UPC · Release
100 Best Adagios
Various Artists
5099952208553
96 tracksReleased 2008-05-09
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5099952208553 is the Universal Product Code (UPC barcode) for the release “100 Best Adagios” by Various Artists, released 2008-05-09. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 96 tracks, each with its own ISRC. Tracks include FRZ119702170.
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9952Company prefix
20855Product
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UPC100 Best Adagios
ISRC1 recording
ISWC6 works
Track List (96)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Adagio for Strings and Organ in G Minor, “Albinoni’s Adagio” (Excerpt, Opening) | — | ||
| 2 | Canon and Gigue for Three Violins and Continuo in D Major: Canon | — | ||
| 3 | Miserere mei, Deus | — | ||
| 4 | Flute Concerto in G Minor, Op. 10 No. 2, RV 439 “La notte”: V. Largo. Il Sonno | — | ||
| 5 | The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 “Spring”: II. Largo e pianissimo sempre | — | ||
| 6 | The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 “Summer”: II. Adagio | — | ||
| 7 | The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 “Autumn”: II. Adagio molto | — | ||
| 8 | The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 “Winter”: II. Largo | — | ||
| 9 | Mandolin Concerto in C Major, RV 425: II. Largo | — | ||
| 10 | Harpsichord Concerto No. 4 in A Major, BWV 1055: II. Larghetto | — | ||
| 11 | Harpsichord Concerto No. 5 in F Minor, BWV 1056: II. Largo | — | ||
| 12 | Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto | — | ||
| 13 | Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande | — | ||
| 14 | Orchestral Suite No. 3 in D Major, BWV 1068: II. Air | — | ||
| 15 | Cello Suite No. 5 in C Minor, BWV 1011: IV. Sarabande | — | ||
| 16 | Symphony No. 88 in G Major, Hob. I:88: II. Largo (Excerpt) | — | ||
| 17 | Stabat Mater: I. Stabat mater dolorosa | — | ||
| 18 | Ave verum corpus, K. 618 | — | ||
| 19 | Serse, HWV 40, Act 1, Scene 1: Arioso. “Ombra mai fù” (Serse) | — | ||
| 20 | Solfeggio | — | ||
| 21 | The Protecting Veil: VIII. The Protecting Veil | — | ||
| 2-1 | Piano Concerto No. 21 in C Major, K. 467: II. Andante | — | ||
| 2-2 | Clarinet Concerto in A Major, K. 622: II. Adagio | — | ||
| 2-3 | Piano Concerto No. 20 in D Minor, K. 466: III. Rondo (Allegro assai) [Excerpt] | — | ||
| 2-4 | Eine kleine Nachtmusik, K. 525: II. Romance. Andante | — | ||
| 2-5 | Piano Concerto No. 22 in E‐Flat Major, K. 482: II. Andante | — | ||
| 2-6 | Symphony No. 40 in G Minor, K. 550: II. Andante | — | ||
| 2-7 | Piano Concerto No. 23 in A Major, K. 488: II. Andante | — | ||
| 2-8 | Piano Concerto No. 24 in C Minor, K. 491: II. Larghetto | — | ||
| 2-9 | Maurerische Trauermusik, K. 477 | — | ||
| 2-10 | Clarinet Quintet in A Major, K. 581: II. Larghetto | — | ||
| 2-11 | Piano Sonata No. 8 in A Minor, K. 310: II. Andante cantabile con espressione | — | ||
| 2-12 | Concerto for Flute and Harp in C Major, K. 299/297c: II. Andantino | — | ||
| 3-1 | Piano Sonata No. 14 in C‐Sharp Minor, Op. 27 No. 2 “Moonlight”: I. Adagio sostenuto | — | ||
| 3-2 | Symphony No. 3 in E‐Flat Major, Op. 55 “Eroica”: II. Marcia funebre. Adagio assai | — | ||
| 3-3 | Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto | — | ||
| 3-4 | Piano Sonata No. 8 in C Minor, Op. 13 “Pathétique”: II. Adagio cantabile | — | ||
| 3-5 | Piano Concerto No. 5 in E‐Flat Major, Op. 73 “Emperor”: II. Adagio un poco mosso | — | ||
| 3-6 | Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | — | ||
| 3-7 | Piano Concerto No. 2 in B‐Flat Major, Op. 83: III. Andante (Excerpt) | — | ||
| 3-8 | A Midsummer Night’s Dream, Op. 61, MWV M13: Nocturne | — | ||
| 3-9 | Symphony No. 8 in B Minor, D. 759 “Unfinished”: II. Andante con moto | — | ||
| 3-10 | String Quartet No. 14 in D Minor, D. 810 “Death and the Maiden”: II. Andante con moto | — | ||
| 3-11 | Symphony No. 9 in C Major, D. 944 “The Great”: II. Andante con moto | — | ||
| 3-12 | Piano Trio No. 2 in E‐Flat Major, Op. 100, D. 929: II. Andante con moto | — | ||
| 3-13 | Kinderszenen, Op. 15: No. 7, Träumerei | — | ||
| 3-14 | Symphony No. 3 in E‐Flat Major, Op. 97 “Rhenish”: IV. Feierlich | — | ||
| 3-16 | Siegfried‐Idyll, WWV 103: (Ruhig bewegt) | — | ||
| 3-17 | Symphony No. 5 in C‐Sharp Minor: IV. Adagietto. Sehr langsam (Excerpt) | — | ||
| 4-1 | Saint‐Saëns: Le carnaval des animaux, R 125: VII. Aquarium | — | ||
| 4-2 | Saint‐Saëns: Le carnaval des animaux, R 125: XIII. Le cygne | — | ||
| 4-3 | Suite bergamasque, CD 82, L. 75: III. Clair de lune | — | ||
| 4-4 | Préludes, Livre I, CD 125, L. 117: No. 6, Des pas sur la neige | — | ||
| 4-5 | Préludes, Livre I, CD 125, L. 117: No. 10, La cathédrale engloutie | — | ||
| 4-7 | Pavane, Op. 50 | — | ||
| 4-8 | Requiem, Op. 48: I. Introït et Kyrie | — | ||
| 4-9 | Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | — | ||
| 4-10 | Concert champêtre for Harpsichord and Orchestra, FP 49: II. Andante. Mouvement de sicilienne | — | ||
| 4-11 | 6 Gnossiennes: No. 1, Lent | — | ||
| 4-12 | 3 Gymnopédies: No. 3, Lent et grave | — | ||
| 4-13 | Piano Concerto in G Major, M. 83: II. Adagio assai | — | ||
| 4-14 | Vocalise-Étude en forme de Habanera, M. 51 (Orch. Hoérée) | — | ||
| 4-15 | Ma mère l’Oye, ballet en un acte, M. 62: Pavane de la Belle au bois dormant (Excerpt) | — | ||
| 4-16 | Ma mère l’Oye, ballet en un acte, M. 62: Le jardin féerique | — | ||
| 5-1 | Suite for Jazz Orchestra No. 2, Op. 50b: No. 2, Waltz | — | ||
| 5-2 | Les Contes d’Hoffmann, Act 4: “Belle nuit, ô nuit d’amour” (Barcarolle) [Nicklausse, Giulietta, Chorus] | — | ||
| 5-3 | Symphonie espagnole in D Minor for Violin, Op. 21: IV. Andante | — | ||
| 5-4 | Thaïs, Act 2: Méditation | — | ||
| 5-5 | Pictures at an Exhibition: No. 4, Il Vecchio Castello | — | ||
| 5-6 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto | — | ||
| 5-7 | Symphony No. 2 in E Minor, Op. 27: III. Adagio | — | ||
| 5-8 | Vocalise, op. 34 no. 14 | Natalie Dessay, Berliner Sinfonie-Orchester, Michael Schønwandt | T-900.222.366-7 | |
| 5-9 | Pulcinella: II. Serenata. “Mentre l’erbetta” | — | ||
| 5-10 | Nocturne No. 5 in F‐Sharp Major, Op. 15 No. 2 | — | ||
| 5-11 | Nocturne No. 20 in C‐Sharp Minor, Op. Posth. | — | ||
| 5-12 | 24 Preludes, Op. 28: No. 4 in E Minor | — | ||
| 5-13 | Piano Sonata No. 2 in B‐Flat Minor, Op. 35 “Funeral March”: III. Marche funèbre. Lento | — | ||
| 5-14 | Piano Concerto No. 1 in B‐Flat Minor, Op. 23: II. Andantino semplice - Prestissimo | — | ||
| 5-15 | Violin Concerto in D Major, Op. 35: II. Canzonetta. Andante | — | ||
| 5-16 | Symphony No. 6 in B Minor, Op. 74 “Pathétique”: IV. Finale. Adagio lamentoso | — | ||
| 6-1 | Adagio for Strings, Op. 11 | — | ||
| 6-2 | 8 Slavonic Dances, Op. 72, B. 147: No. 10 in E Minor | — | ||
| 6-3 | 8 Slavonic Dances, Op. 46, B. 83: No. 2 in E Minor | — | ||
| 6-4 | From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | — | ||
| 6-5 | Peer Gynt, Op. 23, Act 3: No. 12, The Death of Åse | — | ||
| 6-6 | Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood | — | ||
| 6-7 | Piano Concerto in A Minor, Op. 16: II. Adagio | — | ||
| 6-8 | Holberg Suite, Op. 40: IV. Air | — | ||
| 6-9 | Lemminkäinen Suite, Op. 22: II. The Swan of Tuonela | — | ||
| 6-10 | 2 Pieces from Kuolema, Op. 44: No. 1, Valse triste | — | ||
| 6-11 | 6 Consolations, S. 172: No. 3 in D‐Flat Major | — | ||
| 6-12 | Liebesträume, S. 541: No. 3 in A‐Flat Major | — | ||
| 6-13 | Fantasia on Greensleeves | — | ||
| 6-14 | Bachianas brasileiras No. 5, W389-3: I. Aria in A Minor (Cantilena. Adagio) | — | ||
| 6-15 | Floresta do Amazonas, W551: Melodia Sentimental (Arr. for Guitar) | — | ||
| 6-16 | Concierto de Aranjuez: II. Adagio | — |
Adagio for Strings and Organ in G Minor, “Albinoni’s Adagio” (Excerpt, Opening)
—
Canon and Gigue for Three Violins and Continuo in D Major: Canon
—
Miserere mei, Deus
—
Flute Concerto in G Minor, Op. 10 No. 2, RV 439 “La notte”: V. Largo. Il Sonno
—
The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 “Spring”: II. Largo e pianissimo sempre
—
The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 “Summer”: II. Adagio
—
The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 “Autumn”: II. Adagio molto
—
The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 “Winter”: II. Largo
—
Mandolin Concerto in C Major, RV 425: II. Largo
—
Harpsichord Concerto No. 4 in A Major, BWV 1055: II. Larghetto
—
Harpsichord Concerto No. 5 in F Minor, BWV 1056: II. Largo
—
Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto
—
Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande
—
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air
—
Cello Suite No. 5 in C Minor, BWV 1011: IV. Sarabande
—
Symphony No. 88 in G Major, Hob. I:88: II. Largo (Excerpt)
—
Stabat Mater: I. Stabat mater dolorosa
—
Ave verum corpus, K. 618
—
Serse, HWV 40, Act 1, Scene 1: Arioso. “Ombra mai fù” (Serse)
—
Solfeggio
—
The Protecting Veil: VIII. The Protecting Veil
—
Piano Concerto No. 21 in C Major, K. 467: II. Andante
—
Clarinet Concerto in A Major, K. 622: II. Adagio
—
Piano Concerto No. 20 in D Minor, K. 466: III. Rondo (Allegro assai) [Excerpt]
—
Eine kleine Nachtmusik, K. 525: II. Romance. Andante
—
Piano Concerto No. 22 in E‐Flat Major, K. 482: II. Andante
—
Symphony No. 40 in G Minor, K. 550: II. Andante
—
Piano Concerto No. 23 in A Major, K. 488: II. Andante
—
Piano Concerto No. 24 in C Minor, K. 491: II. Larghetto
—
Maurerische Trauermusik, K. 477
—
Clarinet Quintet in A Major, K. 581: II. Larghetto
—
Piano Sonata No. 8 in A Minor, K. 310: II. Andante cantabile con espressione
—
Concerto for Flute and Harp in C Major, K. 299/297c: II. Andantino
—
Piano Sonata No. 14 in C‐Sharp Minor, Op. 27 No. 2 “Moonlight”: I. Adagio sostenuto
—
Symphony No. 3 in E‐Flat Major, Op. 55 “Eroica”: II. Marcia funebre. Adagio assai
—
Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto
—
Piano Sonata No. 8 in C Minor, Op. 13 “Pathétique”: II. Adagio cantabile
—
Piano Concerto No. 5 in E‐Flat Major, Op. 73 “Emperor”: II. Adagio un poco mosso
—
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto
—
Piano Concerto No. 2 in B‐Flat Major, Op. 83: III. Andante (Excerpt)
—
A Midsummer Night’s Dream, Op. 61, MWV M13: Nocturne
—
Symphony No. 8 in B Minor, D. 759 “Unfinished”: II. Andante con moto
—
String Quartet No. 14 in D Minor, D. 810 “Death and the Maiden”: II. Andante con moto
—
Symphony No. 9 in C Major, D. 944 “The Great”: II. Andante con moto
—
Piano Trio No. 2 in E‐Flat Major, Op. 100, D. 929: II. Andante con moto
—
Kinderszenen, Op. 15: No. 7, Träumerei
—
Symphony No. 3 in E‐Flat Major, Op. 97 “Rhenish”: IV. Feierlich
—
Siegfried‐Idyll, WWV 103: (Ruhig bewegt)
—
Symphony No. 5 in C‐Sharp Minor: IV. Adagietto. Sehr langsam (Excerpt)
—
Saint‐Saëns: Le carnaval des animaux, R 125: VII. Aquarium
—
Saint‐Saëns: Le carnaval des animaux, R 125: XIII. Le cygne
—
Suite bergamasque, CD 82, L. 75: III. Clair de lune
—
Préludes, Livre I, CD 125, L. 117: No. 6, Des pas sur la neige
—
Préludes, Livre I, CD 125, L. 117: No. 10, La cathédrale engloutie
—
Pavane, Op. 50
—
Requiem, Op. 48: I. Introït et Kyrie
—
Concerto for Two Pianos in D Minor, FP 61: II. Larghetto
—
Concert champêtre for Harpsichord and Orchestra, FP 49: II. Andante. Mouvement de sicilienne
—
6 Gnossiennes: No. 1, Lent
—
3 Gymnopédies: No. 3, Lent et grave
—
Piano Concerto in G Major, M. 83: II. Adagio assai
—
Vocalise-Étude en forme de Habanera, M. 51 (Orch. Hoérée)
—
Ma mère l’Oye, ballet en un acte, M. 62: Pavane de la Belle au bois dormant (Excerpt)
—
Ma mère l’Oye, ballet en un acte, M. 62: Le jardin féerique
—
Suite for Jazz Orchestra No. 2, Op. 50b: No. 2, Waltz
—
Les Contes d’Hoffmann, Act 4: “Belle nuit, ô nuit d’amour” (Barcarolle) [Nicklausse, Giulietta, Chorus]
—
Symphonie espagnole in D Minor for Violin, Op. 21: IV. Andante
—
Thaïs, Act 2: Méditation
—
Pictures at an Exhibition: No. 4, Il Vecchio Castello
—
Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto
—
Symphony No. 2 in E Minor, Op. 27: III. Adagio
—
Natalie Dessay, Berliner Sinfonie-Orchester, Michael Schønwandt
Pulcinella: II. Serenata. “Mentre l’erbetta”
—
Nocturne No. 5 in F‐Sharp Major, Op. 15 No. 2
—
Nocturne No. 20 in C‐Sharp Minor, Op. Posth.
—
24 Preludes, Op. 28: No. 4 in E Minor
—
Piano Sonata No. 2 in B‐Flat Minor, Op. 35 “Funeral March”: III. Marche funèbre. Lento
—
Piano Concerto No. 1 in B‐Flat Minor, Op. 23: II. Andantino semplice - Prestissimo
—
Violin Concerto in D Major, Op. 35: II. Canzonetta. Andante
—
Symphony No. 6 in B Minor, Op. 74 “Pathétique”: IV. Finale. Adagio lamentoso
—
Adagio for Strings, Op. 11
—
8 Slavonic Dances, Op. 72, B. 147: No. 10 in E Minor
—
8 Slavonic Dances, Op. 46, B. 83: No. 2 in E Minor
—
From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods
—
Peer Gynt, Op. 23, Act 3: No. 12, The Death of Åse
—
Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood
—
Piano Concerto in A Minor, Op. 16: II. Adagio
—
Holberg Suite, Op. 40: IV. Air
—
Lemminkäinen Suite, Op. 22: II. The Swan of Tuonela
—
2 Pieces from Kuolema, Op. 44: No. 1, Valse triste
—
6 Consolations, S. 172: No. 3 in D‐Flat Major
—
Liebesträume, S. 541: No. 3 in A‐Flat Major
—
Fantasia on Greensleeves
—
Bachianas brasileiras No. 5, W389-3: I. Aria in A Minor (Cantilena. Adagio)
—
Floresta do Amazonas, W551: Melodia Sentimental (Arr. for Guitar)
—
Concierto de Aranjuez: II. Adagio
—
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
00000000261749580000000055135544000000005513721600000000551467370000000055177082000000006308963X0000000080005864000000008101496500000000810629590000000081255953
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What is UPC 5099952208553?
5099952208553 is a Universal Product Code (UPC) assigned to 100 Best Adagios by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 96 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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