UPC · Release
The Romantic Master: Symphonies & Masses
Anton Bruckner
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5054197961397 is the Universal Product Code (UPC barcode) for the release “The Romantic Master: Symphonies & Masses” by Anton Bruckner. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 73 tracks, each with its own ISRC. Tracks include GBAYC1200324, DEN961003644, GBAYC0800931.
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Track List (73)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 5 | Symphony no. 7 in E Major, WAB 107: I. Allegro moderato | — | ||
| 6 | Symphony no. 7 in E Major, WAB 107: II. Adagio. Sehr feierlich und sehr langsam | — | ||
| 7 | Symphony no. 7 in E Major, WAB 107: III. Scherzo. Sehr schnell - Trio. Etwas langsamer | — | ||
| 8 | Symphony no. 7 in E Major, WAB 107: IV. Finale. Bewegt, doch nicht schnell | — | ||
| 9 | Symphony no. 9 in D Minor, WAB 109: I. Feierlich, misterioso | — | ||
| 10 | Symphony no. 9 in D minor: II. Scherzo: Bewegt, lebhaft - Trio: Schnell | Berliner Philharmoniker, Simon Rattle | — | |
| 11 | Symphony no. 9 in D Minor, WAB 109: III. Adagio. Langsam, feierlich | — | ||
| 13 | Symphony no. 0 in D Minor, WAB 100 "Nullte": I. Allegro | — | ||
| 14 | Symphony no. 0 in D Minor, WAB 100 "Nullte": II. Andante | — | ||
| 15 | Symphony no. 0 in D Minor, WAB 100 "Nullte": III. Scherzo. Presto - Trio. Langsamer und ruhiger | — | ||
| 16 | Symphony no. 0 in D Minor, WAB 100 "Nullte": IV. Finale. Moderato - Allegro vivace | — | ||
| 17 | Symphony no. 00 in F Minor, WAB 99: I. Allegro molto vivace | — | ||
| 18 | Symphony no. 00 in F Minor, WAB 99: II. Andante molto | — | ||
| 19 | Symphony no. 00 in F Minor, WAB 99: III. Scherzo. Schnell - Trio. Langsamer | — | ||
| 20 | Symphony no. 00 in F Minor, WAB 99: IV. Finale. Allegro | — | ||
| 41 | Symphony no. 6 in A Major, WAB 106: I. Maestoso | — | ||
| 42 | Symphony no. 6 in A Major, WAB 106: II. Adagio. Sehr feierlich | — | ||
| 43 | Symphony no. 6 in A Major, WAB 106: III. Scherzo. Nicht schnell - Trio. Langsam | — | ||
| 44 | Symphony no. 6 in A Major, WAB 106: IV. Finale. Bewegt, doch nicht zu schnell | — | ||
| 48 | Symphony no. 7 in E major, WAB 107: IV. Finale. Bewegt, doch nicht schnell | Staatskapelle Berlin, Daniel Barenboim | — | |
| 54 | Symphony no. 9 in D Minor, WAB 109: II. Scherzo. Bewegt, lebhaft - Trio. Schnell | — | ||
| 56 | Symphony no. 4 in E-Flat Major, WAB 104 "Romantic": I. Bewegt, nicht zu schnell (Arr. Bauer for Chamber Orchestra) | — | ||
| 57 | Symphony no. 7 in E Major, WAB 107: II. Adagio. Sehr feierlich und sehr langsam (Arr. Bauer for Chamber Orchestra) | — | ||
| 58 | Mass no. 2 in E Minor, WAB 27: I. Kyrie | — | ||
| 59 | Mass no. 2 in E Minor, WAB 27: II. Gloria | — | ||
| 60 | Mass no. 2 in E Minor, WAB 27: III. Credo | — | ||
| 61 | Mass no. 2 in E Minor, WAB 27: IV. Sanctus | — | ||
| 62 | Mass no. 2 in E Minor, WAB 27: V. Benedictus | — | ||
| 63 | Mass no. 2 in E Minor, WAB 27: VI. Agnus Dei | — | ||
| 64 | Mass no. 3 in F Minor, WAB 28: I. Kyrie | — | ||
| 65 | Mass no. 3 in F Minor, WAB 28: II. Gloria | — | ||
| 66 | Mass no. 3 in F Minor, WAB 28: III. Credo | — | ||
| 67 | Mass no. 3 in F Minor, WAB 28: IV. Sanctus | — | ||
| 68 | Mass no. 3 in F Minor, WAB 28: V. Benedictus | — | ||
| 69 | Mass no. 3 in F Minor, WAB 28: VI. Agnus Dei | — | ||
| 70 | Missa solemnis in B-Flat Minor, WAB 29: I. Kyrie | — | ||
| 71 | Missa solemnis in B-Flat Minor, WAB 29: II. Gloria in excelsis Deo | — | ||
| 72 | Missa solemnis in B-Flat Minor, WAB 29: II. Qui tollis peccata mundi | — | ||
| 73 | Missa solemnis in B-Flat Minor, WAB 29: II. Quoniam tu solus sanctus | — | ||
| 74 | Missa solemnis in B-Flat Minor, WAB 29: III. Credo in unum Deum | — | ||
| 75 | Missa solemnis in B-Flat Minor, WAB 29: III. Et incarnatus est | — | ||
| 76 | Missa solemnis in B-Flat Minor, WAB 29: III. Et resurrexit | — | ||
| 77 | Missa solemnis in B-Flat Minor, WAB 29: III. Et vitam venturi saeculi | — | ||
| 78 | Missa solemnis in B-Flat Minor, WAB 29: IV. Sanctus | — | ||
| 79 | Missa solemnis in B-Flat Minor, WAB 29: V. Benedictus | — | ||
| 80 | Missa solemnis in B-Flat Minor, WAB 29: VI. Agnus Dei | — | ||
| 81 | Missa solemnis in B-Flat Minor, WAB 29: VI. Dona nobis pacem | — | ||
| 82 | Ave Maria, WAB 6 | — | ||
| 83 | Ave Maria, WAB 7 (Orch. Dupin) | — | ||
| 84 | Christus factus est, WAB 11 | — | ||
| 85 | Helgoland, WAB 71 | — | ||
| 86 | Locus iste, WAB 23 | — | ||
| 87 | Os justi, WAB 30 | — | ||
| 88 | Psalm CXII, WAB 35 "Halleluja! Lobet den Herrn, ihr Diener" | — | ||
| 89 | Psalm CL, WAB 38 "Halleluja! Lobet den Herrn in seinem Heiligtum" | — | ||
| 90 | Te Deum, WAB 45: I. Te Deum laudamus | — | ||
| 91 | Te Deum: II. Te ergo quaesumus | Birgit Finnilä, Don Garrard, Anne Pashley, Philharmonia Chorus, Robert Tear, Philharmonia Orchestra, Daniel Barenboim | — | |
| 92 | Te Deum: III. Aeterna fac cum sanctis tuis | Birgit Finnilä, Don Garrard, Anne Pashley, Philharmonia Chorus, Robert Tear, Philharmonia Orchestra, Daniel Barenboim | — | |
| 93 | Te Deum: IV. Salvum fac populum tuum | Birgit Finnilä, Don Garrard, Anne Pashley, Philharmonia Chorus, Robert Tear, Philharmonia Orchestra, Daniel Barenboim | — | |
| 94 | Te Deum: V. In te Domine speravi | Birgit Finnilä, Don Garrard, Anne Pashley, Philharmonia Chorus, Robert Tear, Philharmonia Orchestra, Daniel Barenboim | — | |
| 95 | Virga Jesse, WAB 52 | — | ||
| 128 | Symphony no. 6 in A Major, WAB 106: I. Maestoso (Live at Philharmonie am Gasteig, Munich, 1991) | — | ||
| 129 | Symphony no. 6 in A Major, WAB 106: II. Adagio. Sehr feierlich (Live at Philharmonie am Gasteig, Munich, 1991) | — | ||
| 130 | Symphony no. 6 in A Major, WAB 106: III. Scherzo. Nicht schnell - Trio. Langsam (Live at Philharmonie am Gasteig, Munich, 1991) | — | ||
| 131 | Symphony no. 6 in A Major, WAB 106: IV. Bewegt, doch nicht zu schnell (Live at Philharmonie am Gasteig, Munich, 1991) | — | ||
| 132 | Symphony no. 7 in E Major, WAB 107: I. Allegro moderato (Live, Avery Fisher Hall, New York, 1991) | — | ||
| 133 | Symphony no. 7 in E Major, WAB 107: II. Adagio. Sehr feierlich und sehr langsam (Live, Avery Fisher Hall, New York, 1991) | — | ||
| 134 | Symphony no. 7 in E Major, WAB 107: III. Scherzo. Sehr schnell - Trio. Etwas langsamer (Live, Avery Fisher Hall, New York, 1991) | — | ||
| 135 | Symphony no. 7 in E Major, WAB 107: IV. Finale. Bewegt, doch nicht schnell (Live, Avery Fisher Hall, New York, 1991) | — | ||
| 140 | Symphony no. 8 in C Minor, WAB 108: I. Allegro moderato (Haas Mixed Edition) | — | ||
| 141 | Symphony no. 8 in C Minor, WAB 108: II. Scherzo. Allegro moderato - Trio. Langsam (Haas Mixed Edition) | — | ||
| 142 | Symphony no. 8 in C Minor, WAB 108: III. Adagio. Feierlich langsam, doch nicht schleppend (Haas Mixed Edition) | — | ||
| 143 | Symphony no. 8 in C Minor, WAB 108: IV. Finale. Feierlich, nicht schnell (Haas Mixed Edition) | — |
Additional database matches (8)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony no. 4: I. Allegro molto moderato. Bewegt, nicht zu schnell | Simon Rattle, Berliner Philharmoniker | — |
| Symphony no. 4: II. Andante quasi allegretto | Simon Rattle, Berliner Philharmoniker | — |
| Symphony no. 4: III. Scherzo: Bewegt - Trio: Nicht zu schnell, keinesfalls schleppend | Simon Rattle, Berliner Philharmoniker | — |
| Symphony no. 4: IV. Finale: Bewegt, doch nicht zu schnell | Simon Rattle, Berliner Philharmoniker | — |
| Symphony No.3 In D Minor I. Mehr Langsam, Misterioso | Wiener Philharmoniker, Carl Schuricht | — |
| Symphony No.3 In D Minor II. Adagio (Bewegt) Quasi Andante | Wiener Philharmoniker, Carl Schuricht | — |
| Symphony No.3 In D Minor III. Ziemlich Bewegt | Wiener Philharmoniker, Carl Schuricht | — |
| Symphony No.3 In D Minor IV. Allegro | Wiener Philharmoniker, Carl Schuricht | — |
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What is UPC 5054197961397?
5054197961397 is a Universal Product Code (UPC) assigned to The Romantic Master: Symphonies & Masses by Anton Bruckner. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 73 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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