UPC · Release
Mahler, Wiener Philharmoniker, Lorin Maazel
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The UPC for “Symphonies nos. 1-10 (Adagio)” by Mahler, Wiener Philharmoniker, Lorin Maazel is 5099704819822. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1992-01-01. Label: Sony Classical. This release contains 118 tracks, each with its own ISRC. Tracks include USSM18300563, USSM18300564, USSM18300565.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 “Titan”: I. Langsam. Schelppend | — | ||
| 2 | Symphony no. 1 “Titan”: I. Immer sehr gemachlich | — | ||
| 3 | Symphony no. 1 “Titan”: II. Kraftig bewegt, doch nicht zu schnell | — | ||
| 4 | Symphony no. 1 “Titan”: II. Trio. Recht gemachlich | — | ||
| 5 | Symphony no. 1 “Titan”: II. Tempo primo | — | ||
| 6 | Symphony no. 1 “Titan”: III. Feirlich und gemessen, ohne zu schleppen | — | ||
| 7 | Symphony no. 1 “Titan”: III. Sehr einfach und schlicht wie eine Volksweise | — | ||
| 8 | Symphony no. 1 “Titan”: III. Wieder etwas bewegter, wie am Anfang | — | ||
| 9 | Symphony no. 1 “Titan”: IV. Sturmisch bewegt - Energisch | — | ||
| 2-1 | Symphony no. 2: I. Allegro maestoso | — | ||
| 2-2 | Symphony no. 2: II. Andante moderato | — | ||
| 2-3 | Symphony no. 2: III. In ruhig fließender Bewegung | — | ||
| 3-1 | Symphony no. 2: IV. “Urlicht”. Sehr feierlich, aber schlicht | — | ||
| 3-2 | Symphony no. 2: V. Im Tempo des Scherzos | — | ||
| 4-1 | Symphony no. 3: I. Kräftig. Entschieden | — | ||
| 4-2 | Symphony no. 3: I. Kräftig. Entschieden | — | ||
| 4-3 | Symphony no. 3: I. Kräftig. Entschieden | — | ||
| 4-4 | Symphony no. 3: I. Kräftig. Entschieden | — | ||
| 4-5 | Symphony no. 3: I. Kräftig. Entschieden | — | ||
| 4-6 | Symphony no. 3: I. Kräftig. Entschieden | — | ||
| 4-7 | Symphony no. 3: I. Kräftig. Entschieden | — | ||
| 4-8 | Symphony no. 3: II. Tempo di Menuetto. Sehr mäßig | — | ||
| 4-9 | Symphony no. 3: II. Tempo di Menuetto. Sehr mäßig | — | ||
| 4-10 | Symphony no. 3: II. Tempo di Menuetto. Sehr mäßig | — | ||
| 4-11 | Symphony no. 3: III. Comodo. Scherzando. Ohne Hast | — | ||
| 4-12 | Symphony no. 3: III. Comodo. Scherzando. Ohne Hast | — | ||
| 4-13 | Symphony no. 3: III. Comodo. Scherzando. Ohne Hast | — | ||
| 4-14 | Symphony no. 3: III. Comodo. Scherzando. Ohne Hast | — | ||
| 4-15 | Symphony no. 3: III. Comodo. Scherzando. Ohne Hast | — | ||
| 5-1 | Symphony no. 3: IV. Sehr langsam. Misterioso. Durchaus ppp | — | ||
| 5-2 | Symphony no. 3: IV. Sehr langsam. Misterioso. Durchaus ppp | — | ||
| 5-3 | Symphony no. 3: V. Lustig im Tempo und keck im Ausdruck | — | ||
| 5-4 | Symphony no. 3: VI. Langsam. Ruhevoll. Empfunden | — | ||
| 5-5 | Symphony no. 3: VI. Langsam. Ruhevoll. Empfunden | — | ||
| 5-6 | Symphony no. 3: VI. Langsam. Ruhevoll. Empfunden | — | ||
| 5-7 | Symphony no. 3: VI. Langsam. Ruhevoll. Empfunden | — | ||
| 5-8 | Symphony no. 3: VI. Langsam. Ruhevoll. Empfunden | — | ||
| 5-9 | Symphony no. 3: VI. Langsam. Ruhevoll. Empfunden | — | ||
| 5-10 | Kindertotenlieder: I. Nun will die Sonn' so hell aufgeh'n | — | ||
| 5-11 | Kindertotenlieder: II. Nun seh' ich sohl, warum so dunkle Flammen | — | ||
| 5-12 | Kindertotenlieder: III. Wenn dein Mutterlein | — | ||
| 5-13 | Kindertotenlieder: IV. Oft denk' ich , sie sind nur ausgegangen! | — | ||
| 5-14 | Kindertotenlieder: V. In diesem Wetter | — | ||
| 6-1 | Symphony no. 4 in G major: I. Bedächtig, nicht eilen | Wiener Philharmoniker, Lorin Maazel | — | |
| 6-2 | Symphony no. 4 in G major: II. In gemächlicher Bewegung, ohne Hast | Wiener Philharmoniker, Lorin Maazel | — | |
| 6-3 | Symphony no. 4 in G major: III. Ruhevoll | Wiener Philharmoniker, Lorin Maazel | — | |
| 6-4 | Symphony no. 4 in G major: IV. Sehr Behaglich | Kathleen Battle, Wiener Philharmoniker, Lorin Maazel | — | |
| 7-1 | Symphony no. 5: Part I. Ia. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt | — | ||
| 7-2 | Symphony no. 5: Part I. Ib. Plötzlich schneller. Leidenschaftlich. Wild | — | ||
| 7-3 | Symphony no. 5: Part I. Ic. Tempo I | — | ||
| 7-4 | Symphony no. 5: Part I. IIa. Stürmisch bewegt. Mit größter Vehemenz | — | ||
| 7-5 | Symphony no. 5: Part I. IIb. Langsam aber immer | — | ||
| 7-6 | Symphony no. 5: Part I. IIc. Nicht eilen | — | ||
| 7-7 | Symphony no. 5: Part II. IIIa. Scherzo. Kräftig, nicht zu schnell | — | ||
| 7-8 | Symphony no. 5: Part II. IIIb. Etwas ruhiger | — | ||
| 7-9 | Symphony no. 5: Part II. IIIc. Molto moderato | — | ||
| 7-10 | Symphony no. 5: Part II. IIId. A Tempo I | — | ||
| 7-11 | Symphony no. 5: Part II. IIIe. Tempo I (subito) | — | ||
| 7-12 | Symphony no. 5: Part III. IV. Adagietto. Sehr langsam | — | ||
| 7-13 | Symphony no. 5: Part III. Va. Rondo-Finale. Allegro | — | ||
| 7-14 | Symphony no. 5: Part III. Vb. Nicht eilen. A tempo | — | ||
| 7-15 | Symphony no. 5: Part III. Vc. Grazioso | — | ||
| 9-2 | Symphony no. 7: Ia. Langsam (Adagio) | — | ||
| 9-3 | Symphony no. 7: Ib. Nicht sleppen | — | ||
| 9-4 | Symphony no. 7: Ic. Allegro risoluto, ma non troppo | — | ||
| 9-5 | Symphony no. 7: Id. A tempo (sempre l'istesso) | — | ||
| 9-6 | Symphony no. 7: Ie. Subito allegro I Ziemlich ruhig | — | ||
| 9-7 | Symphony no. 7: If. Adagio (Tempo der Einleitung) | — | ||
| 9-8 | Symphony no. 7: Ig. Maestoso. Allegro come prima | — | ||
| 9-9 | Symphony no. 7: IIa. Nachtmusik. Allegro moderato | — | ||
| 9-10 | Symphony no. 7: IIb. Semple l'ïstesso tempo. Nicht eilen, sehr gemächlich | — | ||
| 9-11 | Symphony no. 7: IIc. Tempo | — | ||
| 10-1 | Symphony no. 7: IIIa. Scherzo. Schattenhaft. Fleissend, aber nicht schnell; in der Anfanstakten noch etwas zågernd | — | ||
| 10-2 | Symphony no. 7: IIIb. Trio | — | ||
| 10-3 | Symphony no. 7: IIIc. Wieder wie zu Anfang (nicht eilen) | — | ||
| 10-4 | Symphony no. 7: IVa Nachtmusik. Andante amoroso | — | ||
| 10-5 | Symphony no. 7: IVb. Measure 187 | — | ||
| 10-6 | Symphony no. 7: Va. Rondo – Finale. Tempo I (Allegro ordinario) | — | ||
| 10-7 | Symphony no. 7: Vb. Gemessen! Nicht schnell! Tempo II (Allegro moderato ma energico) | — | ||
| 10-8 | Symphony no. 7: Vc. Tempo I (Halbe wie die Viertel des Tempo I) | — | ||
| 10-9 | Symphony no. 7: Vd. Sempre l'istesso tempo | — | ||
| 11-1 | Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: I. Veni Creatur Spiritus! | Wiener Philharmoniker, Lorin Maazel | — | |
| 11-2 | Symphony no. 8 “Symphony of a Thousand”: Part I. II. Imple superna gratia | — | ||
| 11-3 | Symphony no. 8 “Symphony of a Thousand”: Part I. III. Infirma nostri corporis | — | ||
| 11-4 | Symphony no. 8 “Symphony of a Thousand”: Part I. IV. Tempo I. (Allegra, etwas hastig) | — | ||
| 11-5 | Symphony no. 8 “Symphony of a Thousand”: Part I. V. Infirma nostri corporis | — | ||
| 11-6 | Symphony no. 8 “Symphony of a Thousand”: Part I. VI. Accende lumen sensibus | — | ||
| 11-7 | Symphony no. 8 “Symphony of a Thousand”: Part I. VII. Qui Paraclitus diceris | — | ||
| 11-8 | Symphony no. 8 “Symphony of a Thousand”: Part I. VIII. Gloria Patri Domino | — | ||
| 12-1 | Symphony no. 8 “Symphony of a Thousand”: Part II. I. Poco adagio. | — | ||
| 12-2 | Symphony no. 8 “Symphony of a Thousand”: Part II. II. Più mosso. (Allegro moderato) | — | ||
| 12-3 | Symphony no. 8 “Symphony of a Thousand”: Part II. III. ''Waldung, sie schwankt heran'' | — | ||
| 12-4 | Symphony no. 8 “Symphony of a Thousand”: Part II. IV. ''Ewiger Wonnebrand'' | — | ||
| 12-5 | Symphony no. 8 “Symphony of a Thousand”: Part II. V. ''Wie Felsenabgrund mir zu Füßen'' | — | ||
| 12-6 | Symphony no. 8 “Symphony of a Thousand”: Part II. VI. ''Gerettet ist das edle Glied'' | — | ||
| 12-7 | Symphony no. 8 “Symphony of a Thousand”: Part II. VII. ''Jene Rosen, aus den Händen'' | — | ||
| 12-8 | Symphony no. 8 “Symphony of a Thousand”: Part II. VIII. ''Uns bleibt ein Erdenrest'' | — | ||
| 12-9 | Symphony no. 8 “Symphony of a Thousand”: Part II. IX. ''Ich spür' soeben'' | — | ||
| 12-10 | Symphony no. 8 “Symphony of a Thousand”: Part II. X. ''Hier ist die Aussicht frei'' - ''Freudig empfangen wir'' | — | ||
| 12-11 | Symphony no. 8 “Symphony of a Thousand”: Part II. XI. ''Höchste Herrscherin der Welt'' | — | ||
| 12-12 | Symphony no. 8 “Symphony of a Thousand”: Part II. XII. ''Jungfrau, rein im schönsten Sinne'' | — | ||
| 12-13 | Symphony no. 8 “Symphony of a Thousand”: Part II. XIII. Äußert langsam. Adagissimo | — | ||
| 12-14 | Symphony no. 8 “Symphony of a Thousand”: Part II. XIV. ''Dir, der Unberührbaren'' - ''Du schwebst zu Höhen'' | — | ||
| 12-15 | Symphony no. 8 “Symphony of a Thousand”: Part II. XV. ''Bei der Liebe, die den Füßen'' | — | ||
| 12-16 | Symphony no. 8 “Symphony of a Thousand”: Part II. XVI. ''Bei dem Bronn, zu dem schon weiland'' | — | ||
| 12-17 | Symphony no. 8 “Symphony of a Thousand”: Part II. XVII. ''Bei dem hochgeweihten Orte'' | — | ||
| 12-18 | Symphony no. 8 “Symphony of a Thousand”: Part II. XVIII. ''Die du großen Sünderinnen'' | — | ||
| 12-19 | Symphony no. 8 “Symphony of a Thousand”: Part II. XIX. ''Neige, neige, du Ohnegleiche'' | — | ||
| 12-20 | Symphony no. 8 “Symphony of a Thousand”: Part II. XX. ''Er überwächst uns schon'' | — | ||
| 12-21 | Symphony no. 8 “Symphony of a Thousand”: Part II. XXI. ''Vom edlen Geisterchor umgeben'' | — | ||
| 12-22 | Symphony no. 8 “Symphony of a Thousand”: Part II. XXII. ''Komm! Komm! Hebe dich zu höhern Sphären!'' | — | ||
| 12-23 | Symphony no. 8 “Symphony of a Thousand”: Part II. XXIII. ''Blicket auf'' | — | ||
| 12-24 | Symphony no. 8 “Symphony of a Thousand”: Part II. XXIV. ''Alles Vergängliche'' | — | ||
| 13-1 | Symphony no. 9: I. Andante comodo | — | ||
| 13-2 | Symphony no. 9: II. Im Tempo eines gemachlichen Landlers, etwas tappisch und sher derb | — | ||
| 13-3 | Symphony no. 9: III. Rondo-Burleske: Allegro assai: sher trotzig | — | ||
| 14-1 | Symphony no. 9: IV. Adagio. Sehr langsam und noch Zurückhaltend | — | ||
| 14-2 | Adagio From Symphony no. 10 (unfinished): Andante | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony no. 4 in G major: IV. Sehr Behaglich | Kathleen Battle, Wiener Philharmoniker, Lorin Maazel | — |
Musical Works (ISWC)
Identifier Graph
5099704819822 is a Universal Product Code (UPC) assigned to Symphonies nos. 1-10 (Adagio) by Mahler, Wiener Philharmoniker, Lorin Maazel. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 118 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Symphonies nos. 1-10 (Adagio)” by Mahler, Wiener Philharmoniker, Lorin Maazel is 5099704819822. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1992-01-01. Label: Sony Classical. This release contains 118 tracks, each with its own ISRC. Tracks include USSM18300563, USSM18300564, USSM18300565.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 “Titan”: I. Langsam. Schelppend | — | ||
| 2 | Symphony no. 1 “Titan”: I. Immer sehr gemachlich | — | ||
| 3 | Symphony no. 1 “Titan”: II. Kraftig bewegt, doch nicht zu schnell | — | ||
| 4 | Symphony no. 1 “Titan”: II. Trio. Recht gemachlich | — | ||
| 5 | Symphony no. 1 “Titan”: II. Tempo primo | — | ||
| 6 | Symphony no. 1 “Titan”: III. Feirlich und gemessen, ohne zu schleppen | — | ||
| 7 | Symphony no. 1 “Titan”: III. Sehr einfach und schlicht wie eine Volksweise | — | ||
| 8 | Symphony no. 1 “Titan”: III. Wieder etwas bewegter, wie am Anfang | — | ||
| 9 | Symphony no. 1 “Titan”: IV. Sturmisch bewegt - Energisch | — | ||
| 2-1 | Symphony no. 2: I. Allegro maestoso | — | ||
| 2-2 | Symphony no. 2: II. Andante moderato | — | ||
| 2-3 | Symphony no. 2: III. In ruhig fließender Bewegung | — | ||
| 3-1 | Symphony no. 2: IV. “Urlicht”. Sehr feierlich, aber schlicht | — | ||
| 3-2 | Symphony no. 2: V. Im Tempo des Scherzos | — | ||
| 4-1 | Symphony no. 3: I. Kräftig. Entschieden | — | ||
| 4-2 | Symphony no. 3: I. Kräftig. Entschieden | — | ||
| 4-3 | Symphony no. 3: I. Kräftig. Entschieden | — | ||
| 4-4 | Symphony no. 3: I. Kräftig. Entschieden | — | ||
| 4-5 | Symphony no. 3: I. Kräftig. Entschieden | — | ||
| 4-6 | Symphony no. 3: I. Kräftig. Entschieden | — | ||
| 4-7 | Symphony no. 3: I. Kräftig. Entschieden | — | ||
| 4-8 | Symphony no. 3: II. Tempo di Menuetto. Sehr mäßig | — | ||
| 4-9 | Symphony no. 3: II. Tempo di Menuetto. Sehr mäßig | — | ||
| 4-10 | Symphony no. 3: II. Tempo di Menuetto. Sehr mäßig | — | ||
| 4-11 | Symphony no. 3: III. Comodo. Scherzando. Ohne Hast | — | ||
| 4-12 | Symphony no. 3: III. Comodo. Scherzando. Ohne Hast | — | ||
| 4-13 | Symphony no. 3: III. Comodo. Scherzando. Ohne Hast | — | ||
| 4-14 | Symphony no. 3: III. Comodo. Scherzando. Ohne Hast | — | ||
| 4-15 | Symphony no. 3: III. Comodo. Scherzando. Ohne Hast | — | ||
| 5-1 | Symphony no. 3: IV. Sehr langsam. Misterioso. Durchaus ppp | — | ||
| 5-2 | Symphony no. 3: IV. Sehr langsam. Misterioso. Durchaus ppp | — | ||
| 5-3 | Symphony no. 3: V. Lustig im Tempo und keck im Ausdruck | — | ||
| 5-4 | Symphony no. 3: VI. Langsam. Ruhevoll. Empfunden | — | ||
| 5-5 | Symphony no. 3: VI. Langsam. Ruhevoll. Empfunden | — | ||
| 5-6 | Symphony no. 3: VI. Langsam. Ruhevoll. Empfunden | — | ||
| 5-7 | Symphony no. 3: VI. Langsam. Ruhevoll. Empfunden | — | ||
| 5-8 | Symphony no. 3: VI. Langsam. Ruhevoll. Empfunden | — | ||
| 5-9 | Symphony no. 3: VI. Langsam. Ruhevoll. Empfunden | — | ||
| 5-10 | Kindertotenlieder: I. Nun will die Sonn' so hell aufgeh'n | — | ||
| 5-11 | Kindertotenlieder: II. Nun seh' ich sohl, warum so dunkle Flammen | — | ||
| 5-12 | Kindertotenlieder: III. Wenn dein Mutterlein | — | ||
| 5-13 | Kindertotenlieder: IV. Oft denk' ich , sie sind nur ausgegangen! | — | ||
| 5-14 | Kindertotenlieder: V. In diesem Wetter | — | ||
| 6-1 | Symphony no. 4 in G major: I. Bedächtig, nicht eilen | Wiener Philharmoniker, Lorin Maazel | — | |
| 6-2 | Symphony no. 4 in G major: II. In gemächlicher Bewegung, ohne Hast | Wiener Philharmoniker, Lorin Maazel | — | |
| 6-3 | Symphony no. 4 in G major: III. Ruhevoll | Wiener Philharmoniker, Lorin Maazel | — | |
| 6-4 | Symphony no. 4 in G major: IV. Sehr Behaglich | Kathleen Battle, Wiener Philharmoniker, Lorin Maazel | — | |
| 7-1 | Symphony no. 5: Part I. Ia. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt | — | ||
| 7-2 | Symphony no. 5: Part I. Ib. Plötzlich schneller. Leidenschaftlich. Wild | — | ||
| 7-3 | Symphony no. 5: Part I. Ic. Tempo I | — | ||
| 7-4 | Symphony no. 5: Part I. IIa. Stürmisch bewegt. Mit größter Vehemenz | — | ||
| 7-5 | Symphony no. 5: Part I. IIb. Langsam aber immer | — | ||
| 7-6 | Symphony no. 5: Part I. IIc. Nicht eilen | — | ||
| 7-7 | Symphony no. 5: Part II. IIIa. Scherzo. Kräftig, nicht zu schnell | — | ||
| 7-8 | Symphony no. 5: Part II. IIIb. Etwas ruhiger | — | ||
| 7-9 | Symphony no. 5: Part II. IIIc. Molto moderato | — | ||
| 7-10 | Symphony no. 5: Part II. IIId. A Tempo I | — | ||
| 7-11 | Symphony no. 5: Part II. IIIe. Tempo I (subito) | — | ||
| 7-12 | Symphony no. 5: Part III. IV. Adagietto. Sehr langsam | — | ||
| 7-13 | Symphony no. 5: Part III. Va. Rondo-Finale. Allegro | — | ||
| 7-14 | Symphony no. 5: Part III. Vb. Nicht eilen. A tempo | — | ||
| 7-15 | Symphony no. 5: Part III. Vc. Grazioso | — | ||
| 9-2 | Symphony no. 7: Ia. Langsam (Adagio) | — | ||
| 9-3 | Symphony no. 7: Ib. Nicht sleppen | — | ||
| 9-4 | Symphony no. 7: Ic. Allegro risoluto, ma non troppo | — | ||
| 9-5 | Symphony no. 7: Id. A tempo (sempre l'istesso) | — | ||
| 9-6 | Symphony no. 7: Ie. Subito allegro I Ziemlich ruhig | — | ||
| 9-7 | Symphony no. 7: If. Adagio (Tempo der Einleitung) | — | ||
| 9-8 | Symphony no. 7: Ig. Maestoso. Allegro come prima | — | ||
| 9-9 | Symphony no. 7: IIa. Nachtmusik. Allegro moderato | — | ||
| 9-10 | Symphony no. 7: IIb. Semple l'ïstesso tempo. Nicht eilen, sehr gemächlich | — | ||
| 9-11 | Symphony no. 7: IIc. Tempo | — | ||
| 10-1 | Symphony no. 7: IIIa. Scherzo. Schattenhaft. Fleissend, aber nicht schnell; in der Anfanstakten noch etwas zågernd | — | ||
| 10-2 | Symphony no. 7: IIIb. Trio | — | ||
| 10-3 | Symphony no. 7: IIIc. Wieder wie zu Anfang (nicht eilen) | — | ||
| 10-4 | Symphony no. 7: IVa Nachtmusik. Andante amoroso | — | ||
| 10-5 | Symphony no. 7: IVb. Measure 187 | — | ||
| 10-6 | Symphony no. 7: Va. Rondo – Finale. Tempo I (Allegro ordinario) | — | ||
| 10-7 | Symphony no. 7: Vb. Gemessen! Nicht schnell! Tempo II (Allegro moderato ma energico) | — | ||
| 10-8 | Symphony no. 7: Vc. Tempo I (Halbe wie die Viertel des Tempo I) | — | ||
| 10-9 | Symphony no. 7: Vd. Sempre l'istesso tempo | — | ||
| 11-1 | Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: I. Veni Creatur Spiritus! | Wiener Philharmoniker, Lorin Maazel | — | |
| 11-2 | Symphony no. 8 “Symphony of a Thousand”: Part I. II. Imple superna gratia | — | ||
| 11-3 | Symphony no. 8 “Symphony of a Thousand”: Part I. III. Infirma nostri corporis | — | ||
| 11-4 | Symphony no. 8 “Symphony of a Thousand”: Part I. IV. Tempo I. (Allegra, etwas hastig) | — | ||
| 11-5 | Symphony no. 8 “Symphony of a Thousand”: Part I. V. Infirma nostri corporis | — | ||
| 11-6 | Symphony no. 8 “Symphony of a Thousand”: Part I. VI. Accende lumen sensibus | — | ||
| 11-7 | Symphony no. 8 “Symphony of a Thousand”: Part I. VII. Qui Paraclitus diceris | — | ||
| 11-8 | Symphony no. 8 “Symphony of a Thousand”: Part I. VIII. Gloria Patri Domino | — | ||
| 12-1 | Symphony no. 8 “Symphony of a Thousand”: Part II. I. Poco adagio. | — | ||
| 12-2 | Symphony no. 8 “Symphony of a Thousand”: Part II. II. Più mosso. (Allegro moderato) | — | ||
| 12-3 | Symphony no. 8 “Symphony of a Thousand”: Part II. III. ''Waldung, sie schwankt heran'' | — | ||
| 12-4 | Symphony no. 8 “Symphony of a Thousand”: Part II. IV. ''Ewiger Wonnebrand'' | — | ||
| 12-5 | Symphony no. 8 “Symphony of a Thousand”: Part II. V. ''Wie Felsenabgrund mir zu Füßen'' | — | ||
| 12-6 | Symphony no. 8 “Symphony of a Thousand”: Part II. VI. ''Gerettet ist das edle Glied'' | — | ||
| 12-7 | Symphony no. 8 “Symphony of a Thousand”: Part II. VII. ''Jene Rosen, aus den Händen'' | — | ||
| 12-8 | Symphony no. 8 “Symphony of a Thousand”: Part II. VIII. ''Uns bleibt ein Erdenrest'' | — | ||
| 12-9 | Symphony no. 8 “Symphony of a Thousand”: Part II. IX. ''Ich spür' soeben'' | — | ||
| 12-10 | Symphony no. 8 “Symphony of a Thousand”: Part II. X. ''Hier ist die Aussicht frei'' - ''Freudig empfangen wir'' | — | ||
| 12-11 | Symphony no. 8 “Symphony of a Thousand”: Part II. XI. ''Höchste Herrscherin der Welt'' | — | ||
| 12-12 | Symphony no. 8 “Symphony of a Thousand”: Part II. XII. ''Jungfrau, rein im schönsten Sinne'' | — | ||
| 12-13 | Symphony no. 8 “Symphony of a Thousand”: Part II. XIII. Äußert langsam. Adagissimo | — | ||
| 12-14 | Symphony no. 8 “Symphony of a Thousand”: Part II. XIV. ''Dir, der Unberührbaren'' - ''Du schwebst zu Höhen'' | — | ||
| 12-15 | Symphony no. 8 “Symphony of a Thousand”: Part II. XV. ''Bei der Liebe, die den Füßen'' | — | ||
| 12-16 | Symphony no. 8 “Symphony of a Thousand”: Part II. XVI. ''Bei dem Bronn, zu dem schon weiland'' | — | ||
| 12-17 | Symphony no. 8 “Symphony of a Thousand”: Part II. XVII. ''Bei dem hochgeweihten Orte'' | — | ||
| 12-18 | Symphony no. 8 “Symphony of a Thousand”: Part II. XVIII. ''Die du großen Sünderinnen'' | — | ||
| 12-19 | Symphony no. 8 “Symphony of a Thousand”: Part II. XIX. ''Neige, neige, du Ohnegleiche'' | — | ||
| 12-20 | Symphony no. 8 “Symphony of a Thousand”: Part II. XX. ''Er überwächst uns schon'' | — | ||
| 12-21 | Symphony no. 8 “Symphony of a Thousand”: Part II. XXI. ''Vom edlen Geisterchor umgeben'' | — | ||
| 12-22 | Symphony no. 8 “Symphony of a Thousand”: Part II. XXII. ''Komm! Komm! Hebe dich zu höhern Sphären!'' | — | ||
| 12-23 | Symphony no. 8 “Symphony of a Thousand”: Part II. XXIII. ''Blicket auf'' | — | ||
| 12-24 | Symphony no. 8 “Symphony of a Thousand”: Part II. XXIV. ''Alles Vergängliche'' | — | ||
| 13-1 | Symphony no. 9: I. Andante comodo | — | ||
| 13-2 | Symphony no. 9: II. Im Tempo eines gemachlichen Landlers, etwas tappisch und sher derb | — | ||
| 13-3 | Symphony no. 9: III. Rondo-Burleske: Allegro assai: sher trotzig | — | ||
| 14-1 | Symphony no. 9: IV. Adagio. Sehr langsam und noch Zurückhaltend | — | ||
| 14-2 | Adagio From Symphony no. 10 (unfinished): Andante | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony no. 4 in G major: IV. Sehr Behaglich | Kathleen Battle, Wiener Philharmoniker, Lorin Maazel | — |
