UPC · Release
Best Of Klassik 2022: Die grosse Gala der Opus Klassik-Preisträger
Various Artists
5054197222467
40 tracksReleased 2022-01-01Warner Classics
Last verified:
5054197222467 is the Universal Product Code (UPC barcode) for the release “Best Of Klassik 2022: Die grosse Gala der Opus Klassik-Preisträger” by Various Artists, released 2022-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC. Tracks include DEN962136024, USSM12005402, GBAYC2003386.
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505GS1 prefix
4197Company prefix
22246Product
7Check digit
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- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
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Credit Chain
UPCBest Of Klassik 2022: Die grosse Gala der Opus Klassik-Preisträger
ISRC40 recordings
ISWC2 works
IPI10 songwriters
Track List (40)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Imperial March (From Star Wars: The Empire Strikes Back) | Berliner Philharmoniker, John Williams | T-070.241.142-4 | |
| 2 | 24 Preludes and Fugues, op. 87: Prelude no. 1 in C major | Igor Levit | — | |
| 3 | L’Antiope: Act III, Final Scene: “Vieni, corri, volami in braccio” | Lea Desandre, Hugo Abraham, Sophie de Bardonnèche, Thomas Dunford, Salomé Gasselin, Sophie Gent, Théotime Langlois de Swarte, Marie-Ange Petit, Cyril Poulet, Jean Rondeau | — | |
| 4 | Darf ich... | Renaud Capuçon, Orchestre de Chambre de Lausanne | — | |
| 5 | On John Bull Galliard in D | Francesco Tristano | — | |
| 6 | Freudvoll und leidvoll, S 280.1 | Jonas Kaufmann, Helmut Deutsch | — | |
| 7 | 12 Études, op. 25: No. 1 in A-flat major “Aeolian Harp” | Beatrice Rana | — | |
| 8 | Symphony no. 40 in G minor, K 550: III. Menuetto. Allegretto – Trio | Kammerakademie Potsdam, Antonello Manacorda | — | |
| 9 | Wind Song | Ludovico Einaudi | T-305076004-4 | |
| 10 | Victime Paschali laudes: Ostersequenz à 3 | Huelgas Ensemble, Paul Van Nevel | — | |
| 11 | Rückert Lieder: II. "Ich atmet' einen linden Duft!" | Joyce DiDonato, Il Pomo d’Oro, Maxim Emelyanychev | — | |
| 12 | Concerto F-Dur GWV 323: II. Andante | Stefan Temmingh, Capricornus Consort Basel, Peter Barczi | — | |
| 13 | Konzert Nr. 2 Klãtbūtne / Präsenz | Uladzimir Sinkevich, Münchner Rundfunkorchester, Ivan Repušić | — | |
| 14 | “Serenata Notturna” Serenade for Strings and Timpani in D major, K 239: I. Marcia: Maestoso | Berliner Barock Solisten, Reinhard Goebel | — | |
| 15 | Ave verum corpus, K. 618 | Albrecht Mayer, Deutsche Kammerphilharmonie Bremen | T-323252117-0 | |
| 16 | Streichquartett Nr. 7 Es-Dur KV 160: I. Allegro | Armida Quartett | — | |
| 17 | Präludium und Fuge c-Moll BWV 847 | Viviane Chassot | — | |
| 18 | Everloving | Tripp Beam, Moby, The Budapest Art Orchestra, Joe Trapanese | T-010.894.314-1 | |
| 19 | Nocturne in B‐flat major, H 37 | Magdalena Hoffmann | — | |
| 20 | Agrippina: Atto I. Aria “L’alma mia fra le tempeste” (Agrippina) | Jeanine De Bique, Concerto Köln, Luca Quintavalle | — | |
| 2-1 | Stabat Mater, RV 621: I. Stabat Mater dolorosa | Jakub Józef Orliński, Capella Cracoviensis, Jan Tomasz Adamus | — | |
| 2-2 | Summer 3 | Elena Urioste, Chineke! Orchestra | — | |
| 2-3 | Up Is Down | Kian Soltani | — | |
| 2-4 | Violin Concerto no. 1 in D major, op. 19: II. Scherzo: Vivacissimo | Tianwa Yang, ORF Radio-Symphonieorchester Wien, Jun Märkl | — | |
| 2-5 | Wiegala | Singer Pur | — | |
| 2-6 | Roméo et Juliette : “Ah! lève‐toi, soleil!” | Pene Pati, Orchestre National Bordeaux Aquitaine, Emmanuel Villaume | — | |
| 2-7 | Grande Sonate f-Moll, op. 14: Prestissimo possibile | Florian Uhlig | — | |
| 2-8 | Concerto G-Dur Für Englischhorn, Streicher & Basso Continuo (nach Osteroratorium BWVG 249): II. Adagio | Dominik Wollenweber, Collegium der Berliner Philharmoniker | — | |
| 2-9 | Komm, Gott, Schöpfer, Heiliger Geist, BWV 667 | Eckhard Manz | — | |
| 2-10 | "Auf! Lasst uns frei und lustig leben" | Goldberg Vocal Ensemble, Goldberg Baroque Ensemble, Andrzej Szadejko | — | |
| 2-11 | Mazurka (from “Vater Sergius”) | Rundfunk-Sinfonieorchester Berlin, Frank Strobel | — | |
| 2-12 | Eine Alpensinfonie op. 64: XVI. Vision | Rundfunk-Sinfonieorchester Berlin, Vladimir Jurowski | — | |
| 2-13 | Sinfonie Nr. 7 op. 77: I. Allegro moderato (Finale) | Niederrheinische Sinfoniker, Mihkel Kütson | — | |
| 2-14 | Abendlied aus Sechs Gesänge op. 107 (Kinkel) | Christian Gerhaher, Gerold Huber | — | |
| 2-15 | Sonate für Klarinette und Klavier: II. Lebhaft | Sharon Kam, Enrico Pace | — | |
| 2-16 | Die verschwiegende Nachtigall aus Sechs Lieder Op. 48 | Äneas Humm, Renate Rohlfing | — | |
| 2-17 | Deep Energy | Constantin Hartwig, Fabian Neckermann, Steffen Schmid, Trio 21meter60 | T0093837525 | |
| 2-18 | Gran Duo Concertante für Geige, Kontrabass & Streichorchester: IV. Allegro maestoso | Benjamin Schmid, Dominik Wagner, Württembergisches Kammerorchester Heilbronn, Emmanuel Tjeknavorian | — | |
| 2-20 | "Allelujah!" aus der Kantate Jauchzet Gott In Allen Landen BWV 51 | Miriam Feuersinger, Capricornus Consort Basel, Peter Barczi | — | |
| 2-21 | Bagatellen: II | Valentin Silvestrov | T8024454103 |
Berliner Philharmoniker, John Williams
24 Preludes and Fugues, op. 87: Prelude no. 1 in C major
Igor Levit
—
L’Antiope: Act III, Final Scene: “Vieni, corri, volami in braccio”
Lea Desandre, Hugo Abraham, Sophie de Bardonnèche, Thomas Dunford, Salomé Gasselin, Sophie Gent, Théotime Langlois de Swarte, Marie-Ange Petit, Cyril Poulet, Jean Rondeau
—
Darf ich...
Renaud Capuçon, Orchestre de Chambre de Lausanne
—
On John Bull Galliard in D
Francesco Tristano
—
Freudvoll und leidvoll, S 280.1
Jonas Kaufmann, Helmut Deutsch
—
12 Études, op. 25: No. 1 in A-flat major “Aeolian Harp”
Beatrice Rana
—
Symphony no. 40 in G minor, K 550: III. Menuetto. Allegretto – Trio
Kammerakademie Potsdam, Antonello Manacorda
—
Victime Paschali laudes: Ostersequenz à 3
Huelgas Ensemble, Paul Van Nevel
—
Rückert Lieder: II. "Ich atmet' einen linden Duft!"
Joyce DiDonato, Il Pomo d’Oro, Maxim Emelyanychev
—
Concerto F-Dur GWV 323: II. Andante
Stefan Temmingh, Capricornus Consort Basel, Peter Barczi
—
Konzert Nr. 2 Klãtbūtne / Präsenz
Uladzimir Sinkevich, Münchner Rundfunkorchester, Ivan Repušić
—
“Serenata Notturna” Serenade for Strings and Timpani in D major, K 239: I. Marcia: Maestoso
Berliner Barock Solisten, Reinhard Goebel
—
Streichquartett Nr. 7 Es-Dur KV 160: I. Allegro
Armida Quartett
—
Präludium und Fuge c-Moll BWV 847
Viviane Chassot
—
Nocturne in B‐flat major, H 37
Magdalena Hoffmann
—
Agrippina: Atto I. Aria “L’alma mia fra le tempeste” (Agrippina)
Jeanine De Bique, Concerto Köln, Luca Quintavalle
—
Stabat Mater, RV 621: I. Stabat Mater dolorosa
Jakub Józef Orliński, Capella Cracoviensis, Jan Tomasz Adamus
—
Summer 3
Elena Urioste, Chineke! Orchestra
—
Up Is Down
Kian Soltani
—
Violin Concerto no. 1 in D major, op. 19: II. Scherzo: Vivacissimo
Tianwa Yang, ORF Radio-Symphonieorchester Wien, Jun Märkl
—
Wiegala
Singer Pur
—
Roméo et Juliette : “Ah! lève‐toi, soleil!”
Pene Pati, Orchestre National Bordeaux Aquitaine, Emmanuel Villaume
—
Grande Sonate f-Moll, op. 14: Prestissimo possibile
Florian Uhlig
—
Concerto G-Dur Für Englischhorn, Streicher & Basso Continuo (nach Osteroratorium BWVG 249): II. Adagio
Dominik Wollenweber, Collegium der Berliner Philharmoniker
—
Komm, Gott, Schöpfer, Heiliger Geist, BWV 667
Eckhard Manz
—
"Auf! Lasst uns frei und lustig leben"
Goldberg Vocal Ensemble, Goldberg Baroque Ensemble, Andrzej Szadejko
—
Mazurka (from “Vater Sergius”)
Rundfunk-Sinfonieorchester Berlin, Frank Strobel
—
Eine Alpensinfonie op. 64: XVI. Vision
Rundfunk-Sinfonieorchester Berlin, Vladimir Jurowski
—
Sinfonie Nr. 7 op. 77: I. Allegro moderato (Finale)
Niederrheinische Sinfoniker, Mihkel Kütson
—
Abendlied aus Sechs Gesänge op. 107 (Kinkel)
Christian Gerhaher, Gerold Huber
—
Sonate für Klarinette und Klavier: II. Lebhaft
Sharon Kam, Enrico Pace
—
Die verschwiegende Nachtigall aus Sechs Lieder Op. 48
Äneas Humm, Renate Rohlfing
—
Gran Duo Concertante für Geige, Kontrabass & Streichorchester: IV. Allegro maestoso
Benjamin Schmid, Dominik Wagner, Württembergisches Kammerorchester Heilbronn, Emmanuel Tjeknavorian
—
"Allelujah!" aus der Kantate Jauchzet Gott In Allen Landen BWV 51
Miriam Feuersinger, Capricornus Consort Basel, Peter Barczi
—
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Malasana (short version) | Dobrawa Czocher, Hania Rani | — |
Malasana (short version)
Dobrawa Czocher, Hania Rani
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000387978290000000041815776000000005705334X0000000057403063000000007824320600000000783969740000000080933118000000008121986400000000818877820000000083723757
+40 more
00000000841516740000000084159481000000010675034500000001072041510000000107757354000000010911104700000001092070060000000109219365000000010943000500000001106041560000000110880409000000011113586500000001144575360000000114560488000000011478208000000001148815480000000114981493000000011508866400000001194083030000000119422113000000012019149800000001202311970000000121028270000000012114424700000001214216620000000121782660000000012187344X0000000122383186000000012282590900000001234791980000000131937857000000013210927900000001332823130000000133443842000000036351391400000003827943010000000405542001000000040563732600000004250053180000000427930785
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What is UPC 5054197222467?
5054197222467 is a Universal Product Code (UPC) assigned to Best Of Klassik 2022: Die grosse Gala der Opus Klassik-Preisträger by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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