UPC · Release
Rachmaninoff Edition
Rachmaninoff
5029365901321
437 tracksReleased 2008-01-01Brilliant Classics
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5029365901321 is the Universal Product Code (UPC barcode) for the release “Rachmaninoff Edition” by Rachmaninoff, released 2008-01-01 on Brilliant Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 437 tracks, each with its own ISRC. Tracks include USAKS0501113, USAKS0501114, GBLWD9506801.
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9365Company prefix
90132Product
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Credit Chain
UPCRachmaninoff Edition
ISRC91 recordings
ISWC37 works
IPI3 songwriters
Track List (437)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto No. 1 in F-sharp minor, Op. 1: I. Vivace | — | ||
| 2 | Piano Concerto No. 1 in F-sharp minor, Op. 1: II. Andante | — | ||
| 3 | Piano Concerto No. 1 in F-sharp minor, Op. 1: III. Allegro vivace | — | ||
| 4 | Piano Concerto No. 4 in G minor, Op. 40: I. Allegro | — | ||
| 5 | Piano Concerto No. 4 in G minor, Op. 40: II. Largo | — | ||
| 6 | Piano Concerto No. 4 in G minor, Op. 40: III. Allegro vivace | — | ||
| 7 | Rhapsody on a Theme of Paganini, Op. 43 | — | ||
| 2-1 | Piano Concerto No. 2 in C minor, Op. 18: I. Moderato | — | ||
| 2-2 | Piano Concerto No. 2 in C minor, Op. 18: II. Andante sostenuto | — | ||
| 2-3 | Piano Concerto No. 2 in C minor, Op. 18: III. Allegro scherzando | — | ||
| 2-4 | Piano Concerto No. 3 in D minor, Op. 30: I. Allegro | — | ||
| 2-5 | Piano Concerto No. 3 in D minor, Op. 30: II. Intermezzo; Adagio - | — | ||
| 2-6 | Piano Concerto No. 3 in D minor, Op. 30: III. Finale; Allegro | — | ||
| 3-1 | Symphony No. 1 in D minor, Op. 13: I. Grave - Allegro ma non troppo | — | ||
| 3-2 | Symphony No. 1 in D minor, Op. 13: II. Allegro animato | — | ||
| 3-3 | Symphony No. 1 in D minor, Op. 13: III. Larghetto | — | ||
| 3-4 | Symphony No. 1 in D minor, Op. 13: IV. Allegro con fuoco | — | ||
| 3-5 | Symphony No. 3 in A minor, Op. 44: I. Lento - Allegro moderato | — | ||
| 3-6 | Symphony No. 3 in A minor, Op. 44: II. Adagio ma non troppo | — | ||
| 3-7 | Symphony No. 3 in A minor, Op. 44: III. Allegro | — | ||
| 4-1 | Symphony No. 2 in E minor, Op. 27: I. Largo - Allegro moderato (London Symphony Orchestra feat. conductor: Gennady Rozhdestvensky) | — | ||
| 4-2 | Symphony No. 2 in E minor, Op. 27: II. Scherzo: Allegro molto - Meno mosso - Allegro molto (London Symphony Orchestra feat. conductor: Gennady Rozhdestvensky) | — | ||
| 4-3 | Symphony No. 2 in E minor, Op. 27: III. Adagio (London Symphony Orchestra feat. conductor: Gennady Rozhdestvensky) | — | ||
| 4-4 | Symphony No. 2 in E minor, Op. 27: IV. Allegro vivace (London Symphony Orchestra feat. conductor: Gennady Rozhdestvensky) | — | ||
| 4-5 | "Youth" Symphony in D minor: Grave - Allegro moderato (Saint Louis Symphony Orchestra feat. conductor: Leonard Slatkin) | — | ||
| 5-1 | Symphonic Dances Op. 45: I. Non allegro (Russian State Symphony Orchestra feat. director: Valery Polyansky) | — | ||
| 5-2 | Symphonic Dances Op. 45: II. Andante con moto (Tempo di valse) (Russian State Symphony Orchestra feat. director: Valery Polyansky) | — | ||
| 5-3 | Symphonic Dances Op. 45: III. Lento assai - Allegro vivace - Lento assai - Come prima - Allegro Vivace (Russian State Symphony Orchestra feat. director: Valery Polyansky) | — | ||
| 5-4 | The Bells Op. 35: I. Allegro ma non tanto (Russian State Symphony Capella feat. soprano: Olga Lutsiv-Ternovskaya, tenor: Leonid Bomstein, bass: Vyacheslav Pochapsky) | — | ||
| 5-5 | The Bells Op. 35: II. Lento (Russian State Symphony Capella feat. soprano: Olga Lutsiv-Ternovskaya, tenor: Leonid Bomstein, bass: Vyacheslav Pochapsky) | — | ||
| 5-6 | The Bells Op. 35: III. Presto (Russian State Symphony Capella feat. soprano: Olga Lutsiv-Ternovskaya, tenor: Leonid Bomstein, bass: Vyacheslav Pochapsky) | — | ||
| 5-7 | The Bells Op. 35: IV. Lento lugubre (Russian State Symphony Capella feat. soprano: Olga Lutsiv-Ternovskaya, tenor: Leonid Bomstein, bass: Vyacheslav Pochapsky) | — | ||
| 6-1 | The Rock Op. 7 (Symphonic poem after A. Chekhov) | — | ||
| 6-2 | Prince Rostislav (Symphonic poem after A.K. Tolstoy) | — | ||
| 6-3 | Scherzo in D minor | — | ||
| 6-4 | Caprice bohémien, Op. 12 | — | ||
| 6-5 | The Isle of the Dead Op. 29 (Symphonic poem after A. Böcklin) | — | ||
| 7-1 | Aleko (opera in one act): Introduction | — | ||
| 7-2 | Aleko (opera in one act): Chorus | — | ||
| 7-3 | Aleko (opera in one act): Story of the Old Gipsy | — | ||
| 7-4 | Aleko (opera in one act): Scene and Chorus | — | ||
| 7-5 | Aleko (opera in one act): Women's Dance | — | ||
| 7-6 | Aleko (opera in one act): Men's Dance | — | ||
| 7-7 | Aleko (opera in one act): Chorus | — | ||
| 7-8 | Aleko (opera in one act): Duettino | — | ||
| 7-9 | Aleko (opera in one act): Scene at the Cradle | — | ||
| 7-10 | Aleko (opera in one act): Aleko's Cavatina | — | ||
| 7-11 | Aleko (opera in one act): Intermezzo | — | ||
| 7-12 | Aleko (opera in one act): Romance of the Young Gipsy | — | ||
| 7-13 | Aleko (opera in one act): Duet and Finale | — | ||
| 8-1 | The Miserly Knight Op. 24: 1 - Prelude | — | ||
| 8-2 | The Miserly Knight Op. 24: 2 - In The Tower | — | ||
| 8-3 | The Miserly Knight Op.24: 3 - In The Cellar | — | ||
| 8-4 | The Miserly Knight Op. 24: 4 - At the Palace | — | ||
| 9-1 | Monna Vanna (opera in one act): Introduction | — | ||
| 9-2 | Monna Vanna (opera in one act): Scene 1 | — | ||
| 9-3 | Monna Vanna (opera in one act): Scene 2 | — | ||
| 9-4 | Monna Vanna (opera in one act): Scene 3 | — | ||
| 10-1 | Francesca da Rimini: Prologue | — | ||
| 10-2 | Francesca da Rimini - Scene 1 | — | ||
| 10-3 | Francesca da Rimini - Scene 2 and Epilogue | — | ||
| 11-1 | Vespers, op. 37: Come Let Us Worship | — | ||
| 11-2 | Vespers, op. 37: Bless the Lord, O My Soul | — | ||
| 11-3 | Vespers, op. 37: Blessed be the Man | — | ||
| 11-4 | Vespers, op. 37: O serene light | — | ||
| 11-5 | Vespers, op. 37: Now let Thy Servant depart | — | ||
| 11-6 | Vespers, op. 37: Rejoice, O Virgin | — | ||
| 11-7 | Vespers, op. 37: Glory to God in the Highest | — | ||
| 11-8 | Vespers, op. 37: Praise the Name of the Lord | — | ||
| 11-9 | Vespers, op. 37: Blessed Art Thou, O Lord | — | ||
| 11-10 | Vespers, op. 37: Having seen the Resurrection of the Lord | — | ||
| 11-11 | Vespers, op. 37: My Soul Magnifies the Lord | — | ||
| 11-12 | Vespers, op. 37: Glory to God in the Highest | — | ||
| 11-13 | Vespers, op. 37: Troparia of the Day of Salvation | — | ||
| 11-14 | Vespers, op. 37: Christ is risen from the grave | — | ||
| 11-15 | Vespers, op. 37: Thanks be given to the Mother of God | — | ||
| 12-1 | Liturgy of St. John Chrysostom for Chorus, op. 31: I. "The Great Ektenia..." | Государственная академическая симфоническая капелла России, Валерий Кузьмич Полянский | — | |
| 12-2 | Liturgy of St. John Chrysostom Op.31 - First Antiphon | — | ||
| 12-3 | Liturgy of St. John Chrysostom Op.31 - Second Antiphon | — | ||
| 12-4 | Liturgy of St. John Chrysostom Op.31 - Third Antiphon | — | ||
| 12-5 | Liturgy of St. John Chrysostom Op.31 - Entrance Hymn | — | ||
| 12-6 | Liturgy of St. John Chrysostom Op.31 - Trisagion Hymn | — | ||
| 12-7 | Liturgy of St. John Chrysostom Op.31 - Fervent Supplication | — | ||
| 12-8 | Liturgy of St. John Chrysostom Op.31 - Cheruvimic Hymn | — | ||
| 12-9 | Liturgy of St. John Chrysostom Op.31 - Ektenia of the Prothesis | — | ||
| 12-10 | Liturgy of St. John Chrysostom Op.31 - Nicaean Creed | — | ||
| 13-1 | Liturgy of St. John Chrysostom op. 31 - Anaphora | — | ||
| 13-2 | Liturgy of St John Chrysostom, for chorus, Op. 31: Hymn of Praise | Государственная академическая симфоническая капелла России, Валерий Кузьмич Полянский | — | |
| 13-3 | Liturgy of St. John Chrysostom op. 31 - Hymn to the Virgin | — | ||
| 13-4 | Liturgy of St. John Chrysostom op. 31 - The Lord's Prayer | — | ||
| 13-5 | Liturgy of St. John Chrysostom op. 31 - The Elevation | — | ||
| 13-6 | Liturgy of St. John Chrysostom op. 31 - Communion Hymn | — | ||
| 13-7 | Liturgy of St. John Chrysostom op. 31 - Blessing | — | ||
| 13-8 | Liturgy of St. John Chrysostom op. 31 - Hymn of Praise | — | ||
| 13-9 | Liturgy of St. John Chrysostom op. 31 - Blessed be his Name | — | ||
| 13-10 | Liturgy of St. John Chrysostom op. 31 - Glory to the Father | — | ||
| 13-11 | O Mother of God Vigilantiy | — | ||
| 13-12 | Chorus of Spirits | — | ||
| 13-13 | Panteley the Healer | — | ||
| 14-1 | Spring (Vesna) Op. 20: I. Allegro moderato | — | ||
| 14-2 | Three Russian Songs Op. 41: I. Over the stream, the swift stream | — | ||
| 14-3 | Three Russian Songs Op. 41: II. Ah, Vanka, you are dashing | — | ||
| 14-4 | Three Russian Songs Op. 41: III. My cheeks, so white, so rosy! | — | ||
| 14-5 | Six Choruses Op. 15: 1. Be Glorious! | — | ||
| 14-6 | Six Choruses Op. 15: 2. Night | — | ||
| 14-7 | Six Choruses Op. 15: 3. The Pine | — | ||
| 14-8 | Six Choruses Op. 15: 4.The Waves Began to Slumber | — | ||
| 14-9 | Six Choruses Op. 15: 5. Captivity | — | ||
| 14-10 | Six Choruses Op. 15: 6. The Angel | — | ||
| 14-11 | Scherzo in F Major | — | ||
| 14-12 | Vocalise, Op. 34, No.14 | — | ||
| 15-1 | 12 Songs without Opus: At the gates of the holy cloister | Sergei Leiferkus, Howard Shelley | — | |
| 15-2 | I Shall Tell You Nothing | Сергей Лейферкус, Howard Shelley | — | |
| 15-3 | Again you are bestirred, my heart: Again You Are Bestirred, my Heart | Joan Rodgers, Howard Shelley | — | |
| 15-4 | April! A Festive Day in the Spring. | Alexander Naumenko, Howard Shelley | — | |
| 15-5 | Twilight has Fallen | Alexander Naumenko, Howard Shelley | — | |
| 15-6 | Song of the Disillusioned | Сергей Лейферкус, Howard Shelley | — | |
| 15-7 | The Flower has Faded | Maria Popescu, Howard Shelley | — | |
| 15-8 | Do You Remember the Evening? | Maria Popescu, Howard Shelley | — | |
| 15-9 | Six Romances, Op. 4: I. O, no, I beg you, do not leave | Сергей Лейферкус, Howard Shelley | — | |
| 15-10 | Six Romances, Op. 4: II. Morning | Maria Popescu, Howard Shelley | — | |
| 15-11 | Six Romances, Op. 4: III. In the Silence of the Secret Night | Сергей Лейферкус, Howard Shelley | — | |
| 15-12 | Six Romances, Op. 4: IV. Sing not to me, O lovely one | Alexander Naumenko, Howard Shelley | — | |
| 15-13 | Six Romances, Op. 4: V. Oh Thou, my Field | Alexander Naumenko, Howard Shelley | — | |
| 15-14 | It wasn't long ago, my friend, op. 4 no. 6 | Joan Rodgers, Howard Shelley | — | |
| 15-15 | Six Romances, Op. 8: I. The Waterlily | Maria Popescu, Howard Shelley | — | |
| 15-16 | Six Romances, Op. 8: II. Child, thou art as Beautiful as a Flower | Сергей Лейферкус, Howard Shelley | — | |
| 15-17 | Six Romances, Op. 8: III. Brooding | Сергей Лейферкус, Howard Shelley | — | |
| 15-18 | Six Romances, Op. 8: IV. I Have Grown Fond of Sorrow | Maria Popescu, Howard Shelley | — | |
| 15-19 | Six Romances, Op. 8: V. The Dream | Alexander Naumenko, Howard Shelley | — | |
| 15-20 | Prayer, op. 8 no. 6 | Joan Rodgers, Howard Shelley | — | |
| 15-21 | I await you, op. 14 no. 1 | Joan Rodgers, Howard Shelley | — | |
| 15-22 | Small island, op. 14 no. 2 | Joan Rodgers, Howard Shelley | T-902.512.965-1 | |
| 15-23 | Twelve Romances, Op, 14: III. For Long there has been Little Consolation in Love | Maria Popescu, Howard Shelley | — | |
| 15-24 | Twelve Romances, Op, 14: IV. I was with Her | Сергей Лейферкус, Howard Shelley | — | |
| 15-25 | Twelve Romances, Op, 14: V. These Summer Nights | Alexander Naumenko, Howard Shelley | — | |
| 15-26 | Twelve Romances, Op, 14: VI. How Everyone Loves Thee | Сергей Лейферкус, Howard Shelley | — | |
| 15-27 | Do not believe me, friend, op. 14 no. 7 | Joan Rodgers, Howard Shelley | T-900.758.021-4 | |
| 15-28 | Twelve Romances, Op, 14: VIII. Oh, do not Grieve | Maria Popescu, Howard Shelley | — | |
| 15-29 | Twelve Romances, Op, 14: IX. She is as Lovely as the Noon | Сергей Лейферкус, Howard Shelley | — | |
| 15-30 | Twelve Romances, Op, 14: X. In my Soul | Maria Popescu, Howard Shelley | — | |
| 15-31 | Twelve Romances, Op, 14: XI. Spring Waters | Joan Rodgers, Howard Shelley | — | |
| 15-32 | Twelve Romances, Op, 14: XII. Tis Time | Сергей Лейферкус, Howard Shelley | — | |
| 16-1 | 12 Songs without Opus: IX. Were you hiccoughing, Natasha? | Sergei Leiferkus, Howard Shelley | — | |
| 16-2 | Night | Maria Popescu, Howard Shelley | T-070.242.492-7 | |
| 16-3 | 12 Songs, op. 21: I. Fate | Sergei Leiferkus, Howard Shelley | — | |
| 16-4 | 12 Songs, op. 21: II. By a fresh grave | Sergei Leiferkus, Howard Shelley | T-902.446.975-8 | |
| 16-5 | 12 Songs, op. 21: III. Twilight | Alexander Naumenko, Howard Shelley | — | |
| 16-6 | 12 Songs, op. 21: IV. They replied | Alexander Naumenko, Howard Shelley | T-902.894.762-8 | |
| 16-7 | Lilacs, op. 21 no. 5 | Joan Rodgers, Howard Shelley | T-922.169.901-0 | |
| 16-8 | Fragments from A. Musset, op. 21 no. 6 | Joan Rodgers, Howard Shelley | — | |
| 16-9 | How peaceful, op. 21 no. 5 | Joan Rodgers, Howard Shelley | — | |
| 16-10 | 12 Songs, op. 21: VIII. On the death of a siskin | Maria Popescu, Howard Shelley | — | |
| 16-11 | 12 Songs, op. 21: IX. Melody | Alexander Naumenko, Howard Shelley | — | |
| 16-12 | 12 Songs, op. 21: X. Before the icon | Maria Popescu, Howard Shelley | — | |
| 16-13 | I am not a prophet, op. 21 no. 11 | Joan Rodgers, Howard Shelley | — | |
| 16-14 | How pained I am, op. 21 no. 12 | Joan Rodgers, Howard Shelley | — | |
| 16-15 | 15 Songs, op. 26: I. There are many sounds | Maria Popescu, Howard Shelley | — | |
| 16-16 | 15 Songs, op. 26: II. All was taken from me | Maria Popescu, Howard Shelley | — | |
| 16-17 | 15 Songs, op. 26: III. We shall rest | Sergei Leiferkus, Howard Shelley | T-902.481.370-5 | |
| 16-18 | 15 Songs, op. 26: IV. Two farewells | Sergei Leiferkus, Howard Shelley | — | |
| 16-19 | Let us leave, my sweet, op. 26 no. 5 | Joan Rodgers, Howard Shelley | T-902.481.357-8 | |
| 16-20 | 15 Songs, op. 26: VI. Christ is risen | Maria Popescu, Howard Shelley | — | |
| 16-21 | 15 Songs, op. 26: VII. To my children | Maria Popescu, Howard Shelley | — | |
| 16-22 | 15 Songs, op. 26: VIII. I beg for mercy | Alexander Naumenko, Howard Shelley | — | |
| 16-23 | I am again alone, op. 26 no. 9 | Joan Rodgers, Howard Shelley | — | |
| 16-24 | At my window, op. 26 no. 10 | Joan Rodgers, Howard Shelley | — | |
| 16-25 | 15 Songs, op. 26: XI. The fountain | Alexander Naumenko, Howard Shelley | — | |
| 16-26 | Night is sorrowful, op. 26 no. 12 | Joan Rodgers, Howard Shelley | — | |
| 16-27 | 15 Songs, op. 26: XIII. Yesterday we met | Maria Popescu, Howard Shelley | — | |
| 16-28 | 15 Songs, op. 26: XIV. The ring | Maria Popescu, Howard Shelley | T-902.481.280-4 | |
| 16-29 | 15 Songs, op. 26: XV. All passes | Sergei Leiferkus, Howard Shelley | — | |
| 17-1 | Letter to K.S. Stanislavsky | Sergei Leiferkus, Howard Shelley | — | |
| 17-2 | 14 Romances, op. 34: no. 1, The Muse | Alexander Naumenko, Howard Shelley | — | |
| 17-3 | 14 Romances, op. 34: no. 2, In the Soul of Each of Us | Sergei Leiferkus, Howard Shelley | — | |
| 17-4 | 14 Romances, op. 34: no. 3, The Storm | Alexander Naumenko, Howard Shelley | — | |
| 17-5 | 14 Romances, op. 34: no. 4, The Migrant Wind | Joan Rodgers, Howard Shelley | — | |
| 17-6 | 14 Romances, op. 34: no. 5, Arion | Alexander Naumenko, Howard Shelley | T-902.481.270-2 | |
| 17-7 | 14 Romances, op. 34: no. 6, The Raising of Lazarus | Sergei Leiferkus, Howard Shelley | T-902.481.255-3 | |
| 17-8 | 14 Romances, op. 34: no. 7, It Cannot Be | Maria Popescu, Howard Shelley | — | |
| 17-9 | 14 Romance, op. 34: no. 8, Music | Maria Popescu, Howard Shelley | — | |
| 17-10 | 14 Romances, op. 34: no. 9, You Knew Him | Maria Popescu, Howard Shelley | — | |
| 17-11 | 14 Romances, op. 34: no. 10, I Remember That Day | Sergei Leiferkus, Howard Shelley | — | |
| 17-12 | 14 Romances, op. 34: no. 11, The Peasant | Alexander Naumenko, Howard Shelley | — | |
| 17-13 | 14 Romances, op. 34: no. 12, What Happiness | Sergei Leiferkus, Howard Shelley | — | |
| 17-14 | 14 Romances, op. 34: no. 13, Dissonance | Joan Rodgers, Howard Shelley | — | |
| 17-15 | 14 Romances, op. 34: no. 14, Vocalise | Joan Rodgers, Howard Shelley | — | |
| 17-16 | From the Gospel of St. John | Сергей Лейферкус, Howard Shelley | — | |
| 17-17 | 6 Romances, op. 38: no. 1, In My Garden at Night | Joan Rodgers, Howard Shelley | — | |
| 17-18 | 6 Romances, op. 38: no. 2, To Her | Joan Rodgers, Howard Shelley | — | |
| 17-19 | 6 Romances, op. 38: no. 3, Daisies | Joan Rodgers, Howard Shelley | T-902.891.143-5 | |
| 17-20 | 6 Romances, op. 38: no. 4, The Rat-Catcher | Joan Rodgers, Howard Shelley | — | |
| 17-21 | 6 Romances, op. 38: no. 5, The Dream | Joan Rodgers, Howard Shelley | T-902.755.931-5 | |
| 17-22 | 6 Romances, op. 38: no. 6, A-oo | Joan Rodgers, Howard Shelley | — | |
| 17-23 | 2 Sacred Songs: no. 1, Prayer | Joan Rodgers, Howard Shelley | — | |
| 17-24 | 2 Sacred Songs: no. 2, All Glory to God | Joan Rodgers, Howard Shelley | — | |
| 18-1 | Trio élégiaque No. 1 in G minor, Op. posth.: Lento lugubre | — | ||
| 18-2 | Trio élégiaque No. 2 in D minor, Op. 9: I. Moderato - Allegro moderato | — | ||
| 18-3 | Trio élégiaque No. 2 in D minor, Op. 9: II. Quasi variazione | — | ||
| 18-4 | Trio élégiaque No. 2 in D minor, Op. 9: III. Allegro risoluto | — | ||
| 19-1 | Morceaux de salon, op. 6: I. Romance | — | ||
| 19-2 | Morceaux de salon, op. 6: II. Danse hongroise | — | ||
| 19-3 | Lied in F minor, Andantino | — | ||
| 19-4 | Two Pieces for cello and piano, op. 2: Prelude in F major, Comodo Con moto | — | ||
| 19-5 | Two Pieces for cello and piano, op. 2: Danse orientale in A major, Andante cantabile | — | ||
| 19-6 | Vocalise in E flat minor, op. 34 no. 14, Lento | — | ||
| 19-7 | Cello Sonata in G minor, op. 19: I. Lento - Allegro moderato | — | ||
| 19-8 | Cello Sonata in G minor, op. 19: II. Allegro scherzando | — | ||
| 19-9 | Cello Sonata in G minor, op. 19: III. Andante | — | ||
| 19-10 | Cello Sonata in G minor, op. 19: IV. Allegro mosso | — | ||
| 20-1 | Études-tableaux Op.33 - Allegro non troppo in F minor, No.1 | — | ||
| 20-2 | Études-tableaux Op.33 - Allegro in C major, No.2 | — | ||
| 20-3 | Études-tableaux Op.33 - Moderato in D minor, No.5 | — | ||
| 20-4 | Études-tableaux Op.33 - Allegro con fuoco in E flat major, No.7 | — | ||
| 20-5 | Études-tableaux Op.33 - Grave in C minor, No.3 | — | ||
| 20-6 | Études-tableaux Op.33 - Non allegro in E flat minor, No.6 | — | ||
| 20-7 | Études-tableaux Op.33 - Moderato in G minor, No.8 | — | ||
| 20-8 | Études-tableaux Op.33 - Grave in C sharp minor No.9 | — | ||
| 20-9 | Études-tableaux Op.39 - Allegro agitato in C minor, No.1 | — | ||
| 20-10 | Études-tableaux Op.39 - Lento assai in A minor, No.2 | — | ||
| 20-11 | Études-tableaux Op.39 - Allegro molto in F sharp minor, No.3 | — | ||
| 20-12 | Études-tableaux Op.39 - Allegro assai in B minor, No.4 | — | ||
| 20-13 | Études-tableaux Op.39 - Appassionato in E flat minor, No.5 | — | ||
| 20-14 | Études-tableaux Op.39 - Allegro in A minor, No.6 | — | ||
| 20-15 | Études-tableaux Op.39 - Lento lugubre in C minor, No.7 | — | ||
| 20-16 | Études-tableaux Op.39 - Allegro moderato in D minor, No.8 | — | ||
| 20-17 | Études-tableaux Op.39 - Allegro moderato - Tempo di marcia in D major, No.9 | — | ||
| 21-1 | Prelude Op.23 No.01 in F sharp minor - Largo | — | ||
| 21-2 | Prelude Op.23 No.02 in B flat major - Maestoso | — | ||
| 21-3 | Prelude Op.23 No.03 in D minor - Tempo di minuetto | — | ||
| 21-4 | Prelude Op.23 No.04 in D major - Andante cantabile | — | ||
| 21-5 | Prelude Op.23 No.05 in G minor - Alla marcia | — | ||
| 21-6 | Prelude Op.23 No.06 in E flat major - Andante | — | ||
| 21-7 | Prelude Op.23 No.07 in C minor - Allegro | — | ||
| 21-8 | Prelude Op.23 No.08 in A flat major - Allegro vivace | — | ||
| 21-9 | Prelude Op.23 No.09 in E flat minor - Presto | — | ||
| 21-10 | Prelude Op.23 No.10 in G flat major - Largo | — | ||
| 21-11 | Nocturne No.1 in F sharp Minor | — | ||
| 21-12 | Nocturne No.2 in F Major | — | ||
| 21-13 | Nocturne No.3 in C minor | — | ||
| 21-14 | Song Without Words | — | ||
| 21-15 | Corelli Variations Op.42 - Theme - Andante | — | ||
| 21-16 | Corelli Variations op.42 - Variation 01 - Poco più mosso | — | ||
| 21-17 | Corelli Variations op.42 - Variation 02 - L'istesso tempo | — | ||
| 21-18 | Corelli Variations op.42 - Variation 03 - Tempo di menuetto | — | ||
| 21-19 | Corelli Variations op.42 - Variation 04 - Andante | — | ||
| 21-20 | Corelli Variations op.42 - Variation 05 - Allegro (ma non tanto) | — | ||
| 21-21 | Corelli Variations op.42 - Variation 06 - L'istesso tempo | — | ||
| 21-22 | Corelli Variations op.42 - Variation 07 - Vivace | — | ||
| 21-23 | Corelli Variations op.42 - Variation 08 - Adagio misterioso | — | ||
| 21-24 | Corelli Variations op.42 - Variation 09 - Un poco più mosso | — | ||
| 21-25 | Corelli Variations op.42 - Variation 10 - Allegro scherzando | — | ||
| 21-26 | Corelli Variations op.42 - Variation 11 - Allegro vivace | — | ||
| 21-27 | Corelli Variations op.42 - Variation 12 - L'istesso Tempo | — | ||
| 21-28 | Corelli Variations op.42 - Variation 13 - Agitato | — | ||
| 21-29 | Corelli Variations op.42 - Intermezzo - A tempo rubato | — | ||
| 21-30 | Corelli Variations op.42 - Variation 14 - Andante (come prima) | — | ||
| 21-31 | Corelli Variations op.42 - Variation 15 - L'istesso tempo | — | ||
| 21-32 | Corelli Variations op.42 - Variation 16 - Allegro vivace | — | ||
| 21-33 | Corelli Variations op.42 - Variation 17 - Meno mosso | — | ||
| 21-34 | Corelli Variations op.42 - Variation 18 - Allegro con brio | — | ||
| 21-35 | Corelli Variations op.42 - Variation 19 - Più mosso - Agitato | — | ||
| 21-36 | Corelli Variations op.42 - Variation 20 - Più mosso - Coda | — | ||
| 22-1 | Piano Sonata No.1 in D minor, Op. 28 - Movement 1 - I. Allegro moderato | — | ||
| 22-2 | Piano Sonata No.1 in D minor, Op. 28 - Movement 1 - II. Moderato - Measure 73 | — | ||
| 22-3 | Piano Sonata No.1 in D minor, Op. 28 - Movement 1 - III. Tempo I - Measure 117 | — | ||
| 22-4 | Piano Sonata No.1 in D minor, Op. 28 - Movement 1 - IV. Tempo I - Measure 172 | — | ||
| 22-5 | Piano Sonata No.1 in D minor, Op. 28 - Movement 1 - V. A tempo | — | ||
| 22-6 | Piano Sonata No.1 in D minor, Op. 28 - Movement 2 - I. Lento | — | ||
| 22-7 | Piano Sonata No.1 in D minor, Op. 28 - Movement 2 - II. Measure 43 | — | ||
| 22-8 | Piano Sonata No.1 in D minor, Op. 28 - Movement 2 - III. Measure 102 | — | ||
| 22-9 | Piano Sonata No.1 in D minor, Op. 28 - Movement 3 - I. Allegro molto | — | ||
| 22-10 | Piano Sonata No.1 in D minor, Op. 28 - Movement 3 - II. Meno mosso - Measure 80 | — | ||
| 22-11 | Piano Sonata No.1 in D minor, Op. 28 - Movement 3 - III. Moderato - Measure 188 | — | ||
| 22-12 | Piano Sonata No.1 in D minor, Op. 28 - Movement 3 - IV. Più vivo - Measure 240 | — | ||
| 22-13 | Piano Sonata No.1 in D minor, Op. 28 - Movement 3 - V. Tempo I - Measure 267 | — | ||
| 22-14 | Piano Sonata No.1 in D minor, Op. 28 - Movement 3 - VI. Meno mosso - Measure 313 | — | ||
| 22-15 | Piano Sonata No.1 in D minor, Op. 28 - Movement 3 - VII. Moderato - Measure 409 | — | ||
| 22-16 | Prelude Op.32 No.01 in C major - Allegro vivace | — | ||
| 22-17 | Prelude Op.32 No.02 in B flat minor - Allegretto | — | ||
| 22-18 | Prelude Op.32 No.03 in E major - Allegro vivace | — | ||
| 22-19 | Prelude Op.32 No.04 in E minor - Allegro con brio | — | ||
| 22-20 | Prelude Op.32 No.05 in G major - Moderato | — | ||
| 22-21 | Prelude Op.32 No.06 in F minor - Allegro appassionato | — | ||
| 22-22 | Prelude Op.32 No.07 in F major - Moderato | — | ||
| 22-23 | Prelude Op.32 No.08 in A minor - Vivo | — | ||
| 22-24 | Prelude Op.32 No.09 in A major - Allegro moderato | — | ||
| 22-25 | Prelude Op.32, No.10 in B minor (Lento) | — | ||
| 22-26 | Prelude Op.32 No.11 in B major - Allegretto | — | ||
| 22-27 | Prelude Op.32, No.12 in G sharp minor (Allegro) | — | ||
| 22-28 | Prelude Op.32 No.13 in D flat major - Grave | — | ||
| 23-1 | Piano Sonata No.2 in B flat minor, Op.36 Movement I. Allegro agitato | — | ||
| 23-2 | Piano Sonata No.2 in B flat minor, Op.36 Movement I. Meno mosso. Measure 38 | — | ||
| 23-3 | Piano Sonata No.2 in B flat minor, Op.36 Movement I. Measure 55 | — | ||
| 23-4 | Piano Sonata No.2 in B flat minor, Op.36 Movement I. Tempo I. Measure 98 | — | ||
| 23-5 | Piano Sonata No.2 in B flat minor, Op.36 Movement II. Non allegro - Lento | — | ||
| 23-6 | Piano Sonata No.2 in B flat minor, Op.36 Movement II. Poco più mosso. Measure 36 | — | ||
| 23-7 | Piano Sonata No.2 in B flat minor, Op.36 Movement II. Tempo I. Measure 63 - Attacca | — | ||
| 23-8 | Piano Sonata No.2 in B flat minor, Op.36 Movement III. L'istesso tempo - Allegretto molto | — | ||
| 23-9 | Piano Sonata No.2 in B flat minor, Op.36 Movement III. A tempo meno mosso. Measure 76 | — | ||
| 23-10 | Piano Sonata No.2 in B flat minor, Op.36 Movement III. Tempo I. Measure 106 | — | ||
| 23-11 | Piano Sonata No.2 in B flat minor, Op.36 Movement III. Tempo rubato. Measure 184 | — | ||
| 23-12 | Morceaux de fantaisie, Op.3 - Élégie. Moderato | — | ||
| 23-13 | Morceaux de fantaisie, Op.3 - Prélude. Lento | — | ||
| 23-14 | Morceaux de fantaisie, Op.3 - Mélodie. Adagio sostenuto | — | ||
| 23-15 | Morceaux de fantaisie, Op.3 - Polichinelle. Allegro vivace | — | ||
| 23-16 | Morceaux de fantaisie, Op.3 - Sérénade. Sostenuto, tempo di valse | — | ||
| 23-17 | Variations on a Theme of Chopin, Op.22 - Theme. Largo | — | ||
| 23-18 | Variations on a Theme of Chopin, Op.22 - Variation I. Moderato | — | ||
| 23-19 | Variations on a Theme of Chopin, Op.22 - Variation II. Allegro | — | ||
| 23-20 | Variations on a Theme of Chopin, Op.22 - Variation III | — | ||
| 23-21 | Variations on a Theme of Chopin, Op.22 - Variation IV | — | ||
| 23-22 | Variations on a Theme of Chopin, Op.22 - Variation V. Meno mosso | — | ||
| 23-23 | Variations on a Theme of Chopin, Op.22 - Variation VI. Meno mosso | — | ||
| 23-24 | Variations on a Theme of Chopin, Op.22 - Variation VII. Allegro | — | ||
| 23-25 | Variations on a Theme of Chopin, Op.22 - Variation VIII | — | ||
| 23-26 | Variations on a Theme of Chopin, Op.22 - Variation IX | — | ||
| 23-27 | Variations on a Theme of Chopin, Op.22 - Variation X. Più vivo | — | ||
| 23-28 | Variations on a Theme of Chopin, Op.22 - Variation XI. Lento | — | ||
| 23-29 | Variations on a Theme of Chopin, Op.22 - Variation XII. Moderato | — | ||
| 23-30 | Variations on a Theme of Chopin, Op.22 - Variation XIII. Largo | — | ||
| 23-31 | Variations on a Theme of Chopin, Op.22 - Variation XIV. Moderato | — | ||
| 23-32 | Variations on a Theme of Chopin, Op.22 - Variation XV. Allegro scherzando | — | ||
| 23-33 | Variations on a Theme of Chopin, Op.22 - Variation XVI. Lento | — | ||
| 23-34 | Variations on a Theme of Chopin, Op.22 - Variation XVII. Grave | — | ||
| 23-35 | Variations on a Theme of Chopin, Op.22 - Variation XVIII. Più mosso | — | ||
| 23-36 | Variations on a Theme of Chopin, Op.22 - Variation XIX. Allegro vivace | — | ||
| 23-37 | Variations on a Theme of Chopin, Op.22 - Variation XX. Presto | — | ||
| 23-38 | Variations on a Theme of Chopin, Op.22 - Variation XXI. Andante - Più vivo | — | ||
| 23-39 | Variations on a Theme of Chopin, Op.22 - Variation XXII. Maestoso | — | ||
| 24-1 | Moments Musicaux Op.16 - No.1 in B Flat minor - Andantino [Alexander Chindin, piano] | — | ||
| 24-2 | Moments Musicaux Op.16 - No.2 in E Flat minor - Allegretto | — | ||
| 24-3 | Moments Musicaux Op.16 - No.3 in B minor - Andante cantabile | — | ||
| 24-4 | Moments Musicaux Op.16 - No.4 in E minor - Presto | — | ||
| 24-5 | Moments Musicaux Op.16 - No.5 in D flat major - Adagio sostenuto | — | ||
| 24-6 | Moments Musicaux Op.16 - No.6 in C major - Maestoso | — | ||
| 24-7 | Morceaux de Salon Op.10 - No.1 in A minor - Nocturne [Michael Ponti, piano] | — | ||
| 24-8 | Morceaux de Salon Op.10 - No.2 in A major - Valse | — | ||
| 24-9 | Morceaux de Salon Op.10 - No.3 in G major - Barcarolle | — | ||
| 24-10 | Morceaux de Salon Op.10 - No.4 in E minor - Mélodie | — | ||
| 24-11 | Morceaux de Salon Op.10 - No.5 in G major - Humoresque | — | ||
| 24-12 | Morceaux de Salon Op.10 - No.6 in F minor - Romance | — | ||
| 24-13 | Morceaux de Salon Op.10 - No.7 in D Flat major - Mazurka | — | ||
| 24-14 | Polka de V.R. [Robert Groslot, piano] | — | ||
| 25-1 | Scherzo (from Mendelssohn 'A Midsummer Night's Dream') | — | ||
| 25-2 | Lullaby (Tchaikovsky) | — | ||
| 25-3 | Liebesfreud (Kreisler) | — | ||
| 25-4 | Suite from Partita in E major for violin solo (J.S. Bach) - I. Prelude | — | ||
| 25-5 | Suite from Partita in E major for violin solo (J.S. Bach) - II. Gavotte | — | ||
| 25-6 | Suite from Partita in E major for violin solo (J.S. Bach) - III. Gigue | — | ||
| 25-7 | Wohin (Schubert) | — | ||
| 25-8 | Minuet (from Bizet 'L'Arlésienne, Suite No.1') | — | ||
| 25-9 | Flight on the Bumblebee (Rimsky-Korsakov) | — | ||
| 25-10 | Liebesleid (Kreisler) | — | ||
| 25-11 | Lilacs (Racmaninoff) | — | ||
| 25-12 | Daisies (Rachmaninoff) | — | ||
| 25-15 | Hopak (Mussorgsky) | — | ||
| 25-16 | Prelude Op. posth. (1917) | — | ||
| 25-17 | Fragments (1917) | — | ||
| 26-1 | Song without Words in D minor - Lento | — | ||
| 26-2 | Four Pieces - Romance in F sharp minor - Andante | — | ||
| 26-3 | Four Pieces - Prélude in E flat minor - Allegro | — | ||
| 26-4 | Four Pieces - Mélodie in E major - Andante | — | ||
| 26-5 | Four Pieces - Gavotte in D major - Liberamente | — | ||
| 26-6 | Canon in E minor - Andante con moto | — | ||
| 26-7 | Suite in D minor from a lost orchestral original - Lento-Allegro moderato in D minor | — | ||
| 26-8 | Suite in D minor from a lost orchestral original - Lento in B minor | — | ||
| 26-9 | Suite in D minor from a lost orchestral original - Menuetto in F sharp major | — | ||
| 26-10 | Suite in D minor from a lost orchestral original - Allegro in D major | — | ||
| 26-11 | Prélude in F major; Comodo - Più mosso - Tempo I | — | ||
| 26-12 | Four improvisations on Themes of Arensky, Glazunov, Taneyev & Rachmaninoff - I. Moderato in E minor | — | ||
| 26-13 | Four improvisations - II. Allegretto in C major | — | ||
| 26-14 | Four improvisations - III. Allegro scherzando in B flat minor | — | ||
| 26-15 | Four improvisations - IV. Lento-Tempo di valse-Tempo di marcia-Tempo del commincio, largo in F minor | — | ||
| 26-16 | Morceau de fantaisie in G Minor - Liberamente | — | ||
| 26-17 | Fughetta in G minor - Moderato | — | ||
| 26-18 | Oriental Sketch in B flat major - Non allegro | — | ||
| 26-19 | Piece (Prelude) in D minor - Andante ma non troppo - Poco più mosso - Tempo I | — | ||
| 26-20 | Fragments in A flat major - Andante semplice - Più mosso - Come prima | — | ||
| 26-21 | The Star-Spangled Banner in B flat major | — | ||
| 27-1 | Fantasie-tableaux (Suite No.1) for two pianos Op.5 - Barcarolle | — | ||
| 27-2 | Fantasie-tableaux (Suite No.1) for two pianos Op.5 - La nuit...l'amour | — | ||
| 27-3 | Fantasie-tableaux (Suite No.1) for two pianos Op.5 - Les larmes | — | ||
| 27-4 | Fantasie-tableaux (Suite No.1) for two pianos Op.5 - Pâques | — | ||
| 27-5 | Russian Rapsody | — | ||
| 27-6 | Six Morceaux for piano duet Op.11 - Barcarolle | — | ||
| 27-7 | Six Morceaux for piano duet Op.11 - Scherzo | — | ||
| 27-8 | Six Morceaux for piano duet Op.11 - Russian Theme | — | ||
| 27-9 | Six Morceaux for piano duet Op.11 - Valse | — | ||
| 27-10 | Six Morceaux for piano duet Op.11 - Romance | — | ||
| 27-11 | Six Morceaux for piano duet Op.11 - Slava | — | ||
| 27-12 | Two Pieces for piano six-hands - Valse (... with David Gardiner) | — | ||
| 27-13 | Two Pieces for piano six-hands - Romance (... with David Gardiner) | — | ||
| 27-14 | Polka italienne for piano duet | — | ||
| 28-1 | Suite No.2 for two pianos Op.17 - I. Introduction | — | ||
| 28-2 | Suite No.2 for two pianos Op.17 - II. Valse | — | ||
| 28-3 | Suite No.2 for two pianos Op.17 - III. Romance | — | ||
| 28-4 | Suite No.2 for Two Pianos, Op.17: IV. Tarantelle | — | ||
| 28-5 | Symphonic Dances for two pianos Op.45 - I. Non allegro | — | ||
| 28-6 | Symphonic Dances for two pianos Op.45 - II. Andante co moto, tempo di valse | — | ||
| 28-7 | Symphonic Dances for two pianos Op.45 - III. Lento assai - Allegro vivace | — | ||
| 28-8 | Romance in G Major for Piano Duet | — | ||
| 28-9 | Prelude in C sharp minor for two pianos | — | ||
| 29-1 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato; Allegro | Sergei Rachmaninoff, The Philadelphia Orchestra, Leopold Stokowski | — | |
| 29-2 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | Sergei Rachmaninoff, The Philadelphia Orchestra, Leopold Stokowski | — | |
| 29-3 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | Sergei Rachmaninoff, The Philadelphia Orchestra, Leopold Stokowski | T-071.926.821-9 | |
| 29-4 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non troppo | Vladimir Horowitz, London Symphony Orchestra, Albert Coates | — | |
| 29-5 | Piano Concerto No.3 in D minor Op.30 - II. Intermezzo [Albert Coates, 1930] | — | ||
| 29-6 | Piano Concerto No.3 in D minor Op.30 - III. Finale; Alla breve [London Symphony Orchestra, 1930] | — | ||
| 30-1 | Piano Concerto No.1 Op. 1: Vivace | — | ||
| 30-2 | Piano Concerto No.1 Op. 1: Andante cantabile | — | ||
| 30-3 | Piano Concerto No.1 Op. 1: Allegro vivace | — | ||
| 30-4 | Piano Concerto No.2 Op. 18 - Moderato | — | ||
| 30-5 | Piano Concerto No.2 Op. 18 - Adagio sostenuto | — | ||
| 30-6 | Piano Concerto No.2 Op. 18 - Allegro scherzando | — | ||
| 31-1 | Prelude Op. 23 No.5 | — | ||
| 31-2 | Prelude Op. 32 No.1 | — | ||
| 31-3 | Prelude Op. 32 No.2 | — | ||
| 31-4 | Prelude Op. 32 No.6 | — | ||
| 31-5 | Prelude Op. 32 No.7 | — | ||
| 31-6 | Prelude Op. 32 No.9 | — | ||
| 31-7 | Prelude Op. 32 No.10 | — | ||
| 31-8 | Prelude Op. 32 No.12 | — | ||
| 31-9 | Prelude Op. 38 No.3 | — | ||
| 31-10 | Prelude Op. 34 No.14 | — | ||
| 31-11 | Prelude Op. 3 No.2 | — | ||
| 31-12 | Prelude Op. 23 No.2 | — | ||
| 31-13 | Prelude Op. 23 No.10 | — | ||
| 31-14 | Prelude Op. 32 No.11 | — | ||
| 31-15 | Prelude Op. 23 No.5 | — | ||
| 31-16 | Moment musical Op. 16 No.3 | — | ||
| 31-17 | Moment musical Op. 16 No.5 | — | ||
| 31-18 | Etude-tableau Op. 33 No.2 | — | ||
| 31-19 | Etude-tableau Op. 33 No.8 | — | ||
| 31-20 | Etude-tableau Op. 39 No.4 | — | ||
| 31-21 | Etude-tableau Op. 39 No.5 | — | ||
| 31-22 | Etude-tableau Op. 39 No.6 | — |
Piano Concerto No. 1 in F-sharp minor, Op. 1: I. Vivace
—
Piano Concerto No. 1 in F-sharp minor, Op. 1: II. Andante
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Piano Concerto No. 1 in F-sharp minor, Op. 1: III. Allegro vivace
—
Piano Concerto No. 4 in G minor, Op. 40: I. Allegro
—
Piano Concerto No. 4 in G minor, Op. 40: II. Largo
—
Piano Concerto No. 4 in G minor, Op. 40: III. Allegro vivace
—
Rhapsody on a Theme of Paganini, Op. 43
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Piano Concerto No. 2 in C minor, Op. 18: I. Moderato
—
Piano Concerto No. 2 in C minor, Op. 18: II. Andante sostenuto
—
Piano Concerto No. 2 in C minor, Op. 18: III. Allegro scherzando
—
Piano Concerto No. 3 in D minor, Op. 30: I. Allegro
—
Piano Concerto No. 3 in D minor, Op. 30: II. Intermezzo; Adagio -
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Piano Concerto No. 3 in D minor, Op. 30: III. Finale; Allegro
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Symphony No. 1 in D minor, Op. 13: I. Grave - Allegro ma non troppo
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Symphony No. 1 in D minor, Op. 13: II. Allegro animato
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Symphony No. 1 in D minor, Op. 13: III. Larghetto
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Symphony No. 1 in D minor, Op. 13: IV. Allegro con fuoco
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Symphony No. 3 in A minor, Op. 44: I. Lento - Allegro moderato
—
Symphony No. 3 in A minor, Op. 44: II. Adagio ma non troppo
—
Symphony No. 3 in A minor, Op. 44: III. Allegro
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Symphony No. 2 in E minor, Op. 27: I. Largo - Allegro moderato (London Symphony Orchestra feat. conductor: Gennady Rozhdestvensky)
—
Symphony No. 2 in E minor, Op. 27: II. Scherzo: Allegro molto - Meno mosso - Allegro molto (London Symphony Orchestra feat. conductor: Gennady Rozhdestvensky)
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Symphony No. 2 in E minor, Op. 27: III. Adagio (London Symphony Orchestra feat. conductor: Gennady Rozhdestvensky)
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Symphony No. 2 in E minor, Op. 27: IV. Allegro vivace (London Symphony Orchestra feat. conductor: Gennady Rozhdestvensky)
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"Youth" Symphony in D minor: Grave - Allegro moderato (Saint Louis Symphony Orchestra feat. conductor: Leonard Slatkin)
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Symphonic Dances Op. 45: I. Non allegro (Russian State Symphony Orchestra feat. director: Valery Polyansky)
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Symphonic Dances Op. 45: II. Andante con moto (Tempo di valse) (Russian State Symphony Orchestra feat. director: Valery Polyansky)
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Symphonic Dances Op. 45: III. Lento assai - Allegro vivace - Lento assai - Come prima - Allegro Vivace (Russian State Symphony Orchestra feat. director: Valery Polyansky)
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The Bells Op. 35: I. Allegro ma non tanto (Russian State Symphony Capella feat. soprano: Olga Lutsiv-Ternovskaya, tenor: Leonid Bomstein, bass: Vyacheslav Pochapsky)
—
The Bells Op. 35: II. Lento (Russian State Symphony Capella feat. soprano: Olga Lutsiv-Ternovskaya, tenor: Leonid Bomstein, bass: Vyacheslav Pochapsky)
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The Bells Op. 35: III. Presto (Russian State Symphony Capella feat. soprano: Olga Lutsiv-Ternovskaya, tenor: Leonid Bomstein, bass: Vyacheslav Pochapsky)
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The Bells Op. 35: IV. Lento lugubre (Russian State Symphony Capella feat. soprano: Olga Lutsiv-Ternovskaya, tenor: Leonid Bomstein, bass: Vyacheslav Pochapsky)
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The Rock Op. 7 (Symphonic poem after A. Chekhov)
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Prince Rostislav (Symphonic poem after A.K. Tolstoy)
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Scherzo in D minor
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Caprice bohémien, Op. 12
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The Isle of the Dead Op. 29 (Symphonic poem after A. Böcklin)
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Aleko (opera in one act): Introduction
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Aleko (opera in one act): Chorus
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Aleko (opera in one act): Story of the Old Gipsy
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Aleko (opera in one act): Scene and Chorus
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Aleko (opera in one act): Women's Dance
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Aleko (opera in one act): Men's Dance
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Aleko (opera in one act): Chorus
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Aleko (opera in one act): Duettino
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Aleko (opera in one act): Scene at the Cradle
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Aleko (opera in one act): Aleko's Cavatina
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Aleko (opera in one act): Intermezzo
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Aleko (opera in one act): Romance of the Young Gipsy
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Aleko (opera in one act): Duet and Finale
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The Miserly Knight Op. 24: 1 - Prelude
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The Miserly Knight Op. 24: 2 - In The Tower
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The Miserly Knight Op.24: 3 - In The Cellar
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The Miserly Knight Op. 24: 4 - At the Palace
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Monna Vanna (opera in one act): Introduction
—
Monna Vanna (opera in one act): Scene 1
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Monna Vanna (opera in one act): Scene 2
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Monna Vanna (opera in one act): Scene 3
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Francesca da Rimini: Prologue
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Francesca da Rimini - Scene 1
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Francesca da Rimini - Scene 2 and Epilogue
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Vespers, op. 37: Come Let Us Worship
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Vespers, op. 37: Bless the Lord, O My Soul
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Vespers, op. 37: Blessed be the Man
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Vespers, op. 37: O serene light
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Vespers, op. 37: Now let Thy Servant depart
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Vespers, op. 37: Rejoice, O Virgin
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Vespers, op. 37: Glory to God in the Highest
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Vespers, op. 37: Praise the Name of the Lord
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Vespers, op. 37: Blessed Art Thou, O Lord
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Vespers, op. 37: Having seen the Resurrection of the Lord
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Vespers, op. 37: My Soul Magnifies the Lord
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Vespers, op. 37: Glory to God in the Highest
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Vespers, op. 37: Troparia of the Day of Salvation
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Vespers, op. 37: Christ is risen from the grave
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Vespers, op. 37: Thanks be given to the Mother of God
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Liturgy of St. John Chrysostom for Chorus, op. 31: I. "The Great Ektenia..."
Государственная академическая симфоническая капелла России, Валерий Кузьмич Полянский
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Liturgy of St. John Chrysostom Op.31 - First Antiphon
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Liturgy of St. John Chrysostom Op.31 - Second Antiphon
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Liturgy of St. John Chrysostom Op.31 - Third Antiphon
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Liturgy of St. John Chrysostom Op.31 - Entrance Hymn
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Liturgy of St. John Chrysostom Op.31 - Trisagion Hymn
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Liturgy of St. John Chrysostom Op.31 - Fervent Supplication
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Liturgy of St. John Chrysostom Op.31 - Cheruvimic Hymn
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Liturgy of St. John Chrysostom Op.31 - Ektenia of the Prothesis
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Liturgy of St. John Chrysostom Op.31 - Nicaean Creed
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Liturgy of St. John Chrysostom op. 31 - Anaphora
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Liturgy of St John Chrysostom, for chorus, Op. 31: Hymn of Praise
Государственная академическая симфоническая капелла России, Валерий Кузьмич Полянский
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Liturgy of St. John Chrysostom op. 31 - Hymn to the Virgin
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Liturgy of St. John Chrysostom op. 31 - The Lord's Prayer
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Liturgy of St. John Chrysostom op. 31 - The Elevation
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Liturgy of St. John Chrysostom op. 31 - Communion Hymn
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Liturgy of St. John Chrysostom op. 31 - Blessing
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Liturgy of St. John Chrysostom op. 31 - Hymn of Praise
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Liturgy of St. John Chrysostom op. 31 - Blessed be his Name
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Liturgy of St. John Chrysostom op. 31 - Glory to the Father
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O Mother of God Vigilantiy
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Chorus of Spirits
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Panteley the Healer
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Spring (Vesna) Op. 20: I. Allegro moderato
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Three Russian Songs Op. 41: I. Over the stream, the swift stream
—
Three Russian Songs Op. 41: II. Ah, Vanka, you are dashing
—
Three Russian Songs Op. 41: III. My cheeks, so white, so rosy!
—
Six Choruses Op. 15: 1. Be Glorious!
—
Six Choruses Op. 15: 2. Night
—
Six Choruses Op. 15: 3. The Pine
—
Six Choruses Op. 15: 4.The Waves Began to Slumber
—
Six Choruses Op. 15: 5. Captivity
—
Six Choruses Op. 15: 6. The Angel
—
Scherzo in F Major
—
Vocalise, Op. 34, No.14
—
12 Songs without Opus: At the gates of the holy cloister
Sergei Leiferkus, Howard Shelley
—
I Shall Tell You Nothing
Сергей Лейферкус, Howard Shelley
—
Again you are bestirred, my heart: Again You Are Bestirred, my Heart
Joan Rodgers, Howard Shelley
—
April! A Festive Day in the Spring.
Alexander Naumenko, Howard Shelley
—
Twilight has Fallen
Alexander Naumenko, Howard Shelley
—
Song of the Disillusioned
Сергей Лейферкус, Howard Shelley
—
The Flower has Faded
Maria Popescu, Howard Shelley
—
Do You Remember the Evening?
Maria Popescu, Howard Shelley
—
Six Romances, Op. 4: I. O, no, I beg you, do not leave
Сергей Лейферкус, Howard Shelley
—
Six Romances, Op. 4: II. Morning
Maria Popescu, Howard Shelley
—
Six Romances, Op. 4: III. In the Silence of the Secret Night
Сергей Лейферкус, Howard Shelley
—
Six Romances, Op. 4: IV. Sing not to me, O lovely one
Alexander Naumenko, Howard Shelley
—
Six Romances, Op. 4: V. Oh Thou, my Field
Alexander Naumenko, Howard Shelley
—
It wasn't long ago, my friend, op. 4 no. 6
Joan Rodgers, Howard Shelley
—
Six Romances, Op. 8: I. The Waterlily
Maria Popescu, Howard Shelley
—
Six Romances, Op. 8: II. Child, thou art as Beautiful as a Flower
Сергей Лейферкус, Howard Shelley
—
Six Romances, Op. 8: III. Brooding
Сергей Лейферкус, Howard Shelley
—
Six Romances, Op. 8: IV. I Have Grown Fond of Sorrow
Maria Popescu, Howard Shelley
—
Six Romances, Op. 8: V. The Dream
Alexander Naumenko, Howard Shelley
—
Prayer, op. 8 no. 6
Joan Rodgers, Howard Shelley
—
I await you, op. 14 no. 1
Joan Rodgers, Howard Shelley
—
Twelve Romances, Op, 14: III. For Long there has been Little Consolation in Love
Maria Popescu, Howard Shelley
—
Twelve Romances, Op, 14: IV. I was with Her
Сергей Лейферкус, Howard Shelley
—
Twelve Romances, Op, 14: V. These Summer Nights
Alexander Naumenko, Howard Shelley
—
Twelve Romances, Op, 14: VI. How Everyone Loves Thee
Сергей Лейферкус, Howard Shelley
—
Twelve Romances, Op, 14: VIII. Oh, do not Grieve
Maria Popescu, Howard Shelley
—
Twelve Romances, Op, 14: IX. She is as Lovely as the Noon
Сергей Лейферкус, Howard Shelley
—
Twelve Romances, Op, 14: X. In my Soul
Maria Popescu, Howard Shelley
—
Twelve Romances, Op, 14: XI. Spring Waters
Joan Rodgers, Howard Shelley
—
Twelve Romances, Op, 14: XII. Tis Time
Сергей Лейферкус, Howard Shelley
—
12 Songs without Opus: IX. Were you hiccoughing, Natasha?
Sergei Leiferkus, Howard Shelley
—
12 Songs, op. 21: I. Fate
Sergei Leiferkus, Howard Shelley
—
12 Songs, op. 21: III. Twilight
Alexander Naumenko, Howard Shelley
—
Fragments from A. Musset, op. 21 no. 6
Joan Rodgers, Howard Shelley
—
How peaceful, op. 21 no. 5
Joan Rodgers, Howard Shelley
—
12 Songs, op. 21: VIII. On the death of a siskin
Maria Popescu, Howard Shelley
—
12 Songs, op. 21: IX. Melody
Alexander Naumenko, Howard Shelley
—
12 Songs, op. 21: X. Before the icon
Maria Popescu, Howard Shelley
—
I am not a prophet, op. 21 no. 11
Joan Rodgers, Howard Shelley
—
How pained I am, op. 21 no. 12
Joan Rodgers, Howard Shelley
—
15 Songs, op. 26: I. There are many sounds
Maria Popescu, Howard Shelley
—
15 Songs, op. 26: II. All was taken from me
Maria Popescu, Howard Shelley
—
15 Songs, op. 26: IV. Two farewells
Sergei Leiferkus, Howard Shelley
—
15 Songs, op. 26: VI. Christ is risen
Maria Popescu, Howard Shelley
—
15 Songs, op. 26: VII. To my children
Maria Popescu, Howard Shelley
—
15 Songs, op. 26: VIII. I beg for mercy
Alexander Naumenko, Howard Shelley
—
I am again alone, op. 26 no. 9
Joan Rodgers, Howard Shelley
—
At my window, op. 26 no. 10
Joan Rodgers, Howard Shelley
—
15 Songs, op. 26: XI. The fountain
Alexander Naumenko, Howard Shelley
—
Night is sorrowful, op. 26 no. 12
Joan Rodgers, Howard Shelley
—
15 Songs, op. 26: XIII. Yesterday we met
Maria Popescu, Howard Shelley
—
15 Songs, op. 26: XV. All passes
Sergei Leiferkus, Howard Shelley
—
Letter to K.S. Stanislavsky
Sergei Leiferkus, Howard Shelley
—
14 Romances, op. 34: no. 1, The Muse
Alexander Naumenko, Howard Shelley
—
14 Romances, op. 34: no. 2, In the Soul of Each of Us
Sergei Leiferkus, Howard Shelley
—
14 Romances, op. 34: no. 3, The Storm
Alexander Naumenko, Howard Shelley
—
14 Romances, op. 34: no. 4, The Migrant Wind
Joan Rodgers, Howard Shelley
—
14 Romances, op. 34: no. 7, It Cannot Be
Maria Popescu, Howard Shelley
—
14 Romance, op. 34: no. 8, Music
Maria Popescu, Howard Shelley
—
14 Romances, op. 34: no. 9, You Knew Him
Maria Popescu, Howard Shelley
—
14 Romances, op. 34: no. 10, I Remember That Day
Sergei Leiferkus, Howard Shelley
—
14 Romances, op. 34: no. 11, The Peasant
Alexander Naumenko, Howard Shelley
—
14 Romances, op. 34: no. 12, What Happiness
Sergei Leiferkus, Howard Shelley
—
14 Romances, op. 34: no. 13, Dissonance
Joan Rodgers, Howard Shelley
—
14 Romances, op. 34: no. 14, Vocalise
Joan Rodgers, Howard Shelley
—
From the Gospel of St. John
Сергей Лейферкус, Howard Shelley
—
6 Romances, op. 38: no. 1, In My Garden at Night
Joan Rodgers, Howard Shelley
—
6 Romances, op. 38: no. 2, To Her
Joan Rodgers, Howard Shelley
—
6 Romances, op. 38: no. 4, The Rat-Catcher
Joan Rodgers, Howard Shelley
—
6 Romances, op. 38: no. 6, A-oo
Joan Rodgers, Howard Shelley
—
2 Sacred Songs: no. 1, Prayer
Joan Rodgers, Howard Shelley
—
2 Sacred Songs: no. 2, All Glory to God
Joan Rodgers, Howard Shelley
—
Trio élégiaque No. 1 in G minor, Op. posth.: Lento lugubre
—
Trio élégiaque No. 2 in D minor, Op. 9: I. Moderato - Allegro moderato
—
Trio élégiaque No. 2 in D minor, Op. 9: II. Quasi variazione
—
Trio élégiaque No. 2 in D minor, Op. 9: III. Allegro risoluto
—
Morceaux de salon, op. 6: I. Romance
—
Morceaux de salon, op. 6: II. Danse hongroise
—
Lied in F minor, Andantino
—
Two Pieces for cello and piano, op. 2: Prelude in F major, Comodo Con moto
—
Two Pieces for cello and piano, op. 2: Danse orientale in A major, Andante cantabile
—
Vocalise in E flat minor, op. 34 no. 14, Lento
—
Cello Sonata in G minor, op. 19: I. Lento - Allegro moderato
—
Cello Sonata in G minor, op. 19: II. Allegro scherzando
—
Cello Sonata in G minor, op. 19: III. Andante
—
Cello Sonata in G minor, op. 19: IV. Allegro mosso
—
Études-tableaux Op.33 - Allegro non troppo in F minor, No.1
—
Études-tableaux Op.33 - Allegro in C major, No.2
—
Études-tableaux Op.33 - Moderato in D minor, No.5
—
Études-tableaux Op.33 - Allegro con fuoco in E flat major, No.7
—
Études-tableaux Op.33 - Grave in C minor, No.3
—
Études-tableaux Op.33 - Non allegro in E flat minor, No.6
—
Études-tableaux Op.33 - Moderato in G minor, No.8
—
Études-tableaux Op.33 - Grave in C sharp minor No.9
—
Études-tableaux Op.39 - Allegro agitato in C minor, No.1
—
Études-tableaux Op.39 - Lento assai in A minor, No.2
—
Études-tableaux Op.39 - Allegro molto in F sharp minor, No.3
—
Études-tableaux Op.39 - Allegro assai in B minor, No.4
—
Études-tableaux Op.39 - Appassionato in E flat minor, No.5
—
Études-tableaux Op.39 - Allegro in A minor, No.6
—
Études-tableaux Op.39 - Lento lugubre in C minor, No.7
—
Études-tableaux Op.39 - Allegro moderato in D minor, No.8
—
Études-tableaux Op.39 - Allegro moderato - Tempo di marcia in D major, No.9
—
Prelude Op.23 No.01 in F sharp minor - Largo
—
Prelude Op.23 No.02 in B flat major - Maestoso
—
Prelude Op.23 No.03 in D minor - Tempo di minuetto
—
Prelude Op.23 No.04 in D major - Andante cantabile
—
Prelude Op.23 No.05 in G minor - Alla marcia
—
Prelude Op.23 No.06 in E flat major - Andante
—
Prelude Op.23 No.07 in C minor - Allegro
—
Prelude Op.23 No.08 in A flat major - Allegro vivace
—
Prelude Op.23 No.09 in E flat minor - Presto
—
Prelude Op.23 No.10 in G flat major - Largo
—
Nocturne No.1 in F sharp Minor
—
Nocturne No.2 in F Major
—
Nocturne No.3 in C minor
—
Song Without Words
—
Corelli Variations Op.42 - Theme - Andante
—
Corelli Variations op.42 - Variation 01 - Poco più mosso
—
Corelli Variations op.42 - Variation 02 - L'istesso tempo
—
Corelli Variations op.42 - Variation 03 - Tempo di menuetto
—
Corelli Variations op.42 - Variation 04 - Andante
—
Corelli Variations op.42 - Variation 05 - Allegro (ma non tanto)
—
Corelli Variations op.42 - Variation 06 - L'istesso tempo
—
Corelli Variations op.42 - Variation 07 - Vivace
—
Corelli Variations op.42 - Variation 08 - Adagio misterioso
—
Corelli Variations op.42 - Variation 09 - Un poco più mosso
—
Corelli Variations op.42 - Variation 10 - Allegro scherzando
—
Corelli Variations op.42 - Variation 11 - Allegro vivace
—
Corelli Variations op.42 - Variation 12 - L'istesso Tempo
—
Corelli Variations op.42 - Variation 13 - Agitato
—
Corelli Variations op.42 - Intermezzo - A tempo rubato
—
Corelli Variations op.42 - Variation 14 - Andante (come prima)
—
Corelli Variations op.42 - Variation 15 - L'istesso tempo
—
Corelli Variations op.42 - Variation 16 - Allegro vivace
—
Corelli Variations op.42 - Variation 17 - Meno mosso
—
Corelli Variations op.42 - Variation 18 - Allegro con brio
—
Corelli Variations op.42 - Variation 19 - Più mosso - Agitato
—
Corelli Variations op.42 - Variation 20 - Più mosso - Coda
—
Piano Sonata No.1 in D minor, Op. 28 - Movement 1 - I. Allegro moderato
—
Piano Sonata No.1 in D minor, Op. 28 - Movement 1 - II. Moderato - Measure 73
—
Piano Sonata No.1 in D minor, Op. 28 - Movement 1 - III. Tempo I - Measure 117
—
Piano Sonata No.1 in D minor, Op. 28 - Movement 1 - IV. Tempo I - Measure 172
—
Piano Sonata No.1 in D minor, Op. 28 - Movement 1 - V. A tempo
—
Piano Sonata No.1 in D minor, Op. 28 - Movement 2 - I. Lento
—
Piano Sonata No.1 in D minor, Op. 28 - Movement 2 - II. Measure 43
—
Piano Sonata No.1 in D minor, Op. 28 - Movement 2 - III. Measure 102
—
Piano Sonata No.1 in D minor, Op. 28 - Movement 3 - I. Allegro molto
—
Piano Sonata No.1 in D minor, Op. 28 - Movement 3 - II. Meno mosso - Measure 80
—
Piano Sonata No.1 in D minor, Op. 28 - Movement 3 - III. Moderato - Measure 188
—
Piano Sonata No.1 in D minor, Op. 28 - Movement 3 - IV. Più vivo - Measure 240
—
Piano Sonata No.1 in D minor, Op. 28 - Movement 3 - V. Tempo I - Measure 267
—
Piano Sonata No.1 in D minor, Op. 28 - Movement 3 - VI. Meno mosso - Measure 313
—
Piano Sonata No.1 in D minor, Op. 28 - Movement 3 - VII. Moderato - Measure 409
—
Prelude Op.32 No.01 in C major - Allegro vivace
—
Prelude Op.32 No.02 in B flat minor - Allegretto
—
Prelude Op.32 No.03 in E major - Allegro vivace
—
Prelude Op.32 No.04 in E minor - Allegro con brio
—
Prelude Op.32 No.05 in G major - Moderato
—
Prelude Op.32 No.06 in F minor - Allegro appassionato
—
Prelude Op.32 No.07 in F major - Moderato
—
Prelude Op.32 No.08 in A minor - Vivo
—
Prelude Op.32 No.09 in A major - Allegro moderato
—
Prelude Op.32, No.10 in B minor (Lento)
—
Prelude Op.32 No.11 in B major - Allegretto
—
Prelude Op.32, No.12 in G sharp minor (Allegro)
—
Prelude Op.32 No.13 in D flat major - Grave
—
Piano Sonata No.2 in B flat minor, Op.36 Movement I. Allegro agitato
—
Piano Sonata No.2 in B flat minor, Op.36 Movement I. Meno mosso. Measure 38
—
Piano Sonata No.2 in B flat minor, Op.36 Movement I. Measure 55
—
Piano Sonata No.2 in B flat minor, Op.36 Movement I. Tempo I. Measure 98
—
Piano Sonata No.2 in B flat minor, Op.36 Movement II. Non allegro - Lento
—
Piano Sonata No.2 in B flat minor, Op.36 Movement II. Poco più mosso. Measure 36
—
Piano Sonata No.2 in B flat minor, Op.36 Movement II. Tempo I. Measure 63 - Attacca
—
Piano Sonata No.2 in B flat minor, Op.36 Movement III. L'istesso tempo - Allegretto molto
—
Piano Sonata No.2 in B flat minor, Op.36 Movement III. A tempo meno mosso. Measure 76
—
Piano Sonata No.2 in B flat minor, Op.36 Movement III. Tempo I. Measure 106
—
Piano Sonata No.2 in B flat minor, Op.36 Movement III. Tempo rubato. Measure 184
—
Morceaux de fantaisie, Op.3 - Élégie. Moderato
—
Morceaux de fantaisie, Op.3 - Prélude. Lento
—
Morceaux de fantaisie, Op.3 - Mélodie. Adagio sostenuto
—
Morceaux de fantaisie, Op.3 - Polichinelle. Allegro vivace
—
Morceaux de fantaisie, Op.3 - Sérénade. Sostenuto, tempo di valse
—
Variations on a Theme of Chopin, Op.22 - Theme. Largo
—
Variations on a Theme of Chopin, Op.22 - Variation I. Moderato
—
Variations on a Theme of Chopin, Op.22 - Variation II. Allegro
—
Variations on a Theme of Chopin, Op.22 - Variation III
—
Variations on a Theme of Chopin, Op.22 - Variation IV
—
Variations on a Theme of Chopin, Op.22 - Variation V. Meno mosso
—
Variations on a Theme of Chopin, Op.22 - Variation VI. Meno mosso
—
Variations on a Theme of Chopin, Op.22 - Variation VII. Allegro
—
Variations on a Theme of Chopin, Op.22 - Variation VIII
—
Variations on a Theme of Chopin, Op.22 - Variation IX
—
Variations on a Theme of Chopin, Op.22 - Variation X. Più vivo
—
Variations on a Theme of Chopin, Op.22 - Variation XI. Lento
—
Variations on a Theme of Chopin, Op.22 - Variation XII. Moderato
—
Variations on a Theme of Chopin, Op.22 - Variation XIII. Largo
—
Variations on a Theme of Chopin, Op.22 - Variation XIV. Moderato
—
Variations on a Theme of Chopin, Op.22 - Variation XV. Allegro scherzando
—
Variations on a Theme of Chopin, Op.22 - Variation XVI. Lento
—
Variations on a Theme of Chopin, Op.22 - Variation XVII. Grave
—
Variations on a Theme of Chopin, Op.22 - Variation XVIII. Più mosso
—
Variations on a Theme of Chopin, Op.22 - Variation XIX. Allegro vivace
—
Variations on a Theme of Chopin, Op.22 - Variation XX. Presto
—
Variations on a Theme of Chopin, Op.22 - Variation XXI. Andante - Più vivo
—
Variations on a Theme of Chopin, Op.22 - Variation XXII. Maestoso
—
Moments Musicaux Op.16 - No.1 in B Flat minor - Andantino [Alexander Chindin, piano]
—
Moments Musicaux Op.16 - No.2 in E Flat minor - Allegretto
—
Moments Musicaux Op.16 - No.3 in B minor - Andante cantabile
—
Moments Musicaux Op.16 - No.4 in E minor - Presto
—
Moments Musicaux Op.16 - No.5 in D flat major - Adagio sostenuto
—
Moments Musicaux Op.16 - No.6 in C major - Maestoso
—
Morceaux de Salon Op.10 - No.1 in A minor - Nocturne [Michael Ponti, piano]
—
Morceaux de Salon Op.10 - No.2 in A major - Valse
—
Morceaux de Salon Op.10 - No.3 in G major - Barcarolle
—
Morceaux de Salon Op.10 - No.4 in E minor - Mélodie
—
Morceaux de Salon Op.10 - No.5 in G major - Humoresque
—
Morceaux de Salon Op.10 - No.6 in F minor - Romance
—
Morceaux de Salon Op.10 - No.7 in D Flat major - Mazurka
—
Polka de V.R. [Robert Groslot, piano]
—
Scherzo (from Mendelssohn 'A Midsummer Night's Dream')
—
Lullaby (Tchaikovsky)
—
Liebesfreud (Kreisler)
—
Suite from Partita in E major for violin solo (J.S. Bach) - I. Prelude
—
Suite from Partita in E major for violin solo (J.S. Bach) - II. Gavotte
—
Suite from Partita in E major for violin solo (J.S. Bach) - III. Gigue
—
Wohin (Schubert)
—
Minuet (from Bizet 'L'Arlésienne, Suite No.1')
—
Flight on the Bumblebee (Rimsky-Korsakov)
—
Liebesleid (Kreisler)
—
Lilacs (Racmaninoff)
—
Daisies (Rachmaninoff)
—
Hopak (Mussorgsky)
—
Prelude Op. posth. (1917)
—
Fragments (1917)
—
Song without Words in D minor - Lento
—
Four Pieces - Romance in F sharp minor - Andante
—
Four Pieces - Prélude in E flat minor - Allegro
—
Four Pieces - Mélodie in E major - Andante
—
Four Pieces - Gavotte in D major - Liberamente
—
Canon in E minor - Andante con moto
—
Suite in D minor from a lost orchestral original - Lento-Allegro moderato in D minor
—
Suite in D minor from a lost orchestral original - Lento in B minor
—
Suite in D minor from a lost orchestral original - Menuetto in F sharp major
—
Suite in D minor from a lost orchestral original - Allegro in D major
—
Prélude in F major; Comodo - Più mosso - Tempo I
—
Four improvisations on Themes of Arensky, Glazunov, Taneyev & Rachmaninoff - I. Moderato in E minor
—
Four improvisations - II. Allegretto in C major
—
Four improvisations - III. Allegro scherzando in B flat minor
—
Four improvisations - IV. Lento-Tempo di valse-Tempo di marcia-Tempo del commincio, largo in F minor
—
Morceau de fantaisie in G Minor - Liberamente
—
Fughetta in G minor - Moderato
—
Oriental Sketch in B flat major - Non allegro
—
Piece (Prelude) in D minor - Andante ma non troppo - Poco più mosso - Tempo I
—
Fragments in A flat major - Andante semplice - Più mosso - Come prima
—
The Star-Spangled Banner in B flat major
—
Fantasie-tableaux (Suite No.1) for two pianos Op.5 - Barcarolle
—
Fantasie-tableaux (Suite No.1) for two pianos Op.5 - La nuit...l'amour
—
Fantasie-tableaux (Suite No.1) for two pianos Op.5 - Les larmes
—
Fantasie-tableaux (Suite No.1) for two pianos Op.5 - Pâques
—
Russian Rapsody
—
Six Morceaux for piano duet Op.11 - Barcarolle
—
Six Morceaux for piano duet Op.11 - Scherzo
—
Six Morceaux for piano duet Op.11 - Russian Theme
—
Six Morceaux for piano duet Op.11 - Valse
—
Six Morceaux for piano duet Op.11 - Romance
—
Six Morceaux for piano duet Op.11 - Slava
—
Two Pieces for piano six-hands - Valse (... with David Gardiner)
—
Two Pieces for piano six-hands - Romance (... with David Gardiner)
—
Polka italienne for piano duet
—
Suite No.2 for two pianos Op.17 - I. Introduction
—
Suite No.2 for two pianos Op.17 - II. Valse
—
Suite No.2 for two pianos Op.17 - III. Romance
—
Suite No.2 for Two Pianos, Op.17: IV. Tarantelle
—
Symphonic Dances for two pianos Op.45 - I. Non allegro
—
Symphonic Dances for two pianos Op.45 - II. Andante co moto, tempo di valse
—
Symphonic Dances for two pianos Op.45 - III. Lento assai - Allegro vivace
—
Romance in G Major for Piano Duet
—
Prelude in C sharp minor for two pianos
—
Piano Concerto no. 2 in C minor, op. 18: I. Moderato; Allegro
Sergei Rachmaninoff, The Philadelphia Orchestra, Leopold Stokowski
—
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Sergei Rachmaninoff, The Philadelphia Orchestra, Leopold Stokowski
—
Sergei Rachmaninoff, The Philadelphia Orchestra, Leopold Stokowski
Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non troppo
Vladimir Horowitz, London Symphony Orchestra, Albert Coates
—
Piano Concerto No.3 in D minor Op.30 - II. Intermezzo [Albert Coates, 1930]
—
Piano Concerto No.3 in D minor Op.30 - III. Finale; Alla breve [London Symphony Orchestra, 1930]
—
Piano Concerto No.1 Op. 1: Vivace
—
Piano Concerto No.1 Op. 1: Andante cantabile
—
Piano Concerto No.1 Op. 1: Allegro vivace
—
Piano Concerto No.2 Op. 18 - Moderato
—
Piano Concerto No.2 Op. 18 - Adagio sostenuto
—
Piano Concerto No.2 Op. 18 - Allegro scherzando
—
Prelude Op. 23 No.5
—
Prelude Op. 32 No.1
—
Prelude Op. 32 No.2
—
Prelude Op. 32 No.6
—
Prelude Op. 32 No.7
—
Prelude Op. 32 No.9
—
Prelude Op. 32 No.10
—
Prelude Op. 32 No.12
—
Prelude Op. 38 No.3
—
Prelude Op. 34 No.14
—
Prelude Op. 3 No.2
—
Prelude Op. 23 No.2
—
Prelude Op. 23 No.10
—
Prelude Op. 32 No.11
—
Prelude Op. 23 No.5
—
Moment musical Op. 16 No.3
—
Moment musical Op. 16 No.5
—
Etude-tableau Op. 33 No.2
—
Etude-tableau Op. 33 No.8
—
Etude-tableau Op. 39 No.4
—
Etude-tableau Op. 39 No.5
—
Etude-tableau Op. 39 No.6
—
Additional database matches (40)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| 12 Songs without Opus: At the gates of the holy cloister | Sergei Leiferkus, Howard Shelley | — |
| I Shall Tell You Nothing | Сергей Лейферкус, Howard Shelley | — |
| Song of the Disillusioned | Сергей Лейферкус, Howard Shelley | — |
| Six Romances, Op. 4: I. O, no, I beg you, do not leave | Сергей Лейферкус, Howard Shelley | — |
| Six Romances, Op. 4: III. In the Silence of the Secret Night | Сергей Лейферкус, Howard Shelley | — |
| Six Romances, Op. 8: II. Child, thou art as Beautiful as a Flower | Сергей Лейферкус, Howard Shelley | — |
| Six Romances, Op. 8: III. Brooding | Сергей Лейферкус, Howard Shelley | — |
| Twelve Romances, Op, 14: IV. I was with Her | Сергей Лейферкус, Howard Shelley | — |
| Twelve Romances, Op, 14: VI. How Everyone Loves Thee | Сергей Лейферкус, Howard Shelley | — |
| Twelve Romances, Op, 14: IX. She is as Lovely as the Noon | Сергей Лейферкус, Howard Shelley | — |
| Twelve Romances, Op, 14: XII. Tis Time | Сергей Лейферкус, Howard Shelley | — |
| 12 Songs, op. 21: I. Fate | Sergei Leiferkus, Howard Shelley | — |
| 15 Songs, op. 26: II. All was taken from me | Maria Popescu, Howard Shelley | — |
| 15 Songs, op. 26: VI. Christ is risen | Maria Popescu, Howard Shelley | — |
| 15 Songs, op. 26: XIII. Yesterday we met | Maria Popescu, Howard Shelley | — |
| 15 Songs, op. 26: XV. All passes | Sergei Leiferkus, Howard Shelley | — |
| Letter to K.S. Stanislavsky | Sergei Leiferkus, Howard Shelley | — |
| 14 Romances, op. 34: no. 2, In the Soul of Each of Us | Sergei Leiferkus, Howard Shelley | — |
| 14 Romances, op. 34: no. 9, You Knew Him | Maria Popescu, Howard Shelley | — |
| From the Gospel of St. John | Сергей Лейферкус, Howard Shelley | — |
| It wasn't long ago, my friend, op. 4 no. 6 | Joan Rodgers, Howard Shelley | — |
| Prayer, op. 8 no. 6 | Joan Rodgers, Howard Shelley | — |
| I await you, op. 14 no. 1 | Joan Rodgers, Howard Shelley | — |
| Lilacs, op. 21 no. 5 | Joan Rodgers, Howard Shelley | — |
| Fragments from A. Musset, op. 21 no. 6 | Joan Rodgers, Howard Shelley | — |
| How peaceful, op. 21 no. 5 | Joan Rodgers, Howard Shelley | — |
| I am not a prophet, op. 21 no. 11 | Joan Rodgers, Howard Shelley | — |
| How pained I am, op. 21 no. 12 | Joan Rodgers, Howard Shelley | — |
| I am again alone, op. 26 no. 9 | Joan Rodgers, Howard Shelley | — |
| At my window, op. 26 no. 10 | Joan Rodgers, Howard Shelley | — |
| Night is sorrowful, op. 26 no. 12 | Joan Rodgers, Howard Shelley | — |
| 14 Romances, op. 34: no. 4, The Migrant Wind | Joan Rodgers, Howard Shelley | — |
| 14 Romances, op. 34: no. 13, Dissonance | Joan Rodgers, Howard Shelley | — |
| 14 Romances, op. 34: no. 14, Vocalise | Joan Rodgers, Howard Shelley | — |
| 6 Romances, op. 38: no. 1, In My Garden at Night | Joan Rodgers, Howard Shelley | — |
| 6 Romances, op. 38: no. 2, To Her | Joan Rodgers, Howard Shelley | — |
| 6 Romances, op. 38: no. 4, The Rat-Catcher | Joan Rodgers, Howard Shelley | — |
| 6 Romances, op. 38: no. 6, A-oo | Joan Rodgers, Howard Shelley | — |
| 2 Sacred Songs: no. 1, Prayer | Joan Rodgers, Howard Shelley | — |
| 2 Sacred Songs: no. 2, All Glory to God | Joan Rodgers, Howard Shelley | — |
12 Songs without Opus: At the gates of the holy cloister
Sergei Leiferkus, Howard Shelley
—
I Shall Tell You Nothing
Сергей Лейферкус, Howard Shelley
—
Song of the Disillusioned
Сергей Лейферкус, Howard Shelley
—
Six Romances, Op. 4: I. O, no, I beg you, do not leave
Сергей Лейферкус, Howard Shelley
—
Six Romances, Op. 4: III. In the Silence of the Secret Night
Сергей Лейферкус, Howard Shelley
—
Six Romances, Op. 8: II. Child, thou art as Beautiful as a Flower
Сергей Лейферкус, Howard Shelley
—
Six Romances, Op. 8: III. Brooding
Сергей Лейферкус, Howard Shelley
—
Twelve Romances, Op, 14: IV. I was with Her
Сергей Лейферкус, Howard Shelley
—
Twelve Romances, Op, 14: VI. How Everyone Loves Thee
Сергей Лейферкус, Howard Shelley
—
Twelve Romances, Op, 14: IX. She is as Lovely as the Noon
Сергей Лейферкус, Howard Shelley
—
Twelve Romances, Op, 14: XII. Tis Time
Сергей Лейферкус, Howard Shelley
—
12 Songs, op. 21: I. Fate
Sergei Leiferkus, Howard Shelley
—
15 Songs, op. 26: II. All was taken from me
Maria Popescu, Howard Shelley
—
15 Songs, op. 26: VI. Christ is risen
Maria Popescu, Howard Shelley
—
15 Songs, op. 26: XIII. Yesterday we met
Maria Popescu, Howard Shelley
—
15 Songs, op. 26: XV. All passes
Sergei Leiferkus, Howard Shelley
—
Letter to K.S. Stanislavsky
Sergei Leiferkus, Howard Shelley
—
14 Romances, op. 34: no. 2, In the Soul of Each of Us
Sergei Leiferkus, Howard Shelley
—
14 Romances, op. 34: no. 9, You Knew Him
Maria Popescu, Howard Shelley
—
From the Gospel of St. John
Сергей Лейферкус, Howard Shelley
—
It wasn't long ago, my friend, op. 4 no. 6
Joan Rodgers, Howard Shelley
—
Prayer, op. 8 no. 6
Joan Rodgers, Howard Shelley
—
I await you, op. 14 no. 1
Joan Rodgers, Howard Shelley
—
Lilacs, op. 21 no. 5
Joan Rodgers, Howard Shelley
—
Fragments from A. Musset, op. 21 no. 6
Joan Rodgers, Howard Shelley
—
How peaceful, op. 21 no. 5
Joan Rodgers, Howard Shelley
—
I am not a prophet, op. 21 no. 11
Joan Rodgers, Howard Shelley
—
How pained I am, op. 21 no. 12
Joan Rodgers, Howard Shelley
—
I am again alone, op. 26 no. 9
Joan Rodgers, Howard Shelley
—
At my window, op. 26 no. 10
Joan Rodgers, Howard Shelley
—
Night is sorrowful, op. 26 no. 12
Joan Rodgers, Howard Shelley
—
14 Romances, op. 34: no. 4, The Migrant Wind
Joan Rodgers, Howard Shelley
—
14 Romances, op. 34: no. 13, Dissonance
Joan Rodgers, Howard Shelley
—
14 Romances, op. 34: no. 14, Vocalise
Joan Rodgers, Howard Shelley
—
6 Romances, op. 38: no. 1, In My Garden at Night
Joan Rodgers, Howard Shelley
—
6 Romances, op. 38: no. 2, To Her
Joan Rodgers, Howard Shelley
—
6 Romances, op. 38: no. 4, The Rat-Catcher
Joan Rodgers, Howard Shelley
—
6 Romances, op. 38: no. 6, A-oo
Joan Rodgers, Howard Shelley
—
2 Sacred Songs: no. 1, Prayer
Joan Rodgers, Howard Shelley
—
2 Sacred Songs: no. 2, All Glory to God
Joan Rodgers, Howard Shelley
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-003.006.061-7T-071.926.821-9T-071.926.821-9T-071.961.457-9T-900.758.021-4T-900.758.021-4T-900.766.423-5T-900.766.425-7T-902.446.975-8T-902.481.255-3
+27 more
T-902.481.270-2T-902.481.280-4T-902.481.357-8T-902.481.370-5T-902.512.965-1T-902.755.931-5T-902.891.143-5T-902.894.762-8T-902.446.975-8T-902.481.255-3T-902.481.270-2T-902.481.280-4T-902.481.357-8T-902.481.370-5T-902.512.965-1T-902.751.444-9T-902.754.929-7T-902.755.223-4T-902.755.931-5T-902.821.642-4T-902.833.638-1T-902.874.612-5T-902.891.143-5T-902.894.762-8T-902.907.611-7T-070.242.492-7T-922.169.901-0
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000376425690000000055142912000000005780206400000000583837110000000063091596000000006309843X00000000714170660000000078223862000000007839723X0000000078398224
+40 more
000000008171914800000000818578150000000083607174000000008393031800000000858447200000000100326076000000010665159000000001072421150000000107767739000000010825778100000001086344790000000108935378000000010943994X0000000109639036000000011016475200000001103554790000000114666493000000011468399800000001147260460000000114800293000000011507285700000001163169130000000116816475000000011695726X000000011766365000000001178153000000000118785852000000011931835900000001195505530000000119591304000000012024000X000000012033518000000001207280130000000120728128000000012124738500000001213540170000000121616670000000012169519600000001228424500000000424489365
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5029365901321 is a Universal Product Code (UPC) assigned to Rachmaninoff Edition by Rachmaninoff. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
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