UPC · Release
The Great Operas
Giuseppe Verdi
5099941674529
17 tracksReleased 2013-01-01EMI Classics
Last verified:
5099941674529 is the Universal Product Code (UPC barcode) for the release “The Great Operas” by Giuseppe Verdi, released 2013-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 17 tracks, each with its own ISRC. Tracks include GBAYC8804678, GBAYC8804683.
Format
509GS1 prefix
9941Company prefix
67452Product
9Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Great Operas
ISRC2 recordings
ISWC2 works
Track List (17)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 33-1 | Otello, Act III, Prima scena: La vedetta del porto ha segnalato (Herald/Othello/Jago) | — | ||
| 33-2 | Otello, Act III, Seconda scena: Dio ti giocondi (Desdemona/Othello) | — | ||
| 33-3 | Otello, Act III, Terza e quarta scena: Dio! mi potevi scagliar (Otello/Jago) | — | ||
| 33-4 | Otello, Act III, Quinta scena: Vieni, l'aula è deserta | — | ||
| 33-5 | Otello, Act III, Quinta scena: Questa è una ragna (Jago/Cassio/Otello) | — | ||
| 33-6 | Otello, Act III, Sesta scena: Come la ucciderò? (Otello/Jago/Ciprioti) | — | ||
| 33-7 | Otello, Act III, Settima scena: Viva! Evviva! Viva il Leon di San Marco! (Coro/Lodovico/Otello/Desdemona/Emilia/Jago) | — | ||
| 33-8 | Otello, Act III, Ottava scena: Messeri! Il Doge (Othello/Roderigo/Jago/Cassio/Lodovico) | — | ||
| 33-9 | Otello, Act III, Ottava scena: A terra... si... nel livido fango (Desdemona/Emilia/Cassio/Roderigo/All) | — | ||
| 33-10 | Otello, Act III, Nona scena: Fuggirmi io sol non so...Sangue! (Otello/Jago/Ciprioti) | — | ||
| 33-11 | Otello, Act IV, Prima scena: Era più calmo? (Emilia/Desdemona) | — | ||
| 33-12 | Otello, Act IV, Prima scena: Mia madre aveva una povera ancella (Emilia/Desdemona) | — | ||
| 33-13 | Otello: Act IV, Scene II. "Ave Maria..." (Desdemona) | Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | — | |
| 33-14 | Otello, Act IV, Terza e quarta scena: Chi è là? Otello (Desdemona/Otello) | — | ||
| 33-15 | Otello, Act IV, Terza e quarta scena: Aprite! Aprite! (Emilia/Otello/Desdemona) | — | ||
| 33-16 | Otello, Act IV, Terza e quarta scena: Qual grida! Orror! Orror! (Cassio/Lodovico/Jago/Emilia/Montano) | — | ||
| 33-17 | Otello: Act IV, Scene IV. "Niun mi tema" (Otello, Cassio, Lodovico, Montano) | Aldo Bottion, Mario Machi, Jon Vickers, José van Dam, Berliner Philharmoniker, Herbert von Karajan | — |
Otello, Act III, Prima scena: La vedetta del porto ha segnalato (Herald/Othello/Jago)
—
Otello, Act III, Seconda scena: Dio ti giocondi (Desdemona/Othello)
—
Otello, Act III, Terza e quarta scena: Dio! mi potevi scagliar (Otello/Jago)
—
Otello, Act III, Quinta scena: Vieni, l'aula è deserta
—
Otello, Act III, Quinta scena: Questa è una ragna (Jago/Cassio/Otello)
—
Otello, Act III, Sesta scena: Come la ucciderò? (Otello/Jago/Ciprioti)
—
Otello, Act III, Settima scena: Viva! Evviva! Viva il Leon di San Marco! (Coro/Lodovico/Otello/Desdemona/Emilia/Jago)
—
Otello, Act III, Ottava scena: Messeri! Il Doge (Othello/Roderigo/Jago/Cassio/Lodovico)
—
Otello, Act III, Ottava scena: A terra... si... nel livido fango (Desdemona/Emilia/Cassio/Roderigo/All)
—
Otello, Act III, Nona scena: Fuggirmi io sol non so...Sangue! (Otello/Jago/Ciprioti)
—
Otello, Act IV, Prima scena: Era più calmo? (Emilia/Desdemona)
—
Otello, Act IV, Prima scena: Mia madre aveva una povera ancella (Emilia/Desdemona)
—
Otello: Act IV, Scene II. "Ave Maria..." (Desdemona)
Mirella Freni, Berliner Philharmoniker, Herbert von Karajan
—
Otello, Act IV, Terza e quarta scena: Chi è là? Otello (Desdemona/Otello)
—
Otello, Act IV, Terza e quarta scena: Aprite! Aprite! (Emilia/Otello/Desdemona)
—
Otello, Act IV, Terza e quarta scena: Qual grida! Orror! Orror! (Cassio/Lodovico/Jago/Emilia/Montano)
—
Otello: Act IV, Scene IV. "Niun mi tema" (Otello, Cassio, Lodovico, Montano)
Aldo Bottion, Mario Machi, Jon Vickers, José van Dam, Berliner Philharmoniker, Herbert von Karajan
—
Additional database matches (6)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Don Carlo: Atto II, Scena II, No. 5. Scena e romanza: "Non pianger, mia compagna" (Elisabetta, Rodrigo, Coro, Filippo) | John McCarthy, Montserrat Caballé, Sherrill Milnes, Ruggero Raimondi, Ambrosian Opera Chorus, Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini | — |
| Don Carlo: Atto IV, Scena I, No. 10. Introduzione e scena: "Ella giammai m'amò!" (Filippo) | Ruggero Raimondi, Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini | — |
| Simon Boccanegra: Atto I, scena 1. “Orfanella il tetto umile” | Tito Gobbi, Victoria de los Ángeles, Orchestra del Teatro dell’Opera di Roma, Gabriele Santini | — |
| La traviata: “Libiamo ne’ lieti calici” (Alfredo, Violetta, Chœurs) | Alfredo Kraus, Renata Scotto, Ambrosian Opera Chorus, Philharmonia Orchestra, Riccardo Muti | — |
| La traviata: Atto II. Coro: "Noi siamo zingarelle" (Zingarelle, Flora, Marchese) | Richard van Allan, Ambrosian Opera Chorus, Sarah Walker, Philharmonia Orchestra, Riccardo Muti | — |
| Rigoletto: “Gualtier Maldè! … Caro nome” | Norberto Mola, Coro del Teatro alla Scala di Milano, Maria Callas, William Dickie, Renato Ercolani, Carlo Forti, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | T-913.242.186-4 |
Don Carlo: Atto II, Scena II, No. 5. Scena e romanza: "Non pianger, mia compagna" (Elisabetta, Rodrigo, Coro, Filippo)
John McCarthy, Montserrat Caballé, Sherrill Milnes, Ruggero Raimondi, Ambrosian Opera Chorus, Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini
—
Don Carlo: Atto IV, Scena I, No. 10. Introduzione e scena: "Ella giammai m'amò!" (Filippo)
Ruggero Raimondi, Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini
—
Simon Boccanegra: Atto I, scena 1. “Orfanella il tetto umile”
Tito Gobbi, Victoria de los Ángeles, Orchestra del Teatro dell’Opera di Roma, Gabriele Santini
—
La traviata: “Libiamo ne’ lieti calici” (Alfredo, Violetta, Chœurs)
Alfredo Kraus, Renata Scotto, Ambrosian Opera Chorus, Philharmonia Orchestra, Riccardo Muti
—
La traviata: Atto II. Coro: "Noi siamo zingarelle" (Zingarelle, Flora, Marchese)
Richard van Allan, Ambrosian Opera Chorus, Sarah Walker, Philharmonia Orchestra, Riccardo Muti
—
Norberto Mola, Coro del Teatro alla Scala di Milano, Maria Callas, William Dickie, Renato Ercolani, Carlo Forti, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
000000005513068X000000005514216200000000551434210000000055149276000000005516231500000000551721180000000055175386000000005518039600000000551864560000000063092548
+40 more
0000000063092601000000007144029000000000773210810000000078389926000000008015859600000000810492280000000081817805000000008183027600000000839027630000000083930457000000008411721400000001066174480000000108602274000000010865367X00000001086641840000000108694068000000010869845600000001087102160000000109045246000000010922378600000001092820730000000109378163000000010938538X0000000109426524000000010944756000000001095351810000000109953690000000011006127800000001100969210000000110208129000000011023504700000001106086750000000110648853000000011072867700000001108294270000000110829638000000011082996100000001108470780000000114377050000000011439722X
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What is UPC 5099941674529?
5099941674529 is a Universal Product Code (UPC) assigned to The Great Operas by Giuseppe Verdi. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 17 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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