UPC · Release
Purcell Collection
Henry Purcell
5028421946658
420 tracks
Last verified:
5028421946658 is the Universal Product Code (UPC barcode) for the release “Purcell Collection” by Henry Purcell. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 420 tracks, each with its own ISRC. Tracks include DEF059130303, DEF059130304, DEF059130305.
Format
502GS1 prefix
8421Company prefix
94665Product
8Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCPurcell Collection
ISRC293 recordings
ISWC10 works
Track List (420)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | King Arthur: First Music: Chaconne | The English Concert, Trevor Pinnock | — | |
| 2 | King Arthur: Second Music: 1. Overture | The English Concert, Trevor Pinnock | — | |
| 3 | King Arthur: Second Music: 2. Air | The English Concert, Trevor Pinnock | T-071.152.558-4 | |
| 4 | King Arthur: Act I. “Woden, first to thee” / “We have sacrific’d” | Choir of the English Concert, Jamie MacDougall, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 5 | King Arthur: Act I. “The white horse neigh’d aloud” / “To Woden thanks we render” | Choir of the English Concert, Jamie MacDougall, Mark Tucker, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 6 | King Arthur: Act I. “The lot is cast” | The English Concert, Trevor Pinnock | — | |
| 7 | King Arthur: Act I. “Brave souls” | Choir of the English Concert, The English Concert, Trevor Pinnock | T-305.769.738-4 | |
| 8 | King Arthur: Act I. “I call you all to Woden’s Hall” | Choir of the English Concert, Mark Tucker, The English Concert, Trevor Pinnock | — | |
| 9 | King Arthur: Act I. “Come if you dare” / First Act Tune | Choir of the English Concert, Jamie MacDougall, The English Concert, Trevor Pinnock | — | |
| 10 | King Arthur: Act II. “Hither, this way, this way bend” | Choir of the English Concert, Linda Perillo, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 11 | King Arthur: Act II. “Let not a moon‐born elf mislead ye” | Gerald Finley, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 12 | King Arthur: Act II. “Hither, this way bend” | Choir of the English Concert, Linda Perillo, The English Concert, Trevor Pinnock | — | |
| 13 | King Arthur: Act II. “Come follow me” | Choir of the English Concert, Linda Perillo, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 14 | King Arthur: Act II. “How blest are shepherds” | Choir of the English Concert, Jamie MacDougall, The English Concert, Trevor Pinnock | — | |
| 15 | King Arthur: Act II. Symphony / “Shepherd, shepherd, leave decoying” | Julia Gooding, Linda Perillo, The English Concert, Trevor Pinnock | — | |
| 16 | King Arthur: Act II. “Come shepherds” | Choir of the English Concert, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 17 | King Arthur: Act II. Second Act Tune. Air | The English Concert, Trevor Pinnock | — | |
| 18 | King Arthur: Act III. Prelude | The English Concert, Trevor Pinnock | T-312.182.438-8 | |
| 19 | King Arthur: Act III. “What ho!” | Nancy Argenta, The English Concert, Trevor Pinnock | — | |
| 20 | King Arthur: Act III. “What power art thou” | Brian Bannatyne-Scott, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 21 | King Arthur: Act III. “Thou doting fool, forbear” | Nancy Argenta, The English Concert, Trevor Pinnock | — | |
| 22 | King Arthur: Act III. “Great Love, I know thee now” | Brian Bannatyne-Scott, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 23 | King Arthur: Act III. “No part of my dominion” | Nancy Argenta, The English Concert, Trevor Pinnock | — | |
| 25 | King Arthur: Act III. “See, see, we assemble” / Dance | Choir of the English Concert, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 26 | King Arthur: Act III. “’Tis I, ’tis I that have warm’d ye” | Nancy Argenta, Choir of the English Concert, The English Concert, Trevor Pinnock | — | |
| 27 | King Arthur: Act III. “Sound a parley” / “’Tis love, ’tis love, ’tis love that has warm’d us” | Nancy Argenta, Brian Bannatyne-Scott, Choir of the English Concert, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 28 | King Arthur: Act III: Third Act Tune. Hornpipe | The English Concert, Trevor Pinnock | — | |
| 2-1 | King Arthur: Act IV. “Two daughters of this aged stream” | Julia Gooding, Linda Perillo, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-2 | King Arthur: Act IV. Passacaglia “How happy the lover” / Ritornello / “For love ev’ry creature” / “No joys are above” / “In vain are our graces” / “Then use the sweet blessing” / “No joys are above” | Nancy Argenta, Choir of the English Concert, Gerald Finley, Mark Tucker, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-3 | King Arthur: Act IV. Fourth Act Tune. Air | The English Concert, Trevor Pinnock | — | |
| 2-4 | King Arthur: Act V. Trumpet Tune | The English Concert, Trevor Pinnock | T-071.152.558-4 | |
| 2-5 | King Arthur: Act V. “Ye blust’ring brethren” | Brian Bannatyne-Scott, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-6 | King Arthur: Act V. Symphony | The English Concert, Trevor Pinnock | — | |
| 2-7 | King Arthur: Act V. “Round thy coast” | Choir of the English Concert, Gerald Finley, Julia Gooding, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-8 | King Arthur: Act V. “For folded flocks” | Mark Tucker, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-9 | King Arthur: Act V. “Your hay, it is mow’d” / Dance | Choir of the English Concert, Jamie MacDougall, The English Concert, Trevor Pinnock | — | |
| 2-10 | King Arthur: Act V. “Fairest isle” | Nancy Argenta, The English Concert, Trevor Pinnock | T-071.000.879-9 | |
| 2-11 | King Arthur: Act V. “You say, ’tis love” | Gerald Finley, Linda Perillo, The English Concert, Trevor Pinnock | — | |
| 2-13 | King Arthur: Act V. “Saint George, the patron of our isle” / “Our natives not alone appear” | Choir of the English Concert, Julia Gooding, The English Concert, Trevor Pinnock | — | |
| 3-1 | The Fairy Queen: First Music: Prelude | — | ||
| 3-2 | The Fairy Queen: First Music: Hornpipe | — | ||
| 3-3 | The Fairy Queen: Second Music: Air | — | ||
| 3-4 | The Fairy Queen: Second Music: Rondeau | — | ||
| 3-5 | The Fairy Queen: Act 1: Overture | — | ||
| 3-6 | The Fairy Queen: Act 1: Duet: Come, let us leave the town (GK/ME) | — | ||
| 3-7 | The Fairy Queen: Act 1: Scene of the Drunken Poet (MB/GK/RO) | — | ||
| 3-8 | The Fairy Queen: Act 1: First Act Tune: Jig | — | ||
| 3-9 | The Fairy Queen: Act 2: Solo: Come, all ye songsters (AC) | — | ||
| 3-10 | The Fairy Queen: Act 2: Interlude | — | ||
| 3-11 | The Fairy Queen: Act 2: Terzetto: xMay the God of Wit inspire (WT/RM/MB) | — | ||
| 3-12 | The Fairy Queen: Act 2: Echo | — | ||
| 3-13 | The Fairy Queen: Act 2: Chorus: Now join your warbling voices all | — | ||
| 3-14 | The Fairy Queen: Act 2: Solo with Chorus: Sing while we trip it (GK) | — | ||
| 3-15 | The Fairy Queen: Act 2: Night: See, even Night herself is here (CS) | — | ||
| 3-16 | The Fairy Queen: Act 2: Mistery: I am come to lock all fast (RO) | — | ||
| 3-17 | The Fairy Queen: Act 2: Secrecy: One charming night (AC) | — | ||
| 3-18 | The Fairy Queen: Act 2: Sleep and Chorus: Hush, no more, be silent all (MB) | — | ||
| 3-19 | The Fairy Queen: Act 2: Dance for the Followers of Night | — | ||
| 3-20 | The Fairy Queen: Act 2: Second Act Tune: Air | — | ||
| 3-21 | The Fairy Queen: Act 3: Solo with Chorus: If love’s a sweet passion (RO) | — | ||
| 3-22 | The Fairy Queen: Act 3: Symphony while the swans come forward | — | ||
| 3-23 | The Fairy Queen: Act 3: Dance for the Fairies | — | ||
| 3-24 | The Fairy Queen: Act 3: Dance for the Green Man | — | ||
| 3-25 | The Fairy Queen: Act 3: Solo: Ye gentle spirits of the air (CS) | — | ||
| 3-26 | The Fairy Queen: Act 3: Dialogue between Coridon and Mopsa: Now the Maids and the Men (MB/WT) | — | ||
| 3-27 | The Fairy Queen: Act 3: A Nymph: When I have often heard (CS) | — | ||
| 3-28 | The Fairy Queen: Act 3: Dance of the Haymakers | — | ||
| 3-29 | The Fairy Queen: Act 3: Solo with Chorus: A thousand, thousand ways (AC) | — | ||
| 3-30 | The Fairy Queen: Act 3: Third Act Tune: Hornpipe | — | ||
| 4-1 | The Fairy Queen: Act 4: Symphony | — | ||
| 4-2 | The Fairy Queen: Act 4: Attendant and Chorus: Now the night is chas'd away (CS) | — | ||
| 4-3 | The Fairy Queen: Act 4: Two Other Attendants: Let the fife and the clarions (AC/RM) | — | ||
| 4-4 | The Fairy Queen: Act 4: Entry of Phoebus | — | ||
| 4-5 | The Fairy Queen: Act 4: Phoebus: When a cruel, long Winter (AC) | — | ||
| 4-6 | The Fairy Queen: Act 4: Chorus: Hail! Great Parent of us all | — | ||
| 4-7 | The Fairy Queen: Act 4: Spring: Thus the ever grateful Spring (CS) | — | ||
| 4-8 | The Fairy Queen: Act 4: Summer: Here's the Summer, sprightly, gay (WT) | — | ||
| 4-9 | The Fairy Queen: Act 4: Autumn: See my many colour'd fields (AC) | — | ||
| 4-10 | The Fairy Queen: Act 4: Winter: Now Winter come slowly (MB) | — | ||
| 4-11 | The Fairy Queen: Act 4: Chorus: Hail! Great Parent of us all | — | ||
| 4-12 | The Fairy Queen: Act 4: Fourth Act Tune: Air | — | ||
| 4-13 | The Fairy Queen: Act 4: Prelude | — | ||
| 4-14 | The Fairy Queen: Act 4: Epithalamium — Juno: Thrice happy lovers (RO) | — | ||
| 4-15 | The Fairy Queen: Act 4: The Plaint: O let me ever, ever weep (CS) | — | ||
| 4-16 | The Fairy Queen: Act 4: Entry Dance | — | ||
| 4-17 | The Fairy Queen: Act 4: Symphony | — | ||
| 4-18 | The Fairy Queen: Act 4: A Chinese Man: Thus the gloomy world (AC) | — | ||
| 4-19 | The Fairy Queen: Act 4: A Chinese Woman and Chorus: Thus happy and free (GK) | — | ||
| 4-20 | The Fairy Queen: Act 4: A Chinese Man: Yes, Daphne, in your looks I find (AC) | — | ||
| 4-21 | The Fairy Queen: Act 4: Monkeys’ Dance | — | ||
| 4-22 | The Fairy Queen: Act 4: First Chinese Woman: Hark, how all things (RO) | — | ||
| 4-23 | The Fairy Queen: Act 4: Second Chinese Woman and Chorus: Hark, the echoing air (CS) | — | ||
| 4-24 | The Fairy Queen: Act 4: Two Chinese Women and Chorus: Sure the dull God of Marriage (GK/RO) | — | ||
| 4-25 | The Fairy Queen: Act 4: Prelude | — | ||
| 4-26 | The Fairy Queen: Act 4: Hymen: See, I obey (MB) | — | ||
| 4-27 | The Fairy Queen: Act 4: Two Chinese Women: Turn then thine eyes (GK/RO) | — | ||
| 4-28 | The Fairy Queen: Act 4: Hymen: My torch indeed (MB) | — | ||
| 4-29 | The Fairy Queen: Act 4: Chaconne: Dance for a Chinese Man and Woman | — | ||
| 4-30 | The Fairy Queen: Act 4: Two Chinese Women and Hymen with Chorus: They shall be as happy (GK/RO/ME) | — | ||
| 5-1 | Dido and Aeneas: Overture (Orchestra) | — | ||
| 5-2 | Dido and Aeneas: Act 1: The Palace: Shake the cloud from off your brow (Belinda/Chorus) | — | ||
| 5-3 | Dido and Aeneas: Act 1: The Palace: Ah! Belinda, I am press’d with torment (Dido) | — | ||
| 5-4 | Dido and Aeneas: Act 1: The Palace: Grief increases by concealing (Belinda/Dido/Second Woman/Chorus) | — | ||
| 5-5 | Dido and Aeneas: Act 1: The Palace: Whence could so much virtue spring? (Dido/Belinda/Second Woman) | — | ||
| 5-6 | Dido and Aeneas: Act 1: The Palace: Fear no danger to ensue (Belinda/Woman/Chorus) | — | ||
| 5-7 | Dido and Aeneas: Act 1: The Palace: The Baske Dance (Orchestra) | — | ||
| 5-8 | Dido and Aeneas: Act 1: The Palace: See, your royal guest appears (Belinda/Aeneas/Dido/Chorus) | — | ||
| 5-9 | Dido and Aeneas: Act 1: The Palace: If not for mine, for Empire’s sake (Aeneas/Belinda/Chorus) | — | ||
| 5-10 | Dido and Aeneas: Act 1: The Palace: The Triumphing Dance (Orchestra) | — | ||
| 5-11 | Dido and Aeneas: Act 2: Scene 1: The Cave: Wayward sisters, you that fright (Sorceress/First Witch/Chorus) | — | ||
| 5-12 | Dido and Aeneas: Act 2: Scene 1: The Cave: The Queen of Carthage, whom we hate (Sorceress/Chorus/First and Second Witch) | — | ||
| 5-13 | Dido and Aeneas: Act 2: Scene 1: The Cave: But ere we this perform (Witches/Chorus) | — | ||
| 5-14 | Dido and Aeneas: Act 2: Scene 1: The Cave: Echo Dance of Furies (Orchestra) | — | ||
| 5-15 | Dido and Aeneas: Act 2: Scene 2: The Grove: Ritornelle (Orchestra) | — | ||
| 5-16 | Dido and Aeneas: Act 2: Scene 2: The Grove: Thanks to these lonesome vales (Belinda/Chorus) | — | ||
| 5-17 | Dido and Aeneas: Act 2: Scene 2: The Grove: Oft she visits this lone mountain (Second Woman) | — | ||
| 5-18 | Dido and Aeneas: Act 2: Scene 2: The Grove: Behold! upon my bending spear (Aeneas/Dido/Chorus) | — | ||
| 5-19 | Dido and Aeneas: Act 2: Scene 2: The Grove: Stay, Prince, and hear great Jove’s command! (Spirit/Aeneas) | — | ||
| 5-20 | Dido and Aeneas: Act 2: Scene 2: The Grove: Then since our charms have sped (Sorceress/Chorus) | — | ||
| 5-21 | Dido and Aeneas: Act 2: Scene 2: The Grove: The Groves’ Dance (Orchestra) | — | ||
| 5-22 | Dido and Aeneas: Act 3: Scene 1: The Ships: Come away, fellow sailors (Sailor/Chorus) | — | ||
| 5-23 | Dido and Aeneas: Act 3: Scene 1: The Ships: The Sailors’ Dance (Orchestra) | — | ||
| 5-24 | Dido and Aeneas: Act 3: Scene 1: The Ships: See the flags and streamers curling (Sorceress/Witches) | — | ||
| 5-25 | Dido and Aeneas: Act 3: Scene 1: The Ships: Our next motion (Sorceress/Chorus) | — | ||
| 5-26 | Dido and Aeneas: Act 3: Scene 1: The Ships: A Dance (Orchestra) | — | ||
| 5-27 | Dido and Aeneas: Act 3: Scene 2: Your counsel all is urg’d in vain (Dido/Belinda/Aeneas/Chorus) | — | ||
| 5-28 | Dido and Aeneas: Act 3: Scene 2: Thy hand, Belinda…When I am laid in earth (Dido) | — | ||
| 5-29 | Dido and Aeneas: Act 3: Scene 2: With drooping wings ye Cupids come (Chorus) | — | ||
| 5-30 | Dido and Aeneas: Act 3: Scene 2: Cupids’ Dance (Orchestra) | — | ||
| 6-1 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": Symphony Introduction. Canzona - Adagio - Canzona - Adagio - Allegro - Grave - Allegro | Gabrieli Players, Paul McCreesh | — | |
| 6-2 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "Hail, bright Cecilia!" | Mark le Brocq, Gabrieli Consort, Peter Harvey, Susan Hemington Jones, Timothy Wilson, Gabrieli Players, Paul McCreesh | — | |
| 6-3 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "Hark, hark, each tree its silence breaks" | Charles Pott, Timothy Wilson, Gabrieli Players, Paul McCreesh | — | |
| 6-4 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "'Tis Nature's voice" | Gabrieli Players, Paul McCreesh | — | |
| 6-5 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "Soul of the world" | Gabrieli Consort, Gabrieli Players, Paul McCreesh | T-909.611.691-5 | |
| 6-6 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "Thou tun'st this world below, the spheres above" | Gabrieli Consort, Susan Hemington Jones, Gabrieli Players, Paul McCreesh | — | |
| 6-7 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "With that sublime celestial lay" | Mark le Brocq, Christopher Purves, Timothy Wilson, Gabrieli Players, Paul McCreesh | — | |
| 6-8 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "Wondrous machine!" | Gabrieli Players, Paul McCreesh | T-926.896.078-7 | |
| 6-9 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "The airy violin" | Julian Podger, Gabrieli Players, Paul McCreesh | T-900.148.980-1 | |
| 6-10 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "In vain the am'rous flute and soft guitar" | Mark le Brocq, Charles Daniels, Gabrieli Players, Paul McCreesh | — | |
| 6-11 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "The fife, and all the harmony of war" | Charles Daniels, Gabrieli Players, Paul McCreesh | — | |
| 6-12 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "Let these amongst themselves contest" | Peter Harvey, Julian Podger, Christopher Purves, Gabrieli Players, Paul McCreesh | — | |
| 6-13 | "Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "Hail, bright Cecilia, hail to thee!" | Charles Daniels, Gabrieli Consort, Timothy Wilson, Gabrieli Players, Paul McCreesh | — | |
| 6-14 | "My beloved spake", Z. 28 | Charles Daniels, Peter Harvey, Julian Podger, Charles Pott, Gabrieli Players, Paul McCreesh | — | |
| 6-15 | "O sing unto the Lord", Z. 44 | Charles Daniels, Peter Harvey, Susan Hemington Jones, Julian Podger, Christopher Purves, Gabrieli Players, Paul McCreesh | — | |
| 7-1 | "Lord, what is man, lost man?", Z. 192 | Charles Daniels, Timothy Roberts, Gabrieli Consort & Players, Paul McCreesh | — | |
| 7-2 | "O Solitude", Z. 406 | Susan Hemington Jones, Paula Chateauneuf, Gabrieli Consort & Players, Paul McCreesh | — | |
| 7-3 | "In the black, dismal dungeon of despair", Z. 190 | Angus Smith, Paula Chateauneuf, Fred Jacobs, Timothy Roberts, Gabrieli Consort & Players, Paul McCreesh | — | |
| 7-4 | "Lord, I can suffer thy rebukes", Z. 136 | Susan Hemington Jones, Tessa Bonner, Julian Podger, Peter Harvey, Paula Chateauneuf, Fred Jacobs, Timothy Roberts, Gabrieli Consort & Players, Paul McCreesh | — | |
| 7-5 | Voluntary in G, Z. 720 | Timothy Roberts | — | |
| 7-6 | "In guilty night" (Saul and the Witch of Endor), Z. 134 | Susan Hemington Jones, Charles Daniels, Christopher Purves, Paula Chateauneuf, Fred Jacobs, Timothy Roberts, Gabrieli Consort & Players, Paul McCreesh | — | |
| 7-7 | Voluntary in C, Z. 717 | Timothy Roberts | — | |
| 7-8 | "Plung'd in the confines of despair", Z. 142 | Charles Daniels, Angus Smith, Christopher Purves, Paula Chateauneuf, Fred Jacobs, Gabrieli Consort & Players, Paul McCreesh | — | |
| 7-9 | "Awake, ye dead", Z. 182 | Peter Harvey, Christopher Purves, Paula Chateauneuf, Fred Jacobs, Timothy Roberts, Gabrieli Consort & Players, Paul McCreesh | — | |
| 7-10 | "The earth trembled", Z. 197 | Tessa Bonner, Timothy Roberts, Gabrieli Consort & Players, Paul McCreesh | — | |
| 7-11 | "My op'ning eyes are purg'd", Z. D72 | Christopher Purves, Timothy Roberts, Gabrieli Consort & Players, Paul McCreesh | — | |
| 7-12 | "With sick and famish'd eyes", Z. 200 | Charles Daniels, Paula Chateauneuf, Timothy Roberts, Gabrieli Consort & Players, Paul McCreesh | — | |
| 7-13 | Ground in C, Z. D221 | Timothy Roberts | — | |
| 7-14 | "O, I'm sick of life", Z. 140 | Charles Daniels, Angus Smith, Christopher Purves, Paula Chateauneuf, Fred Jacobs, Timothy Roberts, Gabrieli Consort & Players, Paul McCreesh | — | |
| 7-15 | "Close thine eyes", Z. 184 | Susan Hemington Jones, Peter Harvey, Paula Chateauneuf, Timothy Roberts, Gabrieli Consort & Players, Paul McCreesh | — | |
| 8-1 | Te Deum and Jubilate Deo, Z. 232: Te Deum | — | ||
| 8-2 | Te Deum and Jubilate Deo, Z. 232: Jubilate Deo | — | ||
| 8-3 | My beloved spake, Z. 28 | — | ||
| 8-4 | O God, Thou art my God, Z. 35 | — | ||
| 8-5 | Lord, how long wilt Thou be angry?, Z. 25 | — | ||
| 8-6 | Remember not, Lord, our offences, Z. 50 | — | ||
| 8-7 | Hear my prayer, O Lord, Z. 15 | — | ||
| 8-8 | Funeral Sentences for the death of Queen Mary II: Funeral March, Z. 860a | — | ||
| 8-9 | Funeral Sentences for the death of Queen Mary II: Man that is born of a woman, Z. 27 | — | ||
| 8-10 | Funeral Sentences for the death of Queen Mary II: In the midst of life, Z. 17a | — | ||
| 8-11 | Funeral Sentences for the death of Queen Mary II: Canzona, Z. 860b | — | ||
| 8-12 | Funeral Sentences for the death of Queen Mary II: Thou knowest, Lord, Z. 58a | — | ||
| 8-13 | Funeral Sentences for the death of Queen Mary II: Funeral March, Z. 860a | — | ||
| 9-1 | Songs: Strike the Viol (from Come, ye sons of art away, Z. 323) | — | ||
| 9-2 | Songs: The Queen’s Epicedium, Z. 383 | — | ||
| 9-3 | Songs: Songs: Here the Deities approve (Welcome to all the pleasures, Z. 339) | — | ||
| 9-4 | Songs: Sweeter than roses (Pausanias, Z. 585 No.1) | — | ||
| 9-5 | Songs: Music for a while (Oedipus, Z. 383 No.2) | — | ||
| 9-6 | Songs: If music be the food of love, Z. 397 | — | ||
| 9-7 | Songs: An Evening Hymn, Z. 193 | — | ||
| 9-8 | Instrumental Music: Chaconne in G minor (Timon of Athens, Z. 632) | — | ||
| 9-9 | The History of Dioclesian, Z. 627 — excerpts: First Music | — | ||
| 9-10 | The History of Dioclesian, Z. 627 — excerpts: Overture | — | ||
| 9-11 | The History of Dioclesian, Z. 627 — excerpts: First Act Tune | — | ||
| 9-12 | The History of Dioclesian, Z. 627 — excerpts: Dance of the Furies | — | ||
| 9-13 | The History of Dioclesian, Z. 627 — excerpts: Second Act Tune | — | ||
| 9-14 | The History of Dioclesian, Z. 627 — excerpts: Two in once upon a ground | — | ||
| 9-15 | The History of Dioclesian, Z. 627 — excerpts: The Chair Dance | — | ||
| 9-16 | The History of Dioclesian, Z. 627 — excerpts: Third Act Tune | — | ||
| 9-17 | The History of Dioclesian, Z. 627 — excerpts: Butterfly Dance | — | ||
| 9-18 | The History of Dioclesian, Z. 627 — excerpts: Country Dance in Act V | — | ||
| 9-19 | The History of Dioclesian, Z. 627 — excerpts: Dance of the Bacchanals | — | ||
| 9-20 | The History of Dioclesian, Z. 627 — excerpts: Still I’m wishing | — | ||
| 9-21 | The History of Dioclesian, Z. 627 — excerpts: Canaries | — | ||
| 9-22 | The History of Dioclesian, Z. 627 — excerpts: Dance | — | ||
| 9-23 | The History of Dioclesian, Z. 627 — excerpts: Dance | — | ||
| 9-24 | Curtain Tune (from Timon of Athens) | — | ||
| 10-1 | Trio Sonata of 3 Parts no. 1 in G minor, Z. 790: I. Adagio | Musica Amphion | — | |
| 10-2 | Trio Sonata of 3 Parts no. 1 in G minor, Z. 790: II. Vivace | Musica Amphion | — | |
| 10-3 | Trio Sonata of 3 Parts no. 1 in G minor, Z. 790: III. Adagio, Presto | Musica Amphion | — | |
| 10-4 | Trio Sonata of 3 Parts no. 1 in G minor, Z. 790: IV. Largo | Musica Amphion | — | |
| 10-5 | Trio Sonata of 3 Parts no. 2 in B-flat major, Z. 791: I. Adagio | Musica Amphion | — | |
| 10-6 | Trio Sonata of 3 Parts no. 2 in B-flat major, Z. 791: II. Largo, Presto | Musica Amphion | — | |
| 10-7 | Trio Sonata of 3 Parts no. 2 in B-flat major, Z. 791: III. Adagio | Musica Amphion | — | |
| 10-8 | Trio Sonata of 3 Parts no. 2 in B-flat major, Z. 791: IV. Allegro | Musica Amphion | — | |
| 10-9 | Trio Sonata of 3 Parts no. 3 in D minor, Z. 792: I. Grave, Adagio | Musica Amphion | — | |
| 10-10 | Trio Sonata of 3 Parts no. 3 in D minor, Z. 792: II. Canzona | Musica Amphion | — | |
| 10-11 | Trio Sonata of 3 Parts no. 3 in D minor, Z. 792: III. Poco Largo, Allegro | Musica Amphion | — | |
| 10-12 | Trio Sonata of 3 Parts no. 4 in F major, Z. 793: I. Adagio | Musica Amphion | — | |
| 10-13 | Trio Sonata of 3 Parts no. 4 in F major, Z. 793: II. Canzona | Musica Amphion | — | |
| 10-14 | Trio Sonata of 3 Parts no. 4 in F major, Z. 793: III. Poco Largo | Musica Amphion | — | |
| 10-15 | Trio Sonata of 3 Parts no. 4 in F major, Z. 793: IV. Allegro | Musica Amphion | — | |
| 10-16 | Trio Sonata of 3 Parts no. 5 in A minor, Z. 794: I. Canzona | Musica Amphion | — | |
| 10-17 | Trio Sonata of 3 Parts no. 5 in A minor, Z. 794: II. Adagio | Musica Amphion | — | |
| 10-18 | Trio Sonata of 3 Parts no. 5 in A minor, Z. 794: III. Largo | Musica Amphion | — | |
| 10-19 | Trio Sonata of 3 Parts no. 5 in A minor, Z. 794: IV. Grave, Canzona | Musica Amphion | — | |
| 10-20 | Trio Sonata of 3 Parts no. 6 in C major, Z. 795: I. Adagio | Musica Amphion | — | |
| 10-21 | Trio Sonata of 3 Parts no. 6 in C major, Z. 795: II. Canzona | Musica Amphion | — | |
| 10-22 | Trio Sonata of 3 Parts no. 6 in C major, Z. 795: III. Largo | Musica Amphion | — | |
| 10-23 | Trio Sonata of 3 Parts no. 6 in C major, Z. 795: IV. Allegro | Musica Amphion | — | |
| 10-24 | Trio Sonata of 3 Parts no. 7 in E minor, Z. 796: I. Adagio | Musica Amphion | — | |
| 10-25 | Trio Sonata of 3 Parts no. 7 in E minor, Z. 796: II. Canzona | Musica Amphion | — | |
| 10-26 | Trio Sonata of 3 Parts no. 7 in E minor, Z. 796: III. Largo | Musica Amphion | — | |
| 10-27 | Trio Sonata of 3 Parts no. 7 in E minor, Z. 796: IV. Grave | Musica Amphion | — | |
| 10-28 | Trio Sonata of 3 Parts no. 7 in E minor, Z. 796: V. Vivace | Musica Amphion | — | |
| 10-29 | Trio Sonata of 3 Parts no. 8 in G major, Z. 797: I. Canzona | Musica Amphion | — | |
| 10-30 | Trio Sonata of 3 Parts no. 8 in G major, Z. 797: II. Poco Largo, Allegro | Musica Amphion | — | |
| 10-31 | Trio Sonata of 3 Parts no. 8 in G major, Z. 797: III. Grave, Vivace | Musica Amphion | — | |
| 10-32 | Trio Sonata of 3 Parts no. 9 in C minor, Z. 798: I. Adagio | Musica Amphion | — | |
| 10-33 | Trio Sonata of 3 Parts no. 9 in C minor, Z. 798: II. Largo | Musica Amphion | — | |
| 10-34 | Trio Sonata of 3 Parts no. 9 in C minor, Z. 798: III. Canzona, Adagio | Musica Amphion | — | |
| 10-35 | Trio Sonata of 3 Parts no. 9 in C minor, Z. 798: IV. Allegro | Musica Amphion | — | |
| 10-36 | Trio Sonata of 3 Parts no. 10 in A major, Z. 799: I. Adagio | Musica Amphion | — | |
| 10-37 | Trio Sonata of 3 Parts no. 10 in A major, Z. 799: II. Largo | Musica Amphion | — | |
| 10-38 | Trio Sonata of 3 Parts no. 10 in A major, Z. 799: III. Grave, Presto | Musica Amphion | — | |
| 10-39 | Trio Sonata of 3 Parts no. 11 in F minor, Z. 800: I. Adagio | Musica Amphion | — | |
| 10-40 | Trio Sonata of 3 Parts no. 11 in F minor, Z. 800: II. Canzona | Musica Amphion | — | |
| 10-41 | Trio Sonata of 3 Parts no. 11 in F minor, Z. 800: III. Adagio | Musica Amphion | — | |
| 10-42 | Trio Sonata of 3 Parts no. 11 in F minor, Z. 800: IV. Largo | Musica Amphion | — | |
| 10-43 | Trio Sonata of 3 Parts no. 12 in D major, Z. 801: I. Adagio | Musica Amphion | — | |
| 10-44 | Trio Sonata of 3 Parts no. 12 in D major, Z. 801: II. Canzona | Musica Amphion | — | |
| 10-45 | Trio Sonata of 3 Parts no. 12 in D major, Z. 801: III. Poco Largo | Musica Amphion | — | |
| 10-46 | Trio Sonata of 3 Parts no. 12 in D major, Z. 801: IV. Grave, Presto | Musica Amphion | — | |
| 10-47 | Trio Sonata of 3 Parts no. 12 in D major, Z. 801: V. Allegro | Musica Amphion | — | |
| 11-1 | Trio Sonata in 4 Parts no. 1 in B minor, Z. 802: I. Adagio, Canzona (allegro) | Musica Amphion | — | |
| 11-2 | Trio Sonata in 4 Parts no. 1 in B minor, Z. 802: II. Largo | Musica Amphion | — | |
| 11-3 | Trio Sonata in 4 Parts no. 1 in B minor, Z. 802: III. Vivace | Musica Amphion | — | |
| 11-4 | Trio Sonata in 4 Parts no. 2 in E-flat major, Z. 803: I. Adagio | Musica Amphion | — | |
| 11-5 | Trio Sonata in 4 Parts no. 2 in E-flat major, Z. 803: II. Canzona (allegro) | Musica Amphion | — | |
| 11-6 | Trio Sonata in 4 Parts no. 2 in E-flat major, Z. 803: III. Adagio | Musica Amphion | — | |
| 11-7 | Trio Sonata in 4 Parts no. 2 in E-flat major, Z. 803: IV. Largo, allegro | Musica Amphion | — | |
| 11-8 | Trio Sonata in 4 Parts no. 3 in A minor, Z. 804: I. Grave | Musica Amphion | — | |
| 11-9 | Trio Sonata in 4 Parts no. 3 in A minor, Z. 804: II. Largo | Musica Amphion | — | |
| 11-10 | Trio Sonata in 4 Parts no. 3 in A minor, Z. 804: III. Adagio | Musica Amphion | — | |
| 11-11 | Trio Sonata in 4 Parts no. 3 in A minor, Z. 804: IV. Allegro | Musica Amphion | — | |
| 11-12 | Trio Sonata in 4 Parts no. 4 in D minor, Z. 805: I. Adagio | Musica Amphion | — | |
| 11-13 | Trio Sonata in 4 Parts no. 4 in D minor, Z. 805: II. Canzona | Musica Amphion | — | |
| 11-14 | Trio Sonata in 4 Parts no. 4 in D minor, Z. 805: III. Adagio | Musica Amphion | — | |
| 11-15 | Trio Sonata in 4 Parts no. 4 in D minor, Z. 805: IV. Vivace | Musica Amphion | — | |
| 11-16 | Trio Sonata in 4 Parts no. 4 in D minor, Z. 805: V. Largo | Musica Amphion | — | |
| 11-17 | Trio Sonata in 4 Parts no. 5 in G minor, Z. 806: I. Adagio | Musica Amphion | — | |
| 11-18 | Trio Sonata in 4 Parts no. 5 in G minor, Z. 806: II. Canzona | Musica Amphion | — | |
| 11-19 | Trio Sonata in 4 Parts no. 5 in G minor, Z. 806: III. Largo | Musica Amphion | — | |
| 11-20 | Trio Sonata in 4 Parts no. 5 in G minor, Z. 806: IV. Adagio | Musica Amphion | — | |
| 11-21 | Trio Sonata in 4 Parts no. 5 in G minor, Z. 806: V. Presto, allegro, adagio | Musica Amphion | — | |
| 11-22 | Trio Sonata in 4 Parts no. 6 in G minor (Chaconne), Z. 807: Adagio | Musica Amphion | — | |
| 11-23 | Trio Sonata in 4 Parts no. 7 in E minor, Z. 808: I. Vivace | Musica Amphion | — | |
| 11-24 | Trio Sonata in 4 Parts no. 7 in E minor, Z. 808: II. Largo | Musica Amphion | — | |
| 11-25 | Trio Sonata in 4 Parts no. 7 in E minor, Z. 808: III. Grave, Canzona | Musica Amphion | — | |
| 11-26 | Trio Sonata in 4 Parts no. 7 in E minor, Z. 808: IV. Allegro | Musica Amphion | — | |
| 11-27 | Trio Sonata in 4 Parts no. 8 in G minor, Z. 809: I. Adagio | Musica Amphion | — | |
| 11-28 | Trio Sonata in 4 Parts no. 8 in G minor, Z. 809: II. Canzona | Musica Amphion | — | |
| 11-29 | Trio Sonata in 4 Parts no. 8 in G minor, Z. 809: III. Grave | Musica Amphion | — | |
| 11-30 | Trio Sonata in 4 Parts no. 8 in G minor, Z. 809: IV. Largo | Musica Amphion | — | |
| 11-31 | Trio Sonata in 4 Parts no. 8 in G minor, Z. 809: V. Vivace | Musica Amphion | — | |
| 11-32 | Trio Sonata in 4 Parts no. 9 in F major, Z. 810: I. Vivace | Musica Amphion | — | |
| 11-33 | Trio Sonata in 4 Parts no. 9 in F major, Z. 810: II. Adagio | Musica Amphion | — | |
| 11-34 | Trio Sonata in 4 Parts no. 9 in F major, Z. 810: III. Canzona | Musica Amphion | — | |
| 11-35 | Trio Sonata in 4 Parts no. 9 in F major, Z. 810: IV. Grave | Musica Amphion | — | |
| 11-36 | Trio Sonata in 4 Parts no. 9 in F major, Z. 810: V. Allegro | Musica Amphion | — | |
| 11-37 | Trio Sonata in 4 Parts no. 10 in D major, Z. 811: I. Adagio | Musica Amphion | — | |
| 11-38 | Trio Sonata in 4 Parts no. 10 in D major, Z. 811: II. Canzona (allegro) | Musica Amphion | — | |
| 11-39 | Trio Sonata in 4 Parts no. 10 in D major, Z. 811: III. Grave | Musica Amphion | — | |
| 11-40 | Trio Sonata in 4 Parts no. 10 in D major, Z. 811: IV. Largo | Musica Amphion | — | |
| 11-41 | Trio Sonata in 4 Parts no. 10 in D major, Z. 811: V. Allegro | Musica Amphion | — | |
| 12-1 | Overture for 2 Violins, Viola, and Basso Continuo in G major, Z. 770 | Musica Amphion | — | |
| 12-2 | Pavan for 3 Violins and Basso Continuo in G minor, Z. 752 | Musica Amphion | — | |
| 12-3 | Chacony for 2 Violins, Viola, and Basso Continuo, Z. 730 | Musica Amphion | T-929.553.122-5 | |
| 12-4 | Sonata for Trumpet, Strings, and Basso Continuo in D major, Z. 850: I. Allegro | Musica Amphion | — | |
| 12-5 | Sonata for Trumpet, Strings, and Basso Continuo in D major, Z. 850: II. Adagio | Musica Amphion | — | |
| 12-6 | Sonata for Trumpet, Strings, and Basso Continuo in D major, Z. 850: III. Presto | Musica Amphion | — | |
| 12-7 | Pavan for 2 Violins and Basso Continuo in A major, Z. 748 | Musica Amphion | — | |
| 12-8 | Suite for 2 Violins, Viola, and Basso Continuo in G major: I. Overture | Musica Amphion | — | |
| 12-9 | Suite for 2 Violins, Viola, and Basso Continuo in G major: II. Air | Musica Amphion | — | |
| 12-10 | Suite for 2 Violins, Viola, and Basso Continuo in G major: III. Borry | Musica Amphion | — | |
| 12-11 | Suite for 2 Violins, Viola, and Basso Continuo in G major: IV. Air | Musica Amphion | — | |
| 12-12 | Suite for 2 Violins, Viola, and Basso Continuo in G major: V. Jigg | Musica Amphion | — | |
| 12-13 | Fantasia, 3 parts on a Ground for three recorders, Z. 731 | Musica Amphion | — | |
| 12-14 | Overture for 2 Violins, Viola, and Basso Continuo in D minor, Z. 771 | Musica Amphion | — | |
| 12-15 | Pavan for 2 Violins and Basso Continuo in B-flat major, Z. 750 | Musica Amphion | — | |
| 12-16 | Prelude for recorder in D minor, Z. 773 | Musica Amphion | — | |
| 12-17 | Sonata for Violin and Basso Continuo in G minor, Z. 780: I. Adagio | Musica Amphion | — | |
| 12-18 | Sonata for Violin and Basso Continuo in G minor, Z. 780: II. Allegro | Musica Amphion | — | |
| 12-19 | Sonata for Violin and Basso Continuo in G minor, Z. 780: III. Largo | Musica Amphion | — | |
| 12-20 | Sonata for Violin and Basso Continuo in G minor, Z. 780: IV. Vivace | Musica Amphion | — | |
| 12-21 | The Staircase Overture for 2 Violins and Basso Continuo in B-flat major | Musica Amphion | — | |
| 12-22 | Cibell for Trumpet, Strings, and Basso Continuo in C major, Z. 678 | Musica Amphion | — | |
| 12-23 | Pavan for 2 Violins and Basso Continuo in A minor, Z. 749 | Musica Amphion | — | |
| 12-24 | Overture for 2 Violins, 2 Violas, and Basso Continuo in G minor, Z. 772 | Musica Amphion | — | |
| 12-25 | Pavan for 2 Violins and Basso Continuo in G minor, Z. 751 | Musica Amphion | — | |
| 13-1 | Fantasia for Strings no. 1, Z. 732 | Musica Amphion | — | |
| 13-2 | Fantasia for Strings no. 2, Z. 733 | Musica Amphion | — | |
| 13-3 | Fantasia for Strings no. 3, Z. 734 | Musica Amphion | — | |
| 13-4 | Fantasia for Strings no. 4, Z. 735 | Musica Amphion | — | |
| 13-5 | Fantasia for Strings no. 5, Z. 736 | Musica Amphion | — | |
| 13-6 | Fantasia for Strings no. 6, Z. 737 | Musica Amphion | — | |
| 13-7 | Fantasia for Strings no. 7, Z. 738 | Musica Amphion | — | |
| 13-8 | Fantasia for Strings no. 8, Z. 739 | Musica Amphion | — | |
| 13-9 | Fantasia for Strings no. 9, Z. 740 | Musica Amphion | — | |
| 13-10 | Fantasia for Strings no. 10, Z. 741 | Musica Amphion | — | |
| 13-11 | Fantasia for Strings no. 11, Z. 742 | Musica Amphion | — | |
| 13-12 | Fantasia for Strings no. 12, Z. 743 | Musica Amphion | — | |
| 13-13 | Fantasia for Strings no. 13, Z. 744 | Musica Amphion | — | |
| 13-14 | Fantasia for Strings Upon One Note, Z. 745 | Musica Amphion | T-071.553.635-8 | |
| 13-15 | Fantasia for Strings In Nomine of 6 Parts, Z. 746 | Musica Amphion | — | |
| 13-16 | Fantasia for Strings In Nomine of 7 Parts, Z. 747 | Musica Amphion | — | |
| 14-1 | Suite for Harpsichord no. 1 in G major, Z. 660: I. Prelude | Pieter-Jan Belder | — | |
| 14-2 | Suite for Harpsichord no. 1 in G major, Z. 660: II. Almand | Pieter-Jan Belder | — | |
| 14-3 | Suite for Harpsichord no. 1 in G major, Z. 660: III. Corant | Pieter-Jan Belder | — | |
| 14-4 | Suite for Harpsichord no. 1 in G major, Z. 660: IV. Minuet | Pieter-Jan Belder | — | |
| 14-5 | Suite for Harpsichord no. 2 in G minor, Z. 661: I. Prelude | Pieter-Jan Belder | — | |
| 14-6 | Suite for Harpsichord no. 2 in G minor, Z. 661: II. Almand | Pieter-Jan Belder | — | |
| 14-7 | Suite for Harpsichord no. 2 in G minor, Z. 661: III. Corant | Pieter-Jan Belder | — | |
| 14-8 | Suite for Harpsichord no. 2 in G minor, Z. 661: IV. Saraband | Pieter-Jan Belder | — | |
| 14-9 | Suite for Harpsichord no. 3 in G major, Z. 662: I. Prelude | Pieter-Jan Belder | — | |
| 14-10 | Suite for Harpsichord no. 3 in G major, Z. 662: II. Almand | Pieter-Jan Belder | — | |
| 14-11 | Suite for Harpsichord no. 3 in G major, Z. 662: III. Courante | Pieter-Jan Belder | — | |
| 14-12 | Suite for Harpsichord no. 4 in A minor, Z. 663: I. Prelude | Pieter-Jan Belder | — | |
| 14-13 | Suite for Harpsichord no. 4 in A minor, Z. 663: II. Almand | Pieter-Jan Belder | — | |
| 14-14 | Suite for Harpsichord no. 4 in A minor, Z. 663: III. Corante | Pieter-Jan Belder | — | |
| 14-15 | Suite for Harpsichord no. 4 in A minor, Z. 663: IV. Saraband | Pieter-Jan Belder | — | |
| 14-16 | Suite for Harpsichord no. 5 in C major, Z. 666: I. Prelude | Pieter-Jan Belder | — | |
| 14-17 | Suite for Harpsichord no. 5 in C major, Z. 666: II. Almand | Pieter-Jan Belder | — | |
| 14-18 | Suite for Harpsichord no. 5 in C major, Z. 666: III. Corant | Pieter-Jan Belder | — | |
| 14-19 | Suite for Harpsichord no. 5 in C major, Z. 666: IV. Saraband | Pieter-Jan Belder | — | |
| 14-20 | Suite for Harpsichord no. 6 in D major, Z. 667: I. Prelude | Pieter-Jan Belder | — | |
| 14-21 | Suite for Harpsichord no. 6 in D major, Z. 667: II. Almand | Pieter-Jan Belder | — | |
| 14-22 | Suite for Harpsichord no. 6 in D major, Z. 667: III. Hornpipe | Pieter-Jan Belder | — | |
| 14-23 | Suite for Harpsichord no. 7 in D minor, Z. 668: I. Almand, very slow | Pieter-Jan Belder | — | |
| 14-24 | Suite for Harpsichord no. 7 in D minor, Z. 668: II. Corant | Pieter-Jan Belder | — | |
| 14-25 | Suite for Harpsichord no. 7 in D minor, Z. 668: III. Hornpipe | Pieter-Jan Belder | — | |
| 14-26 | Suite for Harpsichord no. 8 in F major, Z. 669: I. Prelude | Pieter-Jan Belder | — | |
| 14-27 | Suite for Harpsichord no. 8 in F major, Z. 669: II. Almand | Pieter-Jan Belder | — | |
| 14-28 | Suite for Harpsichord no. 8 in F major, Z. 669: III. Corant | Pieter-Jan Belder | — | |
| 14-29 | Suite for Harpsichord no. 8 in F major, Z. 669: IV. Minuet | Pieter-Jan Belder | — | |
| 15-1 | Songtune, ZT. 694 | Pieter-Jan Belder | — | |
| 15-2 | March, Z. 647 | Pieter-Jan Belder | — | |
| 15-3 | A Song Tune, ZT. 695 | Pieter-Jan Belder | — | |
| 15-4 | March, Z. 648 | Pieter-Jan Belder | T-061.793.177-7 | |
| 15-5 | New Minuet, ZT. 689 | Pieter-Jan Belder | — | |
| 15-6 | Minuet, Z. 649 | Pieter-Jan Belder | — | |
| 15-7 | A Minuet, Z. 650 | Pieter-Jan Belder | — | |
| 15-8 | A new Schotch Tune, Z. 655 | Pieter-Jan Belder | — | |
| 15-9 | A New Ground, ZT. 682 | Pieter-Jan Belder | — | |
| 15-10 | A New Irish Tune, Z. 646 | Pieter-Jan Belder | — | |
| 15-11 | Riggadoon, Z. 653 | Pieter-Jan Belder | — | |
| 15-12 | Sefuchi's Farewell, Z. 656 | Pieter-Jan Belder | — | |
| 15-13 | Minuet, ZT. 688 | Pieter-Jan Belder | — | |
| 15-14 | March, ZT. 687 | Pieter-Jan Belder | — | |
| 15-15 | Trumpet Tune, ZT. 698 | Pieter-Jan Belder | — | |
| 15-16 | Chaconne, ZT. 680 | Pieter-Jan Belder | — | |
| 15-17 | Jigg, ZT. 686 | Pieter-Jan Belder | — | |
| 15-18 | Trumpet Tune Called the Cibell, ZT. 678 | Pieter-Jan Belder | — | |
| 15-19 | Trumpet Tune, ZT. 697 | Pieter-Jan Belder | — | |
| 15-20 | Air, Z. 641 | Pieter-Jan Belder | — | |
| 15-21 | Aire, ZT. 675 | Pieter-Jan Belder | — | |
| 15-22 | Aire, ZT. 696 no. 2 | Pieter-Jan Belder | — | |
| 15-23 | Aire, Z. 676 | Pieter-Jan Belder | — | |
| 15-24 | Air, Z. 630 no. 1 | Pieter-Jan Belder | — | |
| 15-25 | Air, Z. 693 no. 2 | Pieter-Jan Belder | — | |
| 15-26 | Canary, ZT. 677 | Pieter-Jan Belder | — | |
| 15-27 | Prelude in G minor | Pieter-Jan Belder | — | |
| 15-28 | Ground in Gamut, Z. 645 | Pieter-Jan Belder | — | |
| 15-29 | Prelude in C major | Pieter-Jan Belder | — | |
| 15-30 | Ground in C minor, ZT. 681 | Pieter-Jan Belder | — | |
| 15-31 | Ground in D minor, ZD. 222 | Pieter-Jan Belder | — | |
| 15-32 | Hornpipe, ZT. 683 | Pieter-Jan Belder | — | |
| 15-33 | Hornpipe, ZT. 685 | Pieter-Jan Belder | — | |
| 15-34 | Minuet, Z. 651 | Pieter-Jan Belder | — | |
| 15-35 | Round O, ZT. 684 | Pieter-Jan Belder | — | |
| 15-36 | Corant, Z. 644 | Pieter-Jan Belder | — | |
| 15-37 | (Gavotte) Almond in D-sol-re#, ZD. 219 no. 1 | Pieter-Jan Belder | — | |
| 15-38 | Ground in C minor, ZD 221 | Pieter-Jan Belder | — | |
| 15-39 | Jigg, ZD 223 | Pieter-Jan Belder | — | |
| 15-40 | The Queens Dolour, Z. 670 | Pieter-Jan Belder | — | |
| 15-41 | Rigaudon, ZD. 227 | Pieter-Jan Belder | — | |
| 15-42 | Saraband With Division, Z. 654 | Pieter-Jan Belder | — | |
| 15-43 | (Saraband) Borry in D-sol-re#, ZD 219 no. 2 | Pieter-Jan Belder | — | |
| 15-44 | Trumpet Minuet, ZD. 230 | Pieter-Jan Belder | — | |
| 16-2 | From 20 Keyboard Pieces: Jig (17) | Pieter-Jan Belder | — | |
| 16-3 | From 20 Keyboard Pieces: Prelude (1) | Pieter-Jan Belder | — | |
| 16-4 | From 20 Keyboard Pieces: Minuet (2) | Pieter-Jan Belder | — | |
| 16-5 | From 20 Keyboard Pieces: Air (3) | Pieter-Jan Belder | — | |
| 16-6 | From 20 Keyboard Pieces: Thus happy (5) | Pieter-Jan Belder | — | |
| 16-7 | From 20 Keyboard Pieces: Air (7) | Pieter-Jan Belder | — | |
| 16-8 | From 20 Keyboard Pieces: Hornpipe (9) | Pieter-Jan Belder | — | |
| 16-9 | From 20 Keyboard Pieces: Hornpipe (10) | Pieter-Jan Belder | — | |
| 16-10 | From 20 Keyboard Pieces: Minuet (11) | Pieter-Jan Belder | — | |
| 16-11 | From 20 Keyboard Pieces: Air (12) | Pieter-Jan Belder | — | |
| 16-12 | From 20 Keyboard Pieces: Minuet (13) | Pieter-Jan Belder | — | |
| 16-13 | Suite in C (Z. 665): Prelude | Pieter-Jan Belder | — | |
| 16-14 | Suite in C (Z. 665): Almond | Pieter-Jan Belder | — | |
| 16-15 | Suite in C (Z. 665): Courant | Pieter-Jan Belder | — | |
| 16-16 | Suite in C (Z. 665): Saraband | Pieter-Jan Belder | — | |
| 16-17 | Suite in C (Z. 665): Jigg | Pieter-Jan Belder | — | |
| 16-18 | Works for Organ: Voluntary in G (Z. 720) | Pieter-Jan Belder | — | |
| 16-19 | Works for Organ: Verse in F (Z. 716) | Pieter-Jan Belder | — | |
| 16-20 | Works for Organ: Voluntary for Double Organ (Z. 719) | Pieter-Jan Belder | — | |
| 16-21 | Works for Organ: Voluntary in C (Z. 717) | Pieter-Jan Belder | — | |
| 16-22 | Works for Organ: Voluntary on the Old 100th | Pieter-Jan Belder | — | |
| 16-23 | Works for Organ: Voluntary in D minor (Z. 718) | Pieter-Jan Belder | — |
King Arthur: First Music: Chaconne
The English Concert, Trevor Pinnock
—
King Arthur: Second Music: 1. Overture
The English Concert, Trevor Pinnock
—
Choir of the English Concert, Jamie MacDougall, The English Concert, Trevor Pinnock
Choir of the English Concert, Jamie MacDougall, Mark Tucker, The English Concert, Trevor Pinnock
King Arthur: Act I. “The lot is cast”
The English Concert, Trevor Pinnock
—
Choir of the English Concert, The English Concert, Trevor Pinnock
King Arthur: Act I. “I call you all to Woden’s Hall”
Choir of the English Concert, Mark Tucker, The English Concert, Trevor Pinnock
—
King Arthur: Act I. “Come if you dare” / First Act Tune
Choir of the English Concert, Jamie MacDougall, The English Concert, Trevor Pinnock
—
Choir of the English Concert, Linda Perillo, The English Concert, Trevor Pinnock
Gerald Finley, The English Concert, Trevor Pinnock
King Arthur: Act II. “Hither, this way bend”
Choir of the English Concert, Linda Perillo, The English Concert, Trevor Pinnock
—
Choir of the English Concert, Linda Perillo, The English Concert, Trevor Pinnock
King Arthur: Act II. “How blest are shepherds”
Choir of the English Concert, Jamie MacDougall, The English Concert, Trevor Pinnock
—
King Arthur: Act II. Symphony / “Shepherd, shepherd, leave decoying”
Julia Gooding, Linda Perillo, The English Concert, Trevor Pinnock
—
Choir of the English Concert, The English Concert, Trevor Pinnock
King Arthur: Act II. Second Act Tune. Air
The English Concert, Trevor Pinnock
—
King Arthur: Act III. “What ho!”
Nancy Argenta, The English Concert, Trevor Pinnock
—
Brian Bannatyne-Scott, The English Concert, Trevor Pinnock
King Arthur: Act III. “Thou doting fool, forbear”
Nancy Argenta, The English Concert, Trevor Pinnock
—
Brian Bannatyne-Scott, The English Concert, Trevor Pinnock
King Arthur: Act III. “No part of my dominion”
Nancy Argenta, The English Concert, Trevor Pinnock
—
Choir of the English Concert, The English Concert, Trevor Pinnock
King Arthur: Act III. “’Tis I, ’tis I that have warm’d ye”
Nancy Argenta, Choir of the English Concert, The English Concert, Trevor Pinnock
—
Nancy Argenta, Brian Bannatyne-Scott, Choir of the English Concert, The English Concert, Trevor Pinnock
King Arthur: Act III: Third Act Tune. Hornpipe
The English Concert, Trevor Pinnock
—
Julia Gooding, Linda Perillo, The English Concert, Trevor Pinnock
Nancy Argenta, Choir of the English Concert, Gerald Finley, Mark Tucker, The English Concert, Trevor Pinnock
King Arthur: Act IV. Fourth Act Tune. Air
The English Concert, Trevor Pinnock
—
Brian Bannatyne-Scott, The English Concert, Trevor Pinnock
King Arthur: Act V. Symphony
The English Concert, Trevor Pinnock
—
Choir of the English Concert, Gerald Finley, Julia Gooding, The English Concert, Trevor Pinnock
Mark Tucker, The English Concert, Trevor Pinnock
King Arthur: Act V. “Your hay, it is mow’d” / Dance
Choir of the English Concert, Jamie MacDougall, The English Concert, Trevor Pinnock
—
King Arthur: Act V. “You say, ’tis love”
Gerald Finley, Linda Perillo, The English Concert, Trevor Pinnock
—
King Arthur: Act V. “Saint George, the patron of our isle” / “Our natives not alone appear”
Choir of the English Concert, Julia Gooding, The English Concert, Trevor Pinnock
—
The Fairy Queen: First Music: Prelude
—
The Fairy Queen: First Music: Hornpipe
—
The Fairy Queen: Second Music: Air
—
The Fairy Queen: Second Music: Rondeau
—
The Fairy Queen: Act 1: Overture
—
The Fairy Queen: Act 1: Duet: Come, let us leave the town (GK/ME)
—
The Fairy Queen: Act 1: Scene of the Drunken Poet (MB/GK/RO)
—
The Fairy Queen: Act 1: First Act Tune: Jig
—
The Fairy Queen: Act 2: Solo: Come, all ye songsters (AC)
—
The Fairy Queen: Act 2: Interlude
—
The Fairy Queen: Act 2: Terzetto: xMay the God of Wit inspire (WT/RM/MB)
—
The Fairy Queen: Act 2: Echo
—
The Fairy Queen: Act 2: Chorus: Now join your warbling voices all
—
The Fairy Queen: Act 2: Solo with Chorus: Sing while we trip it (GK)
—
The Fairy Queen: Act 2: Night: See, even Night herself is here (CS)
—
The Fairy Queen: Act 2: Mistery: I am come to lock all fast (RO)
—
The Fairy Queen: Act 2: Secrecy: One charming night (AC)
—
The Fairy Queen: Act 2: Sleep and Chorus: Hush, no more, be silent all (MB)
—
The Fairy Queen: Act 2: Dance for the Followers of Night
—
The Fairy Queen: Act 2: Second Act Tune: Air
—
The Fairy Queen: Act 3: Solo with Chorus: If love’s a sweet passion (RO)
—
The Fairy Queen: Act 3: Symphony while the swans come forward
—
The Fairy Queen: Act 3: Dance for the Fairies
—
The Fairy Queen: Act 3: Dance for the Green Man
—
The Fairy Queen: Act 3: Solo: Ye gentle spirits of the air (CS)
—
The Fairy Queen: Act 3: Dialogue between Coridon and Mopsa: Now the Maids and the Men (MB/WT)
—
The Fairy Queen: Act 3: A Nymph: When I have often heard (CS)
—
The Fairy Queen: Act 3: Dance of the Haymakers
—
The Fairy Queen: Act 3: Solo with Chorus: A thousand, thousand ways (AC)
—
The Fairy Queen: Act 3: Third Act Tune: Hornpipe
—
The Fairy Queen: Act 4: Symphony
—
The Fairy Queen: Act 4: Attendant and Chorus: Now the night is chas'd away (CS)
—
The Fairy Queen: Act 4: Two Other Attendants: Let the fife and the clarions (AC/RM)
—
The Fairy Queen: Act 4: Entry of Phoebus
—
The Fairy Queen: Act 4: Phoebus: When a cruel, long Winter (AC)
—
The Fairy Queen: Act 4: Chorus: Hail! Great Parent of us all
—
The Fairy Queen: Act 4: Spring: Thus the ever grateful Spring (CS)
—
The Fairy Queen: Act 4: Summer: Here's the Summer, sprightly, gay (WT)
—
The Fairy Queen: Act 4: Autumn: See my many colour'd fields (AC)
—
The Fairy Queen: Act 4: Winter: Now Winter come slowly (MB)
—
The Fairy Queen: Act 4: Chorus: Hail! Great Parent of us all
—
The Fairy Queen: Act 4: Fourth Act Tune: Air
—
The Fairy Queen: Act 4: Prelude
—
The Fairy Queen: Act 4: Epithalamium — Juno: Thrice happy lovers (RO)
—
The Fairy Queen: Act 4: The Plaint: O let me ever, ever weep (CS)
—
The Fairy Queen: Act 4: Entry Dance
—
The Fairy Queen: Act 4: Symphony
—
The Fairy Queen: Act 4: A Chinese Man: Thus the gloomy world (AC)
—
The Fairy Queen: Act 4: A Chinese Woman and Chorus: Thus happy and free (GK)
—
The Fairy Queen: Act 4: A Chinese Man: Yes, Daphne, in your looks I find (AC)
—
The Fairy Queen: Act 4: Monkeys’ Dance
—
The Fairy Queen: Act 4: First Chinese Woman: Hark, how all things (RO)
—
The Fairy Queen: Act 4: Second Chinese Woman and Chorus: Hark, the echoing air (CS)
—
The Fairy Queen: Act 4: Two Chinese Women and Chorus: Sure the dull God of Marriage (GK/RO)
—
The Fairy Queen: Act 4: Prelude
—
The Fairy Queen: Act 4: Hymen: See, I obey (MB)
—
The Fairy Queen: Act 4: Two Chinese Women: Turn then thine eyes (GK/RO)
—
The Fairy Queen: Act 4: Hymen: My torch indeed (MB)
—
The Fairy Queen: Act 4: Chaconne: Dance for a Chinese Man and Woman
—
The Fairy Queen: Act 4: Two Chinese Women and Hymen with Chorus: They shall be as happy (GK/RO/ME)
—
Dido and Aeneas: Overture (Orchestra)
—
Dido and Aeneas: Act 1: The Palace: Shake the cloud from off your brow (Belinda/Chorus)
—
Dido and Aeneas: Act 1: The Palace: Ah! Belinda, I am press’d with torment (Dido)
—
Dido and Aeneas: Act 1: The Palace: Grief increases by concealing (Belinda/Dido/Second Woman/Chorus)
—
Dido and Aeneas: Act 1: The Palace: Whence could so much virtue spring? (Dido/Belinda/Second Woman)
—
Dido and Aeneas: Act 1: The Palace: Fear no danger to ensue (Belinda/Woman/Chorus)
—
Dido and Aeneas: Act 1: The Palace: The Baske Dance (Orchestra)
—
Dido and Aeneas: Act 1: The Palace: See, your royal guest appears (Belinda/Aeneas/Dido/Chorus)
—
Dido and Aeneas: Act 1: The Palace: If not for mine, for Empire’s sake (Aeneas/Belinda/Chorus)
—
Dido and Aeneas: Act 1: The Palace: The Triumphing Dance (Orchestra)
—
Dido and Aeneas: Act 2: Scene 1: The Cave: Wayward sisters, you that fright (Sorceress/First Witch/Chorus)
—
Dido and Aeneas: Act 2: Scene 1: The Cave: The Queen of Carthage, whom we hate (Sorceress/Chorus/First and Second Witch)
—
Dido and Aeneas: Act 2: Scene 1: The Cave: But ere we this perform (Witches/Chorus)
—
Dido and Aeneas: Act 2: Scene 1: The Cave: Echo Dance of Furies (Orchestra)
—
Dido and Aeneas: Act 2: Scene 2: The Grove: Ritornelle (Orchestra)
—
Dido and Aeneas: Act 2: Scene 2: The Grove: Thanks to these lonesome vales (Belinda/Chorus)
—
Dido and Aeneas: Act 2: Scene 2: The Grove: Oft she visits this lone mountain (Second Woman)
—
Dido and Aeneas: Act 2: Scene 2: The Grove: Behold! upon my bending spear (Aeneas/Dido/Chorus)
—
Dido and Aeneas: Act 2: Scene 2: The Grove: Stay, Prince, and hear great Jove’s command! (Spirit/Aeneas)
—
Dido and Aeneas: Act 2: Scene 2: The Grove: Then since our charms have sped (Sorceress/Chorus)
—
Dido and Aeneas: Act 2: Scene 2: The Grove: The Groves’ Dance (Orchestra)
—
Dido and Aeneas: Act 3: Scene 1: The Ships: Come away, fellow sailors (Sailor/Chorus)
—
Dido and Aeneas: Act 3: Scene 1: The Ships: The Sailors’ Dance (Orchestra)
—
Dido and Aeneas: Act 3: Scene 1: The Ships: See the flags and streamers curling (Sorceress/Witches)
—
Dido and Aeneas: Act 3: Scene 1: The Ships: Our next motion (Sorceress/Chorus)
—
Dido and Aeneas: Act 3: Scene 1: The Ships: A Dance (Orchestra)
—
Dido and Aeneas: Act 3: Scene 2: Your counsel all is urg’d in vain (Dido/Belinda/Aeneas/Chorus)
—
Dido and Aeneas: Act 3: Scene 2: Thy hand, Belinda…When I am laid in earth (Dido)
—
Dido and Aeneas: Act 3: Scene 2: With drooping wings ye Cupids come (Chorus)
—
Dido and Aeneas: Act 3: Scene 2: Cupids’ Dance (Orchestra)
—
"Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": Symphony Introduction. Canzona - Adagio - Canzona - Adagio - Allegro - Grave - Allegro
Gabrieli Players, Paul McCreesh
—
"Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "Hail, bright Cecilia!"
Mark le Brocq, Gabrieli Consort, Peter Harvey, Susan Hemington Jones, Timothy Wilson, Gabrieli Players, Paul McCreesh
—
"Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "Hark, hark, each tree its silence breaks"
Charles Pott, Timothy Wilson, Gabrieli Players, Paul McCreesh
—
"Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "'Tis Nature's voice"
Gabrieli Players, Paul McCreesh
—
Gabrieli Consort, Gabrieli Players, Paul McCreesh
"Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "Thou tun'st this world below, the spheres above"
Gabrieli Consort, Susan Hemington Jones, Gabrieli Players, Paul McCreesh
—
"Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "With that sublime celestial lay"
Mark le Brocq, Christopher Purves, Timothy Wilson, Gabrieli Players, Paul McCreesh
—
Gabrieli Players, Paul McCreesh
Julian Podger, Gabrieli Players, Paul McCreesh
"Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "In vain the am'rous flute and soft guitar"
Mark le Brocq, Charles Daniels, Gabrieli Players, Paul McCreesh
—
"Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "The fife, and all the harmony of war"
Charles Daniels, Gabrieli Players, Paul McCreesh
—
"Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "Let these amongst themselves contest"
Peter Harvey, Julian Podger, Christopher Purves, Gabrieli Players, Paul McCreesh
—
"Hail, bright Cecilia!", Z. 328 "Ode for St. Cecilia's Day": "Hail, bright Cecilia, hail to thee!"
Charles Daniels, Gabrieli Consort, Timothy Wilson, Gabrieli Players, Paul McCreesh
—
"My beloved spake", Z. 28
Charles Daniels, Peter Harvey, Julian Podger, Charles Pott, Gabrieli Players, Paul McCreesh
—
"O sing unto the Lord", Z. 44
Charles Daniels, Peter Harvey, Susan Hemington Jones, Julian Podger, Christopher Purves, Gabrieli Players, Paul McCreesh
—
"Lord, what is man, lost man?", Z. 192
Charles Daniels, Timothy Roberts, Gabrieli Consort & Players, Paul McCreesh
—
"O Solitude", Z. 406
Susan Hemington Jones, Paula Chateauneuf, Gabrieli Consort & Players, Paul McCreesh
—
"In the black, dismal dungeon of despair", Z. 190
Angus Smith, Paula Chateauneuf, Fred Jacobs, Timothy Roberts, Gabrieli Consort & Players, Paul McCreesh
—
"Lord, I can suffer thy rebukes", Z. 136
Susan Hemington Jones, Tessa Bonner, Julian Podger, Peter Harvey, Paula Chateauneuf, Fred Jacobs, Timothy Roberts, Gabrieli Consort & Players, Paul McCreesh
—
Voluntary in G, Z. 720
Timothy Roberts
—
"In guilty night" (Saul and the Witch of Endor), Z. 134
Susan Hemington Jones, Charles Daniels, Christopher Purves, Paula Chateauneuf, Fred Jacobs, Timothy Roberts, Gabrieli Consort & Players, Paul McCreesh
—
Voluntary in C, Z. 717
Timothy Roberts
—
"Plung'd in the confines of despair", Z. 142
Charles Daniels, Angus Smith, Christopher Purves, Paula Chateauneuf, Fred Jacobs, Gabrieli Consort & Players, Paul McCreesh
—
"Awake, ye dead", Z. 182
Peter Harvey, Christopher Purves, Paula Chateauneuf, Fred Jacobs, Timothy Roberts, Gabrieli Consort & Players, Paul McCreesh
—
"The earth trembled", Z. 197
Tessa Bonner, Timothy Roberts, Gabrieli Consort & Players, Paul McCreesh
—
"My op'ning eyes are purg'd", Z. D72
Christopher Purves, Timothy Roberts, Gabrieli Consort & Players, Paul McCreesh
—
"With sick and famish'd eyes", Z. 200
Charles Daniels, Paula Chateauneuf, Timothy Roberts, Gabrieli Consort & Players, Paul McCreesh
—
Ground in C, Z. D221
Timothy Roberts
—
"O, I'm sick of life", Z. 140
Charles Daniels, Angus Smith, Christopher Purves, Paula Chateauneuf, Fred Jacobs, Timothy Roberts, Gabrieli Consort & Players, Paul McCreesh
—
"Close thine eyes", Z. 184
Susan Hemington Jones, Peter Harvey, Paula Chateauneuf, Timothy Roberts, Gabrieli Consort & Players, Paul McCreesh
—
Te Deum and Jubilate Deo, Z. 232: Te Deum
—
Te Deum and Jubilate Deo, Z. 232: Jubilate Deo
—
My beloved spake, Z. 28
—
O God, Thou art my God, Z. 35
—
Lord, how long wilt Thou be angry?, Z. 25
—
Remember not, Lord, our offences, Z. 50
—
Hear my prayer, O Lord, Z. 15
—
Funeral Sentences for the death of Queen Mary II: Funeral March, Z. 860a
—
Funeral Sentences for the death of Queen Mary II: Man that is born of a woman, Z. 27
—
Funeral Sentences for the death of Queen Mary II: In the midst of life, Z. 17a
—
Funeral Sentences for the death of Queen Mary II: Canzona, Z. 860b
—
Funeral Sentences for the death of Queen Mary II: Thou knowest, Lord, Z. 58a
—
Funeral Sentences for the death of Queen Mary II: Funeral March, Z. 860a
—
Songs: Strike the Viol (from Come, ye sons of art away, Z. 323)
—
Songs: The Queen’s Epicedium, Z. 383
—
Songs: Songs: Here the Deities approve (Welcome to all the pleasures, Z. 339)
—
Songs: Sweeter than roses (Pausanias, Z. 585 No.1)
—
Songs: Music for a while (Oedipus, Z. 383 No.2)
—
Songs: If music be the food of love, Z. 397
—
Songs: An Evening Hymn, Z. 193
—
Instrumental Music: Chaconne in G minor (Timon of Athens, Z. 632)
—
The History of Dioclesian, Z. 627 — excerpts: First Music
—
The History of Dioclesian, Z. 627 — excerpts: Overture
—
The History of Dioclesian, Z. 627 — excerpts: First Act Tune
—
The History of Dioclesian, Z. 627 — excerpts: Dance of the Furies
—
The History of Dioclesian, Z. 627 — excerpts: Second Act Tune
—
The History of Dioclesian, Z. 627 — excerpts: Two in once upon a ground
—
The History of Dioclesian, Z. 627 — excerpts: The Chair Dance
—
The History of Dioclesian, Z. 627 — excerpts: Third Act Tune
—
The History of Dioclesian, Z. 627 — excerpts: Butterfly Dance
—
The History of Dioclesian, Z. 627 — excerpts: Country Dance in Act V
—
The History of Dioclesian, Z. 627 — excerpts: Dance of the Bacchanals
—
The History of Dioclesian, Z. 627 — excerpts: Still I’m wishing
—
The History of Dioclesian, Z. 627 — excerpts: Canaries
—
The History of Dioclesian, Z. 627 — excerpts: Dance
—
The History of Dioclesian, Z. 627 — excerpts: Dance
—
Curtain Tune (from Timon of Athens)
—
Trio Sonata of 3 Parts no. 1 in G minor, Z. 790: I. Adagio
Musica Amphion
—
Trio Sonata of 3 Parts no. 1 in G minor, Z. 790: II. Vivace
Musica Amphion
—
Trio Sonata of 3 Parts no. 1 in G minor, Z. 790: III. Adagio, Presto
Musica Amphion
—
Trio Sonata of 3 Parts no. 1 in G minor, Z. 790: IV. Largo
Musica Amphion
—
Trio Sonata of 3 Parts no. 2 in B-flat major, Z. 791: I. Adagio
Musica Amphion
—
Trio Sonata of 3 Parts no. 2 in B-flat major, Z. 791: II. Largo, Presto
Musica Amphion
—
Trio Sonata of 3 Parts no. 2 in B-flat major, Z. 791: III. Adagio
Musica Amphion
—
Trio Sonata of 3 Parts no. 2 in B-flat major, Z. 791: IV. Allegro
Musica Amphion
—
Trio Sonata of 3 Parts no. 3 in D minor, Z. 792: I. Grave, Adagio
Musica Amphion
—
Trio Sonata of 3 Parts no. 3 in D minor, Z. 792: II. Canzona
Musica Amphion
—
Trio Sonata of 3 Parts no. 3 in D minor, Z. 792: III. Poco Largo, Allegro
Musica Amphion
—
Trio Sonata of 3 Parts no. 4 in F major, Z. 793: I. Adagio
Musica Amphion
—
Trio Sonata of 3 Parts no. 4 in F major, Z. 793: II. Canzona
Musica Amphion
—
Trio Sonata of 3 Parts no. 4 in F major, Z. 793: III. Poco Largo
Musica Amphion
—
Trio Sonata of 3 Parts no. 4 in F major, Z. 793: IV. Allegro
Musica Amphion
—
Trio Sonata of 3 Parts no. 5 in A minor, Z. 794: I. Canzona
Musica Amphion
—
Trio Sonata of 3 Parts no. 5 in A minor, Z. 794: II. Adagio
Musica Amphion
—
Trio Sonata of 3 Parts no. 5 in A minor, Z. 794: III. Largo
Musica Amphion
—
Trio Sonata of 3 Parts no. 5 in A minor, Z. 794: IV. Grave, Canzona
Musica Amphion
—
Trio Sonata of 3 Parts no. 6 in C major, Z. 795: I. Adagio
Musica Amphion
—
Trio Sonata of 3 Parts no. 6 in C major, Z. 795: II. Canzona
Musica Amphion
—
Trio Sonata of 3 Parts no. 6 in C major, Z. 795: III. Largo
Musica Amphion
—
Trio Sonata of 3 Parts no. 6 in C major, Z. 795: IV. Allegro
Musica Amphion
—
Trio Sonata of 3 Parts no. 7 in E minor, Z. 796: I. Adagio
Musica Amphion
—
Trio Sonata of 3 Parts no. 7 in E minor, Z. 796: II. Canzona
Musica Amphion
—
Trio Sonata of 3 Parts no. 7 in E minor, Z. 796: III. Largo
Musica Amphion
—
Trio Sonata of 3 Parts no. 7 in E minor, Z. 796: IV. Grave
Musica Amphion
—
Trio Sonata of 3 Parts no. 7 in E minor, Z. 796: V. Vivace
Musica Amphion
—
Trio Sonata of 3 Parts no. 8 in G major, Z. 797: I. Canzona
Musica Amphion
—
Trio Sonata of 3 Parts no. 8 in G major, Z. 797: II. Poco Largo, Allegro
Musica Amphion
—
Trio Sonata of 3 Parts no. 8 in G major, Z. 797: III. Grave, Vivace
Musica Amphion
—
Trio Sonata of 3 Parts no. 9 in C minor, Z. 798: I. Adagio
Musica Amphion
—
Trio Sonata of 3 Parts no. 9 in C minor, Z. 798: II. Largo
Musica Amphion
—
Trio Sonata of 3 Parts no. 9 in C minor, Z. 798: III. Canzona, Adagio
Musica Amphion
—
Trio Sonata of 3 Parts no. 9 in C minor, Z. 798: IV. Allegro
Musica Amphion
—
Trio Sonata of 3 Parts no. 10 in A major, Z. 799: I. Adagio
Musica Amphion
—
Trio Sonata of 3 Parts no. 10 in A major, Z. 799: II. Largo
Musica Amphion
—
Trio Sonata of 3 Parts no. 10 in A major, Z. 799: III. Grave, Presto
Musica Amphion
—
Trio Sonata of 3 Parts no. 11 in F minor, Z. 800: I. Adagio
Musica Amphion
—
Trio Sonata of 3 Parts no. 11 in F minor, Z. 800: II. Canzona
Musica Amphion
—
Trio Sonata of 3 Parts no. 11 in F minor, Z. 800: III. Adagio
Musica Amphion
—
Trio Sonata of 3 Parts no. 11 in F minor, Z. 800: IV. Largo
Musica Amphion
—
Trio Sonata of 3 Parts no. 12 in D major, Z. 801: I. Adagio
Musica Amphion
—
Trio Sonata of 3 Parts no. 12 in D major, Z. 801: II. Canzona
Musica Amphion
—
Trio Sonata of 3 Parts no. 12 in D major, Z. 801: III. Poco Largo
Musica Amphion
—
Trio Sonata of 3 Parts no. 12 in D major, Z. 801: IV. Grave, Presto
Musica Amphion
—
Trio Sonata of 3 Parts no. 12 in D major, Z. 801: V. Allegro
Musica Amphion
—
Trio Sonata in 4 Parts no. 1 in B minor, Z. 802: I. Adagio, Canzona (allegro)
Musica Amphion
—
Trio Sonata in 4 Parts no. 1 in B minor, Z. 802: II. Largo
Musica Amphion
—
Trio Sonata in 4 Parts no. 1 in B minor, Z. 802: III. Vivace
Musica Amphion
—
Trio Sonata in 4 Parts no. 2 in E-flat major, Z. 803: I. Adagio
Musica Amphion
—
Trio Sonata in 4 Parts no. 2 in E-flat major, Z. 803: II. Canzona (allegro)
Musica Amphion
—
Trio Sonata in 4 Parts no. 2 in E-flat major, Z. 803: III. Adagio
Musica Amphion
—
Trio Sonata in 4 Parts no. 2 in E-flat major, Z. 803: IV. Largo, allegro
Musica Amphion
—
Trio Sonata in 4 Parts no. 3 in A minor, Z. 804: I. Grave
Musica Amphion
—
Trio Sonata in 4 Parts no. 3 in A minor, Z. 804: II. Largo
Musica Amphion
—
Trio Sonata in 4 Parts no. 3 in A minor, Z. 804: III. Adagio
Musica Amphion
—
Trio Sonata in 4 Parts no. 3 in A minor, Z. 804: IV. Allegro
Musica Amphion
—
Trio Sonata in 4 Parts no. 4 in D minor, Z. 805: I. Adagio
Musica Amphion
—
Trio Sonata in 4 Parts no. 4 in D minor, Z. 805: II. Canzona
Musica Amphion
—
Trio Sonata in 4 Parts no. 4 in D minor, Z. 805: III. Adagio
Musica Amphion
—
Trio Sonata in 4 Parts no. 4 in D minor, Z. 805: IV. Vivace
Musica Amphion
—
Trio Sonata in 4 Parts no. 4 in D minor, Z. 805: V. Largo
Musica Amphion
—
Trio Sonata in 4 Parts no. 5 in G minor, Z. 806: I. Adagio
Musica Amphion
—
Trio Sonata in 4 Parts no. 5 in G minor, Z. 806: II. Canzona
Musica Amphion
—
Trio Sonata in 4 Parts no. 5 in G minor, Z. 806: III. Largo
Musica Amphion
—
Trio Sonata in 4 Parts no. 5 in G minor, Z. 806: IV. Adagio
Musica Amphion
—
Trio Sonata in 4 Parts no. 5 in G minor, Z. 806: V. Presto, allegro, adagio
Musica Amphion
—
Trio Sonata in 4 Parts no. 6 in G minor (Chaconne), Z. 807: Adagio
Musica Amphion
—
Trio Sonata in 4 Parts no. 7 in E minor, Z. 808: I. Vivace
Musica Amphion
—
Trio Sonata in 4 Parts no. 7 in E minor, Z. 808: II. Largo
Musica Amphion
—
Trio Sonata in 4 Parts no. 7 in E minor, Z. 808: III. Grave, Canzona
Musica Amphion
—
Trio Sonata in 4 Parts no. 7 in E minor, Z. 808: IV. Allegro
Musica Amphion
—
Trio Sonata in 4 Parts no. 8 in G minor, Z. 809: I. Adagio
Musica Amphion
—
Trio Sonata in 4 Parts no. 8 in G minor, Z. 809: II. Canzona
Musica Amphion
—
Trio Sonata in 4 Parts no. 8 in G minor, Z. 809: III. Grave
Musica Amphion
—
Trio Sonata in 4 Parts no. 8 in G minor, Z. 809: IV. Largo
Musica Amphion
—
Trio Sonata in 4 Parts no. 8 in G minor, Z. 809: V. Vivace
Musica Amphion
—
Trio Sonata in 4 Parts no. 9 in F major, Z. 810: I. Vivace
Musica Amphion
—
Trio Sonata in 4 Parts no. 9 in F major, Z. 810: II. Adagio
Musica Amphion
—
Trio Sonata in 4 Parts no. 9 in F major, Z. 810: III. Canzona
Musica Amphion
—
Trio Sonata in 4 Parts no. 9 in F major, Z. 810: IV. Grave
Musica Amphion
—
Trio Sonata in 4 Parts no. 9 in F major, Z. 810: V. Allegro
Musica Amphion
—
Trio Sonata in 4 Parts no. 10 in D major, Z. 811: I. Adagio
Musica Amphion
—
Trio Sonata in 4 Parts no. 10 in D major, Z. 811: II. Canzona (allegro)
Musica Amphion
—
Trio Sonata in 4 Parts no. 10 in D major, Z. 811: III. Grave
Musica Amphion
—
Trio Sonata in 4 Parts no. 10 in D major, Z. 811: IV. Largo
Musica Amphion
—
Trio Sonata in 4 Parts no. 10 in D major, Z. 811: V. Allegro
Musica Amphion
—
Overture for 2 Violins, Viola, and Basso Continuo in G major, Z. 770
Musica Amphion
—
Pavan for 3 Violins and Basso Continuo in G minor, Z. 752
Musica Amphion
—
Sonata for Trumpet, Strings, and Basso Continuo in D major, Z. 850: I. Allegro
Musica Amphion
—
Sonata for Trumpet, Strings, and Basso Continuo in D major, Z. 850: II. Adagio
Musica Amphion
—
Sonata for Trumpet, Strings, and Basso Continuo in D major, Z. 850: III. Presto
Musica Amphion
—
Pavan for 2 Violins and Basso Continuo in A major, Z. 748
Musica Amphion
—
Suite for 2 Violins, Viola, and Basso Continuo in G major: I. Overture
Musica Amphion
—
Suite for 2 Violins, Viola, and Basso Continuo in G major: II. Air
Musica Amphion
—
Suite for 2 Violins, Viola, and Basso Continuo in G major: III. Borry
Musica Amphion
—
Suite for 2 Violins, Viola, and Basso Continuo in G major: IV. Air
Musica Amphion
—
Suite for 2 Violins, Viola, and Basso Continuo in G major: V. Jigg
Musica Amphion
—
Fantasia, 3 parts on a Ground for three recorders, Z. 731
Musica Amphion
—
Overture for 2 Violins, Viola, and Basso Continuo in D minor, Z. 771
Musica Amphion
—
Pavan for 2 Violins and Basso Continuo in B-flat major, Z. 750
Musica Amphion
—
Prelude for recorder in D minor, Z. 773
Musica Amphion
—
Sonata for Violin and Basso Continuo in G minor, Z. 780: I. Adagio
Musica Amphion
—
Sonata for Violin and Basso Continuo in G minor, Z. 780: II. Allegro
Musica Amphion
—
Sonata for Violin and Basso Continuo in G minor, Z. 780: III. Largo
Musica Amphion
—
Sonata for Violin and Basso Continuo in G minor, Z. 780: IV. Vivace
Musica Amphion
—
The Staircase Overture for 2 Violins and Basso Continuo in B-flat major
Musica Amphion
—
Cibell for Trumpet, Strings, and Basso Continuo in C major, Z. 678
Musica Amphion
—
Pavan for 2 Violins and Basso Continuo in A minor, Z. 749
Musica Amphion
—
Overture for 2 Violins, 2 Violas, and Basso Continuo in G minor, Z. 772
Musica Amphion
—
Pavan for 2 Violins and Basso Continuo in G minor, Z. 751
Musica Amphion
—
Fantasia for Strings no. 1, Z. 732
Musica Amphion
—
Fantasia for Strings no. 2, Z. 733
Musica Amphion
—
Fantasia for Strings no. 3, Z. 734
Musica Amphion
—
Fantasia for Strings no. 4, Z. 735
Musica Amphion
—
Fantasia for Strings no. 5, Z. 736
Musica Amphion
—
Fantasia for Strings no. 6, Z. 737
Musica Amphion
—
Fantasia for Strings no. 7, Z. 738
Musica Amphion
—
Fantasia for Strings no. 8, Z. 739
Musica Amphion
—
Fantasia for Strings no. 9, Z. 740
Musica Amphion
—
Fantasia for Strings no. 10, Z. 741
Musica Amphion
—
Fantasia for Strings no. 11, Z. 742
Musica Amphion
—
Fantasia for Strings no. 12, Z. 743
Musica Amphion
—
Fantasia for Strings no. 13, Z. 744
Musica Amphion
—
Fantasia for Strings In Nomine of 6 Parts, Z. 746
Musica Amphion
—
Fantasia for Strings In Nomine of 7 Parts, Z. 747
Musica Amphion
—
Suite for Harpsichord no. 1 in G major, Z. 660: I. Prelude
Pieter-Jan Belder
—
Suite for Harpsichord no. 1 in G major, Z. 660: II. Almand
Pieter-Jan Belder
—
Suite for Harpsichord no. 1 in G major, Z. 660: III. Corant
Pieter-Jan Belder
—
Suite for Harpsichord no. 1 in G major, Z. 660: IV. Minuet
Pieter-Jan Belder
—
Suite for Harpsichord no. 2 in G minor, Z. 661: I. Prelude
Pieter-Jan Belder
—
Suite for Harpsichord no. 2 in G minor, Z. 661: II. Almand
Pieter-Jan Belder
—
Suite for Harpsichord no. 2 in G minor, Z. 661: III. Corant
Pieter-Jan Belder
—
Suite for Harpsichord no. 2 in G minor, Z. 661: IV. Saraband
Pieter-Jan Belder
—
Suite for Harpsichord no. 3 in G major, Z. 662: I. Prelude
Pieter-Jan Belder
—
Suite for Harpsichord no. 3 in G major, Z. 662: II. Almand
Pieter-Jan Belder
—
Suite for Harpsichord no. 3 in G major, Z. 662: III. Courante
Pieter-Jan Belder
—
Suite for Harpsichord no. 4 in A minor, Z. 663: I. Prelude
Pieter-Jan Belder
—
Suite for Harpsichord no. 4 in A minor, Z. 663: II. Almand
Pieter-Jan Belder
—
Suite for Harpsichord no. 4 in A minor, Z. 663: III. Corante
Pieter-Jan Belder
—
Suite for Harpsichord no. 4 in A minor, Z. 663: IV. Saraband
Pieter-Jan Belder
—
Suite for Harpsichord no. 5 in C major, Z. 666: I. Prelude
Pieter-Jan Belder
—
Suite for Harpsichord no. 5 in C major, Z. 666: II. Almand
Pieter-Jan Belder
—
Suite for Harpsichord no. 5 in C major, Z. 666: III. Corant
Pieter-Jan Belder
—
Suite for Harpsichord no. 5 in C major, Z. 666: IV. Saraband
Pieter-Jan Belder
—
Suite for Harpsichord no. 6 in D major, Z. 667: I. Prelude
Pieter-Jan Belder
—
Suite for Harpsichord no. 6 in D major, Z. 667: II. Almand
Pieter-Jan Belder
—
Suite for Harpsichord no. 6 in D major, Z. 667: III. Hornpipe
Pieter-Jan Belder
—
Suite for Harpsichord no. 7 in D minor, Z. 668: I. Almand, very slow
Pieter-Jan Belder
—
Suite for Harpsichord no. 7 in D minor, Z. 668: II. Corant
Pieter-Jan Belder
—
Suite for Harpsichord no. 7 in D minor, Z. 668: III. Hornpipe
Pieter-Jan Belder
—
Suite for Harpsichord no. 8 in F major, Z. 669: I. Prelude
Pieter-Jan Belder
—
Suite for Harpsichord no. 8 in F major, Z. 669: II. Almand
Pieter-Jan Belder
—
Suite for Harpsichord no. 8 in F major, Z. 669: III. Corant
Pieter-Jan Belder
—
Suite for Harpsichord no. 8 in F major, Z. 669: IV. Minuet
Pieter-Jan Belder
—
Songtune, ZT. 694
Pieter-Jan Belder
—
March, Z. 647
Pieter-Jan Belder
—
A Song Tune, ZT. 695
Pieter-Jan Belder
—
New Minuet, ZT. 689
Pieter-Jan Belder
—
Minuet, Z. 649
Pieter-Jan Belder
—
A Minuet, Z. 650
Pieter-Jan Belder
—
A new Schotch Tune, Z. 655
Pieter-Jan Belder
—
A New Ground, ZT. 682
Pieter-Jan Belder
—
A New Irish Tune, Z. 646
Pieter-Jan Belder
—
Riggadoon, Z. 653
Pieter-Jan Belder
—
Sefuchi's Farewell, Z. 656
Pieter-Jan Belder
—
Minuet, ZT. 688
Pieter-Jan Belder
—
March, ZT. 687
Pieter-Jan Belder
—
Trumpet Tune, ZT. 698
Pieter-Jan Belder
—
Chaconne, ZT. 680
Pieter-Jan Belder
—
Jigg, ZT. 686
Pieter-Jan Belder
—
Trumpet Tune Called the Cibell, ZT. 678
Pieter-Jan Belder
—
Trumpet Tune, ZT. 697
Pieter-Jan Belder
—
Air, Z. 641
Pieter-Jan Belder
—
Aire, ZT. 675
Pieter-Jan Belder
—
Aire, ZT. 696 no. 2
Pieter-Jan Belder
—
Aire, Z. 676
Pieter-Jan Belder
—
Air, Z. 630 no. 1
Pieter-Jan Belder
—
Air, Z. 693 no. 2
Pieter-Jan Belder
—
Canary, ZT. 677
Pieter-Jan Belder
—
Prelude in G minor
Pieter-Jan Belder
—
Ground in Gamut, Z. 645
Pieter-Jan Belder
—
Prelude in C major
Pieter-Jan Belder
—
Ground in C minor, ZT. 681
Pieter-Jan Belder
—
Ground in D minor, ZD. 222
Pieter-Jan Belder
—
Hornpipe, ZT. 683
Pieter-Jan Belder
—
Hornpipe, ZT. 685
Pieter-Jan Belder
—
Minuet, Z. 651
Pieter-Jan Belder
—
Round O, ZT. 684
Pieter-Jan Belder
—
Corant, Z. 644
Pieter-Jan Belder
—
(Gavotte) Almond in D-sol-re#, ZD. 219 no. 1
Pieter-Jan Belder
—
Ground in C minor, ZD 221
Pieter-Jan Belder
—
Jigg, ZD 223
Pieter-Jan Belder
—
The Queens Dolour, Z. 670
Pieter-Jan Belder
—
Rigaudon, ZD. 227
Pieter-Jan Belder
—
Saraband With Division, Z. 654
Pieter-Jan Belder
—
(Saraband) Borry in D-sol-re#, ZD 219 no. 2
Pieter-Jan Belder
—
Trumpet Minuet, ZD. 230
Pieter-Jan Belder
—
From 20 Keyboard Pieces: Jig (17)
Pieter-Jan Belder
—
From 20 Keyboard Pieces: Prelude (1)
Pieter-Jan Belder
—
From 20 Keyboard Pieces: Minuet (2)
Pieter-Jan Belder
—
From 20 Keyboard Pieces: Air (3)
Pieter-Jan Belder
—
From 20 Keyboard Pieces: Thus happy (5)
Pieter-Jan Belder
—
From 20 Keyboard Pieces: Air (7)
Pieter-Jan Belder
—
From 20 Keyboard Pieces: Hornpipe (9)
Pieter-Jan Belder
—
From 20 Keyboard Pieces: Hornpipe (10)
Pieter-Jan Belder
—
From 20 Keyboard Pieces: Minuet (11)
Pieter-Jan Belder
—
From 20 Keyboard Pieces: Air (12)
Pieter-Jan Belder
—
From 20 Keyboard Pieces: Minuet (13)
Pieter-Jan Belder
—
Suite in C (Z. 665): Prelude
Pieter-Jan Belder
—
Suite in C (Z. 665): Almond
Pieter-Jan Belder
—
Suite in C (Z. 665): Courant
Pieter-Jan Belder
—
Suite in C (Z. 665): Saraband
Pieter-Jan Belder
—
Suite in C (Z. 665): Jigg
Pieter-Jan Belder
—
Works for Organ: Voluntary in G (Z. 720)
Pieter-Jan Belder
—
Works for Organ: Verse in F (Z. 716)
Pieter-Jan Belder
—
Works for Organ: Voluntary for Double Organ (Z. 719)
Pieter-Jan Belder
—
Works for Organ: Voluntary in C (Z. 717)
Pieter-Jan Belder
—
Works for Organ: Voluntary on the Old 100th
Pieter-Jan Belder
—
Works for Organ: Voluntary in D minor (Z. 718)
Pieter-Jan Belder
—
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| King Arthur: Act III. Prelude | The English Concert, Trevor Pinnock | T-312.182.438-8 |
| King Arthur: Act V. Trumpet Tune | The English Concert, Trevor Pinnock | T-071.152.558-4 |
| From 20 Keyboard Pieces: Prelude in A (alternative version to Suite no. 4, Z. 663) | Pieter-Jan Belder | — |
The English Concert, Trevor Pinnock
The English Concert, Trevor Pinnock
From 20 Keyboard Pieces: Prelude in A (alternative version to Suite no. 4, Z. 663)
Pieter-Jan Belder
—
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
0000000000945486000000004354359100000000551342180000000055191757000000005554526000000000736531260000000078390716000000007839721300000000784052280000000079812001
+23 more
000000008106295900000000811064130000000081528333000000008188124100000000841517540000000097802253000000010891931900000001092156040000000109957923000000011017753700000001107982530000000110888611000000011443908X000000011450652900000001147614740000000115676781000000011641222700000001194552650000000121419343000000012348662X000000040669547200000004245954080000000470676540
SourcesMLCMusicBrainz2 sources
Verified on
Identifier Graph
People also ask
What is UPC 5028421946658?
5028421946658 is a Universal Product Code (UPC) assigned to Purcell Collection by Henry Purcell. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 420 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm