UPC · Release
A Rhythm & Blues Chronology 1945–46
Various Artists
Last verified:
5055869513241 is the Universal Product Code (UPC barcode) for the release “A Rhythm & Blues Chronology 1945–46” by Various Artists, released 2015-11-20. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 105 tracks, each with its own ISRC. Tracks include USMC14573105, GBAJD0701070, USMC14404720.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (105)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Dirt Road Blues | — | ||
| 2 | Detroit Jump | — | ||
| 3 | Since I Fell for You | Ella Johnson | T-070.135.541-0 | |
| 4 | S. K. Blues, Pt. 1 | — | ||
| 5 | M.F.T. Boogie | — | ||
| 6 | Baby Look at You | — | ||
| 7 | Jump Jack Jump | — | ||
| 8 | Blues at Sunrise | — | ||
| 9 | Two Timin’ Blues | — | ||
| 10 | Blues for a Day | — | ||
| 11 | Stop Breaking Down | Sonny Boy Williamson | T-011.333.430-7 | |
| 12 | Jimmy’s Round the Clock Blues | — | ||
| 13 | V Day Stomp | — | ||
| 14 | Play Jackpot | — | ||
| 15 | Left a Good Deal in Mobile | — | ||
| 16 | Cherry Red Blue | — | ||
| 17 | Strange Things Happening | — | ||
| 18 | Cement Mixer | — | ||
| 19 | He May Be Your Man | — | ||
| 20 | Jammin’ the Boogie | Albert Ammons Rhythm Kings | — | |
| 21 | Buzz Me | — | ||
| 22 | When the Sun Goes Down | — | ||
| 23 | Salt Peanuts | — | ||
| 24 | When I’ve Been Drinking | — | ||
| 25 | See See Rider | — | ||
| 26 | After Hours Boogie | — | ||
| 27 | The Honeydripper, Pt. 1 | — | ||
| 28 | Be‐baba‐leba | — | ||
| 29 | Harlem Nocturne | — | ||
| 30 | If It’s Good | — | ||
| 31 | Reefer Head Woman | — | ||
| 32 | Texas Stomp | Big Maceo | — | |
| 33 | Somebody’s Gotta Go | — | ||
| 34 | Bartender Boogie | — | ||
| 35 | Rock Me Mama | — | ||
| 36 | Rock Boogie | — | ||
| 37 | Doggin’ the Blues (Low Dog Blues) | Big Joe Turner | — | |
| 38 | Blow Top Blues | — | ||
| 39 | Tippin’ In | — | ||
| 40 | Voo‐it, Voo‐it | — | ||
| 41 | Anytime Is the Right Time | — | ||
| 42 | Topsy | Ike Quebec | — | |
| 43 | It’s Just the Blues | — | ||
| 44 | That’s the Blues | — | ||
| 45 | Milton’s Boogie | — | ||
| 46 | My Baby’s Business | — | ||
| 47 | Swingin’ the Boogie | — | ||
| 48 | Travelin’ Blues | — | ||
| 49 | Beulah’s Boogie | — | ||
| 50 | Wynonie’s Blues | — | ||
| 51 | Get Away Mr. Satan Get Away | — | ||
| 52 | Rocky Road Blues | — | ||
| 53 | Stone Cold Dead in the Mkt | — | ||
| 54 | Port Wine | — | ||
| 55 | Freight Train Boogie | Delmore Brothers | T-910.921.185-0 | |
| 56 | Voodoo Woman Blues | — | ||
| 57 | Weddin’ Day Blues | Cousin Joe | — | |
| 58 | Let’s Have a Ball | — | ||
| 59 | Just A Sittin’ and A‐Rockin’ | — | ||
| 60 | Don’t Stop the Carnival | — | ||
| 61 | Get the Mop | — | ||
| 62 | Atom and Evil | The Golden Gate Quartet | T-070.002.221-4 | |
| 63 | Everything’s Moving Too Fast | — | ||
| 64 | Shorty’s Got to Go | — | ||
| 65 | Everything Will Be All Right | — | ||
| 66 | Bye Bye Baby Blues | — | ||
| 67 | Hawk’s Boogie | — | ||
| 68 | How Far From God | — | ||
| 69 | Gotta Gimme Whatcha Got | — | ||
| 70 | Oklahoma Stomp | — | ||
| 71 | Old Maid Boogie | — | ||
| 72 | My Baby | — | ||
| 73 | I Feel So Bad | — | ||
| 74 | Texas & Pacific | — | ||
| 75 | You’ve Got to Move | — | ||
| 76 | Shufflin’ Boogie | — | ||
| 77 | If I Were a Itty Bitty Girl Pt. 1 | — | ||
| 78 | Here Am I Do Send Me | — | ||
| 79 | That’s All Right | Arthur “Big Boy” Crudup | T-070.250.140-3 | |
| 80 | Come Back to Me Baby | — | ||
| 81 | Don’t Leave Me Baby | — | ||
| 82 | Chicago Breakdown | — | ||
| 83 | Open the Door, Richard | — | ||
| 84 | Tanya | — | ||
| 85 | My Gal’s a Jockey | — | ||
| 86 | The King | — | ||
| 87 | Joshua Fit the Battle | — | ||
| 88 | Lotus Blossom | — | ||
| 89 | Red Light | — | ||
| 90 | Going Down Slow | — | ||
| 91 | Hey! Ba‐Ba‐Re‐Bop | Lionel Hampton and His Orchestra | — | |
| 92 | Slim’s Jam | — | ||
| 93 | Seventh Street Boogie | — | ||
| 94 | Happy Go Lucky Local Pt. 2 | — | ||
| 95 | Let the Good Times Roll | Louis Jordan | T-070095633-7 | |
| 96 | Calypso Daddy | — | ||
| 97 | When I’m in My Tea | — | ||
| 98 | Indiana Avenue Stomp | — | ||
| 99 | Fare Thee Well Deacon Jones | — | ||
| 100 | Playful Baby | — | ||
| 101 | Cool Breeze | — | ||
| 102 | I Want to Be Loved | — | ||
| 103 | Atomic Boogie | — | ||
| 104 | Down the Road Apiece | — | ||
| 105 | Floyd’s Guitar Blues | — |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Hey! Ba‐Ba‐Re‐Bop | Lionel Hampton and His Orchestra | T0702402729 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
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Creative Contributors (ISNI)
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Credits Graph
People also ask
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What is UPC 5055869513241?
5055869513241 is a Universal Product Code (UPC) assigned to A Rhythm & Blues Chronology 1945–46 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 105 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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