UPC · Release
Vocal Works
Benjamin Britten
5099901516425
135 tracksReleased 2013-01-01Warner Classics
Last verified:
5099901516425 is the Universal Product Code (UPC barcode) for the release “Vocal Works” by Benjamin Britten, released 2013-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 135 tracks, each with its own ISRC. Tracks include GBAYD0600002, GBAYD0600003, GBAYD0600004.
Format
509GS1 prefix
9901Company prefix
51642Product
5Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCVocal Works
ISRC50 recordings
IPI3 songwriters
Track List (135)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Les illuminations, song cycle for high voice & strings, op. 18: 1. Fanfare | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 2 | Les illuminations, song cycle for high voice & strings, op. 18: 2. Villes | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 3 | Les illuminations, song cycle for high voice & strings, op. 18: 3a. Phrase | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 4 | Les illuminations, song cycle for high voice & strings, op. 18: 3b. Antique | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 5 | Les illuminations, song cycle for high voice & strings, op. 18: 4. Royauté | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 6 | Les illuminations, song cycle for high voice & strings, op. 18: 5. Marine | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 7 | Les illuminations, song cycle for high voice & strings, op. 18: 6. Interlude | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 8 | Les illuminations, song cycle for high voice & strings, op. 18: 7. Being Beauteous | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 9 | Les illuminations, song cycle for high voice & strings, op. 18: 8. Parade | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 10 | Les illuminations, song cycle for high voice & strings, op. 18: 9. Départ | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 11 | Serenade for Tenor, Horn & Strings, op. 31: Prologue | — | ||
| 12 | Serenade for Tenor, Horn & Strings, op. 31: Pastoral (Cotton) | — | ||
| 13 | Serenade for Tenor, Horn & Strings, op. 31: Nocturne (Tennyson) | — | ||
| 14 | Serenade for Tenor, Horn & Strings, op. 31: Elegy (Blake) | — | ||
| 15 | Serenade for Tenor, Horn & Strings, op. 31: Dirge (Anon) | — | ||
| 16 | Serenade for Tenor, Horn & Strings, op. 31: Hymn (Jonson) | — | ||
| 17 | Serenade for Tenor, Horn & Strings, op. 31: Sonnet (Keats) | — | ||
| 18 | Serenade for Tenor, Horn & Strings, op. 31: Epilogue | — | ||
| 19 | Now sleeps the crimson petal | — | ||
| 20 | Nocturne, for tenor, 7 instruments & strings, Op. 60: On a poet's lips I slept | Robert Tear, English Chamber Orchestra, Jeffrey Tate | — | |
| 21 | Nocturne, for tenor, 7 instruments & strings, Op. 60: Below the thunders of the upper deep | Robert Tear, English Chamber Orchestra, Jeffrey Tate | — | |
| 22 | Nocturne, for tenor, 7 instruments & strings, Op. 60: Encinctured with a twine of leaves | Robert Tear, English Chamber Orchestra, Jeffrey Tate | — | |
| 23 | Nocturne, for tenor, 7 instruments & strings, Op. 60: Midnight's bell goes ting, ting, ting, ting, ting | Robert Tear, English Chamber Orchestra, Jeffrey Tate | — | |
| 24 | Nocturne, for tenor, 7 instruments & strings, Op. 60: But that night when on my bed I lay | Robert Tear, English Chamber Orchestra, Jeffrey Tate | — | |
| 25 | Nocturne, for tenor, 7 instruments & strings, Op. 60: She sleeps on soft, last breaths | Robert Tear, English Chamber Orchestra, Jeffrey Tate | — | |
| 26 | Nocturne, for tenor, 7 instruments & strings, Op. 60: What is more gentle whan a wind in summer? | Robert Tear, English Chamber Orchestra, Jeffrey Tate | — | |
| 27 | Nocturne, for tenor, 7 instruments & strings, Op. 60: When most I wink, then do my eyes best see | Robert Tear, English Chamber Orchestra, Jeffrey Tate | — | |
| 2-1 | 4 Chansons Françaises for Voice and Orchestra: I. Nuits de juin (Lento e molto rubato) | Jill Gomez, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-2 | 4 Chansons Françaises for Voice and Orchestra: I. Sagesse (Lento Ma Non Troppo) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-3 | 4 Chansons Françaises for Voice and Orchestra: I. L'Enfance (Animato) | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-4 | 4 Chansons Françaises for Voice and Orchestra: I. Chanson d'automne (Moderato con molto ma sempre colla voce) | Jill Gomez, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-5 | Our Hunting Fathers Op.8 : Prologue | — | ||
| 2-6 | Our Hunting Fathers Op.8 : A. Rats Away! (Anon) | — | ||
| 2-7 | Our Hunting Fathers Op.8 : B. Messalina (Anon) | — | ||
| 2-8 | Our Hunting Fathers Op.8 : C. Dance of Death (T. Ravenscroft) | — | ||
| 2-9 | Our Hunting Fathers Op.8 : Epilogue and Funeral March | — | ||
| 2-10 | Folksong arrangements : Little Sir William | — | ||
| 2-11 | Folksong arrangements : Come ye not from Newcastle? | — | ||
| 2-12 | Folksong arrangements : Bonny Earl Moray | — | ||
| 2-13 | Folksong arrangements : Oliver Cromwell | — | ||
| 2-14 | Phaedra Op.93 : In May, in brilliant Athens | — | ||
| 2-15 | Phaedra Op.93 : O Gods of wrath | — | ||
| 2-16 | Phaedra Op.93 : My time's too short, your highness | — | ||
| 2-17 | Five French folksong arrangements : La belle est au jardin d'amour | — | ||
| 2-18 | Five French folksong arrangements : Eho! Eho! | — | ||
| 2-19 | Five French folksong arrangements : Fileuse | — | ||
| 2-20 | Five French folksong arrangements : Quand j'etais chez mon père | — | ||
| 2-21 | Five French folksong arrangements : Le roi s'en va-t'en chasse | — | ||
| 3-1 | Seven Sonnets of Michelangelo, op. 22: 1. Sì come nella penna | Peter Pears, Benjamin Britten | — | |
| 3-2 | Seven Sonnets of Michelangelo, op. 22: 2. A che più debb'io mai | Peter Pears, Benjamin Britten | — | |
| 3-3 | Seven Sonnets of Michelangelo, op. 22: 3. Veggio co' bei vostri occhi | Peter Pears, Benjamin Britten | — | |
| 3-4 | Seven Sonnets of Michelangelo, op. 22: 4. Tu sa' ch'io so | Peter Pears, Benjamin Britten | — | |
| 3-5 | Seven Sonnets of Michelangelo, op. 22: 5. Rendete a gli occhi miei | Peter Pears, Benjamin Britten | — | |
| 3-6 | Seven Sonnets of Michelangelo, op. 22: 6. S'un casto amor | Peter Pears, Benjamin Britten | — | |
| 3-7 | Seven Sonnets of Michelangelo, op. 22: 7. Spirto ben nato | Peter Pears, Benjamin Britten | — | |
| 3-8 | Holy Sonnets of John Donne, op. 35: 1. Oh My Blacke Soule | Peter Pears, Benjamin Britten | — | |
| 3-9 | Holy Sonnets of John Donne, op. 35: 2. Batter My Heart | Peter Pears, Benjamin Britten | — | |
| 3-10 | Holy Sonnets of John Donne, op. 35: 3. O Might Those Sighes and Teares | Peter Pears, Benjamin Britten | — | |
| 3-11 | Holy Sonnets of John Donne, op. 35: 4. Oh, to Vex Me | Peter Pears, Benjamin Britten | — | |
| 3-12 | Holy Sonnets of John Donne, op. 35: 5. What If This Present | Peter Pears, Benjamin Britten | — | |
| 3-13 | Holy Sonnets of John Donne, op. 35: 6. Since She Whom I Loved | Peter Pears, Benjamin Britten | — | |
| 3-14 | Holy Sonnets of John Donne, op. 35: 7. At the Round Earth's Imagined Corners | Peter Pears, Benjamin Britten | — | |
| 3-15 | Holy Sonnets of John Donne, op. 35: 8. Thou Hast Made Me | Peter Pears, Benjamin Britten | — | |
| 3-16 | Holy Sonnets of John Donne, op. 35: 9. Death, Be Not Proud | Peter Pears, Benjamin Britten | — | |
| 3-17 | On This Island Op.11 : 1. Let the florid music praise! | — | ||
| 3-18 | On This Island Op.11 : 2. Now the leaves are falling fast | — | ||
| 3-19 | On This Island Op.11 : 3. Seascape | — | ||
| 3-20 | On This Island Op.11 : 4. Nocturne | — | ||
| 3-21 | On This Island Op.11 : 5. As it is; plenty | — | ||
| 3-22 | Winter Words Op.52 : 1. At day-close in November | — | ||
| 3-23 | Winter Words Op.52 : 2. Midnight on the Great Western | — | ||
| 3-24 | Winter Words Op.52 : 3. Wagtail and Baby | — | ||
| 3-25 | Winter Words Op.52 : 4. The Little Old Table | — | ||
| 3-26 | Winter Words Op.52 : 5. The Choirmaster's Burial | — | ||
| 3-27 | Winter Words Op.52 : 6. Proud Songsters | — | ||
| 3-28 | Winter Words Op.52 : At the Railway Station, Upway | — | ||
| 3-29 | Winter Words Op.52 : Before Life and After | — | ||
| 4-1 | Canticle I: My Beloved is Mine, op. 40 | Ian Bostridge, Julius Drake | — | |
| 4-2 | Canticle II: Abraham and Isaac, op. 51 | Ian Bostridge, David Daniels, Julius Drake | — | |
| 4-3 | Canticle III: Still Falls the Rain, op. 55 | Ian Bostridge, Timothy Brown, Julius Drake | — | |
| 4-4 | Canticle IV: Journey of the Magi, op. 86 | Ian Bostridge, David Daniels, Christopher Maltman, Julius Drake | — | |
| 4-5 | Canticle V: The Death of Saint Narcissus, op. 89 | Ian Bostridge, Aline Brewer | — | |
| 4-6 | The Plough Boy | Christopher Maltman, Julius Drake | — | |
| 4-7 | The Salley Gardens | Christopher Maltman, Julius Drake | — | |
| 4-8 | The Foggy, Foggy Dew | Christopher Maltman, Julius Drake | — | |
| 4-9 | There's None to Soothe | David Daniels, Julius Drake | — | |
| 4-10 | O Waly, Waly | David Daniels, Julius Drake | — | |
| 4-11 | The Ash Grove | Ian Bostridge, Julius Drake | — | |
| 4-12 | Greensleeves | Ian Bostridge, Julius Drake | — | |
| 5-1 | Two Songs by Thomas Hardy : 1. The Childrfen and Sir Nameless | — | ||
| 5-2 | Two Songs by Thomas Hardy : 2. If it's ever spring again | — | ||
| 5-3 | Beware! - Three Early Songs : 1. Beware! (Longfellow, from the German) | — | ||
| 5-4 | Beware! - Three Early Songs : 2. O that I had ne'er been married (Burns) | — | ||
| 5-5 | Beware! - Three Early Songs : 3. Epitaph: The Clerk (Asquith) | — | ||
| 5-6 | Not even summer yet (Burns) | — | ||
| 5-7 | Two songs by W.H. Auden : To lie flat on the back | — | ||
| 5-8 | Two songs by W.H. Auden : Night covers up the rigid land | — | ||
| 5-9 | The Oxen | — | ||
| 5-10 | Three rhymes by William Soutar : Dawlie's Devotion | — | ||
| 5-11 | Three rhymes by William Soutar : Tradition | — | ||
| 5-12 | Three rhymes by William Soutar : The Gully | — | ||
| 5-13 | Tit for Tat : 1. A Song Echantment | — | ||
| 5-14 | Tit for Tat : 3. Silver | — | ||
| 5-15 | Tit for Tat : 5. Tit for Tat | — | ||
| 5-16 | Two Ballads for voices and piano : 1. Mother Comfort | — | ||
| 5-17 | Two Ballads for voices and piano : 2. Underneath the Abject Willow | — | ||
| 5-18 | Folksong arrangements : Sweet Polly Oliver | — | ||
| 5-19 | Folksong arrangements : The Minstrel Boy | — | ||
| 5-20 | Folksong arrangements : The Brisk Young Widow | — | ||
| 5-21 | Folksong arrangements : Ca' the Yowes | — | ||
| 5-22 | Folksong arrangements : The Lincolnshire Poacher | — | ||
| 5-23 | Folksong arrangements : O can ye sew cushions? | — | ||
| 5-24 | Folksong arrangements : The trees they grow so high | — | ||
| 5-25 | Folk songs : Early one morning | — | ||
| 5-26 | Folk songs : How sweet the answer | — | ||
| 5-27 | Folk songs : Voici le printemps | — | ||
| 5-28 | Folk songs : The last rose of Summer | — | ||
| 5-29 | Folk songs : Dear Harp of my Country! | — | ||
| 5-30 | Folk songs : Oft in the stilly night | — | ||
| 6-1 | Realisations of music by Henry Purcell : The Queen's Epicedium | — | ||
| 6-2 | from Orpheus Britannicus : Sound the Trumpet | — | ||
| 6-3 | from Orpheus Britannicus : I attempt from love's sickness to fly | — | ||
| 6-4 | from Orpheus Britannicus : Lost is my quiet for ever | — | ||
| 6-5 | from Orpheus Britannicus : Fairest Isle | — | ||
| 6-6 | from Orpheus Britannicus : What can we poor females do? | — | ||
| 6-7 | from Orpheus Britannicus : I'll sail upon the Dog-star | — | ||
| 6-8 | from Orpheus Britannicus : The Knotting Song | — | ||
| 6-9 | from Orpheus Britannicus : Man is for the woman made | — | ||
| 6-10 | Suite of Songs : 1. Let sullen discord smile | — | ||
| 6-11 | Suite of Songs : 2. Why should men quarrel? | — | ||
| 6-12 | Suite of Songs : 3. So when the glittering Queen of Night | — | ||
| 6-13 | Suite of Songs : 4. Thou tun'st this world | — | ||
| 6-14 | Suite of Songs : 5a. 'Tis holiday , 5b. Sound Fame thy brazen trumpet | — | ||
| 6-15 | Schubert Die Forelle D550 | — | ||
| 6-16 | Schumann: Frühlingsnacht (No.12 from Liederkreis Op.39) | — |
Les illuminations, song cycle for high voice & strings, op. 18: 1. Fanfare
Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner
—
Les illuminations, song cycle for high voice & strings, op. 18: 2. Villes
Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner
—
Les illuminations, song cycle for high voice & strings, op. 18: 3a. Phrase
Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner
—
Les illuminations, song cycle for high voice & strings, op. 18: 3b. Antique
Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner
—
Les illuminations, song cycle for high voice & strings, op. 18: 4. Royauté
Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner
—
Les illuminations, song cycle for high voice & strings, op. 18: 5. Marine
Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner
—
Les illuminations, song cycle for high voice & strings, op. 18: 6. Interlude
Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner
—
Les illuminations, song cycle for high voice & strings, op. 18: 7. Being Beauteous
Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner
—
Les illuminations, song cycle for high voice & strings, op. 18: 8. Parade
Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner
—
Les illuminations, song cycle for high voice & strings, op. 18: 9. Départ
Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner
—
Serenade for Tenor, Horn & Strings, op. 31: Prologue
—
Serenade for Tenor, Horn & Strings, op. 31: Pastoral (Cotton)
—
Serenade for Tenor, Horn & Strings, op. 31: Nocturne (Tennyson)
—
Serenade for Tenor, Horn & Strings, op. 31: Elegy (Blake)
—
Serenade for Tenor, Horn & Strings, op. 31: Dirge (Anon)
—
Serenade for Tenor, Horn & Strings, op. 31: Hymn (Jonson)
—
Serenade for Tenor, Horn & Strings, op. 31: Sonnet (Keats)
—
Serenade for Tenor, Horn & Strings, op. 31: Epilogue
—
Now sleeps the crimson petal
—
Nocturne, for tenor, 7 instruments & strings, Op. 60: On a poet's lips I slept
Robert Tear, English Chamber Orchestra, Jeffrey Tate
—
Nocturne, for tenor, 7 instruments & strings, Op. 60: Below the thunders of the upper deep
Robert Tear, English Chamber Orchestra, Jeffrey Tate
—
Nocturne, for tenor, 7 instruments & strings, Op. 60: Encinctured with a twine of leaves
Robert Tear, English Chamber Orchestra, Jeffrey Tate
—
Nocturne, for tenor, 7 instruments & strings, Op. 60: Midnight's bell goes ting, ting, ting, ting, ting
Robert Tear, English Chamber Orchestra, Jeffrey Tate
—
Nocturne, for tenor, 7 instruments & strings, Op. 60: But that night when on my bed I lay
Robert Tear, English Chamber Orchestra, Jeffrey Tate
—
Nocturne, for tenor, 7 instruments & strings, Op. 60: She sleeps on soft, last breaths
Robert Tear, English Chamber Orchestra, Jeffrey Tate
—
Nocturne, for tenor, 7 instruments & strings, Op. 60: What is more gentle whan a wind in summer?
Robert Tear, English Chamber Orchestra, Jeffrey Tate
—
Nocturne, for tenor, 7 instruments & strings, Op. 60: When most I wink, then do my eyes best see
Robert Tear, English Chamber Orchestra, Jeffrey Tate
—
4 Chansons Françaises for Voice and Orchestra: I. Nuits de juin (Lento e molto rubato)
Jill Gomez, City of Birmingham Symphony Orchestra, Simon Rattle
—
4 Chansons Françaises for Voice and Orchestra: I. Sagesse (Lento Ma Non Troppo)
City of Birmingham Symphony Orchestra, Simon Rattle
—
4 Chansons Françaises for Voice and Orchestra: I. L'Enfance (Animato)
City of Birmingham Symphony Orchestra, Simon Rattle
—
4 Chansons Françaises for Voice and Orchestra: I. Chanson d'automne (Moderato con molto ma sempre colla voce)
Jill Gomez, City of Birmingham Symphony Orchestra, Simon Rattle
—
Our Hunting Fathers Op.8 : Prologue
—
Our Hunting Fathers Op.8 : A. Rats Away! (Anon)
—
Our Hunting Fathers Op.8 : B. Messalina (Anon)
—
Our Hunting Fathers Op.8 : C. Dance of Death (T. Ravenscroft)
—
Our Hunting Fathers Op.8 : Epilogue and Funeral March
—
Folksong arrangements : Little Sir William
—
Folksong arrangements : Come ye not from Newcastle?
—
Folksong arrangements : Bonny Earl Moray
—
Folksong arrangements : Oliver Cromwell
—
Phaedra Op.93 : In May, in brilliant Athens
—
Phaedra Op.93 : O Gods of wrath
—
Phaedra Op.93 : My time's too short, your highness
—
Five French folksong arrangements : La belle est au jardin d'amour
—
Five French folksong arrangements : Eho! Eho!
—
Five French folksong arrangements : Fileuse
—
Five French folksong arrangements : Quand j'etais chez mon père
—
Five French folksong arrangements : Le roi s'en va-t'en chasse
—
Seven Sonnets of Michelangelo, op. 22: 1. Sì come nella penna
Peter Pears, Benjamin Britten
—
Seven Sonnets of Michelangelo, op. 22: 2. A che più debb'io mai
Peter Pears, Benjamin Britten
—
Seven Sonnets of Michelangelo, op. 22: 3. Veggio co' bei vostri occhi
Peter Pears, Benjamin Britten
—
Seven Sonnets of Michelangelo, op. 22: 4. Tu sa' ch'io so
Peter Pears, Benjamin Britten
—
Seven Sonnets of Michelangelo, op. 22: 5. Rendete a gli occhi miei
Peter Pears, Benjamin Britten
—
Seven Sonnets of Michelangelo, op. 22: 6. S'un casto amor
Peter Pears, Benjamin Britten
—
Seven Sonnets of Michelangelo, op. 22: 7. Spirto ben nato
Peter Pears, Benjamin Britten
—
Holy Sonnets of John Donne, op. 35: 1. Oh My Blacke Soule
Peter Pears, Benjamin Britten
—
Holy Sonnets of John Donne, op. 35: 2. Batter My Heart
Peter Pears, Benjamin Britten
—
Holy Sonnets of John Donne, op. 35: 3. O Might Those Sighes and Teares
Peter Pears, Benjamin Britten
—
Holy Sonnets of John Donne, op. 35: 4. Oh, to Vex Me
Peter Pears, Benjamin Britten
—
Holy Sonnets of John Donne, op. 35: 5. What If This Present
Peter Pears, Benjamin Britten
—
Holy Sonnets of John Donne, op. 35: 6. Since She Whom I Loved
Peter Pears, Benjamin Britten
—
Holy Sonnets of John Donne, op. 35: 7. At the Round Earth's Imagined Corners
Peter Pears, Benjamin Britten
—
Holy Sonnets of John Donne, op. 35: 8. Thou Hast Made Me
Peter Pears, Benjamin Britten
—
Holy Sonnets of John Donne, op. 35: 9. Death, Be Not Proud
Peter Pears, Benjamin Britten
—
On This Island Op.11 : 1. Let the florid music praise!
—
On This Island Op.11 : 2. Now the leaves are falling fast
—
On This Island Op.11 : 3. Seascape
—
On This Island Op.11 : 4. Nocturne
—
On This Island Op.11 : 5. As it is; plenty
—
Winter Words Op.52 : 1. At day-close in November
—
Winter Words Op.52 : 2. Midnight on the Great Western
—
Winter Words Op.52 : 3. Wagtail and Baby
—
Winter Words Op.52 : 4. The Little Old Table
—
Winter Words Op.52 : 5. The Choirmaster's Burial
—
Winter Words Op.52 : 6. Proud Songsters
—
Winter Words Op.52 : At the Railway Station, Upway
—
Winter Words Op.52 : Before Life and After
—
Canticle I: My Beloved is Mine, op. 40
Ian Bostridge, Julius Drake
—
Canticle II: Abraham and Isaac, op. 51
Ian Bostridge, David Daniels, Julius Drake
—
Canticle III: Still Falls the Rain, op. 55
Ian Bostridge, Timothy Brown, Julius Drake
—
Canticle IV: Journey of the Magi, op. 86
Ian Bostridge, David Daniels, Christopher Maltman, Julius Drake
—
Canticle V: The Death of Saint Narcissus, op. 89
Ian Bostridge, Aline Brewer
—
The Plough Boy
Christopher Maltman, Julius Drake
—
The Salley Gardens
Christopher Maltman, Julius Drake
—
The Foggy, Foggy Dew
Christopher Maltman, Julius Drake
—
There's None to Soothe
David Daniels, Julius Drake
—
O Waly, Waly
David Daniels, Julius Drake
—
The Ash Grove
Ian Bostridge, Julius Drake
—
Greensleeves
Ian Bostridge, Julius Drake
—
Two Songs by Thomas Hardy : 1. The Childrfen and Sir Nameless
—
Two Songs by Thomas Hardy : 2. If it's ever spring again
—
Beware! - Three Early Songs : 1. Beware! (Longfellow, from the German)
—
Beware! - Three Early Songs : 2. O that I had ne'er been married (Burns)
—
Beware! - Three Early Songs : 3. Epitaph: The Clerk (Asquith)
—
Not even summer yet (Burns)
—
Two songs by W.H. Auden : To lie flat on the back
—
Two songs by W.H. Auden : Night covers up the rigid land
—
The Oxen
—
Three rhymes by William Soutar : Dawlie's Devotion
—
Three rhymes by William Soutar : Tradition
—
Three rhymes by William Soutar : The Gully
—
Tit for Tat : 1. A Song Echantment
—
Tit for Tat : 3. Silver
—
Tit for Tat : 5. Tit for Tat
—
Two Ballads for voices and piano : 1. Mother Comfort
—
Two Ballads for voices and piano : 2. Underneath the Abject Willow
—
Folksong arrangements : Sweet Polly Oliver
—
Folksong arrangements : The Minstrel Boy
—
Folksong arrangements : The Brisk Young Widow
—
Folksong arrangements : Ca' the Yowes
—
Folksong arrangements : The Lincolnshire Poacher
—
Folksong arrangements : O can ye sew cushions?
—
Folksong arrangements : The trees they grow so high
—
Folk songs : Early one morning
—
Folk songs : How sweet the answer
—
Folk songs : Voici le printemps
—
Folk songs : The last rose of Summer
—
Folk songs : Dear Harp of my Country!
—
Folk songs : Oft in the stilly night
—
Realisations of music by Henry Purcell : The Queen's Epicedium
—
from Orpheus Britannicus : Sound the Trumpet
—
from Orpheus Britannicus : I attempt from love's sickness to fly
—
from Orpheus Britannicus : Lost is my quiet for ever
—
from Orpheus Britannicus : Fairest Isle
—
from Orpheus Britannicus : What can we poor females do?
—
from Orpheus Britannicus : I'll sail upon the Dog-star
—
from Orpheus Britannicus : The Knotting Song
—
from Orpheus Britannicus : Man is for the woman made
—
Suite of Songs : 1. Let sullen discord smile
—
Suite of Songs : 2. Why should men quarrel?
—
Suite of Songs : 3. So when the glittering Queen of Night
—
Suite of Songs : 4. Thou tun'st this world
—
Suite of Songs : 5a. 'Tis holiday , 5b. Sound Fame thy brazen trumpet
—
Schubert Die Forelle D550
—
Schumann: Frühlingsnacht (No.12 from Liederkreis Op.39)
—
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000005518041700000000783989960000000080173868000000008121017300000000815543040000000081697153000000008185756700000001086941480000000109298315000000010930050X
+22 more
000000010930066500000001094167210000000109624141000000011014262500000001101540600000000110388182000000011075076X0000000110863692000000011297410X0000000114435695000000011468668900000001146911380000000114947463000000011938871X000000012018999600000001203212210000000121174593000000012118109900000001212837650000000121398634000000012148249X0000000121482553
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What is UPC 5099901516425?
5099901516425 is a Universal Product Code (UPC) assigned to Vocal Works by Benjamin Britten. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 135 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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