UPC · Release
100 Best Adagio Voices
Various Artists
5099926728728
17 tracksReleased 2009-06-01
Last verified:
5099926728728 is the Universal Product Code (UPC barcode) for the release “100 Best Adagio Voices” by Various Artists, released 2009-06-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 17 tracks, each with its own ISRC. Tracks include FRZ119702170, GBPFW0600046, GBAYC8703561.
Format
509GS1 prefix
9926Company prefix
72872Product
8Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPC100 Best Adagio Voices
ISRC12 recordings
ISWC21 works
IPI7 songwriters
Track List (17)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Vocalise, op. 34 no. 14 | Natalie Dessay, Berliner Sinfonie-Orchester, Michael Schønwandt | T-900222366-7 | |
| 2 | Agnus Dei | Winchester Cathedral Choir, David Hill | T9011345714 | |
| 3 | Pavane, op. 50 | Edinburgh Festival Chorus, Orchestre de Paris, Daniel Barenboim | T9093402187 | |
| 4 | Giustino: “Vedro con mio diletto” (Anastasio) | Philippe Jaroussky, Ensemble Matheus, Jean-Christophe Spinosi | T0350401067 | |
| 5 | Così fan tutte: Atto I, scena 2. “Soave sia il vento” | Claudio Desderi, Carol Vaness, Dolores Ziegler, London Philharmonic Orchestra, Bernard Haitink | — | |
| 6 | Saul, Act 1: “O Lord, Whose Mercies Numberless” | — | ||
| 7 | Mozart: Le nozze di Figaro, K. 492, Act 2: Cavatina. “Porgi, amor” (Contessa) | Wolfgang Amadeus Mozart, Carlo Maria Giulini, Elisabeth Schwarzkopf, Philharmonia Orchestra | — | |
| 8 | Le Siège de Corinthe (L'assedio di Corinto): « Juste Ciel ! Ah, ta clémence est ma seule espérance » | — | ||
| 9 | La Wally: “Ebben? ... Ne andrò lontana” | Barbara Hendricks, French Radio Philharmonic Orchestra, Paavo Järvi | — | |
| 10 | La forza del destino: Atto II. “La vergine degli angeli” | Ambrosian Singers, Montserrat Caballé, Royal Philharmonic Orchestra, Anton Guadagno | T9027956418 | |
| 11 | Lakmé : Acte I. « Dôme épais » (Flower Duet) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T9001428268 | |
| 12 | Les Contes d’Hoffmann : Acte IV. « Belle nuit, ô nuit d’amour » | Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling | T0711534994 | |
| 13 | Les Pêcheurs de perles : « À cette voix quel trouble … Je crois entendre encore » (Nadir) | — | ||
| 14 | Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T-901222501-3 | |
| 15 | Rusalka: Song to the Moon | Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész | T-922610201-8 | |
| 16 | Madama Butterfly: Atto II. Humming Chorus | — | ||
| 17 | The Tsar's Bride: Lyubasha's Aria: “You Wil Pay” | — |
Philippe Jaroussky, Ensemble Matheus, Jean-Christophe Spinosi
Così fan tutte: Atto I, scena 2. “Soave sia il vento”
Claudio Desderi, Carol Vaness, Dolores Ziegler, London Philharmonic Orchestra, Bernard Haitink
—
Saul, Act 1: “O Lord, Whose Mercies Numberless”
—
Mozart: Le nozze di Figaro, K. 492, Act 2: Cavatina. “Porgi, amor” (Contessa)
Wolfgang Amadeus Mozart, Carlo Maria Giulini, Elisabeth Schwarzkopf, Philharmonia Orchestra
—
Le Siège de Corinthe (L'assedio di Corinto): « Juste Ciel ! Ah, ta clémence est ma seule espérance »
—
La Wally: “Ebben? ... Ne andrò lontana”
Barbara Hendricks, French Radio Philharmonic Orchestra, Paavo Järvi
—
Ambrosian Singers, Montserrat Caballé, Royal Philharmonic Orchestra, Anton Guadagno
Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard
Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling
Les Pêcheurs de perles : « À cette voix quel trouble … Je crois entendre encore » (Nadir)
—
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész
Madama Butterfly: Atto II. Humming Chorus
—
The Tsar's Bride: Lyubasha's Aria: “You Wil Pay”
—
Additional database matches (27)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Vesperae solennes de confessore, K. 339: V. Laudate Dominum | Barbara Hendricks, Justin Sillman, Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | T9001353715 |
| Stabat mater pour soprano, contralto, cordes et basse continue: Stabat Mater dolorosa | Véronique Gens, Gérard Lesne, Il Seminario Musicale | T9056800727 |
| Music for a while | David Daniels, Craig Ogden | T0317347753 |
| Dido & Aeneas: When I Am Laid in Earth | Susan Graham, Le Concert d'Astrée, Emmanuelle Haïm | — |
| Peer Gynt (Incidental Music): No. 19 Solveigs Sang (Solveig) | Camilla Tilling, Eesti Riiklik Sümfooniaorkester, Paavo Järvi | T-070244013-8 |
| Il delirio amoroso: Aria: Lascia omai le brune vele | Natalie Dessay, Le Concert d’Astrée, Emmanuelle Haïm | — |
| Magnificat in D major, BWV 243: VI. "Et misericordia" | Philippe Jaroussky, Toby Spence, Le Concert d’Astrée, Emmanuelle Haïm | — |
| Dixit Dominus: De torrente in via bibet | Natalie Dessay, Véronique Gens, Le Concert d’Astrée, Emmanuelle Haïm | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905387081-8 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Chants d'Auvergne: Baïlèro | Arleen Augér, English Chamber Orchestra, Yan Pascal Tortelier | — |
| Hor che'l ciel: "Hor che'l ciel, e la terra, e'l vento tace" | Anthony Rooley, The Consort of Musicke | — |
| Requiem, op. 48: IV. Pie Jesus | Magali Dami, Peter Harvey, Ensemble Vocal de Lausanne, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | T3158247377 |
| Motets: Ave verum, op. 65 no. 1 | Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | T9156687671 |
| Carmina Burana: III. Cour d’amours: In trutina | Janice Watson, Bournemouth Symphony Orchestra, David Hill | — |
| Gesang Der Geister Über Den Wassern D714 (Capella Bavariae feat. conductor Wolfgang Sawallisch) | Franz Schubert | — |
| Requiem in D minor, K. 626: III. Sequentia. Lacrimosa (Chorus) | Ensemble Vocal de Lausanne, Orchestre de chambre de Genève, Michel Corboz | — |
| Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro) | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Requiem in D minor: Sequentia. Recordare (Soloists, Chorus) | Elisabete Matos, Mirjam Kalin, Aquiles Machado, Luis Rodrigues, Gulbenkian Choir, Gulbenkian Orchestra, Michel Corboz | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | T-931280185-7 |
| Magnificat (1989) | Choir of King’s College, Cambridge, Stephen Cleobury | T-800.958.642-0 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905387081-8 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905387081-8 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905.387.081-8 |
Barbara Hendricks, Justin Sillman, Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
Véronique Gens, Gérard Lesne, Il Seminario Musicale
David Daniels, Craig Ogden
Dido & Aeneas: When I Am Laid in Earth
Susan Graham, Le Concert d'Astrée, Emmanuelle Haïm
—
Camilla Tilling, Eesti Riiklik Sümfooniaorkester, Paavo Järvi
Il delirio amoroso: Aria: Lascia omai le brune vele
Natalie Dessay, Le Concert d’Astrée, Emmanuelle Haïm
—
Magnificat in D major, BWV 243: VI. "Et misericordia"
Philippe Jaroussky, Toby Spence, Le Concert d’Astrée, Emmanuelle Haïm
—
Dixit Dominus: De torrente in via bibet
Natalie Dessay, Véronique Gens, Le Concert d’Astrée, Emmanuelle Haïm
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Chants d'Auvergne: Baïlèro
Arleen Augér, English Chamber Orchestra, Yan Pascal Tortelier
—
Hor che'l ciel: "Hor che'l ciel, e la terra, e'l vento tace"
Anthony Rooley, The Consort of Musicke
—
Magali Dami, Peter Harvey, Ensemble Vocal de Lausanne, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz
Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz
Carmina Burana: III. Cour d’amours: In trutina
Janice Watson, Bournemouth Symphony Orchestra, David Hill
—
Gesang Der Geister Über Den Wassern D714 (Capella Bavariae feat. conductor Wolfgang Sawallisch)
Franz Schubert
—
Requiem in D minor, K. 626: III. Sequentia. Lacrimosa (Chorus)
Ensemble Vocal de Lausanne, Orchestre de chambre de Genève, Michel Corboz
—
Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro)
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Requiem in D minor: Sequentia. Recordare (Soloists, Chorus)
Elisabete Matos, Mirjam Kalin, Aquiles Machado, Luis Rodrigues, Gulbenkian Choir, Gulbenkian Orchestra, Michel Corboz
—
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Choir of King’s College, Cambridge, Stephen Cleobury
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000047019164000000005513303900000000551372240000000055137937000000005514342100000000551520450000000055156097000000005516244600000000551657430000000055174025
+40 more
00000000551744630000000055180038000000005518192X0000000055183722000000005941313400000000783443490000000078389264000000007839845100000000784011200000000078404575000000007841267100000000811615940000000081465467000000008162448000000000816971530000000081773005000000008181878700000000818268400000000081849532000000008185375000000000818936640000000083668532000000008374461100000000841181450000000084133468000000010133537X0000000106617448000000010664833200000001072137010000000107238669000000010877014700000001089028160000000108935634000000010912747900000001092156040000000109282073000000010930066500000001093739360000000109395967000000010941075X
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What is UPC 5099926728728?
5099926728728 is a Universal Product Code (UPC) assigned to 100 Best Adagio Voices by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 17 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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