UPC · Release
Master of Orchestral Texture
Charles Mackerras
5099909818927
22 tracksReleased 2011-01-01
Last verified:
5099909818927 is the Universal Product Code (UPC barcode) for the release “Master of Orchestral Texture” by Charles Mackerras, released 2011-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 22 tracks, each with its own ISRC. Tracks include GBAYD8600244, GBAYD8600245, GBAYD8600246.
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509GS1 prefix
9909Company prefix
81892Product
7Check digit
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- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
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UPCMaster of Orchestral Texture
ISRC22 recordings
ISWC10 works
Track List (22)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | Cello Concerto in D major: I. Allegro moderato (cadenza: Sir Charles Mackerras) | Julian Lloyd Webber, London Symphony Orchestra, Charles Mackerras | — | |
| 2-2 | Cello Concerto in D major: II. Andante espressivo | Julian Lloyd Webber, London Symphony Orchestra, Charles Mackerras | T3072418005 | |
| 2-3 | Cello Concerto in D major: III. Molto vivace | Julian Lloyd Webber, London Symphony Orchestra, Charles Mackerras | — | |
| 2-4 | Sinfonietta: I. Allegretto | Pro Arte Orchestra of London, Charles Mackerras | T3126854926 | |
| 2-5 | Sinfonietta: II. Andante | Pro Arte Orchestra of London, Charles Mackerras | T3126854926 | |
| 2-6 | Sinfonietta: III. Moderato | Pro Arte Orchestra of London, Charles Mackerras | T3126854926 | |
| 2-7 | Sinfonietta: IV. Allegretto | Pro Arte Orchestra of London, Charles Mackerras | T3126854926 | |
| 2-8 | Sinfonietta: V. Andante con moto | Pro Arte Orchestra of London, Charles Mackerras | T3126854926 | |
| 2-9 | The Rite of Spring: Part One, Adoration of the Earth: Introduction | London Philharmonic Orchestra, Charles Mackerras | T0702578877 | |
| 2-10 | The Rite of Spring: Part One, Adoration of the Earth: The Augurs of Spring – Dance of the Maidens | London Philharmonic Orchestra, Charles Mackerras | T0702578877 | |
| 2-11 | The Rite of Spring: Part One, Adoration of the Earth: Ritual of Abduction | London Philharmonic Orchestra, Charles Mackerras | T0702578877 | |
| 2-12 | The Rite of Spring: Part One, Adoration of the Earth: Spring Rounds | London Philharmonic Orchestra, Charles Mackerras | T0702578877 | |
| 2-13 | The Rite of Spring: Part One, Adoration of the Earth: Ritual of the Rival Tribes | London Philharmonic Orchestra, Charles Mackerras | T0702578877 | |
| 2-14 | The Rite of Spring: Part One, Adoration of the Earth: Procession of the Sage | London Philharmonic Orchestra, Charles Mackerras | T0702578877 | |
| 2-15 | The Rite of Spring: Part One, Adoration of the Earth: Adoration of the Earth | London Philharmonic Orchestra, Charles Mackerras | — | |
| 2-16 | The Rite of Spring: Part One, Adoration of the Earth: Dance of the Earth | London Philharmonic Orchestra, Charles Mackerras | T0702578877 | |
| 2-17 | The Rite of Spring: Part Two, The Sacrifice: Introduction | London Philharmonic Orchestra, Charles Mackerras | T0702578877 | |
| 2-18 | The Rite of Spring: Part Two, The Sacrifice: Mystic Circles of the Maidens | London Philharmonic Orchestra, Charles Mackerras | T0702578877 | |
| 2-19 | The Rite of Spring: Part Two, The Sacrifice: Glorification of the Chosen One | London Philharmonic Orchestra, Charles Mackerras | T0702578877 | |
| 2-20 | The Rite of Spring: Part Two, The Sacrifice: Evocation of the Ancestors | London Philharmonic Orchestra, Charles Mackerras | T0702578877 | |
| 2-21 | The Rite of Spring: Part Two, The Sacrifice: Ritual of the Ancestors | London Philharmonic Orchestra, Charles Mackerras | T0702578877 | |
| 2-22 | The Rite of Spring: Part Two, The Sacrifice: Sacrificial Dance (The Chosen One) | London Philharmonic Orchestra, Charles Mackerras | — |
Cello Concerto in D major: I. Allegro moderato (cadenza: Sir Charles Mackerras)
Julian Lloyd Webber, London Symphony Orchestra, Charles Mackerras
—
Julian Lloyd Webber, London Symphony Orchestra, Charles Mackerras
Cello Concerto in D major: III. Molto vivace
Julian Lloyd Webber, London Symphony Orchestra, Charles Mackerras
—
London Philharmonic Orchestra, Charles Mackerras
London Philharmonic Orchestra, Charles Mackerras
London Philharmonic Orchestra, Charles Mackerras
London Philharmonic Orchestra, Charles Mackerras
London Philharmonic Orchestra, Charles Mackerras
London Philharmonic Orchestra, Charles Mackerras
The Rite of Spring: Part One, Adoration of the Earth: Adoration of the Earth
London Philharmonic Orchestra, Charles Mackerras
—
London Philharmonic Orchestra, Charles Mackerras
London Philharmonic Orchestra, Charles Mackerras
London Philharmonic Orchestra, Charles Mackerras
London Philharmonic Orchestra, Charles Mackerras
London Philharmonic Orchestra, Charles Mackerras
London Philharmonic Orchestra, Charles Mackerras
The Rite of Spring: Part Two, The Sacrifice: Sacrificial Dance (The Chosen One)
London Philharmonic Orchestra, Charles Mackerras
—
Additional database matches (55)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | T0715180612 |
| Le Messie Part 3: No. 43. Aria: I know that my Redeemer liveth | Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras | — |
| The Merrymakers (Miniature Overture) | London Symphony Orchestra, Charles Mackerras | — |
| By the Sleepy Lagoon | London Symphony Orchestra, Charles Mackerras | T-900031136-4 |
| The Three Bears Phantasy | London Symphony Orchestra, Charles Mackerras | — |
| At the Dance (from Summer Days Suite) | London Symphony Orchestra, Charles Mackerras | — |
| For Unto us a child is born (Messiah) | John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras | T0111627203 |
| 14 Volks-Kinderlieder: No. 4. Sandmännchen | Elisabeth Schwarzkopf, Philharmonia Orchestra, Charles Mackerras | — |
| Panis angelicus | Elisabeth Schwarzkopf, Philharmonia Orchestra, Charles Mackerras | T9000167113 |
| For Unto us a child is born (Messiah) | John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras | — |
| Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | — |
| Le Messie Part 3: No. 43. Aria: I know that my Redeemer liveth | Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras | — |
| Pineapple Poll (arr. Mackerras): Scene One. Opening Dance | Royal Philharmonic Orchestra, Charles Mackerras | — |
| Pineapple Poll (arr. Mackerras): Scene One. Poll’s Solo & Pas de deux | Royal Philharmonic Orchestra, Charles Mackerras | — |
| Pineapple Poll (arr. Mackerras): Scene One. Belaye’s Solo | Royal Philharmonic Orchestra, Charles Mackerras | — |
| Pineapple Poll (arr. Mackerras): Scene One. Pas de trois | Royal Philharmonic Orchestra, Charles Mackerras | — |
| Pineapple Poll (arr. Mackerras): Scene One. Finale | Royal Philharmonic Orchestra, Charles Mackerras | — |
| Pineapple Poll (arr. Mackerras): Scene Two. Poll’s Solo | Royal Philharmonic Orchestra, Charles Mackerras | — |
| Pineapple Poll (arr. Mackerras): Scene Two. Jasper’s Solo | Royal Philharmonic Orchestra, Charles Mackerras | — |
| Pineapple Poll (arr. Mackerras): Scene Three. Belaye’s Solo and Sailors’ Dance | Royal Philharmonic Orchestra, Charles Mackerras | — |
| Pineapple Poll (arr. Mackerras): Scene Three. Poll’s Solo | Royal Philharmonic Orchestra, Charles Mackerras | — |
| Pineapple Poll (arr. Mackerras): Scene Three. Entry of Belaye with Blanche as Bride | Royal Philharmonic Orchestra, Charles Mackerras | — |
| Pineapple Poll (arr. Mackerras): Scene Three. Reconciliation | Royal Philharmonic Orchestra, Charles Mackerras | — |
| Pineapple Poll (arr. Mackerras): Scene Three. Grande Finale | Royal Philharmonic Orchestra, Charles Mackerras | — |
| Ruddigore (or The Witch’s Curse): Overture | Philharmonia Orchestra, Charles Mackerras | — |
| The Mikado (or The Town of Tiputu): Overture | Philharmonia Orchestra, Charles Mackerras | — |
| Variations on an Original Theme "Enigma", op. 36: Theme | London Philharmonic Orchestra, Charles Mackerras | — |
| Variations on an Original Theme "Enigma", op. 36: I. CAE | London Philharmonic Orchestra, Charles Mackerras | — |
| Variations on an Original Theme "Enigma", op. 36: II. HDS-P | David Bell, London Philharmonic Orchestra, Charles Mackerras | — |
| Variations on an Original Theme "Enigma", op. 36: III. RBT | David Bell, London Philharmonic Orchestra, Charles Mackerras | — |
| Variations on an Original Theme "Enigma", op. 36: IV. WMB | David Bell, London Philharmonic Orchestra, Charles Mackerras | — |
| Variations on an Original Theme "Enigma", op. 36: V. RPA | David Bell, London Philharmonic Orchestra, Charles Mackerras | — |
| Variations on an Original Theme "Enigma", op. 36: VI. Ysobel | David Bell, London Philharmonic Orchestra, Charles Mackerras | — |
| Variations on an Original Theme "Enigma", op. 36: VII. Troyte | David Bell, London Philharmonic Orchestra, Charles Mackerras | — |
| Variations on an Original Theme "Enigma", op. 36: VIII. WN | David Bell, London Philharmonic Orchestra, Charles Mackerras | — |
| Variations on an Original Theme "Enigma", op. 36: IX. Nimrod | David Bell, London Philharmonic Orchestra, Charles Mackerras | T-010.115.427-1 |
| Variations on an Original Theme "Enigma", op. 36: X. Intermezzo: Dorabella | David Bell, London Philharmonic Orchestra, Charles Mackerras | — |
| Variations on an Original Theme "Enigma", op. 36: XI. GRS | David Bell, London Philharmonic Orchestra, Charles Mackerras | — |
| Variations on an Original Theme "Enigma", op. 36: XII. BGN | David Bell, London Philharmonic Orchestra, Charles Mackerras | — |
| Variations on an Original Theme "Enigma", op. 36: XIII. Romanza: *** | David Bell, London Philharmonic Orchestra, Charles Mackerras | — |
| Enigma Variations: XIV. Finale: E.D.U. | London Philharmonic Orchestra, Sir Charles Mackerras | — |
| Symphony no. 40, K. 550: I. Molto allegro | London Philharmonic Orchestra, Sir Charles Mackerras | — |
| Symphony no. 40, K. 550: II. Andante | London Philharmonic Orchestra, Sir Charles Mackerras | — |
| Symphony no. 40, K. 550: III. Menuetto & Trio | London Philharmonic Orchestra, Sir Charles Mackerras | — |
| Symphony no. 40, K. 550: IV. Allegro assai | London Philharmonic Orchestra, Sir Charles Mackerras | — |
| Symphony No. 5: I. Trauermarsch (In gemessenem Schritt - Streng - Wie ein Kondukt) | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | T9263599264 |
| Symphony No. 5: II. Stürmisch bewegt, mit größter Vehemenz | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | — |
| Symphony No. 5: III. Scherzo (Kräftig, nicht zu schnell) | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | — |
| Symphony No. 5: IV. Adagietto (Sehr langsam) | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | — |
| Symphony No. 5: V. Rondo-Finale (Allegro) | Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | — |
| Symphony no. 7 in D minor, op. 70: I. Allegro Maestoso | London Philharmonic Orchestra, Charles Mackerras | — |
| Symphony no. 7 in D minor, op. 70: II. Poco Adagio | London Philharmonic Orchestra, Charles Mackerras | — |
| Symphony no. 7 in D minor, op. 70: III. Scherzo (Vivace) | London Philharmonic Orchestra, Charles Mackerras | — |
| Symphony no. 7 in D minor, op. 70: IV. Allegro | London Philharmonic Orchestra, Charles Mackerras | — |
| Paris: The Song of a Great City | Royal Liverpool Philharmonic Orchestra, Charles Mackerras | — |
Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras
Le Messie Part 3: No. 43. Aria: I know that my Redeemer liveth
Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras
—
The Merrymakers (Miniature Overture)
London Symphony Orchestra, Charles Mackerras
—
London Symphony Orchestra, Charles Mackerras
The Three Bears Phantasy
London Symphony Orchestra, Charles Mackerras
—
At the Dance (from Summer Days Suite)
London Symphony Orchestra, Charles Mackerras
—
John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras
14 Volks-Kinderlieder: No. 4. Sandmännchen
Elisabeth Schwarzkopf, Philharmonia Orchestra, Charles Mackerras
—
Elisabeth Schwarzkopf, Philharmonia Orchestra, Charles Mackerras
For Unto us a child is born (Messiah)
John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras
—
Messiah, HWV 56: No. 44. Hallelujah
Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras
—
Le Messie Part 3: No. 43. Aria: I know that my Redeemer liveth
Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras
—
Pineapple Poll (arr. Mackerras): Scene One. Opening Dance
Royal Philharmonic Orchestra, Charles Mackerras
—
Pineapple Poll (arr. Mackerras): Scene One. Poll’s Solo & Pas de deux
Royal Philharmonic Orchestra, Charles Mackerras
—
Pineapple Poll (arr. Mackerras): Scene One. Belaye’s Solo
Royal Philharmonic Orchestra, Charles Mackerras
—
Pineapple Poll (arr. Mackerras): Scene One. Pas de trois
Royal Philharmonic Orchestra, Charles Mackerras
—
Pineapple Poll (arr. Mackerras): Scene One. Finale
Royal Philharmonic Orchestra, Charles Mackerras
—
Pineapple Poll (arr. Mackerras): Scene Two. Poll’s Solo
Royal Philharmonic Orchestra, Charles Mackerras
—
Pineapple Poll (arr. Mackerras): Scene Two. Jasper’s Solo
Royal Philharmonic Orchestra, Charles Mackerras
—
Pineapple Poll (arr. Mackerras): Scene Three. Belaye’s Solo and Sailors’ Dance
Royal Philharmonic Orchestra, Charles Mackerras
—
Pineapple Poll (arr. Mackerras): Scene Three. Poll’s Solo
Royal Philharmonic Orchestra, Charles Mackerras
—
Pineapple Poll (arr. Mackerras): Scene Three. Entry of Belaye with Blanche as Bride
Royal Philharmonic Orchestra, Charles Mackerras
—
Pineapple Poll (arr. Mackerras): Scene Three. Reconciliation
Royal Philharmonic Orchestra, Charles Mackerras
—
Pineapple Poll (arr. Mackerras): Scene Three. Grande Finale
Royal Philharmonic Orchestra, Charles Mackerras
—
Ruddigore (or The Witch’s Curse): Overture
Philharmonia Orchestra, Charles Mackerras
—
The Mikado (or The Town of Tiputu): Overture
Philharmonia Orchestra, Charles Mackerras
—
Variations on an Original Theme "Enigma", op. 36: Theme
London Philharmonic Orchestra, Charles Mackerras
—
Variations on an Original Theme "Enigma", op. 36: I. CAE
London Philharmonic Orchestra, Charles Mackerras
—
Variations on an Original Theme "Enigma", op. 36: II. HDS-P
David Bell, London Philharmonic Orchestra, Charles Mackerras
—
Variations on an Original Theme "Enigma", op. 36: III. RBT
David Bell, London Philharmonic Orchestra, Charles Mackerras
—
Variations on an Original Theme "Enigma", op. 36: IV. WMB
David Bell, London Philharmonic Orchestra, Charles Mackerras
—
Variations on an Original Theme "Enigma", op. 36: V. RPA
David Bell, London Philharmonic Orchestra, Charles Mackerras
—
Variations on an Original Theme "Enigma", op. 36: VI. Ysobel
David Bell, London Philharmonic Orchestra, Charles Mackerras
—
Variations on an Original Theme "Enigma", op. 36: VII. Troyte
David Bell, London Philharmonic Orchestra, Charles Mackerras
—
Variations on an Original Theme "Enigma", op. 36: VIII. WN
David Bell, London Philharmonic Orchestra, Charles Mackerras
—
David Bell, London Philharmonic Orchestra, Charles Mackerras
Variations on an Original Theme "Enigma", op. 36: X. Intermezzo: Dorabella
David Bell, London Philharmonic Orchestra, Charles Mackerras
—
Variations on an Original Theme "Enigma", op. 36: XI. GRS
David Bell, London Philharmonic Orchestra, Charles Mackerras
—
Variations on an Original Theme "Enigma", op. 36: XII. BGN
David Bell, London Philharmonic Orchestra, Charles Mackerras
—
Variations on an Original Theme "Enigma", op. 36: XIII. Romanza: ***
David Bell, London Philharmonic Orchestra, Charles Mackerras
—
Enigma Variations: XIV. Finale: E.D.U.
London Philharmonic Orchestra, Sir Charles Mackerras
—
Symphony no. 40, K. 550: I. Molto allegro
London Philharmonic Orchestra, Sir Charles Mackerras
—
Symphony no. 40, K. 550: II. Andante
London Philharmonic Orchestra, Sir Charles Mackerras
—
Symphony no. 40, K. 550: III. Menuetto & Trio
London Philharmonic Orchestra, Sir Charles Mackerras
—
Symphony no. 40, K. 550: IV. Allegro assai
London Philharmonic Orchestra, Sir Charles Mackerras
—
Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras
Symphony No. 5: II. Stürmisch bewegt, mit größter Vehemenz
Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras
—
Symphony No. 5: III. Scherzo (Kräftig, nicht zu schnell)
Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras
—
Symphony No. 5: IV. Adagietto (Sehr langsam)
Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras
—
Symphony No. 5: V. Rondo-Finale (Allegro)
Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras
—
Symphony no. 7 in D minor, op. 70: I. Allegro Maestoso
London Philharmonic Orchestra, Charles Mackerras
—
Symphony no. 7 in D minor, op. 70: II. Poco Adagio
London Philharmonic Orchestra, Charles Mackerras
—
Symphony no. 7 in D minor, op. 70: III. Scherzo (Vivace)
London Philharmonic Orchestra, Charles Mackerras
—
Symphony no. 7 in D minor, op. 70: IV. Allegro
London Philharmonic Orchestra, Charles Mackerras
—
Paris: The Song of a Great City
Royal Liverpool Philharmonic Orchestra, Charles Mackerras
—
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What is UPC 5099909818927?
5099909818927 is a Universal Product Code (UPC) assigned to Master of Orchestral Texture by Charles Mackerras. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 22 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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