UPC · Release
Various Artists
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The UPC for “Best Of Klassik 2022: Die grosse Gala der Opus Klassik-Preisträger” by Various Artists is 5054197222467. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2022-01-01. Label: Warner Classics. This release contains 40 tracks, each with its own ISRC. Tracks include DEN962136024, USSM12005402, GBAYC2003386.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Imperial March (From Star Wars: The Empire Strikes Back) | Berliner Philharmoniker, John Williams | T-070.241.142-4 | |
| 2 | 24 Preludes and Fugues, op. 87: Prelude no. 1 in C major | Igor Levit | — | |
| 3 | L’Antiope: Act III, Final Scene: “Vieni, corri, volami in braccio” | Lea Desandre, Hugo Abraham, Sophie de Bardonnèche, Thomas Dunford, Salomé Gasselin, Sophie Gent, Théotime Langlois de Swarte, Marie-Ange Petit, Cyril Poulet, Jean Rondeau | — | |
| 4 | Darf ich... | Renaud Capuçon, Orchestre de Chambre de Lausanne | — | |
| 5 | On John Bull Galliard in D | Francesco Tristano | — | |
| 6 | Freudvoll und leidvoll, S 280.1 | Jonas Kaufmann, Helmut Deutsch | — | |
| 7 | 12 Études, op. 25: No. 1 in A-flat major “Aeolian Harp” | Beatrice Rana | — | |
| 8 | Symphony no. 40 in G minor, K 550: III. Menuetto. Allegretto – Trio | Kammerakademie Potsdam, Antonello Manacorda | — | |
| 9 | Wind Song | Ludovico Einaudi | T-305.076.004-4 | |
| 10 | Victime Paschali laudes: Ostersequenz à 3 | Huelgas Ensemble, Paul Van Nevel | — | |
| 11 | Rückert Lieder: II. "Ich atmet' einen linden Duft!" | Joyce DiDonato, Il Pomo d’Oro, Maxim Emelyanychev | — | |
| 12 | Concerto F-Dur GWV 323: II. Andante | Stefan Temmingh, Capricornus Consort Basel, Peter Barczi | — | |
| 13 | Konzert Nr. 2 Klãtbūtne / Präsenz | Uladzimir Sinkevich, Münchner Rundfunkorchester, Ivan Repušić | — | |
| 14 | “Serenata Notturna” Serenade for Strings and Timpani in D major, K 239: I. Marcia: Maestoso | Berliner Barock Solisten, Reinhard Goebel | — | |
| 15 | Ave verum corpus, K. 618 | Albrecht Mayer, Deutsche Kammerphilharmonie Bremen | T-323.252.117-0 | |
| 16 | Streichquartett Nr. 7 Es-Dur KV 160: I. Allegro | Armida Quartett | — | |
| 17 | Präludium und Fuge c-Moll BWV 847 | Viviane Chassot | — | |
| 18 | Everloving | Tripp Beam, Moby, The Budapest Art Orchestra, Joe Trapanese | T-010.894.314-1 | |
| 19 | Nocturne in B‐flat major, H 37 | Magdalena Hoffmann | — | |
| 20 | Agrippina: Atto I. Aria “L’alma mia fra le tempeste” (Agrippina) | Jeanine De Bique, Concerto Köln, Luca Quintavalle | — | |
| 2-1 | Stabat Mater, RV 621: I. Stabat Mater dolorosa | Jakub Józef Orliński, Capella Cracoviensis, Jan Tomasz Adamus | — | |
| 2-2 | Summer 3 | Elena Urioste, Chineke! Orchestra | — | |
| 2-3 | Up Is Down | Kian Soltani | — | |
| 2-4 | Violin Concerto no. 1 in D major, op. 19: II. Scherzo: Vivacissimo | Tianwa Yang, ORF Radio-Symphonieorchester Wien, Jun Märkl | — | |
| 2-5 | Wiegala | Singer Pur | — | |
| 2-6 | Roméo et Juliette : “Ah! lève‐toi, soleil!” | Pene Pati, Orchestre National Bordeaux Aquitaine, Emmanuel Villaume | — | |
| 2-7 | Grande Sonate f-Moll, op. 14: Prestissimo possibile | Florian Uhlig | — | |
| 2-8 | Concerto G-Dur Für Englischhorn, Streicher & Basso Continuo (nach Osteroratorium BWVG 249): II. Adagio | Dominik Wollenweber, Collegium der Berliner Philharmoniker | — | |
| 2-9 | Komm, Gott, Schöpfer, Heiliger Geist, BWV 667 | Eckhard Manz | — | |
| 2-10 | "Auf! Lasst uns frei und lustig leben" | Goldberg Vocal Ensemble, Goldberg Baroque Ensemble, Andrzej Szadejko | — | |
| 2-11 | Mazurka (from “Vater Sergius”) | Rundfunk-Sinfonieorchester Berlin, Frank Strobel | — | |
| 2-12 | Eine Alpensinfonie op. 64: XVI. Vision | Rundfunk-Sinfonieorchester Berlin, Vladimir Jurowski | — | |
| 2-13 | Sinfonie Nr. 7 op. 77: I. Allegro moderato (Finale) | Niederrheinische Sinfoniker, Mihkel Kütson | — | |
| 2-14 | Abendlied aus Sechs Gesänge op. 107 (Kinkel) | Christian Gerhaher, Gerold Huber | — | |
| 2-15 | Sonate für Klarinette und Klavier: II. Lebhaft | Sharon Kam, Enrico Pace | — | |
| 2-16 | Die verschwiegende Nachtigall aus Sechs Lieder Op. 48 | Äneas Humm, Renate Rohlfing | — | |
| 2-17 | Deep Energy | Constantin Hartwig, Fabian Neckermann, Steffen Schmid, Trio 21meter60 | T-009.383.752-5 | |
| 2-18 | Gran Duo Concertante für Geige, Kontrabass & Streichorchester: IV. Allegro maestoso | Benjamin Schmid, Dominik Wagner, Württembergisches Kammerorchester Heilbronn, Emmanuel Tjeknavorian | — | |
| 2-20 | "Allelujah!" aus der Kantate Jauchzet Gott In Allen Landen BWV 51 | Miriam Feuersinger, Capricornus Consort Basel, Peter Barczi | — | |
| 2-21 | Bagatellen: II | Valentin Silvestrov | T-802.445.410-3 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Malasana (short version) | Dobrawa Czocher, Hania Rani | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
5054197222467 is a Universal Product Code (UPC) assigned to Best Of Klassik 2022: Die grosse Gala der Opus Klassik-Preisträger by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Best Of Klassik 2022: Die grosse Gala der Opus Klassik-Preisträger” by Various Artists is 5054197222467. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2022-01-01. Label: Warner Classics. This release contains 40 tracks, each with its own ISRC. Tracks include DEN962136024, USSM12005402, GBAYC2003386.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Imperial March (From Star Wars: The Empire Strikes Back) | Berliner Philharmoniker, John Williams | T-070.241.142-4 | |
| 2 | 24 Preludes and Fugues, op. 87: Prelude no. 1 in C major | Igor Levit | — | |
| 3 | L’Antiope: Act III, Final Scene: “Vieni, corri, volami in braccio” | Lea Desandre, Hugo Abraham, Sophie de Bardonnèche, Thomas Dunford, Salomé Gasselin, Sophie Gent, Théotime Langlois de Swarte, Marie-Ange Petit, Cyril Poulet, Jean Rondeau | — | |
| 4 | Darf ich... | Renaud Capuçon, Orchestre de Chambre de Lausanne | — | |
| 5 | On John Bull Galliard in D | Francesco Tristano | — | |
| 6 | Freudvoll und leidvoll, S 280.1 | Jonas Kaufmann, Helmut Deutsch | — | |
| 7 | 12 Études, op. 25: No. 1 in A-flat major “Aeolian Harp” | Beatrice Rana | — | |
| 8 | Symphony no. 40 in G minor, K 550: III. Menuetto. Allegretto – Trio | Kammerakademie Potsdam, Antonello Manacorda | — | |
| 9 | Wind Song | Ludovico Einaudi | T-305.076.004-4 | |
| 10 | Victime Paschali laudes: Ostersequenz à 3 | Huelgas Ensemble, Paul Van Nevel | — | |
| 11 | Rückert Lieder: II. "Ich atmet' einen linden Duft!" | Joyce DiDonato, Il Pomo d’Oro, Maxim Emelyanychev | — | |
| 12 | Concerto F-Dur GWV 323: II. Andante | Stefan Temmingh, Capricornus Consort Basel, Peter Barczi | — | |
| 13 | Konzert Nr. 2 Klãtbūtne / Präsenz | Uladzimir Sinkevich, Münchner Rundfunkorchester, Ivan Repušić | — | |
| 14 | “Serenata Notturna” Serenade for Strings and Timpani in D major, K 239: I. Marcia: Maestoso | Berliner Barock Solisten, Reinhard Goebel | — | |
| 15 | Ave verum corpus, K. 618 | Albrecht Mayer, Deutsche Kammerphilharmonie Bremen | T-323.252.117-0 | |
| 16 | Streichquartett Nr. 7 Es-Dur KV 160: I. Allegro | Armida Quartett | — | |
| 17 | Präludium und Fuge c-Moll BWV 847 | Viviane Chassot | — | |
| 18 | Everloving | Tripp Beam, Moby, The Budapest Art Orchestra, Joe Trapanese | T-010.894.314-1 | |
| 19 | Nocturne in B‐flat major, H 37 | Magdalena Hoffmann | — | |
| 20 | Agrippina: Atto I. Aria “L’alma mia fra le tempeste” (Agrippina) | Jeanine De Bique, Concerto Köln, Luca Quintavalle | — | |
| 2-1 | Stabat Mater, RV 621: I. Stabat Mater dolorosa | Jakub Józef Orliński, Capella Cracoviensis, Jan Tomasz Adamus | — | |
| 2-2 | Summer 3 | Elena Urioste, Chineke! Orchestra | — | |
| 2-3 | Up Is Down | Kian Soltani | — | |
| 2-4 | Violin Concerto no. 1 in D major, op. 19: II. Scherzo: Vivacissimo | Tianwa Yang, ORF Radio-Symphonieorchester Wien, Jun Märkl | — | |
| 2-5 | Wiegala | Singer Pur | — | |
| 2-6 | Roméo et Juliette : “Ah! lève‐toi, soleil!” | Pene Pati, Orchestre National Bordeaux Aquitaine, Emmanuel Villaume | — | |
| 2-7 | Grande Sonate f-Moll, op. 14: Prestissimo possibile | Florian Uhlig | — | |
| 2-8 | Concerto G-Dur Für Englischhorn, Streicher & Basso Continuo (nach Osteroratorium BWVG 249): II. Adagio | Dominik Wollenweber, Collegium der Berliner Philharmoniker | — | |
| 2-9 | Komm, Gott, Schöpfer, Heiliger Geist, BWV 667 | Eckhard Manz | — | |
| 2-10 | "Auf! Lasst uns frei und lustig leben" | Goldberg Vocal Ensemble, Goldberg Baroque Ensemble, Andrzej Szadejko | — | |
| 2-11 | Mazurka (from “Vater Sergius”) | Rundfunk-Sinfonieorchester Berlin, Frank Strobel | — | |
| 2-12 | Eine Alpensinfonie op. 64: XVI. Vision | Rundfunk-Sinfonieorchester Berlin, Vladimir Jurowski | — | |
| 2-13 | Sinfonie Nr. 7 op. 77: I. Allegro moderato (Finale) | Niederrheinische Sinfoniker, Mihkel Kütson | — | |
| 2-14 | Abendlied aus Sechs Gesänge op. 107 (Kinkel) | Christian Gerhaher, Gerold Huber | — | |
| 2-15 | Sonate für Klarinette und Klavier: II. Lebhaft | Sharon Kam, Enrico Pace | — | |
| 2-16 | Die verschwiegende Nachtigall aus Sechs Lieder Op. 48 | Äneas Humm, Renate Rohlfing | — | |
| 2-17 | Deep Energy | Constantin Hartwig, Fabian Neckermann, Steffen Schmid, Trio 21meter60 | T-009.383.752-5 | |
| 2-18 | Gran Duo Concertante für Geige, Kontrabass & Streichorchester: IV. Allegro maestoso | Benjamin Schmid, Dominik Wagner, Württembergisches Kammerorchester Heilbronn, Emmanuel Tjeknavorian | — | |
| 2-20 | "Allelujah!" aus der Kantate Jauchzet Gott In Allen Landen BWV 51 | Miriam Feuersinger, Capricornus Consort Basel, Peter Barczi | — | |
| 2-21 | Bagatellen: II | Valentin Silvestrov | T-802.445.410-3 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Malasana (short version) | Dobrawa Czocher, Hania Rani | — |
