UPC · Release
100 Best Adagio Voices
Various Artists
5099926728728
99 tracksReleased 2009-06-01
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5099926728728 is the Universal Product Code (UPC barcode) for the release “100 Best Adagio Voices” by Various Artists, released 2009-06-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 99 tracks, each with its own ISRC. Tracks include FRZ119702170, GBPFW0600046, GBAYC8703561.
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UPC100 Best Adagio Voices
ISRC31 recordings
ISWC21 works
IPI7 songwriters
Track List (99)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Vocalise, op. 34 no. 14 | Natalie Dessay, Berliner Sinfonie-Orchester, Michael Schønwandt | T-900.222.366-7 | |
| 2 | Agnus Dei | Winchester Cathedral Choir, David Hill | T-901.134.571-4 | |
| 3 | Pavane, op. 50 | Edinburgh Festival Chorus, Orchestre de Paris, Daniel Barenboim | T-909.340.218-7 | |
| 4 | Giustino: “Vedro con mio diletto” (Anastasio) | Philippe Jaroussky, Ensemble Matheus, Jean-Christophe Spinosi | T-035.040.106-7 | |
| 5 | Così fan tutte: Atto I, scena 2. “Soave sia il vento” | Claudio Desderi, Carol Vaness, Dolores Ziegler, London Philharmonic Orchestra, Bernard Haitink | — | |
| 6 | Saul, Act 1: “O Lord, Whose Mercies Numberless” | — | ||
| 7 | Mozart: Le nozze di Figaro, K. 492, Act 2: Cavatina. “Porgi, amor” (Contessa) | Wolfgang Amadeus Mozart, Carlo Maria Giulini, Elisabeth Schwarzkopf, Philharmonia Orchestra | — | |
| 8 | Le Siège de Corinthe (L'assedio di Corinto): « Juste Ciel ! Ah, ta clémence est ma seule espérance » | — | ||
| 9 | La Wally: “Ebben? ... Ne andrò lontana” | Barbara Hendricks, French Radio Philharmonic Orchestra, Paavo Järvi | — | |
| 10 | La forza del destino: Atto II. “La vergine degli angeli” | Ambrosian Singers, Montserrat Caballé, Royal Philharmonic Orchestra, Anton Guadagno | T-902.795.641-8 | |
| 11 | Lakmé : Acte I. « Dôme épais » (Flower Duet) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T-900.142.826-8 | |
| 12 | Les Contes d’Hoffmann : Acte IV. « Belle nuit, ô nuit d’amour » | Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling | T-071.153.499-4 | |
| 13 | Les Pêcheurs de perles : « À cette voix quel trouble … Je crois entendre encore » (Nadir) | — | ||
| 14 | Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T-901.222.501-3 | |
| 15 | Rusalka: Song to the Moon | Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész | T-922.610.201-8 | |
| 16 | Madama Butterfly: Atto II. Humming Chorus | — | ||
| 17 | The Tsar's Bride: Lyubasha's Aria: “You Wil Pay” | — | ||
| 2-1 | Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — | |
| 2-2 | Il trionfo del tempo e del disinganno, Oratorio in Two Parts HWV 46 A (1707), Part Two: Aria: "Lascia la spina" (Piacere) | — | ||
| 2-3 | Dido & Aeneas: When I Am Laid in Earth | Susan Graham, Le Concert d'Astrée, Emmanuelle Haïm | — | |
| 2-4 | Serse: Aria: Ombra mai fu | — | ||
| 2-5 | Interrotte speranze | — | ||
| 2-6 | Hippolyte et Aricie, Acte III, scène 1 : Air de Phèdre: Cruelle mère des amours | — | ||
| 2-7 | Il delirio amoroso: Aria: Lascia omai le brune vele | Natalie Dessay, Le Concert d’Astrée, Emmanuelle Haïm | — | |
| 2-8 | La sonnambula, atto II, scena 2: Ah! Non credea mirarti (Amina) | — | ||
| 2-9 | Otello, atto quarto, seconda scena: Ave Maria, piena di grazia … (Desdemona) | — | ||
| 2-10 | Gustaf Wasa, act 1, scene 8: Aria: Från tronen uti bojor sänkt (Christina) | — | ||
| 2-11 | La Légende de Sainte Cécile, Op. 22, Acte 2: Cantique de Sainte Cécile: "Que d'étoiles dans vos cheveux" | — | ||
| 2-12 | Hamlet, Acte IV: Le voilà, je crois l'entendre | — | ||
| 2-13 | Turandot, Act 1: Signore, ascolta! (Liù) | — | ||
| 2-14 | Peer Gynt (Incidental Music): No. 19 Solveigs Sang (Solveig) | Camilla Tilling, Eesti Riiklik Sümfooniaorkester, Paavo Järvi | T-070.244.013-8 | |
| 2-15 | Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht | — | ||
| 2-16 | Wiegenlied, Op. 41 No. 1 | — | ||
| 2-17 | Waldseligkeit, Op. 49 No. 1 | — | ||
| 2-18 | Pulcinella, Ballet: 2. Serenata: Mentre I'erbetta pasce l'agnella (tenor) | — | ||
| 3-1 | Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905.387.081-8 | |
| 3-2 | St Matthew Passion BWV 244: Aria: Erbarme dich | — | ||
| 3-3 | Dixit Dominus: De torrente in via bibet | Natalie Dessay, Véronique Gens, Le Concert d’Astrée, Emmanuelle Haïm | — | |
| 3-4 | Stabat mater pour soprano, contralto, cordes et basse continue: Stabat Mater dolorosa | Véronique Gens, Gérard Lesne, Il Seminario Musicale | T-905.680.072-7 | |
| 3-5 | Ave Verum Corpus K618 | — | ||
| 3-6 | Messiah, Part One: Comfort Ye My People (Tenor) | — | ||
| 3-7 | Vesperae solennes de confessore, K. 339: V. Laudate Dominum | Barbara Hendricks, Justin Sillman, Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T-900.135.371-5 | |
| 3-8 | Magnificat in D major, BWV 243: VI. "Et misericordia" | Philippe Jaroussky, Toby Spence, Le Concert d’Astrée, Emmanuelle Haïm | — | |
| 3-9 | Mass in C Minor K.427 (Revision Louis Langrée): Kyrie | — | ||
| 3-10 | Mass in B Minor BWV 232, Agnus Dei: Coro - Dona nobis pacem | — | ||
| 3-11 | Requiem in D minor, K. 626: III. Sequentia. Lacrimosa (Chorus) | Ensemble Vocal de Lausanne, Orchestre de chambre de Genève, Michel Corboz | — | |
| 3-12 | Requiem in D minor: Sequentia. Recordare (Soloists, Chorus) | Elisabete Matos, Mirjam Kalin, Aquiles Machado, Luis Rodrigues, Gulbenkian Choir, Gulbenkian Orchestra, Michel Corboz | — | |
| 3-13 | Requiem to the Memory of Luiz Vaz de Camos, Op. 23, Agnus Dei: Requiem aeternam | — | ||
| 3-14 | Psalm 42, for Chorus, Soprano and Orchestra, Op. 42: 1. Chorus: Wie der Hirsch schreit nach frischem Wasser | — | ||
| 3-15 | Missa Solemnis in B Flat Minor, Agnus Dei: Agnus Dei | — | ||
| 3-16 | Requiem, op. 48: IV. Pie Jesus | Magali Dami, Peter Harvey, Ensemble Vocal de Lausanne, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | T-315.824.737-7 | |
| 3-17 | Requiem, Op. 48: VII. In paradisum | — | ||
| 3-18 | Requiem, Op. 9: In paradisum | — | ||
| 4-1 | Miserere (Excerpts) | — | ||
| 4-2 | Funeral Sentences for the Death of Queen Mary II: Man That Is Born of Woman Z27 | — | ||
| 4-3 | Selva morale e spirituale, Venetia 1640: Hymnus: Salve Regina a 3 | — | ||
| 4-4 | Messa da Requiem : Libera me - Requiem | — | ||
| 4-5 | Gloria in G Major for Soprano Solo, Mixed Chorus & Orchestra: Domine Deus, Agnus Dei (Soprano) | — | ||
| 4-6 | Motets: Ave verum, op. 65 no. 1 | Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | T-915.668.767-1 | |
| 4-7 | Quatre Motets pour le temps de Noël: O magnum mysterium | — | ||
| 4-8 | Vespers (All-Night Vigil), op. 37: 6. Bogoroditse devo (Rejoice, O Virgin Mother of God) | — | ||
| 4-9 | Magnificat (1989) | Choir of King’s College, Cambridge, Stephen Cleobury | T-800.958.642-0 | |
| 4-10 | Thunder Entered Her: The Lament of the Mother of God | — | ||
| 4-11 | Maitia nun ziran | — | ||
| 4-12 | Loch Lomond [Scotland] (arr. Jonathan Rathbone) | — | ||
| 4-13 | Kondakion de l'Office de la nativité (Byzantine Melkite Tradition): Al-yawma-l-Batûl | — | ||
| 4-14 | Veni Creator Spiritus | — | ||
| 4-15 | Lord, I Can't Turn Back | — | ||
| 4-16 | Salve Regina | — | ||
| 4-17 | Away in a Manger | — | ||
| 4-18 | Berçeuse de grainne pour Diarmait (After Motet 'Nisi Dominus') | — | ||
| 5-1 | Bachianas Brasileiras No. 5: Aria (Cantilena) (Mady Mesplé and Cellos ensemble of the Orchestre de Paris feat. conductor Paul Capolongo) | — | ||
| 5-2 | Music for a while | David Daniels, Craig Ogden | T-031.734.775-3 | |
| 5-3 | Hor che'l ciel: "Hor che'l ciel, e la terra, e'l vento tace" | Anthony Rooley, The Consort of Musicke | — | |
| 5-4 | Du Bist Die Ruh' D776 (Arleen Augér and Lambert Orkis) | — | ||
| 5-5 | Vier Gesange, Op. 17: Es Tont Ein Voller Harfenklang (London Symphony Chorus and City of London Sinfonia feat. conductor Richard Hickox) | — | ||
| 5-6 | Mich Zieht Es Nach Dem Dörfchen Hin, Op. 55 No. 3 (Accentus Chamber Choir feat. conductor Laurence Equilbey) | — | ||
| 5-7 | Funf Lieder, Op. 104: III. Letztes Glück (Kalbeck) (Accentus Chamber Choir feat. conductor Laurence Equilbey) | — | ||
| 5-8 | Gesang Der Geister Über Den Wassern D714 (Capella Bavariae feat. conductor Wolfgang Sawallisch) | Franz Schubert | — | |
| 5-9 | Les Nuits D'été, Op. 7: 2. Le Spectre de La Rose (Janet Baker and City of London Sinfonia feat. conductor Richard Hickox) | — | ||
| 5-10 | 2 Songs, Op. 4 (J.L. Runeberg): Flickan Knyter i Johannenatten | — | ||
| 5-11 | Chanson Perpétuelle, Op. 37 (Kammer Ensemble de Paris and Felicity Lott feat. conductor Armin Jordan) | — | ||
| 5-12 | Carmina Burana: III. Cour d’amours: In trutina | Janice Watson, Bournemouth Symphony Orchestra, David Hill | — | |
| 5-13 | Les Illuminations, Op. 18: IIIa. Phrase (Richard Hickox feat. conductor David Hill) | — | ||
| 5-14 | Seven Elizabethan Lyrics, Op. 12: VI. By a Fountainside (Ben Jonson) (Martyn Hill and City of London Sinfonia feat. conductor Geoffrey Parsons and Thomas Allen) | — | ||
| 6-1 | Concerto pour soprano colorature & orchestre en fa mineur, op. 82 : I. Andante | — | ||
| 6-2 | L'Air | — | ||
| 6-3 | Shéhérazade: III. L'indifférent | — | ||
| 6-4 | Après un rêve, op. 7 no. 1 | — | ||
| 6-5 | Trois Chansons a capella: Dieu qu'il la fait bon regarder! | — | ||
| 6-7 | 2 Duos, op. 11: 1. La Nuit (Theodore de Banville) | — | ||
| 6-8 | 2 Duos, op. 11: 2. Le Réveil (Honore de Balzac) | — | ||
| 6-9 | Trois Chansons a capella: Trois Beaux Oiseaux du paradis (Delphine Collot, Brigitte Vinson, Jean-Louis Bouillat, Ensemble Vocal Jean Sourisse and Gérard Wieclaw feat. conductor Jean Sourisse) | — | ||
| 6-10 | 2 Chœurs pour 4 voix mixtes a capella, op. 68 no. 1. Calme des nuits (Anon) | — | ||
| 6-11 | Chants d'Auvergne: Baïlèro | Arleen Augér, English Chamber Orchestra, Yan Pascal Tortelier | — | |
| 6-12 | Vocalise-Étude en forme de Habanera (Berlin Symphony Orchestra and Natalie Dessay feat. conductor Michael Schønwandt) | — | ||
| 6-13 | L'invitation au voyage (François LeRoux and Monte Carlo Philharmonic Orchestra feat. conductor John Nelson) | — | ||
| 6-14 | Quatre Poèmes Hindous: Lahore - Heinrich Heine (Kammer Ensemble de Paris and Felicity Lott feat. conductor Armin Jordan) | — | ||
| 6-15 | Les Chansons de Bilitis: XII. La Pluie au matin (The Nash Ensemble and Delphine Seyrig) | — |
Natalie Dessay, Berliner Sinfonie-Orchester, Michael Schønwandt
Philippe Jaroussky, Ensemble Matheus, Jean-Christophe Spinosi
Così fan tutte: Atto I, scena 2. “Soave sia il vento”
Claudio Desderi, Carol Vaness, Dolores Ziegler, London Philharmonic Orchestra, Bernard Haitink
—
Saul, Act 1: “O Lord, Whose Mercies Numberless”
—
Mozart: Le nozze di Figaro, K. 492, Act 2: Cavatina. “Porgi, amor” (Contessa)
Wolfgang Amadeus Mozart, Carlo Maria Giulini, Elisabeth Schwarzkopf, Philharmonia Orchestra
—
Le Siège de Corinthe (L'assedio di Corinto): « Juste Ciel ! Ah, ta clémence est ma seule espérance »
—
La Wally: “Ebben? ... Ne andrò lontana”
Barbara Hendricks, French Radio Philharmonic Orchestra, Paavo Järvi
—
Ambrosian Singers, Montserrat Caballé, Royal Philharmonic Orchestra, Anton Guadagno
Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard
Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling
Les Pêcheurs de perles : « À cette voix quel trouble … Je crois entendre encore » (Nadir)
—
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész
Madama Butterfly: Atto II. Humming Chorus
—
The Tsar's Bride: Lyubasha's Aria: “You Wil Pay”
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Il trionfo del tempo e del disinganno, Oratorio in Two Parts HWV 46 A (1707), Part Two: Aria: "Lascia la spina" (Piacere)
—
Dido & Aeneas: When I Am Laid in Earth
Susan Graham, Le Concert d'Astrée, Emmanuelle Haïm
—
Serse: Aria: Ombra mai fu
—
Interrotte speranze
—
Hippolyte et Aricie, Acte III, scène 1 : Air de Phèdre: Cruelle mère des amours
—
Il delirio amoroso: Aria: Lascia omai le brune vele
Natalie Dessay, Le Concert d’Astrée, Emmanuelle Haïm
—
La sonnambula, atto II, scena 2: Ah! Non credea mirarti (Amina)
—
Otello, atto quarto, seconda scena: Ave Maria, piena di grazia … (Desdemona)
—
Gustaf Wasa, act 1, scene 8: Aria: Från tronen uti bojor sänkt (Christina)
—
La Légende de Sainte Cécile, Op. 22, Acte 2: Cantique de Sainte Cécile: "Que d'étoiles dans vos cheveux"
—
Hamlet, Acte IV: Le voilà, je crois l'entendre
—
Turandot, Act 1: Signore, ascolta! (Liù)
—
Camilla Tilling, Eesti Riiklik Sümfooniaorkester, Paavo Järvi
Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht
—
Wiegenlied, Op. 41 No. 1
—
Waldseligkeit, Op. 49 No. 1
—
Pulcinella, Ballet: 2. Serenata: Mentre I'erbetta pasce l'agnella (tenor)
—
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
St Matthew Passion BWV 244: Aria: Erbarme dich
—
Dixit Dominus: De torrente in via bibet
Natalie Dessay, Véronique Gens, Le Concert d’Astrée, Emmanuelle Haïm
—
Véronique Gens, Gérard Lesne, Il Seminario Musicale
Ave Verum Corpus K618
—
Messiah, Part One: Comfort Ye My People (Tenor)
—
Barbara Hendricks, Justin Sillman, Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
Magnificat in D major, BWV 243: VI. "Et misericordia"
Philippe Jaroussky, Toby Spence, Le Concert d’Astrée, Emmanuelle Haïm
—
Mass in C Minor K.427 (Revision Louis Langrée): Kyrie
—
Mass in B Minor BWV 232, Agnus Dei: Coro - Dona nobis pacem
—
Requiem in D minor, K. 626: III. Sequentia. Lacrimosa (Chorus)
Ensemble Vocal de Lausanne, Orchestre de chambre de Genève, Michel Corboz
—
Requiem in D minor: Sequentia. Recordare (Soloists, Chorus)
Elisabete Matos, Mirjam Kalin, Aquiles Machado, Luis Rodrigues, Gulbenkian Choir, Gulbenkian Orchestra, Michel Corboz
—
Requiem to the Memory of Luiz Vaz de Camos, Op. 23, Agnus Dei: Requiem aeternam
—
Psalm 42, for Chorus, Soprano and Orchestra, Op. 42: 1. Chorus: Wie der Hirsch schreit nach frischem Wasser
—
Missa Solemnis in B Flat Minor, Agnus Dei: Agnus Dei
—
Magali Dami, Peter Harvey, Ensemble Vocal de Lausanne, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz
Requiem, Op. 48: VII. In paradisum
—
Requiem, Op. 9: In paradisum
—
Miserere (Excerpts)
—
Funeral Sentences for the Death of Queen Mary II: Man That Is Born of Woman Z27
—
Selva morale e spirituale, Venetia 1640: Hymnus: Salve Regina a 3
—
Messa da Requiem : Libera me - Requiem
—
Gloria in G Major for Soprano Solo, Mixed Chorus & Orchestra: Domine Deus, Agnus Dei (Soprano)
—
Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz
Quatre Motets pour le temps de Noël: O magnum mysterium
—
Vespers (All-Night Vigil), op. 37: 6. Bogoroditse devo (Rejoice, O Virgin Mother of God)
—
Thunder Entered Her: The Lament of the Mother of God
—
Maitia nun ziran
—
Loch Lomond [Scotland] (arr. Jonathan Rathbone)
—
Kondakion de l'Office de la nativité (Byzantine Melkite Tradition): Al-yawma-l-Batûl
—
Veni Creator Spiritus
—
Lord, I Can't Turn Back
—
Salve Regina
—
Away in a Manger
—
Berçeuse de grainne pour Diarmait (After Motet 'Nisi Dominus')
—
Bachianas Brasileiras No. 5: Aria (Cantilena) (Mady Mesplé and Cellos ensemble of the Orchestre de Paris feat. conductor Paul Capolongo)
—
Hor che'l ciel: "Hor che'l ciel, e la terra, e'l vento tace"
Anthony Rooley, The Consort of Musicke
—
Du Bist Die Ruh' D776 (Arleen Augér and Lambert Orkis)
—
Vier Gesange, Op. 17: Es Tont Ein Voller Harfenklang (London Symphony Chorus and City of London Sinfonia feat. conductor Richard Hickox)
—
Mich Zieht Es Nach Dem Dörfchen Hin, Op. 55 No. 3 (Accentus Chamber Choir feat. conductor Laurence Equilbey)
—
Funf Lieder, Op. 104: III. Letztes Glück (Kalbeck) (Accentus Chamber Choir feat. conductor Laurence Equilbey)
—
Gesang Der Geister Über Den Wassern D714 (Capella Bavariae feat. conductor Wolfgang Sawallisch)
Franz Schubert
—
Les Nuits D'été, Op. 7: 2. Le Spectre de La Rose (Janet Baker and City of London Sinfonia feat. conductor Richard Hickox)
—
2 Songs, Op. 4 (J.L. Runeberg): Flickan Knyter i Johannenatten
—
Chanson Perpétuelle, Op. 37 (Kammer Ensemble de Paris and Felicity Lott feat. conductor Armin Jordan)
—
Carmina Burana: III. Cour d’amours: In trutina
Janice Watson, Bournemouth Symphony Orchestra, David Hill
—
Les Illuminations, Op. 18: IIIa. Phrase (Richard Hickox feat. conductor David Hill)
—
Seven Elizabethan Lyrics, Op. 12: VI. By a Fountainside (Ben Jonson) (Martyn Hill and City of London Sinfonia feat. conductor Geoffrey Parsons and Thomas Allen)
—
Concerto pour soprano colorature & orchestre en fa mineur, op. 82 : I. Andante
—
L'Air
—
Shéhérazade: III. L'indifférent
—
Après un rêve, op. 7 no. 1
—
Trois Chansons a capella: Dieu qu'il la fait bon regarder!
—
2 Duos, op. 11: 1. La Nuit (Theodore de Banville)
—
2 Duos, op. 11: 2. Le Réveil (Honore de Balzac)
—
Trois Chansons a capella: Trois Beaux Oiseaux du paradis (Delphine Collot, Brigitte Vinson, Jean-Louis Bouillat, Ensemble Vocal Jean Sourisse and Gérard Wieclaw feat. conductor Jean Sourisse)
—
2 Chœurs pour 4 voix mixtes a capella, op. 68 no. 1. Calme des nuits (Anon)
—
Chants d'Auvergne: Baïlèro
Arleen Augér, English Chamber Orchestra, Yan Pascal Tortelier
—
Vocalise-Étude en forme de Habanera (Berlin Symphony Orchestra and Natalie Dessay feat. conductor Michael Schønwandt)
—
L'invitation au voyage (François LeRoux and Monte Carlo Philharmonic Orchestra feat. conductor John Nelson)
—
Quatre Poèmes Hindous: Lahore - Heinrich Heine (Kammer Ensemble de Paris and Felicity Lott feat. conductor Armin Jordan)
—
Les Chansons de Bilitis: XII. La Pluie au matin (The Nash Ensemble and Delphine Seyrig)
—
Additional database matches (5)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro) | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | T-931.280.185-7 |
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro)
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000047019164000000005513303900000000551372240000000055137937000000005514342100000000551520450000000055156097000000005516244600000000551657430000000055174025
+40 more
00000000551744630000000055180038000000005518192X0000000055183722000000005941313400000000783443490000000078389264000000007839845100000000784011200000000078404575000000007841267100000000811615940000000081465467000000008162448000000000816971530000000081773005000000008181878700000000818268400000000081849532000000008185375000000000818936640000000083668532000000008374461100000000841181450000000084133468000000010133537X0000000106617448000000010664833200000001072137010000000107238669000000010877014700000001089028160000000108935634000000010912747900000001092156040000000109282073000000010930066500000001093739360000000109395967000000010941075X
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What is UPC 5099926728728?
5099926728728 is a Universal Product Code (UPC) assigned to 100 Best Adagio Voices by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 99 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm