarts, Staas Swierstra, Mieneke van der Velden, Sayuri Yamagata, Musica Amphion, Pieter-Jan Belder | — |
| Concerto for 4 harpsichords, strings and basso continuo in A minor, BWV 1065: I. Without tempo indication | Christine Schornsheim, Armin Thalheim, Mechtild Stark, Violetta Liebsch, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — |
| Mass in B minor, BWV 232: Kyrie: Chorus: Kyrie eleison | Orchestra of the Sixteen, Harry Christophers | T-310.777.003-2 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5028421931029 is a Universal Product Code (UPC) assigned to Bach Edition by Johann Sebastian Bach. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 361 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5028421931029 is the Universal Product Code (UPC barcode) for the release “Bach Edition” by Johann Sebastian Bach, released 2006-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 361 tracks, each with its own ISRC. Tracks include NLY331603722, NLY331603723, NLY331603724.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Brandenburg Concerto no. 1 in F major, BWV 1046: I. Allegro | Rémy Baudet, Frank de Bruine, Erwin Wieringa, Teunis van der Zwart, Musica Amphion, Pieter-Jan Belder | T-801.411.105-9 | |
| 2 | Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio | Rémy Baudet, Frank de Bruine, Erwin Wieringa, Teunis van der Zwart, Musica Amphion, Pieter-Jan Belder | T-917.755.866-6 | |
| 3 | Brandenburg Concerto no. 1 in F major, BWV 1046: III. Allegro | Rémy Baudet, Frank de Bruine, Erwin Wieringa, Teunis van der Zwart, Musica Amphion, Pieter-Jan Belder | — | |
| 4 | Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Menuetto - Trio I - Menuetto da capo - Polacca - Menuetto da capo - Trio II - Menuetto da capo | Rémy Baudet, Frank de Bruine, Erwin Wieringa, Teunis van der Zwart, Musica Amphion, Pieter-Jan Belder | — | |
| 5 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. Allegro | Rémy Baudet, Pieter-Jan Belder, Frank de Bruine, Will Wroth, Musica Amphion | T-801.411.105-9 | |
| 6 | Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante | Rémy Baudet, Pieter-Jan Belder, Frank de Bruine, Will Wroth, Musica Amphion | — | |
| 7 | Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | Rémy Baudet, Pieter-Jan Belder, Frank de Bruine, Will Wroth, Musica Amphion | — | |
| 8 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro | Rémy Baudet, Marten Boeken, Albert Brüggen, Mariette Holtrop, Richte van der Meer, Irmgard Schaller, Staas Swierstra, Sayuri Yamagata, Rainer Zipperling, Musica Amphion, Pieter-Jan Belder | — | |
| 9 | Brandenburg Concerto no. 3 in G major, BWV 1048: II. Adagio | Rémy Baudet, Marten Boeken, Albert Brüggen, Mariette Holtrop, Richte van der Meer, Irmgard Schaller, Staas Swierstra, Sayuri Yamagata, Rainer Zipperling, Musica Amphion, Pieter-Jan Belder | T-917.755.866-6 | |
| 10 | Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro | Rémy Baudet, Marten Boeken, Albert Brüggen, Mariette Holtrop, Richte van der Meer, Irmgard Schaller, Staas Swierstra, Sayuri Yamagata, Rainer Zipperling, Musica Amphion, Pieter-Jan Belder | — | |
| 2-1 | Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro | Rémy Baudet, Pieter-Jan Belder, Saskia Coolen, Musica Amphion | — | |
| 2-2 | Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante | Rémy Baudet, Pieter-Jan Belder, Saskia Coolen, Musica Amphion | — | |
| 2-3 | Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto | Rémy Baudet, Pieter-Jan Belder, Saskia Coolen, Musica Amphion | — | |
| 2-4 | Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro | Rémy Baudet, Pieter-Jan Belder, Wilbert Hazelzet, Musica Amphion | T-914.323.771-2 | |
| 2-5 | Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affetuoso | — | ||
| 2-6 | Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro | Rémy Baudet, Pieter-Jan Belder, Wilbert Hazelzet, Musica Amphion | — | |
| 2-7 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: I. Allegro | — | ||
| 2-8 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non troppo | — | ||
| 2-9 | Brandenburg Concerto no. 6 in B-Flat major, BWV 1051: III. Allegro | Johannes Boer, Lucia Swarts, Staas Swierstra, Mieneke van der Velden, Sayuri Yamagata, Musica Amphion, Pieter-Jan Belder | — | |
| 3-1 | Ouverture no. 1 in C major, BWV 1066: I. Ouverture | — | ||
| 3-2 | Ouverture no. 1 in C major, BWV 1066: II. Courante | — | ||
| 3-3 | Ouverture no. 1 in C major, BWV 1066: III. Gavotte I & II (alternativement) | — | ||
| 3-4 | Ouverture no. 1 in C major, BWV 1066: IV. Forlane | — | ||
| 3-5 | Ouverture no. 1 in C major, BWV 1066: V. Menuet I & II (alternativement) | — | ||
| 3-6 | Ouverture no. 1 in C major, BWV 1066: VI. Bourée I & II (alternativement) | — | ||
| 3-7 | Ouverture no. 1 in C major, BWV 1066: VII. Passepied I & II | — | ||
| 3-8 | Sinfonia from Cantata, BWV 29 “Wir danken dir, Gott, wir danken dir” | — | ||
| 3-9 | Ouverture no. 2 in B minor, BWV 1067: I. Ouverture | — | ||
| 3-10 | Ouverture no. 2 in B minor, BWV 1067: II. Rondeau | — | ||
| 3-11 | Ouverture no. 2 in B minor, BWV 1067: III. Sarabande | — | ||
| 3-12 | Ouverture no. 2 in B minor, BWV 1067: IV. Bourée I & II (alternativement) | — | ||
| 3-13 | Ouverture no. 2 in B minor, BWV 1067: V. Polonaise | — | ||
| 3-14 | Ouverture no. 2 in B minor, BWV 1067: VI. Menuet | — | ||
| 3-15 | Ouverture no. 2 in B minor, BWV 1067: VII. Badinerie | — | ||
| 4-1 | Orchestral Suite no. 3 in D major, BWV 1068: I. Ouverture | — | ||
| 4-2 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air | — | ||
| 4-3 | Orchestral Suite no. 3 in D major, BWV 1068: III. Gavotte | — | ||
| 4-4 | Orchestral Suite no. 3 in D major, BWV 1068: IV. Bourrée | — | ||
| 4-5 | Orchestral Suite no. 3 in D major, BWV 1068: V. Gigue | — | ||
| 4-6 | Cantata, BWV 146 “Wir müssen durch viel Trübsal in das Reich Gottes eingehen”: Sinfonia | — | ||
| 4-7 | Orchestral Suite no. 4 in D major, BWV 1069: I. Ouverture | — | ||
| 4-8 | Orchestral Suite no. 4 in D major, BWV 1069: II. Bourrée I | — | ||
| 4-9 | Orchestral Suite no. 4 in D major, BWV 1069: III. Gavotte | — | ||
| 4-10 | Orchestral Suite no. 4 in D major, BWV 1069: IV. Menuet (Alternativement) | — | ||
| 4-11 | Orchestral Suite no. 4 in D major, BWV 1069: V. Réjouissance | — | ||
| 5-1 | Violin Concerto in A minor, BWV 1041: I. Allegro | — | ||
| 5-2 | Violin Concerto in A minor, BWV 1041: II. Adagio | — | ||
| 5-3 | Violin Concerto in A minor, BWV 1041: III. Allegro | — | ||
| 5-4 | Violin Concerto in E major, BWV 1042: I. Allegro | — | ||
| 5-5 | Violin Concerto in E major, BWV 1042: II. Adagio | — | ||
| 5-6 | Violin Concerto in E major, BWV 1042: III. Allegro assai | — | ||
| 5-7 | Violin Concerto in D minor, BWV 1052: I. Allegro | — | ||
| 5-8 | Violin Concerto in D minor, BWV 1052: II. Largo | — | ||
| 5-9 | Violin Concerto in D minor, BWV 1052: III. Presto | — | ||
| 5-10 | Violin Concerto in G minor, BWV 1056: I. Allegro | — | ||
| 5-11 | Violin Concerto in G minor, BWV 1056: II. Andante | — | ||
| 5-12 | Violin Concerto in G minor, BWV 1056: III. Allegro assai | — | ||
| 5-13 | Concerto for 3 violins, strings and basso continuo, BWV 1064: I. Allegro | Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists | T-914.323.771-2 | |
| 5-14 | Concerto for 3 violins, strings and basso continuo, BWV 1064: II. Adagio | Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists | T-917.755.866-6 | |
| 5-15 | Concerto for 3 violins, strings and basso continuo, BWV 1064: III. Allegro | Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists | — | |
| 6-1 | Harpsichord Concerto in D minor, BWV 1052: I. Allegro | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 6-2 | Harpsichord Concerto in D minor, BWV 1052: II. Adagio | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | T-917.755.866-6 | |
| 6-3 | Harpsichord Concerto in D minor, BWV 1052: III. Allegro | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 6-4 | Harpsichord Concerto in E major, BWV 1053: I. Without tempo indication | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | T-312.207.924-3 | |
| 6-5 | Harpsichord Concerto in E major, BWV 1053: II. Siciliano | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 6-6 | Harpsichord Concerto in E major, BWV 1053: III. Allegro | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 6-7 | Harpsichord Concerto in D major, BWV 1054: I. Without tempo indication | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | T-801.411.105-9 | |
| 6-8 | Harpsichord Concerto in D major, BWV 1054: II. Adagio e piano sempre | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 6-9 | Harpsichord Concerto in D major, BWV 1054: III. Allegro | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 6-10 | Harpsichord Concerto in A major, BWV 1055: I. Allegro | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | T-914.323.771-2 | |
| 6-11 | Harpsichord Concerto in A major, BWV 1055: II. Larghetto | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 6-12 | Harpsichord Concerto in A major, BWV 1055: III. Allegro ma non tanto | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 7-1 | Harpsichord Concerto in F minor, BWV 1056: I. Without tempo indication | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | T-801.411.105-9 | |
| 7-2 | Harpsichord Concerto in F minor, BWV 1056: II. Largo | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 7-3 | Harpsichord Concerto in F minor, BWV 1056: III. Presto | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 7-4 | Concerto for harpsichord, 2 flutes, strings and basso continuo in F major, BWV 1057: I. Without tempo indication | Christine Schornsheim, Paul Leenhouts, Karel van Steenhoven, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | T-801.411.105-9 | |
| 7-5 | Concerto for harpsichord, 2 flutes, strings and basso continuo in F major, BWV 1057: II. Andante | Christine Schornsheim, Paul Leenhouts, Karel van Steenhoven, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 7-6 | Concerto for harpsichord, 2 flutes, strings and basso continuo in F major, BWV 1057: III. Allegro assai | Christine Schornsheim, Paul Leenhouts, Karel van Steenhoven, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 7-7 | Harpsichord Concerto in G minor, BWV 1058: I. Without tempo indication | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | T-801.411.105-9 | |
| 7-8 | Harpsichord Concerto in G minor, BWV 1058: II. Andante | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 7-9 | Harpsichord Concerto in G minor, BWV 1058: III. Allegro assai | Christine Schornsheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 7-10 | Concerto for 2 harpsichords, strings and basso continuo in C minor, BWV 1060: I. Allegro | Christine Schornsheim, Armin Thalheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 7-11 | Concerto for 2 harpsichords, strings and basso continuo in C minor, BWV 1060: II. Largo ovvero adagio | Christine Schornsheim, Armin Thalheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 7-12 | Concerto for 2 harpsichords, strings and basso continuo in C minor, BWV 1060: III. Allegro | Christine Schornsheim, Armin Thalheim, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 7-13 | Concerto for 4 harpsichords, strings and basso continuo in A minor, BWV 1065: I. Without tempo indication | Christine Schornsheim, Armin Thalheim, Mechtild Stark, Violetta Liebsch, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | T-801.411.105-9 | |
| 7-14 | Concerto for 4 harpsichords, strings and basso continuo in A minor, BWV 1065: II. Largo | — | ||
| 7-15 | Concerto for 4 harpsichords, strings and basso continuo in A minor, BWV 1065: III. Allegro | Christine Schornsheim, Armin Thalheim, Mechtild Stark, Violetta Liebsch, Neues Bachisches Collegium Musicum, Burkhard Glaetzner | — | |
| 8-1 | Concerto for 2 harpsichords and strings in C major, BWV 1061: I. Without tempo indication | Pieter-Jan Belder, Menno van Delft, Musica Amphion | T-801.411.105-9 | |
| 8-2 | Concerto for 2 harpsichords and strings in C major, BWV 1061: II. Adagio ovvero largo | Pieter-Jan Belder, Menno van Delft, Musica Amphion | — | |
| 8-3 | Concerto for 2 harpsichords and strings in C major, BWV 1061: III. Fuga | Pieter-Jan Belder, Menno van Delft, Musica Amphion | — | |
| 8-4 | Concerto for 2 harpsichords and strings in C minor, BWV 1062: I. Without tempo indication | Pieter-Jan Belder, Siebe Henstra, Musica Amphion | T-801.411.105-9 | |
| 8-5 | Concerto for 2 harpsichords and strings in C minor, BWV 1062: II. Andante | Pieter-Jan Belder, Siebe Henstra, Musica Amphion | — | |
| 8-6 | Concerto for 2 harpsichords and strings in C minor, BWV 1062: III. Allegro assai | Pieter-Jan Belder, Siebe Henstra, Musica Amphion | — | |
| 8-7 | Concerto for 3 harpsichords and strings in D minor, BWV 1063: I. Without tempo indication | Pieter-Jan Belder, Siebe Henstra, Menno van Delft, Musica Amphion | T-801.411.105-9 | |
| 8-8 | Concerto for 3 harpsichords and strings in D minor, BWV 1063: II. Alla siciliana | Pieter-Jan Belder, Siebe Henstra, Menno van Delft, Musica Amphion | — | |
| 8-9 | Concerto for 3 harpsichords and strings in D minor, BWV 1063: III. Allegro | Pieter-Jan Belder, Siebe Henstra, Menno van Delft, Musica Amphion | — | |
| 8-10 | Concerto for 3 harpsichords and strings in C major, BWV 1064: I. Without tempo indication | Pieter-Jan Belder, Siebe Henstra, Menno van Delft, Musica Amphion | T-801.411.105-9 | |
| 8-11 | Concerto for 3 harpsichords and strings in C major, BWV 1064: II. Adagio | Pieter-Jan Belder, Siebe Henstra, Menno van Delft, Musica Amphion | T-917.755.866-6 | |
| 8-12 | Concerto for 3 harpsichords and strings in C major, BWV 1064: III. Allegro | Pieter-Jan Belder, Siebe Henstra, Menno van Delft, Musica Amphion | — | |
| 9-1 | Concerto for flute, violin, harpsichord, strings and basso continuo in A minor, BWV 1044: I. Allegro | Marieke Schneemann, Elisabeth Perry, Menno van Delft, Netherlands Bach Ensemble, Krijn Koetsveld | — | |
| 9-2 | Concerto for flute, violin, harpsichord, strings and basso continuo in A minor, BWV 1044: II. Adagio | Marieke Schneemann, Elisabeth Perry, Menno van Delft, Netherlands Bach Ensemble, Krijn Koetsveld | T-917.755.866-6 | |
| 9-3 | Concerto for flute, violin, harpsichord, strings and basso continuo in A minor, BWV 1044: III. Alla breve | Marieke Schneemann, Elisabeth Perry, Menno van Delft, Netherlands Bach Ensemble, Krijn Koetsveld | — | |
| 9-4 | Concerto for Oboe, Violin & Strings in D minor, BWV 1060: I. Allegro | Netherlands Bach Ensemble, Daniëlle Kreeft, Juditha Heberlin | — | |
| 9-5 | Concerto for Oboe, Violin & Strings in D minor, BWV 1060: II. Adagio | Netherlands Bach Ensemble, Daniëlle Kreeft, Juditha Heberlin | T-917.755.866-6 | |
| 9-6 | Concerto for Oboe, Violin & Strings in D minor, BWV 1060: III. Allegro | Netherlands Bach Ensemble, Daniëlle Kreeft, Juditha Heberlin | — | |
| 9-7 | Concerto for oboe d’amore, strings and basso continuo in A major, BWV 1055: I. Allegro | — | ||
| 9-8 | Concerto for oboe d’amore, strings and basso continuo in A major, BWV 1055: II. Larghetto | — | ||
| 9-9 | Concerto for oboe d’amore, strings and basso continuo in A major, BWV 1055: III. Allegro ma non tanto | — | ||
| 9-10 | Concerto for 2 violins, strings and basso continuo in D minor, BWV 1043: I. Vivace | — | ||
| 9-11 | Concerto for 2 violins, strings and basso continuo in D minor, BWV 1043: II. Largo | — | ||
| 9-12 | Concerto for 2 violins, strings and basso continuo in D minor, BWV 1043: III. Allegro | — | ||
| 10-1 | Sonata no. 1 in G minor, BWV 1001: I. Adagio | — | ||
| 10-2 | Sonata no. 1 in G minor, BWV 1001: II. Fuga (allegro) | — | ||
| 10-3 | Sonata no. 1 in G minor, BWV 1001: III. Siciliana | — | ||
| 10-4 | Sonata no. 1 in G minor, BWV 1001: IV. Presto | — | ||
| 10-5 | Partita no. 1 in B minor, BWV 1002: I. Allemanda | — | ||
| 10-6 | Partita no. 1 in B minor, BWV 1002: II. Double | — | ||
| 10-7 | Partita no. 1 in B minor, BWV 1002: III. Corrente | — | ||
| 10-8 | Partita no. 1 in B minor, BWV 1002: IV. Double - Presto | — | ||
| 10-9 | Partita no. 1 in B minor, BWV 1002: V. Sarabande | — | ||
| 10-10 | Partita no. 1 in B minor, BWV 1002: VI. Double | — | ||
| 10-11 | Partita no. 1 in B minor, BWV 1002: VII. Tempo di Borea | — | ||
| 10-12 | Partita no. 1 in B minor, BWV 1002: VIII. Double | — | ||
| 10-13 | Sonata no. 2 in A minor, BWV 1003: I. Grave | — | ||
| 10-14 | Sonata no. 2 in A minor, BWV 1003: II. Fuga | — | ||
| 10-15 | Sonata no. 2 in A minor, BWV 1003: III. Andante | — | ||
| 10-16 | Sonata no. 2 in A minor, BWV 1003: IV. Allegro | — | ||
| 11-1 | Partita no. 2 in D minor, BWV 1004: I. Allemanda | — | ||
| 11-2 | Partita no. 2 in D minor, BWV 1004: II. Corrente | — | ||
| 11-3 | Partita no. 2 in D minor, BWV 1004: III. Sarabande | — | ||
| 11-4 | Partita no. 2 in D minor, BWV 1004: IV. Giga | — | ||
| 11-5 | Partita no. 2 in D minor, BWV 1004: V. Ciacona | — | ||
| 11-6 | Sonata no. 3 in C major, BWV 1005: I. Adagio | — | ||
| 11-7 | Sonata no. 3 in C major, BWV 1005: II. Fuga | — | ||
| 11-8 | Sonata no. 3 in C major, BWV 1005: III. Largo | — | ||
| 11-9 | Sonata no. 3 in C major, BWV 1005: IV. Allegro assai | — | ||
| 11-10 | Partita no. 3 in E major, BWV 1006: I. Preludio | — | ||
| 11-11 | Partita no. 3 in E major, BWV 1006: II. Loure | — | ||
| 11-12 | Partita no. 3 in E major, BWV 1006: III. Gavotte en Rondeau | — | ||
| 11-13 | Partita no. 3 in E major, BWV 1006: IV. Menuet I - Menuet II - Menuet I | — | ||
| 11-14 | Partita no. 3 in E major, BWV 1006: V. Bourrée | — | ||
| 11-15 | Partita no. 3 in E major, BWV 1006: VI. Gigue | — | ||
| 12-1 | Suite no. 1 in G major, BWV 1007: I. Prelude | Jaap ter Linden | — | |
| 12-2 | Suite no. 1 in G major, BWV 1007: II. Allemande | Jaap ter Linden | — | |
| 12-3 | Suite no. 1 in G major, BWV 1007: III. Courante | Jaap ter Linden | — | |
| 12-4 | Suite no. 1 in G major, BWV 1007: IV. Sarabande | Jaap ter Linden | — | |
| 12-5 | Suite no. 1 in G major, BWV 1007: V. Minuet I & II | Jaap ter Linden | — | |
| 12-6 | Suite no. 1 in G major, BWV 1007: VI. Gigue | Jaap ter Linden | — | |
| 12-7 | Suite no. 3 in C major, BWV 1009: I. Prelude | Jaap ter Linden | — | |
| 12-8 | Suite no. 3 in C major, BWV 1009: II. Allemande | Jaap ter Linden | — | |
| 12-9 | Suite no. 3 in C major, BWV 1009: III. Courante | Jaap ter Linden | — | |
| 12-10 | Suite no. 3 in C major, BWV 1009: IV. Sarabande | Jaap ter Linden | — | |
| 12-11 | Suite no. 3 in C major, BWV 1009: V. Bourrée I & II | Jaap ter Linden | — | |
| 12-12 | Suite no. 3 in C major, BWV 1009: VI. Gigue | Jaap ter Linden | — | |
| 12-13 | Suite no. 5 in C minor, BWV 1011: I. Prelude | Jaap ter Linden | — | |
| 12-14 | Suite no. 5 in C minor, BWV 1011: II. Allemande | Jaap ter Linden | — | |
| 12-15 | Suite no. 5 in C minor, BWV 1011: III. Courante | Jaap ter Linden | — | |
| 12-16 | Suite no. 5 in C minor, BWV 1011: IV. Sarabande | Jaap ter Linden | — | |
| 12-17 | Suite no. 5 in C minor, BWV 1011: V. Gavotte I & II | Jaap ter Linden | — | |
| 12-18 | Suite no. 5 in C minor, BWV 1011: VI. Gigue | Jaap ter Linden | T-932.549.898-4 | |
| 13-1 | Suite no. 2 in D minor, BWV 1008: I. Prelude | Jaap ter Linden | — | |
| 13-2 | Suite no. 2 in D minor, BWV 1008: II. Allemande | Jaap ter Linden | — | |
| 13-3 | Suite no. 2 in D minor, BWV 1008: III. Courante | Jaap ter Linden | — | |
| 13-4 | Suite no. 2 in D minor, BWV 1008: IV. Sarabande | Jaap ter Linden | — | |
| 13-5 | Suite no. 2 in D minor, BWV 1008: V. Minuet I & II | Jaap ter Linden | — | |
| 13-6 | Suite no. 2 in D minor, BWV 1008: VI. Gigue | Jaap ter Linden | — | |
| 13-7 | Suite no. 4 in E-flat major, BWV 1010: I. Prelude | Jaap ter Linden | — | |
| 13-8 | Suite no. 4 in E-flat major, BWV 1010: II. Allemande | Jaap ter Linden | — | |
| 13-9 | Suite no. 4 in E-flat major, BWV 1010: III. Courante | Jaap ter Linden | — | |
| 13-10 | Suite no. 4 in E-flat major, BWV 1010: IV. Sarabande | Jaap ter Linden | — | |
| 13-11 | Suite no. 4 in E-flat major, BWV 1010: V. Bourrée I & II | Jaap ter Linden | — | |
| 13-12 | Suite no. 4 in E-flat major, BWV 1010: VI. Gigue | Jaap ter Linden | T-932.549.898-4 | |
| 13-13 | Suite no. 6 in D major, BWV 1012: I. Prelude | Jaap ter Linden | — | |
| 13-14 | Suite no. 6 in D major, BWV 1012: II. Allemande | Jaap ter Linden | — | |
| 13-15 | Suite no. 6 in D major, BWV 1012: III. Courante | Jaap ter Linden | — | |
| 13-16 | Suite no. 6 in D major, BWV 1012: IV. Sarabande | Jaap ter Linden | — | |
| 13-17 | Suite no. 6 in D major, BWV 1012: V. Gavotte I & II | Jaap ter Linden | — | |
| 13-18 | Suite no. 6 in D major, BWV 1012: VI. Gigue | Jaap ter Linden | — | |
| 14-1 | Sonata in B minor, BWV 1030: I. Andante | — | ||
| 14-2 | Sonata in B minor, BWV 1030: II. Largo e dolce | — | ||
| 14-3 | Sonata in B minor, BWV 1030: III. Presto | — | ||
| 14-4 | Sonata in E-flat major, BWV 1031: I. Allegro moderato | — | ||
| 14-5 | Sonata in E-flat major, BWV 1031: II. Siciliano | — | ||
| 14-6 | Sonata in E-flat major, BWV 1031: III. Allegro | — | ||
| 14-7 | Sonata in A major, BWV 1032: I. Vivace | — | ||
| 14-8 | Sonata in A major, BWV 1032: II. Largo e dolce | — | ||
| 14-9 | Sonata in A major, BWV 1032: III. Allegro | — | ||
| 15-1 | Sonata in C major, BWV 1033: I. Andante | — | ||
| 15-2 | Sonata in C major, BWV 1033: II. Allegro | — | ||
| 15-3 | Sonata in C major, BWV 1033: III. Adagio | — | ||
| 15-4 | Sonata in C major, BWV 1033: IV. Menuet I & II | — | ||
| 15-5 | Sonata in E minor, BWV 1034: I. Adagio ma non tanto | — | ||
| 15-6 | Sonata in E minor, BWV 1034: II. Allegro | — | ||
| 15-7 | Sonata in E minor, BWV 1034: III. Andante | — | ||
| 15-8 | Sonata in E minor, BWV 1034: IV. Allegro | — | ||
| 15-9 | Sonata in E major, BWV 1035: I. Adagio ma non tanto | — | ||
| 15-10 | Sonata in E major, BWV 1035: II. Allegro | — | ||
| 15-11 | Sonata in E major, BWV 1035: III. Siciliano | — | ||
| 15-12 | Sonata in E major, BWV 1035: IV. Allegro assai | — | ||
| 15-13 | Partita for solo flute in A minor, BWV 1013: I. Allemande | — | ||
| 15-14 | Partita for solo flute in A minor, BWV 1013: II. Corrente | — | ||
| 15-15 | Partita for solo flute in A minor, BWV 1013: III. Sarabande | — | ||
| 15-16 | Partita for solo flute in A minor, BWV 1013: IV. Bourrée anglaise | — | ||
| 16-1 | Suite in G minor for Lute, BWV 995: I. Prelude | — | ||
| 16-2 | Suite in G minor for Lute, BWV 995: II. Allemande | — | ||
| 16-3 | Suite in G minor for Lute, BWV 995: III. Courante | — | ||
| 16-4 | Suite in G minor for Lute, BWV 995: IV. Sarabande | — | ||
| 16-5 | Suite in G minor for Lute, BWV 995: V. Gavottes I & II | — | ||
| 16-6 | Suite in G minor for Lute, BWV 995: VI. Gigue | — | ||
| 16-7 | Suite in E minor for Lute, BWV 996: I. Prelude | — | ||
| 16-8 | Suite in E minor for Lute, BWV 996: II. Allemande | — | ||
| 16-9 | Suite in E minor for Lute, BWV 996: III. Courante | — | ||
| 16-10 | Suite in E minor for Lute, BWV 996: IV. Sarabande | — | ||
| 16-11 | Suite in E minor for Lute, BWV 996: V. Bourée | — | ||
| 16-12 | Suite in E minor for Lute, BWV 996: VI. Gigue | — | ||
| 16-13 | Suite in C minor for Lute, BWV 997: I. Prelude | — | ||
| 16-14 | Suite in C minor for Lute, BWV 997: II. Fugue | — | ||
| 16-15 | Suite in C minor for Lute, BWV 997: III. Sarabande | — | ||
| 16-16 | Suite in C minor for Lute, BWV 997: IV. Gigue-Double | — | ||
| 17-1 | Prelude, Fugue and Allegro in E-flat major, BWV 998: I. Prelude | — | ||
| 17-2 | Prelude, Fugue and Allegro in E-flat major, BWV 998: II. Fugue | — | ||
| 17-3 | Prelude, Fugue and Allegro in E-flat major, BWV 998: III. Allegro | — | ||
| 17-4 | Prelude in C minor, BWV 999 | — | ||
| 17-5 | Fugue in G minor, BWV 1000 | — | ||
| 17-6 | Suite in E major, BWV 1006a: I. Prelude | — | ||
| 17-7 | Suite in E major, BWV 1006a: II. Loure | — | ||
| 17-8 | Suite in E major, BWV 1006a: III. Gavotte en rondeau | — | ||
| 17-9 | Suite in E major, BWV 1006a: IV. Menuet I & II | — | ||
| 17-10 | Suite in E major, BWV 1006a: V. Bourrée | — | ||
| 17-11 | Suite in E major, BWV 1006a: VI. Gigue | — | ||
| 18-1 | Sonata in G major, BWV 1027: I. Adagio | — | ||
| 18-2 | Sonata in G major, BWV 1027: II. Allegro ma non tanto | — | ||
| 18-3 | Sonata in G major, BWV 1027: III. Andante | — | ||
| 18-4 | Sonata in G major, BWV 1027: IV. Allegro moderato | — | ||
| 18-5 | Sonata in D major, BWV 1028: I. Adagio | — | ||
| 18-6 | Sonata in D major, BWV 1028: II. Allegro | — | ||
| 18-7 | Sonata in D major, BWV 1028: III. Andante | — | ||
| 18-8 | Sonata in D major, BWV 1028: IV. Allegro | — | ||
| 18-9 | Prelude and Fugue in A minor, BWV 894: I. Prelude | — | ||
| 18-10 | Prelude and Fugue in A minor, BWV 894: II. Fugue | — | ||
| 18-11 | Sonata in G minor, BWV 1029: I. Vivace | — | ||
| 18-12 | Sonata in G minor, BWV 1029: II. Adagio | — | ||
| 18-13 | Sonata in G minor, BWV 1029: III. Allegro | — | ||
| 19-1 | Musikalisches Opfer BWV1079: Ricercare a 3 | — | ||
| 19-2 | Musikalisches Opfer BWV1079: Ricercare a 6 | — | ||
| 19-3 | Sonata sopr’il Soggetto Reale a Traversa, Violino e Continuo: Largo | — | ||
| 19-4 | Sonata sopr’il Soggetto Reale a Traversa, Violino e Continuo: Allegro | — | ||
| 19-5 | Sonata sopr’il Soggetto Reale a Traversa, Violino e Continuo: Andante | — | ||
| 19-6 | Sonata sopr’il Soggetto Reale a Traversa, Violino e Continuo: Allegro | — | ||
| 19-7 | Thematis Regii, Elaborationes Canonicae: Canon a 2 cancrizans | — | ||
| 19-8 | Thematis Regii, Elaborationes Canonicae: Canon a 2 in unisono | — | ||
| 19-9 | Thematis Regii, Elaborationes Canonicae: Canon a 2 motum contrarium | — | ||
| 19-10 | Thematis Regii, Elaborationes Canonicae: Canon a 2 per augmentationum contrario motu | — | ||
| 19-11 | Thematis Regii, Elaborationes Canonicae: Canon a 2 per tonos | — | ||
| 19-12 | Thematis Regii, Elaborationes Canonicae: Fuga canonica in Epidiapente | — | ||
| 19-13 | Thematis Regii, Elaborationes Canonicae: Canon perpetuus super Thema Regium | — | ||
| 19-14 | Thematis Regii, Elaborationes Canonicae: Canon a 2 | — | ||
| 19-15 | Thematis Regii, Elaborationes Canonicae: Canon a 4 | — | ||
| 19-16 | Thematis Regii, Elaborationes Canonicae: Canon perpetuus | — | ||
| 19-17 | Canons BWV 1072-1078: Canon a 8, BWV 1072 | — | ||
| 19-18 | Canons BWV 1072-1078: Canon a 4, BWV 1073 | — | ||
| 19-19 | Canons BWV 1072-1078: Canon a 4, BWV 1074 (part 1) | — | ||
| 19-20 | Canons BWV 1072-1078: Canon a 4, BWV 1074 (part 2) | — | ||
| 19-21 | Canons BWV 1072-1078: Canon a 2, BWV 1075 | — | ||
| 19-22 | Canons BWV 1072-1078: Canon a 6, BWV 1076 | — | ||
| 19-23 | Canons BWV 1072-1078: Canon a 4, BWV 1077 | — | ||
| 19-24 | Canons BWV 1072-1078: Canon a 7, BWV 1078 | — | ||
| 19-25 | Canons BWV 1072-1078: Canon a 2, BWV deest | — | ||
| 19-26 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon simplex | — | ||
| 19-27 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: All’ roverscio | — | ||
| 19-28 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Beide zugleich, motu recto e contrario | — | ||
| 19-29 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Motu contrario e recto | — | ||
| 19-30 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon duplex a 4 | — | ||
| 19-31 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon simplex über besagtes Fundament a 3 | — | ||
| 19-32 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Idem a 3 | — | ||
| 19-33 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon simplex a 3 | — | ||
| 19-34 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon in unisono post semi fugam a 3 | — | ||
| 19-35 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Alio modo | — | ||
| 19-36 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Evolutio | — | ||
| 19-37 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon duplex a 5 | — | ||
| 19-38 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon duplex a 5 | — | ||
| 19-39 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon triplex a 6 | — | ||
| 19-40 | Verschiedene Canons über die ersten 8 Fundamentalnoten der Aria aus den Goldberg Variationen: Canon a 4 augumentationem et diminutionem | — | ||
| 20-1 | Sonata no. 1, BWV 1014: I. Adagio | — | ||
| 20-2 | Sonata no. 1, BWV 1014: II. Allegro | — | ||
| 20-3 | Sonata no. 1, BWV 1014: III. Andante | — | ||
| 20-4 | Sonata no. 1, BWV 1014: IV. Allegro | — | ||
| 20-5 | Sonata no. 2, BWV 1015: I. Without tempo indication | — | ||
| 20-6 | Sonata no. 2, BWV 1015: II. Allegro assai | — | ||
| 20-7 | Sonata no. 2, BWV 1015: III. Andante | — | ||
| 20-8 | Sonata no. 2, BWV 1015: IV. Presto | — | ||
| 20-9 | Sonata no. 3, BWV 1016: I. Adagio | — | ||
| 20-10 | Sonata no. 3, BWV 1016: II. Allegro | — | ||
| 20-11 | Sonata no. 3, BWV 1016: III. Adagio ma non tanto | — | ||
| 20-12 | Sonata no. 3, BWV 1016: IV. Allegro | — | ||
| 21-1 | Sonata no. 4 in C minor, BWV 1017: I. Siciliano, largo | — | ||
| 21-2 | Sonata no. 4 in C minor, BWV 1017: II. Allegro | — | ||
| 21-3 | Sonata no. 4 in C minor, BWV 1017: III. Adagio | — | ||
| 21-4 | Sonata no. 4 in C minor, BWV 1017: IV. Allegro | — | ||
| 21-5 | Sonata no. 5 in F minor, BWV 1018: I. Largo | — | ||
| 21-6 | Sonata no. 5 in F minor, BWV 1018: II. Allegro | — | ||
| 21-7 | Sonata no. 5 in F minor, BWV 1018: III. Adagio | — | ||
| 21-8 | Sonata no. 5 in F minor, BWV 1018: IV. Vivace | — | ||
| 21-9 | Sonata no. 6 in G major, BWV 1019: I. Allegro | — | ||
| 21-10 | Sonata no. 6 in G major, BWV 1019: II. Largo | — | ||
| 21-11 | Sonata no. 6 in G major, BWV 1019: III. Allegro | — | ||
| 21-12 | Sonata no. 6 in G major, BWV 1019: IV. Adagio | — | ||
| 21-13 | Sonata no. 6 in G major, BWV 1019: V. Allegro | — | ||
| 22-1 | Menuet, BWV Anh. 113 | — | ||
| 22-2 | Menuet, BWV Anh. 114 | — | ||
| 22-3 | Menuet, BWV Anh. 115 | — | ||
| 22-4 | Rondeau, BWV Anh. 183 | — | ||
| 22-5 | Menuet, BWV Anh. 116 | — | ||
| 22-6 | Polonaise, BWV Anh. 117 | — | ||
| 22-7 | Menuet, BWV Anh. 118 | — | ||
| 22-8 | Polonaise BWV Anh. 119 | — | ||
| 22-9 | Choral, Wer nur den lieben Gott lässt walten, BWV 691 | — | ||
| 22-10 | Gib dich zufrieden und sei stille, BWV 510 | — | ||
| 22-11 | Gib dich zufrieden und sei stille, BWV 511 | — | ||
| 22-12 | Gib dich zufrieden und sei stille, BWV 512 | — | ||
| 22-13 | Menuet, BWV Anh. 120 | — | ||
| 22-14 | Menuet, BWV Anh. 121 | — | ||
| 22-15 | Menuet, BWV Anh. 122 | — | ||
| 22-16 | Polonaise, BWV Anh. 123 | — | ||
| 22-17 | Marche, BWV Anh. 124 | — | ||
| 22-18 | Polonaise, BWV Anh. 125 | — | ||
| 22-19 | Aria, So oft ich meine Tobackspfeife, BWV 515a | — | ||
| 22-20 | Menuet, fait par Mons. Böhm | — | ||
| 22-21 | Musette, BWV Anh. 126 | — | ||
| 22-22 | Marche, BWV Anh. 127 | — | ||
| 22-23 | Polonaise, BWV Anh. 128 | — | ||
| 22-24 | Bist du bei mir, BWV 508 | — | ||
| 22-25 | Aria, BWV 988 | — | ||
| 22-26 | Solo per il Cembalo, BWV Anh. 129 | — | ||
| 22-27 | Polonaise, BWV Anh. 130 | — | ||
| 22-28 | Präludium, BWV 846 | — | ||
| 22-29 | BWV Anh. 131 | — | ||
| 22-30 | Aria, Warum betrübst du dich, BWV 516 | — | ||
| 22-31 | Rezitativ und Aria, Ich habe genug, BWV 82 | — | ||
| 22-32 | Schaff’s mit mir, Gott, BWV 514 | — | ||
| 22-33 | Menuet, BWV Anh. 132 | — | ||
| 22-34 | Aria di Giovannini, BWV 518 | — | ||
| 22-35 | Choral, Dir, Dir, Jehova, will ich singen, BWV 299 | — | ||
| 22-36 | Wie wohl ist mir, o Grund der Seelen, BWV 517 | — | ||
| 22-37 | Aria, Gedenke doch, mein Geist, BWV 509 | — | ||
| 22-38 | O Ewigkeit, du Donnerwort, BWV 513 | — | ||
| 23-1 | Sonata for violin and basso continuo in E minor, BWV 1023: I. Prelude - Adagio ma non tanto | — | ||
| 23-2 | Sonata for violin and basso continuo in E minor, BWV 1023: II. Allemande | — | ||
| 23-3 | Sonata for violin and basso continuo in E minor, BWV 1023: III. Gigue | — | ||
| 23-4 | Sonata for violin and basso continuo in G major, BWV 1021: I. Adagio | — | ||
| 23-5 | Sonata for violin and basso continuo in G major, BWV 1021: II. Vivace | — | ||
| 23-6 | Sonata for violin and basso continuo in G major, BWV 1021: III. Largo | — | ||
| 23-7 | Sonata for violin and basso continuo in G major, BWV 1021: IV. Presto | — | ||
| 23-8 | Trio Sonata in G major, BWV 1039: I. Adagio | — | ||
| 23-9 | Trio Sonata in G major, BWV 1039: II. Allegro ma non presto | — | ||
| 23-10 | Trio Sonata in G major, BWV 1039: III. Adagio e piano | — | ||
| 23-11 | Trio Sonata in G major, BWV 1039: IV. Presto | — | ||
| 23-12 | Trio Sonata in G major, BWV 1038: I. Largo | — | ||
| 23-13 | Trio Sonata in G major, BWV 1038: II. Vivace | — | ||
| 23-14 | Trio Sonata in G major, BWV 1038: III. Adagio | — | ||
| 23-15 | Trio Sonata in G major, BWV 1038: IV. Presto | — |
