UPC · Release
Classique Zen
Various Artists
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5099920643126 is the Universal Product Code (UPC barcode) for the release “Classique Zen” by Various Artists, released 2008-01-01 on Virgin Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 21 tracks, each with its own ISRC. Tracks include GBAYC0700912, GBAYC8702056, GBAYC8300202.
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- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
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Credit Chain
Track List (21)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Adagio (extrait) | Tomaso Giovanni Albinoni | T9160080104 | |
| 2 | Canon in D | Taverner Players, Andrew Parrott | T0417260435 | |
| 3 | Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — | |
| 4 | Concerto in G minor for Flute and Strings, op. 10 no. 2, RV439 “La notte”: V. Largo (Il sonno) | Janet See, Taverner Players, Andrew Parrott | — | |
| 5 | Le quattro stagioni: Concerto in E major, Op. 8 No. 1, RV 269 "La primavera": II. Largo e pianissimo sempre | Christopher Warren-Green, London Chamber Orchestra | — | |
| 6 | The Four Seasons. Concerto no. 2 in G minor (Summer): II. Adagio | Christopher Warren-Green, London Chamber Orchestra | — | |
| 7 | Le quattro stagioni: Concerto in F major, Op. 8 No. 3, RV 293 "L'autunno": II. Adagio molto | Christopher Warren-Green, London Chamber Orchestra | — | |
| 8 | Le quattro stagioni: Concerto in F minor, Op. 8 No. 4, RV 297 "L'inverno": II. Largo | Christopher Warren-Green, London Chamber Orchestra | — | |
| 9 | Mandolin Concerto in C major, RV 425: II. Largo | Giovanni Scaramuzzino, Europa Galante, Fabio Biondi, Fabio Bondi | — | |
| 10 | Concerto in A major, BWV 1055: II. Larghetto | Bob van Asperen, Melante Amsterdam | — | |
| 11 | Concerto for Keyboard & Strings in F minor, BWV 1056: II. Largo | Bob van Asperen, Melante Amsterdam | — | |
| 12 | Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto | Sally Heath, Jane Murdoch, Jonathan Rees, Scottish Ensemble | — | |
| 13 | Orchestral Suite no. 2: Sarabande | English Chamber Orchestra, Philip Ledger | — | |
| 14 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air | English Chamber Orchestra, Philip Ledger | T-914248874-2 | |
| 15 | Suite No. 5 in C minor, BWV 1011: IV. Sarabande | Ralph Kirshbaum | — | |
| 16 | Symphony no. 88 in G major: II. Largo | La Petite Bande, Sigiswald Kuijken | — | |
| 17 | Stabat mater pour soprano, contralto, cordes et basse continue: Stabat Mater dolorosa | Véronique Gens, Gérard Lesne, Il Seminario Musicale | T9056800727 | |
| 18 | Ave verum Corpus, K. 618 | The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | T-011552099-4 | |
| 19 | Serse: Larghetto “Ombra mai fù” | David Daniels, Orchestra of the Age of Enlightenment, Sir Roger Norrington | T0617914881 | |
| 20 | Solfeggio | Eesti Filharmoonia Kammerkoor, Tõnu Kaljuste | — | |
| 21 | The Protecting Veil: Closing section | Steven Isserlis, London Symphony Orchestra, Gennadi Rozhdestvensky | — |
Additional database matches (80)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Clarinet Quintet in A major, K. 581 "Stadler": II. Larghetto | Sabine Meyer, Wiener Streichsextett | T-926819124-8 |
| 6 Consolations, S. 172: No. 3 in D-flat major | François-René Duchâble | — |
| String Quartet in D minor, D. 810 "Death and the Maiden": II. Andante con moto | The Hungarian Quartet | — |
| 6 Consolations, S. 172: No. 3 in D-flat major | François-René Duchâble | — |
| Kinderszenen, op. 15: Träumerei | Alexis Weissenberg | — |
| Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante | Augustin Dumay, London Symphony Orchestra, Emil Tchakarov | — |
| Vocalise, op. 34 no. 14 | Natalie Dessay, Berliner Sinfonie-Orchester, Michael Schønwandt | T9002223667 |
| Méditaion de Thais (excerpt) | Renaud Capuçon, Deutsche Kammerphilharmonie Bremen, Daniel Harding | T3067054386 |
| Symphony no. 3 in F major, op. 90: III. Poco allegretto | Deutsche Kammerphilharmonie, Daniel Harding | — |
| Valse triste | Estonian National Symphony Orchestra, Paavo Järvi | — |
| Holberg Suite, op. 40: IV. Air | Estonian National Symphony Orchestra, Paavo Järvi | — |
| Suite de jazz n°2 : Valse | Orchestre philharmonique de Radio France, Paavo Järvi | — |
| Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante | Annie Fischer, Wolfgang Sawallisch, Philharmonia Orchestra | — |
| Peer Gynt, op. 23: XII. Åses død (Forspill til Akt III) | Estonian National Symphony Orchestra, Paavo Järvi | — |
| Peer Gynt, op. 23: Act 4: No. 13. Prelude. Morning Mood | Eesti Riiklik Sümfooniaorkester, Paavo Järvi | — |
| Concerto pour clarinette en la majeur, K 622: II. Adagio | Paul Meyer, Ensemble Orchestral de Paris, John Nelson | T-313706315-7 |
| Piano Trio no. 2 in E-flat major, D. 929: II. Andante con moto | Frank Braley, Renaud Capuçon, Gautier Capuçon | T-918982163-4 |
| Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante | Annie Fischer, Wolfgang Sawallisch, Philharmonia Orchestra | — |
| Sonate pour piano no. 8, K. 310: II. Andante Cantabile con Espressione (extract) | Jean-Bernard Pommier | — |
| Les Contes d’Hoffmann : Acte IV. « Belle nuit, ô nuit d’amour » | Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling | T0711534994 |
| Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) | Barbara Hendricks, Eldon Fox, 8 violoncelles du Royal Philharmonic Orchestra, Enrique Bátiz | — |
| Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) | Barbara Hendricks, Eldon Fox, 8 violoncelles du Royal Philharmonic Orchestra, Enrique Bátiz | T9053803842 |
| Pavane in F sharp minor, Op. 50 | English Chamber Orchestra, Paul Tortelier | T3122763906 |
| Ein Sommernachtstraum: Nocturne | Orchestra of the Age of Enlightenment, Charles Mackerras | — |
| Symphonie No. 9 "La Grande" : Andante con moto (extrait) | Orchestra of the Age of Enlightenment, Charles Mackerras | — |
| Symphonie No. 3 "Héroïque": II. Marche funèbre (extrait) | The London Classical Players, Sir Roger Norrington | — |
| Élégie for Cello and Orchestra in C minor, op. 24 | English Chamber Orchestra, Paul Tortelier | — |
| Slavonic Dances, op. 46: no. 2 in E minor (Dumka) | Berliner Philharmoniker, Lorin Maazel | T9013215060 |
| Slavonic Dances, op. 72: no. 2 in E minor (Dumka) | Berliner Philharmoniker, Lorin Maazel | — |
| Le carnaval des animaux: VII. Aquarium | Nash Ensemble, Libor Pešek | — |
| Carnival of the Animals: The Swan | The Nash Ensemble | — |
| Nocturne, Op. 15 No. 2 | Frédéric Chopin | T3062308338 |
| Gnossiennes: I. (Lent) | Anne Queffélec | T-003010023-2 |
| Ma mère l'oye : Pavane de la Belle au bois dormant | Scottish Chamber Orchestra, Jukka-Pekka Saraste | — |
| Ma mère l'oye : Le Jardin féérique | Maurice Ravel | — |
| Gymnopédies: III. (Lent et grave) | Anne Queffélec | — |
| Adagio for Strings, op. 11 | Scottish Chamber Orchestra, Jukka-Pekka Saraste | T-070.000.199-5 |
| Sentimental Melody | Sharon Isbin | T9245948087 |
| Fantaisie sur "Greensleeves" | London Chamber Orchestra, Christopher Warren-Green | — |
| Concert champêtre for harpsichord & orchestra: II. Andante (Mouvement de sicillienne) | Maggie Cole, City of London Sinfonia, Richard Hickox | T9121657587 |
| Pulcinella: Serenata - Larghetto | Игорь Фёдорович Стравинский | — |
| Concierto De Aranjuez: Adagio | Sharon Isbin, Orchestre de Chambre de Lausanne, Lawrence Foster | T-041489061-1 |
| Piano Concerto in G major: II. Adagio | Andrew Litton, Bournemouth Symphony Orchestra | T3051944657 |
| Symphony no. 40, K550: II. Andante | Sinfonia Varsovia, Yehudi Menuhin | — |
| Morgen, Op. 27 No. 4 | Gundula Janowitz | — |
| Symphonie No. 2 in E minor, Op. 27: III. Adagio (extrait) | Royal Philharmonic Orchestra, Andrew Litton | — |
| Piano Concerto no. 2 in B-flat: Andante | Stephen Hough, Timothy Hugh, BBC Symphony Orchestra, Andrew Davis | T3223080711 |
| Symphonie No. 5: IV. Adagietto (excerpt) | Radion sinfoniaorkesteri, Jukka-Pekka Saraste | — |
| Concerto for Flute and Harp in C major, K. 299: II. Andantino | Samuel Coles, Naoko Yoshino, English Chamber Orchestra, Yehudi Menuhin | T-911534020-0 |
| Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": II. Andante | Diana Ambache, Ambache Chamber Orchestra | T0101948713 |
| Concerto Pour Deux Pianos: Larghetto | Jean-Bernard Pommier, Anne Queffélec, City of London Sinfonia, Richard Hickox | T0030078717 |
| La Nuit Transfigurée | Nash Ensemble | T9220542723 |
| Suite bergamasque, CD 82, L. 75: III. Clair de lune | Kun Woo Paik | T3042528434 |
| Pictures From an Exhibition: Il vecchio castello | Royal Liverpool Philharmonic Orchestra, Charles Mackerras | — |
| Piano Concerto: II. Adagio | Leif Ove Andsnes, Bergen Philharmonic orchestra, Dmitri Kitayenko | T-927972087-5 |
| Symphonie No. 6 h-Moll, Op. 74 "Pathétique": Adagio lamentoso | Bournemouth Symphony Orchestra, Andrew Litton | — |
| Sérénade "Eine kleine Nachtmusik", K525: II. Romanze | London Chamber Orchestra, Christopher Warren-Green | — |
| Siegfried Idyll | Orchestre philharmonique de Radio France, Marek Janowski | T3064829552 |
| Silent Woods for Cello and Orchestra | Timothy Walden, Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| Préludes, livre 1 : Des pas sur la neige | Jean-Bernard Pommier | — |
| Préludes, livre 1 : La Cathédrale engloutie | Jean-Bernard Pommier | — |
| Concerto pour piano no. 1, op. 23: II. Andantino semplice (extrait) | Jean-Bernard Pommier, Hallé Orchestra, Lawrence Foster | — |
| Concerto pour piano n°23 en la majeur, K.488 : II Adagio | Deutsche Kammerphilharmonie, Mikhail Pletnev | T-915711586-1 |
| Concerto pour piano No. 2, Op.18: Adagio sostenuto (extrait) | Jean-Bernard Pommier, Hallé Orchestra, Lawrence Foster | — |
| Maurerische Trauermusik, KV. 477 (479a) | The London Classical Players, Sir Roger Norrington | — |
| Concerto pour piano No. 24, K. 491: II. Larghetto | Mikhail Pletnev, Deutsche Kammerphilharmonie Bremen | — |
| Sonate pour piano no. 2 en si bémol mineur, op. 35: Marche funèbre (extr.) | Leif Ove Andsnes | T-915712196-5 |
| Vocalise en forme de habanera | Maurice Ravel | — |
| Symphonie No. 3 "Rhénane": IV. Feierlich (extrait) | Bamberger Symphoniker, Christoph Eschenbach | — |
| Concerto for Keyboard & Strings in F minor, BWV 1056: II. Largo | Bob van Asperen, Melante Amsterdam | — |
| Requiem, op. 48: I. Introit & Kyrie | Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | — |
| Symphonie espagnole, op. 21: IV. Andante | Christian Tetzlaff, Czech Philharmonic, Libor Pešek | — |
| Rêve d'amour No. 3 | François-René Duchâble | — |
| Concerto pour piano No. 20, K466: II. Romanze (extract) | Mikhail Pletnev, Deutsche Kammerphilharmonie Bremen | — |
| Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile | François-René Duchâble | — |
| Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | François-René Duchâble | T9258812189 |
| Le cygne de Tuonela (extrait) | Stockholms Filharmoniska Orkester, Paavo Järvi | — |
| Prelude in E minor (Largo), op. 28 no. 4 | François-René Duchâble | T9211895873 |
| Nocturne en Ut dièse mineur, Op. posth. | François-René Duchâble | T7028841092 |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — |
What other identifiers does this connect to?
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What is UPC 5099920643126?
5099920643126 is a Universal Product Code (UPC) assigned to Classique Zen by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 21 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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