UPC · Release
The Collector's Edition
Benjamin Britten
5099921752629
33 tracksReleased 2008-01-01EMI Classics
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5099921752629 is the Universal Product Code (UPC barcode) for the release “The Collector's Edition” by Benjamin Britten, released 2008-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 33 tracks, each with its own ISRC. Tracks include GBAYC8906210, GBAYC8906212, GBAYC8906213.
Format
509GS1 prefix
9921Company prefix
75262Product
9Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
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- Product:
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Credit Chain
UPCThe Collector's Edition
ISRC33 recordings
ISWC6 works
IPI6 songwriters
Track List (33)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 7-1 | The Prince of the Pagodas: Prelude | London Sinfonietta, Oliver Knussen | — | |
| 7-2 | The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - The Fool and the Dwarf | David Purser, London Sinfonietta, Oliver Knussen | — | |
| 7-3 | The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - March and Courtiers' Dance | John Harle, London Sinfonietta, Oliver Knussen | — | |
| 7-4 | The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - Entry of the Pages and the Four Kings | Sebastian Bell, London Sinfonietta, Oliver Knussen | — | |
| 7-5 | The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - Variation of the King of the North | London Sinfonietta, Oliver Knussen | — | |
| 7-6 | The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - Variation of the King of the East | Michael Thompson, London Sinfonietta, Oliver Knussen | — | |
| 7-7 | The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - Variation of the King of the West | London Sinfonietta, Oliver Knussen | — | |
| 7-8 | The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - Variation of the King of the South | John Chimes, Kevin Nutty, London Sinfonietta, Oliver Knussen | — | |
| 7-9 | The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - The Kings bow before the Emperor | London Sinfonietta, Oliver Knussen | — | |
| 7-10 | The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - Variation of Princess Belle Épine | London Sinfonietta, Oliver Knussen | — | |
| 7-11 | The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - Variation of Princess Belle Rose and Pas de deux | Gareth Hulse, John Miller, London Sinfonietta, Oliver Knussen | — | |
| 7-12 | The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - The Kings and Belle Rose | London Sinfonietta, Oliver Knussen | — | |
| 7-13 | The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - Belle Épine and the Four Kings | London Sinfonietta, Oliver Knussen | — | |
| 7-14 | The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - The Rage of the Kings | London Sinfonietta, Oliver Knussen | — | |
| 7-15 | The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - Entry of the Four Winged Frogs | John Orford, London Sinfonietta, Oliver Knussen | — | |
| 7-16 | The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Introduction: Belle Rose borne in by the Frogs | London Sinfonietta, Oliver Knussen | — | |
| 7-17 | The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Waltz: Clouds, Stars, and Moon | London Sinfonietta, Oliver Knussen | — | |
| 7-18 | The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Belle Rose borne in by the Frogs (1) | London Sinfonietta, Oliver Knussen | — | |
| 7-19 | The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Entrée: Sea Horses, Fish Creatures and Waves | London Sinfonietta, Oliver Knussen | — | |
| 7-20 | The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Variation: Sea Horses | London Sinfonietta, Oliver Knussen | — | |
| 7-21 | The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Variation: Fish Creatures | Joy Farrall, Helen Tunstall, London Sinfonietta, Oliver Knussen | — | |
| 7-22 | The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Coda (1) | London Sinfonietta, Oliver Knussen | — | |
| 7-23 | The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Belle Rose borne in by the Frogs (2) | London Sinfonietta, Oliver Knussen | — | |
| 7-24 | The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Pas de deux: Male and Female Flames | London Sinfonietta, Oliver Knussen | — | |
| 7-25 | The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Variation: Male Flame | London Sinfonietta, Oliver Knussen | — | |
| 7-26 | The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Variation: Female Flame | London Sinfonietta, Oliver Knussen | — | |
| 7-27 | The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Coda (2) | London Sinfonietta, Oliver Knussen | — | |
| 7-28 | The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Belle Rose, exhausted, borne in by the Frogs | London Sinfonietta, Oliver Knussen | — | |
| 7-29 | The Prince of the Pagodas: Act Two, Scene Two: The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas - Belle Rose in darkness | Nona Liddell, London Sinfonietta, Oliver Knussen | — | |
| 7-30 | The Prince of the Pagodas: Act Two, Scene Two: The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas - The Pagodas | John Constable, James Holland, London Sinfonietta, Oliver Knussen | — | |
| 7-31 | The Prince of the Pagodas: Act Two, Scene Two: The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas - The Salamander | London Sinfonietta, Oliver Knussen | — | |
| 7-32 | The Prince of the Pagodas: Act Two, Scene Two: The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas - Pas de deux: The Prince and Belle Rose | London Sinfonietta, Oliver Knussen | — | |
| 7-33 | The Prince of the Pagodas: Act Two, Scene Two: The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas - Belle Rose hunts for the Prince | London Sinfonietta, Oliver Knussen | — |
The Prince of the Pagodas: Prelude
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - The Fool and the Dwarf
David Purser, London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - March and Courtiers' Dance
John Harle, London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - Entry of the Pages and the Four Kings
Sebastian Bell, London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - Variation of the King of the North
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - Variation of the King of the East
Michael Thompson, London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - Variation of the King of the West
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - Variation of the King of the South
John Chimes, Kevin Nutty, London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - The Kings bow before the Emperor
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - Variation of Princess Belle Épine
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - Variation of Princess Belle Rose and Pas de deux
Gareth Hulse, John Miller, London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - The Kings and Belle Rose
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - Belle Épine and the Four Kings
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - The Rage of the Kings
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act One, The Palace of the Emperor of the Middle Kingdom - Entry of the Four Winged Frogs
John Orford, London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Introduction: Belle Rose borne in by the Frogs
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Waltz: Clouds, Stars, and Moon
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Belle Rose borne in by the Frogs (1)
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Entrée: Sea Horses, Fish Creatures and Waves
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Variation: Sea Horses
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Variation: Fish Creatures
Joy Farrall, Helen Tunstall, London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Coda (1)
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Belle Rose borne in by the Frogs (2)
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Pas de deux: Male and Female Flames
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Variation: Male Flame
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Variation: Female Flame
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Coda (2)
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Two, Scene One: The Strange Journey of Belle Rose to the Pagoda Land - Belle Rose, exhausted, borne in by the Frogs
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Two, Scene Two: The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas - Belle Rose in darkness
Nona Liddell, London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Two, Scene Two: The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas - The Pagodas
John Constable, James Holland, London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Two, Scene Two: The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas - The Salamander
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Two, Scene Two: The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas - Pas de deux: The Prince and Belle Rose
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Two, Scene Two: The Arrival and Adventures of Belle Rose in the Kingdom of the Pagodas - Belle Rose hunts for the Prince
London Sinfonietta, Oliver Knussen
—
Additional database matches (308)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Canticle I: My Beloved is Mine, op. 40 | Ian Bostridge, Julius Drake | — |
| Canticle II: Abraham and Isaac, op. 51 | Ian Bostridge, David Daniels, Julius Drake | — |
| Canticle III: Still Falls the Rain, op. 55 | Ian Bostridge, Timothy Brown, Julius Drake | — |
| Canticle IV: Journey of the Magi, op. 86 | Ian Bostridge, David Daniels, Christopher Maltman, Julius Drake | — |
| Canticle V: The Death of Saint Narcissus, op. 89 | Ian Bostridge, Aline Brewer | — |
| The Plough Boy | Christopher Maltman, Julius Drake | — |
| The Salley Gardens | Christopher Maltman, Julius Drake | — |
| The Foggy, Foggy Dew | Christopher Maltman, Julius Drake | — |
| There's None to Soothe | David Daniels, Julius Drake | — |
| O Waly, Waly | David Daniels, Julius Drake | — |
| The Ash Grove | Ian Bostridge, Julius Drake | — |
| Greensleeves | Ian Bostridge, Julius Drake | — |
| Ceremony of Carols: III. There is no Rose | Choir of King’s College, Cambridge, Osian Ellis, Sir David Willcocks | — |
| Festival Te Deum, op. 32 | Choir of King’s College, Cambridge, James Lancelot, Philip Ledger | — |
| Rejoice in the Lamb, Op. 30: Rejoice in God, O ye Tongues — | James Bowman, Choir of King’s College, Cambridge, Marcus Creed, Richard Morton, David Corkhill, James Lancelot, Philip Ledger | — |
| Rejoice in the Lamb, Op. 30: For I will consider my Cat Jeoffry — | James Bowman, Choir of King’s College, Cambridge, Marcus Creed, Richard Morton, David Corkhill, James Lancelot, Philip Ledger | — |
| Rejoice in the Lamb, Op. 30: For the Mouse is a creature of great personal valour — | James Bowman, Choir of King’s College, Cambridge, Marcus Creed, Richard Morton, David Corkhill, James Lancelot, Philip Ledger | — |
| Rejoice in the Lamb, Op. 30: For the flowers are great blessings — | James Bowman, Choir of King’s College, Cambridge, Marcus Creed, Richard Morton, David Corkhill, James Lancelot, Philip Ledger | — |
| Rejoice in the Lamb, Op. 30: For I am under the same accusation with my Saviour — | James Bowman, Choir of King’s College, Cambridge, Marcus Creed, Richard Morton, David Corkhill, James Lancelot, Philip Ledger | — |
| Rejoice in the Lamb, Op. 30: Hallelujah from the heart of God | James Bowman, Choir of King’s College, Cambridge, Marcus Creed, Richard Morton, David Corkhill, James Lancelot, Philip Ledger | — |
| Te Deum in C major (1934) | Choir of King’s College, Cambridge, James Lancelot, Philip Ledger | — |
| Jubliate Deo (1961) | Choir of King’s College, Cambridge, James Lancelot, Philip Ledger | T9028777197 |
| Ceremony of Carols: I. Procession | Choir of King’s College, Cambridge, Sir David Willcocks | — |
| Ceremony of Carols: II. Wolcum Yole! | Choir of King’s College, Cambridge, Sir David Willcocks | — |
| Ceremony of Carols: III. There is no Rose | Choir of King’s College, Cambridge, Osian Ellis, Sir David Willcocks | — |
| Ceremony of Carols: IV. That Yonge Child | Choir of King’s College, Cambridge, Sir David Willcocks | — |
| Ceremony of Carols: V. Balulalow | Choir of King’s College, Cambridge, Sir David Willcocks | — |
| Ceremony of Carols: VII. This Little Babe | Choir of King’s College, Cambridge, Sir David Willcocks | — |
| Ceremony of Carols: VIIII. In Freezing Winter Night | Choir of King’s College, Cambridge, Sir David Willcocks | — |
| Ceremony of Carols: X. Spring Carol | Choir of King’s College, Cambridge, Sir David Willcocks | — |
| Ceremony of Carols: XI. Deo Gracias | Choir of King’s College, Cambridge, Sir David Willcocks | — |
| Ceremony of Carols: XII. Recession | Choir of King’s College, Cambridge, Sir David Willcocks | — |
| A Spring Symphony, op. 44: Part One. I. Introduction: Shine Out | London Symphony Orchestra, André Previn | — |
| A Spring Symphony, op. 44: Part One. II. The Merry Cuckoo | London Symphony Orchestra, André Previn | — |
| A Spring Symphony, op. 44: Part One. III. Spring, the Sweet Spring | London Symphony Orchestra, André Previn | — |
| A Spring Symphony, op. 44: Part One. IV. The Driving Boy | London Symphony Orchestra, André Previn | — |
| A Spring Symphony, op. 44: Part One. V. The Morning Star | London Symphony Orchestra, André Previn | — |
| A Spring Symphony, op. 44: Part Two. I. Welcome, Maids of Honour | London Symphony Orchestra, André Previn | — |
| A Spring Symphony, op. 44: Part Two. II. Waters Above! | London Symphony Orchestra, André Previn | — |
| A Spring Symphony, op. 44: Part Two. III. Out on the Lawn I Lie in Bed | London Symphony Orchestra, André Previn | — |
| A Spring Symphony, op. 44: Part Three. I. When Will My May Come | London Symphony Orchestra, André Previn | — |
| A Spring Symphony, op. 44: Part Three. II. Fair and Fair | London Symphony Orchestra, André Previn | — |
| A Spring Symphony, op. 44: Part Three. III. Sound the Flute! | London Symphony Orchestra, André Previn | — |
| A Spring Symphony, op. 44: Part Four. Finale: London, to Thee I Do Present | London Symphony Orchestra, André Previn | — |
| 4 Chansons Françaises for Voice and Orchestra: I. Nuits de juin (Lento e molto rubato) | Jill Gomez, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| 4 Chansons Françaises for Voice and Orchestra: I. Sagesse (Lento Ma Non Troppo) | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| 4 Chansons Françaises for Voice and Orchestra: I. L'Enfance (Animato) | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| 4 Chansons Françaises for Voice and Orchestra: I. Chanson d'automne (Moderato con molto ma sempre colla voce) | Jill Gomez, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Canadian Carnival, op. 19 | Wesley Warren, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| "Young Apollo" for Piano, String Quartet, and Strings, Op.16 | Jeremy Ballard, Peter Cole, Peter Donohoe, Michal Kaznowski, Felix Kok, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Scottish Ballad for 2 Pianos and Orchestra, Op.26 | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Men of Goodwill | Minnesota Orchestra, Sir Neville Marriner | — |
| An American Overture, op. 27 | City of Birmingham Symphony Orchestra, Simon Rattle | T9000935728 |
| Suite on English Folk Tunes, op. 90 "A time there was...": I. Cakes and Ale | City of Birmingham Symphony Orchestra, Simon Rattle | T9000155293 |
| Suite on English Folk Tunes, op. 90 "A time there was...": II. The Bitter Withy | City of Birmingham Symphony Orchestra, Simon Rattle | T9000155293 |
| Suite on English Folk Tunes, op. 90 "A time there was...": III. Hankin Booby | City of Birmingham Symphony Orchestra, Simon Rattle | T9000155293 |
| Suite on English Folk Tunes, op. 90 "A time there was...": IV. Hunt the Squirrel | City of Birmingham Symphony Orchestra, Simon Rattle | T9000155293 |
| Suite on English Folk Tunes, op. 90 "A time there was...": V. Lord Melbourne (feat. cor anglais: Peter Walden) | City of Birmingham Symphony Orchestra, Simon Rattle | T9000155293 |
| Occasional Overture in C major, Op.38 | City of Birmingham Symphony Orchestra, Simon Rattle | T0103023886 |
| Missa Brevis in D: I. Kyrie | Choir of King’s College, Cambridge, Sir David Willcocks | — |
| Missa Brevis in D: II. Gloria | Choir of King’s College, Cambridge, Sir David Willcocks | — |
| Missa Brevis in D: III. Sanctus | Choir of King’s College, Cambridge, Sir David Willcocks | — |
| Missa Brevis in D: IV. Benedictus | Choir of King’s College, Cambridge, Sir David Willcocks | — |
| Missa Brevis in D: V. Agnus Dei | Choir of King’s College, Cambridge, Sir David Willcocks | — |
| Four Sea Interludes and Passacaglia from Peter Grimes, Op. 33: I. Dawn | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| Four Sea Interludes and Passacaglia from Peter Grimes, Op. 33: II. Sunday Morning | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| Four Sea Interludes and Passacaglia from Peter Grimes, Op. 33: III. Moonlight | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| Four Sea Interludes and Passacaglia from Peter Grimes, Op. 33: IV. Passacaglia | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| Four Sea Interludes and Passacaglia from Peter Grimes, Op. 33: V. Storm | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| The Young Person's Guide to the Orchestra, Op. 34: I. Theme: Allegro maestoso e largamente | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| The Young Person's Guide to the Orchestra Op.34: Var. A: Flutes and piccolo | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| The Young Person's Guide to the Orchestra Op.34: Var. B: Oboes (Lento) | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| The Young Person's Guide to the Orchestra Op.34: Var. C: Clarinets (Moderato) | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| The Young Person's Guide to the Orchestra Op.34: Var. D: Bassoons (Allegro alla marcia) | Royal Liverpool Philharmonic Orchestra, Libor Pešek | T9001074595 |
| The Young Person's Guide to the Orchestra Op.34: Var. E: Violins (Brillante: alla polacca) | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| The Young Person's Guide to the Orchestra Op.34: Var. F: Violas (Meno mosso) | Royal Liverpool Philharmonic Orchestra, Libor Pešek | T9001074595 |
| The Young Person's Guide to the Orchestra Op.34: Var. G: Cellos | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| The Young Person's Guide to the Orchestra Op.34: Var. H: Double basses (Cominciando lento ma poco a poco accel. al Allegro) | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| The Young Person's Guide to the Orchestra Op.34: Var. I: Harp (Maestoso) | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| The Young Person's Guide to the Orchestra Op.34: Var. J: Horns (L'istesso tempo) | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| The Young Person's Guide to the Orchestra Op.34: Var. K: Trumpets (Vivace) | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| The Young Person's Guide to the Orchestra Op.34: Var L: Trombones and bass tuba (Allegro pomposo) | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| The Young Person's Guide to the Orchestra, Op. 34: V. The Percussion Var. M (Moderato) | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| The Young Person's Guide to the Orchestra, Op. 34: VI. Fugue: Allegro molto - Con slancio | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| Sinfonia da Requiem, Op. 20: I. Lacrymosa | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| Sinfonia da Requiem, Op. 20: II. Dies irae | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| Sinfonia da Requiem, Op. 20: II. Requiem aeternam | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — |
| The Prince of the Pagodas: Act Three, Scene One: The Palace of the Middle Kingdom - Empress Belle Épine | London Sinfonietta, Oliver Knussen | — |
| The Prince of the Pagodas: Act Three, Scene One: The Palace of the Middle Kingdom - The Old Emperor | John Harle, London Sinfonietta, Oliver Knussen | — |
| The Prince of the Pagodas: Act Three, Scene One: The Palace of the Middle Kingdom - Appearance of Belle Rose and the Salamander | London Sinfonietta, Oliver Knussen | — |
| The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Transformation | London Sinfonietta, Oliver Knussen | — |
| The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Pas de six: Entrée | London Sinfonietta, Oliver Knussen | — |
| The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Variation 1: Pas de deux | Christopher van Kampen, Nona Liddell, London Sinfonietta, Oliver Knussen | — |
| The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Variation 2: Girl's solo | London Sinfonietta, Oliver Knussen | — |
| The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Variation 3: Boy's solo | London Sinfonietta, Oliver Knussen | — |
| The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Pas de trois | London Sinfonietta, Oliver Knussen | — |
| The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Coda | London Sinfonietta, Oliver Knussen | — |
| The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Pas de caractére: The Emperor and the Fool | London Sinfonietta, Oliver Knussen | — |
| The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Pas de deux: Belle Rose and the Prince of the Pagodas | London Sinfonietta, Oliver Knussen | — |
| The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Variation IV: The Prince | London Sinfonietta, Oliver Knussen | — |
| The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Variation V: Belle Rose | London Sinfonietta, Oliver Knussen | — |
| The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Finale | London Sinfonietta, Oliver Knussen | — |
| The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Apotheosis | London Sinfonietta, Oliver Knussen | — |
| Ballad of Heroes, op. 14: I. Funeral March (Swingler) - | City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Ballad of Heroes, op. 14: II. Scherzo (Auden) - | City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Ballad of Heroes, op. 14: III. Recitative and Choral (Auden/Swingler) | City of Birmingham Symphony Chorus, Robert Tear, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Diversions for Piano Left-hand and Orchestra, op. 21: I. Theme | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: II. Variation 1: Recitative | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: III. Variation 2: Romance | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: IV. Variation 3: March | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: V. Variation 4: Arabesque | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: VI. Variation 5: Chant | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: VII. Variation 6: Nocturne | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: VIII. Variation 7: Badinerie | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: IX. Variation 8: Burlesque | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: X. Variation 9a: Toccata 1 - Variation 9b: Toccata 2 | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: XI. Variation 10: Adagio | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Diversions for Piano Left Hand and Orchestra, op. 21: XII. Finale: Tarantella | Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| The Building of the House, op. 79 | City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| "Praise We Great Men" for Voices, Chorus and Orchestra: I. | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| "Praise We Great Men" for Voices, Chorus and Orchestra: II. | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| "Praise We Great Men" for Voices, Chorus and Orchestra: III. | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| A Midsummer Night's Dream: Act 1. Welcome wanderer... I know a bank | James Bowman, City of London Sinfonia, Richard Hickox | — |
| The Rape of Lucretia, op. 37: Act 1, Scene 1: "Rome is now ruled by the Etruscan upstart" (Male Chorus) | Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — |
| The Rape of Lucretia, op. 37: Act 1, Scene 1: "It is an axiom among kings" (Female & Male Chorus) | Sir Peter Pears, Joan Cross, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — |
| The Rape of Lucretia, op. 37: Act 1, Scene 1: "Here the thirsty evening" (Male Chorus, Collatinus, Junius, Tarquinius) | Sir Peter Pears, Norman Lumsden, Denis Dowling, Frederick Sharp, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — |
| The Rape of Lucretia, op. 37: Act 1, Scene 1: "Lucretia! Lucretia! (Junius, Male Chorus, Collatinus) | Denis Dowling, Sir Peter Pears, Norman Lumsden, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — |
| The Rape of Lucretia, op. 37: Act 1, Scene 1: "With you two arm in arm again" (Collatinus, Tarquinius, Junius) | Sir Peter Pears, Frederick Sharp, Denis Dowling, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — |
| The Rape of Lucretia, op. 37: Act 1, Scene 1: Interlude "Tarquinius does not wait" (Male Chorus) | Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — |
| The Rape of Lucretia, op. 37: Act 1, Scene 2: "Their spinning-wheel unwinds" (Female Chorus, Lucretia, Bianca, Lucia) | Joan Cross, Sir Peter Pears, Flora Nielsen, Margaret Ritchie, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — |
| The Rape of Lucretia, op. 37: Act 1, Scene 2: "It is better to desire" (Bianca, Lucretia, Lucia, Female Chorus) | Flora Nielsen, Nancy Evans, Margaret Ritchie, Joan Cross, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — |
| The Rape of Lucretia, op. 37: Act 1, Scene 2: "The oatmeal slippers of sleep" (Female & Male Chorus) | Joan Cross, Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — |
| The Rape of Lucretia, op. 37: Act 1, Scene 2: "None of the women move" (Female Chorus, Tarquinius, Male Chorus, Bianca, Lucia, Lucretia) | Joan Cross, Frederick Sharp, Sir Peter Pears, Flora Nielsen, Margaret Ritchie, Nancy Evans, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — |
| The Rape of Lucretia, op. 37: Act 2, Scene 1: "She sleeps as a rose" (Female & Male Chorus) | Joan Cross, Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — |
| The Rape of Lucretia, op. 37: Act 2, Scene 1: "Lucretia!... What do you want?" (Tarquinius, Lucretia) | Frederick Sharp, Nancy Evans, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — |
| The Rape of Lucretia, op. 37: Act 2, Scene 1: "Go, Tarquinius!" (Female & Male Chorus, Tarquinius, Lucretia) | Joan Cross, Sir Peter Pears, Frederick Sharp, Nancy Evans, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — |
| The Rape of Lucretia, op. 37: Act 2, Scene 1: Interlude "Here in this scene you see" (Female & Male Chorus) | Joan Cross, Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — |
| The Rape of Lucretia, op. 37: Act 2, Scene 2: "Oh! What a lovely day!" (Lucia, Bianca) | Margaret Ritchie, Flora Nielsen, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — |
| The Rape of Lucretia, op. 37: Act 2, Scene 2: "How hideous! Take them away!" (Lucretia, Bianca, Lucia) | Nancy Evans, Flora Nielsen, Margaret Ritchie, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — |
| The Rape of Lucretia, op. 37: Act 2, Scene 2: "Flowers bring to every year" (Lucretia, Bianca) | Nancy Evans, Flora Nielsen, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — |
| The Rape of Lucretia, op. 37: Act 2, Scene 2: "Too late, Junius" (Collatinus, Lucretia) | Norman Lumsden, Nancy Evans, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — |
| The Rape of Lucretia, op. 37: Act 2, Scene 2: "This dead hand lets fall" (Collatinus, Junius, Lucia, Bianca, Female & Male Chorus) | Norman Lumsden, Denis Dowling, Margaret Ritchie, Flora Nielsen, Joan Cross, Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — |
| The Rape of Lucretia, op. 37: Act 2, Scene 2: "Is all this suffering and pain" (Female & Male Chorus) | Joan Cross, Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — |
| Peter Grimes, op. 33: Act I, Scene 1: "Whatever you say... Let her among you without fault" (Ellen) | Joan Cross, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall | — |
| Peter Grimes, op. 33: Act I, Scene 2: "Now the Great Bear and Pleiades" (Peter) | Sir Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall | — |
| Peter Grimes, op. 33: Act II, Scene 1: Interlude III: Sunday Morning (orchestra) | Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall | — |
| Peter Grimes, op. 33: Act II, Scene 1: "Glitter of waves" (Ellen, Chorus) | Joan Cross, BBC Theatre Chorus, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall | — |
| Peter Grimes, op. 33: Act II, Scene 1: "Wherefore, I pray and beseech you" (Rector, Chorus, Ellen) | Tom Culbert, BBC Theatre Chorus, Joan Cross, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall | — |
| Peter Grimes, op. 33: Act II, Scene 1: "O all ye works of the Lord" (Chorus, Peter, Ellen) | BBC Theatre Chorus, Sir Peter Pears, Joan Cross, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall | — |
| Peter Grimes, op. 33: Act III, Scene 1: "Embroider in childhood" (Ellen) | Joan Cross, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall | — |
| Peter Grimes, op. 33: Act III: Interlude VI | Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall | — |
| Peter Grimes, op. 33: Act III, Scene 2: "Grimes!... Steady. There you are" (Chorus, Peter, Ellen) | BBC Theatre Chorus, Sir Peter Pears, Joan Cross, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall | — |
| Holy Sonnets of John Donne, op. 35: 1. Oh My Blacke Soule | Peter Pears, Benjamin Britten | — |
| Holy Sonnets of John Donne, op. 35: 2. Batter My Heart | Peter Pears, Benjamin Britten | — |
| Holy Sonnets of John Donne, op. 35: 3. O Might Those Sighes and Teares | Peter Pears, Benjamin Britten | — |
| Holy Sonnets of John Donne, op. 35: 4. Oh, to Vex Me | Peter Pears, Benjamin Britten | — |
| Holy Sonnets of John Donne, op. 35: 5. What If This Present | Peter Pears, Benjamin Britten | — |
| Holy Sonnets of John Donne, op. 35: 6. Since She Whom I Loved | Peter Pears, Benjamin Britten | — |
| Holy Sonnets of John Donne, op. 35: 7. At the Round Earth's Imagined Corners | Peter Pears, Benjamin Britten | — |
| Holy Sonnets of John Donne, op. 35: 8. Thou Hast Made Me | Peter Pears, Benjamin Britten | — |
| Holy Sonnets of John Donne, op. 35: 9. Death, Be Not Proud | Peter Pears, Benjamin Britten | — |
| Seven Sonnets of Michelangelo, op. 22: 1. Sì come nella penna | Peter Pears, Benjamin Britten | — |
| Seven Sonnets of Michelangelo, op. 22: 2. A che più debb'io mai | Peter Pears, Benjamin Britten | — |
| Seven Sonnets of Michelangelo, op. 22: 3. Veggio co' bei vostri occhi | Peter Pears, Benjamin Britten | — |
| Seven Sonnets of Michelangelo, op. 22: 4. Tu sa' ch'io so | Peter Pears, Benjamin Britten | — |
| Seven Sonnets of Michelangelo, op. 22: 5. Rendete a gli occhi miei | Peter Pears, Benjamin Britten | — |
| Seven Sonnets of Michelangelo, op. 22: 6. S'un casto amor | Peter Pears, Benjamin Britten | — |
| Seven Sonnets of Michelangelo, op. 22: 7. Spirto ben nato | Peter Pears, Benjamin Britten | — |
| Russian Funeral: Andante alla marcia - Un pochissimo animando - Tempo primo più maestoso | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — |
| Ceremony of Carols: I. Procession | Choir of King’s College, Cambridge, Sir David Willcocks | — |
| Ceremony of Carols: II. Wolcum Yole! | Choir of King’s College, Cambridge, Sir David Willcocks | — |
| Ceremony of Carols: III. There is no Rose | Choir of King’s College, Cambridge, Osian Ellis, Sir David Willcocks | — |
| Ceremony of Carols: IV. That Yonge Child | Choir of King’s College, Cambridge, Sir David Willcocks | — |
| Ceremony of Carols: V. Balulalow | Choir of King’s College, Cambridge, Sir David Willcocks | — |
| Ceremony of Carols: VII. This Little Babe | Choir of King’s College, Cambridge, Sir David Willcocks | — |
| A Ceremony of Carols: Interlude (Andante Pastorale) | Choir of King’s College, Cambridge, Sir David Willcocks | — |
| Ceremony of Carols: VIIII. In Freezing Winter Night | Choir of King’s College, Cambridge, Sir David Willcocks | — |
| Ceremony of Carols: X. Spring Carol | Choir of King’s College, Cambridge, Sir David Willcocks | — |
| Ceremony of Carols: XI. Deo Gracias | Choir of King’s College, Cambridge, Sir David Willcocks | — |
| Saint Nicolas: Introduction | Cambridge Girls Choir, Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | — |
| Saint Nicolas: The Birth of Nicolas | Cambridge Girls Choir, Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | — |
| Saint Nicolas: Nicolas Devotes Himself to God | Cambridge Girls Choir, Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | — |
| Saint Nicolas: He Journeys to Palestine | Cambridge Girls Choir, Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | — |
| Saint Nicolas: Nicolas Comes to Myra and Is Chosen Bishop | Cambridge Girls Choir, Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | — |
| Saint Nicolas: Nicolas From Prison | Cambridge Girls Choir, Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | — |
| Saint Nicolas: Nicolas and the Pickled Boys | Cambridge Girls Choir, Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | — |
| Saint Nicolas: His Piety and Marvellous Works | Cambridge Girls Choir, Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | — |
| Saint Nicolas: The Death of Nicolas | Cambridge Girls Choir, Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | — |
| Piano Concerto, op. 13: I. Toccata. Allegro molto e con brio | City of Birmingham Symphony Orchestra, Paavo Järvi, Leif Ove Andsnes | — |
| Piano Concerto, op. 13: II. Waltz. Allegretto | City of Birmingham Symphony Orchestra, Paavo Järvi, Leif Ove Andsnes | — |
| Piano Concerto, op. 13: III. Impromptu. Andante lento - | City of Birmingham Symphony Orchestra, Paavo Järvi, Leif Ove Andsnes | — |
| Piano Concerto, op. 13: IV. March. Allegro moderato - sempre alla marcia | City of Birmingham Symphony Orchestra, Paavo Järvi, Leif Ove Andsnes | — |
| Suite for Solo Cello No. 1 in G major, Op. 72: Canto primo: Sostenuto e largamente | Truls Mørk | — |
| Suite for Solo Cello No. 1 in G major, Op. 72: I. Fuga: Andante moderato | Truls Mørk | — |
| Suite for Solo Cello No. 1 in G major, Op. 72: II. Lamento: Lento rubato | Truls Mørk | — |
| Suite for Solo Cello No. 1 in G major, Op. 72: Canto secondo: Sostenuto | Truls Mørk | — |
| Suite for Solo Cello No. 1 in G major, Op. 72: III. Serenata: Allegretto (pizzicato) | Truls Mørk | — |
| Suite for Solo Cello No. 1 in G major, Op. 72: IV. Marcia: Alla marcia moderato | Truls Mørk | — |
| Suite for Solo Cello No. 1 in G major, Op. 72: V. Bordone: Moderato quasi recitativo | Truls Mørk | — |
| Suite for Solo Cello No. 1 in G major, Op. 72: VI. Moto perpetuo e Canto quarto: Presto | Truls Mørk | — |
| Suite for Solo Cello No. 2 in D major, Op. 80: I. Declamato: Largo | Truls Mørk | — |
| Suite for Solo Cello No. 2 in D major, Op. 80: II. Fuga: Andante | Truls Mørk | — |
| Suite for Solo Cello No. 2 in D major, Op. 80: III. Scherzo: Allegro molto | Truls Mørk | — |
| Suite for Solo Cello No. 2 in D major, Op. 80: IV. Andante lento | Truls Mørk | — |
| Suite for Solo Cello No. 2 in D major, Op. 80: V. Ciaccona: Allegro | Truls Mørk | — |
| Suite for Solo Cello No. 3, Op. 87: I. Introduzione: Lento | Truls Mørk | — |
| Suite for Solo Cello No. 3, Op. 87: II. Marcia: Allegro | Truls Mørk | — |
| Suite for Solo Cello No. 3, Op. 87: III. Canto: Con moto | Truls Mørk | — |
| Suite for Solo Cello No. 3, Op. 87: IV. Barcarola: Lento | Truls Mørk | — |
| Suite for Solo Cello No. 3, Op. 87: V. Dialogo: Allegretto | Truls Mørk | — |
| Suite for Solo Cello No. 3, Op. 87: VI. Fuga: Andante espressivo | Truls Mørk | — |
| Suite for Solo Cello No. 3, Op. 87: VII. Recitativo: Fantastico | Truls Mørk | — |
| Suite for Solo Cello No. 3, Op. 87: VIII. Moto perpetuo: Presto | Truls Mørk | — |
| Suite for Solo Cello No. 3, Op. 87: IX. Passacaglia: Lento solenne | Truls Mørk | — |
| Les illuminations, song cycle for high voice & strings, op. 18: 1. Fanfare | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — |
| Les illuminations, song cycle for high voice & strings, op. 18: 2. Villes | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — |
| Les illuminations, song cycle for high voice & strings, op. 18: 3a. Phrase | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — |
| Les illuminations, song cycle for high voice & strings, op. 18: 3b. Antique | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — |
| Les illuminations, song cycle for high voice & strings, op. 18: 4. Royauté | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — |
| Les illuminations, song cycle for high voice & strings, op. 18: 5. Marine | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — |
| Les illuminations, song cycle for high voice & strings, op. 18: 6. Interlude | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — |
| Les illuminations, song cycle for high voice & strings, op. 18: 7. Being Beauteous | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — |
| Les illuminations, song cycle for high voice & strings, op. 18: 8. Parade | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — |
| Les illuminations, song cycle for high voice & strings, op. 18: 9. Départ | Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner | — |
| War Requiem, op. 66: I. Requiem aeternam. "Requiem aeternam dona eis Domine" | Boys of Christ Church Cathedral, Oxford, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| War Requiem, op. 66: I. Requiem aeternam. "What passing-bells for these who die as cattle?" | Robert Tear, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| War Requiem, op. 66: I. Requiem aeternam. "Kyrie eleison" | City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| War Requiem, op. 66: II. Dies irae. "Dies irae, dies illa" | City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| War Requiem, op. 66: II. Dies irae. "Bugles sang, saddening the evening air" | Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| War Requiem, op. 66: II. Dies irae. "Liber scriptus proferetur" | Elisabeth Söderström, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| War Requiem, op. 66: II. Dies irae. "Out there, we've walked quite friendly up to Death" | Robert Tear, Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| War Requiem, op. 66: II. Dies irae. "Recordare Jesu pie" | City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| War Requiem, op. 66: II. Dies irae. "Be slowly lifted up, thou long black arm" | Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| War Requiem, op. 66: II. Dies irae. "Dies irae, dies illa" | City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| War Requiem, op. 66: II. Dies irae. "Lacrimosa dies illa" | Elisabeth Söderström, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| War Requiem, op. 66: II. Dies irae "Move him into the sun...Pie Jesu" | Robert Tear, Elisabeth Söderström, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| War Requiem, op. 66: III. Offertorium. "Domine Jesu Christe" | Boys of Christ Church Cathedral, Oxford, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| War Requiem, op. 66: III. Offertorium. "So Abram rose, and clave the wood, and went" | Robert Tear, Sir Thomas Allen, Boys of Christ Church Cathedral, Oxford, Simon Rattle | — |
| War Requiem, op. 66: IV. Sanctus. "Sanctus, sanctus, sanctus" | Elisabeth Söderström, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| War Requiem, op. 66: IV. Sanctus. "Benedictus qui venit in nomine Domini" | Elisabeth Söderström, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| War Requiem, op. 66: IV. Sanctus. "After the blast of lightning from the East" | Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| War Requiem, op. 66: V. Agnus Dei | Robert Tear, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| War Requiem, op. 66: VI. Libera me. "Libera me, Domine, de morte aeterna" | Elisabeth Söderström, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| War Requiem, op. 66: VI. Libera me. "It seemed that out of battle I escaped" | Robert Tear, Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| War Requiem, op. 66: VI. Libera me. "Let us sleep now...In paradisum" | Robert Tear, Sir Thomas Allen, Elisabeth Söderström, Boys of Christ Church Cathedral, Oxford, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Symphonic Suite from 'Gloriana' Op.53a: I. The Tournament | Royal Liverpool Philharmonic Orchestra, Takuo Yuasa | — |
| Symphonic Suite from 'Gloriana' Op.53a: II. The Lute Song | Royal Liverpool Philharmonic Orchestra, Takuo Yuasa | — |
| Symphonic Suite from 'Gloriana' Op.53a: III. The Courtly Dances - March | Royal Liverpool Philharmonic Orchestra, Takuo Yuasa | — |
| Symphonic Suite from 'Gloriana' Op.53a: III. The Courtly Dances - Coranto | Royal Liverpool Philharmonic Orchestra, Takuo Yuasa | — |
| Symphonic Suite from 'Gloriana' Op.53a: III. The Courtly Dances - Pavane | Royal Liverpool Philharmonic Orchestra, Takuo Yuasa | — |
| Symphonic Suite from 'Gloriana' Op.53a: III. The Courtly Dances - Morris Dance | Royal Liverpool Philharmonic Orchestra, Takuo Yuasa | — |
| Symphonic Suite from 'Gloriana' Op.53a: III. The Courtly Dances - Galliard | Royal Liverpool Philharmonic Orchestra, Takuo Yuasa | — |
| Symphonic Suite from 'Gloriana' Op.53a: III. The Courtly Dances - Lavolta | Royal Liverpool Philharmonic Orchestra, Takuo Yuasa | — |
| Symphonic Suite from 'Gloriana' Op.53a: IV. Gloriana moritura | Royal Liverpool Philharmonic Orchestra, Takuo Yuasa | — |
| Matinées musicales Op.24: March | English Chamber Orchestra, Sir Alexander Gibson | — |
| Matinées musicales Op.24: Canzonetta | English Chamber Orchestra, Sir Alexander Gibson | — |
| Matinées musicales Op.24: Tirolese | English Chamber Orchestra, Sir Alexander Gibson | — |
| Matinées musicales Op.24: Bolero | English Chamber Orchestra, Sir Alexander Gibson | — |
| Matinées musicales Op.24: Tarantella | English Chamber Orchestra, Sir Alexander Gibson | — |
| Te Deum in C major (1934) | Choir of King’s College, Cambridge, James Lancelot, Philip Ledger | — |
| Nocturne, for tenor, 7 instruments & strings, Op. 60: On a poet's lips I slept | Robert Tear, English Chamber Orchestra, Jeffrey Tate | — |
| Nocturne, for tenor, 7 instruments & strings, Op. 60: Below the thunders of the upper deep | Robert Tear, English Chamber Orchestra, Jeffrey Tate | — |
| Nocturne, for tenor, 7 instruments & strings, Op. 60: Encinctured with a twine of leaves | Robert Tear, English Chamber Orchestra, Jeffrey Tate | — |
| Nocturne, for tenor, 7 instruments & strings, Op. 60: Midnight's bell goes ting, ting, ting, ting, ting | Robert Tear, English Chamber Orchestra, Jeffrey Tate | — |
| Nocturne, for tenor, 7 instruments & strings, Op. 60: But that night when on my bed I lay | Robert Tear, English Chamber Orchestra, Jeffrey Tate | — |
| Nocturne, for tenor, 7 instruments & strings, Op. 60: She sleeps on soft, last breaths | Robert Tear, English Chamber Orchestra, Jeffrey Tate | — |
| Nocturne, for tenor, 7 instruments & strings, Op. 60: What is more gentle whan a wind in summer? | Robert Tear, English Chamber Orchestra, Jeffrey Tate | — |
| Nocturne, for tenor, 7 instruments & strings, Op. 60: When most I wink, then do my eyes best see | Robert Tear, English Chamber Orchestra, Jeffrey Tate | — |
| Cello Symphony Op. 68: I. Allegro maestoso | Steven Isserlis, City of London Sinfonia, Richard Hickox | — |
| Symphony for Cello and Orchestra, op. 68: II. Presto inquieto | Steven Isserlis, City of London Sinfonia, Richard Hickox | — |
| Cello Symphony Op. 68: III. Adagio | Steven Isserlis, City of London Sinfonia, Richard Hickox | — |
| Cello Symphony Op. 68: III. Cadenza | Steven Isserlis, City of London Sinfonia, Richard Hickox | — |
| Cello Symphony Op. 68: IV. Passacaglia (Andante allegro) | Steven Isserlis, City of London Sinfonia, Richard Hickox | — |
| Rossini Suite: I. March. Allegro brillante | Neil Mackie, Steuart Bedford, Scottish Chamber Orchestra | — |
| Rossini Suite: II. Canzonetta. Allegretto | Boys of the Paisley Abbey Choir, Neil Mackie, Steuart Bedford, Scottish Chamber Orchestra | — |
| Rossini Suite: III. Allegretto | Neil Mackie, Steuart Bedford, Scottish Chamber Orchestra | — |
| Rossini Suite: IV. Bolero. Allegro moderato | Neil Mackie, Steuart Bedford, Scottish Chamber Orchestra | — |
| Rossini Suite: V. Allegro con brio | Boys of the Paisley Abbey Choir, Neil Mackie, Steuart Bedford, Scottish Chamber Orchestra | — |
| Violin Concerto, op. 15: I. Moderato con moto | Ida Haendel, Bournemouth Symphony Orchestra, Paavo Berglund | — |
| Violin Concerto, op. 15: II. Vivace — | Ida Haendel, Bournemouth Symphony Orchestra, Paavo Berglund | — |
| Violin Concerto, op. 15: III. Passacaglia (Andante lento — Un poco meno mosso) | Ida Haendel, Bournemouth Symphony Orchestra, Paavo Berglund | — |
| Matinées musicales Op.24: March | English Chamber Orchestra, Sir Alexander Gibson | — |
| Matinées musicales Op.24: Nocturne | English Chamber Orchestra, Sir Alexander Gibson | — |
| Matinées musicales Op.24: Waltz | English Chamber Orchestra, Sir Alexander Gibson | — |
| Matinées musicales Op.24: Pantomime | English Chamber Orchestra, Sir Alexander Gibson | — |
| Matinées musicales Op.24: Moto perpetuo | English Chamber Orchestra, Sir Alexander Gibson | — |
| Sinfonietta Op.1: I. Poco presto ed agitato | Britten Sinfonia, Daniel Harding | — |
| Sinfonietta Op.1: II. Andante lento | Britten Sinfonia, Daniel Harding | — |
| Sinfonietta Op.1: III. Tarantella: Presto vivace | Britten Sinfonia, Daniel Harding | — |
| Prelude and Fugue, Op. 29 | Norwegian Chamber Orchestra, Iona Brown | — |
| Lachrymae, Op. 48a | Lars Anders Tomter, Norwegian Chamber Orchestra, Iona Brown | — |
| Simple Symphony, Op. 4: I. Boisterous Bourrée | Norwegian Chamber Orchestra, Iona Brown | — |
| Simple Symphony, Op. 4: II. Playful Pizzicato | Norwegian Chamber Orchestra, Iona Brown | — |
| Simple Symphony, Op. 4: III. Sentimental Sarabande | Norwegian Chamber Orchestra, Iona Brown | — |
| Simple Symphony, Op. 4: IV. Frolicsome Finale | Norwegian Chamber Orchestra, Iona Brown | — |
| Variations on a Theme of Frank Bridge, Op. 10: Introduction and Theme | Det Norske Kammerorkester, Iona Brown | — |
| Variations on a Theme of Frank Bridge, Op. 10: Adagio | Det Norske Kammerorkester, Iona Brown | — |
| Variations on a Theme of Frank Bridge, Op. 10: March | Det Norske Kammerorkester, Iona Brown | — |
| Variations on a Theme of Frank Bridge, Op. 10: Romance | Det Norske Kammerorkester, Iona Brown | — |
| Variations on a Theme of Frank Bridge, Op. 10: Aria Italiana | Det Norske Kammerorkester, Iona Brown | — |
| Variations on a Theme of Frank Bridge, Op. 10: Bourée Classique | Det Norske Kammerorkester, Iona Brown | — |
| Variations on a Theme of Frank Bridge, Op. 10: Wiener Walzer | Det Norske Kammerorkester, Iona Brown | — |
| Variations on a Theme of Frank Bridge, Op. 10: Moto Perpetuo | Det Norske Kammerorkester, Iona Brown | — |
| Variations on a Theme of Frank Bridge, Op. 10: Funeral March | Det Norske Kammerorkester, Iona Brown | — |
| Variations on a Theme of Frank Bridge, Op. 10: Chant | Det Norske Kammerorkester, Iona Brown | — |
| Variations on a Theme of Frank Bridge, Op. 10: Fuge and Finale | Det Norske Kammerorkester, Iona Brown | — |
| Jubliate Deo (1961) | Choir of King’s College, Cambridge, James Lancelot, Philip Ledger | T9028777197 |
| Jubliate Deo (1961) | Choir of King’s College, Cambridge, James Lancelot, Philip Ledger | T9028777197 |
Canticle I: My Beloved is Mine, op. 40
Ian Bostridge, Julius Drake
—
Canticle II: Abraham and Isaac, op. 51
Ian Bostridge, David Daniels, Julius Drake
—
Canticle III: Still Falls the Rain, op. 55
Ian Bostridge, Timothy Brown, Julius Drake
—
Canticle IV: Journey of the Magi, op. 86
Ian Bostridge, David Daniels, Christopher Maltman, Julius Drake
—
Canticle V: The Death of Saint Narcissus, op. 89
Ian Bostridge, Aline Brewer
—
The Plough Boy
Christopher Maltman, Julius Drake
—
The Salley Gardens
Christopher Maltman, Julius Drake
—
The Foggy, Foggy Dew
Christopher Maltman, Julius Drake
—
There's None to Soothe
David Daniels, Julius Drake
—
O Waly, Waly
David Daniels, Julius Drake
—
The Ash Grove
Ian Bostridge, Julius Drake
—
Greensleeves
Ian Bostridge, Julius Drake
—
Ceremony of Carols: III. There is no Rose
Choir of King’s College, Cambridge, Osian Ellis, Sir David Willcocks
—
Festival Te Deum, op. 32
Choir of King’s College, Cambridge, James Lancelot, Philip Ledger
—
Rejoice in the Lamb, Op. 30: Rejoice in God, O ye Tongues —
James Bowman, Choir of King’s College, Cambridge, Marcus Creed, Richard Morton, David Corkhill, James Lancelot, Philip Ledger
—
Rejoice in the Lamb, Op. 30: For I will consider my Cat Jeoffry —
James Bowman, Choir of King’s College, Cambridge, Marcus Creed, Richard Morton, David Corkhill, James Lancelot, Philip Ledger
—
Rejoice in the Lamb, Op. 30: For the Mouse is a creature of great personal valour —
James Bowman, Choir of King’s College, Cambridge, Marcus Creed, Richard Morton, David Corkhill, James Lancelot, Philip Ledger
—
Rejoice in the Lamb, Op. 30: For the flowers are great blessings —
James Bowman, Choir of King’s College, Cambridge, Marcus Creed, Richard Morton, David Corkhill, James Lancelot, Philip Ledger
—
Rejoice in the Lamb, Op. 30: For I am under the same accusation with my Saviour —
James Bowman, Choir of King’s College, Cambridge, Marcus Creed, Richard Morton, David Corkhill, James Lancelot, Philip Ledger
—
Rejoice in the Lamb, Op. 30: Hallelujah from the heart of God
James Bowman, Choir of King’s College, Cambridge, Marcus Creed, Richard Morton, David Corkhill, James Lancelot, Philip Ledger
—
Te Deum in C major (1934)
Choir of King’s College, Cambridge, James Lancelot, Philip Ledger
—
Choir of King’s College, Cambridge, James Lancelot, Philip Ledger
Ceremony of Carols: I. Procession
Choir of King’s College, Cambridge, Sir David Willcocks
—
Ceremony of Carols: II. Wolcum Yole!
Choir of King’s College, Cambridge, Sir David Willcocks
—
Ceremony of Carols: III. There is no Rose
Choir of King’s College, Cambridge, Osian Ellis, Sir David Willcocks
—
Ceremony of Carols: IV. That Yonge Child
Choir of King’s College, Cambridge, Sir David Willcocks
—
Ceremony of Carols: V. Balulalow
Choir of King’s College, Cambridge, Sir David Willcocks
—
Ceremony of Carols: VII. This Little Babe
Choir of King’s College, Cambridge, Sir David Willcocks
—
Ceremony of Carols: VIIII. In Freezing Winter Night
Choir of King’s College, Cambridge, Sir David Willcocks
—
Ceremony of Carols: X. Spring Carol
Choir of King’s College, Cambridge, Sir David Willcocks
—
Ceremony of Carols: XI. Deo Gracias
Choir of King’s College, Cambridge, Sir David Willcocks
—
Ceremony of Carols: XII. Recession
Choir of King’s College, Cambridge, Sir David Willcocks
—
A Spring Symphony, op. 44: Part One. I. Introduction: Shine Out
London Symphony Orchestra, André Previn
—
A Spring Symphony, op. 44: Part One. II. The Merry Cuckoo
London Symphony Orchestra, André Previn
—
A Spring Symphony, op. 44: Part One. III. Spring, the Sweet Spring
London Symphony Orchestra, André Previn
—
A Spring Symphony, op. 44: Part One. IV. The Driving Boy
London Symphony Orchestra, André Previn
—
A Spring Symphony, op. 44: Part One. V. The Morning Star
London Symphony Orchestra, André Previn
—
A Spring Symphony, op. 44: Part Two. I. Welcome, Maids of Honour
London Symphony Orchestra, André Previn
—
A Spring Symphony, op. 44: Part Two. II. Waters Above!
London Symphony Orchestra, André Previn
—
A Spring Symphony, op. 44: Part Two. III. Out on the Lawn I Lie in Bed
London Symphony Orchestra, André Previn
—
A Spring Symphony, op. 44: Part Three. I. When Will My May Come
London Symphony Orchestra, André Previn
—
A Spring Symphony, op. 44: Part Three. II. Fair and Fair
London Symphony Orchestra, André Previn
—
A Spring Symphony, op. 44: Part Three. III. Sound the Flute!
London Symphony Orchestra, André Previn
—
A Spring Symphony, op. 44: Part Four. Finale: London, to Thee I Do Present
London Symphony Orchestra, André Previn
—
4 Chansons Françaises for Voice and Orchestra: I. Nuits de juin (Lento e molto rubato)
Jill Gomez, City of Birmingham Symphony Orchestra, Simon Rattle
—
4 Chansons Françaises for Voice and Orchestra: I. Sagesse (Lento Ma Non Troppo)
City of Birmingham Symphony Orchestra, Simon Rattle
—
4 Chansons Françaises for Voice and Orchestra: I. L'Enfance (Animato)
City of Birmingham Symphony Orchestra, Simon Rattle
—
4 Chansons Françaises for Voice and Orchestra: I. Chanson d'automne (Moderato con molto ma sempre colla voce)
Jill Gomez, City of Birmingham Symphony Orchestra, Simon Rattle
—
Canadian Carnival, op. 19
Wesley Warren, City of Birmingham Symphony Orchestra, Simon Rattle
—
"Young Apollo" for Piano, String Quartet, and Strings, Op.16
Jeremy Ballard, Peter Cole, Peter Donohoe, Michal Kaznowski, Felix Kok, City of Birmingham Symphony Orchestra, Simon Rattle
—
Scottish Ballad for 2 Pianos and Orchestra, Op.26
City of Birmingham Symphony Orchestra, Simon Rattle
—
Men of Goodwill
Minnesota Orchestra, Sir Neville Marriner
—
City of Birmingham Symphony Orchestra, Simon Rattle
City of Birmingham Symphony Orchestra, Simon Rattle
City of Birmingham Symphony Orchestra, Simon Rattle
City of Birmingham Symphony Orchestra, Simon Rattle
City of Birmingham Symphony Orchestra, Simon Rattle
City of Birmingham Symphony Orchestra, Simon Rattle
City of Birmingham Symphony Orchestra, Simon Rattle
Missa Brevis in D: I. Kyrie
Choir of King’s College, Cambridge, Sir David Willcocks
—
Missa Brevis in D: II. Gloria
Choir of King’s College, Cambridge, Sir David Willcocks
—
Missa Brevis in D: III. Sanctus
Choir of King’s College, Cambridge, Sir David Willcocks
—
Missa Brevis in D: IV. Benedictus
Choir of King’s College, Cambridge, Sir David Willcocks
—
Missa Brevis in D: V. Agnus Dei
Choir of King’s College, Cambridge, Sir David Willcocks
—
Four Sea Interludes and Passacaglia from Peter Grimes, Op. 33: I. Dawn
Royal Liverpool Philharmonic Orchestra, Libor Pešek
—
Four Sea Interludes and Passacaglia from Peter Grimes, Op. 33: II. Sunday Morning
Royal Liverpool Philharmonic Orchestra, Libor Pešek
—
Four Sea Interludes and Passacaglia from Peter Grimes, Op. 33: III. Moonlight
Royal Liverpool Philharmonic Orchestra, Libor Pešek
—
Four Sea Interludes and Passacaglia from Peter Grimes, Op. 33: IV. Passacaglia
Royal Liverpool Philharmonic Orchestra, Libor Pešek
—
Four Sea Interludes and Passacaglia from Peter Grimes, Op. 33: V. Storm
Royal Liverpool Philharmonic Orchestra, Libor Pešek
—
The Young Person's Guide to the Orchestra, Op. 34: I. Theme: Allegro maestoso e largamente
Royal Liverpool Philharmonic Orchestra, Libor Pešek
—
The Young Person's Guide to the Orchestra Op.34: Var. A: Flutes and piccolo
Royal Liverpool Philharmonic Orchestra, Libor Pešek
—
The Young Person's Guide to the Orchestra Op.34: Var. B: Oboes (Lento)
Royal Liverpool Philharmonic Orchestra, Libor Pešek
—
The Young Person's Guide to the Orchestra Op.34: Var. C: Clarinets (Moderato)
Royal Liverpool Philharmonic Orchestra, Libor Pešek
—
Royal Liverpool Philharmonic Orchestra, Libor Pešek
The Young Person's Guide to the Orchestra Op.34: Var. E: Violins (Brillante: alla polacca)
Royal Liverpool Philharmonic Orchestra, Libor Pešek
—
Royal Liverpool Philharmonic Orchestra, Libor Pešek
The Young Person's Guide to the Orchestra Op.34: Var. G: Cellos
Royal Liverpool Philharmonic Orchestra, Libor Pešek
—
The Young Person's Guide to the Orchestra Op.34: Var. H: Double basses (Cominciando lento ma poco a poco accel. al Allegro)
Royal Liverpool Philharmonic Orchestra, Libor Pešek
—
The Young Person's Guide to the Orchestra Op.34: Var. I: Harp (Maestoso)
Royal Liverpool Philharmonic Orchestra, Libor Pešek
—
The Young Person's Guide to the Orchestra Op.34: Var. J: Horns (L'istesso tempo)
Royal Liverpool Philharmonic Orchestra, Libor Pešek
—
The Young Person's Guide to the Orchestra Op.34: Var. K: Trumpets (Vivace)
Royal Liverpool Philharmonic Orchestra, Libor Pešek
—
The Young Person's Guide to the Orchestra Op.34: Var L: Trombones and bass tuba (Allegro pomposo)
Royal Liverpool Philharmonic Orchestra, Libor Pešek
—
The Young Person's Guide to the Orchestra, Op. 34: V. The Percussion Var. M (Moderato)
Royal Liverpool Philharmonic Orchestra, Libor Pešek
—
The Young Person's Guide to the Orchestra, Op. 34: VI. Fugue: Allegro molto - Con slancio
Royal Liverpool Philharmonic Orchestra, Libor Pešek
—
Sinfonia da Requiem, Op. 20: I. Lacrymosa
Royal Liverpool Philharmonic Orchestra, Libor Pešek
—
Sinfonia da Requiem, Op. 20: II. Dies irae
Royal Liverpool Philharmonic Orchestra, Libor Pešek
—
Sinfonia da Requiem, Op. 20: II. Requiem aeternam
Royal Liverpool Philharmonic Orchestra, Libor Pešek
—
The Prince of the Pagodas: Act Three, Scene One: The Palace of the Middle Kingdom - Empress Belle Épine
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Three, Scene One: The Palace of the Middle Kingdom - The Old Emperor
John Harle, London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Three, Scene One: The Palace of the Middle Kingdom - Appearance of Belle Rose and the Salamander
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Transformation
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Pas de six: Entrée
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Variation 1: Pas de deux
Christopher van Kampen, Nona Liddell, London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Variation 2: Girl's solo
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Variation 3: Boy's solo
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Pas de trois
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Coda
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Pas de caractére: The Emperor and the Fool
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Pas de deux: Belle Rose and the Prince of the Pagodas
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Variation IV: The Prince
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Variation V: Belle Rose
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Finale
London Sinfonietta, Oliver Knussen
—
The Prince of the Pagodas: Act Three, Scene Two: The Pagoda Palace - Apotheosis
London Sinfonietta, Oliver Knussen
—
Ballad of Heroes, op. 14: I. Funeral March (Swingler) -
City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Simon Rattle
—
Ballad of Heroes, op. 14: II. Scherzo (Auden) -
City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Simon Rattle
—
Ballad of Heroes, op. 14: III. Recitative and Choral (Auden/Swingler)
City of Birmingham Symphony Chorus, Robert Tear, City of Birmingham Symphony Orchestra, Simon Rattle
—
Diversions for Piano Left-hand and Orchestra, op. 21: I. Theme
Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle
—
Diversions for Piano Left Hand and Orchestra, op. 21: II. Variation 1: Recitative
Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle
—
Diversions for Piano Left Hand and Orchestra, op. 21: III. Variation 2: Romance
Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle
—
Diversions for Piano Left Hand and Orchestra, op. 21: IV. Variation 3: March
Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle
—
Diversions for Piano Left Hand and Orchestra, op. 21: V. Variation 4: Arabesque
Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle
—
Diversions for Piano Left Hand and Orchestra, op. 21: VI. Variation 5: Chant
Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle
—
Diversions for Piano Left Hand and Orchestra, op. 21: VII. Variation 6: Nocturne
Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle
—
Diversions for Piano Left Hand and Orchestra, op. 21: VIII. Variation 7: Badinerie
Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle
—
Diversions for Piano Left Hand and Orchestra, op. 21: IX. Variation 8: Burlesque
Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle
—
Diversions for Piano Left Hand and Orchestra, op. 21: X. Variation 9a: Toccata 1 - Variation 9b: Toccata 2
Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle
—
Diversions for Piano Left Hand and Orchestra, op. 21: XI. Variation 10: Adagio
Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle
—
Diversions for Piano Left Hand and Orchestra, op. 21: XII. Finale: Tarantella
Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle
—
The Building of the House, op. 79
City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Simon Rattle
—
"Praise We Great Men" for Voices, Chorus and Orchestra: I.
City of Birmingham Symphony Orchestra, Simon Rattle
—
"Praise We Great Men" for Voices, Chorus and Orchestra: II.
City of Birmingham Symphony Orchestra, Simon Rattle
—
"Praise We Great Men" for Voices, Chorus and Orchestra: III.
City of Birmingham Symphony Orchestra, Simon Rattle
—
A Midsummer Night's Dream: Act 1. Welcome wanderer... I know a bank
James Bowman, City of London Sinfonia, Richard Hickox
—
The Rape of Lucretia, op. 37: Act 1, Scene 1: "Rome is now ruled by the Etruscan upstart" (Male Chorus)
Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall
—
The Rape of Lucretia, op. 37: Act 1, Scene 1: "It is an axiom among kings" (Female & Male Chorus)
Sir Peter Pears, Joan Cross, English Opera Group Chamber Orchestra, Sir Reginald Goodall
—
The Rape of Lucretia, op. 37: Act 1, Scene 1: "Here the thirsty evening" (Male Chorus, Collatinus, Junius, Tarquinius)
Sir Peter Pears, Norman Lumsden, Denis Dowling, Frederick Sharp, English Opera Group Chamber Orchestra, Sir Reginald Goodall
—
The Rape of Lucretia, op. 37: Act 1, Scene 1: "Lucretia! Lucretia! (Junius, Male Chorus, Collatinus)
Denis Dowling, Sir Peter Pears, Norman Lumsden, English Opera Group Chamber Orchestra, Sir Reginald Goodall
—
The Rape of Lucretia, op. 37: Act 1, Scene 1: "With you two arm in arm again" (Collatinus, Tarquinius, Junius)
Sir Peter Pears, Frederick Sharp, Denis Dowling, English Opera Group Chamber Orchestra, Sir Reginald Goodall
—
The Rape of Lucretia, op. 37: Act 1, Scene 1: Interlude "Tarquinius does not wait" (Male Chorus)
Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall
—
The Rape of Lucretia, op. 37: Act 1, Scene 2: "Their spinning-wheel unwinds" (Female Chorus, Lucretia, Bianca, Lucia)
Joan Cross, Sir Peter Pears, Flora Nielsen, Margaret Ritchie, English Opera Group Chamber Orchestra, Sir Reginald Goodall
—
The Rape of Lucretia, op. 37: Act 1, Scene 2: "It is better to desire" (Bianca, Lucretia, Lucia, Female Chorus)
Flora Nielsen, Nancy Evans, Margaret Ritchie, Joan Cross, English Opera Group Chamber Orchestra, Sir Reginald Goodall
—
The Rape of Lucretia, op. 37: Act 1, Scene 2: "The oatmeal slippers of sleep" (Female & Male Chorus)
Joan Cross, Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall
—
The Rape of Lucretia, op. 37: Act 1, Scene 2: "None of the women move" (Female Chorus, Tarquinius, Male Chorus, Bianca, Lucia, Lucretia)
Joan Cross, Frederick Sharp, Sir Peter Pears, Flora Nielsen, Margaret Ritchie, Nancy Evans, English Opera Group Chamber Orchestra, Sir Reginald Goodall
—
The Rape of Lucretia, op. 37: Act 2, Scene 1: "She sleeps as a rose" (Female & Male Chorus)
Joan Cross, Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall
—
The Rape of Lucretia, op. 37: Act 2, Scene 1: "Lucretia!... What do you want?" (Tarquinius, Lucretia)
Frederick Sharp, Nancy Evans, English Opera Group Chamber Orchestra, Sir Reginald Goodall
—
The Rape of Lucretia, op. 37: Act 2, Scene 1: "Go, Tarquinius!" (Female & Male Chorus, Tarquinius, Lucretia)
Joan Cross, Sir Peter Pears, Frederick Sharp, Nancy Evans, English Opera Group Chamber Orchestra, Sir Reginald Goodall
—
The Rape of Lucretia, op. 37: Act 2, Scene 1: Interlude "Here in this scene you see" (Female & Male Chorus)
Joan Cross, Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall
—
The Rape of Lucretia, op. 37: Act 2, Scene 2: "Oh! What a lovely day!" (Lucia, Bianca)
Margaret Ritchie, Flora Nielsen, English Opera Group Chamber Orchestra, Sir Reginald Goodall
—
The Rape of Lucretia, op. 37: Act 2, Scene 2: "How hideous! Take them away!" (Lucretia, Bianca, Lucia)
Nancy Evans, Flora Nielsen, Margaret Ritchie, English Opera Group Chamber Orchestra, Sir Reginald Goodall
—
The Rape of Lucretia, op. 37: Act 2, Scene 2: "Flowers bring to every year" (Lucretia, Bianca)
Nancy Evans, Flora Nielsen, English Opera Group Chamber Orchestra, Sir Reginald Goodall
—
The Rape of Lucretia, op. 37: Act 2, Scene 2: "Too late, Junius" (Collatinus, Lucretia)
Norman Lumsden, Nancy Evans, English Opera Group Chamber Orchestra, Sir Reginald Goodall
—
The Rape of Lucretia, op. 37: Act 2, Scene 2: "This dead hand lets fall" (Collatinus, Junius, Lucia, Bianca, Female & Male Chorus)
Norman Lumsden, Denis Dowling, Margaret Ritchie, Flora Nielsen, Joan Cross, Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall
—
The Rape of Lucretia, op. 37: Act 2, Scene 2: "Is all this suffering and pain" (Female & Male Chorus)
Joan Cross, Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall
—
Peter Grimes, op. 33: Act I, Scene 1: "Whatever you say... Let her among you without fault" (Ellen)
Joan Cross, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall
—
Peter Grimes, op. 33: Act I, Scene 2: "Now the Great Bear and Pleiades" (Peter)
Sir Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall
—
Peter Grimes, op. 33: Act II, Scene 1: Interlude III: Sunday Morning (orchestra)
Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall
—
Peter Grimes, op. 33: Act II, Scene 1: "Glitter of waves" (Ellen, Chorus)
Joan Cross, BBC Theatre Chorus, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall
—
Peter Grimes, op. 33: Act II, Scene 1: "Wherefore, I pray and beseech you" (Rector, Chorus, Ellen)
Tom Culbert, BBC Theatre Chorus, Joan Cross, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall
—
Peter Grimes, op. 33: Act II, Scene 1: "O all ye works of the Lord" (Chorus, Peter, Ellen)
BBC Theatre Chorus, Sir Peter Pears, Joan Cross, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall
—
Peter Grimes, op. 33: Act III, Scene 1: "Embroider in childhood" (Ellen)
Joan Cross, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall
—
Peter Grimes, op. 33: Act III: Interlude VI
Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall
—
Peter Grimes, op. 33: Act III, Scene 2: "Grimes!... Steady. There you are" (Chorus, Peter, Ellen)
BBC Theatre Chorus, Sir Peter Pears, Joan Cross, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall
—
Holy Sonnets of John Donne, op. 35: 1. Oh My Blacke Soule
Peter Pears, Benjamin Britten
—
Holy Sonnets of John Donne, op. 35: 2. Batter My Heart
Peter Pears, Benjamin Britten
—
Holy Sonnets of John Donne, op. 35: 3. O Might Those Sighes and Teares
Peter Pears, Benjamin Britten
—
Holy Sonnets of John Donne, op. 35: 4. Oh, to Vex Me
Peter Pears, Benjamin Britten
—
Holy Sonnets of John Donne, op. 35: 5. What If This Present
Peter Pears, Benjamin Britten
—
Holy Sonnets of John Donne, op. 35: 6. Since She Whom I Loved
Peter Pears, Benjamin Britten
—
Holy Sonnets of John Donne, op. 35: 7. At the Round Earth's Imagined Corners
Peter Pears, Benjamin Britten
—
Holy Sonnets of John Donne, op. 35: 8. Thou Hast Made Me
Peter Pears, Benjamin Britten
—
Holy Sonnets of John Donne, op. 35: 9. Death, Be Not Proud
Peter Pears, Benjamin Britten
—
Seven Sonnets of Michelangelo, op. 22: 1. Sì come nella penna
Peter Pears, Benjamin Britten
—
Seven Sonnets of Michelangelo, op. 22: 2. A che più debb'io mai
Peter Pears, Benjamin Britten
—
Seven Sonnets of Michelangelo, op. 22: 3. Veggio co' bei vostri occhi
Peter Pears, Benjamin Britten
—
Seven Sonnets of Michelangelo, op. 22: 4. Tu sa' ch'io so
Peter Pears, Benjamin Britten
—
Seven Sonnets of Michelangelo, op. 22: 5. Rendete a gli occhi miei
Peter Pears, Benjamin Britten
—
Seven Sonnets of Michelangelo, op. 22: 6. S'un casto amor
Peter Pears, Benjamin Britten
—
Seven Sonnets of Michelangelo, op. 22: 7. Spirto ben nato
Peter Pears, Benjamin Britten
—
Russian Funeral: Andante alla marcia - Un pochissimo animando - Tempo primo più maestoso
City of Birmingham Symphony Orchestra, Sir Simon Rattle
—
Ceremony of Carols: I. Procession
Choir of King’s College, Cambridge, Sir David Willcocks
—
Ceremony of Carols: II. Wolcum Yole!
Choir of King’s College, Cambridge, Sir David Willcocks
—
Ceremony of Carols: III. There is no Rose
Choir of King’s College, Cambridge, Osian Ellis, Sir David Willcocks
—
Ceremony of Carols: IV. That Yonge Child
Choir of King’s College, Cambridge, Sir David Willcocks
—
Ceremony of Carols: V. Balulalow
Choir of King’s College, Cambridge, Sir David Willcocks
—
Ceremony of Carols: VII. This Little Babe
Choir of King’s College, Cambridge, Sir David Willcocks
—
A Ceremony of Carols: Interlude (Andante Pastorale)
Choir of King’s College, Cambridge, Sir David Willcocks
—
Ceremony of Carols: VIIII. In Freezing Winter Night
Choir of King’s College, Cambridge, Sir David Willcocks
—
Ceremony of Carols: X. Spring Carol
Choir of King’s College, Cambridge, Sir David Willcocks
—
Ceremony of Carols: XI. Deo Gracias
Choir of King’s College, Cambridge, Sir David Willcocks
—
Saint Nicolas: Introduction
Cambridge Girls Choir, Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
—
Saint Nicolas: The Birth of Nicolas
Cambridge Girls Choir, Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
—
Saint Nicolas: Nicolas Devotes Himself to God
Cambridge Girls Choir, Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
—
Saint Nicolas: He Journeys to Palestine
Cambridge Girls Choir, Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
—
Saint Nicolas: Nicolas Comes to Myra and Is Chosen Bishop
Cambridge Girls Choir, Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
—
Saint Nicolas: Nicolas From Prison
Cambridge Girls Choir, Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
—
Saint Nicolas: Nicolas and the Pickled Boys
Cambridge Girls Choir, Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
—
Saint Nicolas: His Piety and Marvellous Works
Cambridge Girls Choir, Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
—
Saint Nicolas: The Death of Nicolas
Cambridge Girls Choir, Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
—
Piano Concerto, op. 13: I. Toccata. Allegro molto e con brio
City of Birmingham Symphony Orchestra, Paavo Järvi, Leif Ove Andsnes
—
Piano Concerto, op. 13: II. Waltz. Allegretto
City of Birmingham Symphony Orchestra, Paavo Järvi, Leif Ove Andsnes
—
Piano Concerto, op. 13: III. Impromptu. Andante lento -
City of Birmingham Symphony Orchestra, Paavo Järvi, Leif Ove Andsnes
—
Piano Concerto, op. 13: IV. March. Allegro moderato - sempre alla marcia
City of Birmingham Symphony Orchestra, Paavo Järvi, Leif Ove Andsnes
—
Suite for Solo Cello No. 1 in G major, Op. 72: Canto primo: Sostenuto e largamente
Truls Mørk
—
Suite for Solo Cello No. 1 in G major, Op. 72: I. Fuga: Andante moderato
Truls Mørk
—
Suite for Solo Cello No. 1 in G major, Op. 72: II. Lamento: Lento rubato
Truls Mørk
—
Suite for Solo Cello No. 1 in G major, Op. 72: Canto secondo: Sostenuto
Truls Mørk
—
Suite for Solo Cello No. 1 in G major, Op. 72: III. Serenata: Allegretto (pizzicato)
Truls Mørk
—
Suite for Solo Cello No. 1 in G major, Op. 72: IV. Marcia: Alla marcia moderato
Truls Mørk
—
Suite for Solo Cello No. 1 in G major, Op. 72: V. Bordone: Moderato quasi recitativo
Truls Mørk
—
Suite for Solo Cello No. 1 in G major, Op. 72: VI. Moto perpetuo e Canto quarto: Presto
Truls Mørk
—
Suite for Solo Cello No. 2 in D major, Op. 80: I. Declamato: Largo
Truls Mørk
—
Suite for Solo Cello No. 2 in D major, Op. 80: II. Fuga: Andante
Truls Mørk
—
Suite for Solo Cello No. 2 in D major, Op. 80: III. Scherzo: Allegro molto
Truls Mørk
—
Suite for Solo Cello No. 2 in D major, Op. 80: IV. Andante lento
Truls Mørk
—
Suite for Solo Cello No. 2 in D major, Op. 80: V. Ciaccona: Allegro
Truls Mørk
—
Suite for Solo Cello No. 3, Op. 87: I. Introduzione: Lento
Truls Mørk
—
Suite for Solo Cello No. 3, Op. 87: II. Marcia: Allegro
Truls Mørk
—
Suite for Solo Cello No. 3, Op. 87: III. Canto: Con moto
Truls Mørk
—
Suite for Solo Cello No. 3, Op. 87: IV. Barcarola: Lento
Truls Mørk
—
Suite for Solo Cello No. 3, Op. 87: V. Dialogo: Allegretto
Truls Mørk
—
Suite for Solo Cello No. 3, Op. 87: VI. Fuga: Andante espressivo
Truls Mørk
—
Suite for Solo Cello No. 3, Op. 87: VII. Recitativo: Fantastico
Truls Mørk
—
Suite for Solo Cello No. 3, Op. 87: VIII. Moto perpetuo: Presto
Truls Mørk
—
Suite for Solo Cello No. 3, Op. 87: IX. Passacaglia: Lento solenne
Truls Mørk
—
Les illuminations, song cycle for high voice & strings, op. 18: 1. Fanfare
Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner
—
Les illuminations, song cycle for high voice & strings, op. 18: 2. Villes
Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner
—
Les illuminations, song cycle for high voice & strings, op. 18: 3a. Phrase
Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner
—
Les illuminations, song cycle for high voice & strings, op. 18: 3b. Antique
Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner
—
Les illuminations, song cycle for high voice & strings, op. 18: 4. Royauté
Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner
—
Les illuminations, song cycle for high voice & strings, op. 18: 5. Marine
Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner
—
Les illuminations, song cycle for high voice & strings, op. 18: 6. Interlude
Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner
—
Les illuminations, song cycle for high voice & strings, op. 18: 7. Being Beauteous
Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner
—
Les illuminations, song cycle for high voice & strings, op. 18: 8. Parade
Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner
—
Les illuminations, song cycle for high voice & strings, op. 18: 9. Départ
Heather Harper, Royal Northern Sinfonia, Sir Neville Marriner
—
War Requiem, op. 66: I. Requiem aeternam. "Requiem aeternam dona eis Domine"
Boys of Christ Church Cathedral, Oxford, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle
—
War Requiem, op. 66: I. Requiem aeternam. "What passing-bells for these who die as cattle?"
Robert Tear, City of Birmingham Symphony Orchestra, Simon Rattle
—
War Requiem, op. 66: I. Requiem aeternam. "Kyrie eleison"
City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle
—
War Requiem, op. 66: II. Dies irae. "Dies irae, dies illa"
City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle
—
War Requiem, op. 66: II. Dies irae. "Bugles sang, saddening the evening air"
Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle
—
War Requiem, op. 66: II. Dies irae. "Liber scriptus proferetur"
Elisabeth Söderström, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle
—
War Requiem, op. 66: II. Dies irae. "Out there, we've walked quite friendly up to Death"
Robert Tear, Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle
—
War Requiem, op. 66: II. Dies irae. "Recordare Jesu pie"
City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle
—
War Requiem, op. 66: II. Dies irae. "Be slowly lifted up, thou long black arm"
Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle
—
War Requiem, op. 66: II. Dies irae. "Dies irae, dies illa"
City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle
—
War Requiem, op. 66: II. Dies irae. "Lacrimosa dies illa"
Elisabeth Söderström, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle
—
War Requiem, op. 66: II. Dies irae "Move him into the sun...Pie Jesu"
Robert Tear, Elisabeth Söderström, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle
—
War Requiem, op. 66: III. Offertorium. "Domine Jesu Christe"
Boys of Christ Church Cathedral, Oxford, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle
—
War Requiem, op. 66: III. Offertorium. "So Abram rose, and clave the wood, and went"
Robert Tear, Sir Thomas Allen, Boys of Christ Church Cathedral, Oxford, Simon Rattle
—
War Requiem, op. 66: IV. Sanctus. "Sanctus, sanctus, sanctus"
Elisabeth Söderström, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle
—
War Requiem, op. 66: IV. Sanctus. "Benedictus qui venit in nomine Domini"
Elisabeth Söderström, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle
—
War Requiem, op. 66: IV. Sanctus. "After the blast of lightning from the East"
Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle
—
War Requiem, op. 66: V. Agnus Dei
Robert Tear, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle
—
War Requiem, op. 66: VI. Libera me. "Libera me, Domine, de morte aeterna"
Elisabeth Söderström, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle
—
War Requiem, op. 66: VI. Libera me. "It seemed that out of battle I escaped"
Robert Tear, Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle
—
War Requiem, op. 66: VI. Libera me. "Let us sleep now...In paradisum"
Robert Tear, Sir Thomas Allen, Elisabeth Söderström, Boys of Christ Church Cathedral, Oxford, City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle
—
Symphonic Suite from 'Gloriana' Op.53a: I. The Tournament
Royal Liverpool Philharmonic Orchestra, Takuo Yuasa
—
Symphonic Suite from 'Gloriana' Op.53a: II. The Lute Song
Royal Liverpool Philharmonic Orchestra, Takuo Yuasa
—
Symphonic Suite from 'Gloriana' Op.53a: III. The Courtly Dances - March
Royal Liverpool Philharmonic Orchestra, Takuo Yuasa
—
Symphonic Suite from 'Gloriana' Op.53a: III. The Courtly Dances - Coranto
Royal Liverpool Philharmonic Orchestra, Takuo Yuasa
—
Symphonic Suite from 'Gloriana' Op.53a: III. The Courtly Dances - Pavane
Royal Liverpool Philharmonic Orchestra, Takuo Yuasa
—
Symphonic Suite from 'Gloriana' Op.53a: III. The Courtly Dances - Morris Dance
Royal Liverpool Philharmonic Orchestra, Takuo Yuasa
—
Symphonic Suite from 'Gloriana' Op.53a: III. The Courtly Dances - Galliard
Royal Liverpool Philharmonic Orchestra, Takuo Yuasa
—
Symphonic Suite from 'Gloriana' Op.53a: III. The Courtly Dances - Lavolta
Royal Liverpool Philharmonic Orchestra, Takuo Yuasa
—
Symphonic Suite from 'Gloriana' Op.53a: IV. Gloriana moritura
Royal Liverpool Philharmonic Orchestra, Takuo Yuasa
—
Matinées musicales Op.24: March
English Chamber Orchestra, Sir Alexander Gibson
—
Matinées musicales Op.24: Canzonetta
English Chamber Orchestra, Sir Alexander Gibson
—
Matinées musicales Op.24: Tirolese
English Chamber Orchestra, Sir Alexander Gibson
—
Matinées musicales Op.24: Bolero
English Chamber Orchestra, Sir Alexander Gibson
—
Matinées musicales Op.24: Tarantella
English Chamber Orchestra, Sir Alexander Gibson
—
Te Deum in C major (1934)
Choir of King’s College, Cambridge, James Lancelot, Philip Ledger
—
Nocturne, for tenor, 7 instruments & strings, Op. 60: On a poet's lips I slept
Robert Tear, English Chamber Orchestra, Jeffrey Tate
—
Nocturne, for tenor, 7 instruments & strings, Op. 60: Below the thunders of the upper deep
Robert Tear, English Chamber Orchestra, Jeffrey Tate
—
Nocturne, for tenor, 7 instruments & strings, Op. 60: Encinctured with a twine of leaves
Robert Tear, English Chamber Orchestra, Jeffrey Tate
—
Nocturne, for tenor, 7 instruments & strings, Op. 60: Midnight's bell goes ting, ting, ting, ting, ting
Robert Tear, English Chamber Orchestra, Jeffrey Tate
—
Nocturne, for tenor, 7 instruments & strings, Op. 60: But that night when on my bed I lay
Robert Tear, English Chamber Orchestra, Jeffrey Tate
—
Nocturne, for tenor, 7 instruments & strings, Op. 60: She sleeps on soft, last breaths
Robert Tear, English Chamber Orchestra, Jeffrey Tate
—
Nocturne, for tenor, 7 instruments & strings, Op. 60: What is more gentle whan a wind in summer?
Robert Tear, English Chamber Orchestra, Jeffrey Tate
—
Nocturne, for tenor, 7 instruments & strings, Op. 60: When most I wink, then do my eyes best see
Robert Tear, English Chamber Orchestra, Jeffrey Tate
—
Cello Symphony Op. 68: I. Allegro maestoso
Steven Isserlis, City of London Sinfonia, Richard Hickox
—
Symphony for Cello and Orchestra, op. 68: II. Presto inquieto
Steven Isserlis, City of London Sinfonia, Richard Hickox
—
Cello Symphony Op. 68: III. Adagio
Steven Isserlis, City of London Sinfonia, Richard Hickox
—
Cello Symphony Op. 68: III. Cadenza
Steven Isserlis, City of London Sinfonia, Richard Hickox
—
Cello Symphony Op. 68: IV. Passacaglia (Andante allegro)
Steven Isserlis, City of London Sinfonia, Richard Hickox
—
Rossini Suite: I. March. Allegro brillante
Neil Mackie, Steuart Bedford, Scottish Chamber Orchestra
—
Rossini Suite: II. Canzonetta. Allegretto
Boys of the Paisley Abbey Choir, Neil Mackie, Steuart Bedford, Scottish Chamber Orchestra
—
Rossini Suite: III. Allegretto
Neil Mackie, Steuart Bedford, Scottish Chamber Orchestra
—
Rossini Suite: IV. Bolero. Allegro moderato
Neil Mackie, Steuart Bedford, Scottish Chamber Orchestra
—
Rossini Suite: V. Allegro con brio
Boys of the Paisley Abbey Choir, Neil Mackie, Steuart Bedford, Scottish Chamber Orchestra
—
Violin Concerto, op. 15: I. Moderato con moto
Ida Haendel, Bournemouth Symphony Orchestra, Paavo Berglund
—
Violin Concerto, op. 15: II. Vivace —
Ida Haendel, Bournemouth Symphony Orchestra, Paavo Berglund
—
Violin Concerto, op. 15: III. Passacaglia (Andante lento — Un poco meno mosso)
Ida Haendel, Bournemouth Symphony Orchestra, Paavo Berglund
—
Matinées musicales Op.24: March
English Chamber Orchestra, Sir Alexander Gibson
—
Matinées musicales Op.24: Nocturne
English Chamber Orchestra, Sir Alexander Gibson
—
Matinées musicales Op.24: Waltz
English Chamber Orchestra, Sir Alexander Gibson
—
Matinées musicales Op.24: Pantomime
English Chamber Orchestra, Sir Alexander Gibson
—
Matinées musicales Op.24: Moto perpetuo
English Chamber Orchestra, Sir Alexander Gibson
—
Sinfonietta Op.1: I. Poco presto ed agitato
Britten Sinfonia, Daniel Harding
—
Sinfonietta Op.1: II. Andante lento
Britten Sinfonia, Daniel Harding
—
Sinfonietta Op.1: III. Tarantella: Presto vivace
Britten Sinfonia, Daniel Harding
—
Prelude and Fugue, Op. 29
Norwegian Chamber Orchestra, Iona Brown
—
Lachrymae, Op. 48a
Lars Anders Tomter, Norwegian Chamber Orchestra, Iona Brown
—
Simple Symphony, Op. 4: I. Boisterous Bourrée
Norwegian Chamber Orchestra, Iona Brown
—
Simple Symphony, Op. 4: II. Playful Pizzicato
Norwegian Chamber Orchestra, Iona Brown
—
Simple Symphony, Op. 4: III. Sentimental Sarabande
Norwegian Chamber Orchestra, Iona Brown
—
Simple Symphony, Op. 4: IV. Frolicsome Finale
Norwegian Chamber Orchestra, Iona Brown
—
Variations on a Theme of Frank Bridge, Op. 10: Introduction and Theme
Det Norske Kammerorkester, Iona Brown
—
Variations on a Theme of Frank Bridge, Op. 10: Adagio
Det Norske Kammerorkester, Iona Brown
—
Variations on a Theme of Frank Bridge, Op. 10: March
Det Norske Kammerorkester, Iona Brown
—
Variations on a Theme of Frank Bridge, Op. 10: Romance
Det Norske Kammerorkester, Iona Brown
—
Variations on a Theme of Frank Bridge, Op. 10: Aria Italiana
Det Norske Kammerorkester, Iona Brown
—
Variations on a Theme of Frank Bridge, Op. 10: Bourée Classique
Det Norske Kammerorkester, Iona Brown
—
Variations on a Theme of Frank Bridge, Op. 10: Wiener Walzer
Det Norske Kammerorkester, Iona Brown
—
Variations on a Theme of Frank Bridge, Op. 10: Moto Perpetuo
Det Norske Kammerorkester, Iona Brown
—
Variations on a Theme of Frank Bridge, Op. 10: Funeral March
Det Norske Kammerorkester, Iona Brown
—
Variations on a Theme of Frank Bridge, Op. 10: Chant
Det Norske Kammerorkester, Iona Brown
—
Variations on a Theme of Frank Bridge, Op. 10: Fuge and Finale
Det Norske Kammerorkester, Iona Brown
—
Choir of King’s College, Cambridge, James Lancelot, Philip Ledger
Choir of King’s College, Cambridge, James Lancelot, Philip Ledger
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000000719104000000002775286000000000400131490000000046681359000000005515802500000000551804170000000055477296000000005549075700000000554966060000000055500003
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000000005552574500000000630419430000000063091684000000006310505400000000631125530000000072354511000000007839356200000000783989960000000078407151000000008017386800000000808700220000000080944386000000008121017300000000812330760000000081554304000000008169715300000000817730050000000081853590000000008185756700000000818625930000000083744611000000008412483600000000866917700000000096198568000000010658144900000001079881440000000108606507000000010869414800000001092188800000000109298315000000010930050X000000010930066500000001093739360000000109416721000000010943152600000001094407210000000109443949000000010962414100000001101426250000000110154060
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What is UPC 5099921752629?
5099921752629 is a Universal Product Code (UPC) assigned to The Collector's Edition by Benjamin Britten. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 33 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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